1 00:00:15,700 --> 00:00:18,700 ♪ 2 00:00:23,800 --> 00:00:26,567 (woman) ♪ WHAT IS THIS THING ♪ 3 00:00:26,567 --> 00:00:30,233 ♪ CALLED LOVE? ♪ 4 00:00:30,233 --> 00:00:32,767 ♪ THIS FUNNY THING ♪ 5 00:00:32,767 --> 00:00:36,367 ♪ CALLED LOVE ♪ 6 00:00:36,367 --> 00:00:38,667 ♪ JUST WHO CAN SOLVE ♪ 7 00:00:38,667 --> 00:00:42,500 ♪ ITS MYSTERY? ♪ 8 00:00:42,500 --> 00:00:45,533 ♪ WHY SHOULD IT MAKE ♪ 9 00:00:45,533 --> 00:00:49,467 ♪ A FOOL OF ME? ♪ 10 00:00:49,467 --> 00:00:51,567 ♪ I SAW YOU THERE ♪ 11 00:00:51,567 --> 00:00:55,533 ♪ THAT WONDERFUL DAY ♪ 12 00:00:55,533 --> 00:00:57,600 ♪ YOU TOOK MY LOVE ♪ 13 00:00:57,600 --> 00:01:01,300 ♪ AND THREW IT AWAY ♪ 14 00:01:01,300 --> 00:01:04,266 ♪ AND SO I ASK THE LORD ♪ 15 00:01:04,266 --> 00:01:07,667 ♪ IN HEAVEN ABOVE ♪ 16 00:01:07,667 --> 00:01:10,667 ♪ WHAT IS THIS THING ♪ 17 00:01:10,667 --> 00:01:15,834 ♪ CALLED LOVE? ♪ 18 00:01:17,166 --> 00:01:22,367 ♪ CALLED LOVE ♪ 19 00:01:30,200 --> 00:01:32,367 (man) IT'S 105 IN THE L.A. BASIN, 20 00:01:32,367 --> 00:01:35,400 AND THOSE SUMMER TEMPERATURES JUST KEEP KICKING ASS. 21 00:01:39,133 --> 00:01:42,767 (objects clatter) 22 00:01:42,767 --> 00:01:44,667 (sighs) 23 00:01:44,667 --> 00:01:46,266 HOT. 24 00:01:46,266 --> 00:01:47,533 A.C.'s BUSTED. 25 00:01:47,533 --> 00:01:49,500 GONNA RAISE ME? 26 00:01:49,500 --> 00:01:51,300 I'LL RAISE YOU... 27 00:01:53,633 --> 00:01:56,367 $20, AND I'LL SEE YOU. 28 00:01:56,367 --> 00:01:58,667 (moans) 29 00:01:58,667 --> 00:02:00,900 YOU WANNA SEE ME? 30 00:02:03,200 --> 00:02:05,900 OKAY. 31 00:02:07,266 --> 00:02:09,500 TWO PAIR? 32 00:02:09,500 --> 00:02:12,367 I MEAN, ALL I GOT ARE... 33 00:02:12,367 --> 00:02:13,834 (sighs) 34 00:02:13,834 --> 00:02:15,533 TRIP QUEENS. 35 00:02:15,533 --> 00:02:17,166 YOU LOSE. 36 00:02:17,166 --> 00:02:18,700 TAKE IT OFF. 37 00:02:20,467 --> 00:02:21,867 AHH. 38 00:02:23,367 --> 00:02:25,767 MMM. 39 00:02:25,767 --> 00:02:27,166 YEP. 40 00:02:27,166 --> 00:02:28,834 (whispers) ALL RIGHT. 41 00:02:30,500 --> 00:02:32,767 (normal voice) SHALL I SHUFFLE? 42 00:02:32,767 --> 00:02:35,133 UNH-UNH. 43 00:02:45,433 --> 00:02:49,333 (both moaning) 44 00:02:49,333 --> 00:02:50,533 (clatter) 45 00:02:55,600 --> 00:02:56,800 (moans) 46 00:02:56,800 --> 00:02:58,734 (chuckles) 47 00:03:03,467 --> 00:03:05,333 AH. AH! 48 00:03:05,333 --> 00:03:08,934 (both moaning) 49 00:03:12,233 --> 00:03:15,433 OH! OH! (gasps) 50 00:03:15,433 --> 00:03:17,834 (grunting) 51 00:03:17,834 --> 00:03:21,633 (gasping) 52 00:03:28,533 --> 00:03:31,567 (both grunting) 53 00:03:37,934 --> 00:03:39,633 OHH. 54 00:03:39,633 --> 00:03:41,367 (chuckles) AHH. 55 00:03:41,367 --> 00:03:46,500 (panting) 56 00:03:46,500 --> 00:03:48,367 YOU WANNA DO ANOTHER ONE, MISTER? 57 00:03:48,367 --> 00:03:51,300 (groans) I CAN'T. 58 00:03:51,300 --> 00:03:52,700 I HAVE TO GO HOME. 59 00:03:52,700 --> 00:03:54,500 I STILL HAVE TO PREP FOR A HEARING FOR TOMORROW. 60 00:03:54,500 --> 00:03:55,767 OH. 61 00:03:55,767 --> 00:03:57,467 AH, THE LIFE OF A RE-EMPLOYED LAWYER. 62 00:03:57,467 --> 00:03:58,834 OH. (chips clatter) 63 00:03:58,834 --> 00:04:01,433 HEY, UH, MEET ME FOR LUNCH ON WEDNESDAY. 64 00:04:01,433 --> 00:04:05,300 WAIT. UH, MAKE IT TUESDAY. OLD BOYFRIEND COMING TO TOWN. 65 00:04:05,300 --> 00:04:06,667 WHAT? 66 00:04:06,667 --> 00:04:08,834 (chips clatter) 67 00:04:08,834 --> 00:04:10,600 I'M NOT THE ONLY GUY YOU'VE EVER BEEN WITH? 68 00:04:10,600 --> 00:04:11,900 (laughs) 69 00:04:11,900 --> 00:04:13,500 HE'S HERE FOR A COUPLE OF DAYS. 70 00:04:13,500 --> 00:04:14,800 NAME'S HIGHWAY. 71 00:04:14,800 --> 00:04:17,100 HIGHWAY? MM-HMM. 72 00:04:17,100 --> 00:04:20,600 MUST BE ONE OF THOSE... RESTLESS MEN. 73 00:04:20,600 --> 00:04:22,300 THAT'S HIM. 74 00:04:22,300 --> 00:04:25,233 DID YOU LOVE HIM? 75 00:04:25,233 --> 00:04:27,200 HE LOVED ME. 76 00:04:27,200 --> 00:04:29,834 THAT WAS MORE IMPORTANT. 77 00:04:29,834 --> 00:04:31,500 WELL, ANOTHER SHATTERED HEART 78 00:04:31,500 --> 00:04:33,533 ON THE LIST OF MEN YOU'VE SET ADRIFT. 79 00:04:33,533 --> 00:04:35,800 ACTUALLY, HE WENT TO JAIL. 80 00:04:35,800 --> 00:04:38,333 DEALT DOPE TO SUPPORT HIS SINGING CAREER. 81 00:04:38,333 --> 00:04:40,300 MM. (chuckles) OPERA? 82 00:04:40,300 --> 00:04:43,633 COUNTRY, BUT A LOT OF LITTLE STUFF. 83 00:04:43,633 --> 00:04:46,133 HAD A LOCAL HIT IN MEMPHIS. 