1 00:00:24,990 --> 00:00:30,797 >>> HE'S A COMEDIENNE SO NOTHING 2 00:00:24,990 --> 00:00:30,797 CAN FAZE HER. 3 00:00:30,797 --> 00:00:39,539 SHE SAW THE POLICE SHOW UP AT 4 00:00:30,797 --> 00:00:39,539 BEAUTY LAB AFTER A LASER. 5 00:00:30,797 --> 00:00:39,539 IT'S "WHAT HAPPENS LIVE." 6 00:00:39,539 --> 00:00:45,210 I'M YOUR HOST, ANDY COHEN. 7 00:00:39,539 --> 00:00:45,210 WE'RE LIVE IN THE BRAVO 8 00:00:39,539 --> 00:00:45,210 CLUBHOUSE, AFTER AN EPIC SALT 9 00:00:45,210 --> 00:00:49,348 LAKE CITY, WHERE THE DRAMA WENT 10 00:00:45,210 --> 00:00:49,348 AROUND AND AROUND BEFORE THE 11 00:00:45,210 --> 00:00:49,348 WHEELS STARTED MOVING. 12 00:00:49,348 --> 00:00:53,619 MY FIRST GUEST SAYS, YOU DON'T 13 00:00:49,348 --> 00:00:53,619 HAVE TO LIKE ME, I LOVE MYSELF 14 00:00:49,348 --> 00:00:53,619 FOR THE BOTH OF US. 15 00:00:53,619 --> 00:01:04,930 I SAID THAT WRONG. 16 00:00:53,619 --> 00:01:04,930 PLEASE WELCOME "REAL HOUSEWIVES" 17 00:00:53,619 --> 00:01:04,930 SALT LAKE CITY," LISA BARLOW. 18 00:01:04,930 --> 00:01:09,835 WHEN MY NEXT GUEST ISN'T 19 00:01:04,930 --> 00:01:09,835 CHANNELING CELEBRITIES FOR 20 00:01:04,930 --> 00:01:09,835 IMPRESSIONS, SHE IS KEEPING THE 21 00:01:09,835 --> 00:01:16,376 CHANNEL ON BRAVO TO GET HER 22 00:01:09,835 --> 00:01:16,376 HOUSEWIVES FIXED. 23 00:01:09,835 --> 00:01:16,376 CHLOE FINEMAN. 24 00:01:16,376 --> 00:01:22,649 GREAT TO SEE YOU. 25 00:01:16,376 --> 00:01:22,649 [ APPLAUSE ] 26 00:01:16,376 --> 00:01:22,649 PERSONAL, PERSONAL FAVE OF YOUR 27 00:01:22,649 --> 00:01:25,518 BRITNEY IMPRESSION. 28 00:01:22,649 --> 00:01:25,518 >> OH. 29 00:01:22,649 --> 00:01:25,518 >> AND I THINK WE'RE GOING TO 30 00:01:25,518 --> 00:01:28,954 GET SOME SALT LAKE CITY 31 00:01:25,518 --> 00:01:28,954 HOUSEWIVES TONIGHT. 32 00:01:25,518 --> 00:01:28,954 >> I'VE BEEN WORKING ON IT. 33 00:01:28,954 --> 00:01:45,537 >> IF WE PLAY OUR CARDS RIGHT. 34 00:01:28,954 --> 00:01:45,537 LISA HAS DENIED COORDINATING 35 00:01:28,954 --> 00:01:45,537 WITH THE CATERER, SHE KNOWS THE 36 00:01:45,537 --> 00:01:50,310 BARTENDER. 37 00:01:45,537 --> 00:01:50,310 THE GUESTS WON'T KNOW IT. 38 00:01:45,537 --> 00:01:50,310 ANYWHERE THAT WE SAY THIS WORD, 39 00:01:50,310 --> 00:01:55,115 IF YOU'RE 21 OR OVER, WORKSHOP 40 00:01:50,310 --> 00:01:55,115 YOUR IMPRESSIONS OF A MEAN 41 00:01:50,310 --> 00:01:55,115 DRUNK. 42 00:01:55,115 --> 00:02:01,921 GO TO WWHL.TV RIGHT NOW. 43 00:01:55,115 --> 00:02:01,921 WE HAVE LOTS OF POLLS COMING 44 00:01:55,115 --> 00:02:01,921 YOUR WAY TONIGHT. 45 00:02:01,921 --> 00:02:15,268 ALSO, WANT TO REMIND YOU THAT 46 00:02:01,921 --> 00:02:15,268 365 QUOTES FROM WOMEN I LOVE IS 47 00:02:01,921 --> 00:02:15,268 OUT NOW. 48 00:02:15,268 --> 00:02:21,941 OKAY. 49 00:02:15,268 --> 00:02:21,941 LET'S START WITH POTOMAC. 50 00:02:15,268 --> 00:02:21,941 GO TO WWHL.TV. 51 00:02:21,941 --> 00:02:36,288 WHO IS YOUR PICK FOR BEST DRAFT 52 00:02:21,941 --> 00:02:36,288 AT THE POTOMAC REUNION? 53 00:02:21,941 --> 00:02:36,288 DID YOU HAVE A PICK? 54 00:02:36,288 --> 00:02:41,527 >> I DID. 55 00:02:36,288 --> 00:02:41,527 THEY HAVE THEIR OWN STYLE. 56 00:02:36,288 --> 00:02:41,527 I THINK EVERYONE DRESSED IN 57 00:02:41,527 --> 00:02:46,966 THEIR OWN PERSONAL STYLE. 58 00:02:41,527 --> 00:02:46,966 >> IT LOOKS LIKE ASKALE IS 59 00:02:41,527 --> 00:02:46,966 GETTING YOUR VOTE. 60 00:02:46,966 --> 00:02:51,304 I LOVE IT. 61 00:02:46,966 --> 00:02:51,304 CONGRATULATIONS. 62 00:02:46,966 --> 00:02:51,304 I WANT TO TALK ABOUT SALT LAKE 63 00:02:51,304 --> 00:02:55,408 CITY. 64 00:02:51,304 --> 00:02:55,408 STARTING WITH MARY'S COOKING 65 00:02:51,304 --> 00:02:55,408 PARTY. 66 00:02:55,408 --> 00:03:06,520 NOW, MARY IS SENDING WHITNEY HER 67 00:02:55,408 --> 00:03:06,520 OWN INVITE WITH BASICALLY SHUT 68 00:02:55,408 --> 00:03:06,520 SLUTWEAR AS AN INSPIRATION. 69 00:03:06,520 --> 00:03:10,522 WHAT DID YOU MAKE OF THAT? 70 00:03:06,520 --> 00:03:10,522 >> IT WAS LIKE A HALLOWEEN 71 00:03:06,520 --> 00:03:10,522 COSTUME. 72 00:03:10,522 --> 00:03:24,699 >> LET'S GO TO OUR NEXT WWHL.TV. 73 00:03:10,522 --> 00:03:24,699 WAS MARY'S ANGER TOWARD WHITNEY 74 00:03:10,522 --> 00:03:24,699 WARRANTED? 75 00:03:24,699 --> 00:03:29,209 >> I THINK IT WAS EXCESSIVE. 76 00:03:24,699 --> 00:03:29,209 MARY WENT IN HARD ON WHITNEY. 77 00:03:24,699 --> 00:03:29,209 >> YOU AGREE. 