1 00:00:01,102 --> 00:00:03,337 The FX original series The Americans. 2 00:00:03,371 --> 00:00:05,739 Final season returns soon on FX. 3 00:00:07,208 --> 00:00:08,576 PREVIOUSLY ON "THE AMERICANS"... 4 00:00:08,609 --> 00:00:10,644 THANK YOU FOR GETTING A PLACE FOR US TO MEET. 5 00:00:10,678 --> 00:00:14,248 WHY IS IT SO HARD? IT JUST DOESN'T FEEL LIKE IT DID BEFORE. 6 00:00:14,282 --> 00:00:16,817 IF WE START KILLING SCIENTISTS ON U.S. SOIL... 7 00:00:16,850 --> 00:00:18,552 OHH! 8 00:00:18,586 --> 00:00:20,088 WHO KNOWS WHERE IT LEADS? 9 00:00:20,121 --> 00:00:21,555 WHAT THE HELL DID YOU THINK YOU WERE DOING? 10 00:00:21,589 --> 00:00:22,856 THEY GOT MY PARTNER. 11 00:00:22,890 --> 00:00:24,792 WHAT WOULD YOU HAVE DONE? 12 00:00:26,294 --> 00:00:27,661 WHO KILLED VLAD? 13 00:00:27,695 --> 00:00:29,663 I DON'T KNOW. DON'T LIE TO ME. 14 00:00:29,697 --> 00:00:32,500 YOU'RE SEPARATING? NOT EXACTLY. WE'RE, UH -- 15 00:00:32,533 --> 00:00:33,567 HITTING THE PAUSE BUTTON. 16 00:00:34,635 --> 00:00:36,070 HOME, SWEET HOME. 17 00:00:36,104 --> 00:00:37,505 GENERAL ZHUKOV. 18 00:00:37,538 --> 00:00:39,673 OUR WAR IS NOT SO COLD ANYMORE, ELIZABETH. 19 00:00:39,707 --> 00:00:42,410 OUR ENEMY IS STRONG AND CAPABLE. 20 00:00:46,614 --> 00:00:49,517 Gaad: THEY KILL US, WE KILL THEM. 21 00:00:49,550 --> 00:00:51,752 IT'S THE WORLD WE LIVE IN. 22 00:00:51,785 --> 00:00:53,554 BUT EVEN IN THIS WORLD, 23 00:00:53,587 --> 00:00:55,956 THERE ARE LINES THAT CAN'T BE CROSSED. 24 00:00:55,989 --> 00:01:00,094 AT THIS MOMENT, THREE HIGH-LEVEL KGB OFFICERS 25 00:01:00,128 --> 00:01:02,196 ARE BEING TARGETED IN MOSCOW, 26 00:01:02,230 --> 00:01:05,133 INCLUDING VIKTOR ZHUKOV, HEAD OF DIRECTORATE "S." 27 00:01:05,166 --> 00:01:06,434 [ DOORBELL RINGS ] 28 00:01:12,005 --> 00:01:15,609 THERE WILL BE NO SANCTUARY, NO SAFETY, 29 00:01:15,643 --> 00:01:17,778 NOT EVEN IN THEIR OWN HOMES. 30 00:01:17,811 --> 00:01:19,613 [ THUD ] 31 00:01:19,647 --> 00:01:22,283 WE'RE GOING TO FIND THEM, 32 00:01:22,316 --> 00:01:24,618 AND WE'RE GOING TO KILL THEM. 33 00:01:24,652 --> 00:01:26,820 THIS ISN'T A COLD WAR. 34 00:01:26,854 --> 00:01:29,990 THERE'S NOTHING COLD ABOUT THE COVERT, VIOLENT EXCHANGES 35 00:01:30,023 --> 00:01:32,426 BETWEEN THE UNITED STATES AND THE SOVIET UNION. 36 00:01:32,460 --> 00:01:36,630 THEY'VE KILLED NOT ONLY OUR AGENTS, BUT OUR CITIZENS. 37 00:01:36,664 --> 00:01:39,300 AND FOR THAT, THEY'LL PAY. 38 00:01:50,778 --> 00:01:51,979 [ GRUNTS ] 39 00:01:55,683 --> 00:01:56,684 [ GUNSHOT ] 40 00:01:58,018 --> 00:01:58,986 [ GUNSHOT ] 41 00:02:00,488 --> 00:02:02,323 [ BOTH GRUNTING ] 42 00:02:16,870 --> 00:02:18,038 [ SILENCED GUNSHOT ] 43 00:02:21,309 --> 00:02:22,510 [ SILENCED GUNSHOT ] 44 00:02:56,744 --> 00:02:58,145 WOW. 45 00:02:58,178 --> 00:02:59,513 NO. STOP. 46 00:02:59,547 --> 00:03:01,415 NO, REALLY. WOW. YOU LOOK AMAZING. 47 00:03:01,449 --> 00:03:03,083 WELL, I HAVE MORE PAINT ON MY FACE 48 00:03:03,116 --> 00:03:04,318 THAN A NEW BUICK, SO... 49 00:03:04,352 --> 00:03:06,019 [ LAUGHS ] COME ON. LET'S GO. 50 00:03:06,053 --> 00:03:07,154 OKAY. 51 00:03:07,187 --> 00:03:09,857 [ UP-TEMPO MUSIC PLAYS ] 52 00:03:09,890 --> 00:03:12,092 WHAT IS THIS HARVEY WALLBANGER? 53 00:03:12,125 --> 00:03:15,763 VODKA, GALLIANO, AND ORANGE JUICE. 54 00:03:15,796 --> 00:03:18,366 GALLIANO. THAT SOUNDS SO CONTINENTAL. 55 00:03:18,399 --> 00:03:20,534 THIS IS MY ITALIAN LOVER, GALLIANO. 56 00:03:20,568 --> 00:03:22,603 [ BOTH LAUGH ] 57 00:03:22,636 --> 00:03:24,605 [ SIGHS ] 58 00:03:24,638 --> 00:03:27,341 HAVE YOU EVER DATED ANYONE FROM A FOREIGN COUNTRY? 59 00:03:27,375 --> 00:03:30,278 NEVER. YOU? 60 00:03:30,311 --> 00:03:32,246 MM. YEAH. IN COLLEGE. 61 00:03:32,280 --> 00:03:34,081 THERE WAS THIS VISITING PROFESSOR, 62 00:03:34,114 --> 00:03:35,783 JUHANI, FROM FINLAND. 63 00:03:35,816 --> 00:03:37,785 HE WAS THE FIRST GUY I EVER SLEPT WITH 64 00:03:37,818 --> 00:03:40,354 ON A LIST OF TWO. 65 00:03:40,388 --> 00:03:43,257 I HOPE JUHANI'S LIFE IS HAPPIER THAN STAN'S. 66 00:03:44,758 --> 00:03:47,261 THAT WAS THE HARVEY WALLBANGER TALKING. 67 00:03:47,295 --> 00:03:48,862 SORRY. [ CHUCKLES ] 68 00:03:48,896 --> 00:03:51,198 SPEAKING OF -- EXCUSE ME. CAN WE GET TWO MORE OF THESE? 69 00:03:51,231 --> 00:03:52,366 Bartender: YOU GOT IT. 70 00:03:52,400 --> 00:03:54,268 THANK YOU. 71 00:03:54,302 --> 00:03:55,569 HAVE YOU EVER THOUGHT ABOUT CHEATING? 72 00:03:55,603 --> 00:03:57,938 WOW. 73 00:03:57,971 --> 00:04:00,408 UM... 74 00:04:00,441 --> 00:04:04,077 I MEAN, I THINK ANYONE WHO'S MARRIED 75 00:04:04,111 --> 00:04:06,079 AND SAYS THEY HAVEN'T IS LYING. 76 00:04:06,113 --> 00:04:07,915 MM. 77 00:04:07,948 --> 00:04:09,583 BUT THERE IS A DIFFERENCE BETWEEN THINKING ABOUT IT 78 00:04:09,617 --> 00:04:11,652 AND ACTUALLY GOING THROUGH. 79 00:04:14,355 --> 00:04:16,256 IS SOMETHING GOING ON, SANDRA? 80 00:04:16,290 --> 00:04:18,326 NO. OH, I'M SORRY. 81 00:04:18,359 --> 00:04:20,761 I'M JUST BLAH, BLAH, BLAH, BLAH. 82 00:04:20,794 --> 00:04:22,796 [ CHUCKLES ] 83 00:04:25,165 --> 00:04:26,500 LET'S GO DANCE. 84 00:04:26,534 --> 00:04:29,403 [ Chuckling ] WHAT? 85 00:04:29,437 --> 00:04:32,272 Narrator: AS IS THE CASE WITH MOST MAMMALS, THE CHEETAH... 86 00:04:32,306 --> 00:04:34,408 WHAT DOES THIS HAVE TO DO WITH INSURANCE? 87 00:04:34,442 --> 00:04:38,078 THE INSURANCE COMPANY PAYS FOR THE SHOW. 88 00:04:38,111 --> 00:04:39,613 WHY? 89 00:04:39,647 --> 00:04:41,815 WELL, THAT'S WHAT CAPITALISM'S ALL ABOUT. 90 00:04:41,849 --> 00:04:43,851 YOU MAKE SOMETHING, THEN YOU SELL IT FOR PROFIT. 91 00:04:43,884 --> 00:04:45,986 HOW DO YOU MAKE INSURANCE? 92 00:04:46,019 --> 00:04:47,755 YOU BUY INSURANCE, DOOFUS. 93 00:04:47,788 --> 00:04:49,256 DO WE BUY THEIR INSURANCE? 94 00:04:49,289 --> 00:04:52,926 NO. WE JUST WATCH THEIR SHOW. 95 00:04:52,960 --> 00:04:53,927 I'M HUNGRY. 