1 00:00:05,588 --> 00:00:07,007 Shh! Shh! Shh! 2 00:00:07,048 --> 00:00:08,925 I'm going to let you guys in on a secret. 3 00:00:08,967 --> 00:00:10,301 I made it the playoffs. [ Laughs ] 4 00:00:10,343 --> 00:00:12,971 Playoffs night one start right now. 5 00:00:13,013 --> 00:00:14,139 Yes! 6 00:00:14,180 --> 00:00:15,849 Team Legend, Team Dan + Shay 7 00:00:15,890 --> 00:00:19,686 are all going to sing tonight for no saves, no steals. 8 00:00:19,728 --> 00:00:22,272 They've got to convince us they're ready for the lives. 9 00:00:22,313 --> 00:00:25,442 Team Legend gets to work with guest mentor Maluma. 10 00:00:25,483 --> 00:00:27,652 [ Singing in native language ] 11 00:00:27,694 --> 00:00:31,990 ** 12 00:00:32,032 --> 00:00:33,867 Woman: Maluma is a global superstar 13 00:00:33,908 --> 00:00:37,579 and is literally one of the most successful Latin artists ever. 14 00:00:37,620 --> 00:00:39,247 Woman #2: He's done such a good job at both 15 00:00:39,289 --> 00:00:41,750 the American audience and the Latin audience, 16 00:00:41,791 --> 00:00:43,793 and that's something I look up to. 17 00:00:43,835 --> 00:00:46,046 Tonight is all about Team Legend and Team Dan + Shay, 18 00:00:46,087 --> 00:00:49,007 Get ready for a night of mind-blowing performances. Let's do this. 19 00:00:49,049 --> 00:00:51,384 Olivia: Team Dan + Shay get to work with guest mentor 20 00:00:51,426 --> 00:00:53,928 [Imitates drumroll] Saweetie! 21 00:00:53,970 --> 00:00:56,514 * That's my best friend, she a real bad... * 22 00:00:56,556 --> 00:00:59,768 * Drive her own car, she don't need no Lyft * 23 00:00:59,809 --> 00:01:02,270 Karen: Saweetie is one of the fastest-growing 24 00:01:02,312 --> 00:01:03,980 superstars out there. 25 00:01:04,022 --> 00:01:06,858 * That's my best friend, she a real bad... * 26 00:01:06,900 --> 00:01:08,318 * Drive her own car * 27 00:01:08,360 --> 00:01:09,944 Karen: And Saweetie's music keeps me going 28 00:01:09,986 --> 00:01:12,989 when I want to give up, and I am not giving up now. 29 00:01:13,031 --> 00:01:14,449 Whoo! 30 00:01:14,491 --> 00:01:16,326 I'm glad I get to watch Team Dan + Shay 31 00:01:16,368 --> 00:01:18,411 and Team Legend fight with their emotions 32 00:01:18,453 --> 00:01:20,330 and figure out the biggest decision of their lives. 33 00:01:20,372 --> 00:01:22,207 I'm gonna just be chilling. 34 00:01:22,248 --> 00:01:24,417 I'm so excited to listen to them. 35 00:01:24,459 --> 00:01:26,211 It's gonna be wild. About to bring it. 36 00:01:26,252 --> 00:01:29,589 I'm gonna lay it to this live show, baby! 37 00:01:29,631 --> 00:01:31,049 Let's get it! 38 00:01:31,091 --> 00:01:32,592 Here we go! 39 00:01:33,426 --> 00:01:34,719 Maluma: I saw the battles. 40 00:01:34,761 --> 00:01:36,388 I mean, you have crazy, crazy voices. 41 00:01:36,429 --> 00:01:37,722 Yeah, we got some great people, 42 00:01:37,764 --> 00:01:39,432 and you're gonna help me decide, you know, 43 00:01:39,474 --> 00:01:40,767 who my final three are going to be because -- 44 00:01:40,809 --> 00:01:42,602 I'll help you out, but at the end of the day, 45 00:01:42,644 --> 00:01:43,937 it's your choice, man, you know? 46 00:01:43,978 --> 00:01:45,480 Yes. That is true. 47 00:01:45,522 --> 00:01:47,440 I need to make some really critical decisions. 48 00:01:47,482 --> 00:01:49,818 It's gonna be tough for me, so I brought in some help. 49 00:01:49,859 --> 00:01:53,279 I brought in global superstar Maluma. 50 00:01:53,321 --> 00:01:56,908 You've done this before, right? "The Voice Colombia," Mexico? 51 00:01:56,950 --> 00:01:58,451 Mexico, I won one time. 52 00:01:58,493 --> 00:02:00,662 And then in Colombia, one time. Wow. 53 00:02:00,704 --> 00:02:03,456 You're bringing great winning experience to my team. 54 00:02:03,498 --> 00:02:05,291 I like that. You won already? 55 00:02:05,333 --> 00:02:07,460 I have won once, so I got to win again. 56 00:02:07,502 --> 00:02:09,004 Bro, I'm pretty sure you're gonna win 57 00:02:09,045 --> 00:02:10,630 because I saw some crazy talent 58 00:02:10,672 --> 00:02:12,841 in your team. Ah! I'm glad you're saying that. 59 00:02:12,882 --> 00:02:15,385 Let's do it, man. I'm here to help you out. Alright. 60 00:02:15,427 --> 00:02:17,137 Maluma comes from Colombia, 61 00:02:17,178 --> 00:02:19,889 but he's crossed over to the US and all around the world. 62 00:02:19,931 --> 00:02:21,266 He's a huge star, 63 00:02:21,307 --> 00:02:22,642 and we're so lucky to have him here. 64 00:02:22,684 --> 00:02:24,728 Are you ready? Yeah, let's go. 65 00:02:26,146 --> 00:02:27,731 John: Hey! Maluma: What's up, bro? 66 00:02:27,772 --> 00:02:29,274 Maluma's here! Wow! Look at that outfit! 67 00:02:29,315 --> 00:02:31,151 Oh, my God. Looking good, man. 68 00:02:31,192 --> 00:02:33,194 Look at that, bro. Respect, respect. 69 00:02:33,236 --> 00:02:35,155 Maluma has been in the business for a while. 70 00:02:35,196 --> 00:02:36,823 Okay, bro. I got to get -- oh! 71 00:02:36,865 --> 00:02:38,324 He's reggae tone. 72 00:02:38,366 --> 00:02:41,202 His sound is very specific and very current. 73 00:02:41,244 --> 00:02:42,662 I love your outfit. Bro, same. 74 00:02:42,704 --> 00:02:43,997 Bro, I love your boots, man. 75 00:02:44,039 --> 00:02:45,081 Look at that. 76 00:02:45,123 --> 00:02:46,541 He's got a huge fan base. 77 00:02:46,583 --> 00:02:48,835 So, he knows a lot about creating a lane, 78 00:02:48,877 --> 00:02:51,838 creating music that is specific to a world. 79 00:02:51,880 --> 00:02:53,340 That's what I've been trying to do. 80 00:02:53,381 --> 00:02:54,674 So it was super sick to, like, 81 00:02:54,716 --> 00:02:56,509 chop it up with him a little bit. 82 00:02:56,551 --> 00:02:59,804 Nathan, I'm starting this playoff with five artists, 83 00:02:59,846 --> 00:03:01,890 but I'm going to choose three to go to the lives 84 00:03:01,931 --> 00:03:04,267 and let America decide from then on. 85 00:03:04,309 --> 00:03:08,438 So, all you got to do is earn your way into that top three. 86 00:03:08,480 --> 00:03:10,148 We're gonna try to do it. Yeah. 87 00:03:10,190 --> 00:03:12,484 * Oh, darling * 88 00:03:12,525 --> 00:03:16,363 * Oh, darling * 89 00:03:16,404 --> 00:03:18,782 Nathan is singing "Oh! Darling." 90 00:03:18,823 --> 00:03:21,534 He loves that classic soul, bluesy old school vibe. 91 00:03:21,576 --> 00:03:22,994 I'm gonna wear my shades. 92 00:03:23,036 --> 00:03:26,915 * Well, you know I nearly broke down * 93 00:03:26,956 --> 00:03:29,167 * And cried * 94 00:03:29,209 --> 00:03:32,003 John: I don't think anyone's making music like him right now, 95 00:03:32,045 --> 00:03:34,506 and I believe it's great for him to have an identity 96 00:03:34,547 --> 00:03:36,925 that's distinct from everyone else on the show. 97 00:03:36,966 --> 00:03:40,595 Some of my favorite artists include James Brown, 98 00:03:40,637 --> 00:03:43,598 Marvin Gaye, Stevie Wonder. 