1
00:00:15,734 --> 00:00:18,734
♪

2
00:00:23,834 --> 00:00:26,600
(woman) ♪ WHAT IS THIS THING ♪

3
00:00:26,600 --> 00:00:30,300
♪ CALLED LOVE? ♪

4
00:00:30,300 --> 00:00:32,800
♪ THIS FUNNY THING ♪

5
00:00:32,800 --> 00:00:36,400
♪ CALLED LOVE ♪

6
00:00:36,400 --> 00:00:38,734
♪ JUST WHO CAN SOLVE ♪

7
00:00:38,734 --> 00:00:42,533
♪ ITS MYSTERY? ♪

8
00:00:42,533 --> 00:00:45,567
♪ WHY SHOULD IT MAKE ♪

9
00:00:45,567 --> 00:00:49,500
♪ A FOOL OF ME? ♪

10
00:00:49,500 --> 00:00:51,600
♪ I SAW YOU THERE ♪

11
00:00:51,600 --> 00:00:55,600
♪ THAT WONDERFUL DAY ♪

12
00:00:55,600 --> 00:00:57,633
♪ YOU TOOK MY LOVE ♪

13
00:00:57,633 --> 00:01:01,333
♪ AND THREW IT AWAY ♪

14
00:01:01,333 --> 00:01:04,300
♪ AND SO I ASK THE LORD ♪

15
00:01:04,300 --> 00:01:07,700
♪ IN HEAVEN ABOVE ♪

16
00:01:07,700 --> 00:01:10,700
♪ WHAT IS THIS THING ♪

17
00:01:10,700 --> 00:01:15,867
♪ CALLED LOVE? ♪

18
00:01:17,200 --> 00:01:22,433
♪ CALLED LOVE ♪

19
00:01:30,400 --> 00:01:32,800
(man) AND IT'S ANOTHER
PERFECT DAY IN THE SOUTHLAND.

20
00:01:32,800 --> 00:01:34,533
IF IT STAYS THIS PERFECT
MUCH LONGER,

21
00:01:34,533 --> 00:01:36,800
I AM GONNA KILL MYSELF.

22
00:01:36,800 --> 00:01:38,333
(moans)

23
00:01:42,633 --> 00:01:44,834
(laughs) OH.

24
00:01:44,834 --> 00:01:47,567
(moaning)

25
00:01:50,567 --> 00:01:51,767
OHH.

26
00:01:51,767 --> 00:01:53,967
(Abigail moans)

27
00:01:56,433 --> 00:01:58,300
(pants)

28
00:01:58,300 --> 00:02:01,500
(moaning)

29
00:02:03,934 --> 00:02:05,633
AHH! AHH!

30
00:02:05,633 --> 00:02:06,900
AHH!

31
00:02:06,900 --> 00:02:09,533
(Abigail panting)

32
00:02:09,533 --> 00:02:13,567
(moaning)

33
00:02:13,567 --> 00:02:16,400
OH! OH! OHH!

34
00:02:16,400 --> 00:02:17,700
(whispers indistinctly)

35
00:02:17,700 --> 00:02:21,567
(panting)

36
00:02:21,567 --> 00:02:23,333
MORNING.

37
00:02:23,333 --> 00:02:25,467
(continues panting)

38
00:02:25,467 --> 00:02:27,166
HOW ARE YOU, MERLE?

39
00:02:27,166 --> 00:02:30,400
MOIST. HOW ARE YOU?
(chuckles)

40
00:02:30,400 --> 00:02:32,300
ME? NEVER BETTER.

41
00:02:32,300 --> 00:02:34,867
(pours liquid)
RUNNING AWAY FROM HOME?

42
00:02:34,867 --> 00:02:36,734
IT'S THE UNIT'S WEEKEND
IN THE MOUNTAINS

43
00:02:36,734 --> 00:02:38,633
AT JUD CUTTER'S CABIN,

44
00:02:38,633 --> 00:02:40,600
AND I AM TAKING MICHAEL.

45
00:02:40,600 --> 00:02:42,500
OH, WAIT. OKAY.
SO THE LAWYER

46
00:02:42,500 --> 00:02:44,934
IS SPENDING THE WEEKEND
WITH A BUNCH OF COPS.

47
00:02:44,934 --> 00:02:46,567
IS HE INTO PAIN?

48
00:02:46,567 --> 00:02:48,333
THESE ARE THE PEOPLE
I WORK WITH EVERY DAY.

49
00:02:48,333 --> 00:02:49,800
THEY'LL BE NICE.

50
00:02:49,800 --> 00:02:51,900
(chuckles) DOES HE KNOW
YOU AND CUTTER HAD A THING?

51
00:02:51,900 --> 00:02:54,900
CUTTER HAD A THING.
RIGHT.

52
00:02:59,867 --> 00:03:03,200
(Luther) TALK TO ME, MICHAEL.
TELL ME WHAT YOU'RE THINKING.

53
00:03:03,200 --> 00:03:04,800
BE FRANK AND SPECIFIC.

54
00:03:04,800 --> 00:03:06,800
I'M THINKING, THERE'S AN ASS
ON YOUR COMPUTER SCREEN.

55
00:03:06,800 --> 00:03:08,834
GOOD. EXCELLENT. AND?

56
00:03:08,834 --> 00:03:11,500
AND I DON'T KNOW. I'M WONDERING
WHAT'S ABOVE IT, BELOW IT,

57
00:03:11,500 --> 00:03:13,367
AND ON THE OTHER SIDE OF IT.
BRILLIANT.

58
00:03:13,367 --> 00:03:15,200
WHICH IS THE GENIUS
OF TAINTED TUSH,

59
00:03:15,200 --> 00:03:16,734
WHICH IS WHY
WE MUST CRUSH THOSE

60
00:03:16,734 --> 00:03:18,433
WHO WOULD TRY TO STEAL
OUR INSPIRATION.

61
00:03:18,433 --> 00:03:20,533
TAINTED TUSH
IS BEING VIOLATED.

62
00:03:20,533 --> 00:03:21,934
OUCH.

63
00:03:21,934 --> 00:03:24,200
DO NOT TRIVIALIZE THIS,
MICHAEL.

64
00:03:24,200 --> 00:03:26,400
TAINTED TUSH HAS CREATED
A UNIQUE BRAND

65
00:03:26,400 --> 00:03:28,233
IN THE WORLD
OF SOCIAL NETWORKING,

66
00:03:28,233 --> 00:03:30,734
AND WE MUST NOT STAND BY
AND LET FannyHut.com

67
00:03:30,734 --> 00:03:33,834
OR Toughtush.com
TRADE ON OUR GOOD NAME.

68
00:03:33,834 --> 00:03:35,867
I AM INSPIRED.
WE NEED TO HAVE THIS MOTION

69
00:03:35,867 --> 00:03:37,367
READY TO BE FILED
MONDAY MORNING.

70
00:03:37,367 --> 00:03:38,934
NO, NO, NO. W-WE?

71
00:03:38,934 --> 00:03:40,900
LUTHER, I SAID I'D BE
SANTA'S HELPER, NOT SANTA.

72
00:03:40,900 --> 00:03:42,667
I NEED YOU IN THE CHIMNEY.

73
00:03:42,667 --> 00:03:44,266
YOU'RE THE WORDSMITH.
I'M THE MAN OF ACTION.

74
00:03:44,266 --> 00:03:45,633
I'M GOING AWAY
FOR THE WEEKEND.

75
00:03:45,633 --> 00:03:46,867
MICHAEL, YOU CAN'T.

76
00:03:46,867 --> 00:03:48,667
I WOULD NEVER DESERT YOU
LIKE THIS.