84 00:04:46,133 --> 00:04:47,667 "SHOT THE MAN." 85 00:04:47,667 --> 00:04:51,867 ♪ SHOT THE MAN WHO STOLE YOUR HEART ♪ 86 00:04:51,867 --> 00:04:55,166 ♪ KILLED THE MAN, NOW WE'LL NEVER BE APART ♪ 87 00:04:55,166 --> 00:04:57,367 HE SOUNDS CLINGY. HE'S SWEET. 88 00:04:57,367 --> 00:05:00,300 HE BOUGHT ME AN I.D. BRACELET FROM THE MONEY HE MADE 89 00:05:00,300 --> 00:05:02,633 FROM A SHIPMENT OF JAMAICAN WEED. 90 00:05:02,633 --> 00:05:04,400 HAD IT ENGRAVED. 91 00:05:04,400 --> 00:05:06,667 I'M WAITING. IS THERE ANOTHER MURDER LYRIC? 92 00:05:06,667 --> 00:05:09,667 IT SAID, 93 00:05:09,667 --> 00:05:12,467 "BABY, YOU'RE A ROCKET TO MARS." 94 00:05:12,467 --> 00:05:14,467 WELL... 95 00:05:14,467 --> 00:05:16,400 MAYBE HE GOT INTO HIS OWN STASH. 96 00:05:16,400 --> 00:05:19,767 (chuckles) 97 00:05:19,767 --> 00:05:21,400 YOU KNOW, I HAVE A POKER CHIP SOMEWHERE 98 00:05:21,400 --> 00:05:23,600 WHERE IT ISN'T SUPPOSED TO BE. 99 00:05:23,600 --> 00:05:25,767 AH. (whispers) OH. 100 00:05:25,767 --> 00:05:27,700 (normal voice) MAYBE... 101 00:05:27,700 --> 00:05:31,266 I CAN DO A CAVITY SEARCH. 102 00:05:31,266 --> 00:05:33,233 MM. I THOUGHT YOU'D NEVER ASK. 103 00:05:33,233 --> 00:05:34,734 (grunts) OKAY. 104 00:05:34,734 --> 00:05:36,333 OH, I'M GONNA FIND IT! OH. 105 00:05:36,333 --> 00:05:38,633 WHERE IS IT? IN HERE? MM. IS IT A $25 OR A $100? 106 00:05:38,633 --> 00:05:42,433 I DON'T KNOW. I'LL FIND IT. HEY! NO. NO. UNH-UNH. 107 00:05:42,433 --> 00:05:44,333 (both moaning) 108 00:05:44,333 --> 00:05:47,133 OH. YOU WANNA GO BACK TO THE BEDROOM? (groans) 109 00:05:47,133 --> 00:05:49,300 YES, BUT I ALSO HAVE TO WORK. 110 00:05:49,300 --> 00:05:51,600 (groans) 111 00:05:51,600 --> 00:05:53,533 AH, EX-BOYFRIENDS. 112 00:05:53,533 --> 00:05:55,900 SOMETIMES YOU JUST HAVE TO SAY TA-TA. 113 00:05:55,900 --> 00:05:58,133 LIKE WHEN I SPENT MY JUNIOR YEAR AT BARNARD ABROAD 114 00:05:58,133 --> 00:05:59,700 AND I MET FABRICE. 115 00:05:59,700 --> 00:06:02,433 ONE EXQUISITE AFTERNOON, WE WENT ALOFT 116 00:06:02,433 --> 00:06:05,233 IN A HOT AIR BALLOON OVER BORDEAUX. 117 00:06:05,233 --> 00:06:07,900 SUDDENLY, THUNDER POUNDED. IT BEGAN TO POUR. 118 00:06:07,900 --> 00:06:11,200 THE BALLOON WAS SWEPT SIDEWAYS AND COULDN'T BE CONTROLLED. 119 00:06:11,200 --> 00:06:13,867 I'VE NEVER BEEN SO SCARED IN MY LIFE. 120 00:06:13,867 --> 00:06:15,200 BUT HERE'S THE GOOD PART-- 121 00:06:15,200 --> 00:06:17,600 THE STORM STOPPED, AS THEY DO, 122 00:06:17,600 --> 00:06:19,233 AND WE WERE SAVED. 123 00:06:19,233 --> 00:06:21,100 AND A RAINBOW APPEARED. 124 00:06:21,100 --> 00:06:22,467 THEY USUALLY DO, 125 00:06:22,467 --> 00:06:24,266 BUT AS SOON AS WE LANDED, 126 00:06:24,266 --> 00:06:27,567 I SAID, "AU REVOIR, FABRICE. IT'S BEEN FUN, 127 00:06:27,567 --> 00:06:31,166 BUT I CAN'T FORGIVE YOUR WEEPING IN THE STORM." 128 00:06:34,834 --> 00:06:37,767 YOU HAVE A MAGNIFICENT FOOT. 129 00:06:37,767 --> 00:06:40,700 WELL, NOT TO GO ON ABOUT IT, BUT I WAS VOTED 130 00:06:40,700 --> 00:06:44,467 MOST LIKELY IN MY LAW CLASS TO BECOME A FOOT MODEL. 131 00:06:44,467 --> 00:06:46,667 WELL, AT BENTON FOGG LEATHERS, 132 00:06:46,667 --> 00:06:48,734 WE DON'T OFTEN GET TO SEE THE CALIBER OF FOOT 133 00:06:48,734 --> 00:06:50,900 THAT OUR CUSTOM SHOES DESERVE. 134 00:06:50,900 --> 00:06:53,567 TOO OFTEN, WE SEE THE IMPOVERISHED ARCH... 135 00:06:53,567 --> 00:06:56,133 MM. THE MISSHAPEN TOENAILS. 136 00:06:56,133 --> 00:06:57,734 HMM. HEARTBREAKING. 137 00:06:57,734 --> 00:06:59,700 BUT YOUR FOOT... 138 00:06:59,700 --> 00:07:01,400 WELL, TO BE CANDID, 139 00:07:01,400 --> 00:07:03,533 I'VE NEVER SEEN ANYTHING LIKE IT IN MY CAREER. 140 00:07:03,533 --> 00:07:05,533 WELL, THANK YOU, HEATHER. 141 00:07:05,533 --> 00:07:09,300 AND I APPRECIATE YOUR FLYING IN FROM LONDON FOR THE FITTING. 142 00:07:09,300 --> 00:07:12,233 OH. I ASSURE YOU, THE PLEASURE'S ALL MINE. 143 00:07:12,233 --> 00:07:13,533 MM. 144 00:07:13,533 --> 00:07:15,767 YOU SHOULD PICK WHICH BOOT YOU PREFER. 145 00:07:15,767 --> 00:07:17,233 BUT I'LL TELL YOU THIS. 146 00:07:17,233 --> 00:07:18,500 YOU CAN'T GO WRONG. 147 00:07:18,500 --> 00:07:21,500 FEET LIKES YOURS ARE A GIFT. 148 00:07:21,500 --> 00:07:24,467 AHH. HEY, LUTHER, I--UH... OH. 149 00:07:24,467 --> 00:07:25,767 SORRY. I'LL COME BACK. 150 00:07:25,767 --> 00:07:27,467 OH, NO, NO. COME IN. COME IN. 151 00:07:27,467 --> 00:07:31,667 MICHAEL, MEET HEATHER CROWLEY 152 00:07:31,667 --> 00:07:34,567 OF THE FINE CUSTOM SHOEMAKING HOUSE 153 00:07:34,567 --> 00:07:36,400 BENTON FOGG OF LONDON. 