1 00:00:02,791 --> 00:00:04,493 EVIL IS SEDUCTIVE... 2 00:00:04,526 --> 00:00:05,894 Woman: MM. 3 00:00:05,927 --> 00:00:07,996 ...BECAUSE SATAN IS CLEVER. 4 00:00:08,029 --> 00:00:09,030 Man: YES. 5 00:00:09,064 --> 00:00:11,600 TEMPTATION IS BEAUTIFUL. 6 00:00:11,633 --> 00:00:13,602 THAT'S WHAT MAKES IT TEMPTING. 7 00:00:13,635 --> 00:00:15,437 [ LAUGHTER ] 8 00:00:15,470 --> 00:00:19,441 IN ORDER TO TEMPT US, THE DEVIL DRESSES EVIL UP, 9 00:00:19,474 --> 00:00:20,775 MAKES IT LOOK GOOD. 10 00:00:20,809 --> 00:00:21,743 YES, HE DOES. 11 00:00:21,776 --> 00:00:25,214 EVIL SPARKLES, SHINES... 12 00:00:25,247 --> 00:00:26,248 YEAH. 13 00:00:26,281 --> 00:00:27,882 ...WHILE GOOD... 14 00:00:27,916 --> 00:00:29,218 UH-OH. HERE WE GO. 15 00:00:29,251 --> 00:00:30,352 [ INDISTINCT CONVERSATIONS ] 16 00:00:30,385 --> 00:00:31,353 NOT AGAIN. 17 00:00:31,386 --> 00:00:33,555 ...AVOIDS THE SPOTLIGHT. 18 00:00:33,588 --> 00:00:34,923 [ CHUCKLES ] 19 00:00:34,956 --> 00:00:37,226 DID YOU FORGET TO PAY YOUR POWER BILL, 20 00:00:37,259 --> 00:00:38,760 DETECTIVE PASTOR ALMOND? 21 00:00:38,793 --> 00:00:40,762 GOOD WILL ALWAYS FIND THE LIGHT. 22 00:00:40,795 --> 00:00:42,364 All: AMEN. 23 00:00:42,397 --> 00:00:44,299 AND I THANK YOU FOR THAT. 24 00:00:56,911 --> 00:00:58,280 THAT IS... 25 00:00:59,181 --> 00:01:00,315 STOLEN PROPERTY. 26 00:01:00,349 --> 00:01:01,883 NO, IT'S NOT. 27 00:01:01,916 --> 00:01:04,786 20 BUCKS SAYS YOU CAN'T UNLOAD THAT BRONZE OTTER. 28 00:01:04,819 --> 00:01:07,389 DEAL. I CAN UNLOAD ANYTHING. 29 00:01:07,422 --> 00:01:09,291 UH-HUH. 30 00:01:09,324 --> 00:01:13,395 PORTLAND POLICE BUREAU ALERTS -- BRONZE OTTER. 31 00:01:13,428 --> 00:01:15,297 BRONZE OTTER STATUE -- 32 00:01:15,330 --> 00:01:17,832 "ICONIC BRONZE OTTER STATUE 33 00:01:17,866 --> 00:01:20,635 STOLEN FROM PORTLAND'S WORLD-FAMOUS 34 00:01:20,669 --> 00:01:22,337 'ANIMALS IN THE POND.'" 35 00:01:22,371 --> 00:01:24,673 DAMN IT. HOW COULD I NOT HAVE KNOWN THAT? 36 00:01:24,706 --> 00:01:26,341 COME ON. 37 00:01:26,375 --> 00:01:27,376 OH. 38 00:01:28,677 --> 00:01:29,844 TALK TOO MUCH. 39 00:01:29,878 --> 00:01:31,246 [ LAPTOP BEEPS ] 40 00:01:31,280 --> 00:01:32,514 PBBBHT. 41 00:01:45,827 --> 00:01:47,529 I NEED YOU TO DRIVE ME TO WORK. 42 00:01:47,562 --> 00:01:49,264 WHY? WHAT'S WRONG? 43 00:01:49,298 --> 00:01:50,332 HE'S BACK. 44 00:01:50,365 --> 00:01:52,167 WHO'S BACK? 45 00:01:52,201 --> 00:01:53,502 [ CELLPHONE BEEPS, RINGING ] 46 00:01:53,535 --> 00:01:56,438 HEY, GET EVERYONE IN -- NOW. 47 00:01:56,471 --> 00:01:58,707 NO, I KNOW IT'S SUNDAY AFTERNOON. 48 00:01:58,740 --> 00:02:00,475 Jennifer: TALIA DIDN'T COME HOME LAST NIGHT. 49 00:02:00,509 --> 00:02:03,978 AND I CALLED THE POLICE, BUT THEY SAID SHE'S 14, 50 00:02:04,012 --> 00:02:06,681 SO TO CALL BACK IF SHE DOESN'T COME HOME IN A COUPLE OF DAYS. 51 00:02:06,715 --> 00:02:08,116 MISSING PERSONS SAY THAT SHE'S A RUNAWAY 52 00:02:08,149 --> 00:02:09,618 BECAUSE SHE LEFT A NOTE. 53 00:02:09,651 --> 00:02:12,721 SO THE LIEUTENANT WANTS US TO CHASE A RUNAWAY? 54 00:02:12,754 --> 00:02:14,389 LIEUTENANT SAYS IT'S AN ABDUCTION 55 00:02:14,423 --> 00:02:16,124 BY A PREDATOR WHO'S DONE IT BEFORE. 56 00:02:16,157 --> 00:02:18,827 WHEN'S THE LAST TIME YOU SAW YOUR DAUGHTER, MRS. LENNOX? 57 00:02:18,860 --> 00:02:20,795 UH, YESTERDAY -- SATURDAY. 58 00:02:20,829 --> 00:02:22,297 AROUND NOON. SHE GOT UP AROUND NOON. 59 00:02:22,331 --> 00:02:24,233 SO, BASICALLY, YOU LET YOUR 14-YEAR-OLD DAUGHTER 60 00:02:24,266 --> 00:02:25,800 STAY UP ALL NIGHT AND GET UP AT NOON. 61 00:02:25,834 --> 00:02:27,536 I DON'T "LET" TALIA DO ANYTHING. 62 00:02:27,569 --> 00:02:28,870 TALIA DOES WHAT SHE WANTS. 63 00:02:28,903 --> 00:02:30,672 [ SIGHS ] 64 00:02:30,705 --> 00:02:33,575 THIS NOTE -- IS IT TALIA'S HANDWRITING? 65 00:02:35,176 --> 00:02:36,578 IT SAYS ON THE NOTE THAT SHE'S GOING TO LIVE WITH HER FATHER. 66 00:02:36,611 --> 00:02:39,881 YES, YES. THAT'S -- THAT'S TALIA'S HANDWRITING. 67 00:02:39,914 --> 00:02:41,316 TALIA'S FATHER, ROGER, 68 00:02:41,350 --> 00:02:43,017 LIVES IN LOS ANGELES 69 00:02:43,051 --> 00:02:46,721 [SNIFFLES] BUT HE HASN'T TALKED TO HER SINCE CHRISTMAS. 70 00:02:46,755 --> 00:02:49,924 BUT HE PROMISED HE WOULD LET ME KNOW IF SHE SHOWS UP. 71 00:02:49,958 --> 00:02:51,860 ARE YOU SAYING THIS NOTE IS A LIE? 72 00:02:51,893 --> 00:02:53,928 TALIA LIES. SHE LIES ALL THE TIME. 73 00:02:53,962 --> 00:02:55,530 WHAT HAPPENS WHEN YOU CALL HER CELL? 74 00:02:55,564 --> 00:02:58,767 I...UM... 75 00:02:58,800 --> 00:03:00,835 I DON'T -- I DON'T KNOW THE NUMBER. 76 00:03:00,869 --> 00:03:03,171 IT'S, UM -- IT'S BLOCKED. SHE... 77 00:03:03,204 --> 00:03:07,041 SHE PAYS FOR IT HERSELF SO SHE DOESN'T HAVE TO TELL ME ANYTHING. 78 00:03:07,075 --> 00:03:09,844 SO, BASICALLY, YOU'VE GIVEN UP ALL SUPERVISION OF YOUR OWN DAUGHTER. 79 00:03:09,878 --> 00:03:12,247 MAYBE ONE OF HER FRIENDS KNOWS THE NUMBER? 80 00:03:12,281 --> 00:03:14,048 FORGET IT, GRAVELY. 81 00:03:14,082 --> 00:03:16,217 SHE DOESN'T HAVE A CLUE ABOUT HER DAUGHTER'S FRIENDS. 82 00:03:16,251 --> 00:03:18,253 I'M NOT EVEN GONNA BOTHER ASKING 83 00:03:18,287 --> 00:03:20,655 WHAT KIND OF DRUGS SHE WAS ON OR WHO SHE WAS SLEEPING WITH. 84 00:03:21,823 --> 00:03:23,458 I KNOW WHAT THIS IS ABOUT. 85 00:03:23,492 --> 00:03:25,294 WHAT DO YOU GOT? [ KEYBOARD CLACKING ] 86 00:03:25,327 --> 00:03:27,296 SEVEN YEARS AGO, ANOTHER GIRL WENT MISSING -- 87 00:03:27,329 --> 00:03:30,198 ONE GREEN EYE, ONE BLUE. LACY SIDDON. 88 00:03:30,231 --> 00:03:32,534 "PRESUMED MURDERED. BODY NEVER FOUND." 89 00:03:32,567 --> 00:03:35,770 WELL, IF THE BODY WASN'T FOUND, HOW DO WE KNOW WHAT HAPPENED? 90 00:03:35,804 --> 00:03:37,205 THE LIEUTENANT KNOWS WHAT HE KNOWS. 91 00:03:37,238 --> 00:03:38,540 BACKSTROM WAS LEAD ON THE CASE, 92 00:03:38,573 --> 00:03:40,108 BUT WHEN THEY CALLED OFF THE INVESTIGATION, 93 00:03:40,141 --> 00:03:41,576 HE STOPPED BEING A COP. 94 00:03:41,610 --> 00:03:43,745 IT WAS CHIEF CERVANTES WHO FOUND HIM HOLED UP 95 00:03:43,778 --> 00:03:45,647 IN A MOTEL IN PORT ORFORD, 96 00:03:45,680 --> 00:03:47,248 TRYING TO DRINK HIMSELF TO DEATH. 97 00:03:47,282 --> 00:03:50,419 WE DON'T FIND THIS GIRL IN THE NEXT 24 HOURS, 98 00:03:50,452 --> 00:03:52,654 SHE'S DEAD. WHY 24 HOURS? 99 00:03:52,687 --> 00:03:57,258 MOTO, IF TALIA IS IN THE HANDS OF A SEXUAL PREDATOR, 100 00:03:57,292 --> 00:04:01,763 A SADIST, SHE WILL BE RAPED AND TORTURED UNTIL SHE IS DEAD. 101 00:04:01,796 --> 00:04:04,733 AND THAT DOESN'T TAKE LONG WITH A KID. 102 00:04:04,766 --> 00:04:06,301 AND HE'LL DISPOSE OF THE BODY. 103 00:04:06,335 --> 00:04:08,069 NO ONE WILL EVER KNOW WHAT HAPPENED TO HER. 104 00:04:08,102 --> 00:04:09,938 LIEUTENANT, YOU THINKING LACY SIDDON? 105 00:04:09,971 --> 00:04:11,473 ISN'T IT OBVIOUS? 106 00:04:11,506 --> 00:04:13,408 TO PLAY DEVIL'S ADVOCATE, IF I MAY, 107 00:04:13,442 --> 00:04:16,478 IT IS BAD POLICE WORK TO ASSUME THESE CASES ARE LINKED. 108 00:04:16,511 --> 00:04:18,980 WELL, THEN I'M THE POSTER BOY FOR BAD POLICE. 109 00:04:19,013 --> 00:04:21,015 GO GET ME TALIA'S PHONE RECORDS. 110 00:04:21,049 --> 00:04:23,184 I'M GONNA MAKE A LIST OF SEX OFFENDERS WHO FIT THE PROFILE. 111 00:04:23,217 --> 00:04:25,253 PULL TOGETHER THE LACY SIDDON FILE. 112 00:04:25,286 --> 00:04:27,589 GRAVELY, I'M GONNA CHECK OUT THE GIRL'S ROOM. 113 00:04:27,622 --> 00:04:29,090 YOU IN OR OUT? 114 00:04:29,123 --> 00:04:32,761 IT JUST MAKES ME UNCOMFORTABLE TO JUMP TO CONCLUSIONS 115 00:04:32,794 --> 00:04:34,429 BASED ON AN OLD OBSESSION. 116 00:04:34,463 --> 00:04:37,699 DO YOU -- TODAY, GRAVELY! 117 00:04:47,876 --> 00:04:51,646 THIS IS A NICE ROOM. 118 00:04:55,517 --> 00:05:00,254 CASCADIA GIRLS' SCHOOL. IT'S FOR PROBLEM KIDS. 119 00:05:06,561 --> 00:05:08,463 LIEUTENANT? 