1 00:00:08,103 --> 00:00:11,344 I REMEMBER TELLING MY MAMA 2 00:00:11,344 --> 00:00:16,137 I'’M GONNA BE A BIG STAR ONE DAY. 3 00:00:16,137 --> 00:00:17,689 IT DIDN'’T MATTER WHERE I CAME FROM. 4 00:00:17,689 --> 00:00:19,137 IT DIDN'’T MATTER WE DIDN'’T HAVE MONEY 5 00:00:19,137 --> 00:00:20,517 TO PAY OUR BILLS, YOU KNOW? 6 00:00:20,517 --> 00:00:23,655 ALL THREE OF US HAD THAT, THAT STRUGGLE. 7 00:00:23,655 --> 00:00:27,000 CHILLI GREW UP WITHOUT A DADDY FROM DAY ONE, 8 00:00:27,000 --> 00:00:29,103 SHE ALWAYS HAD THAT BEAUTIFUL SPIRIT, YOU KNOW, 9 00:00:29,103 --> 00:00:32,068 THAT JUST WANTED TO DANCE AND SING AND BE HEARD 10 00:00:32,068 --> 00:00:34,241 NO MATTER HOW HARD THINGS WERE. 11 00:00:34,241 --> 00:00:35,241 ME? 12 00:00:35,241 --> 00:00:36,586 [laughs] 13 00:00:36,586 --> 00:00:38,862 I WAS JUST TRYING TO BE ALL THAT, YOU KNOW. 14 00:00:38,862 --> 00:00:41,793 DADDY GONE, NO MONEY. 15 00:00:41,793 --> 00:00:45,793 I HUNG ONTO MY FANTASY, THOUGH, AND MY COOL. 16 00:00:45,793 --> 00:00:46,793 AND LISA? 17 00:00:46,793 --> 00:00:48,172 [laughs] 18 00:00:48,172 --> 00:00:50,655 LISA WAS A WILD, CREATIVE KID. 19 00:00:50,655 --> 00:00:51,862 I MEAN, SHE COULD DO ANYTHING: 20 00:00:51,862 --> 00:00:55,379 SING, WRITE, MAKE POETRY, MAKE ART. 21 00:00:55,379 --> 00:00:59,172 HER DRILL SERGEANT DADDY WAS A HARD DRINKING MAN. 22 00:00:59,172 --> 00:01:04,206 SHE PERFORMED JUST TO TRY AND GET HIS LOVE. 23 00:01:04,206 --> 00:01:06,586 DID WE KNOW HOW MAJOR WE'’D GET? 24 00:01:06,586 --> 00:01:08,758 WELL, LISA WOULD SAY SHE KNEW IT ALL ALONG. 25 00:01:08,758 --> 00:01:12,517 BUT SEE, THAT WAS THE THING, IT DID HAPPEN FOR US. 26 00:01:12,517 --> 00:01:13,931 I MEAN, OUR MOMENT CAME, 27 00:01:13,931 --> 00:01:18,310 AND WE TOOK IT ALL THE WAY TO THE TOP. 28 00:01:18,310 --> 00:01:21,034 OUR MUSIC REALLY TOOK US THERE, YOU KNOW? 29 00:01:21,034 --> 00:01:24,862 EVERY SINGLE ONE OF OUR SONGS CAME FROM THE HEART. 30 00:01:24,862 --> 00:01:29,827 ALL THE LOVE WE HAD, AND THE LOSS WE WENT THROUGH. 31 00:01:29,827 --> 00:01:34,068 THOSE SONGS TOLD OUR STORIES, FOR REAL. 32 00:01:55,103 --> 00:01:57,448 - ♪ I KNEW WHEN I FELL FOR YOU 33 00:01:57,448 --> 00:01:59,689 ♪ IT WASN'’T WHEN I WANTED TO ♪ 34 00:01:59,689 --> 00:02:00,896 ♪ BUT YOU WERE ACTING SO INTO ME ♪ 35 00:02:00,896 --> 00:02:05,103 - ♪ AU-TO-MATIC 36 00:02:05,103 --> 00:02:07,206 - ♪ WENT REAL GOOD FOR A MONTH OR TWO ♪ 37 00:02:07,206 --> 00:02:09,793 ♪ JUST LIKE EVERY RELATIONSHIP 38 00:02:09,793 --> 00:02:12,310 ♪ WE GOTTA EARN THAT TRUST TOO 39 00:02:12,310 --> 00:02:14,620 ♪ AND CAN'’T GET IT BABY ♪ 40 00:02:14,620 --> 00:02:16,965 - ♪ I KNEW WHEN YOU STARTED TO CHANGE ♪ 41 00:02:16,965 --> 00:02:19,448 ♪ WE COULD NEVER BE THE SAME 42 00:02:19,448 --> 00:02:22,620 ♪ I COULD DO IT WHEN YOU DO IT TO ME ♪ 43 00:02:22,620 --> 00:02:24,448 - ♪ AU-TO-MATIC 44 00:02:24,448 --> 00:02:27,034 - ♪ I KNEW IF IT CAME TO BE 45 00:02:27,034 --> 00:02:29,724 ♪ WE WOULD GET A CHANCE TO SEE 46 00:02:29,724 --> 00:02:32,034 ♪ A SIDE OF EACH OTHER 47 00:02:32,034 --> 00:02:35,310 ♪ THAT WE BOTH DIDN'’T KNOW ♪ 48 00:02:35,310 --> 00:02:38,000 - ♪ WHAT DID YOU WANT 49 00:02:38,000 --> 00:02:40,206 - ♪ AND I WANTED TO BE YOUR LADY ♪ 50 00:02:40,206 --> 00:02:43,103 - ♪ I CAN BE COOL 51 00:02:43,103 --> 00:02:45,586 - ♪ BUT IF YOU'’RE GONNA ACT CRAZY ♪ 52 00:02:45,586 --> 00:02:47,068 - ♪ WHAT YOU WANT 53 00:02:47,068 --> 00:02:48,068 - ♪ BABY, THAT'’S JUST ♪ 54 00:02:48,068 --> 00:02:50,482 ♪ JUST AUTOMATIC 55 00:03:00,275 --> 00:03:04,689 - ATLANTA WAS THE CITY, DECATUR WAS THE NEIGHBORHOOD, 56 00:03:04,689 --> 00:03:07,379 AND JELLYBEANS WAS THE SPOT. 57 00:03:07,379 --> 00:03:10,931 THE HIP HOP STYLE OF THE SOUTH WAS BORN OUT OF THIS RINK; 58 00:03:10,931 --> 00:03:17,137 FROM THE CLOTHES, TO THE LINGO, TO THE DANCE MOVES. 59 00:03:17,137 --> 00:03:18,724 SEE, ON THE DANCE FLOOR, 60 00:03:18,724 --> 00:03:20,206 IT WAS ALL ABOUT THE GUYS 61 00:03:20,206 --> 00:03:25,724 AND THE GIRLS WERE JUST WATCHING ON THE SIDE LINES. 62 00:03:25,724 --> 00:03:28,137 BUT I WASN'’T INTERESTED IN JUST WATCHING. 63 00:03:28,137 --> 00:03:30,758 I WANTED IN ON THE BOY'’S CLUB. 64 00:03:30,758 --> 00:03:32,620 I MEAN, WHY SHOULD THEY HAVE ALL THE FUN? 65 00:03:32,620 --> 00:03:35,551 [crowd cheers] 66 00:04:08,448 --> 00:04:10,517 - YO D, LET ME DANCE ON YOUR CREW, MAN. 67 00:04:10,517 --> 00:04:13,862 I DON'’T KNOW ABOUT THAT, SHORTY. 68 00:04:13,862 --> 00:04:15,413 TIONNE, I'’VE BEEN LOOKING FOR YOU. 69 00:04:15,413 --> 00:04:16,827 WHAT'’S GOOD, MARIE? 70 00:04:16,827 --> 00:04:18,586 IAN BURKE REALLY LIKES YOU FOR THAT GIRL GROUP. 71 00:04:18,586 --> 00:04:20,413 NAW, I AIN'’T TRYIN'’ TO BE IN NO GIRL GROUP. 72 00:04:20,413 --> 00:04:22,275 THIS GIRL CRYSTAL IS GETTING IT TOGETHER. 73 00:04:22,275 --> 00:04:23,793 THIS IS THE REAL DEAL. 74 00:04:23,793 --> 00:04:25,758 COME ON, YOU CAN SING. 75 00:04:25,758 --> 00:04:27,068 I'’M JUST TRYIN'’ TO DANCE. 76 00:04:27,068 --> 00:04:28,724 WELL, PEBBLES IS STARTING HER OWN LABEL 77 00:04:28,724 --> 00:04:30,068 HERE IN ATLANTA. 78 00:04:30,068 --> 00:04:31,517 YOU TALKIN'’ ABOUT PEBBLES AS IN, 79 00:04:31,517 --> 00:04:33,206 "DON'’T YOU WANNA RIDE IN MY MERCEDES, BOY?" PEBBLES? 80 00:04:33,206 --> 00:04:35,034 MM-HMM. I CAN HOOK IT UP. 81 00:04:35,034 --> 00:04:37,206 YOU KNOW I DO PEBBLES HAIR, RIGHT? 82 00:04:37,206 --> 00:04:39,793 PEBBLES IS MARRIED TO L.A. REID OF LA FACE RECORDS. 83 00:04:39,793 --> 00:04:41,137 THEY'’RE KILLIN'’ IT IN ATLANTA, 84 00:04:41,137 --> 00:04:42,896 SIGNIN'’ FOLKS AND GETTING RECORDS MADE, 85 00:04:42,896 --> 00:04:44,413 FOR REAL. 86 00:04:44,413 --> 00:04:45,862 GIRL GROUP OR NOT, 87 00:04:45,862 --> 00:04:47,931 I WASN'’T ABOUT TO PASS UP ON THIS OPPORTUNITY. 88 00:04:47,931 --> 00:04:49,379 I MEAN, CRYSTAL DID HAVE THE CONNECT, 89 00:04:49,379 --> 00:04:50,965 BUT I HAD TO BRING SOME INSURANCE 90 00:04:50,965 --> 00:04:53,000 THAT OUR GROUP WOULD BE HOT. 91 00:04:53,000 --> 00:04:54,482 AND I KNEW JUST THE VOICE 92 00:04:54,482 --> 00:04:56,448 THAT WAS BIG ENOUGH TO STAND OUT. 93 00:04:56,448 --> 00:04:57,689 - ♪ AND EVERY TIME I TURN AROUND ♪ 94 00:04:57,689 --> 00:04:58,862 ♪ HE TRYIN'’ TO SPEND THE NIGHT ♪ 95 00:04:58,862 --> 00:05:00,034 ♪ BUT I BE LIKE WHOOP 96 00:05:00,034 --> 00:05:01,275 ♪ I GOT MONEY TO MAKE 97 00:05:01,275 --> 00:05:02,517 ♪ AND EVERY TIME HE TURN AROUND ♪ 98 00:05:02,517 --> 00:05:04,068 ♪ HE FIND A RUMP TO SHAKE 99 00:05:04,068 --> 00:05:05,862 ♪ AND WHEN HE TALK SLICK, '’BOUT THE STICK ♪ 100 00:05:05,862 --> 00:05:06,931 ♪ REALLY TRYIN'’ TO HIT ♪ 101 00:05:06,931 --> 00:05:08,137 ♪ TELL A BROTHA'’ COME LEGIT ♪ 102 00:05:08,137 --> 00:05:09,827 ♪ IF IT'’S ME YOU TRYIN'’ TO GET ♪ 103 00:05:09,827 --> 00:05:12,172 ♪ I'’M EDUCATIN'’ AND I LOVE IT AND IT WON'’T STOP, 104 00:05:12,172 --> 00:05:14,137 ♪ TAKIN'’ IT STRAIGHT TO THE TIGGITY TIGGITY TOP ♪ 105 00:05:14,137 --> 00:05:15,413 ♪ WITH GOD AS MY WITNESS 106 00:05:15,413 --> 00:05:17,620 ♪ NO YOU CAN'’T FLIP THIS ♪ OR KICK THIS 107 00:05:17,620 --> 00:05:21,413 ♪ OR FLIPS OR FLOW HOW I HITS IT ♪ 108 00:05:21,413 --> 00:05:22,827 ALL RIGHT FOLKS, 109 00:05:22,827 --> 00:05:24,172 PUT THE MONEY IN THE HAT 110 00:05:24,172 --> 00:05:25,517 AND PROMISE YOU'’LL BE RIGHT BACK. 111 00:05:25,517 --> 00:05:26,517 - THANK YOU VERY MUCH. 112 00:05:26,517 --> 00:05:27,827 - OKAY, ALL RIGHT NOW. 113 00:05:27,827 --> 00:05:29,965 YO, LISA, DOPE. 114 00:05:29,965 --> 00:05:31,344 TIONNE, WHAT UP GIRL? 115 00:05:31,344 --> 00:05:32,931 THIS IS CRYSTAL, WHO I WAS TELLING YOU ABOUT. 116 00:05:32,931 --> 00:05:34,793 - HEY, CRYSTAL. NICE TO MEET YOU. 117 00:05:34,793 --> 00:05:36,137 YOU TOO. 118 00:05:36,137 --> 00:05:37,586 I LIKE YOUR RHYMES. YOU GOT FLAVOR, GIRL. 119 00:05:37,586 --> 00:05:39,758 I KNOW IT, '’CAUSE I'’M ABOUT TO BLOW UP. 120 00:05:39,758 --> 00:05:41,517 I GOT MY WHOLE SETUP. 121 00:05:41,517 --> 00:05:43,275 YEAH, SHE'’LL BE PERFECT FOR THE GROUP. 122 00:05:43,275 --> 00:05:45,965 GIRL, TELL ME SOMETHING THAT I DON'’T KNOW. 123 00:05:45,965 --> 00:05:47,241 [laughter] 124 00:05:47,241 --> 00:05:48,620 - OH, MY GOD. 125 00:05:48,620 --> 00:05:51,413 FOOD READY, GIRLS. 126 00:05:51,413 --> 00:05:52,448 ENJOY. 127 00:05:52,448 --> 00:05:54,000 THANK YOU. 128 00:05:57,965 --> 00:05:59,862 DANG, LISA, WHEN'’S THE LAST TIME YOU ATE? 129 00:05:59,862 --> 00:06:01,931 TOO DAMN LONG, GIRL. 130 00:06:01,931 --> 00:06:03,551 YOU KNOW, I FEEL YOU ON THAT. 131 00:06:03,551 --> 00:06:04,931 IT USED TO BE ME AND MY MOMS E 132 00:06:04,931 --> 00:06:07,620 ATING WATERMELON AND POPCORN FOR DINNER, 133 00:06:07,620 --> 00:06:09,310 '’CAUSE THAT'’S ALL WE COULD SCRAPE TOGETHER. 134 00:06:09,310 --> 00:06:10,310 I FEEL YOU. 135 00:06:10,310 --> 00:06:11,793 MM-HMM. 136 00:06:11,793 --> 00:06:14,103 I HEARD YOU CAME DOWN FROM PHILLY 137 00:06:14,103 --> 00:06:16,344 WITH $100 AND A KEYBOARD 138 00:06:16,344 --> 00:06:18,137 AND JUST POSTED UP, LIKE... 139 00:06:18,137 --> 00:06:19,862 - [laughs] 140 00:06:19,862 --> 00:06:22,793 BELIEVE THAT, I HAD TO GET OUT OF THERE. 141 00:06:22,793 --> 00:06:23,827 IT WAS HECTIC BACK HOME. 142 00:06:23,827 --> 00:06:26,793 YOU KNOW, MY FAMILY'’S CRAZY, 143 00:06:26,793 --> 00:06:29,551 BUT THIS IS WHERE IT'’S AT. 144 00:06:29,551 --> 00:06:32,206 SO, WHAT, YOUR FOLKS COOL WITH YOU BEIN'’ DOWN HERE? 145 00:06:32,206 --> 00:06:35,517 MY DAD, NO, 146 00:06:35,517 --> 00:06:38,413 AND I DON'’T GET IT, '’CAUSE THIS DUDE IS A MUSICIAN. 147 00:06:38,413 --> 00:06:40,448 DON'’T EVEN TRIP, MY FOLKS DID MUSIC. 148 00:06:40,448 --> 00:06:43,379 YOU KNOW, MY DAD HAD THE BAND, MY MAMA WAS SINGING BACKUP, 149 00:06:43,379 --> 00:06:45,551 AND HE ENDED UP CHOOSING MUSIC OVER US, 150 00:06:45,551 --> 00:06:46,896 SO WE HAD TO BE OUT, 151 00:06:46,896 --> 00:06:49,103 AND THAT'’S HOW IT BE SOMETIMES. 152 00:06:49,103 --> 00:06:52,413 YOU KNOW WHAT, I THINK WITH MY DAD, 153 00:06:52,413 --> 00:06:57,034 IT JUST WAS NOBODY WAS EVER GOOD ENOUGH FOR HIM, YOU KNOW? 154 00:06:57,034 --> 00:06:59,931 I GUESS BEIN'’ IN THE MILITARY MADE HIM HARD TO PLEASE. 155 00:07:02,206 --> 00:07:04,344 BUT HE GONNA SEE, THOUGH. 156 00:07:04,344 --> 00:07:07,965 YEAH, HE DEFINITELY GONNA SEE, 157 00:07:07,965 --> 00:07:09,965 '’CAUSE I'’MA MAKE HIM PROUD. 158 00:07:09,965 --> 00:07:11,448 '’CAUSE I'’M FITTIN'’ TO BLOW UP. 159 00:07:11,448 --> 00:07:14,620 BLOW IT UP. 160 00:07:14,620 --> 00:07:16,206 LA FACE RECORDS: 161 00:07:16,206 --> 00:07:18,620 THE MOTOWN OF THE SOUTH, BABY. 162 00:07:18,620 --> 00:07:21,275 OWNED BY BABYFACE AND L.A. REID. 163 00:07:21,275 --> 00:07:23,931 NOBODY MADE IT WITHOUT GOING THROUGH L.A. 164 00:07:23,931 --> 00:07:25,068 LADIES? 165 00:07:25,068 --> 00:07:26,206 YOU CAN GO IN NOW. 166 00:07:33,551 --> 00:07:36,103 ♪ I GOT A MEETING IN THE LADIES ROOM ♪ 167 00:07:36,103 --> 00:07:37,758 I DON'’T NEED THIS. 168 00:07:37,758 --> 00:07:39,896 ♪ I'’LL BE BACK REAL SOON ♪ 169 00:07:39,896 --> 00:07:41,827 THAT'’S WHAT I GET FOR BEING IN THE NEIGHBORHOOD. 170 00:07:41,827 --> 00:07:43,551 ♪ I'’VE GOT A MEETING IN THE LADIES ROOM ♪ 171 00:07:43,551 --> 00:07:45,137 WHERE'’S MY JEWELRY? 172 00:07:45,137 --> 00:07:47,275 ♪ I'’LL BE BACK REAL SOON ♪ 173 00:07:47,275 --> 00:07:48,965 CAN WE TALK? 174 00:07:48,965 --> 00:07:50,655 ♪ I DON'’T MIND ♪ 175 00:07:50,655 --> 00:07:52,931 ♪ BUT CAN YOU WATCH YOUR MAN? ♪ 176 00:07:52,931 --> 00:07:54,517 ♪ I THINK YOU BETTER WATCH YOUR MAN ♪ 177 00:07:54,517 --> 00:07:56,206 - [coughs] 178 00:07:56,206 --> 00:07:58,137 ♪ '’CAUSE GIRL HE'’S GONNA ♪ 179 00:07:58,137 --> 00:07:59,137 [clears throat] 180 00:07:59,137 --> 00:08:00,517 ♪ LIKE NOBODY ELSE CAN 181 00:08:00,517 --> 00:08:03,724 ♪ ALL THE GIRLS ARE WATCHIN'’ HIM ♪ 182 00:08:03,724 --> 00:08:06,034 ALL RIGHT, THANK YOU. 183 00:08:06,034 --> 00:08:07,034 THANK YOU, GIRLS. 184 00:08:07,034 --> 00:08:08,965 GOOD JOB, THANK YOU. 185 00:08:08,965 --> 00:08:10,793 MY HUSBAND AND I WILL DISCUSS THIS, 186 00:08:10,793 --> 00:08:12,620 AND WE'’LL GIVE YOU A CALL. 187 00:08:12,620 --> 00:08:13,793 ALL RIGHT. THANKS. 188 00:08:13,793 --> 00:08:16,275 LISA, TIONNE, CAN YOU WAIT A SECOND? 189 00:08:16,275 --> 00:08:17,965 OH, CRYSTAL, YOU'’RE OKAY, YOU CAN GO. 190 00:08:17,965 --> 00:08:19,551 THANK YOU. 191 00:08:25,413 --> 00:08:27,586 I LOVE YOU TWO, BUT HER? 192 00:08:27,586 --> 00:08:30,068 SHE'’S GOT TO GO. 193 00:08:30,068 --> 00:08:31,724 I'’LL GIVE YOU A CALL DURING THE WEEK. 194 00:08:31,724 --> 00:08:33,689 GOOD JOB, GOOD JOB. 195 00:08:33,689 --> 00:08:35,172 THANKS. THANK YOU. 196 00:08:39,931 --> 00:08:41,655 both: YO, WE KILLED IT! 197 00:08:41,655 --> 00:08:44,310 [laughter] 198 00:08:44,310 --> 00:08:45,862 WE KILLED IT! 199 00:08:45,862 --> 00:08:48,586 WE '’BOUT TO BLOW UP. 200 00:08:48,586 --> 00:08:51,827 LET ME CALL MY DAD. 201 00:08:51,827 --> 00:08:57,068 OH, MY GOD, GIRL. 202 00:08:57,068 --> 00:08:58,551 YEAH, HELLO? 203 00:08:58,551 --> 00:09:00,068 IT'’S LISA. 204 00:09:00,068 --> 00:09:01,241 MAN, I'’VE BEEN TRYIN'’ TO REACH Y'’ALL ALL DAY. 205 00:09:01,241 --> 00:09:04,827 LET ME SPEAK TO DAD. 206 00:09:04,827 --> 00:09:07,655 WHAT? 207 00:09:07,655 --> 00:09:08,862 HE'’S BEEN SHOT? 208 00:09:08,862 --> 00:09:11,137 WHAT? 209 00:09:11,137 --> 00:09:12,620 I MEAN, WELL, HE'’S ALL RIGHT, THOUGH, RIGHT? 210 00:09:12,620 --> 00:09:14,862 I MEAN, HE'’S-- HE'’S GONNA BE ALL RIGHT? 211 00:09:19,931 --> 00:09:21,241 HE GOOD? 212 00:09:32,448 --> 00:09:35,517 NO LIE, SAME EXACT DAY LISA WALKED OUT 213 00:09:35,517 --> 00:09:37,241 WITH THE BEST NEWS OF HER LIFE, 214 00:09:37,241 --> 00:09:39,068 SHE GETS THE WORST NEWS OF HER LIFE. 215 00:09:42,689 --> 00:09:46,275 WE FOUND OUT REAL FAST JUST HOW CRAZY OUR LIVES WOULD BE. 216 00:09:51,758 --> 00:09:54,896 THREE, FOUR, FIVE, SIX, SEVEN, EIGHT. 217 00:09:54,896 --> 00:09:58,482 - THE ATL WAS FULL OF BACKUP DANCERS. 218 00:09:58,482 --> 00:10:02,482 CAN YOU TELL WHICH ONE IS ME? 219 00:10:02,482 --> 00:10:07,137 YEAH, I'’M JUST ANOTHER PERFORMER LOST IN THE BACKGROUND. 220 00:10:07,137 --> 00:10:09,448 BUT THAT WAS ABOUT TO CHANGE. 221 00:10:09,448 --> 00:10:11,068 LADIES, GIVE ME FIVE MINUTES, OKAY? 222 00:10:14,103 --> 00:10:15,793 WHAT IS PEBBLES DOING HERE? 223 00:10:15,793 --> 00:10:17,413 SHE'’S PUTTING TOGETHER A GIRL GROUP. 224 00:10:17,413 --> 00:10:18,931 NOW, THAT'’S WHAT I'’M TALKIN'’ ABOUT. 225 00:10:18,931 --> 00:10:20,689 YOU NEED TO BE ABLE TO SING. 226 00:10:20,689 --> 00:10:22,241 WHO SAID I CAN'’T SING? 227 00:10:22,241 --> 00:10:24,620 PLEASE, GIRL, YOU A BACKUP DANCER 228 00:10:24,620 --> 00:10:26,034 LIKE EVERYBODY ELSE. 229 00:10:26,034 --> 00:10:28,275 WELL, I'’M NOT LIKE EVERYBODY ELSE. 230 00:10:35,206 --> 00:10:37,827 PEBBLES, ROZANDA. 231 00:10:37,827 --> 00:10:38,965 I KNOW WHO YOU ARE. 232 00:10:38,965 --> 00:10:41,379 WELL, DO YOU KNOW I CAN SING TOO? 233 00:10:41,379 --> 00:10:42,827 OH, REALLY? ROZANDA, YOU'’RE NOT-- 234 00:10:42,827 --> 00:10:44,517 ♪ WON'’T YOU ♪ 235 00:10:44,517 --> 00:10:46,862 ♪ JUST GIVE ME A CHANCE 236 00:10:46,862 --> 00:10:50,758 ♪ CHANCE? 237 00:10:50,758 --> 00:10:52,689 OKAY, ROZANDA. 238 00:10:54,206 --> 00:10:55,103 I'’LL CALL YOU. 239 00:11:04,379 --> 00:11:06,344 - WHAT ABOUT FINISHING SCHOOL? 240 00:11:06,344 --> 00:11:07,724 IT'’S PEBBLES, MOM. 241 00:11:07,724 --> 00:11:09,551 I'’M AUDITIONING FOR PEBBLES. 242 00:11:09,551 --> 00:11:11,068 YOU SURE ABOUT THIS, HUH? 243 00:11:11,068 --> 00:11:12,586 SHE'’S PUTTING TOGETHER A GIRL GROUP, 244 00:11:12,586 --> 00:11:14,551 AND THIS IS MY MOMENT. 245 00:11:14,551 --> 00:11:16,931 I GOT TO GO FOR IT. 246 00:11:16,931 --> 00:11:19,448 GOT TO GO FOR IT. 247 00:11:19,448 --> 00:11:20,620 GIRL, YOU'’VE BEEN SAYING THIS 248 00:11:20,620 --> 00:11:22,517 SINCE YOU COULD STAND ON TWO FEET. 249 00:11:22,517 --> 00:11:26,206 [laughter] 250 00:11:26,206 --> 00:11:30,034 OKAY, YOU'’RE AN ADULT, RO, 251 00:11:30,034 --> 00:11:32,758 AND YOU NEED TO DO WHAT IS BEST FOR YOU. 252 00:11:32,758 --> 00:11:37,379 I CAN GO BACK TO SCHOOL ANY TIME, BUT THIS? 253 00:11:37,379 --> 00:11:39,758 I GOT TO GO FOR THIS. 254 00:11:39,758 --> 00:11:41,379 IT'’S MY DREAM. 255 00:11:41,379 --> 00:11:43,724 I DON'’T WANT TO LOOK BACK AND THINK, 256 00:11:43,724 --> 00:11:46,448 "WISH I'’D DONE THAT." 257 00:11:46,448 --> 00:11:49,137 I DON'’T WANT ANY REGRETS. 258 00:11:49,137 --> 00:11:50,724 NO REGRETS, BABY. 259 00:11:59,965 --> 00:12:02,034 WHAT TIME IS IT, MAN? 260 00:12:02,034 --> 00:12:05,827 WHERE IS SHE? 261 00:12:05,827 --> 00:12:06,827 YOU ALL RIGHT? 262 00:12:06,827 --> 00:12:11,586 YEAH. 263 00:12:11,586 --> 00:12:13,000 LET'’S DO THIS. 264 00:12:17,827 --> 00:12:18,862 HEY, GIRLS! 265 00:12:18,862 --> 00:12:20,275 LISA LOPES, TIONNE WATKINS, 266 00:12:20,275 --> 00:12:22,034 THIS IS ROZANDA THOMAS. 267 00:12:22,034 --> 00:12:23,689 WE'’RE GONNA SEE IF THIS MIGHT WORK. 268 00:12:23,689 --> 00:12:27,620 HEY, IT'’S SO GREAT TO MEET Y'’ALL! 269 00:12:27,620 --> 00:12:29,931 ROZANDA'’S BEEN DANCING FOR DAMIAN DAME, 270 00:12:29,931 --> 00:12:32,172 BUT SHE'’S GOT SOME PIPES TOO. 271 00:12:32,172 --> 00:12:33,482 OKAY. 272 00:12:33,482 --> 00:12:35,586 DALLAS, GREAT, THANKS FOR COMING. 273 00:12:35,586 --> 00:12:37,206 WHY DON'’T YOU COME AND SET UP OVER HERE? 274 00:12:37,206 --> 00:12:39,379 LISA, ROZANDA, THIS IS DALLAS AUSTIN. 275 00:12:39,379 --> 00:12:40,758 AND YOU TWO KNOW EACH OTHER. 276 00:12:40,758 --> 00:12:42,448 WHAT'’S UP, T? WHAT UP, D? 277 00:12:42,448 --> 00:12:43,931 HOW DID YOU FIND HIM, TIONNE? 278 00:12:43,931 --> 00:12:45,862 I LOVE HIS TAPES, LOVE HIS MIXES. 279 00:12:45,862 --> 00:12:48,275 WE GO WAY BACK, RIGHT? SCHOOL. 280 00:12:48,275 --> 00:12:49,586 JELLYBEANS. 281 00:12:49,586 --> 00:12:51,827 HE THE REAL JAM TOO. 282 00:12:51,827 --> 00:12:54,000 DALLAS HAS SOME TRACKS I WANT YOU GIRLS TO WORK WITH. 283 00:12:54,000 --> 00:12:55,965 SO WE'’LL LISTEN TO IT AND GIVE IT A TRY. 284 00:13:03,482 --> 00:13:04,551 HEY, HEY! 285 00:13:04,551 --> 00:13:06,275 OKAY! OKAY. 286 00:13:06,275 --> 00:13:08,034 LET ME SEE WHAT YOU GOT. COME ON. 287 00:13:08,034 --> 00:13:09,068 OKAY. 288 00:13:09,068 --> 00:13:10,241 YEAH. 289 00:13:10,241 --> 00:13:13,413 THAT'’S DOPE. 290 00:13:13,413 --> 00:13:17,413 UH-HUH, OKAY. 291 00:13:17,413 --> 00:13:18,586 THAT'’S NICE. 292 00:13:18,586 --> 00:13:21,413 LET'’S TRY TO--OH. 293 00:13:21,413 --> 00:13:23,103 THAT'’S CRAZY. 294 00:13:23,103 --> 00:13:25,689 UH-HUH. 295 00:13:25,689 --> 00:13:28,275 OKAY, SO YOU GUYS GOT THE LYRICS, RIGHT? 296 00:13:28,275 --> 00:13:31,379 WELL, LET'’S RUN THIS CHORUS REAL QUICK. 297 00:13:31,379 --> 00:13:32,379 ALL RIGHT. 