1 00:00:15,734 --> 00:00:18,734 ♪ 2 00:00:23,834 --> 00:00:26,600 (woman) ♪ WHAT IS THIS THING ♪ 3 00:00:26,600 --> 00:00:30,266 ♪ CALLED LOVE? ♪ 4 00:00:30,266 --> 00:00:32,800 ♪ THIS FUNNY THING ♪ 5 00:00:32,800 --> 00:00:36,400 ♪ CALLED LOVE ♪ 6 00:00:36,400 --> 00:00:38,700 ♪ JUST WHO CAN SOLVE ♪ 7 00:00:38,700 --> 00:00:42,533 ♪ ITS MYSTERY? ♪ 8 00:00:42,533 --> 00:00:45,567 ♪ WHY SHOULD IT MAKE ♪ 9 00:00:45,567 --> 00:00:49,500 ♪ A FOOL OF ME? ♪ 10 00:00:49,500 --> 00:00:51,600 ♪ I SAW YOU THERE ♪ 11 00:00:51,600 --> 00:00:55,567 ♪ THAT WONDERFUL DAY ♪ 12 00:00:55,567 --> 00:00:57,633 ♪ YOU TOOK MY LOVE ♪ 13 00:00:57,633 --> 00:01:01,333 ♪ AND THREW IT AWAY ♪ 14 00:01:01,333 --> 00:01:04,300 ♪ AND SO I ASK THE LORD ♪ 15 00:01:04,300 --> 00:01:07,700 ♪ IN HEAVEN ABOVE ♪ 16 00:01:07,700 --> 00:01:10,700 ♪ WHAT IS THIS THING ♪ 17 00:01:10,700 --> 00:01:15,867 ♪ CALLED LOVE? ♪ 18 00:01:17,200 --> 00:01:23,367 ♪ CALLED LOVE ♪ 19 00:01:30,533 --> 00:01:34,133 OHH! OH, GOD, WHERE ON EARTH 20 00:01:34,133 --> 00:01:35,734 DID YOU GET THIS MAGNIFICENT THING? 21 00:01:35,734 --> 00:01:37,166 VACATIONING IN HANOI... 22 00:01:37,166 --> 00:01:38,767 OH, GOD! IN AN ANTIQUE SHOP 23 00:01:38,767 --> 00:01:41,533 OWNED BY A MADAME WONG, OF ALL THINGS. 24 00:01:41,533 --> 00:01:44,266 (grunts) (screams and laughs) 25 00:01:44,266 --> 00:01:47,467 SHE WAS A GERMAN EROTICA BUFF AND A HUNCHBACK, ACTUALLY. 26 00:01:47,467 --> 00:01:48,667 (grunts) AAH! 27 00:01:48,667 --> 00:01:50,166 (laughs) 28 00:01:50,166 --> 00:01:52,233 SHE BROUGHT OUT THIS JOY FUCK TUB, 29 00:01:52,233 --> 00:01:54,867 AND WE'D CUT A DEAL OVER A PIPE OR A-- DON'T TALK! 30 00:01:54,867 --> 00:01:57,533 I CAN FEEL MY SOUL MELTING. SPIN ME FASTER! 31 00:01:57,533 --> 00:02:00,700 AAH! GO DEEPER! (grunting) 32 00:02:00,700 --> 00:02:02,700 AAH! (grunting) 33 00:02:02,700 --> 00:02:03,934 ONE MORE! ONE MORE! 34 00:02:03,934 --> 00:02:05,333 AAH! 35 00:02:05,333 --> 00:02:07,667 (grunts and laughs) 36 00:02:07,667 --> 00:02:09,667 (laughing) 37 00:02:09,667 --> 00:02:10,900 OHH. 38 00:02:10,900 --> 00:02:13,266 OOH! OHH! 39 00:02:13,266 --> 00:02:15,367 (grunts) 40 00:02:15,367 --> 00:02:18,166 (both moaning) 41 00:02:18,166 --> 00:02:21,166 LUTHER, I'M IN LOVE WITH YOUR SPIN FUCK CHAIR. 42 00:02:21,166 --> 00:02:24,400 PEMMIE, YOU ARE AN EPICURE OF RIVALED ROTATION. 43 00:02:24,400 --> 00:02:26,300 OOH, YOU TALK THE WAY 44 00:02:26,300 --> 00:02:28,834 A COCK WOULD HAVE HAD A DEGREE IN... (whispers) ENGLISH LIT. 45 00:02:28,834 --> 00:02:33,166 YOU HAVE A LOT OF FIZZ IN YOUR DRINK, DON'T YOU? 46 00:02:33,166 --> 00:02:34,767 I LOVE HAVING SEX WITH YOU. 47 00:02:34,767 --> 00:02:36,633 IT'S LIKE ICE CREAM AND ZEBRAS. 48 00:02:36,633 --> 00:02:38,767 YOU KNOW WHO WOULD LOVE THIS THING? 49 00:02:38,767 --> 00:02:40,266 MICHAEL AND HIS SQUEEZE. 50 00:02:40,266 --> 00:02:42,400 OH, YOU MEAN JOCELYN? SHE JUST MIGHT. 51 00:02:42,400 --> 00:02:44,834 NO! NOT MY SISTER. YOU KNOW, HIS SQUEEZE. 52 00:02:44,834 --> 00:02:47,800 HIS SQUEEZE! (grunts) 53 00:02:47,800 --> 00:02:51,266 (coughs) YOU WOULDN'T TELL JOCELYN ANYTHING. 54 00:02:51,266 --> 00:02:54,467 I MEAN, SHE'S ENGAGED TO MICHAEL. (laughs) 55 00:02:54,467 --> 00:02:57,800 OH, LUTHER, I'M HAVING AN AFFAIR WITH YOU, AND I'M MARRIED. 56 00:02:57,800 --> 00:03:00,533 OH, MY GOD. YOU ARE? 57 00:03:00,533 --> 00:03:03,467 (both laughing) 58 00:03:03,467 --> 00:03:05,367 OH! DON'T YOU THINK IF I SAID SOMETHING, 59 00:03:05,367 --> 00:03:09,200 IT WOULD GET US IN HOT WATER, MR. BIG BAD LUTHER? 