154 00:07:36,400 --> 00:07:37,734 HELLO. PLEASURE. 155 00:07:39,233 --> 00:07:42,133 13... D. 156 00:07:42,133 --> 00:07:43,867 UH, CORRECT. 157 00:07:43,867 --> 00:07:47,133 HMM. YOU ARE MENTALLY UNDRESSING MY FEET. 158 00:07:47,133 --> 00:07:48,834 SO I AM. (chuckles) 159 00:07:48,834 --> 00:07:51,500 LUTHER, WHAT'S THIS ALL ABOUT? 160 00:07:51,500 --> 00:07:54,133 I'M HAVING RIDING BOOTS MADE. 161 00:07:54,133 --> 00:07:55,400 FOR WHAT? YOU DON'T RIDE. 162 00:07:55,400 --> 00:07:57,266 SO WHAT? 163 00:07:57,266 --> 00:07:59,633 I'M PLANNING TO WEAR THEM WITH SHORTS. 164 00:07:59,633 --> 00:08:01,266 (chuckles) 165 00:08:01,266 --> 00:08:03,266 HEATHER, WOULD YOU GIVE US A MOMENT? OH. 166 00:08:12,734 --> 00:08:14,767 TAINTED TUSH HAS GONE PUBLIC. 167 00:08:14,767 --> 00:08:17,133 WE ARE GOING TO BE RICH BEYOND OUR WILDEST DREAMS. 168 00:08:17,133 --> 00:08:19,100 $50 MILLION BETWEEN US! 169 00:08:19,100 --> 00:08:20,800 $50 MILLION ON PAPER, LUTHER. 170 00:08:20,800 --> 00:08:23,433 IT'S--IT'S DATED STOCK. WE CAN'T SELL IT FOR SIX MONTHS. 171 00:08:23,433 --> 00:08:24,667 GOOD. IT'LL BE WORTH EVEN MORE BY THEN. 172 00:08:24,667 --> 00:08:26,300 THINK ABOUT IT, MICHAEL. 173 00:08:26,300 --> 00:08:28,266 WE NEVER HAVE TO GROW UP! 174 00:08:28,266 --> 00:08:30,200 OH! THEN THE PRESSURE'S OFF FOR YOU. 175 00:08:30,200 --> 00:08:32,200 PEOPLE ONLY GROW UP AND GET THEIR AT TOGETHER 176 00:08:32,200 --> 00:08:33,700 SO THEY CAN MAKE A LIVING. 177 00:08:33,700 --> 00:08:35,200 WE DON'T HAVE TO DO THAT ANYMORE. 178 00:08:35,200 --> 00:08:37,100 WE CAN DO WHATEVER THE FUCK WE WANT! 179 00:08:37,100 --> 00:08:39,600 LUTHER-- I AM GOING TO PROPOSE TO SHERYL CROW. 180 00:08:39,600 --> 00:08:41,600 WHAT? THIS IS MY TIME, MICHAEL. 181 00:08:41,600 --> 00:08:43,533 I'M GONNA JOIN CIRQUE du SOLEIL! 182 00:08:43,533 --> 00:08:45,200 LOOK, LUTHER, YOU'RE GETTING AHEAD OF YOURSELF. 183 00:08:45,200 --> 00:08:46,734 NO, I'M FINALLY IN SYNC WITH MYSELF. 184 00:08:46,734 --> 00:08:48,467 I'M FREE! (laughs) OKAY. 185 00:08:48,467 --> 00:08:50,400 FROM THIS MOMENT FORWARD, 186 00:08:50,400 --> 00:08:53,133 I DROP ALL PRETENSE, I SHED MY FACADE. 187 00:08:53,133 --> 00:08:55,767 I AM GOING TO BE THE ME I'VE ALWAYS WANTED TO BE! 188 00:08:55,767 --> 00:08:57,467 THE REAL ME! 189 00:08:57,467 --> 00:09:01,233 AND I'M GOING TO STOP SHAVING MY ASS. (laughs) 190 00:09:01,233 --> 00:09:04,233 THAT IS GENUINELY REVOLTING. 191 00:09:04,233 --> 00:09:06,500 (knock on door) (laughing) 192 00:09:06,500 --> 00:09:09,934 MICHAEL, I NEED YOU FOR A MOMENT. 193 00:09:09,934 --> 00:09:13,266 LUTHER, WHY ARE YOU JUMPING ON THE COUCH? 194 00:09:13,266 --> 00:09:15,800 BECAUSE I AM ALIVE! 195 00:09:15,800 --> 00:09:17,333 WHERE ARE YOUR SHOES? 196 00:09:17,333 --> 00:09:19,200 (sighs deeply) 197 00:09:19,200 --> 00:09:22,133 HOW CONVENTIONAL OF YOU TO BE ALARMED BY MISSING FOOTWEAR 198 00:09:22,133 --> 00:09:26,533 WHEN YOUR VERY ESSENCE HAS BEEN STOLEN BY CORPORATE INANITY. 199 00:09:26,533 --> 00:09:28,367 NEVER THOUGHT OF IT THAT WAY. 200 00:09:28,367 --> 00:09:30,767 THIS, ARTHUR, 201 00:09:30,767 --> 00:09:34,667 IS WHAT REAL TRUE FREEDOM LOOKS LIKE. 202 00:09:34,667 --> 00:09:38,200 NO MORE SELLING OUT FOR ME. NO. 203 00:09:38,200 --> 00:09:40,467 THIS, MY FRIEND... 204 00:09:40,467 --> 00:09:41,700 (chuckles) 205 00:09:41,700 --> 00:09:43,600 IS THE REAL ME! 206 00:09:43,600 --> 00:09:45,600 HA! (laughs) 207 00:09:45,600 --> 00:09:49,400 WELL, CARRY ON, YOU. 208 00:09:49,400 --> 00:09:51,266 A SMALL SUGGESTION--YOU MIGHT WANT TO PULL UP YOUR TROUSERS. 209 00:09:51,266 --> 00:09:52,700 I CAN SEE YOUR CHUBBER. 210 00:09:52,700 --> 00:09:55,233 MICHAEL. YEAH. 211 00:09:55,233 --> 00:09:57,367 (clears throat) 212 00:09:59,600 --> 00:10:01,500 (exhales deeply) 213 00:10:15,200 --> 00:10:17,133 (sighs) 214 00:10:19,133 --> 00:10:20,400 HI, MICHAEL. 215 00:10:20,400 --> 00:10:22,200 JOCE. 216 00:10:22,200 --> 00:10:25,533 WHAT A POTENTIALLY PAINFUL SURPRISE. 217 00:10:25,533 --> 00:10:27,233 LAST TIME WE SPOKE, 218 00:10:27,233 --> 00:10:29,800 YOU WERE WITH YOUR NEW PAL CASEY IN KAUAI. 219 00:10:29,800 --> 00:10:32,200 HOW ARE THE BEACHES, THE WATERFALLS, 220 00:10:32,200 --> 00:10:33,467 THE CUNNILINGUS? 221 00:10:33,467 --> 00:10:36,667 I DIDN'T LEAVE YOU FOR A WOMAN. 222 00:10:36,667 --> 00:10:38,300 SHE LOOKED LIKE A WOMAN. 223 00:10:38,300 --> 00:10:40,200 AM I MISSING SOMETHING? 224 00:10:40,200 --> 00:10:42,533 SO MUCH, MICHAEL. 