1 00:00:13,535 --> 00:00:15,704 [ SIGHS ] COME ON. 2 00:00:17,372 --> 00:00:20,509 [ SIGHS ] 3 00:00:20,542 --> 00:00:21,743 OKAY. 4 00:00:42,997 --> 00:00:43,965 [ GROANS ] 5 00:00:43,998 --> 00:00:45,800 WHAT IS ALL THIS CRAP? 6 00:00:45,834 --> 00:00:48,403 OUTGOING INVENTORY. 7 00:00:48,437 --> 00:00:49,738 [ SIGHS ] 8 00:00:49,771 --> 00:00:50,805 HERE. 9 00:00:50,839 --> 00:00:52,641 [ GRUNTS ] 10 00:00:53,808 --> 00:00:56,145 HELPFUL HINT -- 11 00:00:56,178 --> 00:00:58,413 MANSCAPING. 12 00:01:01,516 --> 00:01:02,451 OH. 13 00:01:02,484 --> 00:01:04,653 I KNOW, RIGHT? BEYOND REPROACH. 14 00:01:04,686 --> 00:01:06,255 I CALL IT A "BOYZILIAN." 15 00:01:06,288 --> 00:01:08,790 YOU ARE NOT READY FOR THAT. 16 00:01:08,823 --> 00:01:11,593 BABY STEPS. 17 00:01:15,297 --> 00:01:17,098 Serafian: * INTO THE LIGHT... * 18 00:01:17,132 --> 00:01:19,268 Niedermayer: BEHOLD, THE INESCAPABLE TRUTH 19 00:01:19,301 --> 00:01:20,902 ONSTAGE THREE WEEKS AGO. 20 00:01:20,935 --> 00:01:23,004 MAY I HAVE YOUR ATTENTION, PLEASE? 21 00:01:23,037 --> 00:01:25,106 I HAVE A VERY IMPORTANT QUESTION. 22 00:01:25,140 --> 00:01:26,308 IT'S ABOUT PENISES. 23 00:01:26,341 --> 00:01:27,976 YEAH, I THINK THAT CAN WAIT. 24 00:01:28,009 --> 00:01:30,011 WE HAVE AN URGENT MISSING-MUSICIAN CASE. 25 00:01:30,044 --> 00:01:31,280 MISSING MUSICIANS? 26 00:01:31,313 --> 00:01:32,647 THEY'RE NEVER URGENT. 27 00:01:32,681 --> 00:01:35,584 UGH, SOUNDS LIKE NOISE TO ME. I HATE MUSIC. 28 00:01:35,617 --> 00:01:37,586 AMUSIA, POSSIBLY DUE TO DAMAGE TO THE FRONTAL LOBE 29 00:01:37,619 --> 00:01:39,654 WHEN YOUR FATHER SMACKED YOU ON THE HEAD WITH HIS GUN. 30 00:01:39,688 --> 00:01:41,490 I'D LIKE TO SMACK YOU IN THE HEAD WITH A GUN. 31 00:01:41,523 --> 00:01:45,026 SEBASTIAN SERAFIAN, AGE 26, 32 00:01:45,059 --> 00:01:48,330 VANISHED FROM COURT-MANDATED REHAB. 33 00:01:48,363 --> 00:01:49,931 THIS COMES STRAIGHT FROM THE CHIEF. 34 00:01:49,964 --> 00:01:52,434 THIS COMES FROM THE CHIEF. 35 00:01:52,467 --> 00:01:55,704 ALMOND, YOU KNOW WHAT THAT MEANS. 36 00:01:55,737 --> 00:01:57,539 WHAT? POLITICS. 37 00:01:57,572 --> 00:01:59,308 YEAH, POLITICS. 38 00:01:59,341 --> 00:02:01,676 OH, GOD, LOOK AT HIM. 39 00:02:01,710 --> 00:02:04,646 BUNCH OF FAILED BARISTAS STARING AT THEIR NAVELS 40 00:02:04,679 --> 00:02:06,981 AND STICKING THEIR PARENTS WITH THE BILL. 41 00:02:07,015 --> 00:02:08,650 AW. MUSICIANS ARE ADORABLE. 42 00:02:08,683 --> 00:02:11,186 THEY DESERVE SPECIAL ARTIST FREEDOMS. 43 00:02:11,220 --> 00:02:13,054 YOUR ATTITUDE DISGUSTS ME. 44 00:02:13,087 --> 00:02:16,491 NO SPECIAL DISPENSATION FOR ARTISTS. 45 00:02:16,525 --> 00:02:19,361 OKAY, HERE'S WHAT WE'RE GONNA DO TODAY, KIDS. 46 00:02:19,394 --> 00:02:21,496 WE'RE GONNA FIND THIS POLITICALLY CONNECTED NOISEMAKER. 47 00:02:21,530 --> 00:02:24,333 WE'RE GONNA SLAM HIM BACK INTO REHAB, WHERE HE BELONGS. 48 00:02:24,366 --> 00:02:26,335 YOU AND ME, WE'RE GONNA TAKE THE REHAB. 49 00:02:26,368 --> 00:02:30,004 NIEDERMAYER, YOU AND ALMOND TALK TO THAT...BAND, 50 00:02:30,038 --> 00:02:31,840 FIND OUT WHO'S HIDING HIM. 51 00:02:31,873 --> 00:02:35,977 Chapin: OKAY, THIS IS WHERE WE HOLD GROUP THERAPY. 52 00:02:36,010 --> 00:02:37,512 THE PLACE IS COURT-MANDATED? 53 00:02:37,546 --> 00:02:39,714 WHERE'S THE PUKE-GREEN WALLS AND THE VIOLENT ORDERLIES? 54 00:02:39,748 --> 00:02:42,751 YOU KNOW, THE HOSTILITY YOU'VE DISPLAYED OVER THE PAST 10 MINUTES 55 00:02:42,784 --> 00:02:44,986 SUGGESTS THAT YOU'RE CONFLICTED WITH YOURSELF 56 00:02:45,019 --> 00:02:46,154 OVER ADDICTION ISSUES. 57 00:02:46,187 --> 00:02:47,656 LIEUTENANT BACKSTROM IS CONFLICTED 58 00:02:47,689 --> 00:02:49,658 WITH EVERYONE ABOUT EVERYTHING. MM-HMM. 59 00:02:49,691 --> 00:02:51,993 WHAT CAN YOU TELL US ABOUT SEBASTIAN SERAFIAN? 60 00:02:52,026 --> 00:02:53,495 I'M UNCOMFORTABLE EVEN CONFIRMING 61 00:02:53,528 --> 00:02:55,163 THAT SEBASTIAN WAS A GUEST HERE. 62 00:02:55,196 --> 00:02:56,398 WE GUARANTEE DISCRETION. 63 00:02:56,431 --> 00:02:57,666 DID HE HAVE ANY VISITORS? 64 00:02:57,699 --> 00:02:59,534 AGAIN, I MUST PUT THE RIGHT TO PRIVACY 65 00:02:59,568 --> 00:03:02,371 OF OUR GUESTS BEFORE -- JUST PUT YOUR FINGER ON YOUR NOSE 66 00:03:02,404 --> 00:03:04,673 IF ANY OF HIS BANDMATES SMUGGLED IN DRUGS. 67 00:03:04,706 --> 00:03:06,040 OKAY, FELLA. 68 00:03:06,074 --> 00:03:08,877 SO, WHAT'S YOUR POISON? HMM? 69 00:03:08,910 --> 00:03:10,245 DRUGS, ALCOHOL? 70 00:03:10,279 --> 00:03:11,413 KEEP GOING? YEAH. 71 00:03:11,446 --> 00:03:13,582 OH, YOU'RE AN "ALL OF THE ABOVE" MAN. 72 00:03:13,615 --> 00:03:15,284 [ CHUCKLES ] WELL, MR. "ALL OF THE ABOVE," 73 00:03:15,317 --> 00:03:17,619 TRY CLOSING YOUR MOUTH AND OPENING YOUR HEART. 74 00:03:17,652 --> 00:03:20,121 TRY OPENING YOUR MOUTH AND CLOSING YOUR EYES. EXCUSE ME? 75 00:03:20,154 --> 00:03:21,790 WITHOUT CONFIRMING THAT SEBASTIAN 76 00:03:21,823 --> 00:03:23,292 WAS EVER A PATIENT HERE, 77 00:03:23,325 --> 00:03:25,327 CAN YOU TELL US EXACTLY WHAT TIME HE WENT MISSING? 78 00:03:26,761 --> 00:03:29,631 YEAH, I CAN DO THAT. 79 00:03:29,664 --> 00:03:32,133 [ KEYS CLACKING ] 80 00:03:32,166 --> 00:03:35,404 30th. SEE? 81 00:03:35,437 --> 00:03:38,807 THAT'S SEBASTIAN SERAFIAN. DID HE LEAVE A DATA TRAIL? 82 00:03:38,840 --> 00:03:41,576 NO. GUESTS FORGO ALL PHONE AND COMPUTER PRIVILEGES. 83 00:03:41,610 --> 00:03:43,545 YEAH? HOW DO THE GUESTS KEEP IN TOUCH 84 00:03:43,578 --> 00:03:45,146 WITH THEIR DEALERS AND THEIR BOOKIES? 85 00:03:45,179 --> 00:03:47,616 ADDICTION IS NOT A JOKE. IT IS A DISEASE. 86 00:03:47,649 --> 00:03:50,452 YOU KNOW WHAT'S A DISEASE? ANTHRAX. 87 00:03:50,485 --> 00:03:53,455 YOU KNOW WHAT'S FUN? DRUGS AND ALCOHOL. 88 00:03:53,488 --> 00:03:54,756 YOU DON'T BELIEVE ME, 89 00:03:54,789 --> 00:03:56,425 LOOK AT HIM JUMPING OVER THAT WALL. 90 00:03:56,458 --> 00:03:58,226 YOU'RE A FRAUD. THIS PLACE IS BOGUS. 91 00:03:58,259 --> 00:03:59,728 WHEN I CATCH HIM, 92 00:03:59,761 --> 00:04:01,796 HE'S NOT COMING BACK TO THIS SHANGRI-LA. 93 00:04:01,830 --> 00:04:04,799 NO, HE'S GOING TO JAIL, WHERE HE CAN GET SOME REAL HELP. 94 00:04:06,335 --> 00:04:09,471 THE WHOLE BAND OPERATES AS A CREATIVE COMMUNE. 95 00:04:09,504 --> 00:04:13,107 MOST OF THEM LIVE RIGHT HERE, WHERE THEY PRACTICE. 96 00:04:13,141 --> 00:04:15,477 HEY, SPECIAL CRIMES UNIT! 97 00:04:15,510 --> 00:04:18,847 [ ROCK MUSIC PLAYING ] THAT MEANS STOP PLAYING. 98 00:04:18,880 --> 00:04:19,948 [ MUSIC STOPS ] 99 00:04:19,981 --> 00:04:21,282 THANK YOU. 100 00:04:21,316 --> 00:04:24,085 UH, WE ARE LOOKING FOR SEBASTIAN SERAFIAN. 101 00:04:24,118 --> 00:04:25,253 HE'S NOT HERE. 102 00:04:25,286 --> 00:04:26,688 YOU MIND? 103 00:04:29,691 --> 00:04:32,327 DOES ANYBODY KNOW HIS WHEREABOUTS? 104 00:04:32,361 --> 00:04:34,128 YEAH, HE'S IN REHAB. 105 00:04:34,162 --> 00:04:36,097 WRONG. Hausberg: WHAT? 106 00:04:36,130 --> 00:04:37,632 SEBASTIAN LEFT REHAB? 107 00:04:37,666 --> 00:04:39,968 HE'S GONNA DIE IF HE DOESN'T GET OFF DRUGS. 108 00:04:40,001 --> 00:04:41,470 WE CAN ALL SEE IT COMING. 109 00:04:41,503 --> 00:04:43,304 I HAVE TOTAL FAITH IN SEBASTIAN. 110 00:04:43,338 --> 00:04:45,340 Almond: MAYBE IT'S BEST IF YOU HELP US FIND HIM. 111 00:04:45,374 --> 00:04:46,675 MIND IF WE LOOK AROUND? 112 00:04:46,708 --> 00:04:49,478 SEBASTIAN'S NOT HERE. TOTAL WASTE OF TIME. 113 00:04:49,511 --> 00:04:51,713 LARA'S NOT THE ONLY ONE THAT WANTS SEBASTIAN TO LIVE. 114 00:04:51,746 --> 00:04:55,484 SEBASTIAN WROTE THE MUSIC AND WORDS, 115 00:04:55,517 --> 00:04:57,151 AND HE WAS THE FRONT MAN OF THE BAND. 116 00:04:57,185 --> 00:04:59,788 WOULD IT BE FAIR TO SAY THAT HE WAS THE LEADER OF THE BAND? 117 00:04:59,821 --> 00:05:01,990 WE DON'T HAVE A LEADER. WE'RE AN ARTISTIC COLLECTIVE. 118 00:05:02,023 --> 00:05:02,991 AH. 119 00:05:03,024 --> 00:05:05,660 THUS THE SPIRIT-GUIDE HEADS. 