99 00:03:43,640 --> 00:03:46,810 They all have really great style. 100 00:03:46,851 --> 00:03:50,021 I would like to think that I also have 101 00:03:50,063 --> 00:03:52,691 a unique style of some sort. 102 00:03:52,732 --> 00:03:53,900 What you think? 103 00:03:53,942 --> 00:03:58,571 ** 104 00:03:58,613 --> 00:04:00,740 [ Laughs ] Hey! 105 00:04:00,782 --> 00:04:02,450 I need to wear my shades, man. 106 00:04:02,492 --> 00:04:04,119 So bright right here. 107 00:04:04,160 --> 00:04:05,745 [ Laughs ] 108 00:04:05,787 --> 00:04:06,830 What a star, man. 109 00:04:06,871 --> 00:04:08,415 Hey, I appreciate it. Thank you. 110 00:04:08,456 --> 00:04:09,708 I just want it to sound more urgent. 111 00:04:09,749 --> 00:04:12,293 Too mellow? Yeah, it sounds very proper. 112 00:04:12,335 --> 00:04:13,837 Rock it out a little bit more. 113 00:04:13,878 --> 00:04:16,089 So, I want to hear some crackle in your voice. 114 00:04:16,131 --> 00:04:17,465 Got you. 115 00:04:17,507 --> 00:04:19,050 Sometimes the tempo of the songs, 116 00:04:19,092 --> 00:04:21,720 it doesn't mean that the song is actually slow 117 00:04:21,761 --> 00:04:25,515 because my heart is always beating pretty fast. 118 00:04:25,557 --> 00:04:26,599 You know what I mean? 119 00:04:26,641 --> 00:04:27,934 So, for me, it's just 120 00:04:27,976 --> 00:04:29,894 to put the heart in the right situation, 121 00:04:29,936 --> 00:04:31,771 the right way, also your mind, man. 122 00:04:31,813 --> 00:04:34,399 You know, like, trust yourself, you know? 123 00:04:34,441 --> 00:04:36,651 And this thing about the intent of the song, too, 124 00:04:36,693 --> 00:04:38,445 'cause it's like it's begging her. 125 00:04:38,486 --> 00:04:41,239 "Come on, baby. Come on. Stay with me." 126 00:04:41,281 --> 00:04:45,577 Working with John and Maluma is one of the most positive things 127 00:04:45,618 --> 00:04:47,245 I think I've been lucky enough to experience. 128 00:04:47,287 --> 00:04:49,789 Your voice is strong. Fuerte. 129 00:04:49,831 --> 00:04:51,458 Yeah, fuerte. Muy fuerte. 130 00:04:51,499 --> 00:04:53,585 Maybe you go a little bit further from the mic. 131 00:04:53,626 --> 00:04:54,961 Oh, okay. Yes. 132 00:04:55,003 --> 00:04:57,047 The way they bounce off of each other, 133 00:04:57,088 --> 00:04:58,298 it's kind of cool to watch. 134 00:04:58,340 --> 00:04:59,466 You can take the mic stand 135 00:04:59,507 --> 00:05:01,509 and * When you told me * 136 00:05:01,551 --> 00:05:03,136 Oh. Feel it. Yeah, yeah. 137 00:05:03,178 --> 00:05:06,639 He has the whole complement of everything, the look. 138 00:05:06,681 --> 00:05:08,350 I loved his voice, 139 00:05:08,391 --> 00:05:10,060 and I feel like he's super humble, 140 00:05:10,101 --> 00:05:13,521 and he wants to keep learning from John, from the team. 141 00:05:13,563 --> 00:05:15,023 He could be in the finale. 142 00:05:15,065 --> 00:05:16,149 It's gonna be dope. 143 00:05:16,191 --> 00:05:17,317 Ah! Let's go! 144 00:05:17,359 --> 00:05:19,277 Let's go. My man. 145 00:05:19,319 --> 00:05:21,529 [ Cheers and applause ] 146 00:05:22,405 --> 00:05:24,407 Let's go, Nathan! 147 00:05:24,449 --> 00:05:27,452 With "Oh! Darling," here's Nathan Chester. 148 00:05:27,494 --> 00:05:30,413 ** 149 00:05:30,455 --> 00:05:34,292 * Oh! Darling * 150 00:05:34,334 --> 00:05:38,004 * Please believe me * 151 00:05:39,255 --> 00:05:44,469 * I'll never do you no harm * 152 00:05:46,721 --> 00:05:50,058 * Believe me when I tell you * 153 00:05:50,100 --> 00:05:55,897 * Oh, I'll never do ya no harm * 154 00:05:58,525 --> 00:06:00,610 [ Cheers and applause ] Yeah! 155 00:06:00,652 --> 00:06:05,532 * Whoa, darling * 156 00:06:05,573 --> 00:06:09,619 * If you leave me * 157 00:06:10,537 --> 00:06:13,665 * I'll never make it alone * 158 00:06:13,707 --> 00:06:18,211 * Make it alone * 159 00:06:18,253 --> 00:06:22,257 * Believe me when I beg you * 160 00:06:22,298 --> 00:06:28,346 * Don't ever leave me alone * 161 00:06:28,388 --> 00:06:30,223 You know what I'm talking about! 162 00:06:30,265 --> 00:06:32,559 Uh-huh! Hey! 163 00:06:33,351 --> 00:06:36,813 * When you told me * 164 00:06:36,855 --> 00:06:41,234 * You didn't need me anymore * 165 00:06:41,276 --> 00:06:48,825 * Well, you know I nearly broke down and cried * 166 00:06:48,867 --> 00:06:52,537 * When you told me * 167 00:06:52,579 --> 00:06:57,042 * You didn't need me anymore * 168 00:06:57,083 --> 00:07:04,424 * Well, you know I nearly broke down and died * 169 00:07:04,466 --> 00:07:07,635 * Oh, darling * 170 00:07:08,511 --> 00:07:12,098 * If you leave me * 171 00:07:13,016 --> 00:07:20,774 * I'll never let you down * 172 00:07:20,815 --> 00:07:24,069 * Believe me when I tell you * 173 00:07:24,110 --> 00:07:30,200 * Oh, I'll never do you no harm * 174 00:07:30,241 --> 00:07:34,621 * You got to know, got to know, got to know, come on * 175 00:07:34,662 --> 00:07:36,456 * Baby, you and I * 176 00:07:36,498 --> 00:07:40,460 * Believe me when I tell you * 177 00:07:40,502 --> 00:07:42,921 * I'll never * 178 00:07:42,962 --> 00:07:52,389 * I'll never do you no harm * 179 00:07:52,430 --> 00:07:54,891 [ Cheers and applause ] 180 00:07:54,933 --> 00:07:56,184 Yeah! 181 00:07:56,226 --> 00:07:57,769 Daly: That is how you do it in the playoffs! 182 00:07:57,811 --> 00:08:00,438 Let's go! Nathan Chester! 183 00:08:00,480 --> 00:08:01,815 [ Laughs ] 184 00:08:01,856 --> 00:08:03,441 Whoo! That was amazing. 185 00:08:03,483 --> 00:08:04,984 I have a lot to say about it, but no one cares. 186 00:08:05,026 --> 00:08:06,569 Reba, let's start with you. [ Laughter ] 187 00:08:06,611 --> 00:08:08,822 Best performance ever. 188 00:08:08,863 --> 00:08:11,116 [ Laughs ] [ Cheers and applause ] 189 00:08:12,075 --> 00:08:13,159 Thank you. 190 00:08:13,201 --> 00:08:14,744 You had me at the very beginning 191 00:08:14,786 --> 00:08:15,829 when you had a hold of that microphone, 192 00:08:15,870 --> 00:08:16,996 you was looking this way, 193 00:08:17,038 --> 00:08:18,540 and then when you did the splits, 194 00:08:18,581 --> 00:08:20,667 I went, "Man, that's something else. 195 00:08:20,709 --> 00:08:22,460 America needs to see this again." 196 00:08:22,502 --> 00:08:23,712 Alright. Chance? 197 00:08:23,753 --> 00:08:25,005 Chance: Amazing performance. 198 00:08:25,046 --> 00:08:26,798 You have, like, a very particular style, 199 00:08:26,840 --> 00:08:28,258 like you're very much yourself. 