120 00:05:08,497 --> 00:05:12,166 UNICORNS AND RAINBOWS AND STUFFED ANIMALS IN HER ROOM, 121 00:05:12,200 --> 00:05:14,068 BUT OPEN HER CLOSET DOOR... 122 00:05:14,102 --> 00:05:16,638 THERE'S NOTHING BUT BLACK CLOTHES, 123 00:05:16,671 --> 00:05:18,473 STINK OF CIGARETTES. 124 00:05:18,507 --> 00:05:20,842 UH, GIRLS GROW UP. KIDS GO THROUGH PHASES. 125 00:05:20,875 --> 00:05:23,745 SAME THING WITH LACY SIDDON. 126 00:05:23,778 --> 00:05:27,248 ROOMFUL OF RAINBOWS... 127 00:05:27,281 --> 00:05:31,285 SEA OF BLACK IN THE CLOSET. 128 00:06:05,587 --> 00:06:07,121 Gravely: PRINCIPAL LARSEN, 129 00:06:07,155 --> 00:06:09,424 WOULD YOU DESCRIBE TALIA LENNOX AS A GOOD STUDENT? 130 00:06:09,458 --> 00:06:11,960 WE DON'T USE THE TERMS "GOOD," "BAD," "STUDENTS." 131 00:06:11,993 --> 00:06:13,862 WE LIKE TO REFER TO THE GIRLS AS "PUNKINS" -- 132 00:06:13,895 --> 00:06:15,396 "PUNKS" FOR SHORT. 133 00:06:15,430 --> 00:06:18,066 IT ACKNOWLEDGES WHERE THEY COME FROM, BUT IN A FUN WAY. 134 00:06:18,099 --> 00:06:20,569 TALIA'S MOTHER BELIEVES THAT SHE WAS DOING DRUGS. 135 00:06:20,602 --> 00:06:24,038 MOST CHILDREN EXPERIMENT WITH SUBSTANCES. IT'S UNAVOIDABLE. 136 00:06:24,072 --> 00:06:26,975 WE BELIEVE IN ALLOWING OUR PUNKS TO FIND THEMSELVES 137 00:06:27,008 --> 00:06:28,977 THROUGH TRIAL AND ERROR IN A SAFE ENVIRONS. 138 00:06:29,010 --> 00:06:31,546 WE'RE GONNA HAVE TO TALK TO TALIA'S FRIENDS. 139 00:06:31,580 --> 00:06:33,782 ESPECIALLY THE BAD, STUPID ONES. 140 00:06:33,815 --> 00:06:35,249 WELL, THERE'S AN ANNEX THROUGH THERE 141 00:06:35,283 --> 00:06:37,452 WHERE THE PUNKINS GATHER FREE FROM SCRUTINY. 142 00:06:37,486 --> 00:06:39,387 IT'S CALLED THE LAISSEZ-FAIRE GROUND. 143 00:06:39,420 --> 00:06:41,956 BUT I CANNOT LET YOU IN THERE WITHOUT A WARRANT. 144 00:06:41,990 --> 00:06:44,058 SO YOU ARE GONNA HAVE TO WAIT HERE. 145 00:06:44,092 --> 00:06:46,094 WE'RE GONNA GO THROUGH THAT DOOR. 146 00:06:46,127 --> 00:06:48,262 THERE'S GONNA BE KIDS WITH DRUGS ON THE OTHER SIDE, 147 00:06:48,296 --> 00:06:50,298 BECAUSE YOU'RE TOO STUPID AND LAZY 148 00:06:50,331 --> 00:06:52,166 TO BE A REAL PRINCIPAL OF A REAL SCHOOL. 149 00:06:52,200 --> 00:06:54,503 AND IF YOU REFUSE US PERMISSION, WE'LL ARREST EVERY ONE OF 'EM. 150 00:06:55,436 --> 00:06:57,071 WE'LL TAKE THAT AS A "YES." 151 00:06:57,105 --> 00:06:58,840 [ INDISTINCT CONVERSATIONS ] 152 00:06:58,873 --> 00:07:01,109 CHECK THIS OUT. Girl: EW. GROSS. 153 00:07:01,142 --> 00:07:03,978 Gravely: OH, MY GOD. IT'S PERVERT HEAVEN. 154 00:07:04,012 --> 00:07:05,780 [ CHUCKLES ] 155 00:07:05,814 --> 00:07:07,949 DOES ANYONE HERE KNOW TALIA LENNOX? 156 00:07:07,982 --> 00:07:09,117 Young woman: NOPE. 157 00:07:09,150 --> 00:07:11,653 ANYONE? 158 00:07:11,686 --> 00:07:12,654 NO? 159 00:07:12,687 --> 00:07:13,588 NOT ANSWERING. LOSER. 160 00:07:13,622 --> 00:07:14,355 REALLY? 161 00:07:14,388 --> 00:07:15,624 [ CHUCKLES ] 162 00:07:15,657 --> 00:07:17,692 BLACK HOODIES. 163 00:07:18,727 --> 00:07:21,462 H-HEY! BAD TOUCHING. 164 00:07:21,496 --> 00:07:22,931 Gravely: PORTLAND POLICE. 165 00:07:22,964 --> 00:07:25,299 THOSE ARE JUST VITAMINS. THEY AREN'T EVEN MINE. 166 00:07:25,333 --> 00:07:26,935 SHOULD WE CHECK ALL OF YOU FOR VITAMINS? 167 00:07:26,968 --> 00:07:29,203 IF WE TELL YOU WE KNOW TALIA LENNOX, WILL YOU GO AWAY? 168 00:07:29,237 --> 00:07:31,806 THAT'S GONNA BE YOUR BEST CHANCE. TALIA RAN AWAY TO HER DAD'S. 169 00:07:31,840 --> 00:07:34,275 NO, SHE DIDN'T. THAT'S WHAT SHE TOLD US. 170 00:07:34,308 --> 00:07:36,711 DID SHE EVER MENTION ANYTHING ABOUT A CREEPY GUY? 171 00:07:37,546 --> 00:07:39,313 I MEAN, ONLY CLAUDIO. 172 00:07:39,347 --> 00:07:42,383 YEAH, CLAUDIO'S THICK CREEPY. CLAUDIO WHO? 173 00:07:42,416 --> 00:07:44,886 TALIA BROKE UP WITH CLAUDIO, AND HE SAID HE WAS GONNA KILL HER. 174 00:07:44,919 --> 00:07:47,055 HOW OLD IS CLAUDIO? 16? 175 00:07:47,088 --> 00:07:48,857 SEVEN YEARS AGO, THICK CREEPY CLAUDIO WAS 9. 176 00:07:48,890 --> 00:07:50,058 NOT OUR GUY. 177 00:07:50,091 --> 00:07:53,562 I'M GONNA NEED CLAUDIO'S LAST NAME. 178 00:07:53,595 --> 00:07:55,797 I'M GONNA NEED TALIA'S PHONE NUMBER. 179 00:07:55,830 --> 00:07:57,966 CLAUDIO MORETTI. 180 00:07:57,999 --> 00:07:59,701 HEY! COME ON! 181 00:07:59,734 --> 00:08:02,537 GRAVELY, CHASE AFTER THEM. GET TALIA'S NUMBER. 182 00:08:02,571 --> 00:08:04,072 GO. 183 00:08:04,105 --> 00:08:06,140 MOTO AND NIEDERMAYER WILL GO PICK UP CLAUDIO MORETTI, 184 00:08:06,174 --> 00:08:08,442 AND HE WILL GIVE US TALIA'S PHONE NUMBER. 185 00:08:14,215 --> 00:08:17,051 I NEED YOU TO WRITE DOWN TALIA'S CELLPHONE NUMBER. 186 00:08:18,186 --> 00:08:19,854 WHATEVER. 187 00:08:24,525 --> 00:08:26,027 Backstrom: GOT IT. 188 00:08:26,060 --> 00:08:27,696 WHEN IS THE LAST TIME YOU SAW TALIA? 189 00:08:27,729 --> 00:08:29,731 FRIDAY NIGHT. KID DOESN'T FIT YOUR THEORY. 190 00:08:29,764 --> 00:08:32,100 PAQUET AND I'LL WORK TALIA'S PHONE. 191 00:08:32,133 --> 00:08:33,401 I'LL WATCH THE REST OF THIS. 192 00:08:33,434 --> 00:08:34,936 IS THAT WHEN SHE BROKE UP WITH YOU? 193 00:08:34,969 --> 00:08:36,705 YES. WELL, OKAY, NO. I BROKE UP WITH HER. 194 00:08:36,738 --> 00:08:38,039 DO YOU MIND TELLING US WHAT HAPPENED? 195 00:08:38,072 --> 00:08:39,741 L-L-LOOK, IS THAT WHY I'M HERE? 196 00:08:39,774 --> 00:08:42,176 BECAUSE I HONESTLY DID NOT KNOW THAT TALIA WAS 14. OKAY? 197 00:08:42,210 --> 00:08:44,746 SH-SHE SAID SHE WAS 16, SAME AS ME. 198 00:08:44,779 --> 00:08:46,948 SHE LOOKS 16, RIGHT? 199 00:08:46,981 --> 00:08:49,383 DID YOU ENGAGE IN COITUS WITH TALIA? 200 00:08:51,385 --> 00:08:53,087 M-MAYBE. 201 00:08:53,121 --> 00:08:55,256 COITUS IS SEXUAL INTERCOURSE. 202 00:08:56,891 --> 00:08:58,760 THAT'S WHEN YOU PUT YOUR PENIS INSIDE -- 203 00:08:58,793 --> 00:09:00,228 OH, MY. OKAY, NO, NO, NO. 204 00:09:00,261 --> 00:09:02,897 I DID NOT HAVE SEXUAL INTERCOURSE WITH TALIA. 205 00:09:02,931 --> 00:09:05,700 I'VE...NEVER HAD SEXUAL INTERCOURSE WITH ANYONE. 206 00:09:05,734 --> 00:09:07,969 I-IF THERE'S, LIKE, A TEST FOR THAT, 207 00:09:08,002 --> 00:09:10,805 I WILL GLADLY TAKE IT FOR PROOF. 208 00:09:10,839 --> 00:09:13,742 IS SHE LEAVING TO GET THE TEST, OR...? 209 00:09:13,775 --> 00:09:18,112 SO, H-HOW DID YOU FIND OUT TALIA'S REAL AGE? 210 00:09:18,146 --> 00:09:21,049 UH, I MET TALIA ONLINE. YOU KNOW WHAT I MEAN? 211 00:09:21,082 --> 00:09:22,583 YOU SEXTED EACH OTHER? 212 00:09:22,617 --> 00:09:25,286 IT'S BACKSTROM'S THEORY THAT LACY SIDDON'S ABDUCTOR 213 00:09:25,319 --> 00:09:27,055 STALKED HER ONLINE. 214 00:09:27,088 --> 00:09:28,990 BUT -- BUT THEN, WE MEET IN PERSON AND I SEE HER BINDER. 215 00:09:29,023 --> 00:09:30,792 IT'S EIGHTH GRADE. 216 00:09:30,825 --> 00:09:32,927 LIKE, MY DAD SAID I COULD GET BRANDED FOR LIFE A SEX OFFENDER. 217 00:09:32,961 --> 00:09:34,796 WHAT DID TALIA DO WHEN YOU BROKE UP? 218 00:09:34,829 --> 00:09:38,132 WELL, SHE SAID SHE'D FIND SOMEBODY BETTER ONLINE. 219 00:09:38,166 --> 00:09:39,668 SOMEBODY BETTER? 220 00:09:39,701 --> 00:09:41,903 YEAH, SHE SAID NOT REGULAR BORING LIKE ME. 221 00:09:41,936 --> 00:09:43,304 SOMEBODY BAD. 222 00:09:43,337 --> 00:09:45,239 SO SHE ACTUALLY SAID, "SOMEBODY BAD"? 223 00:09:45,273 --> 00:09:46,607 YES, SIR. 224 00:09:46,641 --> 00:09:48,009 SHE SAID, 225 00:09:48,042 --> 00:09:50,611 "GOOD IS GOOD, BUT BAD IS BETTER." 226 00:09:53,047 --> 00:09:55,449 OKAY, SO TALIA'S PHONE WENT OFF THE NETWORK 227 00:09:55,483 --> 00:09:56,651 JUST AFTER MIDNIGHT. 228 00:09:56,685 --> 00:09:57,919 LAST-KNOWN LOCATION? 229 00:09:57,952 --> 00:09:59,487 [ KEYBOARD CLACKING ] 230 00:09:59,520 --> 00:10:01,622 TUNNEL UNDER TRAIN TRACKS HERE. 231 00:10:01,656 --> 00:10:04,693 AND ALL HER OUTGOING CALLS WENT TO HER SCHOOL FRIENDS, 232 00:10:04,726 --> 00:10:06,494 AMBER, BETHANY, AND HARPER. 