1 00:00:06,528 --> 00:00:09,431 HI. 2 00:00:09,464 --> 00:00:12,201 I'M JUST GONNA GET MY BELT. 3 00:00:16,105 --> 00:00:18,507 [ DOOR CLOSES ] 4 00:00:18,540 --> 00:00:20,542 [ SIGHS ] 5 00:00:22,577 --> 00:00:24,746 HEY, SUNSHINE, WHAT ARE YOU MAKING? 6 00:00:24,779 --> 00:00:26,348 NOT WHAT YOU WERE MAKING, 7 00:00:26,381 --> 00:00:28,683 NOISILY, WITH NO CONSIDERATION FOR OTHERS. 8 00:00:28,717 --> 00:00:29,851 WHAT IS ON YOUR NOSE? 9 00:00:29,884 --> 00:00:31,086 MAGIC NOSE BRA. 10 00:00:31,120 --> 00:00:33,054 [ SNIFFS ] STOP SNORING. 11 00:00:33,088 --> 00:00:35,524 MY FRIEND IS A LIGHT SLEEPER. 12 00:00:35,557 --> 00:00:37,292 CONSIDERING WHAT I HEARD LAST NIGHT, 13 00:00:37,326 --> 00:00:38,927 THERE WAS NOT A LOT OF SLEEPING GOING ON. 14 00:00:38,960 --> 00:00:40,729 I OUGHT TO ARREST YOU. 15 00:00:40,762 --> 00:00:41,963 WAIT A MINUTE. 16 00:00:41,996 --> 00:00:44,366 ARE YOU FINALLY MAKING THE KITE? 17 00:00:44,399 --> 00:00:46,235 WHAT ARE YOU TALKING ABOUT? THIS IS MY BACK SCRATCHER. 18 00:00:46,268 --> 00:00:49,938 MY KITE, THE KITE I GAVE YOU $200 TO MAKE FOR ME. 19 00:00:49,971 --> 00:00:53,074 OH, THAT'S WHAT THAT MONEY WAS FOR. 20 00:00:53,108 --> 00:00:54,709 Moto: READY TO GO? 21 00:00:54,743 --> 00:00:55,910 SORRY, DUTY CALLS. MOTO'S HERE. 22 00:00:55,944 --> 00:00:58,880 HEY. GOOD MORNING, VALENTINE. 23 00:00:58,913 --> 00:01:01,383 YOU HAVEN'T EVEN STARTED THE KITE? 24 00:01:01,416 --> 00:01:02,951 SORRY, NO TIME TO TALK. 25 00:01:02,984 --> 00:01:05,954 HOMICIDE. BODY AT THE HERE NOW FESTIVAL. 26 00:01:05,987 --> 00:01:07,789 IT'S THE ART FESTIVAL DOWNTOWN. 27 00:01:07,822 --> 00:01:09,224 PERFORMANCE ART. 28 00:01:09,258 --> 00:01:11,726 YEAH, A WHOLE NOTHER CATEGORY OF IDIOCY. 29 00:01:11,760 --> 00:01:13,061 WATCH THIS. OW! 30 00:01:13,094 --> 00:01:14,163 HO! 31 00:01:14,196 --> 00:01:15,997 "I HATE MY MOTHER. TA-DA!" 32 00:01:16,030 --> 00:01:17,632 ANYONE CAN DO PERFORMANCE ART. 33 00:01:17,666 --> 00:01:19,234 [ GROANS ] DID THAT LEAVE A MARK? 34 00:01:19,268 --> 00:01:21,102 [ Chuckling ] I'LL WAIT IN THE CAR. 35 00:01:21,136 --> 00:01:22,504 HEY, IF YOU'RE NOT GONNA MAKE MY KITE, 36 00:01:22,537 --> 00:01:24,005 I DEMAND YOU GIVE ME THE MONEY BACK TODAY. 37 00:01:26,541 --> 00:01:27,609 MAKE ME. 38 00:01:34,183 --> 00:01:38,119 BY THE WAY, I DON'T USE THAT ON MY BACK. 39 00:01:38,153 --> 00:01:39,854 [ OBJECT THUDS ] 40 00:01:39,888 --> 00:01:43,024 [ DRUMS BEATING RHYTHMICALLY ] 41 00:01:46,395 --> 00:01:49,598 AH. THE VICTIM'S NAME IS TIMOTHY FITCH, AGE 34. 42 00:01:49,631 --> 00:01:51,766 THREE GUNSHOT WOUNDS TO THE CHEST. 43 00:01:51,800 --> 00:01:53,935 LIVIDITY SUGGESTS THE TIME OF DEATH 44 00:01:53,968 --> 00:01:57,172 WAS SOMETIME LAST NIGHT BETWEEN 10:00 P.M. AND 2:00 A.M. 45 00:01:57,206 --> 00:01:59,441 Moto: WHAT'S WITH THE EXPLODING FRUIT? 46 00:01:59,474 --> 00:02:01,343 Niedermayer: HE WAS AN ARTIST, MOTO. 47 00:02:01,376 --> 00:02:04,012 Gravely: TIMOTHY FITCH WAS SCHEDULED TO PERFORM LATER TODAY. 48 00:02:04,045 --> 00:02:06,215 HE HAD A PERMIT FOR BULLETS AND A GUN, 49 00:02:06,248 --> 00:02:08,683 A .357 RUGER, AS PROPS, AND THEY'RE MISSING. 50 00:02:08,717 --> 00:02:11,152 OH. [ CHUCKLES ] 51 00:02:11,186 --> 00:02:13,388 PROBABLY FIND THE BULLETS LODGED IN HIS CHEST. 52 00:02:13,422 --> 00:02:16,057 WHAT KIND OF PERFORMER USES A REAL GUN? 53 00:02:16,090 --> 00:02:17,826 WELL, THE FESTIVAL BROCHURE SAYS 54 00:02:17,859 --> 00:02:19,561 THAT IT HAD SOMETHING TO DO WITH... 55 00:02:19,594 --> 00:02:23,198 "CREATING A CHARISMATIC SPACE WHERE LIMITS ARE TRANSFORMED." 56 00:02:23,232 --> 00:02:25,734 OH, MY GOD. STOP IT RIGHT NOW. 57 00:02:25,767 --> 00:02:27,969 NO ONE IS ALLOWED TO TALK ABOUT THIS CRAP 58 00:02:28,002 --> 00:02:29,204 AS IF IT MAKES ANY SENSE. 59 00:02:29,238 --> 00:02:30,472 DO YOU UNDERSTAND, NIEDERMAYER? 60 00:02:30,505 --> 00:02:32,241 YES, SIR. ALL RIGHT. WHERE'S ALMOND? 61 00:02:32,274 --> 00:02:34,843 HE'S IN THE LOBBY, TALKING TO THE VICTIM'S FIANCéE. 62 00:02:34,876 --> 00:02:36,645 SHE'S THE ONE WHO FOUND THE BODY. 63 00:02:36,678 --> 00:02:38,179 [ EXPLOSION ] 64 00:02:38,213 --> 00:02:40,515 OKAY. 65 00:02:40,549 --> 00:02:42,517 YOU KNOW WHAT? 66 00:02:42,551 --> 00:02:44,719 I WANT A LIST OF ALL THE SO-CALLED "ARTISTS" 67 00:02:44,753 --> 00:02:46,888 PERFORMING IN THIS "FESTIVAL." 68 00:02:46,921 --> 00:02:48,590 THOSE SELF-INDULGENT NARCISSISTS. 69 00:02:48,623 --> 00:02:51,025 THEY THINK THEY CAN GET AWAY WITH FINGER PAINTING 70 00:02:51,059 --> 00:02:52,727 IN THEIR OWN POO AND CALLING IT ART? 71 00:02:52,761 --> 00:02:54,896 WELL, THEY'RE NOT GONNA GET AWAY WITH MURDER. 72 00:02:54,929 --> 00:02:57,332 SO YOU'RE ASSUMING THE MURDERER IS ANOTHER ARTIST? 73 00:02:57,366 --> 00:03:00,034 ARTISTS ARE, BY THEIR NATURE, PASSIONATE. 74 00:03:00,068 --> 00:03:02,537 AND BY PASSIONATE, I MEAN STUPID. 75 00:03:04,373 --> 00:03:06,775 IS THAT TRUE? 76 00:03:08,610 --> 00:03:11,012 JUST A FEW MORE MINUTES -- HEY. 77 00:03:11,045 --> 00:03:14,048 LIEUTENANT, THIS IS, UH, VIRGINIA ANDERSON, 78 00:03:14,082 --> 00:03:15,784 TIMOTHY FITCH'S FIANCéE. 79 00:03:15,817 --> 00:03:18,453 SHE LOOKS KIND OF NORMAL TO BE AN ARTIST'S GIRLFRIEND. 80 00:03:18,487 --> 00:03:21,222 THAT'S BECAUSE SHE'S AN ACCOUNTANT. 81 00:03:21,256 --> 00:03:24,058 REALLY? MEANING SHE PAYS THE RENT. 82 00:03:24,092 --> 00:03:26,895 GO AHEAD, MRS. ANDERSON. 83 00:03:26,928 --> 00:03:28,530 YOU WERE SAYING? 84 00:03:28,563 --> 00:03:33,535 UH, I KNEW FITCH WOULD BE WORKING LATE LAST NIGHT, 85 00:03:33,568 --> 00:03:35,270 PREPARING THE GALLERY, 86 00:03:35,304 --> 00:03:39,474 SO I WENT TO BED, BUT WHEN I WOKE UP, 87 00:03:39,508 --> 00:03:41,242 HE STILL WASN'T HOME. 88 00:03:41,276 --> 00:03:43,945 [ Voice breaking ] AND, UH, WHEN I CALLED HIM, HE DIDN'T ANSWER, 89 00:03:43,978 --> 00:03:45,547 SO I CAME IN TO CHECK ON HIM, 90 00:03:45,580 --> 00:03:47,081 AND I FOUND HIM ON THE FLOOR. 91 00:03:47,115 --> 00:03:50,485 SO YOU WERE AT HOME LAST NIGHT BY YOURSELF? 92 00:03:50,519 --> 00:03:51,886 THAT'S YOUR ALIBI? 93 00:03:51,920 --> 00:03:53,922 MS. ANDERSON HAD FOOD DELIVERED. 94 00:03:53,955 --> 00:03:55,624 SHE DOWNLOADED A PAY-PER-VIEW MOVIE. 95 00:03:55,657 --> 00:03:56,791 WE'LL VERIFY. 96 00:03:56,825 --> 00:03:58,493 [ SOBS ] 97 00:03:58,527 --> 00:04:02,397 IT'S JUST I LOVED FITCH SO MUCH. 98 00:04:02,431 --> 00:04:05,133 MY LIFE WAS JUST... 99 00:04:05,166 --> 00:04:07,402 ORDINARY BEFORE HIM. 100 00:04:07,436 --> 00:04:09,838 I WAS ORDINARY. 101 00:04:09,871 --> 00:04:13,775 HE MADE ME SPECIAL. [ CHUCKLES ] 102 00:04:13,808 --> 00:04:16,244 WHEN'S THE LAST TIME YOU SAW HIM ALIVE? 103 00:04:16,277 --> 00:04:20,915 UH, I STOPPED BY THE GALLERY ON MY WAY HOME FROM WORK. 104 00:04:20,949 --> 00:04:24,085 HE AND MOSS WERE HAVING SOME DRINKS, 105 00:04:24,118 --> 00:04:25,754 GETTING THINGS READY. 106 00:04:25,787 --> 00:04:28,289 MOSS BRADY, FITCH'S ASSISTANT. 107 00:04:32,327 --> 00:04:33,962 [ SOBS LIGHTLY ] 108 00:04:38,500 --> 00:04:40,335 Gravely: WHOA, WHOA, WHOA! 109 00:04:40,369 --> 00:04:42,704 Moto: UH...OH! 110 00:04:44,706 --> 00:04:47,342 DID YOU JUST MAKE A MURDER VICTIM PEE HIMSELF? 111 00:04:47,376 --> 00:04:49,678 THAT WAS ONE VERY FULL BLADDER. 112 00:04:49,711 --> 00:04:53,114 AND YET THERE'S NO CUPS OR BOTTLES ANYWHERE. 113 00:04:53,147 --> 00:04:55,450 SOMEBODY WANTED TO GET RID OF FINGERPRINTS. 114 00:04:55,484 --> 00:04:58,553 GRAVELY, I WANT YOU TO TRACK DOWN FITCH'S ASSISTANT. 115 00:04:58,587 --> 00:05:01,456 NAME'S MOSS BRADY. 116 00:05:01,490 --> 00:05:06,160 FIND THOSE BEVERAGES OR YOU'RE IN [URINE] TROUBLE. 117 00:05:07,829 --> 00:05:12,967 LOOK AT THIS. I MEAN, ISN'T THIS BEAUTIFUL? 118 00:05:13,001 --> 00:05:16,471 YEAH, IF YOU LIKE GIANT CLOWN LIPS VOMITING CONFETTI. 119 00:05:16,505 --> 00:05:19,340 THIS IS A PIECE FITCH DID THREE YEARS AGO 120 00:05:19,374 --> 00:05:21,710 ENTITLED "EVIDENCE OF A LIFE." 121 00:05:21,743 --> 00:05:23,745 HE TOOK PILES OF PAPERWORK -- 122 00:05:23,778 --> 00:05:26,014 BIRTH CERTIFICATES, SCHOOL TRANSCRIPTS, 123 00:05:26,047 --> 00:05:28,583 PARKING TICKETS, EVERYTHING AND ANYTHING -- 124 00:05:28,617 --> 00:05:33,087 AND THEN HE CUT THEM INTO THESE THIN, WISPY STRIPS 125 00:05:33,121 --> 00:05:35,156 THROUGHOUT THE GALLERY. 