225 00:10:42,533 --> 00:10:46,200 CASEY IS ONLY PART OF IT. 226 00:10:46,200 --> 00:10:48,567 THERE'S... 227 00:10:48,567 --> 00:10:50,567 ALSO HAL. 228 00:10:50,567 --> 00:10:53,367 HAL? 229 00:10:53,367 --> 00:10:54,767 THAT SOUNDS LIKE A MAN'S NAME. 230 00:10:54,767 --> 00:10:56,900 YOU KNOW, SOMEONE WHO OWNS AND OPERATES A PENIS. 231 00:10:56,900 --> 00:10:58,500 (sighs) YOU'D LIKE HIM. 232 00:10:58,500 --> 00:11:00,667 I ALREADY DON'T. HE LIKES YOU. 233 00:11:00,667 --> 00:11:02,400 I TOLD HIM ALL ABOUT YOU. 234 00:11:02,400 --> 00:11:03,600 NO, YOU DIDN'T. TELL ME YOU DIDN'T DO THAT. 235 00:11:03,600 --> 00:11:05,433 I TOLD HIM I LOVE YOU, 236 00:11:05,433 --> 00:11:08,734 AND NOW HE LOVES YOU. 237 00:11:08,734 --> 00:11:11,667 I DON'T WANT HAL TO LOVE ME. MAKE HIM STOP. 238 00:11:11,667 --> 00:11:13,233 (chuckles) 239 00:11:13,233 --> 00:11:15,633 YOU CAN'T STOP LOVE, MICHAEL. 240 00:11:15,633 --> 00:11:19,900 HAVE YOU EVER HEARD OF... 241 00:11:19,900 --> 00:11:21,700 POLYAMORY? 242 00:11:21,700 --> 00:11:23,900 IT THAT THE LESBO RESORT YOU STAYED WHEN YOU WERE IN HAWAII? 243 00:11:23,900 --> 00:11:26,700 IT'S THE NEW INTIMACY. 244 00:11:26,700 --> 00:11:31,633 OPENING YOURSELF UP TO LOVING MORE THAN JUST ONE PERSON. 245 00:11:31,633 --> 00:11:33,433 AS DAVID CROSBY SANG 246 00:11:33,433 --> 00:11:37,166 IN HIS POIGNANT BALLAD "TRIAD," 247 00:11:37,166 --> 00:11:40,400 "WHY CAN'T WE GO ON AS THREE?" 248 00:11:40,400 --> 00:11:41,633 MM. 249 00:11:41,633 --> 00:11:44,834 OR MAYBE EVEN... 250 00:11:44,834 --> 00:11:47,200 FOUR? 251 00:11:47,200 --> 00:11:49,567 (clears throat) DOES HAL LOOK A LOT LIKE DAVID CROSBY? 252 00:11:49,567 --> 00:11:51,567 NO. 253 00:11:51,567 --> 00:11:54,300 AH. DAVID CROSBY DONATES SPERM TO LESBIANS. 254 00:11:54,300 --> 00:11:55,600 IS THAT HOW YOU KNOW HIM? 255 00:11:55,600 --> 00:11:57,500 I DON'T KNOW HIM, MICHAEL. 256 00:11:57,500 --> 00:12:00,266 I'M JUST REFERENCING AN OLD SONG. 257 00:12:00,266 --> 00:12:02,734 LOOK... 258 00:12:02,734 --> 00:12:04,166 I WANT YOU TO MEET THEM. 259 00:12:04,166 --> 00:12:06,200 NO. 260 00:12:06,200 --> 00:12:09,900 IT WOULD REPRESENT COMPLETION OF THE CIRCLE FOR ME, MICHAEL. 261 00:12:09,900 --> 00:12:11,400 THINK OF IT. 262 00:12:11,400 --> 00:12:13,867 MY NEW LIFE WITH CASEY AND HAL, 263 00:12:13,867 --> 00:12:15,700 MY WORK ON THE CANTONI ACCOUNT. 264 00:12:15,700 --> 00:12:19,266 IT'S ALL COMING MY WAY. 265 00:12:19,266 --> 00:12:22,266 (sighs) 266 00:12:22,266 --> 00:12:24,166 CAN WE COME OVER FOR ONE DRINK? 267 00:12:24,166 --> 00:12:26,166 NO! 268 00:12:26,166 --> 00:12:27,767 PLEASE? 269 00:12:27,767 --> 00:12:30,467 FINE. I'VE RETHOUGHT IT. 270 00:12:30,467 --> 00:12:31,700 NO. 271 00:12:33,266 --> 00:12:35,700 I LOVE YOU, MICHAEL. 272 00:12:35,700 --> 00:12:38,266 YOU ARE IMPORTANT TO ME, 273 00:12:38,266 --> 00:12:42,500 AND NOW SO IS CASEY AND HAL. 274 00:12:42,500 --> 00:12:45,266 THEY'VE CHANGED ME, 275 00:12:45,266 --> 00:12:48,300 AND I NEED YOU TO MEET THEM. 276 00:12:48,300 --> 00:12:50,467 NO STRINGS ATTACHED. 277 00:12:50,467 --> 00:12:54,233 WHAT ABOUT ROPES? YOU DIDN'T SAY ANYTHING ABOUT ROPES. 278 00:12:54,233 --> 00:12:55,734 IS HAL ONE OF THOSE BONDAGE KINGS? 279 00:12:55,734 --> 00:12:58,800 IS HE GONNA STRING ME UP AND DRIP HOT WAX ON MY NUTS? 280 00:12:58,800 --> 00:13:00,200 YOU'VE GOT IT ALL WRONG, MICHAEL. 281 00:13:00,200 --> 00:13:03,400 THIS IS ABOUT EMOTIONS, NOT SEX. 282 00:13:04,667 --> 00:13:06,500 PLEASE DO THIS FOR ME. 283 00:13:06,500 --> 00:13:09,367 (scoffs) HMM. 284 00:13:09,367 --> 00:13:11,767 DO I HAVE TO HUG HIM? NO. 285 00:13:11,767 --> 00:13:13,200 IS HE GONNA TRY AND BLOW ME? 286 00:13:13,200 --> 00:13:15,233 (chuckles) NO. 287 00:13:15,233 --> 00:13:18,200 IS HE EXPECTING ME TO BLOW HIM? NO. 288 00:13:18,200 --> 00:13:20,400 ONE DRINK. ONE. 289 00:13:28,367 --> 00:13:30,300 (laughs) WHAT IS THIS, LUTHER? 290 00:13:30,300 --> 00:13:32,633 I TOLD YOU, IT'S A SURPRISE. 291 00:13:32,633 --> 00:13:35,467 COME ON! TELL ME! BE PATIENT. 292 00:13:35,467 --> 00:13:39,300 (giggling) 293 00:13:40,367 --> 00:13:41,734 VOILA. 294 00:13:41,734 --> 00:13:43,333 WELL... 295 00:13:43,333 --> 00:13:46,166 WHO IS HE AND WHAT IS HE DOING IN MY BED? 296 00:13:46,166 --> 00:13:47,800 IT'S MARCELLO. 297 00:13:47,800 --> 00:13:50,633 SAY HELLO, MARCELLO. (chuckles) 298 00:13:50,633 --> 00:13:52,333 (male voice) BUON SERA, PEMMIE. 299 00:13:52,333 --> 00:13:53,667 (laughs) 300 00:13:53,667 --> 00:13:56,166 DITTO, MARCELLO. 