120 00:05:05,694 --> 00:05:08,997 IT'S AN IRONIC COMMENT ON THE EGO. 121 00:05:09,030 --> 00:05:10,999 ANYONE THAT WANTS TO LET THE COPS LOOK AROUND, 122 00:05:11,032 --> 00:05:12,033 RAISE YOUR HAND. 123 00:05:17,672 --> 00:05:19,508 IT'S UNANIMOUS. THANK YOU. 124 00:05:21,009 --> 00:05:24,546 Backstrom: IF I ESCAPED REHAB ON FOOT, I HEAD TO THE NEAREST PLACE 125 00:05:24,579 --> 00:05:26,314 I CAN GET BLASTED OUT OF MY JUNKIE SKULL. 126 00:05:26,347 --> 00:05:27,916 Gravely: WELL, THIS IS THE NEAREST BAR. 127 00:05:27,949 --> 00:05:30,018 SEBASTIAN SERAFIAN -- DO YOU RECOGNIZE HIM? 128 00:05:30,051 --> 00:05:31,853 NEVER SAW HIM IN MY LIFE. 129 00:05:31,886 --> 00:05:33,522 YOU DIDN'T EVEN LOOK. 130 00:05:35,123 --> 00:05:36,591 ARE THERE ANY CAMERAS IN HERE? 131 00:05:36,625 --> 00:05:38,159 YOU SEE ANY CAMERAS IN HERE? 132 00:05:38,192 --> 00:05:42,731 MS. McMURRAY, ARE YOU THE OWNER OF THIS ESTABLISHMENT? 133 00:05:42,764 --> 00:05:44,766 ME, AN EX-HUSBAND, AND THE BANK. 134 00:05:44,799 --> 00:05:48,537 GRAVELY, GO SEE IF HE'S IN THE BATHROOM. 135 00:05:48,570 --> 00:05:51,440 HE MIGHT BE SHOOTING UP. 136 00:05:54,242 --> 00:05:57,278 YOUR HOSTILITY SUGGESTS YOU'RE IN CONFLICT WITH YOURSELF 137 00:05:57,311 --> 00:05:58,880 OVER ADDICTION ISSUES. 138 00:06:00,314 --> 00:06:02,283 NO, I AM NOT. 139 00:06:02,316 --> 00:06:04,185 ADDICTION IS WHAT KEEPS THIS PLACE AFLOAT. 140 00:06:04,218 --> 00:06:06,421 YEAH, AND THE REHAB UP THE STREET. 141 00:06:06,455 --> 00:06:09,057 I GUESS YOU GUYS KEEP EACH OTHER AFLOAT 142 00:06:09,090 --> 00:06:10,224 SWAPPING CUSTOMERS. 143 00:06:10,258 --> 00:06:13,428 [ BOTH CHUCKLE ] 144 00:06:13,462 --> 00:06:15,464 [ SIGHS ] 145 00:06:15,497 --> 00:06:17,198 YOUR DAUGHTER ASKED THE WRONG QUESTION. 146 00:06:17,231 --> 00:06:19,601 [ CHUCKLES ] YOU WANT TO TRY? 147 00:06:21,269 --> 00:06:24,773 ARE THERE CAMERAS ON THE OUTSIDE OF THIS PLACE? 148 00:06:28,242 --> 00:06:31,580 OKAY. 149 00:06:32,814 --> 00:06:35,316 WHY HAVE A CAMERA OUTSIDE OF THE BAR? 150 00:06:35,349 --> 00:06:37,752 SO COPS CAN'T SEE WHAT GOES ON INSIDE THE BAR. 151 00:06:37,786 --> 00:06:40,555 AND TO MAKE SURE ALL THE REALLY BAD STUFF HAPPENS OUTSIDE. 152 00:06:40,589 --> 00:06:42,290 WHERE IT'S NOT YOUR FAULT. 153 00:06:42,323 --> 00:06:43,458 THAT YOUR BOY? 154 00:06:43,492 --> 00:06:44,392 THAT'S HIM. 155 00:06:44,425 --> 00:06:45,660 11:28 P.M. 156 00:06:45,694 --> 00:06:47,896 AND THAT'S HER LICENSE-PLATE NUMBER. 157 00:06:47,929 --> 00:06:49,464 LET'S TRACK DOWN THE JUNKIE MESSIAH, 158 00:06:49,498 --> 00:06:50,899 THROW HIM IN JAIL, 159 00:06:50,932 --> 00:06:53,702 AND COME BACK AND ENJOY A COUPLE OF COLD ONES. 160 00:06:58,306 --> 00:06:59,774 EXCUSE ME. 161 00:07:33,842 --> 00:07:34,609 Gravely: IS THIS YOUR VAN? 162 00:07:34,643 --> 00:07:36,010 YEAH, THAT'S MY VAN. 163 00:07:36,044 --> 00:07:37,812 IT USED TO BE, ANYWAY. 164 00:07:37,846 --> 00:07:40,782 A FEW WEEKS AGO, I DONATED IT TO ONE OF MY PATIENTS. 165 00:07:40,815 --> 00:07:43,384 MY CLIENT IS A WELL-RESPECTED ORTHOPEDIST. 166 00:07:43,417 --> 00:07:45,820 WHAT IS THE NAME OF YOUR PATIENT, DR. KOBRINE? 167 00:07:45,854 --> 00:07:47,956 SEBASTIAN SERAFIAN, A LOCAL MUSICIAN. 168 00:07:47,989 --> 00:07:50,725 HAD THREE BROKEN METACARPALS IN HIS RIGHT HAND. 169 00:07:50,759 --> 00:07:52,527 YOUR PATIENT IS AN ESCAPED JUNKIE, 170 00:07:52,561 --> 00:07:54,362 AND YOU BROUGHT YOUR LAWYER WITH YOU. 171 00:07:54,395 --> 00:07:55,997 WHAT'S WRONG WITH THIS PICTURE? 172 00:07:56,030 --> 00:07:58,567 ANYONE CALLED IN FOR A POLICE INTERVIEW SHOULD BE REPRESENTED. 173 00:07:58,600 --> 00:08:00,635 ESPECIALLY IF THEY'RE GUILTY OF SOMETHING. 174 00:08:00,669 --> 00:08:01,636 [ KNOCK ON DOOR ] 175 00:08:01,670 --> 00:08:03,171 YOU'RE GONNA LOVE THIS. 176 00:08:03,204 --> 00:08:06,407 APPARENTLY, THE GOOD DOCTOR'S UNDER INVESTIGATION 177 00:08:06,440 --> 00:08:08,943 AS PORTLAND'S BIGGEST PILL PUSHER. 178 00:08:10,178 --> 00:08:11,813 SON OF A BITCH. 179 00:08:11,846 --> 00:08:14,983 OH, NICE TO SEE YOU, TOO, DETECTIVE. 180 00:08:15,016 --> 00:08:17,552 THIS IS ASSISTANT DISTRICT ATTORNEY STEVE KINES. 181 00:08:17,586 --> 00:08:19,320 I HATE HIM. 182 00:08:19,353 --> 00:08:20,722 LOVE AFFAIR GONE BAD? Both: NO. 183 00:08:20,755 --> 00:08:22,824 MY THEORY IS OUR MISSING MUSICIAN 184 00:08:22,857 --> 00:08:25,927 IS A MATERIAL WITNESS IN YOUR CASE AGAINST THE DOCTOR. 185 00:08:25,960 --> 00:08:28,863 REHAB WAS A LAST-DITCH EFFORT TO GET HIM CLEAN 186 00:08:28,897 --> 00:08:30,765 BEFORE PROPPING HIM UP IN FRONT OF A GRAND JURY. 187 00:08:30,799 --> 00:08:33,334 GREAT. WE UNDERSTAND ONE ANOTHER. 188 00:08:33,367 --> 00:08:35,904 WHAT IF THE DOCTOR KILLED HIM? 189 00:08:35,937 --> 00:08:36,938 HE DIDN'T. 190 00:08:36,971 --> 00:08:38,072 SURVEILLANCE? 191 00:08:38,106 --> 00:08:39,273 AND WIRETAPPED AND BUGGED, 192 00:08:39,307 --> 00:08:40,742 SO WE KNOW HE DIDN'T HIRE SOMEONE 193 00:08:40,775 --> 00:08:42,243 TO KILL SEBASTIAN SERAFIAN. 194 00:08:42,276 --> 00:08:45,179 SO WILL YOU PLEASE QUIT WASTING TIME WITH MY TARGET, 195 00:08:45,213 --> 00:08:46,748 LET HIM GO, 196 00:08:46,781 --> 00:08:48,817 AND FIND MY MISSING WITNESS. 197 00:08:52,153 --> 00:08:54,923 TELL ME YOU HATE HIM, TOO. 198 00:08:54,956 --> 00:08:56,424 I HATE EVERYBODY. 199 00:08:56,457 --> 00:08:58,292 OUR APOLOGIES. 200 00:08:58,326 --> 00:08:59,728 WE WERE MEETING WITH THE PROSECUTOR, 201 00:08:59,761 --> 00:09:01,696 WHO SAID YOU KILLED SEBASTIAN SERAFIAN 202 00:09:01,730 --> 00:09:03,264 BECAUSE HE WAS THE PRIME WITNESS 203 00:09:03,297 --> 00:09:04,766 AGAINST YOU IN A NARCOTICS CASE. 204 00:09:04,799 --> 00:09:08,703 WE'RE OUT OF HERE, ALAN. YOU'VE COOPERATED ENOUGH. 205 00:09:08,737 --> 00:09:11,139 GOOD LUCK FINDING SEBASTIAN. 206 00:09:11,172 --> 00:09:12,741 HE'S VERY TALENTED. 207 00:09:16,077 --> 00:09:18,780 THAT WOULD BE AWESOME IF WE COULD GET HIM FOR MURDER 208 00:09:18,813 --> 00:09:21,115 BEFORE KINES GETS HIM FOR TRAFFICKING. 209 00:09:21,149 --> 00:09:21,983 OOH! 210 00:09:22,016 --> 00:09:23,551 YEAH, BECAUSE EVERYTHING WE DO 211 00:09:23,584 --> 00:09:25,787 IS TO GET REVENGE ON YOUR EX-BOYFRIENDS. 212 00:09:28,122 --> 00:09:29,824 [ "BLACK STONE" PLAYING ] THIS SUCKS. 213 00:09:29,858 --> 00:09:31,660 WHY ARE WE LISTENING TO THIS HOOEY? 214 00:09:31,693 --> 00:09:34,062 WE'RE ANALYZING SEBASTIAN'S SONGS 215 00:09:34,095 --> 00:09:37,331 THROUGH THE FILTER OF FORENSIC LINGUISTICS. 216 00:09:37,365 --> 00:09:41,636 "BLACK WATER, BLACK CHAINS. 217 00:09:41,670 --> 00:09:43,805 BLACK VISIONS RUNS THROUGH MY VEINS." 218 00:09:43,838 --> 00:09:46,440 SEE, THIS SONG IN PARTICULAR, "BLACK STONE," 219 00:09:46,474 --> 00:09:47,642 COULD BE ABOUT SUICIDE 220 00:09:47,676 --> 00:09:50,111 OR SURRENDERING TO A GREATER POWER 221 00:09:50,144 --> 00:09:51,445 THAT HE DOESN'T TRUST. 222 00:09:51,479 --> 00:09:52,981 AND THIS SONG MIGHT GIVE US INSIGHT 223 00:09:53,014 --> 00:09:55,684 INTO HIS DEFINITION OF A SANCTUARY. 224 00:09:55,717 --> 00:09:57,151 [ MUSIC STOPS ] 225 00:09:57,185 --> 00:09:59,120 CAN I ASK YOU SOMETHING? 226 00:09:59,153 --> 00:10:03,157 YES, FORENSIC LINGUISTICS IS A REAL THING. 227 00:10:03,191 --> 00:10:04,425 NO, NO. 228 00:10:04,458 --> 00:10:06,060 PENISES. 229 00:10:07,028 --> 00:10:09,130 ARE THEY MORE LIKE SNOWFLAKES OR BUTTONS? 230 00:10:09,163 --> 00:10:12,533 YOU MEAN UNIQUE VERSUS MASS-PRODUCED? 231 00:10:12,566 --> 00:10:13,534 YOU'VE SEEN LOTS OF THEM. 232 00:10:13,567 --> 00:10:14,969 YOU MEAN IN AUTOPSIES? 233 00:10:15,003 --> 00:10:17,138 YEAH, SURE. THAT'S -- THAT'S HOW I MEAN IT. 234 00:10:17,171 --> 00:10:18,639 [ LAUGHS ] 235 00:10:18,673 --> 00:10:21,142 ALL RIGHT, WELL, PERHAPS IF YOU PROVIDE CONTEXT. 236 00:10:21,175 --> 00:10:24,445 VALENTINE'S PENIS... 