1 00:00:13,514 --> 00:00:15,684 [ SIGHS ] COME ON. 2 00:00:17,351 --> 00:00:20,491 [ SIGHS ] 3 00:00:20,521 --> 00:00:21,721 OKAY. 4 00:00:42,976 --> 00:00:43,936 [ GROANS ] 5 00:00:43,977 --> 00:00:45,777 WHAT IS ALL THIS CRAP? 6 00:00:45,813 --> 00:00:48,383 OUTGOING INVENTORY. 7 00:00:48,416 --> 00:00:49,716 [ SIGHS ] 8 00:00:49,750 --> 00:00:50,780 HERE. 9 00:00:50,818 --> 00:00:52,618 [ GRUNTS ] 10 00:00:53,787 --> 00:00:56,117 HELPFUL HINT -- 11 00:00:56,157 --> 00:00:58,387 MANSCAPING. 12 00:01:01,495 --> 00:01:02,425 OH. 13 00:01:02,463 --> 00:01:04,633 I KNOW, RIGHT? BEYOND REPROACH. 14 00:01:04,665 --> 00:01:06,225 I CALL IT A "BOYZILIAN." 15 00:01:06,267 --> 00:01:08,767 YOU ARE NOT READY FOR THAT. 16 00:01:08,802 --> 00:01:11,572 BABY STEPS. 17 00:01:15,276 --> 00:01:17,076 Serafian: * INTO THE LIGHT... * 18 00:01:17,111 --> 00:01:19,251 Niedermayer: BEHOLD, THE INESCAPABLE TRUTH 19 00:01:19,280 --> 00:01:20,880 ONSTAGE THREE WEEKS AGO. 20 00:01:20,914 --> 00:01:22,984 MAY I HAVE YOUR ATTENTION, PLEASE? 21 00:01:23,016 --> 00:01:25,086 I HAVE A VERY IMPORTANT QUESTION. 22 00:01:25,119 --> 00:01:26,289 IT'S ABOUT PENISES. 23 00:01:26,320 --> 00:01:27,960 YEAH, I THINK THAT CAN WAIT. 24 00:01:27,988 --> 00:01:29,988 WE HAVE AN URGENT MISSING-MUSICIAN CASE. 25 00:01:30,023 --> 00:01:31,263 MISSING MUSICIANS? 26 00:01:31,292 --> 00:01:32,632 THEY'RE NEVER URGENT. 27 00:01:32,660 --> 00:01:35,560 UGH, SOUNDS LIKE NOISE TO ME. I HATE MUSIC. 28 00:01:35,596 --> 00:01:37,566 AMUSIA, POSSIBLY DUE TO DAMAGE TO THE FRONTAL LOBE 29 00:01:37,598 --> 00:01:39,628 WHEN YOUR FATHER SMACKED YOU ON THE HEAD WITH HIS GUN. 30 00:01:39,667 --> 00:01:41,467 I'D LIKE TO SMACK YOU IN THE HEAD WITH A GUN. 31 00:01:41,502 --> 00:01:45,012 SEBASTIAN SERAFIAN, AGE 26, 32 00:01:45,038 --> 00:01:48,308 VANISHED FROM COURT-MANDATED REHAB. 33 00:01:48,342 --> 00:01:49,912 THIS COMES STRAIGHT FROM THE CHIEF. 34 00:01:49,943 --> 00:01:52,413 THIS COMES FROM THE CHIEF. 35 00:01:52,446 --> 00:01:55,676 ALMOND, YOU KNOW WHAT THAT MEANS. 36 00:01:55,716 --> 00:01:57,516 WHAT? POLITICS. 37 00:01:57,551 --> 00:01:59,291 YEAH, POLITICS. 38 00:01:59,320 --> 00:02:01,660 OH, GOD, LOOK AT HIM. 39 00:02:01,689 --> 00:02:04,629 BUNCH OF FAILED BARISTAS STARING AT THEIR NAVELS 40 00:02:04,658 --> 00:02:06,958 AND STICKING THEIR PARENTS WITH THE BILL. 41 00:02:06,994 --> 00:02:08,634 AW. MUSICIANS ARE ADORABLE. 42 00:02:08,662 --> 00:02:11,172 THEY DESERVE SPECIAL ARTIST FREEDOMS. 43 00:02:11,199 --> 00:02:13,029 YOUR ATTITUDE DISGUSTS ME. 44 00:02:13,066 --> 00:02:16,466 NO SPECIAL DISPENSATION FOR ARTISTS. 45 00:02:16,504 --> 00:02:19,344 OKAY, HERE'S WHAT WE'RE GONNA DO TODAY, KIDS. 46 00:02:19,373 --> 00:02:21,483 WE'RE GONNA FIND THIS POLITICALLY CONNECTED NOISEMAKER. 47 00:02:21,509 --> 00:02:24,309 WE'RE GONNA SLAM HIM BACK INTO REHAB, WHERE HE BELONGS. 48 00:02:24,345 --> 00:02:26,305 YOU AND ME, WE'RE GONNA TAKE THE REHAB. 49 00:02:26,347 --> 00:02:29,977 NIEDERMAYER, YOU AND ALMOND TALK TO THAT...BAND, 50 00:02:30,017 --> 00:02:31,817 FIND OUT WHO'S HIDING HIM. 51 00:02:31,852 --> 00:02:35,962 Chapin: OKAY, THIS IS WHERE WE HOLD GROUP THERAPY. 52 00:02:35,989 --> 00:02:37,489 THE PLACE IS COURT-MANDATED? 53 00:02:37,525 --> 00:02:39,685 WHERE'S THE PUKE-GREEN WALLS AND THE VIOLENT ORDERLIES? 54 00:02:39,727 --> 00:02:42,727 YOU KNOW, THE HOSTILITY YOU'VE DISPLAYED OVER THE PAST 10 MINUTES 55 00:02:42,763 --> 00:02:44,973 SUGGESTS THAT YOU'RE CONFLICTED WITH YOURSELF 56 00:02:44,998 --> 00:02:46,128 OVER ADDICTION ISSUES. 57 00:02:46,166 --> 00:02:47,636 LIEUTENANT BACKSTROM IS CONFLICTED 58 00:02:47,668 --> 00:02:49,638 WITH EVERYONE ABOUT EVERYTHING. MM-HMM. 59 00:02:49,670 --> 00:02:51,970 WHAT CAN YOU TELL US ABOUT SEBASTIAN SERAFIAN? 60 00:02:52,005 --> 00:02:53,465 I'M UNCOMFORTABLE EVEN CONFIRMING 61 00:02:53,507 --> 00:02:55,137 THAT SEBASTIAN WAS A GUEST HERE. 62 00:02:55,175 --> 00:02:56,375 WE GUARANTEE DISCRETION. 63 00:02:56,410 --> 00:02:57,650 DID HE HAVE ANY VISITORS? 64 00:02:57,678 --> 00:02:59,508 AGAIN, I MUST PUT THE RIGHT TO PRIVACY 65 00:02:59,547 --> 00:03:02,347 OF OUR GUESTS BEFORE -- JUST PUT YOUR FINGER ON YOUR NOSE 66 00:03:02,383 --> 00:03:04,653 IF ANY OF HIS BANDMATES SMUGGLED IN DRUGS. 67 00:03:04,685 --> 00:03:06,015 OKAY, FELLA. 68 00:03:06,053 --> 00:03:08,863 SO, WHAT'S YOUR POISON? HMM? 69 00:03:08,889 --> 00:03:10,219 DRUGS, ALCOHOL? 70 00:03:10,258 --> 00:03:11,388 KEEP GOING? YEAH. 71 00:03:11,425 --> 00:03:13,555 OH, YOU'RE AN "ALL OF THE ABOVE" MAN. 72 00:03:13,594 --> 00:03:15,264 [ CHUCKLES ] WELL, MR. "ALL OF THE ABOVE," 73 00:03:15,296 --> 00:03:17,596 TRY CLOSING YOUR MOUTH AND OPENING YOUR HEART. 74 00:03:17,631 --> 00:03:20,101 TRY OPENING YOUR MOUTH AND CLOSING YOUR EYES. EXCUSE ME? 75 00:03:20,133 --> 00:03:21,773 WITHOUT CONFIRMING THAT SEBASTIAN 76 00:03:21,802 --> 00:03:23,272 WAS EVER A PATIENT HERE, 77 00:03:23,304 --> 00:03:25,314 CAN YOU TELL US EXACTLY WHAT TIME HE WENT MISSING? 78 00:03:26,740 --> 00:03:29,610 YEAH, I CAN DO THAT. 79 00:03:29,643 --> 00:03:32,113 [ KEYS CLACKING ] 80 00:03:32,145 --> 00:03:35,375 30th. SEE? 81 00:03:35,416 --> 00:03:38,786 THAT'S SEBASTIAN SERAFIAN. DID HE LEAVE A DATA TRAIL? 82 00:03:38,819 --> 00:03:41,559 NO. GUESTS FORGO ALL PHONE AND COMPUTER PRIVILEGES. 83 00:03:41,589 --> 00:03:43,519 YEAH? HOW DO THE GUESTS KEEP IN TOUCH 84 00:03:43,557 --> 00:03:45,127 WITH THEIR DEALERS AND THEIR BOOKIES? 85 00:03:45,158 --> 00:03:47,598 ADDICTION IS NOT A JOKE. IT IS A DISEASE. 86 00:03:47,628 --> 00:03:50,428 YOU KNOW WHAT'S A DISEASE? ANTHRAX. 87 00:03:50,464 --> 00:03:53,434 YOU KNOW WHAT'S FUN? DRUGS AND ALCOHOL. 88 00:03:53,467 --> 00:03:54,737 YOU DON'T BELIEVE ME, 89 00:03:54,768 --> 00:03:56,398 LOOK AT HIM JUMPING OVER THAT WALL. 90 00:03:56,437 --> 00:03:58,207 YOU'RE A FRAUD. THIS PLACE IS BOGUS. 91 00:03:58,238 --> 00:03:59,708 WHEN I CATCH HIM, 92 00:03:59,740 --> 00:04:01,780 HE'S NOT COMING BACK TO THIS SHANGRI-LA. 93 00:04:01,809 --> 00:04:04,779 NO, HE'S GOING TO JAIL, WHERE HE CAN GET SOME REAL HELP. 94 00:04:06,314 --> 00:04:09,454 THE WHOLE BAND OPERATES AS A CREATIVE COMMUNE. 95 00:04:09,483 --> 00:04:13,093 MOST OF THEM LIVE RIGHT HERE, WHERE THEY PRACTICE. 96 00:04:13,120 --> 00:04:15,460 HEY, SPECIAL CRIMES UNIT! 97 00:04:15,489 --> 00:04:18,829 [ ROCK MUSIC PLAYING ] THAT MEANS STOP PLAYING. 98 00:04:18,859 --> 00:04:19,929 [ MUSIC STOPS ] 99 00:04:19,960 --> 00:04:21,260 THANK YOU. 100 00:04:21,295 --> 00:04:24,055 UH, WE ARE LOOKING FOR SEBASTIAN SERAFIAN. 101 00:04:24,097 --> 00:04:25,227 HE'S NOT HERE. 102 00:04:25,265 --> 00:04:26,665 YOU MIND? 103 00:04:29,670 --> 00:04:32,310 DOES ANYBODY KNOW HIS WHEREABOUTS? 104 00:04:32,340 --> 00:04:34,110 YEAH, HE'S IN REHAB. 105 00:04:34,141 --> 00:04:36,081 WRONG. Hausberg: WHAT? 106 00:04:36,109 --> 00:04:37,609 SEBASTIAN LEFT REHAB? 107 00:04:37,645 --> 00:04:39,945 HE'S GONNA DIE IF HE DOESN'T GET OFF DRUGS. 108 00:04:39,980 --> 00:04:41,450 WE CAN ALL SEE IT COMING. 109 00:04:41,482 --> 00:04:43,282 I HAVE TOTAL FAITH IN SEBASTIAN. 110 00:04:43,317 --> 00:04:45,317 Almond: MAYBE IT'S BEST IF YOU HELP US FIND HIM. 111 00:04:45,353 --> 00:04:46,653 MIND IF WE LOOK AROUND? 112 00:04:46,687 --> 00:04:49,457 SEBASTIAN'S NOT HERE. TOTAL WASTE OF TIME. 113 00:04:49,490 --> 00:04:51,690 LARA'S NOT THE ONLY ONE THAT WANTS SEBASTIAN TO LIVE. 114 00:04:51,725 --> 00:04:55,455 SEBASTIAN WROTE THE MUSIC AND WORDS, 115 00:04:55,496 --> 00:04:57,126 AND HE WAS THE FRONT MAN OF THE BAND. 116 00:04:57,164 --> 00:04:59,774 WOULD IT BE FAIR TO SAY THAT HE WAS THE LEADER OF THE BAND? 117 00:04:59,800 --> 00:05:01,970 WE DON'T HAVE A LEADER. WE'RE AN ARTISTIC COLLECTIVE. 118 00:05:02,002 --> 00:05:02,972 AH. 119 00:05:03,003 --> 00:05:05,643 THUS THE SPIRIT-GUIDE HEADS. 