1 00:00:06,507 --> 00:00:09,407 HI. 2 00:00:09,443 --> 00:00:12,183 I'M JUST GONNA GET MY BELT. 3 00:00:16,084 --> 00:00:18,494 [ DOOR CLOSES ] 4 00:00:18,519 --> 00:00:20,519 [ SIGHS ] 5 00:00:22,556 --> 00:00:24,726 HEY, SUNSHINE, WHAT ARE YOU MAKING? 6 00:00:24,758 --> 00:00:26,328 NOT WHAT YOU WERE MAKING, 7 00:00:26,360 --> 00:00:28,660 NOISILY, WITH NO CONSIDERATION FOR OTHERS. 8 00:00:28,696 --> 00:00:29,826 WHAT IS ON YOUR NOSE? 9 00:00:29,863 --> 00:00:31,073 MAGIC NOSE BRA. 10 00:00:31,099 --> 00:00:33,029 [ SNIFFS ] STOP SNORING. 11 00:00:33,067 --> 00:00:35,497 MY FRIEND IS A LIGHT SLEEPER. 12 00:00:35,536 --> 00:00:37,266 CONSIDERING WHAT I HEARD LAST NIGHT, 13 00:00:37,305 --> 00:00:38,905 THERE WAS NOT A LOT OF SLEEPING GOING ON. 14 00:00:38,939 --> 00:00:40,709 I OUGHT TO ARREST YOU. 15 00:00:40,741 --> 00:00:41,941 WAIT A MINUTE. 16 00:00:41,975 --> 00:00:44,345 ARE YOU FINALLY MAKING THE KITE? 17 00:00:44,378 --> 00:00:46,208 WHAT ARE YOU TALKING ABOUT? THIS IS MY BACK SCRATCHER. 18 00:00:46,247 --> 00:00:49,917 MY KITE, THE KITE I GAVE YOU $200 TO MAKE FOR ME. 19 00:00:49,950 --> 00:00:53,050 OH, THAT'S WHAT THAT MONEY WAS FOR. 20 00:00:53,087 --> 00:00:54,687 Moto: READY TO GO? 21 00:00:54,722 --> 00:00:55,892 SORRY, DUTY CALLS. MOTO'S HERE. 22 00:00:55,923 --> 00:00:58,863 HEY. GOOD MORNING, VALENTINE. 23 00:00:58,892 --> 00:01:01,362 YOU HAVEN'T EVEN STARTED THE KITE? 24 00:01:01,395 --> 00:01:02,925 SORRY, NO TIME TO TALK. 25 00:01:02,963 --> 00:01:05,933 HOMICIDE. BODY AT THE HERE NOW FESTIVAL. 26 00:01:05,966 --> 00:01:07,766 IT'S THE ART FESTIVAL DOWNTOWN. 27 00:01:07,801 --> 00:01:09,201 PERFORMANCE ART. 28 00:01:09,237 --> 00:01:11,707 YEAH, A WHOLE NOTHER CATEGORY OF IDIOCY. 29 00:01:11,739 --> 00:01:13,039 WATCH THIS. OW! 30 00:01:13,073 --> 00:01:14,143 HO! 31 00:01:14,175 --> 00:01:15,975 "I HATE MY MOTHER. TA-DA!" 32 00:01:16,009 --> 00:01:17,609 ANYONE CAN DO PERFORMANCE ART. 33 00:01:17,645 --> 00:01:19,205 [ GROANS ] DID THAT LEAVE A MARK? 34 00:01:19,247 --> 00:01:21,077 [ Chuckling ] I'LL WAIT IN THE CAR. 35 00:01:21,115 --> 00:01:22,475 HEY, IF YOU'RE NOT GONNA MAKE MY KITE, 36 00:01:22,516 --> 00:01:23,976 I DEMAND YOU GIVE ME THE MONEY BACK TODAY. 37 00:01:26,520 --> 00:01:27,590 MAKE ME. 38 00:01:34,162 --> 00:01:38,102 BY THE WAY, I DON'T USE THAT ON MY BACK. 39 00:01:38,132 --> 00:01:39,832 [ OBJECT THUDS ] 40 00:01:39,867 --> 00:01:42,997 [ DRUMS BEATING RHYTHMICALLY ] 41 00:01:46,374 --> 00:01:49,584 AH. THE VICTIM'S NAME IS TIMOTHY FITCH, AGE 34. 42 00:01:49,610 --> 00:01:51,750 THREE GUNSHOT WOUNDS TO THE CHEST. 43 00:01:51,779 --> 00:01:53,909 LIVIDITY SUGGESTS THE TIME OF DEATH 44 00:01:53,947 --> 00:01:57,147 WAS SOMETIME LAST NIGHT BETWEEN 10:00 P.M. AND 2:00 A.M. 45 00:01:57,185 --> 00:01:59,415 Moto: WHAT'S WITH THE EXPLODING FRUIT? 46 00:01:59,453 --> 00:02:01,323 Niedermayer: HE WAS AN ARTIST, MOTO. 47 00:02:01,355 --> 00:02:03,985 Gravely: TIMOTHY FITCH WAS SCHEDULED TO PERFORM LATER TODAY. 48 00:02:04,024 --> 00:02:06,194 HE HAD A PERMIT FOR BULLETS AND A GUN, 49 00:02:06,227 --> 00:02:08,657 A .357 RUGER, AS PROPS, AND THEY'RE MISSING. 50 00:02:08,696 --> 00:02:11,126 OH. [ CHUCKLES ] 51 00:02:11,165 --> 00:02:13,365 PROBABLY FIND THE BULLETS LODGED IN HIS CHEST. 52 00:02:13,401 --> 00:02:16,041 WHAT KIND OF PERFORMER USES A REAL GUN? 53 00:02:16,069 --> 00:02:17,809 WELL, THE FESTIVAL BROCHURE SAYS 54 00:02:17,838 --> 00:02:19,538 THAT IT HAD SOMETHING TO DO WITH... 55 00:02:19,573 --> 00:02:23,183 "CREATING A CHARISMATIC SPACE WHERE LIMITS ARE TRANSFORMED." 56 00:02:23,211 --> 00:02:25,711 OH, MY GOD. STOP IT RIGHT NOW. 57 00:02:25,746 --> 00:02:27,946 NO ONE IS ALLOWED TO TALK ABOUT THIS CRAP 58 00:02:27,981 --> 00:02:29,181 AS IF IT MAKES ANY SENSE. 59 00:02:29,217 --> 00:02:30,447 DO YOU UNDERSTAND, NIEDERMAYER? 60 00:02:30,484 --> 00:02:32,224 YES, SIR. ALL RIGHT. WHERE'S ALMOND? 61 00:02:32,253 --> 00:02:34,823 HE'S IN THE LOBBY, TALKING TO THE VICTIM'S FIANCéE. 62 00:02:34,855 --> 00:02:36,615 SHE'S THE ONE WHO FOUND THE BODY. 63 00:02:36,657 --> 00:02:38,157 [ EXPLOSION ] 64 00:02:38,192 --> 00:02:40,492 OKAY. 65 00:02:40,528 --> 00:02:42,498 YOU KNOW WHAT? 66 00:02:42,530 --> 00:02:44,700 I WANT A LIST OF ALL THE SO-CALLED "ARTISTS" 67 00:02:44,732 --> 00:02:46,872 PERFORMING IN THIS "FESTIVAL." 68 00:02:46,900 --> 00:02:48,570 THOSE SELF-INDULGENT NARCISSISTS. 69 00:02:48,602 --> 00:02:51,002 THEY THINK THEY CAN GET AWAY WITH FINGER PAINTING 70 00:02:51,038 --> 00:02:52,708 IN THEIR OWN POO AND CALLING IT ART? 71 00:02:52,740 --> 00:02:54,880 WELL, THEY'RE NOT GONNA GET AWAY WITH MURDER. 72 00:02:54,908 --> 00:02:57,308 SO YOU'RE ASSUMING THE MURDERER IS ANOTHER ARTIST? 73 00:02:57,345 --> 00:03:00,005 ARTISTS ARE, BY THEIR NATURE, PASSIONATE. 74 00:03:00,047 --> 00:03:02,517 AND BY PASSIONATE, I MEAN STUPID. 75 00:03:04,352 --> 00:03:06,752 IS THAT TRUE? 76 00:03:08,589 --> 00:03:10,989 JUST A FEW MORE MINUTES -- HEY. 77 00:03:11,024 --> 00:03:14,034 LIEUTENANT, THIS IS, UH, VIRGINIA ANDERSON, 78 00:03:14,061 --> 00:03:15,761 TIMOTHY FITCH'S FIANCéE. 79 00:03:15,796 --> 00:03:18,426 SHE LOOKS KIND OF NORMAL TO BE AN ARTIST'S GIRLFRIEND. 80 00:03:18,466 --> 00:03:21,196 THAT'S BECAUSE SHE'S AN ACCOUNTANT. 81 00:03:21,235 --> 00:03:24,035 REALLY? MEANING SHE PAYS THE RENT. 82 00:03:24,071 --> 00:03:26,871 GO AHEAD, MRS. ANDERSON. 83 00:03:26,907 --> 00:03:28,507 YOU WERE SAYING? 84 00:03:28,542 --> 00:03:33,512 UH, I KNEW FITCH WOULD BE WORKING LATE LAST NIGHT, 85 00:03:33,547 --> 00:03:35,247 PREPARING THE GALLERY, 86 00:03:35,283 --> 00:03:39,453 SO I WENT TO BED, BUT WHEN I WOKE UP, 87 00:03:39,487 --> 00:03:41,217 HE STILL WASN'T HOME. 88 00:03:41,255 --> 00:03:43,915 [ Voice breaking ] AND, UH, WHEN I CALLED HIM, HE DIDN'T ANSWER, 89 00:03:43,957 --> 00:03:45,527 SO I CAME IN TO CHECK ON HIM, 90 00:03:45,559 --> 00:03:47,059 AND I FOUND HIM ON THE FLOOR. 91 00:03:47,094 --> 00:03:50,464 SO YOU WERE AT HOME LAST NIGHT BY YOURSELF? 92 00:03:50,498 --> 00:03:51,868 THAT'S YOUR ALIBI? 93 00:03:51,899 --> 00:03:53,899 MS. ANDERSON HAD FOOD DELIVERED. 94 00:03:53,934 --> 00:03:55,604 SHE DOWNLOADED A PAY-PER-VIEW MOVIE. 95 00:03:55,636 --> 00:03:56,766 WE'LL VERIFY. 96 00:03:56,804 --> 00:03:58,474 [ SOBS ] 97 00:03:58,506 --> 00:04:02,376 IT'S JUST I LOVED FITCH SO MUCH. 98 00:04:02,410 --> 00:04:05,110 MY LIFE WAS JUST... 99 00:04:05,145 --> 00:04:07,375 ORDINARY BEFORE HIM. 100 00:04:07,415 --> 00:04:09,815 I WAS ORDINARY. 101 00:04:09,850 --> 00:04:13,750 HE MADE ME SPECIAL. [ CHUCKLES ] 102 00:04:13,787 --> 00:04:16,217 WHEN'S THE LAST TIME YOU SAW HIM ALIVE? 103 00:04:16,256 --> 00:04:20,886 UH, I STOPPED BY THE GALLERY ON MY WAY HOME FROM WORK. 104 00:04:20,928 --> 00:04:24,058 HE AND MOSS WERE HAVING SOME DRINKS, 105 00:04:24,097 --> 00:04:25,727 GETTING THINGS READY. 106 00:04:25,766 --> 00:04:28,266 MOSS BRADY, FITCH'S ASSISTANT. 107 00:04:32,306 --> 00:04:33,936 [ SOBS LIGHTLY ] 108 00:04:38,479 --> 00:04:40,309 Gravely: WHOA, WHOA, WHOA! 109 00:04:40,348 --> 00:04:42,678 Moto: UH...OH! 110 00:04:44,685 --> 00:04:47,315 DID YOU JUST MAKE A MURDER VICTIM PEE HIMSELF? 111 00:04:47,355 --> 00:04:49,655 THAT WAS ONE VERY FULL BLADDER. 112 00:04:49,690 --> 00:04:53,090 AND YET THERE'S NO CUPS OR BOTTLES ANYWHERE. 113 00:04:53,126 --> 00:04:55,426 SOMEBODY WANTED TO GET RID OF FINGERPRINTS. 114 00:04:55,463 --> 00:04:58,533 GRAVELY, I WANT YOU TO TRACK DOWN FITCH'S ASSISTANT. 115 00:04:58,566 --> 00:05:01,436 NAME'S MOSS BRADY. 116 00:05:01,469 --> 00:05:06,139 FIND THOSE BEVERAGES OR YOU'RE IN [URINE] TROUBLE. 117 00:05:07,808 --> 00:05:12,948 LOOK AT THIS. I MEAN, ISN'T THIS BEAUTIFUL? 118 00:05:12,980 --> 00:05:16,450 YEAH, IF YOU LIKE GIANT CLOWN LIPS VOMITING CONFETTI. 119 00:05:16,484 --> 00:05:19,324 THIS IS A PIECE FITCH DID THREE YEARS AGO 120 00:05:19,353 --> 00:05:21,693 ENTITLED "EVIDENCE OF A LIFE." 121 00:05:21,722 --> 00:05:23,722 HE TOOK PILES OF PAPERWORK -- 122 00:05:23,757 --> 00:05:25,987 BIRTH CERTIFICATES, SCHOOL TRANSCRIPTS, 123 00:05:26,026 --> 00:05:28,556 PARKING TICKETS, EVERYTHING AND ANYTHING -- 124 00:05:28,596 --> 00:05:33,066 AND THEN HE CUT THEM INTO THESE THIN, WISPY STRIPS 125 00:05:33,100 --> 00:05:35,140 THROUGHOUT THE GALLERY. 