96 00:04:53,961 --> 00:04:55,629 ME TOO. 97 00:04:55,663 --> 00:04:59,933 WELL, I HAVE ORANGE JUICE AND...PEANUT BUTTER. 98 00:04:59,967 --> 00:05:01,369 THE ORANGE JUICE IS WARM. 99 00:05:01,402 --> 00:05:03,337 WHAT DO YOU DO FOR FOOD? 100 00:05:03,371 --> 00:05:05,272 [ British accent ] THE JENNINGS FAMILY 101 00:05:05,305 --> 00:05:07,608 ARE NATURAL FORAGERS. 102 00:05:07,641 --> 00:05:09,343 THEY FIND COMESTIBLES -- COMESTIBLES? 103 00:05:09,377 --> 00:05:12,179 FOOD WHEREVER IT CAN BE FOUND. 104 00:05:12,212 --> 00:05:13,213 [ SNORTING ] NO! AAH! 105 00:05:13,246 --> 00:05:16,550 * EVER CHANGE YOUR MIND 106 00:05:16,584 --> 00:05:20,788 * WHICH YOU DO FROM TIME TO TIME * 107 00:05:20,821 --> 00:05:24,191 * NEVER CHEW A PICKLE WITH A LITTLE SLAP AND TICKLE * 108 00:05:24,224 --> 00:05:28,261 * YOU HAVE TO THROW THE STONE TO GET THE POOL TO RIPPLE * 109 00:05:35,102 --> 00:05:36,837 * THAT NIGHT THEY DANCED TOGETHER * 110 00:05:36,870 --> 00:05:39,139 * IT LOOKED LIKE LOVE FOREVER 111 00:05:39,172 --> 00:05:40,908 * HE PUT HIS HAND ON HER LEG MATTHEW: Hello? 112 00:05:40,941 --> 00:05:42,342 OH, H-HI. 113 00:05:42,376 --> 00:05:43,977 I THOUGHT YOU WERE AT THE "ROCKY HORROR" SHOW. 114 00:05:44,011 --> 00:05:46,046 Doesn't start till midnight. 115 00:05:46,079 --> 00:05:49,149 OH. AND MRS. PETERS IS DRIVING YOU AND HARRY? 116 00:05:49,182 --> 00:05:51,552 Yes, Mom. 117 00:05:51,585 --> 00:05:55,389 COULD YOU, UH, PUT DAD ON THE PHONE FOR ME, PLEASE? 118 00:05:55,423 --> 00:05:57,224 He called to say he's working late. 119 00:05:57,257 --> 00:05:59,226 Shocker, right? 120 00:06:01,261 --> 00:06:03,063 OKAY, WELL, HAVE A GOOD TIME, THEN. 121 00:06:03,096 --> 00:06:04,632 OKAY? 122 00:06:08,702 --> 00:06:09,837 WHO WANTS SKITTLES? 123 00:06:09,870 --> 00:06:11,839 ME. AND CHEE-TOS. 124 00:06:11,872 --> 00:06:13,106 CAN I HAVE A MARS BAR? 125 00:06:13,140 --> 00:06:16,410 NO, THEY'RE OUT OF MARS BARS. 126 00:06:16,444 --> 00:06:18,546 HEY, LOOK OVER THERE. 127 00:06:21,649 --> 00:06:23,551 WHAT'S HE DOING? 128 00:06:23,584 --> 00:06:25,118 TAKING A WIZ. 129 00:06:25,152 --> 00:06:27,354 [ WHISTLES ] HEY, BUDDY, YOU WANT TO PACK IT UP? 130 00:06:27,387 --> 00:06:29,056 [ CHUCKLES ] 131 00:06:29,089 --> 00:06:31,091 NICE ONE, DAD. LET'S GO. 132 00:06:31,124 --> 00:06:33,160 [ BOTH CHUCKLE ] 133 00:06:35,963 --> 00:06:37,931 [ SNIFFLES ] 134 00:06:37,965 --> 00:06:39,933 [ DOOR OPENS, CLOSES ] 135 00:06:39,967 --> 00:06:42,002 [ SNIFFLES ] 136 00:06:47,074 --> 00:06:48,709 [ SNIFFLES ] 137 00:06:48,742 --> 00:06:51,378 HEY. 138 00:06:51,411 --> 00:06:52,446 WHAT HAPPENED? 139 00:06:52,480 --> 00:06:55,048 [ SIGHS, SNIFFLES ] 140 00:06:55,082 --> 00:06:56,383 I'VE BEEN ASKING YOU THAT FOR MONTHS. 141 00:06:56,416 --> 00:06:57,651 I'M STILL WAITING FOR AN ANSWER 142 00:06:57,685 --> 00:07:02,490 THAT DOESN'T [SIGHS] SMELL LIKE BULLSHIT. 143 00:07:02,523 --> 00:07:05,358 OKAY. 144 00:07:07,861 --> 00:07:10,263 SEEMS LIKE YOU'VE HAD A FEW DRINKS, HON. 145 00:07:13,100 --> 00:07:15,202 I CALLED HEADQUARTERS. 146 00:07:17,037 --> 00:07:19,607 THEY SAID THAT YOU LEFT HOURS AGO. 147 00:07:19,640 --> 00:07:21,108 WELL, THEY WERE MISTAKEN. 148 00:07:21,141 --> 00:07:22,910 BULLSHIT. 149 00:07:22,943 --> 00:07:24,578 LOOK, SANDRA, WHATEVER IT IS YOU'RE THINKING, 150 00:07:24,612 --> 00:07:28,816 I'M...TELLING YOU YOU DON'T UNDERSTAND. 151 00:07:28,849 --> 00:07:30,751 [ SCOFFS ] 152 00:07:30,784 --> 00:07:32,620 YOU'RE A GODDAMN LIAR. 153 00:07:32,653 --> 00:07:35,489 CAN WE JUST TAKE A BREATH HERE FOR A SECOND? 154 00:07:35,523 --> 00:07:37,257 [ SNIFFLES ] 155 00:07:37,290 --> 00:07:38,959 [ LAUGHS ] 156 00:07:38,992 --> 00:07:41,829 YOU KNOW, EVERY TIME THAT I CALL HEADQUARTERS, 157 00:07:41,862 --> 00:07:43,497 IT'S SO FUNNY, BECAUSE THEY SAY 158 00:07:43,531 --> 00:07:45,699 THAT YOU LEFT FOUR HOURS AGO, 159 00:07:45,733 --> 00:07:47,267 AND I KEEP TELLING MYSELF, 160 00:07:47,300 --> 00:07:48,636 "OH, YEAH, HE MUST BE OUT ON A STAKEOUT," 161 00:07:48,669 --> 00:07:50,437 OR, "OH, HE MUST BE OUT ON A CASE," 162 00:07:50,470 --> 00:07:52,540 OR, "HE MUST BE SURVEILLING SOME BAD GUYS OR SOMETHING." 163 00:07:52,573 --> 00:07:54,775 BUT YOU KNOW WHAT? THERE AREN'T ENOUGH BAD GUYS IN THE WORLD 164 00:07:54,808 --> 00:07:56,944 TO EXPLAIN ALL YOUR TIME AWAY FROM HERE, FROM US, FROM ME. 165 00:07:56,977 --> 00:07:58,612 AND IT DAWNED ON ME! 166 00:07:58,646 --> 00:08:00,280 I WAS LIKE, "WAKE UP, SANDRA!" BECAUSE YOU KNOW WHAT? 167 00:08:00,313 --> 00:08:01,949 THE ONLY BAD GUY HERE IS YOU, STAN, 168 00:08:01,982 --> 00:08:05,185 AND THE OPPOSITE OF THE MAN THAT I MARRIED AND A COWARD, 169 00:08:05,218 --> 00:08:06,954 AND I AM PRETTY SURE 170 00:08:06,987 --> 00:08:08,288 THAT I CAN'T STAND THE SIGHT OF YOU RIGHT NOW! 171 00:08:08,321 --> 00:08:09,489 SANDRA, PLEASE -- CAN YOU PLEASE -- 172 00:08:09,523 --> 00:08:11,024 SO! YOU KNOW WHAT? WHAT GOES ON IN YOU? 173 00:08:11,058 --> 00:08:12,325 WHAT GOES ON IN THERE, HUH?! SANDRA -- 174 00:08:12,359 --> 00:08:13,527 DO YOU KNOW? DO YOU HAVE ANY IDEA? 175 00:08:13,561 --> 00:08:15,328 NO, YOU DON'T. YOU DON'T. 176 00:08:15,362 --> 00:08:17,965 'CAUSE THERE'S NOTHING. THERE'S NOTHING THERE. 177 00:08:17,998 --> 00:08:19,166 JUST NOTHING. 178 00:08:19,199 --> 00:08:21,168 I JUST NEED YOU TO LISTEN TO ME. 179 00:08:21,201 --> 00:08:22,536 NO. 180 00:08:22,570 --> 00:08:25,472 BECAUSE I AM SICK [SIGHS] 181 00:08:25,505 --> 00:08:29,242 OF KIDDING MYSELF ABOUT YOU AND ABOUT THIS MARRIAGE 182 00:08:29,276 --> 00:08:31,879 AND ABOUT THE LAST 19 1/2 YEARS OF MY LIFE, 183 00:08:31,912 --> 00:08:35,315 AND I AM -- I DON'T KNOW HOW YOU CAN DARE 184 00:08:35,348 --> 00:08:37,918 TURN MY LIFE INTO SOME... 185 00:08:37,951 --> 00:08:40,020 [ SOBS ] 186 00:08:42,690 --> 00:08:45,559 [ DOOR OPENS, CLOSES ] 187 00:08:49,196 --> 00:08:52,499 ZHUKOV IS DEAD? 188 00:08:52,532 --> 00:08:55,335 MONSTERS IS WHAT THEY ARE. 189 00:08:55,368 --> 00:08:58,572 ASSASSINS WITH FEDERAL I.D. BADGES. 