1 00:00:17,751 --> 00:00:22,689 >>> I PITY ANYONE WHO TRIES HIM 2 00:00:17,751 --> 00:00:22,689 AND THE COMES TO DICK CHENEY, 3 00:00:22,689 --> 00:00:30,429 SHE COULD PT RECOGNIZE HIM. FOR 4 00:00:22,689 --> 00:00:30,429 IT'S "WATCH WHAT HAPPENS LIVE" 5 00:00:22,689 --> 00:00:30,429 WITH KEKE RIGHT NOW. 6 00:00:37,369 --> 00:00:40,439 * * 7 00:00:37,369 --> 00:00:40,439 >>> WELCOME TO "WATCH WHAT 8 00:00:37,369 --> 00:00:40,439 HAPPENS LIVE." 9 00:00:40,439 --> 00:00:47,814 I'M ANDY COHEN HOSTING AN ICONIC 10 00:00:40,439 --> 00:00:47,814 SEE YOU NEXT TUESDAY RIGHT HERE 11 00:00:40,439 --> 00:00:47,814 IN NEW YORK CITY. 12 00:00:47,814 --> 00:00:53,953 MY FIRST GUEST HAS SO MANY JOBS, 13 00:00:47,814 --> 00:00:53,953 SHE HAD TO CREATE A COMPLETELY 14 00:00:47,814 --> 00:00:53,953 DIFFERENT ALTER EGO SO SHE COULD 15 00:00:53,953 --> 00:01:02,619 DO MORE. 16 00:00:53,953 --> 00:01:02,619 CHECK HER OUT IN THE NEW DIGICAL 17 00:00:53,953 --> 00:01:02,619 SERIES "SOUTHERN BALL INSULTS" 18 00:01:02,619 --> 00:01:12,772 WHICH DROPPED TODAY ON AMAZON. 19 00:01:02,619 --> 00:01:12,772 GIVE IT UP FOR KEKE VOLLMER AND 20 00:01:02,619 --> 00:01:12,772 MY GUEST IS NO STRANGER TO DRAMA 21 00:01:12,772 --> 00:01:20,847 BUT YOU CAN FIND HIM ACTING IN A 22 00:01:12,772 --> 00:01:20,847 LITERAL DRAMA IN "DEAR WHITE 23 00:01:12,772 --> 00:01:20,847 PEOPLE VOLUME IV. 24 00:01:20,847 --> 00:01:29,355 "IT'S OUR PAL. 25 00:01:20,847 --> 00:01:29,355 I MEAN, YOU TWO BUDDIES? 26 00:01:20,847 --> 00:01:29,355 >> YEAH, I LOVE HIM ORIGINALLY 27 00:01:29,355 --> 00:01:33,126 FROM "REAL WORLD." 28 00:01:29,355 --> 00:01:33,126 WHERE HE SHUT THE SHOW DOWN. 29 00:01:29,355 --> 00:01:33,126 BREAKING DOWN BARRIERS. 30 00:01:33,126 --> 00:01:37,963 ALL OVER THE PLACES. 31 00:01:33,126 --> 00:01:37,963 I NEVER FORGOT THAT SEASON. 32 00:01:33,126 --> 00:01:37,963 I NEVER FORGOT HIS EPISODE. 33 00:01:37,963 --> 00:01:45,537 I LOVE YOU. 34 00:01:37,963 --> 00:01:45,537 >> AND I GOT TO TELL YOU THIS. 35 00:01:37,963 --> 00:01:45,537 I USED TO WATCH YOU ON "TRUE 36 00:01:45,537 --> 00:01:51,144 JACKSON" AND SAY I WANTED A MY 37 00:01:45,537 --> 00:01:51,144 SON TO MARRY YOU. 38 00:01:45,537 --> 00:01:51,144 >> WELL, LET'S GET IT GOING. 39 00:01:51,144 --> 00:01:56,915 >> NO, NO, NO. 40 00:01:51,144 --> 00:01:56,915 I'M NOT GOING TO DO THAT TO MY 41 00:01:51,144 --> 00:01:56,915 GIRL, KEKE. 42 00:01:56,915 --> 00:02:03,188 I LOVE MY SON, BUT NO. 43 00:01:56,915 --> 00:02:03,188 >> AND HE HELPS LAUNCH NEW 44 00:01:56,915 --> 00:02:03,188 BUSINESS IDEAS BUT TONIGHT HE'S 45 00:02:03,188 --> 00:02:09,429 POURING DRINKING INTO ALL OUR 46 00:02:03,188 --> 00:02:09,429 IDEAS INVOLVE PIZZA. 47 00:02:03,188 --> 00:02:09,429 THURSDAY'S AT 9:00, IT'S OUR 48 00:02:09,429 --> 00:02:13,299 BUDDY SCOTT EVANS. 49 00:02:09,429 --> 00:02:13,299 HEY, SCOTT. 50 00:02:09,429 --> 00:02:13,299 [ APPLAUSE ] 51 00:02:13,299 --> 00:02:17,704 >> I LOVE YOU. 52 00:02:13,299 --> 00:02:17,704 LISTEN, HOW YOU DOING? 53 00:02:13,299 --> 00:02:17,704 >> YOU KNOW, YOU GOT TO MILK 54 00:02:17,704 --> 00:02:21,908 YOUR TIME OVER HERE. 55 00:02:17,704 --> 00:02:21,908 YOU KNOW WHAT HAPPENS WHEN YOU 56 00:02:17,704 --> 00:02:21,908 SERVE THE DRINKS, YOU GOT TO 57 00:02:21,908 --> 00:02:26,879 MILK YOUR TIME. 58 00:02:21,908 --> 00:02:26,879 THIS IS THE BLACKEST SHOW YOU'VE 59 00:02:21,908 --> 00:02:26,879 EVER DONE. 60 00:02:26,879 --> 00:02:33,953 [ APPLAUSE ] 61 00:02:26,879 --> 00:02:33,953 >> YOU CAN CALL THIS A BLACK 62 00:02:26,879 --> 00:02:33,953 PARTY. 63 00:02:33,953 --> 00:02:38,290 >> I DON'T KNOW IF I WOULD 64 00:02:33,953 --> 00:02:38,290 CHARACTERIZE IT AS THE BLACKEST 65 00:02:33,953 --> 00:02:38,290 SHOW WE'VE EVER DONE? 66 00:02:38,290 --> 00:02:45,230 >> I MEAN, MAYBE. 67 00:02:38,290 --> 00:02:45,230 >> DRINKING GAME ALERT, ANYTIME 68 00:02:38,290 --> 00:02:45,230 YOU HEAR ANYONE SAY THIS WORD, 69 00:02:45,230 --> 00:02:55,240 AND YOU'RE 21 OR OVER, DRINK 70 00:02:45,230 --> 00:02:55,240 UNTIL YOUR BODY IS LEAKY PALMER. 71 00:02:45,230 --> 00:02:55,240 AND WE SAW MUSHROOM-INFUSED TEA. 72 00:02:55,240 --> 00:02:58,812 WAS THAT A GOOD IDEA? 73 00:02:55,240 --> 00:02:58,812 >> NO. 74 00:02:55,240 --> 00:02:58,812 >> RIGHT. 