1 00:00:01,102 --> 00:00:03,337 The FX original series The Americans. 2 00:00:03,371 --> 00:00:05,739 Final season returns soon on FX. 3 00:00:07,175 --> 00:00:09,377 PREVIOUSLY ON "THE AMERICANS"... 4 00:00:09,410 --> 00:00:10,311 LOOK WHAT THE CAT DRAGGED IN. 5 00:00:10,344 --> 00:00:11,745 LOOK AT THE CAT. 6 00:00:11,779 --> 00:00:14,682 SHE CAME TO VISIT ME A MONTH BEFORE PAIGE WAS BORN. 7 00:00:14,715 --> 00:00:17,085 THIS IS HIS TURF, MAN. NO WAY WE FIND HIM. 8 00:00:17,118 --> 00:00:18,652 STOP! 9 00:00:18,686 --> 00:00:20,821 OUT OF THE WAY! 10 00:00:20,854 --> 00:00:22,223 SO, WHAT DOES SOME GUY IN THE HOOD 11 00:00:22,256 --> 00:00:24,425 CARE ABOUT A KGB SPY? 12 00:00:24,458 --> 00:00:26,694 DID SOMETHING HAPPEN BETWEEN YOU AND IRINA? 13 00:00:26,727 --> 00:00:28,529 Philip: NOTHING HAPPENED. 14 00:00:28,562 --> 00:00:29,730 I ASKED YOU NOT TO LIE TO ME. 15 00:00:29,763 --> 00:00:31,332 I MADE A TERRIBLE MISTAKE. 16 00:00:31,365 --> 00:00:33,601 CAN WE TRY AND START OVER? 17 00:00:33,634 --> 00:00:35,569 NO. WE CAN'T. 18 00:00:35,603 --> 00:00:38,005 YOU'RE SEPARATING? NOT EXACTLY. WE'RE, UH -- 19 00:00:38,038 --> 00:00:39,440 HITTING THE PAUSE BUTTON. 20 00:00:39,473 --> 00:00:41,008 CAN I HELP YOU? 21 00:00:41,041 --> 00:00:42,510 I'M WITH THE FEDERAL BUREAU OF INVESTIGATION. 22 00:00:42,543 --> 00:00:43,844 [ GRUNTS ] 23 00:00:43,877 --> 00:00:45,579 [ GROANS ] 24 00:00:45,613 --> 00:00:47,014 YOU FIND OUT WHO TOOK AMADOR. 25 00:00:47,047 --> 00:00:48,382 YOU FIND OUT WHERE HE IS. 26 00:00:48,416 --> 00:00:49,750 NINA? 27 00:00:50,984 --> 00:00:52,353 SO, YOU'RE KGB, RIGHT? 28 00:00:52,386 --> 00:00:53,754 YES. 29 00:00:53,787 --> 00:00:56,957 YOU WANT SOMETHING TO DRINK? 30 00:00:56,990 --> 00:01:00,060 I DIDN'T WANT THIS TO HAPPEN, BUT IT HAPPENED. 31 00:01:00,094 --> 00:01:02,062 THINGS JUST GOT ALL CRAZY, YOU KNOW? 32 00:01:13,574 --> 00:01:14,775 [ ENGINE SHUTS OFF ] 33 00:01:14,808 --> 00:01:17,945 [ SIGHS ] 34 00:01:17,978 --> 00:01:19,980 DON'T. 35 00:01:20,013 --> 00:01:22,383 WHAT? REPLAY IT IN YOUR MIND -- 36 00:01:22,416 --> 00:01:24,785 WHAT YOU COULD, WOULD, OR SHOULD HAVE DONE DIFFERENTLY. 37 00:01:24,818 --> 00:01:29,190 YEAH, WELL... HOME SWEET HOME. 38 00:01:33,994 --> 00:01:35,796 DOESN'T LOOK SO BAD. 39 00:01:35,829 --> 00:01:38,031 [ SCOFFS ] LET ME KNOW WHEN YOU WANT TO SWITCH. 40 00:01:40,834 --> 00:01:42,603 PHILIP -- GO HOME. 41 00:01:42,636 --> 00:01:46,140 WE BOTH NEED REST. 42 00:01:46,174 --> 00:01:49,677 [ KEYS JINGLE ] 43 00:01:51,945 --> 00:01:53,947 [ ENGINE TURNS OVER ] 44 00:02:00,554 --> 00:02:03,524 I JUST SPOKE TO AMADOR'S PARENTS. 45 00:02:03,557 --> 00:02:05,426 THEY'RE ARRIVING TOMORROW. 46 00:02:05,459 --> 00:02:09,463 AND THEY'RE VERY APPRECIATIVE OF, UH, ALL OF YOUR THOUGHTS. 47 00:02:09,497 --> 00:02:13,434 MARTHA WILL LET YOU ALL KNOW DETAILS OF THE FUNERAL SERVICES 48 00:02:13,467 --> 00:02:16,103 WHEN WE HAVE THEM. 49 00:02:16,136 --> 00:02:18,839 SO... [ CLEARS THROAT ] 50 00:02:18,872 --> 00:02:24,845 UM, I KNEW CHRIS WHEN HE STARTED HERE AT C.I. 51 00:02:24,878 --> 00:02:28,382 HE'S A -- HE WAS A GOOD AGENT, 52 00:02:28,416 --> 00:02:31,219 GOOD FRIEND, JUST A GOOD MAN. 53 00:02:31,252 --> 00:02:36,390 I'M SURE THAT YOU ALL HAVE YOUR OWN STORIES ABOUT HIM. 54 00:02:36,424 --> 00:02:39,159 I WAS A LITTLE HARD ON HIM SOMETIMES, 55 00:02:39,193 --> 00:02:44,732 BUT HE DID A LOT FOR THIS DEPARTMENT AND FOR THIS COUNTRY. 56 00:02:44,765 --> 00:02:49,002 AND NOW HERE'S WHAT WE'RE GONNA DO FOR HIM. 57 00:02:49,036 --> 00:02:52,340 WE ARE GONNA TAKE EVERY RESOURCE WE HAVE, 58 00:02:52,373 --> 00:02:55,643 EVERY OUNCE OF ENERGY AND FOCUS, 59 00:02:55,676 --> 00:02:59,079 AND WE ARE GOING TO HUNT FOR WHOEVER IS RESPONSIBLE 60 00:02:59,112 --> 00:03:00,881 FOR WHAT HAPPENED TO HIM. 61 00:03:00,914 --> 00:03:05,653 AND WE ARE NOT GOING TO REST UNTIL THEY ARE BEHIND BARS 62 00:03:05,686 --> 00:03:07,855 OR -- EVEN BETTER -- 63 00:03:07,888 --> 00:03:10,591 UNTIL WE ZIP THEM UP IN A BODY BAG. 64 00:03:17,365 --> 00:03:19,600 [ INDISTINCT CONVERSATIONS ] 65 00:03:26,240 --> 00:03:28,276 I'M SO SORRY. 66 00:03:28,309 --> 00:03:30,110 THANK YOU. 67 00:03:30,143 --> 00:03:31,912 HE WAS JUST -- WHAT? 68 00:03:31,945 --> 00:03:36,550 JUST THE OTHER NIGHT HE WAS -- [ GASPS ] 69 00:03:36,584 --> 00:03:38,752 HE WAS ASKING ME OUT AGAIN. THAT'S ALL. 70 00:03:38,786 --> 00:03:41,021 [ SNIFFLES ] AFTER HE -- 71 00:03:41,054 --> 00:03:44,425 THAT MAN, HE COULD DRIVE A WOMAN CRAZY, YOU KNOW? 72 00:03:44,458 --> 00:03:45,759 YEAH, HE SURE COULD. 73 00:03:45,793 --> 00:03:48,128 HE WAS VERY FOND OF YOU, MARTHA. 74 00:03:49,497 --> 00:03:51,265 ME TOO. 75 00:03:51,299 --> 00:03:53,100 [ SNIFFLES ] 76 00:03:53,133 --> 00:03:55,703 AGENT GAAD WANTS TO SEE YOU IN THE VAULT. 77 00:03:55,736 --> 00:03:58,606 [ SNIFFLES ] WOULD YOU EXCUSE ME? 78 00:04:08,516 --> 00:04:11,919 ANYTHING ON THE RING? NOT YET. HAVE A SEAT. 79 00:04:11,952 --> 00:04:13,253 LOOK, IT WASN'T ON HIS BODY, AND IT WASN'T IN HIS APARTMENT. 80 00:04:13,287 --> 00:04:14,922 HE ALWAYS WORE THE RING. 81 00:04:14,955 --> 00:04:16,890 WE'RE ON IT. IF IT'S OUT THERE, WE'LL FIND IT. 82 00:04:16,924 --> 00:04:18,826 WELL, IT IS OUT THERE. SIT. 83 00:04:20,928 --> 00:04:24,097 LOOK, I KNOW THAT THE REZIDENT WAS THE TARGET, 84 00:04:24,131 --> 00:04:25,466 BUT IF WE DON'T HIT THESE GUYS 85 00:04:25,499 --> 00:04:27,067 AND THEY START KILLING OUR MEN -- 86 00:04:27,100 --> 00:04:29,102 STAN, NO ONE IS ACCUSING YOU OF ANYTHING. 87 00:04:29,136 --> 00:04:32,940 I'M ON YOUR SIDE. WE'RE IN A WAR NOW. 88 00:04:32,973 --> 00:04:36,310 IT MAY BE A SECRET WAR, BUT IT'S A WAR. 89 00:04:36,344 --> 00:04:38,312 WE HAVE TO FIGHT LIKE SOLDIERS NOW. 90 00:04:38,346 --> 00:04:40,047 AND YOU'RE ONE OF OUR BEST. 91 00:04:42,316 --> 00:04:44,284 WELL, IT DOESN'T FEEL LIKE IT TONIGHT. 92 00:04:44,318 --> 00:04:47,120 I DON'T IMAGINE IT DOES, NO. 93 00:04:47,154 --> 00:04:50,358 BUT IN A WAR, BLOOD GETS SPILLED. 94 00:04:50,391 --> 00:04:52,025 THAT'S HOW IT GOES. 95 00:04:52,059 --> 00:04:54,261 SO, DON'T THINK TWICE ABOUT WHAT YOU DID. 96 00:04:54,294 --> 00:04:55,663 UNDERSTAND? 97 00:04:58,031 --> 00:04:59,433 NOW GO HOME. GET SOME REST. 98 00:04:59,467 --> 00:05:00,934 I'D RATHER STAY AND WORK THE CASE, 99 00:05:00,968 --> 00:05:02,370 IF IT'S ALL THE SAME TO YOU, SIR. 100 00:05:02,403 --> 00:05:04,705 THE ENTIRE BUREAU IS WORKING THE CASE. 101 00:05:04,738 --> 00:05:07,007 IF ANYTHING BREAKS, I'LL LET YOU KNOW. 102 00:05:07,040 --> 00:05:08,876 TOMORROW MORNING, SIGNAL YOUR SOURCE 103 00:05:08,909 --> 00:05:11,011 AND SEE WHAT THE HELL SHE KNOWS ABOUT AMADOR. 