78 00:03:29,209 --> 00:03:33,847 >> IF SOMEONE FACETIMED ME FOUR 79 00:03:29,209 --> 00:03:33,847 TIMES I WOULD IGNORE HER AND NOT 80 00:03:29,209 --> 00:03:33,847 RESPOND. 81 00:03:33,847 --> 00:03:42,588 >> YOU'RE AGREEING. 82 00:03:33,847 --> 00:03:42,588 AFTER MONTHS OF WAITING, WE 83 00:03:33,847 --> 00:03:42,588 FINALLY BORE WITNESS OF THE FEDS 84 00:03:42,588 --> 00:03:50,597 SWARMING BEAUTY LAB, AFTER THE 85 00:03:42,588 --> 00:03:50,597 MOST AWKWARD SCENE IN A VEHICLE, 86 00:03:42,588 --> 00:03:50,597 SINCE KIM AND KYLE IN A LIMO. 87 00:03:50,597 --> 00:03:54,968 WHO DO YOU BELIEVE WAS ON THE 88 00:03:50,597 --> 00:03:54,968 OPPOSITE END OF JEN'S PHONE 89 00:03:50,597 --> 00:03:54,968 CALL? 90 00:03:54,968 --> 00:04:04,677 >> I DON'T KNOW. 91 00:03:54,968 --> 00:04:04,677 I REALLY DON'T KNOW. 92 00:03:54,968 --> 00:04:04,677 JEN SAID THAT SOMEONE CALLED HER 93 00:04:04,677 --> 00:04:10,949 AND SHARRIEFF HAD INTERNAL 94 00:04:04,677 --> 00:04:10,949 BLEEDING. 95 00:04:04,677 --> 00:04:10,949 IN THE MOMENT, I BELIEVED JEN. 96 00:04:10,949 --> 00:04:16,555 >> YOU WERE TRYING TO GET AHOLD 97 00:04:10,949 --> 00:04:16,555 OF STU AS THE EPISODE ENDS. 98 00:04:10,949 --> 00:04:16,555 DID YOU GET AHOLD OF HIM? 99 00:04:16,555 --> 00:04:23,495 >> I DID NOT GET AHOLD OF STU. 100 00:04:16,555 --> 00:04:23,495 >> YOU ADVISED HEATHER NOT TO 101 00:04:16,555 --> 00:04:23,495 CALL JEN AND WARN HER THAT THE 102 00:04:23,495 --> 00:04:26,899 FEDS WERE ON THEIR WAY. 103 00:04:23,495 --> 00:04:26,899 WHY? 104 00:04:23,495 --> 00:04:26,899 >> I DON'T KNOW WHY. 105 00:04:26,899 --> 00:04:30,170 MY FIRST INSTINCT WAS, LET HER 106 00:04:26,899 --> 00:04:30,170 GO. 107 00:04:26,899 --> 00:04:30,170 I DIDN'T DO IT. 108 00:04:30,170 --> 00:04:33,706 >> YOU SEEMED RESOLUTE ABOUT 109 00:04:30,170 --> 00:04:33,706 THAT. 110 00:04:30,170 --> 00:04:33,706 JUST SO YOU -- 111 00:04:33,706 --> 00:04:36,543 >> I WAS VERY RESOLUTE WHEN I 112 00:04:33,706 --> 00:04:36,543 SAID IT. 113 00:04:33,706 --> 00:04:36,543 FOR SURE. 114 00:04:36,543 --> 00:04:42,247 >> YOU WERE QUICK TO REALIZE THE 115 00:04:36,543 --> 00:04:42,247 SITUATION WITH FEDS HAD NOTHING 116 00:04:36,543 --> 00:04:42,247 TO DO WITH SHARRIEFF, THOUGH. 117 00:04:42,247 --> 00:04:48,521 HOW DID YOU COME TO THAT 118 00:04:42,247 --> 00:04:48,521 REALIZATION? 119 00:04:42,247 --> 00:04:48,521 >> MY BRAIN WORKS FAST. 120 00:04:48,521 --> 00:04:55,327 >> OKAY. 121 00:04:48,521 --> 00:04:55,327 SOME OF YOU MAY HAVE THOUGHT 122 00:04:48,521 --> 00:04:55,327 THAT THE LAW ENFORCEMENT 123 00:04:55,327 --> 00:05:03,670 OFFICERS WERE STRIPPERS. 124 00:04:55,327 --> 00:05:03,670 IS THAT A REAL THING? 125 00:04:55,327 --> 00:05:03,670 >> WHITNEY THOUGHT THEY WERE 126 00:05:03,670 --> 00:05:07,139 STRIPPERS. 127 00:05:03,670 --> 00:05:07,139 I THOUGHT THEY WERE THERE FOR 128 00:05:03,670 --> 00:05:07,139 HEATHER. 129 00:05:07,139 --> 00:05:11,778 I ASKED HEATHER, WHAT DID YOU 130 00:05:07,139 --> 00:05:11,778 DO? 131 00:05:07,139 --> 00:05:11,778 >> DID THE LAW ENFORCEMENT LOOK 132 00:05:11,778 --> 00:05:17,417 IN THE BUS TO SEE IF SHE WAS 133 00:05:11,778 --> 00:05:17,417 HIDING? 134 00:05:11,778 --> 00:05:17,417 WERE THERE NOOKS SHE COULD BE 135 00:05:17,417 --> 00:05:21,353 IN? 136 00:05:17,417 --> 00:05:21,353 >> I THINK THEY KNEW SHE WAS 137 00:05:17,417 --> 00:05:21,353 GONE BECAUSE SOMEONE FROM THE 138 00:05:21,353 --> 00:05:27,600 PRODUCTION TEAM. 139 00:05:21,353 --> 00:05:27,600 HEATHER GOT UP AND LEFT THE BUS 140 00:05:21,353 --> 00:05:27,600 AND STARTED A CONVERSATION WITH 141 00:05:27,600 --> 00:05:30,430 THE LAW ENFORCEMENT. 142 00:05:27,600 --> 00:05:30,430 >> RIGHT. 143 00:05:27,600 --> 00:05:30,430 WHAT WAS YOUR REACTION TO THE 144 00:05:30,430 --> 00:05:34,733 SCENE? 145 00:05:30,430 --> 00:05:34,733 >> MY FAVORITE THING WAS, LIKE, 146 00:05:30,430 --> 00:05:34,733 OH, MY GOD. 147 00:05:34,733 --> 00:05:40,706 I'M FREAKING OUT. 148 00:05:34,733 --> 00:05:40,706 >> BY THE WAY, IN NEXT WEEK'S 149 00:05:34,733 --> 00:05:40,706 EPISODE, I WILL SAY, NEXT WEEK'S 150 00:05:40,706 --> 00:05:46,579 EPISODE TAKES PLACE ABOUT EIGHT 151 00:05:40,706 --> 00:05:46,579 OR TEN HOURS. 152 00:05:40,706 --> 00:05:46,579 AND IT IS MAYBE TOP FIVE OF ANY 153 00:05:46,579 --> 00:05:51,651 HOUSEWIVES EPISODE I'VE EVER 154 00:05:46,579 --> 00:05:51,651 SEEN IN MY LIFE. 155 00:05:46,579 --> 00:05:51,651 >> THE WHOLE ENTIRE VAN RIDE? 156 00:05:51,651 --> 00:05:55,822 >> YES. 157 00:05:51,651 --> 00:05:55,822 IT'S EVERYTHING. 