126 00:05:35,168 --> 00:05:37,138 DO WE HAVE ANY OTHER BACKGROUND ON THE VICTIM 127 00:05:37,170 --> 00:05:38,810 THAT'S NOT CUT INTO STRIPS OF PAPER? 128 00:05:38,839 --> 00:05:42,039 TIMOTHY FITCH, BORN AND RAISED IN MAINE. 129 00:05:42,075 --> 00:05:43,405 PARENTS DECEASED. 130 00:05:43,444 --> 00:05:46,054 TWO SIBLINGS, ONE BROTHER AND ONE SISTER,. 131 00:05:46,079 --> 00:05:47,479 BOTH LIVE IN PORTLAND. 132 00:05:47,515 --> 00:05:48,515 ARE THEY COMING IN? 133 00:05:48,549 --> 00:05:49,549 NO, THE OTHER PORTLAND -- 134 00:05:49,583 --> 00:05:50,853 MAINE. 135 00:05:50,884 --> 00:05:53,694 14 EMPTY BOTTLES FROM THE DUMPSTER 136 00:05:53,721 --> 00:05:55,821 IN THE BACK OF THE GALLERY. 137 00:05:55,856 --> 00:05:57,726 I TOOK FINGERPRINTS. FOUND THREE SETS. 138 00:05:57,758 --> 00:06:00,058 ONE OF THEM'S FITCH'S. WORKING ON THE OTHERS. 139 00:06:00,093 --> 00:06:01,503 [ BOTTLES CLANKING ] 140 00:06:01,529 --> 00:06:02,999 SIX BEERS EACH, 141 00:06:03,030 --> 00:06:07,940 PLUS TWO RASPBERRY BLAST-FLAVORED MALT BEVERAGES. 142 00:06:07,968 --> 00:06:10,398 THERE WAS A WOMAN WITH FITCH AND MOSS, 143 00:06:10,438 --> 00:06:13,738 UNLESS MOSS IS RASPBERRY-FLAVORED MALT GAY. 144 00:06:13,774 --> 00:06:15,014 GRAVELY'S LOOKING FOR THE ASSISTANT. 145 00:06:15,042 --> 00:06:16,542 SHE HAD THE LANDLORD OPEN HIS LOFT. 146 00:06:16,577 --> 00:06:17,707 DOESN'T LOOK LIKE HE WENT HOME LAST NIGHT. 147 00:06:17,745 --> 00:06:21,345 PAQUET, THIS EVIDENCE OF LIFE -- 148 00:06:21,381 --> 00:06:23,281 IS THAT HIS LIFE HE'S SHREDDING? 149 00:06:23,316 --> 00:06:25,716 NO, AN EX-GIRLFRIEND, LUCY HARMS. 150 00:06:25,753 --> 00:06:27,123 AH, LUCY HARMS. 151 00:06:27,154 --> 00:06:29,524 LUCY HARMS IS ALSO A PERFORMANCE ARTIST. 152 00:06:29,557 --> 00:06:32,587 SHE AND FITCH HAVE AN EXTREMELY INTENSE RELATIONSHIP, 153 00:06:32,626 --> 00:06:34,356 AND THEY FILMED THEIR BREAKUP, 154 00:06:34,394 --> 00:06:36,234 AND THEY TURNED IT INTO A PIECE OF VIDEO ART. 155 00:06:36,263 --> 00:06:39,033 HIKING FROM SEPARATE ENDS OF THE PACIFIC CREST TRAIL, 156 00:06:39,066 --> 00:06:40,396 THEY MET IN THE MIDDLE, 157 00:06:40,434 --> 00:06:42,204 AND THEY FILMED THEIR FINAL GOODBYES. 158 00:06:42,235 --> 00:06:43,465 SURPRISINGLY MOVING. 159 00:06:43,504 --> 00:06:45,974 I'LL TAKE YOUR WORD FOR IT. 160 00:06:46,006 --> 00:06:48,136 YOU ACTUALLY LIKE THIS HOOEY, NIEDERMAYER? 161 00:06:48,175 --> 00:06:50,535 I APPRECIATE THE ATTEMPT TO USE LIVE GESTURE 162 00:06:50,578 --> 00:06:52,708 TO ANIMATE FORMAL AND CONCEPTUAL IDEAS. 163 00:06:52,746 --> 00:06:54,976 MOTO, PUNCH NIEDERMAYER FOR ME. 164 00:06:55,015 --> 00:06:57,045 THAT'S AN ORDER. THEN MESS UP HIS HAIR. 165 00:06:57,084 --> 00:07:01,124 LUCY HARMS IS ACTUALLY ALSO AT THE HERE AND NOW FESTIVAL. 166 00:07:01,154 --> 00:07:04,464 HERE IS A SAMPLE OF THE PIECE SHE PERFORMED YESTERDAY. 167 00:07:04,492 --> 00:07:06,562 Moto: WHAT'S WITH THE TARGETS? 168 00:07:06,594 --> 00:07:08,104 THE WOMAN'S ACTUALLY STANDING 169 00:07:08,128 --> 00:07:10,098 IN FRONT OF A WALL FULL OF EVIDENCE 170 00:07:10,130 --> 00:07:11,500 PROVING SHE'S A GREAT SHOT. 171 00:07:11,532 --> 00:07:12,802 WHAT'D I TELL YOU? 172 00:07:12,833 --> 00:07:15,973 ARTIST EQUALS PASSIONATE EQUALS STUPID. 173 00:07:16,003 --> 00:07:18,973 COME ON, NIEDERMAYER. I'M GONNA NEED A TRANSLATOR. 174 00:07:55,375 --> 00:07:58,145 Backstrom: LET ME GUESS, YOU'RE LIVING IN A PLASTIC BOX 175 00:07:58,178 --> 00:08:00,948 AS A BRILLIANT, PSEUDO-ARTISTIC STATEMENT 176 00:08:00,981 --> 00:08:03,281 THAT WE ALL LIVE IN A PLASTIC BOX. 177 00:08:03,316 --> 00:08:05,686 I WAS THINKING MORE ABOUT HOW NATURAL ACTS 178 00:08:05,719 --> 00:08:09,459 BECOME TRANSGRESSIVE WITH THE ADDITION OF AN AUDIENCE, 179 00:08:09,489 --> 00:08:12,289 BUT IF ALL YOU'RE GETTING IS HAMSTER-IN-A-CAGE ANALOGY, 180 00:08:12,325 --> 00:08:13,785 THAT'S FINE. 181 00:08:13,827 --> 00:08:15,957 MS. HARMS, I'LL BE RUNNING YOUR FINGERPRINTS, 182 00:08:15,996 --> 00:08:18,196 AND IF IT TURNS OUT THAT YOU WERE HAVING DRINKS 183 00:08:18,231 --> 00:08:19,031 WITH MR. FITCH LAST NIGHT -- 184 00:08:19,066 --> 00:08:20,326 I DON'T DRINK. 185 00:08:20,367 --> 00:08:22,797 THIS IS NOT THE WORK OF A SOBER PERSON. 186 00:08:22,836 --> 00:08:26,306 I HAVEN'T SEEN TIM FITCH SINCE WE BROKE UP THREE YEARS AGO. 187 00:08:26,339 --> 00:08:28,639 THE SHOOTING TARGETS THAT HAVE YOU BOTH ATWITTER -- 188 00:08:28,676 --> 00:08:32,576 THOSE ARE FROM A FIRING RANGE, TRIGGER TOWN ON LAMPHIER STREET. 189 00:08:32,613 --> 00:08:35,323 I HAVEN'T TOUCHED A GUN IN MY LIFE. 190 00:08:35,348 --> 00:08:37,418 WHAT WAS YOUR RELATIONSHIP WITH MR. FITCH LIKE 191 00:08:37,450 --> 00:08:38,390 SINCE THE BREAKUP? 192 00:08:38,418 --> 00:08:39,748 WE HAVEN'T SPOKEN. 193 00:08:39,787 --> 00:08:41,817 WHAT'S MORE, IF YOU WATCHED OUR VIDEO, 194 00:08:41,855 --> 00:08:44,185 YOU WOULD KNOW THAT WHEN WE SAID GOODBYE, 195 00:08:44,224 --> 00:08:47,034 WE VOWED TO NEVER SPEAK OF OUR RELATIONSHIP AGAIN, 196 00:08:47,060 --> 00:08:52,570 SO I AM ARTISTICALLY OBLIGATED TO REMAIN SILENT ON THE SUBJECT. 197 00:08:52,600 --> 00:08:54,270 IT'S KIND OF HARD TO PLEAD THE FIFTH 198 00:08:54,301 --> 00:08:56,241 WHEN YOUR PRIVATES ARE SOON TO BE PUBLICS. 199 00:08:56,269 --> 00:08:57,909 THIS IS MY WORK. 200 00:08:57,938 --> 00:08:59,708 MOCK IT IF YOU WANT. 201 00:08:59,740 --> 00:09:01,840 I WASN'T WITH FITCH. 202 00:09:01,875 --> 00:09:04,005 I WAS IN MY HOTEL LAST NIGHT. 203 00:09:04,044 --> 00:09:07,114 SO CHECK THE KEY-CARD MEMORY, RUN MY PRINTS. 204 00:09:07,147 --> 00:09:09,547 I DIDN'T KILL TIM FITCH. 205 00:09:11,218 --> 00:09:12,418 [ CLEARS THROAT ] 206 00:09:12,452 --> 00:09:14,422 LIEUTENANT, WHAT ARE YOU DOING? 207 00:09:14,454 --> 00:09:16,624 CLOSE YOUR EYES, NIEDERMAYER. 208 00:09:16,657 --> 00:09:20,227 IT ONLY BECOMES TRANSGRESSIVE WHEN THERE'S AN AUDIENCE. 209 00:09:23,731 --> 00:09:25,701 I CAN'T HELP BUT FIND HER BRAVE. 210 00:09:25,733 --> 00:09:28,403 FOR WHAT, HAVING BOWEL MOVEMENTS WITHOUT A DOOR? 211 00:09:28,435 --> 00:09:29,695 CHALLENGING SOCIAL NORMS. 212 00:09:29,737 --> 00:09:31,437 SHE DID THIS PERFORMANCE A FEW YEARS AGO -- 213 00:09:31,471 --> 00:09:32,871 I REMEMBER READING ABOUT IT -- 214 00:09:32,906 --> 00:09:34,536 WHERE SHE'D INGEST TWO TABS OF ECSTASY 215 00:09:34,574 --> 00:09:36,584 AND THEN ASK THE AUDIENCE TO TAKE CARE OF HER. 216 00:09:36,610 --> 00:09:38,780 YOU JUST DESCRIBED BURNING MAN. 217 00:09:38,812 --> 00:09:39,982 [ LAUGHS ] 218 00:09:40,013 --> 00:09:43,123 SHE FRAMED IT AS A COMMENTARY 219 00:09:43,150 --> 00:09:46,120 ON SOCIAL ATTITUDES REGARDING FEMALE MENTAL ILLNESS. 220 00:09:46,153 --> 00:09:47,993 WHAT, LIKE THAT'S A BAD THING? 221 00:09:48,021 --> 00:09:50,491 YEAH? 222 00:09:50,523 --> 00:09:52,233 ANY LUCK WITH LUCY HARMS? 223 00:09:52,259 --> 00:09:54,159 Yeah. She's totally guilty. 224 00:09:54,194 --> 00:09:56,764 OR MURDER OR SIMPLY ANNOYING YOU? 225 00:09:56,797 --> 00:09:57,967 DID YOU FIND THE VICTIM'S ASSISTANT? 226 00:09:57,998 --> 00:09:59,668 NO. THERE ARE ONLY FIVE BLOCKS 227 00:09:59,700 --> 00:10:01,740 BETWEEN THE ARTS CENTER AND HIS LOFT. 228 00:10:01,769 --> 00:10:03,969 WE PINGED HIS PHONE. IT'S STILL IN THE AREA. 229 00:10:04,004 --> 00:10:05,644 FIGURE HE DUMPED IT. 230 00:10:05,673 --> 00:10:07,813 I'VE GOT ALERTS OUT AT AIRPORTS AND BUS STATIONS -- 231 00:10:07,841 --> 00:10:09,141 You know, the usual. 232 00:10:09,176 --> 00:10:10,576 IS THERE A PARK NEARBY? 233 00:10:10,610 --> 00:10:13,150 WE'RE CHECKING NOW, EVERY BENCH, EVERY BUSH. 234 00:10:13,180 --> 00:10:14,580 No, wait. 235 00:10:14,614 --> 00:10:16,324 IT WAS ABOUT TO RAIN LAST NIGHT. 236 00:10:16,349 --> 00:10:20,249 I'M MOSS. I'M TANKED. I'M TRYING TO STUMBLE HOME. 237 00:10:20,287 --> 00:10:22,617 IT MUST BE REALLY DIFFICULT FOR YOU TO IMAGINE THAT SCENARIO. 238 00:10:22,656 --> 00:10:24,926 DON'T JUDGE MY DEPRAVITY. USE IT. TRUST ME. 239 00:10:24,958 --> 00:10:26,988 THE ONLY THING WORSE THAN PASSING OUT 240 00:10:27,027 --> 00:10:29,797 IS PASSING OUT KNOWING YOU'RE ABOUT TO GET RAINED ON. 241 00:10:29,830 --> 00:10:33,300 SO, MOSS FOUND SOMEWHERE DRY. 242 00:10:33,333 --> 00:10:35,143 TRY A PLAYGROUND IF THERE IS ONE. [ ENGINE TURNS OVER ] 243 00:10:35,168 --> 00:10:37,808 I'VE SLEPT IN TUNNELS 244 00:10:37,838 --> 00:10:41,708 and giant, concrete tubes, pirate ships, you name it. [ WOMAN SCREAMS ] 245 00:10:41,742 --> 00:10:43,182 YOU KNOW WHAT? Man: I GOT HIM! 246 00:10:43,210 --> 00:10:44,010 YOU MIGHT BE ONTO SOMETHING. 