301 00:13:56,166 --> 00:13:58,166 HMM. A THREE-WAY. 302 00:13:58,166 --> 00:14:01,367 YOU ARE A BAD BOY, LUTHER. 303 00:14:01,367 --> 00:14:02,700 WELL, I TRY. 304 00:14:02,700 --> 00:14:04,467 AHH. COME TO ME, PEMMIE. 305 00:14:04,467 --> 00:14:07,500 (laughs) OH, GOD. 306 00:14:07,500 --> 00:14:09,734 THANK GOD JOCE IS IN LISBON. 307 00:14:09,734 --> 00:14:11,266 (chuckles) 308 00:14:11,266 --> 00:14:13,433 OH, GOD. YOU ARE CRAZY. 309 00:14:13,433 --> 00:14:15,166 MMM. 310 00:14:15,166 --> 00:14:17,266 (gasping) OH, MY GOD! 311 00:14:17,266 --> 00:14:19,367 THIS THING'S SO FUCKING SICK! 312 00:14:19,367 --> 00:14:21,433 IT GETS BETTER. PULL THE COVERS DOWN. 313 00:14:21,433 --> 00:14:22,700 (laughing) 314 00:14:22,700 --> 00:14:25,767 OH! HOLY SHIT. 315 00:14:25,767 --> 00:14:29,200 (laughing) OH, MY GOD! 316 00:14:29,200 --> 00:14:31,900 MARCELLO IS A STATE-OF-THE-ART REAL DOLL. 317 00:14:31,900 --> 00:14:33,333 IT WAS A GIFT GIVEN TO ME 318 00:14:33,333 --> 00:14:35,300 BY MY GOOD FRIENDS... MMM! 319 00:14:35,300 --> 00:14:38,200 AT ABYSS CREATIONS. CARE TO TAKE IT FOR A SPIN? 320 00:14:38,200 --> 00:14:40,834 OHH, GOD, THAT IS ONE AMAZING COCK. 321 00:14:40,834 --> 00:14:42,633 OH, I ALMOST FORGOT. 322 00:14:44,600 --> 00:14:48,333 (imitates rifle click and rapid gunfire) 323 00:14:48,333 --> 00:14:50,300 (laughing) HA HA! (blows air) 324 00:14:50,300 --> 00:14:51,600 OH! TASTER'S CHOICE. 325 00:14:51,600 --> 00:14:53,200 HOLY SHIT. 326 00:14:53,200 --> 00:14:54,834 ALL RIGHT, I'LL TAKE IT FROM HERE, LUTHER. 327 00:14:54,834 --> 00:14:57,834 AHH. 328 00:14:57,834 --> 00:14:59,467 HELLO, MARCELLO. 329 00:14:59,467 --> 00:15:01,166 (speaks indistinctly) 330 00:15:01,166 --> 00:15:02,734 THIS IS KIND OF WEIRD, YOU LITTLE NAUGHTY BOY. 331 00:15:02,734 --> 00:15:06,166 YES, YOU LIKE THAT, MARCELLO, YOU LITTLE BITCH? 332 00:15:06,166 --> 00:15:08,300 (gasps) BOING! 333 00:15:08,300 --> 00:15:09,834 YES, MARCELLO! 334 00:15:09,834 --> 00:15:11,934 OH, YEAH, YOU LIKE IT LIKE THAT, YOU LITTLE BITCH? 335 00:15:11,934 --> 00:15:15,300 (moaning) 336 00:15:17,700 --> 00:15:20,500 WHAT IS THAT SMELL, LUTHER? I CAN SMELL YOU FROM HERE. 337 00:15:20,500 --> 00:15:22,767 (inhales deeply) THAT, MY DEAREST PEMBERG, 338 00:15:22,767 --> 00:15:25,200 IS THE SMELL OF FREEDOM! 339 00:15:25,200 --> 00:15:26,400 (laughs) 340 00:15:26,400 --> 00:15:28,367 YOU REEK LIKE AN ANIMAL. 341 00:15:28,367 --> 00:15:31,667 YES. GET IN HERE WITH US AND GRAB THAT BIG DICK ON THE WAY. 342 00:15:31,667 --> 00:15:33,133 OH, YES, BABY. 343 00:15:33,133 --> 00:15:34,500 (grunting) 344 00:15:34,500 --> 00:15:36,800 HA HA! AAH! 345 00:15:36,800 --> 00:15:41,333 YES! MARCELLO, YOU KNOW YOU WANT THIS ONE ON YOU, RIGHT? 346 00:15:41,333 --> 00:15:43,266 OH! (laughs) 347 00:15:43,266 --> 00:15:46,700 ♪ 348 00:15:46,700 --> 00:15:48,333 (door opens) 349 00:15:48,333 --> 00:15:49,734 (stops playing) 350 00:15:49,734 --> 00:15:51,467 AH. (closes door) 351 00:15:53,200 --> 00:15:54,700 HOWDY. 352 00:15:54,700 --> 00:15:57,333 HIGHWAY, RIGHT? 353 00:15:59,900 --> 00:16:02,533 WELL... (chuckles) 354 00:16:02,533 --> 00:16:04,600 YOU GOTTA BE MICHAEL. 355 00:16:04,600 --> 00:16:07,166 RIGHT? (grunts) 356 00:16:07,166 --> 00:16:08,500 (laughs) 357 00:16:08,500 --> 00:16:10,266 LIZ'S FRIEND, RIGHT? 358 00:16:10,266 --> 00:16:12,734 YEAH, LIZ'S... FRIEND. 359 00:16:12,734 --> 00:16:14,633 HEY, NO OFFENSE. 360 00:16:14,633 --> 00:16:17,300 NO, NONE TAKEN. IT'S JUST THAT WE'VE GONE WAY PAST FRIENDSHIP. 361 00:16:17,300 --> 00:16:20,567 HARD NOT TO WITH LIZZIE. 362 00:16:20,567 --> 00:16:24,400 LIZ TELLS ME YOU'RE SOME KIND OF A COWBOY... TROUBADOUR. 363 00:16:24,400 --> 00:16:27,133 YEAH, SOME COWBOY. I'M FROM PITTSBURGH. (laughs) 364 00:16:27,133 --> 00:16:29,600 OH, PITTSBURGH. I SPENT A WEEK THERE ONE NIGHT. 365 00:16:29,600 --> 00:16:31,900 OH, YEAH? (chuckles) 366 00:16:31,900 --> 00:16:33,834 I DON'T KNOW WHY I DID THAT 367 00:16:33,834 --> 00:16:35,767 WHEN I DON'T THINK WHITE GUYS SHOULD BE HIGH-FIVING ANYBODY. 368 00:16:35,767 --> 00:16:37,600 OR CALLING EACH OTHER "BROTHER." 369 00:16:37,600 --> 00:16:39,800 EXACTLY. 370 00:16:39,800 --> 00:16:41,767 HIGH FIVE, MY BROTHER. 371 00:16:41,767 --> 00:16:44,900 (laughing) (chuckles) 372 00:16:47,667 --> 00:16:49,200 (chuckles) 373 00:16:50,667 --> 00:16:53,400 SO, UH... HOW'D YOU GET THAT NAME? 374 00:16:53,400 --> 00:16:56,467 HIGHWAY? OH, I GOT THAT IN THE CLUB SCENE. 