126 00:05:35,189 --> 00:05:37,158 DO WE HAVE ANY OTHER BACKGROUND ON THE VICTIM 127 00:05:37,191 --> 00:05:38,827 THAT'S NOT CUT INTO STRIPS OF PAPER? 128 00:05:38,860 --> 00:05:42,063 TIMOTHY FITCH, BORN AND RAISED IN MAINE. 129 00:05:42,096 --> 00:05:43,432 PARENTS DECEASED. 130 00:05:43,465 --> 00:05:46,067 TWO SIBLINGS, ONE BROTHER AND ONE SISTER,. 131 00:05:46,100 --> 00:05:47,502 BOTH LIVE IN PORTLAND. 132 00:05:47,536 --> 00:05:48,537 ARE THEY COMING IN? 133 00:05:48,570 --> 00:05:49,571 NO, THE OTHER PORTLAND -- 134 00:05:49,604 --> 00:05:50,872 MAINE. 135 00:05:50,905 --> 00:05:53,708 14 EMPTY BOTTLES FROM THE DUMPSTER 136 00:05:53,742 --> 00:05:55,844 IN THE BACK OF THE GALLERY. 137 00:05:55,877 --> 00:05:57,746 I TOOK FINGERPRINTS. FOUND THREE SETS. 138 00:05:57,779 --> 00:06:00,081 ONE OF THEM'S FITCH'S. WORKING ON THE OTHERS. 139 00:06:00,114 --> 00:06:01,516 [ BOTTLES CLANKING ] 140 00:06:01,550 --> 00:06:03,017 SIX BEERS EACH, 141 00:06:03,051 --> 00:06:07,956 PLUS TWO RASPBERRY BLAST-FLAVORED MALT BEVERAGES. 142 00:06:07,989 --> 00:06:10,425 THERE WAS A WOMAN WITH FITCH AND MOSS, 143 00:06:10,459 --> 00:06:13,762 UNLESS MOSS IS RASPBERRY-FLAVORED MALT GAY. 144 00:06:13,795 --> 00:06:15,029 GRAVELY'S LOOKING FOR THE ASSISTANT. 145 00:06:15,063 --> 00:06:16,565 SHE HAD THE LANDLORD OPEN HIS LOFT. 146 00:06:16,598 --> 00:06:17,732 DOESN'T LOOK LIKE HE WENT HOME LAST NIGHT. 147 00:06:17,766 --> 00:06:21,369 PAQUET, THIS EVIDENCE OF LIFE -- 148 00:06:21,402 --> 00:06:23,304 IS THAT HIS LIFE HE'S SHREDDING? 149 00:06:23,337 --> 00:06:25,740 NO, AN EX-GIRLFRIEND, LUCY HARMS. 150 00:06:25,774 --> 00:06:27,141 AH, LUCY HARMS. 151 00:06:27,175 --> 00:06:29,544 LUCY HARMS IS ALSO A PERFORMANCE ARTIST. 152 00:06:29,578 --> 00:06:32,614 SHE AND FITCH HAVE AN EXTREMELY INTENSE RELATIONSHIP, 153 00:06:32,647 --> 00:06:34,382 AND THEY FILMED THEIR BREAKUP, 154 00:06:34,415 --> 00:06:36,250 AND THEY TURNED IT INTO A PIECE OF VIDEO ART. 155 00:06:36,284 --> 00:06:39,053 HIKING FROM SEPARATE ENDS OF THE PACIFIC CREST TRAIL, 156 00:06:39,087 --> 00:06:40,421 THEY MET IN THE MIDDLE, 157 00:06:40,455 --> 00:06:42,223 AND THEY FILMED THEIR FINAL GOODBYES. 158 00:06:42,256 --> 00:06:43,492 SURPRISINGLY MOVING. 159 00:06:43,525 --> 00:06:45,994 I'LL TAKE YOUR WORD FOR IT. 160 00:06:46,027 --> 00:06:48,162 YOU ACTUALLY LIKE THIS HOOEY, NIEDERMAYER? 161 00:06:48,196 --> 00:06:50,565 I APPRECIATE THE ATTEMPT TO USE LIVE GESTURE 162 00:06:50,599 --> 00:06:52,734 TO ANIMATE FORMAL AND CONCEPTUAL IDEAS. 163 00:06:52,767 --> 00:06:55,003 MOTO, PUNCH NIEDERMAYER FOR ME. 164 00:06:55,036 --> 00:06:57,071 THAT'S AN ORDER. THEN MESS UP HIS HAIR. 165 00:06:57,105 --> 00:07:01,142 LUCY HARMS IS ACTUALLY ALSO AT THE HERE AND NOW FESTIVAL. 166 00:07:01,175 --> 00:07:04,479 HERE IS A SAMPLE OF THE PIECE SHE PERFORMED YESTERDAY. 167 00:07:04,513 --> 00:07:06,581 Moto: WHAT'S WITH THE TARGETS? 168 00:07:06,615 --> 00:07:08,116 THE WOMAN'S ACTUALLY STANDING 169 00:07:08,149 --> 00:07:10,118 IN FRONT OF A WALL FULL OF EVIDENCE 170 00:07:10,151 --> 00:07:11,520 PROVING SHE'S A GREAT SHOT. 171 00:07:11,553 --> 00:07:12,821 WHAT'D I TELL YOU? 172 00:07:12,854 --> 00:07:15,990 ARTIST EQUALS PASSIONATE EQUALS STUPID. 173 00:07:16,024 --> 00:07:18,993 COME ON, NIEDERMAYER. I'M GONNA NEED A TRANSLATOR. 174 00:07:55,396 --> 00:07:58,166 Backstrom: LET ME GUESS, YOU'RE LIVING IN A PLASTIC BOX 175 00:07:58,199 --> 00:08:00,969 AS A BRILLIANT, PSEUDO-ARTISTIC STATEMENT 176 00:08:01,002 --> 00:08:03,304 THAT WE ALL LIVE IN A PLASTIC BOX. 177 00:08:03,337 --> 00:08:05,707 I WAS THINKING MORE ABOUT HOW NATURAL ACTS 178 00:08:05,740 --> 00:08:09,477 BECOME TRANSGRESSIVE WITH THE ADDITION OF AN AUDIENCE, 179 00:08:09,510 --> 00:08:12,313 BUT IF ALL YOU'RE GETTING IS HAMSTER-IN-A-CAGE ANALOGY, 180 00:08:12,346 --> 00:08:13,815 THAT'S FINE. 181 00:08:13,848 --> 00:08:15,984 MS. HARMS, I'LL BE RUNNING YOUR FINGERPRINTS, 182 00:08:16,017 --> 00:08:18,219 AND IF IT TURNS OUT THAT YOU WERE HAVING DRINKS 183 00:08:18,252 --> 00:08:19,053 WITH MR. FITCH LAST NIGHT -- 184 00:08:19,087 --> 00:08:20,354 I DON'T DRINK. 185 00:08:20,388 --> 00:08:22,824 THIS IS NOT THE WORK OF A SOBER PERSON. 186 00:08:22,857 --> 00:08:26,327 I HAVEN'T SEEN TIM FITCH SINCE WE BROKE UP THREE YEARS AGO. 187 00:08:26,360 --> 00:08:28,663 THE SHOOTING TARGETS THAT HAVE YOU BOTH ATWITTER -- 188 00:08:28,697 --> 00:08:32,601 THOSE ARE FROM A FIRING RANGE, TRIGGER TOWN ON LAMPHIER STREET. 189 00:08:32,634 --> 00:08:35,336 I HAVEN'T TOUCHED A GUN IN MY LIFE. 190 00:08:35,369 --> 00:08:37,438 WHAT WAS YOUR RELATIONSHIP WITH MR. FITCH LIKE 191 00:08:37,471 --> 00:08:38,406 SINCE THE BREAKUP? 192 00:08:38,439 --> 00:08:39,774 WE HAVEN'T SPOKEN. 193 00:08:39,808 --> 00:08:41,843 WHAT'S MORE, IF YOU WATCHED OUR VIDEO, 194 00:08:41,876 --> 00:08:44,212 YOU WOULD KNOW THAT WHEN WE SAID GOODBYE, 195 00:08:44,245 --> 00:08:47,048 WE VOWED TO NEVER SPEAK OF OUR RELATIONSHIP AGAIN, 196 00:08:47,081 --> 00:08:52,587 SO I AM ARTISTICALLY OBLIGATED TO REMAIN SILENT ON THE SUBJECT. 197 00:08:52,621 --> 00:08:54,288 IT'S KIND OF HARD TO PLEAD THE FIFTH 198 00:08:54,322 --> 00:08:56,257 WHEN YOUR PRIVATES ARE SOON TO BE PUBLICS. 199 00:08:56,290 --> 00:08:57,926 THIS IS MY WORK. 200 00:08:57,959 --> 00:08:59,728 MOCK IT IF YOU WANT. 201 00:08:59,761 --> 00:09:01,863 I WASN'T WITH FITCH. 202 00:09:01,896 --> 00:09:04,032 I WAS IN MY HOTEL LAST NIGHT. 203 00:09:04,065 --> 00:09:07,135 SO CHECK THE KEY-CARD MEMORY, RUN MY PRINTS. 204 00:09:07,168 --> 00:09:09,570 I DIDN'T KILL TIM FITCH. 205 00:09:11,239 --> 00:09:12,440 [ CLEARS THROAT ] 206 00:09:12,473 --> 00:09:14,442 LIEUTENANT, WHAT ARE YOU DOING? 207 00:09:14,475 --> 00:09:16,645 CLOSE YOUR EYES, NIEDERMAYER. 208 00:09:16,678 --> 00:09:20,248 IT ONLY BECOMES TRANSGRESSIVE WHEN THERE'S AN AUDIENCE. 209 00:09:23,752 --> 00:09:25,720 I CAN'T HELP BUT FIND HER BRAVE. 210 00:09:25,754 --> 00:09:28,422 FOR WHAT, HAVING BOWEL MOVEMENTS WITHOUT A DOOR? 211 00:09:28,456 --> 00:09:29,724 CHALLENGING SOCIAL NORMS. 212 00:09:29,758 --> 00:09:31,459 SHE DID THIS PERFORMANCE A FEW YEARS AGO -- 213 00:09:31,492 --> 00:09:32,894 I REMEMBER READING ABOUT IT -- 214 00:09:32,927 --> 00:09:34,562 WHERE SHE'D INGEST TWO TABS OF ECSTASY 215 00:09:34,595 --> 00:09:36,597 AND THEN ASK THE AUDIENCE TO TAKE CARE OF HER. 216 00:09:36,631 --> 00:09:38,800 YOU JUST DESCRIBED BURNING MAN. 217 00:09:38,833 --> 00:09:40,001 [ LAUGHS ] 218 00:09:40,034 --> 00:09:43,137 SHE FRAMED IT AS A COMMENTARY 219 00:09:43,171 --> 00:09:46,140 ON SOCIAL ATTITUDES REGARDING FEMALE MENTAL ILLNESS. 220 00:09:46,174 --> 00:09:48,009 WHAT, LIKE THAT'S A BAD THING? 221 00:09:48,042 --> 00:09:50,511 YEAH? 222 00:09:50,544 --> 00:09:52,246 ANY LUCK WITH LUCY HARMS? 223 00:09:52,280 --> 00:09:54,182 Yeah. She's totally guilty. 224 00:09:54,215 --> 00:09:56,785 OR MURDER OR SIMPLY ANNOYING YOU? 225 00:09:56,818 --> 00:09:57,986 DID YOU FIND THE VICTIM'S ASSISTANT? 226 00:09:58,019 --> 00:09:59,688 NO. THERE ARE ONLY FIVE BLOCKS 227 00:09:59,721 --> 00:10:01,756 BETWEEN THE ARTS CENTER AND HIS LOFT. 228 00:10:01,790 --> 00:10:03,992 WE PINGED HIS PHONE. IT'S STILL IN THE AREA. 229 00:10:04,025 --> 00:10:05,660 FIGURE HE DUMPED IT. 230 00:10:05,694 --> 00:10:07,829 I'VE GOT ALERTS OUT AT AIRPORTS AND BUS STATIONS -- 231 00:10:07,862 --> 00:10:09,163 You know, the usual. 232 00:10:09,197 --> 00:10:10,598 IS THERE A PARK NEARBY? 233 00:10:10,631 --> 00:10:13,167 WE'RE CHECKING NOW, EVERY BENCH, EVERY BUSH. 234 00:10:13,201 --> 00:10:14,602 No, wait. 235 00:10:14,635 --> 00:10:16,337 IT WAS ABOUT TO RAIN LAST NIGHT. 236 00:10:16,370 --> 00:10:20,274 I'M MOSS. I'M TANKED. I'M TRYING TO STUMBLE HOME. 237 00:10:20,308 --> 00:10:22,643 IT MUST BE REALLY DIFFICULT FOR YOU TO IMAGINE THAT SCENARIO. 238 00:10:22,677 --> 00:10:24,946 DON'T JUDGE MY DEPRAVITY. USE IT. TRUST ME. 239 00:10:24,979 --> 00:10:27,015 THE ONLY THING WORSE THAN PASSING OUT 240 00:10:27,048 --> 00:10:29,818 IS PASSING OUT KNOWING YOU'RE ABOUT TO GET RAINED ON. 241 00:10:29,851 --> 00:10:33,321 SO, MOSS FOUND SOMEWHERE DRY. 242 00:10:33,354 --> 00:10:35,156 TRY A PLAYGROUND IF THERE IS ONE. [ ENGINE TURNS OVER ] 243 00:10:35,189 --> 00:10:37,826 I'VE SLEPT IN TUNNELS 244 00:10:37,859 --> 00:10:41,730 and giant, concrete tubes, pirate ships, you name it. [ WOMAN SCREAMS ] 245 00:10:41,763 --> 00:10:43,197 YOU KNOW WHAT? Man: I GOT HIM! 246 00:10:43,231 --> 00:10:44,032 YOU MIGHT BE ONTO SOMETHING. 