104 00:05:11,044 --> 00:05:13,146 NOW GO. THAT'S AN ORDER. 105 00:05:13,180 --> 00:05:15,583 YES, SIR. 106 00:05:19,387 --> 00:05:21,422 [ KNOCKING ON DOOR ] 107 00:05:26,494 --> 00:05:28,829 YEAH? 108 00:05:28,862 --> 00:05:30,130 Stan: FBI! 109 00:05:30,163 --> 00:05:32,032 OPEN UP! 110 00:05:38,939 --> 00:05:40,974 YOU UP FOR A NIGHTCAP? 111 00:05:41,008 --> 00:05:43,544 SURE. COME ON IN. 112 00:05:47,881 --> 00:05:50,217 HOW -- HOW DID YOU KNOW I WAS HERE? 113 00:05:50,250 --> 00:05:51,719 IF I CAN'T FIND A TRAVEL AGENT 114 00:05:51,752 --> 00:05:53,487 STAYING IN A MOTEL UNDER HIS OWN NAME, 115 00:05:53,521 --> 00:05:55,288 THEN I'M IN THE WRONG LINE OF BUSINESS. 116 00:05:56,857 --> 00:05:58,859 ELIZABETH TOLD SANDRA. 117 00:05:58,892 --> 00:06:00,661 RIGHT, RIGHT. 118 00:06:00,694 --> 00:06:04,197 WELL, MAKE YOURSELF COMFORTABLE. I'LL THROW ON SOME SWEATS. 119 00:06:09,603 --> 00:06:13,240 NO OFFENSE, PHIL, BUT THIS PLACE IS KIND OF DEPRESSING. 120 00:06:13,273 --> 00:06:14,408 Philip: YEAH, I KNOW. 121 00:06:14,442 --> 00:06:15,676 IT'S A SHITHOLE. 122 00:06:15,709 --> 00:06:20,380 WELL, IT'S TEMPORARY. 123 00:06:20,414 --> 00:06:22,750 YES, IT IS. 124 00:06:22,783 --> 00:06:24,952 EVERYTHING IS. 125 00:06:24,985 --> 00:06:27,588 EVERYTHING'S WHAT? 126 00:06:27,621 --> 00:06:28,922 TEMPORARY. 127 00:06:28,956 --> 00:06:30,791 I'LL DRINK TO THAT. 128 00:06:30,824 --> 00:06:33,060 CAN I -- CAN I HAVE ONE OF THOSE? 129 00:06:33,093 --> 00:06:34,762 SURE. 130 00:06:34,795 --> 00:06:37,397 CHEERS. CHEERS. 131 00:06:37,431 --> 00:06:38,966 YOU KNOW, I SPENT A LOT OF TIME 132 00:06:38,999 --> 00:06:42,402 IN SHITTY MOTEL ROOMS LIKE THIS. 133 00:06:42,436 --> 00:06:43,804 YOU KNOW THAT? 134 00:06:43,837 --> 00:06:45,939 I DID NOT. 135 00:06:45,973 --> 00:06:50,377 YEAH, BEFORE -- BEFORE, WHEN I WAS WORKING UNDERCOVER. 136 00:06:50,410 --> 00:06:53,080 NO MATTER WHAT CITY I WAS IN, IT WAS PRETTY MUCH THE SAME ROOM. 137 00:06:53,113 --> 00:06:55,148 LUMPY BED, RIGHT? 138 00:06:55,182 --> 00:06:56,784 RIGHT. 139 00:06:56,817 --> 00:06:58,285 YEAH. TOO SOFT. IT SAGS IN THE MIDDLE. YEAH. 140 00:06:58,318 --> 00:07:01,755 YOU WOULD THINK THEY WOULD SPRING FOR A DECENT BED. 141 00:07:01,789 --> 00:07:04,725 BUT I GUESS THAT'S KIND OF THE POINT, RIGHT? 142 00:07:04,758 --> 00:07:07,961 NO MATTER WHERE YOU ARE, NO MATTER WHAT CITY OR TOWN, 143 00:07:07,995 --> 00:07:13,300 YOU'RE ALWAYS IN THE SAME PLACE, THE SAME SHITTY ROOM... 144 00:07:13,333 --> 00:07:15,168 HERE. 145 00:07:17,705 --> 00:07:21,509 YOU GOT ANYTHING SALTY, PRETZELS OR NUTS OR SOMETHING? 146 00:07:21,542 --> 00:07:24,745 UH, NO, I-I DON'T. SORRY. 147 00:07:24,778 --> 00:07:28,381 [ SIGHS ] 148 00:07:33,153 --> 00:07:35,923 [ SIGHS ] 149 00:07:35,956 --> 00:07:38,025 MY PARTNER WAS FOUND DEAD TONIGHT. 150 00:07:38,058 --> 00:07:40,460 OH, JESUS. 151 00:07:40,494 --> 00:07:42,930 I AM...SO SORRY. 152 00:07:42,963 --> 00:07:45,332 CHRIS AMADOR. 153 00:07:45,365 --> 00:07:48,769 HE WAS A GOOD GUY... 154 00:07:48,802 --> 00:07:50,270 NOT LIKE ME. 155 00:07:50,303 --> 00:07:54,141 HE WAS NEVER MARRIED. MAYBE THAT WAS IT. 156 00:07:54,174 --> 00:07:56,309 WHAT? 157 00:07:56,343 --> 00:07:59,680 HE HAD NO SECRETS, YOU KNOW? [ CHUCKLES ] 158 00:07:59,713 --> 00:08:04,284 YOU CAN'T BE MARRIED AND NOT HAVE SECRETS... 159 00:08:04,317 --> 00:08:07,054 CAN YOU, PHIL? 160 00:08:07,087 --> 00:08:11,058 NO, YOU CAN'T. 161 00:08:11,091 --> 00:08:13,193 WHAT HAPPENED? 162 00:08:13,226 --> 00:08:15,663 HE WAS STABBED. 163 00:08:15,696 --> 00:08:18,331 WHO DID IT? 164 00:08:18,365 --> 00:08:21,769 BAD GUYS. 165 00:08:23,403 --> 00:08:25,438 WE'RE GONNA FIND THEM. 166 00:08:30,043 --> 00:08:31,579 YOU OKAY? 167 00:08:31,612 --> 00:08:34,247 YEAH, YEAH, I'M -- I'M -- I'M ALL RIGHT. 168 00:08:34,281 --> 00:08:36,183 YOU CAN STAY HERE IF YOU WANT. 169 00:08:36,216 --> 00:08:39,653 IN YOUR LUMPY BED. NO. NO, THANK YOU. 170 00:08:39,687 --> 00:08:42,022 I WAS ACTUALLY THINKING THE CHAIR. 171 00:08:42,055 --> 00:08:44,592 THAT'S WORSER. 172 00:08:44,625 --> 00:08:47,761 I DON'T -- I DON'T SEE A WHOLE LOT OF FUTURE 173 00:08:47,795 --> 00:08:49,697 IN MY SLEEP TONIGHT. 174 00:08:54,968 --> 00:08:56,937 WHY DON'T I DRIVE YOU HOME? 175 00:08:56,970 --> 00:09:00,440 NO, I'M GOOD. I'M OKAY. I'M ALL RIGHT. THANK YOU. 176 00:09:00,473 --> 00:09:02,109 THANKS. 177 00:09:05,112 --> 00:09:09,082 YOU KNOW, I MEAN THAT SINCERELY -- THANKS. 178 00:09:09,116 --> 00:09:10,718 OF COURSE. 179 00:09:10,751 --> 00:09:12,753 SURE. 180 00:09:50,357 --> 00:09:52,559 Stan: TELL ME WHO KILLED AMADOR? 181 00:09:52,592 --> 00:09:53,894 WHO KILLED AMADOR? YEAH. 182 00:09:53,927 --> 00:09:55,228 WHO KILLED VLAD? 183 00:09:55,262 --> 00:09:57,164 I DON'T KNOW. DON'T LIE TO ME. 184 00:09:57,197 --> 00:09:59,399 I'M NOT LYING, NINA. JESUS. 185 00:09:59,432 --> 00:10:02,602 VLAD WAS MY FRIEND -- MY FRIEND. 186 00:10:02,636 --> 00:10:05,939 I'M SORRY YOU LOST YOUR PARTNER. 187 00:10:05,973 --> 00:10:09,442 I AM. I LOST MY FRIEND. 188 00:10:09,476 --> 00:10:13,280 THIS IS A REALLY BAD DAY, YES? 189 00:10:13,313 --> 00:10:16,149 YES, IT'S A VERY BAD DAY. 190 00:10:16,183 --> 00:10:17,584 [ SIGHS ] 191 00:10:17,617 --> 00:10:19,452 BUT I-I NEED TO KNOW WHAT HAPPENED, NINA. 192 00:10:19,486 --> 00:10:22,923 WE HAD NO IDEA WHAT WAS GOING ON. 193 00:10:22,956 --> 00:10:25,325 WE DON'T KILL FBI AGENTS. YOU HAVE TO BELIEVE. 194 00:10:25,358 --> 00:10:27,194 WELL, THREE OF MY MEN WERE KILLED 195 00:10:27,227 --> 00:10:29,296 PROTECTING A SCIENTIST TWO WEEKS AGO. 196 00:10:29,329 --> 00:10:32,265 YES, AND -- AND THAT DAY, I TOLD YOU -- 197 00:10:32,299 --> 00:10:34,101 ARKADY WAS BEHIND CLOSED DOORS. 198 00:10:34,134 --> 00:10:36,003 I TOLD YOU SOMETHING WAS GOING ON. 199 00:10:36,036 --> 00:10:38,205 BUT YESTERDAY -- NOTHING. 200 00:10:38,238 --> 00:10:39,840 REALLY? NOTHING? 201 00:10:39,873 --> 00:10:42,375 NOTHING, UNTIL SOMEBODY CALLED, THREATENING TO KILL VLAD 202 00:10:42,409 --> 00:10:44,211 IF SOMETHING HAPPENED TO YOUR PARTNER. 203 00:10:44,244 --> 00:10:46,346 [ SIGHS ] NEXT THING WE KNOW, THE POLICE CALL, 204 00:10:46,379 --> 00:10:48,181 SAYING HE'S BEEN MURDERED IN A MUGGING. 205 00:10:48,215 --> 00:10:50,050 WHAT ARE WE TO THINK? 