200 00:08:28,299 --> 00:08:30,051 The choreography, your tone. 201 00:08:30,093 --> 00:08:31,970 If I were you, I would send him to the lives. Yes. 202 00:08:32,012 --> 00:08:34,180 [ Laughs ] [ Cheers and applause ] 203 00:08:34,222 --> 00:08:36,016 Dan + Shay. 204 00:08:36,057 --> 00:08:37,934 As an artist, you really took that song and made it your own. 205 00:08:37,976 --> 00:08:39,394 That's a really important thing 206 00:08:39,436 --> 00:08:40,812 at this point in the competition. 207 00:08:40,854 --> 00:08:41,980 I think this is your best performance yet. 208 00:08:42,022 --> 00:08:43,356 Oh, God. And you're styling, too. 209 00:08:43,398 --> 00:08:45,150 That suit is just, like, on fire. 210 00:08:45,191 --> 00:08:47,235 [ Cheers and applause ] 211 00:08:48,945 --> 00:08:51,239 When you're running around on stage, I know how that is. 212 00:08:51,281 --> 00:08:52,741 I'm out of breath. 213 00:08:52,782 --> 00:08:54,367 If I were to come and give you a hug right now, 214 00:08:54,409 --> 00:08:56,536 I don't think I could hit a high note. [ Laughter ] 215 00:08:56,578 --> 00:08:58,121 You could do the splits, though. I could do the splits, though, yeah. 216 00:08:58,163 --> 00:09:00,457 That is untrue, guys. [ Laughter ] 217 00:09:00,498 --> 00:09:02,042 It was flawless. 218 00:09:02,083 --> 00:09:03,835 Move this man to the lives, John! Let's go, John! 219 00:09:03,877 --> 00:09:06,546 Let's go. Thank you, guys. 220 00:09:06,588 --> 00:09:09,591 Nathan, that was your best performance yet, 221 00:09:09,632 --> 00:09:12,177 and you do it with such conviction 222 00:09:12,218 --> 00:09:15,680 and such enthusiasm and such great execution. 223 00:09:15,722 --> 00:09:18,350 It's not all tricks. It's not all splits. 224 00:09:18,391 --> 00:09:20,143 It's not all the outfit. 225 00:09:20,185 --> 00:09:22,645 You can sing, man. 226 00:09:22,687 --> 00:09:24,898 You made an emphatic statement 227 00:09:24,939 --> 00:09:27,650 about you deserving to be in the live show. 228 00:09:27,692 --> 00:09:30,695 Thank you. Wow, that's what you want to hear from your coach. 229 00:09:30,737 --> 00:09:32,614 Give it up for Nathan Chester. 230 00:09:32,655 --> 00:09:34,324 [ Cheers and applause ] 231 00:09:34,366 --> 00:09:36,910 I'm looking for an artist who is making 232 00:09:36,951 --> 00:09:39,746 memorable moments on this stage. 233 00:09:39,788 --> 00:09:42,248 Where they stand in their gift and their power 234 00:09:42,290 --> 00:09:44,501 and give us something we'll remember. 235 00:09:44,542 --> 00:09:45,794 That's who's going to the lives. 236 00:09:45,835 --> 00:09:47,295 Nathan's already making a statement. 237 00:09:47,337 --> 00:09:49,255 He just put everything out there on the stage. 238 00:09:49,297 --> 00:09:53,009 He was doing splits. He has that lilt to his voice. 239 00:09:53,051 --> 00:09:55,261 It's romantic, it's classic. 240 00:09:55,303 --> 00:09:58,348 Tonight's going to be a tough decision for me. 241 00:09:58,390 --> 00:09:59,974 He nailed it. That was 100%. 242 00:10:00,016 --> 00:10:01,935 All of the choreography was so good. 243 00:10:01,976 --> 00:10:04,229 He just bounced up. I can do a fake split. 244 00:10:04,270 --> 00:10:06,106 [ Laughs ] 245 00:10:06,147 --> 00:10:07,649 Daly: Coming up... You better say that with your chest, girl. 246 00:10:07,691 --> 00:10:09,234 I know that's right. 247 00:10:09,275 --> 00:10:11,111 If Saweetie thinks I'm a diamond, then I'm a diamond. 248 00:10:11,152 --> 00:10:13,363 Daly: ...our mentors help the artists reach new heights. 249 00:10:13,405 --> 00:10:15,949 You can also, like, clap and perform. That's fun. 250 00:10:15,990 --> 00:10:17,325 You don't even have to play. 251 00:10:17,367 --> 00:10:18,952 * Everything's gonna be alright * 252 00:10:18,993 --> 00:10:20,829 * Everything's gonna be alright * 253 00:10:20,870 --> 00:10:23,790 * No woman, no cry * 254 00:10:23,832 --> 00:10:26,084 Daly: And both teams step up their style. 255 00:10:26,126 --> 00:10:29,879 * Come on now, we're runnin' outta moonlight * 256 00:10:29,921 --> 00:10:34,592 * ...things we never had * 257 00:10:34,634 --> 00:10:35,969 Dang! 258 00:10:36,011 --> 00:10:37,262 That was crazy, John. That was awesome. 259 00:10:37,303 --> 00:10:39,347 First time today that I got chills. 260 00:10:39,389 --> 00:10:42,642 And when I do get the chills, I also wear my bathrobe. 261 00:10:42,684 --> 00:10:44,394 It's a free country. 262 00:10:44,436 --> 00:10:46,813 [ Laughter ] 263 00:10:52,485 --> 00:10:54,446 * This is "The Voice" * 264 00:10:54,487 --> 00:10:55,739 Daly: Welcome back. 265 00:10:55,780 --> 00:10:57,615 [ Cheers and applause ] 266 00:10:57,657 --> 00:10:59,200 Alright, Karen. Here we go. 267 00:10:59,951 --> 00:11:03,246 Man! * Them boots are made for walking * 268 00:11:03,288 --> 00:11:05,999 Those are cool. Shay: Reba's online shopping. 269 00:11:06,041 --> 00:11:07,751 No, I'm like, "Where's her dressing room?" 270 00:11:07,792 --> 00:11:09,252 [ Laughter ] 271 00:11:09,294 --> 00:11:10,962 Dan: So, first time as a mentor on "The Voice." 272 00:11:11,004 --> 00:11:12,839 First time. How are you feeling? 273 00:11:12,881 --> 00:11:14,299 I'm looking forward to the talent. 274 00:11:14,341 --> 00:11:17,177 We chose to bring in Saweetie. She is amazing. 275 00:11:17,218 --> 00:11:19,220 Saweetie really cut through on social media -- 276 00:11:19,262 --> 00:11:20,638 TikTok, Instagram. 277 00:11:20,680 --> 00:11:22,057 That's a tough world. 278 00:11:22,098 --> 00:11:23,183 We got a lot of good people on our team, 279 00:11:23,224 --> 00:11:24,851 and they're gonna be nervous 280 00:11:24,893 --> 00:11:26,561 'cause we were nervous to get to meet you. 281 00:11:26,603 --> 00:11:28,271 Like, I'm nervous for them -- I would be nervous. 282 00:11:28,313 --> 00:11:29,481 whenever they're out there. I'm sweating. 283 00:11:29,522 --> 00:11:30,857 I'm nervous right now. 284 00:11:30,899 --> 00:11:31,816 This is way more difficult than anything 285 00:11:31,858 --> 00:11:33,193 we had to do coming up. 286 00:11:33,234 --> 00:11:34,694 I have a lot of empathy for the people 287 00:11:34,736 --> 00:11:35,862 who have the courage and the bravery 288 00:11:35,904 --> 00:11:37,405 to come out here and perform. 289 00:11:37,447 --> 00:11:39,366 Let's create the vibe for them. Let's do it. 290 00:11:39,407 --> 00:11:41,284 Shay: Saweetie is such an incredible hip-hop artist. 291 00:11:41,326 --> 00:11:43,078 These contestants, they dream about 292 00:11:43,119 --> 00:11:44,496 exactly what she's doing right now. 293 00:11:44,537 --> 00:11:46,206 She's new, she's fresh, and she's massive. 