1
00:00:01,102 --> 00:00:03,337
The FX original series
The Americans.

2
00:00:03,371 --> 00:00:05,739
Final season returns soon on FX.

3
00:00:08,776 --> 00:00:10,144
PREVIOUSLY ON
"THE AMERICANS"...

4
00:00:10,178 --> 00:00:12,380
MY MOTHER...SHE'S DYING.

5
00:00:12,413 --> 00:00:14,748
I WANT TO ARRANGE A TRIP
FOR ELIZABETH TO SEE HER MOTHER

6
00:00:14,782 --> 00:00:16,150
ONE LAST TIME.

7
00:00:16,184 --> 00:00:20,154
SHE HAD A REAL SPIRIT,
LIKE YOURS.

8
00:00:20,188 --> 00:00:22,156
HOW CAN I BELIEVE

9
00:00:22,190 --> 00:00:24,492
ANYTHING YOU SAY?

10
00:00:24,525 --> 00:00:26,660
WE WANT A PIECE OF WHATEVER
IT IS YOU GOT GOING ON

11
00:00:26,694 --> 00:00:28,362
WITH YOUR FRIEND
THE CONSULTANT.

12
00:00:28,396 --> 00:00:29,997
I'M SURE HE WOULD
LOVE TO KNOW

13
00:00:30,030 --> 00:00:31,599
WHAT'S GOING ON
AT NORTHROP, TOO.

14
00:00:31,632 --> 00:00:33,334
I.S.I. IS SENDING SOMEONE
IMPORTANT TO MEET THE CIA.

15
00:00:33,367 --> 00:00:34,902
MUJAHIDEEN.

16
00:00:34,935 --> 00:00:37,205
Yousaf: 10 DAYS AGO,
THE CIA ASKED US TO GIVE THEM

17
00:00:37,238 --> 00:00:38,939
THE NAMES OF
THE MUJAHIDEEN COMMANDERS

18
00:00:38,972 --> 00:00:41,675
WITH THE BEST LANGUAGE SKILLS.

19
00:00:41,709 --> 00:00:44,612
THEY FLY 3 OF THEM HERE
ON THE 18th.

20
00:00:50,284 --> 00:00:53,254
[ MACHINES WHIRRING ]

21
00:00:53,287 --> 00:00:56,290
[ WOMAN SPEAKING INDISTINCTLY ]

22
00:01:11,239 --> 00:01:13,441
Man in distance: YEAH, YEAH.
[ SPEAKS INDISTINCTLY ]

23
00:01:50,344 --> 00:01:54,182
[ DIAL TONE DRONING ]

24
00:01:59,287 --> 00:02:00,854
[ CLICK ]

25
00:02:00,888 --> 00:02:02,590
WOMAN: I just think that
G.W. isn't as strong a school.

26
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[ CLICK ]

27
00:02:03,991 --> 00:02:06,093
[ CLICK ]
MAN: Try the basement.

28
00:02:06,126 --> 00:02:09,096
If it's not there,
I put it in the --
[ CLICK ]

29
00:02:09,129 --> 00:02:10,798
[ CLICK ]
WOMAN: ...on weekdays, sir.

30
00:02:10,831 --> 00:02:12,700
[ CLICK ]

31
00:02:12,733 --> 00:02:14,935
[ CLICK ]
MAN: The idiot had his TV
turned up, and I didn't --

32
00:02:14,968 --> 00:02:16,604
[ CLICK ]

33
00:02:16,637 --> 00:02:17,971
[ CLICK, DIAL TONE DRONES ]

34
00:02:18,005 --> 00:02:19,307
YEAH, I'M TRYING TO GET THROUGH
TO HOUSEKEEPING.

35
00:02:19,340 --> 00:02:21,609
THIS IS HOUSEKEEPING.

36
00:02:21,642 --> 00:02:23,611
I NEED MORE PILLOWS
IN ROOM 629.

37
00:02:23,644 --> 00:02:25,546
CHECK THE TOP
OF THE CLOSET.

38
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THANK YOU.

39
00:02:26,880 --> 00:02:28,216
[ HANGS UP RECEIVER ]

40
00:02:45,499 --> 00:02:47,235
[ TV PLAYING INDISTINCTLY ]

41
00:02:47,268 --> 00:02:49,203
Philip: HELLO?

42
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HEY, DAD.

43
00:02:50,538 --> 00:02:52,206
HEY!

44
00:02:52,240 --> 00:02:53,741
Man on TV: ...CONNECTING
CABLES, JACK, PLUG...

45
00:02:53,774 --> 00:02:55,509
WHERE'S YOUR SISTER?

46
00:02:55,543 --> 00:02:57,010
...ACCESSORIES ARE ALSO
IN STOCK FOR YOUR CONVENIENCE.

47
00:02:57,044 --> 00:02:59,046
SHE LEFT A NOTE IN THE KITCHEN.

48
00:02:59,079 --> 00:03:00,681
MM.
[ SPEAKING INDISTINCTLY ]

49
00:03:00,714 --> 00:03:04,318
GUEST SPEAKER AT THE CHURCH.

50
00:03:04,352 --> 00:03:08,989
SHE'S STAYING THE NIGHT
AT PASTOR TIM'S AFTERWARDS.

51
00:03:09,022 --> 00:03:11,259
SAYS WHO?
SAYS HER.

52
00:03:11,292 --> 00:03:12,926
IS THERE A NUMBER?

53
00:03:12,960 --> 00:03:14,928
* WHATEVER YOU WANT
AT DELMONT *

54
00:03:14,962 --> 00:03:17,898
* WHATEVER
YOU WANT AT DELMONT *

55
00:03:17,931 --> 00:03:19,700
[ DIALING TELEPHONE ]

56
00:03:19,733 --> 00:03:21,068
Man on TV: THE WAR IS OVER.

57
00:03:21,101 --> 00:03:22,503
M.A.S.H. IS FINALLY GOING HOME.

58
00:03:22,536 --> 00:03:25,038
[ CHEERS AND APPLAUSE ]

59
00:03:25,072 --> 00:03:26,540
IT'S A MACHINE.

60
00:03:26,574 --> 00:03:28,842
HI, TIM, ALICE.
THIS IS PHILIP JENNINGS.

61
00:03:28,876 --> 00:03:30,244
WE JUST GOT PAIGE'S NOTE.

62
00:03:30,278 --> 00:03:32,513
COULD YOU HAVE HER CALL US?
THANKS.

63
00:03:32,546 --> 00:03:34,615
WE SHOULD GO OVER THERE.

64
00:03:34,648 --> 00:03:37,184
I'LL GO.
NO. WE SHOULD BOTH GO.

65
00:03:37,217 --> 00:03:38,686
WE DON'T KNOW WHAT
WE'RE DEALING WITH.

66
00:03:38,719 --> 00:03:41,021
WE'RE JUST GONNA PICK UP PAIGE.

67
00:03:41,054 --> 00:03:42,356
OKAY.

68
00:03:42,390 --> 00:03:43,791
LIGHTS OUT AT 10:00, HENRY.

69
00:03:43,824 --> 00:03:45,926
Man: TUNE IN ON MONDAY
AT 8:30 P.M.

70
00:03:45,959 --> 00:03:47,695
FOR THE 2 1/2-HOUR
TELEVISION FINALE...
[ DOOR CLOSES ]

71
00:03:47,728 --> 00:03:49,463
Hawkeye: IF YOU'LL CALL ME
A TAXI, I'LL BE ON MY WAY.

72
00:03:49,497 --> 00:03:53,401
Man: ...ONLY ON CHANNEL 5.

73
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***

74
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-- Captions by VITAC --

75
00:04:31,305 --> 00:04:35,175
[ DOG BARKING IN DISTANCE ]

76
00:04:35,208 --> 00:04:37,911
WHAT TIME IS IT?

77
00:04:37,945 --> 00:04:39,179
9:46.

78
00:04:39,212 --> 00:04:40,748
WHERE THE HELL ARE THEY?

79
00:04:40,781 --> 00:04:43,751
I DON'T KNOW. HOW LONG DOES
A CHURCH LECTURE GO?

80
00:04:43,784 --> 00:04:45,353
YOU'RE ASKING ME?