77
00:03:48,667 --> 00:03:50,333
OH, YOU WOULD AND YOU DID.

78
00:03:50,333 --> 00:03:52,333
IF MEMORY SERVES,
THERE WAS A WEEKEND

79
00:03:52,333 --> 00:03:54,367
THAT WE WERE UNDER THE GUN
WITH THE CURVES AHEAD BUYOUT,

80
00:03:54,367 --> 00:03:56,400
AND SOMEONE, OH, YOU,  TOOK OFF.

81
00:03:56,400 --> 00:03:58,934
THAT WAS
COMPLETELY DIFFERENT.

82
00:03:58,934 --> 00:04:01,200
I WAS GOING AWAY
WITH THE COCHRAN TRIPLETS.

83
00:04:01,200 --> 00:04:02,433
MM-HMM.

84
00:04:02,433 --> 00:04:04,200
ANYWAY,
YOU'RE MISSING THE POINT.

85
00:04:04,200 --> 00:04:06,200
TAINTED TUSH MAY VERY WELL BE
THE MOST IMPORTANT CLIENT

86
00:04:06,200 --> 00:04:07,533
WE'VE EVER REPRESENTED.

87
00:04:07,533 --> 00:04:09,533
I HOPE THIS DOESN'T SOUND
PRETENTIOUS,

88
00:04:09,533 --> 00:04:11,533
BUT WE ARE FIGHTING
FOR THE HEARTS AND MINDS

89
00:04:11,533 --> 00:04:12,934
AND, YES, THE EROGENOUS ZONES,

90
00:04:12,934 --> 00:04:16,133
OF THE MOST INFLUENTIAL
GENERATION IN HISTORY.

91
00:04:16,133 --> 00:04:17,633
YEAH, IT SOUNDS PRETENTIOUS.

92
00:04:17,633 --> 00:04:20,333
I PITY YOUR LACK OF VISION,
MICHAEL.

93
00:04:20,333 --> 00:04:22,500
THIS GENERATION
IS DRIVEN BY IMAGES,

94
00:04:22,500 --> 00:04:24,200
NOT TEXT,

95
00:04:24,200 --> 00:04:26,200
AND I ASK YOU, WHAT MORE
PROFOUND AN IMAGE IS THERE

96
00:04:26,200 --> 00:04:27,934
THAN THE HUMAN ASS?

97
00:04:27,934 --> 00:04:29,934
OKAY, LUTHER, YOU FUCKIN'
DROVE ME TO TEARS. YOU WIN.

98
00:04:29,934 --> 00:04:31,934
I'LL TAKE THE LAPTOP. WE'LL GET
IT DONE OVER THE WEEKEND.

99
00:04:31,934 --> 00:04:34,433
YOU ARE A TRUE PRINCE. YOU
SHOULD HAVE A CROWN AND TIGHTS--

100
00:04:34,433 --> 00:04:35,633
(computer chirps)

101
00:04:35,633 --> 00:04:37,300
AH.

102
00:04:37,300 --> 00:04:39,200
A MISSIVE FROM MOTHER RUSSIA.
TAKE A LOOK.

103
00:04:39,200 --> 00:04:41,333
THE SISTERS DELACOURT--

104
00:04:41,333 --> 00:04:43,333
THE BLACK SEA
ENGULFED IN COSSACKS.

105
00:04:43,333 --> 00:04:46,367
(laughs)
OH, MY GOD.

106
00:04:46,367 --> 00:04:49,166
JOCELYN'S GOT BETTER TITS
THAN PEMMIE.

107
00:04:49,166 --> 00:04:50,800
HOW COULD THE UNIVERSE
DO THAT TO ME?

108
00:04:50,800 --> 00:04:53,166
I'M NOT SURE IF PEMMIE
IS A GOOD OR BAD INFLUENCE--

109
00:04:53,166 --> 00:04:54,800
ALWAYS BAD.
IT'S HER BEST QUALITY.

110
00:04:54,800 --> 00:04:57,367
YOU KNOW, THEY ACTUALLY
LOOK HAPPIER WITHOUT US.

111
00:04:57,367 --> 00:04:58,934
MM.

112
00:04:58,934 --> 00:05:00,900
(cell phone rings)

113
00:05:00,900 --> 00:05:05,266
HEY. YOU DONE PACKING?

114
00:05:05,266 --> 00:05:07,433
I'LL CALL YOU
WHEN I'M CLOSE.

115
00:05:07,433 --> 00:05:09,567
ALL RIGHT.

116
00:05:11,533 --> 00:05:14,533
WE ARE GOING TO THE MOUNTAINS
WITH PEOPLE FROM HER OFFICE.

117
00:05:14,533 --> 00:05:16,266
HER OFFICE?

118
00:05:16,266 --> 00:05:19,266
HER OFFICE IS A SQUAD CAR
IN A CITY FULL OF BLOOD STAINS.

119
00:05:19,266 --> 00:05:21,266
(chuckles)
YOU'RE GOING AWAY WITH COPS?

120
00:05:21,266 --> 00:05:22,800
HEY, COPS ARE
INTERESTING PEOPLE.

121
00:05:22,800 --> 00:05:24,633
MM-HMM. WHAT ARE YOU GONNA
TALK ABOUT, BULLETS?

122
00:05:24,633 --> 00:05:26,133
OH, YOU'RE
A FUCKING ELITIST.

123
00:05:26,133 --> 00:05:27,600
NO, I'M WAY BETTER
THAN THAT.

124
00:05:27,600 --> 00:05:29,734
BUT SINCE YOU ARE GOING AWAY
WITH COPS ALL WEEKEND,

125
00:05:29,734 --> 00:05:31,367
I DO HAVE A FAVOR TO ASK.

126
00:05:31,367 --> 00:05:32,834
ANYTHING.

127
00:05:32,834 --> 00:05:36,300
I COULD REALLY USE
A-A LOANER PAIR OF HANDCUFFS.

128
00:05:36,300 --> 00:05:38,934
MINE ARE IN THE SHOP.

129
00:05:41,433 --> 00:05:45,166
♪

130
00:05:45,166 --> 00:05:47,600
(speaks foreign language)

131
00:05:47,600 --> 00:05:49,533
DASVIDANIYA.

132
00:05:49,533 --> 00:05:50,734
AH.

133
00:05:50,734 --> 00:05:53,834
(speaks foreign language)

134
00:05:53,834 --> 00:05:55,233
(chuckles)

135
00:05:55,233 --> 00:05:56,667
(speaks foreign language)

136
00:05:56,667 --> 00:05:57,867
(laughs)

137
00:05:57,867 --> 00:05:59,333
WHAT HE SAID.

138
00:05:59,333 --> 00:06:01,467
(laughs)

139
00:06:01,467 --> 00:06:02,734
OOH!

140
00:06:02,734 --> 00:06:03,934
AHH!

141
00:06:03,934 --> 00:06:05,333
OOH!

142
00:06:05,333 --> 00:06:06,667
OH, MY GOODNESS.

143
00:06:06,667 --> 00:06:08,433
(laughs) GOOD CALL
COMING TO RUSSIA, PEM.

144
00:06:08,433 --> 00:06:09,633
MM.

145
00:06:09,633 --> 00:06:10,934
TRAVEL IS GOOD
FOR THE SOUL.

146
00:06:10,934 --> 00:06:13,500
OOH, NOT ONLY THAT,
BUT...

147
00:06:13,500 --> 00:06:16,800
HEY, DID YOU GET
THAT PERMANENT EYELINER?

148
00:06:16,800 --> 00:06:18,867
MM. IT'S JETLAG.

