1 00:00:04,754 --> 00:00:08,508 ** 2 00:00:08,550 --> 00:00:09,551 [ Cheers and applause ] 3 00:00:09,592 --> 00:00:11,469 John: I love... Baby! 4 00:00:11,511 --> 00:00:13,513 ...the Season 20 Knockouts. 5 00:00:13,555 --> 00:00:15,140 Whooo! Yep! 6 00:00:15,181 --> 00:00:17,183 Nick: We're just watching these amazing artists 7 00:00:17,225 --> 00:00:18,560 who bring it every time. 8 00:00:18,601 --> 00:00:20,020 Kelly, who do you think is 9 00:00:20,061 --> 00:00:21,646 the biggest threat to Team Kelly of the guys? 10 00:00:21,688 --> 00:00:23,356 Well, people keep stealing myteam. 11 00:00:23,398 --> 00:00:25,275 [ Cheers and applause ] I'll go, too. 12 00:00:25,316 --> 00:00:26,693 John. Whoooo! 13 00:00:26,735 --> 00:00:28,194 Nick, you did something cool. 14 00:00:28,236 --> 00:00:30,739 You stole back someone who was on your team. 15 00:00:30,780 --> 00:00:32,490 I did that for Nick. It was like -- 16 00:00:32,532 --> 00:00:34,617 It was almost like putting Andrew in layaway. 17 00:00:34,659 --> 00:00:36,202 Yeah, okay. Layaway? 18 00:00:36,244 --> 00:00:37,412 Let me help you. 19 00:00:37,454 --> 00:00:39,706 Four-way knockouts coming up soon. 20 00:00:39,748 --> 00:00:41,249 [ Cheers and applause ] 21 00:00:41,291 --> 00:00:44,169 We literally have four very different styles, 22 00:00:44,210 --> 00:00:46,546 four great voices, giving it their all. 23 00:00:46,588 --> 00:00:48,214 That's what this show's all about. 24 00:00:48,256 --> 00:00:50,633 It's up to you at home to decide 25 00:00:50,675 --> 00:00:52,552 who stays in this thing. 26 00:00:52,594 --> 00:00:54,763 How you been? How you been? I got a gift for you, dawg. 27 00:00:54,804 --> 00:00:56,348 Uh-oh. Uh-oh. It's a doggy bag. 28 00:00:56,389 --> 00:00:57,849 Snoop Dogg has an ability to get 29 00:00:57,891 --> 00:01:00,060 into the mind of the artist and what they want to say 30 00:01:00,101 --> 00:01:01,561 and has given some really incredible advice. 31 00:01:01,603 --> 00:01:03,188 I love it. Yes, sir. 32 00:01:03,229 --> 00:01:04,606 I'll put this on right after we wrap. Thank you. 33 00:01:04,647 --> 00:01:06,775 For my favorite Jonas. So I am your favorite Jonas. 34 00:01:06,816 --> 00:01:08,068 I was -- I was hoping you would say that. 35 00:01:08,109 --> 00:01:09,235 Man, quit playing with me, man. 36 00:01:09,277 --> 00:01:10,570 He's like a music library. 37 00:01:10,612 --> 00:01:12,322 And that's what you need for a Mega Mentor. 38 00:01:12,364 --> 00:01:14,532 So they get to pick their songs this round. 39 00:01:14,574 --> 00:01:17,077 I'm very curious to know what they picked. Mm. 40 00:01:17,118 --> 00:01:20,872 This pairing is Zae and Rachel Mac. Mm. 41 00:01:20,914 --> 00:01:25,335 They're two of my youngest and also two of my favorites, 42 00:01:25,377 --> 00:01:26,544 which makes me feel like an idiot 43 00:01:26,586 --> 00:01:28,088 for putting them together. 44 00:01:28,129 --> 00:01:29,297 Oops. 45 00:01:29,339 --> 00:01:31,841 Oh! Hey, guys. 46 00:01:31,883 --> 00:01:34,260 This is Snoop. [ Chuckles ] 47 00:01:34,302 --> 00:01:35,887 I -- [ Laughs ] 48 00:01:35,929 --> 00:01:37,764 Never have I thought 49 00:01:37,806 --> 00:01:40,725 I would say I met Snoop Dogg. 50 00:01:40,767 --> 00:01:42,686 Oh -- I'm thinking y'all on "The Price Is Right" 51 00:01:42,727 --> 00:01:44,854 the way y'all -- Come on down! Uh... 52 00:01:44,896 --> 00:01:47,232 Rachel, what song are you singing? 53 00:01:47,273 --> 00:01:49,442 "Foolish Games" by Jewel. Very nice. 54 00:01:49,484 --> 00:01:51,319 I wanted to really show -- I may be young, 55 00:01:51,361 --> 00:01:53,571 but I can really make the audience feel something. 56 00:01:53,613 --> 00:01:55,323 Well, you definitely made everyone feel something 57 00:01:55,365 --> 00:01:56,866 in your battle round. 58 00:01:56,908 --> 00:02:00,286 * I hope you don't mind, I hope you don't mind * 59 00:02:00,328 --> 00:02:05,250 It was the only standing ovation of all the battles. * That I put down in wo-o-rds * 60 00:02:05,291 --> 00:02:08,294 Whoo! Nick: Rachel was a one-chair turn, 61 00:02:08,336 --> 00:02:11,381 and she's kind of the one to watch, in my opinion. 62 00:02:11,423 --> 00:02:15,385 * You were always crazy like that * Nice. 63 00:02:15,427 --> 00:02:19,889 Rachel: To me, the song is about toxic people and finding peace. 64 00:02:19,931 --> 00:02:21,474 I definitely connect to this song. 65 00:02:21,516 --> 00:02:23,810 I've had a lot of people in my life come and go. 66 00:02:23,852 --> 00:02:25,729 I was 4 years old when my mom left. 67 00:02:25,770 --> 00:02:28,565 * Someone who gave a damn * It was rough. 68 00:02:28,606 --> 00:02:30,650 * Someone more like myself * My dad was working really hard, 69 00:02:30,692 --> 00:02:31,860 and so it was just us girls 70 00:02:31,901 --> 00:02:33,695 around the house a lot of the time, 71 00:02:33,737 --> 00:02:37,490 ordering at food banks and shopping at thrift stores. 72 00:02:37,532 --> 00:02:39,325 So, I've definitely gone through a lot. 73 00:02:39,367 --> 00:02:40,952 But I mean, it brought me here. 74 00:02:40,994 --> 00:02:43,913 * You're breaking my he-e-art * Ooh! 75 00:02:43,955 --> 00:02:46,332 I was just in awe. Like, I wanted to stand up. 76 00:02:46,374 --> 00:02:48,752 That's how much she moved me with that voice. 77 00:02:48,793 --> 00:02:51,671 Wow. Wow, wow. Pretty incredible. 78 00:02:51,713 --> 00:02:53,548 I heard some Teena Marie up in there. Thank you. 79 00:02:53,590 --> 00:02:55,633 You got a lot of soul in you, little momma. That sound good. 80 00:02:55,675 --> 00:02:57,469 She can handle the song and -- and make you believe 81 00:02:57,510 --> 00:02:59,554 that she's the woman who wrote the song. 82 00:02:59,596 --> 00:03:02,349 I love it. You're connecting it to something emotional. 83 00:03:02,390 --> 00:03:04,726 One note -- sometimes when you sing 84 00:03:04,768 --> 00:03:09,356 closed "A" vowel sounds, it can get a touch pitchy. Okay. 85 00:03:09,397 --> 00:03:11,316 I don't know if I like the ending. 86 00:03:11,358 --> 00:03:13,193 It's so big, and it just felt like 87 00:03:13,234 --> 00:03:14,694 the ending is just so little. 88 00:03:14,736 --> 00:03:16,863 When we get to the big crescendo on the high note, 89 00:03:16,905 --> 00:03:18,615 I almost wish that was the end, but I know it wouldn't -- 90 00:03:18,656 --> 00:03:20,325 Yeah, 'cause that's what it felt like. 91 00:03:20,367 --> 00:03:24,371 What if you did... * Breaking my heart * 92 00:03:24,412 --> 00:03:25,997 You banging us all the way through the record 93 00:03:26,039 --> 00:03:28,249 so you got to end with a bang. Yeah, for sure. 94 00:03:28,291 --> 00:03:31,544 Take every preconceived notion you have about Mr. Snoop, 95 00:03:31,586 --> 00:03:33,463 and it's the opposite. 96 00:03:33,505 --> 00:03:34,714 He's so humble. 97 00:03:34,756 --> 00:03:36,257 He's very knowledgeable. 98 00:03:36,299 --> 00:03:38,385 He completely changed the end of my song. 99 00:03:38,426 --> 00:03:39,969 He might have saved me. 100 00:03:40,011 --> 00:03:42,722 * You're breaking my he-e-art * 101 00:03:42,764 --> 00:03:44,516 So good. Thank you. 102 00:03:44,557 --> 00:03:46,393 The way you said "breaking my heart" at the end, 103 00:03:46,434 --> 00:03:48,436 it felt like you was finna cry. Mm-hmm. 104 00:03:48,478 --> 00:03:50,271 That was live. Thank you. 105 00:03:50,313 --> 00:03:51,398 That's the right call. 106 00:03:51,439 --> 00:03:52,816 I have worked 107 00:03:52,857 --> 00:03:55,819 with some incredible artists who were young. 108 00:03:55,860 --> 00:03:57,904 Demi Lovato comes to mind... Thank you. 109 00:03:57,946 --> 00:03:59,531 ...and Rachel has elements of that. 110 00:03:59,572 --> 00:04:01,366 When I see that she's coming up next to sing, 111 00:04:01,408 --> 00:04:02,951 I'm like, "Oh, I know this is gonna be good." 112 00:04:02,992 --> 00:04:05,745 Today is Zae day. [ Chuckles ] 113 00:04:05,787 --> 00:04:08,289 Zae, what song are you singing? 114 00:04:08,331 --> 00:04:10,000 I'm singing "Electric Love." Awesome. 115 00:04:10,041 --> 00:04:12,752 I did not anticipate that. Why did you choose that song? 116 00:04:12,794 --> 00:04:15,422 My grandpa passed away a few months ago. 117 00:04:15,463 --> 00:04:18,967 Him and my grandma had this crazy, beautiful love. 118 00:04:19,009 --> 00:04:20,760 Actually, his last words were that 119 00:04:20,802 --> 00:04:23,054 he wanted to give her a kiss, 120 00:04:23,096 --> 00:04:24,431 and he did. 121 00:04:24,472 --> 00:04:26,516 * Candy * 122 00:04:26,558 --> 00:04:28,018 He even wrote in one of his letters 123 00:04:28,059 --> 00:04:29,894 when he was in the military, "I feel a connection, 124 00:04:29,936 --> 00:04:31,438 and it's like an electric buzz in the air 125 00:04:31,479 --> 00:04:32,772 whenever I'm near you." 126 00:04:32,814 --> 00:04:34,899 Being in the foster-care system, you don't really 127 00:04:34,941 --> 00:04:36,401 get to see that love. * ...go now that I got it * 128 00:04:36,443 --> 00:04:38,570 * Lo-ove * Oooh! 129 00:04:38,611 --> 00:04:41,322 And so when I met them, I was like, "This is love." 130 00:04:41,364 --> 00:04:43,033 * Electric lo-ove * 131 00:04:43,074 --> 00:04:45,368 Nick: Zae reminds me a little bit of Labrinth, 132 00:04:45,410 --> 00:04:46,578 a little John Legend in there. 133 00:04:46,619 --> 00:04:48,705 Four chairs! 134 00:04:48,747 --> 00:04:51,041 Which makes, you know, him being a four-chair turn 135 00:04:51,082 --> 00:04:54,419 and not picking John so sweet. 136 00:04:54,461 --> 00:04:56,046 Snoop: Mm. So sick. 137 00:04:56,087 --> 00:04:58,298 You sound good, dawg. Thank you. I appreciate that. 138 00:04:58,340 --> 00:05:00,550 The original, obviously, is swung, up-tempo. 139 00:05:00,592 --> 00:05:02,052 This is such a cool flip on it, 140 00:05:02,093 --> 00:05:06,348 and I think it's gonna create kind of a viral-ish moment. 141 00:05:06,389 --> 00:05:08,600 You know, this is a big, big song. 142 00:05:08,641 --> 00:05:11,644 Maintain your control. Sort of sounds like there's an accent, 143 00:05:11,686 --> 00:05:14,356 the first word of the song... * Candy * 144 00:05:14,397 --> 00:05:15,565 I'm not, like, British or anything. 145 00:05:15,607 --> 00:05:16,983 It just kinda -- You're not British? 146 00:05:17,025 --> 00:05:18,610 [ Cockney accent ] Mate, you sounded British 147 00:05:18,651 --> 00:05:20,820 on the first line, mate. Yeah, well... 148 00:05:20,862 --> 00:05:22,447 [ Laughter ] 149 00:05:22,489 --> 00:05:25,450 I mean, it can sometimes be a stylistic choice 150 00:05:25,492 --> 00:05:26,868 to sing in a different accent. 151 00:05:26,910 --> 00:05:28,953 I've had... friends do that. 152 00:05:28,995 --> 00:05:30,538 [ Normal voice ] Yeah. We got friends that do it. 153 00:05:30,580 --> 00:05:33,333 But, uh, as our friend, you shouldn't do it. 154 00:05:33,375 --> 00:05:34,376 [ Laughter ] Yeah. 155 00:05:34,417 --> 00:05:35,794 When you're a young Black kid 156 00:05:35,835 --> 00:05:37,462 and you go to barbershops, everyone in there, 157 00:05:37,504 --> 00:05:38,505 they have so much fun, 158 00:05:38,546 --> 00:05:39,673 They're, like, joking around. 159 00:05:39,714 --> 00:05:40,965 They're all talking. 160 00:05:41,007 --> 00:05:43,051 And Snoop just reminds me of those moments. 161 00:05:43,093 --> 00:05:44,844 It just felt like home, almost. 162 00:05:44,886 --> 00:05:46,763 I'd hate to be the one to have to pick between these two. 163 00:05:46,805 --> 00:05:48,682 So would I. [ Laughter ] 164 00:05:48,723 --> 00:05:52,143 I am one performance away from live playoffs. 165 00:05:52,185 --> 00:05:54,020 I definitely got to step up to the plate... Whoo! Whoo! 166 00:05:54,062 --> 00:05:56,106 ...because this girl can sang. 167 00:05:56,147 --> 00:05:58,024 And that's not with an "I." That's with an "A." 168 00:05:58,066 --> 00:05:59,859 She can sang. [ Laughs ] 169 00:05:59,901 --> 00:06:02,028 Perform at your highest level so in case you don't make it, 170 00:06:02,070 --> 00:06:03,738 somebody may be looking in the wings 171 00:06:03,780 --> 00:06:05,115 and be like, "You know what?" Mm. Yeah. Mm-hmm. 172 00:06:05,156 --> 00:06:06,616 "I ain't finna let that person go home." 173 00:06:06,658 --> 00:06:08,535 Nick: I love Zae. I love Rachel. 174 00:06:08,576 --> 00:06:11,663 I think this is gonna be the toughest decision yet. 175 00:06:11,705 --> 00:06:13,790 [ Cheers and applause ] 176 00:06:13,832 --> 00:06:15,375 It's knockout time. 177 00:06:15,417 --> 00:06:18,503 We're knocking out the knockouts. 178 00:06:18,545 --> 00:06:19,963 Announcer: Alright. Places. Here we go. 179 00:06:20,005 --> 00:06:21,715 [ Cheers and applause ] 180 00:06:21,756 --> 00:06:25,885 Singing "Foolish Games," here's Rachel Mac. 181 00:06:25,927 --> 00:06:31,057 ** 182 00:06:31,099 --> 00:06:35,729 * You took your coat off * 183 00:06:35,770 --> 00:06:39,566 * And stood in the rain * 184 00:06:39,607 --> 00:06:43,987 * You were always crazy like that * 185 00:06:44,029 --> 00:06:45,989 ** 186 00:06:46,031 --> 00:06:50,577 * And I watched from my window * 187 00:06:50,618 --> 00:06:54,748 * Always felt I was outside * 188 00:06:54,789 --> 00:06:59,753 * Looking in on you * 189 00:06:59,794 --> 00:07:02,881 * You were always the mysterious one * 190 00:07:02,922 --> 00:07:06,468 * With dark eyes and careless hair * 191 00:07:06,509 --> 00:07:10,096 * You were fashionably sensitive * 192 00:07:10,138 --> 00:07:14,934 * But too cool to care * 193 00:07:14,976 --> 00:07:18,229 * Excuse me, think I've mistaken you * 194 00:07:18,271 --> 00:07:22,108 * For somebody else * 195 00:07:22,150 --> 00:07:25,904 Sing, girl! * Someone who gave a damn * 196 00:07:25,945 --> 00:07:29,157 * Somebody more like myself * 197 00:07:29,199 --> 00:07:32,118 * And these * 198 00:07:32,160 --> 00:07:36,039 * Foolish games * 199 00:07:36,081 --> 00:07:38,750 * Are tearing me * 200 00:07:38,792 --> 00:07:40,794 * You're tearing me * 201 00:07:40,835 --> 00:07:43,880 * Tearing me apart * 202 00:07:43,922 --> 00:07:47,175 * And your * 203 00:07:47,217 --> 00:07:51,137 * Thoughtless words * 204 00:07:51,179 --> 00:07:58,561 * Are breaking my heart * 205 00:07:58,603 --> 00:08:07,153 * You're breaking my he-e-art * 206 00:08:07,195 --> 00:08:15,120 * Oh, aaaaah * 207 00:08:15,161 --> 00:08:20,041 * You're breaking my heart * 208 00:08:20,083 --> 00:08:22,669 [ Cheers and applause ] Yeah! 209 00:08:22,711 --> 00:08:24,838 Beautiful. Lovely. 210 00:08:24,879 --> 00:08:27,632 [ Cheers and applause continue ] 211 00:08:27,674 --> 00:08:29,009 Daly: And now with "Electric Love, 212 00:08:29,050 --> 00:08:31,177 here is Zae Romeo. 213 00:08:33,096 --> 00:08:36,307 ** 214 00:08:36,349 --> 00:08:38,226 [ Humming ] 215 00:08:38,268 --> 00:08:40,687 ** 216 00:08:40,729 --> 00:08:43,773 * Candy * 217 00:08:43,815 --> 00:08:49,279 * She's sweet like candy in my veins * 218 00:08:49,320 --> 00:08:51,698 * Baby * 219 00:08:51,740 --> 00:08:57,537 * I'm dying for another taste * 220 00:08:57,579 --> 00:09:01,666 * Every night, my mind is running around her * 221 00:09:01,708 --> 00:09:03,168 Dang. 222 00:09:03,209 --> 00:09:07,881 * It's getting louder, louder and louder * 223 00:09:07,922 --> 00:09:09,341 Whoo! 224 00:09:09,382 --> 00:09:13,261 * Baby, you're like lightning in a bottle * 225 00:09:13,303 --> 00:09:16,890 * I can't let you go now that I got it * 226 00:09:16,931 --> 00:09:22,312 * And all I need is to be struck * 227 00:09:22,354 --> 00:09:30,779 * By your electric love * 228 00:09:30,820 --> 00:09:37,619 * Baby, your electric lo-o-ve * 229 00:09:37,660 --> 00:09:39,746 ** 230 00:09:39,788 --> 00:09:42,165 * Rushing through me * 231 00:09:42,207 --> 00:09:43,333 Whoo! 232 00:09:43,375 --> 00:09:48,171 * Feel your energy rushing * 233 00:09:48,213 --> 00:09:51,216 * Rushing through me * 234 00:09:51,257 --> 00:09:55,387 * I feel your energy rushing * 235 00:09:55,428 --> 00:09:57,263 ** 236 00:09:57,305 --> 00:10:01,142 * Baby, you're like lightning in a bottle * 237 00:10:01,184 --> 00:10:05,105 * I can't let you go now that I got it * 238 00:10:05,146 --> 00:10:11,111 * All I need is to be struck by * 239 00:10:11,152 --> 00:10:17,909 * Your electric lo-o-ve * 240 00:10:17,951 --> 00:10:19,786 Oh! 241 00:10:19,828 --> 00:10:27,127 * Baby, your electric love * 242 00:10:27,168 --> 00:10:34,718 * Baby, your electric love * 243 00:10:34,759 --> 00:10:36,136 [ Cheers and applause ] 244 00:10:36,177 --> 00:10:38,304 Yeah! 245 00:10:38,346 --> 00:10:42,684 [ Cheers and applause continue ] 246 00:10:42,726 --> 00:10:44,811 I have been moved. [ Laughter ] 247 00:10:44,853 --> 00:10:46,980 I have been moved, as well. 248 00:10:47,022 --> 00:10:49,691 Rachel, when you were hitting those high notes, 249 00:10:49,733 --> 00:10:53,153 it was, like, really gorgeous. Thank you. 250 00:10:53,194 --> 00:10:55,030 I find your vibrato so interesting. 251 00:10:55,071 --> 00:10:57,907 It's such a part of your vocal personality. 252 00:10:57,949 --> 00:11:00,243 Zae, I felt it. 253 00:11:00,285 --> 00:11:02,203 And I loved the way you were doing your little step, 254 00:11:02,245 --> 00:11:03,913 and it had like an energy 255 00:11:03,955 --> 00:11:06,416 that felt very appropriate for the song. 256 00:11:06,458 --> 00:11:08,084 I feel like you're showing 257 00:11:08,126 --> 00:11:10,712 even more of who you are. Yeah. 258 00:11:10,754 --> 00:11:14,090 I would side with Zae on this one. 259 00:11:14,132 --> 00:11:15,675 Kelly: I'm gonna start with you, Rachel. 260 00:11:15,717 --> 00:11:19,179 Your tone is incredible. I cannot believe you're 16. 