81
00:04:45,386 --> 00:04:46,920
PROBABLY TURNED INTO

82
00:04:46,954 --> 00:04:51,625
SOME POTLUCK,
POSTER-MAKING SING-ALONG.

83
00:04:53,561 --> 00:04:55,195
[ VEHICLE APPROACHES ]

84
00:04:56,397 --> 00:04:57,998
DON'T JUMP ALL OVER HER.

85
00:04:58,031 --> 00:04:59,533
WHAT?
YOU KNOW WHAT I MEAN.

86
00:04:59,567 --> 00:05:01,201
NO, MAYBE I DON'T.

87
00:05:01,234 --> 00:05:05,105
YOU WANNA TEACH ME HOW
TO HANDLE MY OWN DAUGHTER?

88
00:05:05,138 --> 00:05:09,009
[ CAR DOORS CLOSE ]

89
00:05:11,845 --> 00:05:13,614
HI.
HEY.

90
00:05:13,647 --> 00:05:17,217
HEY, GUYS. EVERYTHING OKAY?

91
00:05:17,250 --> 00:05:20,654
YEAH. WE JUST DIDN'T KNOW PAIGE
WAS COMING OVER TONIGHT, SO...

92
00:05:20,688 --> 00:05:22,456
I LEFT A NOTE.
UH, YOU DID,

93
00:05:22,490 --> 00:05:24,224
BUT YOU SHOULD'VE --
IT'S THE MIDDLE OF THE WEEK,
PAIGE.

94
00:05:24,257 --> 00:05:26,193
WELL, I DID ALL MY HOMEWORK.

95
00:05:26,226 --> 00:05:30,230
THAT'S NOT THE POINT.
YOU CAN'T JUST RUN OFF.

96
00:05:30,263 --> 00:05:33,066
UH, I'M SORRY. WE HAD NO IDEA.

97
00:05:33,100 --> 00:05:36,136
WELL, I'M SORRY, BUT I HAVE
ALL MY STUFF FOR SCHOOL.

98
00:05:36,169 --> 00:05:37,471
I'M STAYING.

99
00:05:37,505 --> 00:05:39,373
NO, YOU'RE NOT, PAIGE.

100
00:05:40,874 --> 00:05:42,576
PAIGE, COME ON. THEY'RE RIGHT.

101
00:05:42,610 --> 00:05:44,412
WE THOUGHT THEY KNEW.
THEY DIDN'T.

102
00:05:44,445 --> 00:05:46,346
I'LL GET YOUR BAG.

103
00:05:46,380 --> 00:05:48,215
[ SIGHS ]

104
00:05:48,248 --> 00:05:50,217
AH, I'M REALLY SORRY, GUYS.

105
00:05:50,250 --> 00:05:51,985
[ CHUCKLES ] HEY.

106
00:05:52,019 --> 00:05:55,155
UH, THANK YOU
FOR SENDING OVER THOSE RATES

107
00:05:55,188 --> 00:05:57,090
FOR THE TRIP TO KENYA.
I JUST -- I SAW 'EM TODAY.

108
00:05:57,124 --> 00:05:59,427
IT'S VERY REASONABLE.
YEAH, THERE'S
A COUPLE OF CARRIERS

109
00:05:59,460 --> 00:06:01,595
OFFERING GOOD DEALS TO AFRICA
RIGHT NOW.

110
00:06:01,629 --> 00:06:03,096
GOOD.
HERE YOU GO.

111
00:06:03,130 --> 00:06:04,998
[ SPEAKS INDISTINCTLY ]
Alice: [ Whispers ] BYE.

112
00:06:05,032 --> 00:06:08,436
WELL, AGAIN, UM, SORRY FOR
THE MISUNDERSTANDING.

113
00:06:11,371 --> 00:06:12,840
Philip: GOOD NIGHT.

114
00:06:12,873 --> 00:06:14,875
Alice: GOOD NIGHT.

115
00:06:43,571 --> 00:06:46,907
[ TURNS OFF ENGINE,
SHIFTS GEARS ]

116
00:06:46,940 --> 00:06:49,577
HOLD IT.

117
00:06:49,610 --> 00:06:50,811
[ PUSHES BUTTON ]

118
00:06:50,844 --> 00:06:55,649
[ WHIRRING ]

119
00:06:55,683 --> 00:06:56,984
[ WHIRRING STOPS ]

120
00:06:57,017 --> 00:06:58,919
THAT WAS NOT OKAY.

121
00:06:58,952 --> 00:07:00,387
GOING TO A LECTURE?

122
00:07:00,420 --> 00:07:02,990
YOU THINK THIS IS A GAME?
NO.

123
00:07:03,023 --> 00:07:05,425
YOU CAN'T RUN OFF LIKE THAT.
WE NEED TO BE ABLE TO TRUST YOU.

124
00:07:05,459 --> 00:07:07,628
DID YOU SAY ANYTHING
TO PASTOR TIM?

125
00:07:07,661 --> 00:07:10,498
[ SCOFFS ] WHAT DO YOU THINK?

126
00:07:16,937 --> 00:07:18,606
YOU ASKED FOR THE TRUTH,
AND WITH THAT

127
00:07:18,639 --> 00:07:20,641
COMES RESPONSIBILITY.
DO YOU UNDERSTAND THAT?

128
00:07:23,376 --> 00:07:25,178
PAIGE.

129
00:07:26,814 --> 00:07:28,916
YOU NEED TO TELL US
YOU UNDERSTAND.

130
00:07:28,949 --> 00:07:31,852
SO, WHAT? I CAN'T SEE
PASTOR TIM ANYMORE?

131
00:07:31,885 --> 00:07:33,621
NO, NO ONE IS SAYING THAT.

132
00:07:33,654 --> 00:07:35,523
YOU NEED TO ACT AS IF
EVERYTHING IS PERFECTLY NORMAL.

133
00:07:35,556 --> 00:07:37,024
BUT IT'S NOT.
PAIGE.

134
00:07:37,057 --> 00:07:40,360
I DIDN'T TELL HIM.

135
00:07:42,663 --> 00:07:45,032
[ SIGHS ]

136
00:07:47,200 --> 00:07:48,468
CAN I GET BY?

137
00:07:55,142 --> 00:07:57,310
[ DOOR OPENS AND CLOSES ]

138
00:07:57,344 --> 00:08:00,848
[ EXHALES SHARPLY ]

139
00:08:00,881 --> 00:08:03,150
YOU HAVE TO GO
TO MARTHA'S TONIGHT, RIGHT?

140
00:08:03,183 --> 00:08:05,986
[ SIGHS ] YEAH.

141
00:08:11,158 --> 00:08:12,826
[ SIGHS DEEPLY ]

142
00:08:14,695 --> 00:08:17,497
[ DOOR CLOSES ]

143
00:08:17,531 --> 00:08:22,836
[ MAN IN DISTANCE
SPEAKING INDISTINCTLY ]

144
00:08:31,211 --> 00:08:33,981
Woman: YEAH.

145
00:08:34,014 --> 00:08:37,184
Man: IS THAT A PARKING SPOT?
[ MAN SPEAKS INDISTINCTLY ]

146
00:08:38,451 --> 00:08:40,888
I KEEP THINKING I WANNA PAINT --

147
00:08:40,921 --> 00:08:42,756
BLUE OR SOMETHING BOLDER.

148
00:08:42,790 --> 00:08:45,659
BUT THEN YOU HAVE TO LIVE
WITH IT.

149
00:08:45,693 --> 00:08:48,596
AND THE SMELL --
IT LINGERS, YOU KNOW.

150
00:08:48,629 --> 00:08:51,498
MUCH LONGER THAN THEY SAY.

151
00:08:51,531 --> 00:08:54,267
HMM, IT'S A NICE PLACE.

152
00:08:54,301 --> 00:08:56,770
THANK YOU.

153
00:08:56,804 --> 00:08:58,038
IT'S HOME.

154
00:08:58,071 --> 00:09:01,241
LOOK, I'M SORRY TO DROP BY
UNANNOUNCED.

155
00:09:01,274 --> 00:09:05,545
JUST...SO HARD TO TALK
AROUND THE OFFICE THESE DAYS.

156
00:09:05,579 --> 00:09:08,782
[ INHALES DEEPLY ]
TELL ME ABOUT IT.

