1 00:00:04,003 --> 00:00:05,837 Hey, surprise! We're back with another 2 00:00:05,839 --> 00:00:07,238 "talking dead: Home edition" for "fear." 3 00:00:07,240 --> 00:00:09,241 You know, that happens sometimes. So here we are. 4 00:00:09,243 --> 00:00:11,243 And I'm very excited, 'cause this was an incredible episode 5 00:00:11,245 --> 00:00:13,979 Of "fear." we could not pass up covering this one. 6 00:00:13,981 --> 00:00:17,983 Tonight, we met the man who john dorie called dad, 7 00:00:17,985 --> 00:00:20,519 Played by film and television legend keith carradine. 8 00:00:20,521 --> 00:00:22,021 We also saw June give her husband 9 00:00:22,023 --> 00:00:25,590 An incredibly emotional funeral, which he very much deserved. 10 00:00:25,592 --> 00:00:28,927 Dwight and sherry finally worked out some issues from their past, 11 00:00:28,929 --> 00:00:32,731 One being negan himself. But dwight and sherry, 12 00:00:32,733 --> 00:00:34,332 Will they truly be able to start over 13 00:00:34,334 --> 00:00:36,167 Knowing that negan is still out there? 14 00:00:36,169 --> 00:00:38,470 And will June and john sr. Be able to hold on to the values 15 00:00:38,472 --> 00:00:40,539 That john jr. Believed in? 16 00:00:40,541 --> 00:00:42,541 And what exactly is teddy's plan, 17 00:00:42,543 --> 00:00:45,077 And how will they stop this bearded man? 18 00:00:45,079 --> 00:00:46,744 We have some inside info from tonight's episode 19 00:00:46,746 --> 00:00:48,113 That you can't get anywhere else 20 00:00:48,115 --> 00:00:49,814 And an exclusive sneak peek of next week's episode 21 00:00:49,816 --> 00:00:51,416 Of "fear the walking dead." 22 00:00:51,418 --> 00:00:54,119 My guests tonight -- jenna elfman, aka June, 23 00:00:54,121 --> 00:00:56,321 Christine evangelista, who you know as sherry, 24 00:00:56,323 --> 00:00:58,557 Keith carradine, who plays john dorie sr., 25 00:00:58,559 --> 00:01:00,425 And friend of the show 26 00:01:00,427 --> 00:01:03,361 Who is now employed in "the walking dead" universe -- 27 00:01:03,363 --> 00:01:05,497 She directed tonight's episode -- 28 00:01:05,499 --> 00:01:07,766 Aisha tyler is here. I am chris hardwick, 29 00:01:07,768 --> 00:01:10,135 And this is "talking dead: Home edition." 30 00:01:10,137 --> 00:01:16,374 ♪♪ 31 00:01:16,376 --> 00:01:22,614 ♪♪ 32 00:01:22,616 --> 00:01:23,815 The conversation's just beginning. 33 00:01:23,817 --> 00:01:25,918 We want to hear from you. Tweet us or hit us up 34 00:01:25,920 --> 00:01:29,455 On instagram @amctalkingdead or go to our facebook page. 35 00:01:29,457 --> 00:01:31,256 But for now, please say hello to my guests, 36 00:01:31,258 --> 00:01:32,524 Jenna elfman, christine evangelista, 37 00:01:32,526 --> 00:01:34,726 Keith carradine, aisha tyler, 38 00:01:34,728 --> 00:01:37,862 All here on the virtual couch, 39 00:01:37,864 --> 00:01:43,135 Which now looks like squares in cyberspace. 40 00:01:43,137 --> 00:01:46,672 Keith, it is such a pleasure and an honor to meet you. 41 00:01:46,674 --> 00:01:51,743 I am -- I was so excited to see that you were cast in this role. 42 00:01:51,745 --> 00:01:53,878 I've been a fan of yours for many years. 43 00:01:53,880 --> 00:01:56,748 So many -- so many great "deadwood" episodes. 44 00:01:56,750 --> 00:01:58,383 If I'm not mistaken, 45 00:01:58,385 --> 00:02:01,019 Garret dillahunt kill-- his character 46 00:02:01,021 --> 00:02:02,988 Kills your character in "deadwood." 47 00:02:02,990 --> 00:02:04,189 Is that not correct? 48 00:02:04,191 --> 00:02:06,024 Garret dillahunt is the reason 49 00:02:06,026 --> 00:02:10,896 I only got to do four episodes of that show, you know? 50 00:02:10,898 --> 00:02:13,765 And I still have a bone to pick with him about that, 51 00:02:13,767 --> 00:02:15,500 Because I would have liked to have hung around. 52 00:02:15,502 --> 00:02:18,337 It was a great show, and because of him, I had to leave 53 00:02:18,339 --> 00:02:20,305 After episode 4 -- well, it was actually in episode 5. 54 00:02:20,307 --> 00:02:21,707 I was a corpse. 55 00:02:21,709 --> 00:02:25,010 But yeah, garret. Yeah, he -- he killed me. 56 00:02:25,012 --> 00:02:26,345 He was jack mccall. Well, now you're here 57 00:02:26,347 --> 00:02:28,647 On this show as john dorie sr. 58 00:02:28,649 --> 00:02:30,382 And this perpetual, 59 00:02:30,384 --> 00:02:31,984 Like -- I call it, "walking deadwood," 60 00:02:31,986 --> 00:02:33,852 'cause there's a lot of really great -- 61 00:02:33,854 --> 00:02:36,588 Kim dickens came on "the walking dead," garret, you. 62 00:02:36,590 --> 00:02:41,326 Like, there's a really great sharing program that we have. 63 00:02:41,328 --> 00:02:43,461 Did they tell you about john dorie sr.'s backstory 64 00:02:43,463 --> 00:02:44,930 When they offered you the role? 65 00:02:44,932 --> 00:02:47,532 They told me -- the first thing they told me was 66 00:02:47,534 --> 00:02:50,869 That I was going to be playing garret dillahunt's father. 67 00:02:50,871 --> 00:02:52,371 Right. And when I heard that, 68 00:02:52,373 --> 00:02:54,139 I got really excited, because having worked 69 00:02:54,141 --> 00:02:56,475 With garra-- garret a couple of times, on "deadwood" 70 00:02:56,477 --> 00:02:58,343 The first time, and then the second time on "raising hope" 71 00:02:58,345 --> 00:03:00,946 When he was playing my daughter martha's husband. 72 00:03:00,948 --> 00:03:04,015 And he's just -- he's one of the best actors I know. 73 00:03:04,017 --> 00:03:06,151 And I was very excited at the prospect 74 00:03:06,153 --> 00:03:07,819 Of being able to work with garret again. 75 00:03:07,821 --> 00:03:09,888 And then they told me, "well, 76 00:03:09,890 --> 00:03:11,756 You're not going to actually get to work with garret. 77 00:03:11,758 --> 00:03:14,025 You're playing his father, but he's gone." 78 00:03:14,027 --> 00:03:17,428 And -- and then I learned more from there as time went on 79 00:03:17,430 --> 00:03:20,231 And they developed the script, and they told me more 80 00:03:20,233 --> 00:03:23,235 About the backstory of my relationship with him 81 00:03:23,237 --> 00:03:27,872 As my son and who I've been, what I've been doing 82 00:03:27,874 --> 00:03:31,976 For the last 40 years or so since -- since I last saw him. 83 00:03:31,978 --> 00:03:36,181 Now, jenna, we did not get to do a "talking dead" for 609. 84 00:03:36,183 --> 00:03:41,653 So this is just sort of -- this is a make-up question for that, 85 00:03:41,655 --> 00:03:44,022 Just about how you felt about June 86 00:03:44,024 --> 00:03:46,524 Being the one to kill virginia. 87 00:03:46,526 --> 00:03:51,530 I loved that I got to be the one to do the "honors," 88 00:03:51,532 --> 00:03:55,667 Because -- and it's a funny thing. The first mome-- I mean, 89 00:03:55,669 --> 00:04:00,739 Colby minifie did such an extraordinary job as virginia. 90 00:04:00,741 --> 00:04:03,275 And I remember the very first moment 91 00:04:03,277 --> 00:04:05,844 Her character came on-camera. We were at tank town filming, 92 00:04:05,846 --> 00:04:09,281 And she hopped off her horse, and, oh, my god, 93 00:04:09,283 --> 00:04:13,351 This character just sent, like, the worst feel-- 94 00:04:13,353 --> 00:04:16,154 Like, just made the hairs on the back of my neck, 95 00:04:16,156 --> 00:04:18,090 As June, stand up. 96 00:04:18,092 --> 00:04:23,227 Like, as June, I had a very visceral reaction to this woman, 97 00:04:23,229 --> 00:04:27,032 Because everything about her felt like completely 98 00:04:27,034 --> 00:04:29,701 The opposite of what we as a group were. 99 00:04:29,703 --> 00:04:31,903 And I remember I told ian and andrew that, 100 00:04:31,905 --> 00:04:34,305 And they said there was something about 101 00:04:34,307 --> 00:04:36,441 That that happened to me that actually inspired them 102 00:04:36,443 --> 00:04:38,443 To have June be the one that killed -- 103 00:04:38,445 --> 00:04:41,980 You know, it really just makes sense, because, 104 00:04:41,982 --> 00:04:45,584 You know, dakota's a child, and it is virginia. 105 00:04:45,586 --> 00:04:49,787 And when you look at her backstory and all of her crimes 106 00:04:49,789 --> 00:04:54,126 And the fact that this beautiful character john 107 00:04:54,128 --> 00:04:58,196 Had to die alone and had to die at the hand of a child 108 00:04:58,198 --> 00:05:00,732 Who thinks it's totally okay just to kill people 109 00:05:00,734 --> 00:05:03,301 'cause you're in a bad mood about them. 110 00:05:03,303 --> 00:05:06,305 It felt like the right thing for June to kind of come around 111 00:05:06,307 --> 00:05:09,407 And take care of that, because I feel like, you know, 112 00:05:09,409 --> 00:05:12,277 When we saw in 609, many people wanted to be the one 113 00:05:12,279 --> 00:05:14,879 To sort of have the satisfaction of taking down virginia. 