190 00:08:58,606 --> 00:09:00,674 [ BIRDS CHIRPING ] 191 00:09:00,708 --> 00:09:02,342 WHO DID IT? 192 00:09:02,375 --> 00:09:05,378 I'M TOLD THE CIA DIRECTOR OF PLANNING 193 00:09:05,412 --> 00:09:06,914 FOR THE SOVIET UNION, RICHARD PATTERSON, 194 00:09:06,947 --> 00:09:08,281 WAS THE ARCHITECT OF THE OPERATION. 195 00:09:08,315 --> 00:09:09,416 HE HAS TO DIE. 196 00:09:09,449 --> 00:09:11,084 NOT BY US. 197 00:09:11,118 --> 00:09:13,721 I'M SORRY TO SAY THERE'LL BE NO RETRIBUTION. 198 00:09:13,754 --> 00:09:14,955 MOSCOW'S DECIDED TO END 199 00:09:14,988 --> 00:09:17,524 THE ESCALATION OF VIOLENCE FOR NOW. 200 00:09:17,557 --> 00:09:20,193 SO HE GETS TO WALK OFF FREE? 201 00:09:20,227 --> 00:09:22,596 MOSCOW SAYS THAT WE CAN'T LET THIS 202 00:09:22,630 --> 00:09:24,264 SPIRAL ANY FURTHER OUT OF CONTROL. 203 00:09:24,297 --> 00:09:25,365 WE HAVE TO STAY FOCUSED ON THE BIG -- 204 00:09:25,398 --> 00:09:26,600 MOSCOW IS WRONG. 205 00:09:28,235 --> 00:09:31,138 DO YOU AGREE WITH THE CENTER'S PERSPECTIVE? 206 00:09:31,171 --> 00:09:34,374 I DO NOT AGREE OR DISAGREE. 207 00:09:34,407 --> 00:09:36,209 I FOLLOW ORDERS. 208 00:09:36,243 --> 00:09:39,212 SPEAKING OF WHICH, YOU AND PHILIP 209 00:09:39,246 --> 00:09:42,315 DIRECTLY CONTRADICTED MY ORDER REGARDING GREGORY THOMAS. 210 00:09:42,349 --> 00:09:43,917 IT WAS THE RIGHT THING TO DO. 211 00:09:43,951 --> 00:09:46,620 DEFYING ORDERS IS NEVER THE RIGHT THING TO DO. 212 00:09:46,654 --> 00:09:49,222 YOU'RE LUCKY THAT YOUR ACT OF STREET THEATER 213 00:09:49,256 --> 00:09:51,892 DIDN'T BRING DOWN THE ENTIRE OPERATION. 214 00:09:51,925 --> 00:09:57,097 SOMETIMES THE SMARTEST OFFICERS DO THE STUPIDEST THINGS. 215 00:09:58,265 --> 00:09:59,599 WE'RE SORRY. 216 00:10:01,301 --> 00:10:02,903 VIKTOR ZHUKOV WAS A GREAT MAN 217 00:10:02,936 --> 00:10:04,738 WHO MEANT A GREAT DEAL TO YOU. 218 00:10:04,772 --> 00:10:07,841 I KNOW HE'D HAVE FULL CONFIDENCE YOU'LL DO THE RIGHT THING. 219 00:10:07,875 --> 00:10:09,810 I THOUGHT THE AMERICANS UNDERSTOOD 220 00:10:09,843 --> 00:10:13,013 THAT EVEN COVERT WARS HAVE RULES. 221 00:10:13,046 --> 00:10:14,648 I WAS WRONG. 222 00:10:23,957 --> 00:10:27,494 [ LIQUID POURING ] 223 00:10:29,496 --> 00:10:30,931 YOU WANTED TO SEE ME, COLONEL? 224 00:10:30,964 --> 00:10:32,666 SIT. 225 00:10:42,042 --> 00:10:44,444 HOW IS THE TRAINING GOING? 226 00:10:44,477 --> 00:10:45,813 GOOD. 227 00:10:45,846 --> 00:10:47,848 ANY PROBLEMS? 228 00:10:49,016 --> 00:10:49,983 NO. 229 00:10:52,720 --> 00:10:55,956 CHANGE IS HARD, DAUNTING. 230 00:10:55,989 --> 00:10:59,459 IT UPROOTS US. 231 00:10:59,492 --> 00:11:02,062 HAVE I FAILED IN SOME RESPECT, SIR? 232 00:11:02,095 --> 00:11:04,865 NO. YOU ARE EXEMPLARY. 233 00:11:06,867 --> 00:11:08,702 BUT I SEE THAT YOU ARE UNHAPPY. 234 00:11:08,736 --> 00:11:12,472 THINGS ARE NOT AS YOU EXPECTED? 235 00:11:12,505 --> 00:11:15,375 NO. 236 00:11:15,408 --> 00:11:18,378 PHILIP IS A GOOD MAN. 237 00:11:18,411 --> 00:11:20,513 YOU ARE A GOOD MATCH. 238 00:11:20,547 --> 00:11:23,784 [ SPEAKING RUSSIAN ] 239 00:11:33,526 --> 00:11:35,095 NINE YEARS AGO, 240 00:11:35,128 --> 00:11:39,900 FATE OR CIRCUMSTANCE BROUGHT MALYSH AND ME TOGETHER. 241 00:11:39,933 --> 00:11:43,003 AND MY LIFE HAS NEVER BEEN THE SAME. 242 00:11:43,036 --> 00:11:47,040 MALYSH HAS TAUGHT ME WHAT IT MEANS TO LOVE. 243 00:11:47,074 --> 00:11:49,642 DO YOU KNOW WHAT LOVE IS, ELIZABETH? 244 00:11:51,812 --> 00:11:53,680 IT'S A FEELING. YES. 245 00:11:53,713 --> 00:11:57,250 THE MOST PROFOUND FEELING. 246 00:11:57,284 --> 00:12:01,188 HE ISN'T PARTICULARLY SMART, OR HE ISN'T PRETTY. 247 00:12:01,221 --> 00:12:02,689 BUT I LOVE HIM. 248 00:12:02,722 --> 00:12:05,292 DO YOU KNOW WHY? 249 00:12:05,325 --> 00:12:09,362 BECAUSE I TAKE CARE OF HIM EVERY DAY. 250 00:12:09,396 --> 00:12:12,866 AND HE, IN HIS WAY, IS TAKING CARE OF ME. 251 00:12:12,900 --> 00:12:15,903 IF YOU TAKE CARE OF SOMETHING, ELIZABETH, 252 00:12:15,936 --> 00:12:19,272 ONE DAY YOU WILL DISCOVER THAT YOU LOVE THIS CREATURE 253 00:12:19,306 --> 00:12:22,675 AND YOUR LIFE WOULD BE EMPTY WITHOUT HIM. 254 00:12:31,251 --> 00:12:33,286 ZHUKOV WAS MURDERED. 255 00:12:33,320 --> 00:12:35,122 WHAT? 256 00:12:35,155 --> 00:12:39,226 THE AMERICANS KILLED HIM. 257 00:12:39,259 --> 00:12:41,428 I'M GOING TO FIND THE MAN RESPONSIBLE 258 00:12:41,461 --> 00:12:43,230 AND KILL HIM. 259 00:12:43,263 --> 00:12:45,665 ARE THOSE OUR ORDERS? 260 00:12:45,698 --> 00:12:49,569 ZHUKOV UNDERSTOOD ME. 261 00:12:49,602 --> 00:12:53,006 HE LOVED ME. 262 00:12:53,040 --> 00:12:55,608 I'M TELLING YOU, THE MAN WHO ORDERED HIS MURDER 263 00:12:55,642 --> 00:12:57,677 WILL PAY WITH HIS LIFE. 264 00:12:57,710 --> 00:12:59,246 ELIZABETH, COME ON. YOU CAN'T -- 265 00:12:59,279 --> 00:13:01,982 NO, TH CAN'T, PHILIP. 266 00:13:02,015 --> 00:13:03,984 AND I'M GONNA MAKE SURE THEY KNOW IT. 267 00:13:09,522 --> 00:13:11,691 Elizabeth: PATTERSON KEEPS AN IRREGULAR SCHEDULE. 268 00:13:11,724 --> 00:13:14,261 HE TAKES A NUMBER OF DIFFERENT ROUTES TO LANGLEY, 269 00:13:14,294 --> 00:13:16,163 SOMETIMES STOPS OFF TO GET A COFFEE OR A DOUGHNUT, 270 00:13:16,196 --> 00:13:17,497 BUT NOT ALWAYS. 271 00:13:17,530 --> 00:13:19,032 HE ARRIVES AT THE OFFICE BY 7:00ish, 272 00:13:19,066 --> 00:13:20,934 DOESN'T LEAVE FOR MEALS. 273 00:13:20,968 --> 00:13:23,837 HIS DRY-CLEANERS IS NEXT TO A BANK WITH A SECURITY GUARD. 274 00:13:23,871 --> 00:13:26,206 HIS GYM HAS EXTERIOR VIDEO SURVEILLANCE. 275 00:13:26,239 --> 00:13:27,774 DON'T ASK ME WHY. 276 00:13:27,807 --> 00:13:29,977 HE FREQUENTS THE WHEEL HOUSE ON COMSTOCK. 