1 00:00:10,177 --> 00:00:13,177 ♪ 2 00:00:19,520 --> 00:00:22,286 (woman) ♪ WHAT IS THIS THING ♪ 3 00:00:22,286 --> 00:00:25,952 ♪ CALLED LOVE? ♪ 4 00:00:25,952 --> 00:00:28,486 ♪ THIS FUNNY THING ♪ 5 00:00:28,486 --> 00:00:32,086 ♪ CALLED LOVE ♪ 6 00:00:32,086 --> 00:00:34,386 ♪ JUST WHO CAN SOLVE ♪ 7 00:00:34,386 --> 00:00:38,219 ♪ ITS MYSTERY? ♪ 8 00:00:38,219 --> 00:00:41,253 ♪ WHY SHOULD IT MAKE ♪ 9 00:00:41,253 --> 00:00:45,186 ♪ A FOOL OF ME? ♪ 10 00:00:45,186 --> 00:00:47,286 ♪ I SAW YOU THERE ♪ 11 00:00:47,286 --> 00:00:51,253 ♪ THAT WONDERFUL DAY ♪ 12 00:00:51,253 --> 00:00:53,319 ♪ YOU TOOK MY LOVE ♪ 13 00:00:53,319 --> 00:00:57,019 ♪ AND THREW IT AWAY ♪ 14 00:00:57,019 --> 00:00:59,986 ♪ AND SO I ASK THE LORD ♪ 15 00:00:59,986 --> 00:01:03,386 ♪ IN HEAVEN ABOVE ♪ 16 00:01:03,386 --> 00:01:06,386 ♪ WHAT IS THIS THING ♪ 17 00:01:06,386 --> 00:01:11,553 ♪ CALLED LOVE? ♪ 18 00:01:12,886 --> 00:01:18,086 ♪ CALLED LOVE ♪ 19 00:01:18,086 --> 00:01:21,086 Captioned by Closed Captioning Services, Inc. 20 00:01:33,253 --> 00:01:35,319 (moans) 21 00:02:06,819 --> 00:02:09,420 (both panting) 22 00:02:16,153 --> 00:02:17,986 OH, FUCK. FUCK! WHAT? 23 00:02:17,986 --> 00:02:19,353 FUCK! WHAT? 24 00:02:19,353 --> 00:02:20,986 FUCK! WHAT? 25 00:02:20,986 --> 00:02:24,153 FUCK! UGH! 26 00:02:24,153 --> 00:02:25,553 UGH! 27 00:02:25,553 --> 00:02:27,119 FUCK! 28 00:02:30,253 --> 00:02:32,319 (door opens and closes) 29 00:02:32,319 --> 00:02:33,553 HAPPY BIRTHDAY. 30 00:02:48,986 --> 00:02:50,186 SURPRISE! 31 00:02:50,186 --> 00:02:51,553 (all) SURPRISE! 32 00:02:51,553 --> 00:02:53,319 (laughs) 33 00:02:53,319 --> 00:02:54,952 (lowered voice) NOT A SURPRISE. YOU TOLD ME ABOUT IT, DAD. 34 00:02:54,952 --> 00:02:58,986 FUCK. ACT SURPRISED ANYWAY. GO ENJOY YOUR FRIENDS. 35 00:02:58,986 --> 00:03:00,219 (laughs) HEY! 36 00:03:00,219 --> 00:03:02,852 OH, THANK YOU. THANK YOU SO MUCH. 37 00:03:02,852 --> 00:03:05,486 WHY ARE YOU SO LATE? LONG STORY. 38 00:03:05,486 --> 00:03:07,420 (sighs) I HAVE TO LEAVE FOR SAN FRANCISCO IN A FEW MINUTES. 39 00:03:07,420 --> 00:03:08,986 ON MY BIRTHDAY? 40 00:03:08,986 --> 00:03:10,620 I TOLD YOU, I'M DOING THAT BOUTIQUE HOTEL 41 00:03:10,620 --> 00:03:12,019 IN THE EMBARCADERO. 42 00:03:12,019 --> 00:03:13,253 OH, YEAH, YEAH, RIGHT. 43 00:03:13,253 --> 00:03:14,886 AND WE AGREED WE'D CELEBRATE, 44 00:03:14,886 --> 00:03:16,852 AND I'D GIVE YOU A PRESENT TOMORROW. 45 00:03:16,852 --> 00:03:18,453 WHAT IS IT? 46 00:03:18,453 --> 00:03:20,453 I'M NOT GONNA TELL YOU. IT WOULD RUIN THE SURPRISE. 47 00:03:20,453 --> 00:03:22,353 I HAVE TO STEAL THE BIRTHDAY BOY. 48 00:03:22,353 --> 00:03:25,319 JUST GIVE US A MINUTE, LUTHER. 49 00:03:25,319 --> 00:03:26,819 I'LL SEE YOU TOMORROW. 50 00:03:26,819 --> 00:03:28,053 MM. 51 00:03:28,053 --> 00:03:29,253 MM. 52 00:03:29,253 --> 00:03:32,253 (indistinct conversations) 53 00:03:34,420 --> 00:03:35,919 MMM. YOU MAKE ME SHIVER. 54 00:03:35,919 --> 00:03:37,153 (chuckles) 55 00:03:37,153 --> 00:03:39,186 LOVE YOU. LOVE YOU, TOO. 56 00:03:39,186 --> 00:03:41,153 FOLLOW ME. 57 00:03:41,153 --> 00:03:44,852 MAY I SAY I HAVE NEVER SEEN YOU DRESSED MORE LUDICROUSLY? 58 00:03:44,852 --> 00:03:47,486 IT'S JAY-Z, OF THE JAY-Z COLLECTION. 59 00:03:47,486 --> 00:03:49,219 OH, OF COURSE. 60 00:03:49,219 --> 00:03:52,852 I FORGOT ABOUT YOUR CLOSE TIES TO THE HIP-HOP WORLD. 61 00:03:52,852 --> 00:03:54,153 WHAT? 62 00:03:54,153 --> 00:03:57,353 YOUR BIRTHDAY GIFT. OPEN IT. 63 00:03:57,353 --> 00:03:59,319 IT'S A DVD I MADE FOR YOU 64 00:03:59,319 --> 00:04:01,019 OF WHICH I AM THE STAR-- 65 00:04:01,019 --> 00:04:04,986 CO-STAR WITH A MISS, UM... (clears throat) 66 00:04:04,986 --> 00:04:06,420 PEMMIE DELLACORTE. 67 00:04:06,420 --> 00:04:08,520 JOCE'S SISTER? (chuckles) 68 00:04:08,520 --> 00:04:12,420 YOU MADE A DVD OF YOU FUCKING JOCELYN'S MARRIED SISTER? 69 00:04:12,420 --> 00:04:15,186 DAUGHTER OF THE MAN WHO EMPLOYS BOTH YOU AND ME? 70 00:04:15,186 --> 00:04:17,219 WELL, IT WAS HER IDEA. OH, IT WAS NOT. 71 00:04:17,219 --> 00:04:18,786 IT WAS, YES, AND SOME OF MY FINEST WORK, 72 00:04:18,786 --> 00:04:20,420 IF I DO SAY SO MYSELF. 