294 00:11:46,247 --> 00:11:47,874 She's absolutely crushing it. 295 00:11:47,916 --> 00:11:49,334 She embodies everything 296 00:11:49,376 --> 00:11:51,670 that a new artist really strives to be. 297 00:11:51,711 --> 00:11:54,214 We got Karen. I'm very excited about Karen. She kills it. 298 00:11:54,255 --> 00:11:55,965 Like, she's been performing for a long time. 299 00:11:56,007 --> 00:11:57,425 Just, like, a country singer, through and through. 300 00:11:57,467 --> 00:11:58,885 Shay: Absolutely. 301 00:11:58,927 --> 00:11:59,886 I'm excited you're getting the introduction 302 00:11:59,928 --> 00:12:01,471 into country. 303 00:12:01,513 --> 00:12:03,348 Come on over. Let's go. I smell a feature coming. 304 00:12:03,390 --> 00:12:05,809 Let's go. You guys got that on tape, right? 305 00:12:05,850 --> 00:12:07,394 She said -- yeah, you heard it, right? 306 00:12:07,435 --> 00:12:09,562 Hey! 307 00:12:09,604 --> 00:12:10,730 Hello. 308 00:12:10,772 --> 00:12:12,732 Look at you! Wow, hello! 309 00:12:12,774 --> 00:12:13,942 Karen: Oh, my gosh, when I walked in 310 00:12:13,983 --> 00:12:15,276 and I saw Saweetie... 311 00:12:15,318 --> 00:12:17,529 She has been nominated for Grammys. 312 00:12:17,570 --> 00:12:21,324 She is such an incredible musician, artist. 313 00:12:21,366 --> 00:12:23,618 My best friend and I's song is "Best Friend." 314 00:12:23,660 --> 00:12:24,703 Really? 315 00:12:24,744 --> 00:12:26,579 I was like, "Oh, my gosh!" 316 00:12:26,621 --> 00:12:28,206 I was so excited. 317 00:12:28,248 --> 00:12:30,917 I can't wait to tell my friend that I got to meet her. 318 00:12:30,959 --> 00:12:33,086 * I never stay in one place too long * 319 00:12:33,128 --> 00:12:35,588 I'm singing "Heart Like a Truck" by Lainey Wilson. 320 00:12:35,630 --> 00:12:38,550 This song really connects to my personal music career. 321 00:12:38,591 --> 00:12:42,095 When I moved to Nashville, I didn't know anyone. 322 00:12:42,137 --> 00:12:44,973 I had a twin-sized bed, an acoustic guitar, 323 00:12:45,015 --> 00:12:47,684 a dream in my heart, and a voice. 324 00:12:47,726 --> 00:12:49,269 * And I can't help it * 325 00:12:49,310 --> 00:12:51,938 I have taken a garment that I wore to a gig to a shop, 326 00:12:51,980 --> 00:12:53,398 sold that garment, 327 00:12:53,440 --> 00:12:56,026 and literally used the same $20 to turn around 328 00:12:56,067 --> 00:12:59,279 and buy a secondhand garment from that same shop. 329 00:12:59,320 --> 00:13:02,782 I have done whatever it took to get to the next gig. 330 00:13:02,824 --> 00:13:04,784 If I look back at my whole career, 331 00:13:04,826 --> 00:13:06,828 it literally went like this. 332 00:13:06,870 --> 00:13:08,830 I never had that huge spike. 333 00:13:08,872 --> 00:13:11,541 This is that. This is the spike, baby! 334 00:13:11,583 --> 00:13:13,793 I kind of want to create, like, an arc to this performance. 335 00:13:13,835 --> 00:13:15,337 Towards the front half, 336 00:13:15,378 --> 00:13:17,047 I feel like you can be a little bit more internal, 337 00:13:17,088 --> 00:13:18,715 save something to be desired. 338 00:13:18,757 --> 00:13:20,884 As it builds, then you open up a little bit more 339 00:13:20,925 --> 00:13:22,385 and really work that crowd. 340 00:13:22,427 --> 00:13:23,970 Shay: I think it takes a really tough person 341 00:13:24,012 --> 00:13:25,805 to be able to show that vulnerability. 342 00:13:25,847 --> 00:13:27,390 My mom was sending me a text. 343 00:13:27,432 --> 00:13:28,767 She's like, "I don't know how you do all this." 344 00:13:28,808 --> 00:13:30,101 I said, "Because I love it." 345 00:13:30,143 --> 00:13:31,519 I moved to Nashville when I was 21, 346 00:13:31,561 --> 00:13:33,313 and I've been full-time playing music, 347 00:13:33,355 --> 00:13:35,523 touring all across America for 12 years. 348 00:13:35,565 --> 00:13:37,692 You know, there's no deadline to dreams. 349 00:13:37,734 --> 00:13:39,444 And I feel like a lot of people 350 00:13:39,486 --> 00:13:41,071 would've threw in the towel, you know? Karen: Yes. 351 00:13:41,112 --> 00:13:42,739 But you have that ambitious spirit. 352 00:13:42,781 --> 00:13:44,324 And that's really important for the world to see that. 353 00:13:44,366 --> 00:13:45,492 That's so sweet. 354 00:13:45,533 --> 00:13:46,910 It was spicy, 355 00:13:46,951 --> 00:13:48,161 but it was vulnerable at the same time. 356 00:13:48,203 --> 00:13:49,788 Like, as a woman, I felt it. 357 00:13:49,829 --> 00:13:52,665 Don't strive for perfection, strive for personality. 358 00:13:52,707 --> 00:13:53,833 We want to hear a good song. 359 00:13:53,875 --> 00:13:55,794 We also want to, like, know you. 360 00:13:55,835 --> 00:13:57,462 Whoo! Preaching over here. 361 00:13:57,504 --> 00:13:58,838 You're like a motivational speaker. 362 00:13:58,880 --> 00:14:00,507 Shay: Unbelievable! 363 00:14:00,548 --> 00:14:02,050 I love, love, love Karen. 364 00:14:02,092 --> 00:14:03,551 * I got a heart... * 365 00:14:03,593 --> 00:14:06,471 Despite her years of being in the industry, 366 00:14:06,513 --> 00:14:08,181 she still feels fresh 367 00:14:08,223 --> 00:14:10,266 and persevering through any circumstance. 368 00:14:10,308 --> 00:14:12,227 She's the poster child for that. 369 00:14:12,268 --> 00:14:13,603 I'm definitely a fan. 370 00:14:13,645 --> 00:14:15,855 So good. Alright. Thank you guys so much. 371 00:14:15,897 --> 00:14:17,190 To move on to the live rounds, 372 00:14:17,232 --> 00:14:18,525 you really got to bring your A game. 373 00:14:18,566 --> 00:14:20,068 If Karen really digs deep, 374 00:14:20,110 --> 00:14:21,611 puts herself into the story of "Heart Like a Truck," 375 00:14:21,653 --> 00:14:23,738 I feel like she is such a strong contender 376 00:14:23,780 --> 00:14:25,115 to move forward to the live shows. 377 00:14:25,156 --> 00:14:26,908 She loves singing. Yeah, I could feel it. 378 00:14:26,950 --> 00:14:28,451 I can't wait till she has her moment. 379 00:14:28,493 --> 00:14:29,828 It's gonna be a big moment for her, for sure. 380 00:14:29,869 --> 00:14:31,079 Yeah. 381 00:14:32,622 --> 00:14:33,665 Whoo! 382 00:14:33,707 --> 00:14:35,917 [ Cheers and applause ] 383 00:14:37,627 --> 00:14:40,880 With "Heart Like a Truck," here's Karen Waldrup. 384 00:14:40,922 --> 00:14:42,799 Let's go, Karen! 