206 00:10:53,020 --> 00:10:54,888 I DON'T KNOW WHO KILLED VLAD, NINA. 207 00:10:54,922 --> 00:10:56,957 IF I CAN FIND OUT, I'LL LET YOU KNOW. 208 00:10:56,990 --> 00:10:59,526 WILL YOU? 209 00:10:59,559 --> 00:11:02,495 YES. WE'RE NOT MONSTERS, NINA. 210 00:11:02,529 --> 00:11:04,531 BUT I HAVE TO KNOW WHAT HAPPENED TO AMADOR. 211 00:11:04,564 --> 00:11:06,566 DO YOU UNDERSTAND THAT? 212 00:11:09,602 --> 00:11:13,807 VLAD -- HE NEVER WANTED TO BE KGB. 213 00:11:13,841 --> 00:11:15,976 HE JOINED TO MAKE HIS UNCLE HAPPY. 214 00:11:16,009 --> 00:11:18,979 HE WAS A COLONEL FOR THE RED ARMY 215 00:11:19,012 --> 00:11:22,682 AND RAISED VLAD AFTER HIS FATHER DIED. 216 00:11:22,716 --> 00:11:25,318 HE PULLED SOME STRINGS TO GET HIM INTO THE DOOR, 217 00:11:25,352 --> 00:11:27,254 AND VLAD WAS JUST GETTING HIS GUTS UP 218 00:11:27,287 --> 00:11:31,158 TO TELL HIM THAT NEXT YEAR HE WAS JOINING MEDICAL SCHOOL. 219 00:11:31,191 --> 00:11:34,494 HE WANTED TO BE DOCTOR. 220 00:11:34,527 --> 00:11:36,496 THAT'S ALL HE WANTED WITH HIS LIFE. 221 00:11:36,529 --> 00:11:38,832 I'M SORRY. 222 00:11:38,866 --> 00:11:41,668 I KNOW YOU JUST TELL ME WHAT I WANT TO HEAR. 223 00:11:41,701 --> 00:11:43,403 THAT'S NOT TRUE. 224 00:11:45,438 --> 00:11:48,675 LISTEN TO ME. I KNOW. 225 00:11:48,708 --> 00:11:51,444 BUT IF YOU CAN, 226 00:11:51,478 --> 00:11:54,281 I WANT YOU TO FIND OUT WHAT HAPPENED TO VLAD, 227 00:11:54,314 --> 00:11:55,916 HOW THIS HAPPENED. 228 00:11:55,949 --> 00:11:58,919 WILL YOU DO THAT? 229 00:11:58,952 --> 00:12:00,754 I WILL. 230 00:12:02,756 --> 00:12:08,561 I WANT TO BE ABLE TO TELL HIS FAMILY...SOMETHING. 231 00:12:08,595 --> 00:12:10,230 COME ON, GUYS. CLEAR BOWLS. BRUSH TEETH. 232 00:12:10,263 --> 00:12:12,365 DO I STILL HAVE TO KEEP CRACKING THE WHIP LIKE THIS? 233 00:12:12,399 --> 00:12:15,035 HENRY, DID YOU PACK YOUR HOMEWORK? I DON'T KNOW. 234 00:12:15,068 --> 00:12:17,537 WELL, CAN YOU CHECK, PLEASE? YOU GUYS, COME ON. 235 00:12:17,570 --> 00:12:20,941 I NEED A LITTLE EXTRA HUSTLE FROM YOU TWO GETTING OUT THE DOOR. 236 00:12:20,974 --> 00:12:22,642 YOU'RE THE ONE WHO WANTED IT THIS WAY. 237 00:12:24,945 --> 00:12:26,046 EXCUSE ME? 238 00:12:26,079 --> 00:12:28,916 STAND UP. 239 00:12:32,820 --> 00:12:34,587 DO YOU KNOW WHAT MY MOTHER WOULD HAVE DONE 240 00:12:34,621 --> 00:12:36,323 IF I TALKED TO HER LIKE THAT? 241 00:12:36,356 --> 00:12:40,227 YOU GET TO DRESS HOW YOU WANT, USE THE PHONE, WATCH TV. 242 00:12:40,260 --> 00:12:43,396 YOU DO NOT GET TO SPEAK TO ME LIKE THAT. 243 00:12:43,430 --> 00:12:44,431 ARE WE CLEAR? 244 00:12:44,464 --> 00:12:46,733 [ DOOR CLOSES ] Philip: HELLO? 245 00:12:46,766 --> 00:12:48,268 DAD -- YOU AND I ARE NOT DONE. 246 00:12:48,301 --> 00:12:50,670 Henry: HI, DAD. 247 00:12:50,703 --> 00:12:53,006 WHAT ARE YOU DOING HERE? Philip: THOUGHT I'D TAKE YOU AND HENRY TO SCHOOL. 248 00:12:53,040 --> 00:12:54,607 HEY, CHAMP. HEY. 249 00:12:54,641 --> 00:12:55,909 YOU THINK YOU CAN GET READY LICKETY-SPLIT, HMM? 250 00:12:55,943 --> 00:12:57,978 YEAH. [ SMOOCHES ] 251 00:12:58,011 --> 00:12:59,179 GO. GO. GO. OKAY. 252 00:12:59,212 --> 00:13:01,114 Paige: COME ON, HENRY. 253 00:13:01,148 --> 00:13:03,250 I WOULD APPRECIATE IT IF YOU DIDN'T MAKE SURPRISE APPEARANCES, 254 00:13:03,283 --> 00:13:05,785 ESPECIALLY WHEN WE ARE ADJUSTING TO NEW ROUTINES. 255 00:13:05,819 --> 00:13:08,288 SURE. 256 00:13:10,457 --> 00:13:12,459 [ WATER RUNNING ] 257 00:13:15,028 --> 00:13:17,998 CLARK HAD A TALK WITH MARTHA LAST NIGHT. 258 00:13:18,031 --> 00:13:19,432 AND? AMADOR WORE A RING. 259 00:13:19,466 --> 00:13:23,036 APPARENTLY, IT WASN'T ON HIS BODY. 260 00:13:23,070 --> 00:13:24,437 WE SWEPT THE SAFE HOUSE. 261 00:13:24,471 --> 00:13:26,439 YEAH, AND GREGORY'S TEAM SWEPT THE CAR. 262 00:13:26,473 --> 00:13:29,442 WE WERE ALL MOVING PRETTY FAST. 263 00:13:29,476 --> 00:13:32,479 DO YOU HAVE ANY IDEA WHERE THEY DITCHED IT? 264 00:13:32,512 --> 00:13:35,282 I'LL SIGNAL GREGORY AND HAVE HIM GET INTO IT. 265 00:13:35,315 --> 00:13:38,451 THE FEDS ARE GONNA PUSH THIS AS FAR AS THEY KNOW HOW. 266 00:13:38,485 --> 00:13:42,289 I'LL MAKE SURE HE KNOWS TO LAY LOW UNTIL WE KNOW WHAT'S WHAT. 267 00:13:42,322 --> 00:13:46,059 STAN CAME BY THE MOTEL LAST NIGHT -- DRUNK MESS. 268 00:13:46,093 --> 00:13:47,895 WHAT DID YOU FIND OUT? 269 00:13:47,928 --> 00:13:49,897 [ SIGHS ] THAT HIS PARTNER WAS KILLED. 270 00:13:49,930 --> 00:13:52,732 I COULDN'T EXACTLY WORK HIM FOR LEADS. 271 00:13:52,765 --> 00:13:55,368 YOU'RE THE ONE WHO WANTED TO BE HIS FRIEND, RIGHT, 272 00:13:55,402 --> 00:13:58,005 BECAUSE OF WHAT A GREAT POTENTIAL SOURCE HE COULD BE? 273 00:13:58,038 --> 00:13:59,806 OKAY. 274 00:13:59,839 --> 00:14:01,641 CALL NEXT TIME, ALL RIGHT? 275 00:14:01,674 --> 00:14:04,511 I DON'T NEED PERMISSION TO SEE MY KIDS. FINE. STAY. 276 00:14:04,544 --> 00:14:06,313 [ WATER STOPS ] CLEAN THE KITCHEN WHILE YOU'RE AT IT. 277 00:14:06,346 --> 00:14:08,181 [ CHUCKLES ] 278 00:14:08,215 --> 00:14:10,750 PAIGE! HENRY! 279 00:14:10,783 --> 00:14:13,420 READY? LET'S GO. Paige: YEAH. Henry: YEAH. 280 00:14:14,854 --> 00:14:17,057 [ INDISTINCT CONVERSATIONS ] 281 00:14:19,960 --> 00:14:22,595 [ DRAWER OPENS ] 282 00:14:24,864 --> 00:14:27,534 [ SNIFFS ] 283 00:14:31,538 --> 00:14:34,107 [ CHUCKLES ] Gaad: HOLD THAT SMILE, BEEMAN. 284 00:14:34,141 --> 00:14:36,009 WE GOT A HIT ON HIS RING. HOW? 285 00:14:36,043 --> 00:14:38,011 J. EDGAR'S GENIUS -- MANPOWER. 286 00:14:38,045 --> 00:14:39,679 PUT EVERY AVAILABLE AGENT IN THE FIELD, 287 00:14:39,712 --> 00:14:42,015 DOUBLE UP ON LOCAL UNIFORMS, SOON ENOUGH YOU GET A HIT. 288 00:14:42,049 --> 00:14:43,216 WHERE DID THEY FIND IT? 289 00:14:43,250 --> 00:14:44,684 THE OWNER OF A SALVAGE YARD 290 00:14:44,717 --> 00:14:47,554 TRIED TO FENCE IT AT A PAWN SHOP IN KINGMAN PARK. 291 00:14:47,587 --> 00:14:49,122 SALVAGE YARD? 292 00:14:49,156 --> 00:14:51,091 IT MUST BE WHERE THEY DUMPED THE CAR USED TO MOVE AMADOR. 293 00:14:51,124 --> 00:14:53,060 BUT WE GOT TO IT BEFORE THEY CRUSHED IT. 294 00:14:53,093 --> 00:14:55,528 DOHERTY AND MACMILLAN ARE GONNA GO DOWN THERE NOW. 295 00:14:55,562 --> 00:14:56,863 I'M GOING. I'M GOING, SIR. 296 00:14:56,896 --> 00:14:58,865 YEAH, BUT I WANT YOU TO GO WITH THEM. 297 00:14:58,898 --> 00:15:01,134 I DON'T WANT YOU FLYING SOLO ON THIS. 298 00:15:05,772 --> 00:15:08,408 [ DOOR CREAKS ] 299 00:15:12,079 --> 00:15:14,581 [ COIN DROPS ] 300 00:15:17,784 --> 00:15:20,553 [ TELEPHONE RINGS ] 301 00:15:20,587 --> 00:15:22,089 HELLO? 