375 00:16:56,467 --> 00:16:58,367 A DRUMMER BUDDY OF MINE GAVE IT TO ME 376 00:16:58,367 --> 00:17:01,300 'CAUSE I COULDN'T STAY ANYWHERE FOR TOO LONG. 377 00:17:01,300 --> 00:17:03,767 THAT'S HOW I LANDED IN JOLIET FOR TWO YEARS, ANYWAY. 378 00:17:03,767 --> 00:17:05,533 OH, YEAH. LIZ TOLD ME ABOUT THAT. 379 00:17:05,533 --> 00:17:07,300 ANYWAY... 380 00:17:07,300 --> 00:17:09,800 GAVE ME AN OPPORTUNITY TO WRITE A COUPLE COUNTRY HITS 381 00:17:09,800 --> 00:17:13,400 WHEN I WAS ON THE INSIDE. I SOCKED SOME MONEY AWAY, TOO. 382 00:17:13,400 --> 00:17:16,100 WHO WAS YOUR INSPIRATION? 383 00:17:16,100 --> 00:17:17,700 HANK WILLIAMS? MERLE HAGGARD? 384 00:17:17,700 --> 00:17:19,500 WILLIAM BLAKE. 385 00:17:19,500 --> 00:17:22,433 THE ENGLISH POET? NOT JUST "THE ENGLISH POET." 386 00:17:22,433 --> 00:17:24,500 HE WAS THE MAJOR POET AND PAINTER 387 00:17:24,500 --> 00:17:27,166 OF THE ROMANTIC MOVEMENT. A REVOLUTIONARY. 388 00:17:27,166 --> 00:17:29,133 SUPPORTER OF WOMEN'S RIGHTS. 389 00:17:29,133 --> 00:17:32,467 DID YOU KNOW THAT ON HIS DEATHBED, 390 00:17:32,467 --> 00:17:36,500 HE TURNS TO HIS WIFE, TAKES HER HAND, AND HE SAYS, 391 00:17:36,500 --> 00:17:39,233 "STAY, KATE! 392 00:17:39,233 --> 00:17:40,567 "KEEP JUST AS YOU ARE. 393 00:17:40,567 --> 00:17:41,867 "I WILL DRAW YOUR PORTRAIT, 394 00:17:41,867 --> 00:17:44,333 FOR YOU HAVE EVER BEEN AN ANGEL TO ME"? 395 00:17:44,333 --> 00:17:46,100 HE DRAWS HER PORTRAIT, 396 00:17:46,100 --> 00:17:48,667 STARTS TO SING... 397 00:17:48,667 --> 00:17:50,500 BOOM. 398 00:17:50,500 --> 00:17:51,900 AND DIES. 399 00:17:51,900 --> 00:17:53,900 (laughs) 400 00:17:53,900 --> 00:17:55,500 NOW THAT'S MY INSPIRATION. 401 00:17:55,500 --> 00:17:57,767 AH. THAT'S A PRETTY TOUGH ACT TO FOLLOW. 402 00:17:57,767 --> 00:18:00,367 YEAH, NO DOUBT. HE MADE IT HARD FOR THE REST OF US. 403 00:18:00,367 --> 00:18:03,867 OH. ARE YOU DOING THAT WILLIAM BLAKE SHIT AGAIN? 404 00:18:03,867 --> 00:18:06,500 (laughs) HEY. 405 00:18:06,500 --> 00:18:08,667 (laughs) HEY, IT'S THE MAN! 406 00:18:08,667 --> 00:18:10,600 (chuckles) 407 00:18:10,600 --> 00:18:12,433 (growls) (giggles) MM. 408 00:18:12,433 --> 00:18:14,667 NEVER THOUGHT I'D BE HAPPY TO SEE A COP AGAIN. 409 00:18:14,667 --> 00:18:16,166 (laughs) OH, YEAH? 410 00:18:16,166 --> 00:18:19,734 OF COURSE, I MISS SEEING YOU IN THAT OUTFIT. MMM. 411 00:18:19,734 --> 00:18:21,333 I GOT A PRESENT FOR YOU. 412 00:18:21,333 --> 00:18:23,400 OH, YEAH? MM-HMM. 413 00:18:28,333 --> 00:18:31,166 LITTLE SOMETHING I WROTE ON THE INSIDE. 414 00:18:32,800 --> 00:18:40,734 ♪ I'VE BEEN LOOKING FOR YOU FOR SO DAMN LONG ♪ 415 00:18:40,734 --> 00:18:43,500 ♪ SEARCHING UNTIL I... ♪ 416 00:18:43,500 --> 00:18:50,266 ♪ I DON'T KNOW IF COULD LIVE ANOTHER DAY WITHOUT YOU ♪ 417 00:18:52,633 --> 00:18:57,200 ♪ NOT A DAY GOES BY... ♪ (sings indistinctly) 418 00:18:57,200 --> 00:19:01,533 ♪ WHEN I LOOK INTO YOUR EYES ♪ 419 00:19:03,633 --> 00:19:05,367 IT'S BEAUTIFUL. 420 00:19:07,567 --> 00:19:09,734 IT'S CALLED "NOT A DAY GOES BY." 421 00:19:09,734 --> 00:19:11,300 (chuckles) 422 00:19:11,300 --> 00:19:12,667 YOU KNOW WHY? WHY? 423 00:19:12,667 --> 00:19:14,467 'CAUSE NOT A DAY GOES BY 424 00:19:14,467 --> 00:19:16,066 I HAVEN'T THOUGHT ABOUT YOU, HONEY. 425 00:19:16,066 --> 00:19:17,700 OH. 426 00:19:17,700 --> 00:19:20,800 THOUGHT ABOUT US, 427 00:19:20,800 --> 00:19:22,300 ABOUT OUR FUTURE. 428 00:19:22,300 --> 00:19:24,367 YOUR WHAT? 429 00:19:24,367 --> 00:19:25,633 OUR FUTURE. 430 00:19:27,233 --> 00:19:29,467 (chuckles) AHEM. 431 00:19:29,467 --> 00:19:32,266 YOU'RE ALL I THOUGHT ABOUT EVERY MINUTE I WAS IN PRISON. 432 00:19:32,266 --> 00:19:35,767 AND I VOWED, AS SOON AS I GOT OUT, 433 00:19:35,767 --> 00:19:38,500 I WAS GONNA TRACK YOU DOWN, HONEY. 434 00:19:38,500 --> 00:19:40,300 AND I WAS GONNA COME HERE 435 00:19:40,300 --> 00:19:43,166 AND I WAS GONNA TELL YOU THAT ONE LITTLE THING. 436 00:19:43,166 --> 00:19:46,467 I WANT YOU TO BE WITH ME. 437 00:19:46,467 --> 00:19:48,133 (chuckles) 438 00:19:48,133 --> 00:19:49,433 FOREVER. 439 00:19:51,367 --> 00:19:53,367 (sighs) 440 00:19:53,367 --> 00:19:55,467 AND I KNOW THAT'S A LOT TO TAKE IN. 441 00:19:55,467 --> 00:19:57,200 (chuckles) NO KIDDING. 442 00:19:57,200 --> 00:19:58,734 LOOK, I'M NOT ASKING 443 00:19:58,734 --> 00:20:01,600 FOR YOU TO GIVE ME AN ANSWER RIGHT THIS SECOND. 