157
00:09:08,816 --> 00:09:15,088
I SAW YOU TODAY STARING
INTO YOUR COFFEE MUG

158
00:09:15,122 --> 00:09:18,391
FOR A MINUTE, STRAIGHT.

159
00:09:20,661 --> 00:09:23,230
YOU KNOW I TALK TO IT
SOMETIMES,

160
00:09:23,263 --> 00:09:25,132
AND I BEG IT
TO WAKE ME UP.

161
00:09:25,165 --> 00:09:27,935
[ CHUCKLES ]
[ CHUCKLES ]

162
00:09:27,968 --> 00:09:30,137
YOU JUST SEEMED A LITTLE
DISTRACTED TO ME, MARTHA.

163
00:09:30,170 --> 00:09:32,472
I WANTED TO MAKE SURE
YOU'RE OKAY.

164
00:09:32,505 --> 00:09:36,543
ME? I'M FINE.
UH...IT'S JUST HECTIC,

165
00:09:36,576 --> 00:09:38,746
WITH AGENT TAFFET THERE.

166
00:09:38,779 --> 00:09:40,914
AGENT GAAD'S SCHEDULE IS...
[ CLATTER ]

167
00:09:40,948 --> 00:09:42,082
EXHAUSTING.

168
00:09:42,115 --> 00:09:43,651
HMM.

169
00:09:43,684 --> 00:09:47,420
WE ALL KNOW IT'S THE SECRETARIES
THAT MAKE THE PLACE RUN.

170
00:09:47,454 --> 00:09:50,290
THAT'S NICE. THANK YOU.

171
00:09:50,323 --> 00:09:52,960
YOU DON'T ALWAYS GET
THE CREDIT YOU DESERVE.

172
00:09:59,432 --> 00:10:03,436
I READ THAT.
THAT'S A GOOD BOOK.

173
00:10:06,974 --> 00:10:10,177
WHAT ARE YOU, UH...
DOING HERE, STAN?

174
00:10:11,879 --> 00:10:14,915
I HEAR THE GOSSIP AT WORK
ABOUT YOUR MARRIAGE...

175
00:10:14,948 --> 00:10:17,117
NO, NO, NO.
AND, YOU KNOW, YOU SHOULD
TALK TO SOMEBODY.

176
00:10:17,150 --> 00:10:19,987
BUT I'M NOT THE RIGHT PERSON.
NO, I JUST...

177
00:10:21,621 --> 00:10:24,257
I JUST WANTED YOU TO KNOW
WITH THINGS AT WORK,

178
00:10:24,291 --> 00:10:26,927
IF THERE'S ANYTHING
ON YOUR MIND,

179
00:10:26,960 --> 00:10:29,329
YOU CAN ALWAYS COME
TO ME.

180
00:10:31,131 --> 00:10:32,499
OKAY.

181
00:10:32,532 --> 00:10:35,168
I APPRECIATE THAT,
AGENT BEEMAN.

182
00:10:36,970 --> 00:10:38,806
YOU KNOW, I HAVE
AN EARLY MORNING,

183
00:10:38,839 --> 00:10:40,808
AND IT'S GETTING LATE.

184
00:10:40,841 --> 00:10:43,276
YEAH.

185
00:10:43,310 --> 00:10:47,180
YEAH. OKAY.

186
00:10:51,318 --> 00:10:52,986
[ LOCK CLICKS ]

187
00:10:56,189 --> 00:10:58,325
I'LL SEE YOU TOMORROW.

188
00:10:58,358 --> 00:10:59,960
YES, YOU WILL.

189
00:10:59,993 --> 00:11:01,194
GOOD NIGHT.

190
00:11:01,228 --> 00:11:02,529
GOOD NIGHT.

191
00:11:36,730 --> 00:11:38,866
[ SIGHS ]

192
00:11:46,639 --> 00:11:47,941
WHAT ARE YOU DOING HERE?

193
00:11:47,975 --> 00:11:49,609
WHAT HAPPENED?

194
00:11:49,642 --> 00:11:51,611
HANS WAVED ME OFF.

195
00:11:51,644 --> 00:11:53,781
I MET HIM AFTER.
HE SAID HE SAW A GUY

196
00:11:53,814 --> 00:11:56,183
GET OUT OF A CAR
WITH GOVERNMENT PLATES

197
00:11:56,216 --> 00:11:58,085
GOING TO
HER APARTMENT BUILDING.

198
00:12:01,221 --> 00:12:02,389
[ SIGHS ]

199
00:12:02,422 --> 00:12:04,057
HAS SHE CALLED?

200
00:12:04,091 --> 00:12:06,894
TWO MESSAGES SO FAR.

201
00:12:12,065 --> 00:12:15,602
HANS DID GOOD.

202
00:12:15,635 --> 00:12:18,238
YEAH.

203
00:12:20,273 --> 00:12:22,575
WHAT NOW?

204
00:12:24,144 --> 00:12:26,313
I DON'T KNOW.

205
00:12:40,127 --> 00:12:43,296
[ INDISTINCT CONVERSATIONS ]

206
00:12:48,535 --> 00:12:50,838
MISS HANSON?

207
00:12:50,871 --> 00:12:53,073
I'M A FRIEND
OF YOUR HUSBAND.

208
00:12:53,106 --> 00:12:56,609
CLARK KNOWS
YOU MUST BE WORRIED.

209
00:12:56,643 --> 00:12:58,445
IS HE ALL RIGHT?

210
00:12:58,478 --> 00:13:00,680
YES.

211
00:13:00,713 --> 00:13:03,416
[ DOOR HANDLE CLICKS ]

212
00:13:03,450 --> 00:13:07,187
[ ENGINE IDLING ]

213
00:13:22,302 --> 00:13:25,605
NICE AND EASY. YEAH?
AND JUST REMEMBER

214
00:13:25,638 --> 00:13:27,140
THAT THE LENS IS RIGHT THERE,
SO...

215
00:13:27,174 --> 00:13:29,109
THEY WON'T THINK
IT'S STRANGE

216
00:13:29,142 --> 00:13:31,278
TO SEE A WOMAN CARRYING
A PURSE ONTO THE PLANT FLOOR?

217
00:13:31,311 --> 00:13:32,980
I TAKE IT EVERY TIME
I LEAVE THE OFFICE.

218
00:13:33,013 --> 00:13:34,381
EVERY GIRL DOES.

219
00:13:34,414 --> 00:13:35,983
TAKE A LOT OF SHOTS.

220
00:13:36,016 --> 00:13:38,485
BETTER TO HAVE TOO MANY
THAN TOO FEW.

221
00:13:38,518 --> 00:13:40,387
WHAT'S HER EXCUSE
FOR BEING THERE?

222
00:13:40,420 --> 00:13:42,455
I'M GOING TO SEE
THE MATERIALS ENGINEER

223
00:13:42,489 --> 00:13:44,724
ABOUT THE MACHINE SETTINGS
ON HIS NEW PLANS.
THAT'S RIGHT.

224
00:13:44,757 --> 00:13:46,326
AND THEY'RE NOT GONNA
SEARCH YOUR PURSE?

225
00:13:46,359 --> 00:13:48,862
BABY, DON'T WORRY.

226
00:13:48,896 --> 00:13:50,730
THE GUARDS ONLY CARE
ABOUT MY BADGE.

227
00:13:50,763 --> 00:13:52,732
MM. AND THEY WANT EVERY ANGLE,

228
00:13:52,765 --> 00:13:55,335
SO THEY SAID AN EASY WAY
TO DO THAT

229
00:13:55,368 --> 00:13:57,470
IS TO SPOT THE ENGINEER EARLY.

230
00:13:57,504 --> 00:13:59,706
START ONE WAY
AROUND THE FUSELAGE

231
00:13:59,739 --> 00:14:02,309
AND COME BACK THE OTHER WAY
IF YOU CAN.

232
00:14:02,342 --> 00:14:04,477
YOU KNOW,
IT'S JUST IF YOU CAN.

233
00:14:04,511 --> 00:14:05,913
OKAY.
AND ALSO...

234
00:14:11,218 --> 00:14:12,485
TAKE THIS.

235
00:14:12,519 --> 00:14:13,987
Maurice: WHAT IS THAT?

236
00:14:14,021 --> 00:14:16,924
IT'S A SEDATIVE. KEEP YOU CALM.