302 00:15:22,122 --> 00:15:25,258 [ TAPPING ] 303 00:15:25,292 --> 00:15:28,895 [ RECEIVER CLICKS ] 304 00:15:28,928 --> 00:15:30,964 [ JAZZ MUSIC PLAYING ] 305 00:15:38,471 --> 00:15:40,107 THE RING YOU TRIED TO PAWN THIS MORNING 306 00:15:40,140 --> 00:15:41,975 BELONGED TO A FEDERAL AGENT. 307 00:15:42,009 --> 00:15:44,511 LOOK, I DON'T ASK QUESTIONS, AND SOMETIMES PEOPLE LEAVE THINGS. 308 00:15:44,544 --> 00:15:46,413 IT'S A FAIR TRADE. 309 00:15:46,446 --> 00:15:48,781 WELL, IN THIS CASE THE FEDERAL AGENT IN QUESTION WAS MURDERED, 310 00:15:48,815 --> 00:15:50,984 SO I'M GONNA ASK QUESTIONS, AND YOU'RE GONNA ANSWER THEM. 311 00:15:51,018 --> 00:15:52,285 SOUND OKAY? 312 00:15:52,319 --> 00:15:54,621 YEAH. GOOD. 313 00:15:54,654 --> 00:15:58,091 WHO DELIVERED THE CAR AND WHEN? 314 00:15:58,125 --> 00:16:00,093 IT WAS LEFT HERE LAST NIGHT. 315 00:16:00,127 --> 00:16:01,494 I DIDN'T SEE ANYONE. 316 00:16:01,528 --> 00:16:03,930 THEY JUST LEFT IT? SOME PEOPLE DO. 317 00:16:03,963 --> 00:16:05,665 THEY KNOW THAT I SELL THE METAL -- 318 00:16:05,698 --> 00:16:07,467 UH-HUH. AND THE RING WAS IN THE TRUNK? 319 00:16:07,500 --> 00:16:10,170 YOU GOT THE KEYS? HMM? 320 00:16:17,544 --> 00:16:19,346 IT WAS SHOVED RIGHT UP THERE. 321 00:16:19,379 --> 00:16:22,049 SO, A CAR JUST SHOWS UP IN THE MIDDLE OF THE NIGHT, NO PLATES, 322 00:16:22,082 --> 00:16:24,617 TRUNK STRIPPED OF CARPETING WHERE YOU FIND A RING, 323 00:16:24,651 --> 00:16:26,386 AND YOUR FIRST MOVE IS A PAWN SHOP? 324 00:16:26,419 --> 00:16:27,787 VIN NUMBERS ARE FILED OFF. 325 00:16:27,820 --> 00:16:31,224 WITH THE VIN NUMBERS FILED OFF? 326 00:16:31,258 --> 00:16:34,061 [ GROANS ] 327 00:16:34,094 --> 00:16:38,398 DOHERTY. RING WAS SHOVED UP HERE. 328 00:16:38,431 --> 00:16:40,233 WHAT, YOU THINK IT FELL OFF? 329 00:16:40,267 --> 00:16:42,902 NO. HE LEFT IT FOR US. 330 00:16:44,871 --> 00:16:46,839 JUST GIVE ME A MINUTE HERE, WOULD YOU? 331 00:16:46,873 --> 00:16:48,575 MACMILLAN. 332 00:16:53,046 --> 00:16:57,050 I WANT TO ASK YOU AGAIN. 333 00:16:57,084 --> 00:16:58,651 WHO DROPPED OFF THIS CAR? 334 00:16:58,685 --> 00:17:00,487 LOOK, LIKE I ALREADY TOLD YOU -- 335 00:17:00,520 --> 00:17:02,855 UGH! 336 00:17:02,889 --> 00:17:05,492 [ GRUNTING ] 337 00:17:05,525 --> 00:17:07,494 YOU LISTEN TO ME, YOU PIECE OF SHIT. 338 00:17:07,527 --> 00:17:09,329 YOU MAY THINK YOU KNOW WHAT I AM 339 00:17:09,362 --> 00:17:11,764 OR WHAT I WILL AND WON'T DO IN THIS SITUATION, 340 00:17:11,798 --> 00:17:14,667 BUT YOU HAVE NO IDEA. [ GROANS ] 341 00:17:14,701 --> 00:17:16,869 NOW, I DON'T BELIEVE SOMEONE WHO JUST MURDERED A FEDERAL AGENT 342 00:17:16,903 --> 00:17:19,906 WOULD DUMP THEIR CAR IN SOME RANDOM SALVAGE YARD. 343 00:17:19,939 --> 00:17:22,842 SO, I WANT YOU TO TELL ME EVERYTHING YOU KNOW ABOUT THIS. 344 00:17:22,875 --> 00:17:24,844 DO YOU UNDERSTAND? 345 00:17:24,877 --> 00:17:27,714 THERE'S SOME BLACK GUYS. THEY'RE DRUG DEALERS, I THINK. 346 00:17:27,747 --> 00:17:30,183 THEY DUMP CARS WITH ME SOMETIMES. 347 00:17:30,217 --> 00:17:31,884 THEY CAME BY LATE LAST NIGHT. 348 00:17:31,918 --> 00:17:35,388 I DON'T KNOW NAMES. I SWEAR TO GOD. 349 00:17:35,422 --> 00:17:40,059 SEE, THAT WASN'T SO BAD, WAS IT? 350 00:17:40,093 --> 00:17:43,963 YOU AND I ARE GONNA GO LOOK AT SOME MUG BOOKS TOGETHER. 351 00:17:46,599 --> 00:17:50,537 [ MID-TEMPO MUSIC PLAYS ] 352 00:17:50,570 --> 00:17:52,739 LLOYD, HAVE ANOTHER? 353 00:17:52,772 --> 00:17:55,208 * I'VE BEEN WATCHING YOU 354 00:17:55,242 --> 00:17:58,878 HEY. HOW BAD IS IT? 355 00:17:58,911 --> 00:18:01,080 WE DON'T KNOW. 356 00:18:01,114 --> 00:18:03,616 THE GUY MAY HAVE LEFT HIS RING BEHIND IN THE TRUNK. 357 00:18:03,650 --> 00:18:05,452 DAMN. 358 00:18:05,485 --> 00:18:06,753 YEAH. 359 00:18:06,786 --> 00:18:08,555 WE'LL LET YOU KNOW WHAT WE KNOW. 360 00:18:08,588 --> 00:18:11,258 YOU JUST STAY SAFE AND OUT OF SIGHT TILL THIS THING GOES AWAY. 361 00:18:11,291 --> 00:18:13,993 YOU OKAY? 362 00:18:14,026 --> 00:18:16,263 NOT REALLY. [ CHUCKLES ] 363 00:18:16,296 --> 00:18:21,468 PHILIP IS, UH, STAYING IN A HOTEL. 364 00:18:21,501 --> 00:18:23,002 THE KIDS AREN'T SO GOOD. 365 00:18:23,035 --> 00:18:25,172 SHIT. ELIZABETH. 366 00:18:25,205 --> 00:18:28,841 [ CHUCKLES ] YOU TOLD ME SO, HUH? 367 00:18:28,875 --> 00:18:31,744 WHY ARE YOU TELLING ME THIS? 368 00:18:31,778 --> 00:18:34,747 I DON'T KNOW. 369 00:18:34,781 --> 00:18:38,651 WHO ELSE CAN I TELL, YOU KNOW? 370 00:18:38,685 --> 00:18:41,288 YEAH. 371 00:18:46,159 --> 00:18:51,631 NO, I CAN'T. I'M [SCOFFS] A MESS RIGHT NOW. 372 00:18:51,664 --> 00:18:53,666 YOU'LL BE OKAY. 373 00:18:55,902 --> 00:18:58,338 [ SCOFFS ] 374 00:19:01,308 --> 00:19:05,111 WE ALL WILL BE, YOU INCLUDED. 375 00:19:05,144 --> 00:19:06,546 THIS THING IS GONNA BLOW OVER. 376 00:19:06,579 --> 00:19:07,947 WE'RE JUST TRYING TO GET AHEAD OF IT. 377 00:19:07,980 --> 00:19:10,049 AND IF IT DOESN'T BLOW OVER? 378 00:19:10,082 --> 00:19:12,452 LET'S NOT CROSS THAT BRIDGE UNLESS WE HAVE TO. 379 00:19:12,485 --> 00:19:14,654 IN THE MEANTIME, YOU JUST STAY OUT OF SIGHT 380 00:19:14,687 --> 00:19:17,657 AND CHECK YOUR SIGNALS. 381 00:19:20,493 --> 00:19:22,995 I'LL BE WAITING. 382 00:19:36,709 --> 00:19:40,012 I SWEAR I'M NOT TRYING TO MAKE ANY TROUBLE. MM-HMM. 383 00:19:40,046 --> 00:19:43,850 BUT THEY ALWAYS WORE HATS AND JEWELRY LIKE THEY WEAR. 384 00:19:43,883 --> 00:19:45,852 THESE GUYS ALL LOOK THE -- 385 00:19:45,885 --> 00:19:48,755 DON'T EVEN SAY THAT. 386 00:19:57,597 --> 00:20:00,367 SON OF A BITCH. 387 00:20:00,400 --> 00:20:01,934 BEEMAN. 388 00:20:01,968 --> 00:20:05,372 [ INDISTINCT CONVERSATIONS ] 389 00:20:05,405 --> 00:20:07,374 I THINK WE GOT HIM. 390 00:20:07,407 --> 00:20:09,609 WHO? I-I-I DON'T KNOW. 391 00:20:09,642 --> 00:20:11,944 THE GUY WHO KILLED CHRIS, THE -- THE RUSSIANS, THE WHOLE DAMN THING, MAYBE. 392 00:20:11,978 --> 00:20:13,913 YOU WANT TO SIT DOWN? THE GUY FROM THE SALVAGE YARD WHO HOCKED THE RING, 393 00:20:13,946 --> 00:20:16,349 AND HE DOES BUSINESS WITH SOME RIFFRAFF FROM THE PROJECTS. 394 00:20:16,383 --> 00:20:18,184 THEY'RE THE ONES WHO BROUGHT HIM THE CAR. 395 00:20:18,217 --> 00:20:19,852 HE SAYS HE'S GOT NO NAMES, HE CAN'T I.D. THEM 396 00:20:19,886 --> 00:20:21,288 'CAUSE THEY'RE ALWAYS WEARING HATS, 397 00:20:21,321 --> 00:20:23,189 BUT THEN HE PULLS A FACE AT ONE OF THE MUG SHOTS, 398 00:20:23,222 --> 00:20:24,957 AND HERE WE GO. 399 00:20:24,991 --> 00:20:28,027 I'VE SEEN HIM BEFORE, IN PHILLY. 