277 00:13:30,010 --> 00:13:31,378 HE ALWAYS GOES BY HIMSELF, 278 00:13:31,411 --> 00:13:33,113 BUT OFTEN LEAVES IN THE COMPANY OF A WOMAN, 279 00:13:33,146 --> 00:13:34,114 RARELY THE SAME ONE. 280 00:13:34,147 --> 00:13:35,983 PATTERSON IS TOUGH TO GET. 281 00:13:36,016 --> 00:13:37,484 YOU HAVE TO LET THIS GO. 282 00:13:37,517 --> 00:13:38,685 I CAN'T DO THAT. 283 00:13:38,718 --> 00:13:40,820 PATTERSON IS A CAREFUL MAN, 284 00:13:40,854 --> 00:13:42,355 BUT HE HAS ONE WEAKNESS. 285 00:13:42,389 --> 00:13:43,690 HE LIKES WOMEN. 286 00:13:43,723 --> 00:13:45,725 NOT FOR THE LONG HAUL -- FOR A PIT STOP. 287 00:13:45,758 --> 00:13:46,894 HE CAN BE RECKLESS. 288 00:13:46,927 --> 00:13:48,228 INTERESTING WORD. 289 00:13:48,261 --> 00:13:50,063 MY BEST SHOT TO GRAB HIM IS AT THE WHEEL HOUSE. 290 00:13:50,097 --> 00:13:52,632 "GRAB"? YOU'VE GOT TO BE OUT OF YOUR MIND. 291 00:13:52,665 --> 00:13:55,002 IT'S DOABLE. NO, IT'S NOT. IT'S RECKLESS. 292 00:13:55,035 --> 00:13:58,005 IF YOU'RE SAYING I CAN'T DO IT ALONE, 293 00:13:58,038 --> 00:13:59,506 YOU'RE RIGHT. 294 00:13:59,539 --> 00:14:00,908 LOOK, ALL I -- NO. 295 00:14:00,941 --> 00:14:02,675 PHILIP -- WE JUST DID THIS. 296 00:14:02,709 --> 00:14:04,477 I KNOW. I KNOW WE DID. 297 00:14:04,511 --> 00:14:05,678 WE JUST GOT DONE DEFYING ORDERS. 298 00:14:05,712 --> 00:14:08,815 THIS IS DIFFERENT, AND YOU KNOW IT. 299 00:14:08,848 --> 00:14:11,051 YOU WANT TO KILL HIM? PUT A SCOPE ON A RIFLE. TAKE HIM OUT. 300 00:14:11,084 --> 00:14:13,220 THAT'S THE POINT. I CAN'T. HIS MOVEMENTS ARE UNPREDICTABLE. 301 00:14:13,253 --> 00:14:14,988 THAT'S BULLSHIT. YOU'RE PUTTING YOURSELF IN DANGER 302 00:14:15,022 --> 00:14:16,924 BECAUSE YOU'VE MADE IT PERSONAL. DO YOU SEE THAT? 303 00:14:16,957 --> 00:14:18,758 IF YOU'RE ASKING ME 304 00:14:18,791 --> 00:14:20,994 DO I WANT TO LOOK IN PATTERSON'S EYES BEFORE I KILL HIM, 305 00:14:21,028 --> 00:14:24,597 THE ANSWER IS YES. 306 00:14:24,631 --> 00:14:25,765 [ DOOR OPENS ] 307 00:14:25,798 --> 00:14:27,234 Matthew: HELLO? 308 00:14:27,267 --> 00:14:28,435 [ DOOR CLOSES ] Stan: HEY. 309 00:14:28,468 --> 00:14:29,769 HEY. WHERE'S MOM? 310 00:14:29,802 --> 00:14:31,939 AEROBICS CLASS, I THINK. 311 00:14:31,972 --> 00:14:34,207 HOW WAS THE "ROCKY HORROR" MOVIE? 312 00:14:34,241 --> 00:14:35,542 IT WAS FUN. 313 00:14:35,575 --> 00:14:37,710 WE THREW TOILET PAPER AND TOAST AT THE SCREEN. 314 00:14:37,744 --> 00:14:39,612 Y-YOU DID WHAT? 315 00:14:39,646 --> 00:14:41,048 NEVER MIND. 316 00:14:41,081 --> 00:14:43,750 MATTHEW. 317 00:14:43,783 --> 00:14:45,218 ARE YOU WEARING MAKEUP? 318 00:14:45,252 --> 00:14:46,686 YEAH, DAD. 319 00:14:46,719 --> 00:14:48,555 IT'S A DRAG SHOW. EVERYONE WEARS MAKEUP. 320 00:14:48,588 --> 00:14:50,890 AND, NO, THAT DOESN'T MEAN I'M GAY. 321 00:14:55,228 --> 00:14:57,264 [ CHUCKLES ] 322 00:15:02,335 --> 00:15:03,470 [ DOOR CLOSES ] 323 00:16:08,668 --> 00:16:12,705 [ DOOR OPENS, CLOSES ] 324 00:16:19,546 --> 00:16:21,014 WHAT WAS SO URGENT? 325 00:16:22,582 --> 00:16:27,487 MOM, DADDY, I'D LIKE YOU TO MEET CLARK. 326 00:16:29,656 --> 00:16:30,957 HI. [ CHUCKLES ] 327 00:16:30,990 --> 00:16:32,325 Bill: HI, THERE. Elaine: HI. 328 00:16:32,359 --> 00:16:33,560 [ CHUCKLES ] 329 00:16:35,595 --> 00:16:38,865 TO QUOTE TEVYE FROM "FIDDLER ON THE ROOF," TO LIFE. 330 00:16:38,898 --> 00:16:39,999 OH! TO LIFE. 331 00:16:40,033 --> 00:16:41,568 [ GLASSES CLINKING ] TO LIFE. 332 00:16:41,601 --> 00:16:42,835 [ CHUCKLES ] THEY SAW THE SHOW LAST NIGHT. 333 00:16:42,869 --> 00:16:44,737 OH, LOVED IT. MM. 334 00:16:44,771 --> 00:16:46,506 Bill: "IF I WERE A RICH MAN" WAS IN PERFECT PITCH, 335 00:16:46,539 --> 00:16:50,143 BUT I THOUGHT TEVYE WAS A LITTLE FLAT WITH "TRADITION." 336 00:16:50,177 --> 00:16:52,312 DADDY IS A BARITONE IN THE CHURCH CHOIR. 337 00:16:52,345 --> 00:16:53,480 WE'RE LUTHERANS. RIGHT. 338 00:16:53,513 --> 00:16:55,548 HOW WERE YOU RAISED, CLARK? 339 00:16:55,582 --> 00:16:58,851 UH...PROTESTANT. PRESBYTERIAN. 340 00:16:58,885 --> 00:17:00,887 YEAH, THAT'S NOT SO FAR OFF, HM? 341 00:17:00,920 --> 00:17:03,256 SO, WOULD ANYONE LIKE COFFEE? 342 00:17:03,290 --> 00:17:04,924 I WOULD. OH, LET ME. 343 00:17:04,957 --> 00:17:06,526 NO, NO. YOU STAY. TALK. 344 00:17:10,097 --> 00:17:11,598 WE'VE HEARD SO MUCH ABOUT YOU, CLARK. 345 00:17:11,631 --> 00:17:12,932 REALLY? 346 00:17:12,965 --> 00:17:14,567 DON'T WORRY. NOTHING ABOUT WORK. 347 00:17:14,601 --> 00:17:17,537 MARTHA KEEPS SAYING WHAT A WONDERFUL GUY YOU ARE. 348 00:17:17,570 --> 00:17:19,539 WE'VE NEVER SEEN HER SO HAPPY. 349 00:17:19,572 --> 00:17:20,573 DADDY. WHAT?! 350 00:17:20,607 --> 00:17:22,709 YOU SAID HE'S A GREAT GUY. 351 00:17:22,742 --> 00:17:24,911 SHE'S OVER THE MOON FOR YOU. 352 00:17:24,944 --> 00:17:28,381 WELL, YOUR DAUGHTER IS A VERY SPECIAL LADY, 353 00:17:28,415 --> 00:17:31,218 AND I AM SO SORRY TO SAY, BUT I REALLY NEED TO GET GOING. 354 00:17:31,251 --> 00:17:32,419 THAT'S OKAY. 355 00:17:32,452 --> 00:17:35,054 OH, NO. YEAH, IT'S JUST -- 356 00:17:35,088 --> 00:17:36,589 IT'S JUST WORK STUFF THAT CAN'T WAIT. 357 00:17:36,623 --> 00:17:38,191 BUT IT WAS A REAL PLEASURE MEETING YOU BOTH. 358 00:17:38,225 --> 00:17:40,293 IT WAS GREAT TO MEET YOU, TOO, CLARK. 359 00:17:40,327 --> 00:17:41,461 I HOPE TO SEE YOU SOON. 360 00:17:41,494 --> 00:17:42,729 I'M SURE WE WILL. 361 00:17:42,762 --> 00:17:43,730 TAKE CARE. 362 00:17:43,763 --> 00:17:44,897 BYE-BYE. BYE. 363 00:17:48,335 --> 00:17:49,802 OKAY, BEFORE YOU SAY ANYTHING, I KNOW. 364 00:17:49,836 --> 00:17:51,204 I KNOW NO ONE'S SUPPOSED TO KNOW ABOUT YOU, 365 00:17:51,238 --> 00:17:52,739 BUT THEY COULD JUST TELL THAT I WAS SEEING SOMEONE, 366 00:17:52,772 --> 00:17:54,407 AND THEN, OF COURSE, THEY WANTED TO MEET YOU AND -- 367 00:17:54,441 --> 00:17:58,645 MARTHA, YOUR PARENTS ARE LOVELY. 