60 00:03:09,200 --> 00:03:11,400 OH, YES, IT WOULD. (chuckles) 61 00:03:11,400 --> 00:03:13,433 ALL RIGHT, WELL, SHIT. I'M READY TO GO FOR ANOTHER SPIN. 62 00:03:13,433 --> 00:03:14,633 OHH! OHH! 63 00:03:14,633 --> 00:03:18,133 LET'S GO! LUTHER! SPIN IT! 64 00:03:18,133 --> 00:03:20,133 (grunts and laughs) (screams) 65 00:03:24,433 --> 00:03:26,300 YOU'RE MAKING WAY TOO MUCH OF THIS. 66 00:03:26,300 --> 00:03:27,667 CAN WE JUST DROP IT? 67 00:03:27,667 --> 00:03:29,767 FINE. DROPPED. OKAY. 68 00:03:29,767 --> 00:03:31,433 NOT THAT FAST. 69 00:03:31,433 --> 00:03:32,700 (chuckles) JOCE, IF YOU WANNA COME, YOU SHOULD. 70 00:03:32,700 --> 00:03:34,433 I'M NOT SAYING THAT. 71 00:03:34,433 --> 00:03:36,433 I'M JUST SAYING YOU'RE DRIVING TO SANTA BARBARA. 72 00:03:36,433 --> 00:03:37,867 SPEND THE DAMN NIGHT. 73 00:03:37,867 --> 00:03:40,633 OH, YOU SAID "DAMN." THAT MEANS YOU WANNA COME. 74 00:03:40,633 --> 00:03:43,433 EMOTIONAL EMPHASIS. DEAD GIVEAWAY. 75 00:03:43,433 --> 00:03:47,734 I CAN'T GO. I HAVE AN 8:00 A.M. BREAKFAST MEETING TOMORROW. 76 00:03:47,734 --> 00:03:51,133 PROBLEM SOLVED. 77 00:03:51,133 --> 00:03:55,600 OHH, SUCH A NICE VIEW FROM UP HERE. 78 00:03:55,600 --> 00:03:57,400 YOU KNOW, YOU COULD ALMOST SEE YOUR FUTURE 79 00:03:57,400 --> 00:04:00,834 IF YOU HAD A BIG ENOUGH TELESCOPE. 80 00:04:00,834 --> 00:04:02,333 WHAT DOES THAT EVEN MEAN? 81 00:04:02,333 --> 00:04:05,767 (chuckles) WELL, THINK ABOUT IT. 82 00:04:05,767 --> 00:04:08,266 DO I HAVE TO? OH, FUCK. 83 00:04:08,266 --> 00:04:09,734 OH! OH... 84 00:04:09,734 --> 00:04:11,333 FUCK! OKAY, OKAY. 85 00:04:11,333 --> 00:04:13,767 LET ME HELP. 86 00:04:16,734 --> 00:04:18,133 MM. 87 00:04:18,133 --> 00:04:20,266 I'M JUST NERVOUS. 88 00:04:20,266 --> 00:04:23,834 I WANT THIS MEETING TO GO WELL IN SANTA BARBARA. 89 00:04:23,834 --> 00:04:27,367 IT'LL GO PERFECTLY. YOU'LL BE THERE. 90 00:04:27,367 --> 00:04:30,900 I HAVE TO... TALK TO YOUR DAD IN THE CONFERENCE ROOM. 91 00:04:30,900 --> 00:04:32,567 OKAY, I'LL WALK YOU TO CLASS. 92 00:04:32,567 --> 00:04:34,700 (chuckles) 93 00:04:36,333 --> 00:04:38,266 HOLA, HOMBRES. I'D HAVE GOT HERE SOONER, 94 00:04:38,266 --> 00:04:39,800 BUT I HAD TO PLAY HIDE-AND-SEEK 95 00:04:39,800 --> 00:04:42,433 WITH HIGHWAY PATROL ALL THE WAY TO LAGUNA. 96 00:04:42,433 --> 00:04:45,467 JOCE, WILL YOU LOOK AT THIS FACE? 97 00:04:45,467 --> 00:04:46,700 (chuckles) MWAH. 98 00:04:46,700 --> 00:04:48,166 WHAT'S IN THE BOX, POP? 99 00:04:48,166 --> 00:04:49,900 MAGIC FROM THE WIZARD. 100 00:04:49,900 --> 00:04:53,233 A BOMBER JACKET? WE EXPECTING AIR RAIDS? 101 00:04:53,233 --> 00:04:55,900 FUCKIN' COMEDIAN. IT'S GOT THE NEW COMPANY LOGO ON IT. 102 00:04:55,900 --> 00:04:57,533 PUT IT ON. GO ON. 103 00:04:57,533 --> 00:04:59,200 PEOPLE LOVE THAT EVIL SHIT ALL OVER THEIR CLOTHES, 104 00:04:59,200 --> 00:05:01,467 AND THE LUCIFER THING IS HOTTER THAN EVER. 105 00:05:01,467 --> 00:05:03,667 I JUST READ IN "FORBES" THAT LUCKY DEVIL 106 00:05:03,667 --> 00:05:06,166 IS THE NUMBER ONE OIL ADDITIVE 107 00:05:06,166 --> 00:05:07,800 IN THE WESTERN STATES. (cell phone alert chimes) 108 00:05:07,800 --> 00:05:09,567 LIFE--IT'S ALL ABOUT LUBRICATION. 109 00:05:09,567 --> 00:05:12,233 (sighs) 110 00:05:12,233 --> 00:05:15,166 SON? WE'RE HAVING A CONVERSATION HERE. 111 00:05:15,166 --> 00:05:16,500 AH, IT'S CALLED WORK, POP. 112 00:05:16,500 --> 00:05:17,834 HIGHLY OVERRATED. 113 00:05:17,834 --> 00:05:20,600 MY CREDO--INVENT SHIT, LIVE OFF IT, HAVE FUN. 114 00:05:20,600 --> 00:05:22,400 YOU LEFT OUT VODKA AS A FOOD GROUP. 