73 00:04:20,420 --> 00:04:22,852 (scoffs) 74 00:04:22,852 --> 00:04:24,153 (sighs) OH, MICHAEL, 75 00:04:24,153 --> 00:04:26,353 YOU HAVE NO SENSE OF THE ABSURD. 76 00:04:26,353 --> 00:04:28,952 IF I DID, I'D BE DRESSED LIKE YOU. 77 00:04:28,952 --> 00:04:31,286 LAST CHANCE. 78 00:04:31,286 --> 00:04:32,586 ALL RIGHT. 79 00:04:32,586 --> 00:04:34,453 PEMMIE'S A WILD ONE. 80 00:04:34,453 --> 00:04:40,119 IT'S NO PICNIC LOOKING LIKE THIS OR BEING SO GIFTED IN BED. 81 00:04:40,119 --> 00:04:42,186 IT'S INTIMIDATING. 82 00:04:42,186 --> 00:04:46,219 I SCARE THE CRAP OUT OF MY HUSBAND SETH. 83 00:04:46,219 --> 00:04:49,453 I MEAN... WE DO STUFF SOMETIMES, 84 00:04:49,453 --> 00:04:51,420 IF YOU CALL ME LICKING HIS BALLS 85 00:04:51,420 --> 00:04:54,586 WHILE HE TWANGS HIS POT STICKER "STUFF." 86 00:04:54,586 --> 00:04:56,186 (imitates snoring) 87 00:04:56,186 --> 00:04:57,852 SNORE. 88 00:04:57,852 --> 00:05:00,186 OHH. 89 00:05:00,186 --> 00:05:03,019 A LOT OF PEOPLE THINK PRISON CHANGED ME, 90 00:05:03,019 --> 00:05:06,852 BUT I THINK IT WAS JUST ANOTHER PLACE TO MAKE CLOSE FRIENDS 91 00:05:06,852 --> 00:05:09,886 AND EXPAND MY HORIZONS... 92 00:05:09,886 --> 00:05:12,852 IF YOU CATCH MY DRIFT. 93 00:05:12,852 --> 00:05:14,253 (sighs) 94 00:05:14,253 --> 00:05:16,919 EVEN THOUGH I'M ON PAROLE... (exhales deeply) 95 00:05:16,919 --> 00:05:20,786 SETH IS THRILLED TO HAVE ME BACK... 96 00:05:20,786 --> 00:05:24,019 LUTHER, NO LUTHER. 97 00:05:24,019 --> 00:05:26,319 OOH, I STILL MISS MY CELLMATE GEORGIA. 98 00:05:26,319 --> 00:05:28,319 FOR A WOMAN WHO TOOK A BASEBALL BAT 99 00:05:28,319 --> 00:05:29,886 TO HER HUSBAND'S KNEECAPS, 100 00:05:29,886 --> 00:05:32,886 SHE SURE HAD A TENDER FUCKING TOUCH. 101 00:05:34,453 --> 00:05:36,186 MICHAEL... (clears throat) 102 00:05:36,186 --> 00:05:40,286 MEET SUZE AND YASMIN. 103 00:05:40,286 --> 00:05:42,119 THEY'RE CONTORTIONISTS. 104 00:05:42,119 --> 00:05:43,586 MMM. 105 00:05:43,586 --> 00:05:45,186 THEY DEFY THE LAWS OF PHYSICS. 106 00:05:45,186 --> 00:05:49,186 THEIR BODIES ARE LIKE A CIRCUS OF NASTY HINGES. 107 00:05:49,186 --> 00:05:50,386 (both giggle) 108 00:05:50,386 --> 00:05:51,919 (chuckles) 109 00:05:51,919 --> 00:05:55,019 I BEND WHERE OTHER WOMEN SNAP. 110 00:05:55,019 --> 00:05:57,219 AND I CAN LICK MY OWN VULVA. 111 00:05:57,219 --> 00:05:59,919 YOU'RE LIKE CALIGULA. 112 00:05:59,919 --> 00:06:01,553 MM. 113 00:06:01,553 --> 00:06:04,486 OOH. 114 00:06:07,053 --> 00:06:09,553 (clears throat) HELLO, BOYS. 115 00:06:09,553 --> 00:06:11,386 WHAT SEEMS TO BE THE TROUBLE? (chuckles) 116 00:06:11,386 --> 00:06:14,986 DON'T WANT YOU TO BURN. 117 00:06:14,986 --> 00:06:16,952 (chuckles) GOD. 118 00:06:16,952 --> 00:06:20,119 (Vic) WE MAY HAVE TO CHECK HIM INTO A BURN WARD 119 00:06:20,119 --> 00:06:24,886 AND HAVE HIM LEGALLY DECLARED A PIZZA. 120 00:06:24,886 --> 00:06:26,119 (groans) 121 00:06:26,119 --> 00:06:31,053 OOH, IT LOOKS BAD, MIKEY. 122 00:06:31,053 --> 00:06:35,353 WOULD IT BE TOO MUCH TO ASK YOU TO THROW SOMETHING ON... MOM? 123 00:06:35,353 --> 00:06:37,520 VIC, DID YOU HEAR? HE CALLED ME "MOM." 124 00:06:37,520 --> 00:06:39,186 I HEARD, I HEARD. 125 00:06:39,186 --> 00:06:41,286 LISTEN, SWEETHEART, WHY DON'T YOU GO UP TOP? 126 00:06:41,286 --> 00:06:44,119 I THINK CAPTAIN LU'S GONNA LET YOU STEER. 127 00:06:48,986 --> 00:06:50,219 SHE KNOWS I'M KIDDING, RIGHT? 128 00:06:50,219 --> 00:06:51,886 (sighs) 129 00:06:51,886 --> 00:06:53,286 YEAH, I DON'T KNOW. 130 00:06:53,286 --> 00:06:56,019 CHANTAL HAS SOME VERY STRONG MATERNAL INSTINCTS. 131 00:06:56,019 --> 00:06:58,386 YEAH, HUGE. (laughs) 132 00:06:58,386 --> 00:07:01,486 (laughs) OW. AAH! SUNBURN. 133 00:07:01,486 --> 00:07:04,919 AHH. 134 00:07:04,919 --> 00:07:07,153 WHEN'S THE LAST TIME WE HAD FUN LIKE THIS? 135 00:07:07,153 --> 00:07:09,086 YOUR THIRD WEDDING. 136 00:07:09,086 --> 00:07:11,019 NO, WAIT. YOUR FOURTH, TO MAUREEN. 