233 00:10:06,527 --> 00:10:10,098 OH, AND THAT BOY -- TALIA ALSO TEXTED THOSE PEOPLE. 234 00:10:10,131 --> 00:10:12,767 BUT WITHOUT THE ACTUAL PHONE, I CANNOT ACCESS THE CONTENTS. 235 00:10:12,801 --> 00:10:14,468 NO COMMUNICATIONS WITH HER FATHER? 236 00:10:14,502 --> 00:10:16,004 NO. NONE. THE FATHER AND THE BOY 237 00:10:16,037 --> 00:10:18,172 HAVE NOTHING TO DO WITH TALIA'S DISAPPEARANCE. 238 00:10:18,206 --> 00:10:21,442 SHE WAS ABDUCTED BY A MAN OBSESSED WITH MISMATCHED EYES. 239 00:10:21,475 --> 00:10:25,146 ALL MY FOSTER KIDS SURF THE WEB MORE THAN E-MAIL OR TEXTING. 240 00:10:25,179 --> 00:10:26,881 WELL, HER PHONE RECORDS INDICATE THAT TALIA 241 00:10:26,915 --> 00:10:28,649 USED THE INTERNET EXTENSIVELY. 242 00:10:28,683 --> 00:10:31,052 BUT, AGAIN, NO PHONE, NO DETAILS. 243 00:10:31,085 --> 00:10:33,788 HE GOT TO HER OVER THE INTERNET. 244 00:10:33,822 --> 00:10:35,857 I'M GONNA FIND TALIA'S PHONE. 245 00:10:35,890 --> 00:10:38,226 NIEDERMAYER CAN TAKE A TEAM TO SEARCH BY THE TUNNEL. 246 00:10:38,259 --> 00:10:40,161 Jennifer: HELLO? HELLO? I GOT A RANSOM NOTE. 247 00:10:40,194 --> 00:10:42,697 IT WAS UNDER MY WINDSHIELD WIPER. 248 00:10:42,731 --> 00:10:44,699 "I HAVE TALIA LENNOX. 249 00:10:44,733 --> 00:10:47,568 "$50,000 IN M-PAYMENT TO THE NUMBER BELOW 250 00:10:47,601 --> 00:10:49,070 "OR I WILL BURN HER ALIVE. 251 00:10:49,103 --> 00:10:51,039 YOU WILL NEVER FIND HER REMAINS." 252 00:10:51,072 --> 00:10:52,206 WE HAVE TO CALL THE FBI. 253 00:10:52,240 --> 00:10:53,641 GREAT. WHEN YOU CALL THE FBI, 254 00:10:53,674 --> 00:10:55,744 THEY'LL PUSH US ASIDE AND TAKE OVER THIS CASE. 255 00:10:55,777 --> 00:10:57,912 KIDNAPPING IS THE FBI's JURISDICTION. 256 00:10:57,946 --> 00:11:00,715 THIS NOTE IS BOGUS! 257 00:11:00,749 --> 00:11:03,551 I'M SORRY, LIEUTENANT. IT'S THE LAW. 258 00:11:03,584 --> 00:11:05,754 [ SIGHS ] 259 00:11:07,588 --> 00:11:09,390 [ DOOR SLAMS ] 260 00:11:13,895 --> 00:11:15,196 [ INDISTINCT CONVERSATIONS ] 261 00:11:15,229 --> 00:11:19,667 [ TELEPHONE RINGING ] 262 00:11:19,700 --> 00:11:21,202 [ SIGHS ] 263 00:11:26,975 --> 00:11:29,110 [ KNOCK ON GLASS ] 264 00:11:30,144 --> 00:11:31,512 I'M GONNA LOSE MY CHURCH. 265 00:11:31,545 --> 00:11:33,714 I'M THREE MONTHS BEHIND ON MY RENT, 266 00:11:33,748 --> 00:11:35,884 AND THEY TURNED OFF MY ELECTRICITY. 267 00:11:35,917 --> 00:11:39,020 [ SIGHS ] THAT'S GOD TELLING YOU YOU'RE A CRAPPY PASTOR. 268 00:11:39,053 --> 00:11:41,455 IT'S GOD TELLING ME I NEED A SECOND JOB. 269 00:11:41,489 --> 00:11:44,759 YOU GET A SECOND JOB... 270 00:11:44,793 --> 00:11:46,761 YOU CAN'T WORK AT SCU. 271 00:11:46,795 --> 00:11:49,197 EXACTLY. 272 00:11:49,230 --> 00:11:51,699 LISTEN, I DON'T CARE WHAT YOU DO. 273 00:11:51,732 --> 00:11:53,868 YOU LEAVE, YOU TAKE GRAVELY WITH YOU. 274 00:11:53,902 --> 00:11:55,970 [ BOTTLES CLINK ] DON'T HOLD IT AGAINST HER. 275 00:11:56,004 --> 00:11:58,739 SHE CALLED THE FBI. IT'S PROTOCOL. 276 00:11:58,773 --> 00:12:01,475 YOU GOT TO UNDERSTAND THAT THERE NEVER WAS ANY PROOF 277 00:12:01,509 --> 00:12:03,978 THAT LACY WAS TAKEN BY A SEXUAL PREDATOR. 278 00:12:04,012 --> 00:12:05,546 FOR ALL YOU KNOW, 279 00:12:05,579 --> 00:12:06,981 SHE WAS A VICTIM OF A HIT AND RUN 280 00:12:07,015 --> 00:12:08,616 AND BURIED IN A SHALLOW GRAVE. 281 00:12:08,649 --> 00:12:11,252 WHEN A GIRL LIKE THAT DISAPPEARS SO COMPLETELY, 282 00:12:11,285 --> 00:12:14,122 NO SIGN ANYWHERE -- SOMEBODY BAD DID IT. 283 00:12:14,155 --> 00:12:16,390 WHOEVER TOOK LACY TOOK TALIA. 284 00:12:16,424 --> 00:12:17,658 I AGREE WITH YOU. 285 00:12:19,293 --> 00:12:20,761 WHAT? 286 00:12:20,795 --> 00:12:22,931 I BELIEVED YOUR THEORY ON THE CRIME SEVEN YEARS AGO, 287 00:12:22,964 --> 00:12:24,866 AND I'M NOT GONNA RISK YOU BEING WRONG NOW. 288 00:12:26,801 --> 00:12:29,637 THE FBI IS GONNA GO AFTER WHOEVER LEFT THAT RANSOM NOTE, 289 00:12:29,670 --> 00:12:32,006 AND THEY'RE GONNA FIND AN OPPORTUNIST, 290 00:12:32,040 --> 00:12:34,976 SOMEONE HITCHING A RIDE ON TALIA LENNOX'S ABDUCTION. 291 00:12:35,009 --> 00:12:36,777 LEAVING US TO FIND THE PREDATOR. 292 00:12:36,811 --> 00:12:38,847 HUH. 293 00:12:40,949 --> 00:12:44,986 HEY, YOU REALIZE IF THE FBI 294 00:12:45,019 --> 00:12:47,421 FIND OUT THAT YOU'RE WORKING THEIR KIDNAPPING CASE, 295 00:12:47,455 --> 00:12:49,423 YOU'LL GET SUSPENDED. 296 00:12:49,457 --> 00:12:52,193 I'M NOT WORKING THE FBI KIDNAPPING. 297 00:12:52,226 --> 00:12:55,463 I'M WORKING YOUR PREDATOR ABDUCTION. 298 00:12:57,465 --> 00:12:58,566 [ BOTTLES CLINK ] 299 00:13:00,634 --> 00:13:01,469 NO, I GOT IT. 300 00:13:01,502 --> 00:13:02,937 YOU SURE? 301 00:13:02,971 --> 00:13:04,438 REALLY. I'M GOOD. 302 00:13:04,472 --> 00:13:05,806 GOOD. 303 00:13:07,141 --> 00:13:09,043 SO, I HAVE BEEN APPOINTED THE POLICE BUREAU LIAISON 304 00:13:09,077 --> 00:13:10,544 TO THE FBI. 305 00:13:10,578 --> 00:13:13,047 OH, WELL, THAT'LL LOOK GOOD ON YOUR RéSUMé. 306 00:13:13,081 --> 00:13:15,149 YOU KNOW THAT THE PRESENCE OF A RANSOM NOTE 307 00:13:15,183 --> 00:13:17,618 PROVES THAT BACKSTROM'S THEORY ABOUT A SEXUAL PREDATOR 308 00:13:17,651 --> 00:13:19,053 IN THE PAST IS FALSE, RIGHT? 309 00:13:19,087 --> 00:13:21,289 THAT IS CERTAINLY THE FBI's OPINION. 310 00:13:21,322 --> 00:13:23,724 YOU THINK THAT BACKSTROM IS RIGHT AND THE NOTE IS FAKE? 311 00:13:23,757 --> 00:13:25,326 If Backstrom is right, 312 00:13:25,359 --> 00:13:28,029 then the real search for Talia Lennox is over, 313 00:13:28,062 --> 00:13:29,830 and she hasn't long to live. 314 00:13:29,864 --> 00:13:31,532 OKAY. 315 00:13:31,565 --> 00:13:34,368 I'M STUCK HERE OBSERVING. 316 00:13:34,402 --> 00:13:36,737 YOU AND THE REST OF THE TEAM REPORT TO JOHN ALMOND. 317 00:13:36,770 --> 00:13:38,072 YOU DO KNOW THAT DETECTIVE ALMOND 318 00:13:38,106 --> 00:13:39,440 BELIEVES THE LIEUTENANT, RIGHT? 319 00:13:42,043 --> 00:13:44,178 [ CHUCKLES ] 320 00:13:46,514 --> 00:13:49,884 [ FOOTSTEPS APPROACHING ] 321 00:13:51,785 --> 00:13:54,222 LACY SIDDON'S FILES FROM SEVEN YEARS AGO, 322 00:13:54,255 --> 00:13:55,556 COURTESY OF DETECTIVE ALMOND. 323 00:13:55,589 --> 00:13:57,158 Nadia: I'M HERE. 324 00:13:57,191 --> 00:13:58,692 [ PANTING ] 325 00:13:58,726 --> 00:14:01,262 I ACTUALLY HAD TO STEAL MY OWN WORK FROM THE FBI. 326 00:14:01,295 --> 00:14:02,730 OH, THANKS. 327 00:14:02,763 --> 00:14:04,832 SO, NIEDERMAYER HAS GONE OUT TO THE TUNNEL 328 00:14:04,865 --> 00:14:06,600 TO LOOK FOR THE GIRL'S PHONE, 329 00:14:06,634 --> 00:14:09,503 AND DETECTIVE ALMOND IS GOING THROUGH THE GIRL'S ROOM AGAIN. 330 00:14:09,537 --> 00:14:11,339 GO HELP NIEDERMAYER. 331 00:14:11,372 --> 00:14:15,709 OKAY, SO, I NEED A CLOTHESLINE, A TABLE, A PLUG, 332 00:14:15,743 --> 00:14:17,545 AND A COGNAC TO SETTLE MY THOUGHTS. 333 00:14:17,578 --> 00:14:20,081 I'LL GET THE COGNAC. 334 00:14:42,670 --> 00:14:45,974 SHOULD WE START BY FINDING EVERY SINGLE SIMILARITY 335 00:14:46,007 --> 00:14:48,142 BETWEEN LACY SIDDON AND TALIA LENNOX? 336 00:14:48,176 --> 00:14:50,411 NO. WASTE OF TIME. WE DON'T NEED EVERY SINGLE SIMILARITY. 337 00:14:50,444 --> 00:14:51,645 WE JUST NEED ONE. 338 00:14:51,679 --> 00:14:53,047 SOUNDS LIKE YOU ALREADY KNOW WHICH ONE. 339 00:14:53,081 --> 00:14:55,049 LACY SIDDON WAS OBSESSED WITH VAMPIRES. 340 00:14:55,083 --> 00:14:56,884 SHE WOULD SPEND HOURS ONLINE 341 00:14:56,917 --> 00:14:59,087 LOOKING FOR A VAMPIRE BOY TO TURN HER. 342 00:14:59,120 --> 00:15:01,389 IS "TURN" A EUPHEMISM FOR SEX? 343 00:15:01,422 --> 00:15:03,724 SHE WANTED TO BE IMMORTAL, AND THERE WAS A WEBSITE 344 00:15:03,757 --> 00:15:05,960 THAT WOULD CONNECT MORTAL GIRLS WITH VAMPIRE BOYS 345 00:15:05,994 --> 00:15:08,296 WHO WOULD AGREE TO BITE THE RIGHT GIRL ON THE NECK 346 00:15:08,329 --> 00:15:09,830 AND TURN THEM INTO A VAMPIRE. 