114 00:05:14,881 --> 00:05:18,517 But I think it had to really mean something. 115 00:05:18,519 --> 00:05:21,820 And I think it -- you know, the loss of john, 116 00:05:21,822 --> 00:05:24,956 You needed kind of, like, a comparable 117 00:05:24,958 --> 00:05:30,962 Magnitude of energy, you know, to -- in revenge. 118 00:05:30,964 --> 00:05:32,463 And that was good. Yeah, because especially also June, 119 00:05:32,465 --> 00:05:33,865 It's like, "I saved your life once. 120 00:05:33,867 --> 00:05:36,067 I'm not making that -- not doing that again," 121 00:05:36,069 --> 00:05:39,237 You know, kind of a thing. No. 122 00:05:39,239 --> 00:05:41,373 Christine -- not -- not even close. 123 00:05:41,375 --> 00:05:43,341 Christine, I want to ask a -- I want to -- I want to get into 124 00:05:43,343 --> 00:05:45,977 Some dwight and sherry talk. 125 00:05:45,979 --> 00:05:49,781 What does it mean to sherry that she and dwight 126 00:05:49,783 --> 00:05:52,717 Have this chance after all this time to just start over? 127 00:05:52,719 --> 00:05:54,386 I think it's this -- [sighs] 128 00:05:54,388 --> 00:05:57,455 I mean, it's just this moment of release for sherry 129 00:05:57,457 --> 00:06:02,260 That she doesn't have to go through this alone anymore. 130 00:06:02,262 --> 00:06:05,997 She's been carrying so much of the trauma and the resentment 131 00:06:05,999 --> 00:06:08,800 And the anger that she's experienced from negan 132 00:06:08,802 --> 00:06:11,670 And having all of that displaced anger 133 00:06:11,672 --> 00:06:13,939 And putting it out anywhere that she could 134 00:06:13,941 --> 00:06:15,407 And on this journey by herself. 135 00:06:15,409 --> 00:06:17,409 And what I love so much about this episode 136 00:06:17,411 --> 00:06:21,279 Is that all of these characters are, in one way or another, 137 00:06:21,281 --> 00:06:24,015 Putting something to rest. 138 00:06:24,017 --> 00:06:27,618 And they're all kind of getting over 139 00:06:27,620 --> 00:06:29,154 The things that they've been carrying 140 00:06:29,156 --> 00:06:31,156 Or the the pain that they've had. 141 00:06:31,158 --> 00:06:34,059 And I think with sherry reuniting with dwight, 142 00:06:34,061 --> 00:06:36,995 It's all a part of that. And, you know, she can -- 143 00:06:36,997 --> 00:06:39,898 He can help her forgive herself 144 00:06:39,900 --> 00:06:42,367 For everything that she's been put through, 145 00:06:42,369 --> 00:06:44,169 I think, with negan. 146 00:06:44,171 --> 00:06:47,038 I really want to, just 'cause we have a couple minutes left 147 00:06:47,040 --> 00:06:50,642 In this first part of the show, and I just want to say to aisha, 148 00:06:50,644 --> 00:06:52,410 Beautiful job directing this episode. 149 00:06:52,412 --> 00:06:54,779 I mean, knowing what a hard-core fan you are 150 00:06:54,781 --> 00:06:56,247 Of "the walking dead" universe, 151 00:06:56,249 --> 00:06:58,816 Having had you as a guest many times on the show 152 00:06:58,818 --> 00:07:01,520 And then seeing this incredible episode that you directed, 153 00:07:01,522 --> 00:07:05,056 I could -- I was -- I was so -- I mean, not surprised 154 00:07:05,058 --> 00:07:06,391 That it was amazing by any means, 155 00:07:06,393 --> 00:07:10,996 But just so blown away and so excited for you. 156 00:07:10,998 --> 00:07:13,397 Were there easter eggs? What was the experience like? 157 00:07:13,399 --> 00:07:17,402 Just anything you can share before we go to break. 158 00:07:17,404 --> 00:07:21,005 You know, it was transformative for me for a lot of reasons. 159 00:07:21,007 --> 00:07:22,507 And I think, like, 13-year-old me, 160 00:07:22,509 --> 00:07:24,175 Who's a -- who's a "walking dead" world fan 161 00:07:24,177 --> 00:07:26,811 Obviously was plotzing. But to work with 162 00:07:26,813 --> 00:07:31,682 This incredible kind of powerhouse group of actors 163 00:07:31,684 --> 00:07:35,887 Who all just brought, like, just a-plus game every day, 164 00:07:35,889 --> 00:07:38,589 And it was awesome for me as a director. 165 00:07:38,591 --> 00:07:41,827 It was really an extraordinary artistic experience. 166 00:07:41,829 --> 00:07:45,029 And for the fans, this episode is so -- 167 00:07:45,031 --> 00:07:48,033 This is an easter egg basket, y'all, like, 168 00:07:48,035 --> 00:07:51,102 We put so many hidden messages in this episode for people. 169 00:07:51,104 --> 00:07:53,004 There's references to the mothership, 170 00:07:53,006 --> 00:07:57,108 To -- to the lone walker in 210. 171 00:07:57,110 --> 00:07:58,776 There is a -- there are a lot of -- 172 00:07:58,778 --> 00:08:00,144 Every walker in this episode 173 00:08:00,146 --> 00:08:01,913 Represents something in "the walking dead" world. 174 00:08:01,915 --> 00:08:03,315 So I really encourage people to look for them, 175 00:08:03,317 --> 00:08:06,251 Because we buried a lot of magic, 176 00:08:06,253 --> 00:08:08,853 Not just magic acting, not just magic emotion, 177 00:08:08,855 --> 00:08:11,523 But a lot of, like, cool "walking dead" world stuff 178 00:08:11,525 --> 00:08:13,457 In this episode. And wasn't it the lone walker 179 00:08:13,459 --> 00:08:16,461 At the end? Was that the -- which one was the sort of 180 00:08:16,463 --> 00:08:18,062 End of old June? So, for you guys -- 181 00:08:18,064 --> 00:08:19,731 The -- the one as I approach morgan 182 00:08:19,733 --> 00:08:21,933 Or the one at the end? 183 00:08:21,935 --> 00:08:23,568 When you first walk in to see morgan, 184 00:08:23,570 --> 00:08:25,203 And that walker impales themself, 185 00:08:25,205 --> 00:08:28,073 That's -- that's -- that's that's June walker, right? 186 00:08:28,075 --> 00:08:31,409 And she steps on of the nest of -- of broken eggs, 187 00:08:31,411 --> 00:08:34,412 Which represent grace's loss of the baby. 188 00:08:34,414 --> 00:08:38,349 And then there is a pioneer walker 189 00:08:38,351 --> 00:08:40,685 That you hit with the rv 190 00:08:40,687 --> 00:08:43,622 That -- that is a -- that's a dead pioneer. 191 00:08:43,624 --> 00:08:45,156 That is the end of the pioneers, right? 192 00:08:45,158 --> 00:08:46,824 Like, the symbolic end of the pioneers. 193 00:08:46,826 --> 00:08:48,827 There is -- the lone walker in the field 194 00:08:48,829 --> 00:08:51,363 Is -- is a matched walker to the walker 195 00:08:51,365 --> 00:08:54,966 That we saw into 210 where shane and rick are driving, 196 00:08:54,968 --> 00:08:56,834 And they see this walker in the field, 197 00:08:56,836 --> 00:08:59,437 And that walker is walking the opposite way of the rv. 198 00:08:59,439 --> 00:09:01,105 And that's really you guys kind of leaving 199 00:09:01,107 --> 00:09:02,240 Your solitary life behind, 200 00:09:02,242 --> 00:09:04,041 Because you and john dorie sr., 201 00:09:04,043 --> 00:09:05,977 You've been alone, you've been isolated in your grief, 202 00:09:05,979 --> 00:09:07,845 And you're finally together, and you're, like, passing 203 00:09:07,847 --> 00:09:10,248 This lone -- like, isolated walker going the other way. 204 00:09:10,250 --> 00:09:11,850 So it's, like, representative of you, 205 00:09:11,852 --> 00:09:13,918 Like, leaving your isolation behind. 206 00:09:13,920 --> 00:09:16,621 And then there is the -- the last walker at the end 207 00:09:16,623 --> 00:09:18,923 When you're leaving, when sherry and dwight 208 00:09:18,925 --> 00:09:21,593 Are riding off on their horse, is a negan walker. 209 00:09:21,595 --> 00:09:23,595 He has a leather coat, he has on jeans, 210 00:09:23,597 --> 00:09:27,065 And he's wrapped in barbed wire. And that is sherry leaving -- 211 00:09:27,067 --> 00:09:31,736 Deciding to leave her -- her -- her vendetta for negan behind 212 00:09:31,738 --> 00:09:34,138 And choosing life over -- over vengeance. 213 00:09:34,140 --> 00:09:36,575 I mean, this is exactly the kind of -- 214 00:09:36,577 --> 00:09:39,411 This is exactly the kind of detail 215 00:09:39,413 --> 00:09:42,614 That only a hard-core fan of the show could infuse. 