1
00:00:02,103 --> 00:00:03,736
OH, GOD.
2
00:00:03,738 --> 00:00:05,738
[ SIGHS ]
3
00:00:16,684 --> 00:00:18,517
MORNING.
4
00:00:18,519 --> 00:00:20,052
JESUS.
[ SIGHS ]
5
00:00:20,054 --> 00:00:22,187
NO -- DANIEL.
6
00:00:22,623 --> 00:00:24,556
I FORGOT YOU WERE HERE.
7
00:00:24,558 --> 00:00:27,760
I DON'T KNOW HOW
THAT'S POSSIBLE, BUT I...DID.
8
00:00:27,762 --> 00:00:30,095
I DON'T KNOW WHY I DRINK.
9
00:00:30,097 --> 00:00:32,664
DON'T LIKE THE HIGH,
AND I HATE THE HANGOVER.
10
00:00:32,666 --> 00:00:35,067
WHAT ARE YOU LOOKING FOR?
11
00:00:35,069 --> 00:00:36,435
TIME.
YOU HAVE THE TIME?
12
00:00:36,437 --> 00:00:38,237
YOU HAVE A WATCH.
[ KEYS JINGLING ]
13
00:00:38,239 --> 00:00:39,605
IT'S BROKEN.
14
00:00:39,607 --> 00:00:41,106
I DON'T HAVE THE TIME.
15
00:00:41,108 --> 00:00:42,641
I HAVE A PHONE
THAT HAS THE TIME.
16
00:00:42,643 --> 00:00:44,476
A PHONE?
17
00:00:44,478 --> 00:00:46,445
YES.
18
00:00:46,447 --> 00:00:49,748
I SAW A PHONE
IN THE KITCHEN.
19
00:00:49,750 --> 00:00:51,583
IN THE DRAWER.
20
00:00:53,788 --> 00:00:57,189
THE ONE WITH
THE, UH, I-ICE-CREAM SCOOPER.
21
00:01:01,595 --> 00:01:04,430
OKAY,
I'M DEFINITELY LATE.
22
00:01:04,432 --> 00:01:07,099
THERE'S CEREAL.
23
00:01:07,101 --> 00:01:08,834
I DON'T THINK
THERE'S ANY MILK.
24
00:01:08,836 --> 00:01:10,569
NO PROBLEM.
25
00:01:10,571 --> 00:01:14,073
SORRY, THE FRIDGE ISN'T
PERPETUALLY STOCKED LIKE MOM'S.
26
00:01:14,075 --> 00:01:16,475
SEE,
THE WAY I ROLL IS...
27
00:01:16,477 --> 00:01:21,413
I DON'T EAT. I DON'T EAT.
I DON'T EAT.
28
00:01:21,415 --> 00:01:23,782
AND THEN I EAT SHIT.
29
00:01:23,784 --> 00:01:25,684
A LOT OF SHIT.
30
00:01:25,686 --> 00:01:27,753
SEEMS TO BE WORKING.
31
00:01:27,755 --> 00:01:29,555
[ SIGHS ]
32
00:01:32,126 --> 00:01:33,192
HOW'S YOUR BED?
33
00:01:35,262 --> 00:01:37,229
AIRY.
34
00:01:37,231 --> 00:01:38,730
OH, YOU NEED A KEY.
[ KEYS JINGLE ]
35
00:01:38,732 --> 00:01:40,566
I-I DON'T
HAVE TO HAVE A KEY.
36
00:01:40,568 --> 00:01:43,502
YES, YOU DO.
PEOPLE STEAL SHIT AROUND HERE.
37
00:01:43,504 --> 00:01:44,736
[ KEYS JINGLING ]
38
00:01:44,738 --> 00:01:46,338
THAT WAS THE ONE PROBLEM
I DIDN'T HAVE
39
00:01:46,340 --> 00:01:47,406
WHERE I USED TO LIVE.
40
00:01:47,408 --> 00:01:48,841
MOM'S?
41
00:01:48,843 --> 00:01:50,476
THE PLACE BEFORE.
42
00:01:59,320 --> 00:02:00,886
YOU NEED SOME MONEY?
43
00:02:00,888 --> 00:02:05,457
NO, I JUST NEEDED A PLACE
TO STAY, AMANTHA --
44
00:02:05,459 --> 00:02:06,725
TEMPORARILY.
45
00:02:06,727 --> 00:02:08,193
THAT'S ALL.
46
00:02:10,531 --> 00:02:11,897
WELL, HAVE A GREAT DAY.
47
00:02:13,667 --> 00:02:15,534
YES, YOU TOO.
48
00:02:15,536 --> 00:02:17,202
[ DOOR CLOSES ]
49
00:02:20,508 --> 00:02:21,640
[ DOG BARKS ]
50
00:02:21,642 --> 00:02:24,276
Ted: DID TEDDY SAY
WHERE TAWNEY WAS?
51
00:02:24,278 --> 00:02:26,145
HE SAID HE DIDN'T KNOW.
52
00:02:26,147 --> 00:02:27,513
HUH.
53
00:02:30,484 --> 00:02:32,518
I THINK IT HAD
SOMETHING TO DO WITH DANIEL.
54
00:02:33,420 --> 00:02:35,621
IS THAT RIGHT?
55
00:02:39,560 --> 00:02:40,893
OH, AND AMANTHA CALLED.
56
00:02:40,895 --> 00:02:43,395
SAID DANIEL'S STAYING
WITH HER NOW.
57
00:02:43,397 --> 00:02:44,630
WELL,
THAT'S GOOD TO HEAR.
58
00:02:44,632 --> 00:02:46,765
WELL,
THAT IS GOOD TO HEAR.
59
00:02:46,767 --> 00:02:49,401
BUT I WONDER WHY DANIEL
JUST UP AND WENT TO AMANTHA'S
60
00:02:49,403 --> 00:02:50,602
ALL OF A SUDDEN.
61
00:02:50,604 --> 00:02:52,471
THAT'S CURIOUS,
DON'T YOU THINK?
62
00:02:52,473 --> 00:02:54,940
I'M SURE
HE HAD HIS REASONS.
63
00:02:54,942 --> 00:02:57,342
AND I WONDER WHY
YOU'RE LYING TO ME, TED.
64
00:02:59,346 --> 00:03:01,280
I'M NOT LYING TO YOU,
JANET.
65
00:03:01,282 --> 00:03:04,950
OKAY, MAYBE NOT, BUT YOU'RE SURE
NOT TELLING ME SOMETHING.
66
00:03:04,952 --> 00:03:06,952
I ASKED HIM TO LEAVE.
67
00:03:06,954 --> 00:03:09,188
WHY?
68
00:03:09,190 --> 00:03:11,890
WHY WOULD YOU DO THAT?
69
00:03:11,892 --> 00:03:13,859
AND I ASKED HIM TO TELL YOU
THE REASON.
70
00:03:13,861 --> 00:03:15,194
WELL, HE DIDN'T.
71
00:03:15,196 --> 00:03:16,762
WHAT WAS THE REASON, TED?
72
00:03:18,232 --> 00:03:19,831
DANIEL ASSAULTED TEDDY.
73
00:03:21,335 --> 00:03:22,334
WHAT?
74
00:03:22,336 --> 00:03:23,468
HE CHOKED HIM OUT.
75
00:03:23,470 --> 00:03:24,503
CHOKED HIM OUT?
76
00:03:24,505 --> 00:03:26,305
YOU MEAN HE STRANGLED HIM?
77
00:03:26,307 --> 00:03:27,739
NO, THAT'S DIFFERENT.
78
00:03:27,741 --> 00:03:29,575
UH, EVIDENTLY,
WHEN YOU CHOKE SOMEBODY OUT,
79
00:03:29,577 --> 00:03:31,577
YOU CUT OFF THEIR BLOOD SUPPLY,
AND THEY PASS OUT.
80
00:03:31,579 --> 00:03:32,844
PASS OUT?
81
00:03:32,846 --> 00:03:34,746
THAT'S THE WAY YOU GAIN CONTROL
OR WHATEVER.
82
00:03:34,748 --> 00:03:35,914
"GAIN CONTROL"?
83
00:03:35,916 --> 00:03:37,816
HOW DO YOU KNOW
ALL THIS, TED?
84
00:03:39,720 --> 00:03:41,386
THE SENATOR TOLD ME.
85
00:03:41,388 --> 00:03:43,956
ANYWAY,
TEDDY TOLD THE SHERIFF,
86
00:03:43,958 --> 00:03:46,792
AND HE, THE SHERIFF,
TOLD THE SENATOR, AND...
87
00:03:46,794 --> 00:03:49,394
AND SO ON.
88
00:03:51,298 --> 00:03:54,399
I DIDN'T WANT TO HAVE TO
TELL YOU THIS, JANET.
89
00:03:54,401 --> 00:03:56,635
[ SIGHS ]
90
00:03:56,637 --> 00:03:59,338
I'M GONNA MAKE SOME COFFEE.
91
00:03:59,340 --> 00:04:00,706
COME DOWN
WHEN YOU'RE DRESSED.
92
00:04:37,811 --> 00:04:40,946
[ AIR WHIRRING ]
93
00:04:52,793 --> 00:04:55,627
[ WHIRRING CONTINUES ]
94
00:05:01,468 --> 00:05:04,603
[ WHIRRING STOPS ]
95
00:05:12,980 --> 00:05:16,048
Tawney: THEY CALL IT "AGING OUT"
WHEN YOU TURN 18.
96
00:05:16,050 --> 00:05:19,051
Rebecca: WHAT HAPPENS
WHEN YOU AGE OUT?
97
00:05:19,053 --> 00:05:22,421
UH, WELL, LEGALLY,
YOU CAN LEAVE THE SYSTEM,
98
00:05:22,423 --> 00:05:23,822
BUT, UM...
99
00:05:23,824 --> 00:05:27,392
YOU CAN ALSO STAY IF YOU GET
A JOB OR GO TO SCHOOL --
100
00:05:27,394 --> 00:05:29,895
IF YOU
AND YOUR FOSTER PARENT AGREE --
101
00:05:29,897 --> 00:05:32,464
UNTIL YOU'RE 21,
IF YOU WANT.
102
00:05:32,466 --> 00:05:33,965
AND WHAT DID YOU DO?
103
00:05:33,967 --> 00:05:36,068
I STAYED UNTIL I WAS 20.
104
00:05:36,070 --> 00:05:40,539
MISS KATHY LIKED HELP
WITH THE YOUNGER KIDS AND --
105
00:05:40,541 --> 00:05:42,541
AND I LIKED DOING IT.
106
00:05:42,543 --> 00:05:44,776
AND I LIKED MISS KATHY, TOO.
107
00:05:44,778 --> 00:05:46,044
SHE WAS, UM...
108
00:05:46,046 --> 00:05:48,947
YOU KNOW, FAIR.
109
00:05:48,949 --> 00:05:50,882
FIRM BUT FAIR.
110
00:05:52,953 --> 00:05:54,786
I ALWAYS FELT SAFE
WITH HER.
111
00:05:54,788 --> 00:05:57,055
DO YOU FEEL SAFE
WITH TED?
112
00:05:57,057 --> 00:05:58,423
TEDDY.
113
00:05:58,425 --> 00:05:59,958
THAT'S WHAT WE CALL HIM --
"TEDDY."
114
00:05:59,960 --> 00:06:02,094
HIS DAD'S TED.
115
00:06:02,096 --> 00:06:04,996
I DON'T KNOW IF HE LIKES
BEING CALLED "TEDDY."