237 00:10:24,478 --> 00:10:26,480 LOOKS EXACTLY LIKE MINE. 238 00:10:26,514 --> 00:10:29,283 YOUR NOSES ARE ALSO IDENTICAL. WHAT? 239 00:10:29,317 --> 00:10:32,453 WHICH LED ME TO ASSUME THAT VALENTINE WAS YOUR SON. 240 00:10:32,486 --> 00:10:33,955 GET OUT OF HERE. 241 00:10:33,988 --> 00:10:36,991 IS IT NOT A PHYSICAL POSSIBILITY? 242 00:10:37,025 --> 00:10:38,727 SIR, YOU'RE DOING THE MATH IN YOUR HEAD, 243 00:10:38,760 --> 00:10:40,061 WHICH MEANS THAT YOU HAVE, IN FACT, 244 00:10:40,094 --> 00:10:41,863 HAD SEX WITH VALENTINE'S MOTHER. 245 00:10:41,896 --> 00:10:45,166 MATH IN MY HEAD MAKES HIM NOT MY KID BY ABOUT TWO YEARS. 246 00:10:45,199 --> 00:10:48,036 WELL, BUT YOUR NOSES INDICATE OTHERWISE. 247 00:10:49,170 --> 00:10:51,372 SIR, NOT ONLY DOES CIGAR SMOKING 248 00:10:51,405 --> 00:10:54,675 CAUSE MALIGNANCIES IN THE LARYNX AND ESOPHAGUS, 249 00:10:54,709 --> 00:10:58,146 BUT IT ALSO CAN CONTRIBUTE TO PANCREATIC CANCERS. 250 00:10:58,179 --> 00:11:03,051 THE VAN TURNED EAST OUT OF THE ROADHOUSE PARKING LOT. 251 00:11:03,084 --> 00:11:03,852 RIGHT. 252 00:11:03,885 --> 00:11:05,419 WELL, THERE'S NOTHING THERE. 253 00:11:05,453 --> 00:11:07,655 I MEAN, IT'S THE REHAB AND A MILLION MILES OF LOGGING ROADS. 254 00:11:07,688 --> 00:11:09,357 IS THERE ANYTHING IN THOSE LYRICS 255 00:11:09,390 --> 00:11:12,260 ABOUT A SANCTUARY OUT IN THE MIDDLE OF NOWHERE? 256 00:11:15,797 --> 00:11:17,198 HEY, NADIA, 257 00:11:17,231 --> 00:11:19,333 WOULD YOU PULL UP A MAP OF THE AREA 258 00:11:19,367 --> 00:11:20,501 EAST OF THE ROADHOUSE? 259 00:11:20,534 --> 00:11:21,669 YEAH. 260 00:11:21,702 --> 00:11:24,338 SO, THIS IS A SATELLITE VIEW OF THE AREA. 261 00:11:24,372 --> 00:11:26,007 OH, WOW. THAT WAS FAST. 262 00:11:26,040 --> 00:11:26,908 UH, OKAY. 263 00:11:26,941 --> 00:11:28,176 IN ONE OF SEBASTIAN'S SONGS, 264 00:11:28,209 --> 00:11:30,411 HE REFERS TO A PLACE CALLED BLACK STONE. 265 00:11:30,444 --> 00:11:34,115 NOW, I-IT COULD BE THE NAME OF A MOUNTAIN, UH, 266 00:11:34,148 --> 00:11:35,383 OR A RIVER. 267 00:11:35,416 --> 00:11:36,384 QUARRY. 268 00:11:36,417 --> 00:11:38,419 BLACKSTONE QUARRY. 269 00:11:38,452 --> 00:11:41,823 NOW FILLED WITH BLACK WATER. 270 00:11:53,501 --> 00:11:55,937 Niedermayer: HAVE YOU GUYS NOTICED THAT THE VICTIM'S VAN 271 00:11:55,970 --> 00:11:57,638 IS A MIRROR OF THE SPECIAL CRIMES UNIT? 272 00:11:57,671 --> 00:11:58,873 Backstrom: NO, NO. 273 00:11:58,907 --> 00:12:01,109 Moto: WHAT DO YOU MEAN, "MIRROR"? 274 00:12:01,142 --> 00:12:04,645 WE HAVE A DEFINITE LEADER WITH AN ADDICTIVE PERSONALITY. 275 00:12:04,678 --> 00:12:06,314 OH, SHUT UP, NIEDERMAYER. 276 00:12:06,347 --> 00:12:09,217 OKAY, THINK OF HIS SPIRIT GUIDE. IT'S A MOUNTAIN LION, RIGHT? 277 00:12:09,250 --> 00:12:11,319 TOP OF THE FOOD CHAIN, KING OF ALL HE SURVEYS. 278 00:12:11,352 --> 00:12:13,654 YOU'RE ON TO SOMETHING WITH THAT "KING" STUFF. 279 00:12:13,687 --> 00:12:14,823 ALL RIGHT, LOOK AT THIS. 280 00:12:14,856 --> 00:12:17,058 THE BASSIST AND THE DRUMMER 281 00:12:17,091 --> 00:12:19,260 ARE DETECTIVES GRAVELY AND ALMOND RESPECTIVELY. 282 00:12:19,293 --> 00:12:21,295 OH, YEAH, SO IT'S THE RHYTHM SECTION 283 00:12:21,329 --> 00:12:22,630 THAT'S KEEPING THE BEAT 284 00:12:22,663 --> 00:12:24,966 AND DRIVING EVERYTHING FORWARD. 285 00:12:24,999 --> 00:12:27,802 YEAH, YOU GOT IT. ALL RIGHT, SO, LOOKIT. 286 00:12:27,836 --> 00:12:30,571 ALMOND'S SPIRIT ANIMAL IS THE MOUNTAIN RAM -- 287 00:12:30,604 --> 00:12:31,840 FARSEEING, SUREFOOTED. 288 00:12:31,873 --> 00:12:34,308 AND, OF COURSE, GRAVELY IS THE BEAR. 289 00:12:34,342 --> 00:12:35,576 STINKS OF RAW FISH? 290 00:12:35,609 --> 00:12:37,011 BRAVE BUT NURTURING. 291 00:12:37,045 --> 00:12:40,214 OKAY, W-WHAT ABOUT THE HOT RACCOON WITH THE CELLO? 292 00:12:41,482 --> 00:12:42,783 PAQUET. [ LAUGHS ] 293 00:12:42,817 --> 00:12:45,153 SHE'S CHARMING, INTELLIGENT, MISCHIEVOUS. 294 00:12:45,186 --> 00:12:48,489 SHE'S AN ENIGMATIC BANDIT WHO WILL STEAL YOUR HEART. 295 00:12:48,522 --> 00:12:50,258 THERE'S NOTHING HERE. 296 00:12:50,291 --> 00:12:52,793 AND I WAS HOPING THAT WE'D FIND SEBASTIAN OUT HERE 297 00:12:52,827 --> 00:12:54,695 GETTING HIGH IN A TENT WITH A GROUPIE. 298 00:12:54,728 --> 00:12:56,664 [ LAUGHS ] YEAH, THAT'S A NICE THOUGHT. 299 00:12:56,697 --> 00:12:58,332 NIEDERMAYER IS SUCH AN IMBECILE, 300 00:12:58,366 --> 00:13:01,202 DRAGGING US OUT HERE OVER SOME STUPID SONG. 301 00:13:07,241 --> 00:13:08,476 LIEUTENANT... 302 00:13:08,509 --> 00:13:10,979 A VEHICLE WAS PARKED HERE. 303 00:13:11,012 --> 00:13:12,513 I HAVE AN OIL STAIN. 304 00:13:12,546 --> 00:13:16,517 AND A DROP PATTERN LEADING TOWARD THESE TIRE MARKS. 305 00:13:20,989 --> 00:13:23,357 YOU THINK THE VAN WENT OVER HERE? 306 00:13:40,374 --> 00:13:42,110 [ POLICE RADIO CHATTER ] 307 00:13:44,578 --> 00:13:46,347 [ INDISTINCT SHOUTING ] 308 00:13:54,588 --> 00:13:58,059 Gravely: IS THAT OUR MUSICIAN? 309 00:13:58,092 --> 00:14:00,194 Niedermayer: SEBASTIAN SERAFIAN, IN THE FLESH. 310 00:14:00,228 --> 00:14:02,030 IT COULD BE SUICIDE, EXCEPT WHAT HAPPENED 311 00:14:02,063 --> 00:14:03,831 TO WHOEVER BROUGHT HIM ALL THE WAY OUT HERE? 312 00:14:03,864 --> 00:14:05,499 IT'S NOT SUICIDE. 313 00:14:05,533 --> 00:14:07,568 NOTE THE AMPLIFIER JAMMED AGAINST THE GAS PEDAL. 314 00:14:07,601 --> 00:14:09,537 YOU KNOW, YOU'VE GOT TO HAND IT TO BACKSTROM -- 315 00:14:09,570 --> 00:14:11,072 ACTUALLY, IF I MAY, 316 00:14:11,105 --> 00:14:15,576 IT WAS SOLID FORENSIC LINGUISTICS AND LOGIC THAT -- 317 00:14:17,411 --> 00:14:19,313 HEY, GUYS? 318 00:14:23,817 --> 00:14:24,618 [ CRASH ] 319 00:14:24,652 --> 00:14:26,254 OOPS! SORRY. 320 00:14:26,287 --> 00:14:28,789 NOW THAT YOU'RE AWAKE, FEEL LIKE HELPING ME? 321 00:14:28,822 --> 00:14:30,959 I'M A COP. 322 00:14:30,992 --> 00:14:33,761 I CAN'T HELP YOU TRANSPORT STOLEN GOODS. 323 00:14:33,794 --> 00:14:36,097 I GOT TO SHIP ALL THIS STUFF TO SEATTLE. 324 00:14:36,130 --> 00:14:40,101 IF THE GUY WHO, LET'S SAY, DEALS IN DISCOUNT ELECTRONICS 325 00:14:40,134 --> 00:14:41,970 FINDS OUT I'M UNDERSELLING HIM, 326 00:14:42,003 --> 00:14:44,405 YOU'LL BE INVESTIGATING MY MURDER. 327 00:14:44,438 --> 00:14:45,806 HEY, HEY. 328 00:14:45,839 --> 00:14:47,108 WHAT? 329 00:14:47,141 --> 00:14:49,577 DID YOU TALK TO YOUR MOM RECENTLY? 330 00:14:49,610 --> 00:14:50,611 [ LAUGHS ] 331 00:14:50,644 --> 00:14:51,980 NO. 332 00:14:52,013 --> 00:14:54,715 EVER SINCE LOU BECAME A NUN, WE DON'T TALK MUCH. 333 00:14:54,748 --> 00:14:56,384 SHE DIDN'T BECOME A NUN. 334 00:14:56,417 --> 00:14:58,987 SHE EVER TELL YOU ANYTHING ABOUT YOUR FATHER? 335 00:14:59,020 --> 00:15:00,388 MY MOTHER WAS A HOOKER. 336 00:15:00,421 --> 00:15:03,824 I DOUBT SHE'D EVER BE ABLE TO FINGER THE GUILTY PARTY. 337 00:15:03,857 --> 00:15:05,726 SO TO SPEAK. ALL SHE EVER SAID 338 00:15:05,759 --> 00:15:07,428 WAS THAT MY FATHER WAS A CLIENT 339 00:15:07,461 --> 00:15:10,098 AND SOME KIND OF GENIUS. 340 00:15:10,131 --> 00:15:11,099 OH. 341 00:15:11,132 --> 00:15:14,735 OH, AND, UH -- AND A TOTAL DICK. 342 00:15:14,768 --> 00:15:16,004 [ CHUCKLES ] 343 00:15:16,037 --> 00:15:19,473 SO, AT LEAST I KNOW WHERE I GOT MY GENIUS. 344 00:15:21,509 --> 00:15:23,811 AND YOUR NOSE. 345 00:15:23,844 --> 00:15:26,180 AND YOUR PENIS. 346 00:15:26,214 --> 00:15:31,019 PRELIM TOX SCREENS SHOW ALCOHOL, THC, OXYCODONE, AND HEROIN. 347 00:15:31,052 --> 00:15:32,320 ALSO, HE WAS GARROTED 348 00:15:32,353 --> 00:15:34,255 TO THE POINT WHERE HE LOST CONSCIOUSNESS. 349 00:15:34,288 --> 00:15:36,624 HIS HEAD HIT THE STEERING WHEEL WHEN THE VAN HIT THE WATER. 350 00:15:36,657 --> 00:15:38,026 BUT STILL, HE DIED OF DROWNING. 351 00:15:38,059 --> 00:15:40,528 JUNKIES ARE HARD TO KILL. 352 00:15:40,561 --> 00:15:41,695 GARROTED HOW? 353 00:15:41,729 --> 00:15:42,963 SOME SORT OF STRING, 354 00:15:42,997 --> 00:15:44,265 POSSIBLY PIANO, PERHAPS GUITAR. 