75 00:02:58,812 --> 00:03:04,550 ALTHOUGH, I HAVE TO SAY I ENJOY 76 00:02:58,812 --> 00:03:04,550 THE BOUNDARY-BREAKING OF DOING 77 00:02:58,812 --> 00:03:04,550 MUSHROOMS ON TELEVISION. 78 00:03:04,550 --> 00:03:13,460 I DIDN'T KNOW. 79 00:03:04,550 --> 00:03:13,460 >> NINE PERFECT STRANGERS. 80 00:03:13,460 --> 00:03:18,865 >> BUT THAT'S A SCRIPTED SHOW. 81 00:03:13,460 --> 00:03:18,865 THIS IS A REAL THING. 82 00:03:13,460 --> 00:03:18,865 LET'S FIND OUT. 83 00:03:18,865 --> 00:03:26,438 LET'S TALK ABOUT POTOMAC. 84 00:03:18,865 --> 00:03:26,438 DO YOU AGREE WITH THE BULL THOSK 85 00:03:18,865 --> 00:03:26,438 WOMEN THAT CANDICE CUTS TOO 86 00:03:26,438 --> 00:03:31,311 QUICKLY OR IS IT RIGHT THEY 87 00:03:26,438 --> 00:03:31,311 DON'T ORATE. 88 00:03:26,438 --> 00:03:31,311 >> I REALLY DID FEEL SHE WAS 89 00:03:31,311 --> 00:03:38,518 RIGHT WITH THE FACT THAT LOOK, 90 00:03:31,311 --> 00:03:38,518 THOSE GIRLS COME AT HER NEXT. 91 00:03:31,311 --> 00:03:38,518 AND THEY'RE LIKE, OH, OH, OH. 92 00:03:38,518 --> 00:03:44,223 IT'S LIKE, COME ON. 93 00:03:38,518 --> 00:03:44,223 WHAT DO YOU EXPECT HER TO DO? 94 00:03:38,518 --> 00:03:44,223 >> YOU GO WAY TOO DEEP, GIRL. 95 00:03:44,223 --> 00:03:51,969 CUT IT. FOR IT'S INAPPROPRIATE. 96 00:03:44,223 --> 00:03:51,969 STOP IT, PERIOD, NO. 97 00:03:44,223 --> 00:03:51,969 >> THEY DON'T GO TOO DEEP. 98 00:03:51,969 --> 00:03:55,868 >> >> NOT AS MUCH AS HER. 99 00:03:51,969 --> 00:03:55,868 >> THEY TALKING ABOUT A MAN WITH 100 00:03:51,969 --> 00:03:55,868 A MAMA. 101 00:03:55,868 --> 00:04:02,574 >> IT'S LIKE, GIRL, IF SHE WENT 102 00:03:55,868 --> 00:04:02,574 ON ANOTHER SHOW, THE. 103 00:03:55,868 --> 00:04:02,574 [ BLEEP] 104 00:04:02,574 --> 00:04:06,879 WAS LIKE "LOVE AND HIP-HOP" 105 00:04:02,574 --> 00:04:06,879 SHE'D HAVE BEEN KNOCKED OUT 106 00:04:02,574 --> 00:04:06,879 ALREADY. 107 00:04:06,879 --> 00:04:15,550 >> SHE KNOWS HER SHOW. 108 00:04:06,879 --> 00:04:15,550 >> SHE KNOWS HER AUDIENCE. 109 00:04:06,879 --> 00:04:15,550 >> HAS YOUR OPINION OF ERICA 110 00:04:15,550 --> 00:04:18,324 CHANGED? 111 00:04:15,550 --> 00:04:18,324 >> I THINK MAYBE BECAUSE OF THE 112 00:04:15,550 --> 00:04:18,324 ALTITUDE IN THE PAST, THEY DON'T 113 00:04:18,324 --> 00:04:23,930 HAVE A LOT OF COMPASSION FOR 114 00:04:18,324 --> 00:04:23,930 WHAT SHE COULD GENUINELY BE 115 00:04:18,324 --> 00:04:23,930 GOING THROUGH. 116 00:04:23,930 --> 00:04:29,134 WE ALWAYS EXPECT PEOPLE TO 117 00:04:23,930 --> 00:04:29,134 RESPOND A SPECIFIC WAY AND WHEN 118 00:04:23,930 --> 00:04:29,134 THEY DON'T, WE'RE LIKE IT'S 119 00:04:29,134 --> 00:04:34,106 BECAUSE X, Y, AND Z. 120 00:04:29,134 --> 00:04:34,106 AND I THINK MAYBE SHE'S 121 00:04:29,134 --> 00:04:34,106 GENUINELY IN SHOCK AND DOESN'T 122 00:04:34,106 --> 00:04:39,211 KNOW WHAT TO DO. 123 00:04:34,106 --> 00:04:39,211 >> I DON'T UNDERSTAND HOW SHE 124 00:04:34,106 --> 00:04:39,211 DOESN'T UNDERSTAND SHE'S TONE 125 00:04:39,211 --> 00:04:44,584 DEAF WITH HER POST. 126 00:04:39,211 --> 00:04:44,584 THERE ARE PEOPLE SAYING WE DIED 127 00:04:39,211 --> 00:04:44,584 WHILE MONEY WAS TAKEN. 128 00:04:44,584 --> 00:04:49,154 I SUPPORT HER AND I LOVE HER. 129 00:04:44,584 --> 00:04:49,154 BUT YOU GOT TO CUT WITH THE 130 00:04:44,584 --> 00:04:49,154 POST. 131 00:04:49,154 --> 00:04:54,394 >> VERY GRATEFUL. 132 00:04:49,154 --> 00:04:54,394 >> BACK TAPOTOMAC. 133 00:04:49,154 --> 00:04:54,394 BACK TO THE REACTION IN THE 134 00:04:54,394 --> 00:04:58,598 FINALE. 135 00:04:54,394 --> 00:04:58,598 ARE THEY HEADING DOWN THE AISLE? 136 00:04:54,394 --> 00:04:58,598 >> HE CAN MARRY ME. 137 00:04:58,598 --> 00:05:09,709 HE IS FINE. 138 00:04:58,598 --> 00:05:09,709 DIPPING AND DABBING, GIRL. 139 00:04:58,598 --> 00:05:09,709 >> LET'S GET INTO IT FOR REAL. 140 00:05:09,709 --> 00:05:16,415 >> AND REUNION STYLING, ERICA'S 141 00:05:09,709 --> 00:05:16,415 DEMURE. 142 00:05:09,709 --> 00:05:16,415 DID SHE TAME IT DOWN? 143 00:05:16,415 --> 00:05:20,319 >> I SAW A LITTLE FIRE IN THE 144 00:05:16,415 --> 00:05:20,319 BACK. 145 00:05:16,415 --> 00:05:20,319 >> YEAH, YOU ARE. 146 00:05:20,319 --> 00:05:25,824 DID YOU FEEL KAREN AND RAY WILL 147 00:05:20,319 --> 00:05:25,824 BREAK THE HOUSEWIVES VOW RENEWAL 148 00:05:20,319 --> 00:05:25,824 CURSE IN 149 00:05:25,824 --> 00:05:30,629 >> OH, YEAH, SHE NOT GOING 150 00:05:25,824 --> 00:05:30,629 ANYWHERE. 