368 00:17:58,678 --> 00:17:59,979 LIKE YOU. 369 00:18:00,012 --> 00:18:01,481 MM. 370 00:18:01,514 --> 00:18:02,615 BYE. 371 00:18:02,649 --> 00:18:03,650 [ SIGHS ] 372 00:18:03,683 --> 00:18:05,485 BYE. 373 00:18:12,024 --> 00:18:16,596 I'M PREGNANT -- NUMBER TWO. 374 00:18:16,629 --> 00:18:18,498 CONGRATULATIONS. 375 00:18:18,531 --> 00:18:20,133 MM. 376 00:18:20,167 --> 00:18:21,934 HOW OLD IS YOUR DAUGHTER NOW? 377 00:18:21,968 --> 00:18:23,570 3. 378 00:18:23,603 --> 00:18:25,838 SHE'S IN A PLAY GROUP. 379 00:18:25,872 --> 00:18:29,442 THERE ARE NO DEMANDS ON CHILDREN IN AMERICA, NO CHORES. 380 00:18:29,476 --> 00:18:31,944 ALL WE DO ALL DAY LONG IS WATCH THEM PLAY. 381 00:18:31,978 --> 00:18:34,481 PLAY IS SERIOUS. [ CHUCKLES ] 382 00:18:34,514 --> 00:18:36,349 IT'S HOW WE LEARN TO READ ONE ANOTHER... 383 00:18:36,383 --> 00:18:37,450 OH. 384 00:18:37,484 --> 00:18:39,952 ...AND THE WORLD. 385 00:18:39,986 --> 00:18:42,689 I DON'T REMEMBER MUCH OF THAT AS A CHILD. 386 00:18:42,722 --> 00:18:44,023 BECAUSE OF THE WAR, 387 00:18:44,056 --> 00:18:48,628 YOU NEVER HAD THE PLEASURE OF PLAY. 388 00:18:48,661 --> 00:18:50,463 THINGS WERE HARD. 389 00:18:50,497 --> 00:18:53,800 VERY HARD. 390 00:18:53,833 --> 00:18:56,703 PHILIP MUST BE EXCITED ABOUT YOUR FAMILY GROWING. 391 00:18:56,736 --> 00:18:58,605 I HAVEN'T TOLD HIM. 392 00:18:58,638 --> 00:19:01,274 I WILL, OF COURSE. 393 00:19:01,308 --> 00:19:02,342 JUST NOT YET. 394 00:19:03,510 --> 00:19:05,178 IN CASE YOU CHANGE YOUR MIND. 395 00:19:11,851 --> 00:19:14,987 YOU REMEMBER MY DOG, MALYSH? 396 00:19:15,021 --> 00:19:15,888 MM-HMM. 397 00:19:15,922 --> 00:19:18,157 HE DIED. 398 00:19:18,191 --> 00:19:20,227 I'M SORRY. 399 00:19:20,260 --> 00:19:21,994 I KNOW YOU LOVED HIM. 400 00:19:22,028 --> 00:19:25,965 HE WAS MY COMPANION. 401 00:19:25,998 --> 00:19:28,067 WE ALL DIE ALONE, ELIZABETH. 402 00:19:28,100 --> 00:19:34,241 BEFORE THAT, WE MAKE CHOICES. 403 00:19:37,277 --> 00:19:39,346 [ CAR DOOR OPENS ] 404 00:19:41,248 --> 00:19:43,049 [ SIGHS ] 405 00:19:43,082 --> 00:19:44,584 I'LL GIVE YOU 20 MINUTES, 406 00:19:44,617 --> 00:19:46,185 THEN I'LL PULL THE CAR IN THE ALLEY IN THE BACK. 407 00:19:46,219 --> 00:19:49,322 20 MINUTES. 408 00:19:49,356 --> 00:19:53,360 IT'S NOT TOO LATE. YOU CAN STILL TURN BACK. 409 00:19:53,393 --> 00:19:55,428 WE BOTH KNOW THAT'S NOT TRUE. 410 00:19:58,565 --> 00:19:59,532 BUT YOU CAN. 411 00:19:59,566 --> 00:20:01,601 [ SCOFFS ] 412 00:20:01,634 --> 00:20:04,036 20 MINUTES. 413 00:20:15,415 --> 00:20:17,049 GOOD LUCK. 414 00:20:22,289 --> 00:20:26,726 * CAN YOU FACE THE FIRE WHEN YOU SEE ME THERE? * 415 00:20:26,759 --> 00:20:28,895 * CAN YOU FEEL THE FIRE? 416 00:20:28,928 --> 00:20:31,564 * WILL YOU LOVE ME IN THE DARK? * 417 00:20:31,598 --> 00:20:34,267 [ INDISTINCT CONVERSATIONS ] 418 00:20:34,301 --> 00:20:36,269 * IN THE DARK 419 00:20:38,638 --> 00:20:39,806 Bartender: HEY. * IN THE DARK 420 00:20:39,839 --> 00:20:42,174 TEQUILA SUNRISE, PLEASE. NO PROBLEM. 421 00:20:48,748 --> 00:20:50,550 [ SIGHS ] 422 00:20:50,583 --> 00:20:52,619 [ UP-TEMPO MUSIC PLAYS ] 423 00:20:54,454 --> 00:20:56,489 [ INDISTINCT CONVERSATIONS ] 424 00:21:02,595 --> 00:21:03,963 [ SONG ENDS ] 425 00:21:03,996 --> 00:21:05,465 [ COIN CLINKS ] 426 00:21:05,498 --> 00:21:08,401 [ PETE TOWNSHEND'S "ROUGH BOYS" PLAYS ] 427 00:21:08,435 --> 00:21:10,069 TONY, ANOTHER ROUND. 428 00:21:10,102 --> 00:21:11,671 YOU GOT IT. 429 00:21:14,106 --> 00:21:16,008 I WOULD HAVE GUESSED AIR SUPPLY. 430 00:21:16,042 --> 00:21:17,977 YOU SURPRISED ME WITH TOWNSHEND. 431 00:21:19,312 --> 00:21:21,514 DO I LOOK LIKE AN AIR SUPPLY GUY? 432 00:21:21,548 --> 00:21:23,282 IT'S THE COMFORTABLE SHOES. 433 00:21:23,316 --> 00:21:27,320 [ CHUCKLES ] 434 00:21:27,354 --> 00:21:29,656 WHAT WAS YOUR SECOND GUESS? 435 00:21:29,689 --> 00:21:30,657 LEO SAYER. 436 00:21:30,690 --> 00:21:32,325 OOH. 437 00:21:32,359 --> 00:21:33,860 CHRISTOPHER CROSS A CLOSE THIRD. 438 00:21:33,893 --> 00:21:37,464 WOW. WRONG, WRONG, AND WRONG. 439 00:21:37,497 --> 00:21:39,666 THOUGH PETE TOWNSHEND WAS MY BACKUP, THOUGH. 440 00:21:39,699 --> 00:21:40,967 MM. 441 00:21:41,000 --> 00:21:43,603 THE PAT BENATAR RECORD WOULDN'T LOAD. 442 00:21:43,636 --> 00:21:46,539 THEY GOT TO GET THAT THING FIXED. 443 00:21:46,573 --> 00:21:48,307 * DON'T WALK AWAY 444 00:21:48,341 --> 00:21:49,676 * I VERY NEARLY MISSED YOU 445 00:21:49,709 --> 00:21:50,943 YOU WAITING FOR SOMEONE? 446 00:21:50,977 --> 00:21:53,846 MY BOYFRIEND AND I JUST BROKE UP. 447 00:21:53,880 --> 00:21:55,882 TOO BAD. 448 00:21:55,915 --> 00:21:58,217 MM. NOT REALLY. 449 00:21:58,250 --> 00:21:59,886 RELATIONSHIPS ARE WAY TOO MUCH. 450 00:21:59,919 --> 00:22:01,621 YOU KNOW WHAT I MEAN? 451 00:22:01,654 --> 00:22:03,856 YEAH. THAT'S WHY I NEVER GOT MARRIED. 452 00:22:03,890 --> 00:22:04,857 MM. 453 00:22:06,058 --> 00:22:08,194 TO BEING FREE AND EASY. 454 00:22:08,227 --> 00:22:10,363 WELL, I NEVER SAID I WAS EASY. 455 00:22:10,397 --> 00:22:14,000 WELL, THEN...NEVER MIND. 456 00:22:14,033 --> 00:22:15,201 * TEN QUID 457 00:22:15,234 --> 00:22:17,504 * SHE'S SO EASY TO FIND 458 00:22:17,537 --> 00:22:18,905 * NOT A WORD IS SPOKEN 459 00:22:18,938 --> 00:22:20,640 WOULD YOU LIKE TO JOIN US AT OUR TABLE? 460 00:22:20,673 --> 00:22:25,177 OH, THANKS, BUT I GET KIND OF OBSESSED WITH THESE THINGS. 461 00:22:25,211 --> 00:22:26,879 ARE YOU KIDDING ME? 462 00:22:26,913 --> 00:22:28,314 NO. I'M NOT KIDDING YOU. 463 00:22:28,347 --> 00:22:30,016 [ CHUCKLES ] 464 00:22:30,049 --> 00:22:32,351 WHAT WAS THE NAME OF JOHN ANDERSON'S RUNNING MATE? 465 00:22:32,385 --> 00:22:34,220 PATRICK LUCEY. 466 00:22:34,253 --> 00:22:35,488 LUCEY...LUCEY... 467 00:22:35,522 --> 00:22:37,156 YEAH, IT FITS. 468 00:22:37,189 --> 00:22:38,691 YOU WANT TO DO ANOTHER ONE? 469 00:22:38,725 --> 00:22:41,428 SURE. 470 00:22:41,461 --> 00:22:43,430 WHAT'S A FOUR-LETTER SLANG WORD 471 00:22:43,463 --> 00:22:48,435 THAT FINISHES THE SENTENCE, "DO YOU WANNA..." 