355 00:15:44,298 --> 00:15:45,966 LOOK FOR LACERATIONS ON THE HANDS. 356 00:15:46,000 --> 00:15:47,301 DID YOU FIND THE GARROTE? 357 00:15:47,335 --> 00:15:49,037 YEAH, THERE WERE A TON OF STRINGS 358 00:15:49,070 --> 00:15:51,472 IN THE BACK OF THE VAN, BUT NONE BLOODY, AS EXPECTED. 359 00:15:51,505 --> 00:15:53,374 SO PERHAPS THE KILLER TOOK IT WITH HIM, 360 00:15:53,407 --> 00:15:55,309 OR IT GOT WASHED CLEAN IN THE QUARRY. 361 00:15:55,343 --> 00:15:57,011 GOT DRUGGED, STRANGLED FROM BEHIND 362 00:15:57,045 --> 00:15:59,047 BY SOMEONE WHO HE THOUGHT WAS HIS FRIEND, 363 00:15:59,080 --> 00:16:00,814 AND THEN DUMPED IN A ROCK QUARRY. 364 00:16:00,848 --> 00:16:02,483 I MEAN, IT'S A WONDER WE FOUND HIM. 365 00:16:02,516 --> 00:16:04,018 IT'S A BACKSTROM WE FOUND HIM. 366 00:16:04,052 --> 00:16:06,054 LISTEN, I DON'T WANT TO TOOT MY OWN HORN -- 367 00:16:06,087 --> 00:16:07,821 THE VAN HAD DOZENS OF PARKING TICKETS 368 00:16:07,855 --> 00:16:10,691 GOING BACK EIGHT WEEKS OUTSIDE PLACES THE BAND PLAYED. 369 00:16:10,724 --> 00:16:12,526 WELL, LOOK, THE -- THE WHOLE BAND 370 00:16:12,560 --> 00:16:14,328 HAD ACCESS TO THE VAN. 371 00:16:14,362 --> 00:16:17,031 OH, THAT'S NOT SO BAD. WHAT IS THAT, A DOZEN PEOPLE? OH, DEAR. 372 00:16:17,065 --> 00:16:18,399 THE INESCAPABLE TRUTH, 373 00:16:18,432 --> 00:16:21,535 ALONG WITH SPIN-CYCLE BANDS AND SIDE PROJECTS. 374 00:16:21,569 --> 00:16:23,237 THAT'S A LOT OF PEOPLE. 375 00:16:23,271 --> 00:16:26,507 THIS GUY LEFT TO FORM MOO SHOO WHARF. 376 00:16:26,540 --> 00:16:28,576 THEN HE TEAMED UP WITH THIS GUY AND THIS GUY 377 00:16:28,609 --> 00:16:32,213 TO FORM CASH-BAR WEDDING AS A SIDE PROJECT. 378 00:16:32,246 --> 00:16:35,549 AND THEN THESE FOUR GUYS, THEY MAKE RECORDINGS 379 00:16:35,583 --> 00:16:38,319 AS, UH, THE DAYS OF WINE AND NEUROSIS. 380 00:16:38,352 --> 00:16:41,055 BUT THESE GUYS ACTUALLY ALSO PRODUCE, 381 00:16:41,089 --> 00:16:44,325 UH, THE INESCAPABLE TRUTH CASSETTE-ONLY RELEASE. 382 00:16:44,358 --> 00:16:47,195 OH, AND SOMETIMES ALL THESE 13, 383 00:16:47,228 --> 00:16:50,331 THEY PLAY SHOWS TOGETHER AS HOLY MEAT PARADE. 384 00:16:50,364 --> 00:16:54,001 OH, AND, UH, THE BASS PLAYER OF HOLY MEAT IS ACTUALLY 385 00:16:54,034 --> 00:16:56,937 THE SINGER OF PHANTOM THOMAS PAINE. 386 00:16:56,970 --> 00:16:58,239 WHILE THE HORN PLAYER -- 387 00:16:58,272 --> 00:16:59,740 Almond: WHOA, WHOA, WHOA, WHOA, WHOA. 388 00:16:59,773 --> 00:17:03,010 HOW MANY PEOPLE IN TOTAL HAVE ACCESS TO THIS VAN? 389 00:17:03,043 --> 00:17:04,011 57. 390 00:17:04,044 --> 00:17:05,413 [ GROANS ] [ WHISTLES ] 391 00:17:05,446 --> 00:17:07,381 BET IT WAS THE GUY WHO PLAYS THE STUPID FLUGELHORN. 392 00:17:07,415 --> 00:17:08,949 OH, THE FLUGELHORN PLAYER -- 393 00:17:08,982 --> 00:17:10,751 HE MOVED TO BROOKLYN TWO MONTHS AGO WITH -- 394 00:17:10,784 --> 00:17:13,421 ALL RIGHT, THEN IT WAS THE GUY WHO PLAYED THE STUPID ACCORDION. 395 00:17:13,454 --> 00:17:14,555 Moto: COYOTE MAN! 396 00:17:14,588 --> 00:17:15,556 [ LAUGHS ] THAT'S ME. 397 00:17:15,589 --> 00:17:16,857 MATT ENGLISH. WHY HIM? 398 00:17:16,890 --> 00:17:17,958 ACCORDION PLAYER -- 399 00:17:17,991 --> 00:17:19,793 EVIL, ANGRY, BITTER, AND POINTLESS, 400 00:17:19,827 --> 00:17:21,395 RESENTFUL OF REAL MUSICIANS. 401 00:17:21,429 --> 00:17:24,932 OKAY, NOT ACTUALLY SURE THAT THAT IS A MOTIVE, BUT THAT'S -- 402 00:17:24,965 --> 00:17:26,400 OH. WHAT "OH"? 403 00:17:26,434 --> 00:17:28,936 WELL, MATT ENGLISH IS ACTUALLY THE GUY 404 00:17:28,969 --> 00:17:30,404 THAT BROKE SEBASTIAN'S HAND SIX MONTHS AGO 405 00:17:30,438 --> 00:17:32,640 AND WAS KICKED OUT OF THE BAND. 406 00:17:32,673 --> 00:17:35,143 ACCORDION PLAYERS, PEOPLE. 407 00:17:35,176 --> 00:17:37,511 SATAN'S SQUEEZE-BOX. 408 00:17:39,680 --> 00:17:42,416 Almond: TELL US ABOUT THE ALTERCATION. 409 00:17:42,450 --> 00:17:44,385 SEBASTIAN BROKE HIS OWN HAND 410 00:17:44,418 --> 00:17:47,155 BY PUNCHING ME IN THE HEAD WHEN HE WAS HIGH. 411 00:17:47,188 --> 00:17:48,889 IT SERVED HIM RIGHT HE BROKE HIS HAND. 412 00:17:48,922 --> 00:17:49,990 WHY DID HE PUNCH YOU? 413 00:17:50,023 --> 00:17:51,292 I QUIT HIS BAND. 414 00:17:51,325 --> 00:17:53,594 YOU WEREN'T KICKED OUT? 415 00:17:56,430 --> 00:17:58,932 YOU THINK I KILLED SEBASTIAN 416 00:17:58,966 --> 00:18:01,802 FOR KICKING ME OUT OF THE INESCAPABLE TRUTH? 417 00:18:01,835 --> 00:18:03,137 NO. 418 00:18:03,171 --> 00:18:05,639 I QUIT BECAUSE LARA FELL IN LOVE WITH HIM 419 00:18:05,673 --> 00:18:06,807 AND BROKE MY HEART. 420 00:18:06,840 --> 00:18:09,310 LARA HAUSBERG, THE CELLO PLAYER? 421 00:18:09,343 --> 00:18:13,314 YEAH, NOW I'M A SUSPECT BECAUSE MY GIRLFRIEND LEFT ME. 422 00:18:13,347 --> 00:18:15,516 IT'S WHAT WE CALL A CLASSIC MOTIVE, SON. 423 00:18:23,357 --> 00:18:26,160 THIS IS MY DAUGHTER, DELILAH. 424 00:18:26,194 --> 00:18:29,930 THE ONLY THING THAT DELILAH FINDS COOL ABOUT ME 425 00:18:29,963 --> 00:18:31,499 IS THAT I WAS IN SEBASTIAN'S BAND. 426 00:18:31,532 --> 00:18:35,469 FIVE DAYS AGO, SEBASTIAN ASKED ME TO COME BACK. 427 00:18:35,503 --> 00:18:37,638 WHY WOULD I RUIN THAT BY KILLING HIM? 428 00:18:37,671 --> 00:18:38,939 FIVE DAYS AGO? 429 00:18:38,972 --> 00:18:40,208 ASKED YOU HOW? 430 00:18:40,241 --> 00:18:41,642 ON THE TELEPHONE. 431 00:18:41,675 --> 00:18:44,478 WELL, THERE ARE NO PHONE CALLS ALLOWED IN REHAB. 432 00:18:46,314 --> 00:18:49,149 Almond: ONE OF YOU GAVE SEBASTIAN UNAUTHORIZED ACCESS 433 00:18:49,183 --> 00:18:52,353 TO THE OFFICE PHONE. 434 00:18:52,386 --> 00:18:56,657 WE HAVE PHONE RECORDS, PEOPLE. 435 00:18:56,690 --> 00:18:59,126 SOMEONE WAS HELPING HIM MAKE CONTACT 436 00:18:59,159 --> 00:19:00,461 WITH THE OUTSIDE WORLD, 437 00:19:00,494 --> 00:19:02,696 SOMEONE WITH A SET OF OFFICE KEYS. 438 00:19:02,730 --> 00:19:03,997 OKAY. 439 00:19:04,031 --> 00:19:06,200 EVERYONE THAT WORKS HERE CARES VERY DEEPLY 440 00:19:06,234 --> 00:19:08,502 ABOUT OUR SACRED MISSION AND OUR RULES, 441 00:19:08,536 --> 00:19:10,971 SO SEBASTIAN MUST HAVE FOUND ANOTHER WAY INTO THE OFFICE. 442 00:19:11,004 --> 00:19:12,340 WHAT'S THIS HOOEY? 443 00:19:12,373 --> 00:19:14,308 THOSE ARE HANDWRITTEN HEALING MILESTONES 444 00:19:14,342 --> 00:19:16,076 OF PAST SEASONS' RESIDENTS. 445 00:19:16,109 --> 00:19:18,246 IT'S A -- IT'S A SACRED REPOSITORY 446 00:19:18,279 --> 00:19:20,714 OF OUR GOOD WORK GOING BACK LIKE 14 YEARS. 447 00:19:20,748 --> 00:19:22,516 AH, INTERESTING. 448 00:19:23,684 --> 00:19:24,718 [ GASPS ] AH! 449 00:19:28,889 --> 00:19:30,090 IT'S HIM, 450 00:19:30,123 --> 00:19:31,992 THE LEANING TOWER OF "I DON'T CARE." 451 00:19:32,025 --> 00:19:34,995 HE DOESN'T GIVE A RAT'S ASS ABOUT YOUR SACRED REPOSITORY. 452 00:19:35,028 --> 00:19:36,264 [ CROWD MURMURING ] 453 00:19:36,297 --> 00:19:39,166 Woody: I DIDN'T KILL SEBASTIAN SERAFIAN. 454 00:19:39,199 --> 00:19:43,504 OKAY, OKAY, SO YOU LET HIM INTO THE OFFICE, 455 00:19:43,537 --> 00:19:46,006 AND YOU STOOD WATCH AT THE DOOR. 456 00:19:46,039 --> 00:19:48,376 YOU LISTENED TO HIS CONVERSATIONS. 457 00:19:49,209 --> 00:19:50,578 WHAT DID HE SAY? 458 00:19:50,611 --> 00:19:52,746 ONE GUY WANTED TO COME BACK IN THE VAN. 459 00:19:52,780 --> 00:19:54,382 ALL THE OTHER CALLS, 460 00:19:54,415 --> 00:19:55,949 SEBASTIAN WAS BEGGING PEOPLE TO HELP HIM ESCAPE. 461 00:19:55,983 --> 00:19:57,285 TO GO GET HIGH? 462 00:19:57,318 --> 00:19:59,520 I'M PRETTY SURE. 463 00:19:59,553 --> 00:20:01,121 YOU EVER SEE WHO PICKED HIM UP? 464 00:20:01,154 --> 00:20:03,724 ONCE. A GIRL. 465 00:20:06,494 --> 00:20:07,461 HER? 466 00:20:07,495 --> 00:20:08,962 MM...NO. 467 00:20:08,996 --> 00:20:10,130 HER? 468 00:20:10,163 --> 00:20:11,231 NO. 469 00:20:14,167 --> 00:20:15,436 YEAH. THAT'S HER. 470 00:20:19,239 --> 00:20:23,311 OH, THE BEAR. THAT'S YOU, DETECTIVE GRAVELY. 