115 00:05:22,400 --> 00:05:24,166 I CAN'T TALK RIGHT NOW. 116 00:05:24,166 --> 00:05:26,834 I GOTTA GO MEET MR. DELACOURT IN THE CONFERENCE ROOM. 117 00:05:26,834 --> 00:05:28,834 OH, WELL, I'LL DROP IN, SAY HELLO. 118 00:05:30,767 --> 00:05:34,133 (sighs) 119 00:05:34,133 --> 00:05:35,667 WELL, WHAT A SURPRISE. 120 00:05:35,667 --> 00:05:37,767 (chuckles) VICTOR, HELLO. 121 00:05:37,767 --> 00:05:39,300 HOW ARE THEY HANGIN', ARTIE? 122 00:05:39,300 --> 00:05:40,633 WELL, PERHAPS TO EVERYONE'S RELIEF, 123 00:05:40,633 --> 00:05:42,600 THEY KEEP THAT TO THEMSELVES. (chuckles) 124 00:05:42,600 --> 00:05:44,166 READY FOR LUNCH, SWEETHEART? 125 00:05:44,166 --> 00:05:46,367 ARTIE? 126 00:05:46,367 --> 00:05:47,600 YOU'RE TALKING TO ME, RIGHT? 127 00:05:49,867 --> 00:05:53,433 JUST BUSTIN' YOUR SILENT BALLS. (laughs) 128 00:05:53,433 --> 00:05:56,367 UH, DAD, LOOK AT VIC'S NEW LOGO. 129 00:05:56,367 --> 00:05:58,867 AH, MEPHISTOPHELES. 130 00:05:58,867 --> 00:06:01,667 METAPHA-SOMETHING. IT'S SATAN. EXQUISITE. 131 00:06:01,667 --> 00:06:03,667 YEAH. HEY, MICHAEL. 132 00:06:03,667 --> 00:06:05,200 GIVE ME YOUR JACKET, HUH? I'LL GET YOU ANOTHER ONE. 133 00:06:05,200 --> 00:06:08,533 OH, NO, NO. UH, LOOK, VICTOR, UH... 134 00:06:08,533 --> 00:06:10,567 AH, YOU GOTTA TRY THIS ON. COME ON. 135 00:06:10,567 --> 00:06:12,800 COME ON NOW. 136 00:06:15,367 --> 00:06:16,633 YEAH. 137 00:06:16,633 --> 00:06:18,800 YOU LOOK LIKE BAD PEOPLE, ARTIE. 138 00:06:18,800 --> 00:06:20,834 WELL, I DO FEEL A BIT ROWDY. (chuckles) 139 00:06:20,834 --> 00:06:23,100 (chuckles) 140 00:06:23,100 --> 00:06:24,667 UH, LISTEN, UM, IF YOU'LL EXCUSE US, 141 00:06:24,667 --> 00:06:27,400 I HAVE TO HAVE A MOMENT ALONE WITH MICHAEL. 142 00:06:27,400 --> 00:06:30,567 LIFE'S A BARBERSHOP. NEXT? 143 00:06:30,567 --> 00:06:33,367 CALL ME. 144 00:06:35,767 --> 00:06:37,867 NOW REMEMBER... 145 00:06:37,867 --> 00:06:40,333 TONI POPE IS FORMIDABLE. 146 00:06:40,333 --> 00:06:41,600 SHE DID NOT MARRY INTO HER BILLIONS. 147 00:06:41,600 --> 00:06:43,433 SHE EARNED THEM THE OLD-FASHIONED WAY. 148 00:06:43,433 --> 00:06:44,867 SHE CRUSHED PEOPLE. 149 00:06:44,867 --> 00:06:46,734 I'LL CALL IF IT GETS STICKY. 150 00:06:46,734 --> 00:06:49,433 OH, IT'LL START STICKY, AND IT'LL DEVOLVE FROM THERE. 151 00:06:49,433 --> 00:06:52,834 I'VE REPRESENTED THE WHITLOCKS FOREVER. 152 00:06:52,834 --> 00:06:54,367 PROTECT 'EM. 153 00:06:54,367 --> 00:06:57,667 THANKS FOR HUMORING MY DAD. 154 00:06:57,667 --> 00:06:59,567 YEAH. I'LL MAKE SOME EXCUSE-- 155 00:06:59,567 --> 00:07:01,400 GET YOUR HANDS OFF MY FUCKING JACKET. 156 00:07:06,433 --> 00:07:09,333 (chuckles) 157 00:07:16,166 --> 00:07:18,233 MICHAEL STRATHMORE. 158 00:07:18,233 --> 00:07:19,533 I'M MENTALLY UNDRESSING YOU. 159 00:07:19,533 --> 00:07:21,800 Who is this? 160 00:07:21,800 --> 00:07:23,233 DR. FEELGOOD. 161 00:07:23,233 --> 00:07:24,867 WHERE ARE YOU? Home. 162 00:07:24,867 --> 00:07:27,433 I GOT SUSPENDED. AGAIN? FOR WHAT? 163 00:07:27,433 --> 00:07:28,633 BEING MYSELF. 164 00:07:28,633 --> 00:07:30,100 I TOLD YOU NOT TO DO THAT. 165 00:07:30,100 --> 00:07:32,333 (sighs) BUSY? 166 00:07:32,333 --> 00:07:34,867 ON MY WAY TO SANTA BARBARA FOR A BUSINESS MEETING. 167 00:07:34,867 --> 00:07:37,200 MUST BE NICE TO HAVE PLANS, 168 00:07:37,200 --> 00:07:38,600 PLACES TO GO, THINGS TO DO. 169 00:07:38,600 --> 00:07:40,867 It is. You should try it. 170 00:07:40,867 --> 00:07:42,700 YOU EVER BEEN TO SANTA BARBARA? 171 00:07:42,700 --> 00:07:44,867 IS THIS A SURVEY OR AN INVITATION? 172 00:07:44,867 --> 00:07:46,367 AN INVITATION. 