216 00:09:42,616 --> 00:09:45,016 Totally. Totally. And I'm so glad 217 00:09:45,018 --> 00:09:47,885 That you used your powers for good, aisha. Your investment is like gold. 218 00:09:47,887 --> 00:09:49,220 Gold. Burnished nerd. 219 00:09:49,222 --> 00:09:52,357 That's -- my nerd fu was so strong in this episode. 220 00:09:52,359 --> 00:09:53,824 Oh, my god. [laughter] 221 00:09:53,826 --> 00:09:55,426 Yeah. You knew stuff about sherry 222 00:09:55,428 --> 00:09:57,295 In "walking dead" -- like, you knew every-- 223 00:09:57,297 --> 00:09:58,529 I would talk about something. You're like, 224 00:09:58,531 --> 00:09:59,897 "oh, yeah, yeah, well, that was her sister, tina. 225 00:09:59,899 --> 00:10:03,335 That was this, this, this." like, you knew your [bleep] 226 00:10:03,337 --> 00:10:06,071 Well, I have to say, you as the sort of -- the overall 227 00:10:06,073 --> 00:10:08,773 Storyteller of this episode, you did such a beautiful job 228 00:10:08,775 --> 00:10:11,843 And such a stunning visual job of weaving it all together 229 00:10:11,845 --> 00:10:13,578 And making it seem flawless and seamless. 230 00:10:13,580 --> 00:10:16,981 So I'm just -- I'm so excited and so happy for you. 231 00:10:16,983 --> 00:10:18,850 Coming up next, we have to take a quick break. We're gonna 232 00:10:18,852 --> 00:10:20,852 Have more with jenna, christine, keith, and aisha, 233 00:10:20,854 --> 00:10:22,186 Plus, an exclusive sneak peek 234 00:10:22,188 --> 00:10:23,521 Of next week's episode of "fear the walking dead." 235 00:10:23,523 --> 00:10:25,390 But first, before the dorie family 236 00:10:25,392 --> 00:10:28,393 Launches their own collection of candy wrapper engagement rings, 237 00:10:28,395 --> 00:10:30,895 Let's slow things down and say a final farewell 238 00:10:30,897 --> 00:10:34,332 To all those we've lost tonight. 239 00:10:34,334 --> 00:10:44,075 ♪♪ 240 00:10:44,077 --> 00:10:53,985 ♪♪ 241 00:10:53,987 --> 00:11:03,761 ♪♪ 242 00:11:03,763 --> 00:11:13,605 ♪♪ 243 00:11:13,607 --> 00:11:23,448 ♪♪ 244 00:11:23,450 --> 00:11:33,191 ♪♪ 245 00:11:33,193 --> 00:11:43,067 ♪♪ 246 00:11:43,069 --> 00:11:52,911 ♪♪ 247 00:11:52,913 --> 00:12:02,620 ♪♪ 248 00:12:04,023 --> 00:12:08,426 ♪♪ 249 00:12:08,428 --> 00:12:11,295 Andrew: We had the idea to bring john dorie's father 250 00:12:11,297 --> 00:12:14,732 Onto the show all the way back early in the season 251 00:12:14,734 --> 00:12:16,935 When we wrote a monologue 252 00:12:16,937 --> 00:12:19,703 Where john dorie talked about his father being a cop 253 00:12:19,705 --> 00:12:22,373 And how his father abandoned the family 254 00:12:22,375 --> 00:12:24,308 After he made some decisions 255 00:12:24,310 --> 00:12:26,310 That he had a hard time living with. 256 00:12:26,312 --> 00:12:28,679 So we knew he was going to be a character 257 00:12:28,681 --> 00:12:31,783 Who cared a bit more weight on his shoulders 258 00:12:31,785 --> 00:12:35,854 Than john dorie had and a little bit more jaded 259 00:12:35,856 --> 00:12:37,889 But at the same time, have a little bit of glimmer 260 00:12:37,891 --> 00:12:42,093 Of that hope that we would feel he passed onto john. 261 00:12:42,095 --> 00:12:45,463 And when we were looking at names of who was available, 262 00:12:45,465 --> 00:12:47,599 We saw keith carradine's name. 263 00:12:47,601 --> 00:12:51,936 And ian and I were very excited, because we're a fan of his work. 264 00:12:51,938 --> 00:12:54,472 And it just felt like, yes, that guy, 265 00:12:54,474 --> 00:12:56,541 I would believe, is john dorie's father. 266 00:12:56,543 --> 00:12:59,277 And then we just started to get more and more excited 267 00:12:59,279 --> 00:13:02,847 That we had found the right guy. And it's just been awesome 268 00:13:02,849 --> 00:13:05,817 To see someone like that enter this world. 269 00:13:05,819 --> 00:13:08,419 And to boot, he's also just a really sweet guy. 270 00:13:08,421 --> 00:13:12,523 ♪♪ 271 00:13:12,525 --> 00:13:13,891 Welcome back to "talking dead: Home edition." 272 00:13:13,893 --> 00:13:16,094 That was andrew chambliss on casting keith carradine 273 00:13:16,096 --> 00:13:17,362 As john dorie's father 274 00:13:17,364 --> 00:13:19,831 And continuing his legacy on the show. 275 00:13:19,833 --> 00:13:23,167 We're back with jenna, christine, keith, and aisha. 276 00:13:23,169 --> 00:13:26,136 Jenna, can you -- your performance in the funeral scene 277 00:13:26,138 --> 00:13:29,440 Was beautiful and absolutely heartbreaking 278 00:13:29,442 --> 00:13:31,376 And -- 279 00:13:31,378 --> 00:13:36,280 And it really -- like, I felt -- I was feeling it just like wa-- 280 00:13:36,282 --> 00:13:37,515 'cause the way that I watch the show 281 00:13:37,517 --> 00:13:39,517 Is basically kind of like on a computer screen, 282 00:13:39,519 --> 00:13:40,985 And there's, like, time codes, 283 00:13:40,987 --> 00:13:44,121 And there's all sort of -- and I just -- I saw past all of that, 284 00:13:44,123 --> 00:13:47,325 And I could -- it felt like I could just see into June's soul 285 00:13:47,327 --> 00:13:50,128 For that moment where she's reading the letter. 286 00:13:50,130 --> 00:13:52,831 Can you talk about that scene a little bit? 287 00:13:52,833 --> 00:13:56,668 The one beautiful -- extra beautiful moment for me 288 00:13:56,670 --> 00:13:58,002 Was when, you know, 289 00:13:58,004 --> 00:14:00,205 As the actor, like, working on this, 290 00:14:00,207 --> 00:14:03,140 I went, "oh, my god." I just loved it 291 00:14:03,142 --> 00:14:06,144 That he was forgiving his father in that note. 292 00:14:06,146 --> 00:14:09,213 And his father's here, and I get to be a messenger. 293 00:14:09,215 --> 00:14:14,752 And so to me, I really loved that moment as June, 294 00:14:14,754 --> 00:14:17,288 Because June thinks -- you know, she's the most sane 295 00:14:17,290 --> 00:14:19,290 When she gets to help others 296 00:14:19,292 --> 00:14:22,459 And when there's anything barring her from helping, 297 00:14:22,461 --> 00:14:26,697 That's when she starts to go into her like, you know, 298 00:14:26,699 --> 00:14:27,965 Crazy area. 299 00:14:27,967 --> 00:14:31,035 And so it was very cool 300 00:14:31,037 --> 00:14:33,003 To sort of, in that vulnerability, 301 00:14:33,005 --> 00:14:37,075 Have that moment of being a messenger for john 302 00:14:37,077 --> 00:14:40,879 To john dorie sr., for john dorie sr. 303 00:14:40,881 --> 00:14:44,115 And that -- I loved that moment before it became again about 304 00:14:44,117 --> 00:14:47,085 Me and john's relationship and the sensitivity on that. 305 00:14:47,087 --> 00:14:50,054 Well, and john dorie sr., like, it's so -- 306 00:14:50,056 --> 00:14:52,056 It's such an amazing choice to have his father 307 00:14:52,058 --> 00:14:57,595 And to understand john dorie jr. A bit more, 308 00:14:57,597 --> 00:14:59,330 Because they're both so hard on themselves. 309 00:14:59,332 --> 00:15:01,933 And, keith, john dorie sr. 310 00:15:01,935 --> 00:15:05,203 Has been so hard on himself his whole life, basically, 311 00:15:05,205 --> 00:15:06,604 Almost his whole life. 312 00:15:06,606 --> 00:15:09,407 So what do you think it means to him that his son forgave him 313 00:15:09,409 --> 00:15:11,742 In his last -- in the last thing 314 00:15:11,744 --> 00:15:14,212 That he did in his life, that he forgives his dad? 315 00:15:14,214 --> 00:15:16,414 What does that -- what do you think that means to him? 316 00:15:16,416 --> 00:15:19,951 Well, that was -- that was probably 317 00:15:19,953 --> 00:15:23,955 The most emotionally profound moment for john dorie sr. 318 00:15:23,957 --> 00:15:27,125 In his life, since he hadn't seen his son 319 00:15:27,127 --> 00:15:28,826 Since his son was 12 years old. 320 00:15:28,828 --> 00:15:32,430 And he's carried the weight of an enormous guilt 321 00:15:32,432 --> 00:15:35,499 At having absented himself from his family 322 00:15:35,501 --> 00:15:37,368 And from his son's life, 323 00:15:37,370 --> 00:15:41,906 And having carried the burden of that for 40 years. 