137 00:07:11,019 --> 00:07:13,453 MAUREEN. GOD, SHE NEVER SHUT UP. 138 00:07:13,453 --> 00:07:15,053 NO, DAD. THAT WAS GERI. 139 00:07:15,053 --> 00:07:16,319 MAUREEN WAS THE SHY REDHEAD 140 00:07:16,319 --> 00:07:18,119 WHO CHECKED INTO THE BEVERLY HILLS HOTEL 141 00:07:18,119 --> 00:07:20,353 AND TOOK 50 VICODIN FOR DINNER. 142 00:07:20,353 --> 00:07:23,353 I THOUGHT THAT WAS DOROTHY. (laughs) 143 00:07:23,353 --> 00:07:25,919 I'M BEGINNING TO LOSE TRACK. I THINK I KINDA LIKE THAT. 144 00:07:25,919 --> 00:07:28,219 YOU'RE SOMETHING, POP. 145 00:07:28,219 --> 00:07:30,053 I WOULDN'T SAY IT IF I DIDN'T MEAN IT. 146 00:07:30,053 --> 00:07:33,386 YOU'RE A LAWYER, SON. IS THAT HOW YOU SEE ME? 147 00:07:33,386 --> 00:07:36,886 THE WAY I SEE YOU, SON, IS I DON'T SEE YOU ENOUGH. 148 00:07:38,453 --> 00:07:40,420 GOT YOU SOMETHING. HAPPY BIRTHDAY. 149 00:07:40,420 --> 00:07:42,786 AW. 150 00:07:44,420 --> 00:07:46,886 (sighs) 151 00:07:46,886 --> 00:07:49,819 OOH. I LOVE IT, POP. 152 00:07:49,819 --> 00:07:52,586 SAID YOU WANTED TO QUIT THE LAW AND GO SAILING AROUND THE WORLD. 153 00:07:52,586 --> 00:07:55,186 HOP ON. (chuckles) 154 00:07:55,186 --> 00:07:57,986 HAPPY BIRTHDAY, SON. 155 00:07:57,986 --> 00:08:01,486 YOUR SOUL THAT CAME BELOW. (chuckles) 156 00:08:01,486 --> 00:08:02,919 YEAH. 157 00:08:11,486 --> 00:08:14,219 MICHAEL! THEY CALL THIS ONE... 158 00:08:14,219 --> 00:08:16,219 (clears throat) 159 00:08:16,219 --> 00:08:17,919 "OPENING NIGHT." 160 00:08:17,919 --> 00:08:19,353 (imitates trumpet playing) 161 00:08:19,353 --> 00:08:23,119 THIS ONE IS CALLED "THE GRAND COULEE DAM." 162 00:08:23,119 --> 00:08:25,153 WELL DONE, GIRLS. (giggles) 163 00:08:25,153 --> 00:08:26,586 BIG FINISH, MICHAEL. 164 00:08:26,586 --> 00:08:30,353 THIS ONE'S CALLED "HERE, PUSSY, PUSSY." 165 00:08:30,353 --> 00:08:32,053 IT'S A PLAY ON WORDS. 166 00:08:32,053 --> 00:08:33,420 STEP BACK, MICHAEL. THIS ONE GETS A LITTLE MESSY. 167 00:08:33,420 --> 00:08:36,253 OH, OKAY. 168 00:08:51,186 --> 00:08:53,453 LIZ. MICHAEL. 169 00:08:53,453 --> 00:08:55,319 (keys jangle) HOW DID YOU GET IN? 170 00:08:55,319 --> 00:08:57,053 I'M A COP. I BROKE IN. 171 00:08:57,053 --> 00:08:59,086 WHAT'S GOING ON? 172 00:08:59,086 --> 00:09:01,420 WE HAD SOME UNFINISHED BUSINESS FROM THIS MORNING. 173 00:09:03,119 --> 00:09:05,019 SMELLS GOOD. WHAT YOU GOT IN HERE? 174 00:09:05,019 --> 00:09:07,886 I PICKED UP SOME CHINESE ON THE WAY. 175 00:09:07,886 --> 00:09:10,819 THESE ARE ALL EMPTY. 176 00:09:10,819 --> 00:09:12,786 I DIDN'T GET IT FOR YOU. 177 00:09:12,786 --> 00:09:14,053 I GOT IT FOR ME. 178 00:09:14,053 --> 00:09:16,520 SO YOU JUST CAME OVER TO EAT AND FUCK? 179 00:09:16,520 --> 00:09:17,919 PRETTY MUCH. 180 00:09:17,919 --> 00:09:19,153 HOW CAN YOU LIVE WITH YOURSELF? 181 00:09:19,153 --> 00:09:21,286 YOU ARE SO FUCKING SELFISH. 182 00:09:21,286 --> 00:09:25,119 PRACTICE. 183 00:09:25,119 --> 00:09:28,019 (gasping) 184 00:09:28,019 --> 00:09:30,153 (moans) 185 00:09:30,153 --> 00:09:32,153 AHH. AHH. A LITTLE SUNBURNED. 186 00:09:32,153 --> 00:09:35,486 OHH. 187 00:09:35,486 --> 00:09:37,286 MMM. 188 00:09:37,286 --> 00:09:41,053 (both moaning) 189 00:09:41,053 --> 00:09:44,053 (gasping) 190 00:09:57,386 --> 00:09:59,986 (continues gasping) 191 00:10:11,586 --> 00:10:14,553 (moaning) 192 00:10:23,553 --> 00:10:26,286 (grunting) 193 00:10:26,286 --> 00:10:28,053 AAH! 194 00:10:28,053 --> 00:10:31,086 (both gasping) 195 00:10:43,219 --> 00:10:48,019 SO... WHAT DID YOUR GIRLFRIEND GET YOU FOR YOUR BIRTHDAY? 196 00:10:49,453 --> 00:10:51,586 I THINK SHE'S GETTING ME A ME-ME. 197 00:10:51,586 --> 00:10:54,520 SHE'S TAKING ME TO HIS GALLERY TOMORROW NIGHT. 198 00:10:54,520 --> 00:10:56,019 THE VIDEO ARTIST? 199 00:10:56,019 --> 00:10:57,586 YOU KNOW ABOUT HIM? 200 00:10:57,586 --> 00:11:00,852 ME-ME? YEAH, HE'S HUGE. I STUDIED HIM IN ART HISTORY. 201 00:11:03,053 --> 00:11:06,186 THAT LOOK--IS IT BECAUSE I KNOW WHO ME-ME IS, 202 00:11:06,186 --> 00:11:08,086 OR BECAUSE I WENT TO COLLEGE? 