1
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The FX original series
The Americans.

2
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Final season returns soon on FX.

3
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PREVIOUSLY ON
"THE AMERICANS"...

4
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THERE'S ONE MOVE WE COULD MAKE.
WE PUT A BUG IN GAAD'S OFFICE.

5
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Martha:
I'M IN LOVE WITH YOU,

6
00:00:13,347 --> 00:00:15,015
AND I WOULD DO
ANYTHING FOR YOU.

7
00:00:15,049 --> 00:00:17,851
Gabriel:
THAT STUDENT YOU FOLLOWED
MET WITH EUGENE VENTER

8
00:00:17,885 --> 00:00:19,187
FROM SOUTH AFRICAN
INTELLIGENCE.

9
00:00:19,220 --> 00:00:21,655
WHAT'S HE DOING
MEETING WITH AN UNDERGRADUATE?

10
00:00:21,689 --> 00:00:22,923
A LOT OF
THE ANTI-APARTHEID MOVEMENT

11
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IS CENTERED
ON COLLEGE CAMPUSES.

12
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Paige:
WHAT ARE WE DOING HERE, MOM?

13
00:00:26,127 --> 00:00:27,995
I HAD A GOOD FRIEND
WHO LIVED NEAR HERE.

14
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WE ALL WORKED TOGETHER
IN THE CIVIL RIGHTS MOVEMENT.

15
00:00:31,031 --> 00:00:32,933
YOUR PARENTS WERE
REAL ACTIVISTS.

16
00:00:32,966 --> 00:00:35,669
IF YOU TELL HER NOW,
THIS WILL ALL BLOW UP.

17
00:00:35,703 --> 00:00:38,372
BUT AT LEAST
SHE'LL KNOW WHO SHE IS.

18
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Gabriel: SHE HAS A SON.
SHE SAYS HE'S YOURS.

19
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HIS NAME IS MISHA.
HE'S 20 YEARS OLD.

20
00:00:43,244 --> 00:00:47,215
HE'S IN THE 345th
INDEPENDENT PARATROOP REGIMENT

21
00:00:47,248 --> 00:00:48,882
IN FAIZABAD.

22
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Reporter: ...AN UNKNOWN SOURCE
TOLD THE BBC

23
00:00:55,256 --> 00:00:57,024
THAT GOVERNMENT SOURCES
REAFFIRMED

24
00:00:57,057 --> 00:01:00,027
THE SOVIET UNION'S COMMITMENT
TO THE WAR.

25
00:01:00,060 --> 00:01:01,795
AT A RECENT PARTY CONFERENCE,

26
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OFFICIALS CONDEMNED
THE UNITED STATES AND PAKISTAN

27
00:01:05,233 --> 00:01:07,568
FOR THE ONGOING STRIFE
IN AFGHANISTAN.

28
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MEANWHILE, THE UNITED NATIONS
CONTINUES TO SEEK AN END

29
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TO THE THREE-YEAR
MILITARY ENGAGEMENT THERE

30
00:01:13,741 --> 00:01:17,711
AS FIGHTING RAGES ON THE FRONTS
IN THE PANJSHIR VALLEY.

31
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THE SOVIET SPOKESMAN
REITERATED THE BELIEF

32
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THAT REVOLUTION IN AFGHANISTAN
COULD NOT BE TURNED BACK

33
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AND, THEREFORE,
ANY TROOP WITHDRAWAL

34
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WAS DEPENDENT ON DIRECT TALKS

35
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BETWEEN AFGHANISTAN,
PAKISTAN, AND IRAN.

36
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IN OTHER NEWS,

37
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BRUSH FIRES ARE RAGING
IN THE SOUTHERN STA--

38
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[ RADIO TURNS OFF ]

39
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HEY.

40
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WHAT ARE YOU READING?

41
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SCHOOL?

42
00:02:02,456 --> 00:02:04,292
NO.

43
00:02:05,826 --> 00:02:07,628
MOM TOLD ME
YOU GUYS DID SOME STUFF

44
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WITH THE CIVIL RIGHTS
MOVEMENT.

45
00:02:12,233 --> 00:02:13,934
YEAH, A LONG TIME AGO.

46
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NOT THAT LONG AGO.

47
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NOT REALLY.

48
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I MEAN, HOW OFTEN DO YOU SEE
A BLACK PERSON IN FALLS CHURCH?

49
00:02:21,809 --> 00:02:25,446
AND WHEN YOU DO,
PEOPLE GET TOTALLY FREAKED OUT.

50
00:02:25,479 --> 00:02:30,050
D.C. STILL HAS GHETTOS, DAD,
JUST LIKE IN THE 1960s.

51
00:02:30,083 --> 00:02:33,721
YES.
YEAH, THAT'S TRUE.

52
00:02:33,754 --> 00:02:35,456
MOM TOOK ME
TO KENILWORTH.

53
00:02:35,489 --> 00:02:38,058
I MEAN, IT'S NOT LIKE
I DIDN'T KNOW

54
00:02:38,091 --> 00:02:39,993
THOSE SORTS OF NEIGHBORHOODS
EXISTED,

55
00:02:40,027 --> 00:02:43,497
BUT I'D JUST...
NEVER BEEN TO ONE BEFORE.

56
00:02:43,531 --> 00:02:45,733
MOM TOOK YOU
TO KENILWORTH?

57
00:02:45,766 --> 00:02:47,301
IT WASN'T SCARY.

58
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SOME OF IT WAS, BUT...

59
00:02:51,038 --> 00:02:54,342
IT WAS AMAZING --
WALKING WITH MOM

60
00:02:54,375 --> 00:02:56,510
AND SEEING PEOPLE
LIVE LIKE THAT,

61
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SO CLOSE
TO FALLS CHURCH.

62
00:02:59,046 --> 00:03:02,416
MOM TOLD ME
ABOUT YOUR FRIEND GREGORY.

63
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I CAN'T BELIEVE
YOU HAD A FRIEND

64
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WHO GOT KILLED
BY THE POLICE.

65
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YOU HAD A FRIEND
THAT GOT KILLED BY THE POLICE?

66
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HE WAS AN ACTIVIST.

67
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MOM AND DAD
WERE ACTIVISTS.

68
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WHAT DO YOU MEAN?

69
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CIVIL RIGHTS ACTIVISTS.

70
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WHAT MADE YOU STOP BELIEVING
IN CHANGE, MAKING THINGS BETTER?

71
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I STILL BELIEVE
IN THOSE THINGS.

72
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YOU JUST GET OLDER.

73
00:03:28,642 --> 00:03:31,211
AND, UH...

74
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OTHER THINGS
BECOME IMPORTANT.

75
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AND YOU REALIZE THERE ARE A LOT
OF WAYS TO MAKE A DIFFERENCE.

76
00:03:38,419 --> 00:03:40,220
LET'S GO. COME ON.

77
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GOOD NIGHT.

78
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WHAT'S THAT?

79
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THE CENTRE ASKED
FOR WEEKLY UPDATES ON PAIGE.

80
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[ DRAWER OPENS ]

81
00:04:21,462 --> 00:04:23,230
[ ITEMS CLATTERING ]

82
00:04:23,263 --> 00:04:25,265
WHAT ARE YOU LOOKING FOR?

83
00:04:25,299 --> 00:04:26,767
ASPIRIN.
[ OBJECT CLANKS ]

84
00:04:26,800 --> 00:04:29,570
[ CLATTERING CONTINUES ]

85
00:04:29,603 --> 00:04:32,005
THERE'S A NEW BOTTLE OF ASPIRIN
ON THE TOP SHELF.

86
00:04:32,039 --> 00:04:33,807
[ DRAWER SLAMS ]

87
00:04:35,609 --> 00:04:37,177
WHY WOULD YOU KEEP
AN EMPTY BOTTLE OF ASPIRIN?

88
00:04:37,210 --> 00:04:38,746
I DON'T SEE THE LOGIC.

89
00:04:38,779 --> 00:04:40,914
WELL, YOU FINISHED IT,
SO NEXT TIME, THROW IT OUT.

90
00:04:40,948 --> 00:04:44,284
PAIGE TOLD ME
ABOUT YOUR LITTLE FIELD TRIP.

91
00:04:48,956 --> 00:04:50,123
GOOD.

92
00:04:50,157 --> 00:04:52,192
YOU DIDN'T THINK
TO MENTION IT?