298 00:13:32,379 --> 00:13:34,862 ♪ WHAT ABOUT YOUR FRIENDS? 299 00:13:34,862 --> 00:13:37,137 ♪ WILL THEY STAND THEIR GROUND 300 00:13:37,137 --> 00:13:39,931 ♪ WILL THEY LET YOU DOWN AGAIN? ♪ 301 00:13:39,931 --> 00:13:41,275 GET IN A LITTLE HARMONY. 302 00:13:41,275 --> 00:13:43,862 both: ♪ WHAT ABOUT YOUR FRIENDS? 303 00:13:43,862 --> 00:13:46,275 ♪ ARE THEY GONNA BE LOW DOWN? 304 00:13:46,275 --> 00:13:50,034 ♪ WILL THEY EVER BE AROUND? 305 00:13:50,034 --> 00:13:52,586 ♪ OR WILL THEY TURN THEIR BACKS ON YOU? ♪ 306 00:13:52,586 --> 00:13:53,724 THAT'’S HOT RIGHT THERE. 307 00:13:53,724 --> 00:13:55,137 I DEFINITELY COULD KICK A RHYME TO THAT. 308 00:13:55,137 --> 00:13:57,655 - ♪ WHAT ABOUT YOUR FRIENDS? 309 00:13:57,655 --> 00:13:59,896 ♪ WILL THEY STAND THEIR GROUND? ♪ 310 00:13:59,896 --> 00:14:01,931 ♪ WILL THEY LET YOU DOWN? 311 00:14:01,931 --> 00:14:04,103 ♪ YEAH 312 00:14:04,103 --> 00:14:06,689 ♪ WHAT ABOUT YOUR FRIENDS? 313 00:14:06,689 --> 00:14:09,034 ♪ ARE THEY GONNA BE LOW DOWN? 314 00:14:09,034 --> 00:14:13,275 ♪ WILL THEY EVER BE AROUND? 315 00:14:13,275 --> 00:14:14,448 - ♪ WELL, IS IT ME 316 00:14:14,448 --> 00:14:15,448 ♪ OR CAN IT BE 317 00:14:15,448 --> 00:14:16,862 ♪ I AM A LITTLE TOO FRIENDLY 318 00:14:16,862 --> 00:14:17,862 ♪ SO TO SPEAK 319 00:14:17,862 --> 00:14:18,862 ♪ HYPOTHETICALLY 320 00:14:18,862 --> 00:14:20,931 ♪ SAY I SUPPLY CREATIVITY 321 00:14:20,931 --> 00:14:22,310 ♪ TO WHAT OTHERS MUST TAKE 322 00:14:22,310 --> 00:14:23,655 ♪ AS A FORM OF SELF-HATE 323 00:14:23,655 --> 00:14:25,517 ♪ ONLY TO MAKE AN ENEMY 324 00:14:25,517 --> 00:14:28,000 ♪ WHICH RESULTS IN UNFORTUNATE DESTINY ♪ 325 00:14:28,000 --> 00:14:29,000 ♪ THEY DOG ME OUT 326 00:14:29,000 --> 00:14:30,379 ♪ THEN BE NEXT TO ME 327 00:14:30,379 --> 00:14:32,758 ♪ JUST CAUSE I AM WHAT SOME CHOOSE TO ENVY ♪ 328 00:14:32,758 --> 00:14:34,206 [claps] 329 00:14:34,206 --> 00:14:36,172 - YES! 330 00:14:36,172 --> 00:14:39,724 I MEAN, IT'’S KIND OF NEW EDITION, BUT RAP TOO. 331 00:14:39,724 --> 00:14:42,068 STREET, BUT NOT GHETTO. 332 00:14:42,068 --> 00:14:43,344 YEAH, I LIKE IT. 333 00:14:43,344 --> 00:14:44,655 I LIKE IT. 334 00:14:44,655 --> 00:14:48,448 AND NO GIRLS EVER DONE ANYTHING LIKE THIS. 335 00:14:48,448 --> 00:14:52,413 I MEAN, THIS ONE, SHE'’S RAP, RIGHT? 336 00:14:52,413 --> 00:14:55,965 AND THEN YOU'’VE GOT THE FUNK HIP HOP, YOU KNOW, 337 00:14:55,965 --> 00:14:57,793 WITH THE LOW GROWL. 338 00:14:57,793 --> 00:15:00,379 AND THEN YOU'’VE GOT THE PRETTY ONE HERE, 339 00:15:00,379 --> 00:15:04,034 REPRESENTING R&B. 340 00:15:04,034 --> 00:15:06,310 AND I LIKE THE MESSAGE, YOU KNOW? 341 00:15:06,310 --> 00:15:08,241 IT'’S-- 342 00:15:08,241 --> 00:15:10,482 IT'’S EMPOWERING. 343 00:15:10,482 --> 00:15:12,827 I'’M EXCITED ABOUT THIS. 344 00:15:12,827 --> 00:15:13,896 YES, YES, YES. 345 00:15:13,896 --> 00:15:15,586 THIS IS VERY NICE, VERY NICE. 346 00:15:15,586 --> 00:15:17,724 ALL RIGHT, SO WHAT DO WE CALL THEM? 347 00:15:17,724 --> 00:15:20,034 WELL, I WAS ORIGINALLY THINKING TLC 348 00:15:20,034 --> 00:15:21,241 FOR TIONNE, LISA, AND CRYSTAL. 349 00:15:21,241 --> 00:15:22,896 NICE. 350 00:15:22,896 --> 00:15:25,310 BUT NOW WE HAVE ROZANDA. 351 00:15:25,310 --> 00:15:26,655 IT'’S NOT GONNA WORK. 352 00:15:26,655 --> 00:15:27,931 WELL, NO, HOLD ON. 353 00:15:27,931 --> 00:15:30,724 I MEAN, WE CAN-- WE CAN STILL DO THAT. 354 00:15:30,724 --> 00:15:32,068 JUST CALL HER SOMETHING ELSE. 355 00:15:32,068 --> 00:15:34,448 LIKE CHILLI, '’CAUSE SHE'’S SO HOT! 356 00:15:34,448 --> 00:15:35,862 I ALWAYS WANTED A NICKNAME. 357 00:15:35,862 --> 00:15:38,793 I WAS THINKING MAYBE WE COULD PUT THEM IN SOME HEELS, 358 00:15:38,793 --> 00:15:40,206 MAYBE IN A LIGHT SKIRT. 359 00:15:40,206 --> 00:15:43,034 - ACTUALLY, UM, YOU KNOW, WE THINK THIS WORKS. 360 00:15:43,034 --> 00:15:45,275 PLUS, AIN'’T NOBODY EVER SEEN GIRLS DANCE LIKE WE CAN. 361 00:15:45,275 --> 00:15:49,137 YUP, AND DO THAT BOOTY PUMPIN, RUMP SHAKIN'’. 362 00:15:49,137 --> 00:15:51,000 OKAY, OKAY, FINE, FINE. 363 00:15:51,000 --> 00:15:55,241 I AGREE, BUT YOU ALL NEED TO WORK, UNDERSTAND? 364 00:15:55,241 --> 00:15:57,551 WE ARE GONNA REHEARSE THIS INTO THE GROUND. 365 00:15:57,551 --> 00:15:59,896 HOW DO YOU THINK THOSE MOTOWN ARTISTS GOT SO GOOD? 366 00:15:59,896 --> 00:16:01,965 SUPREMES, JACKSON 5. 367 00:16:01,965 --> 00:16:03,551 YOU NEED TO BE PREPARED, 368 00:16:03,551 --> 00:16:05,965 BECAUSE WHEN I TAKE THIS OUT AND YOU HIT, 369 00:16:05,965 --> 00:16:08,241 '’CAUSE YOU WILL HIT, 370 00:16:08,241 --> 00:16:09,931 IT'’S GONNA EXPLODE, 371 00:16:09,931 --> 00:16:11,827 AND YOU BETTER BE READY FOR THAT. 372 00:16:11,827 --> 00:16:13,310 [girls scream] 373 00:16:13,310 --> 00:16:15,275 YO, I'’M TELLIN'’ Y'’ALL, WE GONNA BE LARGE! 374 00:16:15,275 --> 00:16:16,689 LARGE AND IN CHARGE, WHAT. 375 00:16:16,689 --> 00:16:18,137 WE '’BOUT TO BLOW UP. 376 00:16:18,137 --> 00:16:19,137 WORD. 377 00:16:19,137 --> 00:16:20,379 MILLIONS OF RECORDS SOLD. 378 00:16:20,379 --> 00:16:21,689 CHILLI, THOUGH, YOU DID YOUR THANG! 379 00:16:21,689 --> 00:16:23,206 THANKS, GIRL! 380 00:16:23,206 --> 00:16:26,103 SO HOW LONG HAVE YOU KNOWN DALLAS? 381 00:16:26,103 --> 00:16:27,344 [both scream] 382 00:16:27,344 --> 00:16:28,586 Y'’ALL, HE'’S SEXY AS HELL! 383 00:16:28,586 --> 00:16:30,068 HIS BEATS ARE DOPE. 384 00:16:30,068 --> 00:16:31,793 YO, LOOK, I'’VE KNOWN HIM FOR YEARS, ALL RIGHT? 385 00:16:31,793 --> 00:16:33,379 NOW, THAT'’S ONE PLAYA. 386 00:16:33,379 --> 00:16:35,241 HE'’S TALENTED, FO SHO, BUT HE'’S A PLAYA, MAN. 387 00:16:35,241 --> 00:16:37,379 HE AIN'’T EVER GONNA SETTLE DOWN WITH NOBODY. 388 00:16:37,379 --> 00:16:39,068 HE JUST HASN'’T MET THE RIGHT GIRL YET. 389 00:16:39,068 --> 00:16:41,551 THAT'’S WHAT ALL THE GIRLS SAY. 390 00:16:41,551 --> 00:16:42,965 I'’LL BE THE ONE. 391 00:16:42,965 --> 00:16:45,103 CAN I GET AN AMEN, THOUGH? 392 00:16:45,103 --> 00:16:47,862 YO CHILLI'’S GOT A CRUSH. 393 00:16:47,862 --> 00:16:49,137 IT'’S NOT LIKE THAT. 394 00:16:49,137 --> 00:16:50,586 IT'’S JUST SOMETHING ABOUT HIM. 395 00:16:50,586 --> 00:16:52,241 IT'’S JUST SOMETHING ABOUT HIM. 396 00:16:52,241 --> 00:16:54,344 [laughter] 397 00:16:54,344 --> 00:16:56,310 - I THINK YOU'’LL FIND THESE CONTRACTS ARE STANDARD 398 00:16:56,310 --> 00:16:58,517 MANAGEMENT AND LABEL DEALS. 399 00:16:58,517 --> 00:17:01,344 WELCOME TO PEBBITONE AND THE START OF YOUR CAREERS. 400 00:17:01,344 --> 00:17:03,103 [girls scream] 401 00:17:03,103 --> 00:17:05,689 IT'’S ON LIKE DONKEY KONG. WE ABOUT TO BREAK! 402 00:17:05,689 --> 00:17:07,241 OH, MY LORD, Y'’ALL, WE GONNA BE FAMOUS. 403 00:17:07,241 --> 00:17:08,448 YO, FOR REAL! THANK YOU, GOD! 404 00:17:08,448 --> 00:17:09,448 - I'’M TELLING YOU. 405 00:17:09,448 --> 00:17:10,965 OH, MY GOSH! 406 00:17:10,965 --> 00:17:12,724 WE'’RE GONNA SET THE TREND FOR ALL THE YOUNG KIDS 407 00:17:12,724 --> 00:17:16,241 AND SHOW THESE GIRLS HOW TO GET THIS MONEY. 408 00:17:16,241 --> 00:17:19,172 SPEAKIN'’ OF MONEY, HOW MUCH WE GETTIN'’? 409 00:17:19,172 --> 00:17:21,965 RIGHT NOW YOU'’LL GET A WEEKLY STIPEND OF $25, 410 00:17:21,965 --> 00:17:23,827 ENOUGH TO COVER FOOD AND EXPENSES. 411 00:17:23,827 --> 00:17:26,827 THAT'’S IT? 412 00:17:26,827 --> 00:17:29,137 LET ME TELL YOU SOMETHING. 413 00:17:29,137 --> 00:17:31,206 I'’M INVESTING IN YOU RIGHT NOW. 414 00:17:31,206 --> 00:17:33,655 I'’M PAYING FOR REHEARSAL TIME, STUDIO TIME, 415 00:17:33,655 --> 00:17:35,482 PROMOTIONS, AND VIDEOS. 416 00:17:35,482 --> 00:17:39,689 THE MONEY WILL COME IN LATER, BUT FOR NOW, IT'’S MY RISK. 417 00:17:39,689 --> 00:17:41,137 THIS IS HOW IT WORKS, GIRLS. 418 00:17:41,137 --> 00:17:42,793 IF YOU DON'’T LIKE IT, YOU DON'’T HAVE TO SIGN. 419 00:17:42,793 --> 00:17:44,965 I COULD FIND THREE OTHER GIRLS WHO WOULD DO THIS IN A SECOND. 420 00:17:49,275 --> 00:17:51,931 WE JUST KNEW WE WAS GONNA BE IT. 421 00:17:51,931 --> 00:17:53,931 AND WE BELIEVED SIGNING THESE PAPERS MEANT 422 00:17:53,931 --> 00:17:55,482 WE WERE GONNA BE TAKEN CARE OF TOO. 423 00:18:08,862 --> 00:18:11,137 ALL RIGHT, AGAIN. 424 00:18:28,206 --> 00:18:30,137 CUT! 425 00:18:30,137 --> 00:18:31,758 CHILLI, I THOUGHT THAT YOU WERE A DANCER. 426 00:18:31,758 --> 00:18:32,862 YOU'’RE LAGGIN'’, HON. 427 00:18:32,862 --> 00:18:34,344 WAS I? DIDN'’T SEEM LIKE IT. 428 00:18:34,344 --> 00:18:35,586 YOU'’RE NOT WATCHIN'’; I'’M WATCHIN'’. 429 00:18:35,586 --> 00:18:37,551 AGAIN, AND KEEP IT TIGHT. 430 00:18:37,551 --> 00:18:39,000 - WHEN WE GOING TO BREAK FOR SOME FOOD? 431 00:18:39,000 --> 00:18:40,241 I'’M STARVING. 432 00:18:40,241 --> 00:18:41,793 WE'’LL BREAK WHEN YOU GET THIS RIGHT. 433 00:18:41,793 --> 00:18:43,482 [...], I'’M HUNGRY. 434 00:18:43,482 --> 00:18:45,172 UH-UH, UH-UH. 435 00:18:45,172 --> 00:18:47,034 I DON'’T WANT TO HEAR LANGUAGE LIKE THAT. 436 00:18:47,034 --> 00:18:50,551 I HEAR THAT KIND OF LANGUAGE, I'’M DOCKING YOU FIVE BUCKS. 437 00:18:50,551 --> 00:18:52,137 WE'’RE ONLY MAKIN'’ ABOUT FIVE BUCKS. 438 00:18:52,137 --> 00:18:53,379 HAVE YOU SOLD ANY RECORDS? 439 00:18:55,965 --> 00:18:58,137 [laughs] 440 00:18:58,137 --> 00:19:00,620 COME HERE, GIRLS. 441 00:19:00,620 --> 00:19:02,000 LET'’S HAVE A REAL TALK, OKAY? 442 00:19:02,000 --> 00:19:03,620 IT'’S TIME FOR US TO CHAT, OKAY? 443 00:19:03,620 --> 00:19:08,068 RAP TIME LADIES. 444 00:19:08,068 --> 00:19:10,241 YOU REPRESENT MY LABEL, 445 00:19:10,241 --> 00:19:13,896 AND I WANT YOU TO BE THE BEST YOU CAN BE, RIGHT? 446 00:19:13,896 --> 00:19:16,896 WE'’RE GOING TO BE LIKE A FAMILY GETTING THESE RECORDS OUT. 447 00:19:16,896 --> 00:19:20,586 AND I WANT YOU TO THINK OF ME AS A BIG SISTER, 448 00:19:20,586 --> 00:19:22,448 SOMEONE WHO HAS BEEN THROUGH IT ALL 449 00:19:22,448 --> 00:19:24,034 AND KNOWS WHAT IT TAKES 450 00:19:24,034 --> 00:19:26,896 TO MAKE SOMETHING LIKE THIS SUCCEED. 451 00:19:26,896 --> 00:19:30,000 GIRLS IN THIS BUSINESS GET CHEWED UP AND TOSSED OUT, 452 00:19:30,000 --> 00:19:33,241 SO YOU GOT TO BE RESPECTED AND FLAWLESS. 453 00:19:33,241 --> 00:19:35,103 OKAY. 454 00:19:35,103 --> 00:19:38,241 NO BEIN'’ LATE, NO CURSIN'’, NO MESSIN'’ AROUND. 455 00:19:38,241 --> 00:19:40,655 IT'’S ALL ABOUT INTEGRITY AND DIGNITY. 456 00:19:40,655 --> 00:19:43,517 NOBODY REALLY TRUSTS A LOOSE GIRL. 457 00:19:43,517 --> 00:19:45,448 ALL RIGHT, LET'’S GO. 458 00:19:45,448 --> 00:19:46,379 AGAIN. 459 00:20:01,793 --> 00:20:03,931 DALLAS, KEEP THEM IN REHEARSAL UNTIL I GET BACK. 460 00:20:03,931 --> 00:20:05,034 YEAH, ALL RIGHT. 461 00:20:05,034 --> 00:20:06,172 YO, CAN WE GET A MINUTE TO CHILL 462 00:20:06,172 --> 00:20:07,172 SO WE CAN GET OUR FOOD? 463 00:20:07,172 --> 00:20:09,172 NOT NOW, UH-UH, LET'’S GO. 464 00:20:09,172 --> 00:20:12,965 all: NOT NOW, UH-UH, LET'’S GO. 465 00:20:12,965 --> 00:20:15,103 - BETTER BE LUCKY THAT I DON'’T TAKE THE PHILLY ON HER. 466 00:20:15,103 --> 00:20:16,862 - MM-MM. OH, NO, YOU DIDN'’T. 467 00:20:16,862 --> 00:20:18,068 NAH, MAN. 468 00:20:18,068 --> 00:20:20,689 YOU NEED TO GET GONE WITH ALL THAT. 469 00:20:20,689 --> 00:20:22,206 NO, DALLAS! 470 00:20:22,206 --> 00:20:23,206 [funky music] 471 00:20:23,206 --> 00:20:30,137 ♪ 472 00:20:30,137 --> 00:20:33,103 - ♪ THE CHILLS THAT YOU SPILL UP MY BACK ♪ 473 00:20:33,103 --> 00:20:34,931 ♪ KEEP ME FILLED WITH SATISFACTION ♪ 474 00:20:34,931 --> 00:20:36,206 ♪ WHEN WE'’RE DONE ♪ 475 00:20:36,206 --> 00:20:38,379 ♪ SATISFACTION OF WHAT'’S TO COME ♪ 476 00:20:38,379 --> 00:20:41,000 ♪ I COULDN'’T ASK FOR ANOTHER ♪ 477 00:20:44,068 --> 00:20:45,482 NO, DALLAS. 478 00:20:55,689 --> 00:20:58,172 CAN I SEE YOU LATER? 479 00:20:58,172 --> 00:21:00,413 YEAH? 480 00:21:00,413 --> 00:21:01,862 COOL. 481 00:21:09,068 --> 00:21:10,551 500? 482 00:21:10,551 --> 00:21:12,068 WHAT'’S THAT MEAN? 483 00:21:12,068 --> 00:21:13,862 WHEN I PAGE YOU 500, THAT MEANS I'’M THINKING OF YOU. 484 00:21:21,413 --> 00:21:24,931 WHAT THE HELL ARE YOU DOIN'’? 485 00:21:24,931 --> 00:21:27,793 I AM DOCKING YOU EACH TWO WEEKS PAY. 486 00:21:27,793 --> 00:21:29,724 THE RECORD LABEL IS PAYING FOR THIS STUDIO, 487 00:21:29,724 --> 00:21:33,965 AND THIS MESS IS NOT COMING OUT OF MY POCKET. 488 00:21:33,965 --> 00:21:35,689 I NEED TO TALK TO YOU, NOW. 489 00:21:44,448 --> 00:21:46,517 DOES IT BOTHER YOU THAT I WEAR DIAMONDS ON MY FINGERS 490 00:21:46,517 --> 00:21:48,068 AND CARRY CHANEL BAGS? 491 00:21:48,068 --> 00:21:49,103 EXCUSE ME? 492 00:21:49,103 --> 00:21:50,931 I THINK YOUR RESENTMENT 493 00:21:50,931 --> 00:21:53,793 IS UNDERMINING YOUR ABILITY TO FOLLOW MY DIRECTIONS. 494 00:21:53,793 --> 00:21:56,689 I CLEARLY TOLD YOU GIRLS NOT TO BE LOOSE. 495 00:21:56,689 --> 00:21:58,586 BUT I'’M NOT! 496 00:21:58,586 --> 00:21:59,896 I'’M SUSPENDING YOU WITHOUT PAY. 497 00:21:59,896 --> 00:22:00,965 WHAT? 498 00:22:00,965 --> 00:22:02,103 YOU'’RE ON PROBATION, MISSY. 499 00:22:02,103 --> 00:22:03,275 I DON'’T WANT TO SEE YOUR FACE 500 00:22:03,275 --> 00:22:04,551 FOR A COUPLE OF DAYS, UNDERSTAND? 501 00:22:04,551 --> 00:22:07,724 AND THEN WE'’LL SEE. 502 00:22:07,724 --> 00:22:09,413 - [sighs] 503 00:22:10,620 --> 00:22:12,172 - WE NEED TO REPLACE HER. 504 00:22:12,172 --> 00:22:13,172 NO, NO WAY. 505 00:22:13,172 --> 00:22:14,172 FIND ANOTHER GIRL. 506 00:22:14,172 --> 00:22:16,103 SHE WAS PERFECT, MAN. 507 00:22:16,103 --> 00:22:18,413 ANYONE CAN BE REPLACED, 508 00:22:18,413 --> 00:22:21,137 AND DO NOT TALK TO HER. 509 00:22:21,137 --> 00:22:23,034 I'’LL ANNOUNCE THE AUDITIONS ON THE RADIO. 510 00:22:33,620 --> 00:22:35,551 WHAT DID I DO? 511 00:22:35,551 --> 00:22:36,689 I DON'’T KNOW WHAT I DID. 512 00:22:36,689 --> 00:22:38,793 CAN YOU PLEASE, PLEASE TALK TO HER? 513 00:22:42,241 --> 00:22:44,758 SHE'’S MESSED UP, RO. 514 00:22:44,758 --> 00:22:46,310 I MEAN, I DON'’T KNOW IF THERE IS ANYTHING 515 00:22:46,310 --> 00:22:48,482 I COULD ACTUALLY DO. 516 00:23:06,172 --> 00:23:08,275 WE'’RE BACK HERE AT HOT 107.8. 517 00:23:08,275 --> 00:23:10,724 HEY, FOR ALL OF YOU HIP-HOP AND R&B FANS 518 00:23:10,724 --> 00:23:12,206 WHO WANT TO BE SUPERSTARS, 519 00:23:12,206 --> 00:23:14,448 PEBBLES OF LA FACE RECORDS IS HAVING AUDITIONS 520 00:23:14,448 --> 00:23:16,310 FOR HER NEW R&B GROUP. 521 00:23:16,310 --> 00:23:17,724 SO IF YOU THINK YOU GOT WHAT IT TAKES 522 00:23:17,724 --> 00:23:19,172 AND CAN CARRY A TUNE, 523 00:23:19,172 --> 00:23:21,931 HEAD ON DOWN TO DOPPLER STUDIOS THIS SATURDAY ONLY. 524 00:23:21,931 --> 00:23:27,034 ♪ BABY, BABY, BABY, BABY 525 00:23:27,034 --> 00:23:31,482 ♪ I GOT SO MUCH LOVE IN ME 526 00:23:31,482 --> 00:23:36,896 ♪ OH, BABY, BABY, BABY, BABY 527 00:23:36,896 --> 00:23:38,241 ♪ '’CAUSE IF YOU WANNA GET ME OFF ♪ 528 00:23:38,241 --> 00:23:39,310 REALLY? 529 00:23:39,310 --> 00:23:40,758 COME ON, LISA, MAN. 530 00:23:40,758 --> 00:23:42,758 GIRL, I NEED MY COOLER TO GET THROUGH THIS. 531 00:23:42,758 --> 00:23:47,793 ♪ BABY, BABY, BABY 532 00:23:47,793 --> 00:23:51,793 ♪ I GOT SO MUCH LOVE IN ME 533 00:23:51,793 --> 00:23:53,137 ♪ OH BABY, BABY 534 00:23:53,137 --> 00:23:57,379 ♪ BABY, BABY, BABY 535 00:23:57,379 --> 00:24:00,965 ♪ '’CAUSE IF YOU WANNA GET ME OFF ♪ 536 00:24:00,965 --> 00:24:03,827 - THOSE ARE HER VOCALS? 537 00:24:03,827 --> 00:24:05,793 YOU JOKIN'’, RIGHT? 538 00:24:05,793 --> 00:24:07,000 I CAN SING. 539 00:24:07,000 --> 00:24:08,000 I'’M IN THIS THING. 540 00:24:08,000 --> 00:24:09,000 OH, REALLY? 541 00:24:09,000 --> 00:24:10,103 YES, I AM. 542 00:24:10,103 --> 00:24:11,379 YOU KNOW IT'’S A TALENT 543 00:24:11,379 --> 00:24:14,206 TO KNOW YOU DON'’T HAVE TALENT, RIGHT? 544 00:24:14,206 --> 00:24:16,586 IN OTHER WORDS, WHAT SHE'’S SAYIN'’ IS, BABY, 545 00:24:16,586 --> 00:24:19,379 DON'’T QUIT YOUR DAY JOB, OKAY? 546 00:24:19,379 --> 00:24:21,413 BYE, BYE, BYE. - BYE, BYE NOW. 547 00:24:21,413 --> 00:24:23,413 [laughter] 548 00:24:23,413 --> 00:24:25,586 LOOK, I'’M TELLING YOU, THERE IS NOBODY. 549 00:24:25,586 --> 00:24:27,103 NOBODY. 550 00:24:27,103 --> 00:24:28,206 FOR REAL. 551 00:24:28,206 --> 00:24:30,344 I MEAN, WE DA BOMB WITH HER. 552 00:24:30,344 --> 00:24:32,448 YEAH. 553 00:24:32,448 --> 00:24:35,620 FINE, BUT YOU BETTER MAKE SURE 554 00:24:35,620 --> 00:24:37,206 SHE'’S READY FOR THAT VIDEO SHOOT NEXT WEEK. 555 00:24:41,034 --> 00:24:43,965 OUR GIRL IS BACK. 556 00:24:43,965 --> 00:24:44,931 both: YEAH! 557 00:24:47,862 --> 00:24:50,793 [telephone rings] 558 00:24:52,310 --> 00:24:53,448 HELLO? 559 00:24:53,448 --> 00:24:54,896 - WHAT UP, CHILLI? - YO, CHILLI. 560 00:24:54,896 --> 00:24:56,448 YOU BACK IN THE GROUP, GIRL. - BACK IN THE FOLD. 561 00:24:56,448 --> 00:24:57,724 - QUIT PLAYIN'’, ARE YOU FOR REAL? 562 00:24:57,724 --> 00:24:58,896 YUP! 563 00:24:58,896 --> 00:25:00,137 - I'’M BACK IN? YOU BACK IN. 564 00:25:00,137 --> 00:25:01,310 - LOOK, DON'’T PLAY WITH ME NOW. 565 00:25:01,310 --> 00:25:02,310 I'’M NOT PLAYIN'’. 566 00:25:02,310 --> 00:25:03,310 WE GOT REHEARSAL AT 3:00. 567 00:25:03,310 --> 00:25:04,379 ALL RIGHT. BE THERE. 568 00:25:04,379 --> 00:25:05,620 - COOL, THEN. 569 00:25:05,620 --> 00:25:07,241 I'’LL SEE YOU ALL THEN. - ALL RIGHT. 570 00:25:07,241 --> 00:25:08,137 - OKAY, BYE. 571 00:25:25,551 --> 00:25:26,724 [knocks on door] 572 00:25:26,724 --> 00:25:28,724 ROZANDA. 573 00:25:28,724 --> 00:25:30,931 BABY, YOU OKAY? 574 00:25:30,931 --> 00:25:32,034 YEAH, I'’M OKAY. 575 00:25:46,103 --> 00:25:48,344 - HOW YOU GONNA HAVE THIS BABY? 576 00:25:48,344 --> 00:25:50,793 WE'’RE SHOOTIN'’ THE VIDEO AND THEN WE'’RE RECORDING. 577 00:25:50,793 --> 00:25:53,965 - I WANT THIS BABY DALLAS. 578 00:25:53,965 --> 00:25:57,482 ALL I EVER WANTED WAS TO BE A MOM. 579 00:25:57,482 --> 00:25:59,620 YOU CAN HAVE ANOTHER BABY. 580 00:25:59,620 --> 00:26:04,068 YOU'’VE GOT YOUR WHOLE FUTURE AHEAD OF YOU. 581 00:26:04,068 --> 00:26:05,758 OKAY? 582 00:26:05,758 --> 00:26:08,000 IT'’S GONNA AFFECT YOUR CAREER MORE THAN MINE, I'’M JUST-- 583 00:26:13,896 --> 00:26:15,344 BUT IT'’S YOUR CHOICE. 584 00:27:00,827 --> 00:27:02,448 - I'’M SO SORRY. 585 00:27:04,551 --> 00:27:07,379 [knocks] 586 00:27:07,379 --> 00:27:09,000 - BOO? 587 00:27:09,000 --> 00:27:12,448 BABY, THE GIRLS ARE HERE. 588 00:27:12,448 --> 00:27:13,862 THERE SHE IS. 589 00:27:13,862 --> 00:27:18,896 OUR TLC SISTER, BACK IN THE FOLD. 590 00:27:18,896 --> 00:27:20,448 YOU OKAY? 591 00:27:23,517 --> 00:27:25,862 YOU STILL BLEEDING? 592 00:27:25,862 --> 00:27:27,620 A LOT? 593 00:27:27,620 --> 00:27:28,655 HOW BAD DID IT HURT? 594 00:27:28,655 --> 00:27:30,206 YO, QUIT ASKING HER [...]! 595 00:27:30,206 --> 00:27:32,551 MAN, I'’M JUST SAYIN. 596 00:27:32,551 --> 00:27:35,517 THAT'’S ROUGH. 