203 00:11:08,086 --> 00:11:10,019 WELL, YOU JUST KEEP SURPRISING ME. THAT--THAT'S-- 204 00:11:10,019 --> 00:11:11,852 THAT'S--THAT'S ALL. 205 00:11:11,852 --> 00:11:14,086 I WAS EVEN SURPRISED YOU REMEMBERED MY BIRTHDAY. 206 00:11:14,086 --> 00:11:16,219 ARE YOU BEING SARCASTIC? 207 00:11:16,219 --> 00:11:18,286 NO. WHAT DID YOU WANT ME TO DO, 208 00:11:18,286 --> 00:11:19,486 MAKE A BIGGER DEAL OUT OF YOUR BIRTHDAY? 209 00:11:19,486 --> 00:11:21,119 MAYBE GET YOU A PRESENT? 210 00:11:21,119 --> 00:11:23,153 A TEXT MESSAGE WOULD HAVE BEEN PLENTY. 211 00:11:23,153 --> 00:11:25,386 DICTATE TO IT ME, HUH? HOW ABOUT THAT? 212 00:11:25,386 --> 00:11:27,253 THIS IS WHAT I ALWAYS EXPECT, AND SO FAR, 213 00:11:27,253 --> 00:11:28,952 THIS IS WHAT I ALWAYS GET FROM YOU-- 214 00:11:28,952 --> 00:11:32,219 SPECTACULAR SEX FOLLOWED BY A RIDICULOUS ARGUMENT 215 00:11:32,219 --> 00:11:34,386 THAT YOU START AND THEN YOU EXIT. 216 00:11:34,386 --> 00:11:38,620 WELL, WHO AM I TO DISAPPOINT? 217 00:11:42,253 --> 00:11:43,919 SO PICTURE THIS-- 218 00:11:43,919 --> 00:11:46,086 JACKSON POLLOCK AND I ARE DROPPING ACID, NAKED 219 00:11:46,086 --> 00:11:50,420 IN MILES DAVIS' PLACE IN SAG HARBOR. 220 00:11:50,420 --> 00:11:52,086 HE WAS PAINTING MY TITS. 221 00:11:52,086 --> 00:11:54,420 HE HAD THE MOST MARVELOUS HARD-ON, 222 00:11:54,420 --> 00:11:56,253 AND THEN SUDDENLY HE'S SPINNING AROUND, 223 00:11:56,253 --> 00:11:59,919 SPLASHING PAINT ALL OVER THE FLOOR AND WALLS. 224 00:11:59,919 --> 00:12:04,053 NEXT THING YOU KNOW, WE GOT ABSTRACT ART IN AMERICA. 225 00:12:04,053 --> 00:12:06,919 YOU NEVER KNOW WHERE GENIUS COMES FROM. 226 00:12:06,919 --> 00:12:09,153 SOMETIMES IT LOOKS LIKE A MESS 227 00:12:09,153 --> 00:12:12,952 TILL SOMEBODY COMES ALONG AND... GETS IT. 228 00:12:12,952 --> 00:12:16,886 (dance music playing) 229 00:12:22,253 --> 00:12:25,952 (indistinct conversations) 230 00:12:31,886 --> 00:12:34,119 HOW IS IT PRONOUNCED? 231 00:12:34,119 --> 00:12:36,353 FURTHERMORE, HOW QUICKLY? 232 00:12:36,353 --> 00:12:40,486 IS IT PRONOUNCED "MEE-MEE" OR "ME-ME"? 233 00:12:40,486 --> 00:12:42,286 STOP IT, LU. 234 00:12:42,286 --> 00:12:46,153 QUERY--IS HIS FIRST NAME "ME" AND HIS LAST NAME "ME" 235 00:12:46,153 --> 00:12:48,319 OR HIS FIRST NAME "ME-ME," IN WHICH CASE 236 00:12:48,319 --> 00:12:50,486 THE ONLY POSSIBILITY FOR HIS LAST NAME WOULD BE 237 00:12:50,486 --> 00:12:52,586 "I'M A PRETENTIOUS ASSHOLE." 238 00:12:52,586 --> 00:12:54,486 (laughs) 239 00:12:54,486 --> 00:12:57,286 OH, JOCELYN WANTS TO BUY ME ONE FOR MY BIRTHDAY. 240 00:12:57,286 --> 00:13:00,086 SAW A PIECE ON HIM ON CNN. 241 00:13:00,086 --> 00:13:02,286 SHE REMEMBERED. 242 00:13:02,286 --> 00:13:06,153 OHH! GOD, EVERYTHING I DO BECOMES A CLUE FOR HER. 243 00:13:06,153 --> 00:13:09,119 YEAH, WELL, SHE'S STARVED FOR DETAILS, MICHAEL. 244 00:13:09,119 --> 00:13:14,386 JUST MAKE SHIT UP. SINCERITY JUST COMPLICATES THINGS. 245 00:13:14,386 --> 00:13:16,886 YEAH, IT DOES. 246 00:13:16,886 --> 00:13:19,019 ACTUALLY, I LIKE HIM. 247 00:13:19,019 --> 00:13:21,086 HE'S ENGAGING IN A, 248 00:13:21,086 --> 00:13:23,919 YOU KNOW, "I HOPE YOU ALL CHOKE TO DEATH 249 00:13:23,919 --> 00:13:25,952 IN FRONT OF YOUR LOVED ONES" KIND OF WAY. 250 00:13:25,952 --> 00:13:27,952 (laughs) 251 00:13:27,952 --> 00:13:29,253 HAVING FUN? 252 00:13:29,253 --> 00:13:31,053 HEY. HI. 253 00:13:31,053 --> 00:13:34,420 MM. SO I WAS JUST TALKING TO ONE OF MY CLIENTS--RONNY DECKER. 254 00:13:34,420 --> 00:13:37,086 HE'S THE RACEHORSE SPERM BROKER. 255 00:13:37,086 --> 00:13:38,353 MM, I'D LIKE TO GET HIS NUMBER. 256 00:13:38,353 --> 00:13:39,886 YOU KNOW, MAKE A LITTLE CASH ON THE SIDE. 257 00:13:39,886 --> 00:13:41,219 I'M UP TO MY EARS. 258 00:13:41,219 --> 00:13:43,386 YOU KNOW, IT LOOKS REAL, 259 00:13:43,386 --> 00:13:45,420 LIKE HE ACTUALLY MIGHT LIVE IN THERE. 260 00:13:45,420 --> 00:13:46,886 YES, WELL, MAYBE HE'LL 261 00:13:46,886 --> 00:13:48,286 DECIDE TO STAY. 262 00:13:48,286 --> 00:13:49,919 (chuckles) 263 00:13:49,919 --> 00:13:51,353 MICHAEL, WHICH ONE DO YOU LIKE BEST-- 264 00:13:51,353 --> 00:13:54,286 THE ONE WHERE ME-ME SNEERS IRRITABLY OR THE ONE 265 00:13:54,286 --> 00:13:56,119 WHERE HE GLARES DISMISSIVELY? 