151 00:05:25,824 --> 00:05:30,629 >> THEY REALLY HOLDING IT DOWN. 152 00:05:30,629 --> 00:05:35,401 >> WHOSE SHADE AGAINST THE OTHER 153 00:05:30,629 --> 00:05:35,401 HAS ALWAYS BEEN MORE RAW THAN 154 00:05:30,629 --> 00:05:35,401 REASONABLE? 155 00:05:35,401 --> 00:05:39,720 KAREN OR GISELE? 156 00:05:35,401 --> 00:05:39,720 >> THEY'RE BOTH SHADY. 157 00:05:35,401 --> 00:05:39,720 AND TOTALLY DIFFERENT VIBES. 158 00:05:39,720 --> 00:05:45,612 TOE TO TOE. 159 00:05:39,720 --> 00:05:45,612 >> WHO'S YOUR PICK FOR PRETTIEST 160 00:05:39,720 --> 00:05:45,612 IN PINK AT THE POTOMAC REUNION? 161 00:05:45,612 --> 00:05:54,870 >> KAREN. 162 00:05:45,612 --> 00:05:54,870 THE GRAND DAM. 163 00:05:45,612 --> 00:05:54,870 >> I LOVE -- BUT FOR ME, IT'S 164 00:05:54,870 --> 00:06:02,161 BETWEEN MIA AND CANDICE. 165 00:05:54,870 --> 00:06:02,161 >> THANK YOU VERY MUCH, BOTH OF 166 00:05:54,870 --> 00:06:02,161 YOU. 167 00:06:02,161 --> 00:06:11,771 IN "SOUTHERN BELL INSULTS" KEKE 168 00:06:02,161 --> 00:06:11,771 PLAYS A WOMAN WHO BASICALLY ACTS 169 00:06:02,161 --> 00:06:11,771 LIKE PARKS IF SOMEONE DROPPED A 170 00:06:11,771 --> 00:06:20,279 TRUCK INTO HER LAP. 171 00:06:11,771 --> 00:06:20,279 YOU USE THE POWERS VESTED IN MY 172 00:06:11,771 --> 00:06:20,279 BY BRAVO TO MAKE LADY MISS 173 00:06:20,279 --> 00:06:23,415 JACQUELINE A REAL HOUSEWIFE FOR 174 00:06:20,279 --> 00:06:23,415 A DAY. 175 00:06:20,279 --> 00:06:23,415 GET INTO CHARACTER SO YOU CAN 176 00:06:23,415 --> 00:06:28,754 ANSWER MY QUESTION. 177 00:06:23,415 --> 00:06:28,754 WHAT CITY WOULD YOU LIVE IN? 178 00:06:23,415 --> 00:06:28,754 >> NEW ORLEANS, DARLING. 179 00:06:28,754 --> 00:06:38,598 >> WHAT WOULD BE YOURB TAGLINE? 180 00:06:28,754 --> 00:06:38,598 >> OUT WITH THE MESS AND IN WITH 181 00:06:28,754 --> 00:06:38,598 THE FINESSE. 182 00:06:38,598 --> 00:06:41,100 [ APPLAUSE ] 183 00:06:38,598 --> 00:06:41,100 >> WHICH WOULD BE YOUR BIGGEST 184 00:06:38,598 --> 00:06:41,100 ADVERSARY? 185 00:06:41,100 --> 00:06:48,740 >> THE ONLY ONE THAT COULD STAND 186 00:06:41,100 --> 00:06:48,740 TOE TO TOE WOULD BE MISS NENY 187 00:06:41,100 --> 00:06:48,740 BUT SHE'S PAST HER PRIME. 188 00:06:48,740 --> 00:06:55,810 >> WHICH HOUSEWIFE WOULD BE YOUR 189 00:06:48,740 --> 00:06:55,810 BIGGEST ALLY? 190 00:06:48,740 --> 00:06:55,810 >> MM, PROBABLY FEDRA, SHE COULD 191 00:06:55,810 --> 00:06:59,718 GET ME OUT OF JURY DUTY AND 192 00:06:55,810 --> 00:06:59,718 MORE. 193 00:06:55,810 --> 00:06:59,718 >> WHICH HOUSEWIFE DO YOU WANT 194 00:06:59,718 --> 00:07:07,160 TO DO A MUSICAL COLLABORATION 195 00:06:59,718 --> 00:07:07,160 WITH? 196 00:06:59,718 --> 00:07:07,160 >> PROBABLY CANDICE BECAUSE IT'S 197 00:07:07,160 --> 00:07:18,904 SO EASY TO OUT SING HER. 198 00:07:07,160 --> 00:07:18,904 >> SHE'S SHADY. 199 00:07:07,160 --> 00:07:18,904 >> A LOT OF STHAD. 200 00:07:18,904 --> 00:07:24,778 SHADE. 201 00:07:18,904 --> 00:07:24,778 >> WHAT IS THE CATCHPHRASE YOU 202 00:07:18,904 --> 00:07:24,778 WOULD TRY TO THROW INTO EVERY 203 00:07:24,778 --> 00:07:35,788 CONVERSATION OR ARGUMENT? 204 00:07:24,778 --> 00:07:35,788 >> OH, SOMEBODY GET ME A DRINK. 205 00:07:24,778 --> 00:07:35,788 >> ALL RIGHT. FOR I LIKE IT. 206 00:07:35,788 --> 00:07:39,920 >> WHICH BUSINESS WOULD YOU 207 00:07:35,788 --> 00:07:39,920 START IN YOUR FIRST SEASON? 208 00:07:35,788 --> 00:07:39,920 >> THE BUSINESS OF TAKING MY 209 00:07:39,920 --> 00:07:47,733 HUSBAND'S MONEY. 210 00:07:39,920 --> 00:07:47,733 >> HELLO. 211 00:07:39,920 --> 00:07:47,733 >> THANK YOU VERY MUCH. 212 00:07:47,733 --> 00:07:57,576 >> LADY MISS NEEDS HER OWN SHOW. 213 00:07:47,733 --> 00:07:57,576 >> AS A CARD-CARRYING MEMBER OF, 214 00:07:47,733 --> 00:07:57,576 HE'S LIVING PROOF THAT AS TIME 215 00:07:57,576 --> 00:08:02,819 GOES BY, ALL THINGS JUST KEEP 216 00:07:57,576 --> 00:08:02,819 GETTING BETTER. 217 00:07:57,576 --> 00:08:02,819 >> YES, THEY DO. 218 00:08:02,819 --> 00:08:11,358 >> I THOUGHT WE COULD SEE WHO 219 00:08:02,819 --> 00:08:11,358 STANDS OUT AMONG HIS BALD 220 00:08:02,819 --> 00:08:11,358 BRETHREN WITH WHO'S THE HOTTER 221 00:08:11,358 --> 00:08:18,464 BALD -- AND FOR EACH PAIR, YOU 222 00:08:11,358 --> 00:08:18,464 SAY WHO IS DOPIER? 