347 00:15:09,863 --> 00:15:11,265 JUST MAKING SURE -- 348 00:15:11,299 --> 00:15:13,267 YOU DO KNOW THAT VAMPIRES AREN'T REAL, CORRECT? 349 00:15:13,301 --> 00:15:14,902 THANKS FOR THAT, VALENTINE. 350 00:15:14,935 --> 00:15:16,304 HEY, YOU'RE WELCOME. 351 00:15:16,337 --> 00:15:18,272 THE POINT IS, SHE THOUGHT THEY WERE REAL, 352 00:15:18,306 --> 00:15:20,941 WHICH MADE IT EASIER FOR THE PREDATOR TO FIND HER. 353 00:15:20,975 --> 00:15:23,777 SO A MAN PRETENDING TO BE A VAMPIRE BOY ONLINE -- 354 00:15:23,811 --> 00:15:25,679 YEAH, HE'S DOING THE SAME THING AGAIN, 355 00:15:25,713 --> 00:15:27,982 ONLY NOT WITH VAMPIRES, WITH SOMETHING ELSE. 356 00:15:28,016 --> 00:15:30,084 WELL, NIEDERMAYER MUST FIND TALIA'S PHONE. 357 00:15:30,118 --> 00:15:32,786 MM! MM-MM! Man: WE CONTINUE TO INVESTIGATE AS WE NOW GO LIVE 358 00:15:32,820 --> 00:15:34,422 TO PORTLAND POLICE HEADQUARTERS. 359 00:15:34,455 --> 00:15:36,924 Jennifer: LAW ENFORCEMENT JUST NEEDS TO KNOW 360 00:15:36,957 --> 00:15:40,428 THAT SHE'S OUT THERE, THAT SHE'S ALIVE, 361 00:15:40,461 --> 00:15:43,697 AND THAT IT'S REALLY HER. 362 00:15:43,731 --> 00:15:46,934 [ Voice breaking ] SO I SAY TO MY DAUGHTER'S... 363 00:15:46,967 --> 00:15:52,640 KIDNAPPER, PLEASE, JUST -- JUST PROVE THAT MY TALIA 364 00:15:52,673 --> 00:15:54,208 IS ALIVE AND WELL, 365 00:15:54,242 --> 00:15:56,510 AND WE WILL GIVE YOU WHATEVER YOU ASK. 366 00:15:56,544 --> 00:15:58,712 AND, UM... 367 00:15:58,746 --> 00:16:02,283 WELCOME [SIGHS] MY DAUGHTER'S SAFE RETURN. 368 00:16:02,316 --> 00:16:03,851 THANK YOU. 369 00:16:03,884 --> 00:16:06,220 THE FBI IS DEMANDING FOR PROOF OF LIFE. 370 00:16:06,254 --> 00:16:08,822 THEY'RE NOT GONNA GET IT. 371 00:16:08,856 --> 00:16:10,858 [ SIGHS ] 372 00:16:21,069 --> 00:16:24,638 THE LIEUTENANT SENT ME TO HELP YOU LOOK FOR THE PHONE. 373 00:16:24,672 --> 00:16:27,075 30 FBI TECHS JUST WRAPPED A SEARCH OF THE ENTIRE AREA. 374 00:16:27,108 --> 00:16:28,409 THEY FOUND NOTHING. 375 00:16:28,442 --> 00:16:29,543 IT'S A PERFECT PLACE FOR AN ABDUCTION -- 376 00:16:29,577 --> 00:16:31,179 ISOLATED, LOTS OF COVER. 377 00:16:31,212 --> 00:16:34,082 THERE'S AN UNLIT ACCESS ROAD ABOUT A HUNDRED YARDS AWAY. 378 00:16:34,115 --> 00:16:36,550 TWO OF THE THREE LIGHTS BUSTED. 379 00:16:36,584 --> 00:16:40,688 THE ABDUCTOR STANDS OVER THERE IN THE DARKNESS 380 00:16:40,721 --> 00:16:43,491 AND HE WATCHES THE GIRL UNDER THIS LIGHT... 381 00:16:43,524 --> 00:16:46,360 MAKING SURE THAT SHE'S ALONE. 382 00:16:48,429 --> 00:16:51,065 THE LIEUTENANT SAID WE HAVE 24 HOURS. 383 00:16:51,099 --> 00:16:54,268 YEAH. AND WE'RE RUNNING OUT OF TIME. 384 00:16:54,302 --> 00:16:58,372 SHE SAID, "GOOD IS GOOD, BUT BAD IS BETTER." 385 00:16:58,406 --> 00:17:02,210 [ CELLPHONE RINGS ] 386 00:17:02,243 --> 00:17:04,912 [ CELLPHONE BEEPS ] 387 00:17:04,945 --> 00:17:06,247 YEAH? 388 00:17:06,280 --> 00:17:08,015 TELL PAQUET TO CHECK HER E-MAIL. 389 00:17:08,048 --> 00:17:09,350 PAQUET! MM! 390 00:17:09,383 --> 00:17:11,919 CHECK YOUR COMPUTER. 391 00:17:11,952 --> 00:17:13,221 WHAT'S GOING ON? 392 00:17:13,254 --> 00:17:14,888 WE GOT PROOF OF LIFE. 393 00:17:14,922 --> 00:17:16,557 WHAT?! 394 00:17:16,590 --> 00:17:20,428 I am sending you a restricted video file. 395 00:17:20,461 --> 00:17:23,331 I HOPE THAT YOU WILL COME VISIT ME WHEN I AM LEAVENWORTH. 396 00:17:25,666 --> 00:17:27,235 I GOT IT! 397 00:17:27,268 --> 00:17:29,537 The video file is time-stamped 11:23 on Saturday night. 398 00:17:29,570 --> 00:17:31,739 The FBI says that the time stamp is genuine. 399 00:17:31,772 --> 00:17:32,940 WHERE'D THEY GET IT? 400 00:17:32,973 --> 00:17:34,642 IT WAS POSTED TO THE FBI WEBSITE, 401 00:17:34,675 --> 00:17:36,610 AND THEY TRACED IT TO AN INTERNET CAFE ON HAWTHORNE -- 402 00:17:36,644 --> 00:17:37,811 CYBER JOE. 403 00:17:37,845 --> 00:17:39,713 OH, THAT -- THAT'LL BE A DEAD END. 404 00:17:39,747 --> 00:17:40,914 I KNOW THIS PLACE WELL. 405 00:17:40,948 --> 00:17:42,750 IT'S FOR ANARCHIST, TECHNO GEEKS, 406 00:17:42,783 --> 00:17:43,951 MEMBERS OF "ANONYMOUS." 407 00:17:43,984 --> 00:17:45,719 I-I'VE USED IT MANY TIMES MYSELF. 408 00:17:45,753 --> 00:17:47,321 WHY? YEAH, WHY? 409 00:17:47,355 --> 00:17:48,889 O-OH, THAT'S NOT IMPORTANT. 410 00:17:48,922 --> 00:17:52,160 JUST TRUST ME, THE INTERNET TRAIL ENDS THERE. 411 00:17:52,193 --> 00:17:54,762 PLAY IT AGAIN. 412 00:17:54,795 --> 00:17:56,063 WAIT. WHAT'S THAT? 413 00:17:56,096 --> 00:17:56,897 WHAT? 414 00:17:56,930 --> 00:17:58,199 THE TATTOO. 415 00:18:02,303 --> 00:18:04,705 THAT'S DEFINITELY NOT A VAMPIRE, IF THAT'S WHAT YOU'RE THINKING. 416 00:18:06,006 --> 00:18:08,309 I'M THINKING THAT'S EXACTLY WHAT IT IS. 417 00:18:15,015 --> 00:18:18,486 WHERE YOU BEEN ALL NIGHT? WASTING TIME PRAYING FOR TALIA? 418 00:18:18,519 --> 00:18:21,989 A LITTLE OF THAT, BUT MOSTLY GOING THROUGH TALIA'S ROOM. 419 00:18:22,022 --> 00:18:23,757 AND I FOUND SOMETHING INTERESTING. 420 00:18:23,791 --> 00:18:25,193 [ CELLPHONE CLICKS ] 421 00:18:28,396 --> 00:18:30,198 Nadia: "G-- GIGBBIB"? 422 00:18:30,231 --> 00:18:31,699 IS THAT ENGLISH? 423 00:18:31,732 --> 00:18:33,000 ONCE YOU SEE IT, IT'S EVERYWHERE. 424 00:18:33,033 --> 00:18:34,368 WHAT DOES IT MEAN? 425 00:18:34,402 --> 00:18:36,937 PERHAPS IT'S A CODE OR AN ACRONYM. 426 00:18:36,970 --> 00:18:40,174 IT MIGHT GO WITH THIS. 427 00:18:40,208 --> 00:18:43,344 AH. HIM AGAIN. 428 00:18:43,377 --> 00:18:44,445 YOU'VE SEEN IT SOMEWHERE ELSE? 429 00:18:44,478 --> 00:18:46,079 YES. WATCH. 430 00:18:49,983 --> 00:18:51,952 AND HERE. 431 00:18:51,985 --> 00:18:54,388 THIS IS A PILL I TOOK FROM TALIA'S FRIEND AMBER MORROW. 432 00:18:54,422 --> 00:18:55,689 SERIOUSLY? 433 00:18:55,723 --> 00:18:56,557 [ SCOFFS ] 434 00:18:56,590 --> 00:18:57,991 FOR EVIDENCE. 435 00:18:59,993 --> 00:19:01,529 BRAND OF ECSTASY? WELL, DEALING ECSTASY'S 436 00:19:01,562 --> 00:19:04,465 A GOOD WAY TO STALK TROUBLED YOUNG GIRLS. 437 00:19:04,498 --> 00:19:06,500 I'LL TALK TO A COUPLE OF BUDDIES IN NARCOTICS -- SEE WHAT I GET. 438 00:19:06,534 --> 00:19:07,968 WE'RE LOOKING FOR SOMEONE 439 00:19:08,001 --> 00:19:09,870 WHO DEALS TO GIRLS AT THE CASCADIA SCHOOL. 440 00:19:09,903 --> 00:19:11,905 TAKE MOTO, FIND THE SUSPECT, BRING HIM BACK HERE. 441 00:19:11,939 --> 00:19:14,508 LIEUTENANT, I CAN'T BRING A DRUG DEALER BACK TO YOUR HOME. 442 00:19:14,542 --> 00:19:18,246 OKAY, WELL, THEN BRING HIM TO THE SCU. 443 00:19:18,279 --> 00:19:21,181 IF THE FBI ASKS, WE'RE ON A SEPARATE DRUG CASE. 444 00:19:21,215 --> 00:19:22,916 GOT IT. 445 00:19:22,950 --> 00:19:24,552 SHOULD I PACK UP? 446 00:19:24,585 --> 00:19:27,455 YEAH. I WANT MY OFFICE BACK. 447 00:19:29,223 --> 00:19:30,824 COMFORTABLE, GRAVELY? 448 00:19:30,858 --> 00:19:32,826 YOU WANT MY JOB, OR ARE YOU JOINING THE FBI? 449 00:19:32,860 --> 00:19:35,496 LIEUTENANT, I RISKED MY JOB TO SEND YOU THAT E-MAIL. 450 00:19:35,529 --> 00:19:36,830 OH, YOU'RE A REGULAR JOAN OF ARC. 451 00:19:36,864 --> 00:19:38,198 DETECTIVE GRAVELY, 452 00:19:38,232 --> 00:19:39,500 WE'VE GOT AGENTS WORKING THE INTERNET CAFE. 453 00:19:39,533 --> 00:19:40,934 GET OUT OF MY OFFICE! 454 00:19:40,968 --> 00:19:42,670 OKAY, THAT'S HOURS OF BONDING DOWN THE DRAIN. 455 00:19:42,703 --> 00:19:43,971 NIEDERMAYER! 456 00:19:46,440 --> 00:19:48,242 YES, SIR? 457 00:19:48,276 --> 00:19:50,544 THE GUY IN THE HOOD -- HE'S THE KEY TO THIS ABDUCTION. 458 00:19:50,578 --> 00:19:52,380 AND THIS, TOO. 459 00:19:56,417 --> 00:19:58,118 IT'S EVERYWHERE. 460 00:19:58,151 --> 00:20:00,254 I SAW THAT STRING OF LETTERS LAST NIGHT AT THE TUNNEL. 