324 00:15:41,908 --> 00:15:45,576 And, you know, he has used most of his energy 325 00:15:45,578 --> 00:15:47,712 To try and compensate for that 326 00:15:47,714 --> 00:15:50,180 By doing some sort of good in the world, 327 00:15:50,182 --> 00:15:52,951 Particularly in his quest to track down teddy 328 00:15:52,953 --> 00:15:54,251 And do something about that, 329 00:15:54,253 --> 00:15:56,254 So that when he gets this moment of forgiveness, 330 00:15:56,256 --> 00:15:58,122 As he's hearing that, you know, 331 00:15:58,124 --> 00:16:01,792 And jenna's reading of that was, I mean, as an actor, 332 00:16:01,794 --> 00:16:03,928 All I had to do was be there. She did it all. 333 00:16:03,930 --> 00:16:06,730 All I had to do was listen, and it just filled me. 334 00:16:06,732 --> 00:16:08,666 And it was a moment of the beginning 335 00:16:08,668 --> 00:16:13,204 Of the possibility of redemption for john dorie sr. 336 00:16:13,206 --> 00:16:14,905 Christine, were there parts of john's letter 337 00:16:14,907 --> 00:16:16,407 That you think 338 00:16:16,409 --> 00:16:19,844 Resonated particularly with sherry the most? 339 00:16:19,846 --> 00:16:22,212 I mean, the whole reading of the letter was emotional, 340 00:16:22,214 --> 00:16:25,349 And I was crying both as christine 341 00:16:25,351 --> 00:16:28,619 And as sherry virtually the whole time. 342 00:16:28,621 --> 00:16:30,955 But I remember her saying, 343 00:16:30,957 --> 00:16:33,491 "I will never stop trying to get back to you." 344 00:16:33,493 --> 00:16:36,961 And that really landed with me, especially as sherry, 345 00:16:36,963 --> 00:16:40,064 Because you have sherry running from dwight, 346 00:16:40,066 --> 00:16:42,700 Running from a lot of things for a very long time, 347 00:16:42,702 --> 00:16:44,769 And even at the top of the episode, 348 00:16:44,771 --> 00:16:48,305 Dwight talking about taking his own life 349 00:16:48,307 --> 00:16:50,641 Because he's just been tired of searching. 350 00:16:50,643 --> 00:16:54,579 And there's just so much pain that everybody's been carrying. 351 00:16:54,581 --> 00:16:56,046 And there is this real redemption 352 00:16:56,048 --> 00:16:57,181 For all the characters 353 00:16:57,183 --> 00:17:00,051 And to stop running, to -- to forgive yourself. 354 00:17:00,053 --> 00:17:04,655 And I just think the letter was so therapeutic for everybody, 355 00:17:04,657 --> 00:17:07,191 You know, especially, I think sherry, 356 00:17:07,193 --> 00:17:10,395 Looking at what she's been doing to her relationship with dwight 357 00:17:10,397 --> 00:17:13,264 And just wanting to connect with him again. 358 00:17:13,266 --> 00:17:15,066 It was so beautifully done by jenna. 359 00:17:15,068 --> 00:17:16,467 It really was. 360 00:17:16,469 --> 00:17:20,404 I mean, every single take was just perfect. Perfect. 361 00:17:20,406 --> 00:17:22,005 Aisha, can you talk a little 362 00:17:22,007 --> 00:17:25,543 About the experience of being at this location, the cabin, 363 00:17:25,545 --> 00:17:28,746 Which is such an anchor for -- for so much of the -- 364 00:17:28,748 --> 00:17:32,216 You know, the emotional center of their story? 365 00:17:32,218 --> 00:17:34,885 To be at that cabin, the cabin that we all know as fans, 366 00:17:34,887 --> 00:17:37,754 You know, the cabin that June and john fell in love at, 367 00:17:37,756 --> 00:17:41,025 The cabin where john dorie sr. Left his family behind, 368 00:17:41,027 --> 00:17:43,461 It -- it was incredibly resonant. 369 00:17:43,463 --> 00:17:47,331 But I -- it was important to me that this be June's opportunity 370 00:17:47,333 --> 00:17:49,199 To finally -- 371 00:17:49,201 --> 00:17:51,335 To finally say goodbye, to finally feel the feelings 372 00:17:51,337 --> 00:17:54,972 That she had been keeping really submerged all of this time, 373 00:17:54,974 --> 00:17:58,242 And for all of us to get to mourn along with her. 374 00:17:58,244 --> 00:18:03,781 And, I mean, jenna elfman just was 375 00:18:03,783 --> 00:18:08,119 A-a supernova in that scene. 376 00:18:08,121 --> 00:18:12,290 And, you know, it was just incredible to get to watch her 377 00:18:12,292 --> 00:18:15,093 Feel those feelings as that character 378 00:18:15,095 --> 00:18:16,928 And get to kind of carry us all along 379 00:18:16,930 --> 00:18:18,061 On that river with her. 380 00:18:18,063 --> 00:18:20,331 And to me, I felt at the end of that scene 381 00:18:20,333 --> 00:18:24,135 That we all were getting to say our last goodbyes to him. 382 00:18:24,137 --> 00:18:27,738 And then at the end of the episode, that look back, 383 00:18:27,740 --> 00:18:29,373 June's look back at the cabin, 384 00:18:29,375 --> 00:18:33,177 Is our last look at john dorie's cabin. 385 00:18:33,179 --> 00:18:35,179 We have to take a quick break, but coming up, a sneak peek 386 00:18:35,181 --> 00:18:37,681 From next week's episode. We'll be right back. 387 00:18:37,683 --> 00:18:44,355 ♪♪ 388 00:18:46,658 --> 00:18:51,129 ♪♪ 389 00:18:51,131 --> 00:18:52,997 Lennie: At the beginning of the episode, 390 00:18:52,999 --> 00:18:55,766 Morgan is angry at the world, 391 00:18:55,768 --> 00:18:58,902 And morgan is angry at himself, 392 00:18:58,904 --> 00:19:02,306 And morgan takes that out on June. 393 00:19:02,308 --> 00:19:04,442 However, it was quite difficult, 394 00:19:04,444 --> 00:19:06,911 Because June and morgan have a particular bond, 395 00:19:06,913 --> 00:19:10,514 Both through john dorie jr. 396 00:19:10,516 --> 00:19:13,083 And just between themselves. 397 00:19:13,085 --> 00:19:18,189 I liked the fact that he wasn't already rationalizing his anger 398 00:19:18,191 --> 00:19:19,523 And apologizing for it. 399 00:19:19,525 --> 00:19:23,427 He was just angry, and June was in his sights, 400 00:19:23,429 --> 00:19:26,664 And he was just allowed to say, "I'm not letting you in." 401 00:19:26,666 --> 00:19:29,733 And morgan being morgan, he would always be looking 402 00:19:29,735 --> 00:19:33,237 For some way of reconciling with john. 403 00:19:33,239 --> 00:19:35,940 And ultimately, for me, the big difference 404 00:19:35,942 --> 00:19:38,476 Is that she walks in there with john dorie sr. 405 00:19:38,478 --> 00:19:42,113 And I think the fact that it has happened at all tells morgan 406 00:19:42,115 --> 00:19:44,482 That the world is still on his side, 407 00:19:44,484 --> 00:19:47,451 That the world might take something away, 408 00:19:47,453 --> 00:19:50,153 But that it sometimes gives something in return. 409 00:19:50,155 --> 00:19:54,892 And what it has given morgan is john dorie sr. 410 00:19:54,894 --> 00:19:57,628 And what is given June is john dorie sr., 411 00:19:57,630 --> 00:19:59,896 'cause they need June. Morgan says, 412 00:19:59,898 --> 00:20:01,632 "if we're not all together, it doesn't work." 413 00:20:01,634 --> 00:20:02,867 And I think that's why it's important, 414 00:20:02,869 --> 00:20:05,203 And I think that's why he allows her back in. 415 00:20:05,205 --> 00:20:09,339 ♪♪ 416 00:20:09,341 --> 00:20:10,841 Welcome back to "talking dead: Home edition." 417 00:20:10,843 --> 00:20:13,177 That was lennie james on the complicated dynamic 418 00:20:13,179 --> 00:20:15,379 Between morgan and June in tonight's episode. 419 00:20:15,381 --> 00:20:18,249 We're back with jenna, christine, keith, and aisha. 420 00:20:18,251 --> 00:20:21,452 Aisha, what was most important to you 421 00:20:21,454 --> 00:20:23,521 When directing that final scene 422 00:20:23,523 --> 00:20:26,324 Where June introduces john sr. To morgan? 423 00:20:26,326 --> 00:20:28,459 John dorie's got information about these people 424 00:20:28,461 --> 00:20:30,328 That have been leaving these -- you know, 425 00:20:30,330 --> 00:20:32,530 These graf-- these graffiti signs everywhere. 426 00:20:32,532 --> 00:20:33,797 "the end is the beginning." 427 00:20:33,799 --> 00:20:37,735 And June's mission has been to figure this out, 428 00:20:37,737 --> 00:20:39,236 And she's got a key. 429 00:20:39,238 --> 00:20:41,905 She's brought a key to morgan. 430 00:20:41,907 --> 00:20:44,074 What she's hoping is not just going to help everybody, 431 00:20:44,076 --> 00:20:47,445 But it's going to kind of unlock 432 00:20:47,447 --> 00:20:49,279 What's been a little bit of a closed door for her 433 00:20:49,281 --> 00:20:53,016 Because of what she did with -- with -- with ginny. 434 00:20:53,018 --> 00:20:55,018 And so she brings him there, 435 00:20:55,020 --> 00:20:56,219 I mean, not as a peace offering, 436 00:20:56,221 --> 00:21:00,090 Because June's not a transactional person, 437 00:21:00,092 --> 00:21:02,760 But she does want to be a force for good. 438 00:21:02,762 --> 00:21:06,564 And originally, the scene was written that -- 439 00:21:06,566 --> 00:21:09,032 That she was going to leave morgan and john dorie sr. 440 00:21:09,034 --> 00:21:11,401 To kind of hash out what the next steps were. 441 00:21:11,403 --> 00:21:15,039 But it was really important to me that we honored 442 00:21:15,041 --> 00:21:18,042 That June had succeeded in this mission. 