247 00:10:44,065 --> 00:10:47,201 UP YOU GO. 248 00:10:51,039 --> 00:10:54,375 [ GROANS ] 249 00:10:54,408 --> 00:10:56,677 IF YOU DRINK ALCOHOL LIKE YOU DRINK COFFEE, 250 00:10:56,711 --> 00:10:58,646 NO SURPRISE WE FOUND YOU FACEDOWN, 251 00:10:58,679 --> 00:10:59,881 PASSED OUT IN A TUNNEL. 252 00:10:59,914 --> 00:11:01,249 I HAD AN EMPTY STOMACH, 253 00:11:01,282 --> 00:11:02,851 BUT I CAN USUALLY HOLD MY BEER BETTER. 254 00:11:02,884 --> 00:11:05,053 NO RASPBERRY MALT BEVERAGE? 255 00:11:05,086 --> 00:11:06,587 JUST BEER. 256 00:11:06,620 --> 00:11:07,722 MR. BRADY, YOU DO UNDERSTAND 257 00:11:07,756 --> 00:11:09,323 THAT YOUR BOSS WAS MURDERED, RIGHT? 258 00:11:09,357 --> 00:11:11,492 I AM UPSET. 259 00:11:11,525 --> 00:11:14,896 IT IS A TERRIBLE LOSS TO THE ART WORLD. 260 00:11:14,929 --> 00:11:16,697 HE WAS A VISIONARY. 261 00:11:17,899 --> 00:11:20,902 I'M SORRY. MAYBE IT'S STILL SINKING IN. 262 00:11:20,935 --> 00:11:22,003 WHERE'S THE GUN? 263 00:11:22,036 --> 00:11:23,204 GUN? 264 00:11:23,237 --> 00:11:24,605 THE GUN FROM FITCH'S INSTALLATION. 265 00:11:24,638 --> 00:11:25,774 OH, YEAH. 266 00:11:25,807 --> 00:11:28,342 HE WAS COMMENTING ON BOUNDARIES, 267 00:11:28,376 --> 00:11:32,180 CREATING A DEMILITARIZED ZONE FOR RADICAL BEHAVIOR. 268 00:11:32,213 --> 00:11:35,583 MR. BRADY, "DEMILITARIZED" MEANS "WITHOUT GUNS." 269 00:11:35,616 --> 00:11:39,553 FITCH IS A SCHOLAR OF THE HUMAN CONDITION 270 00:11:39,587 --> 00:11:41,790 IN ALL OF ITS CONTRADICTIONS. 271 00:11:41,823 --> 00:11:43,758 FITCH IS A GENIUS. 272 00:11:43,792 --> 00:11:44,759 WAS A GENIUS. 273 00:11:44,793 --> 00:11:46,260 THAT'S WHAT I MEAN. 274 00:11:46,294 --> 00:11:47,728 SUCH A BUMMER. 275 00:11:47,762 --> 00:11:49,463 WE HAVE REASON TO BELIEVE 276 00:11:49,497 --> 00:11:51,365 THAT THERE WAS A THIRD PERSON WITH YOU 277 00:11:51,399 --> 00:11:52,600 AND THE VICTIM LAST NIGHT. 278 00:11:52,633 --> 00:11:53,734 NO. JUST ME AND FITCH. 279 00:11:53,768 --> 00:11:55,804 IS THAT A CONFESSION? 280 00:11:55,837 --> 00:11:58,739 [ CHUCKLES ] NO. OF COURSE NOT. 281 00:11:58,773 --> 00:12:01,810 MR. BRADY, DID ANYTHING SUSPICIOUS HAPPEN YESTERDAY? 282 00:12:01,843 --> 00:12:05,446 MM, NO, BUT WEIRD. 283 00:12:05,479 --> 00:12:09,050 YOU KNOW, EARLIER, I DID SEE THIS WOMAN 284 00:12:09,083 --> 00:12:11,085 LOOKING INTO THE FRONT WINDOW OF THE GALLERY. 285 00:12:11,119 --> 00:12:13,621 WHEN SHE SAW ME WATCHING HER, SHE TOOK OFF. 286 00:12:13,654 --> 00:12:14,956 CAN YOU PROVIDE A DESCRIPTION? 287 00:12:14,989 --> 00:12:15,957 YEAH. 288 00:12:15,990 --> 00:12:18,659 SHE LOOKED JUST LIKE FITCH. 289 00:12:21,863 --> 00:12:24,899 MOSS BRADY HAS IDENTIFIED ARIANNA FITCH, 290 00:12:24,933 --> 00:12:27,268 TIMOTHY FITCH'S YOUNGER SISTER, 291 00:12:27,301 --> 00:12:28,736 AS THE MYSTERIOUS WOMAN 292 00:12:28,769 --> 00:12:31,172 WHO APPEARED IN THE WINDOW YESTERDAY. 293 00:12:31,205 --> 00:12:32,807 SHE AN ARTIST, TOO? 294 00:12:32,841 --> 00:12:35,243 NO. SHE IS LEARNING TO CARE FOR LARGE ANIMALS. 295 00:12:35,276 --> 00:12:37,846 LIKE AT A CIRCUS? 296 00:12:37,879 --> 00:12:39,180 VETERINARY SCHOOL. 297 00:12:39,213 --> 00:12:40,748 BUT SHE'S BEEN STUDYING 298 00:12:40,781 --> 00:12:43,017 FOR EIGHT YEARS WITH NO GRADUATION. 299 00:12:43,051 --> 00:12:44,652 SO SHE'S KIND OF STUPID? 300 00:12:44,685 --> 00:12:46,454 I HAVE A DIFFERENT THEORY. 301 00:12:46,487 --> 00:12:48,656 ARIANNA FITCH IS THE CARETAKER 302 00:12:48,689 --> 00:12:50,825 FOR HER YOUNGEST BROTHER, OLIVER, 303 00:12:50,859 --> 00:12:54,028 WHO WAS PARALYZED IN THIS ACCIDENT NINE YEARS AGO. 304 00:12:54,062 --> 00:12:56,430 WAIT. THE MURDER VICTIM WAS DRIVING THE CAR? 305 00:12:56,464 --> 00:12:59,433 YES. HE AND HIS SISTER ESCAPED WITH NO INJURY. 306 00:12:59,467 --> 00:13:00,935 AH. 307 00:13:00,969 --> 00:13:03,104 SO SHE'S STUCK CARRYING FOR THE BROTHER 308 00:13:03,137 --> 00:13:04,805 THE OTHER BROTHER PARALYZED. MM-HMM. 309 00:13:04,839 --> 00:13:07,108 AND PERHAPS SHE BLAMES TIMOTHY 310 00:13:07,141 --> 00:13:09,944 FOR THE BURDENS OF HER STALLED AMBITIONS. 311 00:13:09,978 --> 00:13:11,012 AH. 312 00:13:11,045 --> 00:13:12,646 SO, I SWING BY THE GALLERY 313 00:13:12,680 --> 00:13:15,984 TO DEMAND THAT HE TAKE HIS SHARE OF THE RESPONSIBILITY, 314 00:13:16,017 --> 00:13:17,551 AND HE SAYS NO. 315 00:13:17,585 --> 00:13:20,521 SO I CAP HIM WITH HIS OWN GUN. 316 00:13:20,554 --> 00:13:23,057 HAVE GRAVELY KEEP THAT ASSISTANT ON ICE, 317 00:13:23,091 --> 00:13:24,859 BUT FIND THAT SISTER. 318 00:13:34,668 --> 00:13:37,038 [ THUNDER RUMBLES ] 319 00:13:37,071 --> 00:13:40,074 I CAN'T BELIEVE THIS FINALLY HAPPENED. 320 00:13:40,108 --> 00:13:41,509 YEAH. 321 00:13:41,542 --> 00:13:42,676 SO QUICKLY, TOO. 322 00:13:42,710 --> 00:13:45,146 WE CAUGHT YOU AFTER ONLY TWO DAYS. 323 00:13:45,179 --> 00:13:47,681 I DIDN'T KILL MY BROTHER. 324 00:13:47,715 --> 00:13:49,083 I LOVED HIM. 325 00:13:49,117 --> 00:13:51,052 BUT YOU DIDN'T LIKE HIM VERY MUCH. 326 00:13:51,085 --> 00:13:53,054 THAT'S THE WAY IT WORKS IN FAMILIES. 327 00:13:53,087 --> 00:13:55,990 YOU HAVE TO LOVE THEM. YOU DON'T HAVE TO LIKE THEM. 328 00:13:56,024 --> 00:13:57,926 AND WHAT ABOUT YOUR PARALYZED BROTHER? 329 00:13:57,959 --> 00:13:58,592 YOU LIKE HIM? 330 00:13:58,626 --> 00:13:59,860 YES. 331 00:13:59,894 --> 00:14:02,363 I'M YOU. 332 00:14:02,396 --> 00:14:05,166 MY BIG BROTHER TURNS MY LITTLE BROTHER 333 00:14:05,199 --> 00:14:06,834 INTO A LIVING TREE STUMP, 334 00:14:06,867 --> 00:14:09,537 THEN HE GOES OFF TO FOLLOW HIS BLISS, 335 00:14:09,570 --> 00:14:10,671 AND I'M LEFT TO PICK UP THE PIECES. 336 00:14:10,704 --> 00:14:12,040 100% CORRECT. 337 00:14:12,073 --> 00:14:15,109 UH-HUH. SO I SWING BY THE GALLERY. 338 00:14:15,143 --> 00:14:16,777 I ASK HIM FOR HELP. 339 00:14:16,810 --> 00:14:20,748 HE BLATHERS ON AND ON ABOUT ART AND DESTINY. 340 00:14:20,781 --> 00:14:24,618 I GET MAD, AND I SHOOT HIM WITH HIS ART GUN. 341 00:14:24,652 --> 00:14:28,356 NO. I WENT TO HIS GALLERY, AND I ASKED HIM FOR HELP. 342 00:14:28,389 --> 00:14:31,692 HE NODDED AND SAID HE OWED IT TO ME. 343 00:14:31,725 --> 00:14:33,761 SO YOU ADMIT YOU WERE AT THE GALLERY. 344 00:14:33,794 --> 00:14:35,096 OF COURSE. 345 00:14:35,129 --> 00:14:36,965 I EVEN STAYED AND HAD A FEW DRINKS. 346 00:14:36,998 --> 00:14:40,434 AND THAT EXPLAINS THE RASPBERRY MALT. 347 00:14:40,468 --> 00:14:43,337 WHAT'S THAT? 348 00:14:44,805 --> 00:14:48,876 A LIFE-INSURANCE POLICY FOR A MILLION DOLLARS ON TIM. 349 00:14:48,909 --> 00:14:50,878 HAVEN'T YOU READ ANY CRIME NOVELS? 350 00:14:50,911 --> 00:14:53,547 A BIG, FAT INSURANCE POLICY RIGHT BEFORE HE DIES. 351 00:14:53,581 --> 00:14:54,815 REALLY? 352 00:14:54,848 --> 00:14:56,650 I DIDN'T JUST TAKE IT OUT ON TIM. 353 00:14:56,684 --> 00:14:58,086 I HAVE INSURANCE ON MYSELF, 354 00:14:58,119 --> 00:15:00,288 I MEAN, ON MY COUSIN BETH, ON MY UNCLE MARK, 355 00:15:00,321 --> 00:15:02,423 ON EVERYONE WHO CONTRIBUTES IN ANY WAY 356 00:15:02,456 --> 00:15:03,757 TO HELPING OUT WITH OLIVER. 357 00:15:03,791 --> 00:15:05,593 I AM TERRIFIED OF US NOT BEING ABLE 358 00:15:05,626 --> 00:15:07,828 TO TAKE CARE OF HIM HIS WHOLE LIFE. [ SIGHS ] 359 00:15:07,861 --> 00:15:11,299 THERE WAS ANOTHER LITTLE GUY THERE, ON THE FLOOR. 360 00:15:11,332 --> 00:15:12,500 LIKE A -- LIKE A LITTLE ELF? 361 00:15:12,533 --> 00:15:13,934 HE COULD VOUCH FOR ME, 362 00:15:13,968 --> 00:15:16,570 EXCEPT I THINK HE MIGHT HAVE BEEN PASSED OUT. 363 00:15:16,604 --> 00:15:18,973 SO, WHAT, YOU THINK THIS LITTLE GUY WOKE UP AND KILLED TIM? 364 00:15:19,007 --> 00:15:22,243 NOT UNLESS HE WAS TOTALLY FAKING IT. 365 00:15:22,276 --> 00:15:26,347 BUT HEY, THAT'S THE ART WORLD -- A BIG CON JOB. 366 00:15:26,380 --> 00:15:29,417 IF THE VICTIM'S SISTER IS TELLING THE TRUTH, 367 00:15:29,450 --> 00:15:32,786 THEN SOMEONE SHOT FITCH AFTER SHE LEFT THE GALLERY. 368 00:15:32,820 --> 00:15:36,190 UNLESS SOMEBODY CONFRONTED HIM BEFORE THAT. 369 00:15:36,224 --> 00:15:39,360 MOTO, YOU THINK THE VICTIM WAS KILLED 370 00:15:39,393 --> 00:15:41,529 BEFORE HE HAD DRINKS WITH HIS SISTER? 