247 00:10:44,044 --> 00:10:47,184 UP YOU GO. 248 00:10:51,018 --> 00:10:54,348 [ GROANS ] 249 00:10:54,387 --> 00:10:56,657 IF YOU DRINK ALCOHOL LIKE YOU DRINK COFFEE, 250 00:10:56,690 --> 00:10:58,630 NO SURPRISE WE FOUND YOU FACEDOWN, 251 00:10:58,658 --> 00:10:59,858 PASSED OUT IN A TUNNEL. 252 00:10:59,893 --> 00:11:01,233 I HAD AN EMPTY STOMACH, 253 00:11:01,261 --> 00:11:02,831 BUT I CAN USUALLY HOLD MY BEER BETTER. 254 00:11:02,863 --> 00:11:05,033 NO RASPBERRY MALT BEVERAGE? 255 00:11:05,065 --> 00:11:06,565 JUST BEER. 256 00:11:06,599 --> 00:11:07,699 MR. BRADY, YOU DO UNDERSTAND 257 00:11:07,735 --> 00:11:09,295 THAT YOUR BOSS WAS MURDERED, RIGHT? 258 00:11:09,336 --> 00:11:11,466 I AM UPSET. 259 00:11:11,504 --> 00:11:14,884 IT IS A TERRIBLE LOSS TO THE ART WORLD. 260 00:11:14,908 --> 00:11:16,678 HE WAS A VISIONARY. 261 00:11:17,878 --> 00:11:20,878 I'M SORRY. MAYBE IT'S STILL SINKING IN. 262 00:11:20,914 --> 00:11:21,984 WHERE'S THE GUN? 263 00:11:22,015 --> 00:11:23,175 GUN? 264 00:11:23,216 --> 00:11:24,576 THE GUN FROM FITCH'S INSTALLATION. 265 00:11:24,617 --> 00:11:25,747 OH, YEAH. 266 00:11:25,786 --> 00:11:28,316 HE WAS COMMENTING ON BOUNDARIES, 267 00:11:28,355 --> 00:11:32,155 CREATING A DEMILITARIZED ZONE FOR RADICAL BEHAVIOR. 268 00:11:32,192 --> 00:11:35,562 MR. BRADY, "DEMILITARIZED" MEANS "WITHOUT GUNS." 269 00:11:35,595 --> 00:11:39,525 FITCH IS A SCHOLAR OF THE HUMAN CONDITION 270 00:11:39,566 --> 00:11:41,766 IN ALL OF ITS CONTRADICTIONS. 271 00:11:41,802 --> 00:11:43,742 FITCH IS A GENIUS. 272 00:11:43,771 --> 00:11:44,741 WAS A GENIUS. 273 00:11:44,772 --> 00:11:46,242 THAT'S WHAT I MEAN. 274 00:11:46,273 --> 00:11:47,713 SUCH A BUMMER. 275 00:11:47,741 --> 00:11:49,441 WE HAVE REASON TO BELIEVE 276 00:11:49,476 --> 00:11:51,336 THAT THERE WAS A THIRD PERSON WITH YOU 277 00:11:51,378 --> 00:11:52,578 AND THE VICTIM LAST NIGHT. 278 00:11:52,612 --> 00:11:53,712 NO. JUST ME AND FITCH. 279 00:11:53,747 --> 00:11:55,777 IS THAT A CONFESSION? 280 00:11:55,816 --> 00:11:58,716 [ CHUCKLES ] NO. OF COURSE NOT. 281 00:11:58,752 --> 00:12:01,792 MR. BRADY, DID ANYTHING SUSPICIOUS HAPPEN YESTERDAY? 282 00:12:01,822 --> 00:12:05,432 MM, NO, BUT WEIRD. 283 00:12:05,458 --> 00:12:09,028 YOU KNOW, EARLIER, I DID SEE THIS WOMAN 284 00:12:09,062 --> 00:12:11,062 LOOKING INTO THE FRONT WINDOW OF THE GALLERY. 285 00:12:11,098 --> 00:12:13,598 WHEN SHE SAW ME WATCHING HER, SHE TOOK OFF. 286 00:12:13,633 --> 00:12:14,943 CAN YOU PROVIDE A DESCRIPTION? 287 00:12:14,968 --> 00:12:15,938 YEAH. 288 00:12:15,969 --> 00:12:18,639 SHE LOOKED JUST LIKE FITCH. 289 00:12:21,842 --> 00:12:24,882 MOSS BRADY HAS IDENTIFIED ARIANNA FITCH, 290 00:12:24,912 --> 00:12:27,252 TIMOTHY FITCH'S YOUNGER SISTER, 291 00:12:27,280 --> 00:12:28,720 AS THE MYSTERIOUS WOMAN 292 00:12:28,748 --> 00:12:31,148 WHO APPEARED IN THE WINDOW YESTERDAY. 293 00:12:31,184 --> 00:12:32,794 SHE AN ARTIST, TOO? 294 00:12:32,820 --> 00:12:35,220 NO. SHE IS LEARNING TO CARE FOR LARGE ANIMALS. 295 00:12:35,255 --> 00:12:37,825 LIKE AT A CIRCUS? 296 00:12:37,858 --> 00:12:39,158 VETERINARY SCHOOL. 297 00:12:39,192 --> 00:12:40,732 BUT SHE'S BEEN STUDYING 298 00:12:40,760 --> 00:12:43,000 FOR EIGHT YEARS WITH NO GRADUATION. 299 00:12:43,030 --> 00:12:44,630 SO SHE'S KIND OF STUPID? 300 00:12:44,664 --> 00:12:46,434 I HAVE A DIFFERENT THEORY. 301 00:12:46,466 --> 00:12:48,636 ARIANNA FITCH IS THE CARETAKER 302 00:12:48,668 --> 00:12:50,798 FOR HER YOUNGEST BROTHER, OLIVER, 303 00:12:50,838 --> 00:12:54,008 WHO WAS PARALYZED IN THIS ACCIDENT NINE YEARS AGO. 304 00:12:54,041 --> 00:12:56,411 WAIT. THE MURDER VICTIM WAS DRIVING THE CAR? 305 00:12:56,443 --> 00:12:59,413 YES. HE AND HIS SISTER ESCAPED WITH NO INJURY. 306 00:12:59,446 --> 00:13:00,906 AH. 307 00:13:00,948 --> 00:13:03,078 SO SHE'S STUCK CARRYING FOR THE BROTHER 308 00:13:03,116 --> 00:13:04,776 THE OTHER BROTHER PARALYZED. MM-HMM. 309 00:13:04,818 --> 00:13:07,088 AND PERHAPS SHE BLAMES TIMOTHY 310 00:13:07,120 --> 00:13:09,920 FOR THE BURDENS OF HER STALLED AMBITIONS. 311 00:13:09,957 --> 00:13:10,987 AH. 312 00:13:11,024 --> 00:13:12,634 SO, I SWING BY THE GALLERY 313 00:13:12,659 --> 00:13:15,959 TO DEMAND THAT HE TAKE HIS SHARE OF THE RESPONSIBILITY, 314 00:13:15,996 --> 00:13:17,526 AND HE SAYS NO. 315 00:13:17,564 --> 00:13:20,504 SO I CAP HIM WITH HIS OWN GUN. 316 00:13:20,533 --> 00:13:23,043 HAVE GRAVELY KEEP THAT ASSISTANT ON ICE, 317 00:13:23,070 --> 00:13:24,840 BUT FIND THAT SISTER. 318 00:13:34,647 --> 00:13:37,017 [ THUNDER RUMBLES ] 319 00:13:37,050 --> 00:13:40,050 I CAN'T BELIEVE THIS FINALLY HAPPENED. 320 00:13:40,087 --> 00:13:41,487 YEAH. 321 00:13:41,521 --> 00:13:42,661 SO QUICKLY, TOO. 322 00:13:42,689 --> 00:13:45,129 WE CAUGHT YOU AFTER ONLY TWO DAYS. 323 00:13:45,158 --> 00:13:47,658 I DIDN'T KILL MY BROTHER. 324 00:13:47,694 --> 00:13:49,064 I LOVED HIM. 325 00:13:49,096 --> 00:13:51,026 BUT YOU DIDN'T LIKE HIM VERY MUCH. 326 00:13:51,064 --> 00:13:53,034 THAT'S THE WAY IT WORKS IN FAMILIES. 327 00:13:53,066 --> 00:13:55,966 YOU HAVE TO LOVE THEM. YOU DON'T HAVE TO LIKE THEM. 328 00:13:56,003 --> 00:13:57,913 AND WHAT ABOUT YOUR PARALYZED BROTHER? 329 00:13:57,938 --> 00:13:58,568 YOU LIKE HIM? 330 00:13:58,605 --> 00:13:59,835 YES. 331 00:13:59,873 --> 00:14:02,343 I'M YOU. 332 00:14:02,375 --> 00:14:05,145 MY BIG BROTHER TURNS MY LITTLE BROTHER 333 00:14:05,178 --> 00:14:06,808 INTO A LIVING TREE STUMP, 334 00:14:06,846 --> 00:14:09,516 THEN HE GOES OFF TO FOLLOW HIS BLISS, 335 00:14:09,549 --> 00:14:10,649 AND I'M LEFT TO PICK UP THE PIECES. 336 00:14:10,683 --> 00:14:12,023 100% CORRECT. 337 00:14:12,052 --> 00:14:15,092 UH-HUH. SO I SWING BY THE GALLERY. 338 00:14:15,122 --> 00:14:16,762 I ASK HIM FOR HELP. 339 00:14:16,789 --> 00:14:20,729 HE BLATHERS ON AND ON ABOUT ART AND DESTINY. 340 00:14:20,760 --> 00:14:24,600 I GET MAD, AND I SHOOT HIM WITH HIS ART GUN. 341 00:14:24,631 --> 00:14:28,341 NO. I WENT TO HIS GALLERY, AND I ASKED HIM FOR HELP. 342 00:14:28,368 --> 00:14:31,668 HE NODDED AND SAID HE OWED IT TO ME. 343 00:14:31,704 --> 00:14:33,744 SO YOU ADMIT YOU WERE AT THE GALLERY. 344 00:14:33,773 --> 00:14:35,083 OF COURSE. 345 00:14:35,108 --> 00:14:36,938 I EVEN STAYED AND HAD A FEW DRINKS. 346 00:14:36,977 --> 00:14:40,407 AND THAT EXPLAINS THE RASPBERRY MALT. 347 00:14:40,447 --> 00:14:43,317 WHAT'S THAT? 348 00:14:44,784 --> 00:14:48,864 A LIFE-INSURANCE POLICY FOR A MILLION DOLLARS ON TIM. 349 00:14:48,888 --> 00:14:50,858 HAVEN'T YOU READ ANY CRIME NOVELS? 350 00:14:50,890 --> 00:14:53,530 A BIG, FAT INSURANCE POLICY RIGHT BEFORE HE DIES. 351 00:14:53,560 --> 00:14:54,790 REALLY? 352 00:14:54,827 --> 00:14:56,627 I DIDN'T JUST TAKE IT OUT ON TIM. 353 00:14:56,663 --> 00:14:58,073 I HAVE INSURANCE ON MYSELF, 354 00:14:58,098 --> 00:15:00,268 I MEAN, ON MY COUSIN BETH, ON MY UNCLE MARK, 355 00:15:00,300 --> 00:15:02,400 ON EVERYONE WHO CONTRIBUTES IN ANY WAY 356 00:15:02,435 --> 00:15:03,735 TO HELPING OUT WITH OLIVER. 357 00:15:03,770 --> 00:15:05,570 I AM TERRIFIED OF US NOT BEING ABLE 358 00:15:05,605 --> 00:15:07,805 TO TAKE CARE OF HIM HIS WHOLE LIFE. [ SIGHS ] 359 00:15:07,840 --> 00:15:11,280 THERE WAS ANOTHER LITTLE GUY THERE, ON THE FLOOR. 360 00:15:11,311 --> 00:15:12,481 LIKE A -- LIKE A LITTLE ELF? 361 00:15:12,512 --> 00:15:13,912 HE COULD VOUCH FOR ME, 362 00:15:13,947 --> 00:15:16,547 EXCEPT I THINK HE MIGHT HAVE BEEN PASSED OUT. 363 00:15:16,583 --> 00:15:18,953 SO, WHAT, YOU THINK THIS LITTLE GUY WOKE UP AND KILLED TIM? 364 00:15:18,986 --> 00:15:22,216 NOT UNLESS HE WAS TOTALLY FAKING IT. 365 00:15:22,255 --> 00:15:26,325 BUT HEY, THAT'S THE ART WORLD -- A BIG CON JOB. 366 00:15:26,359 --> 00:15:29,399 IF THE VICTIM'S SISTER IS TELLING THE TRUTH, 367 00:15:29,429 --> 00:15:32,769 THEN SOMEONE SHOT FITCH AFTER SHE LEFT THE GALLERY. 368 00:15:32,799 --> 00:15:36,169 UNLESS SOMEBODY CONFRONTED HIM BEFORE THAT. 369 00:15:36,203 --> 00:15:39,343 MOTO, YOU THINK THE VICTIM WAS KILLED 370 00:15:39,372 --> 00:15:41,512 BEFORE HE HAD DRINKS WITH HIS SISTER? 