400 00:20:28,060 --> 00:20:30,029 OKAY. THAT I WASN'T EXPECTING. 401 00:20:30,062 --> 00:20:32,198 CHRIS AND I ARE AT THE SITE WHERE WE LOST JOYCE RAMIREZ. 402 00:20:32,231 --> 00:20:34,767 THE WIFE OF THE DEAD DIRECTORATE "S" OFFICER? 403 00:20:34,801 --> 00:20:36,403 EXACTLY, AND THAT SAME GUY IS THERE. 404 00:20:36,436 --> 00:20:38,237 I NOTICE HIM, WHICH I WOULD HAVE FORGOTTEN, 405 00:20:38,271 --> 00:20:40,373 EXCEPT AN HOUR LATER HE'S AT THE TRUCKING COMPANY 406 00:20:40,407 --> 00:20:42,208 WHERE WE'RE FOLLOWING A LEAD. HE FOLLOWED YOU? 407 00:20:42,241 --> 00:20:43,876 ONLY EXPLANATION I CAN MAKE SENSE OF. 408 00:20:43,910 --> 00:20:45,077 DIDN'T YOU GRAB HIM? 409 00:20:45,111 --> 00:20:46,713 HE WAS A LITTLE FAST FOR ME. 410 00:20:46,746 --> 00:20:48,748 FIGURES. 411 00:20:48,781 --> 00:20:52,419 NOW I KNOW HIM. 412 00:20:59,292 --> 00:21:01,127 [ DOOR CREAKS ] 413 00:21:07,700 --> 00:21:08,801 [ WHISTLE BLOWING ] 414 00:21:08,835 --> 00:21:10,937 SHIT! GO! GO! GO! GO! 415 00:21:10,970 --> 00:21:12,739 [ INDISTINCT SHOUTING, WOMAN SCREAMING ] 416 00:21:12,772 --> 00:21:15,141 CURTIS! CURTIS! DON'T SHOOT! 417 00:21:15,174 --> 00:21:17,243 AAH! DON'T SHOOT! 418 00:21:17,276 --> 00:21:18,511 [ SCREAMS ] CURTIS! 419 00:21:18,545 --> 00:21:20,146 CURTIS! DON'T SHOOT! 420 00:21:20,179 --> 00:21:22,114 OUT FRONT! OUT FRONT! 421 00:21:22,148 --> 00:21:25,184 [ SHOUTING CONTINUES ] 422 00:21:25,217 --> 00:21:27,987 [ SIRENS WAILING ] 423 00:21:40,333 --> 00:21:41,868 [ TIRES SCREECH ] 424 00:21:43,970 --> 00:21:46,138 [ GROANING ] 425 00:21:46,172 --> 00:21:48,441 GET ON YOUR KNEES! ON YOUR KNEES! 426 00:21:48,475 --> 00:21:49,476 HANDS ON YOUR HEAD! 427 00:21:49,509 --> 00:21:50,977 [ BREATHING HEAVILY ] 428 00:21:51,010 --> 00:21:52,645 BRING HIM UP. 429 00:21:55,014 --> 00:21:56,248 CURTIS, RIGHT? 430 00:21:57,584 --> 00:21:59,786 SHOULD HAVE LET ME CATCH YOU THE FIRST TIME. 431 00:21:59,819 --> 00:22:02,389 I'M UPSET NOW. 432 00:22:04,357 --> 00:22:06,793 [ INDISTINCT SHOUTING ] 433 00:22:06,826 --> 00:22:08,828 [ BREATHING HEAVILY ] 434 00:22:25,945 --> 00:22:29,148 THE FBI PICKED UP A MEMBER OF GREGORY'S TEAM. 435 00:22:29,181 --> 00:22:31,350 SO WE WON'T BE SKATING OUR WAY OUT OF THIS ONE. 436 00:22:31,384 --> 00:22:33,520 NO. 437 00:22:33,553 --> 00:22:35,555 [ SIGHS ] 438 00:22:38,024 --> 00:22:40,159 HOW LONG AGO DID HE CONTACT YOU? 439 00:22:40,192 --> 00:22:41,994 HOUR AND A HALF. 440 00:22:42,028 --> 00:22:44,363 SIGNAL HIM BACK. 441 00:22:44,397 --> 00:22:46,332 PUT HIM IN A SAFE HOUSE. 442 00:22:46,365 --> 00:22:49,201 I'LL GET THE EXFILTRATION PLAN GOING AS SOON AS POSSIBLE. 443 00:22:49,235 --> 00:22:51,170 THEY'LL BE WATCHING HIM. 444 00:22:51,203 --> 00:22:53,372 WE'LL HAVE TO BE CAREFUL, BUT NOTHING WE HAVEN'T DONE BEFORE. 445 00:22:53,406 --> 00:22:55,508 HIS TEAM? 446 00:22:55,542 --> 00:22:56,943 MONEY CACHED, CONTINGENCY PLANS. 447 00:22:56,976 --> 00:22:58,511 THEY ALL KNOW TO DISAPPEAR 448 00:22:58,545 --> 00:23:00,346 OR EXPECT HEAVY JAIL TIME FOR DRUG DEALING. 449 00:23:00,379 --> 00:23:03,115 [ SIGHS ] WHAT ABOUT HIM? 450 00:23:05,217 --> 00:23:06,218 WHAT ABOUT HIM? 451 00:23:06,252 --> 00:23:08,621 STUB THIS OUT, WILL YOU? 452 00:23:10,923 --> 00:23:12,191 [ SIGHS ] 453 00:23:12,224 --> 00:23:15,394 WILL HE SET OFF INTO THE NIGHT GENTLY? 454 00:23:15,428 --> 00:23:17,229 MOSCOW CAN BE A FRIGHTENING PROSPECT 455 00:23:17,263 --> 00:23:19,131 FOR SOMEONE WHO HASN'T SEEN THE WORLD. 456 00:23:19,165 --> 00:23:21,300 HE'S DEVOTED TO THE CAUSE. I THINK HE'LL LIKE IT THERE. 457 00:23:21,333 --> 00:23:24,070 DO YOU AGREE, PHILIP? I'M NOT SO SURE. 458 00:23:24,103 --> 00:23:28,908 TELL HIM THE TRUTH -- NICE APARTMENT, 459 00:23:28,941 --> 00:23:30,910 REGULAR STIPEND, BUT HE WON'T BE RICH. 460 00:23:30,943 --> 00:23:34,246 LANGUAGE LESSONS FOR AS LONG AS HE NEEDS THEM. 461 00:23:34,280 --> 00:23:36,115 THEY'LL CALL HIM IN TO LECTURE THE CADETS, 462 00:23:36,148 --> 00:23:39,752 BUT HE WON'T HAVE AN OFFICE AT DZERZHINSKY. 463 00:23:39,786 --> 00:23:42,154 IT'S A HARD ADJUSTMENT, 464 00:23:42,188 --> 00:23:45,925 BUT AFTER THE FIRST FEW YEARS HE'LL BE FINE. 465 00:23:45,958 --> 00:23:47,727 I'LL TELL HIM. 466 00:23:47,760 --> 00:23:49,796 YOU NEED TO MAKE SURE HE'S ACTUALLY PLANNING TO COME. 467 00:23:49,829 --> 00:23:52,632 HIS OPTIONS HAVE NARROWED BY QUITE A LOT, 468 00:23:52,665 --> 00:23:54,333 AND ONE OF THEM IS TURNING ON US. 469 00:23:54,366 --> 00:23:56,903 HE HAS ALWAYS BEEN COMPLETELY LOYAL. 470 00:23:56,936 --> 00:24:00,272 HE'S NEVER REALLY BEEN TESTED. HE GREW UP HERE AND TURNED ON HIS OWN NATION. 471 00:24:00,306 --> 00:24:02,742 THAT'S HARDER THAN ANYTHING ANY OF US HAVE EVER DONE. 472 00:24:02,775 --> 00:24:04,611 WELL, NOW HE'S FACING LIFE IN A CAGE 473 00:24:04,644 --> 00:24:06,813 OR A THOUSAND VOLTS RUNNING THROUGH HIS BODY. 474 00:24:06,846 --> 00:24:07,947 TALK HIM INTO MOSCOW. 475 00:24:07,980 --> 00:24:09,516 IF YOU CAN'T, 476 00:24:09,549 --> 00:24:12,752 YOU TAKE THE ONLY OTHER OPTION AVAILABLE... 477 00:24:12,785 --> 00:24:17,490 AS SAD AS WE WOULD BE TO SEE IT GO THAT DIRECTION. 478 00:24:21,160 --> 00:24:25,131 [ ENGINE TURNS OVER ] 479 00:24:30,637 --> 00:24:34,273 YOU KNOW, I ONLY HAVE ONE REAL QUESTION FOR YOU, CURTIS, 480 00:24:34,306 --> 00:24:37,109 WHICH IS -- DO YOU HAVE ANY IDEA 481 00:24:37,143 --> 00:24:39,512 WHAT IT IS THAT YOU'VE BEEN DOING? 482 00:24:39,546 --> 00:24:44,350 'CAUSE IF YOU DO KNOW, THEN, UH, KEEP YOUR MOUTH SHUT. 483 00:24:44,383 --> 00:24:46,953 THAT'S HOW BAD IT IS. 484 00:24:46,986 --> 00:24:48,621 BUT IF YOU DON'T KNOW, 485 00:24:48,655 --> 00:24:52,291 IF YOU'VE SOMEHOW KIND OF BEEN TRICKED INTO THIS, 486 00:24:52,324 --> 00:24:56,162 WELL... YOU MIGHT WANT TO SPEAK UP. 487 00:25:00,366 --> 00:25:06,673 YOU'VE BEEN ARRESTED TWICE -- MINOR DRUG RAPS. 488 00:25:09,542 --> 00:25:12,178 I WORK IN COUNTERINTELLIGENCE. 489 00:25:12,211 --> 00:25:14,513 DO YOU KNOW WHAT THAT IS? 490 00:25:14,547 --> 00:25:16,683 I'M NOT SAYING ANYTHING TO YOU. 491 00:25:16,716 --> 00:25:20,553 I CHASE SPIES...KGB. 492 00:25:20,587 --> 00:25:21,821 YOU EVER HEARD OF THEM? 493 00:25:21,854 --> 00:25:23,923 THAT'S THE RUSSIANS. 494 00:25:23,956 --> 00:25:26,826 YOU KNOW WHAT I DON'T CARE ABOUT? 495 00:25:26,859 --> 00:25:30,029 DRUGS. I-I COULDN'T CARE LESS. 496 00:25:30,062 --> 00:25:33,432 I MAY LOOK DUMB, BUT I'M NOT. 497 00:25:33,465 --> 00:25:36,669 YOU DON'T LOOK DUMB. 498 00:25:36,703 --> 00:25:38,905 COPS GOT ALL KINDS OF TRICKS. 