385 00:14:42,841 --> 00:14:49,723 ** 386 00:14:49,764 --> 00:14:52,517 * I never stay in one place too long * 387 00:14:52,559 --> 00:14:55,895 * The dirt road's singing me a siren's song * 388 00:14:55,937 --> 00:14:59,149 * I gotta find a field * 389 00:14:59,190 --> 00:15:03,445 * I need to spin my wheels * 390 00:15:03,486 --> 00:15:06,406 * I gotta hankerin' for four wide tires * 391 00:15:06,448 --> 00:15:09,909 * And I can't help it, it's the way I'm wired * 392 00:15:09,951 --> 00:15:12,996 * 'Fore you get too close * 393 00:15:13,038 --> 00:15:16,374 * Boy, you need to know * 394 00:15:16,416 --> 00:15:19,669 * I got a heart like a truck * 395 00:15:19,711 --> 00:15:23,006 * It's been drug through the mud * 396 00:15:23,048 --> 00:15:26,426 * Runs on dreams and gasoline * 397 00:15:26,468 --> 00:15:29,763 * And that ole highway holds the key * 398 00:15:29,804 --> 00:15:33,266 * It's got a lead foot down when it's leavin' * 399 00:15:33,308 --> 00:15:36,561 * Lord knows it's taken a hell of a beatin' * 400 00:15:36,603 --> 00:15:40,357 * A little bit of love is all that it's needin' * 401 00:15:40,398 --> 00:15:43,026 * But it's good as it is tough * 402 00:15:43,068 --> 00:15:45,695 * I got a heart like a truck * 403 00:15:45,737 --> 00:15:50,617 ** 404 00:15:50,658 --> 00:15:54,245 * Go on and see if you can knock off the dust, yeah * 405 00:15:54,287 --> 00:15:57,499 * Shine it up, rev it up, and let it run, yeah * 406 00:15:57,540 --> 00:16:01,670 * It gets a high ridin' off into the sun, yeah * 407 00:16:04,464 --> 00:16:07,676 * I got a heart like a truck * 408 00:16:07,717 --> 00:16:11,012 * It's been drug through the mud * 409 00:16:11,054 --> 00:16:14,474 * Runs on dreams and gasoline * 410 00:16:14,516 --> 00:16:17,811 * That ole highway holds the key * 411 00:16:17,852 --> 00:16:21,272 * It's got a lead foot down when it's leavin' * 412 00:16:21,314 --> 00:16:24,484 * Lord knows it's taken a hell of a beatin' * 413 00:16:24,526 --> 00:16:28,321 * A little bit of love is all that it's needin' * 414 00:16:28,363 --> 00:16:31,032 * But it's good as it is tough * 415 00:16:31,074 --> 00:16:38,707 * I got a heaaaaart * 416 00:16:38,748 --> 00:16:42,836 * Like a truck * 417 00:16:42,877 --> 00:16:45,171 * Oh * 418 00:16:45,213 --> 00:16:50,343 * So let it ruuuuuun * 419 00:16:50,385 --> 00:16:55,515 * So let it ruuuuuun * 420 00:16:55,557 --> 00:17:01,146 * 'Cause it gets a high ridin' off into the sun * 421 00:17:01,187 --> 00:17:03,398 [ Cheers and applause ] 422 00:17:05,233 --> 00:17:06,568 Daly: That's how you do it. 423 00:17:06,609 --> 00:17:07,861 Team Dan + Shay. 424 00:17:07,902 --> 00:17:11,239 That is Karen Waldrup, ladies and gentlemen. 425 00:17:11,281 --> 00:17:13,700 Man. Karen. Come on! 426 00:17:14,826 --> 00:17:18,621 Oh, this is great music happening on this stage. 427 00:17:18,663 --> 00:17:21,041 Yeah! 428 00:17:21,082 --> 00:17:22,417 This is so awesome. 429 00:17:22,459 --> 00:17:24,544 Celebrate. That was a great performance. 430 00:17:24,586 --> 00:17:26,171 Round after round, you're showing us 431 00:17:26,212 --> 00:17:28,006 what a credible artist you are. 432 00:17:28,048 --> 00:17:29,674 I love the clarity in your voice. 433 00:17:29,716 --> 00:17:33,053 I felt like I was listening to a country star. Uh-huh! 434 00:17:33,094 --> 00:17:35,055 Thank you so much, John. Reba. 435 00:17:35,096 --> 00:17:36,389 Carson, I'm just sitting here 436 00:17:36,431 --> 00:17:38,058 doing a little playback in my mind. 437 00:17:38,099 --> 00:17:42,812 Because at blind auditions, I wanted you on my team. 438 00:17:42,854 --> 00:17:44,731 Then somebody over there -- 439 00:17:44,773 --> 00:17:46,274 [ Laughter ] 440 00:17:46,316 --> 00:17:50,195 ...blocked me, where I could not have her on my team. 441 00:17:50,236 --> 00:17:51,738 Y'all better watch it. 442 00:17:51,780 --> 00:17:53,323 [ Laughter ] 443 00:17:53,365 --> 00:17:56,034 Well, now I feel bad. Oh, my gosh. 444 00:17:56,076 --> 00:17:57,702 Karen, spectacular. 445 00:17:57,744 --> 00:17:59,579 Thank you. 446 00:17:59,621 --> 00:18:00,705 Chance. 447 00:18:00,747 --> 00:18:01,956 I love how you interact with the crowd 448 00:18:01,998 --> 00:18:03,583 and how confident you are. 449 00:18:03,625 --> 00:18:05,460 And I feel like that's, like, the main point of lives, 450 00:18:05,502 --> 00:18:08,213 captivate an audience even through the lens to their TV. 451 00:18:08,254 --> 00:18:11,341 So, if I was in your position, I would send her to the lives. 452 00:18:12,133 --> 00:18:14,135 Daly: Okay, Dan + Shay. 453 00:18:14,177 --> 00:18:16,513 Karen, I'm so proud of how you've progressed 454 00:18:16,554 --> 00:18:18,264 throughout this competition. 455 00:18:18,306 --> 00:18:20,141 Just hearing that from the Queen of Country music -- 456 00:18:20,183 --> 00:18:21,685 I literally almost started crying. 457 00:18:21,726 --> 00:18:23,228 It's crazy you guys blocked the chance -- 458 00:18:23,269 --> 00:18:24,688 We don't need to talk about it, John. 459 00:18:24,729 --> 00:18:26,648 This is about Karen right now. 460 00:18:26,690 --> 00:18:28,942 It's wild. It's really wild. It is kind of crazy. 461 00:18:28,983 --> 00:18:31,569 I think about it, you know, country music is a family, 462 00:18:31,611 --> 00:18:33,321 and that's something that we're looking for in the lives. 463 00:18:33,363 --> 00:18:35,240 You brought us up, and then you brought it back here 464 00:18:35,281 --> 00:18:36,449 for the ending, and we were all just in awe. 465 00:18:36,491 --> 00:18:38,243 I'm so happy for you. 466 00:18:38,284 --> 00:18:40,245 I think that was my favorite performance you've done so far. 467 00:18:40,286 --> 00:18:41,913 We know you've got a powerhouse voice. 468 00:18:41,955 --> 00:18:44,791 But I felt like on this song, you connected to the lyric, 469 00:18:44,833 --> 00:18:46,960 more so than any of the previous performances. Agreed. 470 00:18:47,002 --> 00:18:49,337 You're a pro. You left everything on the stage. 471 00:18:49,379 --> 00:18:51,297 Incredible. Thank you so much. 472 00:18:51,339 --> 00:18:53,550 Give it up for Karen Waldrup, everybody! 473 00:18:53,591 --> 00:18:55,427 Moving forward to these live shows, 474 00:18:55,468 --> 00:18:57,345 we are looking for people to show us they have 475 00:18:57,387 --> 00:18:59,305 the ability to make people feel something. 476 00:18:59,347 --> 00:19:00,640 Karen set the bar so high. 477 00:19:00,682 --> 00:19:02,267 If that's a sign of what's to come, 478 00:19:02,308 --> 00:19:04,185 we're in for an insane night. Way to go! 479 00:19:04,227 --> 00:19:06,312 She killed it. Nailed it. 480 00:19:13,028 --> 00:19:14,237 * This is "The Voice" * 481 00:19:14,279 --> 00:19:16,573 Daly: Welcome back to the playoffs. 482 00:19:16,614 --> 00:19:18,491 Shay: Are you chilling over there, Chance? 483 00:19:18,533 --> 00:19:20,285 All my coffee kicked in at the same time. 484 00:19:20,326 --> 00:19:21,661 Right now. 485 00:19:21,703 --> 00:19:23,038 [ Laughter ] 486 00:19:23,079 --> 00:19:24,831 [ Cheers and applause ] 487 00:19:24,873 --> 00:19:26,708 Go, Kamalei! 488 00:19:27,709 --> 00:19:29,961 Is this gonna be crazy? It's gonna be dope. 489 00:19:31,796 --> 00:19:34,174 Maluma: It is weird because I was raised 490 00:19:34,215 --> 00:19:36,259 listening to American music. 