461 00:20:00,288 --> 00:20:02,022 WHAT DOES IT MEAN? IT'S NOT A WORD. 462 00:20:02,055 --> 00:20:03,524 SOME KIND OF CODE? I DON'T KNOW. 463 00:20:03,557 --> 00:20:05,125 MAYBE IT'S AN ACRONYM LIKE LOL? 464 00:20:05,158 --> 00:20:07,428 MAYBE IT'S A PHONETIC SPELLING OF A FOREIGN LANGUAGE? 465 00:20:07,461 --> 00:20:08,896 OR A MADE-UP LANGUAGE? 466 00:20:08,929 --> 00:20:10,398 OKAY, GO TALK TO PAQUET. CHECK IT OUT. 467 00:20:10,431 --> 00:20:12,466 Almond: MEET DERRICK COTTON. 468 00:20:12,500 --> 00:20:15,903 HE SELLS ECSTASY TO SCHOOLGIRLS. TELL THEM WHAT YOU TOLD ME. 469 00:20:15,936 --> 00:20:19,273 UH, THEM PILLS, W-WHICH I DON'T KNOW ANYTHING ABOUT, 470 00:20:19,307 --> 00:20:21,108 UH, ARE CALLED "HOODED MAN." 471 00:20:21,141 --> 00:20:25,212 HOODED MAN. THAT'S A THING? IS HE GOOD OR BAD? 472 00:20:25,245 --> 00:20:26,447 WELL, YOU KNOW WHAT THEY SAY -- 473 00:20:26,480 --> 00:20:29,517 "GOOD IS GOOD, BUT, UH, BAD IS BETTER." 474 00:20:32,019 --> 00:20:33,787 LET'S GET HIM TO HOLDING. 475 00:20:33,821 --> 00:20:35,055 NIEDERMAYER! 476 00:20:35,088 --> 00:20:36,890 YEAH? 477 00:20:36,924 --> 00:20:39,226 REMEMBER WHAT THAT KID SAID, THE ONE YOU WERE INTERROGATING? 478 00:20:39,259 --> 00:20:41,395 UH, THE COITUS VIRGIN? YEAH. 479 00:20:41,429 --> 00:20:43,764 UH, HE SAID THAT TALIA MET SOMEBODY NEW ON THE INTERNET, 480 00:20:43,797 --> 00:20:47,000 UM, NOT REGULAR LIKE HIM, SOMEBODY BAD. 481 00:20:47,034 --> 00:20:49,002 SHE SAID THAT GOOD IS GOOD... 482 00:20:49,036 --> 00:20:52,306 BUT BAD IS BETTER. 483 00:20:52,340 --> 00:20:55,809 OKAY, SO WHAT -- SO, THE HOODED MAN'S SLOGAN 484 00:20:55,843 --> 00:20:57,445 IS "GOOD IS GOOD, BUT BAD IS BETTER," 485 00:20:57,478 --> 00:20:59,447 AND THE VICTIM IS INVOLVED IN THAT IN SOME WAY? 486 00:20:59,480 --> 00:21:01,815 HOLD ON. SO THAT'S WHAT WE'RE CALLING HIM -- THE HOODED MAN? 487 00:21:01,849 --> 00:21:06,186 THE HOODED MAN IS MY VAMPIRE. FIND HIM. 488 00:21:07,521 --> 00:21:11,191 Nadia: ALL RIGHT, SO, THE HOODED MAN STARTED 489 00:21:11,224 --> 00:21:16,464 AS CREEPY AND MYSTERIOUS FICTION ONLINE BY ONE GUY, 490 00:21:16,497 --> 00:21:18,131 BUT THEN HUNDREDS JOINED IN. 491 00:21:18,165 --> 00:21:22,002 "THE HOODED MAN UNDERSTANDS." 492 00:21:22,035 --> 00:21:24,304 ALL ADOLESCENTS ARE VULNERABLE TO A PROMISE LIKE THAT. 493 00:21:24,338 --> 00:21:26,840 SO THE HOODED MAN LOOKS FOR SPECIAL KIDS, 494 00:21:26,874 --> 00:21:30,010 KIDS WHO ARE "WILLING TO FALL IN ORDER TO RISE." 495 00:21:30,043 --> 00:21:31,879 THEY ARE CALLED "THE FALLEN." 496 00:21:31,912 --> 00:21:35,649 AND THE FALLEN MUST PROVE THEIR ALLEGIANCE TO THE HOODED MAN. 497 00:21:35,683 --> 00:21:36,784 WHAT'S THE REWARD? 498 00:21:36,817 --> 00:21:38,386 "TO BE INITIATED INTO 499 00:21:38,419 --> 00:21:41,822 THE DARK MYSTERIES OF THE TRUE UNIVERSE," 500 00:21:41,855 --> 00:21:43,123 BLAH, BLAH, BLAH. 501 00:21:43,156 --> 00:21:45,125 THIS IS WHY TALIA WAS TAKING ECSTASY 502 00:21:45,158 --> 00:21:47,227 AND DEMANDING SEX FROM CLAUDIO MORETTI. 503 00:21:47,260 --> 00:21:49,363 SHE WANTED TO BE ONE OF THE FALLEN. 504 00:21:49,397 --> 00:21:51,131 YEAH, THE LIEUTENANT'S RIGHT. 505 00:21:51,164 --> 00:21:53,434 THIS IS VERY CLOSE TO THE VAMPIRE MEME. 506 00:21:54,602 --> 00:21:56,670 I DON'T KNOW ANYTHING ABOUT FALLEN PEOPLE. 507 00:21:56,704 --> 00:21:58,639 YOU MADE A BIG MISTAKE, AMBER. 508 00:21:58,672 --> 00:22:01,008 I DON'T APPRECIATE YOUR TONE, DETECTIVE ALMOND. 509 00:22:01,041 --> 00:22:03,511 YOUR DAUGHTER'S A DRUG USER AND AN EXTORTIONIST. 510 00:22:03,544 --> 00:22:05,913 I'M NOT SURE I APPRECIATE YOUR PARENTING SKILLS. 511 00:22:05,946 --> 00:22:08,048 WHAT'S AN EXTORTIONIST? 512 00:22:09,517 --> 00:22:11,318 WHY AM I WATCHING THIS? Nadia: YOU WENT TO CYBER JOE'S 513 00:22:11,351 --> 00:22:13,220 BECAUSE YOU COULD POST THE VIDEO OF TALIA 514 00:22:13,253 --> 00:22:14,822 WITHOUT ANYONE KNOWING. 515 00:22:14,855 --> 00:22:18,559 YOU SENT A TEXT TO YOUR FRIENDS HARPER AND BETHANY 516 00:22:18,592 --> 00:22:20,994 FROM INSIDE THE CAFE. 517 00:22:21,028 --> 00:22:23,163 A SINGLE EMOTICON. 518 00:22:23,196 --> 00:22:25,699 THIS IS NOT A HAPPY FACE. 519 00:22:25,733 --> 00:22:27,601 I DON'T UNDERSTAND. 520 00:22:27,635 --> 00:22:29,770 YOUR DAUGHTER'S FRIEND WENT MISSING, 521 00:22:29,803 --> 00:22:32,272 AND SHE TRIED TO COLLECT A RANSOM. 522 00:22:34,575 --> 00:22:36,844 IS THAT TRUE? 523 00:22:36,877 --> 00:22:39,547 AMBER, IS THAT TRUE? 524 00:22:42,049 --> 00:22:45,453 WE FIGURED TALIA WAS RUNNING AWAY TO BE WITH HER FATHER. 525 00:22:45,486 --> 00:22:47,455 I MEAN, WHY NOT GET SOME MONEY OUT OF IT? 526 00:22:48,756 --> 00:22:50,624 [ SIGHS ] 527 00:22:50,658 --> 00:22:53,927 SO I PUT THE RANSOM NOTE UNDER MRS. LENNOX'S WINDSHIELD. 528 00:22:53,961 --> 00:22:55,963 AND THE PROOF-OF-LIFE VIDEO? 529 00:22:55,996 --> 00:22:59,366 TALIA AND I GOT INTO A FIGHT BEFORE SHE RAN AWAY. 530 00:22:59,399 --> 00:23:01,234 I HIT HER, AND HARPER RECORDED IT. 531 00:23:01,268 --> 00:23:02,970 CAN I GO HOME NOW? 532 00:23:03,003 --> 00:23:05,372 NOW YOU HAVE TO TALK TO MY BOSS. 533 00:23:05,405 --> 00:23:08,442 HE'S NOT AS NICE AS I AM. 534 00:23:11,344 --> 00:23:14,982 ALL RIGHT, EVERYBODY -- HEY, WE'RE DONE HERE. 535 00:23:15,015 --> 00:23:16,884 THERE'S NO KIDNAPPING. 536 00:23:16,917 --> 00:23:18,452 WAIT A SECOND. JUST LIKE THAT? 537 00:23:18,486 --> 00:23:20,220 FBI DOESN'T DO RUNAWAYS. 538 00:23:20,253 --> 00:23:21,288 Man: ALL RIGHT, LET'S WRAP IT UP. 539 00:23:21,321 --> 00:23:23,156 [ INDISTINCT CONVERSATIONS ] 540 00:23:23,190 --> 00:23:24,892 [ SIGHS ] 541 00:23:24,925 --> 00:23:27,795 AND YOU ADMIT TO HITTING TALIA? 542 00:23:30,330 --> 00:23:32,299 DID YOU KILL HER? 543 00:23:34,968 --> 00:23:36,236 TAKE OFF YOUR HOODIE. 544 00:23:36,269 --> 00:23:37,170 I DON'T WANT TO. 545 00:23:37,204 --> 00:23:38,839 TAKE OFF YOUR DAMN HOODIE. 546 00:23:38,872 --> 00:23:40,340 [ SCOFFS ] 547 00:23:40,373 --> 00:23:41,441 [ GRUNTING ] 548 00:23:41,475 --> 00:23:45,212 NO! NO! NO! 549 00:23:51,451 --> 00:23:53,921 HER CELLPHONE BILL -- YOU PAY IT OR SHE DOES? 550 00:23:53,954 --> 00:23:54,988 I DO. 551 00:23:55,022 --> 00:23:56,023 I'D LIKE TO TAKE IT. 552 00:23:56,056 --> 00:23:57,991 NO. NO! 553 00:23:58,025 --> 00:24:01,194 NO! NO! NO! NO! NO! 554 00:24:01,228 --> 00:24:02,295 [ SCREAMS ] [ GRUNTS ] 555 00:24:02,329 --> 00:24:03,597 HEY! HEY! HEY! HEY! HEY! 556 00:24:03,631 --> 00:24:05,332 NO! NO, YOU DON'T UNDERSTAND! 557 00:24:05,365 --> 00:24:09,102 YOU CAN'T EVEN COMPREHEND WHAT HE CAN DO! 558 00:24:09,136 --> 00:24:10,538 LISTEN, NO ONE'S GONNA DO ANYTHING, HONEY. 559 00:24:10,571 --> 00:24:11,639 I WON'T LET THEM. 560 00:24:11,672 --> 00:24:13,173 NO! YOU DON'T UNDERSTAND. 561 00:24:13,206 --> 00:24:16,276 IF YOU FIND HIM THROUGH ME, HE'LL NEVER TAKE ME. 562 00:24:16,309 --> 00:24:18,178 HE'LL LEAVE ME HERE IN THE NORMAL WORLD 563 00:24:18,211 --> 00:24:20,514 WITH NORMAL PEOPLE, AND I CAN'T LIVE HERE. 564 00:24:20,548 --> 00:24:23,050 [ SNIFFLES ] I DESERVE SOMETHING BETTER. 565 00:24:23,083 --> 00:24:26,787 [ Crying ] I'M GONNA DIE IF I STAY HERE. 566 00:24:35,829 --> 00:24:39,733 DETECTIVE ALMOND, I DON'T THINK THIS IS GOOD NEWS. 567 00:24:41,034 --> 00:24:43,470 HEY, ERIC. 568 00:24:43,503 --> 00:24:45,172 YOU HERE TO EVICT ME? 569 00:24:45,205 --> 00:24:46,574 I CAN'T AFFORD TO CARRY YOU, JOHN. 570 00:24:46,607 --> 00:24:48,241 I'M NOT EVEN A MEMBER OF YOUR CHURCH. 571 00:24:48,275 --> 00:24:50,844 YOU SHOULD GO. HE'S REALLY GOOD. 572 00:24:50,878 --> 00:24:51,912 MOTO. 573 00:24:53,547 --> 00:24:55,816 OKAY. 574 00:24:55,849 --> 00:24:57,851 YOU'RE THREE MONTHS IN ARREARS. 575 00:24:57,885 --> 00:24:59,887 PEOPLE ARE HAVING A TOUGH TIME IN THIS ECONOMY. 