444 00:20:01,600 --> 00:20:03,467 (whispers) I WANT YOU TO THINK ABOUT IT, OKAY? 445 00:20:03,467 --> 00:20:05,734 I WILL. 446 00:20:05,734 --> 00:20:07,467 MMM. 447 00:20:07,467 --> 00:20:08,767 (kissing) 448 00:20:08,767 --> 00:20:10,567 MM. 449 00:20:10,567 --> 00:20:12,133 MMM. 450 00:20:14,133 --> 00:20:16,533 I'LL BE BACK. 451 00:20:19,266 --> 00:20:21,867 AND YOU... 452 00:20:23,834 --> 00:20:25,867 YOU ARE MY WITNESS, BROTHER. 453 00:20:25,867 --> 00:20:27,333 (laughs) 454 00:20:28,567 --> 00:20:30,400 YOU'RE GOOD PEOPLE. 455 00:20:30,400 --> 00:20:33,333 (laughs) 456 00:20:41,800 --> 00:20:43,767 WHAT WAS THAT? 457 00:20:43,767 --> 00:20:46,667 THAT WAS HIGHWAY BEING HIGHWAY. 458 00:20:50,834 --> 00:20:53,333 AND WHY DIDN'T YOU TELL HIM I WAS YOUR BOYFRIEND? 459 00:20:53,333 --> 00:20:57,367 BECAUSE I DIDN'T THINK THAT'S WHAT YOU ARE. 460 00:20:57,367 --> 00:20:59,233 AND ANYWAY, IT WOULDN'T MATTER TO HIGHWAY. 461 00:20:59,233 --> 00:21:02,333 HIGHWAY DOES WHAT HIGHWAY WANTS. 462 00:21:02,333 --> 00:21:05,400 AND WHAT THE FUCK DO YOU THINK I WANT? 463 00:21:05,400 --> 00:21:08,834 HELP ME UNDERSTAND WHAT'S GOING ON BETWEEN YOU AND ME. 464 00:21:08,834 --> 00:21:10,767 WHERE IS THIS COMING FROM? 465 00:21:10,767 --> 00:21:13,667 IS IT BECAUSE YOUR GIRLFRIEND LEFT YOU? HER NAME IS JOCELYN. 466 00:21:13,667 --> 00:21:15,734 I DON'T GIVE A FUCK WHAT HER NAME IS! SHE'S GONE! 467 00:21:15,734 --> 00:21:17,734 WELL, THANK YOU. THANK YOU FOR THAT. 468 00:21:17,734 --> 00:21:19,200 YOU JUST--YOU DON'T GET ME. 469 00:21:19,200 --> 00:21:21,200 OH. OH, NO, YOU'RE WRONG. 470 00:21:21,200 --> 00:21:23,600 HERE'S HOW YOU AND I GET EACH OTHER. 471 00:21:23,600 --> 00:21:24,834 LET'S FUCK. 472 00:21:24,834 --> 00:21:26,900 JUST LIKE THAT? JUST LIKE THAT! 473 00:21:26,900 --> 00:21:28,367 AND SUDDENLY YOU JUST WANNA FUCK? YES! 474 00:21:28,367 --> 00:21:29,700 IS THAT WHAT YOU WANT? YOU WANT THIS? 475 00:21:29,700 --> 00:21:31,300 (grunts) HMM? HMM? 476 00:21:31,300 --> 00:21:34,300 (moaning) HMM? HMM? HMM? 477 00:21:34,300 --> 00:21:37,300 HMM? IS IT WHAT YOU WANT? (panting) 478 00:21:37,300 --> 00:21:39,200 YOU WANNA FUCK? HUH? MM-HMM. (grunts) 479 00:21:39,200 --> 00:21:42,834 (gasping) 480 00:21:42,834 --> 00:21:44,467 GET THOSE PANTS OFF. 481 00:21:49,233 --> 00:21:51,433 (gasps) FUCK ME. 482 00:21:51,433 --> 00:21:55,233 (both moaning and grunting) 483 00:21:56,934 --> 00:21:58,500 YOU WANNA FUCK? 484 00:21:58,500 --> 00:22:01,633 (grunting) YES! AH! 485 00:22:08,500 --> 00:22:10,867 OH! 486 00:22:15,200 --> 00:22:19,834 (grunting) 487 00:22:19,834 --> 00:22:22,333 (panting) 488 00:22:22,333 --> 00:22:24,500 (moans) (gasps) 489 00:22:24,500 --> 00:22:28,300 (both panting) 490 00:22:47,567 --> 00:22:52,667 THE PRACTICE OF LAW IS OFTEN FULL-FRONTAL WARFARE. 491 00:22:52,667 --> 00:22:54,834 EVERY MAN NEEDS AN ADVANTAGE, 492 00:22:54,834 --> 00:22:56,934 AND YOU, LADIES, ARE OBVIOUSLY AWARE 493 00:22:56,934 --> 00:23:00,834 THAT ANATOMY IS THAT ADVANTAGE. 494 00:23:00,834 --> 00:23:02,934 THE POINT IS, THOUGH SMALL, 495 00:23:02,934 --> 00:23:06,233 I AM A LARGE MAN. 496 00:23:06,233 --> 00:23:08,266 I'M AVAILABLE FOR LATE-NIGHT CONSULTATIONS, 497 00:23:08,266 --> 00:23:11,500 CASUAL WEEKENDS, AND SUPERFICIAL DINNERS. 498 00:23:11,500 --> 00:23:13,734 HEY, EVERYONE. 499 00:23:13,734 --> 00:23:16,767 UH, LUTHER, WHAT'S GOING ON? YOU LOOK TERRIBLE. 500 00:23:16,767 --> 00:23:18,367 I'M EXPRESSING MYSELF. 501 00:23:18,367 --> 00:23:20,166 YOU'RE... EXUDING YOURSELF. 502 00:23:20,166 --> 00:23:21,400 YOU NEED TO BE FUMIGATED. 503 00:23:21,400 --> 00:23:22,700 NONSENSE. I'M IN THE MOMENT. 504 00:23:22,700 --> 00:23:24,734 I'M SO RICH, I MAY NEVER BATHE AGAIN. 505 00:23:24,734 --> 00:23:26,367 I TOLD YOU WE'RE NOT THERE YET. 506 00:23:26,367 --> 00:23:27,734 WE HAVE NUMBERED STOCK, NOT CASH IN HAND. 507 00:23:27,734 --> 00:23:29,333 (sighs) PISH POSH. 508 00:23:29,333 --> 00:23:31,367 (mouth full) SO, GUYS, 509 00:23:31,367 --> 00:23:33,767 LET'S CUT TO THE CHASE, OKAY? 510 00:23:33,767 --> 00:23:35,500 (normal voice) YOU'RE BUSY. I'M BUSY. 511 00:23:35,500 --> 00:23:37,900 BLAH, BLAH, BLAH, WHATEVER. WHO GIVES A FUCK? 512 00:23:37,900 --> 00:23:39,633 I'M ONLY INTERESTED IN BUYING YOU OUT. 513 00:23:41,233 --> 00:23:43,667 OKAY, $5 MILLION FOR YOUR SHARES IN TAINTED TUSH. 514 00:23:43,667 --> 00:23:46,800 THAT'S $5 MILLION GUARANTEED 515 00:23:46,800 --> 00:23:48,700 FROM ME, DEZ BAMMER. 