173 00:07:46,367 --> 00:07:48,867 LET ME THINK ABOUT IT. OKAY. 174 00:07:48,867 --> 00:07:51,734 I'LL BE THERE IN 15 MINUTES. ARE WE SPENDING THE NIGHT? 175 00:07:51,734 --> 00:07:54,500 YEAH. YOU MAN ENOUGH? (gruffly) YEAH. (chuckles) 176 00:07:54,500 --> 00:07:56,500 BRING A NICE DRESS. HANDCUFFS? 177 00:07:56,500 --> 00:07:57,867 ABSOLUTELY. 178 00:07:59,200 --> 00:08:01,166 LUCKY DEVIL APP-- 179 00:08:01,166 --> 00:08:02,834 YOU HOLD IT UP TO YOUR CAR ENGINE, 180 00:08:02,834 --> 00:08:06,233 AND IT TELLS YOU WHETHER OR NOT YOU NEED OIL. 181 00:08:06,233 --> 00:08:07,700 IT'S ANOTHER $10 MILLION. 182 00:08:07,700 --> 00:08:11,800 KEEP THIS TUB AFLOAT FOR ABOUT ANOTHER MONTH. 183 00:08:11,800 --> 00:08:14,567 YOU KNOW THE GREAT THING ABOUT LIVING ON A BOAT? 184 00:08:14,567 --> 00:08:18,533 YOU'RE ALWAYS IN THE SAME PLACE EVEN WHEN YOU'RE SOMEWHERE ELSE. 185 00:08:18,533 --> 00:08:21,266 MY FIRST WIFE USED TO LIKE TO TAKE VACATIONS TOGETHER. 186 00:08:21,266 --> 00:08:22,800 THAT'S A BAD FUCKING IDEA. 187 00:08:22,800 --> 00:08:24,867 YOU GO SOMEWHERE TOGETHER, 188 00:08:24,867 --> 00:08:27,266 IT MAKES IT LOOK LIKE YOU'RE UNAVAILABLE. 189 00:08:27,266 --> 00:08:30,567 KNOCKS THE CRAP OUT OF YOUR OPPORTUNITIES. 190 00:08:30,567 --> 00:08:33,166 ANYWAY, WOMEN ALWAYS WANNA TAKE TOO MUCH STUFF. 191 00:08:33,166 --> 00:08:35,667 I SAY TRAVEL LIGHT-- 192 00:08:35,667 --> 00:08:38,433 MEGA CONDOMS AND A BONG. 193 00:08:38,433 --> 00:08:40,800 LOVE THE GLOVES. 194 00:08:40,800 --> 00:08:42,500 THEY'RE DRIVING GLOVES-- 195 00:08:42,500 --> 00:08:44,767 UNBORN CALF SKIN FROM DUSSELDORF. 196 00:08:44,767 --> 00:08:46,333 DOES IT COME WITH AN EYE PATCH AND A WHIP? 197 00:08:46,333 --> 00:08:47,867 HA HA. 198 00:08:47,867 --> 00:08:49,500 THANKS FOR THE JAILBREAK, CLINT. 199 00:08:49,500 --> 00:08:51,100 I THOUGHT ABOUT US GOING AWAY TOGETHER, 200 00:08:51,100 --> 00:08:52,667 YOU KNOW, AT SOME POINT. 201 00:08:52,667 --> 00:08:54,166 OH, YEAH? WHAT STOPPED YOU? 202 00:08:54,166 --> 00:08:55,533 VORACIOUS GUILT? 203 00:08:55,533 --> 00:08:57,367 NO. NO, NOT VORACIOUS. 204 00:08:57,367 --> 00:08:59,200 JUST... CONSTANT. 205 00:09:00,734 --> 00:09:02,834 SO TAKE ME BACK. 206 00:09:02,834 --> 00:09:05,867 ♪ 207 00:09:11,867 --> 00:09:13,834 ALL I KNOW IS SOME NEW GUY SWUNG BY 208 00:09:13,834 --> 00:09:15,800 AND TOOK HER TO SANTA BARBARA, 209 00:09:15,800 --> 00:09:18,467 AND SHE TOOK A DRESS. 210 00:09:18,467 --> 00:09:20,300 WHAT KIND? SUMMERY. 211 00:09:20,300 --> 00:09:22,467 HAVE THEY EVER BEEN TOGETHER FOR MORE THAN JUST ENOUGH TIME 212 00:09:22,467 --> 00:09:25,633 TO HAVE AN ORGASM AND A BICKER? 213 00:09:25,633 --> 00:09:27,266 OR IS IT BICKER AND HAVE AN ORGASM? 214 00:09:27,266 --> 00:09:29,133 NO AND NO. 215 00:09:29,133 --> 00:09:32,100 THIS HAS THE MAKINGS OF A REAL BLOODBATH. 216 00:09:32,100 --> 00:09:33,800 PROXIMITY KILLS. 217 00:09:33,800 --> 00:09:35,800 YOU NEVER KNOW. MAYBE THIS ONE WILL GO THE DISTANCE 218 00:09:35,800 --> 00:09:38,867 LIKE THAT WEEKEND I HID OUT WITH SINATRA. 219 00:09:38,867 --> 00:09:40,633 WITH LIZ, THINGS NEVER GO THE DISTANCE. 220 00:09:40,633 --> 00:09:43,500 SHE HAD A BOYFRIEND-- THAT GUY HIGHWAY. 221 00:09:43,500 --> 00:09:44,800 THAT'S A DISTANCE. 222 00:09:44,800 --> 00:09:46,734 SHE DATED HIM FOR AN HOUR AND A HALF, 223 00:09:46,734 --> 00:09:49,300 AND EVEN THAT WAS TENSE. THEY ALL END WITH HER. 224 00:09:49,300 --> 00:09:50,633 THEY HAVE TO. WHY? 225 00:09:50,633 --> 00:09:54,800 BECAUSE... SORRY. I CAN'T TELL YOU. I SWORE. 226 00:09:54,800 --> 00:09:57,467 IT'S A SECRET. 