149
00:06:18,867 --> 00:06:21,400
(both laugh)

150
00:06:21,400 --> 00:06:22,700
ALL RIGHT.
I'VE BEEN THINKING...

151
00:06:22,700 --> 00:06:24,166
HMM?

152
00:06:24,166 --> 00:06:26,200
I THINK...

153
00:06:26,200 --> 00:06:28,900
YOU ACTUALLY HAVE TO LEAVE

154
00:06:28,900 --> 00:06:30,667
WHERE YOU LIVE

155
00:06:30,667 --> 00:06:32,633
TO FIND OUT...

156
00:06:32,633 --> 00:06:36,367
WHERE YOU REALLY LIVE.

157
00:06:36,367 --> 00:06:38,900
DOES THAT MAKE SENSE
TO YOU?

158
00:06:38,900 --> 00:06:40,700
FUCKING "A."

159
00:06:40,700 --> 00:06:42,667
TOTAL SENSE.

160
00:06:42,667 --> 00:06:44,400
MM.
THAT IS DEEP, JOCE.

161
00:06:44,400 --> 00:06:46,233
MM-HMM.
AND ALSO...

162
00:06:46,233 --> 00:06:49,200
I THINK THE BARTENDER
HAS A HUGE COCK.

163
00:06:49,200 --> 00:06:51,367
(laughing)
I MEAN, I THINK THAT GUY

164
00:06:51,367 --> 00:06:53,867
HAS ONE OF THOSE SADDLES.
(continues laughing)

165
00:06:53,867 --> 00:06:55,700
OH. MM-HMM. WHOO-HOO.

166
00:06:55,700 --> 00:06:58,233
WHOO-HOO.
(speaks foreign language)

167
00:06:58,233 --> 00:07:00,600
OHH.

168
00:07:00,600 --> 00:07:02,233
UH-HUH.

169
00:07:02,233 --> 00:07:03,867
OH. (laughs)

170
00:07:03,867 --> 00:07:05,367
(laughs)

171
00:07:05,367 --> 00:07:07,800
(speaks foreign language)
MM.

172
00:07:07,800 --> 00:07:09,333
YEAH.

173
00:07:10,500 --> 00:07:12,467
(speaks foreign language)

174
00:07:12,467 --> 00:07:14,433
(sighs)
(speaks foreign language)

175
00:07:15,633 --> 00:07:18,467
(laughs)

176
00:07:18,467 --> 00:07:19,767
OKAY.

177
00:07:19,767 --> 00:07:21,767
LET'S WALK TO YUGOSLAVIA.

178
00:07:21,767 --> 00:07:24,233
IT DOESN'T EXIST ANYMORE.

179
00:07:24,233 --> 00:07:25,734
I'M GOING THERE ANYWAYS.

180
00:07:25,734 --> 00:07:27,800
OKAY.
COME ON, LITTLE BITCH.
LET'S GO.

181
00:07:27,800 --> 00:07:29,700
OKAY. AH!

182
00:07:29,700 --> 00:07:31,367
DO IT.

183
00:07:31,367 --> 00:07:32,800
WHOO-HOO.

184
00:07:32,800 --> 00:07:34,400
HEY...
(speaks foreign language)

185
00:07:34,400 --> 00:07:35,900
(laughs)

186
00:07:35,900 --> 00:07:38,367
OOPS.
(laughs)

187
00:07:40,700 --> 00:07:42,333
(Jocelyn and Pemberg squeal)
GOD BLESS AMERICA.

188
00:07:42,333 --> 00:07:45,233
THIS IS AMAZING!
I LOVE RUSSIA!

189
00:07:54,166 --> 00:07:56,367
I LOVE THE WAY
YOU GRIP THAT WHEEL

190
00:07:56,367 --> 00:07:59,467
WITH THOSE
BLACK LEATHER GLOVES, MISTER.

191
00:07:59,467 --> 00:08:00,734
DON'T DISTRACT ME.

192
00:08:04,233 --> 00:08:06,467
HEY.

193
00:08:06,467 --> 00:08:07,900
THAT'S A DANGEROUS IDEA.

194
00:08:07,900 --> 00:08:09,300
(chuckles)

195
00:08:09,300 --> 00:08:12,400
I'LL SHOW YOU
A DANGEROUS IDEA.

196
00:08:12,400 --> 00:08:14,500
MM. MMM.

197
00:08:14,500 --> 00:08:16,533
(both moan)

198
00:08:16,533 --> 00:08:19,166
MMM.

199
00:08:19,166 --> 00:08:20,367
OHH.

200
00:08:20,367 --> 00:08:23,133
(smacks lips)

201
00:08:23,133 --> 00:08:25,400
MM. MM.

202
00:08:27,500 --> 00:08:29,500
(panting)

203
00:08:29,500 --> 00:08:31,567
(moaning)

204
00:08:31,567 --> 00:08:33,700
(gasps)
AHH.

205
00:08:33,700 --> 00:08:36,467
(moans)

206
00:08:36,467 --> 00:08:38,800
AHH.
(panting)

207
00:08:38,800 --> 00:08:40,300
(grunts)

208
00:08:40,300 --> 00:08:43,133
AHH. AHH.
(gasps) GOD.

209
00:08:43,133 --> 00:08:45,633
OHH!
(moaning)

210
00:08:45,633 --> 00:08:48,266
(grunts and moans)

211
00:08:49,834 --> 00:08:51,367
(chuckles)

212
00:08:51,367 --> 00:08:53,433
(laughs)

213
00:08:53,433 --> 00:08:57,734
(pants)

214
00:09:13,934 --> 00:09:16,867
(Michael groans)

215
00:09:22,100 --> 00:09:24,734
JUD?

216
00:09:24,734 --> 00:09:26,767
ANYONE HERE?

217
00:09:26,767 --> 00:09:29,133
HUH.

218
00:09:29,133 --> 00:09:31,700
LOOKS LIKE IT'S JUST US.

219
00:09:31,700 --> 00:09:33,667
GOOD.

220
00:09:34,800 --> 00:09:36,667
'CAUSE...

221
00:09:36,667 --> 00:09:38,700
I GOTTA HAVE YOU
RIGHT NOW.

222
00:09:38,700 --> 00:09:41,667
(laughs)

223
00:09:41,667 --> 00:09:43,367
(chuckles)

224
00:09:45,200 --> 00:09:46,400
(pants)

225
00:09:46,400 --> 00:09:47,600
MM.

226
00:09:47,600 --> 00:09:48,800
(gasps)

227
00:09:48,800 --> 00:09:52,133
(both moaning)

228
00:09:52,133 --> 00:09:53,400
(gasps)

229
00:09:53,400 --> 00:09:55,400
OH, MY GOD.
YOU'RE STILL SO WET.

230
00:09:55,400 --> 00:09:56,767
(laughs)

231
00:09:56,767 --> 00:09:58,200
MM.

232
00:09:58,200 --> 00:09:59,400
OH.

233
00:09:59,400 --> 00:10:01,934
MM, MM. (sighs)

234
00:10:03,734 --> 00:10:05,934
HEY. (laughs) PARTNER.

235
00:10:05,934 --> 00:10:07,433
GLAD YOU MADE IT.

236
00:10:07,433 --> 00:10:09,600
GLAD OR SURPRISED?
HELLO.

237
00:10:09,600 --> 00:10:11,667
OOH. WHITE WOMEN
HAVE SUCH SMALL ASSES.

238
00:10:11,667 --> 00:10:13,600
HOW DO YOU DO THAT?