472 00:22:50,403 --> 00:22:54,574 * GONNA GET INSIDE YOU 473 00:22:54,607 --> 00:22:55,708 YOU MEAN HERE? 474 00:22:55,742 --> 00:22:57,076 * GONNA GET INSIDE... 475 00:22:57,109 --> 00:22:59,512 HERE. NOW. 476 00:22:59,546 --> 00:23:00,780 THATAWAY. 477 00:23:10,256 --> 00:23:11,724 * I WANNA SEE WHAT I CAN FIND 478 00:23:11,758 --> 00:23:12,792 * ROUGH BOYS 479 00:23:12,825 --> 00:23:14,060 * DON'T WALK AWAY 480 00:23:14,093 --> 00:23:16,596 * I WANNA BUY YOU LEATHER 481 00:23:16,629 --> 00:23:17,797 * MAKE NOISE 482 00:23:17,830 --> 00:23:18,965 * TRY AND TALK... 483 00:23:21,801 --> 00:23:24,303 [ ENGINE TURNS OVER ] 484 00:23:28,775 --> 00:23:31,110 [ Muffled ] * UNDER THE SHEETS 485 00:23:31,143 --> 00:23:33,245 * NOBODY KNOWS HER 486 00:23:33,279 --> 00:23:34,581 * ROUGH BOYS 487 00:23:34,614 --> 00:23:36,583 * DON'T YOU WALK AWAY 488 00:23:36,616 --> 00:23:38,618 * I VERY NEARLY MISSED YOU 489 00:23:38,651 --> 00:23:39,919 * TOUGH BOYS 490 00:23:39,952 --> 00:23:42,489 * COME OVER HERE 491 00:23:42,522 --> 00:23:46,158 * I WANNA BITE AND KISS YOU 492 00:23:46,192 --> 00:23:48,728 [ BOTH BREATHING HEAVILY ] 493 00:23:48,761 --> 00:23:49,962 LET ME GET SOMETHING. 494 00:23:49,996 --> 00:23:51,964 [ GASPS ] 495 00:23:57,369 --> 00:23:59,706 [ GRUNTS ] 496 00:24:05,845 --> 00:24:07,379 [ GRUNTS ] 497 00:24:11,117 --> 00:24:13,152 [ GRUNTS ] 498 00:24:26,866 --> 00:24:29,502 * I WANNA SEE WHAT I CAN FIND 499 00:24:29,536 --> 00:24:31,571 [ DOOR OPENS, CLOSES ] 500 00:24:38,645 --> 00:24:39,646 SO? 501 00:24:39,679 --> 00:24:42,615 SO... 502 00:24:42,649 --> 00:24:43,616 [ CLEARS THROAT ] 503 00:24:43,650 --> 00:24:45,518 VLAD. 504 00:24:45,552 --> 00:24:49,188 TELL ME THE STORY OF WHO MURDERED VLAD. 505 00:24:49,221 --> 00:24:51,891 I...KEEP HITTING A BRICK WALL. 506 00:24:51,924 --> 00:24:54,393 NOBODY'S TALKING. 507 00:24:54,426 --> 00:24:57,029 MAYBE YOU'RE TALKING TO THE WRONG PEOPLE. 508 00:24:57,063 --> 00:24:59,899 MAYBE THAT'S WHAT I'LL FIND OUT. 509 00:24:59,932 --> 00:25:02,569 I HAVE A LOT MORE ACCESS TO THE TRUTH NOW. 510 00:25:02,602 --> 00:25:04,370 LOOK, NINA, THE REZIDENTURA WAS WARNED. 511 00:25:04,403 --> 00:25:06,505 YOU HAD AN OPPORTUNITY TO MAKE AN EXCHANGE, 512 00:25:06,539 --> 00:25:07,807 AND YOU DIDN'T DO IT. 513 00:25:07,840 --> 00:25:10,977 I DON'T KNOW WHAT TO TELL YOU. 514 00:25:11,010 --> 00:25:12,779 THE... 515 00:25:15,548 --> 00:25:17,383 I-I DON'T... 516 00:25:19,018 --> 00:25:20,519 I DON'T THINK WE'RE EVER GONNA REALLY KNOW 517 00:25:20,553 --> 00:25:21,788 WHAT HAPPENED, NINA. 518 00:25:25,925 --> 00:25:28,895 IT... 519 00:25:28,928 --> 00:25:30,496 IT'S FRUSTRATING. 520 00:25:30,529 --> 00:25:33,232 I WOULD USE A DIFFERENT WORD. 521 00:25:37,069 --> 00:25:40,406 WHAT IS IT YOU WANT FROM ME? 522 00:25:43,442 --> 00:25:44,944 WELL, I'VE BEEN THINKING 523 00:25:44,977 --> 00:25:49,381 THAT THIS PART OF THINGS... 524 00:25:49,415 --> 00:25:51,984 SHOULD STOP. 525 00:25:55,454 --> 00:25:57,489 IS THAT WHAT YOU WANT? 526 00:25:58,891 --> 00:26:01,761 IT'S NOT WHAT I... 527 00:26:06,465 --> 00:26:08,968 IT'S THE RIGHT THING TO DO. 528 00:26:13,139 --> 00:26:15,608 OKAY. 529 00:26:24,917 --> 00:26:28,888 I DON'T HAVE ANYTHING ANYMORE, STAN. 530 00:26:28,921 --> 00:26:32,158 NO COUNTRY TO GO BACK TO. 531 00:26:32,191 --> 00:26:36,228 MY FAMILY, I WILL NEVER SEE AGAIN. 532 00:26:36,262 --> 00:26:40,967 I ONLY HAVE FEAR... 533 00:26:41,000 --> 00:26:42,201 AND YOU. 534 00:26:48,107 --> 00:26:49,976 MY WIFE... 535 00:26:50,009 --> 00:26:51,610 SHE KNOWS. 536 00:26:51,644 --> 00:26:54,046 YES. 537 00:26:58,284 --> 00:27:01,320 FAMILY IS EVERYTHING. 538 00:28:18,564 --> 00:28:20,967 ARE YOU THERE? 539 00:28:22,935 --> 00:28:25,271 Elizabeth: I'M HERE. 540 00:28:26,705 --> 00:28:29,308 WHO ARE YOU? WHAT DO YOU WANT? 541 00:28:42,254 --> 00:28:44,490 WHAT DO YOU HEAR, RICHARD? 542 00:28:46,926 --> 00:28:49,361 WHAT DO I HEAR? YES. 543 00:28:49,395 --> 00:28:51,530 YOUR FOOTSTEPS. 544 00:28:51,563 --> 00:28:54,333 YES, BUT WHAT DO YOU HEAR? 545 00:28:56,402 --> 00:28:57,469 I DON'T UNDERSTAND. 546 00:28:57,503 --> 00:28:59,138 LISTEN. 547 00:29:01,473 --> 00:29:02,775 DO YOU HEAR THAT? 548 00:29:05,244 --> 00:29:07,746 YOUR CHEST RISING AND FALLING. 549 00:29:07,780 --> 00:29:09,782 YOUR PULSE QUICKENING. 550 00:29:09,816 --> 00:29:12,184 YOUR HEART BEATING. 551 00:29:16,455 --> 00:29:18,891 HOW DOES IT FEEL TO BE ALIVE... 552 00:29:18,925 --> 00:29:21,961 BUT KNOW THAT YOU'RE GOING TO DIE? 553 00:29:21,994 --> 00:29:24,263 YOU JUST DON'T KNOW EXACTLY WHEN. 554 00:29:24,296 --> 00:29:25,297 EVERYONE DIES. 555 00:29:25,331 --> 00:29:27,299 THAT'S TRUE. 556 00:29:27,333 --> 00:29:29,335 BUT YOU'RE FORTUNATE. 557 00:29:29,368 --> 00:29:31,503 YOU KNOW WHAT'S COMING. 558 00:29:34,273 --> 00:29:36,909 BUT YOU WON'T GET ANY GOODBYES. 559 00:29:36,943 --> 00:29:38,477 IT WILL JUST HAPPEN, 560 00:29:38,510 --> 00:29:39,912 JUST LIKE IT DID 561 00:29:39,946 --> 00:29:42,414 FOR THE PEOPLE YOU SLAUGHTERED IN MOSCOW. 562 00:29:42,448 --> 00:29:43,782 DO YOU WANT INFORMATION? NO. 563 00:29:43,816 --> 00:29:44,851 MONEY? 564 00:29:44,884 --> 00:29:46,819 NO. 565 00:29:46,853 --> 00:29:48,754 WHAT DO YOU WANT? 566 00:29:48,787 --> 00:29:52,558 I WANT TO KNOW HOW IT FEELS, HOW Y FEEL. 567 00:29:53,993 --> 00:29:57,196 I WANT TO KNOW HOW IT FEELS 568 00:29:57,229 --> 00:30:01,834 TO ORDER THE DEATHS OF INNOCENT PEOPLE. 569 00:30:01,868 --> 00:30:04,603 THOSE GENERALS WHO DIED IN MOSCOW WEREN'T INNOCENT. 570 00:30:04,636 --> 00:30:06,705 THEY KNEW THE RISKS. 571 00:30:06,738 --> 00:30:09,208 LIKE YOU. 572 00:30:11,043 --> 00:30:12,845 AND YOU. 573 00:30:16,482 --> 00:30:18,117 DO YOU KNOW WHO I AM? 574 00:30:18,150 --> 00:30:20,319 RICHARD PATTERSON, CIA, 575 00:30:20,352 --> 00:30:22,288 DIRECTOR OF OPERATIONS AND PLANNING 576 00:30:22,321 --> 00:30:23,622 FOR THE SOVIET UNION. 