116
00:06:04,998 --> 00:06:06,631
BUT...
117
00:06:06,633 --> 00:06:08,700
IT HELPS PEOPLE
KEEP THEM APART.
118
00:06:08,702 --> 00:06:10,469
DID YOU EVER ASK HIM?
119
00:06:10,471 --> 00:06:11,536
WHAT?
120
00:06:11,538 --> 00:06:13,472
IF HE LIKED BEING CALLED
"TEDDY."
121
00:06:13,474 --> 00:06:14,706
[ CHUCKLES ]
122
00:06:14,708 --> 00:06:15,941
UM...
123
00:06:15,943 --> 00:06:18,944
NO, I-I NEVER --
NEVER THOUGHT TO.
124
00:06:18,946 --> 00:06:21,012
[ CHUCKLES NERVOUSLY ]
125
00:06:21,014 --> 00:06:23,949
TAWNEY, YOU CAN SAY WHATEVER
YOU WANT TO HERE.
126
00:06:23,951 --> 00:06:25,384
DO YOU KNOW THAT?
127
00:06:25,386 --> 00:06:27,419
[ CHUCKLES LIGHTLY ]
128
00:06:34,495 --> 00:06:36,161
HE'S SO MAD -- TEDDY.
129
00:06:37,531 --> 00:06:40,031
WHEN HE GETS MAD,
HOW DOES THAT MAKE YOU FEEL?
130
00:06:40,033 --> 00:06:42,501
[ SIGHS ]
131
00:06:42,503 --> 00:06:45,537
IT'S USUALLY
ABOUT SOMETHING THAT I'VE DONE,
132
00:06:45,539 --> 00:06:47,906
SO I WOULD TRY TO FIGURE OUT
WHAT IT WAS FIRST.
133
00:06:47,908 --> 00:06:50,475
THAT'S WHAT
YOU WERE THINKING.
134
00:06:50,477 --> 00:06:52,177
BUT HOW WERE YOU FEELING?
135
00:06:52,179 --> 00:06:54,413
[ SIGHS ]
136
00:06:54,415 --> 00:06:59,050
WOW.
THAT'S FUNNY, UM...
137
00:06:59,052 --> 00:07:00,519
WELL...
138
00:07:00,521 --> 00:07:02,954
I FEEL CONCERNED.
139
00:07:04,725 --> 00:07:07,092
UH, T-THAT'S NOT A FEELING
EITHER, IS IT?
140
00:07:07,094 --> 00:07:08,994
CONCERNED ABOUT WHAT?
141
00:07:11,131 --> 00:07:14,566
UH, ABOUT WHAT WAS
GONNA HAPPEN NEXT.
142
00:07:14,568 --> 00:07:17,135
TEDDY WOULD N-NEVER
HIT ME.
143
00:07:17,137 --> 00:07:18,637
HE NEVER HAS.
144
00:07:18,639 --> 00:07:20,939
BUT...
145
00:07:22,543 --> 00:07:24,876
HE CAN BEAR DOWN ON YOU
SOMETIMES.
146
00:07:24,878 --> 00:07:26,745
"BEAR DOWN"?
147
00:07:26,747 --> 00:07:29,781
[ SIGHS ]
148
00:07:29,783 --> 00:07:31,583
CORNER YOU.
149
00:07:31,585 --> 00:07:34,186
LIKE YOU'RE TRAPPED.
150
00:07:34,188 --> 00:07:36,154
LIKE THERE'S NO WAY OUT.
151
00:07:36,156 --> 00:07:38,990
AND WHAT DO YOU WANT TO DO
WHEN YOU FEEL THAT WAY?
152
00:07:44,898 --> 00:07:46,731
[ EXHALES SHARPLY ]
153
00:07:46,733 --> 00:07:48,767
RUN.
154
00:07:50,003 --> 00:07:52,571
RUN LIKE THE DEVIL.
155
00:07:53,774 --> 00:07:57,108
THAT'S A VERY REASONABLE
IMPULSE, TAWNEY.
156
00:07:57,110 --> 00:07:59,744
BUT I NEVER DID.
157
00:07:59,746 --> 00:08:00,912
UH...
158
00:08:00,914 --> 00:08:02,581
NOT UNTIL THAT NIGHT.
159
00:08:05,752 --> 00:08:08,553
TAWNEY, DO YOU WANT TO SAVE
YOUR MARRIAGE?
160
00:08:12,759 --> 00:08:14,659
YOU'RE GONNA HAVE TO
TRUST SOMEONE...
161
00:08:16,063 --> 00:08:18,630
...AT SOME POINT.
162
00:08:20,167 --> 00:08:22,067
I FEEL SO GUILTY.
163
00:08:22,069 --> 00:08:24,870
ABOUT WHAT?
164
00:08:29,610 --> 00:08:35,113
WHEN I HAD
MY MISCARRIAGE...
165
00:08:35,115 --> 00:08:37,816
PART OF ME WAS RELIEVED.
166
00:08:38,986 --> 00:08:42,053
YOU'RE NOT THE FIRST WOMAN
TO HAVE HAD THAT EXPERIENCE.
167
00:08:42,055 --> 00:08:45,891
AND YOU WON'T BE THE LAST.
168
00:08:45,893 --> 00:08:48,994
AND FROM WHAT LITTLE I KNOW
ABOUT YOU ALREADY,
169
00:08:48,996 --> 00:08:52,097
IT'S NOT THAT SURPRISING,
YOU KNOW?
170
00:08:54,801 --> 00:08:56,067
I SUPPOSE.
171
00:08:56,069 --> 00:08:58,537
[ SNIFFS ]
172
00:08:59,239 --> 00:09:01,139
Carl:
NO GUN FOUND, NO NOTE,
173
00:09:01,141 --> 00:09:03,275
NOTHING IN THE VICINITY
OF THE RIVER
174
00:09:03,277 --> 00:09:04,910
THAT INDICATES SUICIDE.
175
00:09:04,912 --> 00:09:08,914
WELL, MAYBE SOMETHING
WILL TURN UP HELPFUL IN FLORIDA.
176
00:09:08,916 --> 00:09:11,850
I'M NOT WILLING TO JUMP
TO CONCLUSIONS OF FOUL PLAY YET.
177
00:09:11,852 --> 00:09:15,086
I ALREADY WENT TO FLORIDA,
MS. PERSON.
178
00:09:17,157 --> 00:09:18,657
WHEN?
179
00:09:18,659 --> 00:09:21,960
COUPLE OF DAYS AGO
TO GEORGE'S TRAILER.
180
00:09:24,197 --> 00:09:25,931
BEFORE ALL THIS HAPPENED
181
00:09:25,933 --> 00:09:28,133
OR BEFORE WE KNEW
ALL THIS HAPPENED.
182
00:09:28,135 --> 00:09:30,902
PLEASE DON'T TELL ME YOU WENT
INSIDE MR. MELTON'S TRAILER.
183
00:09:30,904 --> 00:09:32,837
IT WAS UNLOCKED.
184
00:09:32,839 --> 00:09:34,573
SERIOUSLY, SHERIFF?
185
00:09:35,309 --> 00:09:37,909
YOU SHOULDN'T HAVE GONE INSIDE
WITHOUT A WARRANT.
186
00:09:37,911 --> 00:09:39,911
I REALIZE THAT NOW.
187
00:09:39,913 --> 00:09:41,179
NOT EVEN YOUR JURISDICTION.
188
00:09:41,181 --> 00:09:43,315
YOU'RE STATE.
189
00:09:45,352 --> 00:09:47,118
MA'AM, I'VE BEEN THINKING,
190
00:09:47,120 --> 00:09:49,821
WE COULD BRING IN
THE GBI ON THIS END,
191
00:09:49,823 --> 00:09:52,290
LET THEM OVERSEE THINGS
HERE IN PAULIE
192
00:09:52,292 --> 00:09:54,025
IF IT'D MAKE YOU
FEEL BETTER.
193
00:09:54,027 --> 00:09:56,027
AND WHAT WOULD THAT
BE SAYING?
IT WOULD BE SAYING
194
00:09:56,029 --> 00:09:57,362
THAT WE'RE DOING EVERYTHING
ON THE LEVEL.
195
00:09:57,364 --> 00:09:58,797
IT WOULD BE SAYING
196
00:09:58,799 --> 00:10:00,932
THAT THINGS
ARE ALREADY TAINTED HERE.
197
00:10:00,934 --> 00:10:03,034
ARE THINGS TAINTED HERE,
SHERIFF?
198
00:10:03,036 --> 00:10:04,269
NOT BY ME.
199
00:10:04,271 --> 00:10:05,670
AND/OR THAT THERE'S
NO FAITH
200
00:10:05,672 --> 00:10:07,138
THAT THE INVESTIGATION
201
00:10:07,140 --> 00:10:09,774
CAN BE HANDLED BY YOU,
THE SHERIFF,
202
00:10:09,776 --> 00:10:11,977
OR ME,
THE DISTRICT ATTORNEY.
203
00:10:11,979 --> 00:10:13,678
IS THAT WHAT YOU WANT?
204
00:10:13,680 --> 00:10:14,946
OF COURSE NOT.
205
00:10:14,948 --> 00:10:18,116
THAT'S WHY I'M TELLING YOU
THIS NOW.
206
00:10:18,118 --> 00:10:19,918
I SURE DON'T WANT TO
STEP ASIDE,
207
00:10:19,920 --> 00:10:22,621
BUT I'M WILLING TO
IF YOU FEEL THAT'S WHAT'S BEST.
208
00:10:25,258 --> 00:10:27,993
[ MID-TEMPO MUSIC PLAYING ]
209
00:10:33,400 --> 00:10:34,399
I'M SO SORRY.
210
00:10:34,401 --> 00:10:36,034
FORGOT TO SET MY ALARM.
211
00:10:36,036 --> 00:10:37,869
[ SIGHS ]
HAPPENS TO THE BEST OF US.
212
00:10:37,871 --> 00:10:39,237
[ SIGHS ]
213
00:10:39,239 --> 00:10:42,907
AMANTHA, THIS IS OUR
RETURNING MOTHER, PEANUT.
214
00:10:42,909 --> 00:10:45,844
THANKS FOR
KEEPING MY PLACE WARM.
215
00:10:45,846 --> 00:10:47,646
[ SIGHS ]
216
00:10:47,648 --> 00:10:48,947
YOU'RE KIND OF A LEGEND
AROUND HERE.
217
00:10:48,949 --> 00:10:50,682
WELL...
[ CHUCKLES ]
218
00:10:52,886 --> 00:10:54,719
SO, THAT'S WYATT ANDREW.
219
00:10:56,823 --> 00:10:58,356
GOD, THAT MUST'VE HURT.
220
00:10:58,358 --> 00:11:00,825
NOT REALLY.
I HAD AN EPIDERMIS.
221
00:11:00,827 --> 00:11:02,060
[ MID-TEMPO MUSIC CONTINUES ]
222
00:11:02,062 --> 00:11:03,962
AMANTHA.
223
00:11:03,964 --> 00:11:06,064
THAT'S SUCH
AN UNUSUAL NAME.
224
00:11:06,066 --> 00:11:07,198
FAMILY NAME?
225
00:11:07,200 --> 00:11:08,667
[ MID-TEMPO MUSIC CONTINUES ]
226
00:11:08,669 --> 00:11:09,801
NO.
227
00:11:09,803 --> 00:11:11,970
ACTUALLY,
MY MOTHER'S DYSLEXIC.