491 00:19:36,301 --> 00:19:38,261 So, the American roots 492 00:19:38,303 --> 00:19:40,513 gave me tools to become the artist 493 00:19:40,555 --> 00:19:42,140 that I am right now, too. 494 00:19:42,182 --> 00:19:43,433 So, it's great, you know? 495 00:19:43,475 --> 00:19:44,809 That's what music is, you know. 496 00:19:44,851 --> 00:19:46,936 We're all influenced by each other. 497 00:19:46,978 --> 00:19:48,521 Man: Ready, ready? Ready. 498 00:19:50,774 --> 00:19:52,609 Kamalei, welcome! 499 00:19:52,650 --> 00:19:54,069 How are you? How's it going? 500 00:19:54,110 --> 00:19:55,737 John: We've got Maluma with us! 501 00:19:55,779 --> 00:19:58,031 Maluma: What's up, man? How are you? 502 00:19:58,073 --> 00:20:00,200 Kamalei: Walking into the room and see Maluma, 503 00:20:00,241 --> 00:20:01,701 someone who's been Grammy nominated, 504 00:20:01,743 --> 00:20:03,745 who's been on the top Billboards, 505 00:20:03,787 --> 00:20:06,706 it was just mind-blowing to be in the same space as him. 506 00:20:06,748 --> 00:20:10,794 He earned his way on the team singing my song, "All of Me." 507 00:20:10,835 --> 00:20:13,004 And he killed it. 508 00:20:13,046 --> 00:20:16,508 * Give your all to me * 509 00:20:16,549 --> 00:20:18,510 * I'll give my all to you * 510 00:20:18,551 --> 00:20:21,096 John: I love Kamalei. His voice is beautiful. 511 00:20:21,137 --> 00:20:23,223 His energy, just the whole vibe. 512 00:20:23,264 --> 00:20:25,308 Everybody loves to be around him. 513 00:20:25,350 --> 00:20:27,519 Daly: Whoa! We got a steal! 514 00:20:27,560 --> 00:20:29,020 And I had to steal him. 515 00:20:29,062 --> 00:20:30,939 I'm so happy he's on Team Legend now. 516 00:20:30,980 --> 00:20:34,192 As an artist coming from, you know, a small town -- Yeah. 517 00:20:34,234 --> 00:20:36,444 ...how were you able to take all of those cultural things 518 00:20:36,486 --> 00:20:38,071 with you to the mainstream? 519 00:20:38,113 --> 00:20:42,659 I always take my roots and my essence everywhere I go, 520 00:20:42,701 --> 00:20:45,328 because that's what makes me feel unique. 521 00:20:45,370 --> 00:20:48,415 Hawaii make you the guy that you are right now. 522 00:20:48,456 --> 00:20:50,917 Your ability to translate those roots 523 00:20:50,959 --> 00:20:54,713 to the mainstream culture is what makes artists work. 524 00:20:54,754 --> 00:20:57,382 Why did you want to do Bob Marley again? 525 00:20:57,424 --> 00:21:00,051 Bob Marley stands for a lot of the same things 526 00:21:00,093 --> 00:21:01,845 that we stand for in Hawaii. 527 00:21:01,886 --> 00:21:03,930 And some of the things that I bring to the stage with me 528 00:21:03,972 --> 00:21:06,933 when I perform and when I sing a message of peace, 529 00:21:06,975 --> 00:21:08,101 a message of love. 530 00:21:08,143 --> 00:21:13,606 * No woman, no cry * 531 00:21:13,648 --> 00:21:17,944 * No woman, no cry * 532 00:21:17,986 --> 00:21:20,613 I feel like I share a lot with Bob Marley. 533 00:21:20,655 --> 00:21:23,783 Our cultures have suffered the same ways. 534 00:21:23,825 --> 00:21:25,452 I can also relate to him in the song. 535 00:21:25,493 --> 00:21:27,245 You know, he speaks about Trenchtown, 536 00:21:27,287 --> 00:21:28,496 the place that he grew up. 537 00:21:28,538 --> 00:21:30,623 It takes me home to my Trenchtown, 538 00:21:30,665 --> 00:21:32,500 to my neighborhood, to all the good times, 539 00:21:32,542 --> 00:21:34,377 all the friends that I have there. 540 00:21:34,419 --> 00:21:37,213 * Good friends we've had... * 541 00:21:37,255 --> 00:21:39,341 Maluma: Kamalei has this texture 542 00:21:39,382 --> 00:21:42,594 where he can do this kind of rhythms and genres. 543 00:21:42,635 --> 00:21:44,387 So, for him, this is a perfect song. 544 00:21:44,429 --> 00:21:45,972 John: Your voice sounds gorgeous. 545 00:21:46,014 --> 00:21:47,724 I'm just thinking about the arrangement. 546 00:21:47,766 --> 00:21:51,227 Right now, it feels like it's a little flat, 547 00:21:51,269 --> 00:21:53,646 but maybe it build the arrangement as it goes. 548 00:21:53,688 --> 00:21:55,899 It doesn't have to become some big production. 549 00:21:55,940 --> 00:21:59,069 I agree with you that maybe if you put the drums, 550 00:21:59,110 --> 00:22:01,780 I was thinking piano, like a little element behind it. 551 00:22:01,821 --> 00:22:04,532 So, people, they actually see that you can also, 552 00:22:04,574 --> 00:22:06,368 like, clap and perform. 553 00:22:06,409 --> 00:22:08,078 It's not only your vocals and the guitar. 554 00:22:08,119 --> 00:22:09,704 It's more a performance and seeing the people around 555 00:22:09,746 --> 00:22:11,331 is important too, you know. 556 00:22:11,373 --> 00:22:12,707 Take your hands off the guitar 557 00:22:12,749 --> 00:22:14,167 for that "everything's gonna be alright." 558 00:22:14,209 --> 00:22:15,543 And when you get everybody doing 559 00:22:15,585 --> 00:22:17,003 * Everything's gonna be alright * 560 00:22:17,045 --> 00:22:18,380 you don't even have to play. 561 00:22:18,421 --> 00:22:20,173 * Everything's gonna be alright * 562 00:22:20,215 --> 00:22:21,800 And just let it build. 563 00:22:21,841 --> 00:22:23,968 * Everything's gonna be alright * 564 00:22:24,010 --> 00:22:25,679 Alright. * Everything's gonna... * 565 00:22:25,720 --> 00:22:27,972 I looked over at Maluma and John, 566 00:22:28,014 --> 00:22:30,558 you know, grooving and dancing with me. 567 00:22:30,600 --> 00:22:32,519 It just gave me a boost of confidence. 568 00:22:32,560 --> 00:22:34,521 They were full-on feeling the song. 569 00:22:34,562 --> 00:22:36,898 Gave me validation that what I'm doing is right, 570 00:22:36,940 --> 00:22:39,025 and what I'm doing is good, and what I'm doing is enough. 571 00:22:39,067 --> 00:22:41,903 I love the song, man. Great song. 572 00:22:41,945 --> 00:22:44,447 Thank you so much. What a pleasure. 573 00:22:45,240 --> 00:22:46,991 Let's go, Kamalei! 