237
00:14:16,957 --> 00:14:18,658
SHE'S NOT TAKING THAT.

238
00:14:18,691 --> 00:14:21,895
IT'S 5 MILLIGRAMS. TRUST ME.
IT'S HELPFUL.

239
00:14:28,735 --> 00:14:30,603
I'LL MEET YOU AFTER
WHERE WE SAID.

240
00:14:30,637 --> 00:14:33,907
YOU'RE GONNA BE GREAT,
JUST LIKE YOU PRACTICED.

241
00:15:02,569 --> 00:15:03,870
MARTHA?

242
00:15:03,903 --> 00:15:07,240
[ CAR DEPARTS ]

243
00:15:07,274 --> 00:15:09,276
I'M SO SORRY
ABOUT LAST NIGHT.

244
00:15:09,309 --> 00:15:10,810
I TRIED CALLING YOU
FIVE TIMES.

245
00:15:10,843 --> 00:15:12,312
YES, I KNOW, I KNOW.

246
00:15:12,345 --> 00:15:13,981
WHAT AM I DOING HERE,
CLARK?

247
00:15:14,014 --> 00:15:16,916
AND WHO WAS THAT MAN?
HE -- HE'S A FRIEND.

248
00:15:16,950 --> 00:15:19,987
I COULDN'T BE CERTAIN
YOUR APARTMENT WAS SAFE.

249
00:15:20,020 --> 00:15:22,555
I-I CAME LAST NIGHT,

250
00:15:22,589 --> 00:15:25,425
BUT I SAW SOMEONE GO
INTO YOUR APARTMENT BUILDING,

251
00:15:25,458 --> 00:15:28,161
AND HE WAS DRIVING A CAR
WITH GOVERNMENT PLATES.

252
00:15:28,195 --> 00:15:30,563
IT WAS AGENT BEEMAN.

253
00:15:30,597 --> 00:15:32,732
WHAT DID HE WANT?

254
00:15:32,765 --> 00:15:36,436
HE SAID THAT HE WAS
WORRIED ABOUT ME, BUT...

255
00:15:36,469 --> 00:15:37,770
WHY? WHAT'D HE SAY?

256
00:15:37,804 --> 00:15:40,507
HE SAID IT'S TENSE
IN THE OFFICE

257
00:15:40,540 --> 00:15:42,842
AND WE CAN'T TALK,
AND IF I HAVE ANYTHING

258
00:15:42,875 --> 00:15:44,811
ON MY MIND,
THAT I SHOULD GO TO HIM.

259
00:15:47,114 --> 00:15:48,448
WHAT AM I GONNA DO,
CLARK?

260
00:15:48,481 --> 00:15:51,684
OKAY, MARTHA, LISTEN.
I-I...

261
00:15:51,718 --> 00:15:55,022
I DON'T KNOW QUITE HOW
TO SAY THIS.

262
00:15:55,055 --> 00:15:57,324
BUT WE MIGHT HAVE TO GO...

263
00:15:57,357 --> 00:16:00,827
A-AWAY SOMEPLACE NEW.

264
00:16:00,860 --> 00:16:03,263
CLARK, I --
IT'S GONNA --
IT'S GONNA BE OKAY.

265
00:16:03,296 --> 00:16:05,198
EVERYTHING'S GONNA BE OKAY.
I CAN'T JUST --

266
00:16:05,232 --> 00:16:07,434
JUST -- JUST -- JUST TRUST ME.
THEY DON'T KNOW.

267
00:16:07,467 --> 00:16:09,669
IF THEY DID, IT WOULD BE
A VERY DIFFERENT VISIT.

268
00:16:09,702 --> 00:16:11,138
THEY WOULD BE BUGGING
YOUR PHONE,

269
00:16:11,171 --> 00:16:12,872
SURVEILLING YOU 24 HOURS A DAY,
AND THEY WOULDN'T HAVE

270
00:16:12,905 --> 00:16:14,307
TIPPED YOU
BY SENDING AGENT BEEMAN.

271
00:16:14,341 --> 00:16:17,177
I -- MARTHA, I WILL FIGURE
THIS OUT.

272
00:16:17,210 --> 00:16:20,547
I WILL FIGURE THIS OUT.

273
00:16:20,580 --> 00:16:23,216
I PROMISE.

274
00:16:26,653 --> 00:16:31,124
[ INDISTINCT TALKING ]

275
00:16:31,158 --> 00:16:34,027
[ TELEPHONE RINGING
IN DISTANCE ]

276
00:16:34,061 --> 00:16:36,396
HEY, STAN.
UH, I'M LATE FOR A MEETING.

277
00:16:36,429 --> 00:16:37,797
ALL RIGHT,
MAYBE FIND ME LATER?

278
00:16:37,830 --> 00:16:39,299
ABOUT WHAT, EXACTLY?

279
00:16:39,332 --> 00:16:42,669
I'VE GOT A FEW MORE QUESTIONS
ABOUT NINA.

280
00:16:48,875 --> 00:16:51,678
[ INDISTINCT TALKING ]

281
00:16:53,346 --> 00:16:54,814
WHAT IS WITH YOU?

282
00:16:54,847 --> 00:16:56,216
I DON'T KNOW, STAN.

283
00:16:56,249 --> 00:16:58,485
THERE WAS SOMETHING
GOING ON WITH YOU AND NINA.

284
00:16:58,518 --> 00:17:00,353
THAT MUCH IS CLEAR TO ME.

285
00:17:02,855 --> 00:17:05,024
WHAT ARE YOU
ACCUSING ME OF?

286
00:17:05,058 --> 00:17:07,327
DID YOU PLANT THE BUG?

287
00:17:07,360 --> 00:17:10,530
NO.

288
00:17:10,563 --> 00:17:13,266
AND YOU ARE NOT
AS SMART AS YOU LOOK.

289
00:17:15,068 --> 00:17:18,671
YOU READ ALL THOSE FILES.

290
00:17:18,705 --> 00:17:21,908
LET'S SAY THE WOMAN I SHOT
DIDN'T ACTUALLY DIE.

291
00:17:21,941 --> 00:17:23,110
MAYBE SHE'S THE ONE

292
00:17:23,143 --> 00:17:25,212
WHO BEAT THE SHIT
OUT OF YOU AND GAAD.

293
00:17:25,245 --> 00:17:30,117
MAYBE SHE EVEN KILLED
MY PARTNER, CHRIS AMADOR.

294
00:17:30,150 --> 00:17:33,120
OUR OFFICE IS A TARGET
OF THE ILLEGALS.

295
00:17:33,153 --> 00:17:37,056
THE BEST, MOST DANGEROUS
OFFICERS THE K.G.B. HAS.

296
00:17:37,090 --> 00:17:38,391
NOW THEY GOT
TO SOMEBODY INSIDE,

297
00:17:38,425 --> 00:17:40,227
AND IT WASN'T ME.

298
00:17:40,260 --> 00:17:42,629
WORK ON THAT.

299
00:17:42,662 --> 00:17:47,400
[ WHIRRING ]

300
00:17:47,434 --> 00:17:49,736
[ BEEPS ]

301
00:17:49,769 --> 00:17:52,605
[ TYPING ]
Man on tape: CAN'T YOU GO
IN THERE AND SAY SOMETHING?

302
00:17:52,639 --> 00:17:55,642
Man: ARE YOU KIDDING?
[ SPEAKS INDISTINCTLY ]

303
00:17:55,675 --> 00:17:57,710
[ BELL DINGS ]

304
00:17:57,744 --> 00:18:03,049
[ WOMAN SPEAKING INDISTINCTLY ]
OVER TAPE ]

305
00:18:03,082 --> 00:18:06,553
[ CONVERSATIONS OVERLAPPING ]

306
00:18:06,586 --> 00:18:11,291
[ KEYS CLACKING ]

307
00:18:24,637 --> 00:18:26,473
[ DOOR HANDLE CLICKS ]

308
00:18:31,978 --> 00:18:33,513
SHE DID HER JOB.

309
00:18:33,546 --> 00:18:35,348
THIS WASN'T THE ARRANGEMENT.

310
00:18:35,382 --> 00:18:37,284
I'M DEALING WITH
THIS SIDE OF THINGS NOW.

311
00:18:39,386 --> 00:18:40,920
GOT A PROBLEM WITH THAT?