228
00:11:13,774 --> 00:11:15,173
KIDDING.
[ CHUCKLES ]
229
00:11:15,175 --> 00:11:17,809
IT IS A FAMILY NAME,
PEANUT.
230
00:11:17,811 --> 00:11:21,146
MY GREAT-AUNT WAS AMANTHA --
AMANTHA KATHRYN.
231
00:11:21,148 --> 00:11:23,148
BET YOU GET CALLED "AMANDA"
A LOT.
232
00:11:23,150 --> 00:11:25,016
MM, NOT SO MUCH ANYMORE.
233
00:11:25,018 --> 00:11:27,419
WHAT ABOUT YOU --
FAMILY NAME?
234
00:11:27,421 --> 00:11:28,853
OH, NO.
235
00:11:28,855 --> 00:11:31,022
DADDY JUST STARTED
CALLING ME THAT.
236
00:11:31,024 --> 00:11:32,691
I MEAN, HE LIKED
BOILED PEANUTS AND ALL,
237
00:11:32,693 --> 00:11:33,925
BUT WE DON'T REALLY THINK
THAT WAS THE REASON.
238
00:11:33,927 --> 00:11:34,959
[ CHUCKLES ]
239
00:11:34,961 --> 00:11:36,261
[ MID-TEMPO MUSIC CONTINUES ]
240
00:11:36,263 --> 00:11:37,729
HI, TERRY.
241
00:11:37,731 --> 00:11:39,230
HEY, AMANTHA.
242
00:11:39,232 --> 00:11:41,132
AMANTHA?
243
00:11:44,271 --> 00:11:46,071
[ SIGHS ]
244
00:11:46,073 --> 00:11:48,373
THOUGHT I'D JUST GIVE PEANUT
HER REGISTER BACK.
245
00:11:48,375 --> 00:11:49,441
BEEN HERE NINE YEARS.
246
00:11:49,443 --> 00:11:51,109
NINE YEARS?
[ SIGHS ]
247
00:11:51,111 --> 00:11:52,377
SERIOUSLY?
YEAH.
248
00:11:52,379 --> 00:11:54,412
DID SHE START
WHEN SHE WAS 5?
249
00:11:54,414 --> 00:11:56,781
[ SIGHS ]
TERRY'S LEAVING EARLY.
250
00:11:56,783 --> 00:11:58,249
TILL THEN, YOU CAN STOCK.
251
00:11:58,251 --> 00:11:59,784
GREAT.
252
00:11:59,786 --> 00:12:02,454
UM, YOU THOUGHT ANYMORE
ABOUT OUR CONVERSATION?
253
00:12:02,456 --> 00:12:04,823
I HAVE.
254
00:12:04,825 --> 00:12:06,725
GOOD.
255
00:12:06,727 --> 00:12:08,493
LET'S TALK ABOUT IT
LATER.
256
00:12:08,495 --> 00:12:10,328
OKAY.
OKAY.
257
00:12:10,330 --> 00:12:13,131
[ MID-TEMPO MUSIC CONTINUES ]
258
00:12:17,471 --> 00:12:19,437
[ SIGHS ]
259
00:12:22,743 --> 00:12:25,777
WHAT DID YOU COME ACROSS
WHEN YOU WENT INSIDE, SHERIFF?
260
00:12:25,779 --> 00:12:28,847
BECAUSE WHATEVER YOU FOUND
CAN'T BE USED IF YOU HANDLED IT
261
00:12:28,849 --> 00:12:30,482
OR IF IT CAN'T BE
REASONABLY ARGUED
262
00:12:30,484 --> 00:12:33,218
THAT IT WOULD'VE DISCOVERED
IN AN OFFICIAL INVESTIGATION.
263
00:12:33,220 --> 00:12:35,887
I DON'T THINK
THAT'S GONNA BE A PROBLEM.
264
00:12:35,889 --> 00:12:37,455
OKAY.
265
00:12:37,457 --> 00:12:39,991
GEORGE'S WALLET WAS THERE
FOR ONE.
266
00:12:39,993 --> 00:12:41,459
HOW DO YOU KNOW
IT WAS HIS?
267
00:12:41,461 --> 00:12:43,328
I SAW
HIS DRIVER'S LICENSE.
268
00:12:43,330 --> 00:12:44,395
WHAT ELSE?
269
00:12:44,397 --> 00:12:46,765
HIS CELLPHONE.
270
00:12:46,767 --> 00:12:49,200
I THOUGHT YOU SAID
GEORGE'S CELLPHONE WAS USED
271
00:12:49,202 --> 00:12:50,468
SIX WEEKS AGO IN PAULIE.
272
00:12:50,470 --> 00:12:51,536
YES.
273
00:12:51,538 --> 00:12:53,238
SO, IF THAT'S HIS PHONE,
274
00:12:53,240 --> 00:12:56,407
IT SOMEHOW GOT BACK TO
HIS TRAILER AFTER HE DIED.
275
00:12:56,409 --> 00:12:59,544
UH, LET'S DON'T GET AHEAD
OF OURSELVES.
276
00:12:59,546 --> 00:13:02,080
I MEAN, WE DON'T KNOW
THE EXACT TIME OF DEATH
277
00:13:02,082 --> 00:13:04,315
OR IF THAT IS, INDEED,
HIS PHONE.
278
00:13:07,320 --> 00:13:08,920
THERE'S SOMETHING ELSE.
279
00:13:08,922 --> 00:13:11,556
DANIEL HOLDEN
AND TREY WILLIS HAD BEEN THERE
280
00:13:11,558 --> 00:13:13,391
A COUPLE OF DAYS BEFORE ME.
281
00:13:15,195 --> 00:13:17,428
[ SIGHS ]
HOW DO YOU EVEN KNOW THIS?
282
00:13:17,430 --> 00:13:20,031
SECURITY CAMERAS
ON THE PROPERTY,
283
00:13:20,033 --> 00:13:23,434
AND HOLDEN LEFT A NOTE
IN THE TRAILER FOR GEORGE.
284
00:13:23,436 --> 00:13:24,536
A NOTE?
285
00:13:24,538 --> 00:13:26,271
SAYING HE'D STOPPED BY
286
00:13:26,273 --> 00:13:29,007
AND THEN APOLOGIZING
FOR BASHING GEORGE'S WALL IN.
287
00:13:30,544 --> 00:13:32,010
GOOD LORD.
288
00:13:35,182 --> 00:13:36,548
ANY MORE BOMBS?
289
00:13:38,018 --> 00:13:39,217
NO.
290
00:13:39,219 --> 00:13:40,552
VERY WELL.
291
00:13:40,554 --> 00:13:43,354
I'LL CALL THE DISTRICT ATTORNEY
IN LIVE OAK
292
00:13:43,356 --> 00:13:45,290
AND EXPLAIN WHAT HAPPENED.
293
00:13:45,292 --> 00:13:48,159
YOU SHOULD SEND SOMEONE
OTHER THAN YOURSELF
294
00:13:48,161 --> 00:13:51,296
FROM THE SHERIFF'S DEPARTMENT
DOWN TO MONITOR THE SCENE,
295
00:13:51,298 --> 00:13:54,599
AND UNDER NO CIRCUMSTANCES
ARE THEY TO ENTER THAT TRAILER.
296
00:13:54,601 --> 00:13:56,167
YES, MA'AM.
297
00:13:56,169 --> 00:13:58,069
AND DON'T YOU GO ON
ANYMORE EXPEDITIONS AGAIN
298
00:13:58,071 --> 00:14:00,071
WITHOUT CONFERRING WITH ME
FIRST.
299
00:14:00,073 --> 00:14:01,206
OF COURSE.
300
00:14:04,878 --> 00:14:07,045
[ SIGHS ]
301
00:14:07,047 --> 00:14:09,981
LET ME KNOW
WHEN YOU NOTIFY NEXT OF KIN.
302
00:14:09,983 --> 00:14:12,317
YES, MA'AM.
303
00:14:22,229 --> 00:14:25,630
[ CAR DOOR CLOSES,
ENGINE TURNS OVER, REVS ]
304
00:14:32,405 --> 00:14:35,340
[ SIGHS ]
305
00:14:36,910 --> 00:14:38,910
WHAT SHOULD I DO?
306
00:14:40,413 --> 00:14:43,281
WHAT SHOULD I DO?
WHAT SHOULD I DO?
307
00:14:43,283 --> 00:14:44,983
WHAT SHOULD I DO?
308
00:14:44,985 --> 00:14:47,318
WHAT SHOULD I DO?
309
00:14:47,320 --> 00:14:48,987
WHAT SHOULD I DO?
310
00:14:48,989 --> 00:14:50,121
WHAT SHOULD I DO?
311
00:14:50,123 --> 00:14:53,658
WHAT SHOULD I DO?
WHAT SHOULD I DO?
312
00:14:53,660 --> 00:14:54,993
WHAT SHOULD I DO?
313
00:14:54,995 --> 00:14:57,662
[ HUMS MONOTONOUSLY ]
314
00:14:59,432 --> 00:15:00,932
WHAT SHOULD I DO?
315
00:15:00,934 --> 00:15:02,267
WHAT SHOULD I DO?
316
00:15:02,269 --> 00:15:03,568
WHAT SHOULD I DO?
317
00:15:03,570 --> 00:15:05,904
WHAT SHOULD I DO?
318
00:15:06,973 --> 00:15:09,340
WHAT THE HELL SHOULD I DO?
319
00:15:16,049 --> 00:15:18,049
[ SIGHS ]
320
00:15:19,019 --> 00:15:21,185
[ CHUCKLING ]
321
00:15:23,590 --> 00:15:25,456
CHOP WOOD.
322
00:15:25,458 --> 00:15:27,158
[ SIGHS ]
323
00:15:27,160 --> 00:15:29,193
AND CARRY WATER.
324
00:15:29,195 --> 00:15:30,929
[ SIGHS ]
325
00:15:30,931 --> 00:15:34,265
ELEMENTARY, DEAR KERWIN.
326
00:15:34,267 --> 00:15:35,667
[ SIGHS ]
327
00:15:35,669 --> 00:15:37,568
[ BELT RATTLING ]
328
00:15:40,307 --> 00:15:42,340
Woman: THIS GUY GETS OUT
ON A DNA THING,
329
00:15:42,342 --> 00:15:44,475
THEN HE RE-CONFESSES,
AND HIS PUNISHMENT IS
330
00:15:44,477 --> 00:15:46,945
HE'S BANISHED
FROM PAULIE, GEORGIA?
331
00:15:46,947 --> 00:15:49,047
Man:
WELCOME TO AMERICA, FRIEND.
332
00:15:49,049 --> 00:15:51,549
THAT'S NOT A PUNISHMENT.
THAT'S A REWARD.
333
00:15:51,551 --> 00:15:54,085
EASY NOW.
WE HAVE FRIENDS DOWN THERE.
334
00:15:56,022 --> 00:15:57,455
I DON'T KNOW WHY...
335
00:15:57,457 --> 00:15:59,157
[ AIR WHIRRING ]
336
00:16:00,293 --> 00:16:02,026
SOUNDS LIKE
A BACK-ROOM DEAL,
337
00:16:02,028 --> 00:16:04,729
WHICH USUALLY MEANS BOTH SIDES
HAD SOMETHING TO HIDE.
338
00:16:10,704 --> 00:16:13,171
IT'S ALL RIGHT.
339
00:16:13,173 --> 00:16:16,240
I FORGET TO TURN IT ON
SOMETIMES, TOO.