371 00:15:41,541 --> 00:15:44,141 PLEASE DON'T TRANSFER ME OUT OF SPECIAL CRIMES. 372 00:15:44,177 --> 00:15:48,847 ARIANNA FITCH SAID HER BROTHER MADE A LOT OF ENEMIES. 373 00:15:48,881 --> 00:15:49,951 LET'S PRIORITIZE ON THAT, OKAY? 374 00:15:49,983 --> 00:15:51,523 WELL, IT'S A LONG LIST. 375 00:15:51,551 --> 00:15:53,321 NOTHING WAS SACRED TO HIM -- 376 00:15:53,353 --> 00:15:56,293 RELIGIOUS ICONOGRAPHY, CROSS-RACIAL SENSITIVITIES, 377 00:15:56,323 --> 00:15:57,863 ACCEPTED COMMON DECENCY. 378 00:15:57,890 --> 00:15:59,330 HE CHALLENGED EVERYTHING. 379 00:15:59,359 --> 00:16:01,329 [ DOOR SLAMS ] 380 00:16:01,361 --> 00:16:04,101 TWO YEARS AGO, FITCH DESIGNED THIS PERFORMANCE PIECE 381 00:16:04,131 --> 00:16:05,871 CALLED "DESTRUCTION, CREATION." 382 00:16:05,898 --> 00:16:08,598 HUH. 383 00:16:08,635 --> 00:16:09,995 THAT'S A NICE PAINTING. 384 00:16:10,037 --> 00:16:12,007 IF HE CAN MAKE REAL ART LIKE THAT, 385 00:16:12,039 --> 00:16:14,469 WHY WASTE HIS TIME ON ALL THE PRETEND CRAP? 386 00:16:14,507 --> 00:16:18,207 OKAY. 387 00:16:20,480 --> 00:16:23,320 OKAY. WHAT... 388 00:16:24,251 --> 00:16:26,191 OH, THAT'S DISGUSTING. 389 00:16:26,219 --> 00:16:28,189 [ STAMMERS ] 390 00:16:28,221 --> 00:16:31,661 WHO'S THAT GUY HITTING HIM LIKE A PIÑATA? 391 00:16:31,691 --> 00:16:33,231 UNIDENTIFIED MALE. 392 00:16:33,260 --> 00:16:34,860 NOBODY EVER LAID ANY CHARGES, 393 00:16:34,894 --> 00:16:36,664 SO THERE WAS NO RECORD OF THE ASSAULT. 394 00:16:36,696 --> 00:16:40,096 THAT'S TOO BAD. THE GUY DESERVES AN AWARD. 395 00:16:41,568 --> 00:16:42,898 LOOK AT THAT COMPOSITION -- 396 00:16:42,935 --> 00:16:46,865 SMOOTH BRUSHWORK, HIS USE OF LIGHT AND SHADOW. 397 00:16:46,906 --> 00:16:48,376 EXCUSE ME? 398 00:16:48,408 --> 00:16:51,378 I, UH -- I MINORED IN STUDIO ART, 399 00:16:51,411 --> 00:16:54,051 WATCHED A LOT OF DOCUMENTARIES. 400 00:16:54,081 --> 00:16:56,051 YOU KNOW THAT NUN. 401 00:16:56,083 --> 00:16:58,323 FITCH DIDN'T HAVE ANY FORMAL TRAINING. 402 00:16:58,351 --> 00:17:01,021 THAT GUY IS THE REAL ARTIST. 403 00:17:01,054 --> 00:17:03,594 THE VICTIM WAS DESTROYING HIS PAINTING IN PUBLIC, 404 00:17:03,623 --> 00:17:05,193 SO HE ATTACKED HIM. 405 00:17:05,225 --> 00:17:06,755 THE VICTIM WAS GONNA REVIVE THE INSTALLATION THIS WEEK. 406 00:17:06,793 --> 00:17:08,203 IT'S IN THE BROCHURE. 407 00:17:08,228 --> 00:17:10,558 WE'VE BEEN TRYING TO LOCATE WITNESSES OF THE ATTACK, 408 00:17:10,597 --> 00:17:12,227 BUT I-I'M -- 409 00:17:12,265 --> 00:17:14,095 FORGET TRYING TO I.D. THE ASSAILANT. 410 00:17:14,134 --> 00:17:16,744 I.D. THE PAINTING. 411 00:17:16,769 --> 00:17:20,009 "LOLO PASS." 412 00:17:20,039 --> 00:17:23,079 THE NAME OF THE PAINTING THAT THE VICTIM DESTROYED 413 00:17:23,110 --> 00:17:24,840 IN YOUR VIDEO IS "LOLO PASS." 414 00:17:24,877 --> 00:17:25,447 AND THE ARTIST? 415 00:17:25,478 --> 00:17:28,748 JULIAN GAYNOR. 416 00:17:28,781 --> 00:17:32,851 SAME GENERAL BODY TYPE AS THE GUY WHO ATTACKED FITCH. 417 00:17:32,885 --> 00:17:35,085 MM-HMM. HE'S A LOCAL ARTIST AND -- TAKE THAT -- 418 00:17:35,122 --> 00:17:36,922 ACCORDING TO FITCH'S PHONE RECORDS, 419 00:17:36,956 --> 00:17:38,356 THEY SPOKE JUST LAST WEEK. 420 00:17:38,391 --> 00:17:41,061 I'LL GO, BUT IF BACKSTROM 421 00:17:41,094 --> 00:17:46,434 CAN BRING ALONG NIEDERMAYER AS A TRANSLATOR, SO CAN I. 422 00:17:46,466 --> 00:17:48,366 BONJOUR. 423 00:17:48,401 --> 00:17:50,441 çA VA? BIEN. 424 00:17:50,470 --> 00:17:52,370 HE'S NOT HERE. 425 00:17:52,405 --> 00:17:54,065 HE'S GRABBING A SANDWICH. 426 00:17:54,107 --> 00:17:55,637 WELL, THAT CAN WAIT. 427 00:17:55,675 --> 00:17:57,205 HE OWES ME 200 BUCKS, 428 00:17:57,244 --> 00:17:59,654 AND I'M NOT LEAVING WITHOUT IT. 429 00:18:02,315 --> 00:18:04,745 SOMETHING WRONG? 430 00:18:04,784 --> 00:18:07,754 NO. UM... 431 00:18:07,787 --> 00:18:10,317 HE'S, UH -- HE'S JUST A LOT HOTTER 432 00:18:10,357 --> 00:18:12,757 THAN THE USUAL WEIRDOS THAT YOU HAVE UP THERE. 433 00:18:12,792 --> 00:18:14,232 HE'S A WITNESS OR WHAT? 434 00:18:14,261 --> 00:18:15,301 A SUSPECT. 435 00:18:17,664 --> 00:18:21,334 OKAY. I'M GONNA WAIT. 436 00:18:23,603 --> 00:18:25,843 Julian: YEAH, THAT'S -- THAT'S ME ALL RIGHT, 437 00:18:25,872 --> 00:18:28,012 AND THAT WAS MY PAINTING, "LOLO PASS." 438 00:18:28,040 --> 00:18:30,140 YOU MUST WORK EXTREMELY CAREFULLY. 439 00:18:30,177 --> 00:18:32,447 THERE'S NOT A DROP OF PAINT IN HERE. 440 00:18:32,479 --> 00:18:36,249 IT'S A BRAND-NEW SPACE. I'M STILL MOVING IN. 441 00:18:36,283 --> 00:18:38,623 I'M SORRY TO HEAR WHAT HAPPENED TO FITCH. 442 00:18:38,651 --> 00:18:40,621 EVEN THOUGH HE TRASHED YOUR PAINTING? 443 00:18:40,653 --> 00:18:41,923 HE BOUGHT IT. 444 00:18:41,954 --> 00:18:45,294 IT WAS HIS TO DO WITH WHAT HE LIKED. 445 00:18:45,325 --> 00:18:47,285 IS DESTROYING IT ANY WORSE 446 00:18:47,327 --> 00:18:50,127 THAN HANGING IT OVER A MATCHING SOFA? 447 00:18:50,163 --> 00:18:51,163 YOU ATTACKED HIM. 448 00:18:51,198 --> 00:18:52,768 I WAS SHOCKED. 449 00:18:52,799 --> 00:18:54,999 I HAD NO IDEA WHAT HE WAS GONNA DO WITH IT, 450 00:18:55,034 --> 00:18:57,504 AND THEN I THOUGHT HE INVITED ME DOWN 451 00:18:57,537 --> 00:18:59,507 TO THE PERFORMANCE TO MOCK ME. 452 00:18:59,539 --> 00:19:01,469 WHAT DO YOU THINK NOW? 453 00:19:01,508 --> 00:19:03,608 THAT I WAS PART OF HIS PERFORMANCE. 454 00:19:03,643 --> 00:19:05,313 HE HOPED I'D REACT THAT WAY. 455 00:19:05,345 --> 00:19:07,875 ARE YOU AWARE THAT FITCH PUBLICLY ANNOUNCED HIS INTENTION 456 00:19:07,914 --> 00:19:09,984 TO REVIVE "DESTRUCTION, CREATION" THIS WEEK? 457 00:19:10,016 --> 00:19:12,316 HE ANNOUNCED IT TO ME PRIVATELY. 458 00:19:12,352 --> 00:19:14,022 WHOA. HE BOUGHT ANOTHER PAINTING FROM YOU? 459 00:19:14,053 --> 00:19:15,793 THAT CRAZY PERFORMANCE TWO YEARS AGO -- 460 00:19:15,822 --> 00:19:17,192 THAT GOT ME A LOT OF ATTENTION. 461 00:19:17,224 --> 00:19:18,664 AND JUST LAST WEEK, FITCH CALLED ME UP. 462 00:19:18,691 --> 00:19:20,331 HE WANTED TO BUY ANOTHER CANVAS OF MINE. 463 00:19:20,360 --> 00:19:22,700 AND YOU REFUSED? 464 00:19:22,729 --> 00:19:25,369 NO. I CHARGED HIM $30,000 FOR A PAINTING 465 00:19:25,398 --> 00:19:27,468 THAT WAS PERHAPS WORTH $3,000. 466 00:19:27,500 --> 00:19:29,040 BECAUSE YOU KNEW HE DIDN'T HAVE THAT KIND OF MONEY? 467 00:19:29,068 --> 00:19:31,368 NO, HE PAID IN CASH. 468 00:19:32,405 --> 00:19:34,365 HOW DOES A BROKE PERFORMANCE ARTIST 469 00:19:34,407 --> 00:19:36,307 COME UP WITH $30,000 IN CASH? 470 00:19:45,752 --> 00:19:50,692 HEY! YOU, MY OFFICE, NOW. 471 00:19:50,723 --> 00:19:53,093 IT'S MY OFFICE! 472 00:19:55,094 --> 00:19:57,834 ALL RIGHT, WHAT'S GOT YOUR PANTIES IN A TWIST? 473 00:19:57,864 --> 00:19:58,874 IS IT THE KITE? 474 00:19:58,898 --> 00:20:00,728 I'LL GIVE YOU YOUR 200 BUCKS BACK. 475 00:20:00,767 --> 00:20:02,997 I NEED A FAVOR FROM YOU. ANOTHER ONE? 476 00:20:03,035 --> 00:20:06,665 I NEED YOU TO RELEASE MARK BRADLEY. 477 00:20:06,706 --> 00:20:09,106 GOT IT. WAIT. 478 00:20:09,141 --> 00:20:10,841 WHO'S MARK BRADLEY? 479 00:20:10,877 --> 00:20:12,507 I DON'T KNOW WHAT NAME HE'S MAYBE USING, 480 00:20:12,545 --> 00:20:14,205 BUT HE'S YOUR MURDERED ARTIST'S ASSISTANT. 481 00:20:14,247 --> 00:20:19,387 YOU WANT ME TO RELEASE THE PRIME SUSPECT 482 00:20:19,419 --> 00:20:21,219 IN A HOMICIDE INVESTIGATION? 483 00:20:21,254 --> 00:20:22,564 YES. PLEASE. 484 00:20:22,589 --> 00:20:23,959 WHO IS HE, AN EX-BOYFRIEND? 485 00:20:23,990 --> 00:20:25,630 YOU KNOW I CAN'T RELEASE EVERYONE 486 00:20:25,658 --> 00:20:27,888 YOU'VE EVER RAMBLED WITH IN MOUNT TABOR PARK. 487 00:20:27,927 --> 00:20:33,867 WE WERE IN JUVIE TOGETHER, AND I OWE HIM VERY BIG. 488 00:20:33,900 --> 00:20:35,570 SO, PLEASE? 489 00:20:35,602 --> 00:20:38,542 NO. 490 00:20:38,571 --> 00:20:39,571 [ SIGHS ] 491 00:20:39,606 --> 00:20:41,866 THE BEST I CAN DO IS... 492 00:20:41,908 --> 00:20:44,238 ELIMINATE HIM AS A SUSPECT. 493 00:20:44,277 --> 00:20:45,607 YES, PLEASE. 494 00:20:45,645 --> 00:20:46,805 BUT... 495 00:20:46,846 --> 00:20:48,476 OW. [ CHUCKLES FACETIOUSLY ] 496 00:20:48,515 --> 00:20:50,415 ...YOU LET ME KEEP THE 200 BUCKS, 497 00:20:50,450 --> 00:20:52,550 AND YOU SHUT UP ABOUT YOUR STUPID KITE. 498 00:20:52,585 --> 00:20:53,945 FINE. 499 00:20:55,855 --> 00:20:58,085 I ACCEPT YOUR TERMS. 