261 00:11:19,220 --> 00:11:20,764 It's outrageous. Thank you. 262 00:11:20,805 --> 00:11:21,973 And your vibrato, like John said, 263 00:11:22,015 --> 00:11:23,767 is really beautiful. It's very slow. 264 00:11:23,808 --> 00:11:25,018 You just need to figure out where to breathe 265 00:11:25,060 --> 00:11:26,269 to get a little bit more air. 266 00:11:26,311 --> 00:11:28,146 Job well done. Thank you. 267 00:11:28,188 --> 00:11:29,773 Hey, Zae! 268 00:11:29,814 --> 00:11:32,442 You lose yourself in the song, 269 00:11:32,484 --> 00:11:34,194 and I have never heard that song. 270 00:11:34,235 --> 00:11:36,029 You seriously have never heard that song before? Wow. 271 00:11:36,071 --> 00:11:38,782 Oh, shut up, cowboy. You don't know that song. 272 00:11:38,823 --> 00:11:40,867 Blake listens to it... I can see him jamming to "Electric Love" in his truck. 273 00:11:40,909 --> 00:11:43,703 ...in the car every time he's on his way here, 274 00:11:43,745 --> 00:11:45,163 He's always playing "Electric Love." Yeah. Back roads. 275 00:11:45,205 --> 00:11:47,040 Back roads. Yeah, totally. 276 00:11:47,082 --> 00:11:48,917 I thought it was incredible. 277 00:11:48,958 --> 00:11:51,336 That's why I'm picking you this round. [ Chuckles ] 278 00:11:51,378 --> 00:11:53,380 I'm interested in what Nick's gonna do here, 279 00:11:53,421 --> 00:11:56,007 because on one hand, he has Zae, 280 00:11:56,049 --> 00:11:58,176 who was, if my notes are correct here -- 281 00:11:58,218 --> 00:12:00,220 I keep notes. I've -- I write them down the whole time. 282 00:12:00,261 --> 00:12:01,930 He calls them Blake's Notes. Yeah. 283 00:12:01,971 --> 00:12:03,223 I'm just constantly -- It's his thing. 284 00:12:03,264 --> 00:12:04,849 And I study 'em. It's histhing. 285 00:12:04,891 --> 00:12:06,059 No one else has notes like Blake does. 286 00:12:06,101 --> 00:12:07,519 Right. No one, yeah. 287 00:12:07,560 --> 00:12:10,105 You were a four-chair turn, if I remember correctly, 288 00:12:10,146 --> 00:12:11,898 I was. You kinda set the bar. 289 00:12:11,940 --> 00:12:13,400 When you -- When that happens, it's like, 290 00:12:13,441 --> 00:12:15,902 "Well, he better win." 291 00:12:15,944 --> 00:12:19,239 One-button artist, which is what Rachel was. 292 00:12:19,280 --> 00:12:21,324 When they excel like she is -- 293 00:12:21,366 --> 00:12:23,243 We're seeing this growth happen with you. 294 00:12:23,284 --> 00:12:24,911 Every time you get up there, it's like, 295 00:12:24,953 --> 00:12:27,372 "Oh, my God. Oh, my God." Thank you. 296 00:12:27,414 --> 00:12:29,791 As a coach, I'm always interested in knowing 297 00:12:29,833 --> 00:12:32,127 that I can effect change with an artist. 298 00:12:32,168 --> 00:12:36,047 And I feel like, somehow, Nick, of all people, 299 00:12:36,089 --> 00:12:38,758 is putting coaching into motion with you. 300 00:12:38,800 --> 00:12:39,884 Thank you. And that's really cool. 301 00:12:39,926 --> 00:12:41,136 Nick, give us some thoughts 302 00:12:41,177 --> 00:12:42,554 before you tell us who won the knockout. 303 00:12:42,595 --> 00:12:45,473 On one hand, Zae, you sang the best 304 00:12:45,515 --> 00:12:46,933 I've ever heard you sing. 305 00:12:46,975 --> 00:12:48,852 You know, you come ready for game time, 306 00:12:48,893 --> 00:12:50,437 and you put on a show. 307 00:12:50,478 --> 00:12:51,938 You've done it each performance. 308 00:12:51,980 --> 00:12:54,524 On the other hand, Rachel, you're growing 309 00:12:54,566 --> 00:12:56,568 exponentially every time we work together. 310 00:12:56,609 --> 00:13:00,238 And it's why, I think, all of us love this job so much. 311 00:13:00,280 --> 00:13:02,365 Nick, who is the winner of this knockout? 312 00:13:02,407 --> 00:13:03,950 ** 313 00:13:03,992 --> 00:13:05,285 [ Sighs deeply ] 314 00:13:05,326 --> 00:13:09,039 This performance just made this decision 315 00:13:09,080 --> 00:13:11,791 very, very difficult. 316 00:13:11,833 --> 00:13:15,086 The winner of this knockout is... 317 00:13:15,128 --> 00:13:16,838 Rachel. 318 00:13:16,880 --> 00:13:18,381 [ Cheers and applause ] Daly: Well, there you have it. 319 00:13:18,423 --> 00:13:20,884 Rachel Mac! Nick: I picked Rachel 320 00:13:20,925 --> 00:13:22,969 because she's kind of a dark horse, 321 00:13:23,011 --> 00:13:24,304 one-chair turn, 322 00:13:24,346 --> 00:13:26,348 and here she is, going into the live shows. 323 00:13:26,389 --> 00:13:28,183 I think she's one of the strongest vocalists we have, 324 00:13:28,224 --> 00:13:29,976 and I know she can get even better. 325 00:13:30,018 --> 00:13:31,978 Coaches, let me remind you that Zae's available to steal. 326 00:13:32,020 --> 00:13:33,188 Zae, anything you want to say -- 327 00:13:33,229 --> 00:13:35,106 We got a steal! 328 00:13:35,148 --> 00:13:39,444 Kelly Clarkson uses her one and only steal in the knockouts... 329 00:13:39,486 --> 00:13:42,197 Texas! ...for Zae Romeo. 330 00:13:42,238 --> 00:13:44,449 Kelly, why'd you want to use your steal on Zae? 331 00:13:44,491 --> 00:13:46,326 That's a no-brainer. I turned for you in the blinds. 332 00:13:46,368 --> 00:13:48,828 I loved you in the battles from home in my PJs. 333 00:13:48,870 --> 00:13:50,163 Honestly, this show's called "The Voice," 334 00:13:50,205 --> 00:13:51,873 and your voice, like, gave me goosebumps 335 00:13:51,915 --> 00:13:53,166 the entire performance. 336 00:13:53,208 --> 00:13:55,251 Daly: Give it up. Kelly steals Zae Romeo. 337 00:13:55,293 --> 00:13:58,004 Zae! We will be seeing you in the live playoffs, 338 00:13:58,046 --> 00:14:00,548 this time, on Team Kelly. John: Yeah! I'm so excited. 339 00:14:00,590 --> 00:14:02,967 All is good in the world. Congrats, Kelly. 340 00:14:03,009 --> 00:14:04,260 Kelly: Zae is incredible. 341 00:14:04,302 --> 00:14:06,346 I think Nick really messed up there. 342 00:14:06,388 --> 00:14:08,390 What? 343 00:14:08,431 --> 00:14:09,974 Daly: Coming up... You should write a book. 344 00:14:10,016 --> 00:14:12,018 "The Voice" by Snoop Dogg. 345 00:14:12,060 --> 00:14:13,311 Gonna be a whole lot of women 346 00:14:13,353 --> 00:14:14,604 screaming at you in the front row. 347 00:14:14,646 --> 00:14:16,523 You dang right. "You dang right." 348 00:14:16,564 --> 00:14:18,942 Snoop helps our coaches prepare the artists. 349 00:14:18,983 --> 00:14:20,485 There's gotta be something where she can -- 350 00:14:20,527 --> 00:14:22,278 bam, ba-ba, buh, bum! 351 00:14:22,320 --> 00:14:25,990 * Never, no, no * Yes! 352 00:14:26,032 --> 00:14:29,619 * Stop loving you * [ Cheers and applause ] 353 00:14:29,661 --> 00:14:30,662 [ Whoosh ] Daly: Oh! 354 00:14:30,704 --> 00:14:32,163 That is the sound of a steal! 355 00:14:32,205 --> 00:14:33,873 Wait! What?! And later... 356 00:14:33,915 --> 00:14:35,417 the artists compete for your votes 357 00:14:35,458 --> 00:14:37,168 in our four-way knockout. 358 00:14:37,210 --> 00:14:38,962 Whoo! [ Cheers and applause ] 359 00:14:45,635 --> 00:14:47,137 * This is "The Voice" * 360 00:14:47,178 --> 00:14:48,304 Daly: Welcome back to the knockout rounds 361 00:14:48,346 --> 00:14:50,765 at Universal Studios Hollywood. 362 00:14:50,807 --> 00:14:52,475 I'm planning on having some fun today. 363 00:14:52,517 --> 00:14:54,060 Yeah. We are definitely gonna have some fun today. 364 00:14:54,102 --> 00:14:55,437 Did you meet the band? What's up, band? 365 00:14:55,478 --> 00:14:56,980 What's happening, y'all? 'Sup?! 366 00:14:57,022 --> 00:14:58,314 What I plan on seeing today 367 00:14:58,356 --> 00:15:02,235 is some real funky musical instrumentation. 368 00:15:02,277 --> 00:15:03,570 You dig? Exactly. 369 00:15:03,611 --> 00:15:05,989 So, basically, that's code for, "Don't suck." 370 00:15:06,031 --> 00:15:07,365 [ Laughs ] 371 00:15:07,407 --> 00:15:08,992 The first pairing that's coming out -- 372 00:15:09,034 --> 00:15:10,702 these are kinda more my, like, country guys. 373 00:15:10,744 --> 00:15:12,537 Okay. Well, you know, I love country music. 374 00:15:12,579 --> 00:15:14,039 When we do award shows, 375 00:15:14,080 --> 00:15:16,082 more country artists and rappers hang out. 376 00:15:16,124 --> 00:15:17,584 It's a natural combination. 377 00:15:17,625 --> 00:15:19,210 Alright. Alright. What's up, guys?! Oho! 378 00:15:19,252 --> 00:15:21,129 Snoop Dogg? Snoop Dogg is here. 379 00:15:21,171 --> 00:15:24,007 Seeing Kelly and Snoop, it completely threw me for a loop. 380 00:15:24,049 --> 00:15:26,426 That's crazy, man. What's happening, fellas? 381 00:15:26,468 --> 00:15:27,802 Avery: He's worked with Justin Bieber, 382 00:15:27,844 --> 00:15:29,596 Justin Timberlake, Dr. Dre. 383 00:15:29,637 --> 00:15:31,514 My grandma knows who Snoop Dogg is. 384 00:15:31,556 --> 00:15:34,184 I have never been more excited to show up to work 385 00:15:34,225 --> 00:15:36,311 'cause I knew that Snoop Dogg was gonna be here. 386 00:15:36,353 --> 00:15:38,396 Kelly: The hard thing for me with Avery and Kenzie is, 387 00:15:38,438 --> 00:15:40,482 they fill the lane in country music that I love. 388 00:15:40,523 --> 00:15:43,193 Both are four-chair turns, and so I just want to see 389 00:15:43,234 --> 00:15:45,070 which one kind of rises to the top for me. 390 00:15:45,111 --> 00:15:47,113 I'm so sorry I couldn't be here for the battles. 391 00:15:47,155 --> 00:15:48,698 No, you're good. Kelsea did a great job. 392 00:15:48,740 --> 00:15:50,200 I stole Avery. 393 00:15:50,241 --> 00:15:51,826 [ Cheers and applause ] 394 00:15:51,868 --> 00:15:54,412 Whoo! Yes! Yes! 395 00:15:54,454 --> 00:15:56,373 You did it. Snoop: Oh, wow. 396 00:15:56,414 --> 00:15:57,791 So, he must be a treat if you stole him... 397 00:15:57,832 --> 00:15:58,750 He is. ...and put him on your team. 398 00:15:58,792 --> 00:16:00,210 Well, thank you so much. 399 00:16:00,251 --> 00:16:01,544 What song are you singing, Avery? 400 00:16:01,586 --> 00:16:03,254 I'm singing "Tomorrow" by Chris Young. 401 00:16:03,296 --> 00:16:04,464 It's just, like, one of those songs 402 00:16:04,506 --> 00:16:05,715 that you can really feel. 403 00:16:05,757 --> 00:16:07,133 That's one of my favorite things to do, 404 00:16:07,175 --> 00:16:08,718 is, like, storytelling in a song. 405 00:16:08,760 --> 00:16:10,345 The song is about loving something 406 00:16:10,387 --> 00:16:11,304 and not wanting to let it go. 407 00:16:11,346 --> 00:16:13,223 * Tomorrow * 408 00:16:13,264 --> 00:16:16,142 * I'm gonna leave here * Yeah. 409 00:16:16,184 --> 00:16:18,353 You know, I'm just a country boy from North Carolina. 410 00:16:18,395 --> 00:16:22,232 * I'm gonna let you go * I ain't ever been away from my family this far. 411 00:16:22,273 --> 00:16:24,567 I'm scared of change, but I want to do this more than anything. 412 00:16:24,609 --> 00:16:26,152 * And tomorrow * There he go. 413 00:16:26,194 --> 00:16:27,487 That's so nice. * I'm gonna listen * 414 00:16:27,529 --> 00:16:29,739 Kelly: I love this song, and I thought it was 415 00:16:29,781 --> 00:16:32,701 a really solid pick for a competition. * We're like fire and gasoline * 416 00:16:32,742 --> 00:16:36,496 He just got a really cool Tim McGraw storyteller vibe. * I'm no good for you, you're no good for me * 417 00:16:36,538 --> 00:16:39,416 That was nice. * I'm no good for you * 418 00:16:39,457 --> 00:16:41,584 * You're no good for me * [ Laughs ] I love it! 419 00:16:41,626 --> 00:16:44,212 Avery: When I seen Snoop Dogg dancing in his chair, 420 00:16:44,254 --> 00:16:45,630 I would never thought that would ever happen. 421 00:16:45,672 --> 00:16:47,215 You know, like, that's like a dream. 422 00:16:47,257 --> 00:16:48,633 I know why you're a four-chair turn, Avery. 423 00:16:48,675 --> 00:16:51,428 Your tone is so beautiful. Thank you. 424 00:16:51,469 --> 00:16:54,222 The only thing I heard was just some pitchy parts. 425 00:16:54,264 --> 00:16:56,725 And that is all air. That's my biggest problem with this. 426 00:16:56,766 --> 00:16:58,518 The reason why you have a lack of air 427 00:16:58,560 --> 00:17:00,729 is you don't sing with vibrato. 428 00:17:00,770 --> 00:17:04,441 Just a little bit of, like... [vocalizing] 429 00:17:04,482 --> 00:17:06,234 It needs to... * Aah na * 430 00:17:06,276 --> 00:17:07,902 Especially any time you go to those high notes. 431 00:17:07,944 --> 00:17:10,613 Yeah, add on some levels and some layers to your game. 432 00:17:10,655 --> 00:17:13,283 Yeah. The first verse, you had me in a trance. 433 00:17:13,324 --> 00:17:14,659 You telling your story. 434 00:17:14,701 --> 00:17:16,286 That's where you're breathing at. 435 00:17:16,327 --> 00:17:17,537 And then when it went upbeat, 436 00:17:17,579 --> 00:17:19,330 I wanted it to go more upbeat. 437 00:17:19,372 --> 00:17:21,291 Like, separate the two. 438 00:17:21,332 --> 00:17:22,625 Also adds a little more soul. 439 00:17:22,667 --> 00:17:24,169 Country music talks to people. 440 00:17:24,210 --> 00:17:25,462 We feel like it's a connection. 441 00:17:25,503 --> 00:17:26,713 Like... Yeah. 442 00:17:26,755 --> 00:17:28,131 ...[voice breaking] I hear you, man. 443 00:17:28,173 --> 00:17:29,466 Let's try it a little more sparse 444 00:17:29,507 --> 00:17:30,717 and, like, acoustic. 445 00:17:30,759 --> 00:17:32,635 I want to cry. Make me cry, Avery. 446 00:17:32,677 --> 00:17:34,846 I'll try to make you cry. It's not hard. [ Laughs ] 447 00:17:34,888 --> 00:17:38,308 * No good for you, you're no good for me * 448 00:17:38,350 --> 00:17:42,771 * We only bring each other tears and sorrow * 449 00:17:42,812 --> 00:17:44,814 You weren't pitchy once there. 450 00:17:44,856 --> 00:17:46,483 It was, like, a giant difference. 451 00:17:46,524 --> 00:17:49,402 I loved every minute of it, baby. [ Chuckles ] 452 00:17:49,444 --> 00:17:51,696 Snoop: Once we gave him information, he inserted it. 453 00:17:51,738 --> 00:17:53,281 He's got a lot of room to work with, 454 00:17:53,323 --> 00:17:54,491 and he's got a great talent. 455 00:17:54,532 --> 00:17:56,326 Come on, Kenzie! I'm anxious to see 456 00:17:56,368 --> 00:17:58,286 what he's gonna sound like once he fine-tunes everything. 457 00:17:58,328 --> 00:18:00,830 Snoop, I've been in love with Kenzie since the blinds. 458 00:18:00,872 --> 00:18:02,499 And it's not just the mullet. 459 00:18:02,540 --> 00:18:05,669 You remind me of George Strait, and I'm Texan. 460 00:18:05,710 --> 00:18:07,212 That's blasphemous. [ Laughter ] 461 00:18:07,253 --> 00:18:08,713 I have one question. 462 00:18:08,755 --> 00:18:12,300 How incredibly mad were you at me 463 00:18:12,342 --> 00:18:15,345 for blocking you from getting on Blake's team? 464 00:18:15,387 --> 00:18:16,888 Please, pick me! 465 00:18:16,930 --> 00:18:18,848 I mean, he was my first choice, you know, but... 466 00:18:18,890 --> 00:18:21,434 I know, but that's why I used my block. 467 00:18:21,476 --> 00:18:22,977 So why did you choose this song? 468 00:18:23,019 --> 00:18:24,854 "Beer Never Broke My Heart" -- it's kind of like a song 469 00:18:24,896 --> 00:18:26,439 I haven't sung on the show yet. 470 00:18:26,481 --> 00:18:27,941 I wanted to challenge myself. 471 00:18:27,982 --> 00:18:29,734 Come on. 472 00:18:29,776 --> 00:18:33,697 * Long neck, ice-cold beer never broke my heart * 473 00:18:33,738 --> 00:18:35,448 I've always been a country guy 474 00:18:35,490 --> 00:18:37,575 trying to get my voice heard anywhere that I could. 475 00:18:37,617 --> 00:18:39,494 * Like a neon dream, it just dawned on me * 476 00:18:39,536 --> 00:18:41,246 And this song's just, like, a jam-out song. 477 00:18:41,287 --> 00:18:42,956 Just get down and have fun onstage. 478 00:18:42,997 --> 00:18:46,584 It's pretty much about a guy that life let him down, 479 00:18:46,626 --> 00:18:50,380 girls and stuff like that, so I can definitely relate. 480 00:18:50,422 --> 00:18:52,799 All my relationships have pretty much been dead-end roads. 481 00:18:52,841 --> 00:18:54,426 Yeah. [ Chuckles ] 482 00:18:54,467 --> 00:18:55,719 Hey! 483 00:18:55,760 --> 00:18:57,220 * Long neck, ice-cold beer * 484 00:18:57,262 --> 00:18:58,847 Avery: Kenzie is hittin' these high notes, 485 00:18:58,888 --> 00:19:00,432 but it looks so effortless... * Never broke my heart * 486 00:19:00,473 --> 00:19:02,392 ...like he's not even trying to hit 'em. 487 00:19:02,434 --> 00:19:03,685 * Long-neck ice... * I just know that when I go out there, 488 00:19:03,727 --> 00:19:04,728 I'm gonna have to bring everything I got 489 00:19:04,769 --> 00:19:06,229 'cause he's a killer singer. 490 00:19:06,271 --> 00:19:07,897 Man! [ Screams ] 491 00:19:07,939 --> 00:19:12,694 * Long neck, ice-cold beer never broke my heart * 492 00:19:12,736 --> 00:19:14,946 I fell in love with the song right then and there, 493 00:19:14,988 --> 00:19:16,489 and I'm not even a heavy beer drinker, 494 00:19:16,531 --> 00:19:17,907 but I think I'mma go get me a beer. 495 00:19:17,949 --> 00:19:20,660 From that song, I can tell that you like Blake. 496 00:19:20,702 --> 00:19:22,746 I cannot wait... I love you too, Kelly. 497 00:19:22,787 --> 00:19:24,539 ...for him to hear that and then be like, 498 00:19:24,581 --> 00:19:26,541 "Yeah, you suck for blocking me." 499 00:19:26,583 --> 00:19:28,501 Gonna be a whole lot of women 500 00:19:28,543 --> 00:19:29,711 screaming at you in the front row. 501 00:19:29,753 --> 00:19:31,546 You dang right. "You dang right." 502 00:19:31,588 --> 00:19:32,964 [ Laughs ] Kelly: Oh, my God. 503 00:19:33,006 --> 00:19:36,634 He's so lovable. He's charming. He's so talented. 