266 00:13:56,119 --> 00:14:01,420 AHEM! ME-ME DOESN'T GLARE. 267 00:14:01,420 --> 00:14:04,186 AND ME-ME DOESN'T SNEER. THAT IS ALL IN YOUR MIND, SIR. 268 00:14:04,186 --> 00:14:07,019 YOU SEE WHAT YOU SEE, NOT WHAT IS. 269 00:14:07,019 --> 00:14:09,386 HOW VERY SLAVISH AND PAINFUL FOR YOU. 270 00:14:09,386 --> 00:14:11,153 WELL, MY MISTAKE. 271 00:14:11,153 --> 00:14:13,386 OH, BY THE WAY, WHAT HAPPENED TO THE "DIS" SEGMENT OF THE WORD? 272 00:14:13,386 --> 00:14:15,453 I THOUGHT IT WAS "DISTORTIONS." 273 00:14:15,453 --> 00:14:18,186 ONLY TO THOSE IMPRISONED IN THE LITERAL. 274 00:14:18,186 --> 00:14:20,453 I ASSUME YOU'RE NOT AN ART FANCIER. 275 00:14:20,453 --> 00:14:23,119 ACTUALLY, I LOVE ALL KINDS OF ART. HMM. 276 00:14:23,119 --> 00:14:25,086 HAVE YOU SEEN ANY AROUND HERE TONIGHT? 277 00:14:25,086 --> 00:14:26,952 OKAY, LUTHER, TIME TO GET SOME AIR. 278 00:14:26,952 --> 00:14:28,919 YOU, SIR, ARE AESTHETICALLY EMBALMED. 279 00:14:28,919 --> 00:14:32,253 PERHAPS I SHOULD INVITE YOU TO LEAVE MY... "STORTIONS" SHOW 280 00:14:32,253 --> 00:14:35,286 AS CLEARLY IT IS WELL BEYOND YOUR REALM OF COMPREHENSION. 281 00:14:35,286 --> 00:14:39,586 OR MAYBE YOU SHOULD KISS MY ASS, "ME." 282 00:14:39,586 --> 00:14:42,319 OH, I HOPE THAT THOUGHT DIDN'T "TURB" YOU TOO MUCH. 283 00:14:42,319 --> 00:14:43,819 GET OUT. OKAY. HEY, HEY! 284 00:14:43,819 --> 00:14:45,186 COME ON! 285 00:14:45,186 --> 00:14:50,453 (grunting) 286 00:14:50,453 --> 00:14:54,219 I TOLD YOU TO GET THE FUCK OUT OF HERE! 287 00:14:54,219 --> 00:14:56,286 AAH! FUCK YOU! 288 00:14:56,286 --> 00:14:57,919 OH, YEAH?! FUCK ME?! 289 00:14:57,919 --> 00:14:59,620 FUCK YOU! 290 00:14:59,620 --> 00:15:05,153 CALL THE MORTUARY, MICHAEL! THIS PUSSY'S GONNA NEED A BOX! 291 00:15:05,153 --> 00:15:08,886 (man) ...Art Gallery. 12-15 in progress. 292 00:15:08,886 --> 00:15:11,119 PROBABLY RAN OUT OF FOIE GRAS. 293 00:15:11,119 --> 00:15:13,486 LET SOMEBODY ELSE TAKE IT. 294 00:15:13,486 --> 00:15:16,952 OH, NO. THIS ONE I WANT. 295 00:15:16,952 --> 00:15:18,453 (Michael) HEY, LUTHER! CUT IT OUT! 296 00:15:18,453 --> 00:15:19,986 STOP THAT! GUYS, COME ON! 297 00:15:19,986 --> 00:15:21,386 (grunting) 298 00:15:21,386 --> 00:15:22,952 JESUS! BOTH OF YOU, BREAK--HEY, BREAK IT UP! 299 00:15:22,952 --> 00:15:24,286 BREAK IT UP! UHH! 300 00:15:24,286 --> 00:15:27,819 JOCE! GET THE FUCK OFF HER, MAN! (siren wailing) 301 00:15:27,819 --> 00:15:31,353 THAT'S MY FRIEND JOCELYN, YOU REVOLTING TURD! BLOW ME! 302 00:15:31,353 --> 00:15:34,019 JESUS CHRIST, MAN! OKAY, I'M GONNA GET YOU SOME ICE, OKAY? 303 00:15:34,019 --> 00:15:37,053 HEY, HEY, HEY. STAY PUT, ALL RIGHT? 304 00:15:37,053 --> 00:15:39,586 OKAY, OKAY, OKAY, LET'S ALL BE FRIENDS HERE, ALL RIGHT? 305 00:15:39,586 --> 00:15:42,353 THAT MICROBE TWAT STARTED EVERYTHING! 306 00:15:42,353 --> 00:15:44,852 I AM AN ATTORNEY, AND I WANNA PRESS CHARGES 307 00:15:44,852 --> 00:15:46,520 AGAINST THIS PRETENDER! 308 00:15:46,520 --> 00:15:49,420 ALL RIGHT, FOR WHAT? FOR IMPERSONATING A HUMAN BEING! 309 00:15:49,420 --> 00:15:51,952 OH, AND FOR KNOCKING MY FRIEND DOWN. 310 00:15:51,952 --> 00:15:53,153 YOU SON-- 311 00:15:53,153 --> 00:15:55,586 EASY. YOU NEED TO RELAX. ALL RIGHT. 312 00:15:55,586 --> 00:15:58,986 MA'AM? WHY DON'T YOU COME WITH ME TO THE SQUAD CAR, OKAY? 313 00:15:58,986 --> 00:16:00,286 SO WE CAN HAVE A LOOK AT THAT. 314 00:16:00,286 --> 00:16:02,019 YOU'RE GONNA HAVE TO GIVE A STATEMENT. 315 00:16:02,019 --> 00:16:04,919 ALL RIGHT, LET'S GO. IT'S OKAY, IT'S OKAY. 316 00:16:07,620 --> 00:16:09,586 IT'S OKAY. 317 00:16:09,586 --> 00:16:11,353 I DON'T KNOW WHY I'M SO EMOTIONAL. 318 00:16:11,353 --> 00:16:13,520 I'M NOT A PERSON WHO DOES THIS. OKAY? 319 00:16:13,520 --> 00:16:15,119 YOU KNOW, I KNOW WHO I AM. 320 00:16:15,119 --> 00:16:17,253 IF I DIDN'T, I COULDN'T SAY THAT, RIGHT? 321 00:16:17,253 --> 00:16:19,420 WELL, YOU GOT SOCKED PRETTY GOOD. 322 00:16:19,420 --> 00:16:20,819 THIS MAKES AN ASSAULT AND BATTERY. 