500 00:20:58,124 --> 00:21:00,564 GET OUT. 501 00:21:00,593 --> 00:21:02,333 IT'S MY OFFICE. 502 00:21:02,362 --> 00:21:04,062 [ BAG CRUNCHES ] 503 00:21:04,096 --> 00:21:05,426 DID YOU STEP ON MY -- 504 00:21:05,465 --> 00:21:07,725 YOU STEPPED ON MY SANDWICH ON PURPOSE! 505 00:21:07,767 --> 00:21:09,897 [ SIREN WAILING ] 506 00:21:09,936 --> 00:21:12,266 Niedermayer: MS. ANDERSON, HI. 507 00:21:12,305 --> 00:21:13,605 HI. 508 00:21:13,640 --> 00:21:14,840 THANK YOU SO MUCH FOR COMING DOWN. 509 00:21:14,874 --> 00:21:16,144 WE APPRECIATE YOU MEETING US HERE. 510 00:21:16,175 --> 00:21:18,305 WE JUST HAD A FEW MORE QUESTIONS FOR YOU. 511 00:21:18,345 --> 00:21:20,945 WE JUST MET WITH A LOCAL ARTIST NAMED JULIAN GAYNOR, 512 00:21:20,980 --> 00:21:22,820 AND HE SAID THAT HE SOLD TIMOTHY 513 00:21:22,849 --> 00:21:24,749 A PAINTING CALLED "CLACKAMAS DAWN." 514 00:21:24,784 --> 00:21:25,954 I KNOW. 515 00:21:25,985 --> 00:21:27,515 HE SAID HE SOLD IT FOR $30,000. 516 00:21:27,554 --> 00:21:28,464 IN CASH. 517 00:21:28,488 --> 00:21:30,318 I KNOW. 518 00:21:30,357 --> 00:21:32,487 WHERE DID TIM FITCH GET THAT KIND OF CASH? 519 00:21:32,525 --> 00:21:34,585 FROM ME. 520 00:21:34,627 --> 00:21:36,257 YOU GAVE TIMOTHY FITCH $30,000 521 00:21:36,295 --> 00:21:38,765 FOR A PAINTING YOU KNEW HE MEANT TO DESTROY? 522 00:21:38,798 --> 00:21:40,768 IT WASN'T A BIG DEAL. 523 00:21:40,800 --> 00:21:42,800 MY FAMILY HAS MONEY. 524 00:21:42,835 --> 00:21:44,665 BESIDES, SUPPORTING FITCH'S VISION 525 00:21:44,704 --> 00:21:46,974 IN WHATEVER WAY I COULD, IT WAS AN HONOR. 526 00:21:47,006 --> 00:21:49,606 WE'VE SEARCHED THIS ENTIRE SPACE, 527 00:21:49,642 --> 00:21:51,212 AND WE CAN'T FIND IT. 528 00:21:51,243 --> 00:21:53,113 DO YOU THINK IT MIGHT BE AT YOUR HOME? 529 00:21:53,145 --> 00:21:54,705 IF IT'S NOT HERE, 530 00:21:54,747 --> 00:21:57,047 IT MUST BE IN, UH, FITCH'S STORAGE UNIT. 531 00:21:57,083 --> 00:21:59,653 WE DON'T HAVE A RECORD OF A STORAGE UNIT. 532 00:21:59,686 --> 00:22:02,046 IT'S IN MY NAME. 533 00:22:02,088 --> 00:22:03,958 [ CRIES ] 534 00:22:03,990 --> 00:22:07,530 HERE ARE THE [SNIFFLES] SPARE KEYS. 535 00:22:07,560 --> 00:22:10,060 I IMAGINE MOSS HAS FITCH'S... 536 00:22:10,096 --> 00:22:11,956 [ BREATHING HEAVILY ] 537 00:22:11,998 --> 00:22:16,068 OH, GOD. WHY DIDN'T I STAY HERE WITH HIM? 538 00:22:16,102 --> 00:22:17,402 I KNOW THIS WON'T BRING FITCH BACK. 539 00:22:17,437 --> 00:22:18,737 [ SIGHS ] 540 00:22:18,771 --> 00:22:21,671 BUT WE WILL CATCH WHOEVER KILLED HIM. 541 00:22:21,708 --> 00:22:24,708 YES, MY REAL NAME IS MARK BRADLEY. 542 00:22:24,744 --> 00:22:28,384 MOSS BRADY IS MY ART-WORLD MONIKER. 543 00:22:28,415 --> 00:22:30,915 MM, SEE, NOW, I WISH I'D GONE A BIT MORE FRENCH. 544 00:22:30,950 --> 00:22:32,920 [ DOOR CLOSES ] YOU'RE A CON ARTIST. 545 00:22:32,952 --> 00:22:35,862 YOU'VE DONE TIME. YOU'VE GOT A RECORD. 546 00:22:35,888 --> 00:22:39,528 YES, AND NOW I'VE GONE STRAIGHT. 547 00:22:39,559 --> 00:22:41,229 [ CHUCKLES ] NOT SEXUALLY. 548 00:22:41,260 --> 00:22:44,330 I MEAN, I NO LONGER UTILIZE MY SUBSTANTIAL TALENTS 549 00:22:44,363 --> 00:22:46,433 FOR MISDIRECTION TO BREAK THE LAW. 550 00:22:46,466 --> 00:22:49,196 HOW DO YOU KNOW GREGORY VALENTINE? 551 00:22:49,235 --> 00:22:53,105 HOW DO YOU KNOW GREGORY VALENTINE? 552 00:22:53,139 --> 00:22:54,869 I KNOW GREGORY VALENTINE WELL ENOUGH 553 00:22:54,907 --> 00:22:57,277 THAT WHEN HE TELLS ME THAT YOU PROBABLY KILLED TIMOTHY FITCH, 554 00:22:57,309 --> 00:22:58,749 I LISTEN. 555 00:22:58,778 --> 00:23:00,108 WAIT. VAL SAID I KILLED FITCH? 556 00:23:00,146 --> 00:23:01,376 YES. 557 00:23:01,414 --> 00:23:02,784 WELL, YOU KNOW WHAT? 558 00:23:02,815 --> 00:23:04,845 SOME PEOPLE SAY THAT VAL'S A SOCIOPATH, 559 00:23:04,884 --> 00:23:06,624 AND MAYBE THEY'RE RIGHT. 560 00:23:06,653 --> 00:23:09,923 OKAY, I THINK WE'VE GOTTEN OFF THE ROAD AND INTO THE WEEDS. 561 00:23:09,956 --> 00:23:11,856 WHAT I WANT TO KNOW ABOUT IS -- 562 00:23:11,891 --> 00:23:13,461 JUVIE HALL. MM-HMM. 563 00:23:14,894 --> 00:23:16,364 [ SIGHS ] YOU KNOW, HONESTLY, 564 00:23:16,395 --> 00:23:19,125 I THOUGHT THAT WHAT VAL AND I HAD WAS SOMETHING SPECIAL, 565 00:23:19,165 --> 00:23:21,395 NOT JUST JAILHOUSE BONDING, BUT THE REAL THING. 566 00:23:21,434 --> 00:23:23,874 I HEARD THAT VAL WAS GONNA GET SHANKED, 567 00:23:23,903 --> 00:23:26,713 AND AT GREAT PERSONAL PERIL, I WARN HIM. 568 00:23:26,739 --> 00:23:28,579 AND YOU KNOW WHAT HAPPENED? 569 00:23:28,608 --> 00:23:30,638 HE GOT THE GUY FIRST. 570 00:23:30,677 --> 00:23:32,777 AND HE LET ME TAKE THE BLAME FOR IT. 571 00:23:32,812 --> 00:23:35,782 [ SIGHS ] WELL, THAT'S VERY SAD, 572 00:23:35,815 --> 00:23:37,815 BUT I'M STILL GONNA CHARGE YOU WITH MURDER. 573 00:23:37,850 --> 00:23:42,150 OKAY, THIS HAS GONE ON FOR WAY TOO LONG. 574 00:23:42,188 --> 00:23:44,118 WHAT? 575 00:23:44,156 --> 00:23:47,326 FITCH IS NOT DEAD. 576 00:23:47,359 --> 00:23:48,959 HE'S TOTALLY DEAD. 577 00:23:48,995 --> 00:23:50,325 NO. FITCH HIRED ME 578 00:23:50,362 --> 00:23:53,402 BECAUSE I'M A CON MAN AND I HAVE AN EXPERTISE, 579 00:23:53,432 --> 00:23:56,972 AND FOR A YEAR NOW, WE'VE BEEN TRYING TO PULL OFF 580 00:23:57,003 --> 00:23:58,813 THIS LONG-FORM ANDY KAUFMAN-TYPE THING 581 00:23:58,838 --> 00:24:02,678 IN WHICH FITCH STAGES HIS OWN DEATH. 582 00:24:02,709 --> 00:24:06,579 I'VE GOT A LITTLE TREAT IN STORE FOR YOU. 583 00:24:06,613 --> 00:24:09,183 MOTO! 584 00:24:12,852 --> 00:24:14,692 IT'S NOT GONNA BE FITCH. 585 00:24:14,721 --> 00:24:18,361 WELL [SIGHS] DEAD BODIES DON'T LOOK LIKE REAL PEOPLE 586 00:24:18,390 --> 00:24:22,060 ON ACCOUNT OF THEIR SPIRIT HAS LEFT THE BUILDING. 587 00:24:23,630 --> 00:24:25,800 [ SIGHS ] 588 00:24:25,832 --> 00:24:28,302 YOU READY? 589 00:24:28,334 --> 00:24:30,444 [ CHUCKLES ] YEAH. 590 00:24:30,469 --> 00:24:31,669 OKAY. 591 00:24:37,544 --> 00:24:38,654 [ CRASHES ] 592 00:24:38,678 --> 00:24:41,478 I'M GONNA GO AHEAD AND CONCLUDE 593 00:24:41,514 --> 00:24:44,524 THAT YOU NOW BELIEVE FITCH IS DEAD. 594 00:24:44,551 --> 00:24:46,351 [ DOOR SLAMS ] 595 00:24:46,385 --> 00:24:48,885 Backstrom: YOU SEE FITCH? 596 00:24:48,921 --> 00:24:51,561 YOU SAW HE'S DEAD. 597 00:24:51,591 --> 00:24:54,291 UH-HUH. 598 00:24:54,326 --> 00:24:56,796 YOU WANT TO HELP US FIGURE OUT HOW THAT HAPPENED? 599 00:24:56,829 --> 00:24:59,629 I-I SERIOUSLY DON'T REMEMBER DRINKING THAT MUCH, 600 00:24:59,666 --> 00:25:02,066 SO WHY WAS I UNCONSCIOUS 12 HOURS LATER? 601 00:25:02,101 --> 00:25:04,371 OH, COME ON. DO I LOOK LIKE A LIGHTWEIGHT? 602 00:25:04,403 --> 00:25:06,143 YES. 603 00:25:06,172 --> 00:25:08,782 DID VALENTINE REALLY SAY I WAS A KILLER? 604 00:25:11,110 --> 00:25:13,980 HMM. 605 00:25:14,013 --> 00:25:16,183 YOU KNOW, YOU LOVE SOMEONE, 606 00:25:16,215 --> 00:25:18,375 WHICH MEANS YOU TRUST HIM, 607 00:25:18,417 --> 00:25:22,587 BUT THE BAD PART ISN'T THAT HE DOESN'T LOVE YOU BACK, 608 00:25:22,622 --> 00:25:25,592 BUT THAT HE EXPLOITS THAT LOVE. 609 00:25:26,859 --> 00:25:29,029 YEAH. 610 00:25:29,061 --> 00:25:33,531 LOVE IS A TREACHEROUS ITEM. [ SNIFFS ] 611 00:25:33,566 --> 00:25:36,936 OH, IF I FIND OUT THAT VAL SOLD ME OUT FOR LESS THAN $10,000, 612 00:25:36,969 --> 00:25:38,239 I'LL KILL HIM MYSELF. 613 00:25:39,639 --> 00:25:42,839 [ SIGHS ] I DIDN'T REALLY MEAN THAT. 614 00:25:48,380 --> 00:25:50,550 YOU CAN JUST SET ALL THAT STUFF OVER HERE. 615 00:25:50,583 --> 00:25:52,383 TRY NOT TO STACK IT, IF POSSIBLE. 616 00:25:52,418 --> 00:25:53,248 WHAT'S ALL THIS? 617 00:25:53,285 --> 00:25:54,515 THIS IS THE CONTENTS 618 00:25:54,553 --> 00:25:56,393 OF THE MURDER VICTIM'S STORAGE UNIT. 619 00:25:56,422 --> 00:26:00,632 IT'S AMAZING HOW MUCH JUNK IT TAKES TO MAKE MORE JUNK. 620 00:26:02,762 --> 00:26:05,232 AUTOPSY REPORT FOR TIMOTHY FITCH. 621 00:26:05,264 --> 00:26:07,404 YOU GET A POSTMORTEM ON HIS BLOOD ALCOHOL LEVEL? 622 00:26:07,433 --> 00:26:11,043 YES. THE CORONER TEST GIVES US .21. 623 00:26:11,070 --> 00:26:13,570 WOW. FITCH WAS WASTED. 624 00:26:13,606 --> 00:26:15,206 MM. 625 00:26:15,241 --> 00:26:18,111 A BIG GUY LIKE THAT, MUST HAVE BEEN 9 OR 10 BEERS. 626 00:26:18,144 --> 00:26:20,654 MOSS WAS RIGHT ABOUT HOW MUCH HE DRANK. 627 00:26:20,680 --> 00:26:23,720 12 HOURS LATER, HE'S STILL ASLEEP IN THE PLAYGROUND? 