577 00:30:23,655 --> 00:30:27,126 THAT IS MY TITLE. BUT DO YOU KNOW WHO I AM? 578 00:30:27,159 --> 00:30:29,395 I'M A BUREAUCRAT. 579 00:30:29,428 --> 00:30:31,497 I DECIDE NOTHING. I DO NOTHING. 580 00:30:31,530 --> 00:30:32,899 YOU GIVE ORDERS. 581 00:30:32,932 --> 00:30:34,700 I GIVE ORDERS THAT ARE GIVEN TO ME. 582 00:30:34,733 --> 00:30:36,202 I IMPLEMENT THE WILL OF OTHERS. 583 00:30:36,235 --> 00:30:37,970 BUT YOU -- YOUR LIFE IS A LIE. 584 00:30:38,004 --> 00:30:39,705 YOU KILL. THAT'S WHO YOU ARE. 585 00:30:39,738 --> 00:30:41,407 THAT'S WHAT YOU KNOW. THAT'S WHAT YOU DO. 586 00:30:41,440 --> 00:30:42,741 YOU SHOULD STOP. 587 00:30:42,774 --> 00:30:44,643 YOU GRIND PEOPLE INTO DUST. 588 00:30:44,676 --> 00:30:46,712 YOU HAVE NO HEART, NO SOUL, NO CONSCIENCE. 589 00:30:46,745 --> 00:30:48,214 YOU SHOULD STOP TALKING RIGHT NOW. 590 00:30:48,247 --> 00:30:49,916 YOUR HANDS ARE COVERED IN BLOOD. 591 00:30:49,949 --> 00:30:51,650 DO YOU CARE ABOUT ANYTHING? 592 00:30:51,683 --> 00:30:53,185 DO YOU LOVE ANYONE? 593 00:30:53,219 --> 00:30:56,655 DOES ANYONE LOVE YOU? I SAID STOP TALKING! 594 00:30:56,688 --> 00:30:58,624 [ FOOTSTEPS DEPARTING ] 595 00:31:05,297 --> 00:31:07,299 [ DOOR SLAMS ] 596 00:31:15,942 --> 00:31:17,910 [ GASPING ] 597 00:31:20,279 --> 00:31:22,248 [ CRYING ] 598 00:31:22,281 --> 00:31:23,749 OH, GOD. 599 00:31:23,782 --> 00:31:25,918 WHAT HAPPENED? 600 00:31:27,219 --> 00:31:28,420 WHAT HAPPENED? 601 00:31:28,454 --> 00:31:30,522 [ SIGHS, SNIFFLES ] 602 00:31:30,556 --> 00:31:32,258 IT'S OKAY. I'LL DO IT. I'LL DO IT. 603 00:31:32,291 --> 00:31:34,860 NO. 604 00:31:34,893 --> 00:31:36,695 I THOUGHT THIS WAS WHAT YOU WANTED. 605 00:31:36,728 --> 00:31:38,597 IT'S NOT HIM. IT'S NOT ABOUT HIM. 606 00:31:38,630 --> 00:31:40,599 I DON'T CARE ABOUT HIM. 607 00:31:40,632 --> 00:31:42,468 ABOUT ZHUKOV? 608 00:31:42,501 --> 00:31:45,104 I WAS OUT OF CONTROL. 609 00:31:47,573 --> 00:31:49,208 [ CONTINUES CRYING ] 610 00:31:49,241 --> 00:31:50,542 IT'S OKAY. 611 00:31:50,576 --> 00:31:52,178 IT'S OKAY. 612 00:31:53,912 --> 00:31:55,781 IT HAPPENS. 613 00:32:03,089 --> 00:32:06,658 [ DOOR OPENS, CLOSES ] 614 00:32:14,833 --> 00:32:16,868 [ BIRDS CHIRPING ] 615 00:32:38,157 --> 00:32:40,792 Gaad: AND THEY TOOK YOU WHERE? 616 00:32:40,826 --> 00:32:42,995 IT WAS A WAREHOUSE, I THINK. 617 00:32:43,029 --> 00:32:44,463 IT WAS INDUSTRIAL. 618 00:32:44,496 --> 00:32:46,298 Kendall: HOW DO YOU KNOW? 619 00:32:47,633 --> 00:32:48,867 THE SOUND OF HER FOOTSTEPS, 620 00:32:48,900 --> 00:32:51,303 THE WAY HER VOICE CARRIED. 621 00:32:51,337 --> 00:32:54,540 IT WAS LARGE, EMPTY. 622 00:32:54,573 --> 00:32:56,275 SHE WAS ALONE IN THE WAREHOUSE. 623 00:32:56,308 --> 00:32:57,709 NO. 624 00:32:57,743 --> 00:32:59,378 THE MAN WAS WITH HER? YES. 625 00:32:59,411 --> 00:33:01,013 THE SAME MAN? 626 00:33:01,047 --> 00:33:02,848 I THINK SO. YES. 627 00:33:02,881 --> 00:33:05,017 WHAT WERE YOU DOING IN THE RESTROOM? 628 00:33:05,051 --> 00:33:07,853 I WAS GOING TO HAVE SEX WITH HER. 629 00:33:07,886 --> 00:33:09,221 AND SHE ATTACKED YOU. 630 00:33:09,255 --> 00:33:10,489 YES. 631 00:33:10,522 --> 00:33:13,525 AND SHE HAD HELP. 632 00:33:13,559 --> 00:33:14,893 YES. 633 00:33:14,926 --> 00:33:17,829 AND SHE SAID SHE WAS GONNA KILL YOU. 634 00:33:17,863 --> 00:33:19,731 YES. 635 00:33:19,765 --> 00:33:22,801 BECAUSE OF THE DEATHS OF THE KGB AGENTS IN MOSCOW. 636 00:33:22,834 --> 00:33:23,802 I THINK SO. 637 00:33:23,835 --> 00:33:26,038 YOU THINK. 638 00:33:26,072 --> 00:33:30,209 IT WAS PERSONAL -- KILLING ME. 639 00:33:30,242 --> 00:33:33,212 HOW DO YOU KNOW? 640 00:33:33,245 --> 00:33:35,881 BY THE SOUND OF HER VOICE. 641 00:33:35,914 --> 00:33:38,917 ASSUMING SHE WAS A KGB AGENT 642 00:33:38,950 --> 00:33:42,588 AND SHE BROUGHT YOU TO A SAFE HOUSE TO KILL YOU, 643 00:33:42,621 --> 00:33:45,124 WHY DO YOU THINK SHE LET YOU GO? 644 00:33:48,460 --> 00:33:49,895 I DON'T KNOW. 645 00:33:49,928 --> 00:33:53,899 SO, A WOMAN AND A MAN. 646 00:33:53,932 --> 00:33:55,567 YES. 647 00:33:55,601 --> 00:33:56,935 A COUPLE. 648 00:34:02,574 --> 00:34:05,911 I LOVE TO COME HERE THIS TIME OF YEAR. 649 00:34:05,944 --> 00:34:07,913 EVERYTHING IS IN THE PROCESS OF BECOMING. 650 00:34:07,946 --> 00:34:10,616 Elizabeth: THE GARDEN IS BEAUTIFUL. 651 00:34:10,649 --> 00:34:13,419 THE FLOWERS WILL BE TEMPORARY. 652 00:34:13,452 --> 00:34:15,787 WE WILL HAVE TO ENJOY THEM WHILE WE CAN. 653 00:34:15,821 --> 00:34:17,423 MM. 654 00:34:18,890 --> 00:34:21,427 HOW ARE YOU AND PHILIP? 655 00:34:21,460 --> 00:34:22,794 THE SAME. 656 00:34:24,630 --> 00:34:27,366 DO YOU KNOW WHY YOU WERE CHOSEN FOR AMERICA? 657 00:34:27,399 --> 00:34:29,668 BECAUSE OF MY COMMITMENT. 658 00:34:30,636 --> 00:34:32,538 YES. 659 00:34:32,571 --> 00:34:36,942 LOYALTY, INTELLIGENCE, SKILLS. 660 00:34:36,975 --> 00:34:38,944 BUT MOST OF ALL, 661 00:34:38,977 --> 00:34:41,180 YOU WERE CHOSEN BECAUSE OF YOUR FEAR. 662 00:34:42,448 --> 00:34:44,716 MY FEAR? 663 00:34:44,750 --> 00:34:47,453 OF SURRENDER. 664 00:34:47,486 --> 00:34:50,289 SURRENDER FOR YOU WOULD BE AN ACT OF SUICIDE. 665 00:34:50,322 --> 00:34:52,124 HM. 666 00:34:52,158 --> 00:34:55,694 BUT NOT EVERYONE IS YOUR ENEMY. 667 00:34:58,930 --> 00:35:01,500 THESE BUDS DON'T LOOK LIKE MUCH NOW. 668 00:35:01,533 --> 00:35:03,302 BUT IN A WEEK OR TWO, 669 00:35:03,335 --> 00:35:07,473 THE GARDEN WILL BE BURSTING WITH COLOR. 670 00:35:07,506 --> 00:35:09,908 NATURE IS GENIUS... 671 00:35:09,941 --> 00:35:11,810 AND EASY TO OVERLOOK. 672 00:35:13,845 --> 00:35:17,683 I HAVE NO MORE STORIES TO TELL YOU, ELIZABETH. 673 00:35:17,716 --> 00:35:20,186 I LOST MY WAY A LONG TIME AGO. 674 00:35:21,987 --> 00:35:26,225 I HAVE LIVED FOR MY WORK, FOR THE PARTY. 