120 00:05:05,673 --> 00:05:08,983 IT'S AN IRONIC COMMENT ON THE EGO. 121 00:05:09,009 --> 00:05:10,979 ANYONE THAT WANTS TO LET THE COPS LOOK AROUND, 122 00:05:11,011 --> 00:05:12,011 RAISE YOUR HAND. 123 00:05:17,651 --> 00:05:19,491 IT'S UNANIMOUS. THANK YOU. 124 00:05:20,988 --> 00:05:24,528 Backstrom: IF I ESCAPED REHAB ON FOOT, I HEAD TO THE NEAREST PLACE 125 00:05:24,558 --> 00:05:26,288 I CAN GET BLASTED OUT OF MY JUNKIE SKULL. 126 00:05:26,326 --> 00:05:27,896 Gravely: WELL, THIS IS THE NEAREST BAR. 127 00:05:27,928 --> 00:05:29,998 SEBASTIAN SERAFIAN -- DO YOU RECOGNIZE HIM? 128 00:05:30,030 --> 00:05:31,830 NEVER SAW HIM IN MY LIFE. 129 00:05:31,865 --> 00:05:33,495 YOU DIDN'T EVEN LOOK. 130 00:05:35,102 --> 00:05:36,572 ARE THERE ANY CAMERAS IN HERE? 131 00:05:36,604 --> 00:05:38,144 YOU SEE ANY CAMERAS IN HERE? 132 00:05:38,171 --> 00:05:42,711 MS. McMURRAY, ARE YOU THE OWNER OF THIS ESTABLISHMENT? 133 00:05:42,743 --> 00:05:44,753 ME, AN EX-HUSBAND, AND THE BANK. 134 00:05:44,778 --> 00:05:48,518 GRAVELY, GO SEE IF HE'S IN THE BATHROOM. 135 00:05:48,549 --> 00:05:51,419 HE MIGHT BE SHOOTING UP. 136 00:05:54,221 --> 00:05:57,261 YOUR HOSTILITY SUGGESTS YOU'RE IN CONFLICT WITH YOURSELF 137 00:05:57,290 --> 00:05:58,860 OVER ADDICTION ISSUES. 138 00:06:00,293 --> 00:06:02,263 NO, I AM NOT. 139 00:06:02,295 --> 00:06:04,155 ADDICTION IS WHAT KEEPS THIS PLACE AFLOAT. 140 00:06:04,197 --> 00:06:06,397 YEAH, AND THE REHAB UP THE STREET. 141 00:06:06,434 --> 00:06:09,044 I GUESS YOU GUYS KEEP EACH OTHER AFLOAT 142 00:06:09,069 --> 00:06:10,199 SWAPPING CUSTOMERS. 143 00:06:10,237 --> 00:06:13,407 [ BOTH CHUCKLE ] 144 00:06:13,441 --> 00:06:15,441 [ SIGHS ] 145 00:06:15,476 --> 00:06:17,176 YOUR DAUGHTER ASKED THE WRONG QUESTION. 146 00:06:17,210 --> 00:06:19,580 [ CHUCKLES ] YOU WANT TO TRY? 147 00:06:21,248 --> 00:06:24,748 ARE THERE CAMERAS ON THE OUTSIDE OF THIS PLACE? 148 00:06:28,221 --> 00:06:31,561 OKAY. 149 00:06:32,793 --> 00:06:35,303 WHY HAVE A CAMERA OUTSIDE OF THE BAR? 150 00:06:35,328 --> 00:06:37,728 SO COPS CAN'T SEE WHAT GOES ON INSIDE THE BAR. 151 00:06:37,765 --> 00:06:40,525 AND TO MAKE SURE ALL THE REALLY BAD STUFF HAPPENS OUTSIDE. 152 00:06:40,568 --> 00:06:42,268 WHERE IT'S NOT YOUR FAULT. 153 00:06:42,302 --> 00:06:43,442 THAT YOUR BOY? 154 00:06:43,471 --> 00:06:44,371 THAT'S HIM. 155 00:06:44,404 --> 00:06:45,644 11:28 P.M. 156 00:06:45,673 --> 00:06:47,883 AND THAT'S HER LICENSE-PLATE NUMBER. 157 00:06:47,908 --> 00:06:49,438 LET'S TRACK DOWN THE JUNKIE MESSIAH, 158 00:06:49,477 --> 00:06:50,877 THROW HIM IN JAIL, 159 00:06:50,911 --> 00:06:53,681 AND COME BACK AND ENJOY A COUPLE OF COLD ONES. 160 00:06:58,285 --> 00:06:59,745 EXCUSE ME. 161 00:07:33,821 --> 00:07:34,591 Gravely: IS THIS YOUR VAN? 162 00:07:34,622 --> 00:07:35,992 YEAH, THAT'S MY VAN. 163 00:07:36,023 --> 00:07:37,793 IT USED TO BE, ANYWAY. 164 00:07:37,825 --> 00:07:40,755 A FEW WEEKS AGO, I DONATED IT TO ONE OF MY PATIENTS. 165 00:07:40,794 --> 00:07:43,364 MY CLIENT IS A WELL-RESPECTED ORTHOPEDIST. 166 00:07:43,396 --> 00:07:45,796 WHAT IS THE NAME OF YOUR PATIENT, DR. KOBRINE? 167 00:07:45,833 --> 00:07:47,943 SEBASTIAN SERAFIAN, A LOCAL MUSICIAN. 168 00:07:47,968 --> 00:07:50,698 HAD THREE BROKEN METACARPALS IN HIS RIGHT HAND. 169 00:07:50,738 --> 00:07:52,508 YOUR PATIENT IS AN ESCAPED JUNKIE, 170 00:07:52,540 --> 00:07:54,340 AND YOU BROUGHT YOUR LAWYER WITH YOU. 171 00:07:54,374 --> 00:07:55,984 WHAT'S WRONG WITH THIS PICTURE? 172 00:07:56,009 --> 00:07:58,549 ANYONE CALLED IN FOR A POLICE INTERVIEW SHOULD BE REPRESENTED. 173 00:07:58,579 --> 00:08:00,609 ESPECIALLY IF THEY'RE GUILTY OF SOMETHING. 174 00:08:00,648 --> 00:08:01,618 [ KNOCK ON DOOR ] 175 00:08:01,649 --> 00:08:03,149 YOU'RE GONNA LOVE THIS. 176 00:08:03,183 --> 00:08:06,393 APPARENTLY, THE GOOD DOCTOR'S UNDER INVESTIGATION 177 00:08:06,419 --> 00:08:08,919 AS PORTLAND'S BIGGEST PILL PUSHER. 178 00:08:10,157 --> 00:08:11,787 SON OF A BITCH. 179 00:08:11,825 --> 00:08:14,955 OH, NICE TO SEE YOU, TOO, DETECTIVE. 180 00:08:14,995 --> 00:08:17,525 THIS IS ASSISTANT DISTRICT ATTORNEY STEVE KINES. 181 00:08:17,565 --> 00:08:19,295 I HATE HIM. 182 00:08:19,332 --> 00:08:20,702 LOVE AFFAIR GONE BAD? Both: NO. 183 00:08:20,734 --> 00:08:22,804 MY THEORY IS OUR MISSING MUSICIAN 184 00:08:22,836 --> 00:08:25,906 IS A MATERIAL WITNESS IN YOUR CASE AGAINST THE DOCTOR. 185 00:08:25,939 --> 00:08:28,839 REHAB WAS A LAST-DITCH EFFORT TO GET HIM CLEAN 186 00:08:28,876 --> 00:08:30,736 BEFORE PROPPING HIM UP IN FRONT OF A GRAND JURY. 187 00:08:30,778 --> 00:08:33,308 GREAT. WE UNDERSTAND ONE ANOTHER. 188 00:08:33,346 --> 00:08:35,876 WHAT IF THE DOCTOR KILLED HIM? 189 00:08:35,916 --> 00:08:36,916 HE DIDN'T. 190 00:08:36,950 --> 00:08:38,050 SURVEILLANCE? 191 00:08:38,085 --> 00:08:39,245 AND WIRETAPPED AND BUGGED, 192 00:08:39,286 --> 00:08:40,716 SO WE KNOW HE DIDN'T HIRE SOMEONE 193 00:08:40,754 --> 00:08:42,224 TO KILL SEBASTIAN SERAFIAN. 194 00:08:42,255 --> 00:08:45,155 SO WILL YOU PLEASE QUIT WASTING TIME WITH MY TARGET, 195 00:08:45,192 --> 00:08:46,732 LET HIM GO, 196 00:08:46,760 --> 00:08:48,800 AND FIND MY MISSING WITNESS. 197 00:08:52,132 --> 00:08:54,902 TELL ME YOU HATE HIM, TOO. 198 00:08:54,935 --> 00:08:56,395 I HATE EVERYBODY. 199 00:08:56,436 --> 00:08:58,266 OUR APOLOGIES. 200 00:08:58,305 --> 00:08:59,705 WE WERE MEETING WITH THE PROSECUTOR, 201 00:08:59,740 --> 00:09:01,680 WHO SAID YOU KILLED SEBASTIAN SERAFIAN 202 00:09:01,709 --> 00:09:03,239 BECAUSE HE WAS THE PRIME WITNESS 203 00:09:03,276 --> 00:09:04,746 AGAINST YOU IN A NARCOTICS CASE. 204 00:09:04,778 --> 00:09:08,678 WE'RE OUT OF HERE, ALAN. YOU'VE COOPERATED ENOUGH. 205 00:09:08,716 --> 00:09:11,116 GOOD LUCK FINDING SEBASTIAN. 206 00:09:11,151 --> 00:09:12,721 HE'S VERY TALENTED. 207 00:09:16,056 --> 00:09:18,756 THAT WOULD BE AWESOME IF WE COULD GET HIM FOR MURDER 208 00:09:18,792 --> 00:09:21,092 BEFORE KINES GETS HIM FOR TRAFFICKING. 209 00:09:21,128 --> 00:09:21,958 OOH! 210 00:09:21,995 --> 00:09:23,525 YEAH, BECAUSE EVERYTHING WE DO 211 00:09:23,563 --> 00:09:25,773 IS TO GET REVENGE ON YOUR EX-BOYFRIENDS. 212 00:09:28,101 --> 00:09:29,801 [ "BLACK STONE" PLAYING ] THIS SUCKS. 213 00:09:29,837 --> 00:09:31,637 WHY ARE WE LISTENING TO THIS HOOEY? 214 00:09:31,672 --> 00:09:34,042 WE'RE ANALYZING SEBASTIAN'S SONGS 215 00:09:34,074 --> 00:09:37,314 THROUGH THE FILTER OF FORENSIC LINGUISTICS. 216 00:09:37,344 --> 00:09:41,624 "BLACK WATER, BLACK CHAINS. 217 00:09:41,649 --> 00:09:43,779 BLACK VISIONS RUNS THROUGH MY VEINS." 218 00:09:43,817 --> 00:09:46,417 SEE, THIS SONG IN PARTICULAR, "BLACK STONE," 219 00:09:46,453 --> 00:09:47,623 COULD BE ABOUT SUICIDE 220 00:09:47,655 --> 00:09:50,085 OR SURRENDERING TO A GREATER POWER 221 00:09:50,123 --> 00:09:51,423 THAT HE DOESN'T TRUST. 222 00:09:51,458 --> 00:09:52,958 AND THIS SONG MIGHT GIVE US INSIGHT 223 00:09:52,993 --> 00:09:55,663 INTO HIS DEFINITION OF A SANCTUARY. 224 00:09:55,696 --> 00:09:57,126 [ MUSIC STOPS ] 225 00:09:57,164 --> 00:09:59,104 CAN I ASK YOU SOMETHING? 226 00:09:59,132 --> 00:10:03,142 YES, FORENSIC LINGUISTICS IS A REAL THING. 227 00:10:03,170 --> 00:10:04,400 NO, NO. 228 00:10:04,437 --> 00:10:06,037 PENISES. 229 00:10:07,007 --> 00:10:09,107 ARE THEY MORE LIKE SNOWFLAKES OR BUTTONS? 230 00:10:09,142 --> 00:10:12,512 YOU MEAN UNIQUE VERSUS MASS-PRODUCED? 231 00:10:12,545 --> 00:10:13,505 YOU'VE SEEN LOTS OF THEM. 232 00:10:13,546 --> 00:10:14,946 YOU MEAN IN AUTOPSIES? 233 00:10:14,982 --> 00:10:17,122 YEAH, SURE. THAT'S -- THAT'S HOW I MEAN IT. 234 00:10:17,150 --> 00:10:18,620 [ LAUGHS ] 235 00:10:18,652 --> 00:10:21,122 ALL RIGHT, WELL, PERHAPS IF YOU PROVIDE CONTEXT. 236 00:10:21,154 --> 00:10:24,424 VALENTINE'S PENIS... 