239
00:10:13,600 --> 00:10:16,433
(laughs) MICHAEL, THIS IS
PRESTON'S WIFE, HELEN.

240
00:10:16,433 --> 00:10:18,467
UH-HUH. A TALL MAN.

241
00:10:18,467 --> 00:10:20,867
I LIKE A TALL MAN.

242
00:10:20,867 --> 00:10:22,367
I GOT A TALL MAN FOR YOU
OVER HERE.

243
00:10:22,367 --> 00:10:23,567
(laughs)

244
00:10:23,567 --> 00:10:25,233
I'M JUD CUTTER.
HEY.

245
00:10:25,233 --> 00:10:26,734
WELCOME ABOARD.
THANKS.

246
00:10:26,734 --> 00:10:29,266
LIZ, MIKE,
SAY HI TO MY GAL, JACKEE.

247
00:10:29,266 --> 00:10:31,166
(laughs) CHARMED.

248
00:10:31,166 --> 00:10:32,734
HI, JACKEE.

249
00:10:32,734 --> 00:10:35,533
IF JUD EVER GETS OUT OF HAND,
I'LL LEND YOU MY TASER.

250
00:10:35,533 --> 00:10:36,934
(laughs) SHE'S CUTE.

251
00:10:36,934 --> 00:10:39,900
MM. I'M ALWAYS OUTTA HAND.
RIGHT, LIZ?

252
00:10:41,433 --> 00:10:43,433
WHAT'S YOUR DRINK?

253
00:10:43,433 --> 00:10:45,667
NOTHING, THANKS.
I'VE GOT SOME WORK TO FINISH.

254
00:10:45,667 --> 00:10:47,467
OH, HEY, THERE'S NO WORKING
IN THE PLAYPEN, DUDE.

255
00:10:47,467 --> 00:10:48,834
WHAT KIND OF WORK
DO YOU DO?

256
00:10:48,834 --> 00:10:50,467
I'M A LAWYER.

257
00:10:50,467 --> 00:10:52,934
HMM. WELL, COME ON.
I'LL SHOW YOU YOUR ROOM.

258
00:10:52,934 --> 00:10:55,266
YOU GET THE BEST SUITE
IN THE HOUSE.

259
00:10:55,266 --> 00:10:56,600
ALL RIGHT.

260
00:10:56,600 --> 00:10:59,700
(groans)

261
00:11:03,233 --> 00:11:04,433
(keyboard keys clicking)

262
00:11:04,433 --> 00:11:05,633
(Michael sighs)

263
00:11:05,633 --> 00:11:07,467
ALL RIGHT, LUTHER.
HERE IT IS--

264
00:11:07,467 --> 00:11:10,266
"THAT FannyHut.com
AND Toughtush.com

265
00:11:10,266 --> 00:11:12,467
CEASE AND DESIST IN ALL FURTHER
BUSINESS IN THIS AREA..."

266
00:11:12,467 --> 00:11:13,867
BLAH, BLAH, BLAH.

267
00:11:13,867 --> 00:11:15,600
THAT SOUND GOOD TO YOU?

268
00:11:15,600 --> 00:11:17,266
Fabulous. E-mail it to me.

269
00:11:17,266 --> 00:11:19,266
I'll have Claire put it
in proper form.

270
00:11:19,266 --> 00:11:21,767
Oh, by the way, I have
some great news for you.

271
00:11:21,767 --> 00:11:24,200
OH?
We are not getting paid.

272
00:11:24,200 --> 00:11:26,333
ARE WE ALSO GONNA BE BEATEN?

273
00:11:26,333 --> 00:11:27,633
BETTER.

274
00:11:27,633 --> 00:11:29,834
THE CEO OFFERED US STOCK
IN LIEU OF A FEE,

275
00:11:29,834 --> 00:11:33,233
SO IF TAINTED TUSH SPLITS--
FORGIVE THE UNSAVORY IMAGE--

276
00:11:33,233 --> 00:11:35,367
WE WILL BE FILTHY RICH.

277
00:11:35,367 --> 00:11:38,834
AND I JUST SENT YOU
THE NEW TAINTED TUSH LOGO.

278
00:11:42,367 --> 00:11:44,400
VERY TASTEFUL, LUTHER.

279
00:11:44,400 --> 00:11:45,934
CAN WE PICK THIS UP TOMORROW?

280
00:11:45,934 --> 00:11:48,400
Absolutely.
Start thinking about

281
00:11:48,400 --> 00:11:50,600
what kind of jet
you want to buy.

282
00:11:50,600 --> 00:11:52,500
(clicks button)

283
00:11:53,900 --> 00:11:56,500
(sighs) DID I MISS ANYTHING
OUT THERE?

284
00:11:56,500 --> 00:11:58,667
JUST MY FAMOUS MARGARITAS

285
00:11:58,667 --> 00:12:00,667
AND JACKEE'S TITS
BLOCKING OUT THE SUN.

286
00:12:00,667 --> 00:12:01,867
(chuckles)

287
00:12:01,867 --> 00:12:03,266
(chuckles)

288
00:12:03,266 --> 00:12:04,467
HI.

289
00:12:04,467 --> 00:12:07,734
(moans)

290
00:12:09,433 --> 00:12:11,367
(Michael moaning)

291
00:12:11,367 --> 00:12:14,333
(kissing sounds)

292
00:12:14,333 --> 00:12:17,767
(both moaning)

293
00:12:22,166 --> 00:12:25,767
(Jackee) I CAN'T, JUD.
IT'S TOO BIG!

294
00:12:25,767 --> 00:12:29,533
(Jud) I CAN'T HEAR YOU!

295
00:12:29,533 --> 00:12:31,533
I CAN'T, JUD!

296
00:12:31,533 --> 00:12:34,867
IT'S... TOO... BIG!

297
00:12:34,867 --> 00:12:36,467
(Jud and Jackee
grunting and moaning)

298
00:12:36,467 --> 00:12:38,300
HE'S SO COMPETITIVE.

299
00:12:38,300 --> 00:12:40,600
(Jackee screaming)

300
00:12:40,600 --> 00:12:43,400
(Jud) OH, THAT'S IT.
THAT'S IT.
AHH!

301
00:12:43,400 --> 00:12:45,600
GOD, THAT FEELS INCREDIBLE!
OH!

302
00:12:45,600 --> 00:12:47,633
THAT'S SO DEEP, MICHAEL!

303
00:12:47,633 --> 00:12:48,900
(Jackee screaming)

304
00:12:48,900 --> 00:12:50,300
OH, YEAH!

305
00:12:50,300 --> 00:12:52,667
NOW GET ON TOP.
RIDE IT! RIDE IT!

306
00:12:52,667 --> 00:12:54,633
(moans)

307
00:12:54,633 --> 00:12:55,934
(Michael and Liz) RIDE IT!
RIDE IT!

308
00:12:55,934 --> 00:12:58,667
(Michael) RIDE IT!
(Liz) YES!

309
00:12:58,667 --> 00:13:01,233
OH, MY GOD. (moaning)
(Michael) YES, RIGHT ON TOP.

310
00:13:01,233 --> 00:13:02,433
FASTER?
FASTER.

311
00:13:02,433 --> 00:13:03,667
OH!
RIDE IT!

312
00:13:03,667 --> 00:13:05,500
RIDE IT!
RIDE IT!

313
00:13:05,500 --> 00:13:06,967
(panting)
OH, THAT'S IT. THAT'S IT.

314
00:13:06,967 --> 00:13:08,467
THAT'S IT RIGHT THERE.
OH! OH!

315
00:13:08,467 --> 00:13:09,667
OHH!
OH, GOD! I LOVE REDHEADS.