371 00:15:41,562 --> 00:15:44,165 PLEASE DON'T TRANSFER ME OUT OF SPECIAL CRIMES. 372 00:15:44,198 --> 00:15:48,869 ARIANNA FITCH SAID HER BROTHER MADE A LOT OF ENEMIES. 373 00:15:48,902 --> 00:15:49,970 LET'S PRIORITIZE ON THAT, OKAY? 374 00:15:50,004 --> 00:15:51,539 WELL, IT'S A LONG LIST. 375 00:15:51,572 --> 00:15:53,341 NOTHING WAS SACRED TO HIM -- 376 00:15:53,374 --> 00:15:56,310 RELIGIOUS ICONOGRAPHY, CROSS-RACIAL SENSITIVITIES, 377 00:15:56,344 --> 00:15:57,878 ACCEPTED COMMON DECENCY. 378 00:15:57,911 --> 00:15:59,347 HE CHALLENGED EVERYTHING. 379 00:15:59,380 --> 00:16:01,349 [ DOOR SLAMS ] 380 00:16:01,382 --> 00:16:04,118 TWO YEARS AGO, FITCH DESIGNED THIS PERFORMANCE PIECE 381 00:16:04,152 --> 00:16:05,886 CALLED "DESTRUCTION, CREATION." 382 00:16:05,919 --> 00:16:08,622 HUH. 383 00:16:08,656 --> 00:16:10,024 THAT'S A NICE PAINTING. 384 00:16:10,058 --> 00:16:12,026 IF HE CAN MAKE REAL ART LIKE THAT, 385 00:16:12,060 --> 00:16:14,495 WHY WASTE HIS TIME ON ALL THE PRETEND CRAP? 386 00:16:14,528 --> 00:16:18,232 OKAY. 387 00:16:20,501 --> 00:16:23,337 OKAY. WHAT... 388 00:16:24,272 --> 00:16:26,207 OH, THAT'S DISGUSTING. 389 00:16:26,240 --> 00:16:28,209 [ STAMMERS ] 390 00:16:28,242 --> 00:16:31,679 WHO'S THAT GUY HITTING HIM LIKE A PIÑATA? 391 00:16:31,712 --> 00:16:33,247 UNIDENTIFIED MALE. 392 00:16:33,281 --> 00:16:34,882 NOBODY EVER LAID ANY CHARGES, 393 00:16:34,915 --> 00:16:36,684 SO THERE WAS NO RECORD OF THE ASSAULT. 394 00:16:36,717 --> 00:16:40,121 THAT'S TOO BAD. THE GUY DESERVES AN AWARD. 395 00:16:41,589 --> 00:16:42,923 LOOK AT THAT COMPOSITION -- 396 00:16:42,956 --> 00:16:46,894 SMOOTH BRUSHWORK, HIS USE OF LIGHT AND SHADOW. 397 00:16:46,927 --> 00:16:48,396 EXCUSE ME? 398 00:16:48,429 --> 00:16:51,399 I, UH -- I MINORED IN STUDIO ART, 399 00:16:51,432 --> 00:16:54,068 WATCHED A LOT OF DOCUMENTARIES. 400 00:16:54,102 --> 00:16:56,070 YOU KNOW THAT NUN. 401 00:16:56,104 --> 00:16:58,339 FITCH DIDN'T HAVE ANY FORMAL TRAINING. 402 00:16:58,372 --> 00:17:01,041 THAT GUY IS THE REAL ARTIST. 403 00:17:01,075 --> 00:17:03,611 THE VICTIM WAS DESTROYING HIS PAINTING IN PUBLIC, 404 00:17:03,644 --> 00:17:05,213 SO HE ATTACKED HIM. 405 00:17:05,246 --> 00:17:06,780 THE VICTIM WAS GONNA REVIVE THE INSTALLATION THIS WEEK. 406 00:17:06,814 --> 00:17:08,216 IT'S IN THE BROCHURE. 407 00:17:08,249 --> 00:17:10,584 WE'VE BEEN TRYING TO LOCATE WITNESSES OF THE ATTACK, 408 00:17:10,618 --> 00:17:12,253 BUT I-I'M -- 409 00:17:12,286 --> 00:17:14,122 FORGET TRYING TO I.D. THE ASSAILANT. 410 00:17:14,155 --> 00:17:16,757 I.D. THE PAINTING. 411 00:17:16,790 --> 00:17:20,027 "LOLO PASS." 412 00:17:20,060 --> 00:17:23,097 THE NAME OF THE PAINTING THAT THE VICTIM DESTROYED 413 00:17:23,131 --> 00:17:24,865 IN YOUR VIDEO IS "LOLO PASS." 414 00:17:24,898 --> 00:17:25,466 AND THE ARTIST? 415 00:17:25,499 --> 00:17:28,769 JULIAN GAYNOR. 416 00:17:28,802 --> 00:17:32,873 SAME GENERAL BODY TYPE AS THE GUY WHO ATTACKED FITCH. 417 00:17:32,906 --> 00:17:35,109 MM-HMM. HE'S A LOCAL ARTIST AND -- TAKE THAT -- 418 00:17:35,143 --> 00:17:36,944 ACCORDING TO FITCH'S PHONE RECORDS, 419 00:17:36,977 --> 00:17:38,379 THEY SPOKE JUST LAST WEEK. 420 00:17:38,412 --> 00:17:41,081 I'LL GO, BUT IF BACKSTROM 421 00:17:41,115 --> 00:17:46,454 CAN BRING ALONG NIEDERMAYER AS A TRANSLATOR, SO CAN I. 422 00:17:46,487 --> 00:17:48,389 BONJOUR. 423 00:17:48,422 --> 00:17:50,458 çA VA? BIEN. 424 00:17:50,491 --> 00:17:52,393 HE'S NOT HERE. 425 00:17:52,426 --> 00:17:54,094 HE'S GRABBING A SANDWICH. 426 00:17:54,128 --> 00:17:55,663 WELL, THAT CAN WAIT. 427 00:17:55,696 --> 00:17:57,231 HE OWES ME 200 BUCKS, 428 00:17:57,265 --> 00:17:59,667 AND I'M NOT LEAVING WITHOUT IT. 429 00:18:02,336 --> 00:18:04,772 SOMETHING WRONG? 430 00:18:04,805 --> 00:18:07,775 NO. UM... 431 00:18:07,808 --> 00:18:10,344 HE'S, UH -- HE'S JUST A LOT HOTTER 432 00:18:10,378 --> 00:18:12,780 THAN THE USUAL WEIRDOS THAT YOU HAVE UP THERE. 433 00:18:12,813 --> 00:18:14,248 HE'S A WITNESS OR WHAT? 434 00:18:14,282 --> 00:18:15,316 A SUSPECT. 435 00:18:17,685 --> 00:18:21,355 OKAY. I'M GONNA WAIT. 436 00:18:23,624 --> 00:18:25,859 Julian: YEAH, THAT'S -- THAT'S ME ALL RIGHT, 437 00:18:25,893 --> 00:18:28,028 AND THAT WAS MY PAINTING, "LOLO PASS." 438 00:18:28,061 --> 00:18:30,164 YOU MUST WORK EXTREMELY CAREFULLY. 439 00:18:30,198 --> 00:18:32,466 THERE'S NOT A DROP OF PAINT IN HERE. 440 00:18:32,500 --> 00:18:36,270 IT'S A BRAND-NEW SPACE. I'M STILL MOVING IN. 441 00:18:36,304 --> 00:18:38,639 I'M SORRY TO HEAR WHAT HAPPENED TO FITCH. 442 00:18:38,672 --> 00:18:40,641 EVEN THOUGH HE TRASHED YOUR PAINTING? 443 00:18:40,674 --> 00:18:41,942 HE BOUGHT IT. 444 00:18:41,975 --> 00:18:45,313 IT WAS HIS TO DO WITH WHAT HE LIKED. 445 00:18:45,346 --> 00:18:47,315 IS DESTROYING IT ANY WORSE 446 00:18:47,348 --> 00:18:50,150 THAN HANGING IT OVER A MATCHING SOFA? 447 00:18:50,184 --> 00:18:51,185 YOU ATTACKED HIM. 448 00:18:51,219 --> 00:18:52,786 I WAS SHOCKED. 449 00:18:52,820 --> 00:18:55,022 I HAD NO IDEA WHAT HE WAS GONNA DO WITH IT, 450 00:18:55,055 --> 00:18:57,525 AND THEN I THOUGHT HE INVITED ME DOWN 451 00:18:57,558 --> 00:18:59,527 TO THE PERFORMANCE TO MOCK ME. 452 00:18:59,560 --> 00:19:01,495 WHAT DO YOU THINK NOW? 453 00:19:01,529 --> 00:19:03,631 THAT I WAS PART OF HIS PERFORMANCE. 454 00:19:03,664 --> 00:19:05,333 HE HOPED I'D REACT THAT WAY. 455 00:19:05,366 --> 00:19:07,901 ARE YOU AWARE THAT FITCH PUBLICLY ANNOUNCED HIS INTENTION 456 00:19:07,935 --> 00:19:10,003 TO REVIVE "DESTRUCTION, CREATION" THIS WEEK? 457 00:19:10,037 --> 00:19:12,340 HE ANNOUNCED IT TO ME PRIVATELY. 458 00:19:12,373 --> 00:19:14,041 WHOA. HE BOUGHT ANOTHER PAINTING FROM YOU? 459 00:19:14,074 --> 00:19:15,809 THAT CRAZY PERFORMANCE TWO YEARS AGO -- 460 00:19:15,843 --> 00:19:17,211 THAT GOT ME A LOT OF ATTENTION. 461 00:19:17,245 --> 00:19:18,679 AND JUST LAST WEEK, FITCH CALLED ME UP. 462 00:19:18,712 --> 00:19:20,348 HE WANTED TO BUY ANOTHER CANVAS OF MINE. 463 00:19:20,381 --> 00:19:22,716 AND YOU REFUSED? 464 00:19:22,750 --> 00:19:25,386 NO. I CHARGED HIM $30,000 FOR A PAINTING 465 00:19:25,419 --> 00:19:27,488 THAT WAS PERHAPS WORTH $3,000. 466 00:19:27,521 --> 00:19:29,056 BECAUSE YOU KNEW HE DIDN'T HAVE THAT KIND OF MONEY? 467 00:19:29,089 --> 00:19:31,392 NO, HE PAID IN CASH. 468 00:19:32,426 --> 00:19:34,395 HOW DOES A BROKE PERFORMANCE ARTIST 469 00:19:34,428 --> 00:19:36,330 COME UP WITH $30,000 IN CASH? 470 00:19:45,773 --> 00:19:50,711 HEY! YOU, MY OFFICE, NOW. 471 00:19:50,744 --> 00:19:53,113 IT'S MY OFFICE! 472 00:19:55,115 --> 00:19:57,851 ALL RIGHT, WHAT'S GOT YOUR PANTIES IN A TWIST? 473 00:19:57,885 --> 00:19:58,886 IS IT THE KITE? 474 00:19:58,919 --> 00:20:00,754 I'LL GIVE YOU YOUR 200 BUCKS BACK. 475 00:20:00,788 --> 00:20:03,023 I NEED A FAVOR FROM YOU. ANOTHER ONE? 476 00:20:03,056 --> 00:20:06,694 I NEED YOU TO RELEASE MARK BRADLEY. 477 00:20:06,727 --> 00:20:09,129 GOT IT. WAIT. 478 00:20:09,162 --> 00:20:10,864 WHO'S MARK BRADLEY? 479 00:20:10,898 --> 00:20:12,533 I DON'T KNOW WHAT NAME HE'S MAYBE USING, 480 00:20:12,566 --> 00:20:14,234 BUT HE'S YOUR MURDERED ARTIST'S ASSISTANT. 481 00:20:14,268 --> 00:20:19,407 YOU WANT ME TO RELEASE THE PRIME SUSPECT 482 00:20:19,440 --> 00:20:21,241 IN A HOMICIDE INVESTIGATION? 483 00:20:21,275 --> 00:20:22,576 YES. PLEASE. 484 00:20:22,610 --> 00:20:23,977 WHO IS HE, AN EX-BOYFRIEND? 485 00:20:24,011 --> 00:20:25,646 YOU KNOW I CAN'T RELEASE EVERYONE 486 00:20:25,679 --> 00:20:27,915 YOU'VE EVER RAMBLED WITH IN MOUNT TABOR PARK. 487 00:20:27,948 --> 00:20:33,887 WE WERE IN JUVIE TOGETHER, AND I OWE HIM VERY BIG. 488 00:20:33,921 --> 00:20:35,589 SO, PLEASE? 489 00:20:35,623 --> 00:20:38,559 NO. 490 00:20:38,592 --> 00:20:39,593 [ SIGHS ] 491 00:20:39,627 --> 00:20:41,895 THE BEST I CAN DO IS... 492 00:20:41,929 --> 00:20:44,264 ELIMINATE HIM AS A SUSPECT. 493 00:20:44,298 --> 00:20:45,633 YES, PLEASE. 494 00:20:45,666 --> 00:20:46,834 BUT... 495 00:20:46,867 --> 00:20:48,502 OW. [ CHUCKLES FACETIOUSLY ] 496 00:20:48,536 --> 00:20:50,438 ...YOU LET ME KEEP THE 200 BUCKS, 497 00:20:50,471 --> 00:20:52,573 AND YOU SHUT UP ABOUT YOUR STUPID KITE. 498 00:20:52,606 --> 00:20:53,974 FINE. 499 00:20:55,876 --> 00:20:58,111 I ACCEPT YOUR TERMS. 