93
00:04:52,225 --> 00:04:54,962
I TOLD YOU
I WAS MOVING FORWARD WITH PAIGE.

94
00:04:54,995 --> 00:04:57,598
I DIDN'T THINK I NEEDED TO TELL
YOU EVERYTHING I DID EVERY DAY.

95
00:04:57,631 --> 00:04:59,800
IN THE FUTURE, I WOULD
APPRECIATE IT IF YOU
DIDN'T LIE TO ME.

96
00:04:59,833 --> 00:05:02,102
I DID NOT LIE TO YOU.
BECAUSE BELIEVE IT OR NOT,

97
00:05:02,135 --> 00:05:03,704
PAIGE DOES OCCASIONALLY
TALK TO ME.

98
00:05:03,737 --> 00:05:06,640
I DIDN'T LIE TO YOU.
I TOLD YOU I WAS MOVING FORWARD.

99
00:05:06,674 --> 00:05:08,476
IS THIS
HOW IT'S GONNA WORK?

100
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I MEAN, A-AM I --
AM I GONNA COME HOME ONE DAY

101
00:05:13,581 --> 00:05:18,486
AND...PAIGE WILL JUST TELL ME
THAT SHE KNOWS WHO WE ARE?

102
00:05:23,657 --> 00:05:25,693
I HONESTLY --
I DON'T KNOW.

103
00:06:18,211 --> 00:06:20,380
[ WATER SHUTS OFF ]

104
00:06:30,724 --> 00:06:32,726
GABRIEL TOLD ME
THEY'RE SENDING A GUY

105
00:06:32,760 --> 00:06:34,394
NAMED REUBEN NCGOBO.

106
00:06:34,428 --> 00:06:37,364
HE'LL BE HERE IN A FEW HOURS,
COMING IN FROM MOSCOW.

107
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MOSCOW?

108
00:06:39,433 --> 00:06:41,034
YEAH.

109
00:06:41,068 --> 00:06:44,371
HE'S AFRICAN NATIONAL CONGRESS,
TRAINING THERE.

110
00:06:44,404 --> 00:06:47,575
SO HE'S BAIT, HOPING VENTER
WILL COME AND KILL HIM.

111
00:06:47,608 --> 00:06:49,977
WELL,
HE'S NO ORDINARY BAIT.

112
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HE'S NUMBER 3 ON
SOUTH AFRICA'S MOST-WANTED LIST.

113
00:06:53,013 --> 00:06:55,883
AND WE TRUST HIM WHY --
'CAUSE HE'S A COMMUNIST?

114
00:06:55,916 --> 00:06:58,051
GABRIEL SAID THESE GUYS
GO BACK TO SOUTH AFRICA

115
00:06:58,085 --> 00:07:00,320
AND THEY DO WHAT THEY SAY
THEY'RE GONNA DO.

116
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A LOT OF THEM DIE.

117
00:07:02,255 --> 00:07:03,591
WE TRUST HIM.

118
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[ SPITS ]

119
00:07:07,360 --> 00:07:09,763
[ SHOWER WATER RUNNING ]

120
00:07:22,810 --> 00:07:24,612
WHAT WAS SHE LIKE?

121
00:07:26,113 --> 00:07:27,915
UH, WHAT DO YOU
WANT TO KNOW?

122
00:07:27,948 --> 00:07:30,250
OH, ANYTHING.

123
00:07:30,283 --> 00:07:33,120
NINA WAS...

124
00:07:33,153 --> 00:07:36,456
A GOOD PERSON,
STRAIGHTFORWARD.

125
00:07:36,490 --> 00:07:38,458
WE PUT HER
IN A COMPROMISED SITUATION,

126
00:07:38,492 --> 00:07:40,594
BUT SHE ROSE
TO THE OCCASION,

127
00:07:40,628 --> 00:07:42,796
DID WHAT WAS EXPECTED
OF HER.

128
00:07:42,830 --> 00:07:45,265
YEAH,
THE GUY I WAS RUNNING,

129
00:07:45,298 --> 00:07:47,367
WHEN HE TALKED ABOUT
THE ILLEGALS,

130
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YOU COULD TELL
HE RESPECTED THEM.

131
00:07:49,637 --> 00:07:51,605
HE COULD HAVE NEVER OPERATED
ON THEIR LEVEL,

132
00:07:51,639 --> 00:07:54,975
BUT IT WAS LIKE
HE HAD THIS RIVALRY
GOING ON WITH THEM --

133
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IN HIS HEAD.

134
00:07:56,476 --> 00:07:59,146
WELL, NINA NEVER HAD MUCH
ON THE ILLEGALS,

135
00:07:59,179 --> 00:08:01,615
BUT WHAT SHE DID KNOW,
SHE TOLD ME.

136
00:08:01,649 --> 00:08:03,150
YOU SURE?

137
00:08:04,585 --> 00:08:07,287
I MEAN, IT GOT SO I TRUSTED
MY GUY ON THE INSIDE SO MUCH,

138
00:08:07,320 --> 00:08:10,057
TILL I REALIZED HALF
OF WHAT HE SAID WAS BULLSHIT.

139
00:08:10,090 --> 00:08:11,458
[ SCOFFS ]

140
00:08:11,491 --> 00:08:13,527
HE THOUGHT
HE WAS RUNNING ME.

141
00:08:14,528 --> 00:08:16,329
THAT SOUNDS COMPLICATED.

142
00:08:17,330 --> 00:08:18,999
IT WAS.

143
00:08:20,868 --> 00:08:22,335
BUT YOU'RE LUCKY.

144
00:08:22,369 --> 00:08:25,673
YOU WERE WORKING
WITH A GOOD WOMAN.

145
00:08:28,341 --> 00:08:30,177
HEY, LOOK,
WHAT DO I KNOW?

146
00:08:30,210 --> 00:08:31,579
ANYTHING'S POSSIBLE.

147
00:08:31,612 --> 00:08:33,981
NINA COULD HAVE BEEN
A PATHOLOGICAL LIAR.

148
00:08:34,014 --> 00:08:36,249
SHE COULD HAVE SHOT J.R.,
FOR ALL I KNOW.

149
00:08:36,283 --> 00:08:38,085
[ CHUCKLES ]

150
00:08:38,118 --> 00:08:41,021
BUT I THINK
SHE WAS A GOOD SOURCE.

151
00:08:41,054 --> 00:08:43,356
WELL...

152
00:08:44,892 --> 00:08:47,394
IT'S REALLY TOO BAD,
WHAT HAPPENED.

153
00:08:52,900 --> 00:08:54,534
HEY.
HEY.

154
00:08:54,568 --> 00:08:56,536
HOW YOU DOING?
GOOD. YOU?

155
00:08:56,570 --> 00:08:58,706
I'M ALL RIGHT.
WHERE ARE YOU GOING?
ENGLISH CLASS.

156
00:08:58,739 --> 00:09:00,841
ENGLISH CLASS.
JUST GETTING OUT OF HISTORY.

157
00:09:00,874 --> 00:09:02,843
YEAH? HOW WAS IT?
YEAH, IT WAS ALL RIGHT.

158
00:09:02,876 --> 00:09:04,712
I WISH I WAS IN THERE NOW.
IT'S SO COLD.

159
00:09:04,745 --> 00:09:05,913
IT'S FREEZING.

160
00:09:07,414 --> 00:09:09,216
YOU THOUGHT
I WAS IMAGINING THINGS

161
00:09:09,249 --> 00:09:11,084
WHEN I FIRST TOLD YOU
ABOUT HIM.

162
00:09:11,985 --> 00:09:13,386
PEOPLE CAN GET OVEREAGER

163
00:09:13,420 --> 00:09:15,055
WHEN THEY START LEARNING
HOW TO DO THIS.

164
00:09:16,223 --> 00:09:18,726
A SOPHOMORE
AT GEORGE WASHINGTON --

165
00:09:18,759 --> 00:09:21,695
I SEE
WHY IT LOOKED SILLY.

166
00:09:21,729 --> 00:09:24,464
THEY PROBABLY RECRUITED TODD
BACK IN SOUTH AFRICA,

167
00:09:24,497 --> 00:09:26,133
WHEN THEY COULD
TAKE ADVANTAGE OF THE FACT

168
00:09:26,166 --> 00:09:27,567
THAT HE WAS
YOUNG AND NAIVE.