504 00:19:36,676 --> 00:19:38,803 I'm really excited that he was smart enough, 505 00:19:38,845 --> 00:19:40,388 as well, to choose a song that really showed 506 00:19:40,430 --> 00:19:41,890 a different side of himself. 507 00:19:41,931 --> 00:19:44,309 After that first verse when it go into that hook, 508 00:19:44,351 --> 00:19:45,977 give me some suspicion. Okay. 509 00:19:46,019 --> 00:19:48,521 Hold me there before you take me there. 510 00:19:48,563 --> 00:19:50,065 Right before it breaks off into the hook, 511 00:19:50,106 --> 00:19:51,775 you did the, "Come on." 512 00:19:51,816 --> 00:19:53,985 I'm telling you, when you say, "Come on," like that, 513 00:19:54,027 --> 00:19:55,737 ain't nobody coming with you. 514 00:19:55,779 --> 00:19:56,863 [ Laughter ] Come on! 515 00:19:56,905 --> 00:19:58,573 Come on. Come on! 516 00:19:58,615 --> 00:20:01,826 I know it's hard to play off of no actual physical crowd, 517 00:20:01,868 --> 00:20:03,787 especially on, like, a party song like this. 518 00:20:03,828 --> 00:20:06,956 But, I mean, you got to imagine you're in a stadium. 519 00:20:06,998 --> 00:20:08,750 When you actually in the moment, 520 00:20:08,792 --> 00:20:11,628 where it's 100,000 people in the crowd... Yeah. 521 00:20:11,670 --> 00:20:13,296 ...you're training yourself for that right now. 522 00:20:13,338 --> 00:20:15,548 So that way, when they're actually there, 523 00:20:15,590 --> 00:20:16,966 you're gonna be calm in the storm. 524 00:20:17,008 --> 00:20:18,301 Kind of like I've been there before. 525 00:20:18,343 --> 00:20:19,427 Exactly. Yeah. 526 00:20:19,469 --> 00:20:20,637 Act like you've been here, man. 527 00:20:20,679 --> 00:20:21,971 Dream big, yeah. 528 00:20:22,013 --> 00:20:24,766 Big A, come on back to the stage, baby. 529 00:20:24,808 --> 00:20:26,726 You both have completely different songs, 530 00:20:26,768 --> 00:20:29,354 and they are both so important for the show. 531 00:20:29,396 --> 00:20:31,523 You guys are young. You guys are fresh. 532 00:20:31,564 --> 00:20:33,316 Stand on what you guys believe. 533 00:20:33,358 --> 00:20:35,443 Don't let this moment, you know, blind you 534 00:20:35,485 --> 00:20:37,320 from what your real goal in life is. 535 00:20:37,362 --> 00:20:39,489 You're supposed to make music to make people feel good. 536 00:20:39,531 --> 00:20:40,824 Okay. You should write a book. 537 00:20:40,865 --> 00:20:42,826 "The Voice" by Snoop Dogg. [ Laughter ] 538 00:20:42,867 --> 00:20:45,912 Available. Oh, my God, please. 539 00:20:45,954 --> 00:20:47,330 Kelly: I love my country boys. 540 00:20:47,372 --> 00:20:49,624 This is gonna be such a hard decision. 541 00:20:49,666 --> 00:20:52,836 * Long neck, ice-cold beer never... * 542 00:20:52,877 --> 00:20:54,754 He gonna catch me in the dressing room singing it. 543 00:20:54,796 --> 00:20:56,631 [ Laughs ] 544 00:20:56,673 --> 00:20:59,092 [ Cheers and applause ] 545 00:20:59,134 --> 00:21:00,635 I'm so excited. 546 00:21:00,677 --> 00:21:02,637 Now singing "Beer Never Broke My Heart," 547 00:21:02,679 --> 00:21:03,847 here's Kenzie Wheeler. 548 00:21:03,888 --> 00:21:05,557 If that ain't a country title... 549 00:21:05,598 --> 00:21:06,933 [ Both chuckle ] 550 00:21:06,975 --> 00:21:12,981 ** 551 00:21:13,023 --> 00:21:16,609 * I've had a large-mouth bass bust my line * 552 00:21:16,651 --> 00:21:19,863 * A couple beautiful girls tell me goodbye * 553 00:21:19,904 --> 00:21:23,158 * Trucks break down, dogs run off * 554 00:21:23,199 --> 00:21:26,077 * Politicians lie, been fired by the boss * 555 00:21:26,119 --> 00:21:28,371 * It takes one hand * 556 00:21:28,413 --> 00:21:31,541 * To count the things I can count on * 557 00:21:31,583 --> 00:21:34,544 * No, there ain't much, man * 558 00:21:34,586 --> 00:21:37,047 * That ain't never let me down * 559 00:21:37,088 --> 00:21:38,923 Whoo! 560 00:21:38,965 --> 00:21:44,763 * 'Cause long neck, ice-cold beer never broke my heart * 561 00:21:44,804 --> 00:21:47,974 Whoo! * Like diamond rings and football teams * 562 00:21:48,016 --> 00:21:50,727 * Have torn this boy apart * 563 00:21:50,769 --> 00:21:54,564 * Like a neon dream, it just dawned on me * 564 00:21:54,606 --> 00:21:57,484 * That bars and this guitar * Whoo! 565 00:21:57,525 --> 00:22:04,574 * And long neck, ice-cold beer never broke my heart * 566 00:22:04,616 --> 00:22:08,453 * She was a Carolina blue-jean baby * 567 00:22:08,495 --> 00:22:11,498 * Fire in her eyes that drove me crazy * 568 00:22:11,539 --> 00:22:14,501 * It was red taillights when she left town * 569 00:22:14,542 --> 00:22:17,170 * If I didn't know then, I sure know * 570 00:22:17,212 --> 00:22:19,673 * It takes one hand * 571 00:22:19,714 --> 00:22:22,926 * To count the things I can count on * 572 00:22:22,967 --> 00:22:25,929 * And I've got one hand * 573 00:22:25,970 --> 00:22:28,848 * That's gripping down on a cold one * 574 00:22:28,890 --> 00:22:31,768 Come on! Hey! Whoo! 575 00:22:31,810 --> 00:22:37,607 * 'Cause long neck, ice-cold beer never broke my heart * 576 00:22:37,649 --> 00:22:40,902 * Like diamond rings and football teams * 577 00:22:40,944 --> 00:22:43,780 * Have torn this boy apart * 578 00:22:43,822 --> 00:22:47,242 * Like a neon dream, it just dawned on me * 579 00:22:47,283 --> 00:22:50,578 * That bars and this guitar * 580 00:22:50,620 --> 00:22:56,543 * And long neck, ice-cold beer never broke my heart * 581 00:22:56,584 --> 00:22:57,669 * No! * 582 00:22:57,711 --> 00:22:58,795 Whoo! 583 00:22:58,837 --> 00:23:01,214 * It never broke my heart * 584 00:23:01,256 --> 00:23:03,508 ** 585 00:23:03,550 --> 00:23:04,759 [ Cheers and applause ] 586 00:23:04,801 --> 00:23:06,720 Yes, Kenzie! 587 00:23:13,184 --> 00:23:14,602 * This is "The Voice" * 588 00:23:14,644 --> 00:23:16,563 Daly: Welcome back to the knockouts. 589 00:23:16,604 --> 00:23:20,275 [ Cheers and applause ] 590 00:23:20,316 --> 00:23:21,860 Alright, now. 591 00:23:21,901 --> 00:23:25,071 With "Tomorrow," here is Avery Roberson. 592 00:23:29,075 --> 00:23:32,162 ** 593 00:23:32,203 --> 00:23:34,205 * Tomorrow * 594 00:23:34,247 --> 00:23:37,917 * I'm gonna leave here * 595 00:23:37,959 --> 00:23:41,671 * And I'm gonna let you go and walk away * 596 00:23:41,713 --> 00:23:44,883 * Like every day I said I would * 597 00:23:44,924 --> 00:23:47,802 * And tomorrow * 598 00:23:47,844 --> 00:23:50,930 * I'm gonna listen * 599 00:23:50,972 --> 00:23:55,143 * To that voice of reason inside my head * 600 00:23:55,185 --> 00:23:58,730 * Telling me that we're no good * 601 00:23:58,772 --> 00:24:02,150 * But tonight I'm gonna give in one last time * 602 00:24:02,192 --> 00:24:05,570 * Rock you strong in these arms of mine * 603 00:24:05,612 --> 00:24:10,825 * Forget all the regrets that are bound to follow * 604 00:24:10,867 --> 00:24:12,118 ** 605 00:24:12,160 --> 00:24:15,080 * We're like fire and gasoline * 606 00:24:15,121 --> 00:24:18,917 * I'm no good for you, you're no good for me * 607 00:24:18,958 --> 00:24:25,048 * We only bring each other tears and sorrow * 608 00:24:25,090 --> 00:24:26,925 * But tonight * 609 00:24:26,966 --> 00:24:31,930 * I'm gonna love you like there's no * 610 00:24:31,971 --> 00:24:38,645 * Tomorrow * 611 00:24:38,687 --> 00:24:41,940 * Baby, when we're good, you know we're great * 612 00:24:41,981 --> 00:24:44,943 * But there's too much bad for us to think * 613 00:24:44,984 --> 00:24:52,158 * That there's anything worth trying to save * 614 00:24:52,200 --> 00:24:55,078 * We're like fire and gasoline * 615 00:24:55,120 --> 00:24:58,957 * I'm no good for you, you're no good for me * 616 00:24:58,998 --> 00:25:04,796 * We only bring each other tears and sorrow * 617 00:25:04,838 --> 00:25:06,840 * But tonight * 618 00:25:06,881 --> 00:25:12,012 * I'm gonna love you like there's no * 619 00:25:12,053 --> 00:25:14,222 * Tomorrow * 620 00:25:14,264 --> 00:25:17,934 * I'm gonna leave here * 621 00:25:17,976 --> 00:25:21,730 * I'm gonna let you go and walk away * 622 00:25:21,771 --> 00:25:26,026 * Like every day I said I would * 623 00:25:26,067 --> 00:25:28,403 [ Cheers and applause ] 624 00:25:28,445 --> 00:25:29,821 Alright. 625 00:25:29,863 --> 00:25:31,031 Avery! 626 00:25:31,072 --> 00:25:34,701 ** 627 00:25:34,743 --> 00:25:36,077 I got to see something here. 628 00:25:36,119 --> 00:25:37,454 I -- [ Laughs ] 629 00:25:37,495 --> 00:25:39,914 You're probably gonna win this show, 630 00:25:39,956 --> 00:25:43,043 and I want to know exactly what's going on up in here, 631 00:25:43,084 --> 00:25:45,837 is what I want to know. You -- You thought of a unicorn, right? 632 00:25:45,879 --> 00:25:47,297 No, a widow's peak. Widow's peak. Widow's peak. 633 00:25:47,339 --> 00:25:49,716 It's what makes him magical. 634 00:25:49,758 --> 00:25:51,009 You're probably gonna win "The Voice," 635 00:25:51,051 --> 00:25:53,136 and that haircut's gonna be trending, 636 00:25:53,178 --> 00:25:54,471 and I want to be in on it. 637 00:25:54,512 --> 00:25:56,014 You gonna grow one? 638 00:25:56,056 --> 00:25:57,474 That's why I'm getting a good look at it. 639 00:25:57,515 --> 00:25:58,975 [ Laughter ] 640 00:25:59,017 --> 00:26:00,393 What's up, Avery? What's up? 641 00:26:00,435 --> 00:26:01,978 Every time you get on stage, 642 00:26:02,020 --> 00:26:04,189 it seems like you're a little more comfortable. 643 00:26:04,230 --> 00:26:06,983 You're starting to just let your voice do what it does, 644 00:26:07,025 --> 00:26:09,486 which is really incredible. Thank you. 645 00:26:09,527 --> 00:26:11,237 Kenzie, he's the real deal, 646 00:26:11,279 --> 00:26:13,865 and we can joke about the hairdo and all that, 647 00:26:13,907 --> 00:26:17,202 but you're a talented... SOB, okay? 648 00:26:17,243 --> 00:26:19,412 Thank you, bud. You really are, man. 649 00:26:19,454 --> 00:26:21,373 I'd probably go with Kenzie here, 650 00:26:21,414 --> 00:26:23,291 even though my man's standing there. 651 00:26:23,333 --> 00:26:26,169 What a shame it is Kelly blocked me, 652 00:26:26,211 --> 00:26:27,462 and I didn't get my chance. Don't talk about it. 653 00:26:27,504 --> 00:26:29,964 Actually, I feel bad about it now. 654 00:26:30,006 --> 00:26:31,508 She feels this bad. 655 00:26:31,549 --> 00:26:34,135 You're overcoming your coach, okay? 656 00:26:34,177 --> 00:26:36,221 You -- You are -- You're finding your own way. 657 00:26:36,262 --> 00:26:37,806 And I'm proud of you. Thank you, Blake. 658 00:26:37,847 --> 00:26:40,725 Avery, this was your best performance yet. 659 00:26:40,767 --> 00:26:43,770 Thank you. The emotional texture in your performance, 660 00:26:43,812 --> 00:26:45,397 the fact that you tied it to something that was real 661 00:26:45,438 --> 00:26:47,065 felt strong to me, 662 00:26:47,107 --> 00:26:48,233 and, Kenzie, you brought the party. 663 00:26:48,274 --> 00:26:49,484 Well, the party is in the back. 664 00:26:49,526 --> 00:26:51,486 [ Laughs ] The party's in the back. 665 00:26:51,528 --> 00:26:53,446 I think you've got a great coach, 666 00:26:53,488 --> 00:26:55,407 way better than Blake would have been for you, which is... 667 00:26:55,448 --> 00:26:58,243 You have a shot to win this thing, 668 00:26:58,284 --> 00:27:00,453 'cause I think that the country's gonna fall in love with you. 669 00:27:00,495 --> 00:27:03,039 But for me, I would go with Avery. 670 00:27:03,081 --> 00:27:07,502 Avery, I feel like there's another level to you 671 00:27:07,544 --> 00:27:09,212 that you're holding back. 672 00:27:09,254 --> 00:27:10,547 If you were able to convey 673 00:27:10,588 --> 00:27:12,924 a little more passionately on stage, 674 00:27:12,966 --> 00:27:15,802 you're gonna be such an indomitable force. 675 00:27:15,844 --> 00:27:16,970 Thank you very much. 676 00:27:17,012 --> 00:27:19,055 Kenzie, you are a star. 677 00:27:19,097 --> 00:27:22,350 Your voice has depth and range and presence. 678 00:27:22,392 --> 00:27:24,227 People will want to hang out with you 679 00:27:24,269 --> 00:27:26,813 and have the Kenzie experience. 680 00:27:26,855 --> 00:27:28,314 [ Laughter ] Daly: Thank you, Coaches. 681 00:27:28,356 --> 00:27:30,316 Kelly, what did you think of the knockout? 682 00:27:30,358 --> 00:27:33,278 Avery, I love that you like really intimate songs. 683 00:27:33,319 --> 00:27:35,321 There is a lane for exactly what you're doing, 684 00:27:35,363 --> 00:27:37,240 but I don't think you know how good you are. 685 00:27:37,282 --> 00:27:39,159 There's, like, this untapped potential. 686 00:27:39,200 --> 00:27:41,077 You did a really beautiful job. 687 00:27:41,119 --> 00:27:43,872 Kenzie, I watched you in rehearsal sing this song. 688 00:27:43,913 --> 00:27:47,125 I was like, "Oh, no. He's, like, a real Blake fan." 689 00:27:47,167 --> 00:27:49,502 I was like, "And I just, like, totally took that dream..." 690 00:27:49,544 --> 00:27:51,963 We'll have our moment one day. "...that dream away." 691 00:27:52,005 --> 00:27:53,256 One day. One. You're captivating. 692 00:27:53,298 --> 00:27:54,966 I think you have a natural gift, 693 00:27:55,008 --> 00:27:56,968 like, on stage of drawing people in. 694 00:27:57,010 --> 00:27:58,136 And they want to be friends with you, 695 00:27:58,178 --> 00:28:00,013 or want to get a beer with you or... 696 00:28:00,055 --> 00:28:01,431 Daly: Kelly, The time has come. 697 00:28:01,473 --> 00:28:04,059 Who is the winner of this knockout? 698 00:28:04,100 --> 00:28:09,022 ** 699 00:28:09,064 --> 00:28:11,316 The winner of this knockout... 700 00:28:11,358 --> 00:28:12,984 is Kenzie. 701 00:28:13,026 --> 00:28:14,027 [ Cheers and applause ] Thank you. 702 00:28:14,069 --> 00:28:15,320 Daly: Kenzie Wheeler, 703 00:28:15,362 --> 00:28:16,863 congratulations. Thank you, guys. 704 00:28:16,905 --> 00:28:18,406 You're moving on to the live playoffs. 705 00:28:18,448 --> 00:28:19,991 Great job, man. 706 00:28:20,033 --> 00:28:22,327 Going to the live playoffs -- Team Kelly. 707 00:28:22,369 --> 00:28:24,913 Let's get this. Mullet Gang, you know what I'm saying. 708 00:28:24,954 --> 00:28:27,123 Avery, anything you want to say to Kelly? 709 00:28:27,165 --> 00:28:28,958 I just want to thank you for the whole experience. 710 00:28:29,000 --> 00:28:31,544 Got to work with you and you. It's been a blessing. 711 00:28:31,586 --> 00:28:34,130 Thank you, Avery. Daly: Give it up one more time for Avery Roberson, 712 00:28:34,172 --> 00:28:35,507 ladies and gentlemen. Thank you, Avery. Avery: Thank y'all so much. 713 00:28:35,548 --> 00:28:36,633 Kelly: Avery's gonna figure it out. 714 00:28:36,675 --> 00:28:38,301 Then he's going to be ready. 715 00:28:38,343 --> 00:28:41,346 But Kenzie is everything I want in a country artist. 716 00:28:41,388 --> 00:28:44,265 He sounds like '90s country. It's very authentic. 717 00:28:44,307 --> 00:28:46,643 And, yes, the mullet is a big plus. 718 00:28:46,685 --> 00:28:48,019 I'm just gonna be honest with you. 719 00:28:48,061 --> 00:28:49,938 Kelly: I really love him. 720 00:28:49,979 --> 00:28:52,107 He's really good, though. Like, I really love him. 721 00:28:52,148 --> 00:28:53,983 Yeah, but they say if you really love somebody, 722 00:28:54,025 --> 00:28:55,985 to let them go. It could -- It could work either way. 723 00:28:56,027 --> 00:28:57,404 If you really love somebody, hold onto them. 724 00:28:57,445 --> 00:28:59,239 I don't know if I'd agree with that. 725 00:28:59,280 --> 00:29:00,907 [ Laughter ] 726 00:29:00,949 --> 00:29:02,492 ** 727 00:29:02,534 --> 00:29:04,869 Daly: Download the "Voice" official app now to vote 728 00:29:04,911 --> 00:29:07,956 for our four-way knockout later in the show. 729 00:29:15,422 --> 00:29:16,923 * This is "The Voice" * 730 00:29:16,965 --> 00:29:18,466 Daly: Welcome back. 731 00:29:18,508 --> 00:29:20,051 Kelly: I blocked you on Kenzie. 732 00:29:20,093 --> 00:29:21,261 Oh, my God. She stole him from you. 733 00:29:21,302 --> 00:29:22,595 I feel bad about it. 734 00:29:22,637 --> 00:29:24,305 Not when I'm gonna win with him, possibly, 735 00:29:24,347 --> 00:29:27,225 but, like... You feel so bad. 736 00:29:27,267 --> 00:29:30,729 Then I'll be doing my, like, dance in front of your chair. 737 00:29:30,770 --> 00:29:32,689 Blake: Yeah, these other coaches are just constantly 738 00:29:32,731 --> 00:29:34,691 messing around every season. 739 00:29:34,733 --> 00:29:37,444 I take this serious. That's why I win a lot. 740 00:29:37,485 --> 00:29:39,404 Well, I also have Rachel Mac, 741 00:29:39,446 --> 00:29:41,281 who's your biggest fan in the world. 742 00:29:41,322 --> 00:29:43,116 She's the one who did the presentation. Presentation, yeah. 743 00:29:43,158 --> 00:29:44,743 So, we both got someone to just rub in your face. 744 00:29:44,784 --> 00:29:46,745 Blake: I still have my steal left, and I'm just looking 745 00:29:46,786 --> 00:29:48,371 for something that's completely different 746 00:29:48,413 --> 00:29:49,956 than anything else on my team. 747 00:29:49,998 --> 00:29:51,750 ** 748 00:29:51,791 --> 00:29:53,418 John: So, you having a good time over here? 749 00:29:53,460 --> 00:29:54,627 I'm having a great time, man, 750 00:29:54,669 --> 00:29:56,629 listening to these live vocalists. 751 00:29:56,671 --> 00:29:58,173 You understand me? Like we used to. 752 00:29:58,214 --> 00:30:00,133 It's a good place to work. I mean, for a vocalist, 753 00:30:00,175 --> 00:30:03,219 it's got to be the best job in the world. I love it. 754 00:30:03,261 --> 00:30:05,263 'Cause you remember when you used to be that. Yes. 755 00:30:05,305 --> 00:30:07,390 John: Well, we're honored to have you here. 756 00:30:07,432 --> 00:30:10,643 You've been part of all of our lives through your music. 