500 00:20:58,145 --> 00:21:00,581 GET OUT. 501 00:21:00,614 --> 00:21:02,350 IT'S MY OFFICE. 502 00:21:02,383 --> 00:21:04,084 [ BAG CRUNCHES ] 503 00:21:04,117 --> 00:21:05,453 DID YOU STEP ON MY -- 504 00:21:05,486 --> 00:21:07,755 YOU STEPPED ON MY SANDWICH ON PURPOSE! 505 00:21:07,788 --> 00:21:09,923 [ SIREN WAILING ] 506 00:21:09,957 --> 00:21:12,292 Niedermayer: MS. ANDERSON, HI. 507 00:21:12,326 --> 00:21:13,627 HI. 508 00:21:13,661 --> 00:21:14,862 THANK YOU SO MUCH FOR COMING DOWN. 509 00:21:14,895 --> 00:21:16,163 WE APPRECIATE YOU MEETING US HERE. 510 00:21:16,196 --> 00:21:18,332 WE JUST HAD A FEW MORE QUESTIONS FOR YOU. 511 00:21:18,366 --> 00:21:20,968 WE JUST MET WITH A LOCAL ARTIST NAMED JULIAN GAYNOR, 512 00:21:21,001 --> 00:21:22,836 AND HE SAID THAT HE SOLD TIMOTHY 513 00:21:22,870 --> 00:21:24,772 A PAINTING CALLED "CLACKAMAS DAWN." 514 00:21:24,805 --> 00:21:25,973 I KNOW. 515 00:21:26,006 --> 00:21:27,541 HE SAID HE SOLD IT FOR $30,000. 516 00:21:27,575 --> 00:21:28,476 IN CASH. 517 00:21:28,509 --> 00:21:30,344 I KNOW. 518 00:21:30,378 --> 00:21:32,513 WHERE DID TIM FITCH GET THAT KIND OF CASH? 519 00:21:32,546 --> 00:21:34,615 FROM ME. 520 00:21:34,648 --> 00:21:36,283 YOU GAVE TIMOTHY FITCH $30,000 521 00:21:36,316 --> 00:21:38,786 FOR A PAINTING YOU KNEW HE MEANT TO DESTROY? 522 00:21:38,819 --> 00:21:40,788 IT WASN'T A BIG DEAL. 523 00:21:40,821 --> 00:21:42,823 MY FAMILY HAS MONEY. 524 00:21:42,856 --> 00:21:44,692 BESIDES, SUPPORTING FITCH'S VISION 525 00:21:44,725 --> 00:21:46,994 IN WHATEVER WAY I COULD, IT WAS AN HONOR. 526 00:21:47,027 --> 00:21:49,630 WE'VE SEARCHED THIS ENTIRE SPACE, 527 00:21:49,663 --> 00:21:51,231 AND WE CAN'T FIND IT. 528 00:21:51,264 --> 00:21:53,133 DO YOU THINK IT MIGHT BE AT YOUR HOME? 529 00:21:53,166 --> 00:21:54,735 IF IT'S NOT HERE, 530 00:21:54,768 --> 00:21:57,070 IT MUST BE IN, UH, FITCH'S STORAGE UNIT. 531 00:21:57,104 --> 00:21:59,673 WE DON'T HAVE A RECORD OF A STORAGE UNIT. 532 00:21:59,707 --> 00:22:02,075 IT'S IN MY NAME. 533 00:22:02,109 --> 00:22:03,977 [ CRIES ] 534 00:22:04,011 --> 00:22:07,548 HERE ARE THE [SNIFFLES] SPARE KEYS. 535 00:22:07,581 --> 00:22:10,083 I IMAGINE MOSS HAS FITCH'S... 536 00:22:10,117 --> 00:22:11,985 [ BREATHING HEAVILY ] 537 00:22:12,019 --> 00:22:16,089 OH, GOD. WHY DIDN'T I STAY HERE WITH HIM? 538 00:22:16,123 --> 00:22:17,425 I KNOW THIS WON'T BRING FITCH BACK. 539 00:22:17,458 --> 00:22:18,759 [ SIGHS ] 540 00:22:18,792 --> 00:22:21,695 BUT WE WILL CATCH WHOEVER KILLED HIM. 541 00:22:21,729 --> 00:22:24,732 YES, MY REAL NAME IS MARK BRADLEY. 542 00:22:24,765 --> 00:22:28,402 MOSS BRADY IS MY ART-WORLD MONIKER. 543 00:22:28,436 --> 00:22:30,938 MM, SEE, NOW, I WISH I'D GONE A BIT MORE FRENCH. 544 00:22:30,971 --> 00:22:32,940 [ DOOR CLOSES ] YOU'RE A CON ARTIST. 545 00:22:32,973 --> 00:22:35,876 YOU'VE DONE TIME. YOU'VE GOT A RECORD. 546 00:22:35,909 --> 00:22:39,547 YES, AND NOW I'VE GONE STRAIGHT. 547 00:22:39,580 --> 00:22:41,248 [ CHUCKLES ] NOT SEXUALLY. 548 00:22:41,281 --> 00:22:44,351 I MEAN, I NO LONGER UTILIZE MY SUBSTANTIAL TALENTS 549 00:22:44,384 --> 00:22:46,454 FOR MISDIRECTION TO BREAK THE LAW. 550 00:22:46,487 --> 00:22:49,222 HOW DO YOU KNOW GREGORY VALENTINE? 551 00:22:49,256 --> 00:22:53,126 HOW DO YOU KNOW GREGORY VALENTINE? 552 00:22:53,160 --> 00:22:54,895 I KNOW GREGORY VALENTINE WELL ENOUGH 553 00:22:54,928 --> 00:22:57,297 THAT WHEN HE TELLS ME THAT YOU PROBABLY KILLED TIMOTHY FITCH, 554 00:22:57,330 --> 00:22:58,766 I LISTEN. 555 00:22:58,799 --> 00:23:00,133 WAIT. VAL SAID I KILLED FITCH? 556 00:23:00,167 --> 00:23:01,401 YES. 557 00:23:01,435 --> 00:23:02,803 WELL, YOU KNOW WHAT? 558 00:23:02,836 --> 00:23:04,872 SOME PEOPLE SAY THAT VAL'S A SOCIOPATH, 559 00:23:04,905 --> 00:23:06,640 AND MAYBE THEY'RE RIGHT. 560 00:23:06,674 --> 00:23:09,943 OKAY, I THINK WE'VE GOTTEN OFF THE ROAD AND INTO THE WEEDS. 561 00:23:09,977 --> 00:23:11,879 WHAT I WANT TO KNOW ABOUT IS -- 562 00:23:11,912 --> 00:23:13,481 JUVIE HALL. MM-HMM. 563 00:23:14,915 --> 00:23:16,383 [ SIGHS ] YOU KNOW, HONESTLY, 564 00:23:16,416 --> 00:23:19,152 I THOUGHT THAT WHAT VAL AND I HAD WAS SOMETHING SPECIAL, 565 00:23:19,186 --> 00:23:21,421 NOT JUST JAILHOUSE BONDING, BUT THE REAL THING. 566 00:23:21,455 --> 00:23:23,891 I HEARD THAT VAL WAS GONNA GET SHANKED, 567 00:23:23,924 --> 00:23:26,727 AND AT GREAT PERSONAL PERIL, I WARN HIM. 568 00:23:26,760 --> 00:23:28,596 AND YOU KNOW WHAT HAPPENED? 569 00:23:28,629 --> 00:23:30,664 HE GOT THE GUY FIRST. 570 00:23:30,698 --> 00:23:32,800 AND HE LET ME TAKE THE BLAME FOR IT. 571 00:23:32,833 --> 00:23:35,803 [ SIGHS ] WELL, THAT'S VERY SAD, 572 00:23:35,836 --> 00:23:37,838 BUT I'M STILL GONNA CHARGE YOU WITH MURDER. 573 00:23:37,871 --> 00:23:42,175 OKAY, THIS HAS GONE ON FOR WAY TOO LONG. 574 00:23:42,209 --> 00:23:44,144 WHAT? 575 00:23:44,177 --> 00:23:47,347 FITCH IS NOT DEAD. 576 00:23:47,380 --> 00:23:48,982 HE'S TOTALLY DEAD. 577 00:23:49,016 --> 00:23:50,350 NO. FITCH HIRED ME 578 00:23:50,383 --> 00:23:53,420 BECAUSE I'M A CON MAN AND I HAVE AN EXPERTISE, 579 00:23:53,453 --> 00:23:56,990 AND FOR A YEAR NOW, WE'VE BEEN TRYING TO PULL OFF 580 00:23:57,024 --> 00:23:58,826 THIS LONG-FORM ANDY KAUFMAN-TYPE THING 581 00:23:58,859 --> 00:24:02,696 IN WHICH FITCH STAGES HIS OWN DEATH. 582 00:24:02,730 --> 00:24:06,600 I'VE GOT A LITTLE TREAT IN STORE FOR YOU. 583 00:24:06,634 --> 00:24:09,202 MOTO! 584 00:24:12,873 --> 00:24:14,708 IT'S NOT GONNA BE FITCH. 585 00:24:14,742 --> 00:24:18,378 WELL [SIGHS] DEAD BODIES DON'T LOOK LIKE REAL PEOPLE 586 00:24:18,411 --> 00:24:22,082 ON ACCOUNT OF THEIR SPIRIT HAS LEFT THE BUILDING. 587 00:24:23,651 --> 00:24:25,819 [ SIGHS ] 588 00:24:25,853 --> 00:24:28,321 YOU READY? 589 00:24:28,355 --> 00:24:30,457 [ CHUCKLES ] YEAH. 590 00:24:30,490 --> 00:24:31,692 OKAY. 591 00:24:37,565 --> 00:24:38,666 [ CRASHES ] 592 00:24:38,699 --> 00:24:41,501 I'M GONNA GO AHEAD AND CONCLUDE 593 00:24:41,535 --> 00:24:44,538 THAT YOU NOW BELIEVE FITCH IS DEAD. 594 00:24:44,572 --> 00:24:46,373 [ DOOR SLAMS ] 595 00:24:46,406 --> 00:24:48,909 Backstrom: YOU SEE FITCH? 596 00:24:48,942 --> 00:24:51,579 YOU SAW HE'S DEAD. 597 00:24:51,612 --> 00:24:54,314 UH-HUH. 598 00:24:54,347 --> 00:24:56,817 YOU WANT TO HELP US FIGURE OUT HOW THAT HAPPENED? 599 00:24:56,850 --> 00:24:59,653 I-I SERIOUSLY DON'T REMEMBER DRINKING THAT MUCH, 600 00:24:59,687 --> 00:25:02,089 SO WHY WAS I UNCONSCIOUS 12 HOURS LATER? 601 00:25:02,122 --> 00:25:04,391 OH, COME ON. DO I LOOK LIKE A LIGHTWEIGHT? 602 00:25:04,424 --> 00:25:06,159 YES. 603 00:25:06,193 --> 00:25:08,796 DID VALENTINE REALLY SAY I WAS A KILLER? 604 00:25:11,131 --> 00:25:14,001 HMM. 605 00:25:14,034 --> 00:25:16,203 YOU KNOW, YOU LOVE SOMEONE, 606 00:25:16,236 --> 00:25:18,405 WHICH MEANS YOU TRUST HIM, 607 00:25:18,438 --> 00:25:22,610 BUT THE BAD PART ISN'T THAT HE DOESN'T LOVE YOU BACK, 608 00:25:22,643 --> 00:25:25,613 BUT THAT HE EXPLOITS THAT LOVE. 609 00:25:26,880 --> 00:25:29,049 YEAH. 610 00:25:29,082 --> 00:25:33,553 LOVE IS A TREACHEROUS ITEM. [ SNIFFS ] 611 00:25:33,587 --> 00:25:36,957 OH, IF I FIND OUT THAT VAL SOLD ME OUT FOR LESS THAN $10,000, 612 00:25:36,990 --> 00:25:38,258 I'LL KILL HIM MYSELF. 613 00:25:39,660 --> 00:25:42,863 [ SIGHS ] I DIDN'T REALLY MEAN THAT. 614 00:25:48,401 --> 00:25:50,570 YOU CAN JUST SET ALL THAT STUFF OVER HERE. 615 00:25:50,604 --> 00:25:52,405 TRY NOT TO STACK IT, IF POSSIBLE. 616 00:25:52,439 --> 00:25:53,273 WHAT'S ALL THIS? 617 00:25:53,306 --> 00:25:54,541 THIS IS THE CONTENTS 618 00:25:54,574 --> 00:25:56,409 OF THE MURDER VICTIM'S STORAGE UNIT. 619 00:25:56,443 --> 00:26:00,648 IT'S AMAZING HOW MUCH JUNK IT TAKES TO MAKE MORE JUNK. 620 00:26:02,783 --> 00:26:05,252 AUTOPSY REPORT FOR TIMOTHY FITCH. 621 00:26:05,285 --> 00:26:07,420 YOU GET A POSTMORTEM ON HIS BLOOD ALCOHOL LEVEL? 622 00:26:07,454 --> 00:26:11,058 YES. THE CORONER TEST GIVES US .21. 623 00:26:11,091 --> 00:26:13,593 WOW. FITCH WAS WASTED. 624 00:26:13,627 --> 00:26:15,228 MM. 625 00:26:15,262 --> 00:26:18,131 A BIG GUY LIKE THAT, MUST HAVE BEEN 9 OR 10 BEERS. 626 00:26:18,165 --> 00:26:20,668 MOSS WAS RIGHT ABOUT HOW MUCH HE DRANK. 627 00:26:20,701 --> 00:26:23,737 12 HOURS LATER, HE'S STILL ASLEEP IN THE PLAYGROUND? 