169
00:09:27,601 --> 00:09:30,037
HE WASN'T NAIVE.

170
00:09:30,070 --> 00:09:34,307
I GREW UP WITH SO MANY LIKE HIM
BACK IN JOHANNESBURG --

171
00:09:34,341 --> 00:09:36,877
PRIVILEGED, SELF-CENTERED,

172
00:09:36,910 --> 00:09:40,781
LITTLE, MINIATURE COPIES
OF THEIR PARENTS.

173
00:09:42,282 --> 00:09:43,917
I PHOTOGRAPHED HIM

174
00:09:43,951 --> 00:09:45,886
MEETING A SOUTH AFRICAN
INTELLIGENCE OFFICER --

175
00:09:45,919 --> 00:09:47,320
EUGENE VENTER.

176
00:09:47,354 --> 00:09:49,556
WE THINK HE'S PLANNING
TO STAGE AN ATTACK

177
00:09:49,589 --> 00:09:51,158
AND BLAME
THE STUDENT GROUPS HERE

178
00:09:51,191 --> 00:09:52,926
WHO ARE PROTESTING
APARTHEID.

179
00:09:54,427 --> 00:09:55,996
THAT'S REUBEN NCGOBO.

180
00:09:56,029 --> 00:09:58,899
WE THINK VENTER WON'T BE ABLE
TO RESIST COMING AFTER HIM

181
00:09:58,932 --> 00:10:00,500
ONCE HE KNOWS HE'S HERE.

182
00:10:00,533 --> 00:10:04,237
NCGOBO'S GOING TO SET
ANOTHER MEETING WITH TODD.

183
00:10:04,271 --> 00:10:07,340
WE'RE HOPING VENTER SHOWS UP
TO KILL NCGOBO.

184
00:10:07,374 --> 00:10:08,842
THAT'S WHEN WE GRAB HIM.

185
00:10:08,876 --> 00:10:10,678
HOW DO YOU KNOW
HE'LL GO FOR IT?

186
00:10:10,711 --> 00:10:13,413
WE DON'T. THERE'S
A GREATER CHANCE THAT HE WON'T.

187
00:10:13,446 --> 00:10:15,783
YOU ALWAYS PLAY AGAINST THE ODDS
IN THIS WORK.

188
00:10:15,816 --> 00:10:17,785
SO, WHAT DO I DO?

189
00:10:17,818 --> 00:10:20,453
OUR MAIN RISK
IS SQUAD CARS ON PATROL.

190
00:10:20,487 --> 00:10:22,856
WE'LL SET YOU IN A PLACE
WHERE YOU CAN SEE

191
00:10:22,890 --> 00:10:24,925
THE MAXIMUM NUMBER
OF CROSSROADS.

192
00:10:24,958 --> 00:10:29,262
IF YOU DO SEE A POLICE CAR,
HONK TWICE, SHORT TAPS.

193
00:10:29,296 --> 00:10:30,630
THEN PULL AWAY.

194
00:10:30,664 --> 00:10:33,300
I UNDERSTAND.

195
00:10:35,302 --> 00:10:36,536
[ DOOR CLOSES ]

196
00:10:36,569 --> 00:10:39,807
Philip:
HELLO! ANYBODY HUNGRY?

197
00:10:39,840 --> 00:10:41,809
GOT PIZZA.

198
00:10:41,842 --> 00:10:44,611
AND I DID HAVE THEM
PUT ON

199
00:10:44,644 --> 00:10:48,181
EXTRA PINEAPPLE,
ANCHOVIES, AND PICKLES.

200
00:10:51,418 --> 00:10:53,987
I ALREADY ATE.

201
00:10:55,989 --> 00:10:56,957
OKAY.

202
00:10:56,990 --> 00:10:59,626
UH, HENRY! PIZZA!

203
00:10:59,659 --> 00:11:02,830
HE'S AT DOUG'S,
WORKING ON HIS SCIENCE PROJECT.

204
00:11:07,667 --> 00:11:09,336
[ SIGHS ]

205
00:11:13,106 --> 00:11:16,009
I ASKED SANDRA
TO COME TO THE MEMORIAL.

206
00:11:16,043 --> 00:11:18,345
IT WAS STUPID OF ME.

207
00:11:18,378 --> 00:11:22,149
SHE'S GONNA FLY HALFWAY
ACROSS THE COUNTRY WITH ME NOW.

208
00:11:22,182 --> 00:11:24,818
SHE'S WITH
THIS OTHER GUY...

209
00:11:24,852 --> 00:11:26,987
MUST HAVE SEEMED
LIKE A TOTAL ASSHOLE.

210
00:11:27,020 --> 00:11:29,189
I DOUBT
SHE THOUGHT THAT.

211
00:11:31,024 --> 00:11:32,225
DON'T DOUBT IT.

212
00:11:35,128 --> 00:11:37,765
WORK'S GOOD,
OTHERWISE?

213
00:11:37,798 --> 00:11:39,199
IT'S OKAY.

214
00:11:41,368 --> 00:11:44,371
THERE IS THIS ONE GUY.

215
00:11:44,404 --> 00:11:46,173
HE'S JUST --

216
00:11:46,206 --> 00:11:47,674
[ SIGHS ]

217
00:11:47,707 --> 00:11:49,943
HE ASKS
A LOT OF QUESTIONS.

218
00:11:49,977 --> 00:11:51,044
BUGS ME.

219
00:11:51,078 --> 00:11:52,545
WHY?

220
00:11:52,579 --> 00:11:54,514
HE'S A NEW GUY.

221
00:11:54,547 --> 00:11:57,717
HE'S ALWAYS TRYING
TO GET IN THERE, GET NOTICED.

222
00:11:57,751 --> 00:11:59,286
HE'S A BLACK GUY.

223
00:11:59,319 --> 00:12:03,023
HE'S GOOD AT WHAT HE DOES.
HE'S JUST TOO...

224
00:12:03,056 --> 00:12:05,392
I DON'T KNOW.

225
00:12:05,425 --> 00:12:08,028
WHAT ABOUT YOU?
WHAT'S HAPPENING IN YOUR HOUSE?

226
00:12:08,061 --> 00:12:10,297
KIDS ARE BUSY.
ELIZABETH'S BUSY.

227
00:12:10,330 --> 00:12:12,232
YOU KNOW.
I EAT PIZZA.

228
00:12:14,434 --> 00:12:17,737
HONESTLY, RAISING KIDS,
TRYING TO AGREE ON THINGS,

229
00:12:17,771 --> 00:12:20,874
LATELY...

230
00:12:20,908 --> 00:12:23,243
WE'RE ON OPPOSITE SIDES
ALL THE TIME.

231
00:12:28,849 --> 00:12:31,251
WELL, YOU'RE IN A BETTER PLACE
THAN ME, PAL.

232
00:12:31,284 --> 00:12:33,220
HANG IN THERE.

233
00:12:33,253 --> 00:12:35,088
[ SIGHS ]

234
00:12:35,122 --> 00:12:36,924
YEAH.

235
00:12:38,591 --> 00:12:40,127
YEAH.

236
00:12:41,628 --> 00:12:45,065
I WAS ON MY WAY HOME FROM MOSCOW
TO SEE MY WIFE AND KIDS,

237
00:12:45,098 --> 00:12:46,834
WHEN THEY TOLD ME
TO COME HERE.

238
00:12:46,867 --> 00:12:48,335
WHEN WERE YOU LAST HOME?

239
00:12:48,368 --> 00:12:50,570
A YEAR AND A HALF.

240
00:12:50,603 --> 00:12:53,273
BUT IT'S MORE THAN WORTH IT
IF WE GET VENTER.

241
00:12:53,306 --> 00:12:55,608
WE'LL GET YOU BACK SAFE.

242
00:12:55,642 --> 00:12:57,144
YOU HAVE KIDS?

243
00:13:00,147 --> 00:13:02,615
BOYS? GIRLS?

244
00:13:04,117 --> 00:13:06,019
I HAVE ONE OF EACH.

245
00:13:06,053 --> 00:13:08,288
ONE OF EACH.

246
00:13:08,321 --> 00:13:10,123
LUCKY MAMA.