675 00:35:27,526 --> 00:35:30,061 NOW I MISS WHAT I NEVER HAD. 676 00:35:40,706 --> 00:35:42,341 WHAT'S UP? 677 00:35:42,374 --> 00:35:46,478 I WANTED TO SAY THANKS... 678 00:35:46,512 --> 00:35:47,713 A LOT. 679 00:35:49,715 --> 00:35:51,517 YOU DIDN'T HAVE TO DRIVE ALL THE WAY OUT HERE. 680 00:35:51,550 --> 00:35:53,885 I DID, THOUGH. 681 00:35:55,387 --> 00:35:57,789 I-I BROUGHT BEER. 682 00:35:57,823 --> 00:36:00,559 "THANKS A LOT" BEER? 683 00:36:08,500 --> 00:36:11,203 [ DOOR CLOSES ] DO YOU, UM, HAVE AN OPENER? 684 00:36:15,607 --> 00:36:17,175 [ CAP CLATTERS ] OH. 685 00:36:17,209 --> 00:36:18,644 [ CHUCKLES ] 686 00:36:18,677 --> 00:36:20,045 JUST LIKE OLD TIMES. 687 00:36:20,078 --> 00:36:22,314 [ CAP CLATTERS ] 688 00:36:22,348 --> 00:36:24,516 AT LEAST I STOPPED USING MY TEETH. 689 00:36:24,550 --> 00:36:26,585 [ CHUCKLES ] 690 00:36:32,691 --> 00:36:34,226 THIS PLACE IS, UM... 691 00:36:34,260 --> 00:36:36,228 HOMEY? 692 00:36:40,366 --> 00:36:43,168 YOU GOING SOMEWHERE? 693 00:36:43,201 --> 00:36:45,637 I CAN'T STAY HERE ANYMORE. 694 00:36:48,073 --> 00:36:49,875 I DON'T WANT TO BRING THE KIDS HERE AGAIN. 695 00:36:49,908 --> 00:36:51,510 RIGHT. 696 00:36:51,543 --> 00:36:54,012 IT WAS FUN FOR A NIGHT OR TWO, BUT THEY NEED TO FEEL -- 697 00:36:54,045 --> 00:36:55,180 ROOTED. 698 00:36:55,213 --> 00:36:58,750 I COMPLETELY -- I -- [ SIGHS ] 699 00:36:58,784 --> 00:37:04,590 NO, I THINK IT'S BEEN LONG ENOUGH, AND... 700 00:37:04,623 --> 00:37:06,392 IT'S THE RIGHT THING TO DO. 701 00:37:06,425 --> 00:37:09,928 ACTUALLY, YOU THINK, UM, 702 00:37:09,961 --> 00:37:12,431 I COULD TAKE YOU BACK TO THE HOUSE 703 00:37:12,464 --> 00:37:14,266 AND BORROW THE CAR TO MOVE MY BAGS? 704 00:37:14,300 --> 00:37:17,102 BECAUSE MY -- MY BATTERY'S DEAD. 705 00:37:17,135 --> 00:37:18,870 YEAH, YOUR BAGS WILL FIT IN THE CAR, 706 00:37:18,904 --> 00:37:21,072 AND YOU COULD JUST DEAL WITH THE BATTERY TOMORROW. 707 00:37:21,106 --> 00:37:23,041 OH, YOU WANT TO SEE IT? 708 00:37:23,074 --> 00:37:24,410 SEE IT? 709 00:37:24,443 --> 00:37:26,778 THE APARTMENT. 710 00:37:29,581 --> 00:37:33,319 OH, YOU GOT AN APARTMENT. 711 00:37:37,489 --> 00:37:38,957 SO, DO YOU WANT TO SEE IT? 712 00:37:38,990 --> 00:37:40,459 NO, I'M -- 713 00:37:40,492 --> 00:37:42,060 YOU SHOULD DEFINITELY TAKE THE CAR, 714 00:37:42,093 --> 00:37:44,763 AND I SHOULD, UM... 715 00:37:44,796 --> 00:37:45,797 I'LL TAKE THE BUS. 716 00:37:45,831 --> 00:37:47,165 I CAN DRIVE YOU. 717 00:37:47,198 --> 00:37:50,702 NO, NO, NO. BUS IS A BREEZE. 718 00:37:52,771 --> 00:37:54,706 [ DOOR CLOSES ] 719 00:38:25,471 --> 00:38:26,638 [ SIGHS ] 720 00:38:28,507 --> 00:38:30,809 YOU GAVE ME RICHARD PATTERSON'S NAME 721 00:38:30,842 --> 00:38:33,445 AND TOLD ME NOT TO ACT ON THAT INTELLIGENCE. 722 00:38:33,479 --> 00:38:35,814 BUT YOU WERE COUNTING ON THE FACT THAT I WOULD. 723 00:38:35,847 --> 00:38:38,517 WHY? 724 00:38:38,550 --> 00:38:40,552 "HELLO, CLAUDIA, HOW ARE YOU?" 725 00:38:40,586 --> 00:38:42,654 "I'M FINE, ELIZABETH. AND YOU?" 726 00:38:42,688 --> 00:38:45,123 WHY DID YOU WANT ME TO KILL PATTERSON? 727 00:38:45,156 --> 00:38:48,360 I ADMIRE YOUR PREDICTABILITY, ELIZABETH. 728 00:38:48,394 --> 00:38:50,529 IT'S COMFORTING. 729 00:38:50,562 --> 00:38:52,263 I LET HIM GO. 730 00:38:54,866 --> 00:38:56,234 WHY? 731 00:38:56,267 --> 00:38:58,537 IT'S NOT WHAT YOU WANTED. I KNOW THAT. 732 00:38:58,570 --> 00:39:00,539 BUT IT'S WHAT I DID. 733 00:39:02,508 --> 00:39:05,043 I DON'T UNDERSTAND YOU. 734 00:39:05,076 --> 00:39:08,447 YOU'RE NOT THE ONLY ONE WHO LOVED ZHUKOV. 735 00:39:10,916 --> 00:39:12,684 YOU AND VIKTOR? 736 00:39:12,718 --> 00:39:15,654 DON'T LOOK SO SURPRISED. 737 00:39:15,687 --> 00:39:17,222 WE WERE A GOOD MATCH. 738 00:39:17,255 --> 00:39:19,157 WHEN YOU'RE A LONER, 739 00:39:19,190 --> 00:39:21,192 THERE'S NOTHING MORE SATISFYING 740 00:39:21,226 --> 00:39:26,231 THAN FINDING ANOTHER LONER TO BE ALONE WITH. 741 00:39:26,264 --> 00:39:29,034 THAT'S NOT TRUE. 742 00:39:29,067 --> 00:39:31,236 VIKTOR WAS EASY TO LOVE. 743 00:39:33,439 --> 00:39:35,741 YES, HE WAS. 744 00:39:35,774 --> 00:39:37,676 MM. 745 00:39:37,709 --> 00:39:39,578 BUT YOU'RE NOT. 746 00:39:41,647 --> 00:39:45,383 I DON'T BELIEVE YOU EVER HAD A RELATIONSHIP WITH ZHUKOV. 747 00:39:45,417 --> 00:39:48,219 I THINK YOU WANTED ME TO GO AGAINST KGB ORDERS 748 00:39:48,253 --> 00:39:50,221 AND KILL PATTERSON SO YOU COULD -- WHAT? -- 749 00:39:50,255 --> 00:39:52,791 SHIP ME OFF TO MOSCOW, 750 00:39:52,824 --> 00:39:57,095 BRING ME TO HEEL LIKE YOUR DOG ON SOME SHORT LEASH? 751 00:39:57,128 --> 00:40:00,566 BELIEVING IN PEOPLE ISN'T EASY FOR YOU, IS IT, ELIZABETH? 752 00:40:00,599 --> 00:40:02,701 I AM ON YOUR SIDE. 753 00:40:02,734 --> 00:40:06,872 WE'VE INVESTED EVERYTHING IN YOU, COUNT ON YOU. 754 00:40:06,905 --> 00:40:09,374 MY ONLY AMBITION IS TO MAKE SURE 755 00:40:09,407 --> 00:40:12,544 YOU'RE THE BEST OFFICERS YOU CAN POSSIBLY BE -- 756 00:40:12,578 --> 00:40:15,547 ARE TRAINED TO BE. 757 00:40:15,581 --> 00:40:17,949 IF I HAVE TO BE TOUGH TO ACCOMPLISH THIS, 758 00:40:17,983 --> 00:40:20,619 I WILL BE. 759 00:40:20,652 --> 00:40:23,354 YOU REALLY BELIEVE ALL THAT, DON'T YOU? 760 00:40:24,823 --> 00:40:28,259 YOU'VE ONLY EVER WANTED TO HURT US. 761 00:40:28,293 --> 00:40:31,663 AND MAYBE IN YOUR MIND YOU THINK IT'S BETTER FOR THE CENTRE 762 00:40:31,697 --> 00:40:34,666 IF WE DON'T REALLY GET ALONG, BUT YOU HATE US. 763 00:40:34,700 --> 00:40:37,068 I DON'T UNDERSTAND WHY. 764 00:40:37,102 --> 00:40:39,838 BECAUSE WE'RE BETTER AT THIS THAN YOU EVER WERE? 765 00:40:39,871 --> 00:40:42,340 BECAUSE I BEAT YOUR FACE IN? 766 00:40:42,373 --> 00:40:47,245 YOU'RE STILL NEW AT THIS, MY DEAR. 767 00:40:47,278 --> 00:40:50,348 SO MUCH TO LEARN. 768 00:40:50,381 --> 00:40:54,486 THIS ISN'T GONNA GO WELL FOR YOU, OLD LADY.