516 00:23:48,700 --> 00:23:51,300 TODAY. WHAT SAY YOU? 517 00:23:51,300 --> 00:23:52,667 INTERESTING, DEZ. 518 00:23:52,667 --> 00:23:55,934 WOULD YOU... CARE TO HEAR MY THOUGHTS? 519 00:23:55,934 --> 00:23:57,400 ABSOLUTELY, LUTHER. 520 00:23:57,400 --> 00:24:01,266 FUCK OFF, YOU FAT FUCK. 521 00:24:01,266 --> 00:24:02,934 UH... 522 00:24:02,934 --> 00:24:05,834 I'M SURE LUTHER DID NOT MEAN TO SAY IT QUITE THAT WAY. 523 00:24:05,834 --> 00:24:07,533 YOU THINK I'M FAT? 524 00:24:07,533 --> 00:24:09,900 I THINK YOU'RE A REPUGNANT BLIMP. 525 00:24:09,900 --> 00:24:11,934 OKAY. $6 MILLION. 526 00:24:11,934 --> 00:24:13,500 $6 MILLION?! BLOW ME. 527 00:24:13,500 --> 00:24:16,300 ALL RIGHT. $6.5 MILLION. 528 00:24:16,300 --> 00:24:19,367 (mouth full) HERE, WIRED TODAY. 529 00:24:19,367 --> 00:24:21,800 (normal voice) OKAY, YOU GOT 30 SECONDS TO RESPOND 530 00:24:21,800 --> 00:24:23,467 OR THE DEAL GOES BYE-BYE. 531 00:24:23,467 --> 00:24:25,333 THE STOCK IS WORTH $50 MILLION. 532 00:24:25,333 --> 00:24:28,600 (laughs) ON PAPER. YOU CAN WIPE YOUR ASS WITH THAT. 533 00:24:28,600 --> 00:24:30,233 PASS, ELEPHANT MAN. 534 00:24:30,233 --> 00:24:32,467 WELL, YOUR TIME'S UP ANYWAY. 535 00:24:32,467 --> 00:24:34,667 ALL RIGHT, LET'S MOVE IT OUT, GIRLS. 536 00:24:34,667 --> 00:24:37,633 APPARENTLY NO ONE HERE WANTS TO GET RICH TODAY. 537 00:24:37,633 --> 00:24:39,133 OH, BY THE WAY, I LIKE YOUR STYLE. 538 00:24:39,133 --> 00:24:42,433 MM. (chuckles) HE LIKES MY STYLE. 539 00:24:44,633 --> 00:24:46,567 THAT'S BECAUSE YOU DON'T HAVE ANY, LUTHER. 540 00:24:46,567 --> 00:24:49,800 CONGRATULATIONS. I THINK YOU JUST MADE A HUGE MISTAKE. 541 00:24:52,800 --> 00:24:54,367 MM. 542 00:24:57,367 --> 00:25:00,200 (mutters) $6.5 MILLION. 543 00:25:00,200 --> 00:25:02,300 FUCK. (telephone rings) 544 00:25:02,300 --> 00:25:04,633 (sighs) (ring) 545 00:25:04,633 --> 00:25:05,867 (ring) 546 00:25:05,867 --> 00:25:07,734 (beep) YEAH? 547 00:25:07,734 --> 00:25:09,200 WHAT, HERE? 548 00:25:09,200 --> 00:25:11,433 UH, SURE. 549 00:25:17,266 --> 00:25:18,734 HEY. 550 00:25:18,734 --> 00:25:20,266 HEY. 551 00:25:22,367 --> 00:25:24,633 YOU COME BY NOT TO TALK AGAIN? 552 00:25:24,633 --> 00:25:26,433 DON'T MAKE A JOKE. 553 00:25:26,433 --> 00:25:28,633 I'M NOT. 554 00:25:34,100 --> 00:25:36,200 MICHAEL, 555 00:25:36,200 --> 00:25:39,367 I'VE BEEN PUTTING THINGS OFF FOR TOO LONG. 556 00:25:39,367 --> 00:25:40,900 I'M NOT GONNA LIKE THIS, AM I? 557 00:25:40,900 --> 00:25:42,633 YOU AND ME, 558 00:25:42,633 --> 00:25:44,200 WE'RE GREAT AT RUBBING UP AGAINST EACH OTHER 559 00:25:44,200 --> 00:25:45,834 AND STARTING BIG FIRES, 560 00:25:45,834 --> 00:25:50,166 BUT THERE'S NEVER SIMPLE AND EASY WITH US, MICHAEL. 561 00:25:50,166 --> 00:25:52,233 I THOUGHT THAT WAS THE APPEAL. 562 00:25:52,233 --> 00:25:53,500 THAT WAS THEN. 563 00:25:53,500 --> 00:25:56,200 THEN? 564 00:25:56,200 --> 00:25:58,333 AT WHAT POINT DID WE BECOME "THEN?" 565 00:25:58,333 --> 00:26:00,767 THE NIGHT WE MET. 566 00:26:00,767 --> 00:26:03,133 IT'S A LOT OF THINGS. 567 00:26:03,133 --> 00:26:06,667 CAPTAIN DECKER IS TALKING ABOUT PROMOTING ME. 568 00:26:06,667 --> 00:26:08,767 HEY! YOU KIDDING? 569 00:26:08,767 --> 00:26:12,200 WELL, YOU KNOW, YOU'RE RECKLESS AND... 570 00:26:12,200 --> 00:26:15,166 YOU NEVER KNOW WHEN TO STOP, AND YOUR ATTITUDE SUCKS. 571 00:26:16,767 --> 00:26:20,567 YEAN, HE SAYS I'M PERFECT DETECTIVE MATERIAL. 572 00:26:20,567 --> 00:26:22,767 (chuckles) THERE'S A LOT OF THINGS. 573 00:26:22,767 --> 00:26:25,667 MY FOLKS--THEY HAD THIS CRAZY THING, 574 00:26:25,667 --> 00:26:28,567 AND IT RIPPED THEM APART. 575 00:26:28,567 --> 00:26:31,500 I SWORE I'D NEVER DO THAT. 576 00:26:31,500 --> 00:26:33,133 WELL, YOU'RE NOT THEM. 577 00:26:33,133 --> 00:26:36,100 (scoffs) CLOSE ENOUGH. 578 00:26:36,100 --> 00:26:38,667 YOU KNOW WHAT I THINK? 579 00:26:38,667 --> 00:26:41,333 JOCE HAS MOVED ON, 580 00:26:41,333 --> 00:26:43,133 AND I'M AVAILABLE NOW, 581 00:26:43,133 --> 00:26:45,500 AND THAT SCARES THE SHIT OUT OF YOU. 582 00:26:45,500 --> 00:26:48,834 YEAH, YOU'RE RIGHT. 583 00:26:48,834 --> 00:26:50,767 IT DOES. 584 00:26:50,767 --> 00:26:54,633 JUST--IT'S JUST TOO MUCH OF US, MICHAEL. 585 00:26:56,266 --> 00:27:00,266 NEITHER OF US HAS EVER HAD WHAT WE HAVE TOGETHER. 586 00:27:00,266 --> 00:27:03,200 CHEMISTRY'S NOT ENOUGH. 587 00:27:03,200 --> 00:27:06,867 YOU CAN'T BUILD A LIFE ON THAT, AND I WANT ONE. 588 00:27:16,800 --> 00:27:18,800 I'M MOVING IN WITH HIGHWAY. 589 00:27:25,100 --> 00:27:44,166 (door closes)