247
00:13:12,459 --> 00:13:14,094
DO YOUR KIDS
HAVE ANY IDEA

248
00:13:14,127 --> 00:13:15,963
WHAT A BADASS WOMAN
THEIR MOM IS?

249
00:13:15,996 --> 00:13:17,965
[ CHUCKLES ]

250
00:13:17,998 --> 00:13:20,467
THEY THINK
I RUN A SMALL FAMILY BUSINESS.

251
00:13:20,500 --> 00:13:22,469
[ LAUGHS ]

252
00:13:25,305 --> 00:13:26,439
I HAVE FOUR BOYS.

253
00:13:26,473 --> 00:13:28,275
WHERE DO THEY THINK
YOU ARE?

254
00:13:28,308 --> 00:13:29,977
THEY KNOW NOT TO ASK.

255
00:13:32,679 --> 00:13:36,649
I AM AFRAID
OF WHAT THEY'VE BECOME.

256
00:13:36,683 --> 00:13:40,820
WHEN I LEFT, BUTH WAS OBSESSED
WITH MOTORBIKES --

257
00:13:40,854 --> 00:13:42,822
ANYTHING FAST AND SHINY.

258
00:13:42,856 --> 00:13:46,393
HE WOULD COLLECT
THESE PICTURES FROM MAGAZINES.

259
00:13:46,426 --> 00:13:50,964
I TELL HIM,
"YOU CARE ABOUT THIS

260
00:13:50,998 --> 00:13:54,334
WHEN WE LIVE LIKE DOGS
IN SHACKS, WITH NOTHING."

261
00:13:54,367 --> 00:13:56,303
NO MATTER
HOW MANY TIMES

262
00:13:56,336 --> 00:13:58,238
I RIPPED UP THE PICTURES
AND BEAT HIM,

263
00:13:58,271 --> 00:14:00,974
HE WOULD ALWAYS
FIND MORE.

264
00:14:01,008 --> 00:14:02,910
I KNOW.

265
00:14:02,943 --> 00:14:05,645
AMERICANS DON'T DISCIPLINE
THEIR KIDS THIS WAY.

266
00:14:05,678 --> 00:14:07,414
I'M NOT AMERICAN.

267
00:14:07,447 --> 00:14:09,082
HE'S A LITTLE GUY.

268
00:14:09,116 --> 00:14:11,018
IF HE HAD A MOTORBIKE,

269
00:14:11,051 --> 00:14:14,654
SOMEONE WOULD BEAT HIM,
KILL HIM FOR IT.

270
00:14:14,687 --> 00:14:17,857
I DON'T WANT HIM
TO GO THAT WAY.

271
00:14:17,891 --> 00:14:20,160
BETTER TO DIE FIGHTING

272
00:14:20,193 --> 00:14:24,197
FOR CITIZENSHIP,
FOR FREEDOM, YES?

273
00:14:24,231 --> 00:14:26,533
YES.

274
00:14:28,401 --> 00:14:30,670
YES, I'M CALLING TO CONFIRM

275
00:14:30,703 --> 00:14:34,441
ZINAIDA PREOBRAZHENSKAYA'S
APPOINTMENT TOMORROW.

276
00:14:34,474 --> 00:14:36,709
YEAH, I'LL HOLD.

277
00:14:51,558 --> 00:14:53,526
[ RECEIVER CLICKS IN CRADLE ]

278
00:14:53,560 --> 00:14:55,562
[ PAPERS RUSTLE ]

279
00:15:01,734 --> 00:15:03,236
[ KNOCK ON DOOR ]

280
00:15:03,270 --> 00:15:04,404
Gaad: YEAH?

281
00:15:04,437 --> 00:15:05,705
I NEED A SIGNATURE.

282
00:15:05,738 --> 00:15:08,375
[ DOOR CLOSES ]

283
00:15:08,408 --> 00:15:11,411
I WENT THROUGH FOUR FILES,
I READ EVERY SINGLE REPORT,

284
00:15:11,444 --> 00:15:12,912
AND AT THE END
OF THE DAY,

285
00:15:12,946 --> 00:15:14,982
UH, I-I DON'T THINK
THERE'S ANYTHING THERE.

286
00:15:15,015 --> 00:15:17,384
I MEAN, HE'S NOT INTERESTED
IN WORKING WITH THE AMERICANS,

287
00:15:17,417 --> 00:15:19,086
THE FRENCH, THE BRITISH,
OR THE AUSTRALIANS.

288
00:15:19,119 --> 00:15:20,720
TRUTH BE TOLD,
I JUST THINK

289
00:15:20,753 --> 00:15:22,722
HE WANTED TO GET AWAY
FROM HIS WIFE AND KIDS.

290
00:15:22,755 --> 00:15:24,091
[ PEN CAP RATTLES ]

291
00:15:28,461 --> 00:15:30,297
[ RATTLING ]

292
00:15:32,799 --> 00:15:36,136
[ RATTLING ]

293
00:16:30,923 --> 00:16:34,161
WELL, I THINK
THAT'S ENOUGH FOR NOW.

294
00:16:34,194 --> 00:16:36,296
WHY DON'T YOU TWO
GO BACK TO YOUR DESKS,

295
00:16:36,329 --> 00:16:39,332
AND I'LL, UH...
LET YOU KNOW.

296
00:17:12,132 --> 00:17:14,201
[ STALL DOOR LOCKS ]

297
00:17:50,937 --> 00:17:53,473
[ DOOR OPENS ]

298
00:17:53,506 --> 00:17:55,542
[ FOOTSTEPS APPROACH ]

299
00:17:55,575 --> 00:17:57,076
[ DOOR CLOSES ]

300
00:17:57,110 --> 00:17:59,246
[ STALL DOOR
OPENS, CLOSES, LOCKS ]

301
00:17:59,279 --> 00:18:02,549
[ FABRIC SLIDES ]

302
00:18:02,582 --> 00:18:04,751
[ URINATING ]

303
00:18:08,255 --> 00:18:10,423
[ URINATING STOPS ]

304
00:18:10,457 --> 00:18:13,426
[ TOILET PAPER DISPENSER
CLICKS ]

305
00:18:13,460 --> 00:18:16,829
[ TOILET FLUSHES ]

306
00:18:16,863 --> 00:18:18,931
[ FOOTSTEPS DEPART ]

307
00:18:18,965 --> 00:18:21,100
[ WATER RUNS ]

308
00:18:21,134 --> 00:18:22,902
[ PAPER TOWEL RIPS ]

309
00:18:22,935 --> 00:18:24,504
[ TOWEL RUBBING ]

310
00:18:24,537 --> 00:18:26,306
[ FOOTSTEPS DEPART ]

311
00:18:26,973 --> 00:18:28,908
[ DOOR OPENS ]

312
00:18:28,941 --> 00:18:31,178
[ DOOR CLOSES ]

313
00:18:31,211 --> 00:18:33,446
[ EXHALES DEEPLY ]

314
00:19:03,142 --> 00:19:04,977
[ INHALES SHAKILY ]

315
00:19:05,011 --> 00:19:07,314
[ EXHALES DEEPLY ]

316
00:19:16,155 --> 00:19:18,157
[ BREATHING HEAVILY ]

317
00:19:29,035 --> 00:19:31,070
[ DETECTOR CLICKING ]

318
00:19:31,103 --> 00:19:34,006
[ INDISTINCT CONVERSATIONS ]

319
00:20:57,089 --> 00:20:58,090
Gaad: MARTHA?

320
00:20:59,125 --> 00:21:01,260
THIS IS WALTER TAFFET,
FROM O.P.R.

321
00:21:01,294 --> 00:21:03,596
WOULD YOU COME WITH US,
PLEASE?

322
00:21:10,437 --> 00:21:12,405
GENE, WILL YOU EXCUSE US
FOR A MOMENT?

323
00:21:12,439 --> 00:21:14,273
UH, SURE.

324
00:21:26,486 --> 00:21:27,354
WHO'S THAT?

325
00:21:27,387 --> 00:21:29,188
OUR COMPUTER SPECIALIST.

326
00:21:29,221 --> 00:21:30,757
WHEN DID HE START?

327
00:21:30,790 --> 00:21:32,091
UH...

328
00:21:32,124 --> 00:21:33,493
LAST JANUARY.

329
00:21:33,526 --> 00:21:36,329
WELL, I'LL NEED TO TALK TO HIM,
FOR STARTERS.