316
00:13:09,667 --> 00:13:12,200
(all screaming indistinctly)

317
00:13:12,200 --> 00:13:13,800
AHH!
GOD! I LOVE REDHEADS.

318
00:13:13,800 --> 00:13:15,900
(Jackee and Jud screaming)

319
00:13:15,900 --> 00:13:17,433
OH! YES!

320
00:13:17,433 --> 00:13:20,567
OHH!
GIVE IT TO ME!
GIVE IT TO ME!

321
00:13:20,567 --> 00:13:22,734
(Jackee and Jud
continue screaming)
AHH!

322
00:13:22,734 --> 00:13:24,567
(panting and screaming)
OH, OH, WAIT.

323
00:13:24,567 --> 00:13:27,800
SHH. SHH.
(Michael and Liz screaming)

324
00:13:27,800 --> 00:13:29,800
OH, NO. OH, NO.
(Liz) OH, GOD.
YOUR DICK IS SO ENORMOUS!

325
00:13:29,800 --> 00:13:31,300
LIKE THIS?

326
00:13:31,300 --> 00:13:32,834
(Michael) MY GOD, RIGHT?
(Liz screaming)

327
00:13:32,834 --> 00:13:35,233
WHAT?
LET'S DO IT THIS WAY. YES.

328
00:13:35,233 --> 00:13:36,533
(both moan)

329
00:13:36,533 --> 00:13:39,333
OH. TAKE THAT. (moans)
(moans)

330
00:13:39,333 --> 00:13:41,333
GIVE IT TO YOU?
I'LL GIVE IT TO YOU!
(screaming)

331
00:13:41,333 --> 00:13:43,800
(both screaming)

332
00:13:43,800 --> 00:13:46,500
AAH! OHH!
OHH! OHH! OHH!

333
00:13:46,500 --> 00:13:48,200
(squeals) YEAH, YEAH.

334
00:13:48,200 --> 00:13:50,400
WAIT. SHH.
(Liz) OH, MY GOD!
LET'S GO.

335
00:13:50,400 --> 00:13:52,200
HIT IT! (moans)
IT'S NEVER FELT...

336
00:13:52,200 --> 00:13:54,333
SO GOOD!
AHH!

337
00:13:54,333 --> 00:13:55,633
(Michael and Liz screaming)

338
00:13:55,633 --> 00:13:57,433
(whispers) DOGGY STYLE.
DOGGY STYLE.

339
00:13:57,433 --> 00:13:59,400
(whispers) YEAH, YEAH.
OHH.

340
00:13:59,400 --> 00:14:02,400
(Liz screaming)
YOU'RE NOT GONNA BE ABLE
TO WALK TOMORROW!

341
00:14:02,400 --> 00:14:04,867
(moaning)
(grunts, whimpers and moans)
YES!

342
00:14:04,867 --> 00:14:06,300
IT FEELS AMAZING!

343
00:14:06,300 --> 00:14:07,500
OH, I'M ON TOP NOW, BABY!

344
00:14:07,500 --> 00:14:08,700
(panting)

345
00:14:08,700 --> 00:14:10,233
TAKE IT ALL!

346
00:14:10,233 --> 00:14:11,767
WAIT.
OH, TAKE IT...

347
00:14:11,767 --> 00:14:13,967
ALL! (muffles voice)
(Liz) YES! YES!

348
00:14:13,967 --> 00:14:15,300
YES!

349
00:14:15,300 --> 00:14:16,533
AHH! (cries)

350
00:14:16,533 --> 00:14:18,633
OHH!
YES!

351
00:14:18,633 --> 00:14:21,166
OH, GOD.
(Michael and Liz
screaming indistinctly)

352
00:14:21,166 --> 00:14:23,667
(moans)
OH, YEAH!

353
00:14:23,667 --> 00:14:26,367
(speaks indistinctly)
(moans)

354
00:14:26,367 --> 00:14:28,533
YOU'RE THE BEST FUCK
I'VE EVER HAD!
(screams indistinctly)

355
00:14:28,533 --> 00:14:30,600
(Jud and Jackee moaning)
YOU'RE THE BEST FUCK
I EVER HAD!

356
00:14:30,600 --> 00:14:33,166
(grunting and screaming)

357
00:14:33,166 --> 00:14:34,633
(Michael) LIZ, I'M COMING!

358
00:14:34,633 --> 00:14:36,500
I'M COMING IN
FOR A LANDING!

359
00:14:36,500 --> 00:14:38,333
(Jud and Jackee screaming)
SHH. SHH.

360
00:14:38,333 --> 00:14:40,800
(squeals and moans)

361
00:14:40,800 --> 00:14:45,266
(both grunting and shouting)

362
00:14:45,266 --> 00:14:46,567
(panting)

363
00:14:46,567 --> 00:14:48,266
(grunts)

364
00:14:48,266 --> 00:14:49,867
NO, I'M STILL COMING!

365
00:14:49,867 --> 00:14:51,834
(grunts)
ARE YOU STILL COMING?

366
00:14:51,834 --> 00:14:53,633
(Liz) OH, MY GOD!
ANOTHER ONE!

367
00:14:53,633 --> 00:14:55,266
OH, MY GOD! STOP COMING!
(screams indistinctly)

368
00:14:55,266 --> 00:14:56,467
IT'S TOO MUCH!

369
00:14:56,467 --> 00:14:58,667
SLOW DOWN YOUR COMING!

370
00:14:58,667 --> 00:15:00,800
WE DID IT!
OHH.

371
00:15:00,800 --> 00:15:03,200
IT'S OVER.
WE DID IT!

372
00:15:03,200 --> 00:15:04,500
YEAH!

373
00:15:04,500 --> 00:15:06,834
WHOO! OH, YEAH, BABY!

374
00:15:06,834 --> 00:15:08,867
SO I SAW MY FRIEND ALICIA,
AND SHE SAID,

375
00:15:08,867 --> 00:15:12,200
"HEY, CHANTAL,
WHEN DID YOU GET THE BOOB JOB?"

376
00:15:12,200 --> 00:15:14,433
AND I REPLIED,
"EXCUSE ME, ALICIA.

377
00:15:14,433 --> 00:15:17,166
THESE ARE MINE,
AND YOU BETTER TAKE THAT BACK."

378
00:15:17,166 --> 00:15:19,166
AND SHE JUST STARTS
GETTING ALL HAUGHTY--

379
00:15:19,166 --> 00:15:21,834
OH, I SHOULD MENTION,
WE'RE AT A CHARITY EVENT

380
00:15:21,834 --> 00:15:24,266
BEING THROWN
BY MR. GARY BUSEY

381
00:15:24,266 --> 00:15:26,800
FOR PORPOISES
THAT WERE ABUSED IN FILM.

382
00:15:26,800 --> 00:15:28,800
SO I OBVIOUSLY
DON'T WANT TO MAKE A SCENE,

383
00:15:28,800 --> 00:15:31,433
BECAUSE GARY
IS A TORTURED GENIUS.

384
00:15:31,433 --> 00:15:33,467
SO I SAY TO ALICIA,
I SAY,

385
00:15:33,467 --> 00:15:35,500
"YOU DON'T KNOW WHAT YOU'RE
TALKING ABOUT ALICIA, OKAY?

386
00:15:35,500 --> 00:15:37,500
"AND YOU BETTER TAKE THAT BACK,
OR I AM PERMANENTLY TAKING YOU

387
00:15:37,500 --> 00:15:39,500
OFF THE LIST OF PEOPLE
THAT I LIKE."