223 00:08:11,358 --> 00:08:18,464 BRUCE WILLIS OR VIN DIESEL? 224 00:08:18,464 --> 00:08:23,689 WHO'S DOPIER? 225 00:08:18,464 --> 00:08:23,689 >> BRUCE WILLES FOR ME. 226 00:08:18,464 --> 00:08:23,689 >> BRUCE WILLIS FOR ME AS WELL. 227 00:08:23,689 --> 00:08:27,399 >> COMMON OR NEO? 228 00:08:23,689 --> 00:08:27,399 >> DEFINITELY COMMON. 229 00:08:23,689 --> 00:08:27,399 >> COMMON. 230 00:08:27,399 --> 00:08:36,182 >> NEOHIDE THE HEAD. 231 00:08:27,399 --> 00:08:36,182 >> STANLEY TUCCI OR BILLY ZAEN? 232 00:08:27,399 --> 00:08:36,182 >> STANLEY TUCCI. 233 00:08:36,182 --> 00:08:40,320 >> I DON'T KNOW THAT BILLY ZANE 234 00:08:36,182 --> 00:08:40,320 IS FINE. 235 00:08:36,182 --> 00:08:40,320 HE CAN GET IT. 236 00:08:40,320 --> 00:08:46,259 >> THAT PART, LOVE. 237 00:08:40,320 --> 00:08:46,259 I HAVE TO GO WITH L.L. 238 00:08:40,320 --> 00:08:46,259 >> YES, THE LADIES LOVE L.L. AND 239 00:08:46,259 --> 00:08:52,499 SO DO THE FELLAS. 240 00:08:46,259 --> 00:08:52,499 >> HOW ABOUT TYRESE OR JASON 241 00:08:46,259 --> 00:08:52,499 STAGTM? 242 00:08:52,499 --> 00:09:06,645 >> SO SORRY, TYRESE. 243 00:08:52,499 --> 00:09:06,645 >> I'M NOT SORRY, TYRESE, JASON. 244 00:08:52,499 --> 00:09:06,645 >> OR DAY DIG -- TAYE DIGGS? 245 00:09:06,645 --> 00:09:13,620 >> THAT'S MY SHOW. 246 00:09:06,645 --> 00:09:13,620 >> ACTUALLY, THAT BOOTY. 247 00:09:06,645 --> 00:09:13,620 >> I'VE SEEN HIS ABS MULTIPLE 248 00:09:13,620 --> 00:09:17,123 TIMES. 249 00:09:13,620 --> 00:09:17,123 >> MALONEY. 250 00:09:13,620 --> 00:09:17,123 LOVE HIM. 251 00:09:17,123 --> 00:09:22,761 >> REMEMBER THE SHOW "OZ." 252 00:09:17,123 --> 00:09:22,761 HE WAS THE STAR OF THE SHOW. 253 00:09:17,123 --> 00:09:22,761 >> IT WAS HARD TO WATCH AFTER A 254 00:09:22,761 --> 00:09:27,533 WHILE. 255 00:09:22,761 --> 00:09:27,533 IT WAS SO DANGEROUS. 256 00:09:22,761 --> 00:09:27,533 >> IT WAS LIKE GAY PORN, THAT 257 00:09:27,533 --> 00:09:33,389 SHOW. 258 00:09:27,533 --> 00:09:33,389 >> CORY IS JUST FINE. 259 00:09:27,533 --> 00:09:33,389 YOU DON'T KNOW THAT MAN? 260 00:09:33,389 --> 00:09:40,212 >> I DON'T KNOW THAT MAN. 261 00:09:33,389 --> 00:09:40,212 YOU DON'T KNOW CORY BOOKER? 262 00:09:33,389 --> 00:09:40,212 YOU DO NOT KNOW YOUR 263 00:09:40,212 --> 00:09:46,519 POLITICIANS, AS IT TURNS OUT. 264 00:09:40,212 --> 00:09:46,519 >> HE'S ALSO A POLITICIAN? 265 00:09:40,212 --> 00:09:46,519 I'M SORRY. 266 00:09:46,519 --> 00:09:51,290 >> FROM NEW JERSEY. 267 00:09:46,519 --> 00:09:51,290 >> I'M STARTING TO SEE 268 00:09:46,519 --> 00:09:51,290 CONSISTENCY. 269 00:09:51,290 --> 00:09:54,561 >> I'M SORRY TO THIS MAN, I'M 270 00:09:51,290 --> 00:09:54,561 SORRY TO THAT MAN. 271 00:09:51,290 --> 00:09:54,561 WOW. 272 00:09:54,561 --> 00:10:02,902 OKAY. 273 00:09:54,561 --> 00:10:02,902 PAUL SHAFFER OR JEFF BEZOS? 274 00:09:54,561 --> 00:10:02,902 JEFF BEZOS IS STANDING ON TOP OF 275 00:10:02,902 --> 00:10:11,769 $8 BILLION. 276 00:10:02,902 --> 00:10:11,769 >> YEAH. 277 00:10:02,902 --> 00:10:11,769 >> I JUST FEEL LIKE HE WOULD 278 00:10:11,769 --> 00:10:15,149 BE -- 279 00:10:11,769 --> 00:10:15,149 >> A LOT TO WHAT? 280 00:10:11,769 --> 00:10:15,149 >> TO DEAL WITH. 281 00:10:15,149 --> 00:10:19,885 I'M GOING TO WITH THE MAN ON THE 282 00:10:15,149 --> 00:10:19,885 LEFT. 283 00:10:15,149 --> 00:10:19,885 >> MAN ON THE LEFT. 284 00:10:19,885 --> 00:10:25,924 MICHAEL CHICKILOUS OR SAMUEL L. 285 00:10:19,885 --> 00:10:25,924 JACKSON? 286 00:10:19,885 --> 00:10:25,924 >> SAMUEL L. 287 00:10:25,924 --> 00:10:31,798 >> SAMUEL L? 288 00:10:25,924 --> 00:10:31,798 >> THAT WAS A FUN GAME. 289 00:10:25,924 --> 00:10:31,798 WHEN WE COME BACK, MORE WITH 290 00:10:31,798 --> 00:10:32,264 >> THAT WAS A FUN GAME. 291 00:10:31,798 --> 00:10:32,264 WHEN WE COME BACK, MORE WITH 292 00:10:31,798 --> 00:10:32,264 KEKE AND CUROMMO. 293 00:10:53,529 --> 00:11:00,693 >> SO, YOU ARE FAMILIAR WITH -- 294 00:10:53,529 --> 00:11:00,693 >> YES, BUT I WISH THERE WAS 295 00:10:53,529 --> 00:11:00,693 SOMETHING WORTH WAKING UP FOR. 296 00:11:00,693 --> 00:11:08,600 >> LISTEN, YOU'RE NO GOOD TO 297 00:11:00,693 --> 00:11:08,600 ANYONE ELSE, ESPECIALLY 298 00:11:00,693 --> 00:11:08,600 YOURSELF, IF YOU'RE BURNT OUT. 299 00:11:08,600 --> 00:11:16,208 >> WE ALL HAVE A LOT BUT BEING 300 00:11:08,600 --> 00:11:16,208 PRODUCTIVE IS JUST ONE OF THEM. 301 00:11:08,600 --> 00:11:16,208 >> ALL RIGHT. 