237 00:10:24,457 --> 00:10:26,457 LOOKS EXACTLY LIKE MINE. 238 00:10:26,493 --> 00:10:29,263 YOUR NOSES ARE ALSO IDENTICAL. WHAT? 239 00:10:29,296 --> 00:10:32,426 WHICH LED ME TO ASSUME THAT VALENTINE WAS YOUR SON. 240 00:10:32,465 --> 00:10:33,925 GET OUT OF HERE. 241 00:10:33,967 --> 00:10:36,967 IS IT NOT A PHYSICAL POSSIBILITY? 242 00:10:37,004 --> 00:10:38,714 SIR, YOU'RE DOING THE MATH IN YOUR HEAD, 243 00:10:38,739 --> 00:10:40,039 WHICH MEANS THAT YOU HAVE, IN FACT, 244 00:10:40,073 --> 00:10:41,843 HAD SEX WITH VALENTINE'S MOTHER. 245 00:10:41,875 --> 00:10:45,145 MATH IN MY HEAD MAKES HIM NOT MY KID BY ABOUT TWO YEARS. 246 00:10:45,178 --> 00:10:48,018 WELL, BUT YOUR NOSES INDICATE OTHERWISE. 247 00:10:49,149 --> 00:10:51,349 SIR, NOT ONLY DOES CIGAR SMOKING 248 00:10:51,384 --> 00:10:54,654 CAUSE MALIGNANCIES IN THE LARYNX AND ESOPHAGUS, 249 00:10:54,688 --> 00:10:58,128 BUT IT ALSO CAN CONTRIBUTE TO PANCREATIC CANCERS. 250 00:10:58,158 --> 00:11:03,028 THE VAN TURNED EAST OUT OF THE ROADHOUSE PARKING LOT. 251 00:11:03,063 --> 00:11:03,833 RIGHT. 252 00:11:03,864 --> 00:11:05,404 WELL, THERE'S NOTHING THERE. 253 00:11:05,432 --> 00:11:07,632 I MEAN, IT'S THE REHAB AND A MILLION MILES OF LOGGING ROADS. 254 00:11:07,667 --> 00:11:09,337 IS THERE ANYTHING IN THOSE LYRICS 255 00:11:09,369 --> 00:11:12,239 ABOUT A SANCTUARY OUT IN THE MIDDLE OF NOWHERE? 256 00:11:15,776 --> 00:11:17,176 HEY, NADIA, 257 00:11:17,210 --> 00:11:19,310 WOULD YOU PULL UP A MAP OF THE AREA 258 00:11:19,346 --> 00:11:20,476 EAST OF THE ROADHOUSE? 259 00:11:20,513 --> 00:11:21,653 YEAH. 260 00:11:21,681 --> 00:11:24,321 SO, THIS IS A SATELLITE VIEW OF THE AREA. 261 00:11:24,351 --> 00:11:25,991 OH, WOW. THAT WAS FAST. 262 00:11:26,019 --> 00:11:26,889 UH, OKAY. 263 00:11:26,920 --> 00:11:28,160 IN ONE OF SEBASTIAN'S SONGS, 264 00:11:28,188 --> 00:11:30,388 HE REFERS TO A PLACE CALLED BLACK STONE. 265 00:11:30,423 --> 00:11:34,093 NOW, I-IT COULD BE THE NAME OF A MOUNTAIN, UH, 266 00:11:34,127 --> 00:11:35,357 OR A RIVER. 267 00:11:35,395 --> 00:11:36,355 QUARRY. 268 00:11:36,396 --> 00:11:38,396 BLACKSTONE QUARRY. 269 00:11:38,431 --> 00:11:41,801 NOW FILLED WITH BLACK WATER. 270 00:11:53,480 --> 00:11:55,920 Niedermayer: HAVE YOU GUYS NOTICED THAT THE VICTIM'S VAN 271 00:11:55,949 --> 00:11:57,619 IS A MIRROR OF THE SPECIAL CRIMES UNIT? 272 00:11:57,650 --> 00:11:58,850 Backstrom: NO, NO. 273 00:11:58,886 --> 00:12:01,086 Moto: WHAT DO YOU MEAN, "MIRROR"? 274 00:12:01,121 --> 00:12:04,621 WE HAVE A DEFINITE LEADER WITH AN ADDICTIVE PERSONALITY. 275 00:12:04,657 --> 00:12:06,287 OH, SHUT UP, NIEDERMAYER. 276 00:12:06,326 --> 00:12:09,196 OKAY, THINK OF HIS SPIRIT GUIDE. IT'S A MOUNTAIN LION, RIGHT? 277 00:12:09,229 --> 00:12:11,299 TOP OF THE FOOD CHAIN, KING OF ALL HE SURVEYS. 278 00:12:11,331 --> 00:12:13,631 YOU'RE ON TO SOMETHING WITH THAT "KING" STUFF. 279 00:12:13,666 --> 00:12:14,796 ALL RIGHT, LOOK AT THIS. 280 00:12:14,835 --> 00:12:17,035 THE BASSIST AND THE DRUMMER 281 00:12:17,070 --> 00:12:19,240 ARE DETECTIVES GRAVELY AND ALMOND RESPECTIVELY. 282 00:12:19,272 --> 00:12:21,272 OH, YEAH, SO IT'S THE RHYTHM SECTION 283 00:12:21,308 --> 00:12:22,608 THAT'S KEEPING THE BEAT 284 00:12:22,642 --> 00:12:24,952 AND DRIVING EVERYTHING FORWARD. 285 00:12:24,978 --> 00:12:27,778 YEAH, YOU GOT IT. ALL RIGHT, SO, LOOKIT. 286 00:12:27,815 --> 00:12:30,545 ALMOND'S SPIRIT ANIMAL IS THE MOUNTAIN RAM -- 287 00:12:30,583 --> 00:12:31,823 FARSEEING, SUREFOOTED. 288 00:12:31,852 --> 00:12:34,292 AND, OF COURSE, GRAVELY IS THE BEAR. 289 00:12:34,321 --> 00:12:35,561 STINKS OF RAW FISH? 290 00:12:35,588 --> 00:12:36,988 BRAVE BUT NURTURING. 291 00:12:37,024 --> 00:12:40,194 OKAY, W-WHAT ABOUT THE HOT RACCOON WITH THE CELLO? 292 00:12:41,461 --> 00:12:42,761 PAQUET. [ LAUGHS ] 293 00:12:42,796 --> 00:12:45,126 SHE'S CHARMING, INTELLIGENT, MISCHIEVOUS. 294 00:12:45,165 --> 00:12:48,465 SHE'S AN ENIGMATIC BANDIT WHO WILL STEAL YOUR HEART. 295 00:12:48,501 --> 00:12:50,241 THERE'S NOTHING HERE. 296 00:12:50,270 --> 00:12:52,770 AND I WAS HOPING THAT WE'D FIND SEBASTIAN OUT HERE 297 00:12:52,806 --> 00:12:54,666 GETTING HIGH IN A TENT WITH A GROUPIE. 298 00:12:54,707 --> 00:12:56,637 [ LAUGHS ] YEAH, THAT'S A NICE THOUGHT. 299 00:12:56,676 --> 00:12:58,306 NIEDERMAYER IS SUCH AN IMBECILE, 300 00:12:58,345 --> 00:13:01,175 DRAGGING US OUT HERE OVER SOME STUPID SONG. 301 00:13:07,220 --> 00:13:08,460 LIEUTENANT... 302 00:13:08,488 --> 00:13:10,958 A VEHICLE WAS PARKED HERE. 303 00:13:10,991 --> 00:13:12,491 I HAVE AN OIL STAIN. 304 00:13:12,525 --> 00:13:16,495 AND A DROP PATTERN LEADING TOWARD THESE TIRE MARKS. 305 00:13:20,968 --> 00:13:23,338 YOU THINK THE VAN WENT OVER HERE? 306 00:13:40,353 --> 00:13:42,093 [ POLICE RADIO CHATTER ] 307 00:13:44,557 --> 00:13:46,327 [ INDISTINCT SHOUTING ] 308 00:13:54,567 --> 00:13:58,037 Gravely: IS THAT OUR MUSICIAN? 309 00:13:58,071 --> 00:14:00,171 Niedermayer: SEBASTIAN SERAFIAN, IN THE FLESH. 310 00:14:00,207 --> 00:14:02,007 IT COULD BE SUICIDE, EXCEPT WHAT HAPPENED 311 00:14:02,042 --> 00:14:03,812 TO WHOEVER BROUGHT HIM ALL THE WAY OUT HERE? 312 00:14:03,843 --> 00:14:05,483 IT'S NOT SUICIDE. 313 00:14:05,512 --> 00:14:07,552 NOTE THE AMPLIFIER JAMMED AGAINST THE GAS PEDAL. 314 00:14:07,580 --> 00:14:09,520 YOU KNOW, YOU'VE GOT TO HAND IT TO BACKSTROM -- 315 00:14:09,549 --> 00:14:11,049 ACTUALLY, IF I MAY, 316 00:14:11,084 --> 00:14:15,564 IT WAS SOLID FORENSIC LINGUISTICS AND LOGIC THAT -- 317 00:14:17,390 --> 00:14:19,290 HEY, GUYS? 318 00:14:23,796 --> 00:14:24,596 [ CRASH ] 319 00:14:24,631 --> 00:14:26,231 OOPS! SORRY. 320 00:14:26,266 --> 00:14:28,766 NOW THAT YOU'RE AWAKE, FEEL LIKE HELPING ME? 321 00:14:28,801 --> 00:14:30,941 I'M A COP. 322 00:14:30,971 --> 00:14:33,741 I CAN'T HELP YOU TRANSPORT STOLEN GOODS. 323 00:14:33,773 --> 00:14:36,083 I GOT TO SHIP ALL THIS STUFF TO SEATTLE. 324 00:14:36,109 --> 00:14:40,079 IF THE GUY WHO, LET'S SAY, DEALS IN DISCOUNT ELECTRONICS 325 00:14:40,113 --> 00:14:41,953 FINDS OUT I'M UNDERSELLING HIM, 326 00:14:41,982 --> 00:14:44,382 YOU'LL BE INVESTIGATING MY MURDER. 327 00:14:44,417 --> 00:14:45,787 HEY, HEY. 328 00:14:45,818 --> 00:14:47,088 WHAT? 329 00:14:47,120 --> 00:14:49,560 DID YOU TALK TO YOUR MOM RECENTLY? 330 00:14:49,589 --> 00:14:50,589 [ LAUGHS ] 331 00:14:50,623 --> 00:14:51,963 NO. 332 00:14:51,992 --> 00:14:54,692 EVER SINCE LOU BECAME A NUN, WE DON'T TALK MUCH. 333 00:14:54,727 --> 00:14:56,357 SHE DIDN'T BECOME A NUN. 334 00:14:56,396 --> 00:14:58,966 SHE EVER TELL YOU ANYTHING ABOUT YOUR FATHER? 335 00:14:58,999 --> 00:15:00,369 MY MOTHER WAS A HOOKER. 336 00:15:00,400 --> 00:15:03,800 I DOUBT SHE'D EVER BE ABLE TO FINGER THE GUILTY PARTY. 337 00:15:03,836 --> 00:15:05,706 SO TO SPEAK. ALL SHE EVER SAID 338 00:15:05,738 --> 00:15:07,408 WAS THAT MY FATHER WAS A CLIENT 339 00:15:07,440 --> 00:15:10,080 AND SOME KIND OF GENIUS. 340 00:15:10,110 --> 00:15:11,080 OH. 341 00:15:11,111 --> 00:15:14,711 OH, AND, UH -- AND A TOTAL DICK. 342 00:15:14,747 --> 00:15:15,977 [ CHUCKLES ] 343 00:15:16,016 --> 00:15:19,446 SO, AT LEAST I KNOW WHERE I GOT MY GENIUS. 344 00:15:21,488 --> 00:15:23,788 AND YOUR NOSE. 345 00:15:23,823 --> 00:15:26,163 AND YOUR PENIS. 346 00:15:26,193 --> 00:15:31,003 PRELIM TOX SCREENS SHOW ALCOHOL, THC, OXYCODONE, AND HEROIN. 347 00:15:31,031 --> 00:15:32,301 ALSO, HE WAS GARROTED 348 00:15:32,332 --> 00:15:34,232 TO THE POINT WHERE HE LOST CONSCIOUSNESS. 349 00:15:34,267 --> 00:15:36,597 HIS HEAD HIT THE STEERING WHEEL WHEN THE VAN HIT THE WATER. 350 00:15:36,636 --> 00:15:38,006 BUT STILL, HE DIED OF DROWNING. 351 00:15:38,038 --> 00:15:40,508 JUNKIES ARE HARD TO KILL. 352 00:15:40,540 --> 00:15:41,670 GARROTED HOW? 353 00:15:41,708 --> 00:15:42,938 SOME SORT OF STRING, 354 00:15:42,976 --> 00:15:44,236 POSSIBLY PIANO, PERHAPS GUITAR. 