388
00:15:39,500 --> 00:15:41,367
AND THEN SHE JUST STARTS TO CRY

389
00:15:41,367 --> 00:15:43,300
AND SHE SAYS
THAT I HAVE GREAT BOOBS

390
00:15:43,300 --> 00:15:44,533
AND THAT SHE'S ALWAYS
BEEN JEALOUS OF THEM.

391
00:15:44,533 --> 00:15:47,867
AND I SAID, "I KNOW.
EVERYBODY IS."

392
00:15:47,867 --> 00:15:50,233
AND THEN
WE WERE BEST FRIENDS AGAIN.

393
00:15:50,233 --> 00:15:51,834
AND I LEARNED
A VERY IMPORTANT LESSON

394
00:15:51,834 --> 00:15:54,533
ABOUT STANDING UP
FOR YOURSELF.

395
00:15:56,266 --> 00:15:58,166
(Michael) IT'S SO QUIET.

396
00:15:58,166 --> 00:15:59,567
SHE'S EITHER ASLEEP
OR IN THE HOSPITAL

397
00:15:59,567 --> 00:16:01,300
'CAUSE IT'S SO BIG.
(laughs)

398
00:16:01,300 --> 00:16:03,734
JUD IS THE JEALOUS TYPE.

399
00:16:03,734 --> 00:16:06,567
WHAT DOES HE HAVE
TO BE JEALOUS OF?

400
00:16:06,567 --> 00:16:08,200
I DON'T KNOW,

401
00:16:08,200 --> 00:16:10,667
DECENCY... SANITY...

402
00:16:10,667 --> 00:16:13,600
(chuckles)
WHATEVER ISN'T HIS.

403
00:16:13,600 --> 00:16:14,967
INCLUDING YOU?

404
00:16:17,166 --> 00:16:18,633
I SAW IT IN HIS EYES.

405
00:16:18,633 --> 00:16:21,200
(sighs) IT WAS
A PERFECT ARRANGEMENT

406
00:16:21,200 --> 00:16:24,367
UNTIL I ACTUALLY
GOT TO KNOW HIM.

407
00:16:26,300 --> 00:16:30,133
WHAT ARE YOU JEALOUS OF?

408
00:16:32,133 --> 00:16:35,600
PEOPLE WHO ROLL THE DICE...

409
00:16:35,600 --> 00:16:37,400
WILLING TO RISK IT ALL
FOR SOMETHING

410
00:16:37,400 --> 00:16:39,500
THAT MIGHT ONLY BE
A GOOD IDEA.

411
00:16:39,500 --> 00:16:43,200
FOR THE RIGHT IDEA,
YOU WOULD, TOO.

412
00:16:43,200 --> 00:16:44,400
(chuckles)

413
00:16:44,400 --> 00:16:47,367
(both moaning)

414
00:16:47,367 --> 00:16:49,233
(knock on door)

415
00:16:49,233 --> 00:16:51,400
HEY!
HEY, HEY, COME ON.

416
00:16:51,400 --> 00:16:53,867
I KNOCKED. DUDE, COME ON.
WE NEED HELP WITH THE BARBECUE.

417
00:16:53,867 --> 00:16:55,533
WE'RE BUSY HERE, JUD.

418
00:16:55,533 --> 00:16:56,834
OH, LIZ.

419
00:16:56,834 --> 00:16:58,567
YOU ALWAYS DID LIKE
TO KEEP BUSY.

420
00:16:58,567 --> 00:16:59,767
(laughs)

421
00:16:59,767 --> 00:17:01,166
GET OFF.

422
00:17:01,166 --> 00:17:03,633
ALL RIGHT. WHOA. WHOA.

423
00:17:03,633 --> 00:17:05,233
WHOA.
WHAT DO WE HAVE HERE?

424
00:17:05,233 --> 00:17:07,600
I MEAN,
IS THAT SOME GUY'S ASS?

425
00:17:07,600 --> 00:17:09,233
YOU GOT SOMETHING
YOU WANT TO TELL US?

426
00:17:09,233 --> 00:17:11,700
IT HAS TO DO WITH A CASE,
A LEGAL MATTER.

427
00:17:11,700 --> 00:17:13,600
OOH. SOUNDS SERIOUS.

428
00:17:13,600 --> 00:17:15,867
A WEB SITE
MY FIRM REPRESENTS.

429
00:17:15,867 --> 00:17:18,266
AH, DUDE.
I'M JUST BUSTIN' YOUR CHOPS.

430
00:17:18,266 --> 00:17:20,133
I MEAN, COME ON.
YOU'RE WITH LIZ.

431
00:17:20,133 --> 00:17:22,266
IT'S OBVIOUS THAT YOU LIKE
TO BE WITH A GOOD WOMAN.

432
00:17:22,266 --> 00:17:24,433
JUD, GET OUTTA HERE
BEFORE I SHOOT YOU.

433
00:17:26,433 --> 00:17:29,734
I MEAN IT.
I'M GONNA FUCKING SHOOT YOU.

434
00:17:29,734 --> 00:17:31,533
OKAY.

435
00:17:31,533 --> 00:17:32,900
OKAY.

436
00:17:35,500 --> 00:17:37,333
WOULD YOU REALLY
SHOOT HIM?

437
00:17:37,333 --> 00:17:40,233
YEAH, IN A KNEE.

438
00:17:40,233 --> 00:17:42,133
MAYBE ABOVE THE KNEE.

439
00:17:43,734 --> 00:17:46,500
SO AM I ASKING
OR ARE YOU TALKING?

440
00:17:46,500 --> 00:17:48,834
(laughs)
WE'RE JUST FRIENDS.

441
00:17:48,834 --> 00:17:50,834
UH-HUH. SEE, OKAY,
WHERE I COME FROM,

442
00:17:50,834 --> 00:17:53,400
FRIENDS,  THEY GO BOWLING,

443
00:17:53,400 --> 00:17:54,800
THEY PICK UP
EACH OTHER'S MAIL.

444
00:17:54,800 --> 00:17:57,166
YOU TWO ARE ON FIRE.

445
00:17:57,166 --> 00:17:58,533
SMOKE. NOT--NOT FIRE.

446
00:17:58,533 --> 00:18:00,233
UH, THAT'S NOT WHAT I SAW.
(laughs)

447
00:18:00,233 --> 00:18:01,433
(laughs) SHUT UP.

448
00:18:01,433 --> 00:18:02,667
(Jackee) HI. (laughs)

449
00:18:02,667 --> 00:18:04,367
(yawns)

450
00:18:04,367 --> 00:18:06,800
AHH. DON'T YOU GUYS
JUST LOVE THE MOUNTAINS?

451
00:18:06,800 --> 00:18:08,300
(chuckles) YES.

452
00:18:08,300 --> 00:18:09,734
(laughs)
OOH, MARGARITAS.

453
00:18:09,734 --> 00:18:11,700
I LIVE  FOR MARGARITAS.

454
00:18:11,700 --> 00:18:13,233
YEAH.

455
00:18:13,233 --> 00:18:14,600
THOSE ARE NOT BLENDED YET.

456
00:18:14,600 --> 00:18:16,200
MM. MM.

457
00:18:16,200 --> 00:18:18,200
(whispers) LIZ, CAN I TALK
TO YOU FOR A MINUTE?

458
00:18:18,200 --> 00:18:20,100
YEAH, YEAH.

459
00:18:21,834 --> 00:18:23,600
(whispering) SO THAT WHOLE
SEX THING EARLIER...

460
00:18:23,600 --> 00:18:24,800
MM-HMM.

461
00:18:24,800 --> 00:18:26,266
IT WASN'T MY IDEA.