158 00:05:51,651 --> 00:05:55,822 >> YOU'RE GOING TO GET OUR MOST 159 00:05:55,822 --> 00:05:58,757 RAW EMOTIONS. 160 00:05:55,822 --> 00:05:58,757 >> YEAH. 161 00:05:55,822 --> 00:05:58,757 >> YOU CALLED SEVERAL OF YOUR 162 00:05:58,757 --> 00:06:03,290 LAWYERS IN NEXT WEEK'S EPISODE, 163 00:05:58,757 --> 00:06:03,290 WHY? 164 00:05:58,757 --> 00:06:03,290 >> I SHOULDN'T GOOGLE THINGS, 165 00:06:03,290 --> 00:06:05,932 RIGHT? 166 00:06:03,290 --> 00:06:05,932 WE WANT TO GET THE FACTS. 167 00:06:03,290 --> 00:06:05,932 FOR ME, THE MOST IMPORTANT THING 168 00:06:05,932 --> 00:06:16,420 WAS TO GET THE FACTS. 169 00:06:05,932 --> 00:06:16,420 >> RIGHT. 170 00:06:05,932 --> 00:06:16,420 SO, THE BEST THING WAS TO CALL 171 00:06:16,420 --> 00:06:24,584 AN ATTORNEY AND ASK THEM WHAT 172 00:06:16,420 --> 00:06:24,584 WAS ON THE DOCKET. 173 00:06:16,420 --> 00:06:24,584 >> GET BACK TO WWHL.TV TO ANSWER 174 00:06:24,584 --> 00:06:27,519 THIS POLL. 175 00:06:24,584 --> 00:06:27,519 SHOULD HEATHER HAVE CALLED JEN? 176 00:06:24,584 --> 00:06:27,519 >> DON'T BE INVOLVED. 177 00:06:27,519 --> 00:06:38,531 THE AUDIENCE AGREES. 178 00:06:27,519 --> 00:06:38,531 MERE HOURS ON LAST NIGHT'S 179 00:06:27,519 --> 00:06:38,531 "SNL," CHLOE 180 00:06:38,531 --> 00:06:43,269 MILEY CYRUS. 181 00:06:38,531 --> 00:06:43,269 I NEED YOUR HOT TAKES ON ALL OF 182 00:06:38,531 --> 00:06:43,269 THE DRAMA. 183 00:06:43,269 --> 00:06:48,908 WHAT ARE YOU ANXIOUS TO HEAR 184 00:06:43,269 --> 00:06:48,908 FROM JEN SHAH ABOUT THIS? 185 00:06:43,269 --> 00:06:48,908 >> I FEAR JEN SHAH ON TWITTER. 186 00:06:48,908 --> 00:06:59,850 SO, I'M AFRAID TO COMMENT. 187 00:06:48,908 --> 00:06:59,850 >> IF YOU WERE WHITNEY, HOW 188 00:06:48,908 --> 00:06:59,850 WOULD YOU HANDLE RECEIVING THE 189 00:06:59,850 --> 00:07:05,910 SEPARATE DRESS CODE? 190 00:06:59,850 --> 00:07:05,910 >> I LOVE A COSTUME. 191 00:06:59,850 --> 00:07:05,910 I WOULD SHOW UP IN BOOTEE 192 00:07:05,910 --> 00:07:08,894 SHORTS. 193 00:07:05,910 --> 00:07:08,894 >> THEY GIFTED THE BAGS AND 194 00:07:05,910 --> 00:07:08,894 APRONS. 195 00:07:08,894 --> 00:07:13,533 >> IT'S TRIGGERED ME. 196 00:07:08,894 --> 00:07:13,533 WHEN A TIFFANY BOX DIDN'T HAVE 197 00:07:08,894 --> 00:07:13,533 TIFFANY IN IT. 198 00:07:13,533 --> 00:07:27,880 >> THOUGHTS ON THE NEW WIFE IN 199 00:07:13,533 --> 00:07:27,880 SALT LAKE CITY, JENNY AND E 200 00:07:13,533 --> 00:07:27,880 AND HER HUSBAND SUGGESTING THE 201 00:07:27,880 --> 00:07:33,420 SISTER WIVES OPTION. 202 00:07:27,880 --> 00:07:33,420 >> THOUGHTS ON MARY, IN GENERAL. 203 00:07:27,880 --> 00:07:33,420 SHE'S A QUIRKY GAL. 204 00:07:33,420 --> 00:07:39,526 DO YOU BELIEVE HER WHEN SHE SAYS 205 00:07:33,420 --> 00:07:39,526 HER AND SETH'S RELATIONSHIP IS 206 00:07:33,420 --> 00:07:39,526 BETTER THAN EVER. 207 00:07:39,526 --> 00:07:47,132 >> I'M HORNY FOR IT. 208 00:07:39,526 --> 00:07:47,132 >> THANK YOU VERY MUCH. 209 00:07:39,526 --> 00:07:47,132 LISA STRUGGLED WITH HER SON'S 210 00:07:47,132 --> 00:07:51,870 VIRTUAL REALITY HEADSET TONIGHT. 211 00:07:47,132 --> 00:07:51,870 THAT REMINDED ME THAT SOME OF 212 00:07:47,132 --> 00:07:51,870 THE SALT LAKE CITY WOMEN HAVE 213 00:07:51,870 --> 00:07:59,846 BEEN VIEWING THE QUEEN OF 214 00:07:51,870 --> 00:07:59,846 SUNDANCE THROUGH JET G. GOGGLES. 215 00:07:51,870 --> 00:07:59,846 DEFEND YOUR CHARACTER. 216 00:07:59,846 --> 00:08:03,682 THERE'S ACCUSATIONS YOU FACED 217 00:07:59,846 --> 00:08:03,682 THIS SEASON FOR EACH ONE. 218 00:07:59,846 --> 00:08:03,682 EXPLAIN WHAT WAS GOING ON THERE. 219 00:08:03,682 --> 00:08:09,389 >> OKAY. 220 00:08:03,682 --> 00:08:09,389 >> WHY INVITE ONLY MEREDITH AND 221 00:08:03,682 --> 00:08:09,389 WHITNEY TO THE EVENT? 222 00:08:09,389 --> 00:08:18,365 >> I KNOW MEREDITH WON'T ENGAGE. 223 00:08:09,389 --> 00:08:18,365 >> WHY DID YOUR SON NOT WANT JEN 224 00:08:09,389 --> 00:08:18,365 TO BE THERE, BY THE WAY? 225 00:08:18,365 --> 00:08:23,168 >> YOU'LL FIND THAT OUT. 226 00:08:18,365 --> 00:08:23,168 >> BE HONEST. 227 00:08:18,365 --> 00:08:23,168 THE ONLY WAY YOU MENTIONED JEN 228 00:08:23,168 --> 00:08:29,608 ABOUT SENDING HER PRODUCT LINE 229 00:08:23,168 --> 00:08:29,608 WAS TO GET UNDER JEN'S SKIN AND 230 00:08:23,168 --> 00:08:29,608 PUT A WEDGE BETWEEN SHE AND 231 00:08:29,608 --> 00:08:34,246 WHITNEY? 