355 00:15:44,277 --> 00:15:45,947 LOOK FOR LACERATIONS ON THE HANDS. 356 00:15:45,979 --> 00:15:47,279 DID YOU FIND THE GARROTE? 357 00:15:47,314 --> 00:15:49,024 YEAH, THERE WERE A TON OF STRINGS 358 00:15:49,049 --> 00:15:51,449 IN THE BACK OF THE VAN, BUT NONE BLOODY, AS EXPECTED. 359 00:15:51,484 --> 00:15:53,354 SO PERHAPS THE KILLER TOOK IT WITH HIM, 360 00:15:53,386 --> 00:15:55,286 OR IT GOT WASHED CLEAN IN THE QUARRY. 361 00:15:55,322 --> 00:15:56,992 GOT DRUGGED, STRANGLED FROM BEHIND 362 00:15:57,024 --> 00:15:59,034 BY SOMEONE WHO HE THOUGHT WAS HIS FRIEND, 363 00:15:59,059 --> 00:16:00,789 AND THEN DUMPED IN A ROCK QUARRY. 364 00:16:00,827 --> 00:16:02,457 I MEAN, IT'S A WONDER WE FOUND HIM. 365 00:16:02,495 --> 00:16:03,995 IT'S A BACKSTROM WE FOUND HIM. 366 00:16:04,031 --> 00:16:06,031 LISTEN, I DON'T WANT TO TOOT MY OWN HORN -- 367 00:16:06,066 --> 00:16:07,796 THE VAN HAD DOZENS OF PARKING TICKETS 368 00:16:07,834 --> 00:16:10,674 GOING BACK EIGHT WEEKS OUTSIDE PLACES THE BAND PLAYED. 369 00:16:10,703 --> 00:16:12,513 WELL, LOOK, THE -- THE WHOLE BAND 370 00:16:12,539 --> 00:16:14,309 HAD ACCESS TO THE VAN. 371 00:16:14,341 --> 00:16:17,011 OH, THAT'S NOT SO BAD. WHAT IS THAT, A DOZEN PEOPLE? OH, DEAR. 372 00:16:17,044 --> 00:16:18,384 THE INESCAPABLE TRUTH, 373 00:16:18,411 --> 00:16:21,511 ALONG WITH SPIN-CYCLE BANDS AND SIDE PROJECTS. 374 00:16:21,548 --> 00:16:23,218 THAT'S A LOT OF PEOPLE. 375 00:16:23,250 --> 00:16:26,490 THIS GUY LEFT TO FORM MOO SHOO WHARF. 376 00:16:26,519 --> 00:16:28,559 THEN HE TEAMED UP WITH THIS GUY AND THIS GUY 377 00:16:28,588 --> 00:16:32,188 TO FORM CASH-BAR WEDDING AS A SIDE PROJECT. 378 00:16:32,225 --> 00:16:35,525 AND THEN THESE FOUR GUYS, THEY MAKE RECORDINGS 379 00:16:35,562 --> 00:16:38,302 AS, UH, THE DAYS OF WINE AND NEUROSIS. 380 00:16:38,331 --> 00:16:41,031 BUT THESE GUYS ACTUALLY ALSO PRODUCE, 381 00:16:41,068 --> 00:16:44,298 UH, THE INESCAPABLE TRUTH CASSETTE-ONLY RELEASE. 382 00:16:44,337 --> 00:16:47,167 OH, AND SOMETIMES ALL THESE 13, 383 00:16:47,207 --> 00:16:50,307 THEY PLAY SHOWS TOGETHER AS HOLY MEAT PARADE. 384 00:16:50,343 --> 00:16:53,983 OH, AND, UH, THE BASS PLAYER OF HOLY MEAT IS ACTUALLY 385 00:16:54,013 --> 00:16:56,923 THE SINGER OF PHANTOM THOMAS PAINE. 386 00:16:56,949 --> 00:16:58,219 WHILE THE HORN PLAYER -- 387 00:16:58,251 --> 00:16:59,721 Almond: WHOA, WHOA, WHOA, WHOA, WHOA. 388 00:16:59,752 --> 00:17:02,992 HOW MANY PEOPLE IN TOTAL HAVE ACCESS TO THIS VAN? 389 00:17:03,022 --> 00:17:03,992 57. 390 00:17:04,023 --> 00:17:05,393 [ GROANS ] [ WHISTLES ] 391 00:17:05,425 --> 00:17:07,355 BET IT WAS THE GUY WHO PLAYS THE STUPID FLUGELHORN. 392 00:17:07,394 --> 00:17:08,934 OH, THE FLUGELHORN PLAYER -- 393 00:17:08,961 --> 00:17:10,731 HE MOVED TO BROOKLYN TWO MONTHS AGO WITH -- 394 00:17:10,763 --> 00:17:13,403 ALL RIGHT, THEN IT WAS THE GUY WHO PLAYED THE STUPID ACCORDION. 395 00:17:13,433 --> 00:17:14,533 Moto: COYOTE MAN! 396 00:17:14,567 --> 00:17:15,537 [ LAUGHS ] THAT'S ME. 397 00:17:15,568 --> 00:17:16,838 MATT ENGLISH. WHY HIM? 398 00:17:16,869 --> 00:17:17,939 ACCORDION PLAYER -- 399 00:17:17,970 --> 00:17:19,770 EVIL, ANGRY, BITTER, AND POINTLESS, 400 00:17:19,806 --> 00:17:21,366 RESENTFUL OF REAL MUSICIANS. 401 00:17:21,408 --> 00:17:24,908 OKAY, NOT ACTUALLY SURE THAT THAT IS A MOTIVE, BUT THAT'S -- 402 00:17:24,944 --> 00:17:26,384 OH. WHAT "OH"? 403 00:17:26,413 --> 00:17:28,923 WELL, MATT ENGLISH IS ACTUALLY THE GUY 404 00:17:28,948 --> 00:17:30,378 THAT BROKE SEBASTIAN'S HAND SIX MONTHS AGO 405 00:17:30,417 --> 00:17:32,617 AND WAS KICKED OUT OF THE BAND. 406 00:17:32,652 --> 00:17:35,122 ACCORDION PLAYERS, PEOPLE. 407 00:17:35,155 --> 00:17:37,485 SATAN'S SQUEEZE-BOX. 408 00:17:39,659 --> 00:17:42,399 Almond: TELL US ABOUT THE ALTERCATION. 409 00:17:42,429 --> 00:17:44,359 SEBASTIAN BROKE HIS OWN HAND 410 00:17:44,397 --> 00:17:47,127 BY PUNCHING ME IN THE HEAD WHEN HE WAS HIGH. 411 00:17:47,167 --> 00:17:48,867 IT SERVED HIM RIGHT HE BROKE HIS HAND. 412 00:17:48,901 --> 00:17:49,971 WHY DID HE PUNCH YOU? 413 00:17:50,002 --> 00:17:51,272 I QUIT HIS BAND. 414 00:17:51,304 --> 00:17:53,574 YOU WEREN'T KICKED OUT? 415 00:17:56,409 --> 00:17:58,909 YOU THINK I KILLED SEBASTIAN 416 00:17:58,945 --> 00:18:01,775 FOR KICKING ME OUT OF THE INESCAPABLE TRUTH? 417 00:18:01,814 --> 00:18:03,124 NO. 418 00:18:03,150 --> 00:18:05,620 I QUIT BECAUSE LARA FELL IN LOVE WITH HIM 419 00:18:05,652 --> 00:18:06,792 AND BROKE MY HEART. 420 00:18:06,819 --> 00:18:09,289 LARA HAUSBERG, THE CELLO PLAYER? 421 00:18:09,322 --> 00:18:13,292 YEAH, NOW I'M A SUSPECT BECAUSE MY GIRLFRIEND LEFT ME. 422 00:18:13,326 --> 00:18:15,496 IT'S WHAT WE CALL A CLASSIC MOTIVE, SON. 423 00:18:23,336 --> 00:18:26,136 THIS IS MY DAUGHTER, DELILAH. 424 00:18:26,173 --> 00:18:29,913 THE ONLY THING THAT DELILAH FINDS COOL ABOUT ME 425 00:18:29,942 --> 00:18:31,482 IS THAT I WAS IN SEBASTIAN'S BAND. 426 00:18:31,511 --> 00:18:35,451 FIVE DAYS AGO, SEBASTIAN ASKED ME TO COME BACK. 427 00:18:35,482 --> 00:18:37,622 WHY WOULD I RUIN THAT BY KILLING HIM? 428 00:18:37,650 --> 00:18:38,920 FIVE DAYS AGO? 429 00:18:38,951 --> 00:18:40,191 ASKED YOU HOW? 430 00:18:40,220 --> 00:18:41,620 ON THE TELEPHONE. 431 00:18:41,654 --> 00:18:44,464 WELL, THERE ARE NO PHONE CALLS ALLOWED IN REHAB. 432 00:18:46,293 --> 00:18:49,133 Almond: ONE OF YOU GAVE SEBASTIAN UNAUTHORIZED ACCESS 433 00:18:49,162 --> 00:18:52,332 TO THE OFFICE PHONE. 434 00:18:52,365 --> 00:18:56,635 WE HAVE PHONE RECORDS, PEOPLE. 435 00:18:56,669 --> 00:18:59,109 SOMEONE WAS HELPING HIM MAKE CONTACT 436 00:18:59,138 --> 00:19:00,438 WITH THE OUTSIDE WORLD, 437 00:19:00,473 --> 00:19:02,683 SOMEONE WITH A SET OF OFFICE KEYS. 438 00:19:02,709 --> 00:19:03,979 OKAY. 439 00:19:04,010 --> 00:19:06,180 EVERYONE THAT WORKS HERE CARES VERY DEEPLY 440 00:19:06,213 --> 00:19:08,483 ABOUT OUR SACRED MISSION AND OUR RULES, 441 00:19:08,515 --> 00:19:10,945 SO SEBASTIAN MUST HAVE FOUND ANOTHER WAY INTO THE OFFICE. 442 00:19:10,983 --> 00:19:12,323 WHAT'S THIS HOOEY? 443 00:19:12,352 --> 00:19:14,292 THOSE ARE HANDWRITTEN HEALING MILESTONES 444 00:19:14,321 --> 00:19:16,061 OF PAST SEASONS' RESIDENTS. 445 00:19:16,088 --> 00:19:18,228 IT'S A -- IT'S A SACRED REPOSITORY 446 00:19:18,258 --> 00:19:20,688 OF OUR GOOD WORK GOING BACK LIKE 14 YEARS. 447 00:19:20,727 --> 00:19:22,497 AH, INTERESTING. 448 00:19:23,663 --> 00:19:24,703 [ GASPS ] AH! 449 00:19:28,868 --> 00:19:30,068 IT'S HIM, 450 00:19:30,102 --> 00:19:31,972 THE LEANING TOWER OF "I DON'T CARE." 451 00:19:32,004 --> 00:19:34,974 HE DOESN'T GIVE A RAT'S ASS ABOUT YOUR SACRED REPOSITORY. 452 00:19:35,007 --> 00:19:36,237 [ CROWD MURMURING ] 453 00:19:36,276 --> 00:19:39,146 Woody: I DIDN'T KILL SEBASTIAN SERAFIAN. 454 00:19:39,178 --> 00:19:43,478 OKAY, OKAY, SO YOU LET HIM INTO THE OFFICE, 455 00:19:43,516 --> 00:19:45,986 AND YOU STOOD WATCH AT THE DOOR. 456 00:19:46,018 --> 00:19:48,358 YOU LISTENED TO HIS CONVERSATIONS. 457 00:19:49,188 --> 00:19:50,558 WHAT DID HE SAY? 458 00:19:50,590 --> 00:19:52,730 ONE GUY WANTED TO COME BACK IN THE VAN. 459 00:19:52,759 --> 00:19:54,359 ALL THE OTHER CALLS, 460 00:19:54,394 --> 00:19:55,934 SEBASTIAN WAS BEGGING PEOPLE TO HELP HIM ESCAPE. 461 00:19:55,962 --> 00:19:57,262 TO GO GET HIGH? 462 00:19:57,297 --> 00:19:59,497 I'M PRETTY SURE. 463 00:19:59,532 --> 00:20:01,102 YOU EVER SEE WHO PICKED HIM UP? 464 00:20:01,133 --> 00:20:03,703 ONCE. A GIRL. 465 00:20:06,473 --> 00:20:07,443 HER? 466 00:20:07,474 --> 00:20:08,944 MM...NO. 467 00:20:08,975 --> 00:20:10,105 HER? 468 00:20:10,142 --> 00:20:11,212 NO. 469 00:20:14,146 --> 00:20:15,416 YEAH. THAT'S HER. 470 00:20:19,218 --> 00:20:23,288 OH, THE BEAR. THAT'S YOU, DETECTIVE GRAVELY. 