471 00:20:23,344 --> 00:20:24,745 LET'S GO PICK UP THE BEAR. 472 00:20:31,685 --> 00:20:33,954 YOU'RE GRINDING YOUR TEETH, EVERETT. 473 00:20:33,987 --> 00:20:35,323 IT'S A SIGN OF ANXIETY. 474 00:20:35,356 --> 00:20:37,625 YEAH, WELL, YOUR SON IS STILL QUEER, 475 00:20:37,658 --> 00:20:39,793 IF THAT'S WHAT YOU WANTED TO ASK. 476 00:20:39,827 --> 00:20:42,830 FATHER HALL SAYS GOD LOVES HOMOSEXUALS 477 00:20:42,863 --> 00:20:44,164 BUT ABHORS SODOMY. 478 00:20:44,197 --> 00:20:46,900 YEAH, WELL, VALENTINE LOVES SODOMY. 479 00:20:46,934 --> 00:20:48,268 [ THUD ] AAH! 480 00:20:51,505 --> 00:20:53,474 HE'S NOT GONNA CHANGE, LOU. 481 00:20:53,507 --> 00:20:56,744 GOD FORGAVE ME FOR MY FORMER SEXUAL DEPRAVITIES. 482 00:20:56,777 --> 00:21:00,147 HE'LL FORGIVE VAL, TOO, IF HE ASKS FOR FORGIVENESS. 483 00:21:00,180 --> 00:21:04,117 I WANT TO THANK GOD FOR YOUR FORMER SEXUAL DEPRAVITIES. 484 00:21:04,151 --> 00:21:05,252 [ BOTH LAUGH ] 485 00:21:05,285 --> 00:21:07,921 YOU WERE SUCH A SWEET KID. 486 00:21:07,955 --> 00:21:09,089 HM. 487 00:21:09,122 --> 00:21:11,492 18-YEAR-OLD VIRGIN STANDING THERE 488 00:21:11,525 --> 00:21:13,661 WITH YOUR WADDED CASH. 489 00:21:13,694 --> 00:21:14,795 [ LAUGHS ] 490 00:21:14,828 --> 00:21:17,631 OH, WE HAD SUCH A GOOD TIME, YOU AND ME. 491 00:21:17,665 --> 00:21:21,034 WE SURE DID. [ CHUCKLES ] 492 00:21:21,068 --> 00:21:25,473 YOU KNOW, I SAW VALENTINE'S TWIG AND BERRIES THE OTHER DAY. 493 00:21:25,506 --> 00:21:29,142 IT WAS LIKE LOOKING IN A MIRROR. 494 00:21:29,176 --> 00:21:30,978 TAKE IT FROM AN EX-HOOKER. 495 00:21:31,011 --> 00:21:32,646 PENISES ARE LIKE ROOSTERS. 496 00:21:32,680 --> 00:21:35,383 THEY ALL LOOK ALIKE WHEN THEY AREN'T CROWING. 497 00:21:35,416 --> 00:21:37,518 WHAT ABOUT NOSES? 498 00:21:39,387 --> 00:21:41,789 WHAT DO YOU WANT TO ASK ME? 499 00:21:41,822 --> 00:21:44,291 WHEN VALENTINE NEEDED A PLACE TO STAY AND A JOB, 500 00:21:44,324 --> 00:21:45,659 YOU BROUGHT HIM TO ME, 501 00:21:45,693 --> 00:21:48,195 EVEN THOUGH YOU HADN'T SEEN ME IN YEARS. 502 00:21:48,228 --> 00:21:50,398 BECAUSE I KNEW YOU'D DO ME A FAVOR. 503 00:21:50,431 --> 00:21:52,065 SO IT WASN'T BECAUSE... 504 00:21:55,035 --> 00:21:56,336 ...I WAS HIS FATHER? 505 00:21:56,370 --> 00:21:59,507 I WISH YOU WERE VAL'S FATHER. 506 00:21:59,540 --> 00:22:01,409 BUT DO THE MATH. 507 00:22:01,442 --> 00:22:04,144 I KNOW. I'VE DONE THE MATH. 508 00:22:04,177 --> 00:22:07,515 ALL THOSE TIMES I DRUNK-DIALED YOU, 509 00:22:07,548 --> 00:22:09,850 WE NEVER... DID ANYTHING? 510 00:22:12,185 --> 00:22:13,987 YOU'RE NOT VAL'S FATHER. 511 00:22:14,021 --> 00:22:15,689 YOU'RE A GOOD FRIEND 512 00:22:15,723 --> 00:22:19,627 WHO DID ME A FAVOR THAT I CAN NEVER REPAY. 513 00:22:21,228 --> 00:22:24,598 SO YOU DIDN'T PICK UP SEBASTIAN ON THE DAY HE DISAPPEARED? 514 00:22:24,632 --> 00:22:25,499 NO. 515 00:22:25,533 --> 00:22:27,768 BUT YOU DID OTHER TIMES? 516 00:22:30,203 --> 00:22:31,705 WHY DID YOU LIE ABOUT THAT? 517 00:22:31,739 --> 00:22:35,943 IF THE OTHERS KNEW, THEY'D FREAK OUT. 518 00:22:35,976 --> 00:22:37,110 BECAUSE OF LARA? 519 00:22:37,144 --> 00:22:38,345 YEAH. LARA. 520 00:22:38,378 --> 00:22:40,614 PLUS, IF THE OTHERS KNEW 521 00:22:40,648 --> 00:22:44,151 SEBASTIAN AND I WERE WRITING SONGS TOGETHER... 522 00:22:52,926 --> 00:22:54,194 WHAT DO YOU THINK? 523 00:22:54,227 --> 00:22:56,464 I THINK SEBASTIAN USED HER TO GET DRUGS. 524 00:22:56,497 --> 00:22:59,032 MINDI FIGURED IT OUT AND KILLS HIM? MM. 525 00:22:59,066 --> 00:23:01,401 SEARCHING THE BAND SPACE DIDN'T COME UP WITH ANYTHING 526 00:23:01,435 --> 00:23:02,603 WE COULD HOLD HER ON, DID IT? 527 00:23:02,636 --> 00:23:05,305 FOUND SOME WEED AND THESE. 528 00:23:05,338 --> 00:23:08,942 OXYCODONE. DR. KOBRINE'S SPECIALTY. 529 00:23:08,976 --> 00:23:10,578 MM. 530 00:23:10,611 --> 00:23:12,780 FOUND IT IN A COMMON AREA, SO NO GOOD FOR LEVERAGE. 531 00:23:12,813 --> 00:23:16,784 WELL, I'LL HOLD HER ON LYING DURING A HOMICIDE INVESTIGATION. 532 00:23:16,817 --> 00:23:18,752 THERE IS ONE MORE AVENUE WE CAN EXPLORE. 533 00:23:18,786 --> 00:23:21,388 YOU SAY THAT LIKE IT'S A BAD AVENUE. 534 00:23:21,421 --> 00:23:23,957 THE LIEUTENANT CAN TRY HIS DOUBLE-FEINT BOLO. 535 00:23:23,991 --> 00:23:25,793 WHAT'S THAT, NOW? 536 00:23:25,826 --> 00:23:28,395 A DOUBLE-FEINT BOLO? WHAT THE HELL'S THAT? 537 00:23:28,428 --> 00:23:30,464 [ SCOFFS ] YOU CALL YOURSELF A PROSECUTOR? 538 00:23:30,498 --> 00:23:32,232 TWO CROOKS, DIFFERENT OFFENSES. 539 00:23:32,265 --> 00:23:34,234 WE GET THEM TO IMPLICATE EACH OTHER. 540 00:23:34,267 --> 00:23:35,836 SOUNDS CRAZY. 541 00:23:35,869 --> 00:23:38,639 YOUR MATERIAL WITNESS IS DEAD. YOUR CASE IS DEAD. 542 00:23:38,672 --> 00:23:40,774 MR. KINES, WHAT HAVE YOU GOT TO LOSE? 543 00:23:40,808 --> 00:23:43,276 OUR LIEUTENANT INVENTED THE DOUBLE-FEINT BOLO. 544 00:23:43,310 --> 00:23:44,812 BACKSTROM -- THAT BAG OF DISASTER? 545 00:23:44,845 --> 00:23:46,680 PLEASE. HE'LL BLOW MY CASE AND YOURS. 546 00:23:46,714 --> 00:23:48,582 CUT A BROTHER A BREAK AND WALK AWAY. 547 00:23:48,616 --> 00:23:50,518 A BROTHER? UH... 548 00:23:51,519 --> 00:23:54,488 ONE YEAR AGO, YOU SHUT DOWN A WHOLE OPERATION, 549 00:23:54,522 --> 00:23:55,989 AND YOU BLAMED IT ON ME, 550 00:23:56,023 --> 00:23:58,659 SO DON'T TALK TO ME ABOUT CUTTING A BROTHER A BREAK. 551 00:23:58,692 --> 00:24:00,360 OH. 552 00:24:00,393 --> 00:24:01,695 [ DOOR SLAMS ] 553 00:24:01,729 --> 00:24:04,297 YOU'RE THAT GUY. 554 00:24:04,331 --> 00:24:05,699 YEAH. 555 00:24:07,334 --> 00:24:10,638 KOBRINE IS ON THE BACK NINE AT THE OREGONIAN COUNTRY CLUB. 556 00:24:10,671 --> 00:24:13,140 WHAT YOU DO WITH THAT INFORMATION IS YOUR BUSINESS. 557 00:24:13,173 --> 00:24:14,374 Backstrom: COMING THROUGH. 558 00:24:14,407 --> 00:24:15,509 MOVE IT OR LOSE IT. 559 00:24:15,543 --> 00:24:16,610 THERE HE IS. 560 00:24:16,644 --> 00:24:18,278 KOBRINE, WE NEED TO TALK. 561 00:24:18,311 --> 00:24:19,813 NOT WITHOUT MY LAWYER. 562 00:24:19,847 --> 00:24:21,682 THE SECOND YOU CALL YOUR LAWYER, 563 00:24:21,715 --> 00:24:24,384 WE ARE GOING TO OFFER THE BUYER OF THESE DRUGS A DEAL 564 00:24:24,417 --> 00:24:26,053 IN WHICH WE DROP POSSESSION CHARGES 565 00:24:26,086 --> 00:24:28,522 IN EXCHANGE FOR IDENTIFYING YOU AS HIS SELLER. 566 00:24:28,556 --> 00:24:30,558 WHAT BUYER? SEBASTIAN? HE'S DEAD! 567 00:24:30,591 --> 00:24:31,992 WHY DO YOU WANT A NAME? 568 00:24:32,025 --> 00:24:34,494 SO THAT YOU CAN DROP ANOTHER CUSTOMER IN THE QUARRY? 569 00:24:34,528 --> 00:24:36,129 I HAD NOTHING TO DO WITH SEBASTIAN'S DEATH! 570 00:24:36,163 --> 00:24:39,199 WHOA, WHOA, WHOA, WHOA, WHOA, WHOA, WHOA, WHOA, WHOA! 571 00:24:39,232 --> 00:24:41,168 [ SIGHS ] 572 00:24:41,201 --> 00:24:42,335 THAT WAS POLICE ENDANGERMENT. 573 00:24:42,369 --> 00:24:43,370 [ PARKING BRAKE ENGAGES ] 574 00:24:43,403 --> 00:24:46,339 GRAVELY, DRIVE THE CART BACK. 575 00:24:46,373 --> 00:24:49,710 I NEED TO TALK TO KOBRINE ALONE. 576 00:24:49,743 --> 00:24:51,545 HM. 577 00:24:51,579 --> 00:24:53,847 [ PARKING BRAKE DISENGAGES ] 578 00:24:55,683 --> 00:24:57,985 SOMEONE BOUGHT THESE FROM YOU. 579 00:24:58,018 --> 00:24:59,152 WE DON'T KNOW WHO. 580 00:24:59,186 --> 00:25:00,487 YOU NEED TO TELL US. 581 00:25:00,520 --> 00:25:03,256 WHY WOULD I INCRIMINATE MYSELF? 582 00:25:03,290 --> 00:25:07,995 SEBASTIAN WAS KILLED BY SOMEONE HE THOUGHT WAS A FRIEND. 583 00:25:08,028 --> 00:25:12,165 THAT FRIEND BOUGHT THESE FROM YOU TO GIVE TO HIM. 584 00:25:12,199 --> 00:25:13,701 THAT'S WHO WE WANT. 585 00:25:13,734 --> 00:25:15,335 I HOPE YOU GET HIM. 586 00:25:15,368 --> 00:25:17,838 SEBASTIAN WAS A MAJOR TALENT. 587 00:25:17,871 --> 00:25:19,607 OKAY. 588 00:25:21,474 --> 00:25:24,177 SEE WHAT I'M DOING RIGHT NOW? 589 00:25:24,211 --> 00:25:25,879 THAT IS HIGHLY ILLEGAL. 