227 00:09:57,467 --> 00:09:58,667 INTERESTING. 228 00:10:13,300 --> 00:10:15,233 I'M GONNA GET A SODA. YOU WANT SOMETHING? OH, YEAH. UH... 229 00:10:15,233 --> 00:10:16,867 GRAB ME ONE OF THOSE 230 00:10:16,867 --> 00:10:18,467 DOUBLE ESPRESSO STROKE IN A CAN THINGS. 231 00:10:18,467 --> 00:10:21,767 I GOTTA TAKE A LEAK. OKAY. 232 00:10:39,166 --> 00:10:41,867 WOMEN'S IS LOCKED. I-I COULDN'T WAIT. 233 00:10:41,867 --> 00:10:46,333 WOMEN'S ROOM WAS OPEN. I SAW. 234 00:10:46,333 --> 00:10:48,233 I LIED. 235 00:10:50,734 --> 00:10:52,467 CHECK YOU FOR CONTRABANDS. 236 00:10:52,467 --> 00:10:53,800 MMM. 237 00:10:53,800 --> 00:10:58,233 HOMELAND SECURITY. (panting) 238 00:10:58,233 --> 00:10:59,734 (gasps) 239 00:10:59,734 --> 00:11:01,166 MMM. 240 00:11:01,166 --> 00:11:04,667 (both moaning) 241 00:11:08,600 --> 00:11:11,533 AHH. MMM. 242 00:11:11,533 --> 00:11:13,200 AAH! 243 00:11:13,200 --> 00:11:16,633 (moaning) 244 00:11:18,567 --> 00:11:20,433 (unzips pants) 245 00:11:20,433 --> 00:11:22,333 (gasps) 246 00:11:22,333 --> 00:11:24,300 MMM. 247 00:11:24,300 --> 00:11:27,300 (both moaning) 248 00:11:31,600 --> 00:11:32,900 AAH! 249 00:11:32,900 --> 00:11:34,433 (gasps) 250 00:11:34,433 --> 00:11:38,133 (grunting) 251 00:11:43,567 --> 00:11:46,633 (both moaning) 252 00:11:52,266 --> 00:11:53,867 AAH! (exhales) 253 00:11:53,867 --> 00:11:57,500 (grunting) 254 00:12:01,800 --> 00:12:05,467 (dryer whirring) 255 00:12:05,467 --> 00:12:08,467 (continues grunting) 256 00:12:11,734 --> 00:12:14,166 AAH! AAH! 257 00:12:14,166 --> 00:12:16,734 (grunting) 258 00:12:16,734 --> 00:12:18,600 OH, GOD! (exhales) 259 00:12:18,600 --> 00:12:20,700 (panting) 260 00:12:33,867 --> 00:12:35,867 I ALWAYS WANTED TO STAY HERE. 261 00:12:35,867 --> 00:12:38,300 YEAH, WELL, NOW'S YOUR CHANCE. 262 00:12:38,300 --> 00:12:40,667 WHAT ABOUT YOUR VORACIOUS GUILT? 263 00:12:40,667 --> 00:12:42,166 IT'LL BE WAITING FOR ME BACK IN L.A. 264 00:12:42,166 --> 00:12:43,900 YOU WANNA USE THE ROOM TO FRESHEN UP? 265 00:12:43,900 --> 00:12:45,667 AND WASH YOU OFF ME? 266 00:12:45,667 --> 00:12:49,667 I LOVE THE WAY I SMELL AFTER WE FUCK. 267 00:12:49,667 --> 00:12:51,834 (chuckles) I'LL LEAVE A KEY FOR YOU AT THE DESK. 268 00:12:51,834 --> 00:12:54,633 WE SHOULD BE DONE AROUND 5:00, 5:30. 269 00:12:54,633 --> 00:12:55,834 WHAT ARE YOU GONNA DO? 270 00:12:55,834 --> 00:12:59,300 WALK AROUND. SEE IF OPRAH IS IN TOWN. 271 00:13:10,700 --> 00:13:12,166 STRATHMORE. 272 00:13:12,166 --> 00:13:15,233 MR. WHITLOCK, GOOD TO SEE YOU AGAIN. 273 00:13:15,233 --> 00:13:16,867 ARTHUR SENDS HIS APOLOGIES. 274 00:13:16,867 --> 00:13:18,400 NOT A PROBLEM. 275 00:13:18,400 --> 00:13:21,400 SO... TONI POPE. WHAT ARE WE LOOKING AT? 276 00:13:21,400 --> 00:13:24,767 110 POUNDS OF PURE, UNMITIGATED TESTICLE CHOPPING. 277 00:13:24,767 --> 00:13:26,700 ARTHUR TELLS ME SHE FLEW IN 278 00:13:26,700 --> 00:13:28,400 IN HER G5 TWO YEARS AGO FROM KETCHUM 279 00:13:28,400 --> 00:13:30,533 AND STARTED WRITING CHECKS. 280 00:13:30,533 --> 00:13:32,233 FIRST ONE WAS FOR $40 MILLION FOR THE CHAMBER RANCH, 281 00:13:32,233 --> 00:13:34,567 AND SHE HASN'T PUT DOWN HER PEN DOWN SINCE. 282 00:13:34,567 --> 00:13:36,300 WHY DOES SHE WANT YOUR NEWSPAPER SO BAD? 283 00:13:36,300 --> 00:13:37,567 BECAUSE SHE DOESN'T HAVE IT, 284 00:13:37,567 --> 00:13:39,633 AND WE HAVEN'T BEEN PARTICULARLY KIND. 285 00:13:39,633 --> 00:13:41,767 ACTUALLY, YOU'VE BEEN COCK SUCKERS. 286 00:13:41,767 --> 00:13:45,433 (sighs) DON'T HOLD BACK, TONI. SAY HELLO TO MICHAEL STRATHMORE. 