471 00:20:23,323 --> 00:20:24,723 LET'S GO PICK UP THE BEAR. 472 00:20:31,664 --> 00:20:33,934 YOU'RE GRINDING YOUR TEETH, EVERETT. 473 00:20:33,966 --> 00:20:35,296 IT'S A SIGN OF ANXIETY. 474 00:20:35,335 --> 00:20:37,595 YEAH, WELL, YOUR SON IS STILL QUEER, 475 00:20:37,637 --> 00:20:39,767 IF THAT'S WHAT YOU WANTED TO ASK. 476 00:20:39,806 --> 00:20:42,806 FATHER HALL SAYS GOD LOVES HOMOSEXUALS 477 00:20:42,842 --> 00:20:44,142 BUT ABHORS SODOMY. 478 00:20:44,176 --> 00:20:46,876 YEAH, WELL, VALENTINE LOVES SODOMY. 479 00:20:46,913 --> 00:20:48,253 [ THUD ] AAH! 480 00:20:51,484 --> 00:20:53,454 HE'S NOT GONNA CHANGE, LOU. 481 00:20:53,486 --> 00:20:56,716 GOD FORGAVE ME FOR MY FORMER SEXUAL DEPRAVITIES. 482 00:20:56,756 --> 00:21:00,126 HE'LL FORGIVE VAL, TOO, IF HE ASKS FOR FORGIVENESS. 483 00:21:00,159 --> 00:21:04,099 I WANT TO THANK GOD FOR YOUR FORMER SEXUAL DEPRAVITIES. 484 00:21:04,130 --> 00:21:05,230 [ BOTH LAUGH ] 485 00:21:05,264 --> 00:21:07,904 YOU WERE SUCH A SWEET KID. 486 00:21:07,934 --> 00:21:09,074 HM. 487 00:21:09,101 --> 00:21:11,471 18-YEAR-OLD VIRGIN STANDING THERE 488 00:21:11,504 --> 00:21:13,644 WITH YOUR WADDED CASH. 489 00:21:13,673 --> 00:21:14,773 [ LAUGHS ] 490 00:21:14,807 --> 00:21:17,607 OH, WE HAD SUCH A GOOD TIME, YOU AND ME. 491 00:21:17,644 --> 00:21:21,014 WE SURE DID. [ CHUCKLES ] 492 00:21:21,047 --> 00:21:25,447 YOU KNOW, I SAW VALENTINE'S TWIG AND BERRIES THE OTHER DAY. 493 00:21:25,485 --> 00:21:29,115 IT WAS LIKE LOOKING IN A MIRROR. 494 00:21:29,155 --> 00:21:30,955 TAKE IT FROM AN EX-HOOKER. 495 00:21:30,990 --> 00:21:32,630 PENISES ARE LIKE ROOSTERS. 496 00:21:32,659 --> 00:21:35,359 THEY ALL LOOK ALIKE WHEN THEY AREN'T CROWING. 497 00:21:35,395 --> 00:21:37,495 WHAT ABOUT NOSES? 498 00:21:39,366 --> 00:21:41,766 WHAT DO YOU WANT TO ASK ME? 499 00:21:41,801 --> 00:21:44,271 WHEN VALENTINE NEEDED A PLACE TO STAY AND A JOB, 500 00:21:44,303 --> 00:21:45,643 YOU BROUGHT HIM TO ME, 501 00:21:45,672 --> 00:21:48,172 EVEN THOUGH YOU HADN'T SEEN ME IN YEARS. 502 00:21:48,207 --> 00:21:50,377 BECAUSE I KNEW YOU'D DO ME A FAVOR. 503 00:21:50,410 --> 00:21:52,040 SO IT WASN'T BECAUSE... 504 00:21:55,014 --> 00:21:56,324 ...I WAS HIS FATHER? 505 00:21:56,349 --> 00:21:59,489 I WISH YOU WERE VAL'S FATHER. 506 00:21:59,519 --> 00:22:01,389 BUT DO THE MATH. 507 00:22:01,421 --> 00:22:04,121 I KNOW. I'VE DONE THE MATH. 508 00:22:04,156 --> 00:22:07,486 ALL THOSE TIMES I DRUNK-DIALED YOU, 509 00:22:07,527 --> 00:22:09,827 WE NEVER... DID ANYTHING? 510 00:22:12,164 --> 00:22:13,974 YOU'RE NOT VAL'S FATHER. 511 00:22:14,000 --> 00:22:15,670 YOU'RE A GOOD FRIEND 512 00:22:15,702 --> 00:22:19,612 WHO DID ME A FAVOR THAT I CAN NEVER REPAY. 513 00:22:21,207 --> 00:22:24,577 SO YOU DIDN'T PICK UP SEBASTIAN ON THE DAY HE DISAPPEARED? 514 00:22:24,611 --> 00:22:25,481 NO. 515 00:22:25,512 --> 00:22:27,752 BUT YOU DID OTHER TIMES? 516 00:22:30,182 --> 00:22:31,682 WHY DID YOU LIE ABOUT THAT? 517 00:22:31,718 --> 00:22:35,918 IF THE OTHERS KNEW, THEY'D FREAK OUT. 518 00:22:35,955 --> 00:22:37,085 BECAUSE OF LARA? 519 00:22:37,123 --> 00:22:38,323 YEAH. LARA. 520 00:22:38,357 --> 00:22:40,587 PLUS, IF THE OTHERS KNEW 521 00:22:40,627 --> 00:22:44,127 SEBASTIAN AND I WERE WRITING SONGS TOGETHER... 522 00:22:52,905 --> 00:22:54,165 WHAT DO YOU THINK? 523 00:22:54,206 --> 00:22:56,436 I THINK SEBASTIAN USED HER TO GET DRUGS. 524 00:22:56,476 --> 00:22:59,006 MINDI FIGURED IT OUT AND KILLS HIM? MM. 525 00:22:59,045 --> 00:23:01,375 SEARCHING THE BAND SPACE DIDN'T COME UP WITH ANYTHING 526 00:23:01,414 --> 00:23:02,584 WE COULD HOLD HER ON, DID IT? 527 00:23:02,615 --> 00:23:05,275 FOUND SOME WEED AND THESE. 528 00:23:05,317 --> 00:23:08,917 OXYCODONE. DR. KOBRINE'S SPECIALTY. 529 00:23:08,955 --> 00:23:10,555 MM. 530 00:23:10,590 --> 00:23:12,760 FOUND IT IN A COMMON AREA, SO NO GOOD FOR LEVERAGE. 531 00:23:12,792 --> 00:23:16,762 WELL, I'LL HOLD HER ON LYING DURING A HOMICIDE INVESTIGATION. 532 00:23:16,796 --> 00:23:18,726 THERE IS ONE MORE AVENUE WE CAN EXPLORE. 533 00:23:18,765 --> 00:23:21,365 YOU SAY THAT LIKE IT'S A BAD AVENUE. 534 00:23:21,400 --> 00:23:23,940 THE LIEUTENANT CAN TRY HIS DOUBLE-FEINT BOLO. 535 00:23:23,970 --> 00:23:25,770 WHAT'S THAT, NOW? 536 00:23:25,805 --> 00:23:28,365 A DOUBLE-FEINT BOLO? WHAT THE HELL'S THAT? 537 00:23:28,407 --> 00:23:30,437 [ SCOFFS ] YOU CALL YOURSELF A PROSECUTOR? 538 00:23:30,477 --> 00:23:32,207 TWO CROOKS, DIFFERENT OFFENSES. 539 00:23:32,244 --> 00:23:34,214 WE GET THEM TO IMPLICATE EACH OTHER. 540 00:23:34,246 --> 00:23:35,816 SOUNDS CRAZY. 541 00:23:35,848 --> 00:23:38,618 YOUR MATERIAL WITNESS IS DEAD. YOUR CASE IS DEAD. 542 00:23:38,651 --> 00:23:40,751 MR. KINES, WHAT HAVE YOU GOT TO LOSE? 543 00:23:40,787 --> 00:23:43,257 OUR LIEUTENANT INVENTED THE DOUBLE-FEINT BOLO. 544 00:23:43,289 --> 00:23:44,789 BACKSTROM -- THAT BAG OF DISASTER? 545 00:23:44,824 --> 00:23:46,664 PLEASE. HE'LL BLOW MY CASE AND YOURS. 546 00:23:46,693 --> 00:23:48,563 CUT A BROTHER A BREAK AND WALK AWAY. 547 00:23:48,595 --> 00:23:50,495 A BROTHER? UH... 548 00:23:51,498 --> 00:23:54,468 ONE YEAR AGO, YOU SHUT DOWN A WHOLE OPERATION, 549 00:23:54,501 --> 00:23:55,971 AND YOU BLAMED IT ON ME, 550 00:23:56,002 --> 00:23:58,642 SO DON'T TALK TO ME ABOUT CUTTING A BROTHER A BREAK. 551 00:23:58,671 --> 00:24:00,341 OH. 552 00:24:00,372 --> 00:24:01,672 [ DOOR SLAMS ] 553 00:24:01,708 --> 00:24:04,278 YOU'RE THAT GUY. 554 00:24:04,310 --> 00:24:05,680 YEAH. 555 00:24:07,313 --> 00:24:10,623 KOBRINE IS ON THE BACK NINE AT THE OREGONIAN COUNTRY CLUB. 556 00:24:10,650 --> 00:24:13,120 WHAT YOU DO WITH THAT INFORMATION IS YOUR BUSINESS. 557 00:24:13,152 --> 00:24:14,352 Backstrom: COMING THROUGH. 558 00:24:14,386 --> 00:24:15,486 MOVE IT OR LOSE IT. 559 00:24:15,522 --> 00:24:16,592 THERE HE IS. 560 00:24:16,623 --> 00:24:18,263 KOBRINE, WE NEED TO TALK. 561 00:24:18,290 --> 00:24:19,790 NOT WITHOUT MY LAWYER. 562 00:24:19,826 --> 00:24:21,656 THE SECOND YOU CALL YOUR LAWYER, 563 00:24:21,694 --> 00:24:24,364 WE ARE GOING TO OFFER THE BUYER OF THESE DRUGS A DEAL 564 00:24:24,396 --> 00:24:26,026 IN WHICH WE DROP POSSESSION CHARGES 565 00:24:26,065 --> 00:24:28,495 IN EXCHANGE FOR IDENTIFYING YOU AS HIS SELLER. 566 00:24:28,535 --> 00:24:30,535 WHAT BUYER? SEBASTIAN? HE'S DEAD! 567 00:24:30,570 --> 00:24:31,970 WHY DO YOU WANT A NAME? 568 00:24:32,004 --> 00:24:34,474 SO THAT YOU CAN DROP ANOTHER CUSTOMER IN THE QUARRY? 569 00:24:34,507 --> 00:24:36,107 I HAD NOTHING TO DO WITH SEBASTIAN'S DEATH! 570 00:24:36,142 --> 00:24:39,182 WHOA, WHOA, WHOA, WHOA, WHOA, WHOA, WHOA, WHOA, WHOA! 571 00:24:39,211 --> 00:24:41,151 [ SIGHS ] 572 00:24:41,180 --> 00:24:42,310 THAT WAS POLICE ENDANGERMENT. 573 00:24:42,348 --> 00:24:43,348 [ PARKING BRAKE ENGAGES ] 574 00:24:43,382 --> 00:24:46,322 GRAVELY, DRIVE THE CART BACK. 575 00:24:46,352 --> 00:24:49,692 I NEED TO TALK TO KOBRINE ALONE. 576 00:24:49,722 --> 00:24:51,522 HM. 577 00:24:51,558 --> 00:24:53,828 [ PARKING BRAKE DISENGAGES ] 578 00:24:55,662 --> 00:24:57,962 SOMEONE BOUGHT THESE FROM YOU. 579 00:24:57,997 --> 00:24:59,127 WE DON'T KNOW WHO. 580 00:24:59,165 --> 00:25:00,465 YOU NEED TO TELL US. 581 00:25:00,499 --> 00:25:03,239 WHY WOULD I INCRIMINATE MYSELF? 582 00:25:03,269 --> 00:25:07,969 SEBASTIAN WAS KILLED BY SOMEONE HE THOUGHT WAS A FRIEND. 583 00:25:08,007 --> 00:25:12,137 THAT FRIEND BOUGHT THESE FROM YOU TO GIVE TO HIM. 584 00:25:12,178 --> 00:25:13,678 THAT'S WHO WE WANT. 585 00:25:13,713 --> 00:25:15,313 I HOPE YOU GET HIM. 586 00:25:15,347 --> 00:25:17,817 SEBASTIAN WAS A MAJOR TALENT. 587 00:25:17,850 --> 00:25:19,590 OKAY. 588 00:25:21,453 --> 00:25:24,163 SEE WHAT I'M DOING RIGHT NOW? 589 00:25:24,190 --> 00:25:25,860 THAT IS HIGHLY ILLEGAL. 