330
00:21:38,130 --> 00:21:41,601
CAN YOU PROVIDE ME
WITH THE LOGS

331
00:21:41,634 --> 00:21:43,803
OF ALL
OF AGENT GAAD'S VISITORS?

332
00:21:43,836 --> 00:21:46,473
UH, HOW -- HOW FAR BACK
WOULD YOU LIKE ME TO GO?

333
00:21:46,506 --> 00:21:48,708
LET'S START
WITH THREE MONTHS.

334
00:21:48,741 --> 00:21:50,843
RIGHT AWAY, SIR.

335
00:21:56,015 --> 00:21:58,951
WELL, THE SWEEPERS
ARE GOING FLOOR TO FLOOR NOW.

336
00:21:58,985 --> 00:22:01,388
IF THEY DON'T FIND ANYTHING,
I'LL START INTERVIEWS TOMORROW.

337
00:22:01,421 --> 00:22:02,955
HOW LIKELY
DO YOU THINK IT IS

338
00:22:02,989 --> 00:22:05,291
THAT THIS IS COMING
FROM MY DEPARTMENT?

339
00:22:05,324 --> 00:22:08,294
THIS COULD BE A JANITOR
WHO GOT FIRED A YEAR AGO,

340
00:22:08,327 --> 00:22:10,497
COULD BE
ONE OF YOUR AGENTS...

341
00:22:10,530 --> 00:22:11,831
COULD BE YOU.

342
00:22:21,273 --> 00:22:23,676
YOU READY?

343
00:22:23,710 --> 00:22:25,211
YEAH.

344
00:22:35,722 --> 00:22:38,525
[ LAUGHTER ]

345
00:22:40,226 --> 00:22:42,094
SO, WHAT'S YOUR FAVORITE
KIND OF FOOD, LISA?

346
00:22:42,128 --> 00:22:44,196
OH,
I LIKE ALL KINDS.

347
00:22:44,230 --> 00:22:45,932
YOU EVER HAD SUSHI?

348
00:22:45,965 --> 00:22:47,033
NOT YET.

349
00:22:47,066 --> 00:22:48,701
JACK TOOK ME LAST WEEK.

350
00:22:48,735 --> 00:22:50,002
RAW FISH.

351
00:22:50,036 --> 00:22:51,203
Lisa: UGH.
I COULDN'T HANDLE IT.

352
00:22:51,237 --> 00:22:53,039
OH, I LOVE IT.

353
00:22:53,072 --> 00:22:55,041
[ LAUGHTER ]

354
00:22:55,074 --> 00:22:57,877
ON OUR FIRST DATE, HE TOOK ME
TO THIS FRENCH BISTRO.

355
00:22:57,910 --> 00:22:59,045
AWW.

356
00:22:59,078 --> 00:23:01,881
THAT WAS --
IT WAS SO FUN.

357
00:23:01,914 --> 00:23:03,883
IT WAS.

358
00:23:08,755 --> 00:23:10,222
[ LAUGHS ]

359
00:23:10,256 --> 00:23:12,058
SO, JACK...

360
00:23:12,091 --> 00:23:13,392
SO, LISA...

361
00:23:13,426 --> 00:23:15,227
[ LAUGHING ]

362
00:23:15,261 --> 00:23:16,529
TELL ME ABOUT YOURSELF.

363
00:23:16,563 --> 00:23:18,465
WHAT DO YOU WANT TO KNOW?

364
00:23:18,498 --> 00:23:20,533
UH, I DON'T KNOW --
THE USUAL.

365
00:23:20,567 --> 00:23:22,535
WHERE ARE YOU FROM?
YOUR JOB?

366
00:23:22,569 --> 00:23:24,871
IS THAT REALLY WHAT YOU WANT
TO KNOW, OR DO YOU WANT TO KNOW

367
00:23:24,904 --> 00:23:26,473
IF I'M GOOD ENOUGH
FOR MICHELLE, HERE?

368
00:23:26,506 --> 00:23:28,575
[ LAUGHS ]

369
00:23:28,608 --> 00:23:31,043
NO, I'M JUST ASKING.
IT'S OKAY,
IT'S OKAY, IT'S OKAY.

370
00:23:31,077 --> 00:23:32,912
YOU KNOW, I LIKE THE FACT
YOU'RE LOOKING OUT FOR HER.

371
00:23:32,945 --> 00:23:34,981
OKAY.
[ INHALES DEEPLY ]
[ LAUGHS ]

372
00:23:35,014 --> 00:23:37,550
I HAVE BEEN MARRIED BEFORE --
A LONG TIME AGO,

373
00:23:37,584 --> 00:23:39,586
WHEN I WAS YOUNG
AND A REAL KNUCKLEHEAD.

374
00:23:39,619 --> 00:23:40,720
NO KIDS.

375
00:23:40,753 --> 00:23:42,388
UM...

376
00:23:42,421 --> 00:23:44,924
I'VE HAD THE SAME JOB,
WHICH I LOVE,

377
00:23:44,957 --> 00:23:47,393
FOR GOING ON 15 YEARS,

378
00:23:47,426 --> 00:23:50,930
AND I THINK
MEETING MICHELLE, HERE,

379
00:23:50,963 --> 00:23:53,332
IS PROBABLY
ONE OF THE BEST THINGS

380
00:23:53,365 --> 00:23:55,434
THAT'S HAPPENED TO ME
IN A VERY LONG TIME.

381
00:23:58,638 --> 00:24:00,607
WOULD YOU AGREE?

382
00:24:00,640 --> 00:24:02,441
I WOULD.

383
00:24:04,210 --> 00:24:05,512
ANYTHING ELSE?

384
00:24:05,545 --> 00:24:07,013
[ CHUCKLES ]
NOT RIGHT NOW.

385
00:24:07,046 --> 00:24:08,948
GOOD,
'CAUSE I'M STARVING.

386
00:24:08,981 --> 00:24:10,950
YOU EVER HAD
A VEAL MILANESE?

387
00:24:10,983 --> 00:24:12,284
UH, NO.
[ LAUGHS ]

388
00:24:12,318 --> 00:24:13,352
YOU'RE GONNA LOVE IT.

389
00:24:13,385 --> 00:24:14,954
OKAY. [ LAUGHS ]

390
00:24:36,843 --> 00:24:39,311
[ BREATHING SHAKILY ]

391
00:24:42,582 --> 00:24:44,817
[ SNIFFLES ]

392
00:25:04,837 --> 00:25:06,839
[ SIGHS ]

393
00:25:19,719 --> 00:25:21,688
[ SNIFFLES ]

394
00:25:57,757 --> 00:26:00,593
I'M GONNA GO TO MARTHA'S
TONIGHT.

395
00:26:08,067 --> 00:26:09,702
SEE YOU TOMORROW, THEN.

396
00:26:09,736 --> 00:26:11,070
MM-HMM.

397
00:26:16,242 --> 00:26:19,311
MAYBE VENTER
WON'T EVEN SHOW UP.

398
00:26:19,345 --> 00:26:21,413
MAYBE NOT.

399
00:26:21,447 --> 00:26:25,584
IF HE DOES, I WISH I HAD
A FEW MORE MONTHS WITH HANS.

400
00:26:25,618 --> 00:26:27,754
AS LONG AS WE KEEP HIM
FAR ENOUGH BACK,

401
00:26:27,787 --> 00:26:29,622
WE SHOULD BE FINE.

402
00:26:31,423 --> 00:26:35,161
NCGOBO WAS
TALKING ABOUT HIS SONS.

403
00:26:35,194 --> 00:26:37,563
HE HAS FOUR OF THEM.

404
00:26:37,596 --> 00:26:41,167
HE SAID HE HOPES THEY ALL BECOME
FIGHTERS, LIKE HIM.

405
00:26:41,200 --> 00:26:44,403
AND YOU THINK
THAT'S A GOOD THING?

406
00:26:44,436 --> 00:26:46,272
WHAT?

407
00:26:48,941 --> 00:26:52,611
I FELT FOR HIM
AND HIS KIDS,

408
00:26:52,645 --> 00:26:57,116
FIGHTING
THIS BRUTAL, HORRENDOUS WAR.

409
00:26:57,149 --> 00:26:59,919
I MEAN, IT'S HORRIBLE,

410
00:26:59,952 --> 00:27:03,289
BUT IT'S...ADMIRABLE
IN A WAY.