597 00:27:35,517 --> 00:27:38,034 WHEN I WAS A LITTLE GIRL, 598 00:27:38,034 --> 00:27:40,137 I'’D TAKE A BUNCH OF CLOTHES, 599 00:27:40,137 --> 00:27:43,275 AND I'’D BALL THEM UP AND PUT THEM UNDER MY SHIRT, 600 00:27:43,275 --> 00:27:44,862 AND I'’D WALK AROUND LIKE I WAS PREGNANT. 601 00:27:44,862 --> 00:27:47,793 I MEAN, FOR REAL, WITH MY HAND ON MY BACK 602 00:27:47,793 --> 00:27:50,827 AND MOVIN'’ SIDE TO SIDE. 603 00:27:50,827 --> 00:27:52,965 I JUST KNEW THAT ONE DAY I'’M GONNA BE A MOM, YOU KNOW? 604 00:28:00,000 --> 00:28:03,034 I REALLY WANTED THAT BABY, YOU KNOW? 605 00:28:03,034 --> 00:28:04,758 THAT'’S MESSED UP, MAN. 606 00:28:07,517 --> 00:28:10,482 YOU SHOULD'’VE KEPT IT. 607 00:28:10,482 --> 00:28:13,241 HOW, WHEN SHE GOT TO SING AND DANCE? 608 00:28:13,241 --> 00:28:15,172 WITH THE BAGGY CLOTHES WE WEAR, 609 00:28:15,172 --> 00:28:17,793 SHE COULD HAVE HID IT, YOU KNOW WHAT I'’M SAYIN? 610 00:28:17,793 --> 00:28:20,689 WELL, THAT'’S KINDA TRUE. 611 00:28:20,689 --> 00:28:22,896 KIND OF LIKE THIS. - LET ME SEE. 612 00:28:22,896 --> 00:28:24,965 YEAH, THAT'’S WHAT I'’M TALKIN ABOUT. 613 00:28:24,965 --> 00:28:26,482 BE LIKE THIS, AND YOU CAN'’T REALLY SEE IT. 614 00:28:26,482 --> 00:28:31,206 AND YOU KNOW, SHE JUST... 615 00:28:31,206 --> 00:28:33,827 - YOU STUPID, LISA. 616 00:28:33,827 --> 00:28:38,517 GIRL, JUST WATCH WHEN WE BLOW UP. 617 00:28:38,517 --> 00:28:40,827 WE GONNA MAKE THIS ONE COUNT. 618 00:28:40,827 --> 00:28:41,896 BELIEVE THAT. 619 00:28:48,137 --> 00:28:52,034 YOU WOULDN'’T HAPPEN TO HAVE THESE IN POLKA-DOT, WOULD YOU? 620 00:28:52,034 --> 00:28:53,724 ♪ YO, IF I NEED IT IN THE MORNING ♪ 621 00:28:53,724 --> 00:28:55,034 ♪ OR THE MIDDLE OF THE NIGHT 622 00:28:55,034 --> 00:28:57,034 - ♪ I AIN'’T TOO PROUD TO BEG, NO ♪ 623 00:28:57,034 --> 00:28:58,068 - ♪ IF THE LOVIN'’ IS STRONG ♪ 624 00:28:58,068 --> 00:28:59,724 ♪ THEN HE GOT IT GOIN'’ ON AND ♪ 625 00:28:59,724 --> 00:29:01,620 - ♪ I AIN'’T TOO PROUD TO BEG, NO ♪ 626 00:29:01,620 --> 00:29:02,965 - ♪ TWO INCHES OR A YARD 627 00:29:02,965 --> 00:29:04,241 ♪ ROCK HARD OR IF IT'’S SAGGIN'’ ♪ 628 00:29:04,241 --> 00:29:06,241 - ♪ I AIN'’T TOO PROUD TO BEG, NO ♪ 629 00:29:06,241 --> 00:29:07,517 - ♪ SO IT AIN'’T LIKE I'’M BRAGGIN'’ ♪ 630 00:29:07,517 --> 00:29:08,620 ♪ JUST JOIN THE PADDYWAGON 631 00:29:08,620 --> 00:29:09,965 ♪ '’CAUSE I AIN'’T TOO PROUD ♪ 632 00:29:09,965 --> 00:29:12,172 - ♪ I AIN'’T TOO PROUD TO BEG, NO ♪ 633 00:29:12,172 --> 00:29:14,482 CUT. 634 00:29:14,482 --> 00:29:17,344 YO, THIS IS OUR VIDEO. 635 00:29:17,344 --> 00:29:19,034 OUR VIDEO, CAN YOU BELIEVE IT? 636 00:29:19,034 --> 00:29:20,620 MAN, THIS IS REAL MAN. 637 00:29:20,620 --> 00:29:22,241 THIS IS AS REAL AS IT GETS! 638 00:29:22,241 --> 00:29:25,000 both: MM-MM-MM, YEAH! 639 00:29:25,000 --> 00:29:26,655 THIS IS IT. 640 00:29:26,655 --> 00:29:27,827 - YO. 641 00:29:27,827 --> 00:29:31,793 - RIGHT. 642 00:29:31,793 --> 00:29:33,793 - YO, FOR REAL, THOUGH, I'’M LOSING ALL THIS WEIGHT, 643 00:29:33,793 --> 00:29:35,103 ALL THIS DANCIN'’ AND REHEARSIN'’. 644 00:29:35,103 --> 00:29:37,344 LIKE, LOOK AT MY DANG DRAWERS IS SAGGY, LOOK! 645 00:29:37,344 --> 00:29:40,482 GIRL, LOOK AT YOUR BAGGY PANTIES, SIT DOWN! 646 00:29:44,827 --> 00:29:46,862 - YO, WHAT'’S WRONG, CHILLI? 647 00:29:46,862 --> 00:29:48,965 I KNOW YOU'’RE NOT OVER THERE TRIPPIN'’ ON DALLAS. 648 00:29:48,965 --> 00:29:50,896 I HEARD HE WAS WITH THAT DANCING GIRL LAST NIGHT. 649 00:29:50,896 --> 00:29:52,758 GIRL, YOU NEED NOT TO BE WORRIED ABOUT THAT. 650 00:29:52,758 --> 00:29:54,379 WHAT YOU NEED TO BE WORRIED ABOUT 651 00:29:54,379 --> 00:29:55,758 IS TRYIN'’ TO GET A NEW CAR. 652 00:29:55,758 --> 00:29:58,241 YOU CAN SEE THE PARKING LOT THROUGH THE FLOOR. 653 00:29:58,241 --> 00:30:00,310 YOU KNOW WHAT, YOUR CAR IS KINDA AFFLICTED THOUGH. 654 00:30:00,310 --> 00:30:01,310 OKAY, Y'’ALL KNOW WHAT, 655 00:30:01,310 --> 00:30:02,689 NEITHER ONE OF YOU GOT A CAR, 656 00:30:02,689 --> 00:30:05,896 SO YOU NEED TO QUIT COMPLAININ'’ ABOUT MINE. 657 00:30:05,896 --> 00:30:07,827 WHATEVER, LOOK. 658 00:30:07,827 --> 00:30:09,689 I'’VE GOT SOME NEW RHYMES I'’VE BEEN WORKIN ON. 659 00:30:09,689 --> 00:30:12,103 I WAS THINKING THAT WE COULD DO 660 00:30:12,103 --> 00:30:15,758 THIS WHOLE FUTURISTIC, INTERGALACTIC THING. 661 00:30:15,758 --> 00:30:17,137 KINDA LIKE PARLIAMENT, 662 00:30:17,137 --> 00:30:20,793 BUT ALL OF US ZOOMIN'’ DOWN IN ROCKET SHIPS. 663 00:30:20,793 --> 00:30:22,034 CHECK IT OUT. 664 00:30:22,034 --> 00:30:23,172 ♪ I'’MA SHOOT YOU DOWN ♪ 665 00:30:23,172 --> 00:30:24,413 ♪ MY FORCEFIELD SHIELD 666 00:30:24,413 --> 00:30:26,206 ♪ WRECK YOUR PLANETARY YIELD 667 00:30:26,206 --> 00:30:28,827 ♪ I'’M YOUR STARSHIP SURVIVOR, BABY ♪ 668 00:30:28,827 --> 00:30:31,241 ♪ LET ME BE YOUR ALIEN LADY 669 00:30:31,241 --> 00:30:33,275 WE COULD DO PALE GREEN SKIN. 670 00:30:33,275 --> 00:30:34,551 - MM-MM. MM-MM. 671 00:30:34,551 --> 00:30:36,344 - WHAT? 672 00:30:36,344 --> 00:30:37,931 YO, NO. IT'’S DOPE! 673 00:30:37,931 --> 00:30:39,241 NO, IT'’S JUST NOT OUR THING LISA. 674 00:30:39,241 --> 00:30:41,827 LIKE, WE'’RE THAT TOUGH, POSITIVE CREW 675 00:30:41,827 --> 00:30:43,827 WITH A REAL DOWN TO EARTH MESSAGE, SO... 676 00:30:43,827 --> 00:30:46,241 - SO PEOPLE GONNA WANT TO SEE US CHANGE IT UP. 677 00:30:46,241 --> 00:30:47,931 WE GOT TO GET PEOPLE LISTENING FIRST. 678 00:30:47,931 --> 00:30:50,724 YEAH, NOTHING TO CHANGE IF IT AIN'’T OUT THERE YET. 679 00:30:50,724 --> 00:30:53,620 FINE, [...] IS DA BOMB. 680 00:30:53,620 --> 00:30:57,379 WE GOT A NEW HIT BY ONE OF ATLANTA'’S VERY OWN TLC 681 00:30:57,379 --> 00:30:59,310 IT'’S CALLED, WHAT ABOUT YOUR FRIENDS? 682 00:30:59,310 --> 00:31:01,551 [girls scream] 683 00:31:01,551 --> 00:31:03,551 - GOT TO GET ME OUT OF THIS CAR! 684 00:31:03,551 --> 00:31:05,724 - OH, MY GOD. 685 00:31:05,724 --> 00:31:07,827 YES, WE ON THE RADIO! 686 00:31:07,827 --> 00:31:10,413 DADDY, I TOLD YOU I WAS GONNA MAKE IT! 687 00:31:10,413 --> 00:31:11,655 WHOO! 688 00:31:27,413 --> 00:31:28,931 - TODAY ON THE WEEK IN ROCK: 689 00:31:28,931 --> 00:31:31,034 ALBUM AND CONCERT NEWS ON METALLICA, 690 00:31:31,034 --> 00:31:33,655 HOW WHITE ZOMBIE IS HANDLING RUN-AWAY SUCCESS, 691 00:31:33,655 --> 00:31:36,206 BUT, FIRST, THE NEW LA FACE GIRL GROUP TLC 692 00:31:36,206 --> 00:31:38,931 BURSTS ONTO THE SCENE WITH THEIR DEBUT MUSIC VIDEO. 693 00:31:38,931 --> 00:31:41,931 I'’M REPORTING LIVE FROM THE TLC VIDEO SHOOT 694 00:31:41,931 --> 00:31:44,379 WHERE APPARENTLY THREE YOUNG GIRLS FROM THE HOOD 695 00:31:44,379 --> 00:31:47,137 ARE GOING TO SHOOT THEIR VERY FIRST VIDEO. 696 00:31:47,137 --> 00:31:48,137 - I'’M THE T. 697 00:31:48,137 --> 00:31:49,586 - TIGGITY-TIGGITY-TIGGITY T-BOZ. 698 00:31:49,586 --> 00:31:51,379 I'’M THE LIGGY-LIGGY LEFT-EYE. 699 00:31:51,379 --> 00:31:52,379 - I'’M THE "C." 700 00:31:52,379 --> 00:31:53,379 all: BRINGIN'’ THE CHILL 701 00:31:53,379 --> 00:31:54,620 - CHILLI. 702 00:31:54,620 --> 00:31:56,793 all: AND THAT'’S OOH ON THE TLC TIP. 703 00:31:56,793 --> 00:32:00,034 WITH THEIR INOVATIVE BLEND OF RHYTHMN AND BLUES, FUNK, 704 00:32:00,034 --> 00:32:03,103 BRIGHT, BAGGY HIP-HOP CLOTHES, AND CONTROVERSIAL LYRICS... 705 00:32:03,103 --> 00:32:05,655 ♪ TWO INCHES OR A YARD, ROCK HARD OR IF IT'’S SAGGIN'’ ♪ 706 00:32:05,655 --> 00:32:07,689 TLC HAS TAKEN THE PUBLIC BY STORM. 707 00:32:07,689 --> 00:32:09,655 I MEAN, YOU GONNA DO IT. 708 00:32:09,655 --> 00:32:10,965 SHE GONNA DO IT, SO... 709 00:32:10,965 --> 00:32:13,827 - SAFE SEX, THAT'’S OUR MESSAGE, OKAY? 710 00:32:13,827 --> 00:32:16,379 LIKE, WE'’RE GIRLS WHO STAND UP FOR OURSELVES. 711 00:32:16,379 --> 00:32:18,448 THEY'’VE ONLY BEEN ON THE SCENE FOR A FEW SHORT WEEKS, 712 00:32:18,448 --> 00:32:20,275 BUT THESE THREE LADIES HAVE ALREADY TAKEN ON 713 00:32:20,275 --> 00:32:22,103 THE RECORD INDUSTRY BY STORM. 714 00:32:22,103 --> 00:32:24,724 THEIR SINGLE IS ROCKETING UP THE BILLBOARD CHARTS, 715 00:32:24,724 --> 00:32:27,000 AND THEY'’RE PERFORMING LIVE FOR THE FIRST TIME 716 00:32:27,000 --> 00:32:29,137 WHEN THEY JOIN JODECI AND M.C. HAMMER 717 00:32:29,137 --> 00:32:32,517 ON THEIR SOLD OUT WORLD TOUR. 718 00:32:32,517 --> 00:32:35,206 ALL THE DREAMIN'’, PRETENDIN'’, AND DANCIN'’ IN THE MIRROR 719 00:32:35,206 --> 00:32:37,896 CAME DOWN TO THIS MOMENT. 720 00:32:37,896 --> 00:32:40,068 I MEAN, IT FELT LIKE THE WORLD WAS ASKIN'’ US, 721 00:32:40,068 --> 00:32:44,172 WERE WE FOR REAL OR JUST STILL DREAMIN'’? 722 00:32:44,172 --> 00:32:45,586 ALL RIGHT, GIRLS. 723 00:32:45,586 --> 00:32:47,310 THIS IS WHAT WE'’VE BEEN WAITIN'’ FOR, YOU READY? 724 00:32:47,310 --> 00:32:48,310 all: YEAH. 725 00:32:48,310 --> 00:32:49,482 ALL RIGHT, Y'’ALL. 726 00:32:49,482 --> 00:32:51,827 TLC MTB. 727 00:32:51,827 --> 00:32:54,275 all: TLC MTB! 728 00:32:54,275 --> 00:32:57,034 TLC MTB! 729 00:32:57,034 --> 00:32:58,655 WHOO! 730 00:32:58,655 --> 00:33:00,068 WHAT DOES MTB MEAN? 731 00:33:00,068 --> 00:33:01,068 MEANT TO BE. 732 00:33:01,068 --> 00:33:02,793 TLC! 733 00:33:02,793 --> 00:33:03,896 YO! 734 00:33:03,896 --> 00:33:07,103 MIC CHECK, ONE-TWO, ONE-TWO. 735 00:33:07,103 --> 00:33:09,517 WE IN THE HOUSE. 736 00:33:09,517 --> 00:33:13,172 YEAH, COME ON! 737 00:33:13,172 --> 00:33:17,793 all: I AIN'’T TOO PROUD TO BEG! 738 00:33:17,793 --> 00:33:19,827 I AIN'’T TOO PROUD TO BEG. 739 00:33:19,827 --> 00:33:22,689 - YO, T-BOZ, IS YA BEIN'’ A BOSS? 740 00:33:22,689 --> 00:33:24,896 CHILLI, WHAT'’S UP WITH THAT SAUCE? 741 00:33:24,896 --> 00:33:26,137 THIS IS IT. 742 00:33:26,137 --> 00:33:29,172 YO T, STEP ON THAT SHH. 743 00:33:29,172 --> 00:33:31,448 - ♪ THINKIN'’ SHORT OF WHAT YOU GOT ♪ 744 00:33:31,448 --> 00:33:33,827 ♪ BETTER GET IT WHILE IT'’S HOT ♪ 745 00:33:33,827 --> 00:33:38,310 ♪ AIN'’T NO BETTER LOVE THAN YOUR OWN ♪ 746 00:33:38,310 --> 00:33:40,724 ♪ UNMISTAKIN'’ URGE TO BE ♪ 747 00:33:40,724 --> 00:33:42,965 ♪ SEXIN'’ WITH SOCIETY ♪ 748 00:33:42,965 --> 00:33:47,034 ♪ HOW CAN YOU BE HAPPY ALONE? 749 00:33:47,034 --> 00:33:48,586 ♪ YO, IF I NEED IT IN THE MORNING 750 00:33:48,586 --> 00:33:49,896 ♪ OR THE MIDDLE OF THE NIGHT 751 00:33:49,896 --> 00:33:51,724 - ♪ I AIN'’T TOO PROUD TO BEG, NO ♪ 752 00:33:51,724 --> 00:33:52,965 - ♪ IF THE LOVIN'’ IS STRONG ♪ 753 00:33:52,965 --> 00:33:54,586 ♪ THEN HE GOT IT GOIN'’ ON AND ♪ 754 00:33:54,586 --> 00:33:56,793 - ♪ I AIN'’T TOO PROUD, I AIN'’T TOO PROUD TO BEG ♪ 755 00:33:56,793 --> 00:34:01,931 - ♪ BABY, BABY, BABY, BABY 756 00:34:01,931 --> 00:34:06,103 ♪ I GOT SO MUCH LOVE IN ME 757 00:34:06,103 --> 00:34:07,241 ♪ OH, BABY, BABY 758 00:34:07,241 --> 00:34:11,758 ♪ BABY, BABY, BABY 759 00:34:11,758 --> 00:34:14,862 ♪ CAUSE IF YOU'’RE GOING TO GET ME OFF ♪ 760 00:34:14,862 --> 00:34:17,689 ♪ YOU GOT TO LOVE ME DEEP 761 00:34:17,689 --> 00:34:21,310 ♪ LONG AS YOU KNOW 762 00:34:21,310 --> 00:34:22,827 ♪ THAT I COULD HAVE 763 00:34:22,827 --> 00:34:24,758 ♪ ANY MAN I WANT TO 764 00:34:24,758 --> 00:34:27,724 ♪ BABY, THAT'’S ACTUAL AND FACTUAL ♪ 765 00:34:27,724 --> 00:34:29,034 ♪ BUT STILL 766 00:34:29,034 --> 00:34:31,551 ♪ I CHOOSE YOU 767 00:34:31,551 --> 00:34:33,241 ♪ TO BE 768 00:34:33,241 --> 00:34:34,241 ♪ WITH ME 769 00:34:34,241 --> 00:34:35,413 ♪ AND WORK ON ME 770 00:34:35,413 --> 00:34:37,724 ♪ SO YOU BETTER NOT FLAKE IT UP ♪ 771 00:34:37,724 --> 00:34:40,103 all: ♪ WHAT ABOUT YOUR FRIENDS? 772 00:34:40,103 --> 00:34:42,482 ♪ WILL THEY STAND THEIR GROUND? ♪ 773 00:34:42,482 --> 00:34:44,724 ♪ WILL THEY LET YOU DOWN? 774 00:34:44,724 --> 00:34:46,724 ♪ YEAH 775 00:34:46,724 --> 00:34:47,793 ♪ WHAT ABOUT YOUR FRIENDS? 776 00:34:47,793 --> 00:34:49,241 ♪ WHAT ABOUT YOUR FRIENDS? 777 00:34:49,241 --> 00:34:51,172 ♪ ARE THEY GONNA BE LOW-DOWN? ♪ 778 00:34:51,172 --> 00:34:52,172 ♪ BE LOW DOWN 779 00:34:52,172 --> 00:34:53,275 - ♪ ARE THEY GONNA BE AROUND? 780 00:34:53,275 --> 00:34:55,482 ♪ BE AROUND 781 00:34:55,482 --> 00:34:57,551 ♪ OR WILL THEY TURN THEIR BACKS ON YOU? ♪ 782 00:34:57,551 --> 00:35:00,034 [cheers and applause] 783 00:35:00,034 --> 00:35:02,517 all: TLC! 784 00:35:02,517 --> 00:35:04,827 TLC! TLC! 785 00:35:04,827 --> 00:35:06,000 HEY, GIRLS! 786 00:35:06,000 --> 00:35:07,827 GIRLS, GIRLS. 787 00:35:07,827 --> 00:35:10,689 TLC'’S GOT A NUMBER ONE HIT. 788 00:35:10,689 --> 00:35:12,206 YES! OKAY. 789 00:35:12,206 --> 00:35:15,379 WE'’VE ALREADY SOLD 500,000 RECORDS, 790 00:35:15,379 --> 00:35:16,379 AND THE ALBUM'’S GOLD! 791 00:35:16,379 --> 00:35:18,620 WHAT? - YES! 792 00:35:18,620 --> 00:35:20,620 LISTEN, LISTEN, LISTEN, LISTEN. 793 00:35:20,620 --> 00:35:23,448 "WITH THEIR MIX OF HIP-HOP, R&B AND FUNK, 794 00:35:23,448 --> 00:35:27,551 "TLC HAS TAPPED INTO A WIDE RANGE OF TASTES. 795 00:35:27,551 --> 00:35:31,551 "SOMEHOW THE COMBO OF THE SEXY, FEMINIST, 796 00:35:31,551 --> 00:35:33,965 "AUTHENTIC GIRLS JUST WORKS. 797 00:35:33,965 --> 00:35:36,689 HOPE TO SEE MORE OF TLC IN THE FUTURE." 798 00:35:36,689 --> 00:35:39,275 THEY TALKIN'’ ABOUT US LIKE WE THE NEW BIG THING. 799 00:35:39,275 --> 00:35:40,275 I KNOW, RIGHT? 800 00:35:40,275 --> 00:35:42,931 SO WHY WE AIN'’T RICH, YET? 801 00:35:42,931 --> 00:35:46,379 NOBODY SEES ANY MONEY UNTIL THE SECOND ALBUM. 802 00:35:46,379 --> 00:35:49,034 THERE'’S COST OF PRODUCTION, VIDEOS, TOURING COSTS. 803 00:35:49,034 --> 00:35:50,689 THE LABEL ABSORBS ALL OF THAT 804 00:35:50,689 --> 00:35:52,206 AND THEN GETS REIMBURSED. 805 00:35:52,206 --> 00:35:53,965 WE'’LL BE LUCKY IF WE BREAK EVEN. 806 00:35:53,965 --> 00:35:56,896 NOW, COME ON, LET'’S GO. 807 00:35:56,896 --> 00:35:58,793 - THAT DON'’T SOUND RIGHT. 808 00:35:58,793 --> 00:36:01,482 I THINK WE SHOULD SEE OUR OWN CONTRACTS. 809 00:36:01,482 --> 00:36:03,379 Y'’ALL, SHE'’LL HAVE A BREAKDOWN IF WE DO THAT. 810 00:36:03,379 --> 00:36:04,655 WE'’RE NOT DOING ANYTHING WRONG 811 00:36:04,655 --> 00:36:05,724 BY LOOKIN'’ AT OUR PAPERWORK. 812 00:36:05,724 --> 00:36:07,172 THAT'’S RIGHT. 813 00:36:07,172 --> 00:36:10,482 WE SHOULD AT LEAST JUST SEE WHAT OUR PAPERS SAY. 814 00:36:10,482 --> 00:36:12,655 PERRI? 815 00:36:12,655 --> 00:36:15,758 HEY, WE GOT SOMETHING WE WANT TO TALK TO YOU ABOUT. 816 00:36:15,758 --> 00:36:20,344 WHAT'’S GOIN'’ ON? 817 00:36:20,344 --> 00:36:23,724 ALL RIGHT, SO, WE NEVER GOT A COPY OF OUR CONTRACTS, 818 00:36:23,724 --> 00:36:29,689 AND WE JUST THOUGHT WE SHOULD HAVE THAT. 819 00:36:29,689 --> 00:36:31,000 YEAH. 820 00:36:31,000 --> 00:36:33,000 YOU KNOW, JUST TO CHECK '’EM OUT. 821 00:36:33,000 --> 00:36:34,448 MAKE SURE WE UNDERSTAND EVERYTHING. 822 00:36:34,448 --> 00:36:39,206 YOU DON'’T THINK I'’VE TAKIN'’ CARE OF YOU? 823 00:36:39,206 --> 00:36:41,551 I HAVE LOVED YOU AND NURTURED YOU 824 00:36:41,551 --> 00:36:43,689 LIKE YOU WERE MY OWN KIDS. 825 00:36:43,689 --> 00:36:45,344 WE KNOW THAT. YEAH. 826 00:36:45,344 --> 00:36:48,275 FOR SURE WE KNOW THAT. 827 00:36:48,275 --> 00:36:52,379 [sighs] 828 00:36:52,379 --> 00:36:54,000 AND YOU DON'’T TRUST ME. 829 00:36:57,586 --> 00:37:00,689 I GOT TO SAY, I'’M KIND OF HURT. 830 00:37:00,689 --> 00:37:02,689 EXCUSE ME. 831 00:37:02,689 --> 00:37:05,068 PERRI. 832 00:37:05,068 --> 00:37:06,896 - WE KNEW SOMETHING WAS UP WITH OUR CONTRACTS, 833 00:37:06,896 --> 00:37:09,310 BUT WE WERE IN THE MIDDLE OF OUR FIRST TOUR, 834 00:37:09,310 --> 00:37:12,068 AND, MAN, WERE WE HAVING A BLAST. 835 00:37:12,068 --> 00:37:15,000 WHAT'’S UP, AND WELCOME TO THE TLC SHOW. 836 00:37:15,000 --> 00:37:16,000 WHERE MY GIRLS AT? 837 00:37:16,000 --> 00:37:17,000 HA-HA. 838 00:37:17,000 --> 00:37:18,000 HA-HA. 839 00:37:18,000 --> 00:37:19,000 HIYA, FOLKS. 840 00:37:19,000 --> 00:37:20,586 I'’M THE RAPPER OF THE GROUP. 841 00:37:23,551 --> 00:37:25,310 WHICH ONE OF YOU WROTE "TLC" IN MUSTARD, 842 00:37:25,310 --> 00:37:27,000 ALL ON THE SIDE OF HAMMER'’S TOUR BUS? 843 00:37:27,000 --> 00:37:28,310 OH, YOU KNOW. PENIS ON THE BUS! 844 00:37:28,310 --> 00:37:30,034 - THERE IS A PENIS ON THAT BUS! 845 00:37:30,034 --> 00:37:33,586 PENIS ON THE BUS! 846 00:37:33,586 --> 00:37:36,758 YOU GOT THREE GIRLS WHO NEVER REALLY LEFT ATLANTA, 847 00:37:36,758 --> 00:37:40,206 AND NOW, WE WERE ALL OVER THE PLACE. 848 00:37:40,206 --> 00:37:42,413 EVEN TOUGH GIRL TIONNE GOT HER SWERVE ON 849 00:37:42,413 --> 00:37:44,241 WITH DALVIN FROM JODECI. 850 00:37:44,241 --> 00:37:45,827 FOR REAL, DALVIN? 851 00:37:45,827 --> 00:37:47,827 DON'’T YOU AND JODECI GOT A SOUND CHECK OR SOMETHING'’? 852 00:37:47,827 --> 00:37:50,000 SEE, ME AND PUFF GOT THIS BET, RIGHT? 853 00:37:50,000 --> 00:37:51,965 SEE WHO WOULD TALK TO YOU FIRST. 854 00:37:51,965 --> 00:37:54,068 SO WHAT YOU TRYIN'’ TO SAY? 855 00:37:54,068 --> 00:37:57,344 YOU WON? YEAH. 856 00:37:59,551 --> 00:38:02,275 OUR ALBUM HAD GONE GOLD. 857 00:38:02,275 --> 00:38:05,862 OUR TOUR WAS SOLD OUT IN EVERY CITY. 858 00:38:05,862 --> 00:38:07,724 MAN, WE THOUGHT NOTHING COULD STOP US. 859 00:38:12,931 --> 00:38:14,586 - YOU CAN GO. 860 00:38:20,620 --> 00:38:22,000 CHILLI! 861 00:38:22,000 --> 00:38:25,827 TIONNE NEEDS HELP, COME ON! 862 00:38:25,827 --> 00:38:26,931 TIONNE! 863 00:38:26,931 --> 00:38:29,620 YO, YOU GETTING'’ HELP? 864 00:38:29,620 --> 00:38:31,068 QUICK, GET A PILLOW. 865 00:38:31,068 --> 00:38:34,068 CALL 911, WE HAVE A SITUATION IN DRESSING ROOM 6. 866 00:38:34,068 --> 00:38:35,068 IT'’S GOING TO BE OKAY. 867 00:38:35,068 --> 00:38:36,000 BREATHE. 868 00:38:42,586 --> 00:38:44,034 IS SHE GOING TO BE OKAY? 869 00:38:44,034 --> 00:38:45,241 - OF COURSE SHE'’S GOING TO BE OKAY. 870 00:38:45,241 --> 00:38:46,551 SHE JUST HAS THE FLU OR SOMETHIN'’. 871 00:38:55,793 --> 00:38:57,379 HER MOTHER'’S IN THERE WITH HER, 872 00:38:57,379 --> 00:38:59,620 AND SHE'’LL PROBABLY BE ABLE TO SEE YOU IN A FEW HOURS 873 00:38:59,620 --> 00:39:01,310 AFTER WE GET HER THROUGH THIS CRISIS. 874 00:39:01,310 --> 00:39:02,586 WHAT DO YOU MEAN CRISIS? 875 00:39:02,586 --> 00:39:04,620 YEAH, I MEAN, SHE WAS ALL OVER THE STAGE. 876 00:39:04,620 --> 00:39:07,620 NO, SICKLE-CELL CRISIS. 877 00:39:07,620 --> 00:39:09,620 IT'’S A FEATURE OF HER SICKLE-CELL ANEMIA. 878 00:39:09,620 --> 00:39:11,724 IT CREATES INTENSE PAIN, 879 00:39:11,724 --> 00:39:13,103 AND IT COULD LEAD TO ORGAN FAILURE. 880 00:39:13,103 --> 00:39:14,275 ORGAN FAILURE? 881 00:39:14,275 --> 00:39:15,275 ARE YOU SERIOUS? 882 00:39:15,275 --> 00:39:16,275 BUT SHE'’S GOING TO BE OKAY 883 00:39:16,275 --> 00:39:17,862 FOR OUR SHOW TOMORROW, RIGHT? 884 00:39:17,862 --> 00:39:19,758 TOMORROW? 885 00:39:19,758 --> 00:39:21,206 SHE'’S GOING TO NEED A COUPLE OF WEEKS. 886 00:39:21,206 --> 00:39:23,034 COUPLE OF WEEKS? 887 00:39:23,034 --> 00:39:24,241 THAT'’S A LOT OF CANCELED SHOWS. 888 00:39:24,241 --> 00:39:25,586 DO YOU HAVE ANY IDEA HOW MUCH MONEY 889 00:39:25,586 --> 00:39:27,827 WE'’RE GOING TO LOSE? 890 00:39:27,827 --> 00:39:29,689 POOR TIONNE. 