232 00:08:29,608 --> 00:08:34,246 >> ABSOLUTELY NOT. 233 00:08:29,608 --> 00:08:34,246 WE WERE TWO BANKS. 234 00:08:34,246 --> 00:08:40,552 WE WERE GETTING CHUMMY. 235 00:08:34,246 --> 00:08:40,552 WHY IS IT OKAY THEY BRING UP KOA 236 00:08:34,246 --> 00:08:40,552 AND GIVE KOA GIFTS BUT I CAN'T 237 00:08:40,552 --> 00:08:44,356 SAY HIS NAME WITHOUT GETTING 238 00:08:40,552 --> 00:08:44,356 YELLED AT. 239 00:08:40,552 --> 00:08:44,356 >> WAS THERE ANY ILL INTENT WHEN 240 00:08:44,356 --> 00:08:48,727 YOU SAID YOU NEEDED TO GOOGLE 241 00:08:44,356 --> 00:08:48,727 CHECK SOME OF WHAT MARY SAID? 242 00:08:44,356 --> 00:08:48,727 >> NOT AT ALL. 243 00:08:48,727 --> 00:08:56,690 DO YOU SEE HOW MANY COKES I 244 00:08:48,727 --> 00:08:56,690 DRINK IN A DAY? 245 00:08:48,727 --> 00:08:56,690 CARBONATION. 246 00:08:56,690 --> 00:09:01,700 >> IS THAT A THING? 247 00:08:56,690 --> 00:09:01,700 >> BASED ON WHAT MARY SAID. 248 00:08:56,690 --> 00:09:01,700 >> DID WHITNEY FEEL LIKE YOU SET 249 00:09:01,700 --> 00:09:05,211 HER UP? 250 00:09:01,700 --> 00:09:05,211 >> ABSOLUTELY NOT. 251 00:09:01,700 --> 00:09:05,211 >> DID YOU HAVE ANYTHING TO DO 252 00:09:05,211 --> 00:09:12,184 WITH THE CATERER CANCELLING? 253 00:09:05,211 --> 00:09:12,184 >> NO. 254 00:09:05,211 --> 00:09:12,184 AND MARCO'S BROTHER CATERED HER 255 00:09:12,184 --> 00:09:17,230 EVENT. 256 00:09:12,184 --> 00:09:17,230 I HAD NOTHING TO DO WITH IT. 257 00:09:12,184 --> 00:09:17,230 >> BEING THE SOLE MORMON, WHY 258 00:09:17,230 --> 00:09:25,365 DID YOU REFER TO WHITNEY AND 259 00:09:17,230 --> 00:09:25,365 ANGIE AS IN-BRED POLYGAMY 260 00:09:17,230 --> 00:09:25,365 COUSINS? 261 00:09:25,365 --> 00:09:28,500 >> FACT. 262 00:09:25,365 --> 00:09:28,500 >> I THINK THERE'S SOME 263 00:09:25,365 --> 00:09:28,500 FIRST-COUSIN ACTION THAT 264 00:09:28,500 --> 00:09:33,105 HAPPENED A LONG TIME AGO. 265 00:09:28,500 --> 00:09:33,105 AND THEY HAVE TO REMEMBER THAT 266 00:09:28,500 --> 00:09:33,105 THE LDS IS A RELIGION, IT'S A 267 00:09:33,105 --> 00:09:37,943 RELIGION AND NOT A HERITAGE. 268 00:09:33,105 --> 00:09:37,943 THEY CONFUSE THE TWO. 269 00:09:33,105 --> 00:09:37,943 >> WERE JEN'S MEAN TWEETS 270 00:09:37,943 --> 00:09:43,383 TOWARDS BROOKS IN THE SAME 271 00:09:37,943 --> 00:09:43,383 CATEGORY OF INSULT AS SOMEONE 272 00:09:37,943 --> 00:09:43,383 TELLING YOU YOUR CHILD HAD A BIG 273 00:09:43,383 --> 00:09:48,888 HEAD AT THE AGE OF 3? 274 00:09:43,383 --> 00:09:48,888 >> ABSOLUTELY NOT. 275 00:09:43,383 --> 00:09:48,888 AS A MOM, YOU GET MAD AT THINGS. 276 00:09:48,888 --> 00:09:55,961 >> THANK YOU VERY MUCH, LISA 277 00:09:48,888 --> 00:09:55,961 BARLOW. 278 00:09:48,888 --> 00:09:55,961 BY THE WAY, IF YOU ARE A REAL 279 00:09:55,961 --> 00:09:58,965 HOU 280 00:09:55,961 --> 00:09:58,965 HOUSEWIFE, WHAT WOULD YOUR 281 00:09:55,961 --> 00:09:58,965 TAGLINE BE? 282 00:09:58,965 --> 00:10:07,639 >> THIS CITY DOESN'T SLEEP, BUT 283 00:09:58,965 --> 00:10:07,639 I'M ALWAYS TIRED. 284 00:09:58,965 --> 00:10:07,639 >> YES. 285 00:10:07,639 --> 00:10:12,245 >>> WHEN WE COME BACK, WE HAVE 286 00:10:07,639 --> 00:10:12,245 MORE WITH LISA AND CHLOE. 287 00:10:07,639 --> 00:10:12,245 DON'T GO ANYWHERE. 288 00:10:21,488 --> 00:10:32,399 [ CHEERS AND APPLAUSE ] 289 00:10:21,488 --> 00:10:32,399 >>> ALL RIGHT. 290 00:10:21,488 --> 00:10:32,399 WELCOME BACK TO "WATCH WHAT 291 00:10:32,399 --> 00:10:39,172 HAPPENS LIVE." 292 00:10:32,399 --> 00:10:39,172 I'M YOUR HOST ANDY COHEN, IN THE 293 00:10:32,399 --> 00:10:39,172 BRAVO CLUBHOUSE. 294 00:10:39,172 --> 00:10:46,413 NO PASSIVE-AGGRESSIVE MAFIA 295 00:10:39,172 --> 00:10:46,413 COSTUMES NEEDED HERE. 296 00:10:39,172 --> 00:10:46,413 SAY HELLO TO LISA BARLOW AND 297 00:10:46,413 --> 00:10:51,850 CHLOE FINEMAN FROM "SATURDAY 298 00:10:46,413 --> 00:10:51,850 NIGHT LIVE." 299 00:10:46,413 --> 00:10:51,850 LISA'S HUSBAND, JOHN BARLOW. 300 00:10:51,850 --> 00:10:55,221 HEY, JOHN. 301 00:10:51,850 --> 00:10:55,221 DO YOU LIKE BEING A REAL HUSBAND 302 00:10:51,850 --> 00:10:55,221 OF SALT LAKE CITY? 303 00:10:55,221 --> 00:10:59,158 >> AS LONG AS I'M LISA'S REAL 304 00:10:55,221 --> 00:10:59,158 HUSBAND, I'M OKAY. 305 00:10:55,221 --> 00:10:59,158 >> AW. 306 00:10:59,158 --> 00:11:05,698 >> FOREVER AND EVER. 307 00:10:59,158 --> 00:11:05,698 >> DRINKING GAME, IF YOU HEAR 308 00:10:59,158 --> 00:11:05,698 THIS WORD, IN HONOR OF JEN 309 00:11:05,698 --> 00:11:12,471 GIVING LEISA HER PINKIE. 