628 00:26:23,750 --> 00:26:26,490 HMM. I KNOW BLACKOUTS. 629 00:26:26,518 --> 00:26:27,948 YOU EITHER GET THEM OR YOU DON'T. 630 00:26:27,987 --> 00:26:29,917 BUT WHEN YOU DO, IT'S NOT FROM TWO BEERS. 631 00:26:29,956 --> 00:26:31,286 YOU BELIEVE HE WAS DRUGGED? 632 00:26:31,323 --> 00:26:32,993 SOMEONE WANTED TO KEEP HIM OUT OF THE WAY. 633 00:26:33,025 --> 00:26:34,585 MEANING HE DIDN'T COMMIT THE MURDER. 634 00:26:34,627 --> 00:26:36,797 GO GET HIM TO PEE IN A CUP. 635 00:26:36,829 --> 00:26:40,799 SEE IF YOU CAN FIND ANYTHING BESIDES FEAR AND AFFECTATION. 636 00:26:40,833 --> 00:26:42,433 OKAY. 637 00:26:46,673 --> 00:26:48,743 HMM. 638 00:26:48,775 --> 00:26:49,805 WHAT IS IT? 639 00:26:49,842 --> 00:26:52,082 36 CANS OF SWEET POTATOES. 640 00:26:52,111 --> 00:26:54,311 DON'T THINK I WANT TO KNOW. 641 00:26:54,346 --> 00:26:56,116 THESE LOOK LIKE COPIES OF PAPERS 642 00:26:56,148 --> 00:26:58,248 FROM THAT SHREDDING PIECE THAT HE DID. 643 00:26:58,284 --> 00:26:59,924 THE ONE WITH THE EX-GIRLFRIEND? 644 00:26:59,952 --> 00:27:02,052 YEAH. PARKING TICKETS, GROCERY RECEIPTS. 645 00:27:05,658 --> 00:27:06,958 WHAT? 646 00:27:06,993 --> 00:27:08,803 THESE ARE COPIES OF MEDICAL RECORDS. 647 00:27:08,828 --> 00:27:10,458 LET'S SEE THEM. 648 00:27:13,065 --> 00:27:17,765 E.R. VISITS -- CUTS, CONTUSIONS, BURNS. 649 00:27:17,804 --> 00:27:19,544 HERE'S ONE FOR A BROKEN WRIST. 650 00:27:19,571 --> 00:27:21,441 THESE ARE ALL DATED FROM THE TIME 651 00:27:21,473 --> 00:27:23,383 THAT HE AND LUCY WERE TOGETHER. 652 00:27:23,409 --> 00:27:27,449 HE WAS ABUSING HER. 653 00:27:27,479 --> 00:27:28,949 IF WE'RE RIGHT ABOUT OUR THEORY OF LUCY HARMS 654 00:27:28,981 --> 00:27:30,181 AS A BATTERED WOMAN, 655 00:27:30,216 --> 00:27:32,216 AND THEN HERE SHE IS AT THE FESTIVAL, 656 00:27:32,251 --> 00:27:34,521 CONFRONTED, ONCE AGAIN, WITH HER ABUSER -- 657 00:27:34,553 --> 00:27:36,293 ONLY THIS TIME, HE WAS KIND ENOUGH 658 00:27:36,322 --> 00:27:37,992 TO ALLOW HER ACCESS TO HIS OWN GUN. 659 00:27:38,024 --> 00:27:40,134 IT'S THE PERFECT OPPORTUNITY FOR REVENGE. 660 00:27:40,159 --> 00:27:41,789 GRAVELY, I KNOW YOU'RE NOT A FAN 661 00:27:41,828 --> 00:27:43,498 OF JUMPING TO SENSIBLE CONCLUSIONS, 662 00:27:43,529 --> 00:27:45,559 BUT IT'S A PRETTY SAFE BET 663 00:27:45,597 --> 00:27:49,367 THAT WHOEVER DRUGGED MOSS BRADY KILLED TIMOTHY FITCH. 664 00:27:49,401 --> 00:27:51,541 I CAN GET WITH THAT. 665 00:27:52,872 --> 00:27:54,212 THAT'S A THING THAT PEOPLE SAY. 666 00:27:54,240 --> 00:27:55,880 NO. IT IS. 667 00:27:55,908 --> 00:28:00,378 LUCY HARMS ONCE USED ECSTASY IN ONE OF HER PERFORMANCES. 668 00:28:00,412 --> 00:28:02,752 ECSTASY PLUS ALCOHOL EQUALS BLACKOUT. 669 00:28:02,782 --> 00:28:04,682 CAN I ASK WHY YOU'RE SO ANXIOUS 670 00:28:04,717 --> 00:28:06,987 TO ELIMINATE MOSS BRADY AS A SUSPECT? 671 00:28:07,019 --> 00:28:09,589 IT'S A BYPRODUCT OF MY RIGOROUS ANALYSIS 672 00:28:09,621 --> 00:28:12,091 OF THE CLUES AND THE FACTS, GRAVELY. 673 00:28:12,124 --> 00:28:14,564 [ DOOR SLAMS ] 674 00:28:30,609 --> 00:28:32,509 YEAH, I TOTALLY GET IT. 675 00:28:32,544 --> 00:28:36,354 IT'S LIKE THE FISH TANK IN MY DENTIST'S OFFICE. 676 00:28:36,382 --> 00:28:38,222 YOU JUST WANT TO WATCH. 677 00:28:38,250 --> 00:28:40,050 WAIT RIGHT HERE. 678 00:28:48,594 --> 00:28:52,034 NO AUDIENCE MEMBERS ALLOWED. 679 00:28:52,064 --> 00:28:55,374 I'M NOT YOUR AUDIENCE. I'M YOUR CONFESSOR. 680 00:28:55,401 --> 00:28:58,141 MEANING YOU THINK I HAVE SOMETHING TO CONFESS. 681 00:28:58,170 --> 00:28:59,310 ALL RIGHT, BLONDIE, LET'S GO. 682 00:28:59,338 --> 00:29:00,408 ARE YOU KIDDING? 683 00:29:00,439 --> 00:29:02,369 I'VE STARTED MY PERFORMANCE. 684 00:29:02,408 --> 00:29:04,438 THEN I'LL ARREST YOU. 685 00:29:04,476 --> 00:29:08,946 WELL, IF YOU ARREST ME, THEN I WILL HIRE AN ATTORNEY, 686 00:29:08,981 --> 00:29:10,921 AND HE WILL ADVISE ME NOT TO TALK, 687 00:29:10,950 --> 00:29:12,680 AND I WILL TAKE THAT ADVICE. 688 00:29:13,786 --> 00:29:15,746 YOU ACTUALLY HAVE A MUCH BETTER CHANCE 689 00:29:15,788 --> 00:29:17,558 OF GETTING ME TO TALK IN HERE. 690 00:29:17,589 --> 00:29:19,359 FINE. I CAN DO PERFORMANCE ART. 691 00:29:22,194 --> 00:29:23,704 [ APPLAUSE, CHATTER ] 692 00:29:27,133 --> 00:29:29,173 FITCH USED TO BEAT YOU. 693 00:29:29,201 --> 00:29:31,101 WHAT?! NO, HE DIDN'T. 694 00:29:31,137 --> 00:29:33,237 WE HAVE YOUR MEDICAL RECORDS. 695 00:29:33,272 --> 00:29:35,812 FROM WHAT, FITCH'S SHREDDING PIECE? 696 00:29:35,842 --> 00:29:38,282 MOST OF THOSE INJURIES WERE SELF-INFLICTED. 697 00:29:38,310 --> 00:29:39,450 A FEW, YES, 698 00:29:39,478 --> 00:29:41,078 FITCH WAS INVOLVED, 699 00:29:41,113 --> 00:29:42,953 BUT ONLY AT MY REQUEST. 700 00:29:42,982 --> 00:29:47,092 WITNESSING INJURY PROVOKES A REACTION. 701 00:29:47,119 --> 00:29:48,789 ALL QUESTIONS ASKED BY THE ARTIST 702 00:29:48,821 --> 00:29:51,361 ARE ANSWERED BY THE AUDIENCE. 703 00:29:51,390 --> 00:29:54,490 YEAH, ESPECIALLY IF THEY'RE THROWING ROTTEN TOMATOES. 704 00:29:54,526 --> 00:29:57,026 YOU TEND TO SEE UGLINESS IN BEAUTY. 705 00:29:57,063 --> 00:29:58,973 NO WONDER YOU HATE WHAT I DO. 706 00:29:58,998 --> 00:30:01,868 I HATE WHAT YOU DO BECAUSE IT'S STUPID AND MEANINGLESS. 707 00:30:01,901 --> 00:30:04,271 THE MEANING LIES IN THE SHARED EXPERIENCE. 708 00:30:04,303 --> 00:30:05,843 MY BODY ISN'T ONLY MY BODY. 709 00:30:05,872 --> 00:30:08,272 MY BODY IS ALSO MY MEDIUM. 710 00:30:08,307 --> 00:30:10,337 DO YOU UNDERSTAND THAT? 711 00:30:10,376 --> 00:30:13,006 ECSTASY IS ALSO YOUR MEDIUM. 712 00:30:13,045 --> 00:30:14,505 SPEAKING OF WHICH, 713 00:30:14,546 --> 00:30:16,816 YOU HAVE ANY OF THOSE PILLS AROUND IN HERE, 714 00:30:16,849 --> 00:30:18,479 AT YOUR HOUSE, HUH? 715 00:30:18,517 --> 00:30:21,287 ECSTASY? NO, I HAVEN'T DONE THAT PIECE IN YEARS. 716 00:30:21,320 --> 00:30:22,960 I TOLD YOU, MY PERFORMANCES 717 00:30:22,989 --> 00:30:26,159 NO LONGER INVOLVE INTERACTION WITH THE AUDIENCE. 718 00:30:26,192 --> 00:30:28,332 YES, THEY CAN SEE ME, BUT I CAN'T SEE THEM. 719 00:30:28,360 --> 00:30:31,960 I DON'T EVEN KNOW HOW MANY OF THEM ARE OUT THERE. 720 00:30:31,998 --> 00:30:33,968 THERE'S NO ONE OUT THERE. 721 00:30:34,000 --> 00:30:35,570 LIAR. 722 00:30:35,601 --> 00:30:37,441 YOU'RE A LIAR. 723 00:30:39,071 --> 00:30:41,571 YOU DRUGGED FITCH'S ASSISTANT 724 00:30:41,607 --> 00:30:44,637 SO THAT HE COULDN'T WATCH YOU MURDER HIS BOSS. 725 00:30:44,676 --> 00:30:47,706 HE DRANK TWO BEERS, 726 00:30:47,746 --> 00:30:50,216 AND HE WAS TOTALLY UNCONSCIOUS. 727 00:30:50,249 --> 00:30:53,719 WELL, THE IDIOT PROBABLY DRANK FITCH'S BY MISTAKE. 728 00:30:53,752 --> 00:30:55,722 HE USED TO LIKE TO SPIKE IT WITH BENZOS. 729 00:30:55,754 --> 00:30:57,764 HE HAD WORKED UP QUITE THE TOLERANCE. 730 00:30:57,789 --> 00:30:59,529 YOU GOT AN ANSWER FOR EVERYTHING. 731 00:30:59,558 --> 00:31:01,358 IF IT'S ABOUT FITCH, YES, I DO, 732 00:31:01,393 --> 00:31:03,603 BUT I DON'T KNOW WHO KILLED HIM. 733 00:31:03,629 --> 00:31:06,699 I'M YOU. 734 00:31:06,732 --> 00:31:10,202 I CAN STILL SCARCELY SCRAPE TOGETHER CAB FARE 735 00:31:10,236 --> 00:31:13,036 WHILE TRYING TO PROVE TO THE WORLD 736 00:31:13,072 --> 00:31:16,842 THAT MY RIDICULOUS HOBBY ACTUALLY MEANS SOMETHING. 737 00:31:16,875 --> 00:31:20,845 MEANWHILE, MY NARCISSISTIC EX-BOYFRIEND -- 738 00:31:20,879 --> 00:31:23,249 OH, HE'S HIT THE JACKPOT. 739 00:31:23,282 --> 00:31:27,552 A WEALTHY FIANCéE WHO INDULGES HIS EVERY WHIM. 740 00:31:27,586 --> 00:31:28,956 IT'S NOT RIGHT. 741 00:31:28,988 --> 00:31:30,418 IT'S NOT FAIR. 742 00:31:30,456 --> 00:31:31,886 NO, I WAS HAPPY FOR HIM. 743 00:31:31,924 --> 00:31:33,464 I WANTED HIM TO BE HAPPY. 744 00:31:33,492 --> 00:31:35,292 I WOULD NEVER HURT FITCH -- 745 00:31:35,327 --> 00:31:36,227 [ Sobbing ] NEVER! 746 00:31:36,262 --> 00:31:38,162 [ SOBBING ] 747 00:31:41,667 --> 00:31:44,097 WHY AREN'T YOU GUYS BACK YET? DID SOMETHING GO WRONG? 748 00:31:44,136 --> 00:31:47,306 WHOA. THE LIEUTENANT'S STILL WITH THE VICTIM'S EX-GIRLFRIEND. 749 00:31:47,339 --> 00:31:48,539 WHAT DO YOU MEAN? WHERE ARE THEY? 750 00:31:48,574 --> 00:31:49,984 THEY'RE IN THE BOX. 751 00:31:50,009 --> 00:31:51,139 THE WHAT? 752 00:31:51,177 --> 00:31:53,047 They're in the box. He's okay, 753 00:31:53,079 --> 00:31:55,209 BUT SHE'S CRYING A LOT. 754 00:31:55,247 --> 00:31:56,777 OH, MY GOD. [ PHONE SLAMS ] 755 00:31:56,815 --> 00:32:00,745 NADIA -- NADIA, I NEED A LIVE FEED TO THE HERE NOW FESTIVAL. 