891 00:39:29,689 --> 00:39:31,068 SO WE HAD AN IDEA. 892 00:39:31,068 --> 00:39:32,068 YEAH. 893 00:39:32,068 --> 00:39:33,482 I WAS THINKIN'’, 894 00:39:33,482 --> 00:39:35,482 IF WE TAKE IT A LITTLE EASY ON THE DANCIN,'’ 895 00:39:35,482 --> 00:39:36,689 WE COULD SING THE SONGS. 896 00:39:36,689 --> 00:39:37,896 YOU KNOW, YOU COULD LEAN UP ON US 897 00:39:37,896 --> 00:39:39,862 WITHOUT REALLY MOVIN'’, YOU KNOW? 898 00:39:39,862 --> 00:39:43,689 [laughter] 899 00:39:43,689 --> 00:39:46,620 YOU ALL STUPID. 900 00:39:46,620 --> 00:39:48,655 TIONNE, YOU OKAY? 901 00:39:48,655 --> 00:39:50,724 I'’M OKAY. 902 00:39:50,724 --> 00:39:53,827 I'’M FINE. 903 00:39:53,827 --> 00:39:57,000 WHY DON'’T YOU GIRLS COME BACK A LITTLE LATER, OKAY? 904 00:39:57,000 --> 00:39:58,793 MUSIC GOT TO TAKE A BACK SEAT RIGHT NOW. 905 00:39:58,793 --> 00:40:01,655 OF COURSE. A'’IGHT, IT'’S COOL. 906 00:40:01,655 --> 00:40:02,827 A'’IGHT, T. 907 00:40:08,620 --> 00:40:09,793 I DON'’T KNOW IF THIS PERFORMING 908 00:40:09,793 --> 00:40:12,448 IS GOING TO WORK OUT FOR TIONNE. 909 00:40:12,448 --> 00:40:14,379 SHE HAS A LIMITED LIFE EXPECTANCY, 910 00:40:14,379 --> 00:40:16,896 MAYBE TWENTY MORE YEARS. 911 00:40:16,896 --> 00:40:19,034 NO CHANCE OF HAVING CHILDREN. 912 00:40:19,034 --> 00:40:20,379 SHE NEEDS TO PRESERVE HER ENERGY. 913 00:40:20,379 --> 00:40:22,448 WE KNOW HER PROGNOSIS. 914 00:40:22,448 --> 00:40:25,344 WE'’VE BEEN HEARIN'’ IT SINCE SHE WAS A BABY. 915 00:40:25,344 --> 00:40:26,689 I'’M NOT GOIN'’ DIE. 916 00:40:30,000 --> 00:40:31,689 YOU KNOW ABOUT THE DREAM THAT I ALWAYS HAVE. 917 00:40:36,655 --> 00:40:42,379 I SEE THIS WOMAN ON STAGE, PERFORMIN'’ AND DANCING 918 00:40:42,379 --> 00:40:46,931 FOR THOUSANDS OF PEOPLE. 919 00:40:46,931 --> 00:40:49,000 I'’VE BEEN HAVING THIS DREAM SINCE I WAS A LITTLE GIRL, 920 00:40:49,000 --> 00:40:55,344 AND I HAVE IT OVER AND OVER AND OVER AGAIN. 921 00:40:55,344 --> 00:40:59,344 I CAN NEVER SEE HER FACE, 922 00:40:59,344 --> 00:41:03,551 BUT I KNEW IT WAS ME. 923 00:41:03,551 --> 00:41:05,862 SO I AIN'’T TRYIN'’ TO DIE. 924 00:41:05,862 --> 00:41:08,827 AND GOD HAS THE FINAL SAY-SO. 925 00:41:12,206 --> 00:41:14,793 THAT'’S RIGHT. 926 00:41:14,793 --> 00:41:16,034 DON'’T YOU FORGET. 927 00:41:28,758 --> 00:41:30,931 - HI, I'’M TABITHA SOREN WITH AN MTV NEWS BRIEF. 928 00:41:30,931 --> 00:41:32,344 SINGER TIONNE WATKINS, 929 00:41:32,344 --> 00:41:35,689 BETTER KNOWN AS T-BOZ OF THE CHART TOPPING GROUP TLC, 930 00:41:35,689 --> 00:41:38,034 HAS ANNOUNCED THAT SHE HAS SICKLE-CELL ANEMIA, 931 00:41:38,034 --> 00:41:40,172 A PAINFUL INHERITED BLOOD DISEASE 932 00:41:40,172 --> 00:41:43,172 THAT PRIMARY AFFLICTS PEOPLE OF AFRICAN DESCENT. 933 00:41:43,172 --> 00:41:46,172 SICKLE CELL VICTIMS FACE A DIMINISHED LIFE EXPECTANCY, 934 00:41:46,172 --> 00:41:48,413 AND WHILE DRUGS AND BLOOD TRANSFUSIONS 935 00:41:48,413 --> 00:41:50,310 CAN HELP ALLEVIATE SYMPTOMS, 936 00:41:50,310 --> 00:41:52,000 THE ONLY POTENTIAL CURE THUS FAR 937 00:41:52,000 --> 00:41:54,310 IS A COSTLY BONE MARROW TRANSPLANT, 938 00:41:54,310 --> 00:41:57,482 WHICH HASN'’T BEEN TRIED IN PATIENTS OVER 13 YEARS OLD 939 00:41:57,482 --> 00:41:59,034 AND HAS PROVEN FATAL TO SOME. 940 00:41:59,034 --> 00:42:00,931 MTV NEWS. 941 00:42:00,931 --> 00:42:03,896 YOU HEAR IT FIRST. 942 00:42:07,413 --> 00:42:09,344 EVERY TIME WE GOT KNOCKED DOWN, 943 00:42:09,344 --> 00:42:12,103 WE CAME BACK UP FIGHTING, 944 00:42:12,103 --> 00:42:14,379 '’CAUSE WE KNEW WE HAD EACH OTHER'’S BACKS. 945 00:42:17,827 --> 00:42:19,482 HOW DO YOU LIKE THE PLACE? 946 00:42:19,482 --> 00:42:20,448 IT'’S NICE. 947 00:42:20,448 --> 00:42:21,965 YEAH. 948 00:42:21,965 --> 00:42:25,551 LOOK AT US GIRLS BACK TOGETHER AGAIN. 949 00:42:25,551 --> 00:42:27,206 HOW YOU FEELING, TI-TI? 950 00:42:27,206 --> 00:42:28,758 - OH, I'’M FINE. 951 00:42:28,758 --> 00:42:31,310 WELL, YOU'’RE ABOUT TO FEEL EVEN BETTER. 952 00:42:35,000 --> 00:42:36,275 1 MILLION RECORDS SOLD. 953 00:42:36,275 --> 00:42:37,620 [girls all scream] 954 00:42:37,620 --> 00:42:39,206 1 MILLION! 955 00:42:39,206 --> 00:42:40,896 THANK YOU SO MUCH! 956 00:42:40,896 --> 00:42:43,344 OH, MY GOD! OH, MAN! 957 00:42:43,344 --> 00:42:44,931 SO I WAS THINKING-- 958 00:42:44,931 --> 00:42:50,068 WELL, WE WAS THINKIN'’, WE COULD GET SOME EXTRA CASH. 959 00:42:50,068 --> 00:42:51,103 HANG ON. 960 00:42:51,103 --> 00:42:54,206 I'’VE GOT ANOTHER SURPRISE. 961 00:42:54,206 --> 00:42:58,862 [girls scream] 962 00:42:58,862 --> 00:43:02,620 THIS IS CRAZY! 963 00:43:02,620 --> 00:43:03,758 - THIS IS REAL CRAZY. 964 00:43:03,758 --> 00:43:06,724 - THIS IS CRAZY. 965 00:43:06,724 --> 00:43:07,862 HEY! 966 00:43:07,862 --> 00:43:12,034 [voices overlapping] 967 00:43:12,034 --> 00:43:14,344 BACK HERE AT HOT 107.8, 968 00:43:14,344 --> 00:43:15,344 CHECK THIS OUT. 969 00:43:15,344 --> 00:43:17,137 TLC JUST HIT PLATINUM. 970 00:43:17,137 --> 00:43:18,862 THAT'’S RIGHT, PLATINUM, Y'’ALL. 971 00:43:18,862 --> 00:43:20,965 1 MILLION ALBUMS SOLD. 972 00:43:20,965 --> 00:43:22,379 NOW IF YOU'’RE ON THE STREETS TONIGHT 973 00:43:22,379 --> 00:43:24,172 AND YOU JUST HAPPEN TO SEE A PLATINUM BENTLEY, 974 00:43:24,172 --> 00:43:27,310 IT'’S PROBABLY OUR HOME TOWN HEROES, TLC. 975 00:43:27,310 --> 00:43:30,241 COME ON, Y'’ALL. 976 00:43:30,241 --> 00:43:31,344 [indistinct chatter] 977 00:43:31,344 --> 00:43:33,862 - YO, TLC IN THE HOUSE! 978 00:43:33,862 --> 00:43:36,551 CHILLI, YOU'’RE MY FAVORITE! 979 00:43:36,551 --> 00:43:38,344 - HEY, T-BOZ! 980 00:43:38,344 --> 00:43:43,689 HOLD IT RIGHT THERE. 981 00:43:43,689 --> 00:43:45,310 - TLC? 982 00:43:45,310 --> 00:43:47,344 OH, DAMN, B! 983 00:43:47,344 --> 00:43:49,551 STILL DRIVIN'’ MOM'’S CAR? 984 00:43:49,551 --> 00:43:50,689 YOU BETTER OFF WALKIN'’. 985 00:43:50,689 --> 00:43:52,068 [laughs] 986 00:43:52,068 --> 00:43:53,413 YO, MY LITTLE COUSIN GOT ONE OF THEM RIDES. 987 00:43:53,413 --> 00:43:55,689 WE NEED TO SEE THOSE CONTRACTS. 988 00:43:55,689 --> 00:43:58,103 LADIES, SORRY TO BE RUNNING LATE. 989 00:43:58,103 --> 00:43:59,551 HOW CAN I HELP YOU? 990 00:43:59,551 --> 00:44:02,517 WE WANT TO TAKE A LOOK AT OUR CONTRACTS. 991 00:44:02,517 --> 00:44:05,620 OKAY, LET ME SPEAK TO PEBBLES. 992 00:44:05,620 --> 00:44:07,000 WHY? AREN'’T YOU OUR LAWYER? 993 00:44:07,000 --> 00:44:08,758 WELL, YES. - SEE, I'’M CONFUSED. 994 00:44:08,758 --> 00:44:10,172 BUT I HAVE TO SPEAK TO HER BECAUSE-- 995 00:44:10,172 --> 00:44:11,172 - HOLD UP. 996 00:44:11,172 --> 00:44:14,172 ARE YOU HER LAWYER TOO? 997 00:44:14,172 --> 00:44:15,206 YES. 998 00:44:15,206 --> 00:44:16,862 NOW I'’M REALLY CONFUSED. 999 00:44:16,862 --> 00:44:19,896 WAIT, HOW CAN YOU REPRESENT US AND PEBBLES? 1000 00:44:19,896 --> 00:44:21,896 YEAH, HOW CAN YOU LOOK OUT FOR BOTH GROUPS? 1001 00:44:21,896 --> 00:44:23,310 THAT DON'’T EVEN MAKE NO SENSE. 1002 00:44:25,965 --> 00:44:28,172 TO BE HONEST, 1003 00:44:28,172 --> 00:44:30,965 NO ONE THOUGHT YOU GIRLS WERE GONNA MAKE IT THIS BIG. 1004 00:44:30,965 --> 00:44:32,482 OH, THAT'’S FOUL. 1005 00:44:32,482 --> 00:44:35,310 LOOK, WE DON'’T CARE WHAT Y'’ALL THOUGHT, 1006 00:44:35,310 --> 00:44:37,068 WHY AREN'’T WE MAKING ANY MONEY? 1007 00:44:49,517 --> 00:44:51,724 FOR STARTERS, YOU HAVE AN OBLIGATION 1008 00:44:51,724 --> 00:44:54,103 TO PAY BACK THE LABEL FOR ALL PRODUCTION COSTS, 1009 00:44:54,103 --> 00:44:56,965 INCLUDING STUDIO AND REHEARSAL TIMES, PROMOTIONS, 1010 00:44:56,965 --> 00:45:00,896 TOUR EXPENSES, TRANSPORTATION, MEALS, GIFTS, ETCETERA. 1011 00:45:00,896 --> 00:45:03,068 NOW, THAT'’S FAIRLY STANDARD. 1012 00:45:03,068 --> 00:45:06,655 MRS. REID IS ALSO TAKING A PERCENTAGE AS A MANAGER, 1013 00:45:06,655 --> 00:45:09,586 THEN TAKING A PERCENTAGE FOR HER LABEL PEBBITONE, 1014 00:45:09,586 --> 00:45:12,448 WHICH IS ALSO AN IMPRINT OF LA FACE, 1015 00:45:12,448 --> 00:45:14,344 WHICH IS L.A. REID'’S LABEL. 1016 00:45:14,344 --> 00:45:17,000 OH, AND LA FACE ALSO GETS A CUT. 1017 00:45:18,758 --> 00:45:20,586 THIS IS SOME BULL[...]. 1018 00:45:20,586 --> 00:45:23,000 WE GOT A PLATINUM ALBUM, AND WE AIN'’T GOT NOTHING. 1019 00:45:23,000 --> 00:45:25,137 EXCEPT THE CAR SHE BOUGHT US. 1020 00:45:25,137 --> 00:45:27,275 NAH, WE PROBABLY PAID FOR THEM TOO. 1021 00:45:27,275 --> 00:45:28,275 YEAH, YOU DID. 1022 00:45:28,275 --> 00:45:30,206 THAT'’S [...] UP. 1023 00:45:30,206 --> 00:45:32,620 WHAT WE GONNA DO? 1024 00:45:32,620 --> 00:45:34,827 SOMETHING NEW. 1025 00:45:34,827 --> 00:45:36,172 SO WHAT'’S UP? 1026 00:45:36,172 --> 00:45:38,034 HOW'’S MY PLATINUM SELLING SUPERSTARS? 1027 00:45:38,034 --> 00:45:39,482 YEAH, THAT'’S THE GOOD NEWS. 1028 00:45:39,482 --> 00:45:40,896 THE BAD NEWS IS... 1029 00:45:40,896 --> 00:45:42,827 WE NOT WORKING WITH PERRI ANYMORE. 1030 00:45:42,827 --> 00:45:43,862 WE NEED TO END THAT. 1031 00:45:43,862 --> 00:45:46,655 NOW. 1032 00:45:46,655 --> 00:45:49,241 WELL, OKAY. 1033 00:45:49,241 --> 00:45:50,413 OKAY. 1034 00:45:50,413 --> 00:45:52,689 WELL, YOU KNOW SHE OWNS YOUR NAME. 1035 00:45:52,689 --> 00:45:55,689 TLC, THAT'’S HERS. 1036 00:45:55,689 --> 00:45:56,724 THAT'’S FINE. 1037 00:45:56,724 --> 00:45:58,172 WE'’LL BUY IT FROM HER. 1038 00:45:58,172 --> 00:46:00,620 THE POINT IS, WE'’RE GONNA DO ANOTHER RECORD, 1039 00:46:00,620 --> 00:46:02,517 IT'’S JUST NOT GONNA BE WITH HER. 1040 00:46:06,103 --> 00:46:07,413 OKAY. 1041 00:46:07,413 --> 00:46:09,068 OKAY. 1042 00:46:09,068 --> 00:46:11,068 YOU'’RE GONNA HAVE TO SETTLE ON SOME SORT OF COMPENSATION. 1043 00:46:11,068 --> 00:46:12,413 WE'’LL FIGURE IT OUT. 1044 00:46:12,413 --> 00:46:14,034 YEAH, SERIOUSLY. 1045 00:46:14,034 --> 00:46:15,379 WE WANT OUT. 1046 00:46:15,379 --> 00:46:16,965 I MEAN, WE ALREADY STARTED COMING UP 1047 00:46:16,965 --> 00:46:19,344 WITH NEW IDEAS FOR THE NEXT ALBUM, SO... 1048 00:46:19,344 --> 00:46:21,137 SO, YEAH. 1049 00:46:21,137 --> 00:46:22,551 WE'’LL SEE YOU IN THE STUDIO. 1050 00:46:29,344 --> 00:46:31,034 YO, STRAIGHT UP, 1051 00:46:31,034 --> 00:46:33,448 WE WERE NOT GOING DOWN IN HISTORY 1052 00:46:33,448 --> 00:46:36,241 AS JUST ANOTHER GROUP WHO GOT RIPPED OFF. 1053 00:46:36,241 --> 00:46:37,448 UH-UH. 1054 00:46:37,448 --> 00:46:38,689 WE WERE TAKING CONTROL OF OUR LIVES, 1055 00:46:38,689 --> 00:46:40,241 MAKING OUR OWN DECISIONS, 1056 00:46:40,241 --> 00:46:41,620 AND IT FELT GOOD. 1057 00:46:41,620 --> 00:46:45,586 ♪ AND I KNOW YOU WANT IT 1058 00:46:45,586 --> 00:46:48,862 - ♪ COME ON LET ME KICK A LITTLE GAME TO YOU ♪ 1059 00:46:48,862 --> 00:46:51,034 - ♪ LAYING AGAINST THE WALL 1060 00:46:51,034 --> 00:46:54,482 ♪ CHECKING OUT THE SCENERY 1061 00:46:54,482 --> 00:46:56,758 ♪ ALL I SEE IS EVERYBODY 1062 00:46:56,758 --> 00:46:58,724 ♪ TRYING TO GET WITH ME 1063 00:46:58,724 --> 00:47:00,965 ♪ SO I CONTINUE 1064 00:47:00,965 --> 00:47:03,827 ♪ TO PLAY IT CRAZYSEXYCOOL 1065 00:47:03,827 --> 00:47:05,517 ♪ LOST ALL COMPOSURE 1066 00:47:05,517 --> 00:47:07,931 ♪ WHEN I LAID MY EYES ON YOU ♪ 1067 00:47:07,931 --> 00:47:09,275 - ♪ WE JUST WANNA KNOW 1068 00:47:09,275 --> 00:47:10,448 ♪ IF YOU 1069 00:47:10,448 --> 00:47:12,896 ♪ CAN KICK SOME GAME 1070 00:47:12,896 --> 00:47:15,413 ♪ COME WITH SOMETHING MORE CLEVER ♪ 1071 00:47:15,413 --> 00:47:17,931 ♪ THAN JUST YOUR NAME 1072 00:47:17,931 --> 00:47:19,241 ♪ SEE IT'’S LIKE THIS ♪ 1073 00:47:19,241 --> 00:47:22,965 ♪ I WANNA TAKE YOU HOME 1074 00:47:22,965 --> 00:47:24,551 ♪ BUT YOU GOT TO SHOW ME 1075 00:47:24,551 --> 00:47:28,655 ♪ THAT YOUR GAME IS ON 1076 00:47:28,655 --> 00:47:30,310 - ♪ I'’VE BEEN WATCHING YOU ♪ 1077 00:47:30,310 --> 00:47:31,689 ♪ WATCHING ME 1078 00:47:31,689 --> 00:47:34,103 ♪ AND I KNOW YOU WANT IT 1079 00:47:34,103 --> 00:47:35,448 - ♪ BUT IT DEPENDS ON 1080 00:47:35,448 --> 00:47:38,000 ♪ HOW YOU KICK YOUR GAME 1081 00:47:45,000 --> 00:47:46,000 CHILLI, COME ON. 1082 00:47:46,000 --> 00:47:47,241 LET'’S GO PARTY. 1083 00:47:47,241 --> 00:47:49,551 LET'’S GET CRAZY ON THESE PEOPLE, GIRL! 1084 00:47:49,551 --> 00:47:51,413 NAH, I'’MA GO HOME AND GET SOME REST, Y'’ALL. 1085 00:47:51,413 --> 00:47:52,655 GIRL, YOU AIN'’T GOIN'’ NOWHERE. 1086 00:47:52,655 --> 00:47:54,413 - MM-HMM, I KNOW WHERE SHE GOING. 1087 00:47:54,413 --> 00:47:55,413 A'’IGHT, GIRL. 1088 00:47:55,413 --> 00:47:56,862 TIONNE, LET'’S GO! 1089 00:47:56,862 --> 00:47:57,862 LISA, HOLD UP. 1090 00:47:57,862 --> 00:47:59,000 - YOU ON HER? 1091 00:47:59,000 --> 00:48:00,137 I GOT THIS. 1092 00:48:00,137 --> 00:48:01,724 WE ABOUT TO PARTY. 1093 00:48:01,724 --> 00:48:03,862 - WHOA, WHOA, WHOA, WHOA, I NEED SOME I.D. 1094 00:48:03,862 --> 00:48:05,068 I.D.? 1095 00:48:05,068 --> 00:48:06,275 I AIN'’T GOT NO [...] I.D. 1096 00:48:06,275 --> 00:48:07,586 MY FACE IS MY I.D. 1097 00:48:07,586 --> 00:48:08,586 ALL RIGHT, LISA. 1098 00:48:08,586 --> 00:48:09,793 - LISA, I LOVE YOU. 1099 00:48:09,793 --> 00:48:11,344 all: TLC! 1100 00:48:11,344 --> 00:48:12,689 TLC! 1101 00:48:12,689 --> 00:48:14,241 TLC! 1102 00:48:14,241 --> 00:48:15,551 TLC! 1103 00:48:25,379 --> 00:48:26,793 CHILLI, WHAT YOU-- 1104 00:48:26,793 --> 00:48:28,896 YOU HAD A PARTY, AND YOU DIDN'’T INVITE ME? 1105 00:48:28,896 --> 00:48:30,275 - OKAY, YOU DON'’T EVEN LIKE PARTIES. 1106 00:48:30,275 --> 00:48:32,034 TRUE, BUT YOU STILL SHOULD'’VE INVITED ME. 1107 00:48:32,034 --> 00:48:33,413 WELL, I THOUGHT YOU WERE WORKING. 1108 00:48:33,413 --> 00:48:34,551 YOU'’RE SO FULL OF IT, DALLAS. 1109 00:48:34,551 --> 00:48:37,413 WHOA, OKAY. 1110 00:48:37,413 --> 00:48:39,827 YOU'’RE SO LARGE NOW. 1111 00:48:39,827 --> 00:48:41,793 I CAN'’T HAVE YOU GETTING HASSLED, 1112 00:48:41,793 --> 00:48:42,896 FOLKS TRYIN'’ TO GET YOUR AUTOGRAPH, 1113 00:48:42,896 --> 00:48:44,413 WANTIN'’ TO GO ON TOUR WITH YOU. 1114 00:48:44,413 --> 00:48:46,310 REALLY? YES. 1115 00:48:46,310 --> 00:48:48,000 FOR REAL. 1116 00:48:48,000 --> 00:48:49,379 NO ONE IS AS BIG AS YOU. 1117 00:48:49,379 --> 00:48:50,379 OKAY? 1118 00:49:00,862 --> 00:49:04,655 UH. UH. UH. YEAH. UH. 1119 00:49:04,655 --> 00:49:06,620 THIS MY JAM RIGHT HERE. 1120 00:49:06,620 --> 00:49:09,103 WHOO! 1121 00:49:09,103 --> 00:49:10,344 - LISA. 1122 00:49:10,344 --> 00:49:11,517 LISA, GET DOWN! 1123 00:49:11,517 --> 00:49:12,586 LISA, GET DOWN! 1124 00:49:12,586 --> 00:49:14,000 I AM GETTING DOWN. HEY! 1125 00:49:14,000 --> 00:49:15,000 LISA! 1126 00:49:15,000 --> 00:49:16,724 HEY! BAR'’S CLOSING. 1127 00:49:16,724 --> 00:49:18,413 YOU'’RE GOING TO HAVE TO GIVE ME THAT BOTTLE. 1128 00:49:18,413 --> 00:49:20,344 THAT'’S MY BOTTLE. I BOUGHT THIS BOTTLE IN HERE. 1129 00:49:20,344 --> 00:49:22,448 - YOU GOT TO GIVE ME THE BOTTLE! WHY YOU GRABBIN'’ ON ME? 1130 00:49:22,448 --> 00:49:23,448 GET OFF ME. 1131 00:49:23,448 --> 00:49:26,379 [voices overlapping] 1132 00:49:26,379 --> 00:49:27,275 WATCH HER HEEL. 1133 00:49:30,793 --> 00:49:32,275 - THE OWNER WILL DROP CHARGES 1134 00:49:32,275 --> 00:49:34,482 IF SHE IS GONE NOW AND NEVER COMES BACK. 1135 00:49:34,482 --> 00:49:36,034 - THAT WAS MY CHAMPAGNE. 1136 00:49:36,034 --> 00:49:37,655 I DON'’T EVEN KNOW WHY I'’M THE ONE IN HANDCUFFS. 1137 00:49:37,655 --> 00:49:39,655 I'’M TAKING HER TO A HOTEL TO SLEEP THIS OFF, RIGHT NOW. 1138 00:49:39,655 --> 00:49:42,655 MAN, HE NEED TO BE THE ONE LOCKED UP. 1139 00:49:46,103 --> 00:49:47,482 I KNOW. 1140 00:49:47,482 --> 00:49:48,758 - THAT'’S ALL I WAS TRYIN'’ TO TELL HIM. 1141 00:49:48,758 --> 00:49:50,241 OKAY. 1142 00:49:50,241 --> 00:49:51,827 - I WAS TRYIN'’ TO TELL HIM THAT WAS MY BOTTLE. 1143 00:49:51,827 --> 00:49:53,137 THAT WAS MY [...] BOTTLE. I KNOW. 1144 00:49:53,137 --> 00:49:54,344 - THAT [...] WAS MINE. 1145 00:49:54,344 --> 00:49:55,344 CAN'’T TAKE THAT FROM ME. 1146 00:49:55,344 --> 00:49:57,586 SHH, IT'’S OKAY. 1147 00:49:57,586 --> 00:49:58,586 STAY RIGHT THERE, ALL RIGHT? 1148 00:49:58,586 --> 00:49:59,758 - MY [...] BOTTLE. 1149 00:49:59,758 --> 00:50:00,827 THAT [...] WAS OKAY. 1150 00:50:00,827 --> 00:50:03,482 I DON'’T CARE WHAT NOBODY SAYS. 1151 00:50:03,482 --> 00:50:04,827 EVERY TIME I TURN AROUND 1152 00:50:04,827 --> 00:50:07,275 SOMEBODY TRYIN'’ TO TAKE SOME [...] FROM ME. 1153 00:50:07,275 --> 00:50:08,551 BUT THEY CAN HAVE ALL THIS [...]. 1154 00:50:08,551 --> 00:50:09,827 STOP! 1155 00:50:09,827 --> 00:50:11,517 LISA, STOP! 1156 00:50:11,517 --> 00:50:12,517 ALL OF THIS [...]. 1157 00:50:12,517 --> 00:50:13,482 LISA! LISA! 1158 00:50:13,482 --> 00:50:14,517 LISA, STOP! 1159 00:50:14,517 --> 00:50:17,275 SHH, IT'’S OKAY. 1160 00:50:17,275 --> 00:50:18,413 IT'’S OKAY. 1161 00:50:20,344 --> 00:50:24,655 IT'’S OKAY. 1162 00:50:24,655 --> 00:50:26,068 MY FATHER DIDN'’T EVEN STICK AROUND 1163 00:50:26,068 --> 00:50:28,068 TO SEE HIS KIDS MAKE IT. 1164 00:50:28,068 --> 00:50:30,482 HOW YOU GONNA LEAVE YOUR OWN KIDS? 1165 00:50:30,482 --> 00:50:31,551 YOUR OWN DAUGHTER. 1166 00:50:31,551 --> 00:50:32,689 WHAT IS THAT? 1167 00:50:32,689 --> 00:50:35,620 [sobbing] 1168 00:50:38,517 --> 00:50:41,379 BOO, HEY! 1169 00:50:41,379 --> 00:50:43,000 YOU WANT SOME BLUEBERRY PANCAKES, BABY? 1170 00:50:48,000 --> 00:50:49,896 UH-OH. 1171 00:50:49,896 --> 00:50:52,689 WHAT'’S WRONG, BOO? 1172 00:50:52,689 --> 00:50:53,965 I KNOW I SHOULDN'’T BE WITH HIM, 1173 00:50:53,965 --> 00:50:58,793 BUT IT'’S LIKE I CAN'’T STAY AWAY. 1174 00:50:58,793 --> 00:51:01,413 WE'’VE ALL BEEN THERE, BABY. 1175 00:51:06,862 --> 00:51:09,034 ♪ I WAS LIKE PEACE 1176 00:51:09,034 --> 00:51:10,586 ♪ IN A GROOVE 1177 00:51:10,586 --> 00:51:13,206 ♪ ON A SUNDAY AFTERNOON 1178 00:51:13,206 --> 00:51:14,689 ♪ YOU WERE THERE 1179 00:51:14,689 --> 00:51:16,034 ♪ SO WAS I 1180 00:51:16,034 --> 00:51:18,034 ♪ IN THE PARK 1181 00:51:18,034 --> 00:51:21,758 YO! 1182 00:51:21,758 --> 00:51:23,344 YO, WHAT THE HELL YOU DOIN'’? 1183 00:51:23,344 --> 00:51:24,379 WHAT? 1184 00:51:24,379 --> 00:51:25,413 WHAT DO YOU MEAN, WHAT? 1185 00:51:25,413 --> 00:51:26,689 YOU GOT THIS SKANK UP IN HERE, 1186 00:51:26,689 --> 00:51:27,965 AND YOU KNOW CHILLI'’S GONNA COME IN. 1187 00:51:27,965 --> 00:51:29,344 YO, I'’M NOT MARRIED, T. 1188 00:51:29,344 --> 00:51:30,896 SO, WHAT, YOU JUST GONNA THROW IT UP IN HER FACE? 1189 00:51:30,896 --> 00:51:32,517 HEY. Y'’ALL READY FOR ME? 1190 00:51:32,517 --> 00:51:34,068 SEE? 1191 00:51:34,068 --> 00:51:35,827 I DON'’T LIKE BEIN'’ IN THE MIDDLE OF YOUR MESS. 1192 00:51:35,827 --> 00:51:39,344 HEY, GIRL, I'’M JUST TRYING TO LAY THIS VERSE DOWN. 1193 00:51:39,344 --> 00:51:40,655 WHAT UP, RO? YOU READY TO DO THIS? 1194 00:51:40,655 --> 00:51:42,344 WHO WAS THAT? 1195 00:51:42,344 --> 00:51:43,482 - JUST MY HOMIE, NICK. 1196 00:51:43,482 --> 00:51:45,172 CAME BY TO SAY WHAT'’S UP. 1197 00:51:45,172 --> 00:51:46,206 YOU KNOW? 1198 00:51:46,206 --> 00:51:48,137 LET'’S DO THIS. 1199 00:51:48,137 --> 00:51:49,551 COME ON. 1200 00:52:07,172 --> 00:52:12,482 GIRL, WHO THE [...] IS THIS PIMP? 1201 00:52:12,482 --> 00:52:14,206 ARE YOU SERIOUS? 