499 00:25:42,909 --> 00:25:46,078 YOU KNOW, MY PARTNER WAS KILLED TWO NIGHTS AGO. 500 00:25:46,112 --> 00:25:50,049 I'M WAY PAST TRICKS, CURTIS. 501 00:25:50,082 --> 00:25:53,720 HIS NAME WAS CHRIS AMADOR. 502 00:25:53,753 --> 00:25:56,355 AND HE WAS STABBED. 503 00:25:56,388 --> 00:25:59,225 I DON'T KNOW WHAT TO DO. 504 00:25:59,258 --> 00:26:03,229 I...FEEL... 505 00:26:03,262 --> 00:26:07,066 LIKE REVENGE, YOU KNOW? 506 00:26:07,099 --> 00:26:08,635 BUT WHO -- WHO REALLY CARES? 507 00:26:08,668 --> 00:26:10,369 I MEAN, WHAT DOES THAT GET ME? 508 00:26:10,402 --> 00:26:13,039 BUT THESE RUSSIANS THAT I'M TALKING ABOUT -- 509 00:26:13,072 --> 00:26:16,042 I'M PRETTY SURE THEY'RE THE ONES WHO KILLED HIM. 510 00:26:16,075 --> 00:26:17,409 SO, I'M NOT TRICKING YOU, CURTIS. 511 00:26:17,443 --> 00:26:18,911 IF YOU'RE WORKING FOR THE RUSSIANS 512 00:26:18,945 --> 00:26:22,581 AND YOU KNOW IT, YOU WAIT FOR YOUR LAWYER 513 00:26:22,615 --> 00:26:26,452 'CAUSE YOU'VE COMMITTED TREASON. 514 00:26:26,485 --> 00:26:30,056 BUT, SEE, I DON'T THINK YOU DO KNOW. 515 00:26:30,089 --> 00:26:34,226 YOU AND I DON'T HAVE MUCH IN COMMON. 516 00:26:34,260 --> 00:26:36,128 NO SHIT. 517 00:26:36,162 --> 00:26:39,465 BUT WE'RE BOTH GODDAMN AMERICANS, RIGHT? 518 00:26:40,867 --> 00:26:44,503 RIGHT? 519 00:26:50,710 --> 00:26:54,113 [ ENGINE SHUTS OFF ] 520 00:26:54,146 --> 00:26:55,314 [ SIGHS ] 521 00:26:55,347 --> 00:26:56,783 WELL... 522 00:26:56,816 --> 00:26:59,585 WELL... 523 00:26:59,618 --> 00:27:01,620 WE ALWAYS KNEW THIS DAY COULD COME. 524 00:27:01,654 --> 00:27:05,124 YOU SAID. 525 00:27:11,297 --> 00:27:13,299 THE WORLD IS A SHITTY PLACE, GREGORY. 526 00:27:13,332 --> 00:27:14,967 THAT'S WHAT I REALLY THINK. 527 00:27:15,001 --> 00:27:17,770 WE AGREE. 528 00:27:17,804 --> 00:27:20,106 I WANT TO FOCUS ON NOW. 529 00:27:20,139 --> 00:27:22,208 'CAUSE, LIKE WE ALWAYS TALKED ABOUT, 530 00:27:22,241 --> 00:27:23,375 THERE ARE PLANS PUT IN PLACE TO HELP YOU, 531 00:27:23,409 --> 00:27:24,977 TO TAKE CARE OF YOU. 532 00:27:25,011 --> 00:27:28,647 AND RIGHT NOW THOSE PLANS ARE BEING PUT IN MOTION. 533 00:27:28,681 --> 00:27:30,449 I DO NOT KNOW THE DETAILS, 534 00:27:30,482 --> 00:27:34,053 BUT I GUESS WE WILL PROBABLY TAKE YOU CROSS-COUNTRY BY CAR -- 535 00:27:34,086 --> 00:27:37,056 MOSCOW, ELIZABETH? 536 00:27:37,089 --> 00:27:38,958 I MEAN, CAN YOU REALLY SEE ME THERE? 537 00:27:38,991 --> 00:27:42,494 I WANT TO TALK TO YOU ABOUT IT BECAUSE I CAN. 538 00:27:42,528 --> 00:27:44,163 THERE WOULD BE AN ADJUSTMENT PERIOD -- 539 00:27:44,196 --> 00:27:45,865 GET ME TO L.A., OKAY? 540 00:27:45,898 --> 00:27:48,634 IT'S A LOT CLOSER. FRESH START IN COMPTON. 541 00:27:48,667 --> 00:27:50,136 I CAN CHANGE MY IDENTITY, MY NAME. 542 00:27:50,169 --> 00:27:54,140 GREGORY, THIS IS BAD. THE FBI ARE AFTER YOU. 543 00:27:54,173 --> 00:27:57,476 MAYBE I CAN DO A LITTLE WORK ON MY FACE, YOU KNOW? 544 00:27:57,509 --> 00:27:59,578 I MEAN, IF YOU CAN STAND IT. 545 00:27:59,611 --> 00:28:02,982 YOU GUYS ARE THE MASTERS OF DISGUISE. 546 00:28:03,015 --> 00:28:06,152 I DON'T THINK THEY'RE GONNA GO FOR IT. 547 00:28:06,185 --> 00:28:11,223 IF YOU ASK THEM, THEY'LL DO ANYTHING FOR YOU. 548 00:28:21,067 --> 00:28:24,003 GREGORY. GREGORY, PLEASE, LET'S JUST TALK ABOUT THIS. 549 00:28:24,036 --> 00:28:25,905 LET'S JUST GET OUT OF HERE, YOU AND ME. 550 00:28:27,373 --> 00:28:32,244 I CAN'T. I GOT TO -- I... 551 00:28:46,725 --> 00:28:49,695 Gaad: GREGORY THOMAS. 552 00:28:49,728 --> 00:28:51,297 HIS LAST KNOWN POLITICAL ACTIVITY 553 00:28:51,330 --> 00:28:53,465 WAS A PROTEST MARCH ON MEMPHIS CITY HALL 554 00:28:53,499 --> 00:28:56,368 WITH MARTIN LUTHER KING IN MARCH OF '68. 555 00:28:56,402 --> 00:28:58,737 NOW, WE ALL KNOW THE KGB TRIED TO INFILTRATE 556 00:28:58,771 --> 00:29:00,572 THE CIVIL RIGHTS MOVEMENT. 557 00:29:00,606 --> 00:29:02,942 AMERICA'S OPPRESSED MINORITIES WERE RISING UP ALREADY, 558 00:29:02,975 --> 00:29:05,377 SO WHY NOT GET IN ON THE ACTION? 559 00:29:05,411 --> 00:29:07,246 BUT THE QUESTION IS, DID THEY GO SO FAR 560 00:29:07,279 --> 00:29:10,482 AS TO RECRUIT ANY CIVIL RIGHTS ACTIVISTS? 561 00:29:10,516 --> 00:29:12,651 [ KNOCK ON DOOR ] 562 00:29:21,460 --> 00:29:25,431 PHILIP AND ELIZABETH SAID YOU'D BE EXPECTING ME. 563 00:29:25,464 --> 00:29:27,299 HMM. 564 00:29:27,333 --> 00:29:28,467 [ LOCK CLICKS ] 565 00:29:28,500 --> 00:29:29,668 CLAUDIA. 566 00:29:29,701 --> 00:29:31,303 GREGORY. 567 00:29:31,337 --> 00:29:33,772 MEANS A LOT MEET YOU, GREGORY. 568 00:29:33,806 --> 00:29:37,443 PLEASE, LET'S -- LET'S SIT. 569 00:29:41,113 --> 00:29:43,749 WE HAVE TO MOVE QUICKLY, 570 00:29:43,782 --> 00:29:46,018 BUT WE WANT TO MAKE SURE WE'RE DOING EVERYTHING WE CAN 571 00:29:46,052 --> 00:29:47,954 TO MAKE THIS AS EASY AS POSSIBLE FOR YOU. 572 00:29:47,987 --> 00:29:50,422 I UNDERSTAND WHY YOU WANT TO GO TO CALIFORNIA 573 00:29:50,456 --> 00:29:52,091 INSTEAD OF MOSCOW, OF COURSE. 574 00:29:52,124 --> 00:29:54,760 I WISH WITH ALL MY HEART WE COULD MAKE THAT HAPPEN. 575 00:29:54,793 --> 00:29:58,364 WE'D DO IT FOR YOU, GREGORY, IN AN INSTANT. 576 00:29:58,397 --> 00:30:00,766 WE'D SPEND ANYTHING, MOVE ANY MOUNTAIN. 577 00:30:00,799 --> 00:30:02,634 BUT IT JUST WOULDN'T WORK -- 578 00:30:02,668 --> 00:30:06,272 NEW DOCUMENTS, NEW HISTORY, EVEN A NEW FACE. 579 00:30:06,305 --> 00:30:07,940 WITH WHAT'S AT STAKE, 580 00:30:07,974 --> 00:30:10,609 I'M AFRAID IT WOULDN'T BE ENOUGH TO PUT OFF THE FBI. 581 00:30:10,642 --> 00:30:14,280 YOU'RE MORE SCARED OF THEM THAN I AM, 582 00:30:14,313 --> 00:30:16,615 AND I'M THE ONE WILLING TO TAKE THE RISK. 583 00:30:16,648 --> 00:30:18,985 THE PROBLEM IS, THE RISK ISN'T JUST YOURS. 584 00:30:19,018 --> 00:30:20,853 IT'S PHILIP AND ELIZABETH'S, TOO. 585 00:30:20,887 --> 00:30:24,223 I WOULD NEVER, EVER BETRAY THEM. 586 00:30:24,256 --> 00:30:25,691 I DON'T THINK YOU WOULD. 587 00:30:25,724 --> 00:30:29,896 BUT DO YOU KNOW WHY I'M THE BEST AT MY JOB? 588 00:30:29,929 --> 00:30:32,131 I'M A GUARD DOG. 589 00:30:32,164 --> 00:30:35,634 I DON'T TAKE ANY CHANCES WITH THE PEOPLE I PROTECT. 590 00:30:35,667 --> 00:30:38,337 THAT'S WHY THEY SEND ME -- AN OLD LADY -- 591 00:30:38,370 --> 00:30:40,839 HALFWAY AROUND THE WORLD TO DO THIS. 592 00:30:40,873 --> 00:30:45,677 NOW, YOU'VE BEEN BRILLIANT, A HERO, 593 00:30:45,711 --> 00:30:47,880 AND YOUR REWARD IS WAITING. 