323 00:16:20,819 --> 00:16:22,153 WOULD YOU LIKE TO PRESS CHARGES? 324 00:16:22,153 --> 00:16:24,119 I JUST WANNA MAKE HIM HAPPY. 325 00:16:24,119 --> 00:16:25,486 WHO, THE GUY WHO PUNCHED YOU? 326 00:16:25,486 --> 00:16:28,119 YOU SEE PEOPLE IN MESSES EVERY DAY. 327 00:16:28,119 --> 00:16:31,486 YOU KNOW, YOU... YOU WEAR A GUN TO WORK. 328 00:16:31,486 --> 00:16:36,053 I HAVE TO ASK YOU, HOW DO YOU MAKE A MAN HAPPY? 329 00:16:36,053 --> 00:16:38,586 LOOK, YOU GOT PRETTY SHOOK UP, OKAY? 330 00:16:38,586 --> 00:16:40,952 I DON'T--I DON'T EVEN THINK HE WANTED A ME-ME TO BEGIN WITH. 331 00:16:40,952 --> 00:16:43,819 I... IT'S WHAT I THOUGHT HE WANTED, YOU KNOW? 332 00:16:43,819 --> 00:16:47,219 AND I'M PROJECTING. I'M ALWAYS PROJECTING WHAT HE WANTS. 333 00:16:47,219 --> 00:16:49,852 I HAVE NO IDEA. 334 00:16:49,852 --> 00:16:52,986 MEN, WOMEN-- TWO DIFFERENT ANIMALS. 335 00:16:52,986 --> 00:16:55,219 YOU'RE SO RIGHT. SLEEPING WITH AN ENEMY. 336 00:16:55,219 --> 00:16:56,586 EXACTLY. 337 00:16:56,586 --> 00:17:00,119 THAT IS DEAD ON. 338 00:17:01,586 --> 00:17:03,353 IT'S FELLATIO, ISN'T IT? 339 00:17:03,353 --> 00:17:06,219 IT'S--IT'S BLOW JOBS, HUMMERS. THEY LOVE THAT. 340 00:17:06,219 --> 00:17:08,019 THEY LIVE FOR THAT--THAT 341 00:17:08,019 --> 00:17:11,153 THAT TONGUE DRIVING THE HAPPY TOUR BUS UP EGO MOUNTAIN. 342 00:17:11,153 --> 00:17:13,852 JOCE, WHAT ARE YOU DOING HERE? I COULDN'T FIND YOU. 343 00:17:13,852 --> 00:17:15,786 I'M TALKING TO THE OFFICER. 344 00:17:15,786 --> 00:17:17,019 HI. 345 00:17:17,019 --> 00:17:19,019 HELLO. 346 00:17:19,019 --> 00:17:21,453 DO YOU KNOW THIS WOMAN? 347 00:17:21,453 --> 00:17:22,852 KNOW ME? 348 00:17:22,852 --> 00:17:24,819 THAT'S MY MAN. 349 00:17:24,819 --> 00:17:27,386 SHE WAS JUST GIVING ME SOME ADVICE. 350 00:17:27,386 --> 00:17:29,852 SHE'S VERY KIND. 351 00:17:29,852 --> 00:17:32,053 EXTREMELY WISE. 352 00:17:32,053 --> 00:17:35,386 THAT'S GREAT, JOCE. HERE. 353 00:17:35,386 --> 00:17:37,153 OFFICER, MAY I SPEAK TO YOU FOR A MOMENT? 354 00:17:37,153 --> 00:17:39,286 I'M BUSY. PLEASE? 355 00:17:39,286 --> 00:17:42,319 JOCE, USE THE ICE. I'LL, UH, I'LL BE RIGHT BACK. 356 00:17:42,319 --> 00:17:44,553 OKAY? 357 00:17:44,553 --> 00:17:46,086 THANK YOU. 358 00:17:48,952 --> 00:17:52,886 OKAY, SO WHAT EXACTLY WERE YOU GALS DISCUSSING, 359 00:17:52,886 --> 00:17:54,386 EXTREMELY WISE ONE--ME? 360 00:17:54,386 --> 00:17:57,119 (chuckles) YOU'RE INSANE. 361 00:17:57,119 --> 00:17:59,319 GET A BLOOD FLUSH. MOVE TO ANOTHER TOWN. 362 00:17:59,319 --> 00:18:01,353 THERE'S ANOTHER PERSON, BECAUSE THIS VERSION 363 00:18:01,353 --> 00:18:03,253 ISN'T WORKING FOR ANYONE. 364 00:18:03,253 --> 00:18:05,886 AND FOR YOUR INFORMATION, I DIDN'T ASK HER ANYTHING. 365 00:18:05,886 --> 00:18:07,186 SHE DID ALL THE ASKING. 366 00:18:07,186 --> 00:18:08,986 WELL, WHAT EXACTLY DID SHE ASK YOU ABOUT? 367 00:18:08,986 --> 00:18:11,053 YOU WANNA KNOW? ARE YOU SURE YOU CAN HANDLE IT? 368 00:18:11,053 --> 00:18:13,119 OH, YES, I CAN HANDLE IT. 369 00:18:13,119 --> 00:18:16,786 WELL, AS I RECALL, WE WERE DISCUSSING BLOW JOBS. 370 00:18:16,786 --> 00:18:18,886 YOU ARE SO FULL OF SHIT. 371 00:18:18,886 --> 00:18:20,319 YOU'RE JUST TRYING TO PISS ME OFF 'CAUSE YOU'RE PISSED OFF. 372 00:18:20,319 --> 00:18:22,019 WELL, SHE REFERRED TO IT 373 00:18:22,019 --> 00:18:26,053 AS "DRIVING THE HAPPY TONGUE TOUR BUS UP EGO MOUNTAIN." 374 00:18:26,053 --> 00:18:30,219 OH, MY GOD. I TOLD HER NEVER TO SAY THAT. 375 00:18:30,219 --> 00:18:32,386 OH, MY. 376 00:18:32,386 --> 00:18:34,019 WHAT DID YOU SAY? 377 00:18:34,019 --> 00:18:36,253 WELL, I TOLD HER SHE SHOULD TRY SUCKING YOUR DICK 378 00:18:36,253 --> 00:18:38,386 IN YOUR KITCHEN. WHAT? 379 00:18:38,386 --> 00:18:41,553 GET OVER YOURSELF, MICHAEL, BECAUSE EVERYONE ELSE HAS. 380 00:18:47,119 --> 00:18:50,086 (gunshots) 381 00:18:57,886 --> 00:19:02,952 (gunshots continue) 382 00:19:05,586 --> 00:19:10,053 DETECTIVE JUDD CUTTER, ELUSIVE CRIME FIGHTER. 