411
00:27:03,322 --> 00:27:05,257
IT'S BRAVE.

412
00:27:05,291 --> 00:27:07,960
THEY DON'T HAVE
A LOT OF CHOICES.

413
00:27:09,628 --> 00:27:11,297
[ SIGHS ]

414
00:27:12,799 --> 00:27:14,967
NO. THEY DON'T.

415
00:27:17,303 --> 00:27:19,638
I HAVE TO GO.

416
00:27:21,974 --> 00:27:24,143
[ ENGINE TURNS OVER ]

417
00:27:26,312 --> 00:27:28,047
[ SIGHS ]

418
00:27:46,332 --> 00:27:48,500
[ CAR DOORS CLOSE ]

419
00:27:52,705 --> 00:27:54,240
[ DOOR OPENS ]

420
00:27:54,273 --> 00:27:56,142
HEY.
HEY.

421
00:27:56,175 --> 00:27:58,811
UH, I'M GONNA PUT THIS UPSTAIRS
AND DO SOME HOMEWORK.

422
00:27:58,845 --> 00:27:59,846
BYE, MOM.

423
00:28:10,189 --> 00:28:11,257
HI.

424
00:28:11,290 --> 00:28:14,026
HEY.

425
00:28:14,060 --> 00:28:15,995
UH, HOW ARE YOU?
ARE YOU OKAY?

426
00:28:16,028 --> 00:28:17,529
YEAH, SURE.

427
00:28:17,563 --> 00:28:18,831
CRAP AT WORK, YOU KNOW.

428
00:28:18,865 --> 00:28:20,266
I-I-I TALKED TO ARTHUR.

429
00:28:20,299 --> 00:28:23,035
OH. I'M SORRY I EVEN ASKED YOU
TO COME WITH ME.

430
00:28:23,069 --> 00:28:25,171
I DON'T KNOW
WHAT I WAS THINKING.

431
00:28:25,204 --> 00:28:27,874
NO, I -- A PART OF ME WANTED
TO GO, YOU KNOW, OF COURSE,

432
00:28:27,907 --> 00:28:32,244
BUT I'M NOT YOUR WIFE
ANYMORE, SO...

433
00:28:34,380 --> 00:28:37,016
YOU'RE STILL MY WIFE.

434
00:28:37,049 --> 00:28:38,918
TECHNICALLY SPEAKING.

435
00:28:42,221 --> 00:28:44,223
YEAH.

436
00:28:44,256 --> 00:28:45,391
YEAH.

437
00:28:45,424 --> 00:28:48,360
UH...

438
00:28:48,394 --> 00:28:50,629
[ SIGHS ]

439
00:28:50,662 --> 00:28:54,033
I THINK
IT'S TIME THAT WE...

440
00:28:54,066 --> 00:28:55,734
DID SOMETHING ABOUT THAT.

441
00:29:09,949 --> 00:29:11,317
[ DOOR OPENS ]

442
00:29:11,350 --> 00:29:12,785
HI, HONEY.

443
00:29:14,787 --> 00:29:15,988
HOW ARE YOU?

444
00:29:16,022 --> 00:29:18,290
IN -- IN HERE.

445
00:29:20,192 --> 00:29:22,094
GOOD TO SEE YOU.

446
00:29:24,130 --> 00:29:25,097
HEY.

447
00:29:25,131 --> 00:29:26,765
HEY.

448
00:29:28,868 --> 00:29:30,569
SOMETHING WRONG?

449
00:29:30,602 --> 00:29:31,904
NO. NO.

450
00:29:31,938 --> 00:29:34,406
UM, JUST -- I'M --
I'M -- I'M TIRED.

451
00:29:34,440 --> 00:29:36,108
LONG DAY.

452
00:29:36,142 --> 00:29:38,277
[ SNIFFLES ]

453
00:29:45,617 --> 00:29:49,688
I, UH, I HAVE A...EARLY FLIGHT
TO, UM, INDIANAPOLIS...

454
00:29:49,721 --> 00:29:51,290
MM-HMM?
...TOMORROW MORNING,

455
00:29:51,323 --> 00:29:54,260
BUT I'M GLAD WE --
WE GET A NIGHT TOGETHER.

456
00:29:54,293 --> 00:29:57,629
WHERE'S YOUR PURSE?

457
00:29:59,899 --> 00:30:02,468
YOU KNOW,
I LEFT IT AT WORK.

458
00:30:04,136 --> 00:30:05,637
WHAT?

459
00:30:09,075 --> 00:30:10,609
WHERE?

460
00:30:10,642 --> 00:30:12,979
UH, IT'S IN MY DESK DRAWER,
SO DON'T WORRY.

461
00:30:13,012 --> 00:30:14,146
NO ONE CAN TOUCH IT.

462
00:30:14,180 --> 00:30:15,547
I...

463
00:30:15,581 --> 00:30:18,784
I, UM, I JUST FORGOT IT,
LIKE A TOTAL DITZ.

464
00:30:18,817 --> 00:30:22,288
I, UH, WENT SHOPPING
AT LUNCHTIME, AND I HAD BAGS,

465
00:30:22,321 --> 00:30:24,123
AND THEN, WHEN I LEFT,
I FORGOT THE PURSE,

466
00:30:24,156 --> 00:30:27,994
AND I HAD TO GET THE SPARE KEY
FROM DIANE.

467
00:30:30,096 --> 00:30:32,564
WELL,
I'M GLAD SHE WAS HOME.

468
00:30:32,598 --> 00:30:34,833
HOW WAS YOUR DAY?

469
00:30:34,867 --> 00:30:37,169
OH. UH...

470
00:30:37,203 --> 00:30:39,538
BORING, UNEVENTFUL --
FINE.

471
00:30:42,108 --> 00:30:44,143
YOU KNOW
WHAT I WAS THINKING?

472
00:30:44,176 --> 00:30:46,879
I HAVE NEVER
BEEN TO YOUR APARTMENT.

473
00:30:49,048 --> 00:30:51,350
LET'S PICK A NIGHT.

474
00:30:51,383 --> 00:30:53,652
WE CAN ORDER TAKEOUT

475
00:30:53,685 --> 00:30:56,923
AND DINE BY CANDLELIGHT
AT MY VERY SMALL TABLE.

476
00:30:56,956 --> 00:31:02,428
WE COULD EVEN, MAYBE,
TRY A NEW POSITION ON THE FUTON.

477
00:31:02,461 --> 00:31:04,230
SOUNDS NICE.

478
00:31:06,298 --> 00:31:09,868
HOW ABOUT...
WE GO THERE TONIGHT?

479
00:31:12,038 --> 00:31:13,940
...INVITED THE PRIME MINISTER
TO JOIN ME TOMORROW

480
00:31:13,973 --> 00:31:16,775
FOR BREAKFAST SO THAT WE CAN
DISCUSS IN MORE DETAIL

481
00:31:16,808 --> 00:31:18,945
THE EFFORTS
THAT BOTH OF US ARE MAKING

482
00:31:18,978 --> 00:31:20,947
TO SECURE
A MORE PEACEFUL WORLD.

483
00:31:20,980 --> 00:31:25,217
SO OUR STATEMENTS, AS A RESULT
OF ALL OF OUR DISCUSSIONS,

484
00:31:25,251 --> 00:31:28,454
WILL BE MADE TOMORROW MORNING,
FOLLOWING THAT BREAKFAST

485
00:31:28,487 --> 00:31:31,023
AND BEFORE
THE PRIME MINISTER'S DEPARTURE.
IS THERE
ANYTHING TO EAT?

486
00:31:31,057 --> 00:31:32,191
OH. UH...

487
00:31:32,224 --> 00:31:34,060
[ TV TURNS OFF ]
YEAH.

488
00:31:34,093 --> 00:31:36,062
YEAH,
I PICKED UP SOME THINGS.

489
00:31:36,095 --> 00:31:39,865
LET'S SEE -- I GOT, UH,
SOME BOLOGNA AND A FROZEN PIZZA,

490
00:31:39,898 --> 00:31:43,235
AND I ALSO HAVE THIS.

491
00:31:46,272 --> 00:31:48,040
JUST ADD HEAT.

492
00:31:48,074 --> 00:31:49,541
MANAGEABLE.

493
00:31:49,575 --> 00:31:51,743
OKAY.