443 00:21:18,044 --> 00:21:21,112 She had gone -- she had brought back something meaningful. 444 00:21:21,114 --> 00:21:22,713 And we weren't just going to leave the dudes 445 00:21:22,715 --> 00:21:26,384 To talk about what was going to happen next. 446 00:21:26,386 --> 00:21:28,319 You know? Yes. 447 00:21:28,321 --> 00:21:31,322 To me, I wanted to see all our heroes put their heads together 448 00:21:31,324 --> 00:21:33,123 At the end of this episode. I wanted to know, you know, 449 00:21:33,125 --> 00:21:35,325 You want that superhero ending, like, 450 00:21:35,327 --> 00:21:38,462 "alright! Now we're going to go bust some heads!" 451 00:21:38,464 --> 00:21:39,797 'cause that's also what the kids come 452 00:21:39,799 --> 00:21:42,132 To the "walking dead" world for. Yeah, but I also think 453 00:21:42,134 --> 00:21:44,268 Just from a -- from a character development standpoint, 454 00:21:44,270 --> 00:21:46,737 It also -- it's very much in line 455 00:21:46,739 --> 00:21:48,538 Where it feels like June's character. 456 00:21:48,540 --> 00:21:49,874 She's obviously been through a lot 457 00:21:49,876 --> 00:21:51,008 In the last handful of episodes -- 458 00:21:51,010 --> 00:21:52,275 I mean, throughout the whole show, 459 00:21:52,277 --> 00:21:55,712 But specifically in the last handful of episodes. 460 00:21:55,714 --> 00:21:57,081 And it feels like, well, 461 00:21:57,083 --> 00:21:59,016 That to me made sense of where her character was at, 462 00:21:59,018 --> 00:22:01,752 To bring john there and not just leave him off. 463 00:22:01,754 --> 00:22:04,689 I mean, jenna, how would you compare her mind-set 464 00:22:04,691 --> 00:22:05,889 From right after to losing john 465 00:22:05,891 --> 00:22:08,159 Where she is at the end of this episode? 466 00:22:08,161 --> 00:22:10,694 You know, morgan kind of called her out, 467 00:22:10,696 --> 00:22:16,233 And she also doesn't want to, like, apologize or ask, 468 00:22:16,235 --> 00:22:18,703 You know, to be "forgiven" or approved 469 00:22:18,705 --> 00:22:22,373 Or anything for having done her action to ginny. 470 00:22:22,375 --> 00:22:25,609 But morgan does kind of lay it down. 471 00:22:25,611 --> 00:22:27,477 And he's also hurting. 472 00:22:27,479 --> 00:22:29,513 So he says things that, you know -- 473 00:22:29,515 --> 00:22:31,515 He's a hurting person, like dwight says. 474 00:22:31,517 --> 00:22:33,517 But at the same time, it makes June think. 475 00:22:33,519 --> 00:22:37,788 And so when June goes off and is, like, 476 00:22:37,790 --> 00:22:40,124 Irritated because morgan's right, 477 00:22:40,126 --> 00:22:41,725 And he's forcing her to look at something 478 00:22:41,727 --> 00:22:44,929 She doesn't want to look at, but she's like, "screw it. 479 00:22:44,931 --> 00:22:47,297 I'm going to, like, take responsibility." 480 00:22:47,299 --> 00:22:49,666 And I think that that's the thing is she she goes 481 00:22:49,668 --> 00:22:52,269 And, like, actually takes responsibility. 482 00:22:52,271 --> 00:22:55,139 And, you know, if morgan hadn't said that to her, 483 00:22:55,141 --> 00:22:57,608 If she hadn't created a power vacuum and killed ginny 484 00:22:57,610 --> 00:23:00,611 And pissed off morgan and morgan rejecting her, 485 00:23:00,613 --> 00:23:03,347 Would she have gone to tank town to, like, try and solve it? 486 00:23:03,349 --> 00:23:06,016 And then would she have found john sr.? 487 00:23:06,018 --> 00:23:08,685 So, I think that there's a magic and a beauty 488 00:23:08,687 --> 00:23:10,621 And, again, that circular nature 489 00:23:10,623 --> 00:23:12,756 Between john dorie, morgan, and June. 490 00:23:12,758 --> 00:23:16,226 And so I think she comes back with some confidence 491 00:23:16,228 --> 00:23:20,498 And some -- that she -- she -- she did something 492 00:23:20,500 --> 00:23:22,833 That is worth something, that means something. 493 00:23:22,835 --> 00:23:26,837 And I know that that would have value and meaning to morgan, 494 00:23:26,839 --> 00:23:30,241 Not as, like, a transactional thing, like aisha said, 495 00:23:30,243 --> 00:23:33,243 But it's like, "in exchange for having created an effect, 496 00:23:33,245 --> 00:23:35,913 Let me bring a more beneficial effect in 497 00:23:35,915 --> 00:23:38,449 And try and balance out that energy." 498 00:23:38,451 --> 00:23:40,116 Keith, how would you describe john sr. 499 00:23:40,118 --> 00:23:42,386 And June's relationship going forward? 500 00:23:42,388 --> 00:23:44,321 Well, 501 00:23:44,323 --> 00:23:46,790 For the first time in 40 years, 502 00:23:46,792 --> 00:23:50,928 John is now presented with 503 00:23:50,930 --> 00:23:54,398 Once again belonging somewhere. 504 00:23:54,400 --> 00:23:57,601 And his sense of belonging comes from having discovered 505 00:23:57,603 --> 00:24:00,337 That he has a daughter-in-law. 506 00:24:00,339 --> 00:24:04,375 I mean, that's -- that's huge. 507 00:24:04,377 --> 00:24:06,877 And I think that one of his first instinct 508 00:24:06,879 --> 00:24:09,947 Was to -- was to be protective of June. 509 00:24:09,949 --> 00:24:11,882 Little did he realize that this is not a woman 510 00:24:11,884 --> 00:24:14,018 Who needs protecting from anybody. 511 00:24:14,020 --> 00:24:17,421 But he kind of came at it from an old-school guy point of view, 512 00:24:17,423 --> 00:24:19,023 Like, "I'm going to put you here, 513 00:24:19,025 --> 00:24:20,825 And I'm going to make sure you're okay." 514 00:24:20,827 --> 00:24:24,361 And what he's failing to realize is that this is probably 515 00:24:24,363 --> 00:24:26,630 The most capable woman on the planet. 516 00:24:26,632 --> 00:24:27,898 And if he could use anyone's help, 517 00:24:27,900 --> 00:24:30,066 It would be -- it would be June's. 518 00:24:30,068 --> 00:24:32,036 But I think that from now, you know -- 519 00:24:32,038 --> 00:24:34,704 From -- from this episode forward, 520 00:24:34,706 --> 00:24:37,908 Their relationship I think will will continue to strengthen. 521 00:24:37,910 --> 00:24:39,477 And there are subsequent episodes 522 00:24:39,479 --> 00:24:40,844 Where they go through stuff 523 00:24:40,846 --> 00:24:43,247 That -- that -- that continues to build on that -- 524 00:24:43,249 --> 00:24:48,252 On that father-daughter relationship. 525 00:24:48,254 --> 00:24:49,687 I think it's going to be -- I think 526 00:24:49,689 --> 00:24:52,256 It's going to be really fun to -- to watch and explore. 527 00:24:52,258 --> 00:24:54,258 It's just something that I love about the show, 528 00:24:54,260 --> 00:24:55,859 This idea of storytelling, 529 00:24:55,861 --> 00:24:58,929 Where you find out a piece of john dorie, 530 00:24:58,931 --> 00:25:02,132 The younger john dorie's backstory several episodes ago. 531 00:25:02,134 --> 00:25:04,134 It's kind of just an aside 532 00:25:04,136 --> 00:25:05,869 That you think its purpose is just to, like, 533 00:25:05,871 --> 00:25:07,938 Well, it's just going to kind of explain, 534 00:25:07,940 --> 00:25:09,807 Like, what his deal is a little bit, 535 00:25:09,809 --> 00:25:11,275 Give you a little more backstory, 536 00:25:11,277 --> 00:25:13,076 And then you forget about it. 537 00:25:13,078 --> 00:25:15,112 And then all of a sudden, it is the catalyst 538 00:25:15,114 --> 00:25:17,814 For this entire new thing that opens up 539 00:25:17,816 --> 00:25:19,883 That's like, that wasn't an aside. 540 00:25:19,885 --> 00:25:22,553 That was a launching-off point for this whole other thing 541 00:25:22,555 --> 00:25:24,421 That's going to develop way later in the show. 542 00:25:24,423 --> 00:25:27,824 And so it's really nice as a callback, like, "holy crap! 543 00:25:27,826 --> 00:25:31,161 This all fits together! And this guy, teddy and the dad! 544 00:25:31,163 --> 00:25:35,565 Oh, my --" you know? It's just so beautifully woven together. 545 00:25:35,567 --> 00:25:37,968 It's incredibly smart how they did this. 546 00:25:37,970 --> 00:25:39,236 Yeah. I mean, it just -- 547 00:25:39,238 --> 00:25:40,304 I also think everyone 548 00:25:40,306 --> 00:25:44,241 Can go back and watch episode 604 again. 549 00:25:44,243 --> 00:25:47,845 To see it, to connect everything. 