628 00:26:23,771 --> 00:26:26,506 HMM. I KNOW BLACKOUTS. 629 00:26:26,539 --> 00:26:27,975 YOU EITHER GET THEM OR YOU DON'T. 630 00:26:28,008 --> 00:26:29,943 BUT WHEN YOU DO, IT'S NOT FROM TWO BEERS. 631 00:26:29,977 --> 00:26:31,311 YOU BELIEVE HE WAS DRUGGED? 632 00:26:31,344 --> 00:26:33,013 SOMEONE WANTED TO KEEP HIM OUT OF THE WAY. 633 00:26:33,046 --> 00:26:34,614 MEANING HE DIDN'T COMMIT THE MURDER. 634 00:26:34,648 --> 00:26:36,817 GO GET HIM TO PEE IN A CUP. 635 00:26:36,850 --> 00:26:40,821 SEE IF YOU CAN FIND ANYTHING BESIDES FEAR AND AFFECTATION. 636 00:26:40,854 --> 00:26:42,455 OKAY. 637 00:26:46,694 --> 00:26:48,762 HMM. 638 00:26:48,796 --> 00:26:49,830 WHAT IS IT? 639 00:26:49,863 --> 00:26:52,099 36 CANS OF SWEET POTATOES. 640 00:26:52,132 --> 00:26:54,334 DON'T THINK I WANT TO KNOW. 641 00:26:54,367 --> 00:26:56,136 THESE LOOK LIKE COPIES OF PAPERS 642 00:26:56,169 --> 00:26:58,271 FROM THAT SHREDDING PIECE THAT HE DID. 643 00:26:58,305 --> 00:26:59,940 THE ONE WITH THE EX-GIRLFRIEND? 644 00:26:59,973 --> 00:27:02,075 YEAH. PARKING TICKETS, GROCERY RECEIPTS. 645 00:27:05,679 --> 00:27:06,980 WHAT? 646 00:27:07,014 --> 00:27:08,816 THESE ARE COPIES OF MEDICAL RECORDS. 647 00:27:08,849 --> 00:27:10,483 LET'S SEE THEM. 648 00:27:13,086 --> 00:27:17,791 E.R. VISITS -- CUTS, CONTUSIONS, BURNS. 649 00:27:17,825 --> 00:27:19,559 HERE'S ONE FOR A BROKEN WRIST. 650 00:27:19,592 --> 00:27:21,461 THESE ARE ALL DATED FROM THE TIME 651 00:27:21,494 --> 00:27:23,396 THAT HE AND LUCY WERE TOGETHER. 652 00:27:23,430 --> 00:27:27,467 HE WAS ABUSING HER. 653 00:27:27,500 --> 00:27:28,969 IF WE'RE RIGHT ABOUT OUR THEORY OF LUCY HARMS 654 00:27:29,002 --> 00:27:30,203 AS A BATTERED WOMAN, 655 00:27:30,237 --> 00:27:32,239 AND THEN HERE SHE IS AT THE FESTIVAL, 656 00:27:32,272 --> 00:27:34,541 CONFRONTED, ONCE AGAIN, WITH HER ABUSER -- 657 00:27:34,574 --> 00:27:36,309 ONLY THIS TIME, HE WAS KIND ENOUGH 658 00:27:36,343 --> 00:27:38,011 TO ALLOW HER ACCESS TO HIS OWN GUN. 659 00:27:38,045 --> 00:27:40,147 IT'S THE PERFECT OPPORTUNITY FOR REVENGE. 660 00:27:40,180 --> 00:27:41,815 GRAVELY, I KNOW YOU'RE NOT A FAN 661 00:27:41,849 --> 00:27:43,516 OF JUMPING TO SENSIBLE CONCLUSIONS, 662 00:27:43,550 --> 00:27:45,585 BUT IT'S A PRETTY SAFE BET 663 00:27:45,618 --> 00:27:49,389 THAT WHOEVER DRUGGED MOSS BRADY KILLED TIMOTHY FITCH. 664 00:27:49,422 --> 00:27:51,558 I CAN GET WITH THAT. 665 00:27:52,893 --> 00:27:54,227 THAT'S A THING THAT PEOPLE SAY. 666 00:27:54,261 --> 00:27:55,896 NO. IT IS. 667 00:27:55,929 --> 00:28:00,400 LUCY HARMS ONCE USED ECSTASY IN ONE OF HER PERFORMANCES. 668 00:28:00,433 --> 00:28:02,770 ECSTASY PLUS ALCOHOL EQUALS BLACKOUT. 669 00:28:02,803 --> 00:28:04,704 CAN I ASK WHY YOU'RE SO ANXIOUS 670 00:28:04,738 --> 00:28:07,007 TO ELIMINATE MOSS BRADY AS A SUSPECT? 671 00:28:07,040 --> 00:28:09,609 IT'S A BYPRODUCT OF MY RIGOROUS ANALYSIS 672 00:28:09,642 --> 00:28:12,112 OF THE CLUES AND THE FACTS, GRAVELY. 673 00:28:12,145 --> 00:28:14,581 [ DOOR SLAMS ] 674 00:28:30,630 --> 00:28:32,532 YEAH, I TOTALLY GET IT. 675 00:28:32,565 --> 00:28:36,369 IT'S LIKE THE FISH TANK IN MY DENTIST'S OFFICE. 676 00:28:36,403 --> 00:28:38,238 YOU JUST WANT TO WATCH. 677 00:28:38,271 --> 00:28:40,073 WAIT RIGHT HERE. 678 00:28:48,615 --> 00:28:52,052 NO AUDIENCE MEMBERS ALLOWED. 679 00:28:52,085 --> 00:28:55,388 I'M NOT YOUR AUDIENCE. I'M YOUR CONFESSOR. 680 00:28:55,422 --> 00:28:58,158 MEANING YOU THINK I HAVE SOMETHING TO CONFESS. 681 00:28:58,191 --> 00:28:59,326 ALL RIGHT, BLONDIE, LET'S GO. 682 00:28:59,359 --> 00:29:00,427 ARE YOU KIDDING? 683 00:29:00,460 --> 00:29:02,395 I'VE STARTED MY PERFORMANCE. 684 00:29:02,429 --> 00:29:04,464 THEN I'LL ARREST YOU. 685 00:29:04,497 --> 00:29:08,969 WELL, IF YOU ARREST ME, THEN I WILL HIRE AN ATTORNEY, 686 00:29:09,002 --> 00:29:10,938 AND HE WILL ADVISE ME NOT TO TALK, 687 00:29:10,971 --> 00:29:12,705 AND I WILL TAKE THAT ADVICE. 688 00:29:13,807 --> 00:29:15,775 YOU ACTUALLY HAVE A MUCH BETTER CHANCE 689 00:29:15,809 --> 00:29:17,577 OF GETTING ME TO TALK IN HERE. 690 00:29:17,610 --> 00:29:19,379 FINE. I CAN DO PERFORMANCE ART. 691 00:29:22,215 --> 00:29:23,716 [ APPLAUSE, CHATTER ] 692 00:29:27,154 --> 00:29:29,189 FITCH USED TO BEAT YOU. 693 00:29:29,222 --> 00:29:31,124 WHAT?! NO, HE DIDN'T. 694 00:29:31,158 --> 00:29:33,260 WE HAVE YOUR MEDICAL RECORDS. 695 00:29:33,293 --> 00:29:35,829 FROM WHAT, FITCH'S SHREDDING PIECE? 696 00:29:35,863 --> 00:29:38,298 MOST OF THOSE INJURIES WERE SELF-INFLICTED. 697 00:29:38,331 --> 00:29:39,466 A FEW, YES, 698 00:29:39,499 --> 00:29:41,101 FITCH WAS INVOLVED, 699 00:29:41,134 --> 00:29:42,970 BUT ONLY AT MY REQUEST. 700 00:29:43,003 --> 00:29:47,107 WITNESSING INJURY PROVOKES A REACTION. 701 00:29:47,140 --> 00:29:48,808 ALL QUESTIONS ASKED BY THE ARTIST 702 00:29:48,842 --> 00:29:51,378 ARE ANSWERED BY THE AUDIENCE. 703 00:29:51,411 --> 00:29:54,514 YEAH, ESPECIALLY IF THEY'RE THROWING ROTTEN TOMATOES. 704 00:29:54,547 --> 00:29:57,050 YOU TEND TO SEE UGLINESS IN BEAUTY. 705 00:29:57,084 --> 00:29:58,986 NO WONDER YOU HATE WHAT I DO. 706 00:29:59,019 --> 00:30:01,889 I HATE WHAT YOU DO BECAUSE IT'S STUPID AND MEANINGLESS. 707 00:30:01,922 --> 00:30:04,291 THE MEANING LIES IN THE SHARED EXPERIENCE. 708 00:30:04,324 --> 00:30:05,859 MY BODY ISN'T ONLY MY BODY. 709 00:30:05,893 --> 00:30:08,295 MY BODY IS ALSO MY MEDIUM. 710 00:30:08,328 --> 00:30:10,363 DO YOU UNDERSTAND THAT? 711 00:30:10,397 --> 00:30:13,033 ECSTASY IS ALSO YOUR MEDIUM. 712 00:30:13,066 --> 00:30:14,534 SPEAKING OF WHICH, 713 00:30:14,567 --> 00:30:16,836 YOU HAVE ANY OF THOSE PILLS AROUND IN HERE, 714 00:30:16,870 --> 00:30:18,505 AT YOUR HOUSE, HUH? 715 00:30:18,538 --> 00:30:21,308 ECSTASY? NO, I HAVEN'T DONE THAT PIECE IN YEARS. 716 00:30:21,341 --> 00:30:22,976 I TOLD YOU, MY PERFORMANCES 717 00:30:23,010 --> 00:30:26,179 NO LONGER INVOLVE INTERACTION WITH THE AUDIENCE. 718 00:30:26,213 --> 00:30:28,348 YES, THEY CAN SEE ME, BUT I CAN'T SEE THEM. 719 00:30:28,381 --> 00:30:31,985 I DON'T EVEN KNOW HOW MANY OF THEM ARE OUT THERE. 720 00:30:32,019 --> 00:30:33,987 THERE'S NO ONE OUT THERE. 721 00:30:34,021 --> 00:30:35,588 LIAR. 722 00:30:35,622 --> 00:30:37,457 YOU'RE A LIAR. 723 00:30:39,092 --> 00:30:41,594 YOU DRUGGED FITCH'S ASSISTANT 724 00:30:41,628 --> 00:30:44,664 SO THAT HE COULDN'T WATCH YOU MURDER HIS BOSS. 725 00:30:44,697 --> 00:30:47,734 HE DRANK TWO BEERS, 726 00:30:47,767 --> 00:30:50,237 AND HE WAS TOTALLY UNCONSCIOUS. 727 00:30:50,270 --> 00:30:53,740 WELL, THE IDIOT PROBABLY DRANK FITCH'S BY MISTAKE. 728 00:30:53,773 --> 00:30:55,742 HE USED TO LIKE TO SPIKE IT WITH BENZOS. 729 00:30:55,775 --> 00:30:57,777 HE HAD WORKED UP QUITE THE TOLERANCE. 730 00:30:57,810 --> 00:30:59,546 YOU GOT AN ANSWER FOR EVERYTHING. 731 00:30:59,579 --> 00:31:01,381 IF IT'S ABOUT FITCH, YES, I DO, 732 00:31:01,414 --> 00:31:03,616 BUT I DON'T KNOW WHO KILLED HIM. 733 00:31:03,650 --> 00:31:06,719 I'M YOU. 734 00:31:06,753 --> 00:31:10,223 I CAN STILL SCARCELY SCRAPE TOGETHER CAB FARE 735 00:31:10,257 --> 00:31:13,060 WHILE TRYING TO PROVE TO THE WORLD 736 00:31:13,093 --> 00:31:16,863 THAT MY RIDICULOUS HOBBY ACTUALLY MEANS SOMETHING. 737 00:31:16,896 --> 00:31:20,867 MEANWHILE, MY NARCISSISTIC EX-BOYFRIEND -- 738 00:31:20,900 --> 00:31:23,270 OH, HE'S HIT THE JACKPOT. 739 00:31:23,303 --> 00:31:27,574 A WEALTHY FIANCéE WHO INDULGES HIS EVERY WHIM. 740 00:31:27,607 --> 00:31:28,976 IT'S NOT RIGHT. 741 00:31:29,009 --> 00:31:30,443 IT'S NOT FAIR. 742 00:31:30,477 --> 00:31:31,911 NO, I WAS HAPPY FOR HIM. 743 00:31:31,945 --> 00:31:33,480 I WANTED HIM TO BE HAPPY. 744 00:31:33,513 --> 00:31:35,315 I WOULD NEVER HURT FITCH -- 745 00:31:35,348 --> 00:31:36,249 [ Sobbing ] NEVER! 746 00:31:36,283 --> 00:31:38,185 [ SOBBING ] 747 00:31:41,688 --> 00:31:44,124 WHY AREN'T YOU GUYS BACK YET? DID SOMETHING GO WRONG? 748 00:31:44,157 --> 00:31:47,327 WHOA. THE LIEUTENANT'S STILL WITH THE VICTIM'S EX-GIRLFRIEND. 749 00:31:47,360 --> 00:31:48,561 WHAT DO YOU MEAN? WHERE ARE THEY? 750 00:31:48,595 --> 00:31:49,997 THEY'RE IN THE BOX. 751 00:31:50,030 --> 00:31:51,164 THE WHAT? 752 00:31:51,198 --> 00:31:53,066 They're in the box. He's okay, 753 00:31:53,100 --> 00:31:55,235 BUT SHE'S CRYING A LOT. 754 00:31:55,268 --> 00:31:56,803 OH, MY GOD. [ PHONE SLAMS ] 755 00:31:56,836 --> 00:32:00,773 NADIA -- NADIA, I NEED A LIVE FEED TO THE HERE NOW FESTIVAL. 