594 00:30:47,914 --> 00:30:50,849 IF YOU HAVE ANY LAST THOUGHT TO RUN TO CALIFORNIA, 595 00:30:50,883 --> 00:30:54,353 PLEASE UNDERSTAND THAT THE FBI WILL FOLLOW YOU 596 00:30:54,386 --> 00:30:56,655 TO THE ENDS OF THE EARTH. 597 00:30:56,688 --> 00:30:58,424 WE PUT EVIDENCE IN YOUR APARTMENT 598 00:30:58,457 --> 00:31:01,660 LINKING YOU TO THE MURDER OF THE FBI AGENT 599 00:31:01,693 --> 00:31:05,531 WHO WAS BLEEDING IN THE TRUNK OF THE CAR YOUR PEOPLE DISPOSED OF, 600 00:31:05,564 --> 00:31:08,334 TRACE AMOUNTS OF BLOODY FIBERS FROM HIS SUIT 601 00:31:08,367 --> 00:31:10,202 RECOVERED IN THE SAFE HOUSE. 602 00:31:10,236 --> 00:31:12,371 WHEN THE TRAIL STOPS AT YOUR DOORSTEP, 603 00:31:12,404 --> 00:31:16,008 WE WON'T HAVE TO WORRY ABOUT THEM FOLLOWING IT ANY FURTHER 604 00:31:16,042 --> 00:31:17,376 AND GETTING TO PHILIP AND ELIZABETH. 605 00:31:17,409 --> 00:31:19,845 IT'S YOUR FINAL ACT OF SERVICE. 606 00:31:19,878 --> 00:31:23,715 [ LAUGHS ] 607 00:31:23,749 --> 00:31:25,384 WHEW. 608 00:31:25,417 --> 00:31:27,253 YOU GUYS DON'T MESS AROUND, DO YOU? 609 00:31:27,286 --> 00:31:30,889 NO. WE DON'T. 610 00:31:30,923 --> 00:31:34,526 [ SIGHS ] 611 00:31:34,560 --> 00:31:36,562 I... 612 00:31:36,595 --> 00:31:38,797 I WON'T TAKE TO MOSCOW. 613 00:31:38,830 --> 00:31:42,568 IT TAKES TIME, BUT OTHERS HAVE DONE IT. 614 00:31:42,601 --> 00:31:45,237 YOU'LL LIKE IT EVENTUALLY. 615 00:31:45,271 --> 00:31:49,075 I HAVE NEVER... 616 00:31:49,108 --> 00:31:53,245 WANTED TOO MUCH, REALLY. 617 00:31:53,279 --> 00:31:55,547 I JUST WANTED TO LIVE FOR SOMETHING, 618 00:31:55,581 --> 00:31:56,949 AND I'VE DONE THAT. 619 00:31:59,285 --> 00:32:00,886 OKAY. 620 00:32:00,919 --> 00:32:04,256 AND TO KNOW WHEN I'M DONE. 621 00:32:05,958 --> 00:32:09,228 NOW I'M DONE. 622 00:32:09,261 --> 00:32:12,298 [ DOOR OPENS ] 623 00:32:15,501 --> 00:32:18,137 YOU TELL HIM HOW LOVELY MOSCOW IS IN THE SPRING? 624 00:32:18,170 --> 00:32:20,139 [ SIGHS ] 625 00:32:20,172 --> 00:32:22,608 SOME PEOPLE JUST AREN'T CUT OUT FOR FOREIGN TRAVEL. 626 00:32:22,641 --> 00:32:24,276 YOU THINK HE'S NEGOTIATING, 627 00:32:24,310 --> 00:32:26,912 TRYING TO SOFTEN YOU UP FOR CALIFORNIA? 628 00:32:26,945 --> 00:32:28,614 I THINK HE'S TRYING TO GET AWAY FROM US. 629 00:32:28,647 --> 00:32:30,582 OR HE'S FOOLING HIMSELF. I DON'T REALLY KNOW. 630 00:32:30,616 --> 00:32:32,418 BUT WE NEED TO GET HIM TO MOSCOW, PHILIP. 631 00:32:32,451 --> 00:32:34,820 AND IF HE WON'T GO? 632 00:32:34,853 --> 00:32:37,623 HE WAS ELIZABETH'S FIRST RECRUIT, HER AGENT. 633 00:32:37,656 --> 00:32:40,492 I'VE HAD MY DIFFERENCES WITH HER, 634 00:32:40,526 --> 00:32:41,960 BUT IF THIS ENDS THE HARD WAY, 635 00:32:41,994 --> 00:32:43,762 I DON'T WANT HER TO HAVE TO DO IT. 636 00:32:43,795 --> 00:32:44,863 YOU'LL BE THERE? 637 00:32:44,896 --> 00:32:46,465 OF COURSE. 638 00:33:00,212 --> 00:33:02,014 SO, WE KNOW WHO KILLED CHRIS. 639 00:33:02,048 --> 00:33:04,850 OH, GOD. THANK GOD. 640 00:33:04,883 --> 00:33:08,987 YEAH. DON'T HAVE HIM YET. 641 00:33:09,021 --> 00:33:11,057 BUT YOU WILL, RIGHT? 642 00:33:11,090 --> 00:33:14,793 YEAH, I THINK SO. I THINK WE WILL. 643 00:33:14,826 --> 00:33:17,829 GOOD. THAT'S GOOD. 644 00:33:17,863 --> 00:33:19,131 YEAH. 645 00:33:19,165 --> 00:33:21,533 [ CLEARS THROAT ] 646 00:33:26,038 --> 00:33:28,006 [ RING CLINKS ] 647 00:33:28,040 --> 00:33:31,643 YOU KNOW... 648 00:33:31,677 --> 00:33:36,215 MOST AGENTS NEVER ACTUALLY PULL THE TRIGGER. 649 00:33:38,550 --> 00:33:41,353 BUT THAT HASN'T BEEN MY DESTINY. 650 00:33:41,387 --> 00:33:43,489 I KNOW. 651 00:33:43,522 --> 00:33:45,524 WELL, YOU DON'T KNOW EVERYTHING, SANDRA. 652 00:33:45,557 --> 00:33:47,493 I'VE PROTECTED YOU FROM THINGS. 653 00:33:47,526 --> 00:33:51,697 I NEVER ASKED FOR THAT. I DIDN'T ASK FOR PROTECTION. 654 00:33:51,730 --> 00:33:53,865 WELL, IF YOU WANT TO HAVE A FAMILY, BE IN A FAMILY, 655 00:33:53,899 --> 00:33:56,502 THAT'S WHAT YOU DO, RIGHT? 656 00:33:56,535 --> 00:34:01,773 DID SOMETHING ELSE HAPPEN? IS IT -- 657 00:34:01,807 --> 00:34:03,275 IT'S JUST... 658 00:34:03,309 --> 00:34:07,679 THE WORLD THAT WE LIVE IN IS A LITTLE DARKER 659 00:34:07,713 --> 00:34:11,517 AND A LITTLE UGLIER THAN I THINK YOU KNOW. 660 00:34:11,550 --> 00:34:15,521 OKAY. 661 00:34:15,554 --> 00:34:18,424 SO, SOMETIMES... 662 00:34:20,592 --> 00:34:22,928 WHAT? 663 00:34:29,301 --> 00:34:33,071 STAN... 664 00:34:33,105 --> 00:34:37,243 WE COULD JUST GET OUT. WE COULD JUST LEAVE. 665 00:34:37,276 --> 00:34:39,077 I MEAN, I DON'T EVEN CARE WHERE WE GO. 666 00:34:39,111 --> 00:34:42,381 WE COULD LIVE IN A SHACK, AND I WOULDN'T CARE. 667 00:34:42,414 --> 00:34:45,784 YOU AND ME AND MATTHEW -- THAT IS ALL THAT MATTERS. 668 00:34:45,817 --> 00:34:47,786 WE COULD LEAVE EVERYTHING ELSE BEHIND. 669 00:34:49,655 --> 00:34:51,923 [ Voice breaking ] PLEASE. 670 00:34:54,025 --> 00:34:57,396 [ BOTH LAUGH ] 671 00:34:57,429 --> 00:34:59,431 THEY GOT CHINESE IN MOSCOW? 672 00:34:59,465 --> 00:35:02,434 SEE? THAT'S ONE PROBLEM. 673 00:35:02,468 --> 00:35:04,069 [ SIGHS ] 674 00:35:04,102 --> 00:35:06,438 YOUR FRIEND CLAUDIA -- 675 00:35:06,472 --> 00:35:10,276 SHE STEPPED BETWEEN ME AND THAT DOOR. 676 00:35:10,309 --> 00:35:13,979 SHE REALLY THINK SHE CAN STOP ME IF I WANTED TO WALK OUT? 677 00:35:14,012 --> 00:35:15,314 YOU'D BE SURPRISED. 678 00:35:15,347 --> 00:35:17,749 [ LAUGHS ] THAT'S FUNNY. 679 00:35:17,783 --> 00:35:19,084 [ CHUCKLES ] 680 00:35:19,117 --> 00:35:22,321 RUSSIAN GIRLS. YOU'RE ALL TOUGH, HUH? 681 00:35:24,323 --> 00:35:25,657 I GUESS WE HAD TO BE. 682 00:35:25,691 --> 00:35:27,526 MM-HMM. 683 00:35:31,563 --> 00:35:35,133 THAT'S WHY I FELL FOR YOU. 684 00:35:35,167 --> 00:35:37,203 'CAUSE I'M A TOUGH GIRL? 685 00:35:48,247 --> 00:35:51,850 'CAUSE YOU'RE COMMITTED... 686 00:35:51,883 --> 00:35:55,354 UNCOMPROMISING, AND STUBBORN. 687 00:35:56,988 --> 00:35:58,690 YOU LIKE ALL THAT? 688 00:36:01,593 --> 00:36:03,462 DON'T TAKE HIM BACK. 689 00:36:03,495 --> 00:36:05,464 FIND SOMEBODY ELSE. 690 00:36:05,497 --> 00:36:07,666 HE'S GONNA SOFTEN YOU ALL UP. 691 00:36:09,768 --> 00:36:11,737 [ SIGHS ] GREGORY -- 692 00:36:11,770 --> 00:36:14,740 HEY. 693 00:36:14,773 --> 00:36:18,910 FIND SOMEBODY THAT WILL LOVE YOU FOR BEING SO STRONG. 694 00:36:32,190 --> 00:36:35,093 [ BREATHING HEAVILY ] 695 00:37:11,763 --> 00:37:13,699 I'M NOT GOING WITH YOU, ELIZABETH. 