340
00:16:17,677 --> 00:16:19,243
IS THAT RIGHT?
341
00:16:19,245 --> 00:16:20,745
BEETY DICKSON SAID
HE SAW THAT THING A-FLAPPING
342
00:16:20,747 --> 00:16:22,480
THE OTHER DAY.
343
00:16:22,482 --> 00:16:25,283
SAID IT REMINDED HIM TO GET
SOME NEW TIRES FOR HIS WIFE.
344
00:16:25,285 --> 00:16:26,718
THAT'S GREAT, DAD.
345
00:16:28,521 --> 00:16:30,421
SOMEBODY RETURN
THOSE RIMS OUTSIDE?
346
00:16:31,691 --> 00:16:33,458
A GUY GOT BEHIND
ON HIS PAYMENTS.
347
00:16:33,460 --> 00:16:35,460
THAT'S THE FIRST ONE,
ISN'T IT?
348
00:16:36,696 --> 00:16:38,463
SO FAR.
349
00:16:38,465 --> 00:16:40,565
NOT BAD
WHEN YOU THINK ABOUT IT.
350
00:16:44,004 --> 00:16:45,436
WHEN'S THE LAST TIME
YOU TALKED TO MAMA?
351
00:16:46,773 --> 00:16:48,139
MARGARET?
352
00:16:49,409 --> 00:16:50,641
YEAH, DAD.
353
00:16:50,643 --> 00:16:53,344
MY MOTHER, YOUR EX-WIFE.
354
00:16:56,416 --> 00:16:58,649
ABOUT FIVE YEARS AGO.
355
00:16:58,651 --> 00:17:02,353
SHE WANTED TO BORROW
SOME MONEY.
356
00:17:02,355 --> 00:17:03,755
WHY?
357
00:17:06,426 --> 00:17:09,193
I DON'T KNOW.
358
00:17:09,195 --> 00:17:10,795
JUST BEEN THINKING ABOUT HER,
I GUESS.
359
00:17:13,733 --> 00:17:15,433
THAT'S GOOD.
360
00:17:22,609 --> 00:17:25,043
[ SETS BOX DOWN ]
361
00:17:30,817 --> 00:17:32,817
[ KEYS JINGLING ]
362
00:17:32,819 --> 00:17:34,452
I'M GONNA GO RUN SOME ERRANDS
IF THAT'S ALL RIGHT.
363
00:17:34,454 --> 00:17:36,421
SURE.
364
00:17:36,423 --> 00:17:38,790
JANET SAYS DANIEL'S MOVED IN
WITH AMANTHA.
365
00:17:42,629 --> 00:17:45,196
JUST...THOUGHT
YOU MIGHT WANT TO KNOW.
366
00:17:49,736 --> 00:17:51,602
OKAY, DAD.
367
00:17:51,604 --> 00:17:53,638
NOW I KNOW.
368
00:17:56,676 --> 00:18:00,311
[ AIR WHIRRING ]
369
00:18:03,283 --> 00:18:05,750
[ MACHINE WHIRS ]
370
00:18:09,789 --> 00:18:12,190
[ SIGHS ]
371
00:18:12,592 --> 00:18:14,659
[ KNOCK ON DOOR ]
372
00:18:23,269 --> 00:18:24,702
HELLO, JON.
373
00:18:24,704 --> 00:18:25,770
JANET.
374
00:18:25,772 --> 00:18:27,405
WHAT BRINGS YOU BY?
375
00:18:27,407 --> 00:18:28,539
IS DANIEL IN?
376
00:18:28,541 --> 00:18:30,174
HE'S NOT ANSWERING
HIS PHONE.
377
00:18:31,678 --> 00:18:35,179
ACTUALLY, HE'S STAYING
WITH AMANTHA NOW.
378
00:18:35,181 --> 00:18:36,747
"STAYING"?
379
00:18:36,749 --> 00:18:38,349
LIKE, LIVING WITH HER?
380
00:18:38,351 --> 00:18:42,687
YES, THEY'RE, UM...
HOUSEMATES.
381
00:18:44,390 --> 00:18:46,691
WELL, UH, PLEASE COME IN.
382
00:19:01,841 --> 00:19:04,842
[ GATE OPENS ]
383
00:19:04,844 --> 00:19:06,244
DON'T JUMP IN.
384
00:19:08,548 --> 00:19:10,248
IT'S, UH...
385
00:19:10,250 --> 00:19:13,384
IT'S EMPTY.
I'M GONNA REPAINT IT.
386
00:19:15,555 --> 00:19:18,256
MAKES SENSE, DOESN'T IT?
387
00:19:18,258 --> 00:19:19,757
TO EMPTY IT
BEFORE YOU PAINT IT.
388
00:19:19,759 --> 00:19:21,359
[ LAUGHS ]
389
00:19:21,361 --> 00:19:22,527
YEAH, YOU...
390
00:19:22,529 --> 00:19:24,629
YOU DON'T WANT TO FORGET
THAT STEP.
391
00:19:24,631 --> 00:19:25,630
[ CHUCKLES ]
392
00:19:25,632 --> 00:19:27,365
NO.
393
00:19:27,367 --> 00:19:29,600
[ SIGHS ]
394
00:19:29,602 --> 00:19:31,569
DO YOU KNOW WHO I AM?
395
00:19:31,571 --> 00:19:34,605
THE MANAGER,
I WOULD SUSPECT.
396
00:19:36,843 --> 00:19:37,842
MELVIN.
397
00:19:37,844 --> 00:19:39,544
MELVIN.
398
00:19:39,546 --> 00:19:41,946
[ BIRDS CHIRPING ]
399
00:19:41,948 --> 00:19:43,314
OH, MELVIN.
400
00:19:44,551 --> 00:19:46,551
HELLO, MELVIN, I-I'M SORRY.
401
00:19:46,553 --> 00:19:48,286
IT'S BEEN A LONG TIME.
402
00:19:48,288 --> 00:19:49,854
[ Chuckling ] YEAH.
403
00:19:49,856 --> 00:19:52,657
WELL,
GOOD TO SEE YOU, DANIEL.
404
00:19:52,659 --> 00:19:54,458
OUT AND ABOUT.
405
00:19:54,460 --> 00:19:55,660
YES.
406
00:19:55,662 --> 00:19:57,662
HOW ARE YOUR TURTLES?
407
00:19:57,664 --> 00:19:59,430
WELL, THEY'RE DEAD.
408
00:19:59,432 --> 00:20:03,334
I MEAN, THEY LIVED A GOOD LIFE,
UH, EXCEPT...
409
00:20:03,336 --> 00:20:04,869
ONE.
410
00:20:04,871 --> 00:20:06,871
TO THE GOOD LIFE.
411
00:20:06,873 --> 00:20:10,608
AND THE TURTLES
IN ALL THEIR FLAVORS.
412
00:20:10,610 --> 00:20:11,842
MM.
413
00:20:13,913 --> 00:20:16,214
LET ME SHOW YOU
THE LAUNDRY ROOM.
414
00:20:16,216 --> 00:20:17,615
I'D APPRECIATE THAT.
415
00:20:17,617 --> 00:20:18,749
[ SIGHS ]
416
00:20:18,751 --> 00:20:20,785
I WAS RATHER SPOILED
AS A CHILD.
417
00:20:20,787 --> 00:20:21,886
HOW'S THAT?
418
00:20:21,888 --> 00:20:25,690
I NEVER
ACTUALLY DID LAUNDRY.
419
00:20:27,427 --> 00:20:28,893
OH...
YEAH.
420
00:20:28,895 --> 00:20:29,994
WELL...
421
00:20:29,996 --> 00:20:31,596
I CAN SHOW THE BASICS.
422
00:20:31,598 --> 00:20:36,534
IT'S OVERRATED, REALLY --
THE MECHANICS.
423
00:20:36,536 --> 00:20:40,004
THE PROCESS
I FIND SOOTHING.
424
00:20:40,006 --> 00:20:42,440
OH, DO YOU HAVE QUARTERS,
MELVIN?
425
00:20:42,442 --> 00:20:45,676
I ALWAYS KEEP A ROLL ON ME
FOR JUST THIS REASON.
426
00:20:45,678 --> 00:20:48,846
PEOPLE DON'T KEEP A LOT
OF CHANGE THESE DAYS --
427
00:20:48,848 --> 00:20:51,015
LOOSE CHANGE
ON THEIR PERSON.
428
00:20:51,017 --> 00:20:55,319
MONEY'S BECOMING
MORE AND MORE VIRTUAL.
429
00:20:55,321 --> 00:20:56,821
ILLUMINATING.
430
00:20:56,823 --> 00:20:58,956
I HAVE A TEN.
431
00:20:58,958 --> 00:21:00,591
PERFECT.
432
00:21:00,593 --> 00:21:03,928
WELL, HE JUST WANTED A CHANGE,
I GUESS.
433
00:21:03,930 --> 00:21:06,564
DID HE DISCUSS IT
WITH YOU?
434
00:21:06,566 --> 00:21:07,665
UM...
435
00:21:07,667 --> 00:21:10,334
NOT IN DETAIL, NO.
436
00:21:10,336 --> 00:21:11,535
WELL,
THAT'S ONE OF THE THINGS
437
00:21:11,537 --> 00:21:13,838
I WANT TO
SPEAK WITH HIM ABOUT.
438
00:21:13,840 --> 00:21:16,040
DANIEL IS GONNA HAVE TO BE
MORE ACCOUNTABLE TO OTHERS
439
00:21:16,042 --> 00:21:17,608
OF HIS WHEREABOUTS.
440
00:21:17,610 --> 00:21:19,844
AS IN OFFICIALLY.
441
00:21:19,846 --> 00:21:21,946
THE TERMS OF HIS PROBATION
ARE SOMEWHAT STRINGENT.
442
00:21:21,948 --> 00:21:24,782
I DON'T EVEN KNOW
WHAT THE DECISION WAS, JON.
443
00:21:24,784 --> 00:21:26,484
HOW LONG IS HIS PROBATION?
444
00:21:26,486 --> 00:21:27,685
20 YEARS.
445
00:21:29,522 --> 00:21:31,455
OH, MY GOD.
446
00:21:33,059 --> 00:21:34,925
I -- [ SIGHS ]
447
00:21:34,927 --> 00:21:38,763
I TRIED TO MITIGATE THE TERMS
AS MUCH AS POSSIBLE.
448
00:21:38,765 --> 00:21:42,633
BUT HE DID, AFTER ALL,
PLEAD TO A SERIOUS OFFENSE.
449
00:21:43,970 --> 00:21:45,536
I'M SORRY.
450
00:21:46,739 --> 00:21:48,539
I KNOW YOU DID YOUR BEST.
451
00:21:51,844 --> 00:21:57,415
ARE YOU GONNA BE AROUND, JON,
UM, UNTIL HE -- UNTIL HE GOES?
452
00:21:57,417 --> 00:22:01,652
ACTUALLY, I'M LEAVING
IN A COUPLE OF DAYS.
453
00:22:01,654 --> 00:22:03,654
I HAVE OTHER CASES.
454
00:22:03,656 --> 00:22:05,022
OF COURSE.
455
00:22:05,024 --> 00:22:06,524
[ SIGHS ]
456
00:22:06,526 --> 00:22:09,860
AND AMANTHA AND I ARE...
457
00:22:09,862 --> 00:22:12,396
TAKING A STEP BACK
FOR A BIT, TOO.
458
00:22:14,667 --> 00:22:16,767
ON THE PERSONAL FRONT.