574 00:22:47,033 --> 00:22:48,743 [ Cheers and applause ] 575 00:22:48,785 --> 00:22:52,539 With "No Woman, No Cry," here's Kamalei Kawa'a. 576 00:22:52,580 --> 00:22:54,833 [ Cheers and applause continue ] 577 00:22:56,418 --> 00:23:01,131 * No woman, no cry * 578 00:23:02,257 --> 00:23:06,469 * No woman, no cry * 579 00:23:08,013 --> 00:23:13,727 * Said I remember when we used to sit * 580 00:23:13,768 --> 00:23:18,440 * In the government yard in Trenchtown * 581 00:23:19,607 --> 00:23:23,778 * Oba-observing the hypocrites * 582 00:23:23,820 --> 00:23:29,784 * As they would mingle with the good people we meet * 583 00:23:31,494 --> 00:23:33,663 * Good friends we've had * 584 00:23:33,705 --> 00:23:41,963 * Good friends we've lost along the way * 585 00:23:42,964 --> 00:23:48,762 * In this great future, you can't forget your past * 586 00:23:48,803 --> 00:23:53,808 * So dry your tears I say * 587 00:23:54,726 --> 00:23:59,814 * No woman, no cry * 588 00:24:00,648 --> 00:24:04,652 * No woman, no cry * 589 00:24:05,445 --> 00:24:06,905 * Hey! * 590 00:24:06,946 --> 00:24:12,243 * Said I remember when we used to sit * 591 00:24:12,285 --> 00:24:17,165 * In the government yard in Trenchtown * 592 00:24:18,124 --> 00:24:23,129 * And then Georgie, he would make the fire light * 593 00:24:23,880 --> 00:24:28,635 * A log wood burning through the night * 594 00:24:29,511 --> 00:24:35,475 * And then we would cook corn meal porridge, yeah * 595 00:24:35,517 --> 00:24:40,271 * Of which I'll share with you * 596 00:24:41,356 --> 00:24:46,528 * But my feet is my only carriage * 597 00:24:47,529 --> 00:24:50,657 * So I've got to push on through * 598 00:24:50,699 --> 00:24:52,867 * But while I'm gone, come on * 599 00:24:52,909 --> 00:24:55,036 * Everything's gonna be alright * 600 00:24:55,078 --> 00:24:57,956 * Listen! Everything's gonna be alright * 601 00:24:57,997 --> 00:25:00,834 * Come on! Everything's gonna be alright * 602 00:25:00,875 --> 00:25:05,213 * No woman, no cry * 603 00:25:05,255 --> 00:25:10,051 * No woman, no cry * 604 00:25:10,844 --> 00:25:15,098 * No woman, no cry * 605 00:25:16,725 --> 00:25:24,315 * No woman, no cry * 606 00:25:24,357 --> 00:25:26,860 [ Cheers and applause ] 607 00:25:26,901 --> 00:25:28,194 Wow! 608 00:25:28,236 --> 00:25:30,530 Daly: Kamalei Kawa'a, ladies and gentlemen! 609 00:25:30,572 --> 00:25:31,906 Yes, yes, yes. 610 00:25:31,948 --> 00:25:33,700 Good job, Kamalei. Great job. 611 00:25:33,742 --> 00:25:35,577 Let's go to your former coach. What's up, Chance? 612 00:25:35,618 --> 00:25:37,203 Dude, that was so amazing. 613 00:25:37,245 --> 00:25:38,413 Great breath control, 614 00:25:38,455 --> 00:25:40,081 great improvisational moments. 615 00:25:40,123 --> 00:25:43,543 If I was John, I would 100% need you on my live team. 616 00:25:43,585 --> 00:25:45,211 I think that was a great performance. 617 00:25:45,253 --> 00:25:47,797 [ Laughs ] 618 00:25:47,839 --> 00:25:51,051 Kamalei, man, your voice is very comforting to me. 619 00:25:51,092 --> 00:25:52,469 Every time you open your mouth to sing, 620 00:25:52,510 --> 00:25:54,346 it's like an audible hug. 621 00:25:54,387 --> 00:25:56,097 [ Laughter ] Man. 622 00:25:56,139 --> 00:25:57,724 When you said, like, everything's gonna be alright? 623 00:25:57,766 --> 00:26:00,518 I was like, it is! It's gonna be alright. 624 00:26:00,560 --> 00:26:02,145 I wasn't scared. 625 00:26:02,187 --> 00:26:03,229 Oh, right on. 626 00:26:03,271 --> 00:26:05,065 Awesome to have you on the show. 627 00:26:05,106 --> 00:26:06,649 Thank you. 628 00:26:06,691 --> 00:26:08,151 You know I'm your biggest fan. 629 00:26:08,193 --> 00:26:10,153 Oh, thank you so much. You're strong. 630 00:26:10,195 --> 00:26:13,406 And you convey that strength in your music and your singing. 631 00:26:13,448 --> 00:26:16,034 Oh, yeah. Lots. Thank you. 632 00:26:16,076 --> 00:26:17,202 [ Laughs ] 633 00:26:17,243 --> 00:26:18,244 You got an "Oh, yeah." 634 00:26:18,286 --> 00:26:19,746 Oh, yeah. 635 00:26:19,788 --> 00:26:21,790 John: Kamalei, you've covered Bob Marley now twice. 636 00:26:21,831 --> 00:26:23,917 And I just feel like you're really honoring his legacy 637 00:26:23,958 --> 00:26:25,543 in such a beautiful way. 638 00:26:25,585 --> 00:26:27,337 You don't attempt to sound like him. 639 00:26:27,379 --> 00:26:30,256 You're not Ja-faking your accent or anything. 640 00:26:30,298 --> 00:26:31,841 [ Laughter ] 641 00:26:31,883 --> 00:26:35,095 It's like you're just coming out here being yourself, 642 00:26:35,136 --> 00:26:37,263 and I'm so happy I get to work with you. 643 00:26:37,305 --> 00:26:41,267 How about another big hand for Kamalei Kawa'a. 644 00:26:41,309 --> 00:26:45,105 John: Kamalei's voice is so warm. It's so inviting. 645 00:26:45,146 --> 00:26:48,108 I feel like Kamalei has a way of putting his own spice 646 00:26:48,149 --> 00:26:50,318 on every version of every song that he does. 647 00:26:50,360 --> 00:26:52,737 And I think America's gonna love Kamalei. 648 00:26:52,779 --> 00:26:54,072 What am I supposed to do? 649 00:26:54,114 --> 00:26:55,990 I can't send all of them to the lives. 650 00:26:56,032 --> 00:26:57,909 They're making it so difficult for me. 651 00:26:57,951 --> 00:27:00,370 Oh, yeah, they're not making it easy. 652 00:27:00,412 --> 00:27:02,122 I wish somebody would suck. 653 00:27:02,163 --> 00:27:03,957 [ Laughter ] 654 00:27:03,998 --> 00:27:07,961 * No woman, no cry * 655 00:27:14,467 --> 00:27:15,677 * This is "The Voice" * 656 00:27:15,719 --> 00:27:16,928 Daly: Welcome back to the playoffs 657 00:27:16,970 --> 00:27:19,305 at Universal Studios, Hollywood. 658 00:27:19,347 --> 00:27:21,808 Shay: Oh, John. Hey, man. Well, looky here. 659 00:27:21,850 --> 00:27:23,143 Hey! What's going on? 660 00:27:23,184 --> 00:27:24,894 I see you guys got the memo. 661 00:27:24,936 --> 00:27:26,438 Shay: Yeah. Yeah, got the e-mail. 662 00:27:26,479 --> 00:27:28,314 We thought, like, if John Legend can wear a robe, 663 00:27:28,356 --> 00:27:29,441 we can all wear robes. 664 00:27:29,482 --> 00:27:31,818 Gray. Kind of drab. 665 00:27:31,860 --> 00:27:33,361 Well, that's -- You see me, 666 00:27:33,403 --> 00:27:35,989 you see how calm and cool and comfortable I am. 667 00:27:36,031 --> 00:27:37,824 Hey, Reba. I was thinking -- 668 00:27:37,866 --> 00:27:39,075 Now, this is what I'm talking about. 669 00:27:39,117 --> 00:27:40,952 You like it? We needed some color. 670 00:27:40,994 --> 00:27:42,287 Yes! Who do you guys think 671 00:27:42,328 --> 00:27:43,997 has the best robe on though right now? 672 00:27:44,039 --> 00:27:46,166 Between Dan and Chance are two of my favorites. 673 00:27:46,207 --> 00:27:48,918 I really like this gray. Uh, excuse me. 674 00:27:48,960 --> 00:27:50,628 Well, Reba, you always look amazing, 675 00:27:50,670 --> 00:27:53,173 so it's not really fair. John: Yeah. It's the boots. 676 00:27:53,214 --> 00:27:54,632 Is it? Yeah, you know what? 677 00:27:54,674 --> 00:27:55,675 Our colors, they're on the inside. 678 00:27:55,717 --> 00:27:57,010 Let's get out there, guys. 679 00:27:57,052 --> 00:27:58,511 You guys are definitely not stressed. 680 00:27:58,553 --> 00:28:00,430 I'm the image of not stressed. 681 00:28:00,472 --> 00:28:02,307 Alright, let's go. 682 00:28:32,337 --> 00:28:34,881 Dan: So, Anya, today, you'll be singing 683 00:28:34,923 --> 00:28:36,716 one of the best Taylor Swift songs. 