576 00:24:59,920 --> 00:25:01,488 I'M ONE OF THEM. 577 00:25:01,521 --> 00:25:03,490 YOU KNOW, MAYBE GOD'S TRYING TO TELL YOU SOMETHING, JOHN. 578 00:25:03,523 --> 00:25:06,860 WHAT? GET A SECOND JOB? KEEP MY CHURCH ALIVE? 579 00:25:06,894 --> 00:25:09,529 THAT FELLA TOLD ME YOU'RE BUSY SAVING A GIRL'S LIFE. 580 00:25:09,563 --> 00:25:11,398 MAYBE GOD'S TRYING TO TELL YOU YOU'RE DOING 581 00:25:11,431 --> 00:25:13,634 EXACTLY WHAT HE WANTS YOU TO BE DOING. 582 00:25:16,804 --> 00:25:19,239 NO HARD FEELINGS, MAN. 583 00:25:27,280 --> 00:25:29,549 PAQUET CRACKED AMBER MORROW'S PHONE. 584 00:25:31,384 --> 00:25:33,854 THANKS TO AMBER'S SMARTPHONE, 585 00:25:33,887 --> 00:25:36,356 I WAS ABLE TO DISCOVER THE WEBSITE OF THE HOODED MAN 586 00:25:36,389 --> 00:25:37,858 THAT THE HOODIE GIRLS LOVE. 587 00:25:37,891 --> 00:25:39,259 Moto: THAT'S CREEPY. 588 00:25:39,292 --> 00:25:41,294 AND THAT'S THE OUTSIDE -- TO GET INSIDE, 589 00:25:41,328 --> 00:25:43,430 YOU NEED AN INVITATION FROM ONE OF THE FALLEN. 590 00:25:43,463 --> 00:25:44,397 WAS AMBER INVITED? 591 00:25:44,431 --> 00:25:45,766 NO. JUST TALIA. 592 00:25:45,799 --> 00:25:48,035 AND TALIA GOT AN INVITATION 593 00:25:48,068 --> 00:25:52,305 FROM A FALLEN BOY WHO CALLS HIMSELF "MINUS." 594 00:25:54,107 --> 00:25:56,209 Man: [ Distorted ] I INVITE YOU TO ENTER 595 00:25:56,243 --> 00:25:58,812 THE REALM OF THE FALLEN IF YOU KNOW THE INCANTATION. 596 00:25:58,846 --> 00:26:00,047 Almond: WHAT'S THE CODE? 597 00:26:00,080 --> 00:26:02,916 TRY OUR OLD FRIEND GIGBBIB. 598 00:26:02,950 --> 00:26:06,787 Niedermayer: "GOOD IS GOOD, BUT BAD IS BETTER." 599 00:26:06,820 --> 00:26:09,289 I'M GONNA HAVE NIGHTMARES. 600 00:26:09,322 --> 00:26:11,091 Nadia: THIS IS MINUS. 601 00:26:11,124 --> 00:26:13,794 THAT'S OUR PREDATOR. 602 00:26:13,827 --> 00:26:15,896 IN REAL LIFE, HE'S NOT A PRETTY BOY. 603 00:26:15,929 --> 00:26:17,998 IS THERE ANY WAY TO TRACE HIS REAL-LIFE WHEREABOUTS? 604 00:26:18,031 --> 00:26:20,300 NO. HE'S USING AN ANONYMIZER. 605 00:26:20,333 --> 00:26:24,137 MAYBE AMBER STRUCK TALIA TO KEEP HER FROM GOING TO MEET MINUS. 606 00:26:24,171 --> 00:26:26,006 [ CHUCKLES ] AMBER STRUCK TALIA 607 00:26:26,039 --> 00:26:28,075 BECAUSE TALIA GOT INVITED AND AMBER DIDN'T. 608 00:26:28,108 --> 00:26:29,943 SHE WAS JEALOUS. 609 00:26:29,977 --> 00:26:31,912 ALWAYS LOOKING FOR THE GOOD IN PEOPLE 610 00:26:31,945 --> 00:26:33,981 IS PROBABLY WHY YOUR CHURCH IS IN THE CRAPPER. 611 00:26:34,014 --> 00:26:37,117 I WANT YOU TO GO ONLINE. PRETEND TO BE MINUS. 612 00:26:37,150 --> 00:26:39,452 YOU WANT TO INVITE AMBER IN THIS WORLD? 613 00:26:39,486 --> 00:26:41,121 Gravely: HOLD ON A SECOND. 614 00:26:41,154 --> 00:26:44,958 YOU WANT PAQUET TO POSE AS A PEDERAST POSING AS A MINOR BOY 615 00:26:44,992 --> 00:26:46,960 TO ENTRAP A MINOR GIRL? 616 00:26:46,994 --> 00:26:48,862 SHE'LL BE POSING, GRAVELY. 617 00:26:48,896 --> 00:26:51,799 SHE WON'T ACTUALLY BE TORTURING SOMEONE TO DEATH IN A BASEMENT. 618 00:26:51,832 --> 00:26:53,033 [ SIGHS ] 619 00:26:53,066 --> 00:26:56,269 [ BUTTONS CLICKING ] 620 00:26:56,303 --> 00:26:58,638 [ Distorted ] AMBER, ARE YOU READY TO FALL? 621 00:27:09,649 --> 00:27:11,852 [ SIGHS ] 622 00:27:18,025 --> 00:27:21,862 [ COMPUTER BEEPING ] 623 00:27:21,895 --> 00:27:23,330 HEY, IT'S AMBER. 624 00:27:23,363 --> 00:27:25,665 SHE WANTS TO MEET MINUS IN PERSON. 625 00:27:25,699 --> 00:27:27,234 I WANT TO SEE YOU AGAIN. 626 00:27:27,267 --> 00:27:29,369 I CAN COME TO THE SAME PLACE. PLEASE, MINUS. 627 00:27:29,402 --> 00:27:32,005 SAY YES. WAIT. AMBER'S MET WITH MINUS BEFORE? 628 00:27:32,039 --> 00:27:34,141 HOW? MM, LET'S FIND OUT. SAY YES. 629 00:27:34,174 --> 00:27:36,009 BUT WE DON'T KNOW "THE SAME PLACE." 630 00:27:36,043 --> 00:27:37,377 WE KNOW THE PLACE. 631 00:27:37,410 --> 00:27:39,646 IT'S WHERE TALIA'S PHONE WENT OFF THE GRID. 632 00:27:39,679 --> 00:27:41,514 YES. TELL AMBER ONE HOUR. 633 00:27:41,548 --> 00:27:45,152 YES. SAME PLACE. ONE HOUR. 634 00:27:45,185 --> 00:27:46,920 YES! ALL RIGHT, I'M COMING WITH YOU. 635 00:27:46,954 --> 00:27:49,589 UH, NO. I'M GONNA NEED SOMEONE A LITTLE MORE FALLEN. 636 00:27:51,291 --> 00:27:53,727 Valentine: YOU KNOW, I KNOW WHAT IT IS WITH YOU AND THIS CASE. 637 00:27:53,761 --> 00:27:56,429 IT'S NOT JUST THE GIRL FROM SEVEN YEARS AGO. 638 00:27:56,463 --> 00:27:58,231 MY MOM TOLD ME. 639 00:27:58,265 --> 00:28:01,334 About your brothers and the bogeyman. 640 00:28:01,368 --> 00:28:03,203 They told you he was gonna come get you 641 00:28:03,236 --> 00:28:06,907 when you fell asleep, didn't they? 642 00:28:06,940 --> 00:28:09,176 AND I BELIEVED THEM. 643 00:28:09,209 --> 00:28:10,944 HOW MANY DAYS DID YOU STAY AWAKE? 644 00:28:10,978 --> 00:28:15,082 FOR THREE DAYS. 645 00:28:15,115 --> 00:28:20,253 I WENT PSYCHOTIC. I ACTUALLY SAW THE BOGEYMAN. 646 00:28:20,287 --> 00:28:23,623 THEY PUT ME IN A KIDS' PSYCH WARD FOR SIX WEEKS. 647 00:28:23,656 --> 00:28:25,625 [ DOOR HINGES CREAK ] 648 00:28:31,498 --> 00:28:34,902 MINUS, I CAME. THANK YOU. 649 00:28:34,935 --> 00:28:38,305 I'M READY. I'MREADY. 650 00:28:39,639 --> 00:28:42,209 WHERE'S YOUR CANE? 651 00:28:42,242 --> 00:28:45,913 [ SIGHS ] 652 00:28:45,946 --> 00:28:47,747 I'M NOT WHO YOU THINK I AM. 653 00:28:47,781 --> 00:28:50,818 WELL, WHO ARE YOU? DID -- DID MINUS SEND YOU? 654 00:28:50,851 --> 00:28:55,155 NOPE. HE'S JUST A GUY... NAMED VAL. 655 00:28:55,188 --> 00:28:57,157 NO. 656 00:28:57,190 --> 00:29:00,560 NO! 657 00:29:00,593 --> 00:29:01,461 [ GRUNTS ] 658 00:29:01,494 --> 00:29:02,963 I'M YOU. 659 00:29:02,996 --> 00:29:07,567 I'M A BORED, JADED GIRL LIVING IN A WORLD 660 00:29:07,600 --> 00:29:09,502 THAT'S BORING HER TO DEATH. 661 00:29:11,338 --> 00:29:13,306 DRUGS DON'T MAKE IT MORE EXCITING. 662 00:29:13,340 --> 00:29:15,775 SEX DOESN'T MAKE IT MORE EXCITING. 663 00:29:15,809 --> 00:29:17,344 THE ONLY THING THAT EXCITES ME 664 00:29:17,377 --> 00:29:21,414 IS THE IDEA THAT THERE'S A GATE TO ANOTHER WORLD, 665 00:29:21,448 --> 00:29:24,584 A BETTER WORLD WHERE EVERYTHING... 666 00:29:24,617 --> 00:29:29,456 ISN'T SO DULL. 667 00:29:29,489 --> 00:29:34,794 BUT THEN TALIA GETS INVITED THERE, NOT ME. 668 00:29:34,828 --> 00:29:38,999 BY THE BEAUTIFUL BOY WITH THE BIG EYES AND THE PALE FACE. 669 00:29:39,032 --> 00:29:41,168 [ SIGHS ] 670 00:29:41,201 --> 00:29:44,437 SO I KNOCK HER DOWN AND TAKE HER PLACE. 671 00:29:44,471 --> 00:29:46,673 BUT THERE IS NO BEAUTIFUL BOY. 672 00:29:46,706 --> 00:29:49,809 NO. NO, I SAW HIM. I SAW HIM RIGHT THERE. 673 00:29:49,843 --> 00:29:50,777 NO. 674 00:29:50,810 --> 00:29:54,481 IT WAS JUST A GUY LIKE ME 675 00:29:54,514 --> 00:29:57,017 WHO FOOLED HER AND TOOK HER... 676 00:29:57,050 --> 00:29:58,151 [ Voice breaking ] NO. 677 00:29:58,185 --> 00:30:01,488 ...AND IS RAPING, TORTURING, 678 00:30:01,521 --> 00:30:04,457 AND MURDERING YOUR FRIEND AS WE SPEAK. 679 00:30:04,491 --> 00:30:06,626 [ Crying ] NO. 680 00:30:06,659 --> 00:30:09,196 SHE'S CRYING 'CAUSE SHE FEELS GUILTY. 681 00:30:09,229 --> 00:30:13,133 NO. SHE'S CRYING BECAUSE SHE KNOWS YOU'RE RIGHT. 682 00:30:13,166 --> 00:30:15,635 YOU'RE CRYING BECAUSE YOU KNOW 683 00:30:15,668 --> 00:30:19,039 THERE IS NO BETTER WORLD THAN THIS. THIS IS ALL WE GET. 684 00:30:19,072 --> 00:30:21,674 AND SHE'S HEARTBROKEN. 685 00:30:23,911 --> 00:30:24,677 HEY, GIRLY. 686 00:30:26,346 --> 00:30:28,581 HE REJECTED YOU, DIDN'T HE? 687 00:30:28,615 --> 00:30:31,484 HE WAS SO BEAUTIFUL. 688 00:30:31,518 --> 00:30:35,188 NOT IN THE LIGHT. NOT WITH HIS HOOD OFF. 689 00:30:35,222 --> 00:30:38,291 I TRIED TO FOLLOW HIM, BUT HE DISAPPEARED. 