302 00:11:16,208 --> 00:11:23,115 THAT WAS A CLIP OF "DEAR WHITE 303 00:11:16,208 --> 00:11:23,115 PEOPLE" NOW SCREENING ON 304 00:11:16,208 --> 00:11:23,115 NETFLIX. 305 00:11:23,115 --> 00:11:27,821 KARAMO CAN ACT, KEKE. 306 00:11:23,115 --> 00:11:27,821 I'M NOT SURPRISED. 307 00:11:23,115 --> 00:11:27,821 BOTH OF YOU I FEEL CAN DO 308 00:11:27,821 --> 00:11:30,956 ANYTHING. 309 00:11:27,821 --> 00:11:30,956 >> OH. 310 00:11:27,821 --> 00:11:30,956 >> I DON'T KNOW IF YOU CAN SING, 311 00:11:30,956 --> 00:11:39,990 KARAMO. 312 00:11:30,956 --> 00:11:39,990 >> I STILL RAP. 313 00:11:30,956 --> 00:11:39,990 >> GIVE US SOMETHING. 314 00:11:39,990 --> 00:11:46,206 >> OH, NO. 315 00:11:39,990 --> 00:11:46,206 NO, NO. 316 00:11:39,990 --> 00:11:46,206 >> WELCOME BACK TO "WATCH WHAT 317 00:11:46,206 --> 00:11:52,312 HAPPENS LIVE." 318 00:11:46,206 --> 00:11:52,312 ALSO HERE WITH KEKE PALMER. 319 00:11:46,206 --> 00:11:52,312 AND THE HOST OF "AMERICA'S BIG 320 00:11:52,312 --> 00:12:00,820 DEAL" SCOTT EVANS. 321 00:11:52,312 --> 00:12:00,820 HEY, SCOTT. 322 00:11:52,312 --> 00:12:00,820 AND INTERESTING. 323 00:12:00,820 --> 00:12:09,428 A REMINDER, ANYTIME YOU HEAR 324 00:12:00,820 --> 00:12:09,428 THIS WORD, DRINK UNTIL YOU TAKE 325 00:12:00,820 --> 00:12:09,428 A FAB DIVE. 326 00:12:09,428 --> 00:12:14,900 AND EXCLUSIVE UPDATES ON YOUR 327 00:12:09,428 --> 00:12:14,900 SHOW AND MORE GOOD STUFF, LIKE 328 00:12:09,428 --> 00:12:14,900 THE CHANCE TO WIN A TRIP FOR 329 00:12:14,900 --> 00:12:20,306 TWO, YOU AND A FRIEND, TO ATTEND 330 00:12:14,900 --> 00:12:20,306 THE TAPING OF THIS SHOW, "WATCH 331 00:12:14,900 --> 00:12:20,306 WHAT HAPPENS LIVE." 332 00:12:20,306 --> 00:12:37,157 TEXT WWHL SWEET TO 917809420. 333 00:12:20,306 --> 00:12:37,157 9 334 00:12:20,306 --> 00:12:37,157 917809020. 335 00:12:37,157 --> 00:12:43,697 BECAUSE THAT'S EASY TO REMEMBER. 336 00:12:37,157 --> 00:12:43,697 BY THE WAY, HE SAID THIS PERSON 337 00:12:37,157 --> 00:12:43,697 THINKS THIS IS THE BLACKEST AND 338 00:12:43,697 --> 00:12:48,100 BEST SHOW SO FAR. 339 00:12:43,697 --> 00:12:48,100 >> YES. 340 00:12:43,697 --> 00:12:48,100 [ APPLAUSE ] 341 00:12:48,100 --> 00:12:52,938 >> CAN WE GET A SHOW -- 342 00:12:48,100 --> 00:12:52,938 >> THAT'S WHAT I SAID. 343 00:12:48,100 --> 00:12:52,938 >> CAN WE GET A SHOW CREATED 344 00:12:52,938 --> 00:12:58,745 WITH KEKE PALMER AND KARAMO. 345 00:12:52,938 --> 00:12:58,745 >> WE'RE READY. 346 00:12:52,938 --> 00:12:58,745 >> SIGN US UP RIGHT NOW. 347 00:12:58,745 --> 00:13:03,416 >> DI'M READY RIGHT NOW. 348 00:12:58,745 --> 00:13:03,416 >> FROM LONG ISLAND, YOUR 349 00:12:58,745 --> 00:13:03,416 QUESTION FOR KEKE. 350 00:13:03,416 --> 00:13:10,724 HI. 351 00:13:03,416 --> 00:13:10,724 HOW YOU DOING? 352 00:13:03,416 --> 00:13:10,724 >> Caller: I'M DOING GOOD. 353 00:13:10,724 --> 00:13:20,200 SO, SINCE YOU START WITH J-LO 354 00:13:10,724 --> 00:13:20,200 AND "HUSTLERS." 355 00:13:10,724 --> 00:13:20,200 WHAT DO YOU THINK OF BENNIFER 356 00:13:20,200 --> 00:13:24,700 2.0? 357 00:13:20,200 --> 00:13:24,700 >> I'M HAPPY FOR MY GIRL, J-LO. 358 00:13:20,200 --> 00:13:24,700 IF SHE'S HAPPY, LET'S GO. 359 00:13:24,700 --> 00:13:29,775 THAT'S IT. 360 00:13:24,700 --> 00:13:29,775 YEAH. 361 00:13:24,700 --> 00:13:29,775 >> AND HERE IS SABRINA FROM 362 00:13:29,775 --> 00:13:32,778 ROCHESTER WITH A QUESTION FOR 363 00:13:29,775 --> 00:13:32,778 KARAMO. 364 00:13:29,775 --> 00:13:32,778 >> COME ON. 365 00:13:32,778 --> 00:13:41,888 >> HEY, GUYS. 366 00:13:32,778 --> 00:13:41,888 SO, SINCE YOU WENT ON 40 DATES 367 00:13:32,778 --> 00:13:41,888 IN THE NEW SEASON OF "QUEER 368 00:13:41,888 --> 00:13:44,758 EYE." 369 00:13:41,888 --> 00:13:44,758 WHICH WAS THE WEIRDEST OR WORST 370 00:13:41,888 --> 00:13:44,758 DATE? 371 00:13:44,758 --> 00:13:55,668 >> I WENT ON WITH A GENTLEMAN 372 00:13:44,758 --> 00:13:55,668 THAT DID NOT TELL ME HE WAS 373 00:13:44,758 --> 00:13:55,668 5'1", AND I'M 6'3", SO IT WAS A 374 00:13:55,668 --> 00:14:00,399 LITTLE AWKWARD WHEN I GOT IN THE 375 00:13:55,668 --> 00:14:00,399 CAR. 376 00:13:55,668 --> 00:14:00,399 IT WAS VERY, VERY AWKWARD. 