494
00:31:57,749 --> 00:32:00,419
[ SIGHS ]

495
00:32:14,266 --> 00:32:16,235
SO, UH...

496
00:32:16,268 --> 00:32:18,270
ARE YOU GOING
TO THAT FUNERAL IN CHICAGO?

497
00:32:19,271 --> 00:32:21,107
UH, YEAH.

498
00:32:21,140 --> 00:32:23,409
YEAH, IT'S A MEMORIAL,
ACTUALLY.

499
00:32:23,442 --> 00:32:27,779
LOT OF AGENTS
ARE GONNA BE THERE.

500
00:32:27,813 --> 00:32:31,183
YOU KNOW, DAVE AND I
WORKED UNDERCOVER TOGETHER.

501
00:32:31,217 --> 00:32:32,751
DID YOU KNOW THAT?

502
00:32:32,784 --> 00:32:34,120
NO.

503
00:32:34,153 --> 00:32:36,922
NO, I THOUGHT
YOU GUYS WERE JUST FRIENDS.

504
00:32:36,955 --> 00:32:38,290
YEAH.

505
00:32:39,658 --> 00:32:42,128
HE WAS THE ONLY PERSON
I COULD TALK TO ABOUT THAT

506
00:32:42,161 --> 00:32:44,530
FOR A...

507
00:32:44,563 --> 00:32:46,665
A LONG TIME.

508
00:32:49,135 --> 00:32:50,969
WHAT WAS IT LIKE?

509
00:32:52,838 --> 00:32:54,640
IT WAS STRANGE.

510
00:32:55,807 --> 00:32:58,210
HARD.

511
00:32:58,244 --> 00:33:00,312
I...

512
00:33:03,649 --> 00:33:05,151
YOU KNOW...

513
00:33:08,187 --> 00:33:10,289
I GOT PRETTY SCREWED UP.

514
00:33:10,322 --> 00:33:11,990
HOW SO?

515
00:33:12,024 --> 00:33:14,960
I HAD TO PRETEND
TO BE FRIENDS WITH PEOPLE

516
00:33:14,993 --> 00:33:17,563
I REALLY DIDN'T LIKE --

517
00:33:17,596 --> 00:33:19,331
TERRIBLE PEOPLE.

518
00:33:21,267 --> 00:33:24,670
THERE WAS A MAN --
JOHN REISLING.

519
00:33:26,438 --> 00:33:29,341
HE'S IN SAN QUENTIN NOW.

520
00:33:32,378 --> 00:33:34,646
HE WAS A BAD GUY.

521
00:33:34,680 --> 00:33:36,515
UH, WHAT DID HE DO?

522
00:33:42,020 --> 00:33:44,356
BAD THINGS.

523
00:33:44,390 --> 00:33:45,991
LIKE WHAT?

524
00:33:46,024 --> 00:33:47,859
DID HE KILL PEOPLE?

525
00:33:49,195 --> 00:33:51,029
HE DID.

526
00:33:57,236 --> 00:34:00,038
IT'S OKAY.
YOU CAN ASK ME.

527
00:34:02,741 --> 00:34:04,843
DID HE MAKE YOU
KILL PEOPLE?

528
00:34:04,876 --> 00:34:06,545
NO.

529
00:34:08,480 --> 00:34:10,916
NO. THANK GOD.

530
00:34:14,253 --> 00:34:15,887
WERE YOU SCARED?

531
00:34:37,443 --> 00:34:42,648
SO, I KNOW I HAVE
SOME CANDLES IN HERE,

532
00:34:42,681 --> 00:34:44,883
AND, UH...

533
00:34:44,916 --> 00:34:46,952
TAKEOUT MENU.

534
00:34:52,191 --> 00:34:54,760
YOU KNOW, I WAS, UH...

535
00:34:54,793 --> 00:34:57,095
I WAS SAVING THIS
FOR OUR ANNIVERSARY,

536
00:34:57,129 --> 00:34:59,431
BUT WE COULD HAVE IT
TONIGHT.

537
00:35:02,534 --> 00:35:05,771
YEAH, I KNOW.
IT JUST NEEDS A WOMAN'S TOUCH.

538
00:35:08,207 --> 00:35:09,441
CLARK.

539
00:35:09,475 --> 00:35:10,609
MM-HMM?

540
00:35:10,642 --> 00:35:12,110
[ SIGHS ]

541
00:35:12,144 --> 00:35:14,913
DO YOU THINK THAT WE'RE EVER
GONNA LIVE TOGETHER,

542
00:35:14,946 --> 00:35:16,748
LIKE A NORMAL
MARRIED COUPLE?

543
00:35:16,782 --> 00:35:18,417
[ SIGHS ]

544
00:35:18,450 --> 00:35:22,421
MARTHA,
I DON'T HAVE A NORMAL LIFE.

545
00:35:22,454 --> 00:35:25,090
I DON'T HAVE
A NORMAL JOB.

546
00:35:25,123 --> 00:35:28,026
BUT THERE'S NOTHING SO GREAT
ABOUT NORMAL.

547
00:35:28,059 --> 00:35:29,928
OH, ISN'T THERE?

548
00:35:29,961 --> 00:35:32,764
NOR-- NORMAL IS
FOR EVERYBODY ELSE.

549
00:35:32,798 --> 00:35:36,435
BECAUSE...
IF YOU'RE ASKING ME

550
00:35:36,468 --> 00:35:38,804
DO I THINK
THINGS WILL GET BETTER,

551
00:35:38,837 --> 00:35:41,106
THEN THE ANSWER
IS "YES."

552
00:35:41,139 --> 00:35:43,309
AND WHEN I THINK
ABOUT US,

553
00:35:43,342 --> 00:35:47,213
I THINK IT KEEPS GETTING
BETTER AND BETTER.

554
00:35:47,246 --> 00:35:49,815
DON'T YOU?

555
00:35:53,985 --> 00:35:58,224
Y-- I-- I'M NOT REALLY
IN THE MOOD FOR THAT.

556
00:35:58,257 --> 00:35:59,525
LET'S SAVE IT.

557
00:36:01,660 --> 00:36:03,962
ARE YOU SURE?

558
00:36:03,995 --> 00:36:05,464
IS EVERYTHING OKAY?

559
00:36:05,497 --> 00:36:07,533
YEAH. YEAH.

560
00:36:16,542 --> 00:36:18,344
COME HERE.

561
00:36:40,566 --> 00:36:41,833
MM.

562
00:36:41,867 --> 00:36:43,502
UM...

563
00:36:43,535 --> 00:36:45,837
SORRY. I'M...

564
00:36:45,871 --> 00:36:46,938
MARTHA, WHAT'S WRONG?

565
00:36:46,972 --> 00:36:48,340
WANT TO TALK ABOUT IT?

566
00:36:48,374 --> 00:36:49,675
NO.
NO, NO, NO, NO, NO.

567
00:36:49,708 --> 00:36:52,043
I'M JUST, UH,
I'M JUST OFF TONIGHT.

568
00:36:52,077 --> 00:36:53,111
I...

569
00:36:53,144 --> 00:36:54,846
I SHOULD JUST GO TO BED.

570
00:36:54,880 --> 00:36:58,016
I'M -- I MIGHT BE
COMING DOWN WITH SOMETHING.

571
00:36:58,049 --> 00:36:59,518
YEAH.

572
00:36:59,551 --> 00:37:02,053
YEAH, THERE -- WELL,
THERE'S SOMETHING GOING AROUND.

573
00:37:03,822 --> 00:37:07,058
I THINK I, UH,
I WANT TO GO HOME.

574
00:37:07,092 --> 00:37:09,361
ARE YOU SURE?

575
00:37:09,395 --> 00:37:10,929
YEAH.

576
00:37:13,899 --> 00:37:16,234
OKAY. I'LL DRIVE YOU.

577
00:37:29,415 --> 00:37:30,582
[ DOOR CLOSES ]

578
00:38:15,961 --> 00:38:17,496
MM.

579
00:38:26,838 --> 00:38:28,640
[ SIGHS ]

580
00:38:28,674 --> 00:38:31,142
What time is it?

581
00:38:31,176 --> 00:38:33,144
It's late.

582
00:38:35,013 --> 00:38:37,148
[ BOTH SIGH ]

583
00:38:47,025 --> 00:38:50,529
I should have told you
about my talk with Paige.