756 00:32:00,807 --> 00:32:02,575 WHICH EXHIBIT? 757 00:32:02,609 --> 00:32:04,411 UH, LUCY HARMS' WEIRD BOX NONSENSE. 758 00:32:04,444 --> 00:32:06,980 MM, SURE. I ALREADY MADE THE CONNECTION. 759 00:32:07,014 --> 00:32:08,248 OKAY, SO... 760 00:32:08,281 --> 00:32:10,050 [ SIGHS ] 761 00:32:11,451 --> 00:32:13,520 LOOK AT LIEUTENANT BACKSTROM. 762 00:32:13,553 --> 00:32:14,988 OH, YOU'VE GOT TO BE KIDDING ME. 763 00:32:15,022 --> 00:32:15,989 WHAT'S GOING ON? 764 00:32:16,023 --> 00:32:17,157 HE'S IN THE BOX! 765 00:32:17,190 --> 00:32:18,191 WHAT? 766 00:32:18,225 --> 00:32:19,993 HE'S IN THE BOX. 767 00:32:20,027 --> 00:32:21,528 [ SCOFFS ] 768 00:32:21,561 --> 00:32:24,264 [ GASPS ] 769 00:32:24,297 --> 00:32:26,933 YOU KNOW HOW SEX ISN'T REALLY ABOUT THE URGE 770 00:32:26,966 --> 00:32:29,002 TO GET INSIDE OR TAKE SOMETHING IN, 771 00:32:29,036 --> 00:32:31,338 BUT IT'S MORE ABOUT THE DESIRE TO EXIST 772 00:32:31,371 --> 00:32:34,841 RIGHT ON THE THRESHOLD OF WHAT'S INSIDE AND WHAT'S OUTSIDE? 773 00:32:36,509 --> 00:32:38,511 SORRY, I HEARD THE WORDS "SEX" AND "INSIDE," 774 00:32:38,545 --> 00:32:40,513 AND THE REST JUST SOUNDED LIKE, 775 00:32:40,547 --> 00:32:43,216 "BLAH, BLAH, BLAH, BLAH, BLAH, BLAH, BLAH, BLAH." 776 00:32:43,250 --> 00:32:44,517 ME AND FITCH, 777 00:32:44,551 --> 00:32:46,153 OUR ENTIRE RELATIONSHIP WAS LIKE THAT. 778 00:32:46,186 --> 00:32:47,520 THERE WERE NO LINES 779 00:32:47,554 --> 00:32:49,856 WHERE HE STOPPED AND I STARTED. 780 00:32:49,889 --> 00:32:52,825 IT WAS -- IT WAS BLURRY. 781 00:32:52,859 --> 00:32:55,728 PROBABLY BECAUSE OF THE ECSTASY. 782 00:32:55,762 --> 00:32:59,066 IT'S NOT SUSTAINABLE, THOUGH. 783 00:32:59,099 --> 00:33:02,569 I KNOW I'LL NEVER HAVE THAT KIND OF PASSION IN MY LIFE AGAIN, 784 00:33:02,602 --> 00:33:03,870 AND IT MAKES ME SAD. 785 00:33:03,903 --> 00:33:05,905 [ SHUDDERS ] 786 00:33:05,938 --> 00:33:08,075 DO YOU HAVE ANY IDEA WHAT I'M SAYING? 787 00:33:08,108 --> 00:33:11,044 IT'S LIKE STANDING IN THE RUINS OF A PALACE 788 00:33:11,078 --> 00:33:13,513 AND YOU CAN'T LEAVE. 789 00:33:13,546 --> 00:33:18,051 INSTEAD OF OXYGEN... 790 00:33:18,085 --> 00:33:20,853 YOU INHALE DUST. 791 00:33:20,887 --> 00:33:23,923 OH, MY GOD. 792 00:33:23,956 --> 00:33:25,592 WHAT? 793 00:33:25,625 --> 00:33:27,694 YOU KNOW EXACTLY WHAT I'M TALKING ABOUT. 794 00:33:27,727 --> 00:33:30,897 WHAT KIND OF ARTIST ARE YOU? 795 00:33:30,930 --> 00:33:33,266 I'M NOT AN ARTIST. I'M A COP. 796 00:33:36,369 --> 00:33:39,072 I'M YOU. 797 00:33:39,106 --> 00:33:41,741 I WALK AROUND NAKED. I GOT A TOILET WITHOUT A DOOR. 798 00:33:41,774 --> 00:33:43,543 I'M TOTALLY UN-SELF-CONSCIOUS. 799 00:33:43,576 --> 00:33:47,880 WHY DO I WANT MY AUDIENCE TO STAY OUT OF SIGHT? 800 00:33:47,914 --> 00:33:49,616 I TOLD YOU, 801 00:33:49,649 --> 00:33:52,219 MY AUDIENCE IS FORCED INTO THE ROLE OF VOYEUR. 802 00:33:52,252 --> 00:33:57,890 EVERYTHING I DO IS TO IMPRESS TIMOTHY FITCH. 803 00:33:57,924 --> 00:34:01,894 I CAN'T HANDLE THE THOUGHT OF HIM NOT SEEING MY WORK. 804 00:34:01,928 --> 00:34:04,964 SO I REFUSE TO SEE MY REAL AUDIENCE -- 805 00:34:04,997 --> 00:34:10,103 BECAUSE I'M AFRAID HE WON'T BE THERE. 806 00:34:14,574 --> 00:34:16,976 [ SIGHS ] 807 00:34:17,009 --> 00:34:19,246 YEAH. I HAVE THAT AFFECT ON A LOT OF PEOPLE. 808 00:34:22,949 --> 00:34:25,452 EASY ON THE PANTS. YOU KNOW WHAT? 809 00:34:25,485 --> 00:34:26,986 YOU DIDN'T KILL HIM, 810 00:34:27,019 --> 00:34:29,789 BECAUSE WITHOUT HIM, YOU'D LOSE YOUR MUSE. 811 00:34:29,822 --> 00:34:32,125 HEY... 812 00:34:32,159 --> 00:34:34,694 YOU'RE TOTALLY INNOCENT. 813 00:34:38,365 --> 00:34:40,733 OKAY. 814 00:34:40,767 --> 00:34:42,569 WHAT... 815 00:34:42,602 --> 00:34:45,104 [ GROANS ] THIS IS FEELING A LITTLE -- 816 00:34:47,039 --> 00:34:48,841 [ CHEERS AND APPLAUSE ] 817 00:34:48,875 --> 00:34:50,677 ALL RIGHT. 818 00:34:50,710 --> 00:34:52,345 YEAH! 819 00:34:52,379 --> 00:34:53,746 OH, NO. [ GASPS ] 820 00:34:53,780 --> 00:34:56,583 NO, NO, NO, NO, NO, NO. 821 00:34:56,616 --> 00:35:00,153 [ CHEERS AND APPLAUSE ] 822 00:35:00,187 --> 00:35:02,021 WE'VE GONE THROUGH ALL HIS STUFF. 823 00:35:02,054 --> 00:35:03,456 UNLESS FITCH GOT HIMSELF KILLED 824 00:35:03,490 --> 00:35:05,525 OVER A BOX OF COLORED FEATHERS, WE'RE -- 825 00:35:05,558 --> 00:35:07,860 IS THIS STILL HAPPENING? 826 00:35:07,894 --> 00:35:10,497 HEY, I JUST GOT MOSS BRADY'S TOX RESULTS BACK. 827 00:35:10,530 --> 00:35:12,432 HE TESTED NEGATIVE FOR THE STANDARD FIVE. 828 00:35:12,465 --> 00:35:14,501 I ORDERED... IS THIS LIVE? 829 00:35:14,534 --> 00:35:17,937 Gravely: OH, WHY, WHY, WHY? 830 00:35:17,970 --> 00:35:19,772 OH, DEAR LORD. OH. 831 00:35:19,806 --> 00:35:21,140 [ CHEERS AND APPLAUSE ] 832 00:35:21,174 --> 00:35:24,143 Moto: OKAY, LIEUTENANT, I SEE -- OH, YEAH! 833 00:35:24,177 --> 00:35:25,845 [ CELLPHONE RINGS ] 834 00:35:25,878 --> 00:35:29,015 OFFICER FRANK MOTO, PORTLAND POLICE BUREAU. 835 00:35:29,048 --> 00:35:30,283 GET IN THERE AND STOP HIM. 836 00:35:30,317 --> 00:35:31,518 NO, HE TOLD ME TO STAY OUT HERE. 837 00:35:31,551 --> 00:35:33,686 THAT'S BEFORE HE DECIDED TO PUT ON A PEEPSHOW 838 00:35:33,720 --> 00:35:35,154 THAT'S GONNA GET US ALL FIRED. 839 00:35:35,188 --> 00:35:36,723 Now get in there! ALL RIGHT, OKAY. 840 00:35:36,756 --> 00:35:39,259 SORRY, SORRY, EXCUSE ME, SORRY, EXCUSE ME, EXCUSE ME. 841 00:35:41,093 --> 00:35:43,396 Lieutenant, Lieutenant! 842 00:35:43,430 --> 00:35:45,298 NOT NOW, MOTO. 843 00:35:45,332 --> 00:35:50,237 [ CHEERS AND APPLAUSE ] 844 00:35:50,270 --> 00:35:52,038 HEY, HEY, I DON'T THINK YOU UNDERSTAND 845 00:35:52,071 --> 00:35:54,173 THAT THIS IS STREAMING LIVE ON THE INTERNET. 846 00:35:54,207 --> 00:35:55,508 I DON'T CARE! 847 00:35:55,542 --> 00:35:56,843 SEE HOW THAT HAPPENS? 848 00:35:56,876 --> 00:35:59,646 [ CHEERS AND APPLAUSE ] 849 00:35:59,679 --> 00:36:02,815 Gravely: OH, MY GOD. OH, MY GOD, OH, MY GOD. 850 00:36:02,849 --> 00:36:05,385 PAQUET IS WATCHING. DETECTIVE ALMOND IS WATCHING. 851 00:36:05,418 --> 00:36:07,153 NIEDERMAYER IS WATCHING. 852 00:36:07,186 --> 00:36:09,055 OH! LIEUTENANT! 853 00:36:09,088 --> 00:36:10,890 DETECTIVE GRAVELY IS WATCHING. 854 00:36:13,226 --> 00:36:16,263 [ SPECTATORS GROANING ] 855 00:36:16,296 --> 00:36:19,866 AW, MAN! COME ON! 856 00:36:19,899 --> 00:36:24,003 I'LL BE HERE FOR THE NEXT 36 HOURS. 857 00:36:24,036 --> 00:36:26,072 [ CHEERS AND APPLAUSE ] 858 00:36:26,105 --> 00:36:27,740 Moto: LIEUTENANT, NOW! 859 00:36:27,774 --> 00:36:33,380 [ SPECTATORS GROANING, BOOING ] 860 00:36:34,947 --> 00:36:38,685 HEY, HEY, OKAY, ALL RIGHT. THAT'S ENOUGH ART FOR ONE DAY. 861 00:36:38,718 --> 00:36:41,854 YOU GUYS NEED TO GO HOME NOW AND WATCH SOME PORN 862 00:36:41,888 --> 00:36:43,089 OR SOMETHING ELSE AMERICAN. 863 00:36:43,122 --> 00:36:45,358 YEAH, BACK UP! 864 00:36:45,392 --> 00:36:47,193 [ CHEERS AND APPLAUSE ] 865 00:36:57,069 --> 00:36:58,471 ARE YOU CRAZY?! GRAVELY, DON'T BE A GINGER IMBECILE. 866 00:36:58,505 --> 00:37:00,707 IT'S THE SAME PRINCIPLE AS THE INTERROGATION ROOM. 867 00:37:00,740 --> 00:37:02,575 PEOPLE KNOW THEY'RE BEING RECORDED, 868 00:37:02,609 --> 00:37:03,743 BUT THEY SOON FORGET. 869 00:37:03,776 --> 00:37:05,478 YOU SHOULD STILL KNOW BETTER 870 00:37:05,512 --> 00:37:07,914 THAN TO MAKE OUT WITH A SUSPECT IN A HOMICIDE INVESTIGATION! 871 00:37:07,947 --> 00:37:09,282 SHE STARTED IT. 872 00:37:09,316 --> 00:37:11,951 OH, COME ON. SHE CAME ON TO ME BECAUSE, 873 00:37:11,984 --> 00:37:16,222 I DON'T KNOW, I SAW DEEPER INTO HER ARTISTIC SOUL 874 00:37:16,255 --> 00:37:19,426 THAN ANY OTHER MAN EVER HAD. 875 00:37:19,459 --> 00:37:22,729 THAT DOES NOT POSSIBLY SEEM LIKE IT COULD BE TRUE. 876 00:37:22,762 --> 00:37:24,497 [ SIGHS ] 877 00:37:24,531 --> 00:37:26,999 OH, MY GOD. WHAT? 878 00:37:27,033 --> 00:37:28,835 THERE WAS A CONNECTION BETWEEN YOU TWO. 879 00:37:28,868 --> 00:37:30,102 YOU LI HER. 880 00:37:30,136 --> 00:37:31,338 NO. DON'T -- RELAX, OKAY? 881 00:37:31,371 --> 00:37:32,805 THIS ISN'T JUNIOR HIGH, OKAY? 882 00:37:32,839 --> 00:37:34,441 I'M NOT GONNA ASK THE GIRL 883 00:37:34,474 --> 00:37:36,609 IN THE PLASTIC BUBBLE TO THE DANCE. 