1202 00:52:14,206 --> 00:52:15,655 YOU DON'’T KNOW WHO THAT IS? 1203 00:52:15,655 --> 00:52:18,413 GIRL, HE BEEN FOLLOWING ME AROUND ALL NIGHT. 1204 00:52:18,413 --> 00:52:21,793 THAT'’S ANDRE RISON, WIDE RECEIVER FOR THE FALCONS. 1205 00:52:21,793 --> 00:52:23,344 HE IS KIND OF FINE. 1206 00:52:23,344 --> 00:52:25,689 A LITTLE OVER THE TOP, BUT... 1207 00:52:25,689 --> 00:52:27,517 - OH, [...], HE COMING. 1208 00:52:27,517 --> 00:52:28,482 - [clears throat] 1209 00:52:28,482 --> 00:52:30,620 MISS LOPES? 1210 00:52:30,620 --> 00:52:32,241 YOU TALKIN'’ TO ME? 1211 00:52:32,241 --> 00:52:33,655 THAT IS YOUR NAME, RIGHT? 1212 00:52:33,655 --> 00:52:35,931 LISA LOPES? 1213 00:52:35,931 --> 00:52:37,310 IT COULD BE. 1214 00:52:37,310 --> 00:52:39,172 LEFT-EYE, I WANT TO TELL YOU SOMETHIN'’. 1215 00:52:39,172 --> 00:52:40,896 I AM YOUR NUMBER ONE FAN. 1216 00:52:40,896 --> 00:52:45,000 I AM THE BIGGEST, 100% FIERCEST FAN. 1217 00:52:45,000 --> 00:52:47,172 I WORSHIP YOU, 1218 00:52:47,172 --> 00:52:48,275 FROM EVERY RHYME YOU RHYME, 1219 00:52:48,275 --> 00:52:51,655 EVERY MOVE, EVERY STEP. 1220 00:52:51,655 --> 00:52:56,965 WOULD YOU HONOR ME WITH JUST ONE DANCE? 1221 00:52:56,965 --> 00:52:59,172 I MEAN, WE ALL OUT HERE ON THE FLOOR. 1222 00:52:59,172 --> 00:53:00,827 YOU AIN'’T GOT TO ASK MY PERMISSION. 1223 00:53:00,827 --> 00:53:05,344 YOU'’LL GET YOUR DANCE. 1224 00:53:05,344 --> 00:53:07,103 HEY. HEY. 1225 00:53:07,103 --> 00:53:09,310 ALL RIGHT. 1226 00:53:09,310 --> 00:53:11,551 HEY. HEY. 1227 00:53:11,551 --> 00:53:12,586 [laughter] 1228 00:53:12,586 --> 00:53:13,931 GIRL, WHERE YOU ABOUT TO GO? 1229 00:53:13,931 --> 00:53:16,034 GIRL, I AM GOING HOME. 1230 00:53:16,034 --> 00:53:18,482 I HEAR THAT. I AM TIRED, OKAY? 1231 00:53:18,482 --> 00:53:19,482 EXCUSE ME. 1232 00:53:19,482 --> 00:53:22,482 EXCUSE ME. 1233 00:53:22,482 --> 00:53:24,034 WHAT NOW? 1234 00:53:24,034 --> 00:53:26,931 OH! 1235 00:53:26,931 --> 00:53:28,103 I HAVE TO HAVE YOU. 1236 00:53:28,103 --> 00:53:29,241 BOY, PUT ME DOWN. 1237 00:53:29,241 --> 00:53:31,310 NO, LOOK, I'’M SERIOUS. 1238 00:53:31,310 --> 00:53:32,413 I'’LL DO WHATEVER IT TAKES. 1239 00:53:32,413 --> 00:53:35,448 I WILL GIVE YOU EVERYTHING I HAVE 1240 00:53:35,448 --> 00:53:37,586 IF YOU JUST COME HOME WITH ME. 1241 00:53:37,586 --> 00:53:39,758 PLEASE. 1242 00:53:39,758 --> 00:53:42,862 A'’IGHT. 1243 00:53:42,862 --> 00:53:47,655 [laughter] 1244 00:53:47,655 --> 00:53:49,758 HOME SWEET HOME. 1245 00:53:49,758 --> 00:53:52,000 YOU GOT THIS BIG, OLE HOUSE, 1246 00:53:52,000 --> 00:53:54,379 AND YOU AIN'’T GOT NO FURNITURE? 1247 00:53:54,379 --> 00:53:57,137 I'’VE BEEN WAITING ON YOU TO COME AND DECORATE IT 1248 00:53:57,137 --> 00:53:58,344 AND MAKE IT YOUR OWN. 1249 00:54:12,482 --> 00:54:16,517 MAKIN'’ OUT WITH ANDRE "BAD MOON" RISON OF THE FALCONS. 1250 00:54:16,517 --> 00:54:18,758 NOW I'’M NOT ONE TO GOSSIP. 1251 00:54:18,758 --> 00:54:20,482 WELL, ACTUALLY I AM, 1252 00:54:20,482 --> 00:54:23,517 BUT THERE'’S A REASON THE BROTHA'’ HAS THE NICKNAME "BAD MOON." 1253 00:54:23,517 --> 00:54:24,517 I'’M JUST SAYIN'’. 1254 00:54:24,517 --> 00:54:26,034 GIRL, YOU HEARD FROM LISA? 1255 00:54:26,034 --> 00:54:28,172 I HEARD SHE SHACKED UP AT THAT FOOTBALL PLAYER'’S. 1256 00:54:28,172 --> 00:54:29,413 OKAY. 1257 00:54:33,758 --> 00:54:35,896 DO I KNOW THAT GIRL? 1258 00:54:35,896 --> 00:54:38,103 HOW DO I KNOW HER? 1259 00:54:38,103 --> 00:54:40,000 OH, YEAH, NO GIRL. 1260 00:54:40,000 --> 00:54:41,793 WHY IS SHE TALKIN'’ BOUT ME? 1261 00:54:41,793 --> 00:54:42,965 WHY IS SHE MAD-DOGGIN'’ ME? 1262 00:54:42,965 --> 00:54:44,310 GIRL, SHE PROBABLY RECOGNIZE YOU. 1263 00:54:44,310 --> 00:54:45,517 YOU A CELEBRITY. 1264 00:54:45,517 --> 00:54:46,793 WHAT THE [...] ARE YOU LOOKIN'’ AT? 1265 00:54:46,793 --> 00:54:47,827 I DON'’T KNOW, YOU TELL ME. 1266 00:54:47,827 --> 00:54:49,758 OKAY, I WILL. 1267 00:54:49,758 --> 00:54:51,068 I'’LL TELL YOU WHAT YOU LOOKIN'’ AT. 1268 00:54:51,068 --> 00:54:52,551 - OKAY. 1269 00:54:52,551 --> 00:54:54,862 - DALLAS'’ BABY. 1270 00:54:54,862 --> 00:54:56,793 THAT'’S RIGHT. 1271 00:54:56,793 --> 00:54:58,034 YEAH, I HAD HIM. 1272 00:54:58,034 --> 00:54:58,896 WHO ELSE DO YOU THINK HE BEEN WITH? 1273 00:54:58,896 --> 00:54:59,896 YOU AND EVERYONE ELSE. 1274 00:54:59,896 --> 00:55:01,275 - I'’M THE ONE WITH THE BABY. 1275 00:55:01,275 --> 00:55:02,758 I'’D [...] YOU UP IF YOU WASN'’T PREGNANT. 1276 00:55:02,758 --> 00:55:05,517 CHILLI, LOOK, [...] HIM, HE'’S NOT EVEN WORTH IT. 1277 00:55:05,517 --> 00:55:08,172 I'’M THE ONE THAT'’S SUPPOSED TO BE HAVIN'’ THE BABY. 1278 00:55:10,896 --> 00:55:12,137 YOU KNEW? 1279 00:55:12,137 --> 00:55:13,931 I DIDN'’T KNOW ANYBODY WAS PREGNANT. 1280 00:55:13,931 --> 00:55:15,068 WE'’RE SUPPOSED TO BE GIRLS. 1281 00:55:15,068 --> 00:55:17,344 WHY WOULDN'’T YOU TELL ME? 1282 00:55:17,344 --> 00:55:18,896 I TOLD YOU HOW HE WAS. 1283 00:55:18,896 --> 00:55:20,931 IF IT WAS ME, I WOULDN'’T BE ACCEPTING THIS. 1284 00:55:20,931 --> 00:55:22,344 - IT HURTS. 1285 00:55:22,344 --> 00:55:23,689 YOU COULDN'’T UNDERSTAND. 1286 00:55:23,689 --> 00:55:26,275 YOU COULDN'’T UNDERSTAND HOW BAD THIS HURTS. 1287 00:55:26,275 --> 00:55:27,724 FIRST OF ALL, YOU DON'’T TELL ME 1288 00:55:27,724 --> 00:55:31,551 I DON'’T KNOW WHAT IT FEELS LIKE TO FEEL HURT. 1289 00:55:31,551 --> 00:55:33,551 YOU SEE MY ASS DEALIN'’ WITH THIS SICKLE CELL. 1290 00:55:33,551 --> 00:55:35,448 DO YOU SEE ME CRYIN'’? 1291 00:55:35,448 --> 00:55:36,724 DO YOU SEE MY CRYIN'’? 1292 00:55:39,896 --> 00:55:43,000 YOU BETTER PICK YOURSELF UP AND FIGHT THIS. 1293 00:55:49,034 --> 00:55:50,896 THE LINES THAT SEPARATED OUR MUSIC 1294 00:55:50,896 --> 00:55:52,413 FROM OUR PERSONAL LIVES 1295 00:55:52,413 --> 00:55:56,344 BECAME MORE AND MORE BLURRED. 1296 00:55:56,344 --> 00:55:58,068 ♪ SO I CREEP 1297 00:55:58,068 --> 00:55:59,413 ♪ YEAH 1298 00:55:59,413 --> 00:56:01,965 ♪ JUST KEEP IT ON THE DOWN LOW ♪ 1299 00:56:01,965 --> 00:56:06,724 ♪ SINCE NOBODY IS SUPPOSED TO KNOW ♪ 1300 00:56:06,724 --> 00:56:09,827 ♪ SO I CREEP, YEAH 1301 00:56:09,827 --> 00:56:12,655 ♪ CAUSE HE DOESN'’T KNOW WHAT I DO ♪ 1302 00:56:12,655 --> 00:56:16,172 ♪ NO ATTENTION GOES TO SHOW ♪ 1303 00:56:16,172 --> 00:56:18,517 ♪ OH, SO I CREEP 1304 00:56:31,103 --> 00:56:32,413 ANDRE? 1305 00:56:37,896 --> 00:56:38,965 HEY, BABY. 1306 00:56:38,965 --> 00:56:41,655 MY LOVE. 1307 00:56:41,655 --> 00:56:43,724 I THOUGHT YOU WEREN'’T GONNA BE BACK '’TILL LATE TONIGHT. 1308 00:56:43,724 --> 00:56:44,793 WHERE YOU GOING? 1309 00:56:51,068 --> 00:56:52,137 LISA, HOLD UP NOW. 1310 00:56:52,137 --> 00:56:54,448 HOLD UP, NOW. COME ON, BABY. 1311 00:56:54,448 --> 00:56:56,413 LISA! 1312 00:56:56,413 --> 00:56:57,620 GIRL, WAIT, WAIT. 1313 00:56:57,620 --> 00:56:59,206 - LOOK, I DON'’T WANT NO PROBLEMS. 1314 00:56:59,206 --> 00:57:00,862 LISA, WHOA. 1315 00:57:00,862 --> 00:57:02,689 WHAT'’S WRONG WITH YOU GIRL? 1316 00:57:02,689 --> 00:57:05,103 CALM YOUR ASS-- 1317 00:57:05,103 --> 00:57:06,344 LISA! 1318 00:57:06,344 --> 00:57:07,413 LISA! 1319 00:57:13,068 --> 00:57:14,310 I'’M SORRY. 1320 00:57:14,310 --> 00:57:19,620 - NO YOU'’RE NOT. 1321 00:57:19,620 --> 00:57:22,896 YOU'’RE NOT GONNA LIKE WHAT I HAVE TO SAY. 1322 00:57:22,896 --> 00:57:26,896 AISHA AND HER CREW SAW DALVIN OUT WITH SOME GIRL. 1323 00:57:26,896 --> 00:57:29,137 [sighs] 1324 00:57:29,137 --> 00:57:30,620 ANDRE? 1325 00:57:30,620 --> 00:57:34,448 HERE I AM, TRYIN'’ TO MAKE AN ENTRANCE, 1326 00:57:34,448 --> 00:57:37,068 AND HE AIN'’T EVEN HERE YET. 1327 00:57:37,068 --> 00:57:38,862 HE'’S SUPPOSED TO BE WAITIN'’ ON ME. 1328 00:57:41,931 --> 00:57:48,482 SOMEONE WENT SHOPPING. 1329 00:57:48,482 --> 00:57:52,172 I KNOW THIS MOTHER[...] BOUGHT ME SOMETHING. 1330 00:57:52,172 --> 00:57:53,965 THE [...] THE SIZE 4s AT? 1331 00:57:53,965 --> 00:57:56,620 HE OUT THERE [...] BITCHES. 1332 00:57:56,620 --> 00:57:59,413 WHAT ARE YOU DOING? 1333 00:57:59,413 --> 00:58:01,172 HE'’S MESSIN'’ WITH ALL THESE BITCHES, 1334 00:58:01,172 --> 00:58:04,206 RIGHT OVER HERE WHERE I LAY MY HEAD. 1335 00:58:04,206 --> 00:58:05,620 DON'’T EVEN-- 1336 00:58:05,620 --> 00:58:06,931 - I'’M AT THE STUDIO, AND THEN I'’M HERE. 1337 00:58:06,931 --> 00:58:08,344 NO, YOU'’RE NOT AT THE STUDIO, 1338 00:58:08,344 --> 00:58:09,517 THAT'’S WHAT I'’M TRYIN'’ TO TELL YOU. 1339 00:58:09,517 --> 00:58:12,413 [voices overlapping] 1340 00:58:30,965 --> 00:58:32,896 - BOY, I ALWAYS LOVE THE SIGHT OF-- 1341 00:58:32,896 --> 00:58:34,482 YESTERDAY MORNING. 1342 00:58:34,482 --> 00:58:37,068 THESE SHOTS WERE TAKEN BY A NEIGHBOR'’S HOME VIDEO CAMERA. 1343 00:58:37,068 --> 00:58:38,482 ACCORDING TO POLICE REPORTS, 1344 00:58:38,482 --> 00:58:40,965 THE FIRE QUICKLY SPREAD THROUGH THE $860,000 HOME... 1345 00:58:40,965 --> 00:58:42,137 OH, [...]. 1346 00:58:42,137 --> 00:58:43,482 DESTROYING VIRTUALLY EVERYTHING. 1347 00:58:43,482 --> 00:58:45,034 THIS IS NOT THE FIRST TIME 1348 00:58:45,034 --> 00:58:47,137 THE COUPLE'’S RELATIONSHIP HAS BEEN IN THE SPOTLIGHT. 1349 00:58:47,137 --> 00:58:50,241 LOPES IS A SINGER WITH THE HIP-HOP GROUP TLC, 1350 00:58:50,241 --> 00:58:52,103 BUT WHAT SHE'’S ACCUSED OF DOING YESTERDAY 1351 00:58:52,103 --> 00:58:55,896 FALLS SHORT OF TENDER LOVING CARE. 1352 00:58:55,896 --> 00:58:56,896 - HELLO? 1353 00:58:56,896 --> 00:58:58,482 CHILLI, TURN ON THE NEWS. 1354 00:58:58,482 --> 00:59:00,172 LISA BURNED DOWN A HOUSE. 1355 00:59:00,172 --> 00:59:01,448 WHAT? 1356 00:59:01,448 --> 00:59:02,655 WAIT, WHAT? 1357 00:59:02,655 --> 00:59:04,137 ANDRE'’S HOUSE. 1358 00:59:04,137 --> 00:59:05,551 LISA? 1359 00:59:05,551 --> 00:59:06,724 LISA? 1360 00:59:09,827 --> 00:59:10,827 THERE SHE IS. 1361 00:59:10,827 --> 00:59:12,724 LISA. 1362 00:59:12,724 --> 00:59:15,034 IT'’S COLD OUT HERE! 1363 00:59:15,034 --> 00:59:16,344 WHAT ARE YOU DOIN'’ WITH NO CLOTHES ON? 1364 00:59:19,655 --> 00:59:20,620 - WHEN I WAS A LITTLE GIRL, 1365 00:59:20,620 --> 00:59:22,000 ALL I EVER WANTED TO DO 1366 00:59:22,000 --> 00:59:26,068 WAS JUST BE IN A JUNGLE WITH ANIMALS 1367 00:59:26,068 --> 00:59:28,379 AND JUST BE FREE. 1368 00:59:28,379 --> 00:59:31,620 FREE FROM ALL OF THIS [...]. 1369 00:59:31,620 --> 00:59:33,413 PEOPLE THINK MANSIONS, HOUSES, 1370 00:59:33,413 --> 00:59:35,137 AND CARS AND [...] RUN THE WORLD, 1371 00:59:35,137 --> 00:59:38,275 AND THEY REALLY DON'’T. 1372 00:59:38,275 --> 00:59:41,931 THEY REALLY DON'’T. 1373 00:59:41,931 --> 00:59:45,620 I DON'’T EVEN KNOW WHO I AM HALF OF THE TIME. 1374 00:59:45,620 --> 00:59:47,068 JONATHAN, WHAT HAPPENS TO HER NOW? 1375 00:59:47,068 --> 00:59:50,000 SHE'’S TURNED HERSELF IN TO AUTHORITIES, OF COURSE. 1376 00:59:50,000 --> 00:59:51,862 WILL SHE BE OUT ON BOND, BE ARRAIGNED, 1377 00:59:51,862 --> 00:59:53,724 GO STRAIGHT TO JAIL, WHAT? 1378 00:59:53,724 --> 00:59:55,034 CAN'’T TELL YET. 1379 00:59:55,034 --> 00:59:58,103 I BELIEVE THAT SHE HAS A HEARING SET FOR MONDAY, 1380 00:59:58,103 --> 01:00:01,206 AND AS I SAID, HER BOND IS SET AT $500,000, 1381 01:00:01,206 --> 01:00:03,448 AND NO WORD YET ON WHETHER SHE'’S GOING TO BE ABLE 1382 01:00:03,448 --> 01:00:05,000 TO POST THAT IMMEDIATELY. 1383 01:00:05,000 --> 01:00:08,482 LOPES WAS FINED $10,000 AND GIVEN FIVE YEARS PROBATION 1384 01:00:08,482 --> 01:00:11,862 AND SPENT THE FIRST THREE MONTHS OF THE YEAR IN A HALFWAY HOUSE. 1385 01:00:11,862 --> 01:00:14,620 MAN, I WAS LIKE, 1386 01:00:14,620 --> 01:00:16,310 "HE DON'’T LOVE ME NO MORE. 1387 01:00:16,310 --> 01:00:19,551 HE AIN'’T THINK ABOUT ME." 1388 01:00:19,551 --> 01:00:21,413 HE COULD HAVE BOUGHT ME SOME SHOES. 1389 01:00:21,413 --> 01:00:24,379 I AIN'’T MEAN TO BURN THE HOUSE DOWN, THOUGH, 1390 01:00:24,379 --> 01:00:26,310 I WAS JUST TRYING TO MAKE A STATEMENT, THAT'’S ALL. 1391 01:00:26,310 --> 01:00:27,689 [laughter] 1392 01:00:27,689 --> 01:00:31,000 SO, LISA, WHAT STATEMENT WERE YOU TRYING TO MAKE? 1393 01:00:37,000 --> 01:00:39,896 THAT I'’M HERE. 1394 01:00:39,896 --> 01:00:45,206 I MEAN, I GOT ALL OF THESE PEOPLE AROUND ME, 1395 01:00:45,206 --> 01:00:47,310 AND NO ONE IS LISTENING. 1396 01:00:51,724 --> 01:00:54,758 I'’M NOT INVISIBLE, YOU KNOW? 1397 01:00:56,931 --> 01:00:58,241 I'’M RIGHT HERE. 1398 01:01:15,413 --> 01:01:16,896 DID DALVIN CALL ME? 1399 01:01:16,896 --> 01:01:18,379 NOPE. 1400 01:01:18,379 --> 01:01:19,862 HAVEN'’T HEARD FROM HIM. 1401 01:01:37,586 --> 01:01:39,379 I'’M BACK! 1402 01:01:39,379 --> 01:01:41,517 [all scream] 1403 01:01:45,896 --> 01:01:48,827 [laughter] 1404 01:01:50,413 --> 01:01:53,241 - YOU KNOW SHE KNOW HOW TO WRITE, BABY. 1405 01:01:53,241 --> 01:01:54,310 YES. 1406 01:01:59,379 --> 01:02:01,931 ON THIS PART RIGHT HERE, ON THIS PART RIGHT HERE, 1407 01:02:01,931 --> 01:02:03,758 I'’M GONNA COME IN WITH MY RAP. 1408 01:02:03,758 --> 01:02:05,517 COME ON. 1409 01:02:05,517 --> 01:02:07,448 ♪ I SEEN A RAINBOW YESTERDAY 1410 01:02:07,448 --> 01:02:09,310 ♪ BUT TOO MANY STORMS HAVE COME AND GONE ♪ 1411 01:02:09,310 --> 01:02:11,413 ♪ LEAVIN'’ A TRACE OF NOT ONE GOD-GIVEN RAY ♪ 1412 01:02:11,413 --> 01:02:13,482 ♪ IS IT BECAUSE MY LIFE IS TEN SHADES OF GRAY? ♪ 1413 01:02:13,482 --> 01:02:14,965 ♪ I PRAY ALL TEN FADE AWAY 1414 01:02:14,965 --> 01:02:16,896 ♪ SELDOM PRAISE HIM FOR THE SUNNY DAYS ♪ 1415 01:02:16,896 --> 01:02:19,758 ♪ AND LIKE HIS PROMISE IS TRUE, ONLY MY FAITH CAN UNDO ♪ 1416 01:02:19,758 --> 01:02:21,172 ♪ THE MANY CHANCES I BLEW 1417 01:02:21,172 --> 01:02:22,655 ♪ TO BRING MY LIFE TO ANEW 1418 01:02:22,655 --> 01:02:25,034 ♪ CLEAR BLUE AND UNCONDITIONAL SKIES HAVE DRIED ♪ 1419 01:02:25,034 --> 01:02:27,965 ♪ THE TEARS FROM MY EYES, NO MORE LONELY CRIES ♪ 1420 01:02:27,965 --> 01:02:32,103 all: ♪ DON'’T GO CHASING WATERFALLS ♪ 1421 01:02:32,103 --> 01:02:35,172 ♪ PLEASE STICK TO THE RIVERS AND THE LAKES ♪ 1422 01:02:35,172 --> 01:02:37,793 ♪ THAT YOU'’RE USED TO ♪ 1423 01:02:37,793 --> 01:02:41,137 ♪ I KNOW THAT YOU'’RE GONNA HAVE IT YOUR WAY ♪ 1424 01:02:41,137 --> 01:02:43,206 ♪ OR NOTHING AT ALL 1425 01:02:43,206 --> 01:02:50,137 ♪ BUT I THINK YOU'’RE MOVING TOO FAST ♪ 1426 01:02:50,137 --> 01:02:54,379 ♪ DON'’T GO CHASING WATERFALLS ♪ 1427 01:02:54,379 --> 01:02:57,517 ♪ PLEASE STICK TO THE RIVERS AND THE LAKES ♪ 1428 01:02:57,517 --> 01:02:59,965 ♪ THAT YOU'’RE USED TO ♪ 1429 01:02:59,965 --> 01:03:03,517 ♪ I KNOW THAT YOU'’RE GONNA HAVE IT YOUR WAY ♪ 1430 01:03:03,517 --> 01:03:05,620 ♪ OR NOTHING AT ALL 1431 01:03:05,620 --> 01:03:10,068 ♪ BUT I THINK YOU'’RE MOVING TOO FAST ♪ 1432 01:03:10,068 --> 01:03:11,448 - ♪ OH YOU'’RE MOVING ♪ 1433 01:03:19,517 --> 01:03:20,931 HEY, AND CONGRATS ON WATERFALLS 1434 01:03:20,931 --> 01:03:23,103 FOR BEING NUMBER ONE FOR SEVEN WEEKS STRAIGHT 1435 01:03:23,103 --> 01:03:25,275 ON THE BILLBOARD CHARTS. 1436 01:03:25,275 --> 01:03:26,724 SO, LOOK, I LOVE THE VIDEO. 1437 01:03:26,724 --> 01:03:28,620 IS THIS A WHOLE NEW STYLE FOR YOU ALL? 1438 01:03:28,620 --> 01:03:29,793 - YEAH, WELL YOU KNOW WE ALWAYS 1439 01:03:29,793 --> 01:03:31,310 WANT TO HAVE NEW FLAVOR, NEW LOOKS. 1440 01:03:31,310 --> 01:03:32,827 I MEAN, WE SET OUT TO BE TRENDSETTERS. 1441 01:03:32,827 --> 01:03:33,827 SO, YOU KNOW? 1442 01:03:33,827 --> 01:03:34,827 CAN'’T HAVE IT BE BORING. 1443 01:03:34,827 --> 01:03:37,517 NEVER. - UH-UH. 1444 01:03:37,517 --> 01:03:38,517 AND LISA... 1445 01:03:38,517 --> 01:03:40,068 MM. 1446 01:03:40,068 --> 01:03:42,551 SHE MADE SURE IT WAS NEVER BORING. 1447 01:03:45,482 --> 01:03:46,655 ALL RIGHT, CUT! 1448 01:03:46,655 --> 01:03:48,931 I WANTED US TO DO SOME FUTURISTIC, 1449 01:03:48,931 --> 01:03:50,931 NEXT LEVEL, SPACESHIP TYPE STUFF. 1450 01:03:50,931 --> 01:03:52,034 NOT THIS. 1451 01:03:52,034 --> 01:03:53,034 IT'’S A STORY. 1452 01:03:53,034 --> 01:03:54,689 YOUR STORY, NOT MINE. 1453 01:03:54,689 --> 01:03:56,206 WHAT ARE YOU TALKING ABOUT? 1454 01:03:56,206 --> 01:03:58,310 Y'’ALL NEVER WANT TO DO MY IDEAS. 1455 01:03:58,310 --> 01:03:59,551 EVER! 1456 01:03:59,551 --> 01:04:00,689 IT'’S THE NUMBER ONE SONG, LISA. 1457 01:04:00,689 --> 01:04:01,896 EVERYONE ELSE LOVES IT. 1458 01:04:01,896 --> 01:04:03,655 ALL RIGHT, YOU WANT ME IN THIS VIDEO? 1459 01:04:03,655 --> 01:04:05,551 FINE. 1460 01:04:05,551 --> 01:04:10,551 I'’LL DO IT, BUT THIS HOW YOU GOIN'’ TO HAVE TO FILM ME. 1461 01:04:10,551 --> 01:04:12,586 I CAN'’T BELIEVE WE GOT ANOTHER NUMBER ONE SONG 1462 01:04:12,586 --> 01:04:13,862 AND NO BIG CHECK. 1463 01:04:13,862 --> 01:04:16,344 WHAT'’S WITH THE TAPE? 1464 01:04:16,344 --> 01:04:18,275 CAN ANYONE TELL ME WHY WE STILL AIN'’T GOT NO MONEY? 1465 01:04:18,275 --> 01:04:19,310 I'’LL TELL YOU. 1466 01:04:19,310 --> 01:04:21,448 I CALLED L.A., AND I TOLD HIM. 1467 01:04:21,448 --> 01:04:25,103 I SAID, "WE AIN'’T GOT NO MONEY, NO HOUSES, NO CARS, NO NOTHIN'’." 1468 01:04:25,103 --> 01:04:26,551 YEAH, AND HE'’S ALL, "TALK TO CLIVE. 1469 01:04:26,551 --> 01:04:27,551 "CLIVE DAVIS IS THE BOSS. 1470 01:04:27,551 --> 01:04:28,965 HEIRESS IS THE PARENT LABEL." 1471 01:04:28,965 --> 01:04:30,517 HE'’S IN CHARGE OF DISTRIBUTING THE MONEY." 1472 01:04:30,517 --> 01:04:32,275 WE OVER HERE BUSTIN'’ OUR ASSES, I KNOW THAT, 1473 01:04:32,275 --> 01:04:34,068 AND WE KEEP GETTING BIGGER AND BIGGER, SO... 1474 01:04:34,068 --> 01:04:36,241 AND BROKER. AND THAT'’S NOT A WORD. 1475 01:04:36,241 --> 01:04:38,241 WHAT, BROKER? 1476 01:04:38,241 --> 01:04:39,655 IT IS SO. 1477 01:04:39,655 --> 01:04:41,379 YEAH, BUT NOT WHAT YOU USIN'’ IT FOR. 1478 01:04:41,379 --> 01:04:42,586 WHATEVER. 1479 01:04:42,586 --> 01:04:43,862 LOOK, WE GOT RID OF PEBBLES, RIGHT? 1480 01:04:43,862 --> 01:04:45,000 WASN'’T THAT THE PROBLEM? 1481 01:04:45,000 --> 01:04:46,586 ALL I WANT TO DO IS BUY MY MOMS A HOUSE. 1482 01:04:46,586 --> 01:04:47,689 LIKE, THAT'’S IT. 1483 01:04:47,689 --> 01:04:48,689 IS THAT TOO MUCH TO ASK? 1484 01:04:48,689 --> 01:04:50,344 ROLL CAMERA. 1485 01:04:50,344 --> 01:04:51,379 SPEED! 1486 01:04:51,379 --> 01:04:52,379 AND THE WINNER IS... 1487 01:04:52,379 --> 01:04:53,379 - AND THE WINNER IS... 1488 01:04:53,379 --> 01:04:54,379 - AND THE WINNER IS... 1489 01:04:54,379 --> 01:04:55,379 - TLC. TLC! 1490 01:04:55,379 --> 01:04:56,379 TLC. TLC 1491 01:04:56,379 --> 01:04:58,310 - TLC. 1492 01:04:58,310 --> 01:04:59,758 IT WAS CRAZY. 1493 01:04:59,758 --> 01:05:02,965 THE AWARDS KEPT COMIN'’, BUT THE CHECKS DIDN'’T. 1494 01:05:02,965 --> 01:05:05,724 SO, LADIES, HOW DOES IT FEEL TO BE ON TOP OF THE WORLD? 