584
00:39:06,712 --> 00:39:09,014
I HAVE A SON.

585
00:39:11,116 --> 00:39:13,351
ANOTHER SON.

586
00:39:16,522 --> 00:39:20,191
HE'S IRINA'S,
FROM WHEN WE WERE KIDS.

587
00:39:23,862 --> 00:39:25,897
20 YEARS OLD.

588
00:39:27,633 --> 00:39:31,369
AND HE'S IN AFGHANISTAN.

589
00:39:31,403 --> 00:39:33,539
GABRIEL TOLD ME.

590
00:40:01,232 --> 00:40:03,569
HE'S IN COMBAT?

591
00:40:06,738 --> 00:40:08,907
HE'S A PARATROOPER.

592
00:40:31,763 --> 00:40:33,231
HENRY,
DON'T FORGET YOUR POEM.

593
00:40:33,264 --> 00:40:35,166
HOW COULD I FORGET?
YOU TOLD ME 10 TIMES ALREADY.

594
00:40:35,200 --> 00:40:36,434
HENRY!

595
00:40:36,468 --> 00:40:38,069
WELL, I'M NOT READING IT
OUT LOUD.

596
00:40:38,103 --> 00:40:39,437
MRS. MacELHANEY SAID THAT
YOU COULD READ YOUR OWN ALOUD

597
00:40:39,471 --> 00:40:41,573
OR YOU COULD TRADE
WITH A FRIEND.

598
00:40:41,607 --> 00:40:43,609
I DON'T WANT A FRIEND TO READ
MY POEM OUT LOUD. THAT'S WORSE.

599
00:40:43,642 --> 00:40:45,611
THEN YOU'RE NOT FOLLOWING
THE ASSIGNMENT.

600
00:40:45,644 --> 00:40:47,613
YOU'RE NOT A PART
OF THIS DISCOURSE, PAIGE.

601
00:40:47,646 --> 00:40:49,615
DISCOURSE?
THAT'S A GOOD WORD,
HENRY.

602
00:40:49,648 --> 00:40:51,783
HENRY, BOOK.

603
00:40:53,952 --> 00:40:55,754
THERE YOU GO.
THANKS.

604
00:40:55,787 --> 00:40:57,188
Paige:
WHAT ARE YOU TALKING ABOUT?
I WAS TALKING TO DAD.

605
00:40:57,222 --> 00:40:58,924
BYE, GUYS.
BYE.

606
00:40:58,957 --> 00:41:00,792
[ DOOR CLOSES ]

607
00:41:06,131 --> 00:41:07,699
[ SIGHS ]

608
00:41:07,733 --> 00:41:10,135
SOMETHING'S UP
WITH MARTHA.

609
00:41:11,670 --> 00:41:14,472
I DON'T KNOW.
COULD BE THE FOSTER KID.

610
00:41:15,507 --> 00:41:18,043
SHE'S STILL ON THAT.

611
00:41:18,076 --> 00:41:19,811
WHAT ARE YOU GONNA DO?

612
00:41:19,845 --> 00:41:22,013
[ SIGHS ]
I DON'T KNOW.

613
00:41:23,749 --> 00:41:26,384
BUT I DON'T THINK
I'M REALLY UP FOR ANOTHER KID.

614
00:41:26,417 --> 00:41:29,287
[ CHUCKLES LIGHTLY ]

615
00:41:29,320 --> 00:41:32,123
[ FLEETWOOD MAC'S "THE CHAIN"
PLAYS ]

616
00:41:32,157 --> 00:41:34,159
[ ELEVATOR BELL DINGS ]

617
00:41:53,111 --> 00:41:56,414
* LISTEN TO THE WIND BLOW

618
00:41:56,447 --> 00:42:00,852
* WATCH THE SUN RISE

619
00:42:02,888 --> 00:42:05,691
* RUN IN THE SHADOWS

620
00:42:05,724 --> 00:42:10,361
* DAMN YOUR LOVE,
DAMN YOUR LIES *

621
00:42:14,299 --> 00:42:17,535
* LISTEN TO THE WIND BLOW

622
00:42:17,569 --> 00:42:20,739
* DOWN COMES THE NIGHT

623
00:42:27,145 --> 00:42:29,615
* RUN IN THE SHADOWS

624
00:42:29,648 --> 00:42:33,218
* DAMN YOUR LOVE,
DAMN YOUR LIES *

625
00:42:37,923 --> 00:42:39,891
CAN I GET YOU
ANYTHING?

626
00:42:39,925 --> 00:42:41,960
I'M GOOD.
* BREAK THE SILENCE

627
00:42:41,993 --> 00:42:46,397
* DAMN THE DARK,
DAMN THE LIGHT *

628
00:42:49,768 --> 00:42:53,071
* AND IF YOU DON'T LOVE ME NOW

629
00:42:53,104 --> 00:42:56,307
* YOU WILL NEVER LOVE ME AGAIN

630
00:42:56,341 --> 00:42:59,645
* I CAN STILL HEAR YOU SAYIN'

631
00:42:59,678 --> 00:43:01,813
* YOU WOULD NEVER
BREAK THE CHAIN *

632
00:43:01,847 --> 00:43:02,914
* NEVER BREAK THE CHAIN

633
00:43:02,948 --> 00:43:05,150
* AND IF YOU DON'T LOVE ME NOW

634
00:43:05,183 --> 00:43:06,317
* YOU DON'T LOVE ME NOW

635
00:43:06,351 --> 00:43:08,987
* YOU WILL NEVER LOVE ME AGAIN

636
00:43:09,020 --> 00:43:11,923
* I CAN STILL HEAR YOU SAYIN'

637
00:43:11,957 --> 00:43:14,760
* YOU WOULD NEVER
BREAK THE CHAIN *

638
00:43:14,793 --> 00:43:15,927
* NEVER BREAK THE CHAIN

639
00:43:15,961 --> 00:43:17,428
* AND IF YOU DON'T LOVE ME NOW

640
00:43:17,462 --> 00:43:18,596
* YOU DON'T LOVE ME NOW

641
00:43:18,630 --> 00:43:21,667
* YOU WILL NEVER LOVE ME AGAIN

642
00:43:21,700 --> 00:43:24,502
* I CAN STILL HEAR YOU SAYIN'

643
00:43:24,535 --> 00:43:27,338
* YOU WOULD NEVER
BREAK THE CHAIN *

644
00:43:27,372 --> 00:43:29,941
* NEVER BREAK THE CHAIN

645
00:43:39,384 --> 00:43:41,953
[ STATIC SQUELCHES TWICE ]

646
00:43:41,987 --> 00:43:44,455
[ STATIC SQUELCHES TWICE ]

647
00:43:46,958 --> 00:43:48,960
[ ENGINE TURNS OVER ]

648
00:44:12,317 --> 00:44:14,652
EXCUSE ME.
DO YOU HAVE THE TIME?

649
00:44:14,686 --> 00:44:17,155
[ South African accent ]
SORRY. I CAN'T HELP YOU.
I DON'T HAVE MY --

650
00:44:18,356 --> 00:44:20,658
[ HORN BLARING ]

651
00:44:23,361 --> 00:44:24,662
[ TIRES SQUEAL ]

652
00:44:29,835 --> 00:44:31,002
[ TIRES SCREECH ]

653
00:44:33,371 --> 00:44:34,840
COME ON. LET'S GO.

654
00:44:34,873 --> 00:44:37,342
* CHAIN

655
00:44:37,375 --> 00:44:39,745
* KEEP US TOGETHER

656
00:44:39,778 --> 00:44:41,412
* RUNNIN' IN THE SHADOWS

657
00:44:41,446 --> 00:44:43,581
* CHAIN

658
00:44:43,614 --> 00:44:45,683
* KEEP US TOGETHER

659
00:44:45,717 --> 00:44:47,352
* RUNNIN' IN THE SHADOWS

660
00:44:47,385 --> 00:44:49,687
* CHAIN

661
00:44:49,721 --> 00:44:51,857
* KEEP US TOGETHER

662
00:44:51,890 --> 00:44:53,859
* RUNNIN' IN THE SHADOWS

663
00:44:53,892 --> 00:44:55,761
* CHAIN

664
00:44:55,794 --> 00:44:58,029
* KEEP US TOGETHER