884 00:37:36,643 --> 00:37:37,744 [ KNOCK ON DOOR ] 885 00:37:37,777 --> 00:37:39,278 GOT THE EXTENDED TOX SCREENS BACK. 886 00:37:39,312 --> 00:37:41,748 MOSS BRADY TESTED POSITIVE FOR BENZODIAZEPINE. 887 00:37:41,781 --> 00:37:44,317 TRACE AMOUNTS ALSO FOUND IN TIMOTHY FITCH. 888 00:37:44,351 --> 00:37:46,653 AH. THEY WERE DRUGGED. 889 00:37:46,686 --> 00:37:50,623 LUCY WAS RIGHT. SHE'S NOT A SUSPECT. 890 00:37:50,657 --> 00:37:52,492 LIEUTENANT, I'M GOING TO ASK YOU A QUESTION, 891 00:37:52,525 --> 00:37:55,662 AND I NEED YOU TO THINK LONG AND HARD BEFORE YOU RESPOND. 892 00:37:55,695 --> 00:37:59,966 DID YOU TELL LUCY HARMS THAT SHE WAS NOT A SUSPECT 893 00:37:59,999 --> 00:38:02,034 BEFORE YOU STUCK YOUR TONGUE DOWN HER THROAT? 894 00:38:02,068 --> 00:38:04,471 I PROBABLY DID. 895 00:38:04,504 --> 00:38:05,638 [ SIPS ] 896 00:38:05,672 --> 00:38:07,374 DEFINITELY -- I DEFINITELY DID THAT. 897 00:38:07,407 --> 00:38:09,108 WELL, IN THAT CASE, TECHNICALLY, 898 00:38:09,141 --> 00:38:10,309 HE DID NOT MAKE OUT WITH A SUSPECT IN A HOMICIDE CASE. 899 00:38:10,343 --> 00:38:12,379 THAT'S RIGHT. NO, HE JUST MADE OUT 900 00:38:12,412 --> 00:38:14,614 WITH A WOMAN IN FRONT OF A HUGE CROWD OF PEOPLE 901 00:38:14,647 --> 00:38:15,715 WHILE THEY ALL WATCHED. 902 00:38:15,748 --> 00:38:16,949 CAN YOU BLAME THEM? 903 00:38:16,983 --> 00:38:18,685 LUCY HARMS IS UTTERLY MESMERIZING. 904 00:38:18,718 --> 00:38:20,152 HOW CAN YOU NOT WATCH HER? 905 00:38:20,186 --> 00:38:22,188 REALLY? 906 00:38:22,221 --> 00:38:25,191 HOW CAN YOU NOT WATCH HER? 907 00:38:25,224 --> 00:38:27,226 AHH. 908 00:38:27,259 --> 00:38:28,828 PAQUET! 909 00:38:28,861 --> 00:38:30,329 EW. I'D APPRECIATE IT IF WE DIDN'T REPEAT THAT. 910 00:38:30,363 --> 00:38:32,865 GET ME ALL DOCUMENTS RELATING TO LUCY'S PERFORMANCE 911 00:38:32,899 --> 00:38:34,501 THE DAY FITCH DIED. 912 00:38:34,534 --> 00:38:36,703 I THOUGHT YOU SAID SHE WASN'T A SUSPECT. SHE'S NOT. 913 00:38:36,736 --> 00:38:38,371 WE NEED TO LOOK AT THE AUDIENCE -- 914 00:38:38,405 --> 00:38:40,640 UH, SECURITY CAMERAS, PHOTOS, TICKET RECEIPTS -- 915 00:38:40,673 --> 00:38:43,142 ANYTHING THAT TELLS ME WHO WAS THERE THE DAY OF THAT SHOW. 916 00:38:43,175 --> 00:38:45,077 YOU GOT IT, HOBBIT. 917 00:38:48,114 --> 00:38:51,083 ALL QUESTIONS ASKED BY THE ARTIST 918 00:38:51,117 --> 00:38:55,354 ARE ANSWERED BY THE AUDIENCE. 919 00:38:55,388 --> 00:38:57,023 SUDDENLY, YOU'RE AN ARTIST. 920 00:38:57,056 --> 00:39:01,428 NO. I'M A MASTER. 921 00:39:01,461 --> 00:39:03,162 THANKS FOR COMING DOWN AGAIN, MS. ANDERSON. 922 00:39:03,195 --> 00:39:04,497 THIS WILL TAKE ABOUT A MINUTE. 923 00:39:04,531 --> 00:39:06,198 CAN I HAVE YOUR COAT? I'LL JUST HANG IT OUTSIDE. 924 00:39:06,232 --> 00:39:06,999 SURE. THANK YOU. 925 00:39:07,033 --> 00:39:08,835 LIEUTENANT? 926 00:39:08,868 --> 00:39:10,737 WE'VE GOT SOME NEW EVIDENCE I'D LOVE TO DISCUSS WITH YOU. 927 00:39:10,770 --> 00:39:13,105 PLEASE, HAVE A SEAT. 928 00:39:13,139 --> 00:39:14,707 MM. 929 00:39:14,741 --> 00:39:17,510 IT INVOLVES FITCH'S EX-GIRLFRIEND. 930 00:39:17,544 --> 00:39:18,545 LUCY HARMS? 931 00:39:18,578 --> 00:39:20,747 SHE WAS PERFORMING AT A GALLERY 932 00:39:20,780 --> 00:39:23,115 THE AFTERNOON BEFORE THE MURDER. 933 00:39:23,149 --> 00:39:25,485 I TRY NOT TO PAY MUCH ATTENTION TO HER. 934 00:39:26,619 --> 00:39:30,122 FITCH SAID IT WAS PAST -- IT WAS PAST. 935 00:39:30,156 --> 00:39:32,525 THIS IS FOOTAGE FROM THE BANK SECURITY CAMERA 936 00:39:32,559 --> 00:39:34,293 ACROSS THE STREET FROM THE GALLERY. 937 00:39:34,326 --> 00:39:36,963 THAT'S YOU, IN YOUR CAR, 938 00:39:36,996 --> 00:39:39,932 DURING HER PERFORMANCE, WAITING, 939 00:39:39,966 --> 00:39:44,904 AND THAT IS TIMOTHY FITCH COMING OUT OF THE GALLERY AFTERWARDS. 940 00:39:44,937 --> 00:39:47,574 HE WENT TO GO SEE HER PERFORM. 941 00:39:51,511 --> 00:39:53,312 I'M YOU. 942 00:39:53,345 --> 00:39:56,983 MY FIANCéE GOES TO SEE HIS EX-GIRLFRIEND, 943 00:39:57,016 --> 00:39:59,919 AND I GO TO SEE HIM. 944 00:39:59,952 --> 00:40:03,222 AND I REALIZE [GASPS] 945 00:40:03,255 --> 00:40:05,558 HE WILL ALWAYS BE IN LOVE WITH HER. 946 00:40:05,592 --> 00:40:08,895 SHE'S EVERYTHING THAT I'M NOT -- 947 00:40:08,928 --> 00:40:11,063 PASSIONATE AND SENSUAL, 948 00:40:11,097 --> 00:40:14,266 DARING, COMPLICATED. 949 00:40:14,300 --> 00:40:16,368 AND I'M JUST A MEAL TICKET. 950 00:40:18,938 --> 00:40:21,140 HE'S BEEN USING ME. 951 00:40:21,173 --> 00:40:25,978 AND THE BAD THING ISN'T THAT HE DOESN'T LOVE ME BACK. 952 00:40:26,012 --> 00:40:29,415 IT'S THAT HE EXPLOITS THAT LOVE. 953 00:40:29,448 --> 00:40:34,353 I...RENTED A MOVIE. 954 00:40:34,386 --> 00:40:36,422 I ORDERED FOOD. 955 00:40:36,455 --> 00:40:38,658 I HAVE AN ALIBI. 956 00:40:40,560 --> 00:40:42,461 YOU CAN EASILY ORDER FOOD AND RENT A MOVIE 957 00:40:42,495 --> 00:40:44,631 AND STILL HAVE TIME TO SHOOT A GUY THREE TIMES. 958 00:40:44,664 --> 00:40:46,933 I MEAN, HOW LONG DOES IT TAKE? 959 00:40:46,966 --> 00:40:49,435 BANG, BANG, BANG! [ GASPS ] 960 00:40:49,468 --> 00:40:50,937 LIKE A SECOND. 961 00:40:50,970 --> 00:40:51,838 [ DOOR OPENS ] [ GASPS ] 962 00:40:51,871 --> 00:40:53,673 COAT SLEEVES TESTED POSITIVE 963 00:40:53,706 --> 00:40:56,676 FOR GUNSHOT RESIDUE. 964 00:40:56,709 --> 00:40:58,778 WOW. 965 00:40:58,811 --> 00:41:00,212 AND FITCH ALWAYS SAID YOU WEREN'T PASSIONATE. 966 00:41:00,246 --> 00:41:01,347 [ GASPS ] 967 00:41:01,380 --> 00:41:03,182 CONGRATULATIONS, VIRGINIA. 968 00:41:03,215 --> 00:41:05,685 YOU SHOWED HIM. 969 00:41:08,087 --> 00:41:09,689 [ SHIP WHISTLE BLOWING ] 970 00:41:09,722 --> 00:41:11,824 [ DOOR OPENS ] 971 00:41:11,858 --> 00:41:13,192 HEY. 972 00:41:13,225 --> 00:41:15,127 TELL MOSS I SAID THE EXACT OPPOSITE 973 00:41:15,161 --> 00:41:16,462 OF WHAT YOU SAID I SAID. 974 00:41:16,495 --> 00:41:18,497 IT WON'T DO ANY GOOD. 975 00:41:18,531 --> 00:41:19,999 WELL, COULD YOU MAYBE AT LEAST TRY? 976 00:41:20,032 --> 00:41:22,702 I'M A LIAR. YOU'RE A THIEF. HE'S A CON MAN. 977 00:41:22,735 --> 00:41:26,673 NOT A CHANCE ANY OF US TRUST WHAT ANYONE ELSE SAYS. 978 00:41:26,706 --> 00:41:28,575 UM, WHAT ARE YOU MAKING? 979 00:41:28,608 --> 00:41:31,010 IT'S A KITE FOR ME. 980 00:41:31,043 --> 00:41:32,812 DESPITE HOW HE LOOKS, HE'S VERY ARTISTIC. 981 00:41:32,845 --> 00:41:35,047 THAT SAID, TELL HIM THE TRUTH. 982 00:41:35,081 --> 00:41:37,817 HE SAID YOU'RE NOT THE KILLER AND THAT I SHOULD LET YOU GO. 983 00:41:37,850 --> 00:41:42,555 BACKSTROM LIED TO YOU IN AN EFFORT TO ELIMINATE YOU 984 00:41:42,589 --> 00:41:44,423 AS A SUSPECT AS QUICKLY AS POSSIBLE. 985 00:41:44,456 --> 00:41:46,559 OKAY, STILL... 986 00:41:46,593 --> 00:41:47,994 "STILL" WHAT? 987 00:41:48,027 --> 00:41:49,395 HOW DO I KNOW YOU DIDN'T PAY HIM TO SAY THAT 988 00:41:49,428 --> 00:41:50,663 JUST SO YOU COULD GET ME IN BED? 989 00:41:50,697 --> 00:41:52,364 [ SIGHS ] TOLD YOU. 990 00:41:52,398 --> 00:41:55,167 LIAR, THIEF, CON MAN. 991 00:41:55,201 --> 00:41:57,036 DOESN'T MATTER WHAT ANY OF US SAY... 992 00:41:59,271 --> 00:42:01,908 ...ONLY WHAT WE DO. 993 00:42:01,941 --> 00:42:06,245 OH! IT'S A ROCKET! 994 00:42:06,278 --> 00:42:08,881 YEAH, IT'S A ROCKET. 995 00:42:08,915 --> 00:42:11,150 [ CLEARS THROAT ] 996 00:42:13,219 --> 00:42:15,087 WELL... 997 00:42:15,121 --> 00:42:18,224 I LOVE IT. 998 00:42:19,626 --> 00:42:22,729 I BET I COULD SELL IT FOR LIKE 800 BUCKS, YOU KNOW? 999 00:42:22,762 --> 00:42:26,532 THAT IS A WORK OF ART. 1000 00:42:26,565 --> 00:42:29,301 YOU DID HEAR THE PART ABOUT GETTING ME INTO BED, RIGHT? 1001 00:42:33,139 --> 00:42:35,775 OKAY, ALL RIGHT. 1002 00:42:35,808 --> 00:42:37,877 AND IT'S NOT ART. 1003 00:42:37,910 --> 00:42:40,446 YOU DON'T HANG IT ON A WALL. 1004 00:42:40,479 --> 00:42:45,818 THERE'S NO RELATIONSHIP BETWEEN THE ARTIST AND THE AUDIENCE. 1005 00:42:45,852 --> 00:42:50,589 IT'S JUST A THING THAT FLIES. 1006 00:42:50,623 --> 00:42:52,091 [ CLATTER ] 1007 00:42:52,124 --> 00:42:56,162 THAT'S WHAT IT DOES. 1008 00:42:56,195 --> 00:42:59,666 THE WIND CATCHES IT, AND... 1009 00:43:01,467 --> 00:43:02,468 [ DOOR CLOSES ] 1010 00:43:02,501 --> 00:43:04,536 ...AND IT FLIES. 1011 00:43:05,938 --> 00:43:09,408 AND THAT'S WHAT MAKES IT BEAUTIFUL -- 1012 00:43:09,441 --> 00:43:11,477 NOT TALKING ABOUT IT.