757 00:30:10,685 --> 00:30:12,687 And now these artists 758 00:30:12,729 --> 00:30:15,565 are gonna benefit from your wisdom. Mm. I love it. 759 00:30:15,607 --> 00:30:19,319 The next two are actually both from Detroit. Oh, Detroit! 760 00:30:19,361 --> 00:30:21,738 Rio is my youngest artist on my team. Right. 761 00:30:21,780 --> 00:30:25,367 She has done mostly kind of soulful pop songs. 762 00:30:25,408 --> 00:30:29,496 And then Zania is a straight-up soul singer. Oh, hello. 763 00:30:29,537 --> 00:30:31,289 She's got that Anita Baker, Motown energy. 764 00:30:31,331 --> 00:30:32,791 What?! Yes. 765 00:30:32,832 --> 00:30:34,584 We got the young, and then we got the vet. Yes. 766 00:30:34,626 --> 00:30:37,003 Man, Detroit has been known for having some 767 00:30:37,045 --> 00:30:38,171 of the greatest vocalists... 768 00:30:38,213 --> 00:30:39,714 Of all time. ...of all time. 769 00:30:39,756 --> 00:30:43,510 Hopefully, the apple didn't fall far from the tree. 770 00:30:43,551 --> 00:30:45,345 Nuh-uh! Hello. Look who's here. 771 00:30:45,387 --> 00:30:46,513 Nuh-uh! No. 772 00:30:46,554 --> 00:30:49,140 What's up, girls? Oh, my goodness. 773 00:30:49,182 --> 00:30:51,101 Finding out that it was Snoop Dogg... 774 00:30:51,142 --> 00:30:53,228 [ Laughs ] This is crazy. 775 00:30:53,269 --> 00:30:56,022 You're two beautiful women from Detroit 776 00:30:56,064 --> 00:30:58,191 getting at it on Team Legend. 777 00:30:58,233 --> 00:30:59,442 I mean. I mean. 778 00:30:59,484 --> 00:31:00,402 I love Snoop. 779 00:31:00,443 --> 00:31:01,444 He's an artist, 780 00:31:01,486 --> 00:31:03,655 a rapper, businessman. 781 00:31:03,697 --> 00:31:05,031 He has many hats. 782 00:31:05,073 --> 00:31:07,033 So, Rio, what are you gonna perform? 783 00:31:07,075 --> 00:31:08,410 "Issues" by Julia Michaels. 784 00:31:08,451 --> 00:31:11,413 Julia! I love Julia. I've written with her. 785 00:31:11,454 --> 00:31:13,164 She's a fantastic songwriter, 786 00:31:13,206 --> 00:31:15,250 but also a great artist herself. Oh, yeah. 787 00:31:15,291 --> 00:31:17,502 I definitely enjoy her music, and I -- it's totally relatable. Yeah. 788 00:31:17,544 --> 00:31:19,546 Like, I have issues. And you got them, too. 789 00:31:19,587 --> 00:31:21,172 We got him. We all got him. Exactly. Right! 790 00:31:21,214 --> 00:31:23,174 I'm walk around with a bag of issues. 791 00:31:23,216 --> 00:31:24,551 What are you talking about? 792 00:31:24,592 --> 00:31:27,178 John: I think this is a cool choice for Rio. 793 00:31:27,220 --> 00:31:29,556 It's got vibe. It's got a really modern edge to it. * But you don't judge me * 794 00:31:29,597 --> 00:31:31,641 * 'Cause if you did, baby, I would judge you, too * Right. Right. Right. 795 00:31:31,683 --> 00:31:34,102 John: You have to be a really good practitioner... 796 00:31:34,144 --> 00:31:35,520 of pop vocals... Yes, Rio. 797 00:31:35,562 --> 00:31:37,522 ...to be able to pull off one of Julia's songs, 798 00:31:37,564 --> 00:31:38,648 and I think Rio's up to the challenge. * And if you did, baby * 799 00:31:38,690 --> 00:31:40,150 * I would judge you, too * 800 00:31:40,191 --> 00:31:42,318 Come on. * 'Cause I got issues * 801 00:31:42,360 --> 00:31:44,154 Being in high school, it's not always easy. * But you got 'em, too * 802 00:31:44,195 --> 00:31:46,656 Talk to me. I get to deal with high-school drama 803 00:31:46,698 --> 00:31:48,116 and high-school relationships. 804 00:31:48,158 --> 00:31:49,492 So I have to balance schoolwork 805 00:31:49,534 --> 00:31:51,411 along with a job and my dream of music. 806 00:31:51,453 --> 00:31:53,496 I definitely feel like I'm living two different lives. 807 00:31:53,538 --> 00:31:55,749 * Bask in the glory * Yeah. 808 00:31:55,790 --> 00:31:57,751 * Of all our problems * Being here at "The Voice" has really provided me 809 00:31:57,792 --> 00:32:00,754 a safe home with other musicians. 810 00:32:00,795 --> 00:32:03,381 I'm very thankful to be where I'm at. 811 00:32:03,423 --> 00:32:05,216 Alright. That was really good. 812 00:32:05,258 --> 00:32:07,177 I didn't think that big voice 813 00:32:07,218 --> 00:32:08,887 was gonna come out of that little body like that. [ Laughs ] 814 00:32:08,928 --> 00:32:10,555 You got such a cool voice, 815 00:32:10,597 --> 00:32:12,432 and I love your approach and your tone, 816 00:32:12,474 --> 00:32:14,601 but just make sure you're enunciating. 817 00:32:14,642 --> 00:32:16,561 Open up some of your vowel sounds 818 00:32:16,603 --> 00:32:18,271 and make them a little more clear. 819 00:32:18,313 --> 00:32:19,439 We should be able to understand it. 820 00:32:19,481 --> 00:32:20,815 So just take your time 821 00:32:20,857 --> 00:32:23,276 and be more controlled with how you deliver it. 822 00:32:23,318 --> 00:32:24,819 'Cause by the time you got to that middle, 823 00:32:24,861 --> 00:32:27,614 I was riding with you, like, "Okay. She feeling it now," 824 00:32:27,655 --> 00:32:29,282 but you got to maintain the control 825 00:32:29,324 --> 00:32:31,284 from the beginning till you get to that point. 826 00:32:31,326 --> 00:32:33,119 When it's supposed to be kind of staccato, 827 00:32:33,161 --> 00:32:34,621 make sure you stay staccato. Right. 828 00:32:34,662 --> 00:32:36,206 At the beginning, you're giving us the information. 829 00:32:36,247 --> 00:32:38,708 * Ba ba-da-ba-da, ba ba * [ Scatting ] 830 00:32:38,750 --> 00:32:40,877 And then at the end, let notes ring out, 831 00:32:40,919 --> 00:32:42,462 and you be the star. Thank you. 832 00:32:42,504 --> 00:32:43,755 Let's go, Rio! Thank you! 833 00:32:43,797 --> 00:32:44,881 Snoop: I see a lot of potential in her. 834 00:32:44,923 --> 00:32:47,133 She's got a lot of room to grow. 835 00:32:47,175 --> 00:32:48,843 That's a beautiful song. That's a dope song. 836 00:32:48,885 --> 00:32:51,179 If she goes and practices and gets her thing together, 837 00:32:51,221 --> 00:32:52,472 she'll have a stellar performance. 838 00:32:52,514 --> 00:32:53,431 Good job. John: Zania! 839 00:32:53,473 --> 00:32:54,641 Thank you. Yes. 840 00:32:54,683 --> 00:32:55,600 Go get 'em, girl. John: This outfit. 841 00:32:55,642 --> 00:32:56,643 This is not rehearsal. 842 00:32:56,685 --> 00:32:58,186 This is like a stage outfit. 843 00:32:58,228 --> 00:32:59,270 Well, you know. Snoop: This is Detroit. 844 00:32:59,312 --> 00:33:00,897 You hear me? Up out the D! 845 00:33:00,939 --> 00:33:02,649 You hear me? I know. 846 00:33:02,691 --> 00:33:04,359 What are you gonna sing for us, Zania? 847 00:33:04,401 --> 00:33:05,819 "If I Were Your Woman" by Gladys Knight. 848 00:33:05,860 --> 00:33:08,196 Oh, Gladys! No, she didn't. No, she didn't. 849 00:33:08,238 --> 00:33:09,906 Yes, I did. Well, this is a classic. 850 00:33:09,948 --> 00:33:11,658 I love this song. 851 00:33:11,700 --> 00:33:13,159 Sometimes you hear a song, and you're like, 852 00:33:13,201 --> 00:33:14,494 "Oh, my God. That's me." 853 00:33:14,536 --> 00:33:16,371 * If I were your woman * 854 00:33:16,413 --> 00:33:18,206 I am not with my kids' father. * And you were my man * 855 00:33:18,248 --> 00:33:20,166 We were middle-school sweethearts, 856 00:33:20,208 --> 00:33:21,584 but I think we just grew up 857 00:33:21,626 --> 00:33:23,461 and just kind of grew apart. 858 00:33:23,503 --> 00:33:26,381 * You're like a diamond * * You're like a diamond * 859 00:33:26,423 --> 00:33:29,175 * But she treats you like glass * This is very painful -- to just put your all into someone 860 00:33:29,217 --> 00:33:31,219 and you don't get that same love in return. 861 00:33:31,261 --> 00:33:33,346 It's exhausting. * If I were your woman * 862 00:33:33,388 --> 00:33:35,306 But, sometimes, you gotta get through the pain 863 00:33:35,348 --> 00:33:36,725 to kind of get to the other side. * If I were your woman * 864 00:33:36,766 --> 00:33:38,727 So I just want people to feel that. 865 00:33:38,768 --> 00:33:43,481 * I'd never, no, no, stop loving you * 866 00:33:43,523 --> 00:33:46,860 Whoo! Alright, Zania. Thank you. 867 00:33:46,901 --> 00:33:48,653 Everything you're doing is supporting 868 00:33:48,695 --> 00:33:50,321 the emotion of the song, 869 00:33:50,363 --> 00:33:51,489 but low notes are harder to sing, 870 00:33:51,531 --> 00:33:52,907 so the key is just gonna be 871 00:33:52,949 --> 00:33:55,535 getting those out in a way that's still convincing, 872 00:33:55,577 --> 00:33:58,913 'cause you only got a couple minutes to win this knockout... Right. Right. 873 00:33:58,955 --> 00:34:00,999 ...and you don't want to waste any of that time 874 00:34:01,041 --> 00:34:02,751 not being at your best. 875 00:34:02,792 --> 00:34:05,253 The way you end it is missing something. Yeah. 876 00:34:05,295 --> 00:34:07,714 So you think -- would Gladys end it like that? Mnh. 877 00:34:07,756 --> 00:34:09,549 No. It's got to be something where she can... 878 00:34:09,591 --> 00:34:12,469 [vocalizes melody] 879 00:34:12,510 --> 00:34:14,888 * I'd never, never * 880 00:34:14,929 --> 00:34:18,641 * Never * * Never, no, no! * 881 00:34:18,683 --> 00:34:21,603 * Stop loving you * 882 00:34:21,644 --> 00:34:22,645 Okay. Yes, yes! 883 00:34:22,687 --> 00:34:23,980 To redo a Gladys Knight song, 884 00:34:24,022 --> 00:34:25,732 you got to have pipes, and she got 'em. 885 00:34:25,774 --> 00:34:27,275 Yes! * Oh, yeah * 886 00:34:27,317 --> 00:34:28,568 Snoop: And I think that she needed to hear 887 00:34:28,610 --> 00:34:29,986 what we gave her, as far as information 888 00:34:30,028 --> 00:34:32,781 on how to make it A1, buttoned up to a T. 889 00:34:32,822 --> 00:34:34,407 Yes! There we go. 890 00:34:34,449 --> 00:34:36,576 Rio, come on. Rio, get on back up here, gal. 891 00:34:36,618 --> 00:34:39,329 I'm coming! Oh! I'm looking forward to seeing what y'all gonna do. 892 00:34:39,371 --> 00:34:41,623 Absolutely. 'Cause I feel like y'all got a career at this. 893 00:34:41,664 --> 00:34:44,042 I'm rooting for you both, okay? Both: Thank you. 894 00:34:44,084 --> 00:34:46,294 They both have the ability to be compelling, 895 00:34:46,336 --> 00:34:48,630 to be effective, to be moving. 896 00:34:48,672 --> 00:34:52,384 So I'm going to see whether Rio brings it or Zania does. 897 00:34:52,425 --> 00:34:53,927 That ending is ripe. You're like a diamond. 898 00:34:53,968 --> 00:34:55,428 But she treats you like glass. Like glass. 899 00:34:55,470 --> 00:34:57,472 Yes. You hear me? 900 00:34:57,514 --> 00:35:00,266 She was writing, boy. They was writing back then. Writing that song. 901 00:35:00,308 --> 00:35:04,854 [ Cheers and applause ] 902 00:35:04,896 --> 00:35:07,524 Singing "Issues," here is Rio Doyle. 903 00:35:09,901 --> 00:35:13,947 ** 904 00:35:13,988 --> 00:35:18,284 * I'm jealous, I'm overzealous * 905 00:35:18,326 --> 00:35:20,578 * When I'm down, I get real down * 906 00:35:20,620 --> 00:35:22,622 * When I'm high, I don't come down * 907 00:35:22,664 --> 00:35:26,835 * I get angry, baby, believe me * 908 00:35:26,876 --> 00:35:29,004 * I could love you just like that * 909 00:35:29,045 --> 00:35:31,464 * And I could leave you just as fast * 910 00:35:31,506 --> 00:35:35,385 * But you don't judge me * 911 00:35:35,427 --> 00:35:38,763 * 'And if you did, baby, I would judge you, too * 912 00:35:38,805 --> 00:35:39,973 Okay! 913 00:35:40,015 --> 00:35:43,810 * No, you don't judge me * 914 00:35:43,852 --> 00:35:47,939 * And if you did, baby, I would judge you, too * 915 00:35:47,981 --> 00:35:52,027 * 'Cause I got issues, you got 'em, too * 916 00:35:52,068 --> 00:35:56,031 * So give 'em all to me, and I'll give mine to you * 917 00:35:56,072 --> 00:36:00,785 * Bask in the glory of all our problems * 918 00:36:00,827 --> 00:36:04,748 * 'Cause we got the kind of love it takes to solve 'em * 919 00:36:04,789 --> 00:36:06,666 * See, I got issues * 920 00:36:06,708 --> 00:36:08,335 Yes, Rio! 921 00:36:08,376 --> 00:36:11,671 * And one of them is how bad I need you * 922 00:36:11,713 --> 00:36:16,426 * I got issues, you got 'em, too * * Oooo * 923 00:36:16,468 --> 00:36:18,720 * One of them is how bad I need * 924 00:36:18,762 --> 00:36:22,474 * I got issues * * You * 925 00:36:22,515 --> 00:36:26,019 * You got 'em, too * * You * 926 00:36:26,061 --> 00:36:27,896 * I got issues * 927 00:36:27,937 --> 00:36:30,482 * You got 'em, too * Yeah! 928 00:36:30,523 --> 00:36:34,110 * You got 'em, too * * So give 'em all to me, and I'll give mine to you * 929 00:36:34,152 --> 00:36:38,615 * I got issues * * Bask in the glory of all our problems * 930 00:36:38,656 --> 00:36:42,744 * You got 'em, too * * 'Cause we got the kind of love it takes to solve 'em * 931 00:36:42,786 --> 00:36:44,454 * See, I got issues * 932 00:36:44,496 --> 00:36:45,914 * I got issues * 933 00:36:45,955 --> 00:36:47,957 * And one of them is how bad I need you * 934 00:36:47,999 --> 00:36:50,168 * You got 'em, too * 935 00:36:50,210 --> 00:36:52,754 * Oh, I got issues * 936 00:36:52,796 --> 00:36:55,882 * I got issues * * Ohhhh * 937 00:36:55,924 --> 00:36:59,010 * You got 'em, too * 938 00:36:59,052 --> 00:37:01,096 * Yeah, and I got issues * 939 00:37:01,137 --> 00:37:02,806 * Ah ah ah * 940 00:37:02,847 --> 00:37:05,058 * And one of them is how bad I need you * 941 00:37:05,100 --> 00:37:07,644 Hey! Hey! 942 00:37:07,686 --> 00:37:10,730 Yes, Rio! Fantastic. 943 00:37:10,772 --> 00:37:12,982 [ Cheers and applause ] 944 00:37:18,238 --> 00:37:19,781 * This is "The Voice" * 945 00:37:19,823 --> 00:37:21,616 Daly: Welcome back to Night 2 of the knockouts. 946 00:37:21,658 --> 00:37:23,159 [ Cheers and applause ] 947 00:37:23,201 --> 00:37:25,787 I like that suit. Yeah. 948 00:37:25,829 --> 00:37:27,664 I love it. That's a cool color. Yeah. 949 00:37:27,706 --> 00:37:29,207 We do you call that color, John? 950 00:37:29,249 --> 00:37:30,917 Rose gold. Rosé. 951 00:37:30,959 --> 00:37:32,627 Now singing "If I Were Your Woman," 952 00:37:32,669 --> 00:37:34,129 here is Zania Alaké. 953 00:37:34,170 --> 00:37:36,131 [ Cheers and applause ] 954 00:37:36,172 --> 00:37:43,221 ** 955 00:37:43,263 --> 00:37:46,516 * If I were your woman * 956 00:37:46,558 --> 00:37:49,686 * And you were my man * 957 00:37:49,728 --> 00:37:52,522 * You'd have no other woman * 958 00:37:52,564 --> 00:37:55,984 * You'd be weak as a lamb * 959 00:37:56,026 --> 00:37:59,154 * If you had the strength * 960 00:37:59,195 --> 00:38:02,115 * To walk out that door * 961 00:38:02,157 --> 00:38:05,201 * My love would over rule my sense * 962 00:38:05,243 --> 00:38:07,287 * And I'd call you back for more * 963 00:38:07,328 --> 00:38:08,955 * If I were your woman * 964 00:38:08,997 --> 00:38:10,540 * If you were my woman * 965 00:38:10,582 --> 00:38:12,000 * If I were your woman * 966 00:38:12,042 --> 00:38:13,501 * If you were my woman * 967 00:38:13,543 --> 00:38:16,671 * And you were my man * 968 00:38:16,713 --> 00:38:21,176 * Ahh * * Oh, yeah * 969 00:38:21,217 --> 00:38:24,179 * She tears you down, darlin' * 970 00:38:24,220 --> 00:38:27,640 * Nothing at all * * Says you're nothing at all * 971 00:38:27,682 --> 00:38:30,518 * Pick you up when you * * But I'll pick you up, darling * 972 00:38:30,560 --> 00:38:34,314 * Fall, fall, fall * * When she lets you fall * 973 00:38:34,356 --> 00:38:36,900 * Shine * * You're like a diamond * 974 00:38:36,941 --> 00:38:40,070 * But she treats you like glass * 975 00:38:40,111 --> 00:38:43,281 * Yet you beg her to love you * 976 00:38:43,323 --> 00:38:45,533 * Ooo * * But me, you don't ask * 977 00:38:45,575 --> 00:38:46,868 * If I were your woman * 978 00:38:46,910 --> 00:38:48,787 * If you were my woman * Hey! 979 00:38:48,828 --> 00:38:51,581 * If you were my woman * * If I were your woman * 980 00:38:51,623 --> 00:38:54,334 * If you were my woman * * If I were your woman * 981 00:38:54,376 --> 00:38:56,753 * What would you do? * * Here's what I'd do * 982 00:38:56,795 --> 00:38:58,672 * What would you do, what would you do? * 983 00:38:58,713 --> 00:39:04,177 * I'd never, no, no, stop loving you * Whoo! 984 00:39:04,219 --> 00:39:07,722 * Oh, yeah * 985 00:39:07,764 --> 00:39:09,140 * If I were your woman * 986 00:39:09,182 --> 00:39:10,767 * If you were my woman * 987 00:39:10,809 --> 00:39:12,227 * If I were your woman * 988 00:39:12,268 --> 00:39:14,062 * If you were my woman * 989 00:39:14,104 --> 00:39:15,563 * If I were your woman * 990 00:39:15,605 --> 00:39:17,232 * If you were my woman * 991 00:39:17,273 --> 00:39:19,067 * What would you do? * * Here's what I'd do * 992 00:39:19,109 --> 00:39:20,902 * What would you do, what would you do? * 993 00:39:20,944 --> 00:39:27,867 * I'd never, never, never, never, never * 994 00:39:27,909 --> 00:39:32,247 * Stop loving you * * If you were my woman * 995 00:39:32,288 --> 00:39:40,880 * Loving you * 996 00:39:40,922 --> 00:39:43,216 Yes, Zania, yes! You better sing! 997 00:39:43,258 --> 00:39:44,801 Yes! 998 00:39:44,843 --> 00:39:47,887 [ Cheers and applause ] 999 00:39:47,929 --> 00:39:51,016 Oh, my God! Yes! 1000 00:39:51,057 --> 00:39:54,060 You just sang the word I shouldn't say on this show 1001 00:39:54,102 --> 00:39:55,353 out of that song. [ Laughter ] 1002 00:39:55,395 --> 00:39:57,188 That felt like it was on your record. 1003 00:39:57,230 --> 00:39:59,733 Oh. Thank you. I could tell you've been there. 1004 00:39:59,774 --> 00:40:01,943 Oh, yeah. Oh, girl. 1005 00:40:01,985 --> 00:40:05,155 I loved it. Now I got to cover that song. 1006 00:40:05,196 --> 00:40:06,990 I think you did a really good job, Rio. 1007 00:40:07,032 --> 00:40:09,951 Sometimes it's the song and the moment. 