590 00:25:25,892 --> 00:25:28,232 LOOK AT ME. I'M BREAKING THE LAW. 591 00:25:28,260 --> 00:25:29,500 WHEE! 592 00:25:29,528 --> 00:25:31,698 SO, WHAT WERE TO HAPPEN 593 00:25:31,731 --> 00:25:36,001 IF I WERE TO MAKE THIS BAG DISAPPEAR, HUH, 594 00:25:36,035 --> 00:25:37,865 EAT ALL THESE PILLS? 595 00:25:37,904 --> 00:25:40,044 YOU'D HAVE NO WAY TO LINK ME. 596 00:25:40,072 --> 00:25:42,112 EXACTLY. 597 00:25:42,141 --> 00:25:43,381 AAH... 598 00:25:43,409 --> 00:25:45,209 OH. 599 00:25:45,244 --> 00:25:47,454 BUT YOU WANT A NAME FIRST. 600 00:25:47,479 --> 00:25:49,919 I DON'T EVEN NEED A NAME, JUST AN INDICATION. 601 00:25:49,949 --> 00:25:51,949 IT WON'T EVEN HOLD UP IN COURT. 602 00:25:51,984 --> 00:25:53,094 WHAT IF I REFUSE? 603 00:25:53,119 --> 00:25:55,419 THEN I'M GONNA TELL DISTRICT ATTORNEY KINES, 604 00:25:55,454 --> 00:25:59,364 WHO HATES YOU, THAT YOU SOLD THESE TO ME. 605 00:25:59,391 --> 00:26:02,291 THAT WOULD BE PERJURY AND BLACKMAIL. 606 00:26:02,328 --> 00:26:03,258 Man: FORE! 607 00:26:03,295 --> 00:26:04,525 YEAH. YEAH, IT WOULD. 608 00:26:04,563 --> 00:26:06,633 WHY DO YOU THINK I SENT MY PARTNER AWAY? 609 00:26:06,666 --> 00:26:07,866 [ LAUGHS ] 610 00:26:07,900 --> 00:26:09,970 I KNOW AN ADDICT WHEN I SEE ONE. 611 00:26:10,002 --> 00:26:13,142 YOU SENT YOUR PARTNER AWAY SO YOU CAN SWALLOW THESE PILLS. 612 00:26:13,172 --> 00:26:14,942 YOU SHOULD GET HELP. 613 00:26:14,974 --> 00:26:16,984 AH. 614 00:26:18,477 --> 00:26:20,607 [ CRUNCHING ] 615 00:26:22,949 --> 00:26:24,949 KOBRINE SOLD THE PILLS TO THE DRUMMER. 616 00:26:24,984 --> 00:26:26,094 HE ADMITTED THAT? 617 00:26:26,118 --> 00:26:27,288 HE DID THIS. 618 00:26:28,320 --> 00:26:30,890 STAND BACK. COMING THROUGH. 619 00:26:30,923 --> 00:26:33,593 HERE. GO ARREST THE DRUMMER. 620 00:26:33,626 --> 00:26:36,556 SOME OF THESE PILLS ARE MISSING. 621 00:26:36,595 --> 00:26:38,255 YEAH, YEAH. 622 00:26:42,835 --> 00:26:44,795 WE HAVE A SWORN STATEMENT FROM DR. ALAN KOBRINE 623 00:26:44,837 --> 00:26:49,807 IMPLICATING YOU IN THE SALE OF THIS OXYCODONE. 624 00:26:51,644 --> 00:26:52,914 I DON'T DO DRUGS. 625 00:26:52,945 --> 00:26:55,275 WHAT ARE WE HOPING FOR HERE? 626 00:26:55,314 --> 00:26:59,124 IF THIS BOY ADMITS TO BUYING DRUGS FROM KOBRINE, 627 00:26:59,151 --> 00:27:02,291 YOU WILL HAVE YOUR NEW MATERIAL WITNESS. 628 00:27:02,321 --> 00:27:04,791 DR. KOBRINE SAID YOU BOUGHT A HUNDRED PILLS 629 00:27:04,824 --> 00:27:06,134 AT $1 PER MILLIGRAM. 630 00:27:06,158 --> 00:27:08,258 DULY SWORN STATEMENT. 631 00:27:08,294 --> 00:27:09,804 DR. KOBRINE. 632 00:27:09,829 --> 00:27:11,299 I DON'T DO DRUGS. 633 00:27:11,330 --> 00:27:12,630 TAKE MY BLOOD. 634 00:27:12,665 --> 00:27:13,795 AND TAKE MY URINE AND MY BONE MARROW, 635 00:27:13,833 --> 00:27:15,803 AND THEN DO THE SAME WITH MINDI, 636 00:27:15,835 --> 00:27:17,895 AND THEN SEE WHO USES DRUGS. 637 00:27:25,211 --> 00:27:27,351 [ TAPPING RHYTHMICALLY ] 638 00:27:30,349 --> 00:27:31,879 ALL DRUMMERS DO DRUGS. 639 00:27:31,918 --> 00:27:34,148 HOW ELSE CAN THEY MAKE IT LOOK LIKE 640 00:27:34,186 --> 00:27:37,856 THEIR ARMS AND THEIR LEGS BELONG TO DIFFERENT PEOPLE? 641 00:27:39,658 --> 00:27:40,788 IS BACKSTROM DRUNK? 642 00:27:40,827 --> 00:27:44,897 I PROMISE YOU... HE IS NOT DRUNK. 643 00:27:44,931 --> 00:27:45,971 I'M YOU. 644 00:27:45,998 --> 00:27:50,098 I DON'T DO DRUGS. I'M REFORMED. 645 00:27:52,839 --> 00:27:54,169 WHO AM I AGAIN? 646 00:27:54,206 --> 00:27:55,406 HIM. YOU'RE HIM. 647 00:27:55,441 --> 00:27:57,311 I'M MINDI. 648 00:27:57,343 --> 00:27:59,583 NOW I'M MINDI. 649 00:27:59,611 --> 00:28:01,311 I'M MINDI. 650 00:28:01,347 --> 00:28:05,917 I THINK THAT SEBASTIAN WANTS ME TO WRITE SONGS WITH HIM. 651 00:28:05,952 --> 00:28:11,422 BUT, NO, HE JUST WANTS ME TO BRING HIM DRUGS INTO REHAB. 652 00:28:11,457 --> 00:28:12,557 MINDI? 653 00:28:12,591 --> 00:28:14,991 THAT'S GOT NOTHING TO DO WITH ME. 654 00:28:15,027 --> 00:28:16,857 I'M MINDI. 655 00:28:16,896 --> 00:28:19,996 THE DRUGS I GAVE SEBASTIAN I GOT FROM YOU. 656 00:28:20,032 --> 00:28:20,902 WHAT? 657 00:28:20,933 --> 00:28:23,203 HE'S PRETENDING TO BE MINDI 658 00:28:23,235 --> 00:28:24,595 SELLING YOU DRUGS. 659 00:28:24,636 --> 00:28:26,436 I DON'T DO DRUGS. 660 00:28:26,472 --> 00:28:28,272 I DON'T DO DRUGS. 661 00:28:30,109 --> 00:28:31,779 SEEMS LIKE HE MIGHT BE ON DRUGS. 662 00:28:31,811 --> 00:28:34,111 THE LIEUTENANT LIKES TO PRETEND HE'S A LOT OF THINGS 663 00:28:34,146 --> 00:28:36,346 [CHUCKLES] TO GET THE ANSWERS HE NEEDS. 664 00:28:36,382 --> 00:28:39,092 MM-HMM. 665 00:28:39,118 --> 00:28:40,088 I'M YOU. 666 00:28:40,119 --> 00:28:43,189 I PICK UP SEBASTIAN IN MY VAN... 667 00:28:43,222 --> 00:28:46,732 AND I DRIVE HIM TO THE QUARRY... 668 00:28:46,759 --> 00:28:48,559 WHERE I KILL HIM, 669 00:28:48,594 --> 00:28:50,804 'CAUSE I DON'T WANT HIM TO TELL ME -- 670 00:28:50,830 --> 00:28:52,130 ME, THE COPS -- 671 00:28:52,164 --> 00:28:53,434 THAT I -- YOU -- 672 00:28:53,465 --> 00:28:55,065 AM HER -- 673 00:28:55,101 --> 00:28:59,941 MINDI'S -- DRUG SUPPLIER, 674 00:28:59,972 --> 00:29:01,772 SUPPLIER OF DRUGS. 675 00:29:01,808 --> 00:29:03,408 NO WAY IN THE WORLD THE JURY FOLLOWS THAT. 676 00:29:03,442 --> 00:29:04,942 I PICKED HIM UP IN THE VAN? 677 00:29:04,977 --> 00:29:06,107 I CAN'T EVEN DRIVE. 678 00:29:06,145 --> 00:29:08,375 I CAN'T DRIVE, OR I WON'T DRIVE? 679 00:29:08,414 --> 00:29:09,424 I CAN'T DRIVE. 680 00:29:09,448 --> 00:29:10,618 OR I WON'T DRIVE? 681 00:29:10,649 --> 00:29:12,449 I CAN'T DRIVE! I HAVE A DRIVING PHOBIA! 682 00:29:12,484 --> 00:29:13,554 OKAY. 683 00:29:13,585 --> 00:29:15,215 I CAN'T GET BEHIND THE WHEEL! 684 00:29:15,254 --> 00:29:17,624 I-I CAN'T BREATHE. I FEEL LIKE I'M DYING. 685 00:29:17,656 --> 00:29:19,586 TO EVEN GET THE PILLS FROM DR. KOBRINE, 686 00:29:19,625 --> 00:29:20,725 I HAD TO TAKE THE BUS. 687 00:29:20,759 --> 00:29:22,229 WHAT DID HE JUST SAY? 688 00:29:22,261 --> 00:29:25,231 WHAT HE JUST SAID IS WE DO NOT HAVE OUR MURDERER. 689 00:29:25,264 --> 00:29:29,304 HE JUST NAMED KOBRINE. I GOT MY MATERIAL WITNESS. 690 00:29:29,335 --> 00:29:30,335 HIGH FIVE. 691 00:29:32,204 --> 00:29:33,514 YEAH, OKAY. 692 00:29:36,843 --> 00:29:39,313 IS THAT WHAT YOU CALL A SINGLE-FEINT BOLO? 693 00:29:39,345 --> 00:29:41,745 [ KNOCK ON DOOR ] 694 00:29:41,780 --> 00:29:43,250 [ DOOR OPENS ] 695 00:29:43,282 --> 00:29:46,022 LIEUTENANT? 696 00:29:47,820 --> 00:29:50,760 I JUST GOT A CALL FROM ONE OF MY BUDDIES ON PATROL. 697 00:29:50,789 --> 00:29:54,329 GREGORY VALENTINE GOT BEAT UP PRETTY BAD. 698 00:30:00,166 --> 00:30:01,926 NOBODY'S MAKING A STATEMENT, 699 00:30:01,968 --> 00:30:04,968 BUT IT'S OBVIOUS THAT THE BOYS GOT A JUMP ON VALENTINE. 700 00:30:05,004 --> 00:30:08,014 HE FOUGHT BACK, BUT... 701 00:30:08,040 --> 00:30:11,510 THE GUY HE GOT A PIECE OF WAS DANTE TRIPPI. 702 00:30:13,345 --> 00:30:16,975 GIVE THE LIEUTENANT A MINUTE, PLEASE. 703 00:30:18,684 --> 00:30:20,194 WHAT HAPPENED? 704 00:30:20,219 --> 00:30:23,959 WHAT I SAID. I GOT SCHOOLED. 705 00:30:23,990 --> 00:30:27,260 I GOT CAUGHT POACHING ON TRIPPI'S TURF. 706 00:30:29,061 --> 00:30:31,801 WORST PART IS I FOUGHT BACK. 707 00:30:31,830 --> 00:30:35,800 I KICKED DANTE TRIPPI IN THE JAW AND BUSTED IT, 708 00:30:35,834 --> 00:30:37,174 MADE HIM BITE THROUGH HIS TONGUE. 709 00:30:37,203 --> 00:30:39,473 SO I GUESS I HAVE TO CHANGE MY NAME 710 00:30:39,505 --> 00:30:40,905 AND MOVE TO CANADA NOW, HUH? 711 00:30:40,940 --> 00:30:42,570 I'M A DEAD MAN. 712 00:30:44,610 --> 00:30:46,480 IT'S NOT EVEN GONNA BE NICE CANADA, 713 00:30:46,512 --> 00:30:47,652 YOU KNOW, LIKE VANCOUVER. 