462
00:18:26,266 --> 00:18:27,533
IT'S ALL GOOD. YEAH.

463
00:18:27,533 --> 00:18:30,567
I WAS HOPING WE COULD
HAVE A FOURSOME.

464
00:18:30,567 --> 00:18:32,166
(chuckles)

465
00:18:32,166 --> 00:18:33,633
(whispers) YEAH.

466
00:18:33,633 --> 00:18:36,233
(whirs)

467
00:18:38,567 --> 00:18:41,633
HOW'S IT FEEL,
BEING SURROUNDED BY THE ENEMY?

468
00:18:41,633 --> 00:18:43,367
LAWYERS AND COPS--

469
00:18:43,367 --> 00:18:46,500
TWO SIDES OF A BAD ARGUMENT,
YOU KNOW?

470
00:18:46,500 --> 00:18:48,800
WHEN DID YOU DECIDE
YOU WANTED TO BE A COP?

471
00:18:48,800 --> 00:18:50,200
(chuckles)

472
00:18:50,200 --> 00:18:51,467
AROUND THE TIME
I REALIZED,

473
00:18:51,467 --> 00:18:54,400
AL GREEN
WAS ALREADY AL GREEN.

474
00:18:54,400 --> 00:18:56,300
(laughs)

475
00:18:56,300 --> 00:18:59,734
(sighs)

476
00:18:59,734 --> 00:19:01,667
THE REAL REASON?

477
00:19:01,667 --> 00:19:02,867
RESEARCH.

478
00:19:02,867 --> 00:19:04,433
RESEARCH FOR WHAT?

479
00:19:04,433 --> 00:19:06,767
(spits) MY WRITING.

480
00:19:06,767 --> 00:19:09,600
IN HERE, I'M NOT A COP.

481
00:19:09,600 --> 00:19:10,900
I'M ELMORE LEONARD.

482
00:19:10,900 --> 00:19:13,266
GOT A MASTER'S
IN CREATIVE WRITING.

483
00:19:13,266 --> 00:19:14,734
(chuckles)

484
00:19:14,734 --> 00:19:16,333
IDEAS FOR THE NEW NOVEL.

485
00:19:16,333 --> 00:19:17,533
WHAT'S IT ABOUT?

486
00:19:17,533 --> 00:19:19,333
FUCK KNOWS?

487
00:19:19,333 --> 00:19:20,800
(both laugh)

488
00:19:20,800 --> 00:19:23,266
THE BLURRED LINE
BETWEEN FACT AND MADNESS.

489
00:19:23,266 --> 00:19:24,800
SOUNDS LIKE MY CAREER.

490
00:19:26,300 --> 00:19:28,500
SOUNDS LIKE
EVERYBODY'S CAREER, MAN.

491
00:19:30,433 --> 00:19:32,800
I DID GET
A POTBOILER PUBLISHED.

492
00:19:32,800 --> 00:19:35,133
OH, YEAH?
(laughs) YEAH.

493
00:19:35,133 --> 00:19:36,867
KINDA TOOK THE ENGLISH LANGUAGE
FOR A RIDE

494
00:19:36,867 --> 00:19:39,800
IT DIDN'T WANT TO GO ON.
(chuckles)

495
00:19:39,800 --> 00:19:42,567
"HE STARED AT THE SUN,
AND IT BRANDED HIS PSYCHE

496
00:19:42,567 --> 00:19:44,266
"LIKE THE LIES
OF A THOUSAND LIARS

497
00:19:44,266 --> 00:19:46,700
AND THE BLOOD
OF A THOUSAND WARS."

498
00:19:46,700 --> 00:19:48,233
OUCH.

499
00:19:48,233 --> 00:19:49,433
(laughs) YEAH.

500
00:19:49,433 --> 00:19:51,333
HOW MANY COPIES
YOU SELL?

501
00:19:51,333 --> 00:19:54,200
30.

502
00:19:54,200 --> 00:19:55,867
I GOT 26 LEFT.

503
00:19:55,867 --> 00:19:57,266
(chuckles) OH, MAN.

504
00:19:57,266 --> 00:19:58,767
SO IF YOU WANT ONE,
I GOT YOU.

505
00:19:58,767 --> 00:20:00,166
I'LL TAKE.

506
00:20:00,166 --> 00:20:01,467
ALL RIGHT. (laughs)

507
00:20:01,467 --> 00:20:04,633
GOOD MAN, GOOD MAN.

508
00:20:04,633 --> 00:20:07,433
♪

509
00:20:07,433 --> 00:20:09,333
OOH. (laughs)

510
00:20:09,333 --> 00:20:11,900
♪

511
00:20:11,900 --> 00:20:14,233
THAT WOMAN IS GON'
KNOCK SOMEBODY OUT.

512
00:20:14,233 --> 00:20:15,433
(chuckles)

513
00:20:15,433 --> 00:20:18,934
♪

514
00:20:20,667 --> 00:20:23,767
(sighs) JUD DOES THROW
A HELL OF A PARTY, HUH?

515
00:20:23,767 --> 00:20:25,400
♪

516
00:20:25,400 --> 00:20:26,667
YOU GUYS BUDDIES?

517
00:20:26,667 --> 00:20:28,533
IT DOESN'T WORK THAT WAY
WITH JUD.

518
00:20:28,533 --> 00:20:30,266
I LIKE THE CABIN, THOUGH.

519
00:20:30,266 --> 00:20:31,467
HMM.

520
00:20:31,467 --> 00:20:33,767
MM. MIND IF DANCE
WITH YOUR DATE?

521
00:20:33,767 --> 00:20:37,367
GET YOUR MAN OUTTA HERE BEFORE
PRESTON BORES HIM TO DEATH.

522
00:20:37,367 --> 00:20:38,767
♪

523
00:20:38,767 --> 00:20:40,400
HAVING FUN?

524
00:20:40,400 --> 00:20:41,600
YEAH.

525
00:20:41,600 --> 00:20:44,233
(laughs)

526
00:20:44,233 --> 00:20:45,767
LIAR.

527
00:20:45,767 --> 00:20:48,367
THAT'S NOT TRUE.
I LIKE PRESTON.

528
00:20:48,367 --> 00:20:49,567
MM.

529
00:20:49,567 --> 00:20:50,934
AND I REALLY LIKE YOU.

530
00:20:50,934 --> 00:20:55,467
♪

531
00:20:55,467 --> 00:20:56,700
AND I LOVE...

532
00:20:56,700 --> 00:20:59,467
MAKING LOVE TO YOU
AT 6,000 FEET.

533
00:20:59,467 --> 00:21:02,600
♪

534
00:21:05,467 --> 00:21:08,800
(imitating police siren)

535
00:21:10,700 --> 00:21:12,433
ASS ALERT.

536
00:21:12,433 --> 00:21:14,266
OH.

537
00:21:14,266 --> 00:21:16,533
ASS ALERT.

538
00:21:16,533 --> 00:21:18,934
COME ON, MAN.
LET ME HAVE THAT BACK.

539
00:21:18,934 --> 00:21:21,266
THERE'S A LOT
OF IMPORTANT STUFF ON THERE.

540
00:21:21,266 --> 00:21:24,467
YEAH, IT LOOKS--
LOOKS REAL IMPORTANT.
HA HA HA.

541
00:21:24,467 --> 00:21:26,934
QUIT FUCKING AROUND,
AND GIVE HIM HIS COMPUTER BACK.

542
00:21:26,934 --> 00:21:29,800
SURE.

543
00:21:31,367 --> 00:21:33,300
OOPS.
WHAT THE FUCK, MAN?