377 00:14:00,399 --> 00:14:06,245 >> BY THE WAY, MICHELLE W. SAID 378 00:14:00,399 --> 00:14:06,245 I'M GLAD TO SEE YOU WITH YOUR 379 00:14:00,399 --> 00:14:06,245 NEW BO. 380 00:14:06,245 --> 00:14:09,149 WHEN DID YOU TWO BECOME 381 00:14:06,245 --> 00:14:09,149 OFFICIAL? 382 00:14:06,245 --> 00:14:09,149 >> I'M IN LOVE. 383 00:14:09,149 --> 00:14:12,317 >> REALLY? 384 00:14:09,149 --> 00:14:12,317 >> WHIPPED. 385 00:14:09,149 --> 00:14:12,317 >> OH, REALLY? 386 00:14:12,317 --> 00:14:16,556 >> AND HE'S ONE OF THE MOST 387 00:14:12,317 --> 00:14:16,556 TALENTED PEOPLE EVER. 388 00:14:12,317 --> 00:14:16,556 HIS NAME IS CARLOS. 389 00:14:16,556 --> 00:14:21,727 HE'S A PHOTOGRAPHER AND WORKS 390 00:14:16,556 --> 00:14:21,727 FOR BRANDS LIKE KYLIE AND HE'S 391 00:14:16,556 --> 00:14:21,727 THE MOST SWEETEST GUY EVER. 392 00:14:21,727 --> 00:14:31,337 >> COME ON. 393 00:14:21,727 --> 00:14:31,337 YES. 394 00:14:21,727 --> 00:14:31,337 >> KEKE, WANTS TO KNOW WHAT WAS 395 00:14:31,337 --> 00:14:36,509 THE MOST NERVE RACKING PART 396 00:14:31,337 --> 00:14:36,509 ABOUT SINGING "NATIONAL ANTHEM" 397 00:14:31,337 --> 00:14:36,509 A FEW WEEKS AGO? 398 00:14:36,509 --> 00:14:41,447 >> I WOULD HAVE TO SAY THE FACT 399 00:14:36,509 --> 00:14:41,447 THERE WAS SO MANY PEOPLE. 400 00:14:36,509 --> 00:14:41,447 I'VE NEVER PERFORMED IN FRONT OF 401 00:14:41,447 --> 00:14:45,851 THAT MANY PEOPLE. 402 00:14:41,447 --> 00:14:45,851 IT EXCITES ME FOR THE 403 00:14:41,447 --> 00:14:45,851 PERFORMANCE. 404 00:14:45,851 --> 00:14:48,754 SO, I WAS GAGGED. 405 00:14:45,851 --> 00:14:48,754 >> AND YOUR VOICE WAS 406 00:14:45,851 --> 00:14:48,754 EVERYTHING. 407 00:14:48,754 --> 00:14:54,427 YOU DID IT. 408 00:14:48,754 --> 00:14:54,427 >> YES, IT WAS. 409 00:14:48,754 --> 00:14:54,427 KEKE STARRED IN A BROADWAY SHOW 410 00:14:54,427 --> 00:15:02,679 WHEN SHE WAS JUST 21 YEARS OLD. 411 00:14:54,427 --> 00:15:02,679 AND WHILE KARAMO HAS YET TO 412 00:14:54,427 --> 00:15:02,679 GRACE THE GREAT WHITE WAY, HE 413 00:15:02,679 --> 00:15:07,399 BASICALLY QUALIFIES FOR A 414 00:15:02,679 --> 00:15:07,399 THEATER DEGREE ON ACCOUNT OF 415 00:15:02,679 --> 00:15:07,399 BEING, YOU KNOW, GAY. 416 00:15:07,399 --> 00:15:12,544 IT'S ABOUT TO BE CURTAIN UP AT 417 00:15:07,399 --> 00:15:12,544 THE CLUBHOUSE PLAY HOUSE. 418 00:15:07,399 --> 00:15:12,544 FOLKS, TAKE YOUR PLACES. 419 00:15:12,544 --> 00:15:19,719 YOU'RE GOING TO BOTH BE READING 420 00:15:12,544 --> 00:15:19,719 FROM THE EXQUISITE TEXT FROM THE 421 00:15:12,544 --> 00:15:19,719 FIERY BOX SCENE FROM THE REAL 422 00:15:19,719 --> 00:15:26,393 HOUSEWIVES OF POTOMAC. 423 00:15:19,719 --> 00:15:26,393 KEKE WILL PLAY THE GRAND DAM. 424 00:15:19,719 --> 00:15:26,393 AND YOU'LL BE GISELE. 425 00:15:26,393 --> 00:15:33,133 ACTORS, YOU MAY BEGIN. 426 00:15:26,393 --> 00:15:33,133 >> LISTEN, WE ALL KNOW I CAN'T 427 00:15:26,393 --> 00:15:33,133 STAND KAREN. 428 00:15:33,133 --> 00:15:38,571 >> THE FEELING IS MUTUAL. 429 00:15:33,133 --> 00:15:38,571 >> ME AND KAREN WILL PROBABLY 430 00:15:33,133 --> 00:15:38,571 NEVER BE GOOD. 431 00:15:38,571 --> 00:15:44,476 SO, I DECIDED TO TELL THE TRUTH, 432 00:15:38,571 --> 00:15:44,476 THE WHOLE TRUTH. 433 00:15:38,571 --> 00:15:44,476 >> GISELE, YOU DON'T WANT THIS. 434 00:15:44,476 --> 00:15:49,581 >> YOUR DRUNK TRUTH, YOUR 435 00:15:44,476 --> 00:15:49,581 CHEATING TRUTH? 436 00:15:44,476 --> 00:15:49,581 >> OH, SHUT UP, JUST SHUT UP. 437 00:15:49,581 --> 00:15:53,720 >> LISTEN, I WILL SPREAD IT OUT 438 00:15:49,581 --> 00:15:53,720 OVER TIME. 439 00:15:49,581 --> 00:15:53,720 DON'T WORRY. 440 00:15:53,720 --> 00:15:59,225 I WILL TELL IT ALL MISTHING. 441 00:15:53,720 --> 00:15:59,225 IO YOU ARE DISGUSTING. 442 00:15:53,720 --> 00:15:59,225 YOU WANT TO TALK ABOUT YOUR 443 00:15:59,225 --> 00:16:06,765 FIERY BUT THAT'S ON FIRE BECAUSE 444 00:15:59,225 --> 00:16:06,765 YOU CAN'T KEEP A MAN. 445 00:15:59,225 --> 00:16:06,765 YOU WANT TO TELL SOMEONE THAT? 446 00:16:06,765 --> 00:16:10,360 TELL SOMEONE WHAT'S GOING ON 447 00:16:06,765 --> 00:16:10,360 BETWEEN YOUR LEGS. 448 00:16:06,765 --> 00:16:10,360 >> WE KNOW THAT DING DONG AT 449 00:16:10,360 --> 00:16:16,142 YOUR HOUSE IS BROKEN. 