1495 01:05:09,344 --> 01:05:11,965 WELL, ALL I CAN SAY IS, 1496 01:05:11,965 --> 01:05:14,793 OUR LIFESTYLES HAVEN'’T CHANGED THAT MUCH. 1497 01:05:14,793 --> 01:05:16,068 - WHAT DID YOU MEAN WHEN YOU SAID, 1498 01:05:16,068 --> 01:05:18,931 "YOUR LIFESTYLES HAVEN'’T CHANGED?" 1499 01:05:18,931 --> 01:05:19,965 I'’M GOIN'’ TO LET YOU... 1500 01:05:19,965 --> 01:05:21,413 - I'’LL TELL IT. 1501 01:05:21,413 --> 01:05:24,344 WE AREN'’T GOING TO SUGARCOAT ANYTHING ANYMORE. 1502 01:05:24,344 --> 01:05:25,689 CAN I GET AN AMEN? 1503 01:05:25,689 --> 01:05:27,000 all: AMEN. 1504 01:05:27,000 --> 01:05:29,275 WE ARE BROKE. 1505 01:05:29,275 --> 01:05:31,172 BROKE AS BROKE CAN BE, FOR REAL. 1506 01:05:31,172 --> 01:05:33,793 10 MILLION ALBUMS SOLD, AND WE'’RE BROKE. 1507 01:05:33,793 --> 01:05:34,793 MM-HMM. 1508 01:05:34,793 --> 01:05:36,310 HOW IS THAT POSSIBLE? 1509 01:05:36,310 --> 01:05:38,310 WHEN YOU HAVE GREEDY PEOPLE BEHIND YOU 1510 01:05:38,310 --> 01:05:42,068 AND YOU'’RE STUCK IN CONTRACTS THAT AREN'’T FAIR... 1511 01:05:42,068 --> 01:05:43,793 - YOU GET NOTHIN'’. 1512 01:05:43,793 --> 01:05:48,758 A'’IGHT, IT'’S NOT A NEW STORY, FOLKS, I MEAN... 1513 01:05:48,758 --> 01:05:50,724 YO, I DON'’T CARE WHO WE PISSED OFF. 1514 01:05:50,724 --> 01:05:51,724 I MEAN, FOR REAL. 1515 01:05:51,724 --> 01:05:53,344 $50,000 A YEAR? 1516 01:05:53,344 --> 01:05:56,517 MAN, MY COUSIN THE GARBAGE COLLECTOR MADE MORE THAN THAT. 1517 01:05:56,517 --> 01:05:58,241 YOU TAKED TO CLIVE? 1518 01:05:58,241 --> 01:05:59,551 I'’M DONE TALKIN'’ TO HIM. 1519 01:05:59,551 --> 01:06:01,689 I WANT TO KNOW WHERE THE [...] MONEY AT. 1520 01:06:01,689 --> 01:06:04,344 RIGHT, SO? WHAT WE GONNA DO? 1521 01:06:04,344 --> 01:06:06,655 WE GONNA GO GET IT. 1522 01:06:06,655 --> 01:06:08,448 Y'’ALL SURE WE CAN PULL THIS OFF? 1523 01:06:08,448 --> 01:06:09,448 LOOK, WE GOT MY COUSIN, 1524 01:06:09,448 --> 01:06:10,724 WE GOT THE GIRLS FROM THE CENTER. 1525 01:06:10,724 --> 01:06:11,758 YEAH, I'’M SURE. 1526 01:06:11,758 --> 01:06:12,862 YOU GOT WHAT'’S-HER-NAME? 1527 01:06:12,862 --> 01:06:14,103 - WHO, THROW MAMA FROM THE TRAIN? 1528 01:06:14,103 --> 01:06:15,103 - YEAH. - SHE HERE. 1529 01:06:15,103 --> 01:06:16,482 COOL. 1530 01:06:16,482 --> 01:06:17,827 A'’IGHT, WE GOIN'’ TO MARCH UP IN THERE. 1531 01:06:17,827 --> 01:06:20,000 TAKE EVERYTHING YOU SEE WITH "TLC" ON IT. 1532 01:06:20,000 --> 01:06:21,482 - LOOK, I'’M TALKIN'’ ABOUT PLAQUES, 1533 01:06:21,482 --> 01:06:23,344 GOLD RECORDS, PLATINUM RECORDS. 1534 01:06:23,344 --> 01:06:25,793 I DON'’T CARE IF IT'’S A PEN THAT SAYS "TLC" ON IT. 1535 01:06:25,793 --> 01:06:27,344 Y'’ALL TEAR IT OUT THEIR HAND, A'’IGHT? 1536 01:06:40,827 --> 01:06:41,793 HEY, GIRLS. 1537 01:06:41,793 --> 01:06:42,862 CLIVE'’S IN A MEETING. 1538 01:06:42,862 --> 01:06:43,896 I'’LL TELL HIM YOU'’RE HERE. 1539 01:06:43,896 --> 01:06:45,068 DON'’T EVEN WORRY ABOUT THAT. 1540 01:06:45,068 --> 01:06:46,034 SORRY, WE GOIN'’ IN. 1541 01:06:46,034 --> 01:06:47,448 - WAIT. - YO! 1542 01:06:47,448 --> 01:06:49,586 WE TLC, AND THIS MEETING'’S OVER. 1543 01:06:49,586 --> 01:06:50,655 - GIRLS, WHAT'’S GOING ON? 1544 01:06:50,655 --> 01:06:53,000 SORRY, PUFF. SORRY, PUFF? 1545 01:06:59,275 --> 01:07:00,275 GIRLS, IS THIS, WHAT-- 1546 01:07:00,275 --> 01:07:01,275 IS THIS SOME KIND OF A JOKE? 1547 01:07:01,275 --> 01:07:02,517 I LOVE YOU GIRLS. 1548 01:07:02,517 --> 01:07:04,034 THIS AIN'’T NO JOKE. WE BROKE. 1549 01:07:04,034 --> 01:07:05,551 WE GOT THE NUMBER ONE SELLING ALBUM, 1550 01:07:05,551 --> 01:07:07,517 TOP SINGLES, GRAMMYS, 1551 01:07:07,517 --> 01:07:08,758 AND WE AIN'’T GOT NO MONEY. 1552 01:07:08,758 --> 01:07:09,793 WHERE THE MONEY, CLIVE? 1553 01:07:09,793 --> 01:07:10,931 MAN, YOU SAY L.A. GOT IT. 1554 01:07:10,931 --> 01:07:12,206 L.A. SAY YOU GOT IT, WHICH ONE IS IT? 1555 01:07:12,206 --> 01:07:13,448 LOOK, WE AIN'’T GOT NOTHIN'’. 1556 01:07:13,448 --> 01:07:14,758 I KNOW WE HAD SOME JACKED-UP CONTRACTS. 1557 01:07:14,758 --> 01:07:16,034 - NOW, THAT'’S '’CAUSE WE WAS YOUNG 1558 01:07:16,034 --> 01:07:17,310 AND DIDN'’T KNOW WHAT WE WAS DOIN'’, 1559 01:07:17,310 --> 01:07:18,862 BUT 14 MILL, WE SUPPOSED TO SEE SOME BANK. 1560 01:07:18,862 --> 01:07:19,931 OKAY, HOLD ON. HOLD ON. 1561 01:07:19,931 --> 01:07:21,103 I'’LL STRAIGHTEN ALL THIS OUT. 1562 01:07:21,103 --> 01:07:22,482 OH, [...]. 1563 01:07:22,482 --> 01:07:23,551 EVERYONE JUST RELAX. 1564 01:07:23,551 --> 01:07:24,551 YOU CALLED THE COPS? - NO. 1565 01:07:24,551 --> 01:07:26,137 - HOLD ON. SOMEBODY DID. 1566 01:07:26,137 --> 01:07:27,862 CAN WE LOSE THE SECURITY? 1567 01:07:27,862 --> 01:07:30,206 YOU GET RID OF THE PO-PO, AND WE'’LL SEND THE GIRLS DOWN. 1568 01:07:30,206 --> 01:07:31,724 - SIR? 1569 01:07:31,724 --> 01:07:33,896 GIRLS, WE CAN WORK THIS OUT. 1570 01:07:33,896 --> 01:07:34,896 OKAY? 1571 01:07:34,896 --> 01:07:36,000 I'’LL TALK TO THE ACCOUNTANT. 1572 01:07:36,000 --> 01:07:37,310 WE'’LL FIGURE OUT HOW MUCH WE OWE, 1573 01:07:37,310 --> 01:07:38,793 THEN WE'’LL GET YOU A CHECK RIGHT AWAY. 1574 01:07:38,793 --> 01:07:40,275 ALL RIGHT? 1575 01:07:45,275 --> 01:07:47,206 YOU GOT TO BE KIDDIN'’ ME. 1576 01:07:47,206 --> 01:07:49,413 THIS CAN'’T BE REAL. 1577 01:07:49,413 --> 01:07:52,655 IT'’S ALL LAID OUT, ALL OUR EXPENSES. 1578 01:07:52,655 --> 01:07:53,689 BROKE? 1579 01:07:53,689 --> 01:07:55,034 I JUST CAN'’T SEE IT. 1580 01:07:55,034 --> 01:07:57,517 ALL OF THOSE VIDEOS, ALL OF THOSE ALBUMS SOLD. 1581 01:07:57,517 --> 01:07:59,379 THE BROKE THING, I JUST DON'’T SEE IT AT ALL. 1582 01:07:59,379 --> 01:08:02,724 GIRL, SOMEBODY NEEDS TO CURB THEIR SPENDING HABITS, FOR REAL. 1583 01:08:02,724 --> 01:08:05,275 HEY TLC, IT'’S CALLED A SAVINGS ACCOUNT, 1584 01:08:05,275 --> 01:08:06,482 KNOW WHAT I MEAN? 1585 01:08:06,482 --> 01:08:07,758 FIRST THEY BURNED DOWN THEIR HOMES. 1586 01:08:07,758 --> 01:08:09,206 NOW THEY CAN'’T PAY THEIR BILLS. 1587 01:08:09,206 --> 01:08:10,931 NAH, I AIN'’T FEELIN'’ SORRY FOR THEM. 1588 01:08:10,931 --> 01:08:12,724 YO, WHERE'’S THEIR MANAGER? 1589 01:08:12,724 --> 01:08:14,344 THEY GETTING'’ DOGGED, FOR REAL. 1590 01:08:14,344 --> 01:08:15,965 OUCH! 1591 01:08:15,965 --> 01:08:16,965 WELL, Y'’ALL LOOK. 1592 01:08:16,965 --> 01:08:18,172 IF YOU COULD SEE THE EXPRESSION 1593 01:08:18,172 --> 01:08:19,758 ON LISA'’S FACE RIGHT NOW, 1594 01:08:19,758 --> 01:08:21,689 YOU'’D KNOW THERE'’S ANOTHER VERSION TO THIS STORY. 1595 01:08:21,689 --> 01:08:23,137 LISA? 1596 01:08:23,137 --> 01:08:25,310 - THIS IS HOW A GROUP CAN SELL 10 MILLION ALBUMS 1597 01:08:25,310 --> 01:08:26,965 AND BE BROKE. 1598 01:08:26,965 --> 01:08:29,655 EVERYBODY GET READY TO DO YOUR MATH. 1599 01:08:29,655 --> 01:08:32,137 THERE ARE 100 POINTS ON AN ALBUM. 1600 01:08:32,137 --> 01:08:34,379 TLC HAS SEVEN POINTS. 1601 01:08:34,379 --> 01:08:37,068 EACH POINT IS WORTH EIGHT CENTS. 1602 01:08:37,068 --> 01:08:40,862 SEVEN TIMES EIGHT IS 56, GOT IT? 1603 01:08:40,862 --> 01:08:44,379 10 MILLION ALBUMS, $5.6 MILLION. 1604 01:08:44,379 --> 01:08:46,793 NOW WE OWE THE LABEL $3 MILLION 1605 01:08:46,793 --> 01:08:50,965 FOR TRAVEL, PRODUCTION AND VIDEOS, RIGHT? 1606 01:08:50,965 --> 01:08:54,068 OKAY, THAT LEAVES US WITH $2.6 MILLION, 1607 01:08:54,068 --> 01:08:57,965 WHICH PUTS US IN THE 48% TAX BRACKET, 1608 01:08:57,965 --> 01:09:00,344 WHICH NOW LEAVES US WITH $1.3 MILLION 1609 01:09:00,344 --> 01:09:02,689 TO SPLIT THREE WAYS. 1610 01:09:02,689 --> 01:09:03,758 AND ON TOP OF THAT, 1611 01:09:03,758 --> 01:09:06,206 WE GOT TO PAY MANAGERS, LAWYERS. 1612 01:09:06,206 --> 01:09:10,068 AND DID I FORGET THAT PEBBLES IS SUING US FOR DAMAGES? 1613 01:09:10,068 --> 01:09:12,379 SO WE IN THE RED FOR, OH, A COUPLE HUNDRED GRAND 1614 01:09:12,379 --> 01:09:13,655 THAT WE DON'’T HAVE. 1615 01:09:13,655 --> 01:09:16,724 WE JUST SAW HOW SHADY THIS BUSINESS COULD BE. 1616 01:09:16,724 --> 01:09:19,862 WE JUST NEEDED TO FIND SOMEBODY WHO WAS DOWN FOR US. 1617 01:09:19,862 --> 01:09:22,241 - SO, WHAT ARE YOU GOING TO TELL US 1618 01:09:22,241 --> 01:09:25,310 THAT THE OTHER TEN MANAGERS HAVEN'’T, 1619 01:09:25,310 --> 01:09:28,482 MR. DIGGINS? 1620 01:09:28,482 --> 01:09:32,137 YOU GIRLS ARE THE TOP-SELLING GIRL GROUP OF ALL TIME. 1621 01:09:32,137 --> 01:09:34,137 YOU'’VE BROKEN EVERY BARRIER THERE IS, 1622 01:09:34,137 --> 01:09:36,862 GENDER, RACE, YOU NAME IT. 1623 01:09:36,862 --> 01:09:39,103 I WILL GUARANTEE YOU $50 MILLION 1624 01:09:39,103 --> 01:09:41,793 THE FIRST YEAR THAT WE WORK TOGETHER. 1625 01:09:41,793 --> 01:09:44,862 I'’VE NEGOTIATED AN UPFRONT, WORLDWIDE, HEADLINING TOUR 1626 01:09:44,862 --> 01:09:46,413 AND THEN YOU GET RIGHT BACK IN THE STUDIO 1627 01:09:46,413 --> 01:09:49,137 AND START WORKING ON YOUR NEXT ALBUM. 1628 01:09:49,137 --> 01:09:50,137 WE'’LL TAKE BREAKS, 1629 01:09:50,137 --> 01:09:51,724 HAVE HOSPITAL SPOTS FOR TIONNE 1630 01:09:51,724 --> 01:09:53,862 AND EMTs ALONG THE ENTIRE WAY. 1631 01:09:53,862 --> 01:09:55,448 THAT IS THE ONLY WAY 1632 01:09:55,448 --> 01:09:57,517 THAT YOU GIRLS WILL BE ABLE TO GET OUT OF THIS HOLE YOU ARE IN: 1633 01:09:57,517 --> 01:10:00,206 TOUR AND THEN ANOTHER ALBUM. 1634 01:10:00,206 --> 01:10:01,620 I WILL DEVOTE ALL OF MY TIME 1635 01:10:01,620 --> 01:10:02,862 TO MAKE SURE THAT YOU GIRLS 1636 01:10:02,862 --> 01:10:04,551 CAN ACTUALLY BENEFIT FROM YOUR SUCCESS. 1637 01:10:07,551 --> 01:10:09,827 BEAR THIS IN MIND: 1638 01:10:09,827 --> 01:10:11,241 IF YOU HIRE ME, 1639 01:10:11,241 --> 01:10:13,551 I'’M GONNA PISS OFF A LOT OF PEOPLE DOWN HERE, 1640 01:10:13,551 --> 01:10:15,827 BECAUSE I'’M LOOKING OUT FOR YOU, AND NOT THEM. 1641 01:10:19,931 --> 01:10:21,000 DONE. 1642 01:10:21,000 --> 01:10:23,931 [cheers and applause] 1643 01:10:32,931 --> 01:10:34,206 all: ♪ DIGGIN'’ THE SCENE ♪ 1644 01:10:34,206 --> 01:10:36,275 ♪ DIGGIN'’ ON YOU, DIGGIN'’ ON ME ♪ 1645 01:10:36,275 --> 01:10:38,586 ♪ BABY BAY, OOH BABY, BABY ♪ 1646 01:10:38,586 --> 01:10:40,068 ♪ IT'’S ON LIKE THAT ♪ 1647 01:10:40,068 --> 01:10:41,793 ♪ IT'’S ON LIKE THAT ♪ 1648 01:10:41,793 --> 01:10:46,068 ♪ I GOT TO BE IN LOVE OR SOMETHIN'’ LIKE THAT ♪ 1649 01:10:46,068 --> 01:10:47,137 - ♪ DIGGIN'’ ON YOU ♪ 1650 01:10:47,137 --> 01:10:48,275 ♪ DIGGIN'’ ON ME ♪ 1651 01:10:48,275 --> 01:10:50,310 ♪ BABY, BABY, OOH 1652 01:10:50,310 --> 01:10:51,965 all: ♪ IT'’S ON LIKE THAT ♪ 1653 01:10:51,965 --> 01:10:53,896 - ♪ IT'’S ON LIKE THAT ♪ 1654 01:10:53,896 --> 01:10:59,000 ♪ I GOT TO BE IN LOVE OR SOMETHIN'’ LIKE THAT ♪ 1655 01:10:59,000 --> 01:11:00,448 I KNOW THERE WERE A LOT OF TIMES 1656 01:11:00,448 --> 01:11:03,413 WHEN WE FELT LIKE IT JUST WASN'’T GONNA TO HAPPEN. 1657 01:11:03,413 --> 01:11:05,931 GIRL, I NEVER FELT LIKE IT WASN'’T GOING TO HAPPEN. 1658 01:11:05,931 --> 01:11:07,655 AH, LISA! 1659 01:11:07,655 --> 01:11:08,862 WHAT LISA SAY? 1660 01:11:08,862 --> 01:11:11,620 I'’M A STAR! I'’M A STAR. 1661 01:11:11,620 --> 01:11:13,344 Y'’ALL? - WHAT? 1662 01:11:13,344 --> 01:11:14,689 WHAT NOW, CHILLI? 1663 01:11:14,689 --> 01:11:15,689 - I'’M PREGNANT! 1664 01:11:15,689 --> 01:11:18,758 [both scream] 1665 01:11:18,758 --> 01:11:21,103 - GET IT OVER WITH. YEAH, LIKE-- 1666 01:11:21,103 --> 01:11:22,103 - GET IT OVER WITH. 1667 01:11:22,103 --> 01:11:23,551 - NO, IT REALLY IS JUST LIKE-- 1668 01:11:23,551 --> 01:11:26,310 - CONGRATULATIONS, GIRL. 1669 01:11:26,310 --> 01:11:27,482 - OKAY, ALL RIGHT! 1670 01:11:27,482 --> 01:11:28,931 I DON'’T REALLY WANT TO SEE THAT. 1671 01:11:28,931 --> 01:11:30,586 WE JUST WANT TO SAY TO ALL OF OUR FANS, THANK YOU. 1672 01:11:30,586 --> 01:11:32,827 AS YOU CAN SEE, WE'’RE READING THROUGH ALL OF YOUR MAIL, 1673 01:11:32,827 --> 01:11:33,827 AND WE LOVE Y'’ALL, MAN. 1674 01:11:33,827 --> 01:11:35,448 WE GO THROUGH EVERY LETTER. 1675 01:11:35,448 --> 01:11:36,517 - MWAH! 1676 01:11:36,517 --> 01:11:37,517 AND THEY SAID IT THE BEST. 1677 01:11:37,517 --> 01:11:38,517 THAT'’S WHY THEY MY GIRLS. 1678 01:11:38,517 --> 01:11:40,034 WE TLC, PEACE! 1679 01:11:40,034 --> 01:11:40,965 AND CUT. 1680 01:11:47,379 --> 01:11:48,655 IT'’S MY LEGS. 1681 01:11:48,655 --> 01:11:50,172 MY LEGS GOT TO BE TOUCHIN'’ SOMEBODY. 1682 01:11:50,172 --> 01:11:52,103 WHAT? 1683 01:11:52,103 --> 01:11:53,965 - ALL RIGHT Y'’ALL, CHECK THIS OUT. 1684 01:11:53,965 --> 01:11:57,344 "YOU ALL INSPIRE ME TO BELIEVE I CAN DO THINGS I DREAM ABOUT. 1685 01:11:57,344 --> 01:11:58,620 "YOU HAVE SAVED MY LIFE, 1686 01:11:58,620 --> 01:12:01,034 AND YOUR MUSIC HELPS ME TO STAY STRONG." 1687 01:12:01,034 --> 01:12:02,310 THAT'’S BEAUTIFUL. 1688 01:12:02,310 --> 01:12:03,310 THAT'’S DOPE. 1689 01:12:03,310 --> 01:12:04,448 I KNOW, RIGHT? 1690 01:12:04,448 --> 01:12:06,689 WE LIKE SOME SUPER HEROES. 1691 01:12:06,689 --> 01:12:09,275 [laughs] 1692 01:12:09,275 --> 01:12:12,862 SO WE DECIDED THAT THIS NEXT ALBUM THAT WE'’RE RECORDING 1693 01:12:12,862 --> 01:12:14,689 IS GOING TO BE CALLED FANMAIL 1694 01:12:14,689 --> 01:12:16,172 BECAUSE WE HAVE THE BEST FANS, 1695 01:12:16,172 --> 01:12:18,655 AND THEY'’RE ALWAYS WRITING US LETTERS, 1696 01:12:18,655 --> 01:12:20,931 AND WE CAN'’T WRITE THEM ALL BACK SO... 1697 01:12:20,931 --> 01:12:22,620 BUT WE HEAR Y'’ALL, 1698 01:12:22,620 --> 01:12:25,310 AND WE'’RE DEDICATING THIS NEXT ALBUM TO YOU. 1699 01:12:25,310 --> 01:12:26,862 SO WHAT WE'’VE DECIDED IS, 1700 01:12:26,862 --> 01:12:28,724 WE'’RE GOING TO PUT HUNDREDS OF THEIR NAMES 1701 01:12:28,724 --> 01:12:29,931 ALL OVER THE ALBUM, 1702 01:12:29,931 --> 01:12:31,620 AND DEDICATE SONGS TO THEM. 1703 01:12:31,620 --> 01:12:32,758 AND GUESS WHAT? 1704 01:12:32,758 --> 01:12:34,275 ALL THE ANSWERS TO YOUR QUESTIONS 1705 01:12:34,275 --> 01:12:37,517 WILL BE ON THE SONGS. 1706 01:12:37,517 --> 01:12:41,448 AND WE ALSO HAVE ANOTHER BIG SURPRISE. 1707 01:12:41,448 --> 01:12:42,586 - OKAY, COME ON BABY, 1708 01:12:42,586 --> 01:12:43,586 COME ON, PUSH. 1709 01:12:43,586 --> 01:12:45,827 [screams] 1710 01:12:45,827 --> 01:12:48,758 [shushing] 1711 01:12:50,103 --> 01:12:53,172 SEEING CHILLI BECOME A MOM WAS DOPE. 1712 01:12:53,172 --> 01:12:56,275 IT WAS BEAUTIFUL. 1713 01:12:56,275 --> 01:13:01,620 THE THING IS, I JUST FELT LIKE MY LIFE WAS BREAKING DOWN. 1714 01:13:01,620 --> 01:13:04,310 TIONNE, BABY. 1715 01:13:04,310 --> 01:13:07,793 YOU'’VE GOT TO KEEP YOUR HEAD UP. 1716 01:13:07,793 --> 01:13:12,551 YOU HAVE TO GO THROUGH THIS TO GET TO THE GOOD PART. 1717 01:13:12,551 --> 01:13:16,000 WE'’RE NOT GONNA FEEL SORRY, OKAY? 1718 01:13:16,000 --> 01:13:20,724 GOD SEES YOU AS BEAUTIFUL, ALWAYS. 1719 01:13:22,965 --> 01:13:26,344 ♪ I HAVE A GIRL 1720 01:13:26,344 --> 01:13:30,517 ♪ A PRETTY LITTLE GIRL 1721 01:13:30,517 --> 01:13:32,827 ♪ HER NAME 1722 01:13:32,827 --> 01:13:38,896 ♪ HER NAME IS TIONNE 1723 01:13:38,896 --> 01:13:41,862 ♪ TIONNE TENESE 1724 01:13:41,862 --> 01:13:48,241 ♪ OH TIONNE TENESE 1725 01:13:48,241 --> 01:13:50,724 ♪ TIONNE 1726 01:13:50,724 --> 01:13:56,689 ♪ OH TIONNE TENESE 1727 01:14:13,551 --> 01:14:16,793 - ♪ I WISH I COULD TIE YOU UP IN MY SHOES ♪ 1728 01:14:16,793 --> 01:14:19,137 ♪ MAKE YOU FEEL UNPRETTY TOO 1729 01:14:19,137 --> 01:14:22,413 ♪ I WAS TOLD I WAS BEAUTIFUL 1730 01:14:22,413 --> 01:14:24,758 ♪ BUT WHAT DOES THAT MEAN TO YOU ♪ 1731 01:14:24,758 --> 01:14:27,793 ♪ LOOK INTO THE MIRROR WHO'’S INSIDE THERE? ♪ 1732 01:14:27,793 --> 01:14:29,931 ♪ THE ONE WITH THE LONG HAIR 1733 01:14:29,931 --> 01:14:32,482 ♪ SAME OLD ME AGAIN TODAY 1734 01:14:32,482 --> 01:14:33,689 HOW'’S MY BOY? 1735 01:14:33,689 --> 01:14:35,103 DALLAS, WE JUST GOT HIM TO SLEEP. 1736 01:14:35,103 --> 01:14:36,310 PLEASE LET HIM BE. 1737 01:14:36,310 --> 01:14:37,379 I KNOW. I WAS JUST PEEPIN'’ IN. 1738 01:14:37,379 --> 01:14:39,034 WHAT'’S UP, BABE? 1739 01:14:39,034 --> 01:14:40,034 [laughs] 1740 01:14:40,034 --> 01:14:41,275 OKAY, WHAT'’D I DO? 1741 01:14:51,413 --> 01:14:53,034 I JUST CAN'’T DO THIS ANYMORE. 1742 01:14:54,931 --> 01:14:57,724 YOU AND I WERE NEVER A GOOD FIT. 1743 01:14:59,034 --> 01:15:01,586 - WAIT, WHAT ARE YOU TALKIN'’ ABOUT? 1744 01:15:01,586 --> 01:15:03,068 I WANT TO BE WITH YOU, RO. 1745 01:15:03,068 --> 01:15:04,137 I MEAN, WE CAN GET MARRIED. 1746 01:15:04,137 --> 01:15:05,517 I'’M DIFFERENT. 1747 01:15:05,517 --> 01:15:09,965 DALLAS, YOU'’RE NOT DIFFERENT, BUT I AM. 1748 01:15:09,965 --> 01:15:11,724 I SPENT TOO MANY YEARS TRYING TO GET YOU TO COMMIT. 1749 01:15:11,724 --> 01:15:12,724 OKAY, WELL YOU GOT IT. 1750 01:15:12,724 --> 01:15:13,724 LET'’S DO IT. 1751 01:15:13,724 --> 01:15:15,172 IT'’S TOO LATE. 1752 01:15:16,275 --> 01:15:17,758 IT'’S TOO LATE. 1753 01:15:22,413 --> 01:15:24,206 SO YOU GOT THE BABY, AND THAT'’S IT? 1754 01:15:24,206 --> 01:15:25,689 MAYBE THAT'’S THE TRUTH. 1755 01:15:25,689 --> 01:15:29,689 I DON'’T KNOW WHAT ELSE TO SAY EXCEPT THE TRUTH. 1756 01:15:29,689 --> 01:15:30,862 YOU CAN DO WHATEVER YOU WANT 1757 01:15:30,862 --> 01:15:32,517 WITH WHOMEVER YOU WANT. 1758 01:15:33,586 --> 01:15:35,310 BUT I'’M DONE. 1759 01:15:46,241 --> 01:15:48,310 FUNNY HOW THE SITUATION GOT FLIPPED. 1760 01:15:48,310 --> 01:15:50,586 NOW I WAS THE SINGLE ONE OF THE GROUP. 1761 01:15:50,586 --> 01:15:52,413 TIONNE HAD GOTTEN TOGETHER WITH MACK 10, 1762 01:15:52,413 --> 01:15:56,206 AND LISA, WELL, LISA FOUND LARRY. 1763 01:16:17,655 --> 01:16:19,000 RIGHT. 1764 01:16:19,000 --> 01:16:21,620 I MEAN, THEY TAKE MY IDEAS 1765 01:16:21,620 --> 01:16:24,482 AND DECIDE ON THEIR OWN VERSION. 1766 01:16:24,482 --> 01:16:27,827 I MEAN, YOU HAVE ALWAYS BEEN THE STAR OF THE GROUP. 1767 01:16:27,827 --> 01:16:32,379 I MEAN, WITHOUT YOUR FLAVOR, YOUR VISION, YOUR POETRY, 1768 01:16:32,379 --> 01:16:34,517 THEY'’D JUST BE SOME TWO-BIT R&B GROUP. 1769 01:16:34,517 --> 01:16:35,827 I KNOW. 1770 01:16:35,827 --> 01:16:37,517 THEY NEED TO RUN THIS STUFF BY ME. 1771 01:16:37,517 --> 01:16:39,931 YEP. - I NEED TO HAVE THE FINAL SAY. 1772 01:16:39,931 --> 01:16:41,448 I'’M TELLING YOU, LISA. 1773 01:16:41,448 --> 01:16:43,724 YOU SHOULD BREAK OUT. 1774 01:16:43,724 --> 01:16:45,551 DO A SOLO RECORD. 1775 01:16:45,551 --> 01:16:46,551 MM-HMM. 1776 01:16:46,551 --> 01:16:47,586 [laughter] 1777 01:16:47,586 --> 01:16:49,965 [voices overlapping] 1778 01:16:49,965 --> 01:16:51,862 - WHAT THE HELL? 1779 01:16:51,862 --> 01:16:53,793 WHAT? 1780 01:16:53,793 --> 01:16:56,482 GUESS LISA TALKED TO A VIBEEDITOR. 1781 01:16:56,482 --> 01:16:57,931 IN BETWEEN HER MEETING MASTER P 1782 01:16:57,931 --> 01:16:59,344 AND HER INTERGALATIC RAP, 1783 01:16:59,344 --> 01:17:00,965 WHO KNEW SHE HAD THE TIME? 1784 01:17:02,793 --> 01:17:05,172 "LISA LOPES HAD THIS TO SAY. 1785 01:17:05,172 --> 01:17:07,689 "'’I CHALLENGE EACH GIRL TO MAKE A SOLO ALBUM 1786 01:17:07,689 --> 01:17:09,965 "'’AND LET'’S SEE WHO SELLS THE MOST RECORDS. 