312
00:18:40,953 --> 00:18:42,289
I DO.

313
00:18:43,623 --> 00:18:45,625
SUIT YOURSELF.

314
00:18:45,658 --> 00:18:47,627
THAT'S MY CAMERA.

315
00:18:50,463 --> 00:18:53,366
HOW ABOUT I TAKE
THE FILM OUT, EXPOSE IT,

316
00:18:53,400 --> 00:18:55,635
GIVE IT BACK TO YOU?

317
00:19:06,646 --> 00:19:08,147
[ ZIP ]

318
00:19:16,356 --> 00:19:18,391
[ ZIP ]

319
00:19:20,660 --> 00:19:23,963
TELL LISA I'LL TALK
TO HER SOON, IN PERSON.

320
00:19:23,996 --> 00:19:26,499
WHATEVER.

321
00:19:36,776 --> 00:19:38,578
[ KNOCK ON DOOR ]
[ SPEAKS RUSSIAN ]

322
00:19:41,681 --> 00:19:43,049
[ DOOR CLOSES ]

323
00:19:46,018 --> 00:19:49,021
[ PEN SCRIBBLING ]

324
00:20:20,320 --> 00:20:23,456
WAS HER SENSE THAT STAN
WAS REALLY CONCERNED FOR HER

325
00:20:23,490 --> 00:20:25,525
OR THAT HE WAS
INVESTIGATING?

326
00:20:25,558 --> 00:20:28,127
SHE COULDN'T TELL.
SHE WAS UPSET, TERRIFIED.

327
00:20:28,160 --> 00:20:29,796
WHAT DO YOU THINK?

328
00:20:29,829 --> 00:20:31,398
I THINK STAN'S A NICE GUY,

329
00:20:31,431 --> 00:20:33,600
BUT HE'S NOT SHOWING UP
AT HIS SECRETARY'S APARTMENT

330
00:20:33,633 --> 00:20:35,268
OUT OF THE GOODNESS
OF HIS HEART.

331
00:20:35,302 --> 00:20:37,637
UNLESS HE'S LOOKING
FOR SOMETHING ELSE.

332
00:20:37,670 --> 00:20:39,038
WITH MARTHA?

333
00:20:39,071 --> 00:20:41,207
[ KNOCK ON DOOR ]

334
00:20:41,240 --> 00:20:43,142
YEAH?

335
00:20:43,175 --> 00:20:45,244
Philip: HEY.

336
00:20:47,314 --> 00:20:49,382
WHO ARE THESE PEOPLE?

337
00:20:49,416 --> 00:20:51,751
IS THIS ROGER, WHO WE WENT
TO SeaWorld WITH?

338
00:20:53,620 --> 00:20:54,987
YES.

339
00:20:55,021 --> 00:20:56,323
IS HE REALLY OUR COUSIN?

340
00:20:59,759 --> 00:21:02,094
SO THAT'S A LIE.

341
00:21:02,128 --> 00:21:03,896
PAIGE, THERE ARE GOING
TO BE THINGS THAT --

342
00:21:03,930 --> 00:21:06,333
AUNT HELEN, WHO YOU
STAYED WITH -- I MET HER.

343
00:21:06,366 --> 00:21:09,402
I WENT TO HER HOUSE.
WAS SHE REALLY SICK?

344
00:21:09,436 --> 00:21:10,770
IS SHE MY AUNT?

345
00:21:12,639 --> 00:21:14,974
WHO IS SHE?
IS SHE A RUSSIAN?

346
00:21:15,007 --> 00:21:16,343
CAN YOU PLEASE
KEEP YOUR VOICE DOWN?

347
00:21:16,376 --> 00:21:18,678
WHY?
BECAUSE HENRY IS JUST
DOWN THE HALL.

348
00:21:18,711 --> 00:21:20,747
OKAY, SO ROGER'S NOT
REALLY OUR COUSIN,

349
00:21:20,780 --> 00:21:23,816
HELEN'S NOT MY AUNT,
BUT HENRY IS MY BROTHER.

350
00:21:23,850 --> 00:21:25,251
IF YOU CALM DOWN
FOR A MINUTE, WE --

351
00:21:25,284 --> 00:21:26,786
YOU GUYS ARE MY PARENTS.
PAIGE, PLEASE, WE --

352
00:21:26,819 --> 00:21:28,688
BUT EVERYTHING ELSE
IS JUST A LIE, RIGHT?

353
00:21:28,721 --> 00:21:31,991
EVERYTHING IS A LIE!
PLEASE DON'T TOUCH ME.

354
00:21:32,024 --> 00:21:33,626
DON'T TOUCH ME.

355
00:21:37,664 --> 00:21:39,766
[ SIGHS ]

356
00:21:39,799 --> 00:21:41,968
PAIGE...

357
00:21:43,302 --> 00:21:45,805
[ DOOR OPENS AND CLOSES ]

358
00:22:03,089 --> 00:22:05,157
[ SNIFFLES ]

359
00:22:08,495 --> 00:22:10,697
[ SWALLOWS, EXHALES ]

360
00:22:20,773 --> 00:22:23,342
[ DIAL TONE DRONES ]

361
00:22:23,376 --> 00:22:27,814
[ DIALING ]

362
00:22:27,847 --> 00:22:29,081
[ EXHALES ]

363
00:22:32,619 --> 00:22:37,590
HI, MOM. HOW ARE YOU GUYS?

364
00:22:37,624 --> 00:22:39,426
IS DAD GETTING ON THE OTHER --

365
00:22:41,027 --> 00:22:42,595
HI, DADDY.

366
00:22:42,629 --> 00:22:47,834
OH, NOTHING. UM, I JUST WANTED
TO HEAR YOUR VOICES.

367
00:22:47,867 --> 00:22:52,338
NO, NO. [ SNIFFLES ]
SAME OLD, YOU KNOW.

368
00:22:52,371 --> 00:22:55,007
THE GLAMOROUS FBI.

369
00:22:55,041 --> 00:22:57,109
HE'S GREAT.

370
00:22:58,711 --> 00:23:00,713
NO, NOT RIGHT NOW. [ SNIFFLES ]

371
00:23:00,747 --> 00:23:04,584
WORK, WORK, WORK.
YOU KNOW HOW HE IS.

372
00:23:04,617 --> 00:23:06,719
NOTHING'S WRONG, MOM.

373
00:23:06,753 --> 00:23:10,256
IT'S JUST --
IT'S HARD SOMETIMES.

374
00:23:12,559 --> 00:23:15,361
I KNOW.

375
00:23:15,394 --> 00:23:17,129
OH, GOD. I HAVE...

376
00:23:17,163 --> 00:23:19,566
21 DAYS SAVED UP, BUT, UH,

377
00:23:19,599 --> 00:23:22,234
I DON'T WANNA LEAVE RIGHT NOW.

378
00:23:24,270 --> 00:23:26,539
I KNOW YOU ARE.

379
00:23:26,573 --> 00:23:28,808
I'M FINE.

380
00:23:28,841 --> 00:23:31,611
LET'S TALK ABOUT SOMETHING ELSE.

381
00:23:31,644 --> 00:23:36,415
UM, WHAT ARE YOU GUYS GONNA DO
FOR YOUR ANNIVERSARY?

382
00:23:39,418 --> 00:23:41,053
[ KNOCK ON DOOR ]

383
00:23:41,087 --> 00:23:43,322
[ DOOR OPENS ]

384
00:23:43,355 --> 00:23:45,291
HEY.

385
00:23:47,460 --> 00:23:48,928
[ CLOSES DOOR ]

386
00:23:59,772 --> 00:24:01,941
[ SIGHS ]

387
00:24:04,443 --> 00:24:07,780
[ CLICKS TEETH ]
THERE IS NO AUNT HELEN.

388
00:24:11,283 --> 00:24:14,086
YOUR MOM WASN'T...WELL,

389
00:24:14,120 --> 00:24:15,788
AND SHE NEEDED TIME
TO RECOVER,

390
00:24:15,822 --> 00:24:17,624
TO GET BETTER.

391
00:24:21,327 --> 00:24:23,963
IT'S NOT ALL A LIE,
PAIGE.

392
00:24:32,639 --> 00:24:37,109
THIS IS YOU IN THE HOSPITAL
THE NIGHT HENRY WAS BORN.