696 00:37:13,732 --> 00:37:16,568 THERE'S NOWHERE ELSE TO GO. 697 00:37:16,602 --> 00:37:19,204 YOU KNOW THEY PUT THE FBI AGENT'S MURDER ON ME. 698 00:37:19,237 --> 00:37:22,574 I HAD NOTHING TO DO WITH THAT. 699 00:37:22,608 --> 00:37:24,610 IT WAS A SMART THING TO DO. 700 00:37:24,643 --> 00:37:26,445 YOU KNOW, THE FBI -- THEY'RE GONNA KEEP GOING ON THIS THING 701 00:37:26,478 --> 00:37:27,913 UNTIL THEY GET SOMEONE. 702 00:37:27,946 --> 00:37:31,049 SO, YOU'RE -- YOU'RE WHAT? 703 00:37:31,082 --> 00:37:34,386 I'M GONNA WALK OUT THAT DOOR, FIND SOME MEN WITH GUNS, 704 00:37:34,420 --> 00:37:35,987 PUT AN END TO THIS HUNT 705 00:37:36,021 --> 00:37:38,557 SO YOU CAN KEEP DOING THE JOB THAT YOU WERE SENT HERE TO DO. 706 00:37:38,590 --> 00:37:41,593 GREGORY, NOBODY WANTS THAT. I DON'T WANT THAT. 707 00:37:41,627 --> 00:37:43,562 YOU'VE BEEN FAITHFUL TO THE CAUSE FOR YEARS. 708 00:37:43,595 --> 00:37:44,563 WE WANT TO REWARD YOU. 709 00:37:44,596 --> 00:37:46,064 THIS IS MY REWARD. 710 00:37:46,097 --> 00:37:48,734 [ SIGHS ] YOU'RE BEING STUPID. 711 00:37:48,767 --> 00:37:50,902 WE HAVE A WHOLE NEW LIFE FOR YOU. 712 00:37:50,936 --> 00:37:52,971 [ ZIPPER CLOSES ] 713 00:37:54,806 --> 00:37:57,075 I DON'T WANT A NEW LIFE. 714 00:37:57,108 --> 00:37:58,944 HEY, YOU DON'T KNOW HOW GOOD THINGS CAN BE. 715 00:37:58,977 --> 00:38:00,612 MOSCOW IS BEAUTIFUL. 716 00:38:00,646 --> 00:38:02,448 IT'S COSMOPOLITAN, MUCH MORE SO THAN WASHINGTON. 717 00:38:02,481 --> 00:38:05,116 THERE IS ART. THERE -- IT'S -- THERE'S CULTURE. 718 00:38:05,150 --> 00:38:07,085 YOU'RE A TRAVEL BROCHURE. 719 00:38:07,118 --> 00:38:09,087 LISTEN, PEOPLE WOULD BE IN AWE OF YOU, 720 00:38:09,120 --> 00:38:11,256 THE WAY YOU HAVE LIVED, WHAT YOU HAVE DONE. 721 00:38:11,289 --> 00:38:13,859 YOU KNOW ME, OKAY? 722 00:38:13,892 --> 00:38:16,261 I LIVED HERE. I FOUGHT HERE. 723 00:38:16,294 --> 00:38:18,029 THEY'RE NOT GONNA LET YOU STAY. THEY CAN'T. 724 00:38:18,063 --> 00:38:20,298 THEY CAN'T RISK THAT, THAT YOU COULD CHANGE YOUR MIND, 725 00:38:20,332 --> 00:38:21,833 THAT SOMETHING COULD GO WRONG. 726 00:38:21,867 --> 00:38:25,136 YOU TRUST ME. I AIN'T CHANGING MY MIND. 727 00:38:25,170 --> 00:38:28,974 I TRUST YOU. 728 00:38:29,007 --> 00:38:30,942 BUT YOU KNOW I CAN'T LET YOU. 729 00:38:30,976 --> 00:38:32,711 IT AIN'T UP TO YOU, ELIZABETH. 730 00:38:34,646 --> 00:38:39,217 I CAN'T! GREGORY, PLEASE. 731 00:38:39,250 --> 00:38:42,287 YOU CAN. 732 00:38:42,320 --> 00:38:44,022 PLEASE. 733 00:38:54,065 --> 00:38:55,834 GOODBYE, ELIZABETH. 734 00:38:55,867 --> 00:38:57,736 GREGORY... [ DOOR OPENS ] 735 00:38:59,938 --> 00:39:03,308 LOOK WHO'S HERE. 736 00:39:03,341 --> 00:39:04,810 HE WON'T COME. 737 00:39:04,843 --> 00:39:07,513 HE WANTS TO FIND SOME COPS TO SHOOT HIM. 738 00:39:07,546 --> 00:39:09,681 HE THINKS THAT'LL END THINGS FOR US. 739 00:39:09,715 --> 00:39:10,816 FOR US? 740 00:39:10,849 --> 00:39:13,084 TRUE TO THE END. 741 00:39:15,053 --> 00:39:16,655 COME ON, GREGORY. 742 00:39:16,688 --> 00:39:17,989 LOOK, YOU PEOPLE OWE ME THIS MUCH. 743 00:39:18,023 --> 00:39:19,224 WAIT OUTSIDE, ELIZABETH. 744 00:39:19,257 --> 00:39:20,859 GREGORY, PLEASE. I'M DONE TALKING. 745 00:39:20,892 --> 00:39:22,360 ELIZABETH, WAIT OUTSIDE. 746 00:39:22,394 --> 00:39:24,663 NO. 747 00:39:24,696 --> 00:39:27,265 YOU DON'T HAVE TO DO THIS. 748 00:39:29,701 --> 00:39:31,537 [ BREATHING SHAKILY ] 749 00:39:35,373 --> 00:39:37,709 I TRUST HIM, PHILIP. 750 00:39:37,743 --> 00:39:39,344 HE'LL DO WHAT HE SAYS. 751 00:39:39,377 --> 00:39:41,747 I THINK THAT WOULD BE A MISTAKE. 752 00:39:41,780 --> 00:39:45,551 WE OWE HIM THIS. HE'S RIGHT. 753 00:39:45,584 --> 00:39:48,420 AND I KNOW HIM. 754 00:39:48,454 --> 00:39:52,257 HE'S ALWAYS DONE EVERYTHING HE SAID HE'D DO. 755 00:39:52,290 --> 00:39:55,260 THAT'S WHO HE IS. 756 00:39:57,929 --> 00:40:00,365 PLEASE, PHILIP. 757 00:40:00,398 --> 00:40:05,303 I'M ASKING YOU. PLEASE. 758 00:40:42,841 --> 00:40:46,778 [ DOOR CLOSES ] 759 00:41:03,962 --> 00:41:06,331 [ ROBERTA FLACK'S "TO LOVE SOMEBODY" PLAYS ] 760 00:41:08,967 --> 00:41:12,604 * THERE'S A LIGHT 761 00:41:12,638 --> 00:41:14,472 [ CAR DOOR CLOSES ] 762 00:41:14,506 --> 00:41:18,209 * A CERTAIN KIND OF LIGHT [ ENGINE TURNS OVER ] 763 00:41:21,479 --> 00:41:26,051 * THAT NEVER SHINES 764 00:41:26,084 --> 00:41:30,522 * ON ME 765 00:41:33,659 --> 00:41:44,069 * I WANT MY WHOLE LIFE TO BE 766 00:41:44,102 --> 00:41:49,474 * LIVED WITH YOU, BABY 767 00:41:49,507 --> 00:41:55,380 * LIVED WITH YOU 768 00:41:57,115 --> 00:42:03,922 * THERE'S A WAY 769 00:42:03,955 --> 00:42:09,761 * MANY PEOPLE SAY 770 00:42:09,795 --> 00:42:17,736 * TO DO EVERYTHING 771 00:42:22,207 --> 00:42:28,413 * BUT WHAT GOOD DOES IT BRING 772 00:42:31,382 --> 00:42:37,355 * IF I AIN'T GOT YOU 773 00:42:37,388 --> 00:42:42,193 * IF I DON'T HAVE YOU? 774 00:42:42,227 --> 00:42:48,533 * OH, YOU DON'T 775 00:42:48,566 --> 00:42:51,469 [ INDISTINCT SHOUTING ] * YOU DON'T KNOW 776 00:42:51,502 --> 00:42:55,607 * YOU DON'T KNOW WHAT IT'S LIKE * 777 00:42:57,776 --> 00:43:04,282 * YOU DON'T KNOW WHAT IT'S LIKE * 778 00:43:06,952 --> 00:43:12,223 * TO LOVE SOMEBODY 779 00:43:12,257 --> 00:43:18,329 * TO LOVE SOMEBODY 780 00:43:18,363 --> 00:43:20,766 * THE WAY I LOVE YOU 781 00:43:20,799 --> 00:43:25,103 [ INDISTINCT CONVERSATION ] 782 00:43:25,136 --> 00:43:27,272 [ TV CHATTER ] 783 00:43:32,711 --> 00:43:36,648 * YOU DON'T HAVE TO BE 784 00:43:39,617 --> 00:43:43,855 * YOU DON'T HAVE TO BE SO BLIND * 785 00:43:44,823 --> 00:43:48,626 * I'M SO BLIND 786 00:43:48,660 --> 00:43:56,034 * YOU DON'T KNOW WHAT IT'S LIKE * 787 00:43:56,067 --> 00:43:58,036 Woman: THE STREETS OF WASHINGTON ERUPTED IN GUNFIRE 788 00:43:58,069 --> 00:44:00,638 WHEN GREGORY THOMAS, THE MAIN SUSPECT 789 00:44:00,672 --> 00:44:03,508 IN THE RECENT MURDER OF AN FBI AGENT DIED 790 00:44:03,541 --> 00:44:06,978 IN A BLOODY SHOOTOUT WITH AUTHORITIES TODAY DOWNTOWN. 791 00:44:07,012 --> 00:44:10,348 WITNESSES ON THE SCENE SAY THAT THOMAS OPENED FIRE WHEN D.C. -- 792 00:44:10,381 --> 00:44:11,883 [ CLICK ] 793 00:44:11,917 --> 00:44:21,126 * YOU DON'T KNOW WHAT IT'S LIKE * 794 00:44:21,159 --> 00:44:23,962 * TO LOVE SOMEBODY 795 00:44:23,995 --> 00:44:31,002 * YOU DON'T KNOW WHAT IT'S LIKE * 796 00:44:31,036 --> 00:44:32,971 [ INDISTINCT CONVERSATION ] 797 00:44:33,004 --> 00:44:35,640 * TO LOVE SOMEBODY 798 00:44:35,673 --> 00:44:40,812 * YOU DON'T KNOW WHAT IT'S LIKE * 799 00:44:40,846 --> 00:44:43,949 * TO LOVE SOMEBODY