459
00:22:16,769 --> 00:22:17,902
[ SIGHS ]
460
00:22:17,904 --> 00:22:19,537
DON'T KNOW
IF SHE MENTIONED IT.
461
00:22:19,539 --> 00:22:20,805
NOT A WORD.
462
00:22:22,742 --> 00:22:23,974
A HOLDEN TRAIT.
463
00:22:23,976 --> 00:22:25,443
[ SIGHS ]
464
00:22:25,445 --> 00:22:28,879
BUT I'LL BE A PHONE CALL AWAY,
JANET.
465
00:22:28,881 --> 00:22:30,348
ANYTIME DAY OR NIGHT.
466
00:22:30,350 --> 00:22:31,816
AND...
467
00:22:31,818 --> 00:22:33,451
I CAN GET ON A PLANE.
468
00:22:34,887 --> 00:22:36,487
[ INHALES DEEPLY ]
469
00:22:36,489 --> 00:22:38,089
[ Voice breaking ]
THAT'S VERY KIND OF YOU, JON.
470
00:22:38,091 --> 00:22:40,958
[ SNIFFLES ]
471
00:22:40,960 --> 00:22:43,594
[ SIGHS, SNIFFLES ]
472
00:22:43,596 --> 00:22:46,063
I AM NOT ABANDONING
YOUR SON.
473
00:22:46,065 --> 00:22:47,398
WELL, ME NEITHER.
474
00:22:47,400 --> 00:22:48,699
[ SNIFFLES ]
475
00:22:48,701 --> 00:22:52,770
SO, UH, WHAT CAN I DO
TO HELP OUR DANIEL?
476
00:22:52,772 --> 00:22:55,706
WELL...
477
00:22:55,708 --> 00:22:58,843
HE NEEDS TO DECIDE
ON A PLACE TO LIVE.
478
00:22:58,845 --> 00:23:01,645
A CITY AND STATE WOULD BE
A POSITIVE STEP FORWARD.
479
00:23:01,647 --> 00:23:02,813
RIGHT.
THE SOONER, THE BETTER.
480
00:23:02,815 --> 00:23:04,949
[ SNIFFLES ]
481
00:23:06,753 --> 00:23:09,019
[ SIGHS ]
482
00:23:09,021 --> 00:23:12,022
THE NEW CANAAN PROJECT
IS A NON-PROFIT
483
00:23:12,024 --> 00:23:15,726
THAT HELPS EX-OFFENDERS
RE-ACCLIMATE IN SOCIETY.
484
00:23:15,728 --> 00:23:18,662
IT SOUNDS INSTITUTIONAL.
485
00:23:18,664 --> 00:23:21,432
IT'S CERTAINLY STRUCTURED,
BUT...
486
00:23:21,434 --> 00:23:23,667
IT OFFERS
JOB COUNSELING...
487
00:23:23,669 --> 00:23:27,104
PSYCHOLOGICAL COUNSELING.
488
00:23:27,106 --> 00:23:28,572
I THINK WE LOSE SIGHT
489
00:23:28,574 --> 00:23:30,608
OF JUST HOW DAMAGED HE IS
SOMETIMES.
490
00:23:30,610 --> 00:23:33,644
NOT ME.
491
00:23:33,646 --> 00:23:35,579
I SEE IT ALL THE TIME.
492
00:23:35,581 --> 00:23:36,714
[ SNIFFS ]
493
00:23:36,716 --> 00:23:38,916
I THOUGHT BEING HERE
WOULD HELP.
494
00:23:38,918 --> 00:23:41,719
I'M SURE IT DID.
495
00:23:41,721 --> 00:23:43,421
MM, NOW WE JUST NEED TO
MAKE SURE
496
00:23:43,423 --> 00:23:46,123
HE GETS THE BEST CHANCE
POSSIBLE TO...
497
00:23:46,125 --> 00:23:47,558
THRIVE.
498
00:23:49,529 --> 00:23:52,029
WELL...
499
00:23:52,031 --> 00:23:53,631
LET'S GET BUSY THEN.
500
00:23:56,068 --> 00:23:58,002
[ KNOCK ON DOOR ]
501
00:24:01,040 --> 00:24:02,773
[ KNOCK ON DOOR ]
502
00:24:36,142 --> 00:24:38,142
HEY, TEDDY.
503
00:24:39,512 --> 00:24:42,746
HEY, MITCH!
504
00:24:42,748 --> 00:24:44,048
WHAT ARE YOU UP TO?
505
00:24:44,050 --> 00:24:46,250
OH, I JUST WANTED TO SEE
IF I COULD COME BY
506
00:24:46,252 --> 00:24:48,052
AND TALK TO TAWNEY
FOR A MINUTE.
507
00:24:48,054 --> 00:24:49,887
WELL, SHE'S NOT HERE
RIGHT NOW.
508
00:24:52,758 --> 00:24:54,091
YOU KNOW WHERE SHE'S AT?
509
00:24:54,093 --> 00:24:56,093
OH, SHE'S OFF
WITH BETH AND MATY.
510
00:24:56,796 --> 00:24:57,995
THAT'S NICE.
511
00:25:00,199 --> 00:25:01,599
WELL, I JUST...
512
00:25:01,601 --> 00:25:03,767
BROUGHT
SOME OF HER THINGS.
513
00:25:03,769 --> 00:25:04,902
IS THAT RIGHT?
514
00:25:04,904 --> 00:25:06,604
KNOCKED ON YOUR DOOR.
515
00:25:06,606 --> 00:25:08,772
I WAS IN THE BATHROOM,
TED.
516
00:25:08,774 --> 00:25:10,808
WELL, ANYWAY, I'LL...
517
00:25:10,810 --> 00:25:13,711
THROW THIS STUFF
IN HER CAR.
518
00:25:13,713 --> 00:25:15,513
I CAN GIVE THEM TO HER.
519
00:25:18,951 --> 00:25:21,986
SHE'S GOT, YOU KNOW,
PERSONAL THINGS IN HERE,
520
00:25:21,988 --> 00:25:24,088
YOU KNOW,
GIRLIE STUFF, SO...
521
00:25:24,090 --> 00:25:28,025
I'M NOT GONNA BOTHER
WITH HER PERSONALS, TEDDY.
522
00:25:33,966 --> 00:25:36,967
YEAH. OKAY.
523
00:25:36,969 --> 00:25:40,037
JUST TELL HER I, UM...
524
00:25:44,944 --> 00:25:46,777
YOU DON'T HAVE TO
TELL HER ANYTHING. IT'S...
525
00:25:46,779 --> 00:25:48,946
SELF-EXPLANATORY.
526
00:25:48,948 --> 00:25:51,115
OKAY.
527
00:25:51,117 --> 00:25:54,218
HAVE A GOOD DAY.
528
00:25:55,254 --> 00:25:58,155
YOU GOT A PROBLEM WITH ME,
MITCH?
529
00:25:59,725 --> 00:26:01,725
NOT AT ALL, TEDDY.
530
00:26:01,727 --> 00:26:03,661
JUST TRYING TO BE
A GOOD NEIGHBOR.
531
00:26:06,666 --> 00:26:10,701
I GUESS WE GOT DIFFERENT IDEAS
ON WHAT THAT MEANS.
532
00:26:17,610 --> 00:26:20,177
AIN'T YOU GOT SOMEBODY ELSE
THAT CAN DO THIS FOR YOU?
533
00:26:22,181 --> 00:26:24,682
NOT YET.
534
00:26:24,684 --> 00:26:27,084
GUESS THAT'S WHY YOU GET PAID
THE BIG BUCKS.
535
00:26:27,086 --> 00:26:29,620
GUESS SO.
536
00:26:33,826 --> 00:26:35,659
SO, NOW WHAT?
537
00:26:35,661 --> 00:26:37,595
WHAT DO YOU MEAN?
538
00:26:37,597 --> 00:26:39,797
YOU MOVING ON
TO THE WHODUNIT PHASE?
539
00:26:39,799 --> 00:26:41,699
WE'RE A LONG WAY
FROM SAYING
540
00:26:41,701 --> 00:26:44,201
THIS HAPPENED TO GEORGE
BY ANOTHER'S HAND.
541
00:26:44,203 --> 00:26:45,703
[ BIRD CALLS ]
542
00:26:45,705 --> 00:26:47,705
WELL, LET ME KNOW
WHEN YOU GET THERE.
543
00:26:48,741 --> 00:26:50,774
YOU DON'T BELIEVE
THERE'S ANY WAY YOUR SON
544
00:26:50,776 --> 00:26:53,077
COULD'VE DONE THIS
TO HIMSELF?
545
00:26:53,079 --> 00:26:55,779
[ SIGHS ]
546
00:26:55,781 --> 00:26:59,984
COULD GEORGE HAVE TAKEN
HIS OWN LIFE?
547
00:26:59,986 --> 00:27:02,286
MAYBE.
548
00:27:02,288 --> 00:27:04,755
BUT HE WOULD'VE TAKEN A BUNCH
OF THEM DAMN PILLS HE WAS ON
549
00:27:04,757 --> 00:27:06,991
O-OR STUCK HIS HEAD
IN AN OVEN.
550
00:27:06,993 --> 00:27:08,659
HE WOULDN'T HAVE DONE IT
LIKE THIS.
551
00:27:08,661 --> 00:27:10,060
THERE'S NO WAY.
552
00:27:10,062 --> 00:27:12,763
WE CAN'T BE 100% SURE
ABOUT ANYTHING, BENJI,
553
00:27:12,765 --> 00:27:14,898
UNLESS WE SEE IT
WITH OUR OWN EYES.
554
00:27:14,900 --> 00:27:16,166
WELL,
WHERE'S THE GUN THEN?
555
00:27:17,236 --> 00:27:19,403
SEE, YOU DON'T GET IT,
SHERIFF.
556
00:27:19,405 --> 00:27:21,772
GEORGE DIDN'T HAVE
NO BACKBONE.
557
00:27:21,774 --> 00:27:24,241
EVER SINCE HE WAS A LITTLE BOY,
YOU COULD SEE THAT.
558
00:27:24,243 --> 00:27:28,178
AND THERE WAS NOTHING I COULD DO
TO GIVE HIM ONE NEITHER.
559
00:27:32,385 --> 00:27:34,685
WELL, I APPRECIATE
YOU TALKING WITH ME
560
00:27:34,687 --> 00:27:35,953
UNDER THESE CIRCUMSTANCES.
561
00:27:38,024 --> 00:27:41,191
AND, AGAIN,
I'M AWFUL SORRY FOR YOUR LOSS.
562
00:27:41,193 --> 00:27:44,728
I'D CHECK IN ON TREY WILLIS
IF I WAS YOU.
563
00:27:44,730 --> 00:27:47,765
WHY'S THAT?
564
00:27:47,767 --> 00:27:50,801
HE CAME BY LOOKING FOR GEORGE
A WHILE BACK,
565
00:27:50,803 --> 00:27:53,103
BUT SOMETHING ABOUT IT
SMELLED.
566
00:27:53,105 --> 00:27:55,072
COULD YOU BE
MORE SPECIFIC?
567
00:27:55,074 --> 00:27:57,841
NOT REALLY.
SOMETHING SMELLS, IT SMELLS.
568
00:28:01,847 --> 00:28:06,050
WELL, IF ANYTHING MORE
COMES TO MIND, GIVE ME A CALL.
569
00:28:06,052 --> 00:28:08,752
OH, YOU DONE MADE UP
YOUR MIND ANYWAY.