756 00:32:00,786 --> 00:32:02,546 WHICH EXHIBIT? 757 00:32:02,588 --> 00:32:04,388 UH, LUCY HARMS' WEIRD BOX NONSENSE. 758 00:32:04,423 --> 00:32:06,963 MM, SURE. I ALREADY MADE THE CONNECTION. 759 00:32:06,993 --> 00:32:08,233 OKAY, SO... 760 00:32:08,260 --> 00:32:10,030 [ SIGHS ] 761 00:32:11,430 --> 00:32:13,500 LOOK AT LIEUTENANT BACKSTROM. 762 00:32:13,532 --> 00:32:14,972 OH, YOU'VE GOT TO BE KIDDING ME. 763 00:32:15,001 --> 00:32:15,971 WHAT'S GOING ON? 764 00:32:16,002 --> 00:32:17,142 HE'S IN THE BOX! 765 00:32:17,169 --> 00:32:18,169 WHAT? 766 00:32:18,204 --> 00:32:19,974 HE'S IN THE BOX. 767 00:32:20,006 --> 00:32:21,506 [ SCOFFS ] 768 00:32:21,540 --> 00:32:24,240 [ GASPS ] 769 00:32:24,276 --> 00:32:26,906 YOU KNOW HOW SEX ISN'T REALLY ABOUT THE URGE 770 00:32:26,945 --> 00:32:28,975 TO GET INSIDE OR TAKE SOMETHING IN, 771 00:32:29,015 --> 00:32:31,315 BUT IT'S MORE ABOUT THE DESIRE TO EXIST 772 00:32:31,350 --> 00:32:34,820 RIGHT ON THE THRESHOLD OF WHAT'S INSIDE AND WHAT'S OUTSIDE? 773 00:32:36,488 --> 00:32:38,488 SORRY, I HEARD THE WORDS "SEX" AND "INSIDE," 774 00:32:38,524 --> 00:32:40,494 AND THE REST JUST SOUNDED LIKE, 775 00:32:40,526 --> 00:32:43,196 "BLAH, BLAH, BLAH, BLAH, BLAH, BLAH, BLAH, BLAH." 776 00:32:43,229 --> 00:32:44,499 ME AND FITCH, 777 00:32:44,530 --> 00:32:46,130 OUR ENTIRE RELATIONSHIP WAS LIKE THAT. 778 00:32:46,165 --> 00:32:47,495 THERE WERE NO LINES 779 00:32:47,533 --> 00:32:49,843 WHERE HE STOPPED AND I STARTED. 780 00:32:49,868 --> 00:32:52,798 IT WAS -- IT WAS BLURRY. 781 00:32:52,838 --> 00:32:55,708 PROBABLY BECAUSE OF THE ECSTASY. 782 00:32:55,741 --> 00:32:59,051 IT'S NOT SUSTAINABLE, THOUGH. 783 00:32:59,078 --> 00:33:02,548 I KNOW I'LL NEVER HAVE THAT KIND OF PASSION IN MY LIFE AGAIN, 784 00:33:02,581 --> 00:33:03,851 AND IT MAKES ME SAD. 785 00:33:03,882 --> 00:33:05,882 [ SHUDDERS ] 786 00:33:05,917 --> 00:33:08,047 DO YOU HAVE ANY IDEA WHAT I'M SAYING? 787 00:33:08,087 --> 00:33:11,017 IT'S LIKE STANDING IN THE RUINS OF A PALACE 788 00:33:11,057 --> 00:33:13,487 AND YOU CAN'T LEAVE. 789 00:33:13,525 --> 00:33:18,025 INSTEAD OF OXYGEN... 790 00:33:18,064 --> 00:33:20,834 YOU INHALE DUST. 791 00:33:20,866 --> 00:33:23,896 OH, MY GOD. 792 00:33:23,935 --> 00:33:25,565 WHAT? 793 00:33:25,604 --> 00:33:27,674 YOU KNOW EXACTLY WHAT I'M TALKING ABOUT. 794 00:33:27,706 --> 00:33:30,876 WHAT KIND OF ARTIST ARE YOU? 795 00:33:30,909 --> 00:33:33,249 I'M NOT AN ARTIST. I'M A COP. 796 00:33:36,348 --> 00:33:39,048 I'M YOU. 797 00:33:39,085 --> 00:33:41,715 I WALK AROUND NAKED. I GOT A TOILET WITHOUT A DOOR. 798 00:33:41,753 --> 00:33:43,523 I'M TOTALLY UN-SELF-CONSCIOUS. 799 00:33:43,555 --> 00:33:47,855 WHY DO I WANT MY AUDIENCE TO STAY OUT OF SIGHT? 800 00:33:47,893 --> 00:33:49,603 I TOLD YOU, 801 00:33:49,628 --> 00:33:52,198 MY AUDIENCE IS FORCED INTO THE ROLE OF VOYEUR. 802 00:33:52,231 --> 00:33:57,871 EVERYTHING I DO IS TO IMPRESS TIMOTHY FITCH. 803 00:33:57,903 --> 00:34:01,873 I CAN'T HANDLE THE THOUGHT OF HIM NOT SEEING MY WORK. 804 00:34:01,907 --> 00:34:04,937 SO I REFUSE TO SEE MY REAL AUDIENCE -- 805 00:34:04,976 --> 00:34:10,076 BECAUSE I'M AFRAID HE WON'T BE THERE. 806 00:34:14,553 --> 00:34:16,963 [ SIGHS ] 807 00:34:16,988 --> 00:34:19,228 YEAH. I HAVE THAT AFFECT ON A LOT OF PEOPLE. 808 00:34:22,928 --> 00:34:25,428 EASY ON THE PANTS. YOU KNOW WHAT? 809 00:34:25,464 --> 00:34:26,974 YOU DIDN'T KILL HIM, 810 00:34:26,998 --> 00:34:29,768 BECAUSE WITHOUT HIM, YOU'D LOSE YOUR MUSE. 811 00:34:29,801 --> 00:34:32,101 HEY... 812 00:34:32,138 --> 00:34:34,668 YOU'RE TOTALLY INNOCENT. 813 00:34:38,344 --> 00:34:40,714 OKAY. 814 00:34:40,746 --> 00:34:42,546 WHAT... 815 00:34:42,581 --> 00:34:45,081 [ GROANS ] THIS IS FEELING A LITTLE -- 816 00:34:47,018 --> 00:34:48,818 [ CHEERS AND APPLAUSE ] 817 00:34:48,854 --> 00:34:50,664 ALL RIGHT. 818 00:34:50,689 --> 00:34:52,319 YEAH! 819 00:34:52,358 --> 00:34:53,728 OH, NO. [ GASPS ] 820 00:34:53,759 --> 00:34:56,559 NO, NO, NO, NO, NO, NO. 821 00:34:56,595 --> 00:35:00,125 [ CHEERS AND APPLAUSE ] 822 00:35:00,166 --> 00:35:01,996 WE'VE GONE THROUGH ALL HIS STUFF. 823 00:35:02,033 --> 00:35:03,443 UNLESS FITCH GOT HIMSELF KILLED 824 00:35:03,469 --> 00:35:05,499 OVER A BOX OF COLORED FEATHERS, WE'RE -- 825 00:35:05,537 --> 00:35:07,837 IS THIS STILL HAPPENING? 826 00:35:07,873 --> 00:35:10,483 HEY, I JUST GOT MOSS BRADY'S TOX RESULTS BACK. 827 00:35:10,509 --> 00:35:12,409 HE TESTED NEGATIVE FOR THE STANDARD FIVE. 828 00:35:12,444 --> 00:35:14,484 I ORDERED... IS THIS LIVE? 829 00:35:14,513 --> 00:35:17,923 Gravely: OH, WHY, WHY, WHY? 830 00:35:17,949 --> 00:35:19,749 OH, DEAR LORD. OH. 831 00:35:19,785 --> 00:35:21,115 [ CHEERS AND APPLAUSE ] 832 00:35:21,153 --> 00:35:24,123 Moto: OKAY, LIEUTENANT, I SEE -- OH, YEAH! 833 00:35:24,156 --> 00:35:25,816 [ CELLPHONE RINGS ] 834 00:35:25,857 --> 00:35:28,987 OFFICER FRANK MOTO, PORTLAND POLICE BUREAU. 835 00:35:29,027 --> 00:35:30,257 GET IN THERE AND STOP HIM. 836 00:35:30,296 --> 00:35:31,496 NO, HE TOLD ME TO STAY OUT HERE. 837 00:35:31,530 --> 00:35:33,670 THAT'S BEFORE HE DECIDED TO PUT ON A PEEPSHOW 838 00:35:33,699 --> 00:35:35,129 THAT'S GONNA GET US ALL FIRED. 839 00:35:35,167 --> 00:35:36,697 Now get in there! ALL RIGHT, OKAY. 840 00:35:36,735 --> 00:35:39,235 SORRY, SORRY, EXCUSE ME, SORRY, EXCUSE ME, EXCUSE ME. 841 00:35:41,072 --> 00:35:43,382 Lieutenant, Lieutenant! 842 00:35:43,409 --> 00:35:45,279 NOT NOW, MOTO. 843 00:35:45,311 --> 00:35:50,221 [ CHEERS AND APPLAUSE ] 844 00:35:50,249 --> 00:35:52,019 HEY, HEY, I DON'T THINK YOU UNDERSTAND 845 00:35:52,050 --> 00:35:54,150 THAT THIS IS STREAMING LIVE ON THE INTERNET. 846 00:35:54,186 --> 00:35:55,486 I DON'T CARE! 847 00:35:55,521 --> 00:35:56,821 SEE HOW THAT HAPPENS? 848 00:35:56,855 --> 00:35:59,625 [ CHEERS AND APPLAUSE ] 849 00:35:59,658 --> 00:36:02,788 Gravely: OH, MY GOD. OH, MY GOD, OH, MY GOD. 850 00:36:02,828 --> 00:36:05,358 PAQUET IS WATCHING. DETECTIVE ALMOND IS WATCHING. 851 00:36:05,397 --> 00:36:07,127 NIEDERMAYER IS WATCHING. 852 00:36:07,165 --> 00:36:09,025 OH! LIEUTENANT! 853 00:36:09,067 --> 00:36:10,867 DETECTIVE GRAVELY IS WATCHING. 854 00:36:13,205 --> 00:36:16,235 [ SPECTATORS GROANING ] 855 00:36:16,275 --> 00:36:19,845 AW, MAN! COME ON! 856 00:36:19,878 --> 00:36:23,978 I'LL BE HERE FOR THE NEXT 36 HOURS. 857 00:36:24,015 --> 00:36:26,045 [ CHEERS AND APPLAUSE ] 858 00:36:26,084 --> 00:36:27,724 Moto: LIEUTENANT, NOW! 859 00:36:27,753 --> 00:36:33,363 [ SPECTATORS GROANING, BOOING ] 860 00:36:34,926 --> 00:36:38,656 HEY, HEY, OKAY, ALL RIGHT. THAT'S ENOUGH ART FOR ONE DAY. 861 00:36:38,697 --> 00:36:41,827 YOU GUYS NEED TO GO HOME NOW AND WATCH SOME PORN 862 00:36:41,867 --> 00:36:43,067 OR SOMETHING ELSE AMERICAN. 863 00:36:43,101 --> 00:36:45,341 YEAH, BACK UP! 864 00:36:45,371 --> 00:36:47,171 [ CHEERS AND APPLAUSE ] 865 00:36:57,048 --> 00:36:58,448 ARE YOU CRAZY?! GRAVELY, DON'T BE A GINGER IMBECILE. 866 00:36:58,484 --> 00:37:00,694 IT'S THE SAME PRINCIPLE AS THE INTERROGATION ROOM. 867 00:37:00,719 --> 00:37:02,549 PEOPLE KNOW THEY'RE BEING RECORDED, 868 00:37:02,588 --> 00:37:03,718 BUT THEY SOON FORGET. 869 00:37:03,755 --> 00:37:05,455 YOU SHOULD STILL KNOW BETTER 870 00:37:05,491 --> 00:37:07,891 THAN TO MAKE OUT WITH A SUSPECT IN A HOMICIDE INVESTIGATION! 871 00:37:07,926 --> 00:37:09,256 SHE STARTED IT. 872 00:37:09,295 --> 00:37:11,925 OH, COME ON. SHE CAME ON TO ME BECAUSE, 873 00:37:11,963 --> 00:37:16,203 I DON'T KNOW, I SAW DEEPER INTO HER ARTISTIC SOUL 874 00:37:16,234 --> 00:37:19,414 THAN ANY OTHER MAN EVER HAD. 875 00:37:19,438 --> 00:37:22,708 THAT DOES NOT POSSIBLY SEEM LIKE IT COULD BE TRUE. 876 00:37:22,741 --> 00:37:24,481 [ SIGHS ] 877 00:37:24,510 --> 00:37:26,980 OH, MY GOD. WHAT? 878 00:37:27,012 --> 00:37:28,812 THERE WAS A CONNECTION BETWEEN YOU TWO. 879 00:37:28,847 --> 00:37:30,077 YOU LI HER. 880 00:37:30,115 --> 00:37:31,315 NO. DON'T -- RELAX, OKAY? 881 00:37:31,350 --> 00:37:32,780 THIS ISN'T JUNIOR HIGH, OKAY? 882 00:37:32,818 --> 00:37:34,418 I'M NOT GONNA ASK THE GIRL 883 00:37:34,453 --> 00:37:36,593 IN THE PLASTIC BUBBLE TO THE DANCE. 