590 00:25:25,913 --> 00:25:28,248 LOOK AT ME. I'M BREAKING THE LAW. 591 00:25:28,281 --> 00:25:29,516 WHEE! 592 00:25:29,549 --> 00:25:31,719 SO, WHAT WERE TO HAPPEN 593 00:25:31,752 --> 00:25:36,023 IF I WERE TO MAKE THIS BAG DISAPPEAR, HUH, 594 00:25:36,056 --> 00:25:37,891 EAT ALL THESE PILLS? 595 00:25:37,925 --> 00:25:40,060 YOU'D HAVE NO WAY TO LINK ME. 596 00:25:40,093 --> 00:25:42,129 EXACTLY. 597 00:25:42,162 --> 00:25:43,396 AAH... 598 00:25:43,430 --> 00:25:45,232 OH. 599 00:25:45,265 --> 00:25:47,467 BUT YOU WANT A NAME FIRST. 600 00:25:47,500 --> 00:25:49,937 I DON'T EVEN NEED A NAME, JUST AN INDICATION. 601 00:25:49,970 --> 00:25:51,972 IT WON'T EVEN HOLD UP IN COURT. 602 00:25:52,005 --> 00:25:53,106 WHAT IF I REFUSE? 603 00:25:53,140 --> 00:25:55,442 THEN I'M GONNA TELL DISTRICT ATTORNEY KINES, 604 00:25:55,475 --> 00:25:59,379 WHO HATES YOU, THAT YOU SOLD THESE TO ME. 605 00:25:59,412 --> 00:26:02,315 THAT WOULD BE PERJURY AND BLACKMAIL. 606 00:26:02,349 --> 00:26:03,283 Man: FORE! 607 00:26:03,316 --> 00:26:04,551 YEAH. YEAH, IT WOULD. 608 00:26:04,584 --> 00:26:06,654 WHY DO YOU THINK I SENT MY PARTNER AWAY? 609 00:26:06,687 --> 00:26:07,888 [ LAUGHS ] 610 00:26:07,921 --> 00:26:09,990 I KNOW AN ADDICT WHEN I SEE ONE. 611 00:26:10,023 --> 00:26:13,160 YOU SENT YOUR PARTNER AWAY SO YOU CAN SWALLOW THESE PILLS. 612 00:26:13,193 --> 00:26:14,962 YOU SHOULD GET HELP. 613 00:26:14,995 --> 00:26:16,997 AH. 614 00:26:18,498 --> 00:26:20,634 [ CRUNCHING ] 615 00:26:22,970 --> 00:26:24,972 KOBRINE SOLD THE PILLS TO THE DRUMMER. 616 00:26:25,005 --> 00:26:26,106 HE ADMITTED THAT? 617 00:26:26,139 --> 00:26:27,307 HE DID THIS. 618 00:26:28,341 --> 00:26:30,911 STAND BACK. COMING THROUGH. 619 00:26:30,944 --> 00:26:33,613 HERE. GO ARREST THE DRUMMER. 620 00:26:33,647 --> 00:26:36,583 SOME OF THESE PILLS ARE MISSING. 621 00:26:36,616 --> 00:26:38,285 YEAH, YEAH. 622 00:26:42,856 --> 00:26:44,825 WE HAVE A SWORN STATEMENT FROM DR. ALAN KOBRINE 623 00:26:44,858 --> 00:26:49,830 IMPLICATING YOU IN THE SALE OF THIS OXYCODONE. 624 00:26:51,665 --> 00:26:52,933 I DON'T DO DRUGS. 625 00:26:52,966 --> 00:26:55,302 WHAT ARE WE HOPING FOR HERE? 626 00:26:55,335 --> 00:26:59,139 IF THIS BOY ADMITS TO BUYING DRUGS FROM KOBRINE, 627 00:26:59,172 --> 00:27:02,309 YOU WILL HAVE YOUR NEW MATERIAL WITNESS. 628 00:27:02,342 --> 00:27:04,812 DR. KOBRINE SAID YOU BOUGHT A HUNDRED PILLS 629 00:27:04,845 --> 00:27:06,146 AT $1 PER MILLIGRAM. 630 00:27:06,179 --> 00:27:08,281 DULY SWORN STATEMENT. 631 00:27:08,315 --> 00:27:09,817 DR. KOBRINE. 632 00:27:09,850 --> 00:27:11,318 I DON'T DO DRUGS. 633 00:27:11,351 --> 00:27:12,652 TAKE MY BLOOD. 634 00:27:12,686 --> 00:27:13,821 AND TAKE MY URINE AND MY BONE MARROW, 635 00:27:13,854 --> 00:27:15,823 AND THEN DO THE SAME WITH MINDI, 636 00:27:15,856 --> 00:27:17,925 AND THEN SEE WHO USES DRUGS. 637 00:27:25,232 --> 00:27:27,367 [ TAPPING RHYTHMICALLY ] 638 00:27:30,370 --> 00:27:31,905 ALL DRUMMERS DO DRUGS. 639 00:27:31,939 --> 00:27:34,174 HOW ELSE CAN THEY MAKE IT LOOK LIKE 640 00:27:34,207 --> 00:27:37,878 THEIR ARMS AND THEIR LEGS BELONG TO DIFFERENT PEOPLE? 641 00:27:39,679 --> 00:27:40,814 IS BACKSTROM DRUNK? 642 00:27:40,848 --> 00:27:44,918 I PROMISE YOU... HE IS NOT DRUNK. 643 00:27:44,952 --> 00:27:45,986 I'M YOU. 644 00:27:46,019 --> 00:27:50,123 I DON'T DO DRUGS. I'M REFORMED. 645 00:27:52,860 --> 00:27:54,194 WHO AM I AGAIN? 646 00:27:54,227 --> 00:27:55,428 HIM. YOU'RE HIM. 647 00:27:55,462 --> 00:27:57,330 I'M MINDI. 648 00:27:57,364 --> 00:27:59,599 NOW I'M MINDI. 649 00:27:59,632 --> 00:28:01,334 I'M MINDI. 650 00:28:01,368 --> 00:28:05,939 I THINK THAT SEBASTIAN WANTS ME TO WRITE SONGS WITH HIM. 651 00:28:05,973 --> 00:28:11,444 BUT, NO, HE JUST WANTS ME TO BRING HIM DRUGS INTO REHAB. 652 00:28:11,478 --> 00:28:12,579 MINDI? 653 00:28:12,612 --> 00:28:15,015 THAT'S GOT NOTHING TO DO WITH ME. 654 00:28:15,048 --> 00:28:16,884 I'M MINDI. 655 00:28:16,917 --> 00:28:20,020 THE DRUGS I GAVE SEBASTIAN I GOT FROM YOU. 656 00:28:20,053 --> 00:28:20,921 WHAT? 657 00:28:20,954 --> 00:28:23,223 HE'S PRETENDING TO BE MINDI 658 00:28:23,256 --> 00:28:24,624 SELLING YOU DRUGS. 659 00:28:24,657 --> 00:28:26,459 I DON'T DO DRUGS. 660 00:28:26,493 --> 00:28:28,295 I DON'T DO DRUGS. 661 00:28:30,130 --> 00:28:31,799 SEEMS LIKE HE MIGHT BE ON DRUGS. 662 00:28:31,832 --> 00:28:34,134 THE LIEUTENANT LIKES TO PRETEND HE'S A LOT OF THINGS 663 00:28:34,167 --> 00:28:36,369 [CHUCKLES] TO GET THE ANSWERS HE NEEDS. 664 00:28:36,403 --> 00:28:39,106 MM-HMM. 665 00:28:39,139 --> 00:28:40,107 I'M YOU. 666 00:28:40,140 --> 00:28:43,210 I PICK UP SEBASTIAN IN MY VAN... 667 00:28:43,243 --> 00:28:46,746 AND I DRIVE HIM TO THE QUARRY... 668 00:28:46,780 --> 00:28:48,581 WHERE I KILL HIM, 669 00:28:48,615 --> 00:28:50,818 'CAUSE I DON'T WANT HIM TO TELL ME -- 670 00:28:50,851 --> 00:28:52,152 ME, THE COPS -- 671 00:28:52,185 --> 00:28:53,453 THAT I -- YOU -- 672 00:28:53,486 --> 00:28:55,088 AM HER -- 673 00:28:55,122 --> 00:28:59,960 MINDI'S -- DRUG SUPPLIER, 674 00:28:59,993 --> 00:29:01,795 SUPPLIER OF DRUGS. 675 00:29:01,829 --> 00:29:03,430 NO WAY IN THE WORLD THE JURY FOLLOWS THAT. 676 00:29:03,463 --> 00:29:04,965 I PICKED HIM UP IN THE VAN? 677 00:29:04,998 --> 00:29:06,133 I CAN'T EVEN DRIVE. 678 00:29:06,166 --> 00:29:08,401 I CAN'T DRIVE, OR I WON'T DRIVE? 679 00:29:08,435 --> 00:29:09,436 I CAN'T DRIVE. 680 00:29:09,469 --> 00:29:10,637 OR I WON'T DRIVE? 681 00:29:10,670 --> 00:29:12,472 I CAN'T DRIVE! I HAVE A DRIVING PHOBIA! 682 00:29:12,505 --> 00:29:13,573 OKAY. 683 00:29:13,606 --> 00:29:15,242 I CAN'T GET BEHIND THE WHEEL! 684 00:29:15,275 --> 00:29:17,644 I-I CAN'T BREATHE. I FEEL LIKE I'M DYING. 685 00:29:17,677 --> 00:29:19,612 TO EVEN GET THE PILLS FROM DR. KOBRINE, 686 00:29:19,646 --> 00:29:20,747 I HAD TO TAKE THE BUS. 687 00:29:20,780 --> 00:29:22,249 WHAT DID HE JUST SAY? 688 00:29:22,282 --> 00:29:25,252 WHAT HE JUST SAID IS WE DO NOT HAVE OUR MURDERER. 689 00:29:25,285 --> 00:29:29,322 HE JUST NAMED KOBRINE. I GOT MY MATERIAL WITNESS. 690 00:29:29,356 --> 00:29:30,357 HIGH FIVE. 691 00:29:32,225 --> 00:29:33,526 YEAH, OKAY. 692 00:29:36,864 --> 00:29:39,332 IS THAT WHAT YOU CALL A SINGLE-FEINT BOLO? 693 00:29:39,366 --> 00:29:41,768 [ KNOCK ON DOOR ] 694 00:29:41,801 --> 00:29:43,270 [ DOOR OPENS ] 695 00:29:43,303 --> 00:29:46,039 LIEUTENANT? 696 00:29:47,841 --> 00:29:50,777 I JUST GOT A CALL FROM ONE OF MY BUDDIES ON PATROL. 697 00:29:50,810 --> 00:29:54,347 GREGORY VALENTINE GOT BEAT UP PRETTY BAD. 698 00:30:00,187 --> 00:30:01,955 NOBODY'S MAKING A STATEMENT, 699 00:30:01,989 --> 00:30:04,992 BUT IT'S OBVIOUS THAT THE BOYS GOT A JUMP ON VALENTINE. 700 00:30:05,025 --> 00:30:08,028 HE FOUGHT BACK, BUT... 701 00:30:08,061 --> 00:30:11,531 THE GUY HE GOT A PIECE OF WAS DANTE TRIPPI. 702 00:30:13,366 --> 00:30:17,004 GIVE THE LIEUTENANT A MINUTE, PLEASE. 703 00:30:18,705 --> 00:30:20,207 WHAT HAPPENED? 704 00:30:20,240 --> 00:30:23,977 WHAT I SAID. I GOT SCHOOLED. 705 00:30:24,011 --> 00:30:27,280 I GOT CAUGHT POACHING ON TRIPPI'S TURF. 706 00:30:29,082 --> 00:30:31,818 WORST PART IS I FOUGHT BACK. 707 00:30:31,851 --> 00:30:35,822 I KICKED DANTE TRIPPI IN THE JAW AND BUSTED IT, 708 00:30:35,855 --> 00:30:37,190 MADE HIM BITE THROUGH HIS TONGUE. 709 00:30:37,224 --> 00:30:39,492 SO I GUESS I HAVE TO CHANGE MY NAME 710 00:30:39,526 --> 00:30:40,928 AND MOVE TO CANADA NOW, HUH? 711 00:30:40,961 --> 00:30:42,595 I'M A DEAD MAN. 712 00:30:44,631 --> 00:30:46,499 IT'S NOT EVEN GONNA BE NICE CANADA, 713 00:30:46,533 --> 00:30:47,667 YOU KNOW, LIKE VANCOUVER. 