1008 00:40:09,993 --> 00:40:12,287 Mm-hmm. I just -- What? 1009 00:40:12,328 --> 00:40:13,830 [ Laughter ] Like... 1010 00:40:13,872 --> 00:40:17,125 I was like, "I pick you." 1011 00:40:17,167 --> 00:40:19,294 [ Laughter ] 1012 00:40:19,336 --> 00:40:21,129 I'm done. [ Chuckles ] Okay. 1013 00:40:21,171 --> 00:40:22,797 Do you agree? Did y'all not think that was incredible? 1014 00:40:22,839 --> 00:40:24,758 No, I was just -- I mean, you're so fired up. 1015 00:40:24,799 --> 00:40:26,176 I haven't seen you that fired up in a while. 1016 00:40:26,217 --> 00:40:28,845 'Cause it's a big song, and I love that song. 1017 00:40:28,887 --> 00:40:33,641 Rio, I've seen people try to do that song on the show, 1018 00:40:33,683 --> 00:40:36,311 and I don't think I've ever seen it done that well. 1019 00:40:36,353 --> 00:40:38,938 I agree. I mean, it's a very specific pocket, 1020 00:40:38,980 --> 00:40:40,940 and that can't be easy, 1021 00:40:40,982 --> 00:40:42,442 and I thought you did a great job. 1022 00:40:42,484 --> 00:40:44,819 Thank you so much. But the truth is, Zania, 1023 00:40:44,861 --> 00:40:47,822 great timing to have a moment like you just had, 1024 00:40:47,864 --> 00:40:49,699 because the next time we see you, 1025 00:40:49,741 --> 00:40:51,076 America's gonna be voting, 1026 00:40:51,117 --> 00:40:52,786 and they're gonna be going, "Oh, my gosh." 1027 00:40:52,827 --> 00:40:54,454 Thank you, Blake. 1028 00:40:54,496 --> 00:40:56,039 Rio, have you ever done any acting? 1029 00:40:56,081 --> 00:40:59,084 Yes, I've been doing theater since I was 5. 1030 00:40:59,125 --> 00:41:01,294 He has special musical-theater senses. 1031 00:41:01,336 --> 00:41:02,837 Like, he -- he reads it. Yeah, I just -- 1032 00:41:02,879 --> 00:41:04,130 I feel like we've all heard 1033 00:41:04,172 --> 00:41:05,965 a lot of people sing this song on the show. 1034 00:41:06,007 --> 00:41:07,967 But in your case, it showed something else I've not seen. 1035 00:41:08,009 --> 00:41:09,678 You kind of approached it 1036 00:41:09,719 --> 00:41:12,180 with this storyteller mentality like an actor would. 1037 00:41:12,222 --> 00:41:15,975 And to be 16 and to have the vocal maturity you've had, 1038 00:41:16,017 --> 00:41:18,103 it's impressed me from the moment I heard your voice. 1039 00:41:18,144 --> 00:41:21,773 Thank you so much. Zania, you just had a special moment on this show. 1040 00:41:21,815 --> 00:41:23,900 Thank you. I don't know what your story is. 1041 00:41:23,942 --> 00:41:26,361 It connected with me, and I think everybody felt it here. 1042 00:41:26,403 --> 00:41:29,155 So, wow! You are certainly one to watch. 1043 00:41:29,197 --> 00:41:31,700 [ Chuckles ] Thank you, Coaches. 1044 00:41:31,741 --> 00:41:33,159 Daly: Alright, John. Give us some thoughts on that knockout 1045 00:41:33,201 --> 00:41:34,744 before you tell us who won. 1046 00:41:34,786 --> 00:41:37,372 My goodness. You both made me so proud. 1047 00:41:37,414 --> 00:41:39,457 Rio, ah! 1048 00:41:39,499 --> 00:41:42,168 You sold that song. Everything about you -- 1049 00:41:42,210 --> 00:41:44,713 it just seems so credible coming from you, 1050 00:41:44,754 --> 00:41:47,048 despite the fact that you're a kid. 1051 00:41:47,090 --> 00:41:48,967 You should be so proud of yourself, 1052 00:41:49,009 --> 00:41:50,510 and I was so impressed. 1053 00:41:50,552 --> 00:41:53,346 Zania, Snoop is gonna be so proud. 1054 00:41:53,388 --> 00:41:55,390 He said we got to do something at the end 1055 00:41:55,432 --> 00:41:57,225 to make it more emphatic. 1056 00:41:57,267 --> 00:41:58,977 And I'm so glad he had that note. 1057 00:41:59,019 --> 00:42:00,520 Whoo! You sang that. 1058 00:42:00,562 --> 00:42:02,022 You just made Snoop Dogg happy. 1059 00:42:02,063 --> 00:42:03,481 Yes. What's that feel like? 1060 00:42:03,523 --> 00:42:05,108 I mean, you know... What's that feel like? 1061 00:42:05,150 --> 00:42:06,901 Who knew vocal coaching from Snoop Dogg 1062 00:42:06,943 --> 00:42:08,445 was the secret? [ Chuckling ] Exactly. 1063 00:42:08,486 --> 00:42:09,988 I think both of you 1064 00:42:10,030 --> 00:42:12,157 took really great things from that rehearsal 1065 00:42:12,198 --> 00:42:15,118 and just delivered a masterful moment. 1066 00:42:15,160 --> 00:42:16,453 John, the time has come. 1067 00:42:16,494 --> 00:42:18,872 Who is the winner of this knockout? 1068 00:42:18,913 --> 00:42:26,046 ** 1069 00:42:26,087 --> 00:42:28,965 The winner of this knockout is Zania. 1070 00:42:29,007 --> 00:42:30,216 Thank you. Thank you. Daly: Zania, congratulations. 1071 00:42:30,258 --> 00:42:32,218 You're moving on to the live playoffs. 1072 00:42:32,260 --> 00:42:34,095 Whoo! 1073 00:42:34,137 --> 00:42:35,805 Zania came 1074 00:42:35,847 --> 00:42:37,307 with the perfect performance at the perfect moment. 1075 00:42:37,349 --> 00:42:39,142 When she had to establish herself 1076 00:42:39,184 --> 00:42:42,103 as a force to be reckoned with as we go into the live playoffs, 1077 00:42:42,145 --> 00:42:43,772 Zania did that and more. 1078 00:42:43,813 --> 00:42:46,024 Daly: Rio, anything you want to say to your coach? 1079 00:42:46,066 --> 00:42:47,525 Rio: [ Voice breaking ] Thank you for believing in me 1080 00:42:47,567 --> 00:42:49,402 and for taking me this far, and I'm just so thankful. 1081 00:42:49,444 --> 00:42:51,112 So lucky to have coached you. 1082 00:42:51,154 --> 00:42:52,947 Thank you so much. Daly: Give it up one more time. 1083 00:42:52,989 --> 00:42:55,950 A big "thank you" to Rio Doyle. 1084 00:42:55,992 --> 00:42:58,411 [ Applause ] 1085 00:42:58,453 --> 00:43:01,122 Zania... I love her. 1086 00:43:01,164 --> 00:43:02,874 She is fantastic. 1087 00:43:09,506 --> 00:43:10,924 * This is "The Voice" * 1088 00:43:10,965 --> 00:43:13,343 Daly: Welcome back to the knockouts. 1089 00:43:13,385 --> 00:43:15,303 ** 1090 00:43:15,345 --> 00:43:17,097 You fall asleep when she's doing that? 1091 00:43:17,138 --> 00:43:19,224 I be ready to just fall over right now. [ Laughs ] 1092 00:43:19,265 --> 00:43:21,017 The soft care 1093 00:43:21,059 --> 00:43:22,519 and then the -- the way the brush feel and the smell. 1094 00:43:22,560 --> 00:43:24,354 You be like... [ Laughs ] 1095 00:43:24,396 --> 00:43:27,607 I sleep on the set all the time. "And action." "Hold on." 1096 00:43:27,649 --> 00:43:30,568 I'm in the middle of a facial massage. What do you mean? 1097 00:43:30,610 --> 00:43:32,195 Snoop: I think working with Blake is like -- 1098 00:43:32,237 --> 00:43:34,114 It's not an odd couple. It's even a couple, 1099 00:43:34,155 --> 00:43:35,573 'cause it's a buddy-buddy relationship 1100 00:43:35,615 --> 00:43:37,492 that feels like it's been there for many years. 1101 00:43:37,534 --> 00:43:39,911 Team Blake in the house. 1102 00:43:39,953 --> 00:43:41,621 [ Laughs ] What?! 1103 00:43:41,663 --> 00:43:43,123 This is my new friend, Snoop Dogg. 1104 00:43:43,164 --> 00:43:44,624 How you doing? D-O-Double-G. 1105 00:43:44,666 --> 00:43:47,293 I know if you on his team, you got to be top tier. 1106 00:43:47,335 --> 00:43:48,503 You understand me? That's the facts. 1107 00:43:48,545 --> 00:43:50,088 I'm jealous of Martha Stewart. 1108 00:43:50,130 --> 00:43:52,048 [ Laughter ] 1109 00:43:52,090 --> 00:43:53,550 I paired Connor and Cam together 1110 00:43:53,591 --> 00:43:55,552 'cause these guys both have so much soul. 1111 00:43:55,593 --> 00:43:57,679 I just think it's gonna be an incredible knockout. 1112 00:43:57,721 --> 00:43:59,264 Alright, Connor, what are you gonna be doing? 1113 00:43:59,305 --> 00:44:01,182 "Youngblood" by 5 Seconds of Summer. 1114 00:44:01,224 --> 00:44:02,684 I just wanted to challenge myself a little more, 1115 00:44:02,726 --> 00:44:04,185 and I'm excited for it. 1116 00:44:04,227 --> 00:44:06,021 Connor in the battle rounds, he was the one 1117 00:44:06,062 --> 00:44:07,647 I was most worried about in our rehearsals. 1118 00:44:07,689 --> 00:44:10,025 But after he had the time and put the work in, 1119 00:44:10,066 --> 00:44:12,569 he was the one that shocked everybody in the moment. Right. 1120 00:44:12,610 --> 00:44:14,404 Thinking about my fiancée when I'm doing this song 1121 00:44:14,446 --> 00:44:16,239 gives me a lot of hope, 'cause it's basically about 1122 00:44:16,281 --> 00:44:18,491 this guy that's feeling this push and pull in a relationship. 1123 00:44:18,533 --> 00:44:21,411 * "Love me 'til the day I die" * And I think after doing, like, long distance 1124 00:44:21,453 --> 00:44:24,247 with my soon-to-be wife, that tension's always there. 1125 00:44:24,289 --> 00:44:25,915 It really kept us strong and together 1126 00:44:25,957 --> 00:44:27,417 and committed to one another. 1127 00:44:27,459 --> 00:44:29,169 * You push and you push, and I'm pulling away * 1128 00:44:29,210 --> 00:44:31,629 * Pulling away * * Pulling away * 1129 00:44:31,671 --> 00:44:33,256 * I give and I give and I give * I like the fact that he's trying to do something 1130 00:44:33,298 --> 00:44:35,133 that is a stretch, that's making him work. 1131 00:44:35,175 --> 00:44:37,093 * Youngblood, say you want me * You know, show that he has 1132 00:44:37,135 --> 00:44:38,428 more than one trick in his bag. 1133 00:44:38,470 --> 00:44:40,180 Cool. I love that song right there. 1134 00:44:40,221 --> 00:44:41,389 You do? Good? 1135 00:44:41,431 --> 00:44:43,391 I'm singing with you, like... 1136 00:44:43,433 --> 00:44:45,977 [ Laughs ] Energy's never your problem on stage, you know? 1137 00:44:46,019 --> 00:44:47,520 No. Yeah. But I think 1138 00:44:47,562 --> 00:44:49,606 you're affecting your voice with a tone 1139 00:44:49,647 --> 00:44:51,107 that you want it to sound like, 1140 00:44:51,149 --> 00:44:52,567 that -- that smoky, gravelly thing, 1141 00:44:52,609 --> 00:44:55,070 and I feel like if you try to interject 1142 00:44:55,111 --> 00:44:57,322 that sound too much into your singing, 1143 00:44:57,364 --> 00:44:59,657 it restricts how much you can open up. Yeah. 1144 00:44:59,699 --> 00:45:01,368 I got to take a little sips of air. 1145 00:45:01,409 --> 00:45:03,161 See, that's why I chose to be a rapper, 1146 00:45:03,203 --> 00:45:04,537 'cause we ain't got to go through all that breathin'. 1147 00:45:04,579 --> 00:45:06,456 [ Laughter ] 1148 00:45:06,498 --> 00:45:08,500 So, put your energy into the singing 1149 00:45:08,541 --> 00:45:10,460 where it feels most comfortable to you, 1150 00:45:10,502 --> 00:45:12,420 'cause I hear the greatness in it. 1151 00:45:12,462 --> 00:45:14,255 Okay. It's just a matter of making it all comes together. 1152 00:45:14,297 --> 00:45:15,715 Still polishing it a little bit. Yes, sir. 1153 00:45:15,757 --> 00:45:17,342 Yeah. Shine your wheels up so you can roll right. 1154 00:45:17,384 --> 00:45:19,302 Songs that beat the hell out of you, 1155 00:45:19,344 --> 00:45:21,054 those are the ones that make you better. 1156 00:45:21,096 --> 00:45:24,140 Thanks so much, guys. * Dead man walking tonight * 1157 00:45:24,182 --> 00:45:25,684 See, he didn't know I know that song. 1158 00:45:25,725 --> 00:45:27,435 [ Laughter ] 1159 00:45:27,477 --> 00:45:28,645 I like your natural, dawg, like... 1160 00:45:28,687 --> 00:45:30,605 You know. I had one back in the day. 1161 00:45:30,647 --> 00:45:32,065 There's just something about that natural. 1162 00:45:32,107 --> 00:45:34,275 You got to pat it. Yeah, pat it, man. 1163 00:45:34,317 --> 00:45:35,652 Pat it together. Little something -- Little something right here, you know? 1164 00:45:35,694 --> 00:45:37,153 Hello! What song you gonna be doing? 1165 00:45:37,195 --> 00:45:38,613 Nina Simone, "Feeling Good." 1166 00:45:38,655 --> 00:45:40,323 [ Whistles ] I like that song. 1167 00:45:40,365 --> 00:45:42,033 My main thing for this round was to find something 1168 00:45:42,075 --> 00:45:43,660 that I could lose myself in, 1169 00:45:43,702 --> 00:45:46,079 and if you watch Nina Simone when she's performing that song, 1170 00:45:46,121 --> 00:45:48,081 she literally has left the scene. 1171 00:45:48,123 --> 00:45:50,083 And it's just like channeling through her. 1172 00:45:50,125 --> 00:45:52,168 Man, that's some mighty big shoes to fill. Right. 1173 00:45:52,210 --> 00:45:53,503 How old are you? I'm 19. 1174 00:45:53,545 --> 00:45:55,088 How do you know about Nina Simone? 1175 00:45:55,130 --> 00:45:57,257 I grew up on that sultry, that deep soul. 1176 00:45:57,298 --> 00:45:58,800 I can dig it. 1177 00:45:58,842 --> 00:46:00,468 Now, we actually used to work with the same person. 1178 00:46:00,510 --> 00:46:01,720 You know, I worked with Dre a little bit, so... 1179 00:46:01,761 --> 00:46:03,013 Oh, for real? Yes, sir. Yes, sir. 1180 00:46:03,054 --> 00:46:04,264 Well, you got it in you, then. 1181 00:46:04,305 --> 00:46:05,348 Let me see what you working with. 1182 00:46:05,390 --> 00:46:09,144 * Breeze driftin' on by * 1183 00:46:09,185 --> 00:46:11,604 This song is about new beginnings. 1184 00:46:11,646 --> 00:46:14,524 My situation is quite unique. I started out very young. 1185 00:46:14,566 --> 00:46:18,028 I performed at the White House, worked with Dr. Dre, 1186 00:46:18,069 --> 00:46:19,654 and then I got stuck, 1187 00:46:19,696 --> 00:46:20,822 wasn't able to really put anything out. 1188 00:46:20,864 --> 00:46:22,240 * Freedom is mine * 1189 00:46:22,282 --> 00:46:24,367 I feel extremely blessed to start over, 1190 00:46:24,409 --> 00:46:26,661 basically, on "The Voice." * And I know how I feel * 1191 00:46:26,703 --> 00:46:28,621 And so it's a new dawn. * It's a new dawn * 1192 00:46:28,663 --> 00:46:30,206 * It's a new day * It's a new day. 1193 00:46:30,248 --> 00:46:33,043 * It's a new life * 1194 00:46:33,084 --> 00:46:35,045 I'm starting over, Cam Anthony 2.0. 1195 00:46:35,086 --> 00:46:36,504 You sure you ain't 29? 1196 00:46:36,546 --> 00:46:38,214 Nah. 19. You lyin'. 1197 00:46:38,256 --> 00:46:39,716 Show me your birth certificate. 1198 00:46:39,758 --> 00:46:43,636 That's such an incredible idea to do this song. 1199 00:46:43,678 --> 00:46:45,221 And you sound great on it. Thank you. 1200 00:46:45,263 --> 00:46:47,432 You do tons of movement vocally. Mm-hmm. 1201 00:46:47,474 --> 00:46:49,184 I just wonder if there's a place 1202 00:46:49,225 --> 00:46:50,643 where you can hit a note and hold it. Okay. 1203 00:46:50,685 --> 00:46:52,228 People at home, even though they're not 1204 00:46:52,270 --> 00:46:53,605 voting on the knockouts... Right. 1205 00:46:53,646 --> 00:46:55,482 ...I want you just to remind them 1206 00:46:55,523 --> 00:46:58,109 every chance you get that you're here to stay. For sure. 1207 00:46:58,151 --> 00:46:59,861 One thing about soul, 1208 00:46:59,903 --> 00:47:01,488 you don't hear it -- you feel it. 1209 00:47:01,529 --> 00:47:03,198 Just shake up the building. 1210 00:47:03,239 --> 00:47:04,574 Alrighty. But you got to hold it, though. 1211 00:47:04,616 --> 00:47:06,201 I'mma work on it, for sure. 1212 00:47:06,242 --> 00:47:07,494 I can't help you hold it. [ Chuckling ] You can't. 1213 00:47:07,535 --> 00:47:09,621 Blake: I want to see Cam really showcase 1214 00:47:09,662 --> 00:47:12,207 the power and the range that he has in his voice. 1215 00:47:12,248 --> 00:47:14,417 Let's see something big, explosive. 1216 00:47:14,459 --> 00:47:16,378 Well, I'm sad for both of y'all. 1217 00:47:16,419 --> 00:47:18,755 You don't get to hang out with Snoop Dogg every day. I know, man. 1218 00:47:18,797 --> 00:47:20,715 Thank you, Brother Blake, for having me on Team Blake. 1219 00:47:20,757 --> 00:47:21,758 Let's go, man. 1220 00:47:21,800 --> 00:47:23,593 See you in the ring. 1221 00:47:23,635 --> 00:47:25,178 [ Cheers and applause ] 1222 00:47:25,220 --> 00:47:26,554 Blake: Hey! Nick: Alright, Connor. 1223 00:47:26,596 --> 00:47:28,598 Kelly: Whoo! Alright. 1224 00:47:28,640 --> 00:47:30,183 Oh, yeah! 1225 00:47:30,225 --> 00:47:32,394 Now with "Youngblood," here's Connor Christian. 1226 00:47:32,435 --> 00:47:35,146 [ Cheers and applause ] 1227 00:47:35,188 --> 00:47:37,273 ** 1228 00:47:37,315 --> 00:47:38,733 * Remember the words you told me * 1229 00:47:38,775 --> 00:47:42,696 * "Love me 'til the day I die" * 1230 00:47:42,737 --> 00:47:45,115 Alright. 1231 00:47:45,156 --> 00:47:46,658 * Surrender my everything * 1232 00:47:46,700 --> 00:47:52,288 * 'Cause you made me believe you're mine * 1233 00:47:52,330 --> 00:47:55,250 Okay. * Yeah, you used to call me baby * 1234 00:47:55,291 --> 00:47:58,628 * Now you're calling me by name * 1235 00:47:58,670 --> 00:48:00,755 ** 1236 00:48:00,797 --> 00:48:03,174 * Takes one to know one * 1237 00:48:03,216 --> 00:48:07,554 * You beat me at my own damn game * 1238 00:48:08,888 --> 00:48:11,266 * I push and I push, and I'm pulling away * 1239 00:48:11,307 --> 00:48:12,934 * Pulling away from you * 1240 00:48:12,976 --> 00:48:16,396 * I give and I give and I give and I take * 1241 00:48:16,438 --> 00:48:17,605 * Youngblood * 1242 00:48:17,647 --> 00:48:19,149 * Say you want me * 1243 00:48:19,190 --> 00:48:21,568 * Say you want me out of your life * 1244 00:48:21,609 --> 00:48:25,530 * I'm just a dead man walking tonight * 1245 00:48:25,572 --> 00:48:27,866 * Yeah, you need it, yeah, you need it * 1246 00:48:27,907 --> 00:48:32,537 * All of the time * 1247 00:48:32,579 --> 00:48:34,247 * Youngblood * 1248 00:48:34,289 --> 00:48:36,166 * Say you want me, say you want me * 1249 00:48:36,207 --> 00:48:37,667 * Out of your life * 1250 00:48:37,709 --> 00:48:41,838 * I'm just a dead man walking tonight * 1251 00:48:41,880 --> 00:48:43,840 * Yeah, you need it, yeah, you need it * 1252 00:48:43,882 --> 00:48:48,970 * All of the time * 1253 00:48:49,012 --> 00:48:50,972 * I push and I push, and I'm pulling away * 1254 00:48:51,014 --> 00:48:52,849 * I'm pulling away from you * 1255 00:48:52,891 --> 00:48:55,185 * I give and I give and I give and I take * 1256 00:48:55,226 --> 00:48:56,519 * Give and I take * 1257 00:48:56,561 --> 00:48:57,854 * Youngblood * 1258 00:48:57,896 --> 00:48:59,856 * Say you want me, say you want me * 1259 00:48:59,898 --> 00:49:01,566 * Out of your life * 1260 00:49:01,608 --> 00:49:05,945 * I'm just a dead man walking tonight * 1261 00:49:05,987 --> 00:49:08,948 [ Cheers and applause ] Yeah! 1262 00:49:08,990 --> 00:49:10,241 Alright. 