310 00:11:05,698 --> 00:11:12,471 DRINK UNTIL YOU'RE GIVING 311 00:11:05,698 --> 00:11:12,471 EVERYONE THE FINGER. 312 00:11:12,471 --> 00:11:17,243 LET'S TAKE QUESTIONS FROM OUR 313 00:11:12,471 --> 00:11:17,243 VIRTUAL FANS. 314 00:11:12,471 --> 00:11:17,243 THEY ARE IN LONDON. 315 00:11:17,243 --> 00:11:21,181 IT'S 4:00 IN THE MORNING THERE. 316 00:11:17,243 --> 00:11:21,181 HEY, GUYS. 317 00:11:17,243 --> 00:11:21,181 WHAT'S YOUR QUESTION FOR LISA? 318 00:11:21,181 --> 00:11:35,995 >> HI, LISA. 319 00:11:21,181 --> 00:11:35,995 >> HI. 320 00:11:21,181 --> 00:11:35,995 HAVE YOU HEARD SINCE MARY WHEN 321 00:11:35,995 --> 00:11:42,568 THE EPISODE AIRED THAT SHE HAD 322 00:11:35,995 --> 00:11:42,568 THE CONVERSATION WITH CAMERON? 323 00:11:35,995 --> 00:11:42,568 AND DO YOU BELIEVE MARY? 324 00:11:42,568 --> 00:11:49,109 >> YOU WILL HAVE TO STAY TUNED. 325 00:11:42,568 --> 00:11:49,109 BUT MARY KNOWS I'M FRIENDS WITH 326 00:11:42,568 --> 00:11:49,109 CAMERON. 327 00:11:49,109 --> 00:11:54,780 I'VE KNOWN CAMERON LONGER THAN 328 00:11:49,109 --> 00:11:54,780 I'VE KNOWN HER. 329 00:11:49,109 --> 00:11:54,780 AND I KNEW CAMERON WAS A MEMBER 330 00:11:54,780 --> 00:11:57,216 OF MARY'S CHURCH. 331 00:11:54,780 --> 00:11:57,216 >> DID YOU HEAR FROM MARY AFTER 332 00:11:54,780 --> 00:11:57,216 THE EPISODE? 333 00:11:57,216 --> 00:12:03,322 >> DID I HEAR FROM HER? 334 00:11:57,216 --> 00:12:03,322 I DID NOT HEAR FROM HER AFTER 335 00:11:57,216 --> 00:12:03,322 THE EPISODE. 336 00:12:03,322 --> 00:12:06,926 >> JENNIFER AND TOM HAVE A 337 00:12:03,322 --> 00:12:06,926 QUESTION FOR CHLOE. 338 00:12:03,322 --> 00:12:06,926 >> HEY, ANDY. 339 00:12:06,926 --> 00:12:10,129 WE'RE GETTING MARRIED IN FIVE 340 00:12:06,926 --> 00:12:10,129 DAYS. 341 00:12:06,926 --> 00:12:10,129 AND WE HOPE THAT SOMEONE GIVES 342 00:12:10,129 --> 00:12:21,740 US GLITTER EVERY DAY AS A GIFT. 343 00:12:10,129 --> 00:12:21,740 I HOPE YOU GET SOMETHING BETTER 344 00:12:10,129 --> 00:12:21,740 THAN A BOOK. 345 00:12:21,740 --> 00:12:24,476 I LOVE THAT YOU HAVE A FANCY 346 00:12:21,740 --> 00:12:24,476 MIC. 347 00:12:21,740 --> 00:12:24,476 WHAT'S YOUR QUESTION? 348 00:12:24,476 --> 00:12:28,947 >> OUR QUESTION IS FOR CHLOE. 349 00:12:24,476 --> 00:12:28,947 >> HI, CHLOE. 350 00:12:24,476 --> 00:12:28,947 >> HEY. 351 00:12:28,947 --> 00:12:37,256 >> AFTER WATCHING ALL FOUR PARTS 352 00:12:28,947 --> 00:12:37,256 OF THE EPIC BEVERLY HILLS 353 00:12:28,947 --> 00:12:37,256 REUNION, HOW HAVE YOU YOUR VIEWS 354 00:12:37,256 --> 00:12:40,493 OF ERICA AND THE SITUATION 355 00:12:37,256 --> 00:12:40,493 CHANGED? 356 00:12:37,256 --> 00:12:40,493 >> SHE WAS SO RUDE TO YOU. 357 00:12:40,493 --> 00:12:54,106 >> TO ME? 358 00:12:40,493 --> 00:12:54,106 >> YES. 359 00:12:40,493 --> 00:12:54,106 I DON'T THINK SHE HELPED 360 00:12:54,106 --> 00:12:57,409 ANYTHING. 361 00:12:54,106 --> 00:12:57,409 SHE IS A WOMAN BEING SUED. 362 00:12:54,106 --> 00:12:57,409 I'VE NEVER BEEN SUED. 363 00:12:57,409 --> 00:13:11,691 >> THANK YOU, VIRTUAL, AUDIENCE. 364 00:12:57,409 --> 00:13:11,691 >> IT LOOKS LIKE YOU AND 365 00:12:57,409 --> 00:13:11,691 MEREDITH AREN'T AS CLOSE THIS 366 00:13:11,691 --> 00:13:14,494 SEASON. 367 00:13:11,691 --> 00:13:14,494 >> I LOVE MEREDITH. 368 00:13:11,691 --> 00:13:14,494 >> THAT'S NOT THE QUESTION. 369 00:13:14,494 --> 00:13:22,735 ARE YOU AS CLOSE THIS SEASON? 370 00:13:14,494 --> 00:13:22,735 >> I FEEL LIKE WE'RE ALWAYS 371 00:13:14,494 --> 00:13:22,735 CLOSE FRIENDS. 372 00:13:22,735 --> 00:13:30,543 AND YOU'RE SEEING US WITH 373 00:13:22,735 --> 00:13:30,543 DIFFERENT FRIENDS ON THE SHOW. 374 00:13:22,735 --> 00:13:30,543 THAT'S ALL. 375 00:13:30,543 --> 00:13:36,716 >> CHLOE EXCITED OF THE "FATHER 376 00:13:30,543 --> 00:13:36,716 OF THE BRIDE" REMAKE. 377 00:13:30,543 --> 00:13:36,716 ARE YOU GOING TO ANY PREVIEW OF 378 00:13:36,716 --> 00:13:49,395 HOW YOU PLAY THAT ROLE? 379 00:13:36,716 --> 00:13:49,395 >> NOT WITH AN ACCENT. 380 00:13:36,716 --> 00:13:49,395 >> ALL RIGHT. 381 00:13:49,395 --> 00:13:55,134 CHLOE'S IMPRESSIONS ON "SNL" IS 382 00:13:49,395 --> 00:13:55,134 THE BEST. 383 00:13:49,395 --> 00:13:55,134 WE CAN LEAN ON CHLOE'S ABILITY 384 00:13:55,134 --> 00:14:00,340 TO IMPERSONATE ANYONE AND 385 00:13:55,134 --> 00:14:00,340 EVERYONE. 