550 00:25:47,847 --> 00:25:51,549 Absolutely, I mean, the -- the -- the thing that's -- 551 00:25:51,551 --> 00:25:53,183 There's a lot of extraordinary things about this world 552 00:25:53,185 --> 00:25:54,651 And then about "fear" specifically, 553 00:25:54,653 --> 00:25:57,921 But it's everything is incredibly well-considered. 554 00:25:57,923 --> 00:26:00,190 And when we were working on this episode, 555 00:26:00,192 --> 00:26:02,326 I had all my, like, fan ideas, 556 00:26:02,328 --> 00:26:03,693 And I'd be like, "can we do this?" 557 00:26:03,695 --> 00:26:05,195 And they'd be like, "yeah, 558 00:26:05,197 --> 00:26:07,531 But we're going to pull that thread four episodes from now, 559 00:26:07,533 --> 00:26:09,199 So we can do that, but we can't do this." 560 00:26:09,201 --> 00:26:10,467 And I was like, "great. What about this?" 561 00:26:10,469 --> 00:26:11,569 And they were like, "yeah!" 562 00:26:11,571 --> 00:26:14,738 So there was always this beautiful, 563 00:26:14,740 --> 00:26:19,609 Like, mathematical planning that went into every single choice 564 00:26:19,611 --> 00:26:20,877 That we made on the show. 565 00:26:20,879 --> 00:26:24,881 Like, everything was just wildly well considered. 566 00:26:24,883 --> 00:26:26,249 And I also think it shows 567 00:26:26,251 --> 00:26:29,419 This extraordinary respect for the fans. 568 00:26:29,421 --> 00:26:32,356 Like, we don't answer all your questions right up-front. 569 00:26:32,358 --> 00:26:33,623 We want you to lean in. 570 00:26:33,625 --> 00:26:35,492 We want you to connect with this world 571 00:26:35,494 --> 00:26:38,629 And -- and figure things out on your own. 572 00:26:38,631 --> 00:26:39,963 It's a complex world. 573 00:26:39,965 --> 00:26:42,699 And -- and we honor that we have a complex viewership. 574 00:26:42,701 --> 00:26:45,235 And you guys are smart, and we really want you to, like, 575 00:26:45,237 --> 00:26:47,971 Put both hands in and get dirty, because this is not a show 576 00:26:47,973 --> 00:26:49,673 Where we're going to tie everything up in a perfect bow. 577 00:26:49,675 --> 00:26:50,840 But you will be able to look back 578 00:26:50,842 --> 00:26:52,309 And see these bright lines, 579 00:26:52,311 --> 00:26:54,577 These bright threads that run through everything. 580 00:26:54,579 --> 00:26:55,879 Well, really quick, 581 00:26:55,881 --> 00:26:58,515 Just shifting gears for a second, christine, 582 00:26:58,517 --> 00:27:01,184 Can you talk about what it meant for you 583 00:27:01,186 --> 00:27:04,254 That dwight and sherry have this really special moment 584 00:27:04,256 --> 00:27:07,657 Where they're reminiscing about their lives pre-apocalypse? 585 00:27:07,659 --> 00:27:09,927 Yeah. I mean, you live for those scenes, right, 586 00:27:09,929 --> 00:27:12,529 Those scenes of just -- that are light, 587 00:27:12,531 --> 00:27:15,799 That that reflect on a time before, where you're smiling, 588 00:27:15,801 --> 00:27:17,334 And you're thinking about something else. 589 00:27:17,336 --> 00:27:20,937 And, I mean, we see that now in the pandemic of 2020, 590 00:27:20,939 --> 00:27:22,206 When we're talking to our friends 591 00:27:22,208 --> 00:27:25,408 About anything other than the pandemic, 592 00:27:25,410 --> 00:27:27,211 What a great conversation it is 593 00:27:27,213 --> 00:27:29,212 And how rare of a conversation it is, 594 00:27:29,214 --> 00:27:30,547 Especially now. 595 00:27:30,549 --> 00:27:32,348 So in the world of "the walking dead," 596 00:27:32,350 --> 00:27:33,651 It's the same thing. 597 00:27:33,653 --> 00:27:37,087 And for the two of them to reflect on life before 598 00:27:37,089 --> 00:27:39,123 And that they do really love each other, 599 00:27:39,125 --> 00:27:40,691 And they do have so much history, 600 00:27:40,693 --> 00:27:42,760 And they do really trust each other, 601 00:27:42,762 --> 00:27:44,962 Like, you really live for those moments. 602 00:27:44,964 --> 00:27:47,697 And I know as a -- as an actress in a show like this 603 00:27:47,699 --> 00:27:49,500 That's so intense all of the time, 604 00:27:49,502 --> 00:27:52,436 It's -- it's, like, so refreshing to just have 605 00:27:52,438 --> 00:27:56,906 Those, like, really beautiful human scenes. 606 00:27:56,908 --> 00:27:58,308 Well, before we go to break, I want to remind you 607 00:27:58,310 --> 00:27:59,643 That if you want early access 608 00:27:59,645 --> 00:28:02,179 To "walking dead" episodes and "talking dead" 609 00:28:02,181 --> 00:28:05,515 And any other show that you may enjoy on amc, 610 00:28:05,517 --> 00:28:08,852 Sign up for amc plus at amcplus.Com. 611 00:28:08,854 --> 00:28:10,320 Coming up, an inside look at tonight's episode. 612 00:28:10,322 --> 00:28:11,955 And later, we're going to have that exclusive sneak peek 613 00:28:11,957 --> 00:28:14,324 Of next week's episode. We'll be right back. 614 00:28:14,326 --> 00:28:21,231 ♪♪ 615 00:28:23,668 --> 00:28:28,271 ♪♪ 616 00:28:28,273 --> 00:28:29,540 Welcome back to "talking dead: Home edition." 617 00:28:29,542 --> 00:28:32,075 We're here with jenna, christine, keith, and aisha. 618 00:28:32,077 --> 00:28:35,211 Christine, when you're shooting scenes on horseback, 619 00:28:35,213 --> 00:28:38,382 Are you always on a real horse? Is that a dumb question? 620 00:28:38,384 --> 00:28:40,551 'cause it's like, "wow, they're moving really fast, 621 00:28:40,553 --> 00:28:42,018 And there's two of them on that one horse. 622 00:28:42,020 --> 00:28:44,755 That's -- that's -- that seems like a feat." 623 00:28:44,757 --> 00:28:47,891 People don't understand how good I am, 624 00:28:47,893 --> 00:28:50,426 Because I am riding this horse. [laughter] 625 00:28:50,428 --> 00:28:53,764 I'm riding on the back of a horse behind austin, 626 00:28:53,766 --> 00:28:54,698 Who's on a saddle. 627 00:28:54,700 --> 00:28:57,434 I'm bare-backing this thing, okay? 628 00:28:57,436 --> 00:29:01,037 We're going up hills. I'm stabilizing myself. 629 00:29:01,039 --> 00:29:03,040 I mean, thankfully, austin's really good, 630 00:29:03,042 --> 00:29:05,642 But I'm, like, holding onto him for dear life, 631 00:29:05,644 --> 00:29:08,378 'cause we're going -- we're going fast. 632 00:29:08,380 --> 00:29:11,181 Then there's the horse that I fall on 633 00:29:11,183 --> 00:29:13,583 That's technically this stunt horse, 634 00:29:13,585 --> 00:29:18,454 This beautiful, beautiful horse that is a stunt horse 635 00:29:18,456 --> 00:29:20,057 Because it could lay down on command, 636 00:29:20,059 --> 00:29:21,791 Which you see throughout the episode. 637 00:29:21,793 --> 00:29:23,594 So that's an entirely other horse. 638 00:29:23,596 --> 00:29:27,797 And then there's the horse that's on the back of this rig 639 00:29:27,799 --> 00:29:31,334 With 15 camera operators, 640 00:29:31,336 --> 00:29:34,137 And everybody's on the floor underneath me. 641 00:29:34,139 --> 00:29:37,207 And I'm just, like, bucking it on this horse. 642 00:29:37,209 --> 00:29:38,675 And it's kind of like those horses 643 00:29:38,677 --> 00:29:41,144 That you would see outside of, like, a supermarket in the '50s 644 00:29:41,146 --> 00:29:45,282 That are, like, on this spring set. 645 00:29:45,284 --> 00:29:50,354 And you are just, like, riding for my life on this horse 646 00:29:50,356 --> 00:29:53,290 That's on this rig that's driven by like 15 crew guys. 647 00:29:53,292 --> 00:29:55,993 I mean, there were a lot of horses in this episode. 648 00:29:55,995 --> 00:29:57,761 And, yeah. 649 00:29:57,763 --> 00:30:00,831 Thankfully, I have a good group of people around me 650 00:30:00,833 --> 00:30:04,500 To teach me how to do all of them and ride all of them. 651 00:30:04,502 --> 00:30:07,437 Aisha, can you talk a little bit about shooting the scene 652 00:30:07,439 --> 00:30:09,206 Where the horse is on the ground? 653 00:30:09,208 --> 00:30:11,841 Because -- speaking 'cause christine brought it up, 654 00:30:11,843 --> 00:30:14,344 Just the scene where the horse is on the ground. 655 00:30:14,346 --> 00:30:16,046 Yeah. I mean, like -- like, narratively, 656 00:30:16,048 --> 00:30:19,383 That scene was really about sherry being so one-pointed 657 00:30:19,385 --> 00:30:22,085 That she's not really aware of what's going on around her. 658 00:30:22,087 --> 00:30:23,587 And in a lot of ways, you know, 659 00:30:23,589 --> 00:30:25,555 That scene really -- that's a culminating scene, 660 00:30:25,557 --> 00:30:27,657 Right? Like, you know, she's rid-- 661 00:30:27,659 --> 00:30:30,527 She rides that horse so hard that -- that it breaks down, 662 00:30:30,529 --> 00:30:34,331 And she has to put it down. And we had a big plan -- 663 00:30:34,333 --> 00:30:36,266 We had a big plan for this really cool 664 00:30:36,268 --> 00:30:38,101 Kind of, like, crane shot 665 00:30:38,103 --> 00:30:39,969 That was going to, like, see sherry 666 00:30:39,971 --> 00:30:43,006 And then pull across the horse, and the horse is on the ground. 