1263 00:49:10,283 --> 00:49:11,618 [ Cheers and applause ] 1264 00:49:17,415 --> 00:49:18,625 * This is "The Voice" * 1265 00:49:18,667 --> 00:49:20,335 Daly: Welcome back to the knockouts. 1266 00:49:20,377 --> 00:49:21,753 [ Cheers and applause ] 1267 00:49:21,795 --> 00:49:23,338 I'm excited for this. 1268 00:49:23,380 --> 00:49:25,840 With "Feeling Good," here's Cam Anthony. 1269 00:49:25,882 --> 00:49:29,969 ** 1270 00:49:30,011 --> 00:49:33,390 * Birds flying high * 1271 00:49:33,431 --> 00:49:37,268 * You know how I feel * 1272 00:49:37,310 --> 00:49:39,646 * Sun in the sky * 1273 00:49:39,688 --> 00:49:44,609 * You know how I feel * 1274 00:49:44,651 --> 00:49:45,819 [ Cheers and applause ] 1275 00:49:45,860 --> 00:49:48,905 * Breeze * 1276 00:49:48,947 --> 00:49:51,074 * Driftin' on by * 1277 00:49:51,116 --> 00:49:53,618 * You know how I feel * 1278 00:49:53,660 --> 00:49:54,953 Alright. 1279 00:49:54,994 --> 00:49:57,956 * It's a new dawn, it's a new day * 1280 00:49:57,997 --> 00:50:01,543 * It's a new life * 1281 00:50:01,584 --> 00:50:04,921 * For me * 1282 00:50:04,963 --> 00:50:06,965 Oh. Okay! 1283 00:50:07,007 --> 00:50:09,676 * And * 1284 00:50:09,718 --> 00:50:11,970 * I'm feeling * 1285 00:50:12,012 --> 00:50:15,015 * Good * 1286 00:50:15,056 --> 00:50:17,100 Alright! [ Cheers and applause ] 1287 00:50:17,142 --> 00:50:19,519 ** 1288 00:50:19,561 --> 00:50:23,440 * And I'm feeling good * 1289 00:50:23,481 --> 00:50:26,735 ** 1290 00:50:26,776 --> 00:50:28,486 * Listen * 1291 00:50:28,528 --> 00:50:30,530 * Stars, when you shine * 1292 00:50:30,572 --> 00:50:34,492 * You know how I feel * 1293 00:50:34,534 --> 00:50:36,911 * Scent of the pine * 1294 00:50:36,953 --> 00:50:39,330 * You know how I feel * 1295 00:50:39,372 --> 00:50:42,125 * Oh, freedom is mine * 1296 00:50:42,167 --> 00:50:45,920 * And I know how I feel * 1297 00:50:45,962 --> 00:50:48,673 * It's a new dawn, it's a new day * 1298 00:50:48,715 --> 00:50:51,885 * It's a new li-i-i-fe * 1299 00:50:51,926 --> 00:50:54,554 * It's a new dawn, it's a new day * 1300 00:50:54,596 --> 00:50:55,722 Hey! 1301 00:50:55,764 --> 00:50:58,475 * It's a new li-i-i-fe * 1302 00:50:58,516 --> 00:51:01,478 * It's a new dawn, it's a new day * 1303 00:51:01,519 --> 00:51:04,105 * It's a new li-i-i-fe * 1304 00:51:04,147 --> 00:51:06,358 * For me * 1305 00:51:06,399 --> 00:51:08,610 [ Scatting ] 1306 00:51:08,651 --> 00:51:10,653 John: Hey! * Oh * 1307 00:51:10,695 --> 00:51:17,410 * I'm feeling good * 1308 00:51:17,452 --> 00:51:21,498 * Yeaah! * 1309 00:51:21,539 --> 00:51:22,540 * I'm * 1310 00:51:22,582 --> 00:51:23,708 * Feeling * 1311 00:51:23,750 --> 00:51:30,090 * Feeling good * 1312 00:51:30,131 --> 00:51:31,841 [ Cheers and applause ] What?! Whoo! 1313 00:51:31,883 --> 00:51:33,426 Yes, Cam! 1314 00:51:33,468 --> 00:51:34,761 [ Cheers and applause continue ] 1315 00:51:34,803 --> 00:51:36,888 Oh, my God! 1316 00:51:36,930 --> 00:51:39,432 ** 1317 00:51:39,474 --> 00:51:40,892 Alright. 1318 00:51:40,934 --> 00:51:42,727 Connor, I always love your tone. 1319 00:51:42,769 --> 00:51:45,063 I love your vibe, your intensity when you perform, 1320 00:51:45,105 --> 00:51:47,148 and I think would lend itself really well 1321 00:51:47,190 --> 00:51:48,983 to being the lead singer of a band. 1322 00:51:49,025 --> 00:51:51,569 This song was a good choice in the sense that it showed us 1323 00:51:51,611 --> 00:51:53,822 what you can do in that kind of pop rock setting, 1324 00:51:53,863 --> 00:51:55,573 and you should be proud. 1325 00:51:55,615 --> 00:51:57,117 And then, Cam, you just did your thing. 1326 00:51:57,158 --> 00:51:59,911 I was looking back at this, and I blocked John... 1327 00:51:59,953 --> 00:52:02,080 Don't even look at me, Nick. I remember. ...back at the blinds. 1328 00:52:02,122 --> 00:52:04,624 And then I didn't get picked, so it kind of backfired. 1329 00:52:04,666 --> 00:52:06,584 I learned my lesson the hard way, 1330 00:52:06,626 --> 00:52:08,753 but it was flawless 1331 00:52:08,795 --> 00:52:12,173 and creative and kind of bizarre. 1332 00:52:12,215 --> 00:52:13,967 I mean, it seemed like you tapped into something 1333 00:52:14,009 --> 00:52:16,469 at the beginning that was just otherworldly. 1334 00:52:16,511 --> 00:52:18,054 I was very impressed. 1335 00:52:18,096 --> 00:52:20,807 Also now, I'm nervous for Team Nick. 1336 00:52:20,849 --> 00:52:23,101 Blake, how did this -- Let me tell you how it happened, Nick. 1337 00:52:23,143 --> 00:52:25,145 "Let me tell you." [ Laughs ] 1338 00:52:25,186 --> 00:52:27,731 I like to tell myself it wouldn't have mattered. [ Nick laughs ] 1339 00:52:27,772 --> 00:52:30,442 You can tell yourself things all the time. You know what? 1340 00:52:30,483 --> 00:52:32,610 Don't make it real. We'll -- We'll get to -- We'll get to you, Blake. 1341 00:52:32,652 --> 00:52:35,989 Cam, the principal emotion I felt during this was 1342 00:52:36,031 --> 00:52:40,035 deep-seated hatred toward Nick Jonas for depriving me 1343 00:52:40,076 --> 00:52:42,954 of the opportunity of working with you. 1344 00:52:42,996 --> 00:52:44,748 Nick... I deprived myself, too. 1345 00:52:44,789 --> 00:52:46,708 We're in the same boat here, buddy. 1346 00:52:46,750 --> 00:52:48,626 Cam, I just sang that song 1347 00:52:48,668 --> 00:52:50,253 in a pretty big moment in my life, 1348 00:52:50,295 --> 00:52:51,963 at the inauguration. 1349 00:52:52,005 --> 00:52:53,965 And what I loved about your performance 1350 00:52:54,007 --> 00:52:57,218 was I heard things I was jealous of that you did 1351 00:52:57,260 --> 00:52:59,804 that I would have never thought to do. 1352 00:52:59,846 --> 00:53:01,264 I really believe in you. 1353 00:53:01,306 --> 00:53:04,517 I think you have the ability to be a true artist 1354 00:53:04,559 --> 00:53:06,811 beyond this show, beyond anything. 1355 00:53:06,853 --> 00:53:09,230 Connor, I really like your tone. 1356 00:53:09,272 --> 00:53:11,900 Your energy is really contagious. 1357 00:53:11,941 --> 00:53:13,777 You just have a lot of fire. 1358 00:53:13,818 --> 00:53:16,029 This wasn't your best vocal work today, 1359 00:53:16,071 --> 00:53:18,656 but I really think you have something special. 1360 00:53:18,698 --> 00:53:21,993 Thank you. Connor, I think your tone is really cool. 1361 00:53:22,035 --> 00:53:23,620 The reason why you made it this far 1362 00:53:23,661 --> 00:53:24,954 is 'cause you are talented. Thank you. 1363 00:53:24,996 --> 00:53:26,748 And you came out here, sir. 1364 00:53:26,790 --> 00:53:29,250 First of all, just walking on the stage, looking like that. 1365 00:53:29,292 --> 00:53:32,212 * Why'd you come in here lookin' like that? * Don't do that to me, now, Kelly. 1366 00:53:32,253 --> 00:53:35,173 Your choice in starting a cappella -- 1367 00:53:35,215 --> 00:53:38,218 that was really smart and competitive. 1368 00:53:38,259 --> 00:53:39,636 You're really special, 1369 00:53:39,678 --> 00:53:40,970 and you did a really great job, Cam. 1370 00:53:41,012 --> 00:53:42,097 Thank you so much. Daly: Thank you, Coaches. 1371 00:53:42,138 --> 00:53:43,682 Blake, give us some thoughts. 1372 00:53:43,723 --> 00:53:45,725 Blake: Connor, the way you kind of create 1373 00:53:45,767 --> 00:53:48,853 your sound, your tone, you have to use a lot of air. 1374 00:53:48,895 --> 00:53:50,730 And I think, because of that, 1375 00:53:50,772 --> 00:53:53,191 it keeps you this much under the note sometimes. 1376 00:53:53,233 --> 00:53:55,735 And then, Cam, always figure out 1377 00:53:55,777 --> 00:53:58,947 how to tap in to that deal right there, 1378 00:53:58,988 --> 00:54:02,117 because if you do that for the rest of your life, 1379 00:54:02,158 --> 00:54:03,785 you'll be king of the mountain. 1380 00:54:03,827 --> 00:54:06,579 You have a gift, and I'm very happy for you. 1381 00:54:06,621 --> 00:54:08,331 Blake, who is the winner of this knockout? 1382 00:54:08,373 --> 00:54:11,835 ** 1383 00:54:11,876 --> 00:54:14,045 The winner of this knockout... 1384 00:54:14,087 --> 00:54:16,131 ** 1385 00:54:16,172 --> 00:54:17,298 ...is Cam. 1386 00:54:17,340 --> 00:54:18,967 Daly: Cam Anthony, congratulations. 1387 00:54:19,009 --> 00:54:21,011 You're moving on to the live playoffs. Yes! 1388 00:54:21,052 --> 00:54:23,221 You know, Cam, he's just a star. 1389 00:54:23,263 --> 00:54:26,057 I want to keep pushing him as a singer and as a performer 1390 00:54:26,099 --> 00:54:27,600 because I don't think we've begun 1391 00:54:27,642 --> 00:54:29,728 to even scratch the surface yet. 1392 00:54:29,769 --> 00:54:31,229 I love Cam, dude. 1393 00:54:31,271 --> 00:54:32,647 Did you not try to get him, John? 1394 00:54:32,689 --> 00:54:34,107 I didn't have a chance! 1395 00:54:34,149 --> 00:54:35,900 I'll never forgive Nick for that. 1396 00:54:35,942 --> 00:54:38,278 Well, and then he comes in here, wearing that Easter egg suit 1397 00:54:38,319 --> 00:54:40,113 and just rubbing it in your face. Yeah. 1398 00:54:40,155 --> 00:54:42,073 Like a damn Peep. [ Laughter ] 1399 00:54:42,115 --> 00:54:43,241 Daly: As the night continued, 1400 00:54:43,283 --> 00:54:44,909 Team Nick gave it their all. 1401 00:54:44,951 --> 00:54:49,247 * I hear the chains * 1402 00:54:49,289 --> 00:54:53,209 * Oh, yeah, yeah, yeah, yeah ** 1403 00:54:53,251 --> 00:54:57,255 * I wanna run through the halls of my high school * 1404 00:54:57,297 --> 00:55:00,759 * I wanna scream at the top of my lungs * 1405 00:55:00,800 --> 00:55:03,970 Jose, you are one of my favorite people on my team. 1406 00:55:04,012 --> 00:55:06,931 You have been solid in every performance. 1407 00:55:06,973 --> 00:55:08,266 Certainly not easy, 1408 00:55:08,308 --> 00:55:10,143 but the winner of this knockout 1409 00:55:10,185 --> 00:55:11,394 is Jose. 1410 00:55:11,436 --> 00:55:13,146 [ Cheers and applause ] 1411 00:55:13,188 --> 00:55:14,898 Daly: Coming up... 1412 00:55:14,939 --> 00:55:17,817 I'm trying to hold this tear from falling from my eye. 1413 00:55:17,859 --> 00:55:19,361 I literally have tears 1414 00:55:19,402 --> 00:55:21,946 [Crying] streaming down my face. 1415 00:55:21,988 --> 00:55:24,115 I'm tripping off of the maturity of your voice. 1416 00:55:24,157 --> 00:55:28,787 [ Holding note ] 1417 00:55:28,828 --> 00:55:30,121 [ Cheers and applause ] 1418 00:55:30,163 --> 00:55:31,706 Wait! What?! 1419 00:55:38,838 --> 00:55:40,048 * This is "The Voice" * 1420 00:55:40,090 --> 00:55:41,925 Daly: Welcome back to the knockouts. 1421 00:55:41,966 --> 00:55:43,760 ** 1422 00:55:43,802 --> 00:55:46,054 So, next up, we have Gihanna and Anna. 1423 00:55:46,096 --> 00:55:49,140 Gihanna's more of, like, a soulful songstress, 1424 00:55:49,182 --> 00:55:51,351 and Anna is very quirky, 1425 00:55:51,393 --> 00:55:52,894 does all these, like, fairy riffs, 1426 00:55:52,936 --> 00:55:54,187 and it's really beautiful. 1427 00:55:54,229 --> 00:55:56,064 Let's get 'em out here. Let's go. 1428 00:55:56,106 --> 00:55:58,233 Come on, ladies. Ladies. 1429 00:55:58,274 --> 00:56:00,318 Ladies! What's up, guys. Snoop Dogg! 1430 00:56:00,360 --> 00:56:02,779 Hi! Well, hello, girls. 1431 00:56:02,821 --> 00:56:05,198 Seeing, Snoop Dogg -- my mind went boom. 1432 00:56:05,240 --> 00:56:06,866 [ Chuckles ] 1433 00:56:06,908 --> 00:56:08,284 That was just super exciting. 1434 00:56:08,326 --> 00:56:10,245 So, Anna, why did you pick country? 1435 00:56:10,286 --> 00:56:12,455 Yeah, I'm doing "If I Die Young," 1436 00:56:12,497 --> 00:56:14,499 but it's a completely, like, different version 1437 00:56:14,541 --> 00:56:16,042 than the original. Oh. 1438 00:56:16,084 --> 00:56:18,461 I picked it because, when I was 17, 1439 00:56:18,503 --> 00:56:21,381 I got really sick with, like, a bunch of infections 1440 00:56:21,423 --> 00:56:23,967 and almost lost my life to that. Wow. 1441 00:56:24,009 --> 00:56:26,720 And music was the only thing that got me through that. 1442 00:56:26,761 --> 00:56:28,763 I'm ready to hear some emotions. 1443 00:56:28,805 --> 00:56:31,725 * If I die young * 1444 00:56:31,766 --> 00:56:33,435 * Bury me in satin * That was almost me, 1445 00:56:33,476 --> 00:56:36,896 and one of the lines that hits me every time is, 1446 00:56:36,938 --> 00:56:38,356 "Lord, make me a rainbow. 1447 00:56:38,398 --> 00:56:39,774 I'll shine down on my mother." 1448 00:56:39,816 --> 00:56:42,068 * I'll shine down on my mother * 1449 00:56:42,110 --> 00:56:44,821 Because me and my mom are so close. 1450 00:56:44,863 --> 00:56:46,823 [ Voice breaking ] I remember just being like, 1451 00:56:46,865 --> 00:56:48,491 if something happened to me [sniffles] 1452 00:56:48,533 --> 00:56:50,910 what would happen to my mom? 1453 00:56:50,952 --> 00:56:53,288 It's just... 1454 00:56:53,329 --> 00:56:56,291 That's still my biggest fear every day. 1455 00:56:56,332 --> 00:56:58,335 She's just my biggest supporter, 1456 00:56:58,376 --> 00:57:01,087 and I love her so much. 1457 00:57:01,129 --> 00:57:03,798 Well, this song is just an intense song, 1458 00:57:03,840 --> 00:57:05,508 and then your story layered on top of that. Yeah. 1459 00:57:05,550 --> 00:57:09,471 Your story is amazing because you overcame. Yeah. 1460 00:57:09,512 --> 00:57:12,265 I'm trying to hold this tear from falling from my eye. 1461 00:57:12,307 --> 00:57:14,851 Look what you just did to Snoop Dogg. 1462 00:57:14,893 --> 00:57:16,519 Your voice is like a little magical unicorn 1463 00:57:16,561 --> 00:57:18,897 with all those little effortless little runs you do. 1464 00:57:18,938 --> 00:57:20,523 But there is something in you 1465 00:57:20,565 --> 00:57:22,525 that you have not even tapped into yet. 1466 00:57:22,567 --> 00:57:24,319 * If I die young * 1467 00:57:24,361 --> 00:57:26,488 Where you got really big, I just almost wanted you 1468 00:57:26,529 --> 00:57:28,823 to open up a little bit bigger. Yeah. 1469 00:57:28,865 --> 00:57:30,950 It sounded like you were singing the song, 1470 00:57:30,992 --> 00:57:32,911 but I want to be able to feel what you're saying. Yeah. 1471 00:57:32,952 --> 00:57:34,871 You on stage -- let it go. Yeah. 1472 00:57:34,913 --> 00:57:36,331 Snoop: I think her voice is very strong, 1473 00:57:36,373 --> 00:57:38,124 but you've got to grow into knowing 1474 00:57:38,166 --> 00:57:40,001 how to master who you are, 1475 00:57:40,043 --> 00:57:42,003 and I think this experience is going to teach her that. 1476 00:57:42,045 --> 00:57:43,880 You're holding back a tiny bit. 1477 00:57:43,922 --> 00:57:45,423 I don't know if you're afraid you're gonna cry -- 1478 00:57:45,465 --> 00:57:46,966 you're not gonna be able to sing. 1479 00:57:47,008 --> 00:57:48,468 That happens to me all the time. 1480 00:57:48,510 --> 00:57:50,136 Yeah, it's a lot. Yeah. But it's important, though. 1481 00:57:50,178 --> 00:57:51,554 Like, I have this life, 1482 00:57:51,596 --> 00:57:54,015 and I have been shown how precious it is. 1483 00:57:54,057 --> 00:57:56,309 Kelly: I love Anna because she's kind of genre-less. 1484 00:57:56,351 --> 00:57:57,977 You never know what she's gonna sing next. 1485 00:57:58,019 --> 00:57:59,270 Thank you for singing that. Thank you. 1486 00:57:59,312 --> 00:58:00,522 It was beautiful, and sharing your story. 1487 00:58:00,563 --> 00:58:02,065 Great work. Thank you. 1488 00:58:02,107 --> 00:58:03,858 If Anna can let us into this story with her, 1489 00:58:03,900 --> 00:58:05,068 it's going to be hard to beat. 1490 00:58:05,110 --> 00:58:06,611 She almost got the Dogg to cry. 1491 00:58:06,653 --> 00:58:08,363 It wouldn't fall out. Yeah. 1492 00:58:08,405 --> 00:58:10,365 I had to push 'im back in there. Get on back in there. 1493 00:58:10,407 --> 00:58:12,992 You told her to let go. You let go. I can't. 1494 00:58:13,034 --> 00:58:15,203 [ Laughter ] Alright, Gihanna! 1495 00:58:15,245 --> 00:58:16,204 Gihanna: Hi! 1496 00:58:16,246 --> 00:58:17,497 We love your song selection. 1497 00:58:17,539 --> 00:58:19,207 Why'd you pick "Glitter in the Air"? 1498 00:58:19,249 --> 00:58:21,584 I've gone through so much in my life, good and bad, 1499 00:58:21,626 --> 00:58:24,629 and being able to go back and remember those times 1500 00:58:24,671 --> 00:58:27,007 and kind of see what I've learned from it... Mm. 1501 00:58:27,048 --> 00:58:29,509 ...I think that's just what's so special to me about the song. 1502 00:58:29,551 --> 00:58:31,469 * Close your eyes and trust it * 1503 00:58:31,511 --> 00:58:33,054 The song "Glitter in the Air" 1504 00:58:33,096 --> 00:58:34,597 really talks about taking the bad things 1505 00:58:34,639 --> 00:58:37,100 that have happened in your life and applying it 1506 00:58:37,142 --> 00:58:38,977 to your growth as a person. * Just trust it, mmmm * 1507 00:58:39,019 --> 00:58:40,937 There was a point in my life where I didn't think 1508 00:58:40,979 --> 00:58:42,564 I wanted to do music anymore. 