884 00:37:36,622 --> 00:37:37,722 [ KNOCK ON DOOR ] 885 00:37:37,756 --> 00:37:39,256 GOT THE EXTENDED TOX SCREENS BACK. 886 00:37:39,291 --> 00:37:41,731 MOSS BRADY TESTED POSITIVE FOR BENZODIAZEPINE. 887 00:37:41,760 --> 00:37:44,300 TRACE AMOUNTS ALSO FOUND IN TIMOTHY FITCH. 888 00:37:44,330 --> 00:37:46,630 AH. THEY WERE DRUGGED. 889 00:37:46,665 --> 00:37:50,595 LUCY WAS RIGHT. SHE'S NOT A SUSPECT. 890 00:37:50,636 --> 00:37:52,466 LIEUTENANT, I'M GOING TO ASK YOU A QUESTION, 891 00:37:52,504 --> 00:37:55,644 AND I NEED YOU TO THINK LONG AND HARD BEFORE YOU RESPOND. 892 00:37:55,674 --> 00:37:59,954 DID YOU TELL LUCY HARMS THAT SHE WAS NOT A SUSPECT 893 00:37:59,978 --> 00:38:02,008 BEFORE YOU STUCK YOUR TONGUE DOWN HER THROAT? 894 00:38:02,047 --> 00:38:04,447 I PROBABLY DID. 895 00:38:04,483 --> 00:38:05,623 [ SIPS ] 896 00:38:05,651 --> 00:38:07,351 DEFINITELY -- I DEFINITELY DID THAT. 897 00:38:07,386 --> 00:38:09,086 WELL, IN THAT CASE, TECHNICALLY, 898 00:38:09,120 --> 00:38:10,290 HE DID NOT MAKE OUT WITH A SUSPECT IN A HOMICIDE CASE. 899 00:38:10,322 --> 00:38:12,362 THAT'S RIGHT. NO, HE JUST MADE OUT 900 00:38:12,391 --> 00:38:14,591 WITH A WOMAN IN FRONT OF A HUGE CROWD OF PEOPLE 901 00:38:14,626 --> 00:38:15,686 WHILE THEY ALL WATCHED. 902 00:38:15,727 --> 00:38:16,927 CAN YOU BLAME THEM? 903 00:38:16,962 --> 00:38:18,662 LUCY HARMS IS UTTERLY MESMERIZING. 904 00:38:18,697 --> 00:38:20,127 HOW CAN YOU NOT WATCH HER? 905 00:38:20,165 --> 00:38:22,165 REALLY? 906 00:38:22,200 --> 00:38:25,170 HOW CAN YOU NOT WATCH HER? 907 00:38:25,203 --> 00:38:27,213 AHH. 908 00:38:27,238 --> 00:38:28,808 PAQUET! 909 00:38:28,840 --> 00:38:30,310 EW. I'D APPRECIATE IT IF WE DIDN'T REPEAT THAT. 910 00:38:30,342 --> 00:38:32,842 GET ME ALL DOCUMENTS RELATING TO LUCY'S PERFORMANCE 911 00:38:32,878 --> 00:38:34,478 THE DAY FITCH DIED. 912 00:38:34,513 --> 00:38:36,683 I THOUGHT YOU SAID SHE WASN'T A SUSPECT. SHE'S NOT. 913 00:38:36,715 --> 00:38:38,345 WE NEED TO LOOK AT THE AUDIENCE -- 914 00:38:38,384 --> 00:38:40,624 UH, SECURITY CAMERAS, PHOTOS, TICKET RECEIPTS -- 915 00:38:40,652 --> 00:38:43,122 ANYTHING THAT TELLS ME WHO WAS THERE THE DAY OF THAT SHOW. 916 00:38:43,154 --> 00:38:45,064 YOU GOT IT, HOBBIT. 917 00:38:48,093 --> 00:38:51,063 ALL QUESTIONS ASKED BY THE ARTIST 918 00:38:51,096 --> 00:38:55,326 ARE ANSWERED BY THE AUDIENCE. 919 00:38:55,367 --> 00:38:56,997 SUDDENLY, YOU'RE AN ARTIST. 920 00:38:57,035 --> 00:39:01,405 NO. I'M A MASTER. 921 00:39:01,440 --> 00:39:03,140 THANKS FOR COMING DOWN AGAIN, MS. ANDERSON. 922 00:39:03,174 --> 00:39:04,484 THIS WILL TAKE ABOUT A MINUTE. 923 00:39:04,510 --> 00:39:06,180 CAN I HAVE YOUR COAT? I'LL JUST HANG IT OUTSIDE. 924 00:39:06,211 --> 00:39:06,981 SURE. THANK YOU. 925 00:39:07,012 --> 00:39:08,812 LIEUTENANT? 926 00:39:08,847 --> 00:39:10,717 WE'VE GOT SOME NEW EVIDENCE I'D LOVE TO DISCUSS WITH YOU. 927 00:39:10,749 --> 00:39:13,079 PLEASE, HAVE A SEAT. 928 00:39:13,118 --> 00:39:14,688 MM. 929 00:39:14,720 --> 00:39:17,490 IT INVOLVES FITCH'S EX-GIRLFRIEND. 930 00:39:17,523 --> 00:39:18,523 LUCY HARMS? 931 00:39:18,557 --> 00:39:20,727 SHE WAS PERFORMING AT A GALLERY 932 00:39:20,759 --> 00:39:23,089 THE AFTERNOON BEFORE THE MURDER. 933 00:39:23,128 --> 00:39:25,458 I TRY NOT TO PAY MUCH ATTENTION TO HER. 934 00:39:26,598 --> 00:39:30,098 FITCH SAID IT WAS PAST -- IT WAS PAST. 935 00:39:30,135 --> 00:39:32,495 THIS IS FOOTAGE FROM THE BANK SECURITY CAMERA 936 00:39:32,538 --> 00:39:34,268 ACROSS THE STREET FROM THE GALLERY. 937 00:39:34,305 --> 00:39:36,935 THAT'S YOU, IN YOUR CAR, 938 00:39:36,975 --> 00:39:39,905 DURING HER PERFORMANCE, WAITING, 939 00:39:39,945 --> 00:39:44,875 AND THAT IS TIMOTHY FITCH COMING OUT OF THE GALLERY AFTERWARDS. 940 00:39:44,916 --> 00:39:47,546 HE WENT TO GO SEE HER PERFORM. 941 00:39:51,490 --> 00:39:53,290 I'M YOU. 942 00:39:53,324 --> 00:39:56,964 MY FIANCéE GOES TO SEE HIS EX-GIRLFRIEND, 943 00:39:56,995 --> 00:39:59,895 AND I GO TO SEE HIM. 944 00:39:59,931 --> 00:40:03,201 AND I REALIZE [GASPS] 945 00:40:03,234 --> 00:40:05,544 HE WILL ALWAYS BE IN LOVE WITH HER. 946 00:40:05,571 --> 00:40:08,871 SHE'S EVERYTHING THAT I'M NOT -- 947 00:40:08,907 --> 00:40:11,037 PASSIONATE AND SENSUAL, 948 00:40:11,076 --> 00:40:14,246 DARING, COMPLICATED. 949 00:40:14,279 --> 00:40:16,349 AND I'M JUST A MEAL TICKET. 950 00:40:18,917 --> 00:40:21,117 HE'S BEEN USING ME. 951 00:40:21,152 --> 00:40:25,962 AND THE BAD THING ISN'T THAT HE DOESN'T LOVE ME BACK. 952 00:40:25,991 --> 00:40:29,391 IT'S THAT HE EXPLOITS THAT LOVE. 953 00:40:29,427 --> 00:40:34,327 I...RENTED A MOVIE. 954 00:40:34,365 --> 00:40:36,395 I ORDERED FOOD. 955 00:40:36,434 --> 00:40:38,644 I HAVE AN ALIBI. 956 00:40:40,539 --> 00:40:42,439 YOU CAN EASILY ORDER FOOD AND RENT A MOVIE 957 00:40:42,474 --> 00:40:44,614 AND STILL HAVE TIME TO SHOOT A GUY THREE TIMES. 958 00:40:44,643 --> 00:40:46,913 I MEAN, HOW LONG DOES IT TAKE? 959 00:40:46,945 --> 00:40:49,405 BANG, BANG, BANG! [ GASPS ] 960 00:40:49,447 --> 00:40:50,917 LIKE A SECOND. 961 00:40:50,949 --> 00:40:51,819 [ DOOR OPENS ] [ GASPS ] 962 00:40:51,850 --> 00:40:53,650 COAT SLEEVES TESTED POSITIVE 963 00:40:53,685 --> 00:40:56,655 FOR GUNSHOT RESIDUE. 964 00:40:56,688 --> 00:40:58,758 WOW. 965 00:40:58,790 --> 00:41:00,190 AND FITCH ALWAYS SAID YOU WEREN'T PASSIONATE. 966 00:41:00,225 --> 00:41:01,325 [ GASPS ] 967 00:41:01,359 --> 00:41:03,159 CONGRATULATIONS, VIRGINIA. 968 00:41:03,194 --> 00:41:05,664 YOU SHOWED HIM. 969 00:41:08,066 --> 00:41:09,666 [ SHIP WHISTLE BLOWING ] 970 00:41:09,701 --> 00:41:11,801 [ DOOR OPENS ] 971 00:41:11,837 --> 00:41:13,167 HEY. 972 00:41:13,204 --> 00:41:15,114 TELL MOSS I SAID THE EXACT OPPOSITE 973 00:41:15,140 --> 00:41:16,440 OF WHAT YOU SAID I SAID. 974 00:41:16,474 --> 00:41:18,484 IT WON'T DO ANY GOOD. 975 00:41:18,510 --> 00:41:19,980 WELL, COULD YOU MAYBE AT LEAST TRY? 976 00:41:20,011 --> 00:41:22,681 I'M A LIAR. YOU'RE A THIEF. HE'S A CON MAN. 977 00:41:22,714 --> 00:41:26,654 NOT A CHANCE ANY OF US TRUST WHAT ANYONE ELSE SAYS. 978 00:41:26,685 --> 00:41:28,545 UM, WHAT ARE YOU MAKING? 979 00:41:28,587 --> 00:41:30,987 IT'S A KITE FOR ME. 980 00:41:31,022 --> 00:41:32,792 DESPITE HOW HE LOOKS, HE'S VERY ARTISTIC. 981 00:41:32,824 --> 00:41:35,034 THAT SAID, TELL HIM THE TRUTH. 982 00:41:35,060 --> 00:41:37,800 HE SAID YOU'RE NOT THE KILLER AND THAT I SHOULD LET YOU GO. 983 00:41:37,829 --> 00:41:42,529 BACKSTROM LIED TO YOU IN AN EFFORT TO ELIMINATE YOU 984 00:41:42,568 --> 00:41:44,398 AS A SUSPECT AS QUICKLY AS POSSIBLE. 985 00:41:44,435 --> 00:41:46,535 OKAY, STILL... 986 00:41:46,572 --> 00:41:47,972 "STILL" WHAT? 987 00:41:48,006 --> 00:41:49,366 HOW DO I KNOW YOU DIDN'T PAY HIM TO SAY THAT 988 00:41:49,407 --> 00:41:50,637 JUST SO YOU COULD GET ME IN BED? 989 00:41:50,676 --> 00:41:52,336 [ SIGHS ] TOLD YOU. 990 00:41:52,377 --> 00:41:55,147 LIAR, THIEF, CON MAN. 991 00:41:55,180 --> 00:41:57,020 DOESN'T MATTER WHAT ANY OF US SAY... 992 00:41:59,250 --> 00:42:01,890 ...ONLY WHAT WE DO. 993 00:42:01,920 --> 00:42:06,220 OH! IT'S A ROCKET! 994 00:42:06,257 --> 00:42:08,857 YEAH, IT'S A ROCKET. 995 00:42:08,894 --> 00:42:11,134 [ CLEARS THROAT ] 996 00:42:13,198 --> 00:42:15,068 WELL... 997 00:42:15,100 --> 00:42:18,200 I LOVE IT. 998 00:42:19,605 --> 00:42:22,705 I BET I COULD SELL IT FOR LIKE 800 BUCKS, YOU KNOW? 999 00:42:22,741 --> 00:42:26,511 THAT IS A WORK OF ART. 1000 00:42:26,544 --> 00:42:29,284 YOU DID HEAR THE PART ABOUT GETTING ME INTO BED, RIGHT? 1001 00:42:33,118 --> 00:42:35,748 OKAY, ALL RIGHT. 1002 00:42:35,787 --> 00:42:37,857 AND IT'S NOT ART. 1003 00:42:37,889 --> 00:42:40,429 YOU DON'T HANG IT ON A WALL. 1004 00:42:40,458 --> 00:42:45,798 THERE'S NO RELATIONSHIP BETWEEN THE ARTIST AND THE AUDIENCE. 1005 00:42:45,831 --> 00:42:50,571 IT'S JUST A THING THAT FLIES. 1006 00:42:50,602 --> 00:42:52,072 [ CLATTER ] 1007 00:42:52,103 --> 00:42:56,143 THAT'S WHAT IT DOES. 1008 00:42:56,174 --> 00:42:59,654 THE WIND CATCHES IT, AND... 1009 00:43:01,446 --> 00:43:02,446 [ DOOR CLOSES ] 1010 00:43:02,480 --> 00:43:04,520 ...AND IT FLIES. 1011 00:43:05,917 --> 00:43:09,387 AND THAT'S WHAT MAKES IT BEAUTIFUL -- 1012 00:43:09,420 --> 00:43:11,460 NOT TALKING ABOUT IT.