393
00:24:37,143 --> 00:24:38,444
YOUR MOM SAID I HAD
TO BRING YOU OVER THAT NIGHT,

394
00:24:38,477 --> 00:24:39,779
EVEN THOUGH IT WAS LATE.

395
00:24:39,812 --> 00:24:43,616
COULDN'T WAIT
TILL THE NEXT DAY.

396
00:24:43,650 --> 00:24:47,987
AND THIS IS
WHEN WE WENT CAMPING

397
00:24:48,020 --> 00:24:50,189
IN THE BLUE RIDGE MOUNTAINS.

398
00:24:50,222 --> 00:24:51,824
YOU WERE 7.

399
00:24:51,858 --> 00:24:54,360
SHARED A TENT WITH HENRY.

400
00:24:56,395 --> 00:24:59,198
HE WAS AFRAID
A BEAR WAS GONNA EAT HIM.

401
00:24:59,231 --> 00:25:02,501
I DIDN'T KNOW THAT.

402
00:25:02,535 --> 00:25:06,739
HE MADE ME PROMISE
NOT TO TELL.

403
00:25:13,445 --> 00:25:18,918
[ MAN AND WOMAN
SPEAKING RUSSIAN ]

404
00:26:24,283 --> 00:26:26,485
[ SHIFTS GEARS,
TURNS OFF ENGINE ]

405
00:26:26,518 --> 00:26:29,789
YOU SHOULD GO
AND TAKE HER WITH YOU.

406
00:26:32,158 --> 00:26:33,425
I DON'T KNOW.

407
00:26:33,459 --> 00:26:34,961
SHE DOESN'T THINK
SHE HAS ANY FAMILY,

408
00:26:34,994 --> 00:26:36,295
AND SHE DOES.

409
00:26:36,328 --> 00:26:39,999
LOOK, IF YOU DON'T TAKE HER,
I WILL.

410
00:26:40,032 --> 00:26:42,434
[ DOOR HANDLE CLICKS ]

411
00:26:46,639 --> 00:26:48,775
[ ELEVATOR BELL DINGS ]

412
00:26:48,808 --> 00:26:50,276
Woman: EXCUSE ME.

413
00:26:55,014 --> 00:26:57,116
HI. I'M HERE
FOR ABASSIN ZADRAN.

414
00:26:57,149 --> 00:26:59,118
IT'S LATE.

415
00:26:59,151 --> 00:27:01,788
YEAH, I GOTTA TALK TO HIM
ABOUT TOMORROW'S MEETING.

416
00:27:04,523 --> 00:27:07,026
WAIT HERE.
SURE.

417
00:27:07,059 --> 00:27:09,295
I GOT SOMEONE HERE
WHO NEEDS CLEARANCE,

418
00:27:09,328 --> 00:27:10,797
PICKING UP ZADRAN.

419
00:27:10,830 --> 00:27:12,699
OKAY, CHECK IT OUT.

420
00:27:12,732 --> 00:27:15,301
IT'LL BE A MINUTE.

421
00:27:15,334 --> 00:27:18,137
SURE.

422
00:27:19,672 --> 00:27:21,507
[ DIAL TONE DRONES ]

423
00:27:21,540 --> 00:27:24,510
[ DIALS ]

424
00:27:24,543 --> 00:27:26,779
[ LINE RINGS, CLICK ]

425
00:27:26,813 --> 00:27:28,114
Security.

426
00:27:28,147 --> 00:27:30,149
I HAVE AN OFFICER HERE
FOR ABASSIN ZADRAN.

427
00:27:30,182 --> 00:27:31,550
NEED APPROVAL TO RELEASE HIM.

428
00:27:31,583 --> 00:27:33,552
HOLD THE LINE.

429
00:27:38,490 --> 00:27:41,961
YOU HAVE APPROVAL
TO RELEASE ABASSIN ZADRAN

430
00:27:41,994 --> 00:27:46,132
to the officer
with the ID number 24765.

431
00:27:46,165 --> 00:27:47,834
GOT IT.

432
00:27:49,101 --> 00:27:50,402
HE'S GOOD.

433
00:27:58,577 --> 00:28:00,346
[ CAR DOOR CLOSES ]

434
00:28:00,379 --> 00:28:03,482
THIS IS LAURA GERING
OF THE CIA.

435
00:28:03,515 --> 00:28:05,852
GOOD EVENING.

436
00:28:05,885 --> 00:28:09,355
IS IT OKAY IF WE DRIVE
SOMEPLACE MORE PRIVATE?

437
00:28:09,388 --> 00:28:11,991
PLEASE.

438
00:28:12,024 --> 00:28:14,761
THE SENATORS ON THE COMMITTEE
ARE WORRIED.

439
00:28:14,794 --> 00:28:16,262
THEY DON'T THINK THEY CAN TRUST
THE MUJAHIDEEN

440
00:28:16,295 --> 00:28:18,330
WITH PORTABLE
ANTI-AIRCRAFT WEAPONS.

441
00:28:18,364 --> 00:28:20,599
THAT IS WHY WE ARE HERE --
TO CONVINCE THEM.

442
00:28:20,632 --> 00:28:22,701
THAT WAS THE HOPE.

443
00:28:22,735 --> 00:28:24,737
HOW WELL DO YOU KNOW
THE MEN YOU TRAVELED WITH?

444
00:28:24,771 --> 00:28:28,174
NOT WELL, BUT WE WANT
THE SAME THING.

445
00:28:28,207 --> 00:28:30,276
THEY'RE BOTH FROM THE SAME
VILLAGE. DID YOU KNOW THAT?

446
00:28:30,309 --> 00:28:32,378
WE BELIEVE
THEY HAVE INSTRUCTIONS

447
00:28:32,411 --> 00:28:35,181
TO GO INTO TOMORROW'S MEETING
AND SABOTAGE YOUR CHANCES

448
00:28:35,214 --> 00:28:37,016
OF ACQUIRING THE WEAPONS
YOU NEED.

449
00:28:37,049 --> 00:28:39,285
THAT IS NOT POSSIBLE.
NO?

450
00:28:39,318 --> 00:28:42,454
ABDUL QADER'S SONS
WERE FIGHTING IN SAYGHANI.

451
00:28:42,488 --> 00:28:44,223
THEY WERE CAPTURED BY SOVIETS.

452
00:28:44,256 --> 00:28:46,458
HE'S LOYAL TO HIS FAMILY,
NOT AFGHANISTAN.

453
00:28:46,492 --> 00:28:48,294
HE AND MOMAND HAVE BEEN
DELIVERING INFORMATION

454
00:28:48,327 --> 00:28:50,462
TO A SOVIET GENERAL
NAMED YASHKIN.

455
00:28:50,496 --> 00:28:52,198
WHY DO YOU THINK THERE'S
BEEN NO FIGHTING

456
00:28:52,231 --> 00:28:54,533
IN HAJI SATAR OR RAHIM?

457
00:28:54,566 --> 00:28:56,135
YOU THINK
THAT'S COINCIDENCE?

458
00:28:56,168 --> 00:28:58,704
WE WENT TO THE CHAIRMAN
OF THE COMMITTEE AND TOLD HIM.

459
00:28:58,737 --> 00:29:00,539
HE SAID WE BROUGHT THEM
ALL THIS WAY.

460
00:29:00,572 --> 00:29:01,974
THE COMMITTEE'S GONNA
LISTEN TO THEM.

461
00:29:02,008 --> 00:29:03,709
YOUR FRIENDS ONLY HAVE TO ACT
LIKE THEY HAVE GOALS

462
00:29:03,742 --> 00:29:06,445
OTHER THAN WINNING THIS WAR,
ALLIES OTHER THAN US,

463
00:29:06,478 --> 00:29:08,280
AND THAT WOULD BE IT.

464
00:29:12,584 --> 00:29:16,789
WHY IS THERE NO WAR HERE...
IN AMERICA?

465
00:29:19,125 --> 00:29:21,560
MY COUNTRY IS ALWAYS
AT WAR.

466
00:29:21,593 --> 00:29:24,396
AND FOR WHAT?
AFGHANISTAN HAS NOTHING.

467
00:29:24,430 --> 00:29:27,399
NO PLANES, NO HELICOPTERS,
NO MEDICINE.