287 00:13:45,433 --> 00:13:46,734 WHY? 288 00:13:46,734 --> 00:13:49,467 BECAUSE I'M REPRESENTING HIM. 289 00:13:49,467 --> 00:13:50,734 WHERE'S ARTHUR DELACOURT? 290 00:13:50,734 --> 00:13:52,600 HE'S HIDING. YOU SCARED HIM. 291 00:13:52,600 --> 00:13:56,166 HE SENDS HIS REGRETS. HE TOLD ME TO HANDLE THIS. 292 00:13:56,166 --> 00:13:57,734 THIS? OR ME? 293 00:13:57,734 --> 00:13:59,300 HE WASN'T SPECIFIC. 294 00:13:59,300 --> 00:14:01,233 SHOULD WE GO UP TO MY SUITE? 295 00:14:01,233 --> 00:14:03,700 FOR WHAT? I'D RATHER NOT BE SPECIFIC. 296 00:14:09,934 --> 00:14:11,734 THINK IT'S EASY BEING VENERABLE? 297 00:14:11,734 --> 00:14:13,433 (scoffs) 298 00:14:13,433 --> 00:14:17,133 PEOPLE EXPECT YOU TO BE... SOPHISTICATED AND, UH... 299 00:14:17,133 --> 00:14:19,567 DIPLOMATIC... 300 00:14:19,567 --> 00:14:21,633 SAGE. 301 00:14:21,633 --> 00:14:23,400 I HATE THAT SHIT. 302 00:14:23,400 --> 00:14:25,567 I USED TO BE A GREAT WHITE. PEOPLE DREADED ME. 303 00:14:25,567 --> 00:14:27,200 (pouring drink) THEY, UH... 304 00:14:27,200 --> 00:14:28,467 (sets glass down) RAN FOR THE BEACH SCREAMING. 305 00:14:28,467 --> 00:14:30,567 (chuckles) (clink, thud) 306 00:14:30,567 --> 00:14:32,667 BACK THEN, SOMEONE ASKED ME... (ice cubes rattle) 307 00:14:32,667 --> 00:14:35,433 "HOW CAN YOU LIVE WITH YOURSELF?" 308 00:14:35,433 --> 00:14:36,800 SO I DIVORCED HER. 309 00:14:36,800 --> 00:14:38,700 (chuckles) 310 00:14:38,700 --> 00:14:40,734 THOSE WERE GREAT TIMES. 311 00:14:42,233 --> 00:14:43,667 NOW I'VE GOT ALL THE ACCOUTREMENTS. 312 00:14:43,667 --> 00:14:46,233 I'VE GOT THE DISTINGUISHED HAIR. 313 00:14:46,233 --> 00:14:49,800 I'VE GOT THE BESPOKE SUITS, 314 00:14:49,800 --> 00:14:51,834 AND, UH... 315 00:14:51,834 --> 00:14:53,500 ALCOHOLISM. 316 00:14:53,500 --> 00:14:55,133 (ice cubes rattle) 317 00:14:55,133 --> 00:14:56,900 IT'S A FUCKING AMERICAN DREAM. 318 00:15:08,800 --> 00:15:10,700 MR. WHITLOCK'S NEVER GONNA LET YOU CHANGE THE NAME 319 00:15:10,700 --> 00:15:12,333 OF HIS NEWSPAPER. 320 00:15:12,333 --> 00:15:14,433 IT'S BEEN IN THE WHITLOCK FAMILY FOR GENERATIONS. 321 00:15:14,433 --> 00:15:16,467 WELL, IT BORES MY ASS OFF. 322 00:15:16,467 --> 00:15:18,300 AND WHAT DOES HE CARE ABOUT TRADITION? 323 00:15:18,300 --> 00:15:20,200 HE DOESN'T EVEN WEAR SOCKS. I THINK YOU'RE MISJUDGING HIM. 324 00:15:20,200 --> 00:15:22,100 I DON'T MISJUDGE MEN. 325 00:15:22,100 --> 00:15:23,834 I KNOW EXACTLY WHO DONNIE IS. 326 00:15:23,834 --> 00:15:26,233 I KNOW WHO YOU ARE, TOO, MICHAEL STRATHMORE. 327 00:15:26,233 --> 00:15:28,133 WHO AM I? 328 00:15:28,133 --> 00:15:30,100 SOMEONE WHO DOESN'T KNOW WHAT HE'S GOT GOING FOR HIM, 329 00:15:30,100 --> 00:15:34,333 WHO'S CONFUSED, WHO'S TRYING TO FIGURE OUT HIS NEXT MOVE. 330 00:15:34,333 --> 00:15:37,200 (chuckles) HOW MUCH DO I OWE YOU FOR THE SESSION? 331 00:15:37,200 --> 00:15:39,600 TAKE IT OUT OF YOUR FIRST WEEK'S PAY. 332 00:15:39,600 --> 00:15:41,266 COME WORK FOR ME. 333 00:15:41,266 --> 00:15:43,266 I'M HAPPY WHERE I AM. 334 00:15:43,266 --> 00:15:44,467 (scoffs) SAY THAT AGAIN, 335 00:15:44,467 --> 00:15:47,700 BUT THIS TIME, BE CONVINCING. 336 00:15:47,700 --> 00:15:49,834 (sighs) 337 00:15:49,834 --> 00:15:52,333 WHAT'S IT GONNA BE, TONI? 338 00:15:52,333 --> 00:15:54,367 THE NAME CHANGE-- IT'S NEVER GONNA FLY. 339 00:15:54,367 --> 00:15:56,166 IT'S A SENTIMENTAL ISSUE WITH THE WHITLOCKS. 340 00:15:56,166 --> 00:15:57,767 SENTIMENTAL? 341 00:15:57,767 --> 00:15:59,900 THE WHITLOCKS HAVE BATTERY ACID IN THEIR VEINS. 342 00:16:01,266 --> 00:16:03,700 ADD ANOTHER MILLION. 