386 00:13:55,134 --> 00:14:00,340 A SLOT MACHINE GRAPHIC WILL 387 00:14:00,340 --> 00:14:06,546 REVEAL A RANDOM CELEBRITY, THAT 388 00:14:00,340 --> 00:14:06,546 CHLOE WILL HAVE TO MIMIC AS SHE 389 00:14:00,340 --> 00:14:06,546 READS LINES FROM SALT LAKE CITY. 390 00:14:06,546 --> 00:14:11,784 AND LISA WILL HAVE TO GUESS WHO 391 00:14:06,546 --> 00:14:11,784 ORIGINALLY SAID EACH LINE. 392 00:14:06,546 --> 00:14:11,784 LET'S SPIN IT. 393 00:14:11,784 --> 00:14:16,456 WOW. 394 00:14:11,784 --> 00:14:16,456 THERE'S A LOT OF GREAT 395 00:14:11,784 --> 00:14:16,456 IMPRESSIONS. 396 00:14:16,456 --> 00:14:21,494 GIVE US THE FIRST ONE IN 397 00:14:16,456 --> 00:14:21,494 BRITNEY'S VOICE. 398 00:14:16,456 --> 00:14:21,494 >> OKAY. 399 00:14:21,494 --> 00:14:25,649 SORRY. 400 00:14:21,494 --> 00:14:25,649 THAT WAS REESE WITHERSPOON. 401 00:14:21,494 --> 00:14:25,649 >> YOU GOT TWO FACES. 402 00:14:25,649 --> 00:14:30,570 I USED TO KNOW ONE OF THEM. 403 00:14:25,649 --> 00:14:30,570 >> MARY COSBY? 404 00:14:25,649 --> 00:14:30,570 >> YES. 405 00:14:30,570 --> 00:14:32,138 VERY GOOD. 406 00:14:30,570 --> 00:14:32,138 GOOD JOB. 407 00:14:30,570 --> 00:14:32,138 OKAY. 408 00:14:32,138 --> 00:14:44,350 SPIN THE WHEEL. 409 00:14:32,138 --> 00:14:44,350 DREW. 410 00:14:32,138 --> 00:14:44,350 >> I CAN'T LISTEN TO THE 411 00:14:44,350 --> 00:14:47,953 DESELECTING, PROJECTING AND 412 00:14:44,350 --> 00:14:47,953 LYING ANYMORE. 413 00:14:44,350 --> 00:14:47,953 >> YES. 414 00:14:47,953 --> 00:14:52,225 >> WHO SAID IT? 415 00:14:47,953 --> 00:14:52,225 >> 100% MEREDITH. 416 00:14:47,953 --> 00:14:52,225 >> ABSOLUTELY. 417 00:14:52,225 --> 00:15:01,167 SPIN IT, GUYS. 418 00:14:52,225 --> 00:15:01,167 GOT TO LOVE IT. 419 00:14:52,225 --> 00:15:01,167 MEREDITH MARKS. 420 00:15:01,167 --> 00:15:10,476 >> I'M ALWAYS LOOKING FOR SEX. 421 00:15:01,167 --> 00:15:10,476 I'M NOT ALWAYS LOOKING FOR LOVE. 422 00:15:01,167 --> 00:15:10,476 >> HEATHER GAY. 423 00:15:10,476 --> 00:15:12,946 >> YES. 424 00:15:10,476 --> 00:15:12,946 HIT IT, PAUL. 425 00:15:10,476 --> 00:15:12,946 OH, MY GOD. 426 00:15:12,946 --> 00:15:18,851 I LOVE IT. 427 00:15:12,946 --> 00:15:18,851 SO GOOD. 428 00:15:12,946 --> 00:15:18,851 THAT WAS A GOOD MEREDITH. 429 00:15:18,851 --> 00:15:29,950 MILEY. 430 00:15:18,851 --> 00:15:29,950 >> YOU CAN'T BLAME IT BECAUSE MY 431 00:15:18,851 --> 00:15:29,950 PLASTIC SURGEON IS FALL. 432 00:15:29,950 --> 00:15:33,659 >> JEN SHAH. 433 00:15:29,950 --> 00:15:33,659 >> FOUR OUT OF FOUR. 434 00:15:29,950 --> 00:15:33,659 LISA BARLOW? 435 00:15:33,659 --> 00:15:41,508 >> THIS IS NUMBER FIVE. 436 00:15:33,659 --> 00:15:41,508 >> LISA LOVES HER EFFING SELF. 437 00:15:33,659 --> 00:15:41,508 I WISH I HAD THAT MUCH 438 00:15:41,508 --> 00:15:46,879 CONFIDENCE OUR ARROGANCE. 439 00:15:41,508 --> 00:15:46,879 >> YES. 440 00:15:41,508 --> 00:15:46,879 >> WHITNEY ROSE. 441 00:15:46,879 --> 00:15:54,988 AND EVERYONE SHOULD HAVE THAT 442 00:15:46,879 --> 00:15:54,988 MUCH CONFIDENCE. 443 00:15:46,879 --> 00:15:54,988 >> SPIN IT, PAUL. 444 00:15:54,988 --> 00:15:59,392 >> OKAY. 445 00:15:54,988 --> 00:15:59,392 REESE. 446 00:15:54,988 --> 00:15:59,392 >> UNTIL I FIGURE OUT WHAT IT IS 447 00:15:59,392 --> 00:16:04,299 THAT TRIGGERS YOU, WE CAN'T BE 448 00:15:59,392 --> 00:16:04,299 FRIENDS. 449 00:15:59,392 --> 00:16:04,299 >> 100% ME. 450 00:16:04,299 --> 00:16:12,205 >> HIT IT, PAUL. 451 00:16:04,299 --> 00:16:12,205 OH, MY GOD. 452 00:16:04,299 --> 00:16:12,205 JENNIFER CLUELESS. 453 00:16:12,205 --> 00:16:18,711 >> IF SOMEONE COMES UP TO ME 454 00:16:12,205 --> 00:16:18,711 LIKE THAT, I'M ABOUT READY TO 455 00:16:12,205 --> 00:16:18,711 PUNCH THEM IN THE EFFING FACE. 456 00:16:18,711 --> 00:16:27,386 YEAH. 457 00:16:18,711 --> 00:16:27,386 >> YES. 458 00:16:18,711 --> 00:16:27,386 >> WHITNEY ROSE. 459 00:16:27,386 --> 00:16:34,927 >> VERY MUCH. 460 00:16:27,386 --> 00:16:34,927 THIS IS A SHOWCASE FOR CHLOE. 461 00:16:27,386 --> 00:16:34,927 NICOLE KIDMAN. 462 00:16:34,927 --> 00:16:42,101 >> I DIDN'T NEED A BUNCH OF 463 00:16:34,927 --> 00:16:42,101 SKINNY PEOPLE. 464 00:16:34,927 --> 00:16:42,101 I CAN HIRE A BUNCH OF HOT MODELS 465 00:16:42,101 --> 00:16:48,341 IF I NEEDED THIS. 466 00:16:42,101 --> 00:16:48,341 >> WHO WAS THIS? 467 00:16:42,101 --> 00:16:48,341 >> YOU HAVE GOTTEN SEVEN SO FAR. 468 00:16:48,341 --> 00:16:51,110 >> I NEED TO GET THIS RIGHT. 