1509 00:58:42,605 --> 00:58:45,859 I did choir from ages 6 to 15. 1510 00:58:45,900 --> 00:58:48,611 All that classical training really helped me. 1511 00:58:48,653 --> 00:58:52,407 But finding a way to emote 1512 00:58:52,449 --> 00:58:54,159 has probably been the hardest struggle with me. 1513 00:58:54,200 --> 00:58:56,619 Having that small, little idea in your head 1514 00:58:56,661 --> 00:58:59,581 that you may not make it sometimes holds me back. * Woah * 1515 00:58:59,622 --> 00:59:02,083 But this song is a perfect example 1516 00:59:02,125 --> 00:59:03,251 of who I want to be as an artist. 1517 00:59:03,293 --> 00:59:05,962 * Woah * Mm. 1518 00:59:06,004 --> 00:59:09,049 Anna: Listening to Gihanna sing, she made me cry. * Will it ever get better than tonight? * 1519 00:59:09,090 --> 00:59:12,177 It's definitely gonna be hard going up against her. 1520 00:59:12,218 --> 00:59:13,428 I literally have tears 1521 00:59:13,470 --> 00:59:16,598 [Crying] streaming down my face. My God! 1522 00:59:16,639 --> 00:59:19,309 I'm tripping off of the maturity of your voice. 1523 00:59:19,351 --> 00:59:22,604 When you started talking, that [vocalizing] Oh, my God. 1524 00:59:22,645 --> 00:59:24,189 The vibrato. Mm! Mm! 1525 00:59:24,230 --> 00:59:25,607 How quick your vibrato is and how sweet it is 1526 00:59:25,648 --> 00:59:28,693 reminds me of Beyoncé, but your ache reminds me 1527 00:59:28,735 --> 00:59:30,403 of how P!nk sings. Ah! Thank you! 1528 00:59:30,445 --> 00:59:32,614 You just passed the P!nk challenge. Yeah. 1529 00:59:32,655 --> 00:59:34,699 [ Laughter ] 1530 00:59:34,741 --> 00:59:38,286 How would it sound if you did a [vocalizing] 1531 00:59:38,328 --> 00:59:40,622 * Toni-i-ight * 1532 00:59:40,663 --> 00:59:43,208 I want it to be almost quieter. Uh-huh. 1533 00:59:43,249 --> 00:59:45,168 Like, just something very sweet... Yeah. 1534 00:59:45,210 --> 00:59:46,920 ...and, like, left everyone like this. 1535 00:59:46,961 --> 00:59:48,546 Aaah! What? 1536 00:59:48,588 --> 00:59:50,965 [ Laughs ] Yeah. Give us a cliffhanger. 1537 00:59:51,007 --> 00:59:53,093 That's your best performance on this show. 1538 00:59:53,134 --> 00:59:55,679 Do it exactly like that. Thank you. Okay. [ Chuckles ] 1539 00:59:55,720 --> 00:59:57,931 These girls are both so emotional, 1540 00:59:57,972 --> 01:00:00,183 and they brought out all the emotions in me. Thank you. 1541 01:00:00,225 --> 01:00:02,268 So just, you know... 1542 01:00:02,310 --> 01:00:04,521 Just gonna have tissues in my chair. [ Laughs ] 1543 01:00:04,562 --> 01:00:06,648 Well, y'all didn't tell me I was gonna be crying on the show. 1544 01:00:06,690 --> 01:00:08,066 [ Kelly laughs ] 1545 01:00:08,108 --> 01:00:10,276 [ Cheers and applause ] 1546 01:00:10,318 --> 01:00:12,612 Whoo! 1547 01:00:12,654 --> 01:00:14,656 Gihanna! Yeah! 1548 01:00:14,698 --> 01:00:17,367 Anna's doing a country song. Cool. 1549 01:00:17,409 --> 01:00:19,661 Singing "If I Die Young," here's Anna Grace. 1550 01:00:19,703 --> 01:00:21,579 [ Cheers and applause ] 1551 01:00:21,621 --> 01:00:25,542 ** 1552 01:00:25,583 --> 01:00:29,129 * If I die young * 1553 01:00:29,170 --> 01:00:31,756 * Bury me in satin * 1554 01:00:31,798 --> 01:00:34,217 * Lay me down * 1555 01:00:34,259 --> 01:00:37,721 * On a bed of roses * 1556 01:00:37,762 --> 01:00:41,182 * Sink me in the river * 1557 01:00:41,224 --> 01:00:43,351 * At dawn * 1558 01:00:43,393 --> 01:00:46,271 * Send me away * 1559 01:00:46,312 --> 01:00:52,318 * With the words of a love song * 1560 01:00:52,360 --> 01:00:55,405 * Lord, make me a rainbow * 1561 01:00:55,447 --> 01:00:58,283 * I'll shine down on my mother * 1562 01:00:58,324 --> 01:01:00,660 * She'll know I'm safe with you * 1563 01:01:00,702 --> 01:01:04,706 * When she stands under my colors * 1564 01:01:04,748 --> 01:01:06,750 * No * 1565 01:01:06,791 --> 01:01:12,297 * Life ain't always what you think it ought to be, no * 1566 01:01:12,339 --> 01:01:18,470 * Ain't even gray, but she buries her baby * 1567 01:01:18,511 --> 01:01:21,765 * The sharp knife * 1568 01:01:21,806 --> 01:01:28,438 * Of a short li-i-fe * 1569 01:01:28,480 --> 01:01:30,482 * Oh, well * 1570 01:01:30,523 --> 01:01:33,401 * But I've had * 1571 01:01:33,443 --> 01:01:38,198 * Just enough time * 1572 01:01:38,239 --> 01:01:43,411 * Ohh, ohh * 1573 01:01:43,453 --> 01:01:45,663 Pretty. 1574 01:01:45,705 --> 01:01:51,544 * If I die young * 1575 01:01:51,586 --> 01:01:54,297 * Lay me down * 1576 01:01:54,339 --> 01:01:57,384 * On a bed of roses * 1577 01:01:57,425 --> 01:02:01,179 * Sink me in the river * 1578 01:02:01,221 --> 01:02:03,348 * At dawn * 1579 01:02:03,390 --> 01:02:06,226 * Send me away * 1580 01:02:06,267 --> 01:02:13,274 * With the words of a love song * 1581 01:02:13,316 --> 01:02:14,484 Yeah. 1582 01:02:14,526 --> 01:02:16,569 Wow. 1583 01:02:16,611 --> 01:02:18,613 * Hmmm * 1584 01:02:18,655 --> 01:02:25,662 * If I die young * 1585 01:02:25,704 --> 01:02:27,622 [ Cheers and applause ] Wow! 1586 01:02:27,664 --> 01:02:31,292 Thank you. Great job! 1587 01:02:31,334 --> 01:02:32,544 Lovely. Lovely. 1588 01:02:32,585 --> 01:02:36,172 [ Cheers and applause ] 1589 01:02:41,469 --> 01:02:42,637 * This is "The Voice" * 1590 01:02:42,679 --> 01:02:44,472 Daly: Welcome back. 1591 01:02:44,514 --> 01:02:46,808 [ Cheers and applause ] 1592 01:02:46,850 --> 01:02:48,560 John: Alright, Gihanna. 1593 01:02:48,601 --> 01:02:51,354 She's singing P!nk. That's bold. I like that. 1594 01:02:51,396 --> 01:02:52,564 And now with "Glitter in the Air," 1595 01:02:52,605 --> 01:02:54,482 here is Gihanna Zoe. 1596 01:02:54,524 --> 01:02:56,860 [ Cheers and applause ] 1597 01:02:56,901 --> 01:03:01,698 ** 1598 01:03:01,740 --> 01:03:05,493 * Have you ever fed a lover * 1599 01:03:05,535 --> 01:03:10,832 * With just your hands? * 1600 01:03:10,874 --> 01:03:15,503 * Close your eyes and trust it * 1601 01:03:15,545 --> 01:03:19,466 * Just trust it * 1602 01:03:19,507 --> 01:03:20,842 * Mmmm * 1603 01:03:20,884 --> 01:03:23,261 * Have you ever thrown * 1604 01:03:23,303 --> 01:03:28,183 * A fist full of glitter in the air? * 1605 01:03:28,224 --> 01:03:30,393 [ Cheers and applause ] 1606 01:03:30,435 --> 01:03:35,231 * It's only half past the point of oblivion * 1607 01:03:35,273 --> 01:03:40,195 * The hourglass on the table, the walk before the run * 1608 01:03:40,236 --> 01:03:44,657 * The breath before the kiss, the fear before the flames * 1609 01:03:44,699 --> 01:03:53,249 * Have you ever felt this way? * 1610 01:03:53,291 --> 01:03:54,876 * Oh, woah * 1611 01:03:54,918 --> 01:03:57,420 * La, la, la, la * 1612 01:03:57,462 --> 01:04:04,594 * La, la, la, la, la, la, la, la, la, la, la, la * * La, la, laaaaa * 1613 01:04:04,636 --> 01:04:09,349 * There you are, sitting in the garden * 1614 01:04:09,391 --> 01:04:12,769 * Clutching my coffee * 1615 01:04:12,811 --> 01:04:17,607 * Calling me sugar * 1616 01:04:17,649 --> 01:04:25,949 * You called me sugar * 1617 01:04:25,990 --> 01:04:34,040 * Oh, woah, woah, woah * 1618 01:04:34,082 --> 01:04:36,376 * Have you ever * 1619 01:04:36,418 --> 01:04:38,294 * Held your breath * 1620 01:04:38,336 --> 01:04:40,839 * And asked yourself * 1621 01:04:40,880 --> 01:04:49,389 * Will it ever get better than tonight? * 1622 01:04:49,431 --> 01:04:56,438 * Tonight * 1623 01:04:56,479 --> 01:04:57,647 Wow. 1624 01:04:57,689 --> 01:04:59,691 [ Cheers and applause ] 1625 01:04:59,733 --> 01:05:01,776 Whoo! Yes, Gihanna. 1626 01:05:01,818 --> 01:05:03,486 Blake: Wow. 1627 01:05:03,528 --> 01:05:06,281 Man, this is not gonna be a fun one for you, Kelly. 1628 01:05:06,322 --> 01:05:07,782 Anna, you probably heard me. 1629 01:05:07,824 --> 01:05:09,659 "Oh, my God! Anna's doing a country song." 1630 01:05:09,701 --> 01:05:11,036 [ Laughter ] People like you 1631 01:05:11,077 --> 01:05:13,538 are really important to have on the show 1632 01:05:13,580 --> 01:05:15,331 because you're so different. 1633 01:05:15,373 --> 01:05:17,042 Wow. What a cool voice you have. 1634 01:05:17,083 --> 01:05:20,003 Thank you. But Kelly's struggle is now... 1635 01:05:20,045 --> 01:05:23,631 we've never had anybody quite like Gihanna, either. 1636 01:05:23,673 --> 01:05:26,593 Thank you. At this point, there's really nothing you can't do. 1637 01:05:26,634 --> 01:05:28,011 Thank you. I mean, look at your pants. 1638 01:05:28,053 --> 01:05:29,095 They probably said, "Which this pair of pants 1639 01:05:29,137 --> 01:05:30,305 do you want to wear? 1640 01:05:30,347 --> 01:05:31,097 Which pair?" "Both." 1641 01:05:31,139 --> 01:05:32,057 "Both." "Both." 1642 01:05:32,098 --> 01:05:33,391 Watch this. 1643 01:05:33,433 --> 01:05:35,101 The sky is the limit for you. 1644 01:05:35,143 --> 01:05:36,644 Thank you. 1645 01:05:36,686 --> 01:05:38,646 Nick: Anna, I've always loved that song. 1646 01:05:38,688 --> 01:05:40,648 Thank you. To actually take a song like this 1647 01:05:40,690 --> 01:05:43,485 and make it your own in this way I thought was the right move. 1648 01:05:43,526 --> 01:05:45,695 Thank you. And I thought you did a really good job with it. 1649 01:05:45,737 --> 01:05:48,573 Gihanna, there's just something unique about you. 1650 01:05:48,615 --> 01:05:50,742 And you show up each week with -- with kind of 1651 01:05:50,784 --> 01:05:52,869 a different thing for all of us to hear, 1652 01:05:52,911 --> 01:05:55,580 which is really incredible to be so good at so much. 1653 01:05:55,622 --> 01:05:57,707 Thank you. I got to go with Gihanna on this one. 1654 01:05:57,749 --> 01:05:59,876 John: I love how much personality both of you have. 1655 01:05:59,918 --> 01:06:02,337 When you perform, it feels very confident. 1656 01:06:02,379 --> 01:06:06,758 Anna, when you did these little graceful falsetto things, 1657 01:06:06,800 --> 01:06:08,009 I-I looked at Kelly, and I was like -- 1658 01:06:08,051 --> 01:06:10,512 It was just so pretty. I got chills. 1659 01:06:10,553 --> 01:06:12,597 And then, Gihanna, 1660 01:06:12,639 --> 01:06:14,766 I just had to keep reminding myself you were 17 1661 01:06:14,808 --> 01:06:17,852 because it sounded so confident and sure. 1662 01:06:17,894 --> 01:06:20,438 And, like, I got to check the birth certificate. 1663 01:06:20,480 --> 01:06:22,107 "I got to check the birth certificate." 1664 01:06:22,148 --> 01:06:25,860 I got to see this for myself because it was so good. 1665 01:06:25,902 --> 01:06:27,737 Thank you. Kelly, you've got the final say. 1666 01:06:27,779 --> 01:06:29,364 Give us some thoughts on the knockout. 1667 01:06:29,406 --> 01:06:31,074 I actually believe that you're both very powerful 1668 01:06:31,116 --> 01:06:32,826 in different ways. 1669 01:06:32,867 --> 01:06:35,704 Anna, I'm so glad that you did more that ethereal stuff, 1670 01:06:35,745 --> 01:06:37,539 'cause it gives people chills. 1671 01:06:37,580 --> 01:06:39,833 It feels, like, spiritual. 1672 01:06:39,874 --> 01:06:43,086 It's -- It's a beautiful, beautiful gift that you have. Thank you. 1673 01:06:43,128 --> 01:06:46,047 Gihanna, you have such a big presence for anyone, 1674 01:06:46,089 --> 01:06:48,008 but especially a 17-year-old. Mm-hmm. 1675 01:06:48,049 --> 01:06:50,885 And so, honestly, it's just gonna come down to, like, 1676 01:06:50,927 --> 01:06:52,554 who in this moment I feel like is 1677 01:06:52,595 --> 01:06:55,682 gonna be able to navigate this competition better. 1678 01:06:55,724 --> 01:06:57,726 Kelly, who is the winner of this knockout? 1679 01:06:57,767 --> 01:07:04,816 ** 1680 01:07:04,858 --> 01:07:06,526 The winner of this knockout 1681 01:07:06,568 --> 01:07:07,694 is Gihanna. 1682 01:07:07,736 --> 01:07:10,739 Daly: Gihanna Zoe, congratulations. 1683 01:07:10,780 --> 01:07:12,657 Kelly: Gihanna has this huge presence. Ah! 1684 01:07:12,699 --> 01:07:14,534 She's more of a competitive vocalist, 1685 01:07:14,576 --> 01:07:16,911 and I think that she's perfect for this environment. 1686 01:07:16,953 --> 01:07:19,622 I'm very excited to see what she wants to do next. 1687 01:07:19,664 --> 01:07:22,208 Coaches, let me remind you Anna's available to steal. 1688 01:07:22,250 --> 01:07:24,544 Anna, what would you like to say to your coach? 1689 01:07:24,586 --> 01:07:26,755 I'm so grateful I got to share my story with you. 1690 01:07:26,796 --> 01:07:29,132 That was a really big deal for me. Yeah. 1691 01:07:29,174 --> 01:07:30,508 [ Voice breaking ] I just want to say thank you. 1692 01:07:30,550 --> 01:07:31,760 Oh, this is hard. 1693 01:07:31,801 --> 01:07:33,428 Give it up one more time for Anna Grace, 1694 01:07:33,470 --> 01:07:34,763 ladies and gentlemen. 1695 01:07:34,804 --> 01:07:37,599 [ Cheers and applause ] John: Alright. 1696 01:07:37,640 --> 01:07:39,976 [ Whoosh ] Daly: Whoa! I'll take her. 1697 01:07:40,018 --> 01:07:41,811 Wait! What?! I'll take Anna! 1698 01:07:41,853 --> 01:07:43,855 That is the sound of a steal from Blake Shelton! 1699 01:07:43,897 --> 01:07:45,815 Blake: I stole Anna because I think she's got 1700 01:07:45,857 --> 01:07:48,693 a wide-open lane on my team. 1701 01:07:48,735 --> 01:07:50,653 If I could hug you, I would hug you. 1702 01:07:50,695 --> 01:07:52,197 It's full of mostly all dudes, 1703 01:07:52,238 --> 01:07:55,658 so it was nice to actually add a female to my roster. 1704 01:07:55,700 --> 01:07:59,954 This is hardcore competition. These are world-class vocalists. 1705 01:07:59,996 --> 01:08:02,207 And I happen to think that you're one of them. 1706 01:08:02,248 --> 01:08:04,125 Thank you so much. There you have it! 1707 01:08:04,167 --> 01:08:07,796 The cowboy, Blake, steals Anna Grace. 1708 01:08:07,837 --> 01:08:09,547 Oh, my gosh. 1709 01:08:09,589 --> 01:08:11,716 I can't believe what just happened. 1710 01:08:11,758 --> 01:08:13,718 [ Chuckles ] 1711 01:08:20,016 --> 01:08:21,559 * This is "The Voice" * 1712 01:08:21,601 --> 01:08:23,937 Daly: Welcome back to Night 2 of the knockouts. 1713 01:08:23,978 --> 01:08:26,106 The most stressful part of this whole process 1714 01:08:26,147 --> 01:08:27,607 is this four-way knockout. 1715 01:08:27,649 --> 01:08:29,734 Each of us has somebody going up there, 1716 01:08:29,776 --> 01:08:31,069 waiting for America to vote on them. 1717 01:08:31,111 --> 01:08:32,696 I'm nervous about it. Kelly: I'm nervous, too. 1718 01:08:32,737 --> 01:08:33,988 They're all different. Nick: Very different. 1719 01:08:34,030 --> 01:08:36,533 Devan, my guy, is singing Harry Styles' 1720 01:08:36,574 --> 01:08:37,742 "Sign of the Times." Ooh. [ Gasps ] 1721 01:08:37,784 --> 01:08:39,619 Like, that's no joke. 1722 01:08:39,661 --> 01:08:42,997 Daly: Whoa! We've got a save! 1723 01:08:43,039 --> 01:08:45,000 Devan: I really thought I was going home. 1724 01:08:45,041 --> 01:08:47,210 [ Crying ] I never thought that I was gonna... 1725 01:08:47,252 --> 01:08:49,587 see one of my dreams come true like this. 1726 01:08:49,629 --> 01:08:55,093 And [sniffles] I just feel this, like, huge heaviness gone. 1727 01:08:55,135 --> 01:09:00,015 * Just stop your crying, it's a sign of the times * 1728 01:09:00,056 --> 01:09:02,183 You got to give us a little bit of body language. Okay. 1729 01:09:02,225 --> 01:09:04,728 Don't be shy! This is your house, man. 1730 01:09:04,769 --> 01:09:07,147 That's your stage. You got to command that. Like... 1731 01:09:07,188 --> 01:09:08,773 I feel you. I feel you. 1732 01:09:08,815 --> 01:09:12,152 [ Vocalizing ] Just lean into that. Okay. 1733 01:09:12,193 --> 01:09:13,820 To be the save... * We've got to get away * 1734 01:09:13,862 --> 01:09:15,280 ...it boosted my confidence a little bit. 1735 01:09:15,321 --> 01:09:16,906 A lot. Yeah! 1736 01:09:16,948 --> 01:09:18,366 Nick: Devan deserves to be here. Mm! 1737 01:09:18,408 --> 01:09:21,202 And he's got even more to prove and to show us. 1738 01:09:21,244 --> 01:09:23,079 Mine's Savanna. She's a rock-'n'-roller. 1739 01:09:23,121 --> 01:09:26,750 She sings the hell out of "Black Hole Sun." 1740 01:09:26,791 --> 01:09:27,917 Why this song? 1741 01:09:27,959 --> 01:09:29,252 I think it shows something different. 1742 01:09:29,294 --> 01:09:32,255 It might be cool, instead of going hard, 1743 01:09:32,297 --> 01:09:34,382 go intense, like, in a small way. 1744 01:09:34,424 --> 01:09:35,925 Let's get it, girl. 1745 01:09:35,967 --> 01:09:37,802 * Boiling heat * 1746 01:09:37,844 --> 01:09:39,179 Kelly: There are so many great artists 1747 01:09:39,220 --> 01:09:41,139 in the four-way knockout, but I really do feel 1748 01:09:41,181 --> 01:09:42,891 like Savanna has an edge on them. 1749 01:09:42,932 --> 01:09:45,310 Daly: Whoa! We got a steal! Kelly: Yes! 1750 01:09:45,352 --> 01:09:47,812 Kelly saving me was quite an honor. 1751 01:09:47,854 --> 01:09:51,149 * Black hole sun, won't you come * 1752 01:09:51,191 --> 01:09:52,776 I grew up singing with three sisters. 1753 01:09:52,817 --> 01:09:54,861 Once we all graduated and left, 1754 01:09:54,903 --> 01:09:56,946 my parents started fostering kids. * Won't you come? * 1755 01:09:56,988 --> 01:10:00,950 Being a foster child is hard, and this song really embodies 1756 01:10:00,992 --> 01:10:03,036 the expression of pain... [ Holding note ] 1757 01:10:03,078 --> 01:10:06,247 ...and wanting it all to just go away. 1758 01:10:06,289 --> 01:10:08,750 I thought I was watching the end of a Spider-Man movie. 1759 01:10:08,792 --> 01:10:10,126 Man, like, big. 1760 01:10:10,168 --> 01:10:12,295 Like motion-picture, like, soundtrack. 