570
00:28:21,967 --> 00:28:23,701
HELLO?
571
00:28:23,703 --> 00:28:24,868
Janet: IN HERE.
572
00:28:24,870 --> 00:28:27,337
[ DOOR CLOSES ]
573
00:28:31,210 --> 00:28:33,110
TORNADO?
574
00:28:34,113 --> 00:28:36,413
I'M LOOKING FOR DANIEL'S
SOCIAL SECURITY CARD.
575
00:28:36,415 --> 00:28:37,414
[ INHALES DEEPLY ]
576
00:28:37,416 --> 00:28:38,716
WHAT ARE YOU UP TO?
577
00:28:43,055 --> 00:28:44,888
WHY IS DANIEL
AT MY APARTMENT?
578
00:28:46,992 --> 00:28:49,126
I DON'T KNOW, HONEY.
579
00:28:49,128 --> 00:28:51,161
I GUESS
HE WANTED A CHANGE.
580
00:28:51,163 --> 00:28:54,765
OKAY, WELL...
581
00:28:54,767 --> 00:28:57,935
I WAS KIND OF HOPING
TO GET ON WITH MY LIFE
582
00:28:57,937 --> 00:29:00,437
NOW THAT EVERYTHING'S
BEEN DECIDED,
583
00:29:00,439 --> 00:29:03,107
NOT BABY-SIT A 38-YEAR-OLD,
CONVICTED MURDERER.
584
00:29:03,109 --> 00:29:06,276
EVERYTHING HASN'T BEEN DECIDED,
AMANTHA.
585
00:29:06,278 --> 00:29:07,945
WHAT DO YOU MEAN, MOM?
586
00:29:07,947 --> 00:29:10,914
WE DON'T EVEN KNOW
WHAT STATE HE'S GONNA LIVE IN.
587
00:29:10,916 --> 00:29:13,383
I DON'T KNOW WHAT STATE
HE'S IN NOW, MOTHER.
588
00:29:13,385 --> 00:29:14,785
[ SIGHS ]
589
00:29:14,787 --> 00:29:17,020
LOOK,
YOU DON'T HAVE TO DO ANYTHING
590
00:29:17,022 --> 00:29:19,356
OTHER THAN LET HIM STAY THERE
FOR A LITTLE WHILE.
591
00:29:19,358 --> 00:29:20,457
OF COURSE, MOTHER.
592
00:29:20,459 --> 00:29:22,059
WHAT'S ANOTHER 20 YEARS?
593
00:29:26,966 --> 00:29:29,233
JON CAME BY.
594
00:29:31,203 --> 00:29:34,338
YOU'RE NOT GONNA TELL ME
WHY DANIEL'S NOT LIVING HERE?
595
00:29:34,340 --> 00:29:36,507
I DON'T WANT TO
TALK ABOUT IT.
596
00:29:36,509 --> 00:29:37,541
[ THUD ]
597
00:29:37,543 --> 00:29:40,544
OKAY, MOM.
598
00:29:40,546 --> 00:29:42,946
YOU WANT TO TALK ABOUT
THE KITCHEN?
599
00:29:47,453 --> 00:29:50,087
¶ NOW I WALKED ACROSS TEXAS ¶
600
00:29:50,089 --> 00:29:54,024
¶ TRYIN' TO FIND MY BABY GIRL ¶
601
00:29:54,026 --> 00:29:57,094
¶ NOW, I SAID
I DONE WALKED ACROSS TEXAS ¶
602
00:29:57,096 --> 00:30:00,297
¶ TRYIN' TO FIND MY BABY GIRL ¶
603
00:30:00,299 --> 00:30:01,532
[ BEEP ]
JUST ONE MORE THING.
604
00:30:01,534 --> 00:30:03,267
OF COURSE, SIR.
605
00:30:03,269 --> 00:30:05,002
[ BEEPING CONTINUES ]
606
00:30:05,004 --> 00:30:08,472
[ COUNTRY MUSIC CONTINUES
INDISTINCTLY ]
607
00:30:08,474 --> 00:30:11,241
¶ I SAID WALKED FROM HOUSTON ¶
608
00:30:11,243 --> 00:30:13,110
[ BEEPING CONTINUES ]
609
00:30:13,112 --> 00:30:16,580
[ COUNTRY MUSIC CONTINUES
INDISTINCTLY ]
610
00:30:19,285 --> 00:30:21,952
THAT'S $27.14, SIR.
611
00:30:35,901 --> 00:30:37,401
[ BEEPING ]
612
00:30:37,403 --> 00:30:40,070
¶ NOW I'M SITTIN'
BY THE PARKING LOT ¶
613
00:30:40,072 --> 00:30:41,972
$23.23.
614
00:30:47,379 --> 00:30:50,314
[ COUNTRY MUSIC CONTINUES
INDISTINCTLY ]
615
00:30:50,316 --> 00:30:52,082
SIR, IF I MAY?
616
00:30:52,084 --> 00:30:53,617
YES?
617
00:30:53,619 --> 00:30:56,253
YOU'RE PAYING FOR,
WELL, CONVENIENCE HERE.
618
00:30:56,255 --> 00:30:57,621
IF YOU HAVE THE TIME,
619
00:30:57,623 --> 00:31:00,324
ONE OF THE LARGER GROCERY STORES
WOULD ALLOW...
620
00:31:00,326 --> 00:31:03,160
MORE BANG FOR YOUR BUCK,
I BELIEVE IS THE PHRASE.
621
00:31:09,435 --> 00:31:10,934
PERHAPS I'LL JUST...
622
00:31:14,340 --> 00:31:16,340
...TAKE THE DOUGHNUTS.
623
00:31:16,342 --> 00:31:17,941
EXCELLENT CHOICE, SIR.
624
00:31:17,943 --> 00:31:21,078
[ BEEP ]
625
00:31:23,148 --> 00:31:26,049
[ HAYES CARLL'S
"STOMP AND HOLLER" PLAYS ]
626
00:31:27,253 --> 00:31:30,220
¶ OH, LITTLE JOHNNY WALKER
CAUGHT A BULLET LAST NIGHT ¶
627
00:31:30,222 --> 00:31:31,955
¶ RUNNING
FROM THE GUITAR STORE ¶
628
00:31:31,957 --> 00:31:33,423
¶ HE TOOK A LEFT
DOWN THE ALLEY ¶
629
00:31:33,425 --> 00:31:35,425
¶ GUESS HE SHOULD'VE
GONE RIGHT ¶
630
00:31:35,427 --> 00:31:38,128
¶ NOW HE AIN'T TAKIN' NOTHIN'
NO MORE, MORE, MORE ¶
631
00:31:38,130 --> 00:31:40,631
¶ EVERYBODY KNOWS
IT'S A HARD TIME ¶
632
00:31:40,633 --> 00:31:43,467
¶ LIVIN' WITH HATE
AND THE GREED ¶
633
00:31:43,469 --> 00:31:46,069
¶ MOST FOLKS EARN
WHAT THEY GET FOR A LIVIN' ¶
634
00:31:46,071 --> 00:31:48,672
WHOO!
¶ OTHERS JUST STEAL
WHAT THEY NEED ¶
635
00:31:48,674 --> 00:31:51,308
¶ DOWN ON THE CORNER,
ALREADY TALKIN' ¶
636
00:31:51,310 --> 00:31:54,144
¶ HOW THEY'RE
GONNA CUT THAT TAKE ¶
637
00:31:54,146 --> 00:31:56,480
¶ I'M OUT HERE,
JUST WORKIN' FOR A DOLLAR ¶
638
00:31:56,482 --> 00:31:59,917
¶ AND ALL I WANT TO DO IS
STOMP AND HOLLER ¶
639
00:31:59,919 --> 00:32:02,519
[ HAYES CARLL'S
"STOMP AND HOLLER" CONTINUES ]
640
00:32:09,295 --> 00:32:11,962
¶ OH, 18 YEARS, 18 YEARS ¶
641
00:32:11,964 --> 00:32:14,665
¶ THAT'S A LONG-OLD TIME TO BE ¶
642
00:32:14,667 --> 00:32:17,167
¶ SITTIN' FACEDOWN,
STONED IN THE ALLEY ¶
643
00:32:17,169 --> 00:32:20,170
[ DOORBELL RINGS ]
¶ WONDERIN' HOW
TO GET TO THAT SHININ' SEA ¶
644
00:32:20,172 --> 00:32:22,506
¶ EVERYBODY KNOWS
IT'S A HARD TIME ¶
645
00:32:22,508 --> 00:32:24,541
¶ LIVIN' ON THE MINIMUM WAGE ¶
646
00:32:24,543 --> 00:32:28,045
¶ AH, SOME PEOPLE
JUST GONNA SNEAK ON THROUGH ¶
JARED.
647
00:32:28,047 --> 00:32:30,714
¶ OTHERS GOT TO RATTLE
THAT CAGE ¶
WHAT'S UP?
648
00:32:30,716 --> 00:32:33,250
¶ ONE OF THESE DAYS,
I'M GONNA FIND MY WAY ¶
DAD SEND YOU OVER HERE?
649
00:32:33,252 --> 00:32:36,053
¶ OR ELSE JUST DISAPPEAR ¶
NO.
650
00:32:36,055 --> 00:32:38,522
¶ I'M OUT HERE
IN THE FILTH AND SQUALOR ¶
JUST IN THE NEIGHBORHOOD THEN?
651
00:32:38,524 --> 00:32:40,590
NO, I JUST...
¶ AND ALL I WANT TO DO IS
STOMP AND HOLLER ¶
652
00:32:40,592 --> 00:32:42,693
...WANTED TO SEE
HOW YOU'RE DOING, I GUESS.
653
00:32:42,695 --> 00:32:45,362
[ HAYES CARLL'S
"STOMP AND HOLLER" CONTINUES ]
654
00:32:51,270 --> 00:32:52,502
YOU WANT TO EAT
TAWNEY'S RIBS?
655
00:32:52,504 --> 00:32:54,504
WHAT?
656
00:32:54,506 --> 00:32:58,342
[ BEETHOVEN'S "PIANO SONATA
NUMBER 16 IN 'G'" PLAYS ]
657
00:33:02,414 --> 00:33:04,614
HELLO?
658
00:33:04,616 --> 00:33:07,017
[ BEETHOVEN'S "PIANO SONATA
NUMBER 16 IN 'G'" CONTINUES ]
659
00:33:07,019 --> 00:33:08,285
DANIEL?
660
00:33:11,190 --> 00:33:13,490
I FIGURED OUT
HOW TO USE YOUR STEREO.
661
00:33:13,492 --> 00:33:15,425
I HEAR THAT.
662
00:33:15,427 --> 00:33:16,693
TOO LOUD?
663
00:33:16,695 --> 00:33:18,729
GOT A BIT OF A HEADACHE.
664
00:33:18,731 --> 00:33:21,598
[ BEETHOVEN'S "PIANO SONATA
NUMBER 16 IN 'G'" CONTINUES ]
665
00:33:23,102 --> 00:33:24,634
I'M SORRY.
[ BEETHOVEN'S "PIANO SONATA
NUMBER 16 IN 'G'" SOFTENS ]
666
00:33:24,636 --> 00:33:28,705
FOUND THIS STATION IN MACON
DOWN LOW ON YOUR F.M. DIAL.
667
00:33:28,707 --> 00:33:32,743
THE DEEJAY -- OR THE CURATOR
WOULD BE MORE ACCURATE --
668
00:33:32,745 --> 00:33:37,714
HE'S LIKE 142,
PERFECTLY AFFECTED VOICE.