383 00:19:10,053 --> 00:19:11,319 I MEANT TO CALL YOU. HMM. 384 00:19:11,319 --> 00:19:12,819 BEEN ON THIS BIG MURDER INVESTIGATION. 385 00:19:12,819 --> 00:19:14,253 IT'S A REAL MESS. 386 00:19:14,253 --> 00:19:17,186 YOU COULD ALWAYS USE BAD THINGS TO YOUR ADVANTAGE. 387 00:19:17,186 --> 00:19:18,453 SEE, DON'T DO THAT. YOU DON'T, UH, 388 00:19:18,453 --> 00:19:20,453 YOU DON'T DO WOUNDED CONVINCINGLY. 389 00:19:20,453 --> 00:19:23,153 YOU, UH, YOU STILL GOT A DEAD EYE. 390 00:19:23,153 --> 00:19:24,986 GIRL'S GOTTA PROTECT HERSELF. 391 00:19:24,986 --> 00:19:27,486 I ALWAYS SUSPECTED YOU WERE A GIRL UNDER ALL THOSE... 392 00:19:27,486 --> 00:19:29,253 FEROCIOUS LAYERS. 393 00:19:29,253 --> 00:19:31,386 YOU STILL HAVE THOSE, UH, THINGS IN YOUR BEDROOM CEILING-- 394 00:19:31,386 --> 00:19:34,520 THOSE LITTLE STARS THAT GLOW IN THE DARK? YOUR DIVORCE GO THROUGH? 395 00:19:34,520 --> 00:19:37,919 I SIGNED THE PAPERS LAST WEEK. SHE'S MOVING TO TUCSON, 396 00:19:37,919 --> 00:19:41,119 CONTINUE HER OBSESSION WITH BECOMING PERFECT 397 00:19:41,119 --> 00:19:44,420 AT THE EXPENSE OF EVERYONE ELSE. 398 00:19:44,420 --> 00:19:47,186 YOU KNOW, YOU AND I SHOULD GET A DRINK SOMETIME. 399 00:19:47,186 --> 00:19:48,786 MM. 400 00:19:52,786 --> 00:19:54,053 (barks and laughs) 401 00:19:54,053 --> 00:19:57,253 MMM! GOD, YOU MONSTER! 402 00:19:57,253 --> 00:19:58,486 (growls) 403 00:19:58,486 --> 00:20:01,819 GOD, YOU'RE HUGE! 404 00:20:01,819 --> 00:20:04,919 AH, LET ME GO, YOU SEXUAL MANIAC. 405 00:20:04,919 --> 00:20:07,019 FULL MOON. 406 00:20:07,019 --> 00:20:10,053 YOUR INCENSE ONLY AROUSED ME FURTHER. 407 00:20:10,053 --> 00:20:11,952 (both laugh) 408 00:20:11,952 --> 00:20:13,286 (growls) 409 00:20:13,286 --> 00:20:14,520 OHH! 410 00:20:14,520 --> 00:20:15,952 (grunting) 411 00:20:15,952 --> 00:20:19,253 OH, DEEPLY AND MASSIVELY HUNG BEAST. 412 00:20:19,253 --> 00:20:24,520 (imitates wolf howling) 413 00:20:24,520 --> 00:20:26,819 (laughs and growls) 414 00:20:26,819 --> 00:20:29,086 AHEM! LUTHER. 415 00:20:29,086 --> 00:20:30,586 MICHAEL, HELLO. 416 00:20:30,586 --> 00:20:32,553 WHAT A NICE SURPRISE. 417 00:20:32,553 --> 00:20:34,186 YOU'RE WORKING LATE. 418 00:20:34,186 --> 00:20:37,553 YES. DO YOU MIND? WHAT THE FUCK IS GOING ON HERE? 419 00:20:37,553 --> 00:20:40,919 OH, IT'S OUR MONTHLY FULL MOON FRENZY. 420 00:20:40,919 --> 00:20:45,253 I PLAY THE INSATIABLE TEX TWANG, AN ESCAPED SEXUAL MADMAN. 421 00:20:45,253 --> 00:20:48,186 AND THESE TWO ARE RECENTLY GRADUATED PAROCHIAL STUDENTS. 422 00:20:48,186 --> 00:20:51,186 THERE'S AN EXTRA COCK RING OVER THERE. JOIN US. 423 00:20:51,186 --> 00:20:52,486 YOU HAVE A BACKUP COCK RING? 424 00:20:52,486 --> 00:20:55,486 WHAT IF ONE POPS? 425 00:20:55,486 --> 00:20:57,053 GOOD-BYE. 426 00:20:57,053 --> 00:21:00,219 (door closes) EVERY MAN MUST HAVE HIS SPARE. 427 00:21:00,219 --> 00:21:01,520 (both giggle) ACTION. 428 00:21:01,520 --> 00:21:03,019 (moaning) 429 00:21:03,019 --> 00:21:05,086 (growls and laughs) 430 00:21:05,086 --> 00:21:08,186 (both moaning) 431 00:21:08,186 --> 00:21:10,353 (grunting) 432 00:21:10,353 --> 00:21:12,453 OFF WE GO. (barks and laughs) 433 00:21:21,553 --> 00:21:23,019 HEY. 434 00:21:23,019 --> 00:21:24,586 HOW DID YOU GET PAST LOBBY SECURITY? 435 00:21:24,586 --> 00:21:26,086 I SHOT THE SECURITY GUARD, 436 00:21:26,086 --> 00:21:28,019 SO WE ONLY HAVE A COUPLE OF MINUTES. 437 00:21:28,019 --> 00:21:30,253 WHAT'S THAT? 438 00:21:30,253 --> 00:21:33,219 TAKE IT. 439 00:21:33,219 --> 00:21:35,586 A PEACE OFFERING? 440 00:21:35,586 --> 00:21:38,286 PEACE IS OVERRATED. 441 00:21:38,286 --> 00:21:40,153 I'LL TELL GANDHI WE SPOKE. 442 00:21:40,153 --> 00:21:42,520 I GOTTA GO. I'M ON DUTY. 443 00:21:42,520 --> 00:21:44,219 WAIT, WAIT, WAIT. 444 00:21:44,219 --> 00:21:45,952 WHAT? 445 00:21:45,952 --> 00:21:47,886 YOU DIDN'T HAVE TO DO THIS. 446 00:21:47,886 --> 00:21:51,919 YEAH, I DID. SEE YA. 447 00:22:32,586 --> 00:22:35,053 (panting) 448 00:22:35,053 --> 00:22:36,852 YOU PAINTED THAT? 449 00:22:36,852 --> 00:22:39,919 YEAH. I-I TRIED TO HAVE IT READY FOR YOUR BIRTHDAY. I JUST-- 450 00:22:39,919 --> 00:22:41,486 IT'S BEAUTIFUL. 