714 00:30:47,679 --> 00:30:49,319 IT'S GONNA BE PROBABLY SOME HELLHOLE 715 00:30:49,348 --> 00:30:51,378 THAT JUSTIN BIEBER CRAWLED OUT OF. 716 00:30:58,024 --> 00:31:00,164 I'M CRYING OUT OF SHOCK, 717 00:31:00,192 --> 00:31:03,032 NOT 'CAUSE I'M A WIMP, OKAY? 718 00:31:08,367 --> 00:31:10,797 I NEED A MOMENT. 719 00:31:23,715 --> 00:31:26,845 I KNOW WHO YOU ARE, MR. TRIPPI. 720 00:31:26,885 --> 00:31:29,715 I KNOW YOU'RE KIND OF A BIG DEAL ON THE STREETS. 721 00:31:29,755 --> 00:31:31,455 YOU MAY NOT KNOW WHO I AM. 722 00:31:31,490 --> 00:31:34,230 MY NAME IS LIEUTENANT EVERETT BACKSTROM. 723 00:31:34,260 --> 00:31:38,800 GREGORY VALENTINE, THE KID YOU BEAT UP -- 724 00:31:38,830 --> 00:31:41,300 HE'S FAMILY. 725 00:31:41,333 --> 00:31:44,403 [ SCREAMS ] 726 00:31:48,007 --> 00:31:50,937 ANYTHING HAPPENS TO HIM, YOU'RE DEAD. 727 00:31:50,977 --> 00:31:53,647 I KNOW YOU HAVE PEOPLE. 728 00:31:53,679 --> 00:31:54,949 I HAVE PEOPLE, TOO! 729 00:31:54,981 --> 00:31:57,481 [ SCREAMS ] 730 00:31:57,516 --> 00:32:02,386 DO YOU UNDERSTAND EVERY WORD I'VE JUST SAID?! 731 00:32:02,421 --> 00:32:04,491 [ GROANS ] 732 00:32:04,523 --> 00:32:07,733 [ Muffled ] YEAH. 733 00:32:07,759 --> 00:32:09,729 [ SOBS ] 734 00:32:09,761 --> 00:32:11,531 [ BREATHING HEAVILY ] 735 00:32:14,133 --> 00:32:17,343 YOU'RE NOT USUALLY THAT BRAVE, NO OFFENSE. 736 00:32:17,369 --> 00:32:20,069 I'M COMING DOWN OFF OXYCODONE. 737 00:32:20,106 --> 00:32:22,806 WHICH IS WHY, WHEN IT COMES TO DRUGS, 738 00:32:22,841 --> 00:32:27,111 I ALWAYS SAY... JUST SAY NO. 739 00:32:27,146 --> 00:32:30,146 I HEARD YOU SAY VALENTINE WAS FAMILY. 740 00:32:30,182 --> 00:32:33,792 YOU'VE BEEN WONDERING IF MAYBE HE'S YOUR SON? 741 00:32:33,819 --> 00:32:36,919 I GOT A SON -- DARIUS, 10 YEARS OLD. 742 00:32:36,955 --> 00:32:39,755 HE LIVES UP WITH HIS MOM IN WENATCHEE. 743 00:32:39,791 --> 00:32:40,961 I'D KILL FOR HIM. 744 00:32:40,993 --> 00:32:42,963 DARIUS IS THE MAIN REASON 745 00:32:42,995 --> 00:32:46,465 I WANT TO BE OUT OF UNIFORM AND IN THE PLAINCLOTHES, 746 00:32:46,498 --> 00:32:50,098 TO LET HIM KNOW THAT MOTOS GOT WHAT IT TAKES TO SUCCEED, 747 00:32:50,136 --> 00:32:54,166 PROVE TO HIM THAT HE CAN BE PROUD OF HIS DADDY. 748 00:32:56,008 --> 00:32:59,948 VALENTINE IS MY ROOMMATE. THAT'S IT. 749 00:32:59,978 --> 00:33:01,978 STOP TALKING TO ME. 750 00:33:02,014 --> 00:33:04,154 YES, SIR, BUT IF HE'S NOT YOUR SON, 751 00:33:04,183 --> 00:33:05,783 YOU GOT TO CUT HIM LOOSE. 752 00:33:05,817 --> 00:33:08,147 WHY? 753 00:33:08,187 --> 00:33:09,617 VALENTINE'S A CROOK. 754 00:33:09,655 --> 00:33:12,855 HE DRAGGED YOU IN THIS MESS WITH DANTE TRIPPI. 755 00:33:12,891 --> 00:33:15,461 NOW, IF HE'S FAMILY, THAT'S ONE THING, 756 00:33:15,494 --> 00:33:17,064 BUT IF HE'S NOT, 757 00:33:17,096 --> 00:33:19,396 THEN YOU'RE GIVING THIS BOY A FALSE SENSE OF SECURITY 758 00:33:19,431 --> 00:33:21,671 THAT'S GOING TO KILL HIM OR RUIN YOU, 759 00:33:21,700 --> 00:33:23,740 WHICHEVER ONE COMES FIRST. 760 00:33:23,769 --> 00:33:27,339 IT'S BETTER FOR EVERYBODY IF YOU CUT HIM LOOSE. 761 00:33:31,043 --> 00:33:32,683 [ DOOR CLOSES ] 762 00:33:36,248 --> 00:33:38,848 [ GASPS ] MAYBE THE MURDER WAS A GROUP EFFORT. 763 00:33:38,884 --> 00:33:40,394 RECHECK EVERYBODY'S ALIBIS. 764 00:33:40,419 --> 00:33:42,249 ESPECIALLY WHERE ONE BAND MEMBER 765 00:33:42,288 --> 00:33:44,318 IS ANOTHER BAND MEMBER'S ALIBI. 766 00:33:44,356 --> 00:33:44,986 WHY? 767 00:33:45,023 --> 00:33:46,693 HOW'S VALENTINE? 768 00:33:46,725 --> 00:33:48,155 HE GOT WHAT HE DESERVED. 769 00:33:48,194 --> 00:33:51,004 WHY ARE YOU RECHECKING ALIBIS? 770 00:33:51,029 --> 00:33:52,159 BECAUSE AS IT TURNS OUT, 771 00:33:52,198 --> 00:33:53,728 EVERYONE IN THE BAND HATED SEBASTIAN. 772 00:33:53,765 --> 00:33:56,535 ONLY LARA HAUSBERG WAS PERSONALLY SORRY THAT HE'S GONE. 773 00:33:56,568 --> 00:33:58,098 WHAT'S THIS? 774 00:33:58,137 --> 00:34:00,507 OH, THAT'S JUST NIEDERMAYER'S LITTLE GAME, 775 00:34:00,539 --> 00:34:01,769 NOT TO BE TAKEN SERIOUS. 776 00:34:01,807 --> 00:34:03,437 NO, THIS IS GOOD. 777 00:34:03,475 --> 00:34:07,945 EVERYONE IN THE BAND HATED SEBASTIAN, 778 00:34:07,979 --> 00:34:11,519 JUST LIKE ALL OF YOU HATE ME. 779 00:34:11,550 --> 00:34:13,990 I LIKE YOU, SIR. SHUT UP, NIEDERMAYER. 780 00:34:15,554 --> 00:34:18,264 YEAH, NIEDERMAYER'S STUPID LITTLE EXPERIMENT 781 00:34:18,290 --> 00:34:19,860 JUST MIGHT BE THE ANSWER. 782 00:34:19,891 --> 00:34:22,531 ONE OF YOU KILLED ME. 783 00:34:22,561 --> 00:34:24,301 WHICH ONE? 784 00:34:26,898 --> 00:34:29,638 GET THE BAND TOGETHER. LET'S GO. 785 00:34:29,668 --> 00:34:30,938 WE ALL GO? 786 00:34:30,969 --> 00:34:34,239 NO ONE IS ABOVE SUSPICION, PAQUET. 787 00:34:43,182 --> 00:34:46,152 NONE OF YOU LIKED SEBASTIAN SERAFIAN, 788 00:34:46,185 --> 00:34:48,615 BUT YOU ALL NEEDED HIM. 789 00:34:48,654 --> 00:34:52,564 I'M YOU. 790 00:34:52,591 --> 00:34:56,331 I'M THE GLUE THAT HOLDS THE BAND TOGETHER 791 00:34:56,362 --> 00:34:59,302 WHILE SEBASTIAN PULLS EVERYTHING APART. 792 00:34:59,331 --> 00:35:02,601 I'D NEVER CALL MYSELF GLUE. 793 00:35:02,634 --> 00:35:03,944 I'M YOU. 794 00:35:03,969 --> 00:35:07,309 I LOVE SEBASTIAN. 795 00:35:07,339 --> 00:35:09,179 THAT DIDN'T STOP ME FROM BEING JEALOUS 796 00:35:09,208 --> 00:35:11,938 THAT HIS RAW TALENT TRUMPS MY BRAINS. 797 00:35:11,977 --> 00:35:13,577 TO BE CLEAR, "NO" ON THE LOVE, 798 00:35:13,612 --> 00:35:15,912 "MAYBE" ON THE JEALOUSY. [ CHUCKLES ] 799 00:35:15,947 --> 00:35:17,847 I'M YOU. 800 00:35:17,883 --> 00:35:21,593 I JUST CAN'T UNDERSTAND WHY SEBASTIAN CAN'T DO HIS WORK 801 00:35:21,620 --> 00:35:24,160 WITHOUT BEING SO AWFUL TO EVERYBODY. 802 00:35:24,190 --> 00:35:26,190 I'M TOTALLY ON BOARD WITH THAT. 803 00:35:29,661 --> 00:35:31,601 I'M YOU. 804 00:35:31,630 --> 00:35:34,330 I RESENT SEBASTIAN. 805 00:35:34,366 --> 00:35:36,796 I'M GONNA SUCK UP TO HIM IN ORDER TO IMPRESS MY KID. 806 00:35:36,835 --> 00:35:40,105 NOTHING WRONG WITH WANTING TO BE SOMETHING TO YOUR KID. 807 00:35:40,138 --> 00:35:42,668 Borden: ANYONE WHO THINKS WE NEED A LAWYER, 808 00:35:42,708 --> 00:35:43,538 RAISE YOUR HAND. 809 00:35:43,575 --> 00:35:45,305 YEAH. AMENDMENT TO THE FORGOING, 810 00:35:45,344 --> 00:35:47,714 WHO THINKS WE SHOULD SAY NOTHING UNTIL WE HAVE THAT LAWYER? 811 00:35:47,746 --> 00:35:48,676 YEAH. DEFINITELY. 812 00:35:48,714 --> 00:35:51,724 NIEDERMAYER... 813 00:35:51,750 --> 00:35:56,520 HOW MUCH DO EAGLES HATE BEING BOSSED AROUND BY MOUNTAIN LIONS? 814 00:35:58,390 --> 00:36:03,160 EAGLES ARE VISIONARY CREATORS. 815 00:36:03,195 --> 00:36:04,955 EVERYBODY KNOWS I LIKED SEBASTIAN. 816 00:36:04,996 --> 00:36:05,956 I TOLD HIM. 817 00:36:05,997 --> 00:36:07,627 I TOLD EVERYONE. 818 00:36:07,666 --> 00:36:10,666 WHAT? 819 00:36:10,702 --> 00:36:11,972 Backstrom: I'M YOU. 820 00:36:12,003 --> 00:36:14,973 I'M A VISIONARY. I'M A CREATOR. 821 00:36:15,006 --> 00:36:18,136 BUT WITH SEBASTIAN OUT OF THE WAY, 822 00:36:18,176 --> 00:36:21,306 I'M NEXT IN LINE TO BE THE LEADER. 823 00:36:21,347 --> 00:36:22,377 WE DON'T HAVE A LEADER. 824 00:36:22,414 --> 00:36:23,824 WE'RE A COLLECTIVE. 825 00:36:23,849 --> 00:36:25,249 I'M YOU. 826 00:36:25,284 --> 00:36:29,724 I'M NOT AS TALL AS SEBASTIAN OR AS CHARISMATIC. 827 00:36:29,755 --> 00:36:32,555 YOU MUST REALLY RESENT ME. 828 00:36:33,525 --> 00:36:36,185 BUT I KNOW WHAT TO DO WHEN HE CALLS. 829 00:36:36,228 --> 00:36:38,428 I DRIVE HIM UP TO THE QUARRY. 830 00:36:38,464 --> 00:36:41,004 I PLY HIM WITH THE DRUGS 831 00:36:41,032 --> 00:36:44,442 HE LOVES MORE THAN ANYTHING ELSE. 832 00:36:44,470 --> 00:36:48,240 SOMEHOW, HE STAYS CONSCIOUS. 833 00:36:49,207 --> 00:36:51,137 SO I USE A GUITAR STRING... 834 00:36:52,143 --> 00:36:53,783 ...TO CHOKE HIM. 835 00:36:53,812 --> 00:36:58,282 WHEN HE'S UNCONSCIOUS, I DUMP HIM IN THE QUARRY. 836 00:36:58,317 --> 00:37:00,447 DO YOU HAVE PICTURES TO GO ALONG WITH THAT STORY? 