1787 01:17:09,965 --> 01:17:11,482 "'’HOW ABOUT A MILLION DOLLAR PRIZE 1788 01:17:11,482 --> 01:17:14,724 TO THE GIRL WHO SELLS THE MOST RECORDS?'’" 1789 01:17:14,724 --> 01:17:17,655 [bell rings] 1790 01:17:23,586 --> 01:17:25,379 WHERE'’S LISA? 1791 01:17:25,379 --> 01:17:26,758 YEAH, WHERE IS SHE? 1792 01:17:26,758 --> 01:17:29,379 WE'’RE DOING HER DAMN INTERGALATIC LOOK. 1793 01:17:29,379 --> 01:17:30,655 OKAY, SO WHERE THE [...] IS SHE? 1794 01:17:30,655 --> 01:17:32,241 DAMN IT, LISA. 1795 01:17:32,241 --> 01:17:35,137 [bell rings] 1796 01:17:38,724 --> 01:17:40,620 WE DID ALL THESE SONGS ABOUT MEN, 1797 01:17:40,620 --> 01:17:42,413 ABOUT STANDING UP FOR OURSELVES. 1798 01:17:42,413 --> 01:17:44,931 HEY, HEY, CAN I GET A COFFEE? 1799 01:17:44,931 --> 01:17:45,931 YOU WANT ONE? 1800 01:17:45,931 --> 01:17:47,482 WANT A COFFEE? 1801 01:17:47,482 --> 01:17:48,724 ALL RIGHT. 1802 01:17:48,724 --> 01:17:50,724 BUT THE REAL DEAL WASN'’T SO EASY. 1803 01:18:00,655 --> 01:18:02,758 - ♪ A SCRUB IS A GUY THAT THINKS HE'’S FLY ♪ 1804 01:18:02,758 --> 01:18:06,103 ♪ AND IS ALSO KNOWN AS A BUSTER ♪ 1805 01:18:06,103 --> 01:18:08,172 ♪ ALWAYS TALKIN'’ ABOUT WHAT HE WANTS ♪ 1806 01:18:08,172 --> 01:18:10,620 ♪ AND JUST SITS ON HIS BROKE ASS ♪ 1807 01:18:10,620 --> 01:18:14,275 ♪ SO, NO, I DON'’T WANT YOUR NUMBER ♪ 1808 01:18:14,275 --> 01:18:16,241 ♪ NO, AND I DON'’T WANT TO GIVE YOU MINE ♪ 1809 01:18:16,241 --> 01:18:18,965 ♪ AND NO, I DON'’T WANT TO MEET YOU NOWHERE ♪ 1810 01:18:18,965 --> 01:18:21,413 ♪ NO, I DON'’T WANT NONE OF YOUR TIME ♪ 1811 01:18:21,413 --> 01:18:24,068 ♪ AND NO, I DON'’T WANT NO SCRUB ♪ 1812 01:18:24,068 --> 01:18:27,172 ♪ A SCRUB IS A GUY THAT CAN'’T GET NO LOVE FROM ME ♪ 1813 01:18:27,172 --> 01:18:28,931 ♪ HANGING OUT THE PASSENGER SIDE ♪ 1814 01:18:28,931 --> 01:18:30,413 ♪ OF HIS BEST FRIEND'’S RIDE ♪ 1815 01:18:30,413 --> 01:18:32,551 ♪ TRYING TO HOLLER AT ME 1816 01:18:32,551 --> 01:18:34,344 ♪ I DON'’T WANT NO SCRUB ♪ 1817 01:18:34,344 --> 01:18:35,551 ♪ A SCRUB IS A GUY 1818 01:18:35,551 --> 01:18:37,586 ♪ THAT CAN'’T GET NO LOVE FROM ME ♪ 1819 01:18:37,586 --> 01:18:39,275 ♪ HANGING OUT THE PASSENGER SIDE ♪ 1820 01:18:39,275 --> 01:18:40,827 ♪ OF HIS BEST FRIEND'’S RIDE ♪ 1821 01:18:40,827 --> 01:18:41,931 ♪ TRYING TO HOLLER AT ME 1822 01:18:41,931 --> 01:18:43,172 ♪ THERE'’S A SCRUB CHECKIN'’ ME ♪ 1823 01:18:43,172 --> 01:18:44,482 ♪ BUT HIS GAME IS KINDA WEAK 1824 01:18:44,482 --> 01:18:47,068 ♪ AND I KNOW THAT HE CANNOT APPROACH ME ♪ 1825 01:18:47,068 --> 01:18:48,448 ♪ '’CAUSE I'’M LOOKIN'’ LIKE CLASS ♪ 1826 01:18:48,448 --> 01:18:49,655 ♪ AND HE'’S LOOKIN'’ LIKE TRASH ♪ 1827 01:18:49,655 --> 01:18:51,724 ♪ CAN'’T GET WIT'’ A DEADBEAT ASS ♪ 1828 01:18:51,724 --> 01:18:55,137 ♪ SO, NO, I DON'’T WANT YOUR NUMBER ♪ 1829 01:18:55,137 --> 01:18:57,448 ♪ NO, AND I DON'’T WANT TO GIVE YOU MINE ♪ 1830 01:18:57,448 --> 01:19:00,241 ♪ AND NO, I DON'’T WANT TO MEET YOU NOWHERE ♪ 1831 01:19:00,241 --> 01:19:02,827 ♪ NO, I DON'’T WANT NONE OF YOUR TIME ♪ 1832 01:19:02,827 --> 01:19:05,344 ♪ NO, I DON'’T WANT NO SCRUB ♪ 1833 01:19:05,344 --> 01:19:08,655 ♪ A SCRUB IS A GUY THAT CAN'’T GET NO LOVE FROM ME ♪ 1834 01:19:08,655 --> 01:19:10,413 ♪ HANGING OUT THE PASSENGER SIDE ♪ 1835 01:19:10,413 --> 01:19:11,862 ♪ OF HIS BEST FRIEND'’S RIDE ♪ 1836 01:19:11,862 --> 01:19:13,827 ♪ TRYING TO HOLLER AT ME 1837 01:19:13,827 --> 01:19:15,689 ♪ I DON'’T WANT NO SCRUB ♪ 1838 01:19:15,689 --> 01:19:16,931 ♪ A SCRUB IS A GUY 1839 01:19:16,931 --> 01:19:18,931 ♪ THAT CAN'’T GET NO LOVE FROM ME ♪ 1840 01:19:18,931 --> 01:19:20,655 ♪ HANGING OUT THE PASSENGER SIDE ♪ 1841 01:19:20,655 --> 01:19:22,172 ♪ OF HIS BEST FRIEND'’S RIDE ♪ 1842 01:19:22,172 --> 01:19:23,724 ♪ TRYING TO HOLLER AT ME 1843 01:19:23,724 --> 01:19:25,551 ♪ IF YOU DON'’T HAVE A CAR AND YOU'’RE WALKING ♪ 1844 01:19:25,551 --> 01:19:28,517 ♪ OH, YES SON, I'’M TALKING TO YOU ♪ 1845 01:19:28,517 --> 01:19:30,655 ♪ IF YOU LIVE AT HOME WIT'’ YOUR MOMMA ♪ 1846 01:19:30,655 --> 01:19:33,551 ♪ OH, YES, SON, I'’M TALKING TO YOU ♪ 1847 01:19:33,551 --> 01:19:34,862 ♪ IF YOU HAVE A SHORTY 1848 01:19:34,862 --> 01:19:36,103 ♪ THAT YOU DON'’T SHOW LOVE ♪ 1849 01:19:36,103 --> 01:19:38,620 ♪ OH, YES, SON, I'’M TALKING TO YOU ♪ 1850 01:19:38,620 --> 01:19:41,241 ♪ WANNA GET WITH ME WITH NO MONEY ♪ 1851 01:19:41,241 --> 01:19:42,275 ♪ OH NO 1852 01:19:42,275 --> 01:19:44,206 ♪ I DON'’T WANT NO ♪ 1853 01:19:44,206 --> 01:19:47,344 ♪ NO SCRUB 1854 01:19:54,137 --> 01:19:55,965 NO SCRUBS,BY TLC, 1855 01:19:55,965 --> 01:19:58,896 WHO FRANKLY, I'’M JUST GOING TO CALL THE COMEBACK QUEENS. 1856 01:19:58,896 --> 01:20:01,620 FANMAILHAS ALREADY SOLD OVER 8 MILLION ALBUMS, 1857 01:20:01,620 --> 01:20:03,275 WITH NO SCRUBSCURRENTLY NUMBER ONE 1858 01:20:03,275 --> 01:20:05,482 IN OVER 50 COUNTRIES. 1859 01:20:05,482 --> 01:20:06,517 DAMN! 1860 01:20:06,517 --> 01:20:07,931 [cheers and applause] 1861 01:20:07,931 --> 01:20:10,551 - WHAT A--WHAT A GREAT SHOW WE HAVE TODAY. 1862 01:20:10,551 --> 01:20:13,413 TLC IS ON THE SHOW, WHICH IS AWESOME. 1863 01:20:13,413 --> 01:20:15,206 HAPPY TO HAVE '’EM HERE. 1864 01:20:15,206 --> 01:20:16,655 ALL THREE OF '’EM. 1865 01:20:19,310 --> 01:20:21,310 WHEREAS MOST SHOWS JUST BOOK ONE OR TWO, 1866 01:20:21,310 --> 01:20:22,620 WE GOT ALL THREE OF EM HERE TODAY. 1867 01:20:22,620 --> 01:20:25,965 [cheers and applause] 1868 01:20:25,965 --> 01:20:26,965 WHERE'’S LISA? 1869 01:20:26,965 --> 01:20:28,344 PROBABLY STILL IN HER ROOM. 1870 01:20:28,344 --> 01:20:30,034 GETTING'’ LAST MINUTE MAKE UP TIPS FROM LARRY. 1871 01:20:30,034 --> 01:20:31,551 LISA, WHERE ARE YOU? 1872 01:20:31,551 --> 01:20:32,724 WELL, GET DOWN HERE! 1873 01:20:32,724 --> 01:20:35,758 WE GOT TO BE DOWN AT TRL IN 15 MINUTES. 1874 01:20:35,758 --> 01:20:38,172 WHAT? 1875 01:20:38,172 --> 01:20:39,344 SHE WANTS TO HAVE A MEETING. 1876 01:20:39,344 --> 01:20:40,586 NOW? 1877 01:20:40,586 --> 01:20:41,931 SHE WANTS TO HAVE A MEETING RIGHT NOW? 1878 01:20:41,931 --> 01:20:43,310 HELL, NO, I AIN'’T WITH THIS [...]. 1879 01:20:43,310 --> 01:20:44,586 I'’M GOING TO TALK TO MISS THANG. 1880 01:20:44,586 --> 01:20:45,896 HOLD ON. I SWEAR I'’LL FIGHT HER. 1881 01:20:45,896 --> 01:20:47,310 NOBODY IS TALKING ABOUT FIGHTING. 1882 01:20:47,310 --> 01:20:48,517 ARE YOU COMING? Y'’ALL GO. 1883 01:20:48,517 --> 01:20:49,758 I MIGHT DO SOMETHING I'’LL REGRET. 1884 01:20:49,758 --> 01:20:52,206 LET'’S GO. COME ON, NOW! 1885 01:20:52,206 --> 01:20:53,896 YO, WE GOT AN ALBUM AND A TOUR TO RUN. 1886 01:20:53,896 --> 01:20:55,068 ARE YOU SERIOUS? 1887 01:20:55,068 --> 01:20:56,758 WE GOT FIVE MINUTES TO GET TO TRL. 1888 01:20:56,758 --> 01:20:58,620 SERIOUSLY, LISA, WHATEVER ISSUES YOU ARE HAVING, 1889 01:20:58,620 --> 01:20:59,965 NOW IS NOT THE TIME. 1890 01:20:59,965 --> 01:21:01,344 HEY, SHE GOT GENUINE BEEF WITH Y'’ALL. 1891 01:21:01,344 --> 01:21:02,379 THAT'’S RIGHT. 1892 01:21:02,379 --> 01:21:03,344 I DON'’T GOT TO LISTEN TO YOU. 1893 01:21:03,344 --> 01:21:05,137 MASTER P GOT THE MONEY. 1894 01:21:05,137 --> 01:21:06,724 YOU KNOW THERE'’S PEOPLE IN THIS INDUSTRY 1895 01:21:06,724 --> 01:21:08,172 WHO ACTUALLY SUPPORT ME? 1896 01:21:08,172 --> 01:21:10,000 AND [...] WON'’T LET ME DO WHAT I WANT TO DO. 1897 01:21:10,000 --> 01:21:11,206 WAIT, WHO YOU CALLIN'’ A [...]? 1898 01:21:11,206 --> 01:21:12,448 YOU CALLING ME A [...]? 1899 01:21:12,448 --> 01:21:15,206 I GOT YOUR [...]. 1900 01:21:15,206 --> 01:21:17,275 SEE, I TOLD YOU THEY WEREN'’T DOWN FOR YOU. 1901 01:21:17,275 --> 01:21:18,448 - YOU KNOW WHAT? 1902 01:21:18,448 --> 01:21:19,827 YOU SHUT THE [...] UP, LARRY, HUH? 1903 01:21:19,827 --> 01:21:21,310 WHY DON'’T YOU GO CALL YOUR WIFE? 1904 01:21:21,310 --> 01:21:23,379 YEAH, SHE PROBABLY WONDERING WHERE THE [...] YOU AT. 1905 01:21:23,379 --> 01:21:24,379 YOU MARRIED? 1906 01:21:24,379 --> 01:21:25,551 EVERYBODY KNOWS HE MARRIED. 1907 01:21:25,551 --> 01:21:27,103 IF YOU WOULD HAVE TALKED TO YOUR SISTERS 1908 01:21:27,103 --> 01:21:28,000 MAYBE YOU WOULD'’VE KNOWN THAT. 1909 01:21:36,034 --> 01:21:39,344 - ALL RIGHT, LOOK, EVERYONE NEEDS TO COOL DOWN 1910 01:21:39,344 --> 01:21:42,724 AND PUT ALL OF THIS INTO CONTEXT. 1911 01:21:42,724 --> 01:21:44,517 NO MATTER WHAT ISSUES ANYONE IS HAVING, 1912 01:21:44,517 --> 01:21:47,344 YOU ALL HAVE AN OBLIGATION TO THIS GROUP. 1913 01:21:47,344 --> 01:21:50,103 ALL THIS MONEY THAT YOU'’VE BEEN SPENDING AND LIVING OFF OF 1914 01:21:50,103 --> 01:21:53,172 IS AN ADVANCE ON FANMAIL AND THE SUBSEQUENT TOUR. 1915 01:21:53,172 --> 01:21:55,034 IF YOU DO NOT TOUR, 1916 01:21:55,034 --> 01:21:56,931 NOT ONLY WILL YOU NOT HAVE ANY MORE MONEY, 1917 01:21:56,931 --> 01:21:59,103 BUT YOU'’LL ALSO HAVE TO PAY BACK THE MONEY YOU'’VE SPENT, 1918 01:21:59,103 --> 01:22:01,965 AND SO WILL TIONNE AND CHILLI. 1919 01:22:01,965 --> 01:22:04,000 YOU WILL BE DEPRIVING THEM OF THEIR ABILITY 1920 01:22:04,000 --> 01:22:06,551 TO HONOR THIS $50 MILLION DOLLAR CONTRACT. 1921 01:22:06,551 --> 01:22:08,689 THIS MASTER P, WHO WANTS TO PRODUCE YOUR NEXT ALBUM, 1922 01:22:08,689 --> 01:22:12,068 CAN HE OFFER YOU ANYTHING IN THAT REALM? 1923 01:22:12,068 --> 01:22:14,206 YOU HAVE WORKED SO HARD, ALL OF YOU. 1924 01:22:14,206 --> 01:22:16,000 YOU'’VE HAVE HAD ALL THE SUCCESS IN THE WORLD, 1925 01:22:16,000 --> 01:22:20,379 AND YOU WILL HAVE ABSOLUTELY NOTHING TO SHOW FOR IT. 1926 01:22:20,379 --> 01:22:23,275 ARE YOU REALLY GOING TO RUIN IT FOR EVERYONE? 1927 01:22:23,275 --> 01:22:25,620 LOOK, I UNDERSTAND YOU WANT TO GO 1928 01:22:25,620 --> 01:22:28,551 DO YOUR OWN THING, I DO. 1929 01:22:28,551 --> 01:22:30,034 BUT ON THE REAL, LISA, 1930 01:22:30,034 --> 01:22:33,413 YOU SIGNED A CONTRACT JUST LIKE THE REST OF US. 1931 01:22:38,068 --> 01:22:40,689 FINE, I'’LL DO IT. 1932 01:22:46,172 --> 01:22:49,275 - WE'’D LIKE TO THANK YOU FOR YOUR SUPPORT. 1933 01:22:49,275 --> 01:22:52,172 [cheers and applause] 1934 01:23:02,000 --> 01:23:03,241 THANKS A LOT, CARSON. 1935 01:23:03,241 --> 01:23:05,896 HERE WE ARE IN OAKLAND ON THE TLC TOUR. 1936 01:23:05,896 --> 01:23:07,896 AS YOU CAN SEE, THE LADIES ARE ROCKING THE HOUSE, 1937 01:23:07,896 --> 01:23:09,413 THE PLACE IS PACKED, 1938 01:23:09,413 --> 01:23:11,241 AND THEY'’VE JUST GOTTEN EIGHT GRAMMY NOMINATIONS. 1939 01:23:11,241 --> 01:23:12,655 SO THINGS WOULD LOOK TO BE PRETTY GOOD. 1940 01:23:31,137 --> 01:23:34,724 - [laughs] 1941 01:23:34,724 --> 01:23:37,241 ALL RIGHT, HANG ON, HANG ON. 1942 01:23:37,241 --> 01:23:39,482 I JUST GOT A GREAT OFFER FOR YOU TO DO 10 MORE SHOWS 1943 01:23:39,482 --> 01:23:42,034 IN EUROPE AND JAPAN, STARTING NEXT WEEK. 1944 01:23:42,034 --> 01:23:44,655 THAT MEANS ANOTHER HUGE ADVANCE AGAINST TICKET SALES. 1945 01:23:44,655 --> 01:23:46,034 - YES! YES! 1946 01:23:46,034 --> 01:23:47,448 LET'’S GO, BECAUSE I COULD KEEP TOURING. 1947 01:23:47,448 --> 01:23:48,551 THANKS, BILL. 1948 01:23:48,551 --> 01:23:49,827 YO, B, THAT IS HOW WE DO IT! 1949 01:23:49,827 --> 01:23:51,034 YES. 1950 01:23:51,034 --> 01:23:52,310 I'’M SORRY, BILL, SORRY, GIRLS. 1951 01:23:52,310 --> 01:23:55,275 I AM NOT GOING TO BE ABLE TO DO THAT. 1952 01:23:55,275 --> 01:23:56,517 IT'’S STARTING NEXT WEEK, 1953 01:23:56,517 --> 01:23:59,689 AND I ALREADY MADE PLANS TO GO TO HONDURAS. 1954 01:23:59,689 --> 01:24:01,344 I NEED TIME FOR MY SPIRITUAL HEALING, 1955 01:24:01,344 --> 01:24:03,448 AND THEN I'’M GOING TO BE WORKING ON MY ALBUM. 1956 01:24:03,448 --> 01:24:05,379 I ALREADY MADE THE PLANS, 1957 01:24:05,379 --> 01:24:07,724 IT'’S NOT LIKE IT'’S SOMETHING NEW. 1958 01:24:07,724 --> 01:24:10,310 IT'’S ANOTHER $25 MILLION WE'’RE WALKING AWAY FROM. 1959 01:24:10,310 --> 01:24:12,862 I KNOW, BUT IT'’S NOT ALL ABOUT THE MONEY, BILL. 1960 01:24:12,862 --> 01:24:14,931 I NEED THIS TIME FOR ME. 1961 01:24:16,448 --> 01:24:19,379 COME ON, I DID MY PART. 1962 01:24:19,379 --> 01:24:22,137 I TRIED, LADIES. 1963 01:24:22,137 --> 01:24:23,275 IT'’S ALL RIGHT, B. 1964 01:24:26,448 --> 01:24:31,344 I WAS PISSED THAT LISA HAD US TURNING DOWN 25 MILL, 1965 01:24:31,344 --> 01:24:32,551 BUT I HAD TO GIVE HER PROPS 1966 01:24:32,551 --> 01:24:34,517 FOR STANDING FOR WHAT SHE BELIEVED IN. 1967 01:24:46,517 --> 01:24:52,275 SO I DO WANT TO RECORD MY THOUGHTS 1968 01:24:52,275 --> 01:24:54,068 AND MY FEELINGS. 1969 01:24:54,068 --> 01:24:59,103 YOU KNOW, THIS IS A PLACE WHERE I CAME TO HEAL 1970 01:24:59,103 --> 01:25:03,827 AND BE AT ONE WITH NATURE AND THE JUNGLE, 1971 01:25:03,827 --> 01:25:07,137 JUST LIKE I'’VE ALWAYS IMAGINED. 1972 01:25:07,137 --> 01:25:10,448 I DON'’T EVEN FEEL LIKE THE SAME PERSON WHEN I'’M HERE. 1973 01:25:10,448 --> 01:25:12,034 I LET EVERYTHING GO. 1974 01:25:12,034 --> 01:25:13,793 I LET EVERYTHING DOWN. 1975 01:25:13,793 --> 01:25:17,172 I'’M--I'’M JUST MYSELF. 1976 01:25:17,172 --> 01:25:22,275 AND I-I GET TO DO THE THINGS THAT I WANNA DO. 1977 01:25:22,275 --> 01:25:25,137 I GET TO BE IN TUNE WITH ME. 1978 01:25:25,137 --> 01:25:26,931 INSTEAD OF REACTING OFF OF IMPULSE, 1979 01:25:26,931 --> 01:25:31,965 I CAN MEDITATE AND THINK BEFORE I DO THINGS. 1980 01:25:34,931 --> 01:25:36,482 IT'’S VERY POWERFUL, YOU KNOW? 1981 01:25:36,482 --> 01:25:38,620 WHATEVER YOU THINK STRONGLY HERE, 1982 01:25:38,620 --> 01:25:42,413 IT JUST SEEMS TO MANIFEST. 1983 01:25:42,413 --> 01:25:44,793 SO A VERY POWERFUL PLACE TO BE. 1984 01:25:48,275 --> 01:25:49,275 YOU GOT IT? 1985 01:25:49,275 --> 01:25:51,000 GOOD JOB. 1986 01:25:51,000 --> 01:25:53,931 [laughs] 1987 01:25:56,379 --> 01:25:59,137 WHAT'’S UP, MAN? 1988 01:25:59,137 --> 01:26:00,896 I PACKED HIS AFTERNOON SNACKS IN THE CARRIER 1989 01:26:00,896 --> 01:26:02,724 AND HIS TOY CARS. 1990 01:26:02,724 --> 01:26:04,758 JUST MAKE SURE YOU HAVE HIM BACK BEFORE HIS NAP, OKAY? 1991 01:26:10,172 --> 01:26:11,551 MM-MM, DALLAS. 1992 01:26:11,551 --> 01:26:15,379 YOU KNOW WE NOT GOING THERE. 1993 01:26:15,379 --> 01:26:17,172 HAVE A BEAUTIFUL TIME WITH YOUR SON, OKAY? 1994 01:26:26,586 --> 01:26:28,551 IT SEEMS LIKE THINGS WERE FINALLY GETTING BETTER 1995 01:26:28,551 --> 01:26:30,896 FOR SOME US, 1996 01:26:30,896 --> 01:26:35,068 BUT HERE I WAS, ONCE AGAIN EXPECTING THE WORST. 1997 01:26:35,068 --> 01:26:38,000 SHE'’S NOT ACTUALLY SICK. 1998 01:26:42,379 --> 01:26:45,655 I DIDN'’T THINK IT WAS POSSIBLE, MY DEAR, 1999 01:26:45,655 --> 01:26:46,620 BUT YOU'’RE PREGNANT. 2000 01:26:46,620 --> 01:26:48,965 - [laughs] 2001 01:26:48,965 --> 01:26:50,482 OH, MY GOD. 2002 01:26:50,482 --> 01:26:54,413 BABY. 2003 01:26:54,413 --> 01:26:56,931 WHAT? 2004 01:26:56,931 --> 01:26:58,586 HERE'’S THE THING. 2005 01:26:58,586 --> 01:27:01,068 YOU'’RE ONLY NINE WEEKS ALONG. 2006 01:27:01,068 --> 01:27:03,517 THIS IS A VERY HIGH-RISK PREGNANCY. 2007 01:27:03,517 --> 01:27:04,931 IT'’S INCREDIBLY RISKY, 2008 01:27:04,931 --> 01:27:08,034 NOT ONLY FOR YOU, BUT FOR THE BABY. 2009 01:27:08,034 --> 01:27:10,931 YOU'’RE ARE AT RISK FOR ALL KINDS OF COMPLICATIONS 2010 01:27:10,931 --> 01:27:14,517 INCLUDING, ORGAN FAILURE, TOXEMIA. 2011 01:27:14,517 --> 01:27:16,827 - I DON'’T CARE. 2012 01:27:16,827 --> 01:27:18,275 I'’M KEEPIN'’ THIS BABY. 2013 01:27:18,275 --> 01:27:23,379 - I DO NOT WANT YOU, TIONNE, TO RISK YOUR LIFE. 2014 01:27:23,379 --> 01:27:31,482 - LISTEN, I'’VE BEEN HEARING MY WHOLE LIFE WHAT I CAN'’T DO. 2015 01:27:31,482 --> 01:27:34,379 AND I'’M TIRED. 2016 01:27:34,379 --> 01:27:38,758 EVERYTHING'’S ALWAYS BEEN OKAY. 2017 01:27:38,758 --> 01:27:44,310 THE FACT THAT YOU'’RE EVEN TELLING ME THAT I'’M PREGNANT, 2018 01:27:44,310 --> 01:27:45,896 I NEVER THOUGHT I COULD EVEN HAVE KIDS. 2019 01:27:48,724 --> 01:27:52,275 AND EVEN IF IT ALL GOES WRONG, 2020 01:27:52,275 --> 01:27:55,206 I DON'’T WANT TO REGRET SOMETHING. 2021 01:27:55,206 --> 01:27:56,310 NO REGRETS. 2022 01:28:02,206 --> 01:28:06,655 I WANNA HAVE THIS BABY. 2023 01:28:06,655 --> 01:28:09,793 I'’M GONNA HAVE THIS BABY. 2024 01:28:09,793 --> 01:28:11,724 PLUS, GOD'’S GOT THE FINAL SAY, RIGHT? 2025 01:28:11,724 --> 01:28:15,827 - [laughs] 2026 01:28:15,827 --> 01:28:17,344 HI, BABY. 2027 01:28:17,344 --> 01:28:18,517 I'’M YOUR AUNTIE. 2028 01:28:27,379 --> 01:28:29,896 - YOU'’RE ON A JOURNEY, LISA. 2029 01:28:29,896 --> 01:28:31,965 NOT ALWAYS EASY. 2030 01:28:31,965 --> 01:28:34,827 NOT ALWAYS LIGHT, 2031 01:28:34,827 --> 01:28:37,965 BUT IT'’S A JOURNEY, NEVERTHELESS. 2032 01:28:37,965 --> 01:28:41,655 YOU'’RE MOVING ON A PATH. 2033 01:28:41,655 --> 01:28:45,758 A PATH TO FIND FORGIVENESS WITH YOUR FATHER. 2034 01:28:52,137 --> 01:28:55,620 I JUST KNOW THAT I'’M ON A JOURNEY, 2035 01:28:55,620 --> 01:28:58,241 AND I DON'’T KNOW WHERE I'’M GOING NECESSARILY 2036 01:28:58,241 --> 01:29:03,344 BUT, UH, I JUST KNOW THAT I WILL GET THERE. 2037 01:29:03,344 --> 01:29:05,965 I HAVE THE FREE REINS TO DO A LITTLE BIT MORE 2038 01:29:05,965 --> 01:29:08,413 THAN WHAT I COULD DO WITH TLC 2039 01:29:08,413 --> 01:29:12,586 CREATIVELY, CONCEPTUALLY, LYRICALLY, 2040 01:29:12,586 --> 01:29:14,862 AND THAT'’S WHAT IMPORTANT TO ME, 2041 01:29:14,862 --> 01:29:16,965 BECAUSE THERE'’S A LOT OF THINGS 2042 01:29:16,965 --> 01:29:18,620 THAT I JUST WANT TO GET OF MY CHEST. 2043 01:29:18,620 --> 01:29:21,758 SUPERNOVAIS GOING TO BE MAJOR, 2044 01:29:21,758 --> 01:29:23,724 AND, YOU KNOW, I JUST FEEL LIKE 2045 01:29:23,724 --> 01:29:26,689 THIS IS THE BEST WORK THAT I'’VE DONE YET. 2046 01:29:26,689 --> 01:29:28,620 COME ON, EVERY TIME YOU GIRLS GET INTO THE STUDIO 2047 01:29:28,620 --> 01:29:30,241 AND RECORD SOMETHING, YOU MAKE MAGIC, 2048 01:29:30,241 --> 01:29:33,034 IT SELLS LIKE CRAZY, AND AWARDS GET THROWN AT YOU. 2049 01:29:33,034 --> 01:29:36,793 NOW'’S THE TIME TO START PUTTING TOGETHER YOUR NEXT ALBUM. 2050 01:29:39,413 --> 01:29:43,172 I KNOW YOU'’RE TRYING DIFFERENT CREATIVE DIRECTIONS, 2051 01:29:43,172 --> 01:29:45,206 BUT, LISA, YOU'’RE UNDER CONTRACT, 2052 01:29:45,206 --> 01:29:46,862 AND WE NEED TO START THIS NEXT ALBUM. 2053 01:29:46,862 --> 01:29:48,448 PLUS, IT'’S A HUGE DEAL. 2054 01:29:48,448 --> 01:29:49,793 $12 MILLION TO TOUR 2055 01:29:49,793 --> 01:29:51,827 AND MORE FOR AN EXCLUSIVE PACKAGE WITH MP3. 2056 01:29:51,827 --> 01:29:54,482 I DON'’T THINK TOURING IS A GOOD IDEA FOR ME. 2057 01:29:54,482 --> 01:29:56,896 IT'’S JUST TOO HARD ON MY BODY RIGHT NOW. 2058 01:29:56,896 --> 01:29:59,448 WHAT, $12 MILLION AIN'’T ENOUGH? 2059 01:29:59,448 --> 01:30:00,724 OH, SO NOW YOU'’RE ON BOARD, 2060 01:30:00,724 --> 01:30:03,482 EVEN THOUGH OUR [...] IS WHACK? 2061 01:30:03,482 --> 01:30:05,241 LISA, DON'’T HOLD THIS UP. 2062 01:30:05,241 --> 01:30:06,965 WE'’VE GOT TO GET STARTED ON THIS NEW RECORD. 2063 01:30:09,689 --> 01:30:11,413 COME ON, LISA. 2064 01:30:11,413 --> 01:30:13,068 NO MATTER WHAT, WE'’RE STILL TLC. 2065 01:30:13,068 --> 01:30:17,068 I AIN'’T SAY I WOULDN'’T, JUST NOT THIS MINUTE. 