451 00:22:43,852 --> 00:22:47,086 I HAD NO IDEA YOU WERE SUCH A... 452 00:22:47,086 --> 00:22:48,386 I DIDN'T KNOW YOU COULD PAINT. 453 00:22:48,386 --> 00:22:50,852 YOU DON'T REALLY KNOW ME. 454 00:22:50,852 --> 00:22:52,053 BUT I WANT TO. 455 00:23:13,019 --> 00:23:15,520 NO ONE IN MY WHOLE LIFE EVER MADE SOMETHING FOR ME. 456 00:23:15,520 --> 00:23:18,153 CRAZY NOW THAT WE MET, I... 457 00:23:18,153 --> 00:23:20,952 I JUST COULDN'T GET IT OUT OF MY HEAD. 458 00:23:20,952 --> 00:23:22,819 MMM. 459 00:23:23,952 --> 00:23:25,520 COME OVER AFTER YOU GET OFF. 460 00:23:25,520 --> 00:23:28,852 I CAN'T. 461 00:23:28,852 --> 00:23:30,153 I HAVE PLANS. 462 00:23:30,153 --> 00:23:31,586 PLANS? 463 00:23:31,586 --> 00:23:33,919 I HAVE A LIFE, MICHAEL. 464 00:23:36,186 --> 00:23:39,186 (doors open) 465 00:23:43,019 --> 00:23:44,852 HAPPY BIRTHDAY. 466 00:23:46,319 --> 00:23:48,053 YOU NEVER KNOW WHAT THE HELL IS UP WITH ANYONE, MAN. 467 00:23:48,053 --> 00:23:50,852 I MEAN, ANYONE. 468 00:23:50,852 --> 00:23:52,119 THERE'S THIS GIRL I DATED 469 00:23:52,119 --> 00:23:54,053 A FEW YEARS BEFORE I MARRIED HELEN. 470 00:23:54,053 --> 00:23:55,886 SHE WAS A MORMON. 471 00:23:55,886 --> 00:23:59,119 SHE WAS A SEXY GIRL, THOUGH. OHH. (laughs) 472 00:23:59,119 --> 00:24:00,620 SHE HAD ALL THE RIGHT CURVES 473 00:24:00,620 --> 00:24:02,586 AND VISTA POINTS WORKING FOR HER, YOU KNOW? 474 00:24:02,586 --> 00:24:05,219 SHE HAD THIS TRANSLUCENT SKIN. 475 00:24:05,219 --> 00:24:11,086 SO ONE NIGHT, SHE DECIDES TO TELL ME THAT SHE'S A VAMPIRE. 476 00:24:11,086 --> 00:24:13,186 AND I'M LIKE, "COME ON." 477 00:24:13,186 --> 00:24:14,386 BUT HERE'S THE THING, THOUGH. 478 00:24:14,386 --> 00:24:15,819 I MEAN, SHE HAD THOSE FANG TEETH, 479 00:24:15,819 --> 00:24:17,086 YOU KNOW, LIKE--LIKE CHER HAD 480 00:24:17,086 --> 00:24:18,486 BEFORE SHE FIBERGLASSED HER MOUTH, 481 00:24:18,486 --> 00:24:20,420 AND IN HER CLOSET, SHE GOT ONE OF THOSE CAPES 482 00:24:20,420 --> 00:24:21,952 WITH THE HIGH COLLAR, YOU KNOW WHAT I'M SAYING? 483 00:24:21,952 --> 00:24:23,919 I MEAN, THIS CHICK WAS HALF NUTS! 484 00:24:23,919 --> 00:24:28,153 OH, AND IN BED, OH, MY GOODNESS. SHE WAS A FREAKIN' 9-1-1 CALL. 485 00:24:28,153 --> 00:24:30,553 OHH. (chuckles) 486 00:24:30,553 --> 00:24:32,119 WE HAD A LOT OF FUN, MAN. 487 00:24:32,119 --> 00:24:33,486 I NEVER DID SLEEP OVER, THOUGH. 488 00:24:33,486 --> 00:24:35,019 SHE WAS ALWAYS LICKING AT MY NECK 489 00:24:35,019 --> 00:24:37,420 LIKE IT WAS A QUARTER POUNDER. 490 00:24:37,420 --> 00:24:40,852 LIKE I SAID, YOU JUST... YOU NEVER KNOW. 491 00:24:40,852 --> 00:24:43,153 PEOPLE GOT SIDES, YOU KNOW? 492 00:24:43,153 --> 00:24:47,486 OPEN YOUR MIND, OR YOU'LL MISS THE SHOW. 493 00:24:53,420 --> 00:24:55,520 (cell phone rings) 494 00:24:59,919 --> 00:25:02,586 HEY, JOCE. WHAT ARE YOU STILL DOING UP? 495 00:25:02,586 --> 00:25:05,386 I COULDN'T SLEEP. Yeah, me neither. 496 00:25:05,386 --> 00:25:09,253 HOW'S THE EYE? SORE. 497 00:25:09,253 --> 00:25:11,386 WANNA COME OVER? 498 00:25:11,386 --> 00:25:13,153 OR I COULD... DRIVE UP. 499 00:25:13,153 --> 00:25:15,486 NO, I'M BEAT. 500 00:25:15,486 --> 00:25:16,986 LONG DAY. 501 00:25:16,986 --> 00:25:19,119 DO YOU LIKE BEING ANOTHER YEAR OLDER? 502 00:25:19,119 --> 00:25:20,486 I WAS ALWAYS ANOTHER YEAR OLDER. 503 00:25:20,486 --> 00:25:22,353 I THOUGHT OF SOMETHING ELSE TO GET YOU. 504 00:25:22,353 --> 00:25:24,019 A JET SKI. 505 00:25:24,019 --> 00:25:26,420 YOU REMEMBER? YOU WERE TALKING ABOUT THOSE. 506 00:25:26,420 --> 00:25:28,786 THAT'S NICE, BUT I'LL PASS. 507 00:25:28,786 --> 00:25:31,420 WHY DON'T YOU JUST MAKE ME SOMETHING? 508 00:25:31,420 --> 00:25:33,819 MAKE YOU SOMETHING? 509 00:25:33,819 --> 00:25:36,186 LIKE WHAT? ANYTHING. 510 00:25:36,186 --> 00:25:39,286 WELL, TELL ME WHAT YOU WANT ME TO MAKE, AND I WILL. 511 00:25:39,286 --> 00:25:41,952 I KNOW. 512 00:25:41,952 --> 00:26:01,119 NIGHTY-NIGHT. Good night, babe.