343 00:16:03,700 --> 00:16:06,266 THAT OFFER IS GOOD FOR ONE MORE HOUR. 344 00:16:06,266 --> 00:16:07,633 I WILL CONVEY THAT TO MY CLIENT. 345 00:16:07,633 --> 00:16:11,367 AND ONE MORE THING. (sniffs) 346 00:16:16,533 --> 00:16:18,333 THAT WAS WAY OUT OF LINE. 347 00:16:18,333 --> 00:16:20,533 YEAH, I KNOW. 348 00:16:58,633 --> 00:17:00,233 WHO DOES YOUR BOX? 349 00:17:00,233 --> 00:17:02,166 I DO. 350 00:17:02,166 --> 00:17:04,600 I PAY A JAMAICAN MAN 300 BUCKS, 351 00:17:04,600 --> 00:17:06,633 BUT I LIKE YOURS BETTER. 352 00:17:06,633 --> 00:17:08,400 I HEAR THAT A LOT. 353 00:17:08,400 --> 00:17:10,567 ANYWAY... 354 00:17:10,567 --> 00:17:15,300 I'M DOING BUSINESS WITH THIS GUY THAT I JUST REALLY WANNA FUCK. 355 00:17:15,300 --> 00:17:16,867 SO FUCK HIM. 356 00:17:16,867 --> 00:17:20,266 DID YOU SEE THAT MOVIE "BLACK SWAN"? 357 00:17:20,266 --> 00:17:23,567 WHAT'D YOU THINK ABOUT THE GIRL/GIRL STUFF? 358 00:17:23,567 --> 00:17:26,700 (chuckles) THEY... IT COULD HAVE BEEN BETTER. 359 00:17:26,700 --> 00:17:28,800 REALLY? HOW? 360 00:17:32,400 --> 00:17:34,800 ARE YOU HERE ALONE? I'M HERE WITH SOMEONE. 361 00:17:34,800 --> 00:17:37,467 THAT IS A SHAME, 362 00:17:37,467 --> 00:17:40,367 'CAUSE I WOULD REALLY LIKE TO TASTE THAT PUSSY. 363 00:17:40,367 --> 00:17:42,633 (laughs) RAIN CHECK. 364 00:17:42,633 --> 00:17:44,700 NO OFFENSE. OH, NONE TAKEN. 365 00:17:44,700 --> 00:17:47,533 I'M HERE NEGOTIATING THIS DEAL, AND... 366 00:17:47,533 --> 00:17:49,200 IT ALWAYS MAKES ME HORNY. 367 00:17:49,200 --> 00:17:52,200 WHAT ABOUT YOU? WHAT MAKES YOU HORNY? 368 00:17:52,200 --> 00:17:54,667 EVERYTHING. 369 00:17:54,667 --> 00:17:57,400 ONE MORE GLASS, PLEASE. 370 00:17:57,400 --> 00:18:00,467 HOPE YOU DON'T MIND. I HAVE A FRIEND JOINING US. 371 00:18:00,467 --> 00:18:01,867 (clears throat) 372 00:18:01,867 --> 00:18:03,500 TONI POPE. 373 00:18:03,500 --> 00:18:05,166 ON BEHALF OF THE WHITLOCK FAMILY, 374 00:18:05,166 --> 00:18:07,900 MAY I SAY THIS DEAL HAS BEEN UGLY AND DEGRADING? 375 00:18:07,900 --> 00:18:12,266 BUT YOUR GENEROUS NEW OFFER HAS MADE IT ALL BETTER. 376 00:18:12,266 --> 00:18:13,567 HMM. (chuckles) 377 00:18:13,567 --> 00:18:14,867 (clink) 378 00:18:14,867 --> 00:18:16,533 USE THE MONEY TO IMPROVE YOURSELF, DONNIE. 379 00:18:16,533 --> 00:18:18,667 BUY SOME SOCKS. 380 00:18:32,734 --> 00:18:35,600 DON WHITLOCK, TONI POPE, THIS IS LIZ. 381 00:18:35,600 --> 00:18:37,100 NICE TO MEET YOU. 382 00:18:37,100 --> 00:18:39,867 NICE TO MEET YOU. SAME HERE. 383 00:18:39,867 --> 00:18:44,367 SO WHAT IS IT THAT YOU DO, LIZ? ARE YOU A MODEL? ACTOR? 384 00:18:44,367 --> 00:18:45,633 COP. 385 00:18:45,633 --> 00:18:49,333 INTERESTING. DANGEROUS JOB. 386 00:18:49,333 --> 00:18:52,333 I HAD SOME... CLOSE SHAVES. 387 00:18:55,233 --> 00:18:58,800 OH, THIS WORKED OUT GREAT. MY BOSS IS GONNA BE THRILLED. 388 00:18:58,800 --> 00:19:02,533 I HAVE A FEELING SHE LOOKS GREAT NAKED. 389 00:19:02,533 --> 00:19:04,266 REALLY? YEAH. 390 00:19:04,266 --> 00:19:06,166 I'VE GOT INSTINCTS ABOUT PEOPLE. 391 00:19:06,166 --> 00:19:07,700 SHE'S A STREET FIGHTER. 392 00:19:07,700 --> 00:19:09,333 I THINK SHE'D BE FUN TO HANG OUT WITH. 393 00:19:09,333 --> 00:19:11,233 (chuckles) TONI POPE DOES NOT HAVE FUN. 394 00:19:11,233 --> 00:19:13,800 TONI POPE WINS AND THEN EXECUTES HER PRISONERS. 395 00:19:13,800 --> 00:19:17,667 (scoffs) SUCH A SMART GUY. YOU KNOW SHIT ABOUT PEOPLE. 396 00:19:17,667 --> 00:19:21,400 OKAY. WHAT'S THAT SUPPOSED TO MEAN? 397 00:19:21,400 --> 00:19:23,066 (scoffs) NOTHING. 