450 00:16:10,360 --> 00:16:16,142 SHE'S OBSESSED WITH MY KUCHY. 451 00:16:10,360 --> 00:16:16,142 >> YOU WILL NOT OBSESS MY 452 00:16:16,142 --> 00:16:21,413 HUSBAND WHEN YOUR DING DONG IS 453 00:16:16,142 --> 00:16:21,413 IN EVERYONE ELSE'S VAGINA. 454 00:16:16,142 --> 00:16:21,413 >> AT LEAST IT WORKS. 455 00:16:21,413 --> 00:16:27,320 >> GISELE, YOU'RE A BROKEN 456 00:16:21,413 --> 00:16:27,320 HO FROM HAMPTON UNIVERSITY AND 457 00:16:21,413 --> 00:16:27,320 EVERYBODY KNOWS IT. 458 00:16:27,320 --> 00:16:37,963 >> AND SCENE. 459 00:16:27,320 --> 00:16:37,963 >> OH, MY GOD. 460 00:16:27,320 --> 00:16:37,963 >> THOSE GIRLS GO IN. 461 00:16:37,963 --> 00:16:44,738 >> THEY REALLY DO. 462 00:16:37,963 --> 00:16:44,738 >> I DIDN'T REALIZE HOW DIRTY IT 463 00:16:37,963 --> 00:16:44,738 WAS. 464 00:16:44,738 --> 00:16:50,509 >> STOP BRINGING UP THE SCHOOL 465 00:16:44,738 --> 00:16:50,509 FROM HAMPTON UNIVERSITY. 466 00:16:44,738 --> 00:16:50,509 >> KAREN DOES APOLOGIZE TO THE 467 00:16:50,509 --> 00:16:55,809 FOLKS AT HAMPTON UNIVERSITY AT 468 00:16:50,509 --> 00:16:55,809 THE REUNION. 469 00:16:50,509 --> 00:16:55,809 >> THAT'S GOOD BECAUSE SHE TRIED 470 00:16:55,809 --> 00:17:02,220 TO PUT SMUT ON THEIR NAME. 471 00:16:55,809 --> 00:17:02,220 >> YES, MURIEL SAID IF YOU WERE 472 00:16:55,809 --> 00:17:02,220 ABLE TO MODERATE ANY HOUSEWIFE, 473 00:17:02,220 --> 00:17:11,897 WHICH WOULD YOU CHOOSE? 474 00:17:02,220 --> 00:17:11,897 >> IT WOULD -- YOU ABOUT TO -- 475 00:17:02,220 --> 00:17:11,897 OH, I WOULD PROBABLY DO POTOMAC 476 00:17:11,897 --> 00:17:16,869 OR SALT LAKE CITY. 477 00:17:11,897 --> 00:17:16,869 SALT LAKE CITY IS DOING AMAZING 478 00:17:11,897 --> 00:17:16,869 RIGHT NOW. 479 00:17:16,869 --> 00:17:21,141 AND I WOULD LOVE TO GET INTO 480 00:17:16,869 --> 00:17:21,141 THAT. 481 00:17:16,869 --> 00:17:21,141 >> AND HOW DID SHE REACT WHEN 482 00:17:21,141 --> 00:17:30,583 SHE FOUND OUT SHE BE PLAYING THE 483 00:17:21,141 --> 00:17:30,583 SISTER TO A CHARACTER SHE HATED? 484 00:17:21,141 --> 00:17:30,583 >> I REALIZEDE SHE WAS A TRUE 485 00:17:30,583 --> 00:17:33,420 MEDIAN BECAUSE SHE LITERALLY 486 00:17:30,583 --> 00:17:33,420 GAVE ME THE ONE ROLE I ASKED 487 00:17:30,583 --> 00:17:33,420 ABOUT. 488 00:17:33,420 --> 00:17:36,722 I LOVE HER. 489 00:17:33,420 --> 00:17:36,722 >> COMING UP, MORE WITH THESE 490 00:17:33,420 --> 00:17:36,722 TWO. 491 00:17:56,942 --> 00:18:02,781 >>> WELCOME BACK TO "WATCH WHAT 492 00:17:56,942 --> 00:18:02,781 HAPPENS LIVE." 493 00:17:56,942 --> 00:18:02,781 I MEAN, IT IS LIT IN HERE. 494 00:18:02,781 --> 00:18:09,890 IT'S ANDY WITH KEKE, KARAMO AND 495 00:18:02,781 --> 00:18:09,890 SCOTT. 496 00:18:02,781 --> 00:18:09,890 KARAMO, WHAT WERE YOU JUST 497 00:18:09,890 --> 00:18:11,691 TRYING TO MAKE HAPPEN DURING THE 498 00:18:09,890 --> 00:18:11,691 BREAK? 499 00:18:09,890 --> 00:18:11,691 >> SCOTT HAS BODY UNDER THAT 500 00:18:11,691 --> 00:18:17,896 SHIRT. 501 00:18:11,691 --> 00:18:17,896 LIKE BODY ODDY ODDY. 502 00:18:11,691 --> 00:18:17,896 I WAS TRYING TO GET HIM TO TAKE 503 00:18:17,896 --> 00:18:27,339 HIS SHIRT OFF AND THAT'S WHY THE 504 00:18:17,896 --> 00:18:27,339 AUDIENCE WAS YELLING. 505 00:18:17,896 --> 00:18:27,339 >> TAKE OFF YOUR SHIRT. 506 00:18:27,339 --> 00:18:35,248 >> DON'T WORRY ABOUT IT. 507 00:18:27,339 --> 00:18:35,248 >> BOSS SAID I JUST REACTIVATED 508 00:18:27,339 --> 00:18:35,248 MY TWITTER TO SAY THIS IS PURE 509 00:18:35,248 --> 00:18:42,622 FIRE TONIGHT. 510 00:18:35,248 --> 00:18:42,622 KEKE AND KARAMO AMAZING. 511 00:18:35,248 --> 00:18:42,622 >> OH, THANK YOU. 512 00:18:42,622 --> 00:18:49,496 >> KEKE, WANTS TO KNOW IF SHADY 513 00:18:42,622 --> 00:18:49,496 KAREN DIDN'T TELL WENDY ABOUT 514 00:18:42,622 --> 00:18:49,496 HER CANDLE LINES? 515 00:18:49,496 --> 00:18:56,435 >> IT'S NOT SHADY. 516 00:18:49,496 --> 00:18:56,435 SHE JUST WASN'T TRYING TO OVER 517 00:18:49,496 --> 00:18:56,435 SHADOW. 518 00:18:56,435 --> 00:19:05,109 >> KARAMO, CYNTHIA R. SAID, 519 00:18:56,435 --> 00:19:05,109 OKAY, I READ SOMEWHERE YOU HAD A 520 00:18:56,435 --> 00:19:05,109 SMALL PART IN THE 2011 FILM 521 00:19:05,109 --> 00:19:10,416 "PRINCESS DIARIES." 