468
00:29:27,433 --> 00:29:30,837
NOTHING OF OUR OWN.

469
00:29:30,870 --> 00:29:32,238
ALL WE WANT IS TO LIVE

470
00:29:32,271 --> 00:29:34,006
ON THE LAND OF OUR FATHERS
IN PEACE.

471
00:29:34,040 --> 00:29:36,742
WE UNDERSTAND.

472
00:29:36,775 --> 00:29:38,444
YOU'RE RIGHT.

473
00:29:38,477 --> 00:29:43,415
I DON'T KNOW THESE MEN.
MY MEN ARE IN THE MOUNTAINS.

474
00:29:43,449 --> 00:29:45,451
MY MEN ARE HONORABLE.

475
00:29:45,484 --> 00:29:49,088
THEY WANT TO FIGHT AND DIE
AS MARTYRS.

476
00:29:49,121 --> 00:29:53,292
DO YOU KNOW THAT A MARTYR
MAY BE LAID IN HIS GRAVE

477
00:29:53,325 --> 00:29:55,461
JUST AS HE DIES?

478
00:29:55,494 --> 00:30:00,432
HIS BODY AND CLOTHES
SOAKED IN BLOOD?

479
00:30:00,466 --> 00:30:05,437
EVEN A PROPHET MUST BE CLEANED
BEFORE BURIAL,

480
00:30:05,471 --> 00:30:07,706
BUT NOT A MARTYR.

481
00:30:07,739 --> 00:30:10,709
SO GREAT IS HIS HONOR.

482
00:30:13,145 --> 00:30:16,648
BUT A TRAITOR...
[ BREATHES DEEPLY ]

483
00:30:16,682 --> 00:30:20,152
THERE IS A WAY
FOR TOMORROW TO WORK OUT.

484
00:30:21,988 --> 00:30:24,857
IF YOU WERE TO GO
TO THE MEETING ALONE...

485
00:30:29,695 --> 00:30:31,197
TELL ME.

486
00:30:31,230 --> 00:30:36,635
WHAT DOES YOUR INTELLIGENCE
SAY ABOUT ME?

487
00:30:36,668 --> 00:30:39,805
THAT YOU ARE LOYAL,

488
00:30:39,838 --> 00:30:43,075
THAT THERE ARE NO MUJAHIDEEN
AS BRAVE AS YOURS.

489
00:30:45,844 --> 00:30:48,514
I AM ABASSIN ZADRAN.

490
00:30:48,547 --> 00:30:53,685
I AM THE ONE WHO CUTS
THE THROATS OF THE COMMUNISTS.

491
00:30:53,719 --> 00:30:57,389
I HAVE KILLED MANY PEOPLE
WITH MY KNIFE.

492
00:30:57,423 --> 00:31:01,093
I HAVE CUT THEM OPEN
AND WATCHED THEM DIE,

493
00:31:01,127 --> 00:31:02,929
SOME OF THEM BOYS,

494
00:31:02,962 --> 00:31:05,264
NO OLDER THAN MY NEPHEW.

495
00:31:05,297 --> 00:31:10,436
I FOUND THEM SWIMMING,
THEIR GUNS ON THE RIVERBANK,

496
00:31:10,469 --> 00:31:13,539
LAUGHING, SINGING,

497
00:31:13,572 --> 00:31:16,075
AFTER DROPPING BOMBS
ON OUR VILLAGES,

498
00:31:16,108 --> 00:31:20,846
DESECRATING OUR WOMEN,
KILLING OUR BABIES.

499
00:31:20,879 --> 00:31:22,381
THEY'RE COWARDS.

500
00:31:25,551 --> 00:31:31,190
IF THERE WERE 200 INFIDELS
STANDING ON THE ROAD,

501
00:31:31,223 --> 00:31:36,562
I WOULD GUT EVERY ONE OF THEM
LIKE A GOAT.

502
00:31:51,978 --> 00:31:55,547
14 TYPES OF OMELETS,
20 KINDS OF HAMBURGERS.

503
00:31:55,581 --> 00:31:56,815
HOW DOES ONE CHOOSE?

504
00:31:56,848 --> 00:31:58,817
THE PARADOX
OF BEING AMERICAN.

505
00:31:58,850 --> 00:32:01,487
HMM. ISN'T THIS
A GREEK DINER?

506
00:32:05,757 --> 00:32:07,559
[ SIGHS ]
THE RISK WE RUN NOW

507
00:32:07,593 --> 00:32:09,828
IS THINGS WITH PAIGE
WILL MOVE TOO SLOWLY.

508
00:32:09,861 --> 00:32:12,231
PHILIP WILL CONTINUE
TO BLOCK PROGRESS.

509
00:32:12,264 --> 00:32:16,168
WELL, I CAN'T HELP WONDERING
IF PHILIP IS RIGHT.

510
00:32:16,202 --> 00:32:18,104
IT'S THEIR DAUGHTER.

511
00:32:19,938 --> 00:32:21,940
I'M THINKING, CLAUDIA.

512
00:32:21,974 --> 00:32:26,112
I CAN THINK OUT LOUD
WITH YOU AFTER 30 YEARS.

513
00:32:26,145 --> 00:32:30,349
THINK OUT LOUD
ALL YOU LIKE.

514
00:32:30,382 --> 00:32:32,418
IT'S A FREE COUNTRY.

515
00:32:32,451 --> 00:32:34,453
OR HAVEN'T YOU HEARD?

516
00:32:36,622 --> 00:32:38,924
I'M JUST NOT CERTAIN
IT'S THE RIGHT THING.

517
00:32:38,957 --> 00:32:41,260
FOR PAIGE?

518
00:32:41,293 --> 00:32:43,262
NO,
FOR PHILIP AND ELIZABETH.

519
00:32:43,295 --> 00:32:46,698
SHE WAS MUCH BETTER WITH HIM
BEFORE THIS ALL CAME OUT.

520
00:32:46,732 --> 00:32:50,136
WHAT CAN I GET YOU?
I'LL HAVE TEA.

521
00:32:50,169 --> 00:32:52,204
OKAY, WE HAVE, UH, CHAMOMILE,
EARL GREY --

522
00:32:52,238 --> 00:32:54,540
JUST TEA. HOT TEA.

523
00:32:54,573 --> 00:32:57,809
THE SAME.
ALL RIGHT, THANKS.

524
00:32:59,678 --> 00:33:01,813
[ BELL DINGS ]

525
00:33:03,182 --> 00:33:05,484
STARTING TO WISH
YOU DIDN'T COME BACK?

526
00:33:06,818 --> 00:33:08,154
WELL...

527
00:33:08,187 --> 00:33:11,657
IT WAS VERY DULL
IN SERGACH.

528
00:33:15,727 --> 00:33:17,129
WHAT HAPPENED AT THE CENTRE

529
00:33:17,163 --> 00:33:19,698
WHEN THEY HEARD IT WAS THE BOY
WHO KILLED HIS FAMILY?

530
00:33:21,233 --> 00:33:23,735
[ SIGHS ] HONESTLY...

531
00:33:23,769 --> 00:33:28,207
I'D NEVER SEEN ANYTHING
QUITE LIKE IT IN 40 YEARS.

532
00:33:28,240 --> 00:33:31,143
THEY FIRED THE HEAD
OF THE AMERICAN DEPARTMENT,

533
00:33:31,177 --> 00:33:33,679
WHO LEFT IN SHAME.

534
00:33:33,712 --> 00:33:36,048
EVERYONE WAS IN MOURNING.

535
00:33:37,349 --> 00:33:40,186
I THOUGHT THEY MIGHT SHUT DOWN
DIRECTORATE "S."

536
00:33:42,788 --> 00:33:45,524
AND YET WITH ALL THAT...

537
00:33:45,557 --> 00:33:49,261
THEY STILL
WANT TO TRY IT AGAIN?

538
00:33:51,863 --> 00:33:54,433
THEY THINK YOU CAN DO IT.

539
00:34:10,048 --> 00:34:12,017
I NEED TO SPEAK
WITH MY FRIENDS.

540
00:34:12,050 --> 00:34:13,719
MM-HMM.