669
00:33:37,716 --> 00:33:42,586
TELLING LITTLE BACKSTORIES
ABOUT EACH COMPOSER.
670
00:33:42,588 --> 00:33:43,787
[ BEETHOVEN'S "PIANO SONATA
NUMBER 16 IN 'G'" CONTINUES ]
671
00:33:43,789 --> 00:33:45,622
YOU KNOW, WHEN YOU THINK
OF A PERSON
672
00:33:45,624 --> 00:33:51,561
WHO HAS DEDICATED THEIR LIFE
TO SHARING THE TALENTS OF OTHERS
673
00:33:51,563 --> 00:33:55,665
WITH THE WORLD
WITH NO RANCOR OR ENVY...
674
00:33:55,667 --> 00:34:00,537
[ BEETHOVEN'S "PIANO SONATA
NUMBER 16 IN 'G'" CONTINUES ]
675
00:34:00,539 --> 00:34:01,571
[ SIGHS ]
676
00:34:01,573 --> 00:34:03,407
IS THAT BEAUTIFUL?
677
00:34:06,045 --> 00:34:07,744
IT'S NICE, YES.
678
00:34:10,115 --> 00:34:11,481
ANYWAY,
I HOPE YOU'RE HUNGRY.
679
00:34:11,483 --> 00:34:13,683
I HAVE PREPARED
A NOSTALGIC MEAL --
680
00:34:13,685 --> 00:34:15,485
I.E., NOT HEALTHY.
681
00:34:15,487 --> 00:34:17,554
PLEASE TELL ME
YOU HAVEN'T EATEN.
682
00:34:17,556 --> 00:34:19,423
I HAVEN'T EATEN.
683
00:34:19,425 --> 00:34:21,558
GOOD,
WELL, UH, TAKE A SEAT,
684
00:34:21,560 --> 00:34:25,128
AND I WILL CALL FOR YOU
WHEN DINNER IS SERVED.
685
00:34:25,130 --> 00:34:28,065
[ BEETHOVEN'S "PIANO SONATA
NUMBER 16 IN 'G'" CONTINUES ]
686
00:34:28,067 --> 00:34:29,733
[ KEYS JINGLE ]
687
00:34:32,371 --> 00:34:35,439
WOULD YOU CARE
FOR AN APERITIF?
688
00:34:37,109 --> 00:34:38,675
I'M GOOD.
THANKS.
689
00:34:38,677 --> 00:34:40,777
[ BOTTLE OPENER SNAPS ]
SO AM I.
690
00:34:40,779 --> 00:34:44,281
[ BEETHOVEN'S "PIANO SONATA
NUMBER 16 IN 'G'" CONTINUES ]
691
00:34:50,255 --> 00:34:51,354
[ STURGILL SIMPSON'S
"THE PROMISE" PLAYS ]
692
00:34:51,356 --> 00:34:54,424
¶ WHEN YOU'RE IN DANGER ¶
693
00:34:54,426 --> 00:34:56,460
[ GRUNTS ]
694
00:34:56,462 --> 00:34:59,496
¶ TAKE A LOOK ALL AROUND ¶
695
00:34:59,498 --> 00:35:01,465
HEARD DANIEL
FLEW THE COOP.
696
00:35:01,467 --> 00:35:03,100
I THINK
HE'S AT AMANTHA'S.
697
00:35:03,102 --> 00:35:05,735
¶ I'LL BE THERE ¶
698
00:35:05,737 --> 00:35:07,437
YOU KNOW WHAT THAT MEANS?
699
00:35:07,439 --> 00:35:10,540
WHAT WHAT MEANS?
FLEW THE COOP.
700
00:35:10,542 --> 00:35:13,443
ISN'T A COOP
WHERE CHICKENS LIVE?
701
00:35:13,445 --> 00:35:16,279
¶ OF THE RIGHT WORDS TO SAY ¶
702
00:35:16,281 --> 00:35:17,814
NEVER THOUGHT ABOUT IT
LIKE THAT.
703
00:35:17,816 --> 00:35:19,883
¶ I KNOW THEY DON'T SOUND
THE WAY ¶
704
00:35:19,885 --> 00:35:22,352
¶ I PLANNED THEM TO BE ¶
YOU KNOW WHY
HE FLEW THE COOP?
705
00:35:22,354 --> 00:35:24,888
¶ IF YOU WAIT AROUND A WHILE ¶
NOT REALLY. EVERYBODY
TALKS AROUND STUFF.
706
00:35:24,890 --> 00:35:26,690
CAN'T FIGURE OUT WHAT
THEY'RE SAYING HALF THE TIME.
707
00:35:26,692 --> 00:35:28,758
¶ I'LL MAKE YOU FALL FOR ME,
I PROMISE ¶
708
00:35:28,760 --> 00:35:30,894
[ SIGHS ]
709
00:35:30,896 --> 00:35:34,131
¶ I PROMISE YOU I WILL ¶
710
00:35:34,133 --> 00:35:36,466
[ GRUNTS ]
711
00:35:36,468 --> 00:35:38,768
YOU GOT
YOUR LEARNER'S PERMIT?
712
00:35:38,770 --> 00:35:43,373
YEAH.
¶ WHEN YOUR DAY IS THROUGH ¶
713
00:35:43,375 --> 00:35:45,609
LET'S GO FOR A RIDE.
714
00:35:45,611 --> 00:35:49,346
¶ SO IS YOUR TEMPER ¶
WHERE TO?
715
00:35:49,348 --> 00:35:51,181
YOU DON'T NEED A DESTINATION
WHEN YOU'RE A TEENAGER.
716
00:35:51,183 --> 00:35:54,217
¶ YOU ALWAYS KNOW ¶
YOU DO IT FOR THE THRILL.
717
00:35:54,219 --> 00:35:55,552
A THRILL RIDE?
718
00:35:55,554 --> 00:35:57,521
COULD BE.
[ KEYS JINGLE ]
719
00:35:57,523 --> 00:36:01,558
¶ I'M GONNA ALWAYS BE THERE ¶
WHO KNOWS?
720
00:36:01,560 --> 00:36:04,294
¶ SOMETIMES... ¶
721
00:36:05,898 --> 00:36:09,566
[ NILS FRAHM'S "ME" PLAYS ]
722
00:36:09,568 --> 00:36:11,301
[ SIGHS ]
723
00:36:11,303 --> 00:36:13,837
DINNER TONIGHT WILL BE
ALL-BEEF FRANKS
724
00:36:13,839 --> 00:36:17,307
WITH A CHILI TOPPING,
A SIDE OF THE TATER OF TOTS,
725
00:36:17,309 --> 00:36:19,943
AND CHEF'S SURPRISE
FOR DESSERT.
726
00:36:19,945 --> 00:36:23,480
CERTAINLY
BRINGS BACK MEMORIES.
727
00:36:23,482 --> 00:36:26,483
WELL, THERE WAS A TIME
WHEN THIS WAS ALL YOU WOULD EAT.
728
00:36:26,485 --> 00:36:27,551
[ CHUCKLES ]
729
00:36:27,553 --> 00:36:29,419
SOUNDS ABOUT RIGHT.
730
00:36:29,421 --> 00:36:31,721
SO, HOW WAS YOUR DAY,
SISTER?
731
00:36:31,723 --> 00:36:33,590
OH...
732
00:36:33,592 --> 00:36:35,325
LET'S NOT GET INTO THAT.
733
00:36:35,327 --> 00:36:36,426
FAIR ENOUGH.
734
00:36:36,428 --> 00:36:37,661
MINE, YOU ASK?
735
00:36:37,663 --> 00:36:38,662
WELL, I...
736
00:36:38,664 --> 00:36:40,830
DID A LIGHT LOAD OF LAUNDRY,
737
00:36:40,832 --> 00:36:44,768
I WENT SHOPPING,
AND ACQUIRED GAINFUL EMPLOYMENT.
738
00:36:44,770 --> 00:36:46,736
[ NILS FRAHM'S "ME" CONTINUES ]
739
00:36:46,738 --> 00:36:48,205
DOING WHAT?
740
00:36:48,207 --> 00:36:49,639
PAINTING A POOL.
741
00:36:49,641 --> 00:36:52,809
I'M A POOL PAINTER
UNDER THE EMPLOY OF ONE MELVIN.
742
00:36:52,811 --> 00:36:54,511
[ NILS FRAHM'S "ME" CONTINUES ]
743
00:37:01,320 --> 00:37:03,553
ARE YOU OKAY?
744
00:37:04,756 --> 00:37:06,957
JON AND I ARE GETTING A DIVORCE,
SO TO SPEAK.
745
00:37:08,927 --> 00:37:10,660
I'M SORRY TO HEAR THAT.
746
00:37:10,662 --> 00:37:13,396
IT WAS A MARRIAGE
OF CONVENIENCE ANYWAY.
747
00:37:13,398 --> 00:37:16,299
[ NILS FRAHM'S "ME" CONTINUES ]
748
00:37:16,301 --> 00:37:18,635
AND IT'S NO LONGER
CONVENIENT.
749
00:37:23,709 --> 00:37:28,511
THIS IS ALL VERY THOUGHTFUL,
DANIEL, BUT I...
750
00:37:28,513 --> 00:37:30,947
JUST CAN'T PRETEND
THAT I GIVE A SHIT.
751
00:37:30,949 --> 00:37:33,883
[ NILS FRAHM'S "ME" CONTINUES ]
752
00:37:40,993 --> 00:37:43,927
[ NILS FRAHM'S "ME" CONTINUES ]
753
00:37:52,037 --> 00:37:54,037
JANET SAID YOU WERE
AT A GIRL'S LAST NIGHT.
754
00:37:54,039 --> 00:37:57,774
YEP.
THAT'S WHERE I WAS.
755
00:37:57,776 --> 00:37:59,509
SHE GOT A NAME, THIS GIRL?
756
00:37:59,511 --> 00:38:00,944
CLAIRE.
757
00:38:00,946 --> 00:38:03,513
I DECLARE.
758
00:38:03,515 --> 00:38:05,615
[ CHUCKLES SOFTLY ]
759
00:38:05,617 --> 00:38:07,417
YOU LIKE HER?
760
00:38:07,419 --> 00:38:09,719
AS A FRIEND.
761
00:38:09,721 --> 00:38:11,721
WOULD YOU LIKE ME
TO STOP ASKING YOU QUESTIONS?
762
00:38:11,723 --> 00:38:14,291
[ CHUCKLES ]
I WOULDN'T MIND IT.
763
00:38:17,496 --> 00:38:19,496
[ SIGHS ]
HANG A RIGHT UP HERE.
764
00:38:26,805 --> 00:38:28,038
I ASKED A GIRL OUT
765
00:38:28,040 --> 00:38:30,607
THE FIRST NIGHT
I COULD LEGALLY DRIVE.
766
00:38:30,609 --> 00:38:33,576
HER NAME WAS JULIE.
767
00:38:33,578 --> 00:38:35,679
SWEET JULIE.
768
00:38:35,681 --> 00:38:37,614
JULIE WHO?
769
00:38:39,951 --> 00:38:42,519
SHE -- SHE DOESN'T LIVE HERE
ANYMORE.
770
00:38:42,521 --> 00:38:45,622
SWEET JULIE HAD, UM...
771
00:38:45,624 --> 00:38:49,025
A REPUTATION,
I GUESS YOU MIGHT SAY.
772
00:38:49,027 --> 00:38:50,827
CLAIRE HAVE A REPUTATION?