1761 01:10:12,337 --> 01:10:14,172 You understand what I'm saying? Yeah. Yeah. 1762 01:10:14,214 --> 01:10:15,924 It was so cool. For real. 1763 01:10:15,965 --> 01:10:18,635 Thank you. Those soulful runs can make an audience 1764 01:10:18,677 --> 01:10:20,011 that never knew about that song 1765 01:10:20,053 --> 01:10:21,971 become interested in that song. Yeah. 1766 01:10:22,013 --> 01:10:23,431 'Cause you made it yours. 1767 01:10:23,473 --> 01:10:25,934 Emma's gonna be doing "Neon Moon." 1768 01:10:25,975 --> 01:10:28,937 I learned to two-step to the Brooks & Dunn version. 1769 01:10:28,978 --> 01:10:30,772 * I'll be alright as long as there's light * 1770 01:10:30,814 --> 01:10:32,691 Blake: I saved Emma because I really do think 1771 01:10:32,732 --> 01:10:35,110 she is an incredible vocalist. * From a neon moon * 1772 01:10:35,151 --> 01:10:37,153 I just felt like she needs to learn to loosen up 1773 01:10:37,195 --> 01:10:38,863 and have some fun on stage. 1774 01:10:38,905 --> 01:10:42,158 Daly: Whoa! We've got a save! 1775 01:10:42,200 --> 01:10:43,827 Why'd you have to do that to me? 1776 01:10:43,868 --> 01:10:45,995 I wanted to scare some stage presence into you. 1777 01:10:46,037 --> 01:10:47,455 You did. You did it. 1778 01:10:47,497 --> 01:10:49,874 My battle performance, I think I looked scared 1779 01:10:49,916 --> 01:10:52,168 and felt a little nervous -- or a lotta nervous. 1780 01:10:52,210 --> 01:10:53,962 * No telling how many tears I've sat here and cried * 1781 01:10:54,004 --> 01:10:56,339 But I'm beyond grateful that Blake believed in me enough 1782 01:10:56,381 --> 01:10:58,758 to give me a second opportunity. 1783 01:10:58,800 --> 01:11:01,177 Your voice just floats. It's unbelievable. 1784 01:11:01,219 --> 01:11:03,930 Don't hold nothing in. Let it become natural. 1785 01:11:03,972 --> 01:11:05,724 Your flow, your singing, your movement. 1786 01:11:05,765 --> 01:11:07,267 When you -- That's beautiful. 1787 01:11:07,308 --> 01:11:09,102 That's what people want to see. 1788 01:11:09,144 --> 01:11:12,105 * Oh, if you lose your one and only * Yes. Yes. 1789 01:11:12,147 --> 01:11:13,857 Blake: If Emma can just let go... Whoo! 1790 01:11:13,898 --> 01:11:15,859 ...I have no doubt that she can win this knockout. 1791 01:11:15,900 --> 01:11:18,945 Carolina picked a Demi Lovato song -- 1792 01:11:18,987 --> 01:11:20,363 lot of power. 1793 01:11:20,405 --> 01:11:23,199 * I tried to talk to my piano * 1794 01:11:23,241 --> 01:11:26,161 John: With the save, you have to be kind of strategic. * I tried to talk to my guitar * 1795 01:11:26,202 --> 01:11:28,038 You want somebody with a big voice, 1796 01:11:28,079 --> 01:11:31,207 somebody that can dazzle the American people. 1797 01:11:31,249 --> 01:11:33,251 Daly: Whoa! Carolina, come back! 1798 01:11:33,293 --> 01:11:34,878 We got a save. 1799 01:11:34,919 --> 01:11:38,006 Carolina: John's save represents everything. 1800 01:11:38,048 --> 01:11:39,758 So I want to show John and America 1801 01:11:39,799 --> 01:11:41,968 that I'm more than just a 17-year-old singer. 1802 01:11:42,010 --> 01:11:43,762 * Anyone * 1803 01:11:43,803 --> 01:11:45,263 Mm! * Please send me anyone * 1804 01:11:45,305 --> 01:11:47,932 "Anyone" is a really special song to me. 1805 01:11:47,974 --> 01:11:51,478 I remember when I first sang the song, I just felt my dad 1806 01:11:51,519 --> 01:11:53,396 and my grandmother with me, so... 1807 01:11:53,438 --> 01:11:55,398 * A hundred million stories * 1808 01:11:55,440 --> 01:11:58,401 I want to be able to show that if you've lost somebody, 1809 01:11:58,443 --> 01:12:00,278 there's always a light at the end of that tunnel. 1810 01:12:02,572 --> 01:12:05,450 Oh, my goodness. Wow! Wow! 1811 01:12:05,492 --> 01:12:08,244 You felt the emotion. I felt it, too. Wow. 1812 01:12:08,286 --> 01:12:11,289 Oh, wow. I felt that one, buddy. You hear me? 1813 01:12:11,331 --> 01:12:13,917 What a song. I had to close my eyes and hold on to my chest. 1814 01:12:13,958 --> 01:12:17,420 Yeah. Obviously, the lower notes are a little more challenging. 1815 01:12:17,462 --> 01:12:19,297 If you kind of talk the line a little bit, 1816 01:12:19,339 --> 01:12:21,257 you can kind of throw off the line 1817 01:12:21,299 --> 01:12:22,425 without putting the pressure on yourself 1818 01:12:22,467 --> 01:12:24,135 to sing all those low notes. 1819 01:12:24,177 --> 01:12:25,887 If you put that feeling into your performance, 1820 01:12:25,929 --> 01:12:28,431 America will make the right decision. 1821 01:12:28,473 --> 01:12:30,100 [ Cheers and applause ] 1822 01:12:30,141 --> 01:12:31,476 Voting is open now 1823 01:12:31,518 --> 01:12:33,895 on the "Voice" official app and NBC.com. 1824 01:12:33,937 --> 01:12:35,522 Let's get to it. 1825 01:12:35,563 --> 01:12:37,273 First up with "Neon Moon, 1826 01:12:37,315 --> 01:12:40,360 here's Team Blake's Emma Caroline. 1827 01:12:40,402 --> 01:12:45,031 ** 1828 01:12:45,073 --> 01:12:49,994 * When the sun goes down on my side of town * 1829 01:12:50,036 --> 01:12:54,916 * That lonesome feeling comes to my door * 1830 01:12:54,958 --> 01:12:58,294 * And the whole world * 1831 01:12:58,336 --> 01:13:02,173 * Ooh, turns blue * 1832 01:13:03,883 --> 01:13:09,139 * No telling how many tears I've sat here and cried * 1833 01:13:09,180 --> 01:13:13,601 * Or how many lies that I've lied * 1834 01:13:13,643 --> 01:13:17,856 * Telling my poor heart * 1835 01:13:17,897 --> 01:13:22,819 * He'll come back someday, yeah * 1836 01:13:22,861 --> 01:13:25,905 * Oh, but I'll be alright * 1837 01:13:25,947 --> 01:13:32,245 * As long as there's light from a neon moon, yeah * 1838 01:13:32,287 --> 01:13:36,958 * Oh, if you lose your one and only * 1839 01:13:37,000 --> 01:13:41,588 * There's always room here for the lonely * 1840 01:13:41,629 --> 01:13:46,885 * To watch your broken dreams dance in and out of the beams * 1841 01:13:46,926 --> 01:13:52,057 * Of a neon moon * 1842 01:13:52,098 --> 01:13:56,478 * The jukebox plays on drink by drink * 1843 01:13:56,519 --> 01:14:01,232 * And the words to every sad song seem to say what I think * 1844 01:14:01,274 --> 01:14:05,320 * And this pain inside of me * 1845 01:14:05,362 --> 01:14:10,033 * It ain't never gonna end, no * 1846 01:14:10,075 --> 01:14:13,203 * Oh, and I'll be alright * 1847 01:14:13,244 --> 01:14:15,580 * As long as there's light * 1848 01:14:15,622 --> 01:14:19,584 * From a neon moon * 1849 01:14:19,626 --> 01:14:24,381 * Ooh, if you lose your one and only * 1850 01:14:24,422 --> 01:14:29,052 * There's always room here for the lonely * 1851 01:14:29,094 --> 01:14:34,974 * To watch your broken dreams dance in and out of the beams * 1852 01:14:35,016 --> 01:14:40,897 * Of a neon moon * 1853 01:14:40,939 --> 01:14:42,565 [ Cheers and applause ] 1854 01:14:42,607 --> 01:14:46,444 Yes, Emma! Yes! 1855 01:14:46,486 --> 01:14:48,196 Now with "Sign of the Times," 1856 01:14:48,238 --> 01:14:50,907 here's Team Nicks's Devan Blake Jones. 1857 01:14:50,949 --> 01:14:52,575 This outfit is too fresh. 1858 01:14:52,617 --> 01:14:53,993 Fire. 1859 01:14:54,035 --> 01:14:59,666 ** 1860 01:14:59,708 --> 01:15:04,713 * Just stop your crying, it's a sign of the times * 1861 01:15:06,339 --> 01:15:10,176 * Welcome to the final show * 1862 01:15:10,218 --> 01:15:14,139 * I hope you're wearing your best clothes * 1863 01:15:15,724 --> 01:15:20,979 * You can't bribe the door on your way to the sky * 1864 01:15:21,021 --> 01:15:22,313 Yeah. 1865 01:15:22,355 --> 01:15:25,942 * You look pretty good down here * 1866 01:15:25,984 --> 01:15:29,237 * But you ain't really good * 1867 01:15:29,279 --> 01:15:31,281 ** 1868 01:15:31,322 --> 01:15:35,243 * We never learn, we've been here before * 1869 01:15:35,285 --> 01:15:38,496 * Why are we always stuck and running from * 1870 01:15:38,538 --> 01:15:42,292 * The bullets? * 1871 01:15:42,334 --> 01:15:44,586 * The bullets? * 1872 01:15:47,172 --> 01:15:52,469 * Just stop your crying it's a sign of the times * Okay. 1873 01:15:53,345 --> 01:15:57,307 * We've gotta get away from here * 1874 01:15:57,349 --> 01:16:02,645 * We've gotta get away from here, yeah * 1875 01:16:02,687 --> 01:16:07,150 * We don't talk enough * 1876 01:16:07,192 --> 01:16:11,321 * We should open up * 1877 01:16:11,363 --> 01:16:18,995 * Before it's all too much * 1878 01:16:19,037 --> 01:16:22,624 * Stop your crying, baby, it's a sign of * Hey! 1879 01:16:22,665 --> 01:16:24,668 * The times, yeah * 1880 01:16:24,709 --> 01:16:28,421 * We've got to get away * 1881 01:16:28,463 --> 01:16:31,341 * Get away, away, away * 1882 01:16:31,383 --> 01:16:32,676 * Get away * 1883 01:16:32,717 --> 01:16:36,596 * We've got to get away * 1884 01:16:36,638 --> 01:16:40,600 * We've got to get away * 1885 01:16:40,642 --> 01:16:48,441 * We've got to get awaa-a-a-y * 1886 01:16:48,483 --> 01:16:55,615 * We've got to get awaaaay * 1887 01:16:55,657 --> 01:16:58,201 Fantastic. Yeah! 1888 01:16:58,243 --> 01:16:59,577 That was his best performance yet. 1889 01:16:59,619 --> 01:17:02,163 Let's go! Rock star. Okay. 1890 01:17:02,205 --> 01:17:04,290 [ Cheers and applause ] 1891 01:17:11,256 --> 01:17:12,424 * This is "The Voice" * 1892 01:17:12,465 --> 01:17:14,342 Daly: Welcome back. 1893 01:17:14,384 --> 01:17:16,761 John: Come on, Carolina. Two more performances to go. 1894 01:17:16,803 --> 01:17:18,221 Now singing "Anyone," 1895 01:17:18,263 --> 01:17:21,266 here is Team Legend's Carolina Rial. 1896 01:17:21,307 --> 01:17:22,392 Yes. 1897 01:17:22,434 --> 01:17:29,274 ** 1898 01:17:29,315 --> 01:17:32,902 * I tried to talk to my piano * 1899 01:17:32,944 --> 01:17:36,656 * I tried to talk to my guitar * 1900 01:17:36,698 --> 01:17:40,452 * Talk to my imagination * 1901 01:17:40,493 --> 01:17:43,872 * Confided into alcohol * 1902 01:17:43,913 --> 01:17:47,625 * I tried and tried and tried some more * 1903 01:17:47,667 --> 01:17:51,629 * Told secrets till my voice was sore * 1904 01:17:51,671 --> 01:17:55,216 * Tired of empty conversation * 1905 01:17:55,258 --> 01:17:58,803 * 'Cause no one hears me anymore * 1906 01:17:58,845 --> 01:18:02,474 * A hundred million stories and a hundred million songs * 1907 01:18:02,515 --> 01:18:05,393 * I feel stupid when I sing * 1908 01:18:05,435 --> 01:18:09,189 * Nobody's listening to me * 1909 01:18:09,230 --> 01:18:13,485 * Nobody's listening * 1910 01:18:13,526 --> 01:18:17,280 * I talk to shooting stars, but they always get it wrong * 1911 01:18:17,322 --> 01:18:19,908 * I feel stupid when I pray * 1912 01:18:19,949 --> 01:18:23,828 * So why am I praying anyway * 1913 01:18:23,870 --> 01:18:28,500 * If nobody's listening? * 1914 01:18:28,541 --> 01:18:30,710 * Anyone * 1915 01:18:30,752 --> 01:18:34,464 * Please send me anyone * 1916 01:18:34,506 --> 01:18:38,760 * Lord, is there anyone? * 1917 01:18:38,802 --> 01:18:42,222 * I need someone * 1918 01:18:42,263 --> 01:18:46,184 * Oh, anyone * 1919 01:18:46,226 --> 01:18:49,354 * I need anyone * 1920 01:18:49,396 --> 01:18:53,566 * Oh, anyone * 1921 01:18:53,608 --> 01:19:00,699 * I need someo-o-o-ne * 1922 01:19:02,826 --> 01:19:06,913 * A hundred million stories and a hundred million songs * 1923 01:19:06,955 --> 01:19:10,417 * I feel stupid when I sing * 1924 01:19:10,458 --> 01:19:14,713 * Nobody's listening to me * 1925 01:19:14,754 --> 01:19:20,927 * Nobody's listening * 1926 01:19:20,969 --> 01:19:22,846 Whoo! [ Cheers and applause ] 1927 01:19:22,887 --> 01:19:26,391 Beautiful. 1928 01:19:26,433 --> 01:19:27,976 Yes! Yes. 1929 01:19:28,018 --> 01:19:29,394 Beautiful! 1930 01:19:29,436 --> 01:19:31,479 And finally, with "Black Hole Sun," 1931 01:19:31,521 --> 01:19:33,773 here's Team Kelly's Savanna Woods. 1932 01:19:33,815 --> 01:19:34,858 Oh, wow. 1933 01:19:34,899 --> 01:19:36,568 [ Cheers and applause ] 1934 01:19:36,609 --> 01:19:42,282 ** 1935 01:19:42,323 --> 01:19:46,745 * In my eyes, indisposed * 1936 01:19:46,786 --> 01:19:50,749 * In disguise, as no one knows * 1937 01:19:50,790 --> 01:19:55,545 * Hides the face, lies the snake * 1938 01:19:55,587 --> 01:20:00,383 * And the sun in my disgrace * 1939 01:20:00,425 --> 01:20:04,763 * Boiling heat, summer stench * 1940 01:20:04,804 --> 01:20:08,767 * 'Neath the black, the sky looks dead * 1941 01:20:08,808 --> 01:20:13,605 * Call my name through the cream * 1942 01:20:13,646 --> 01:20:18,902 * And I'll hear you scream again * 1943 01:20:18,943 --> 01:20:20,278 Whoo! 1944 01:20:20,320 --> 01:20:25,617 * Black hole sun, won't you come * 1945 01:20:25,658 --> 01:20:28,953 * And wash away the rain? * 1946 01:20:28,995 --> 01:20:33,541 * Black hole sun, won't you come? * 1947 01:20:33,583 --> 01:20:38,797 * Won't you come? * 1948 01:20:38,838 --> 01:20:40,548 Sing, girl! 1949 01:20:40,590 --> 01:20:45,387 * Hang my head, drown my fears * 1950 01:20:45,428 --> 01:20:51,601 * 'Til you all just disappear * 1951 01:20:51,643 --> 01:20:56,815 * Black hole sun, won't you come * 1952 01:20:56,856 --> 01:21:00,485 * And wash away the rain? * 1953 01:21:00,527 --> 01:21:04,948 * Black hole sun, won't you come? * 1954 01:21:04,989 --> 01:21:07,325 * Won't you come? * 1955 01:21:07,367 --> 01:21:09,369 * Black hole sun * 1956 01:21:09,411 --> 01:21:11,663 * Black hole sun * 1957 01:21:11,705 --> 01:21:13,915 * Won't you come? * 1958 01:21:13,957 --> 01:21:16,001 * Black hole sun * 1959 01:21:16,042 --> 01:21:18,420 * Black hole sun * 1960 01:21:18,461 --> 01:21:23,925 * Won't you coooo-o-o-me? * 1961 01:21:23,967 --> 01:21:32,851 * Cooooooome * 1962 01:21:32,892 --> 01:21:36,146 [ Cheers and applause ] 1963 01:21:36,187 --> 01:21:37,856 You better sing! Okay. 1964 01:21:37,897 --> 01:21:40,650 You better get it! Okay. 1965 01:21:40,692 --> 01:21:42,027 Daly: How about a big hand 1966 01:21:42,068 --> 01:21:46,114 for Savanna, Devan, Carolina, and Emma? 1967 01:21:46,156 --> 01:21:47,782 Let's hear what your coaches thought 1968 01:21:47,824 --> 01:21:49,534 about the big four-way knockout. 1969 01:21:49,576 --> 01:21:51,036 Well, Emma, I couldn't be happier 1970 01:21:51,077 --> 01:21:52,704 with your performance tonight. 1971 01:21:52,746 --> 01:21:56,708 I feel like I really need you on my team. 1972 01:21:56,750 --> 01:21:58,168 I need somebody representing 1973 01:21:58,209 --> 01:22:00,837 some hardcore mainstream country music. 1974 01:22:00,879 --> 01:22:03,048 It's always hard to make these decisions. 1975 01:22:03,089 --> 01:22:05,050 But the winner of this knockout... 1976 01:22:05,091 --> 01:22:07,469 [ Laughter ] ...is Emma. 1977 01:22:07,510 --> 01:22:09,554 The king of "The Voice" has spoken. 1978 01:22:09,596 --> 01:22:11,389 Daly: Your heart's in the right place, Blake. Good luck. 1979 01:22:11,431 --> 01:22:13,016 Nick, what'd you think about Devan's performance tonight? 1980 01:22:13,058 --> 01:22:15,727 We talked a lot in our rehearsal... Whoo! Devan. 1981 01:22:15,769 --> 01:22:18,605 ...with Snoop about you coming out of your shell, 1982 01:22:18,646 --> 01:22:20,774 and you are like a different person. 1983 01:22:20,815 --> 01:22:23,068 Thank you. By far -- and John said it, too -- 1984 01:22:23,109 --> 01:22:25,904 your best vocal performance we've heard from you so far. 1985 01:22:25,945 --> 01:22:28,448 Thank you so much. So, please, let's keep Devan in this thing. 1986 01:22:28,490 --> 01:22:29,741 Daly: Thanks. Good luck to you. 1987 01:22:29,783 --> 01:22:31,034 John, how about Carolina? 1988 01:22:31,076 --> 01:22:32,577 Carolina, that was wonderful. 1989 01:22:32,619 --> 01:22:34,871 Thank you. I felt every single emotion. 1990 01:22:34,913 --> 01:22:36,581 I could tell you felt it, too. 1991 01:22:36,623 --> 01:22:40,794 What a plea to America, saying, support Carolina. 1992 01:22:40,835 --> 01:22:42,962 Send her to the lives. 1993 01:22:43,004 --> 01:22:45,715 Kelly, thoughts on Savanna's performance. 1994 01:22:45,757 --> 01:22:50,178 Savanna, you're insane, and your range is incredible. 1995 01:22:50,220 --> 01:22:52,013 The highest and lowest I've ever sang. 1996 01:22:52,055 --> 01:22:54,057 Yeah, I was gonna say, I can't do what you just did. 1997 01:22:54,099 --> 01:22:56,810 I can't go that low. You're just so rock and roll. 1998 01:22:56,851 --> 01:22:58,895 And "The Voice" is about representation 1999 01:22:58,937 --> 01:23:00,855 in all those genres, 2000 01:23:00,897 --> 01:23:02,065 and I feel it's really important. 2001 01:23:02,107 --> 01:23:03,733 And I hope America heard that 2002 01:23:03,775 --> 01:23:05,110 and got excited and inspired. 2003 01:23:05,151 --> 01:23:07,946 So please, America, vote for Savanna right now. 2004 01:23:07,987 --> 01:23:09,656 Whoo! That was good. 2005 01:23:09,698 --> 01:23:11,533 Alright. Only one of these artists 2006 01:23:11,574 --> 01:23:12,826 will move on to the live playoffs. 2007 01:23:12,867 --> 01:23:15,495 And, of course, it all depends on you. 2008 01:23:15,537 --> 01:23:16,871 Remember, voting is open now 2009 01:23:16,913 --> 01:23:18,790 on the "Voice" official app and NBC.com. 2010 01:23:18,832 --> 01:23:21,167 It closes 7:00 a.m. Eastern tomorrow. 2011 01:23:21,209 --> 01:23:22,961 We're gonna reveal your winner 2012 01:23:23,003 --> 01:23:25,255 at the beginning of our first live playoff show. 2013 01:23:25,296 --> 01:23:28,049 How about a big hand for these four incredible artists? 2014 01:23:28,091 --> 01:23:30,051 [ Cheers and applause ] John: Whoo! Beautiful job! 2015 01:23:30,093 --> 01:23:31,511 Beautiful! 2016 01:23:31,553 --> 01:23:32,804 Daly: Thank you, and best of luck to you. 2017 01:23:32,846 --> 01:23:34,014 Fantastic. 2018 01:23:34,055 --> 01:23:43,857 ** 2019 01:23:43,898 --> 01:23:53,700 ** 2020 01:23:53,742 --> 01:24:03,626 **