398 00:19:23,066 --> 00:19:24,533 WOW, THAT'S THE FIRST TIME I'VE SEEN YOU 399 00:19:24,533 --> 00:19:26,066 AFRAID TO SPEAK YOUR MIND. 400 00:19:26,066 --> 00:19:28,100 OH, I'M NEVER AFRAID TO SPEAK MY MIND. 401 00:19:28,100 --> 00:19:31,400 I'M JUST AFRAID THAT YOU WON'T BE ABLE TO HANDLE IT. 402 00:19:31,400 --> 00:19:32,800 TRY ME. 403 00:19:32,800 --> 00:19:34,367 (chuckles) FORGET IT. 404 00:19:34,367 --> 00:19:35,667 I JUST GOT SUSPENDED FOR FOLLOWING MY INSTINCTS 405 00:19:35,667 --> 00:19:38,800 AND SPEAKING MY MIND. 406 00:19:38,800 --> 00:19:41,867 YEAH, YOU KNOW WHAT? YOU'RE PLAYING GAMES WITH ME. 407 00:19:41,867 --> 00:19:43,266 YOU WANNA KNOW WHAT'S ON MY MIND? 408 00:19:43,266 --> 00:19:44,767 YEAH. 409 00:19:44,767 --> 00:19:46,500 COME HERE. I'LL TELL YOU WHAT'S ON MY MIND. 410 00:19:46,500 --> 00:19:47,800 MM-HMM. 411 00:19:47,800 --> 00:19:49,367 YOU'VE BEEN TALKING ABOUT WHAT A BARRACUDA 412 00:19:49,367 --> 00:19:52,300 THIS TONI POPE IS, WHAT A TOUGH CUSTOMER. 413 00:19:52,300 --> 00:19:54,567 YOU KNOW WHO GIVES ME THE CREEPS? 414 00:19:54,567 --> 00:19:57,667 YOUR GUY WHITLOCK. THAT'S A BULLSHIT ARTIST. 415 00:19:57,667 --> 00:19:59,300 NO, YOU'RE WRONG. I KNOW THIS GUY. 416 00:19:59,300 --> 00:20:01,166 YOU JUST THINK YOU DO. 417 00:20:01,166 --> 00:20:02,400 THANK YOU. THANK YOU FOR THIS PRIMER 418 00:20:02,400 --> 00:20:04,233 ON THE ART OF HUMAN RELATIONS. 419 00:20:04,233 --> 00:20:06,233 NOW IF I DON'T SEEM ENTIRELY GRATEFUL, 420 00:20:06,233 --> 00:20:09,200 YOU'LL HAVE TO EXCUSE ME. LET ME TELL YOU HOW I THINK. 421 00:20:09,200 --> 00:20:12,500 I THINK THAT YOU'VE BEEN ON THE STREETS A LITTLE TOO LONG. 422 00:20:12,500 --> 00:20:16,367 NOT EVERYONE'S A PERP. 423 00:20:16,367 --> 00:20:18,734 COME ON. WE GOT AN HOUR AND A HALF DRIVE AHEAD OF US. 424 00:20:25,567 --> 00:20:28,233 YOU THINK THEY'LL GET MAD IF I TAKE THIS ROBE? 425 00:20:31,633 --> 00:20:33,734 WHAT ABOUT THE SHAVING MIRROR IN THE BATHROOM? 426 00:20:33,734 --> 00:20:35,433 I COULD UNSCREW IT FROM THE WALL. 427 00:20:38,467 --> 00:20:40,200 OH, THAT WILL LOOK GREAT IN MY BEDROOM. 428 00:20:40,200 --> 00:20:42,500 COME HELP ME LIFT IT. 429 00:20:44,834 --> 00:20:46,266 (zips bag) 430 00:20:46,266 --> 00:20:47,900 (cell phone rings) 431 00:20:47,900 --> 00:20:50,300 (ring) 432 00:20:50,300 --> 00:20:53,934 YEAH. LUTHER. 433 00:20:53,934 --> 00:20:56,266 DEAL'S DONE. 434 00:20:56,266 --> 00:20:59,667 AH, WHITLOCK'S WALKING AWAY WITH AN EXTRA MILLION. 435 00:21:02,667 --> 00:21:04,700 WHAT? 436 00:21:08,600 --> 00:21:10,300 YEAH, I'LL TALK TO YOU LATER. 437 00:21:10,300 --> 00:21:11,700 (beep) 438 00:21:20,333 --> 00:21:21,633 WHITLOCK FUCKED US. 439 00:21:21,633 --> 00:21:26,433 TONI WAS JUST HIS STALKING HORSE. 440 00:21:26,433 --> 00:21:27,734 HE USED HER TO JUICE UP HER OFFER, 441 00:21:27,734 --> 00:21:29,533 THEN HE SOLD IT HALF AN HOUR LATER 442 00:21:29,533 --> 00:21:31,633 TO SOMEBODY HE ALREADY HAD LINED UP. 443 00:21:31,633 --> 00:21:33,800 DELACOURT JUST FIRED HIS ASS AS A CLIENT. 444 00:21:33,800 --> 00:21:35,834 MOTHERFUCKER! (bag thuds) 445 00:21:44,667 --> 00:21:47,734 WHAT ARE YOU GONNA DO NOW? I'LL GO OVER AND BEAT THE LIVING SHIT OUT OF HIM. 446 00:21:47,734 --> 00:21:49,467 YOU WANT MY GUN? 447 00:21:49,467 --> 00:21:50,867 (scoffs) 448 00:21:50,867 --> 00:21:54,166 (chuckles) 449 00:21:54,166 --> 00:21:56,900 HEY... THANKS. 450 00:21:56,900 --> 00:21:58,300 FOR WHAT? 451 00:21:58,300 --> 00:22:00,200 FOR NOT SAYING... 452 00:22:01,667 --> 00:22:03,500 HOW DID YOU KNOW? 453 00:22:09,367 --> 00:22:12,300 I HAVE FEELINGS ABOUT THINGS. 454 00:22:53,800 --> 00:23:14,500 ♪