2066 01:30:17,068 --> 01:30:19,517 WELL, IF NOT THIS MINUTE, THAN WHAT MINUTE? 2067 01:30:25,896 --> 01:30:28,482 WHAT YOU MEAN IT AIN'’T COMING OUT IN THE STATES? 2068 01:30:28,482 --> 01:30:30,517 SOLD POORLY OVERSEAS? 2069 01:30:30,517 --> 01:30:33,172 WHAT THAT GOT TO DO WITH ME? 2070 01:30:33,172 --> 01:30:34,551 UH-UH, LOOK, 2071 01:30:34,551 --> 01:30:36,275 IF Y'’ALL RELEASED IT WHEN I TOLD YOU TO, 2072 01:30:36,275 --> 01:30:40,379 IT'’D BE DOING WHAT IT'’S SUPPOSED TO DO. 2073 01:30:40,379 --> 01:30:41,862 OH, YEAH? 2074 01:30:41,862 --> 01:30:43,206 WELL, I'’LL FIND ANOTHER LABEL TO WORK WITH THEN. 2075 01:30:43,206 --> 01:30:44,206 HOW '’BOUT THAT? 2076 01:30:44,206 --> 01:30:49,551 [glass shattering] 2077 01:30:49,551 --> 01:30:52,586 I'’M DONE WITH THIS CLUB. 2078 01:30:52,586 --> 01:30:53,655 [cheers and applause] 2079 01:30:53,655 --> 01:30:57,517 AND THE BEST R&B ALBUM IS... 2080 01:30:57,517 --> 01:30:59,620 FANMAIL. -TLC. 2081 01:31:03,862 --> 01:31:06,206 LADIES, NOW THAT YOU'’VE WON A GRAMMY FOR FANMAIL, 2082 01:31:06,206 --> 01:31:07,689 WHAT'’S NEXT? 2083 01:31:07,689 --> 01:31:09,413 WE'’LL PROBABLY GET STARTED ON OUR NEXT ALBUM. 2084 01:31:09,413 --> 01:31:11,965 YEAH. 2085 01:31:11,965 --> 01:31:16,344 THANK YOU. 2086 01:31:16,344 --> 01:31:18,137 OKAY, CAN YOU JUST MAKE UP YOUR MIND? 2087 01:31:18,137 --> 01:31:20,103 YEAH, YOU'’RE HOLDIN'’ THIS WHOLE DEAL UP. 2088 01:31:20,103 --> 01:31:21,413 LOOK, THIS AIN'’T THE TIME 2089 01:31:21,413 --> 01:31:22,689 OR THE PLACE FOR THIS, ALL RIGHT? 2090 01:31:22,689 --> 01:31:24,275 GET OFF MY BACK. 2091 01:31:24,275 --> 01:31:26,551 Y'’ALL KEEP PRESSURING ME WITH THIS SAME OLD BULL[...]. 2092 01:31:26,551 --> 01:31:28,586 ALL OF THIS [...] IS BULL[...]. 2093 01:31:28,586 --> 01:31:30,758 LEAVE ME THE [...] ALONE. 2094 01:31:30,758 --> 01:31:32,551 - [laughs] 2095 01:31:32,551 --> 01:31:35,448 MAN, THAT LISA IS SOMETHING ELSE, HUH? 2096 01:31:35,448 --> 01:31:36,724 WHAT DO YOU MEAN BY THAT? 2097 01:31:36,724 --> 01:31:38,965 SHE JUST KEEPS GETTING CRAZIER AND CRAZIER. 2098 01:31:38,965 --> 01:31:41,620 AND WHAT'’S UP WITH THIS WHOLE SUPERNOVAMESS? 2099 01:31:41,620 --> 01:31:43,206 I MEAN, THAT BOMBED TOO. 2100 01:31:43,206 --> 01:31:44,310 YOU NEED TO STOP TALKING. 2101 01:31:44,310 --> 01:31:45,586 RIGHT NOW. 2102 01:31:45,586 --> 01:31:46,655 EXCUSE ME? 2103 01:31:46,655 --> 01:31:47,689 I SWEAR, THAT'’S OUR SISTER. 2104 01:31:47,689 --> 01:31:49,034 YOU NEED TO SHUT UP. 2105 01:31:49,034 --> 01:31:50,448 THAT'’S FAMILY, SO DON'’T EVEN GO THERE. 2106 01:31:50,448 --> 01:31:52,310 JUST WALK AWAY. 2107 01:31:55,103 --> 01:31:57,793 LISA. 2108 01:31:57,793 --> 01:31:59,379 LISA? 2109 01:32:02,379 --> 01:32:05,344 [sobbing] 2110 01:32:12,793 --> 01:32:13,965 YOU OKAY? 2111 01:32:17,344 --> 01:32:20,724 LISA, YOU GONNA BE OKAY. 2112 01:32:20,724 --> 01:32:26,655 THEY WOULDN'’T PUT IT OUT WHEN DOCTOR SEBI SAID. 2113 01:32:26,655 --> 01:32:28,413 IT'’S A NUMEROLOGY THING. 2114 01:32:28,413 --> 01:32:31,000 IF THE NUMBERS ARE NOT LINED UP, 2115 01:32:31,000 --> 01:32:35,379 THEN IT WON'’T BE RECEIVED BY THE UNIVERSE. 2116 01:32:35,379 --> 01:32:37,551 YOU KNOW WHAT, THOUGH? 2117 01:32:37,551 --> 01:32:40,000 WE GONNA GET BACK INTO THE STUDIO, 2118 01:32:40,000 --> 01:32:42,413 REGROUP, AND DO THIS DEAL. 2119 01:32:42,413 --> 01:32:44,172 AND YOU CAN GO BACK TO THE JUNGLE FIRST. 2120 01:32:44,172 --> 01:32:46,137 WITH ALL THE ANIMALS. 2121 01:32:46,137 --> 01:32:48,068 AND MAKE YOUR OWN RECORD AGAIN. 2122 01:32:48,068 --> 01:32:52,896 AND THE NUMBERS ALL LINED UP JUST RIGHT. 2123 01:32:52,896 --> 01:32:54,620 AND ALL THAT WHAT SHE SAID. 2124 01:32:54,620 --> 01:32:58,758 [laughter] 2125 01:32:58,758 --> 01:33:01,379 YOU KNOW WHAT, YOU OVER HERE MAKIN'’ EVERYBODY A HUGGER. 2126 01:33:01,379 --> 01:33:04,896 YOU EVEN MAKING MISS LISA LEFT-EYE LOPES A DANG SOFTY. 2127 01:33:04,896 --> 01:33:07,103 AND YOU, YOU NEED TO STICK AROUND 2128 01:33:07,103 --> 01:33:11,000 AND BE AN AUNTIE AND MEET MY BABY GIRL. 2129 01:33:11,000 --> 01:33:12,172 YOU KNOW WHAT I'’M SAYIN'’? 2130 01:33:12,172 --> 01:33:13,758 YEAH. 2131 01:33:13,758 --> 01:33:15,241 YOU KNOW WE LOVE YOU GIRL. 2132 01:33:15,241 --> 01:33:16,379 YEAH. 2133 01:33:16,379 --> 01:33:17,517 I LOVE Y'’ALL TOO. 2134 01:33:32,103 --> 01:33:34,448 IT'’S AN MTB THING. 2135 01:33:34,448 --> 01:33:37,931 FOR REAL, GIRL, IT'’S AN MTB THING. 2136 01:33:56,551 --> 01:33:58,689 - HEY, LISA, YOU GET TO THE STUDIO? 2137 01:33:58,689 --> 01:34:01,827 YEAH, I DID A COUPLE NEW THANGS. 2138 01:34:01,827 --> 01:34:04,689 DALLAS PLAYED ME A NEW MIX TOO. 2139 01:34:04,689 --> 01:34:08,448 YO, YOUR VOCALS SOUND DOPE, SIS. 2140 01:34:08,448 --> 01:34:10,206 THANKS, LISA. 2141 01:34:10,206 --> 01:34:11,310 YEAH, SHE HERE. 2142 01:34:11,310 --> 01:34:12,827 I'’M TRYIN'’ TO MAKE THAT GUMBO, 2143 01:34:12,827 --> 01:34:14,724 BUT IT DON'’T TASTE THE WAY IT DO WHEN YOU MAKE IT. 2144 01:34:14,724 --> 01:34:16,000 AWW. 2145 01:34:16,000 --> 01:34:17,344 YOU KNOW I'’LL TEACH YOU THE RECIPE 2146 01:34:17,344 --> 01:34:19,827 AS SOON AS I GET BACK. 2147 01:34:19,827 --> 01:34:21,448 PUT TIONNE ON THE PHONE. 2148 01:34:21,448 --> 01:34:24,586 OKAY, HERE YOU GO. 2149 01:34:24,586 --> 01:34:26,137 WHAT UP, JUNGLE GIRL? 2150 01:34:26,137 --> 01:34:28,551 AIN'’T NOBODY GETTING ME IN NO BUSH FOR NOTHING. 2151 01:34:28,551 --> 01:34:29,586 NOT EVEN FOR A CURE. 2152 01:34:29,586 --> 01:34:30,931 YOU KNOW I AIN'’T STAYING OVER 2153 01:34:30,931 --> 01:34:32,931 WHERE THEY AIN'’T GOT NO TV, NO ROOM SERVICE. 2154 01:34:32,931 --> 01:34:34,448 COME ON, GIRL. 2155 01:34:34,448 --> 01:34:36,620 GET YOUR SKINNY JUICE FASTIN'’ ASS BACK IN THAT STUDIO 2156 01:34:36,620 --> 01:34:38,448 SO WE CAN FINISH THE DANG THING, ALL RIGHT? 2157 01:34:38,448 --> 01:34:40,379 - [laughs] 2158 01:34:40,379 --> 01:34:41,758 YEAH. 2159 01:34:43,931 --> 01:34:46,275 YOU ALL RIGHT, LISA? 2160 01:34:46,275 --> 01:34:49,827 YOU KNOW YOU'’LL FEEL BETTER ONCE YOU GET DOWN THERE, OKAY? 2161 01:34:49,827 --> 01:34:51,551 WE GOOD, THOUGH, RIGHT? 2162 01:34:51,551 --> 01:34:54,724 YEAH, WE GOOD. 2163 01:34:54,724 --> 01:34:56,206 I LOVE YOU, T. 2164 01:34:56,206 --> 01:35:00,172 OKAY, I'’M JUST SAYIN'’, YOU KNOW I LOVE YOU TOO. 2165 01:35:00,172 --> 01:35:02,137 BYE, LISA, LOVE YOU GIRL. 2166 01:35:02,137 --> 01:35:03,137 BYE, GIRL. 2167 01:35:09,206 --> 01:35:11,551 EVERYTHING OKAY? 2168 01:35:11,551 --> 01:35:13,827 YEAH, I GUESS SO. 2169 01:35:15,206 --> 01:35:22,275 WHEN I WAS A KID, I ALWAYS WISHED FOR THIS. 2170 01:35:22,275 --> 01:35:23,758 I MEAN, PEOPLE WOULD ASK ME 2171 01:35:23,758 --> 01:35:26,827 WHAT I WANTED TO BE WHEN I GREW UP, 2172 01:35:26,827 --> 01:35:28,517 AND I WOULD TELL THEM IN THE JUNGLE, 2173 01:35:28,517 --> 01:35:31,517 FREE, AND WITH THE ANIMALS. 2174 01:35:35,068 --> 01:35:37,655 SO HERE I AM. 2175 01:35:37,655 --> 01:35:40,827 I'’M IN THE JUNGLE. I'’M FREE. 2176 01:36:07,000 --> 01:36:11,931 [telephone ringing] 2177 01:36:11,931 --> 01:36:13,724 - HELLO? 2178 01:36:13,724 --> 01:36:15,344 BILL, WHAT TIME IS IT? 2179 01:36:18,103 --> 01:36:19,000 WHAT? 2180 01:36:20,620 --> 01:36:21,620 WHAT? 2181 01:36:21,620 --> 01:36:28,000 [sobbing] 2182 01:36:28,000 --> 01:36:30,931 - [gasping] 2183 01:36:36,034 --> 01:36:37,413 IT IS A VERY SAD DAY. 2184 01:36:37,413 --> 01:36:39,965 NOT ONLY IN THE MUSIC WORLD, BUT ELSEWHERE, 2185 01:36:39,965 --> 01:36:41,551 BECAUSE WE'’VE LOST ONE OF THE BRIGHTEST, 2186 01:36:41,551 --> 01:36:44,827 MOST FLAMBOYANT AND OUTSPOKEN WOMEN OF THE PAST TEN YEARS. 2187 01:36:44,827 --> 01:36:46,275 LISA LEFT-EYE LOPES, 2188 01:36:46,275 --> 01:36:49,310 THE WOMAN WHO BROUGHT THE RAP AND THE ATTITUDE TO TLC 2189 01:36:49,310 --> 01:36:52,034 FOR MORE THAN A DECADE OF MULTI-PLATINUM SUCCESS 2190 01:36:52,034 --> 01:36:54,931 LOST HER LIFE IN A CAR ACCIDENT YESTERDAY AFTERNOON 2191 01:36:54,931 --> 01:36:57,000 IN THE CENTRAL AMERICAN NATION OF HONDURAS, 2192 01:36:57,000 --> 01:36:58,275 WHERE SHE HAD BEEN VACATIONING 2193 01:36:58,275 --> 01:37:00,689 AND VOLUNTEERING AT A HERBAL HEALING CENTER. 2194 01:37:12,655 --> 01:37:14,103 - IT'’S OKAY. 2195 01:37:25,000 --> 01:37:28,241 THIS WAS THE WORST LOW IMAGINABLE. 2196 01:37:28,241 --> 01:37:30,758 NOW WE NEEDED TIME TO FIGURE OUT WHO WE WERE 2197 01:37:30,758 --> 01:37:33,379 WITHOUT OUR SISTER LISA. 2198 01:37:33,379 --> 01:37:35,310 WE'’RE BACK HERE WITH CHILLI AND T-BOZ 2199 01:37:35,310 --> 01:37:38,448 OF ATLANTA'’S OWN TLC. 2200 01:37:38,448 --> 01:37:41,758 LADIES, I'’M SURE IT'’S BEEN A VERY HARD COUPLE OF MONTHS. 2201 01:37:41,758 --> 01:37:44,655 A LOVED ONE WAS LOST. 2202 01:37:44,655 --> 01:37:47,206 I IMAGINE IT WAS LIKE LOSING A SISTER. 2203 01:37:47,206 --> 01:37:50,344 YEAH, IT IS LIKE LOSING A SISTER. 2204 01:37:50,344 --> 01:37:52,379 IT'’S WEIRD, '’CAUSE THE TEN YEARS WE WORKED TOGETHER, 2205 01:37:52,379 --> 01:37:54,896 IT REALLY FELT LIKE A LIFETIME. 2206 01:37:54,896 --> 01:37:56,275 YEAH. 2207 01:37:56,275 --> 01:37:57,655 LOOK, I CAN'’T SAY THE FANS ARE GONNA MISS 2208 01:37:57,655 --> 01:38:00,931 THE CRAZINESS PART OF THE CRAZY SEXY COOL CREW. 2209 01:38:00,931 --> 01:38:02,275 SEE, THAT'’S THE THING. 2210 01:38:02,275 --> 01:38:03,758 LISA WASN'’T CRAZY. 2211 01:38:03,758 --> 01:38:06,206 I MEAN, SHE WAS CRAZY, DON'’T GET ME WRONG, OKAY? 2212 01:38:06,206 --> 01:38:07,413 KEEP IT REAL. 2213 01:38:07,413 --> 01:38:09,965 BUT SHE WAS CRAZY CREATIVE. 2214 01:38:09,965 --> 01:38:12,137 YOU KNOW, SHE WAS CRAZY PASSIONATE. 2215 01:38:12,137 --> 01:38:13,275 SHE WAS FEARLESS. 2216 01:38:13,275 --> 01:38:14,931 AND SHE ALWAYS SPOKE HER MIND. 2217 01:38:14,931 --> 01:38:16,034 OH, YEAH, SHE KEPT IT REAL NOW. 2218 01:38:16,034 --> 01:38:17,310 SHE TOLD IT LIKE IT WAS. 2219 01:38:17,310 --> 01:38:20,206 YEAH, I MEAN, STRAIGHT FORWARD, NO FILTER, 2220 01:38:20,206 --> 01:38:21,206 FROM THE HEART. 2221 01:38:21,206 --> 01:38:24,344 AND SHE HAD SUCH A BIG HEART. 2222 01:38:24,344 --> 01:38:27,551 YOU KNOW, SHE LOVED PEOPLE THE WAY SHE WANTED TO BE LOVED. 2223 01:38:27,551 --> 01:38:29,034 THAT'’S RIGHT. 2224 01:38:29,034 --> 01:38:30,793 I KNOW YOUR LOVE FOR THE FANS RUNS REAL DEEP, 2225 01:38:30,793 --> 01:38:32,310 AND AS YOU KNOW, THEY HAVE BEEN WANTING 2226 01:38:32,310 --> 01:38:33,896 TO SPEAK TO YOU FOR QUITE A WHILE NOW. 2227 01:38:33,896 --> 01:38:35,482 SO, LOOK, WHY DON'’T WE TAKE SOME CALLS? 2228 01:38:35,482 --> 01:38:37,758 WE HAVE RAMONA, FROM DECATUR. 2229 01:38:37,758 --> 01:38:39,931 WHAT'’S UP T-BOZ, CHILLI? 2230 01:38:39,931 --> 01:38:43,413 I JUST WANTED TO SAY THAT LISA WAS ALWAYS TRUE, 2231 01:38:43,413 --> 01:38:44,793 AND SHE KNEW WHO SHE WAS. 2232 01:38:44,793 --> 01:38:46,344 COME ON, TELL IT. 2233 01:38:46,344 --> 01:38:48,241 ALL RIGHT, NEXT UP WE'’VE GOT JAMES FROM DECAP COUNTY. 2234 01:38:48,241 --> 01:38:50,379 OH, OH YEAH, YO T-BOZ, CHILLI. 2235 01:38:50,379 --> 01:38:52,862 YO, I MISS Y'’ALL, YOU KNOW WHAT I'’M SAYIN'’? 2236 01:38:52,862 --> 01:38:53,896 WE AIN'’T GOIN'’ NOWHERE. 2237 01:38:53,896 --> 01:38:54,896 WE'’RE RIGHT HERE. 2238 01:38:54,896 --> 01:38:56,931 - [laughs] - YES. 2239 01:38:56,931 --> 01:38:58,793 YOU KNOW, I JUST CAN'’T STOP THINKIN'’ 2240 01:38:58,793 --> 01:39:01,620 ABOUT THE MUSIC Y'’ALL CREATED. 2241 01:39:01,620 --> 01:39:05,931 IT JUST--IT WAS JUST SO DOPE, YOU KNOW WHAT I'’M SAYIN'’? 2242 01:39:05,931 --> 01:39:08,896 IT WAS SO MOVING. 2243 01:39:08,896 --> 01:39:10,206 I JUST HOPE YOU ALL DON'’T-- 2244 01:39:10,206 --> 01:39:12,344 HOPE Y'’ALL DON'’T STOP, YOU KNOW? 2245 01:39:12,344 --> 01:39:13,965 I JUST HOPE YOU DON'’T STOP. 2246 01:39:13,965 --> 01:39:15,655 IT'’S JUST THAT MUSIC'’S GOING TO BE AROUND 2247 01:39:15,655 --> 01:39:17,551 FOR A LONG TIME 2248 01:39:17,551 --> 01:39:21,620 AND, I DON'’T KNOW, YOU KNOW, TLC THING, JUST-- 2249 01:39:21,620 --> 01:39:23,862 I HOPE IT CONTINUES ON. 2250 01:39:23,862 --> 01:39:25,172 - IT WILL. IT WILL. 2251 01:39:25,172 --> 01:39:26,310 ALWAYS. 2252 01:39:54,206 --> 01:39:55,206 WHAT! 2253 01:39:55,206 --> 01:39:56,206 LOOK AT YOU! 2254 01:39:56,206 --> 01:39:57,206 LOOK AT YOU. 2255 01:39:57,206 --> 01:39:58,413 NO, LOOK AT YOU! 2256 01:39:58,413 --> 01:40:00,275 YOU ARE SUCH THE GIRLY GIRL. 2257 01:40:00,275 --> 01:40:01,275 GIRL, WHATEVER. 2258 01:40:01,275 --> 01:40:02,275 HOW HAVE YOU BEEN? 2259 01:40:02,275 --> 01:40:03,275 HOW IS TRON? 2260 01:40:03,275 --> 01:40:04,689 GOOD, MY BABY'’S GOOD. 2261 01:40:04,689 --> 01:40:06,275 AT HIS DADDY'’S, TRYIN'’ TO BE LIKE HIS DADDY. 2262 01:40:06,275 --> 01:40:07,275 MM. 2263 01:40:07,275 --> 01:40:08,586 NOT LIKE THAT! 2264 01:40:08,586 --> 01:40:10,655 DALLAS IS TEACHING HIM HOW TO PLAY THE GUITAR. 2265 01:40:10,655 --> 01:40:12,275 HOW'’S CHASE? 2266 01:40:12,275 --> 01:40:13,448 GIRL, GREAT. 2267 01:40:13,448 --> 01:40:15,793 TRYING TO BE JUST LIKE HER MOTHER. 2268 01:40:15,793 --> 01:40:17,482 - WELL, YOU LOOK GOOD. 2269 01:40:17,482 --> 01:40:18,862 THANKS. 2270 01:40:18,862 --> 01:40:20,172 HOW YOU FEELING? 2271 01:40:20,172 --> 01:40:21,655 I FEEL GOOD, YOU KNOW? 2272 01:40:21,655 --> 01:40:23,896 I HAVE MY DAYS WHEN IT TRIES TO GET ME DOWN, 2273 01:40:23,896 --> 01:40:27,620 BUT YOU KNOW ME, I DON'’T PAY IT NO MIND. 2274 01:40:27,620 --> 01:40:29,275 SAME OLD "T." 2275 01:40:29,275 --> 01:40:30,344 THAT'’S WHY I LOVE YOU, GIRL. 2276 01:40:30,344 --> 01:40:33,103 YOU NEVER LET ANYTHING STOP YOU. 2277 01:40:33,103 --> 01:40:34,931 GIRL, I FORGOT HOW CORNY YOU CAN BE SOMETIMES! 2278 01:40:34,931 --> 01:40:36,689 OKAY, WELL YOU BETTER GET USED TO IT 2279 01:40:36,689 --> 01:40:38,655 NOW THAT WE'’RE BACK IN THE STUDIO AGAIN. 2280 01:40:38,655 --> 01:40:41,206 WOW! 2281 01:40:41,206 --> 01:40:42,551 I MISSED YOU. 2282 01:40:44,137 --> 01:40:45,620 I MISSED YOU TOO. 2283 01:40:52,586 --> 01:40:55,965 LADIES, YOU READY TO GET THIS GOING? 2284 01:40:55,965 --> 01:40:57,689 - YOU KNOW WHAT I'’M GONNA SAY. 2285 01:40:57,689 --> 01:40:59,275 MTB. 2286 01:40:59,275 --> 01:41:01,931 MEANT TO BE. 2287 01:41:01,931 --> 01:41:03,275 LOOK AT YOU. 2288 01:41:03,275 --> 01:41:10,275 NOW YOU'’RE THE ONE BEING CORNY. WHAT, NO! 2289 01:41:10,275 --> 01:41:14,344 ♪ THIS GOES OUT TO FOREVER 2290 01:41:14,344 --> 01:41:18,896 ♪ THROUGH THE SUNSHINE OR THE RAINIEST WEATHER ♪ 2291 01:41:18,896 --> 01:41:24,310 ♪ AND NO MATTER WHAT, IT'’LL ALWAYS BE US TOGETHER ♪ 2292 01:41:24,310 --> 01:41:26,896 ♪ TLC 2293 01:41:26,896 --> 01:41:29,724 ♪ I SAID IF I GOT NOTHING ELSE 2294 01:41:29,724 --> 01:41:32,034 ♪ I GOT MEMORIES OF WHAT WE FELT ♪ 2295 01:41:32,034 --> 01:41:34,724 ♪ I STAYED UP LAUGHING TO MYSELF ♪ 2296 01:41:34,724 --> 01:41:37,000 ♪ SOMETIMES ABOUT IT 2297 01:41:37,000 --> 01:41:38,482 ♪ THOSE SILLY REASONS 2298 01:41:38,482 --> 01:41:40,000 ♪ WE WOULD FIGHT 2299 01:41:40,000 --> 01:41:42,206 ♪ NO MATTER WHO WAS WRONG OR RIGHT ♪ 2300 01:41:42,206 --> 01:41:44,689 ♪ WE WERE ALWAYS RIGHT THERE 2301 01:41:44,689 --> 01:41:46,965 ♪ SHARING THIS LOVE, SHARING THIS LIFE ♪ 2302 01:41:46,965 --> 01:41:49,241 ♪ CAUSE WE KNEW 2303 01:41:49,241 --> 01:41:52,172 ♪ SAID WE ALWAYS KNEW 2304 01:41:52,172 --> 01:41:54,862 ♪ THAT NO MATTER WHAT WOULD HAVE COME ♪ 2305 01:41:54,862 --> 01:42:00,000 ♪ THAT WE WERE MEANT TO BE 2306 01:42:00,000 --> 01:42:05,206 ♪ AND IT AIN'’T GONNA BE EASY ♪ 2307 01:42:05,206 --> 01:42:06,931 ♪ BUT NO MATTER WHAT, BABY ♪ 2308 01:42:06,931 --> 01:42:10,206 ♪ WE'’RE MEANT TO BE ♪ 2309 01:42:10,206 --> 01:42:12,172 ♪ AND WE AIN'’T NEVER NOT KNOWN IT ♪ 2310 01:42:12,172 --> 01:42:16,793 ♪ WE WERE ALWAYS MEANT TO BE 2311 01:42:16,793 --> 01:42:18,827 ♪ MEANT TO BE 2312 01:42:18,827 --> 01:42:20,137 ♪ AND THOUGH 2313 01:42:20,137 --> 01:42:22,379 ♪ IT'’LL GET DARK SOMETIMES WE KNOW ♪ 2314 01:42:22,379 --> 01:42:27,034 ♪ EVERY NOW AND THEN IT'’S GOT TO RAIN ♪ 2315 01:42:27,034 --> 01:42:29,896 ♪ BUT WHEN THAT RAIN STARTS TO POUND ♪ 2316 01:42:29,896 --> 01:42:32,206 ♪ ALL YOU GOT TO DO IS TURN AROUND ♪ 2317 01:42:32,206 --> 01:42:34,758 ♪ AND YOU'’LL FIND ME RIGHT THERE ♪ 2318 01:42:34,758 --> 01:42:37,000 ♪ HOLDING YOU UP, HOLDING YOU DOWN ♪ 2319 01:42:37,000 --> 01:42:39,068 ♪ CAUSE WE KNEW CAUSE WE KNEW ♪ 2320 01:42:39,068 --> 01:42:42,137 ♪ SAID WE ALWAYS KNEW 2321 01:42:42,137 --> 01:42:45,068 ♪ THAT NO MATTER WHAT WOULD HAVE COME ♪ 2322 01:42:45,068 --> 01:42:50,241 ♪ THAT WE WERE MEANT TO BE 2323 01:42:50,241 --> 01:42:55,103 ♪ AND IT AIN'’T GONNA BE EASY ♪ 2324 01:42:55,103 --> 01:42:56,827 ♪ BUT NO MATTER WHAT, BABY 2325 01:42:56,827 --> 01:43:00,344 ♪ WE'’RE MEANT TO BE ♪ 2326 01:43:00,344 --> 01:43:01,793 ♪ AND WE AIN'’T NEVER NOT KNOWN ♪ 2327 01:43:01,793 --> 01:43:04,965 ♪ THAT WE WERE ALWAYS 2328 01:43:04,965 --> 01:43:06,758 ♪ MEANT TO BE 2329 01:43:06,758 --> 01:43:10,241 ♪ MEANT TO BE, YEAH 2330 01:43:10,241 --> 01:43:12,517 ♪ AND IT AIN'’T GONNA BE EASY ♪ 2331 01:43:12,517 --> 01:43:15,655 ♪ SAID, IT AIN'’T GONNA BE EASY ♪ 2332 01:43:15,655 --> 01:43:16,793 ♪ BUT NO MATTER WHAT 2333 01:43:16,793 --> 01:43:18,206 ♪ BABY WE'’RE MEANT TO BE ♪ 2334 01:43:18,206 --> 01:43:20,448 ♪ WE WERE, WE WERE 2335 01:43:20,448 --> 01:43:22,448 ♪ WE AIN'’T NEVER NOT KNOWN IT ♪ 2336 01:43:22,448 --> 01:43:26,827 ♪ WE WERE ALWAYS MEANT TO BE 2337 01:43:26,827 --> 01:43:28,172 ♪ YEAH, MEANT TO BE 2338 01:43:28,172 --> 01:43:30,310 ♪ YEAH, YEAH, YEAH 2339 01:43:30,310 --> 01:43:32,586 ♪ IT AIN'’T GONNA BE EASY ♪ 2340 01:43:32,586 --> 01:43:35,517 ♪ SAID IT AIN'’T GONNA BE EASY ♪ 2341 01:43:35,517 --> 01:43:38,068 ♪ NO MATTER WHAT, BABY, WE'’RE MEANT TO BE ♪ 2342 01:43:38,068 --> 01:43:40,344 ♪ WE WERE, WE WERE 2343 01:43:40,344 --> 01:43:42,034 ♪ WE AIN'’T EVER NOT KNOWN IT ♪ 2344 01:43:42,034 --> 01:43:45,034 ♪ WE WERE ALWAYS 2345 01:43:45,034 --> 01:43:47,000 ♪ MEANT TO BE 2346 01:43:47,000 --> 01:43:48,000 ♪ MEANT TO BE 2347 01:43:48,000 --> 01:43:51,965 ♪ ALWAYS MEANT TO BE 2348 01:43:51,965 --> 01:43:57,206 ♪ YEAH 2349 01:43:57,206 --> 01:43:58,551 T-BOZ! 2350 01:43:58,551 --> 01:43:59,862 I WAS WAITING FOR Y'’ALL TO GET READY, 2351 01:43:59,862 --> 01:44:01,034 Y'’ALL WAS TALKIN'’. 2352 01:44:01,034 --> 01:44:02,344 SO THAT MADE ME TALK TO SOMEBODY ELSE, 2353 01:44:02,344 --> 01:44:05,275 THEREFORE Y'’ALL ASSES WEREN'’T READY. 2354 01:44:05,275 --> 01:44:06,275 OOH! 2355 01:44:06,275 --> 01:44:07,275 [laughter] 2356 01:44:07,275 --> 01:44:09,000 ♪ THIS GOES OUT TO FOREVER 2357 01:44:09,000 --> 01:44:10,965 I'’M GONNA MESS YOUR SONG UP. 2358 01:44:10,965 --> 01:44:12,379 I'’M GONNA MESS YOUR SONG UP! 2359 01:44:12,379 --> 01:44:14,413 IT'’S OUR [...] DAMN SONG! I'’M READY!