690 00:30:39,226 --> 00:30:41,061 WHY DIDN'T HE WANT ME? 691 00:30:41,094 --> 00:30:42,896 YOU HAD THE WRONG EYES. 692 00:30:44,031 --> 00:30:46,199 SO HE HAD A CANE? 693 00:30:46,233 --> 00:30:49,036 YES. WITH A HOODED MAN ON TOP. 694 00:30:49,069 --> 00:30:50,203 HOW STYLISH. 695 00:30:50,237 --> 00:30:51,704 NO, NO. HE LIMPED. 696 00:30:51,738 --> 00:30:52,940 ANY OF YOUR SUSPECTS HAVE A LIMP? 697 00:30:52,973 --> 00:30:55,608 NO. WHAT ELSE? 698 00:30:55,642 --> 00:30:57,710 WHAT ELSE CAN YOU TELL US TO HELP US FIND HIM? 699 00:30:57,744 --> 00:30:59,646 I'VE TOLD YOU EVERYTHING. 700 00:31:01,381 --> 00:31:04,918 [ SIGHS ] THEN YOUR FRIEND IS DEAD. 701 00:31:15,963 --> 00:31:17,630 MAYBE YOUR BOGEYMAN HURT HIS LEG LATER. 702 00:31:17,664 --> 00:31:21,534 OR I NEVER GOT ANYWHERE CLOSE TO HIM SEVEN YEARS AGO. 703 00:31:21,568 --> 00:31:25,038 I DON'T KNOW. 704 00:31:25,072 --> 00:31:27,307 [ SIGHS ] 705 00:31:27,340 --> 00:31:29,476 WHAT AM I MISSING? 706 00:31:29,509 --> 00:31:31,744 [ SCOFFS ] 707 00:31:31,778 --> 00:31:33,413 WHY ARE YOU ASKING ME? 708 00:31:36,783 --> 00:31:38,485 WE ALL HAVE OUR OWN BOGEYMEN. 709 00:31:38,518 --> 00:31:43,456 I KNOW WHAT HAPPENED TO YOU. I READ THE POLICE REPORT. 710 00:31:43,490 --> 00:31:45,492 WELL, THEN, YOU ALREADY KNOW EVERYTHING. 711 00:31:45,525 --> 00:31:47,227 I KNOW HUSTLERS AND I KNOW YOU, 712 00:31:47,260 --> 00:31:51,164 AND I KNOW YOU TOLD THE POLICE AS LITTLE AS POSSIBLE. 713 00:31:51,198 --> 00:31:52,599 FINE. 714 00:31:52,632 --> 00:31:56,336 I WAS FRESH ON THE STREET, AND... 715 00:31:56,369 --> 00:31:59,572 HE GOT HIS HANDS ON ME BEFORE I DEVELOPED 716 00:31:59,606 --> 00:32:02,142 MY SURVIVAL INSTINCTS. 717 00:32:02,175 --> 00:32:04,644 MY STORY'S NO USE TO YOU. MY BOGEYMAN DIED 10 YEARS AGO. 718 00:32:04,677 --> 00:32:06,079 HE DOESN'T HAVE TALIA LENNOX. 719 00:32:06,113 --> 00:32:07,780 THEY'RE ALL THE SAME EVIL BASTARD. 720 00:32:07,814 --> 00:32:11,184 HE HAD YOU FOR THREE DAYS. 721 00:32:13,386 --> 00:32:15,622 YOU LOOKED STRAIGHT INTO HIS EYES 722 00:32:15,655 --> 00:32:17,657 WHILE HE DID THE THINGS HE DID TO YOU. 723 00:32:19,292 --> 00:32:20,960 HELP ME CATCH HIM. 724 00:32:23,696 --> 00:32:26,933 THE BOGEYMAN STARTS OUT KIND. 725 00:32:26,966 --> 00:32:34,374 HE MAKES YOU FEEL SPECIAL FOR BEING CHOSEN. 726 00:32:34,407 --> 00:32:36,343 THEN HE TELLS YOU HE LOVES YOU. 727 00:32:36,376 --> 00:32:37,210 WHICH IS A LIE. 728 00:32:37,244 --> 00:32:38,711 NO. 729 00:32:38,745 --> 00:32:41,314 NOT TO HIM, IT'S NOT. 730 00:32:41,348 --> 00:32:42,882 HE MEANS IT. 731 00:32:42,915 --> 00:32:46,853 BELIEVE ME WHEN I SAY... 732 00:32:46,886 --> 00:32:49,889 I NEVER BEEN LOOKED AT WITH SO MUCH LOVE. 733 00:32:49,922 --> 00:32:53,993 EVEN WHEN HE MARKED ME. 734 00:32:54,027 --> 00:32:55,395 HE TATTOOED YOU? 735 00:32:55,428 --> 00:32:56,996 NO. HE BRANDED ME WITH HIS CIGARETTE 736 00:32:57,030 --> 00:32:58,465 OVER AND OVER. 737 00:32:58,498 --> 00:33:01,468 I GOT TATTOOS TO COVER THE SCARS 738 00:33:01,501 --> 00:33:03,503 SO I WOULDN'T HAVE TO REMEMBER HIM EVERY DAY 739 00:33:03,536 --> 00:33:04,737 FOR THE REST OF MY LIFE. 740 00:33:06,373 --> 00:33:08,007 BUT YOU GOT AWAY. 741 00:33:08,041 --> 00:33:10,577 [ SIGHS ] 742 00:33:10,610 --> 00:33:13,046 I WAS FAST... 743 00:33:13,080 --> 00:33:15,682 AND LUCKY. 744 00:33:15,715 --> 00:33:18,885 ALL IN ALL, HE WASN'T SO BAD, YOU KNOW? 745 00:33:18,918 --> 00:33:20,920 [ SIGHS ] 746 00:33:20,953 --> 00:33:22,389 THERE ARE WORSE BOGEYMEN. 747 00:33:22,422 --> 00:33:24,491 [ CELLPHONE CLICKS, BEEPS ] 748 00:33:24,524 --> 00:33:26,259 [ Ringing ] 749 00:33:26,293 --> 00:33:28,328 MR. MORROW, THIS IS LIEUTENANT EVERETT BACKSTROM. 750 00:33:28,361 --> 00:33:29,696 SORRY TO BOTHER YOU SO EARLY. 751 00:33:29,729 --> 00:33:31,398 I'VE GOT ONE MORE QUESTION FOR YOUR DAUGHTER. 752 00:33:31,431 --> 00:33:34,667 HER AND HER FRIENDS -- WHERE DID THEY GET THEIR TATTOOS? 753 00:33:34,701 --> 00:33:36,669 [ INDISTINCT CONVERSATIONS ] 754 00:33:36,703 --> 00:33:39,072 ALMOND: Lieutenant, we're in position. 755 00:33:39,106 --> 00:33:40,573 Gravely: SOMEBODY'S COMING. 756 00:33:42,742 --> 00:33:44,744 [ MONITOR BEEPS ] 757 00:33:44,777 --> 00:33:46,346 HE'S LIMPING. 758 00:33:46,379 --> 00:33:49,382 THAT'S HIM. ALMOND, TAKE HIM DOWN. 759 00:33:53,886 --> 00:33:55,355 [ GRUNTS ] 760 00:33:55,388 --> 00:33:56,623 LET'S GO. 761 00:33:56,656 --> 00:33:59,959 ALL RIGHT. JUST TAKE IT EASY. WE GOT HIM. 762 00:33:59,992 --> 00:34:03,463 Wesley Lewis, we're taking you in for questioning. 763 00:34:04,764 --> 00:34:07,567 * THROWN 764 00:34:07,600 --> 00:34:11,204 * FROM THE FADING SKY 765 00:34:11,238 --> 00:34:13,406 [ DOGS BARKING ] 766 00:34:13,440 --> 00:34:17,577 * OUR HOPE 767 00:34:17,610 --> 00:34:20,147 * WILL FIND US 768 00:34:22,449 --> 00:34:24,651 * OUR HOPE 769 00:34:27,320 --> 00:34:32,091 * FROM THE WAY WE FLY 770 00:34:32,125 --> 00:34:34,961 * WILL RISE 771 00:34:36,996 --> 00:34:39,599 * LIKE MOUNTAINS 772 00:34:39,632 --> 00:34:42,969 Man: PORTLAND POLICE HOPE TO FIND MISSING TEEN TALIA LENNOX 773 00:34:43,002 --> 00:34:45,738 AT THIS VIRTUALLY ABANDONED FORMER JUNKYARD. 774 00:34:45,772 --> 00:34:47,940 WHY AREN'T THEY FINDING ANYTHING? 775 00:34:47,974 --> 00:34:49,609 UNCONFIRMED SOURCES IDENTIFY 776 00:34:49,642 --> 00:34:51,911 BURNSIDE TATTOO ARTIST WESLEY LEWIS 777 00:34:51,944 --> 00:34:54,447 AS THE MAIN SUSPECT IN THE GIRL'S ABDUCTION. 778 00:34:54,481 --> 00:34:57,284 YOU KNOW. TALK. 779 00:34:59,286 --> 00:35:00,687 WE FOUND SOME WOMEN'S CLOTHING IN A CLOSET 780 00:35:00,720 --> 00:35:02,489 AND EVIDENCE OF A BABY. 781 00:35:02,522 --> 00:35:05,992 MY WIFE LEFT WITH OUR DAUGHTER MONTHS AGO. 782 00:35:06,025 --> 00:35:07,494 SHE REALIZED YOU WERE A HOMICIDAL FREAK? 783 00:35:07,527 --> 00:35:09,296 CAN YOU PROVIDE HER WHEREABOUTS? 784 00:35:09,329 --> 00:35:11,531 I WOULD LOVE TO KNOW WHERE SHE IS. 785 00:35:11,564 --> 00:35:14,066 LYING IN A SHALLOW GRAVE NEXT TO LACY SIDDON. 786 00:35:15,735 --> 00:35:18,271 AH. 787 00:35:18,305 --> 00:35:19,939 DETECTIVE DUNN, 788 00:35:19,972 --> 00:35:23,210 DID YOU OR YOUR TEAM DISCOVER A CANE WITH A HOODED MAN 789 00:35:23,243 --> 00:35:24,211 ON THE HANDLE? 790 00:35:24,244 --> 00:35:26,213 I'LL GO CHECK. 791 00:35:26,246 --> 00:35:28,848 PUT HIM IN THE BACK OF A CRUISER, PLEASE. 792 00:35:32,352 --> 00:35:34,487 IS THIS WHAT YOU'RE LOOKING FOR? 793 00:35:36,356 --> 00:35:39,459 THAT'S IT. BUT THERE'S NO LAW AGAINST OWNING A CREEPY CANE. 794 00:35:39,492 --> 00:35:40,793 WE HAVEN'T FOUND ANYTHING TO HOLD HIM ON. 795 00:35:40,827 --> 00:35:42,529 TELL YOU SOMETHING ELSE -- 796 00:35:42,562 --> 00:35:44,531 10 MINUTES AFTER THAT GUY GETS A LAWYER, HE'S A FREE MAN. 797 00:35:44,564 --> 00:35:47,234 AND HE'LL KILL TALIA. 798 00:35:47,267 --> 00:35:49,702 WE'LL NEVER FIND HER -- SAME AS LACY SIDDON. 799 00:35:49,736 --> 00:35:51,504 LIEUTENANT, WE'RE RUNNING OUT OF TIME. 800 00:35:51,538 --> 00:35:53,506 WE HAVE TO THINK OF SOMETHING FAST. 801 00:35:53,540 --> 00:35:54,807 DAMN IT! NO. 802 00:35:54,841 --> 00:35:57,577 IT'S TIME TO THINK OF SOMETHING SLOW. 803 00:35:58,611 --> 00:35:59,812 WE NEED TO PRAY. 804 00:35:59,846 --> 00:36:01,248 [ LAUGHS ] 805 00:36:04,351 --> 00:36:08,355 SERIOUSLY? OKAY, GOOD. KNOCK YOURSELVES OUT. 806 00:36:08,388 --> 00:36:10,723 LIEUTENANT, YOU SAID THAT YOU'D DO WHATEVER IT TAKES 807 00:36:10,757 --> 00:36:12,058 TO CATCH THAT BOGEYMAN. 808 00:36:25,405 --> 00:36:26,773 [ GROANS ] 809 00:36:30,042 --> 00:36:32,445 AS OPTIONS DWINDLE IN THE SEARCH FOR TALIA LENNOX... 810 00:36:32,479 --> 00:36:34,281 WHAT IS HAPPENING HERE? 811 00:36:34,314 --> 00:36:37,083 ...THE PRINCIPAL INVESTIGATORS OF THE SPECIAL CRIME UNIT 812 00:36:37,116 --> 00:36:39,619 ARE EITHER LOOKING FOR SOLACE OR A MIRACLE. 