544
00:21:33,300 --> 00:21:36,934
THERE WERE HOURS OF WORK
ON THAT.
HEY, SEE YOU IN COURT, RIGHT?

545
00:21:36,934 --> 00:21:39,834
YOU'RE ACTING LIKE AN IDIOT.
YOU'RE WASTED.

546
00:21:39,834 --> 00:21:42,900
YEAH, SO WERE YOU THE LAST TIME
YOU WERE ON MY BOAT, LIZZIE.

547
00:21:42,900 --> 00:21:45,433
REMEMBER?
HEY, ENOUGH.

548
00:21:45,433 --> 00:21:46,800
YEAH? THAT'S NOT
WHAT SHE SAID.

549
00:21:46,800 --> 00:21:48,967
OH, YOU--
FUCK YOU, CUTTER!

550
00:21:48,967 --> 00:21:50,500
ALL RIGHT, ALL RIGHT.
LIZ...

551
00:21:50,500 --> 00:21:51,900
WE'RE GONNA GO INSIDE.

552
00:21:51,900 --> 00:21:53,934
WELL, LIKE THE MAN SAID,

553
00:21:53,934 --> 00:21:56,633
SOME PEOPLE
LIKE TO EMBRACE CONFLICT,

554
00:21:56,633 --> 00:21:58,567
AND SOME PEOPLE
LIKE TO RUN FROM IT.

555
00:22:06,266 --> 00:22:08,433
AND SOME PEOPLE
ARE JUST ASSHOLES.

556
00:22:08,433 --> 00:22:10,934
WHAT DID YOU SAY?

557
00:22:10,934 --> 00:22:13,200
YOU HEARD IT.

558
00:22:17,900 --> 00:22:19,600
COME ON, GUYS. PLEASE.
HEY.

559
00:22:19,600 --> 00:22:21,500
COME ON--OH!
HEY!

560
00:22:22,767 --> 00:22:25,233
HEY!
(grunts)

561
00:22:25,233 --> 00:22:26,767
COME ON, MAN. WE'RE ALL JUST
HAVING A GOOD TIME HERE.

562
00:22:26,767 --> 00:22:29,600
(grunts)
YOU BROKE MY FUCKING NOSE.

563
00:22:29,600 --> 00:22:33,734
OH, MY BAD... DUDE.

564
00:22:33,734 --> 00:22:36,367
(pants)

565
00:22:36,367 --> 00:22:37,834
YOU WERE PRETTY TOUGH
OUT THERE,

566
00:22:37,834 --> 00:22:40,333
SLUGGING
A HOMICIDE DETECTIVE.

567
00:22:40,333 --> 00:22:42,166
I'VE NEVER DONE THAT BEFORE.

568
00:22:42,166 --> 00:22:43,367
(laughs)

569
00:22:43,367 --> 00:22:45,233
I'VE NEVER EVEN
HIT ANYBODY.

570
00:22:45,233 --> 00:22:48,166
I'M BRINGING OUT
THE BEST IN YOU.

571
00:22:48,166 --> 00:22:49,767
HOW'S YOUR HAND?

572
00:22:49,767 --> 00:22:51,433
IT HURTS.

573
00:22:51,433 --> 00:22:54,567
IT SHOULD.
YOU HIT HIM PRETTY HARD.

574
00:22:54,567 --> 00:22:56,333
I KNOW ABOUT TRIAGE.

575
00:22:56,333 --> 00:22:57,533
OH?

576
00:22:57,533 --> 00:22:59,266
I'M PROFESSIONALLY TRAINED.

577
00:22:59,266 --> 00:23:00,567
WHAT DO YOU SUGGEST?

578
00:23:00,567 --> 00:23:03,233
SEE, THE TRICK IS TO...

579
00:23:03,233 --> 00:23:06,533
GET YOUR MIND
OFF THE PAIN...

580
00:23:06,533 --> 00:23:08,767
CONFUSE THE NERVE.

581
00:23:08,767 --> 00:23:11,500
(laughs)

582
00:23:14,867 --> 00:23:16,834
SEE...

583
00:23:16,834 --> 00:23:18,567
(chuckles)

584
00:23:18,567 --> 00:23:21,500
SEE THE... THEORY IS

585
00:23:21,500 --> 00:23:24,266
THAT THE MIND
CANNOT ENTERTAIN...
OH.

586
00:23:24,266 --> 00:23:27,900
TWO NEURAL IMPULSES
AT ONCE.

587
00:23:27,900 --> 00:23:29,500
AH, THAT'S FASCINATING.

588
00:23:29,500 --> 00:23:31,166
IT IS, ISN'T IT?
(moans)

589
00:23:31,166 --> 00:23:32,867
IT'S ALL CIRCUITRY.

590
00:23:32,867 --> 00:23:36,200
AS THE VELOCITY OF
MY HAND INCREASES...

591
00:23:36,200 --> 00:23:37,734
(moans)

592
00:23:37,734 --> 00:23:39,800
THE PAIN THAT YOU FEEL
BEGINS TO FADE.

593
00:23:39,800 --> 00:23:41,367
UH-HUH.

594
00:23:41,367 --> 00:23:44,166
AND IF I INTRODUCE MY OTHER
WARM HAND...

595
00:23:44,166 --> 00:23:45,367
AHH.

596
00:23:45,367 --> 00:23:46,800
INTO THE PROCEDURE,

597
00:23:46,800 --> 00:23:48,200
THE PAIN INEVITABLY...

598
00:23:48,200 --> 00:23:51,166
(pants)

599
00:23:51,166 --> 00:23:53,700
WILL VANISH.

600
00:23:53,700 --> 00:23:55,834
GOD.

601
00:23:55,834 --> 00:23:59,500
(pants)

602
00:24:03,767 --> 00:24:06,400
I HATE TO ADMIT THIS,

603
00:24:06,400 --> 00:24:09,533
BUT I LIKE WHEN A MAN
FIGHTS FOR ME.

604
00:24:09,533 --> 00:24:11,600
(panting)

605
00:24:11,600 --> 00:24:15,200
YOU COULD FIGHT
FOR YOURSELF.

606
00:24:15,200 --> 00:24:17,367
I STILL LIKE IT.

607
00:24:22,266 --> 00:24:23,767
LET'S GO HOME.

608
00:24:23,767 --> 00:24:26,633
OKAY.

609
00:24:26,633 --> 00:24:28,233
HELL OF A WEEKEND.

610
00:24:28,233 --> 00:24:30,567
INSPIRED ME TO WRITE
A WHOLE DIFFERENT NOVEL.

611
00:24:30,567 --> 00:24:32,600
I EVEN STARTED ON IT
UP THERE.

612
00:24:32,600 --> 00:24:34,934
CHAPTER ONE, LAST PARAGRAPH,

613
00:24:34,934 --> 00:24:37,166
"THE FIGHT ENDED,

614
00:24:37,166 --> 00:24:40,400
"BUT IT WASN'T BLOOD SO MUCH
AS PRIDE THAT HAD BEEN SPILLED.

615
00:24:40,400 --> 00:24:44,333
"THE DRUNK WAS ON THE FLOOR
AS HE ALWAYS WOULD BE,

616
00:24:44,333 --> 00:24:47,734
"LOOKING UP AT THE STRENGTH
AND DECENCY OF OTHERS.

617
00:24:47,734 --> 00:24:50,166
"AND FOR A FLEETING MOMENT,

618
00:24:50,166 --> 00:24:54,500
"THE MAN WHO STOOD OVER HIM
HAD LOST HIMSELF...

619
00:24:54,500 --> 00:25:15,333
AND WONDERED IF HE DIDN'T
PREFER IT THAT WAY."