837 00:37:00,486 --> 00:37:01,986 Niedermayer: LIEUTENANT. 838 00:37:03,555 --> 00:37:04,515 WHAT? 839 00:37:04,556 --> 00:37:07,826 LACERATIONS ON THE KILLER'S HANDS. 840 00:37:10,729 --> 00:37:12,959 Man: SHOW HIM -- SHOW HIM YOUR HANDS, DREW. 841 00:37:12,998 --> 00:37:14,298 Man #2: SHOW HIM YOUR HANDS! NO. 842 00:37:14,333 --> 00:37:17,303 SHOW HIM YOUR HANDS. IT'S A COLLECTIVE. 843 00:37:17,336 --> 00:37:18,796 SHOW HIM YOUR HANDS, DREW! 844 00:37:18,837 --> 00:37:19,807 HEY, HEY, HEY, HEY. 845 00:37:19,838 --> 00:37:21,068 BACK UP, BACK UP! 846 00:37:21,106 --> 00:37:22,466 Almond: RELAX. 847 00:37:25,811 --> 00:37:26,911 LET'S GO. 848 00:37:26,945 --> 00:37:28,945 [ HANDCUFFS CLICK ] 849 00:37:30,582 --> 00:37:36,592 HEY, THAT, UH, WITNESS YOU GAVE ME TURNED ON KOBRINE. 850 00:37:36,622 --> 00:37:40,432 CAN I SAY THANKS, BUY YOU A DRINK? 851 00:37:40,459 --> 00:37:42,959 NOT IN A MILLION YEARS. 852 00:37:42,994 --> 00:37:44,434 YOU'RE MAD AT THE WRONG GUY. 853 00:37:44,463 --> 00:37:46,163 I WAS UNDERCOVER AS A CALL GIRL. 854 00:37:46,197 --> 00:37:47,497 I BUSTED 24 JOHNS. 855 00:37:47,533 --> 00:37:49,003 ON THE 25th JOHN, THE CAMERAS WENT DARK, 856 00:37:49,034 --> 00:37:51,804 AND THE MICROPHONES WENT OFF, AND YOU BLAMED ME. 857 00:37:51,837 --> 00:37:52,967 THAT'S NOT TRUE. 858 00:37:53,004 --> 00:37:54,444 OKAY, WELL, THEN, WHO WAS IT? 859 00:37:54,473 --> 00:37:56,143 WHO WAS IT WHO REALIZED THAT WE HAD A FISH IN OUR NET 860 00:37:56,174 --> 00:37:57,284 THAT WE DIDN'T WANT? 861 00:37:57,309 --> 00:37:58,509 WHO REALLY PULLED THE PLUG? 862 00:37:58,544 --> 00:37:59,484 NOT ME. 863 00:37:59,511 --> 00:38:00,951 YOU KNOW, IF IT WASN'T YOU, 864 00:38:00,979 --> 00:38:03,819 THEN YOU STAYED QUIET AND LET THE RUMOR SPREAD. 865 00:38:03,849 --> 00:38:07,149 24 INDICTMENTS WERE DROPPED, AND YOU LET ME TAKE THE BLAME. 866 00:38:07,185 --> 00:38:08,615 THAT PART IS TRUE, 867 00:38:08,654 --> 00:38:10,664 BUT MAYBE I STOPPED SOMETHING WORSE FROM HAPPENING. 868 00:38:11,823 --> 00:38:15,633 YOU SHOULD HAVE A DRINK WITH ME SOMETIME. 869 00:38:15,661 --> 00:38:17,631 I DESERVE IT. 870 00:38:22,501 --> 00:38:25,441 HONEY, I'M HOME. 871 00:38:25,471 --> 00:38:27,471 DOCTOR SAYS THAT [SNIFFS] 872 00:38:27,506 --> 00:38:31,536 YOU'RE GONNA HAVE TO WAIT ON ME HAND AND FOOT UNTI-- 873 00:38:33,379 --> 00:38:35,309 WHAT THE HELL? 874 00:38:37,349 --> 00:38:38,549 HI, VAL. 875 00:38:38,584 --> 00:38:43,794 MY NAME IS GREGORY VALENTINE. 876 00:38:43,822 --> 00:38:46,862 WHAT IS HAPPENING? 877 00:38:50,896 --> 00:38:53,326 YOUR MOTHER'S HERE TO TAKE YOU HOME. 878 00:38:55,166 --> 00:38:57,636 YOU'RE KICKING ME OUT? 879 00:38:57,669 --> 00:38:59,069 REALLY? 880 00:38:59,104 --> 00:39:01,814 HEY, IF THIS IS ABOUT WHAT HAPPENED WITH YOU AND TRIPPI, 881 00:39:01,840 --> 00:39:03,710 I DIDN'T ASK YOU TO GO MEDIEVAL ON HIM. 882 00:39:03,742 --> 00:39:07,052 NO. YOU'RE A CROOK, I'M A COP. 883 00:39:07,078 --> 00:39:08,148 YOU'RE GAY, I'M STRAIGHT. 884 00:39:08,179 --> 00:39:09,519 IT'S NOT GONNA WORK. YEAH, RIGHT. 885 00:39:09,548 --> 00:39:12,578 THAT'S FUNNY, 'CAUSE IT WORKED FOR SEVEN YEARS. 886 00:39:12,618 --> 00:39:15,918 EVERETT'S KICKING YOU OUT BECAUSE HE'S DISAPPOINTED 887 00:39:15,954 --> 00:39:17,364 THAT YOU'RE NOT HIS SON. 888 00:39:17,389 --> 00:39:18,589 DISAPPOINTED? NO. 889 00:39:18,624 --> 00:39:20,434 COME ON. I'M ECSTATIC. 890 00:39:20,459 --> 00:39:21,989 YOU THOUGHT I WAS YOUR SON? 891 00:39:22,027 --> 00:39:23,327 NO -- 892 00:39:23,361 --> 00:39:25,601 WELL, YOUR PENIS. WHAT? 893 00:39:25,631 --> 00:39:28,701 YOU CAN COME LIVE WITH ME UNTIL YOU FIND A PLACE. 894 00:39:28,734 --> 00:39:29,904 [ SIGHS ] 895 00:39:29,935 --> 00:39:33,605 NO, NO. I WOULDN'T DO THAT TO YOU. 896 00:39:33,639 --> 00:39:34,909 WHAT WOULD YOUR PRIEST SAY 897 00:39:34,940 --> 00:39:37,080 ABOUT A SODOMITE MOVING IN WITH YOU? 898 00:39:37,108 --> 00:39:38,678 WHO CARES WHAT HE SAYS? 899 00:39:38,710 --> 00:39:42,780 ALL OUR PROBLEMS ARE BECAUSE I HATE THAT YOU'RE A THIEF. 900 00:39:42,814 --> 00:39:44,284 THAT'S RIGHT. I AM. 901 00:39:44,315 --> 00:39:47,185 AND EVERYTHING NICE IN THIS PLACE IS STOLEN, 902 00:39:47,218 --> 00:39:50,718 SO I GOES, IT GOES, INCLUDING YOUR PRECIOUS CHAIR! 903 00:39:50,756 --> 00:39:52,116 I'LL BUY THE CHAIR OFF YOU. 904 00:39:52,157 --> 00:39:54,027 YOU CAN'T AFFORD THAT CHAIR. 905 00:39:54,059 --> 00:39:56,729 I CAN'T AFFORD THE CHAIR? NO. WITH WHAT, YOUR HOOKER AND CIGAR MONEY? 906 00:39:56,762 --> 00:39:58,932 I CAN'T AFFORD A $300 -- YOU HAVE NO IDEA! 907 00:39:58,964 --> 00:40:00,574 HEY! 908 00:40:04,335 --> 00:40:05,835 YOU'RE BROTHERS. 909 00:40:07,839 --> 00:40:09,479 HALF BROTHERS. 910 00:40:13,011 --> 00:40:15,611 [ CLEARS THROAT ] 911 00:40:15,647 --> 00:40:18,617 UM, I'M ASSUMING... 912 00:40:18,650 --> 00:40:23,660 SAME FATHER, DIFFERENT MOTHER. 913 00:40:23,689 --> 00:40:26,419 EVERETT AND I ARE PRACTICALLY THE SAME AGE. 914 00:40:26,458 --> 00:40:27,628 REALLY? 915 00:40:27,659 --> 00:40:31,099 YOU HAD SEX WITH MY FATHER. 916 00:40:31,129 --> 00:40:34,129 YOU HAD SEX WITH MY MOTHER. 917 00:40:34,165 --> 00:40:35,395 SHE WAS REALLY HOT. 918 00:40:35,433 --> 00:40:37,273 SHE STILL IS. SHUT UP. 919 00:40:37,302 --> 00:40:39,512 THIS IS REALLY WEIRD. 920 00:40:41,339 --> 00:40:43,979 AH... 921 00:40:44,009 --> 00:40:45,939 OKAY. 922 00:40:45,977 --> 00:40:49,517 MY DAD HATES ME, AND I'M A STRAIGHT COP. 923 00:40:49,548 --> 00:40:53,248 IMAGINE HOW HE'S GONNA FEEL ABOUT YOU -- 924 00:40:53,284 --> 00:40:56,294 GAY GOTH CRIME WIZARD. 925 00:40:56,321 --> 00:40:58,461 THERE'S NO REASON FOR VAL TO -- 926 00:40:58,490 --> 00:41:02,660 GREGORY TO HAVE BLUE IN HIS LIFE. 927 00:41:04,329 --> 00:41:06,999 [ BREATHES DEEPLY ] 928 00:41:07,032 --> 00:41:08,672 YOU'RE SERIOUS? 929 00:41:08,700 --> 00:41:11,300 BACKSTROM'S MY BROTHER? 930 00:41:11,336 --> 00:41:12,936 I WILL TELL YOU ONE THING -- 931 00:41:12,971 --> 00:41:15,611 THIS DOES EXPLAIN WHY YOU HAVE NEVER BEEN 932 00:41:15,641 --> 00:41:17,481 SEXUALLY ATTRACTED TO ME. 933 00:41:17,509 --> 00:41:18,679 GENETICS. 934 00:41:18,710 --> 00:41:21,610 YES. THAT EXPLAINS IT. 935 00:41:21,647 --> 00:41:24,877 THAT MUST BE IT. MYSTERY OF THE AGES SOLVED. 936 00:41:24,916 --> 00:41:26,986 [ SIGHS ] 937 00:41:27,018 --> 00:41:29,688 YOU'VE ALWAYS BEEN GOOD FOR EACH OTHER. 938 00:41:37,028 --> 00:41:39,198 NOW YOU KNOW WHY. 939 00:41:39,230 --> 00:41:42,400 [ JOSEPH'S "COME IN CLOSE" PLAYS ] 940 00:41:42,433 --> 00:41:44,973 * MY, I'M COLD 941 00:41:45,003 --> 00:41:47,313 * SO COLD I FEEL 942 00:41:47,338 --> 00:41:50,138 * SEE THE BREATH FROM MY LUNGS 943 00:41:50,175 --> 00:41:51,305 * THERE IT IS, BLUE 944 00:41:51,342 --> 00:41:52,682 [ DOOR OPENS, CLOSES ] 945 00:41:52,711 --> 00:41:55,851 WELL, YOU CAN STAY HERE UNTIL YOU FIND 946 00:41:55,881 --> 00:41:58,821 SOMEPLACE PERMANENT, I GUESS. 947 00:41:58,850 --> 00:42:00,690 [ SIGHS ] 948 00:42:03,855 --> 00:42:05,715 * THE NIGHT IS DARK 949 00:42:05,757 --> 00:42:07,027 * MY SKIN IS DOOMED 950 00:42:07,058 --> 00:42:09,658 HEY, UH, I DON'T HAVE TO PAY RENT NOW, 951 00:42:09,695 --> 00:42:12,155 YOU KNOW, THAT WE'RE BROTHERS, RIGHT? 952 00:42:12,197 --> 00:42:13,897 HALF BROTHERS. 953 00:42:13,932 --> 00:42:16,872 HALF BROTHERS, HALF THE RENT. 954 00:42:20,739 --> 00:42:21,969 OKAY. 955 00:42:25,577 --> 00:42:27,877 * HERE, COME IN CLOSE 956 00:42:27,913 --> 00:42:31,283 * WEAR ME LIKE A WINTER JACKET * 957 00:42:31,316 --> 00:42:36,286 * WHAT DO WE KNOW BUT THIS, THIS? * 958 00:42:36,321 --> 00:42:38,621 * HOLD OUT YOUR HANDS 959 00:42:38,657 --> 00:42:41,627 * I'LL BREATHE ON THEM AND PLACE MINE OVER * 960 00:42:41,660 --> 00:42:46,300 * WHAT DO WE HAVE BUT THIS? 961 00:43:19,464 --> 00:43:22,134 WHAT'S THAT MEAN?