813 00:36:39,652 --> 00:36:42,855 BACKSTROM IS IN A PRAYER CIRCLE? [ CHUCKLES ] 814 00:36:42,889 --> 00:36:44,190 BEING LED IN PRAYER BY DETECTIVE JOHN ALMOND, 815 00:36:44,223 --> 00:36:45,592 WHO I'M TOLD PREACHES 816 00:36:45,625 --> 00:36:47,794 AT THE JOY OF EVERLASTING LIGHT CHURCH. 817 00:36:47,827 --> 00:36:51,531 Almond: LORD, WE ASK YOU, PLEASE DELIVER TALIA LENNOX 818 00:36:51,564 --> 00:36:55,868 INTO THE HANDS OF HER MOTHER IF IT BE YOUR WILL, 819 00:36:55,902 --> 00:36:58,405 FOR SHE IS ONLY A CHILD. 820 00:36:58,438 --> 00:37:01,774 LORD. HA HA. 821 00:37:01,808 --> 00:37:05,545 WE THANK YOU FOR DETECTIVE JOHN ALMOND 822 00:37:05,578 --> 00:37:08,748 REMINDING ME THAT TALIA IS ONLY A CHILD, 823 00:37:08,781 --> 00:37:11,418 AND THERE IS A LAW IN THE STATE OF OREGON 824 00:37:11,451 --> 00:37:14,454 AGAINST TATTOOING UNDERAGE CHILDREN! 825 00:37:14,487 --> 00:37:17,390 I CAN HOLD THAT SON OF A BITCH FOR 72 HOURS, 826 00:37:17,424 --> 00:37:18,691 LAWYER OR NO LAWYER! 827 00:37:19,992 --> 00:37:21,961 YOU SEE THAT? DID YOU SEE HIM CLAP? 828 00:37:21,994 --> 00:37:23,330 MM-HMM. 829 00:37:23,363 --> 00:37:26,165 THAT'S THE CLOSEST THING HE GETS TO HAPPY. 830 00:37:31,304 --> 00:37:32,672 HOW LONG WILL THIS TAKE? 831 00:37:32,705 --> 00:37:36,476 I'M A SOCIOPATHIC CHILD RAPIST 832 00:37:36,509 --> 00:37:40,079 WHO PREYS ON LONELY GIRLS. 833 00:37:40,112 --> 00:37:43,483 NO, I GET IT. YOU'RE A FREAK. 834 00:37:43,516 --> 00:37:45,652 YEAH, SURE, YOU'RE A PERV. 835 00:37:45,685 --> 00:37:50,323 BUT WHAT'S WITH THE DIFFERENT-COLORED EYES? 836 00:37:50,357 --> 00:37:52,859 I MEAN, THAT'S PRETTY RARE, RIGHT? 837 00:37:52,892 --> 00:37:56,929 MAKES IT A HELL OF A LOT HARDER TO FIND YOUR VICTIMS. 838 00:37:56,963 --> 00:37:59,799 CAN'T I JUST PAY A FINE FOR TATTOOING THOSE GIRLS? 839 00:37:59,832 --> 00:38:01,801 IT DOESN'T HAVE TO DO WITH SOME CREEPY, 840 00:38:01,834 --> 00:38:03,703 MOTHER/SON STUFF, DOES IT? 841 00:38:03,736 --> 00:38:08,040 STEPMOM WITH DIFFERENT-COLORED EYES GAVE LITTLE WESLEY A BATH? 842 00:38:08,074 --> 00:38:12,311 HELL, I'LL LEAVE THAT ONE FOR THE PRISON PSYCHIATRISTS. 843 00:38:12,345 --> 00:38:14,347 I'D LIKE TO GO HOME. 844 00:38:14,381 --> 00:38:16,849 I HAVE YOU FOR A 72-HOUR HOLD. 845 00:38:16,883 --> 00:38:19,051 I PLAN ON US SPENDING EVERY MINUTE OF THAT TOGETHER. 846 00:38:19,085 --> 00:38:21,320 CRUEL AND UNUSUAL PUNISHMENT. 847 00:38:21,354 --> 00:38:24,056 DO YOU BELIEVE IN LOVE AT FIRST SIGHT? 848 00:38:25,558 --> 00:38:26,859 YES. 849 00:38:26,893 --> 00:38:29,328 YEAH. 850 00:38:29,362 --> 00:38:32,532 EXCEPT IT'S NOT LOVE, IS IT? 851 00:38:34,200 --> 00:38:36,235 YOU DON'T KNOW HOW TO LOVE. 852 00:38:36,268 --> 00:38:38,405 [ CHUCKLES ] 853 00:38:38,438 --> 00:38:44,411 YOU'VE NEVER LOVED ANYTHING MORE THAN YOURSELF. 854 00:38:44,444 --> 00:38:48,247 YOU'LL NEVER HAVE A WIFE, NEVER HAVE A CHILD. 855 00:38:48,280 --> 00:38:49,982 LOOK AT YOU. 856 00:38:50,016 --> 00:38:52,084 WHO'S THE OUTCAST? 857 00:38:52,118 --> 00:38:53,753 WHO'S THE PERV? 858 00:38:56,589 --> 00:38:57,857 [ SIGHS ] 859 00:38:57,890 --> 00:38:59,992 WE SEARCHED YOUR PROPERTY. 860 00:39:00,026 --> 00:39:01,761 AND PROBLEM IS, 861 00:39:01,794 --> 00:39:04,330 WE WERE LOOKING FOR PLACES WHERE YOU'D KEEP A LIVE PERSON. 862 00:39:04,363 --> 00:39:06,866 YOU KNOW, A VENTILATION PIPE OR AIR SHAFT. 863 00:39:06,899 --> 00:39:09,068 WE SHOULD'VE BEEN LOOKING FOR GRAVES. 864 00:39:09,101 --> 00:39:11,571 YOU SEE, IF TALIA'S DEAD, 865 00:39:11,604 --> 00:39:14,106 IT DOESN'T MATTER HOW LONG IT TAKES FOR US TO FIND HER. 866 00:39:14,140 --> 00:39:18,611 BUT IF SHE'S ALIVE, IT MATTERS. 867 00:39:18,645 --> 00:39:20,947 SHE MIGHT BE RUNNING OUT OF AIR. 868 00:39:20,980 --> 00:39:22,849 SO IF YOU TELL US 869 00:39:22,882 --> 00:39:28,721 WHERE TALIA IS BEFORE SHE DIES, 870 00:39:28,755 --> 00:39:32,725 YOU'LL JUST BE CHARGED WITH KIDNAPPING AND YOU'LL LIVE. 871 00:39:32,759 --> 00:39:36,963 BUT IF WE DIG UP YOUR ENTIRE PROPERTY -- 872 00:39:36,996 --> 00:39:40,567 AND, OH, WE WILL -- AND WE FIND HER DEAD, 873 00:39:40,600 --> 00:39:42,569 LETHAL INJECTION. 874 00:39:42,602 --> 00:39:47,474 IF SH DIES, IT'S ON YOU. 875 00:39:47,507 --> 00:39:51,043 MAYBE SO. 876 00:39:51,077 --> 00:39:53,112 LIKE YOU SAID... 877 00:39:53,145 --> 00:39:56,449 I'M ME -- WORSE THAN YOU. 878 00:39:56,483 --> 00:39:58,585 I'VE NEVER LOVED ANYBODY. 879 00:39:58,618 --> 00:40:00,587 I NEVER WILL. 880 00:40:00,620 --> 00:40:03,155 WHILE THE WORLD IS FILLED WITH WALKING CORPSES 881 00:40:03,189 --> 00:40:04,957 WHO DON'T EVEN KNOW THEY'RE DEAD. 882 00:40:04,991 --> 00:40:09,095 WELL, WHAT'S ONE MORE LITTLE GIRL? 883 00:40:10,162 --> 00:40:11,263 [ DOOR SLAMS ] 884 00:40:16,469 --> 00:40:18,104 [ DOOR CLOSES ] 885 00:40:18,137 --> 00:40:19,572 WOW. HE DIDN'T MEAN IT. 886 00:40:19,606 --> 00:40:22,108 HE WAS JUST PUTTING INTENSE PRESSURE ON LEWIS. 887 00:40:32,118 --> 00:40:34,120 WELL, I SAY WE GET A TEAM OUT THERE TO START DIGGING. 888 00:40:34,153 --> 00:40:34,954 WE COULD GET LUCKY. 889 00:40:34,987 --> 00:40:36,288 GROUND-PIERCING RADAR. 890 00:40:36,322 --> 00:40:37,456 WAIT. WHAT'S HE DOING? 891 00:40:39,526 --> 00:40:41,227 CIRCLING SOMETHING. 892 00:40:42,629 --> 00:40:45,498 IT'S THE DOGS. 893 00:40:45,532 --> 00:40:50,436 * WHEN YOU HIDE IN THE MEADOWS 894 00:40:50,469 --> 00:40:52,772 * FEELIN' BLACK AND BLUE 895 00:40:52,805 --> 00:40:55,975 [ DOGS BARKING, INDISTINCT CONVERSATIONS ] 896 00:40:56,008 --> 00:40:58,444 * BE TRUE TO YOUR SPIRIT 897 00:40:58,477 --> 00:41:02,348 * HOLD 898 00:41:02,381 --> 00:41:03,883 [ GRUNTS ] 899 00:41:03,916 --> 00:41:07,386 HEY, LOOK! LOOK. 900 00:41:07,419 --> 00:41:09,689 THIS MOVES. 901 00:41:12,559 --> 00:41:14,193 WE NEED BOLT CUTTERS. 902 00:41:14,226 --> 00:41:15,862 COME ON! 903 00:41:16,929 --> 00:41:17,930 [ GRUNTS ] 904 00:41:23,603 --> 00:41:26,005 WE'VE GOT TALIA. IS THAT LACY? 905 00:41:26,038 --> 00:41:27,239 OH, DEAR GOD. 906 00:41:48,861 --> 00:41:50,396 LIEUTENANT! 907 00:41:50,429 --> 00:41:51,998 THEY'RE ALIVE! 908 00:41:52,031 --> 00:41:54,901 WE'RE GONNA NEED A LADDER HERE. 909 00:42:04,410 --> 00:42:08,915 DEAR LORD, WE THANK YOU FOR THE SAFE RETURN 910 00:42:08,948 --> 00:42:12,418 OF TALIA LENNOX 911 00:42:12,451 --> 00:42:14,721 INTO THE LOVING ARMS OF HER MOTHER. 912 00:42:14,754 --> 00:42:16,689 All: AMEN. 913 00:42:16,723 --> 00:42:18,625 Almond: AMEN. Man: AMEN. 914 00:42:18,658 --> 00:42:22,862 AND WE THANK YOU FOR THE SAFE RETURN OF LACY SIDDON 915 00:42:22,895 --> 00:42:26,766 AND HER CHILD TO YOUR BEAUTIFUL, WIDE WORLD. 916 00:42:26,799 --> 00:42:28,234 All: AMEN. 917 00:42:28,267 --> 00:42:30,136 BEAUTIFUL, YES. 918 00:42:30,169 --> 00:42:32,038 AMEN. 919 00:42:32,071 --> 00:42:35,742 THANKS TO THE POWER OF PRAYER -- AND TELEVISION -- 920 00:42:35,775 --> 00:42:37,877 THE PEOPLE OF PORTLAND, OREGON, 921 00:42:37,910 --> 00:42:41,447 OPENED THEIR HEARTS TO THIS CHURCH AND TO THIS CONGREGATION 922 00:42:41,480 --> 00:42:45,117 TO THE TUNE OF ONE YEAR'S RENT. 923 00:42:45,151 --> 00:42:46,085 [ CHUCKLES ] 924 00:42:46,118 --> 00:42:47,153 [ CHEERS AND APPLAUSE ] 925 00:42:47,186 --> 00:42:50,322 Woman: AH, YEAH. 926 00:42:50,356 --> 00:42:53,059 PRAISE JESUS! 927 00:42:53,092 --> 00:42:57,830 BUT WE HAVE ONE MORE THING TO BE THANKFUL FOR. 928 00:42:57,864 --> 00:43:01,333 DEAR LORD, THANK YOU FOR EVERETT BACKSTROM. 929 00:43:01,367 --> 00:43:05,571 WE ALL KNOW THAT EVIL CAN CLOAK ITSELF IN BEAUTY. 930 00:43:05,604 --> 00:43:08,474 YES, IT CAN. 931 00:43:08,507 --> 00:43:10,609 BUT GOOD CAN ALSO CONFUSE US... 932 00:43:10,643 --> 00:43:13,846 [ BELCHES ] ...IN DEPORTMENT AND APPEARANCE. 933 00:43:16,515 --> 00:43:17,950 AMEN.