469 00:16:48,341 --> 00:16:51,110 >> JEN SHAH. 470 00:16:48,341 --> 00:16:51,110 >> YES. 471 00:16:51,110 --> 00:17:06,759 >> SPIN IT AGAIN, GUYS. 472 00:16:51,110 --> 00:17:06,759 MERYL. 473 00:16:51,110 --> 00:17:06,759 >> YOU ARE AGGRESSIVE. 474 00:17:06,759 --> 00:17:16,635 I DON'T ANYONE SPEAK TO ME 475 00:17:06,759 --> 00:17:16,635 AGGRESSIVELY. 476 00:17:06,759 --> 00:17:16,635 >> IS IT MEREDITH? 477 00:17:16,635 --> 00:17:22,709 >> IT IS. 478 00:17:16,635 --> 00:17:22,709 GIVE IT UP TO CHLOE. 479 00:17:16,635 --> 00:17:22,709 MORE WITH THESE TWO AND MY 480 00:17:22,709 --> 00:17:23,410 GIVE IT UP TO CHLOE. 481 00:17:22,709 --> 00:17:23,410 MORE WITH THESE TWO AND MY 482 00:17:22,709 --> 00:17:23,410 THOUGHT FOR THE DAY, COMING UP. 483 00:17:23,609 --> 00:17:41,227 [ CHEERS AND APPLAUSE ] 484 00:17:23,609 --> 00:17:41,227 >>> HEY, EVERYBODY. 485 00:17:41,227 --> 00:17:46,199 I'M ANDY. 486 00:17:41,227 --> 00:17:46,199 WE'RE HERE WITH LISA, CHLOE AND 487 00:17:41,227 --> 00:17:46,199 JOHN BARLOW AT THE BAR. 488 00:17:46,199 --> 00:17:50,236 GREAT "SNL" LAST NIGHT. 489 00:17:46,199 --> 00:17:50,236 DID YOU HAVE FUN AT THE PARTY 490 00:17:46,199 --> 00:17:50,236 AFTER? 491 00:17:50,236 --> 00:17:57,576 >> YEAH, I DID. 492 00:17:50,236 --> 00:17:57,576 ANY HIGHLIGHTS? 493 00:17:50,236 --> 00:17:57,576 ANYONE SURPRISING SHOW UP? 494 00:17:57,576 --> 00:18:02,248 >> THERE WEREN'T ANY -- IT WAS 495 00:17:57,576 --> 00:18:02,248 REALLY LOUD MUSIC. 496 00:17:57,576 --> 00:18:02,248 >> ALL RIGHT. 497 00:18:02,248 --> 00:18:05,818 >> AND PEOPLE MAKING OUT THAT I 498 00:18:02,248 --> 00:18:05,818 WENT, OKAY. 499 00:18:02,248 --> 00:18:05,818 >> OKAY. 500 00:18:05,818 --> 00:18:16,289 A LOT OF -- WHY DO YOU THINK 501 00:18:05,818 --> 00:18:16,289 MEREDITH IS QUICK TO DEFEND 502 00:18:05,818 --> 00:18:16,289 MARY? 503 00:18:16,289 --> 00:18:19,319 >> I THINK YOU HAVE TO WAIT AND 504 00:18:16,289 --> 00:18:19,319 SEE. 505 00:18:16,289 --> 00:18:19,319 >> SHE SAID TONIGHT -- DID SHE 506 00:18:19,319 --> 00:18:22,801 NOT SAY TONIGHT THAT SHE IS A 507 00:18:19,319 --> 00:18:22,801 LITTLE AFRAID OF HER? 508 00:18:19,319 --> 00:18:22,801 >> A LITTLE AFRAID OF HER. 509 00:18:22,801 --> 00:18:30,430 BY THE WAY, LOVE YOUR TIMOTHEE 510 00:18:22,801 --> 00:18:30,430 CHALAMET IMPRESSION. 511 00:18:22,801 --> 00:18:30,430 HAVE YOU HEARD FROM HIM ABOUT 512 00:18:30,430 --> 00:18:33,113 IT? 513 00:18:30,430 --> 00:18:33,113 >> I RAN INTO HIM MULTIPLE TIMES 514 00:18:30,430 --> 00:18:33,113 ABOUT IT. 515 00:18:33,113 --> 00:18:37,116 I FEEL LIKE A CREEPY OLDER 516 00:18:33,113 --> 00:18:37,116 WOMAN. 517 00:18:33,113 --> 00:18:37,116 WELL, LITTLE BOY. 518 00:18:37,116 --> 00:18:44,257 DO YOU LIKE -- 519 00:18:37,116 --> 00:18:44,257 >> HOW DOES HE RESPOND? 520 00:18:37,116 --> 00:18:44,257 >> ON "SNL," I WORE HIS 521 00:18:44,257 --> 00:18:47,599 CLOTHING. 522 00:18:44,257 --> 00:18:47,599 AND I ACTUALLY KEPT IT. 523 00:18:44,257 --> 00:18:47,599 AND I REALIZED I SHOULDN'T HAVE 524 00:18:47,599 --> 00:18:51,897 DONE IT. 525 00:18:47,599 --> 00:18:51,897 SO, I HAVE HIS -- THAT'S CREEPY. 526 00:18:47,599 --> 00:18:51,897 IT'S JUST CREEPY. 527 00:18:51,897 --> 00:18:55,701 >> I WAS GOING TO SAY, THAT DOES 528 00:18:51,897 --> 00:18:55,701 SOUND CREEPY. 529 00:18:51,897 --> 00:18:55,701 >> YEAH. 530 00:18:55,701 --> 00:19:00,339 WHERE DO YOU STAND WITH ANGIE 531 00:18:55,701 --> 00:19:00,339 RIGHT NOW? 532 00:18:55,701 --> 00:19:00,339 >> I HAVEN'T TALKED TO ANGIE 533 00:19:00,339 --> 00:19:04,644 SINCE SNOW TUBING. 534 00:19:00,339 --> 00:19:04,644 >> OKAY. 535 00:19:00,339 --> 00:19:04,644 YOU DID CALL HER TONIGHT ON THIS 536 00:19:04,644 --> 00:19:12,852 BROADCAST A POLYGAMIST -- NO. 537 00:19:04,644 --> 00:19:12,852 WHAT DID YOU CALL HER? 538 00:19:04,644 --> 00:19:12,852 INBRED POLYGAMIST SISTERS. 539 00:19:12,852 --> 00:19:16,522 >> ANYWAY. 540 00:19:12,852 --> 00:19:16,522 CHLOE -- 541 00:19:12,852 --> 00:19:16,522 >> WHAT DID YOU SAY? 542 00:19:16,522 --> 00:19:28,367 >> THEY SHARE A BLOODLINE. 543 00:19:16,522 --> 00:19:28,367 >> OKAY. 544 00:19:16,522 --> 00:19:28,367 HOW SHOCKED WERE YOU WHEN 545 00:19:28,367 --> 00:19:31,237 OUTLETS REPORTED YOUR FAKE 546 00:19:28,367 --> 00:19:31,237 WEDDING AND IT WAS A REAL 547 00:19:28,367 --> 00:19:31,237 WEDDING? 