522 00:19:05,109 --> 00:19:10,416 IS THAT TRUE? 523 00:19:05,109 --> 00:19:10,416 >> NO. 524 00:19:10,416 --> 00:19:15,654 THAT'S ON GOOGLE THAT I'M IN THE 525 00:19:10,416 --> 00:19:15,654 CAST. 526 00:19:10,416 --> 00:19:15,654 NOTHING TO DO WITH IT. 527 00:19:15,654 --> 00:19:20,693 >> CRAIG G, WANTS TO KNOW IF 528 00:19:15,654 --> 00:19:20,693 YOU'RE GOING TO RETHINK HAVING A 529 00:19:15,654 --> 00:19:20,693 MEATLESS MENU? 530 00:19:20,693 --> 00:19:25,164 >> YOU KNOW WHAT, I REALLY TRIED 531 00:19:20,693 --> 00:19:25,164 TO REACH OUT THE CHEF TO 532 00:19:20,693 --> 00:19:25,164 APOLOGIZE BECAUSE I DIDN'T MEAN 533 00:19:25,164 --> 00:19:31,770 ANY HARM TO THAT MAN. 534 00:19:25,164 --> 00:19:31,770 IT WAS MY PERSONAL PREFERENCE TO 535 00:19:25,164 --> 00:19:31,770 HAVE A LITTLE BIT MORE FLAVOR. 536 00:19:31,770 --> 00:19:41,114 >> KEKE, DID YOU PAY -- 537 00:19:31,770 --> 00:19:41,114 >> PLEASE SPILL A LITTLE DROP OF 538 00:19:31,770 --> 00:19:41,114 TEA OF SUPER SECRETIVE JORDAN 539 00:19:41,114 --> 00:19:45,451 PEEL MOVIE. 540 00:19:41,114 --> 00:19:45,451 >> I CAN'T. 541 00:19:41,114 --> 00:19:45,451 YOU KNOW, JORDAN AIN'T PLAYING 542 00:19:45,451 --> 00:19:52,959 AROUND ON ME. 543 00:19:45,451 --> 00:19:52,959 >> HOW SPOOKY IS IT? 544 00:19:45,451 --> 00:19:52,959 IS IT SFOOKY? 545 00:19:52,959 --> 00:19:57,663 >> I'LL LET Y'ALL BE THE JUDGE 546 00:19:52,959 --> 00:19:57,663 OF IT. 547 00:19:52,959 --> 00:19:57,663 >> IF I GIVE THIS TO YOU, I 548 00:19:57,663 --> 00:20:05,939 PROMISE I'LL TELL YOU. 549 00:19:57,663 --> 00:20:05,939 >> I'M NOT GOING TO TELL. 550 00:19:57,663 --> 00:20:05,939 >> I KNOW. 551 00:20:05,939 --> 00:20:13,680 >> AND HOSTING THE RED CARP. 552 00:20:05,939 --> 00:20:13,680 >> I'M SUPER EXCITED. 553 00:20:05,939 --> 00:20:13,680 NEXT ONE IS PEOPLE'S CHOICE 554 00:20:13,680 --> 00:20:22,689 AWARDS THAT TURN INTO E! 555 00:20:13,680 --> 00:20:22,689 THIS IS A DREAM. 556 00:20:13,680 --> 00:20:22,689 I USED TO PUT RYAN SEACREST ON 557 00:20:22,689 --> 00:20:27,269 MUTE AND MIMIC IT LIKE I WAS 558 00:20:22,689 --> 00:20:27,269 BEING HIM. 559 00:20:22,689 --> 00:20:27,269 AND TO STEP INTO THOSE SHOES AND 560 00:20:27,269 --> 00:20:30,930 BY MYSELF IS AMAZING. 561 00:20:27,269 --> 00:20:30,930 FOR ANYONE OUT THERE WHO HAS A 562 00:20:27,269 --> 00:20:30,930 DREAM, IT WILL COME TRUE. 563 00:20:30,930 --> 00:20:36,336 GO AFTER IT. 564 00:20:30,930 --> 00:20:36,336 >> IT'S SO TRUE. 565 00:20:30,930 --> 00:20:36,336 >> WOW. 566 00:20:36,336 --> 00:20:43,676 >> I LOVE KARAMO. 567 00:20:36,336 --> 00:20:43,676 >> GOES TO LANCE BASS, WHO 568 00:20:36,336 --> 00:20:43,676 LEARNED HE'S A DISTANT RELATIVE 569 00:20:43,676 --> 00:20:48,815 OF BRITTNEY SPEARS. 570 00:20:43,676 --> 00:20:48,815 THEY'RE SIXTH COUSINS ONCE 571 00:20:43,676 --> 00:20:48,815 REMOVED. 572 00:20:48,815 --> 00:21:01,394 THEY SHARE A BRITTNEY GENE. 573 00:20:48,815 --> 00:21:01,394 IT TURNS OUT HE IS 0.00000% 574 00:20:48,815 --> 00:21:01,394 BRITTNEY PITCH. 575 00:21:01,394 --> 00:21:09,536 AND GOES TO DR. PHIL OUT TO BE 576 00:21:01,394 --> 00:21:09,536 KARDASHIAN AND PETE DAVIDSON'S 577 00:21:01,394 --> 00:21:09,536 RELATIONSHIP, WHETHER IT WAS 578 00:21:09,536 --> 00:21:15,275 REAL OR BEING PLAYED UP FOR 579 00:21:09,536 --> 00:21:15,275 HEADLINES? 580 00:21:09,536 --> 00:21:15,275 HE SAID WHY NOT MONETIZE YOUR 581 00:21:15,275 --> 00:21:20,613 RELATIONSHIP IF IT'S GOOD FOR 582 00:21:15,275 --> 00:21:20,613 BOTH OF THEM. 583 00:21:15,275 --> 00:21:20,613 THIS IS WHY I DIDN'T INCLUDE 584 00:21:20,613 --> 00:21:25,250 QUOTES FROM MEN IN "GLITTER" 585 00:21:20,613 --> 00:21:25,250 EVERY DAY. 586 00:21:20,613 --> 00:21:25,250 MY NEW QUOTE BOOK, YOU KNOW WHAT 587 00:21:25,250 --> 00:21:31,857 I'M SAYING? 588 00:21:25,250 --> 00:21:31,857 AVAILABLE AND MAKES A GREAT 589 00:21:25,250 --> 00:21:31,857 CHRISTMAS PRESENT. 590 00:21:31,857 --> 00:21:35,627 I WANT TO THANK KEKE, KARAMO AND 591 00:21:31,857 --> 00:21:35,627 SCOTT. 592 00:21:31,857 --> 00:21:35,627 THE WORD OF THE NIGHT WAS WHAT? 593 00:21:35,627 --> 00:21:39,898 HE SAID IT 18 TIMES. 594 00:21:35,627 --> 00:21:39,898 IF YOU WERE PLAYING THE DRINKING 595 00:21:35,627 --> 00:21:39,898 GAME, NO DRIVING.