667 00:30:43,008 --> 00:30:46,543 It's -- it's about to perish. And then she shoots it. 668 00:30:46,545 --> 00:30:51,614 And then we get there, and this horse is -- 669 00:30:51,616 --> 00:30:53,217 Guys, horses are not dogs, okay? 670 00:30:53,219 --> 00:30:55,151 Let's just get that out of the way. 671 00:30:55,153 --> 00:30:58,488 They have a very specific agenda of their own. 672 00:30:58,490 --> 00:31:00,023 And we get the horse to lie down, 673 00:31:00,025 --> 00:31:01,658 And then immediately, it jumps back up. 674 00:31:01,660 --> 00:31:02,959 It's like, "what's everybody doing? 675 00:31:02,961 --> 00:31:04,694 We having lunch? What's up? Are there apples?" 676 00:31:04,696 --> 00:31:08,765 We could not get this horse to stay still. 677 00:31:08,767 --> 00:31:10,566 And we had been working on this scene all morning, 678 00:31:10,568 --> 00:31:12,502 And I turned to the stunt coordinator, 679 00:31:12,504 --> 00:31:15,172 And I go -- we both go. "animals and kids," right? 680 00:31:15,174 --> 00:31:16,506 Because that's the old thing in hollywood. 681 00:31:16,508 --> 00:31:19,542 Like, you shouldn't work with children or animals. 682 00:31:19,544 --> 00:31:23,046 But the horse was a lovely horse and had a great trainer. 683 00:31:23,048 --> 00:31:26,116 And we get the horse to lie down for like a minute 684 00:31:26,118 --> 00:31:27,251 And we're just like, "okay, 685 00:31:27,253 --> 00:31:29,186 That's the best we're going to do, guys." 686 00:31:29,188 --> 00:31:31,521 We get it, and we're stoked, and it looked great. 687 00:31:31,523 --> 00:31:33,523 But you just don't know. Like, it looks perfect on-screen, 688 00:31:33,525 --> 00:31:35,124 But you don't know how we were all like, 689 00:31:35,126 --> 00:31:37,961 "what if we can't get the horse to pretend to be dead? 690 00:31:37,963 --> 00:31:40,063 Do we have a doll horse? 691 00:31:40,065 --> 00:31:42,933 Can we put some men inside a suit like a horse?" 692 00:31:42,935 --> 00:31:46,737 Like, we're evaluating all of our options. 693 00:31:46,739 --> 00:31:49,273 No horses were harmed in the making of this feature. 694 00:31:49,275 --> 00:31:52,175 I assumed that was the case, but thank you for clarifying. 695 00:31:52,177 --> 00:31:53,911 All you have to do is just get the thing to lie down once, 696 00:31:53,913 --> 00:31:56,113 And it jumped up. Just one time. Just one time. 697 00:31:56,115 --> 00:31:57,347 Just get this one shot, please? 698 00:31:57,349 --> 00:31:59,549 He was so excited. He was like, "guys, guys, 699 00:31:59,551 --> 00:32:01,685 Are we gonna play, like -- are we gonna play cards?" 700 00:32:01,687 --> 00:32:03,153 He did not want to lay down. "I'm on 'the walking dead'!" 701 00:32:03,155 --> 00:32:04,755 This is him, like, clapping his hooves together. 702 00:32:04,757 --> 00:32:08,625 "I'm on the walking dead'! 703 00:32:08,627 --> 00:32:11,094 Guys, I can't believe I'm here! 704 00:32:11,096 --> 00:32:12,696 Aisha, I've seen you on 'talking dead.' 705 00:32:12,698 --> 00:32:14,698 It's amazing! You're directing me now!" 706 00:32:14,700 --> 00:32:17,434 [speaking indistinctly] [laughter] 707 00:32:17,436 --> 00:32:20,704 Forevermore. Forevermore, chris. 708 00:32:20,706 --> 00:32:21,905 Chris: It's the horse clapping. 709 00:32:21,907 --> 00:32:24,441 This is now how I will applaud anything. 710 00:32:24,443 --> 00:32:25,908 Yay. Horse clap. 711 00:32:25,910 --> 00:32:27,310 Yay. 712 00:32:27,312 --> 00:32:29,913 Clap-clap-clap, clap-clap-clap, clap-clap-clap, clap-clap-clap. 713 00:32:29,915 --> 00:32:32,449 [laughter] 714 00:32:32,451 --> 00:32:34,184 Coming up, we have an exclusive sneak peek 715 00:32:34,186 --> 00:32:36,085 Of next week's episode of "fear the walking dead." 716 00:32:36,087 --> 00:32:38,321 But first, are you ready to go inside the "dead"? 717 00:32:38,323 --> 00:32:39,923 Here's some inside info from tonight's episode 718 00:32:39,925 --> 00:32:42,659 You can't get anywhere else. Please enjoy. 719 00:32:42,661 --> 00:32:51,267 ♪♪ 720 00:32:51,269 --> 00:32:59,876 ♪♪ 721 00:32:59,878 --> 00:33:08,485 ♪♪ 722 00:33:08,487 --> 00:33:16,960 ♪♪ 723 00:33:16,962 --> 00:33:25,535 ♪♪ 724 00:33:27,972 --> 00:33:32,909 ♪♪ 725 00:33:32,911 --> 00:33:34,711 Welcome back to "talking dead: Home edition." 726 00:33:34,713 --> 00:33:37,780 @mandeepdigpal on instagram says "keith, 727 00:33:37,782 --> 00:33:41,317 Have any walker special effects been too much for you?" 728 00:33:41,319 --> 00:33:42,786 [laughs] 729 00:33:42,788 --> 00:33:45,389 You know, I've been doing this a long time. 730 00:33:45,391 --> 00:33:48,458 And I've been in violent scenes. I've been in scenes 731 00:33:48,460 --> 00:33:49,859 That, you know, where there were -- 732 00:33:49,861 --> 00:33:51,661 Was a certain amount of gore. 733 00:33:51,663 --> 00:33:56,065 I have to say, nothing prepared me for when we had a walker 734 00:33:56,067 --> 00:34:00,036 Wrapped around the drive shaft underneath the motor home. 735 00:34:00,038 --> 00:34:04,241 That was as -- that was as grotesque a thing 736 00:34:04,243 --> 00:34:07,944 As I have ever seen. 737 00:34:07,946 --> 00:34:11,415 It was it was viscerally disturbing, because, in fact, 738 00:34:11,417 --> 00:34:15,285 The walker's viscera was wrapped around the drive shaft 739 00:34:15,287 --> 00:34:18,888 And being unwound and splattering everywhere. 740 00:34:18,890 --> 00:34:21,357 I mean, that was -- that was really 741 00:34:21,359 --> 00:34:24,594 Deeply, deeply disturbing. [laughs] 742 00:34:24,596 --> 00:34:27,964 Jenna, what do you think it represents for June 743 00:34:27,966 --> 00:34:30,834 That she's wearing john's hats, 744 00:34:30,836 --> 00:34:34,337 She's using the -- the john dorie guns? 745 00:34:34,339 --> 00:34:35,972 What does that represent for her? 746 00:34:35,974 --> 00:34:39,443 [sighs] I think it's multi-layered and complex. 747 00:34:39,445 --> 00:34:43,313 I think it's partially honoring him, of course. 748 00:34:43,315 --> 00:34:48,051 I think partially, it's keeping him alive for her. 749 00:34:48,053 --> 00:34:50,586 I think partially, it's a security blanket. 750 00:34:50,588 --> 00:34:55,725 And I think that these objects become 751 00:34:55,727 --> 00:34:58,929 Her compass, and they are like 752 00:34:58,931 --> 00:35:03,700 Sort of spiritual training wheels and a flotation device 753 00:35:03,702 --> 00:35:07,304 And a shrine all at the same time. 754 00:35:07,306 --> 00:35:11,274 So it'll be interesting to see moving forward, you know -- 755 00:35:11,276 --> 00:35:16,346 I'm excited to watch how these things kind of continue or shed 756 00:35:16,348 --> 00:35:19,883 Or her evolving into 2.0 757 00:35:19,885 --> 00:35:22,185 Is going to -- what that's going to look like. 758 00:35:22,187 --> 00:35:23,353 Christine, I want to talk about the moment 759 00:35:23,355 --> 00:35:28,625 Where June gives the rings back to dwight. 760 00:35:28,627 --> 00:35:30,093 It's just such a beautiful moment. 761 00:35:30,095 --> 00:35:32,095 And it made -- and it's like, yes, that's exactly 762 00:35:32,097 --> 00:35:35,765 What they both would have wanted to do, 763 00:35:35,767 --> 00:35:39,235 Sort of passing them back to their rightful owners. 764 00:35:39,237 --> 00:35:41,771 Can you talk about that moment for you? 765 00:35:41,773 --> 00:35:44,307 I think the fans are going to love it so much, 766 00:35:44,309 --> 00:35:46,576 Because everyone's really been rooting 767 00:35:46,578 --> 00:35:49,913 For sherry and dwight to connect again. 768 00:35:49,915 --> 00:35:52,415 And these rings, their -- their wedding rings, 769 00:35:52,417 --> 00:35:56,119 They symbolize love and commitment and trust. 