548 00:19:31,237 --> 00:19:35,107 >> HE'S HERE. 549 00:19:31,237 --> 00:19:35,107 >> MY REAL BOYFRIEND LOVED IT. 550 00:19:31,237 --> 00:19:35,107 >> HE DID? 551 00:19:35,107 --> 00:19:41,470 GOOD. 552 00:19:35,107 --> 00:19:41,470 >> OKAY. 553 00:19:35,107 --> 00:19:41,470 LISA, WHAT WAS YOUR REACTION 554 00:19:41,470 --> 00:19:50,900 WHEN YOU HEARD DEWEY PROPOSE 555 00:19:41,470 --> 00:19:50,900 HAVING A SISTER WIFE TO JENNIE? 556 00:19:41,470 --> 00:19:50,900 >> I WAS SHOCKED. 557 00:19:50,900 --> 00:19:56,960 I HAVE KNOWN THEM FOR TEN YEARS. 558 00:19:50,900 --> 00:19:56,960 I WOULD NEVER THINK THAT DEWEY 559 00:19:50,900 --> 00:19:56,960 WOULD WANT A SISTER WHIF. 560 00:19:56,960 --> 00:20:00,532 JENNIE IS A LOT. 561 00:19:56,960 --> 00:20:00,532 SHE IS A LOT. 562 00:19:56,960 --> 00:20:00,532 >> SAM G. WANTS TO KNOW YOUR 563 00:20:00,532 --> 00:20:07,207 REACTION OF THE CONVERSATION 564 00:20:00,532 --> 00:20:07,207 WITH JEN AND STUART BEING LOYAL 565 00:20:00,532 --> 00:20:07,207 TO EACH OTHER. 566 00:20:07,207 --> 00:20:11,377 ESPECIALLY IN LIGHT OF RECENT 567 00:20:07,207 --> 00:20:11,377 EVENTS. 568 00:20:07,207 --> 00:20:11,377 >> I'VE ONLY KNOWN JEN AND STU 569 00:20:11,377 --> 00:20:15,582 LOYAL TO EACH OTHER. 570 00:20:11,377 --> 00:20:15,582 >> MEREDITH JUST TWEETED SHE IS 571 00:20:11,377 --> 00:20:15,582 NOT AFRAID OF MARY. 572 00:20:15,582 --> 00:20:19,752 >> MEREDITH IS NOT AFRAID OF 573 00:20:15,582 --> 00:20:19,752 MARY. 574 00:20:15,582 --> 00:20:19,752 >> TIME FOR MY MAZEL OF THE DAY. 575 00:20:19,752 --> 00:20:26,259 IT GOES FOR THE RUNNERS WHO 576 00:20:19,752 --> 00:20:26,259 COMPLETED THE 50th NEW YORK CITY 577 00:20:19,752 --> 00:20:26,259 MARATHON, INCLUDING OUR FRIENDS 578 00:20:26,259 --> 00:20:33,400 IN THE AUDIENCE AND WILLIE GEIST 579 00:20:26,259 --> 00:20:33,400 AND A SHIRTLESS MATT JAMES. 580 00:20:26,259 --> 00:20:33,400 MATT AND TYLER FINISHED IN JUST 581 00:20:33,400 --> 00:20:38,738 OVER FIVE HOURS, A LONG TIME FOR 582 00:20:33,400 --> 00:20:38,738 ANY TWO PEOPLE FROM "THE 583 00:20:33,400 --> 00:20:38,738 BACHELOR" TO STAY TOGETHER. 584 00:20:38,738 --> 00:20:44,210 ALSO, IF ANYONE'S WONDERING, 585 00:20:38,738 --> 00:20:44,210 THIS SIGN SUMS UP HOW I FEEL 586 00:20:38,738 --> 00:20:44,210 ABOUT THE RUNNERS. 587 00:20:44,210 --> 00:20:50,549 I DON'T NEED TO RUN A MARATHON 588 00:20:44,210 --> 00:20:50,549 TO BE RELEVANT. 589 00:20:44,210 --> 00:20:50,549 THANK YOU. 590 00:20:50,549 --> 00:20:55,488 TONIGHT'S SHOCK GOES TO VIN 591 00:20:50,549 --> 00:20:55,488 DIESEL. 592 00:20:50,549 --> 00:20:55,488 HE MADE A PUBLIC PLEA ON 593 00:20:55,488 --> 00:21:03,229 INSTAGRAM FOR DWAYNE JOHNSON TO 594 00:20:55,488 --> 00:21:03,229 RETURN TO "THE FAST AND 595 00:20:55,488 --> 00:21:03,229 FURIOUS," SAYING MY LITTLE 596 00:21:03,229 --> 00:21:06,965 BROTHER, DUANE, THE TIME HAS 597 00:21:03,229 --> 00:21:06,965 COME. 598 00:21:03,229 --> 00:21:06,965 I HOPE YOU ARISE TO THE 599 00:21:06,965 --> 00:21:10,903 OCCASION. 600 00:21:06,965 --> 00:21:10,903 THIS FEELS STRAIGHT OUT OF 601 00:21:06,965 --> 00:21:10,903 "HOUSEWIVES." 602 00:21:10,903 --> 00:21:17,777 WHEN BETTE MIDLER AND SHELLEY 603 00:21:10,903 --> 00:21:17,777 LONG DIDN'T GET ALONG ON 604 00:21:10,903 --> 00:21:17,777 "OUTRAGEOUS FORTUNE," BUT GAYER 605 00:21:17,777 --> 00:21:22,819 SOMEHOW. 606 00:21:17,777 --> 00:21:22,819 IT'S TIME FOR THE MEN TO COME 607 00:21:17,777 --> 00:21:22,819 TOGETHER AND UNITE AGAINST THEIR 608 00:21:22,819 --> 00:21:27,869 COMMON ENEMY, SLEEVES. 609 00:21:22,819 --> 00:21:27,869 I WANT TO THANK LISA, CHLOE AND 610 00:21:22,819 --> 00:21:27,869 JOHN FOR BEING HERE. 611 00:21:27,869 --> 00:21:33,292 WE SAID IT 22 TIMES, IF YOU WERE 612 00:21:27,869 --> 00:21:33,292 PLAYING THE DRINKING GAME. 613 00:21:27,869 --> 00:21:33,292 SEE YOU TOMORROW NIGHT. 614 00:21:33,292 --> 00:21:36,762 IT WILL BE A GOOD ONE. 615 00:21:33,292 --> 00:21:36,762 WATCH THE AFTER SHOW NOW ON 616 00:21:33,292 --> 00:21:36,762 TWITTER LIVE. 617 00:21:36,762 --> 00:21:39,632 GREAT TO SEE YOU. 618 00:21:36,762 --> 00:21:39,632 GREAT TO SEE YOU. 619 00:21:36,762 --> 00:21:39,632 THANK YOU SO MUCH. 620 00:21:39,632 --> 00:21:41,101 THANKS, JOHN BARLOW. 621 00:21:39,632 --> 00:21:41,101 ** 622 00:21:39,632 --> 00:21:41,101 [ CHEERS AND APPLAUSE ]