541
00:34:22,994 --> 00:34:25,131
[ KNOCKS ]

542
00:34:27,433 --> 00:34:29,901
[ SPEAKING PASHTO ]

543
00:34:32,238 --> 00:34:34,106
[ DOOR CLOSES ]

544
00:34:43,282 --> 00:34:44,616
[ SIGHS ]

545
00:34:44,650 --> 00:34:46,285
[ DOOR CLOSES ]

546
00:34:51,290 --> 00:34:54,226
[ MEN SCREAMING, SCUFFLING ]

547
00:34:54,260 --> 00:34:57,496
BRAD! BRAD!

548
00:35:02,033 --> 00:35:03,435
[ DOOR RATTLES ]

549
00:35:17,983 --> 00:35:20,486
DROP IT. NOW.

550
00:35:34,400 --> 00:35:37,469
[ SPEAKING RUSSIAN ]

551
00:36:03,161 --> 00:36:06,131
"GOT PLANS?

552
00:36:06,164 --> 00:36:07,899
"MY HUSBAND WANTS
TO SEE THIS MOVIE,

553
00:36:07,933 --> 00:36:10,669
'THE KING OF COMEDY.'"

554
00:36:12,504 --> 00:36:14,973
"WHAT'S THAT?"

555
00:36:15,006 --> 00:36:16,575
"SOME JERRY LEWIS MOVIE."

556
00:36:16,608 --> 00:36:18,244
"OH, MAN."

557
00:36:18,277 --> 00:36:20,246
"RIGHT?"

558
00:36:58,049 --> 00:37:00,386
[ KNOCK ON DOOR ]

559
00:37:00,419 --> 00:37:02,421
COME IN.

560
00:37:19,905 --> 00:37:21,106
[ CLICK, RADIO TURNS ON ]

561
00:37:21,139 --> 00:37:23,375
[ ULTRAVOX'S "VIENNA" PLAYING ]

562
00:37:23,409 --> 00:37:24,810
* THE WARMTH OF YOUR HAND
AND A COLD GRAY SKY *

563
00:37:24,843 --> 00:37:28,246
* IT FADES TO A DISTANCE

564
00:37:28,280 --> 00:37:31,417
***

565
00:37:31,450 --> 00:37:32,984
PAIGE...

566
00:37:33,018 --> 00:37:38,056
I'M GOING TO SEE MY MOTHER
BEFORE SHE DIES...

567
00:37:38,089 --> 00:37:40,659
IN RUSSIA.

568
00:37:42,260 --> 00:37:46,832
* THIS MEANS NOTHING TO ME

569
00:37:46,865 --> 00:37:51,337
I TALKED IT OVER WITH DAD.

570
00:37:51,370 --> 00:37:54,072
WE THINK YOU SHOULD GO
WITH ME.

571
00:37:54,105 --> 00:37:56,775
IT WOULD BE THE ONLY CHANCE
YOU'LL HAVE

572
00:37:56,808 --> 00:37:58,410
TO MEET YOUR GRANDMOTHER.

573
00:37:58,444 --> 00:38:01,279
***

574
00:38:01,313 --> 00:38:04,350
BUT IT'S YOUR CHOICE.

575
00:38:04,383 --> 00:38:09,254
***

576
00:38:09,287 --> 00:38:13,959
* THIS MEANS NOTHING TO ME

577
00:38:15,327 --> 00:38:20,932
* THIS MEANS NOTHING TO ME

578
00:38:20,966 --> 00:38:25,971
* OH, VIENNA

579
00:38:26,004 --> 00:38:29,341
MARTHA?

580
00:38:29,375 --> 00:38:32,110
MAR--

581
00:38:32,143 --> 00:38:35,481
***

582
00:38:42,588 --> 00:38:45,724
I'M SORRY, CLARK.
I, UH...

583
00:38:45,757 --> 00:38:48,460
MARTHA,
WHERE ARE YOU GOING?

584
00:38:48,494 --> 00:38:50,295
TO MY PARENTS'.

585
00:38:50,328 --> 00:38:52,163
[ SIGHS DEEPLY ]

586
00:38:52,197 --> 00:38:53,632
I NEED A BREAK.

587
00:38:53,665 --> 00:38:55,200
WE NEED A BREAK.

588
00:38:55,233 --> 00:38:57,068
MARTHA --
NO, UM...

589
00:38:57,102 --> 00:39:01,139
I CAN'T TAKE IT.

590
00:39:01,172 --> 00:39:03,241
[ Voice breaking ] EVERYONE
AT WORK KNOWS THAT I'M LYING.

591
00:39:03,274 --> 00:39:05,911
NO, NO, THEY DON'T.
WHEN I COME HOME, YOU'RE NOT...
[ SNIFFLES ]

592
00:39:05,944 --> 00:39:08,680
MARTHA, I KNOW HOW HARD
THIS IS.

593
00:39:08,714 --> 00:39:11,750
I KNOW, BUT I AM TRYING.

594
00:39:13,552 --> 00:39:15,421
I KNOW YOU ARE.

595
00:39:15,454 --> 00:39:18,023
BUT IT'S NOT ENOUGH.

596
00:39:19,257 --> 00:39:21,259
I'M SORRY, CLARK,
BUT IT'S --

597
00:39:21,292 --> 00:39:22,494
IT'S NOT ENOUGH.

598
00:39:22,528 --> 00:39:24,996
[ SNIFFLES ]
THEY'RE NOT GONNA LET UP

599
00:39:25,030 --> 00:39:28,400
UNTIL THEY FIND THE PERSON
THAT PUT THAT PEN THERE.

600
00:39:28,434 --> 00:39:31,336
I-I AM WORKING ON IT,
AND I WILL FIGURE IT OUT.

601
00:39:31,369 --> 00:39:33,104
I PROMISE.

602
00:39:33,138 --> 00:39:35,173
I AM WITH YOU.

603
00:39:35,206 --> 00:39:38,009
MARTHA, I-I-I LOVE YOU.

604
00:39:38,043 --> 00:39:40,712
I LOVE YOU. YOU...

605
00:39:40,746 --> 00:39:42,581
I'M YOUR HUSBAND.

606
00:39:42,614 --> 00:39:45,116
[ EXHALES ]

607
00:39:45,150 --> 00:39:46,852
[ SNIFFLES ]

608
00:39:46,885 --> 00:39:49,955
WHATEVER KIND OF ARRANGEMENT
YOU WANT IS FINE. UM...

609
00:39:49,988 --> 00:39:53,792
I LET YOU IN HERE.
IT'S FINE.

610
00:39:53,825 --> 00:39:55,393
I JUST... [ SNIFFLES ]

611
00:39:56,762 --> 00:39:59,130
WHEN MY MOTHER ASKS,
I DON'T EVEN KNOW WHAT TO SAY.

612
00:39:59,164 --> 00:40:00,866
[ SNIFFLES ]

613
00:40:00,899 --> 00:40:02,468
AND IT'S NOT JUST THAT.
IT'S...

614
00:40:02,501 --> 00:40:04,470
[ SNIFFLES ]

615
00:40:04,503 --> 00:40:09,741
I CAN'T BE HERE WITH YOU
LIKE THIS.

616
00:40:12,277 --> 00:40:16,915
[ SNIFFLES ]

617
00:40:16,948 --> 00:40:20,752
[ SIGHS ]

618
00:40:22,588 --> 00:40:25,891
I WAS 18 WHEN I LEFT,

619
00:40:25,924 --> 00:40:28,059
AND I ALWAYS TOLD MY MOTHER
TO TURN MY ROOM

620
00:40:28,093 --> 00:40:32,230
INTO A SEWING ROOM,
YOU KNOW? [ SNIFFLES ]

621
00:40:32,263 --> 00:40:34,165
BUT SHE WOULDN'T DO IT.

622
00:40:34,199 --> 00:40:37,603
SHE JUST WOULDN'T DO IT.
[ SNIFFLES ]

623
00:40:39,971 --> 00:40:42,107
[ SNIFFLES ]
MARTHA...

624
00:41:11,469 --> 00:41:14,540
[ GLASSES AND PINS CLATTER ]

625
00:41:47,773 --> 00:41:54,780
[ ADHESIVE TEARING ]

626
00:41:57,716 --> 00:41:59,184
[ GASPS ]

627
00:42:07,358 --> 00:42:11,863
[ PINS CLATTERING ]

628
00:42:20,606 --> 00:42:22,273
[ GASPS ]