773
00:38:50,829 --> 00:38:52,796
[ SCOFFS ]
NOT THAT KIND.
774
00:38:52,798 --> 00:38:54,798
GOOD FOR HER.
775
00:38:54,800 --> 00:38:55,999
KEEP STRAIGHT.
776
00:38:56,001 --> 00:38:58,368
WHEN I ASKED HER OUT,
777
00:38:58,370 --> 00:39:01,338
JULIE WAS A LITTLE GUARDED
AT FIRST, BUT I WAS LIKE,
778
00:39:01,340 --> 00:39:02,972
"LOOK, I LIKE YOU.
YOU KNOW,
779
00:39:02,974 --> 00:39:04,607
I WANT TO
GET TO KNOW YOU BETTER."
780
00:39:04,609 --> 00:39:06,042
SHE BELIEVE YOU?
781
00:39:06,044 --> 00:39:07,911
YOU KNOW WHAT THEY SAY.
782
00:39:07,913 --> 00:39:10,046
HOPE SPRINGS ETERNAL.
783
00:39:10,048 --> 00:39:11,848
ANYWAY...
784
00:39:11,850 --> 00:39:13,383
I TOOK HER TO THE PIZZA BARN,
RIGHT,
785
00:39:13,385 --> 00:39:14,584
WHICH WAS A BIG DEAL
BACK THEN.
786
00:39:14,586 --> 00:39:16,886
THAT WAS BEFORE PIZZA HUT
SHOWED UP
787
00:39:16,888 --> 00:39:20,523
AND BLEW THEM OUT OF THE WATER,
WHICH I STILL DON'T GET.
788
00:39:20,525 --> 00:39:22,892
AND WE HAD THE, UH...
789
00:39:22,894 --> 00:39:25,528
WE HAD
THE BIG BARN SUPREMO.
790
00:39:25,530 --> 00:39:26,996
IT WAS ABOUT
THE SIZE OF A TIRE
791
00:39:26,998 --> 00:39:28,665
YOU'D PUT ON
ONE OF THEM PRIUSES.
792
00:39:28,667 --> 00:39:31,868
AND I ASKED HER ABOUT
HER BROTHER AND HER SISTERS
793
00:39:31,870 --> 00:39:33,870
AND HER CLASSES
AND STUFF LIKE THAT,
794
00:39:33,872 --> 00:39:36,473
BUTTERING HER UP,
YOU KNOW?
795
00:39:36,475 --> 00:39:39,008
IT'S A LOT LIKE SALES,
REALLY.
796
00:39:39,010 --> 00:39:40,844
ALL RIGHT, SLOW DOWN.
797
00:39:40,846 --> 00:39:41,878
WHY?
798
00:39:41,880 --> 00:39:43,446
SLOW DOWN, SLOW DOWN.
799
00:39:43,448 --> 00:39:44,814
YOU'RE GONNA PULL OVER
RIGHT UP HERE.
800
00:39:56,495 --> 00:39:58,495
PUT IT IN PARK
AND KILL THE ENGINE.
801
00:39:58,497 --> 00:39:59,996
[ ENGINE SHUTS OFF ]
802
00:39:59,998 --> 00:40:01,698
[ SEAT BELT UNLOCKS ]
803
00:40:11,443 --> 00:40:12,942
NOW, WHERE WAS I?
804
00:40:14,913 --> 00:40:17,046
YOU WERE BUTTERING HER UP.
805
00:40:17,048 --> 00:40:18,882
[ INHALES DEEPLY ]
806
00:40:18,884 --> 00:40:23,553
YOU KNOW THE, UM,
THE NEW KROGER IS AT?
YEAH.
807
00:40:23,555 --> 00:40:25,455
THAT'S WHERE WE USED TO
GO PARKING BACK IN THE DAY.
808
00:40:25,457 --> 00:40:27,524
NO SHIT?
809
00:40:27,526 --> 00:40:31,661
BEFORE IT WAS THE KROGER,
IT WAS LOVERS' LANE.
810
00:40:31,663 --> 00:40:34,764
REALLY, JUST AN OVERGROWN
TRIPLE LOT ON THE EDGE OF TOWN.
811
00:40:34,766 --> 00:40:37,133
THAT'S WHERE I TOOK HER
AFTER THE PIZZA BARN.
812
00:40:37,135 --> 00:40:40,770
SHE WAS A LITTLE DISAPPOINTED
AT THE DETOUR
813
00:40:40,772 --> 00:40:43,740
BUT NOT TOTALLY SURPRISED.
814
00:40:43,742 --> 00:40:46,476
[ INHALES DEEPLY ]
815
00:40:46,478 --> 00:40:47,911
WE MADE OUT SOME.
816
00:40:47,913 --> 00:40:49,012
[ EXHALES DEEPLY ]
817
00:40:49,014 --> 00:40:50,780
SHE WAS
A SWEET LITTLE KISSER.
818
00:40:50,782 --> 00:40:56,553
AND THAT'S -- THAT'S ABOUT AS
FAR AS SHE WANTED TO GO, REALLY.
819
00:40:56,555 --> 00:40:59,923
BUT I HAD MY MIND SET
ON DOING IT.
820
00:40:59,925 --> 00:41:02,625
YOU KNOW,
GETTING IT OVER WITH.
821
00:41:02,627 --> 00:41:06,095
I MEAN, THAT'S HOW I LOOKED
AT IT AT THE TIME.
822
00:41:08,066 --> 00:41:11,167
ANYWAY [SIGHS]
THINGS PROGRESSED.
823
00:41:11,169 --> 00:41:13,169
WE DID
A LITTLE CAR WRESTLING.
824
00:41:13,171 --> 00:41:17,640
I MEAN, SHE WASN'T
BEAUTIFUL LIKE TAWNEY, YOU KNOW,
825
00:41:17,642 --> 00:41:19,242
BUT...
826
00:41:19,244 --> 00:41:20,810
SHE WAS CUTE ENOUGH.
827
00:41:20,812 --> 00:41:22,912
HAD A SWEET DISPOSITION,
TOO.
828
00:41:22,914 --> 00:41:26,015
PROBABLY HER DOWNFALL
WHEN YOU THINK ABOUT IT.
829
00:41:28,053 --> 00:41:29,986
UH-OH.
830
00:41:29,988 --> 00:41:33,022
THIS COULD BE AWKWARD.
831
00:41:33,024 --> 00:41:34,958
SHOULD WE GO?
832
00:41:34,960 --> 00:41:36,593
MNH-MNH.
DON'T MOVE.
833
00:41:44,236 --> 00:41:45,568
[ GRUNTS, SIGHS ]
834
00:41:45,570 --> 00:41:46,803
THAT WOULDN'T HAVE
BEEN GOOD.
835
00:41:48,940 --> 00:41:52,909
SO, ARE -- ARE WE, LIKE,
STALKING OR SOMETHING?
836
00:41:53,945 --> 00:41:56,846
OH, WHO KNOWS THESE DAYS?
837
00:41:58,683 --> 00:42:00,083
[ SIGHS ]
838
00:42:00,085 --> 00:42:02,986
LOOKS LIKE THEY'RE ABOUT TO
SIT DOWN AND EAT.
839
00:42:02,988 --> 00:42:05,722
LET'S JUST SIT HERE
FOR A WHILE.
840
00:42:07,859 --> 00:42:09,993
SO, WHAT HAPPENED?
841
00:42:09,995 --> 00:42:11,561
WITH YOU AND JULIE?
842
00:42:14,666 --> 00:42:17,800
WHAT DO YOU THINK HAPPENED?
843
00:42:17,802 --> 00:42:22,739
I MEAN, I DIDN'T, YOU KNOW,
MAKE HER DO IT, FORCE HER.
844
00:42:22,741 --> 00:42:25,208
DATE-RAPE HER OR WHATEVER.
845
00:42:25,210 --> 00:42:27,277
JUST KEPT AT IT.
846
00:42:27,279 --> 00:42:31,714
SECOND BASE, THIRD BASE,
BACK TO FIRST.
847
00:42:31,716 --> 00:42:34,851
TOLD HER
I WOULDN'T TELL ANYBODY.
848
00:42:34,853 --> 00:42:37,921
LIKE, "PRETTY, PRETTY PLEASE,
JULIE.
849
00:42:37,923 --> 00:42:39,856
PRETTY, PRETTY PLEASE."
850
00:42:39,858 --> 00:42:41,891
YOU KNOW, SHE ASKED ME
851
00:42:41,893 --> 00:42:43,560
IF THAT'S THE ONLY REASON
YOU ASKED ME OUT.
852
00:42:43,562 --> 00:42:44,861
I WAS LIKE, "NO, HELL NO.
853
00:42:44,863 --> 00:42:46,829
I ASKED YOU OUT
'CAUSE I LIKE YOU.
854
00:42:46,831 --> 00:42:50,767
PRETTY, PRETTY PLEASE, JULIE,
PRETTY, PRETTY PLEASE?"
855
00:42:52,637 --> 00:42:55,104
AND THEN, FINALLY,
SHE JUST LET OUT A BIG OL' SIGH
856
00:42:55,106 --> 00:42:56,773
AND GAVE IN.
857
00:42:59,110 --> 00:43:00,843
LET ME HAVE IT.
858
00:43:05,083 --> 00:43:06,983
DID YOU EVER TELL ANYBODY?
859
00:43:11,690 --> 00:43:15,158
DON'T EVER DO THAT TO CLAIRE,
JARED, OR ANY OTHER GIRL.
860
00:43:15,160 --> 00:43:17,794
I'M NOT GONNA DO THAT.
861
00:43:17,796 --> 00:43:19,095
YEAH, 'CAUSE THOSE --
862
00:43:19,097 --> 00:43:21,698
THOSE GUYS WHO MAKE YOU
FEEL LIKE A PUSSY
863
00:43:21,700 --> 00:43:23,833
'CAUSE YOU AIN'T
GOT YOUR CHERRY POPPED,
864
00:43:23,835 --> 00:43:26,302
THEY'RE JUST
A BUNCH OF ASSHOLES.
865
00:43:26,304 --> 00:43:30,173
AND IN 10 YEARS, YOU AIN'T
GONNA KNOW MOST OF 'EM.
866
00:43:30,175 --> 00:43:31,708
YOU KNOW THAT?
867
00:43:31,710 --> 00:43:33,343
I DO KNOW THAT.
868
00:43:39,784 --> 00:43:42,852
YOU KNOW WHEN I TOLD YOU
YOU WASN'T LIKE HIM?
869
00:43:42,854 --> 00:43:44,187
LIKE DANIEL?
870
00:43:46,257 --> 00:43:47,857
I REMEMBER.
871
00:43:47,859 --> 00:43:50,760
YOU'RE NOT LIKE ME EITHER.
872
00:43:53,398 --> 00:43:56,366
AND THAT'S A GOOD THING.
873
00:43:59,004 --> 00:44:00,403
[ SIGHS ]
874
00:44:00,405 --> 00:44:03,139
ABOUT READY TO GO BACK?
875
00:44:10,281 --> 00:44:13,082
LET'S JUST STAY HERE
A LITTLE WHILE LONGER.
876
00:44:16,388 --> 00:44:20,289
[ BEETHOVEN'S "PIANO SONATA
NUMBER 16 IN 'G'" PLAYS ]
877
00:44:30,301 --> 00:44:33,936
[ BEETHOVEN'S "PIANO SONATA
NUMBER 16 IN 'G'" CONTINUES ]