770 00:35:56,121 --> 00:35:59,055 And -- and I think these characters, 771 00:35:59,057 --> 00:36:01,124 Having them back again 772 00:36:01,126 --> 00:36:03,993 Is the chance to have all of that once more. 773 00:36:03,995 --> 00:36:07,630 And I think it must be a very therapeutic 774 00:36:07,632 --> 00:36:11,868 And healing thing for June to be giving back over again 775 00:36:11,870 --> 00:36:14,137 And, you know, part of her whole process 776 00:36:14,139 --> 00:36:17,807 With everything that she's going through with john and -- and -- 777 00:36:17,809 --> 00:36:20,076 And I just think it's just this wonderful symbol 778 00:36:20,078 --> 00:36:23,747 And this passing of the, you know, the torch, again, I guess, 779 00:36:23,749 --> 00:36:25,949 And for the people that really love each other 780 00:36:25,951 --> 00:36:28,551 To connect with each other again. 781 00:36:28,553 --> 00:36:31,021 You know, I mean, she doesn't know that dwight has it, 782 00:36:31,023 --> 00:36:33,890 But I think it'll be really great for the audience to see. 783 00:36:33,892 --> 00:36:37,360 And it's just like -- it's just this glimmer of hope. 784 00:36:37,362 --> 00:36:39,229 Yeah, and also a bit of a homecoming, too, right? 785 00:36:39,231 --> 00:36:42,832 The dories have come home. They've all come back. 786 00:36:42,834 --> 00:36:45,101 John is home. His dad is home. 787 00:36:45,103 --> 00:36:48,638 June is home. It's their home where they met. 788 00:36:48,640 --> 00:36:50,573 And now it's like, "now we're giving you -- 789 00:36:50,575 --> 00:36:53,176 This -- this was your home. This represents your home. 790 00:36:53,178 --> 00:36:56,646 And y'all can, you know, start your home together now." 791 00:36:56,648 --> 00:36:59,849 It's just such a beautiful, eloquent moment. 792 00:36:59,851 --> 00:37:01,217 Coming up, we have an exclusive sneak peek 793 00:37:01,219 --> 00:37:03,386 Of next week's episode of "fear the walking dead." 794 00:37:03,388 --> 00:37:04,854 But first, if you want to find out 795 00:37:04,856 --> 00:37:06,456 Even more about tonight's episode of "fear," 796 00:37:06,458 --> 00:37:09,125 Head over to twduniverse on twitch 797 00:37:09,127 --> 00:37:11,328 Right after "talking dead," where jenna elfman 798 00:37:11,330 --> 00:37:13,062 Will be answering your questions live. 799 00:37:13,064 --> 00:37:15,065 She'll be live right after this program 800 00:37:15,067 --> 00:37:16,866 Over on twitch twduniverse. 801 00:37:16,868 --> 00:37:18,602 Check it out. We'll be right back. 802 00:37:18,604 --> 00:37:21,471 Send the coffee. [laughs] 803 00:37:21,473 --> 00:37:27,611 ♪♪ 804 00:37:29,947 --> 00:37:34,851 ♪♪ 805 00:37:34,853 --> 00:37:36,619 Welcome back to "talking dead: Home edition." 806 00:37:36,621 --> 00:37:38,455 Now it is time for the exclusive sneak peek 807 00:37:38,457 --> 00:37:40,423 Of next week's episode of "fear the walking dead." 808 00:37:40,425 --> 00:37:41,524 Here it is. 809 00:37:41,526 --> 00:37:44,960 No! No! 810 00:37:44,962 --> 00:37:49,765 [whimpering] 811 00:37:49,767 --> 00:37:52,302 Come on! Let's go! 812 00:37:52,304 --> 00:37:54,970 [grunts] 813 00:37:54,972 --> 00:37:56,339 Don't be afraid, george. 814 00:37:56,341 --> 00:37:58,241 Don't be afraid. 815 00:37:58,243 --> 00:38:01,177 Remember, the end is the beginning. 816 00:38:01,179 --> 00:38:03,913 You're about to be given a new life. 817 00:38:03,915 --> 00:38:07,650 You actually believe all the bullshit you spew, maddox? 818 00:38:07,652 --> 00:38:09,052 Get it all out. 819 00:38:09,054 --> 00:38:12,255 You'll be walking this walk soon enough. 820 00:38:12,257 --> 00:38:14,056 [door opens] 821 00:38:14,058 --> 00:38:15,925 [door closes] 822 00:38:15,927 --> 00:38:17,927 ♪♪ 823 00:38:17,929 --> 00:38:21,263 [chuckles] 824 00:38:21,265 --> 00:38:25,935 ♪♪ 825 00:38:25,937 --> 00:38:27,537 Oh. 826 00:38:27,539 --> 00:38:29,939 [spoon clatters] 827 00:38:29,941 --> 00:38:31,775 Ah. 828 00:38:32,878 --> 00:38:36,212 [alarm blaring, doors clanging] 829 00:38:36,214 --> 00:38:41,484 [indistinct shouting] 830 00:38:41,486 --> 00:38:45,955 [growling] 831 00:38:45,957 --> 00:38:48,358 [shouting continues] 832 00:38:48,360 --> 00:38:50,760 [screaming in distance] 833 00:38:50,762 --> 00:38:53,896 Man: Guards! Guards! Open the door! 834 00:38:53,898 --> 00:38:56,833 Man #2: Hey! Stop! 835 00:38:56,835 --> 00:38:59,902 Alright, well, that looks like that was a flashback of teddy 836 00:38:59,904 --> 00:39:01,705 Around the time when the world started to fall apart. 837 00:39:01,707 --> 00:39:04,774 So, keith, what are you most excited for fans to experience 838 00:39:04,776 --> 00:39:06,642 As this season comes to an end? 839 00:39:06,644 --> 00:39:09,245 You know, now that I have become initiated into 840 00:39:09,247 --> 00:39:11,580 How deeply these fans are involved with this show 841 00:39:11,582 --> 00:39:12,916 And what they have come to expect, 842 00:39:12,918 --> 00:39:15,718 All I can say is that when they get to the finale 843 00:39:15,720 --> 00:39:20,657 Of the last episode of season 6, their minds will be blown. 844 00:39:20,659 --> 00:39:24,327 Alright. Alright. I don't -- very foreboding. 845 00:39:24,329 --> 00:39:25,861 I don't know what that means, 846 00:39:25,863 --> 00:39:27,731 But it sounds like there's something brewing. 847 00:39:27,733 --> 00:39:29,131 I would imagine. 848 00:39:29,133 --> 00:39:30,433 Aisha, first of all, 849 00:39:30,435 --> 00:39:33,269 Congratulations on an amazing episode. Like, truly. 850 00:39:33,271 --> 00:39:36,573 I'm gushing about it, because I'm so excited for you. 851 00:39:36,575 --> 00:39:39,809 I'm -- I'm -- [laughs] 852 00:39:39,811 --> 00:39:43,679 Yeah, jenna was giving the -- the clap that we -- 853 00:39:43,681 --> 00:39:47,083 But this was just -- this was an iconic episode 854 00:39:47,085 --> 00:39:50,152 In an iconic show. Like, you've really given the fans 855 00:39:50,154 --> 00:39:53,156 One of the iconic episodes of "the walking dead." 856 00:39:53,158 --> 00:39:55,224 What is next for you? What else are you doing? 857 00:39:55,226 --> 00:39:57,760 I know you always have a million things going on. 858 00:39:57,762 --> 00:40:00,363 "whose line is it anyway?" airing on cw. 859 00:40:00,365 --> 00:40:02,298 Season 12 of "archer," we're working on it right now. 860 00:40:02,300 --> 00:40:03,899 It's coming out later in the year. 861 00:40:03,901 --> 00:40:05,701 I have a cocktail company called courage + stone. 862 00:40:05,703 --> 00:40:07,504 I'm one of the only women of color in the cocktail space. 863 00:40:07,506 --> 00:40:10,373 So you can find out more by following me at aisha tyler 864 00:40:10,375 --> 00:40:12,909 On all social platforms. And I'm directing lots of stuff, 865 00:40:12,911 --> 00:40:15,111 So there's new things coming in the future. 866 00:40:15,113 --> 00:40:17,847 You work on the best stuff, aisha tyler. You really do. 867 00:40:17,849 --> 00:40:21,784 And I'm so, so happy and excited for you. And to everyone else, 868 00:40:21,786 --> 00:40:23,586 Thank you for this amazing episode. 869 00:40:23,588 --> 00:40:26,122 I'm so glad we got to do a "talking dead" for this one. 870 00:40:26,124 --> 00:40:28,057 Thanks for watching "talking dead: Home edition." 871 00:40:28,059 --> 00:40:30,793 My guests have been jenna elfman, christine evangelista, 872 00:40:30,795 --> 00:40:32,395 Aisha tyler, and keith carradine, 873 00:40:32,397 --> 00:40:33,929 To "the walking dead" universe. 874 00:40:33,931 --> 00:40:36,266 As aisha said, you can find her on "whose line is it anyway?" 875 00:40:36,268 --> 00:40:37,867 And on "archer." make sure to follow her 876 00:40:37,869 --> 00:40:39,602 On all the social platforms at aisha tyler 877 00:40:39,604 --> 00:40:41,670 To find out what other amazing stuff she has going on. 878 00:40:41,672 --> 00:40:44,507 And I want to remind everyone that "fear the walking dead" 879 00:40:44,509 --> 00:40:46,075 Will not have a new episode may 30th, 880 00:40:46,077 --> 00:40:47,343 Because that's memorial day weekend, 881 00:40:47,345 --> 00:40:51,080 But will return the following Sunday on June 6th. 882 00:40:51,082 --> 00:40:53,216 "talking dead" will be back for the season 6 finale 883 00:40:53,218 --> 00:40:55,151 Of "fear" June 13th. 884 00:40:55,153 --> 00:40:56,419 We'll be joined by colman domingo, 885 00:40:56,421 --> 00:40:57,821 Zoe colletti, and executive producers 886 00:40:57,823 --> 00:40:59,222 Ian goldberg and andrew chambliss. 887 00:40:59,224 --> 00:41:00,890 In the meantime, please stay safe 888 00:41:00,892 --> 00:41:03,425 And take care of each other. It's wonderful to see you. 889 00:41:03,427 --> 00:41:04,760 Take care. We'll see you soon. Bye-bye. 890 00:41:04,762 --> 00:41:06,362 I'm chris hardwick. Bye-bye.