714 00:30:47,700 --> 00:30:49,336 IT'S GONNA BE PROBABLY SOME HELLHOLE 715 00:30:49,369 --> 00:30:51,404 THAT JUSTIN BIEBER CRAWLED OUT OF. 716 00:30:58,045 --> 00:31:00,180 I'M CRYING OUT OF SHOCK, 717 00:31:00,213 --> 00:31:03,050 NOT 'CAUSE I'M A WIMP, OKAY? 718 00:31:08,388 --> 00:31:10,823 I NEED A MOMENT. 719 00:31:23,736 --> 00:31:26,873 I KNOW WHO YOU ARE, MR. TRIPPI. 720 00:31:26,906 --> 00:31:29,742 I KNOW YOU'RE KIND OF A BIG DEAL ON THE STREETS. 721 00:31:29,776 --> 00:31:31,478 YOU MAY NOT KNOW WHO I AM. 722 00:31:31,511 --> 00:31:34,247 MY NAME IS LIEUTENANT EVERETT BACKSTROM. 723 00:31:34,281 --> 00:31:38,818 GREGORY VALENTINE, THE KID YOU BEAT UP -- 724 00:31:38,851 --> 00:31:41,321 HE'S FAMILY. 725 00:31:41,354 --> 00:31:44,424 [ SCREAMS ] 726 00:31:48,028 --> 00:31:50,964 ANYTHING HAPPENS TO HIM, YOU'RE DEAD. 727 00:31:50,998 --> 00:31:53,666 I KNOW YOU HAVE PEOPLE. 728 00:31:53,700 --> 00:31:54,968 I HAVE PEOPLE, TOO! 729 00:31:55,002 --> 00:31:57,504 [ SCREAMS ] 730 00:31:57,537 --> 00:32:02,409 DO YOU UNDERSTAND EVERY WORD I'VE JUST SAID?! 731 00:32:02,442 --> 00:32:04,511 [ GROANS ] 732 00:32:04,544 --> 00:32:07,747 [ Muffled ] YEAH. 733 00:32:07,780 --> 00:32:09,749 [ SOBS ] 734 00:32:09,782 --> 00:32:11,551 [ BREATHING HEAVILY ] 735 00:32:14,154 --> 00:32:17,357 YOU'RE NOT USUALLY THAT BRAVE, NO OFFENSE. 736 00:32:17,390 --> 00:32:20,093 I'M COMING DOWN OFF OXYCODONE. 737 00:32:20,127 --> 00:32:22,829 WHICH IS WHY, WHEN IT COMES TO DRUGS, 738 00:32:22,862 --> 00:32:27,134 I ALWAYS SAY... JUST SAY NO. 739 00:32:27,167 --> 00:32:30,170 I HEARD YOU SAY VALENTINE WAS FAMILY. 740 00:32:30,203 --> 00:32:33,806 YOU'VE BEEN WONDERING IF MAYBE HE'S YOUR SON? 741 00:32:33,840 --> 00:32:36,943 I GOT A SON -- DARIUS, 10 YEARS OLD. 742 00:32:36,976 --> 00:32:39,779 HE LIVES UP WITH HIS MOM IN WENATCHEE. 743 00:32:39,812 --> 00:32:40,980 I'D KILL FOR HIM. 744 00:32:41,014 --> 00:32:42,982 DARIUS IS THE MAIN REASON 745 00:32:43,016 --> 00:32:46,486 I WANT TO BE OUT OF UNIFORM AND IN THE PLAINCLOTHES, 746 00:32:46,519 --> 00:32:50,123 TO LET HIM KNOW THAT MOTOS GOT WHAT IT TAKES TO SUCCEED, 747 00:32:50,157 --> 00:32:54,194 PROVE TO HIM THAT HE CAN BE PROUD OF HIS DADDY. 748 00:32:56,029 --> 00:32:59,966 VALENTINE IS MY ROOMMATE. THAT'S IT. 749 00:32:59,999 --> 00:33:02,001 STOP TALKING TO ME. 750 00:33:02,035 --> 00:33:04,171 YES, SIR, BUT IF HE'S NOT YOUR SON, 751 00:33:04,204 --> 00:33:05,805 YOU GOT TO CUT HIM LOOSE. 752 00:33:05,838 --> 00:33:08,175 WHY? 753 00:33:08,208 --> 00:33:09,642 VALENTINE'S A CROOK. 754 00:33:09,676 --> 00:33:12,879 HE DRAGGED YOU IN THIS MESS WITH DANTE TRIPPI. 755 00:33:12,912 --> 00:33:15,482 NOW, IF HE'S FAMILY, THAT'S ONE THING, 756 00:33:15,515 --> 00:33:17,084 BUT IF HE'S NOT, 757 00:33:17,117 --> 00:33:19,419 THEN YOU'RE GIVING THIS BOY A FALSE SENSE OF SECURITY 758 00:33:19,452 --> 00:33:21,688 THAT'S GOING TO KILL HIM OR RUIN YOU, 759 00:33:21,721 --> 00:33:23,756 WHICHEVER ONE COMES FIRST. 760 00:33:23,790 --> 00:33:27,360 IT'S BETTER FOR EVERYBODY IF YOU CUT HIM LOOSE. 761 00:33:31,064 --> 00:33:32,699 [ DOOR CLOSES ] 762 00:33:36,269 --> 00:33:38,871 [ GASPS ] MAYBE THE MURDER WAS A GROUP EFFORT. 763 00:33:38,905 --> 00:33:40,407 RECHECK EVERYBODY'S ALIBIS. 764 00:33:40,440 --> 00:33:42,275 ESPECIALLY WHERE ONE BAND MEMBER 765 00:33:42,309 --> 00:33:44,344 IS ANOTHER BAND MEMBER'S ALIBI. 766 00:33:44,377 --> 00:33:45,011 WHY? 767 00:33:45,044 --> 00:33:46,713 HOW'S VALENTINE? 768 00:33:46,746 --> 00:33:48,181 HE GOT WHAT HE DESERVED. 769 00:33:48,215 --> 00:33:51,017 WHY ARE YOU RECHECKING ALIBIS? 770 00:33:51,050 --> 00:33:52,185 BECAUSE AS IT TURNS OUT, 771 00:33:52,219 --> 00:33:53,753 EVERYONE IN THE BAND HATED SEBASTIAN. 772 00:33:53,786 --> 00:33:56,556 ONLY LARA HAUSBERG WAS PERSONALLY SORRY THAT HE'S GONE. 773 00:33:56,589 --> 00:33:58,125 WHAT'S THIS? 774 00:33:58,158 --> 00:34:00,527 OH, THAT'S JUST NIEDERMAYER'S LITTLE GAME, 775 00:34:00,560 --> 00:34:01,794 NOT TO BE TAKEN SERIOUS. 776 00:34:01,828 --> 00:34:03,463 NO, THIS IS GOOD. 777 00:34:03,496 --> 00:34:07,967 EVERYONE IN THE BAND HATED SEBASTIAN, 778 00:34:08,000 --> 00:34:11,538 JUST LIKE ALL OF YOU HATE ME. 779 00:34:11,571 --> 00:34:14,006 I LIKE YOU, SIR. SHUT UP, NIEDERMAYER. 780 00:34:15,575 --> 00:34:18,278 YEAH, NIEDERMAYER'S STUPID LITTLE EXPERIMENT 781 00:34:18,311 --> 00:34:19,879 JUST MIGHT BE THE ANSWER. 782 00:34:19,912 --> 00:34:22,549 ONE OF YOU KILLED ME. 783 00:34:22,582 --> 00:34:24,317 WHICH ONE? 784 00:34:26,919 --> 00:34:29,656 GET THE BAND TOGETHER. LET'S GO. 785 00:34:29,689 --> 00:34:30,957 WE ALL GO? 786 00:34:30,990 --> 00:34:34,261 NO ONE IS ABOVE SUSPICION, PAQUET. 787 00:34:43,203 --> 00:34:46,173 NONE OF YOU LIKED SEBASTIAN SERAFIAN, 788 00:34:46,206 --> 00:34:48,641 BUT YOU ALL NEEDED HIM. 789 00:34:48,675 --> 00:34:52,579 I'M YOU. 790 00:34:52,612 --> 00:34:56,349 I'M THE GLUE THAT HOLDS THE BAND TOGETHER 791 00:34:56,383 --> 00:34:59,319 WHILE SEBASTIAN PULLS EVERYTHING APART. 792 00:34:59,352 --> 00:35:02,622 I'D NEVER CALL MYSELF GLUE. 793 00:35:02,655 --> 00:35:03,956 I'M YOU. 794 00:35:03,990 --> 00:35:07,327 I LOVE SEBASTIAN. 795 00:35:07,360 --> 00:35:09,196 THAT DIDN'T STOP ME FROM BEING JEALOUS 796 00:35:09,229 --> 00:35:11,964 THAT HIS RAW TALENT TRUMPS MY BRAINS. 797 00:35:11,998 --> 00:35:13,600 TO BE CLEAR, "NO" ON THE LOVE, 798 00:35:13,633 --> 00:35:15,935 "MAYBE" ON THE JEALOUSY. [ CHUCKLES ] 799 00:35:15,968 --> 00:35:17,870 I'M YOU. 800 00:35:17,904 --> 00:35:21,608 I JUST CAN'T UNDERSTAND WHY SEBASTIAN CAN'T DO HIS WORK 801 00:35:21,641 --> 00:35:24,177 WITHOUT BEING SO AWFUL TO EVERYBODY. 802 00:35:24,211 --> 00:35:26,213 I'M TOTALLY ON BOARD WITH THAT. 803 00:35:29,682 --> 00:35:31,618 I'M YOU. 804 00:35:31,651 --> 00:35:34,354 I RESENT SEBASTIAN. 805 00:35:34,387 --> 00:35:36,823 I'M GONNA SUCK UP TO HIM IN ORDER TO IMPRESS MY KID. 806 00:35:36,856 --> 00:35:40,126 NOTHING WRONG WITH WANTING TO BE SOMETHING TO YOUR KID. 807 00:35:40,159 --> 00:35:42,695 Borden: ANYONE WHO THINKS WE NEED A LAWYER, 808 00:35:42,729 --> 00:35:43,563 RAISE YOUR HAND. 809 00:35:43,596 --> 00:35:45,332 YEAH. AMENDMENT TO THE FORGOING, 810 00:35:45,365 --> 00:35:47,734 WHO THINKS WE SHOULD SAY NOTHING UNTIL WE HAVE THAT LAWYER? 811 00:35:47,767 --> 00:35:48,701 YEAH. DEFINITELY. 812 00:35:48,735 --> 00:35:51,738 NIEDERMAYER... 813 00:35:51,771 --> 00:35:56,543 HOW MUCH DO EAGLES HATE BEING BOSSED AROUND BY MOUNTAIN LIONS? 814 00:35:58,411 --> 00:36:03,182 EAGLES ARE VISIONARY CREATORS. 815 00:36:03,216 --> 00:36:04,984 EVERYBODY KNOWS I LIKED SEBASTIAN. 816 00:36:05,017 --> 00:36:05,985 I TOLD HIM. 817 00:36:06,018 --> 00:36:07,654 I TOLD EVERYONE. 818 00:36:07,687 --> 00:36:10,690 WHAT? 819 00:36:10,723 --> 00:36:11,991 Backstrom: I'M YOU. 820 00:36:12,024 --> 00:36:14,994 I'M A VISIONARY. I'M A CREATOR. 821 00:36:15,027 --> 00:36:18,164 BUT WITH SEBASTIAN OUT OF THE WAY, 822 00:36:18,197 --> 00:36:21,334 I'M NEXT IN LINE TO BE THE LEADER. 823 00:36:21,368 --> 00:36:22,402 WE DON'T HAVE A LEADER. 824 00:36:22,435 --> 00:36:23,836 WE'RE A COLLECTIVE. 825 00:36:23,870 --> 00:36:25,272 I'M YOU. 826 00:36:25,305 --> 00:36:29,742 I'M NOT AS TALL AS SEBASTIAN OR AS CHARISMATIC. 827 00:36:29,776 --> 00:36:32,579 YOU MUST REALLY RESENT ME. 828 00:36:33,546 --> 00:36:36,215 BUT I KNOW WHAT TO DO WHEN HE CALLS. 829 00:36:36,249 --> 00:36:38,451 I DRIVE HIM UP TO THE QUARRY. 830 00:36:38,485 --> 00:36:41,020 I PLY HIM WITH THE DRUGS 831 00:36:41,053 --> 00:36:44,457 HE LOVES MORE THAN ANYTHING ELSE. 832 00:36:44,491 --> 00:36:48,261 SOMEHOW, HE STAYS CONSCIOUS. 833 00:36:49,228 --> 00:36:51,163 SO I USE A GUITAR STRING... 834 00:36:52,164 --> 00:36:53,800 ...TO CHOKE HIM. 835 00:36:53,833 --> 00:36:58,305 WHEN HE'S UNCONSCIOUS, I DUMP HIM IN THE QUARRY. 836 00:36:58,338 --> 00:37:00,473 DO YOU HAVE PICTURES TO GO ALONG WITH THAT STORY? 837 00:37:00,507 --> 00:37:02,008 Niedermayer: LIEUTENANT. 838 00:37:03,576 --> 00:37:04,544 WHAT? 839 00:37:04,577 --> 00:37:07,847 LACERATIONS ON THE KILLER'S HANDS. 840 00:37:10,750 --> 00:37:12,985 Man: SHOW HIM -- SHOW HIM YOUR HANDS, DREW. 841 00:37:13,019 --> 00:37:14,321 Man #2: SHOW HIM YOUR HANDS! NO. 842 00:37:14,354 --> 00:37:17,324 SHOW HIM YOUR HANDS. IT'S A COLLECTIVE. 843 00:37:17,357 --> 00:37:18,825 SHOW HIM YOUR HANDS, DREW! 844 00:37:18,858 --> 00:37:19,826 HEY, HEY, HEY, HEY. 845 00:37:19,859 --> 00:37:21,093 BACK UP, BACK UP! 846 00:37:21,127 --> 00:37:22,495 Almond: RELAX. 847 00:37:25,832 --> 00:37:26,933 LET'S GO. 848 00:37:26,966 --> 00:37:28,968 [ HANDCUFFS CLICK ] 849 00:37:30,603 --> 00:37:36,609 HEY, THAT, UH, WITNESS YOU GAVE ME TURNED ON KOBRINE. 850 00:37:36,643 --> 00:37:40,447 CAN I SAY THANKS, BUY YOU A DRINK? 851 00:37:40,480 --> 00:37:42,982 NOT IN A MILLION YEARS. 852 00:37:43,015 --> 00:37:44,451 YOU'RE MAD AT THE WRONG GUY. 853 00:37:44,484 --> 00:37:46,185 I WAS UNDERCOVER AS A CALL GIRL. 854 00:37:46,218 --> 00:37:47,520 I BUSTED 24 JOHNS. 855 00:37:47,554 --> 00:37:49,021 ON THE 25th JOHN, THE CAMERAS WENT DARK, 856 00:37:49,055 --> 00:37:51,824 AND THE MICROPHONES WENT OFF, AND YOU BLAMED ME. 857 00:37:51,858 --> 00:37:52,992 THAT'S NOT TRUE. 858 00:37:53,025 --> 00:37:54,461 OKAY, WELL, THEN, WHO WAS IT? 859 00:37:54,494 --> 00:37:56,162 WHO WAS IT WHO REALIZED THAT WE HAD A FISH IN OUR NET 860 00:37:56,195 --> 00:37:57,296 THAT WE DIDN'T WANT? 861 00:37:57,330 --> 00:37:58,531 WHO REALLY PULLED THE PLUG? 862 00:37:58,565 --> 00:37:59,499 NOT ME. 863 00:37:59,532 --> 00:38:00,967 YOU KNOW, IF IT WASN'T YOU, 864 00:38:01,000 --> 00:38:03,836 THEN YOU STAYED QUIET AND LET THE RUMOR SPREAD. 865 00:38:03,870 --> 00:38:07,173 24 INDICTMENTS WERE DROPPED, AND YOU LET ME TAKE THE BLAME. 866 00:38:07,206 --> 00:38:08,641 THAT PART IS TRUE, 867 00:38:08,675 --> 00:38:10,677 BUT MAYBE I STOPPED SOMETHING WORSE FROM HAPPENING. 868 00:38:11,844 --> 00:38:15,648 YOU SHOULD HAVE A DRINK WITH ME SOMETIME. 869 00:38:15,682 --> 00:38:17,650 I DESERVE IT. 870 00:38:22,522 --> 00:38:25,458 HONEY, I'M HOME. 871 00:38:25,492 --> 00:38:27,494 DOCTOR SAYS THAT [SNIFFS] 872 00:38:27,527 --> 00:38:31,564 YOU'RE GONNA HAVE TO WAIT ON ME HAND AND FOOT UNTI-- 873 00:38:33,400 --> 00:38:35,334 WHAT THE HELL? 874 00:38:37,370 --> 00:38:38,571 HI, VAL. 875 00:38:38,605 --> 00:38:43,810 MY NAME IS GREGORY VALENTINE. 876 00:38:43,843 --> 00:38:46,879 WHAT IS HAPPENING? 877 00:38:50,917 --> 00:38:53,352 YOUR MOTHER'S HERE TO TAKE YOU HOME. 878 00:38:55,187 --> 00:38:57,657 YOU'RE KICKING ME OUT? 879 00:38:57,690 --> 00:38:59,091 REALLY? 880 00:38:59,125 --> 00:39:01,828 HEY, IF THIS IS ABOUT WHAT HAPPENED WITH YOU AND TRIPPI, 881 00:39:01,861 --> 00:39:03,730 I DIDN'T ASK YOU TO GO MEDIEVAL ON HIM. 882 00:39:03,763 --> 00:39:07,066 NO. YOU'RE A CROOK, I'M A COP. 883 00:39:07,099 --> 00:39:08,167 YOU'RE GAY, I'M STRAIGHT. 884 00:39:08,200 --> 00:39:09,536 IT'S NOT GONNA WORK. YEAH, RIGHT. 885 00:39:09,569 --> 00:39:12,605 THAT'S FUNNY, 'CAUSE IT WORKED FOR SEVEN YEARS. 886 00:39:12,639 --> 00:39:15,942 EVERETT'S KICKING YOU OUT BECAUSE HE'S DISAPPOINTED 887 00:39:15,975 --> 00:39:17,376 THAT YOU'RE NOT HIS SON. 888 00:39:17,410 --> 00:39:18,611 DISAPPOINTED? NO. 889 00:39:18,645 --> 00:39:20,447 COME ON. I'M ECSTATIC. 890 00:39:20,480 --> 00:39:22,014 YOU THOUGHT I WAS YOUR SON? 891 00:39:22,048 --> 00:39:23,349 NO -- 892 00:39:23,382 --> 00:39:25,618 WELL, YOUR PENIS. WHAT? 893 00:39:25,652 --> 00:39:28,721 YOU CAN COME LIVE WITH ME UNTIL YOU FIND A PLACE. 894 00:39:28,755 --> 00:39:29,922 [ SIGHS ] 895 00:39:29,956 --> 00:39:33,626 NO, NO. I WOULDN'T DO THAT TO YOU. 896 00:39:33,660 --> 00:39:34,927 WHAT WOULD YOUR PRIEST SAY 897 00:39:34,961 --> 00:39:37,096 ABOUT A SODOMITE MOVING IN WITH YOU? 898 00:39:37,129 --> 00:39:38,698 WHO CARES WHAT HE SAYS? 899 00:39:38,731 --> 00:39:42,802 ALL OUR PROBLEMS ARE BECAUSE I HATE THAT YOU'RE A THIEF. 900 00:39:42,835 --> 00:39:44,303 THAT'S RIGHT. I AM. 901 00:39:44,336 --> 00:39:47,206 AND EVERYTHING NICE IN THIS PLACE IS STOLEN, 902 00:39:47,239 --> 00:39:50,743 SO I GOES, IT GOES, INCLUDING YOUR PRECIOUS CHAIR! 903 00:39:50,777 --> 00:39:52,144 I'LL BUY THE CHAIR OFF YOU. 904 00:39:52,178 --> 00:39:54,046 YOU CAN'T AFFORD THAT CHAIR. 905 00:39:54,080 --> 00:39:56,749 I CAN'T AFFORD THE CHAIR? NO. WITH WHAT, YOUR HOOKER AND CIGAR MONEY? 906 00:39:56,783 --> 00:39:58,951 I CAN'T AFFORD A $300 -- YOU HAVE NO IDEA! 907 00:39:58,985 --> 00:40:00,587 HEY! 908 00:40:04,356 --> 00:40:05,858 YOU'RE BROTHERS. 909 00:40:07,860 --> 00:40:09,496 HALF BROTHERS. 910 00:40:13,032 --> 00:40:15,635 [ CLEARS THROAT ] 911 00:40:15,668 --> 00:40:18,638 UM, I'M ASSUMING... 912 00:40:18,671 --> 00:40:23,676 SAME FATHER, DIFFERENT MOTHER. 913 00:40:23,710 --> 00:40:26,445 EVERETT AND I ARE PRACTICALLY THE SAME AGE. 914 00:40:26,479 --> 00:40:27,647 REALLY? 915 00:40:27,680 --> 00:40:31,117 YOU HAD SEX WITH MY FATHER. 916 00:40:31,150 --> 00:40:34,153 YOU HAD SEX WITH MY MOTHER. 917 00:40:34,186 --> 00:40:35,421 SHE WAS REALLY HOT. 918 00:40:35,454 --> 00:40:37,289 SHE STILL IS. SHUT UP. 919 00:40:37,323 --> 00:40:39,526 THIS IS REALLY WEIRD. 920 00:40:41,360 --> 00:40:43,996 AH... 921 00:40:44,030 --> 00:40:45,965 OKAY. 922 00:40:45,998 --> 00:40:49,536 MY DAD HATES ME, AND I'M A STRAIGHT COP. 923 00:40:49,569 --> 00:40:53,272 IMAGINE HOW HE'S GONNA FEEL ABOUT YOU -- 924 00:40:53,305 --> 00:40:56,308 GAY GOTH CRIME WIZARD. 925 00:40:56,342 --> 00:40:58,477 THERE'S NO REASON FOR VAL TO -- 926 00:40:58,511 --> 00:41:02,682 GREGORY TO HAVE BLUE IN HIS LIFE. 927 00:41:04,350 --> 00:41:07,019 [ BREATHES DEEPLY ] 928 00:41:07,053 --> 00:41:08,688 YOU'RE SERIOUS? 929 00:41:08,721 --> 00:41:11,323 BACKSTROM'S MY BROTHER? 930 00:41:11,357 --> 00:41:12,959 I WILL TELL YOU ONE THING -- 931 00:41:12,992 --> 00:41:15,628 THIS DOES EXPLAIN WHY YOU HAVE NEVER BEEN 932 00:41:15,662 --> 00:41:17,496 SEXUALLY ATTRACTED TO ME. 933 00:41:17,530 --> 00:41:18,698 GENETICS. 934 00:41:18,731 --> 00:41:21,634 YES. THAT EXPLAINS IT. 935 00:41:21,668 --> 00:41:24,904 THAT MUST BE IT. MYSTERY OF THE AGES SOLVED. 936 00:41:24,937 --> 00:41:27,006 [ SIGHS ] 937 00:41:27,039 --> 00:41:29,709 YOU'VE ALWAYS BEEN GOOD FOR EACH OTHER. 938 00:41:37,049 --> 00:41:39,218 NOW YOU KNOW WHY. 939 00:41:39,251 --> 00:41:42,421 [ JOSEPH'S "COME IN CLOSE" PLAYS ] 940 00:41:42,454 --> 00:41:44,991 * MY, I'M COLD 941 00:41:45,024 --> 00:41:47,326 * SO COLD I FEEL 942 00:41:47,359 --> 00:41:50,162 * SEE THE BREATH FROM MY LUNGS 943 00:41:50,196 --> 00:41:51,330 * THERE IT IS, BLUE 944 00:41:51,363 --> 00:41:52,699 [ DOOR OPENS, CLOSES ] 945 00:41:52,732 --> 00:41:55,868 WELL, YOU CAN STAY HERE UNTIL YOU FIND 946 00:41:55,902 --> 00:41:58,838 SOMEPLACE PERMANENT, I GUESS. 947 00:41:58,871 --> 00:42:00,707 [ SIGHS ] 948 00:42:03,876 --> 00:42:05,745 * THE NIGHT IS DARK 949 00:42:05,778 --> 00:42:07,046 * MY SKIN IS DOOMED 950 00:42:07,079 --> 00:42:09,682 HEY, UH, I DON'T HAVE TO PAY RENT NOW, 951 00:42:09,716 --> 00:42:12,184 YOU KNOW, THAT WE'RE BROTHERS, RIGHT? 952 00:42:12,218 --> 00:42:13,920 HALF BROTHERS. 953 00:42:13,953 --> 00:42:16,889 HALF BROTHERS, HALF THE RENT. 954 00:42:20,760 --> 00:42:21,994 OKAY. 955 00:42:25,598 --> 00:42:27,900 * HERE, COME IN CLOSE 956 00:42:27,934 --> 00:42:31,303 * WEAR ME LIKE A WINTER JACKET * 957 00:42:31,337 --> 00:42:36,308 * WHAT DO WE KNOW BUT THIS, THIS? * 958 00:42:36,342 --> 00:42:38,645 * HOLD OUT YOUR HANDS 959 00:42:38,678 --> 00:42:41,648 * I'LL BREATHE ON THEM AND PLACE MINE OVER * 960 00:42:41,681 --> 00:42:46,318 * WHAT DO WE HAVE BUT THIS? 961 00:43:19,485 --> 00:43:22,154 WHAT'S THAT MEAN?