684 00:28:36,758 --> 00:28:38,218 The best, in my opinion. Yeah, come on. 685 00:28:38,259 --> 00:28:40,053 "All Too Well (Taylor's Version)." 686 00:28:40,095 --> 00:28:41,388 I'm a fan. Shay: It's amazing. 687 00:28:41,429 --> 00:28:43,473 I love her words so much. 688 00:28:43,515 --> 00:28:45,767 * And I know it's long gone and... * 689 00:28:45,809 --> 00:28:48,311 "I know it's long gone, and the magic's not here no more, 690 00:28:48,353 --> 00:28:50,188 and I might be okay, but I'm not fine at all." 691 00:28:50,230 --> 00:28:54,359 * ...okay, but I'm not fine at all * 692 00:28:54,401 --> 00:28:56,194 She wrote it about relationships, 693 00:28:56,236 --> 00:28:59,739 but to me, it really reminds me of growing up. 694 00:28:59,781 --> 00:29:03,201 You know, I'm, like, one year away from being an adult. 695 00:29:03,243 --> 00:29:06,037 I'm leaving for college, and even being on "The Voice," 696 00:29:06,079 --> 00:29:09,207 this is, like, the first step to, like, adulthood. 697 00:29:09,249 --> 00:29:11,418 I am growing up, and it sucks, 698 00:29:11,459 --> 00:29:14,045 but also, like, the future is so bright. 699 00:29:14,087 --> 00:29:16,881 * Maybe we got lost in translation * 700 00:29:16,923 --> 00:29:19,300 * Maybe I asked for too much * 701 00:29:19,342 --> 00:29:22,804 Saweetie: I love Anya because the old soul in her 702 00:29:22,846 --> 00:29:24,597 was balanced with, like, her innocence. 703 00:29:24,639 --> 00:29:27,434 And I felt like what she has is a gift from God. 704 00:29:27,475 --> 00:29:30,645 So, it was nice to see someone so young shine so bright. 705 00:29:30,687 --> 00:29:32,564 * All too well * 706 00:29:32,605 --> 00:29:33,940 Whoo! Dan: Awesome. 707 00:29:33,982 --> 00:29:35,692 Shay: That was captivating. It really was. 708 00:29:35,734 --> 00:29:37,110 I would just say, like, 709 00:29:37,152 --> 00:29:38,903 this is a really, really important round. 710 00:29:38,945 --> 00:29:41,239 No pressure or anything, but it's, you know -- No pressure. 711 00:29:41,281 --> 00:29:44,242 It's just about being confident and enunciating those words. 712 00:29:44,284 --> 00:29:46,202 The lyrics are super important in this song. 713 00:29:46,244 --> 00:29:48,872 Mean what you're saying and be intentional about it. 714 00:29:48,913 --> 00:29:50,498 Girl, you got an old soul in there. 715 00:29:50,540 --> 00:29:51,875 Aww, thank you! 716 00:29:51,916 --> 00:29:53,501 And I know, like, you said it's no pressure, 717 00:29:53,543 --> 00:29:54,753 but it is pressure. 718 00:29:54,794 --> 00:29:56,296 The industry is pressure. 719 00:29:56,338 --> 00:29:58,298 Everything is pressure, but pressure makes diamonds. 720 00:29:58,340 --> 00:29:59,966 Yeah. I think you're a diamond. 721 00:30:00,008 --> 00:30:02,260 Thank you. Do you think so? 722 00:30:02,302 --> 00:30:04,637 Yeah. [ Laughs ] You better say that with your chest, girl. 723 00:30:04,679 --> 00:30:06,139 I know, that's right. Yes. 724 00:30:06,181 --> 00:30:08,141 Saweetie thinks I'm a diamond. I'm a diamond. 725 00:30:08,183 --> 00:30:10,560 -That's right. -No, I love that. 726 00:30:10,602 --> 00:30:12,145 But in my opinion, 727 00:30:12,187 --> 00:30:14,314 I don't mind, like, no eye contact in the beginning. 728 00:30:14,356 --> 00:30:15,899 But as it starts to grow, just, like, 729 00:30:15,940 --> 00:30:17,484 making that connection with us, 730 00:30:17,525 --> 00:30:20,362 just showcasing your spirit, your soul, your personality. 731 00:30:20,403 --> 00:30:22,072 People are gonna connect with that. 732 00:30:22,113 --> 00:30:23,490 We could see Anya being a huge artist. 733 00:30:23,531 --> 00:30:25,033 I feel like she has a lot of the intangibles 734 00:30:25,075 --> 00:30:26,409 that Taylor Swift has. 735 00:30:26,451 --> 00:30:27,994 Thank you so much. You're the best, Anya. 736 00:30:28,036 --> 00:30:30,121 I feel like if Anya brings the confidence, 737 00:30:30,163 --> 00:30:31,664 the eye contact, the charisma, 738 00:30:31,706 --> 00:30:33,917 just really connecting to the DNA of the lyrics... 739 00:30:33,958 --> 00:30:35,251 You're gonna crush it. 740 00:30:35,293 --> 00:30:36,878 ...she's gonna be a strong contender. 741 00:30:36,920 --> 00:30:38,380 We're rooting for Anya. We love her so much. 742 00:30:39,547 --> 00:30:41,049 Here's Anya True. 743 00:30:41,091 --> 00:30:43,259 [ Cheers and applause ] 744 00:30:43,301 --> 00:30:47,013 ** 745 00:30:47,055 --> 00:30:50,141 * I walked through the door with you * 746 00:30:50,183 --> 00:30:52,352 * The air was cold * 747 00:30:52,394 --> 00:30:56,481 * But something about it felt like home somehow * 748 00:30:56,523 --> 00:31:01,861 * And I left my scarf there at your sister's house * 749 00:31:01,903 --> 00:31:07,867 * And you've still got it in your drawer even now * 750 00:31:07,909 --> 00:31:10,245 * And I know it's long gone * 751 00:31:10,286 --> 00:31:12,664 * And that magic's not here no more * 752 00:31:12,706 --> 00:31:18,878 * And I might be okay, but I'm not fighting it all * 753 00:31:18,920 --> 00:31:23,299 * Oh * 754 00:31:23,341 --> 00:31:28,346 * There we are again on that little town street * 755 00:31:28,388 --> 00:31:32,684 * You almost ran the red 'cause you were lookin' over at me * 756 00:31:32,726 --> 00:31:35,353 * Wind in my hair, I was there * 757 00:31:35,395 --> 00:31:44,070 * I remember it all too well * 758 00:31:44,112 --> 00:31:45,989 * And I know it's long gone * 759 00:31:46,031 --> 00:31:48,742 * And there was nothing else I could do * 760 00:31:48,783 --> 00:31:51,411 * And I forget about you long enough * 761 00:31:51,453 --> 00:31:58,460 * To forget why I needed to * 762 00:31:58,501 --> 00:32:01,421 * Maybe we got lost in translation * 763 00:32:01,463 --> 00:32:04,090 * Maybe I asked for too much * 764 00:32:04,132 --> 00:32:07,093 * But maybe this thing was a masterpiece * 765 00:32:07,135 --> 00:32:09,220 * Till you tore it all up * 766 00:32:09,262 --> 00:32:11,431 * Running scared, I was there * 767 00:32:11,473 --> 00:32:19,272 * I remember it all too well * 768 00:32:19,314 --> 00:32:22,317 * And you call me up again * 769 00:32:22,359 --> 00:32:24,861 * Just to break me like a promise * 770 00:32:24,903 --> 00:32:29,616 * So casually cruel in the name of being honest * 771 00:32:29,657 --> 00:32:34,120 * I'm a crumpled up piece of paper lying here * 772 00:32:34,162 --> 00:32:40,126 * I remember it all, all, all * 773 00:32:40,168 --> 00:32:42,671 * Wind in my hair, you were there * 774 00:32:42,712 --> 00:32:45,048 * You remember it all * 775 00:32:45,090 --> 00:32:48,009 * Down the stairs, you were there * 776 00:32:48,051 --> 00:32:50,428 * You remember it all * 777 00:32:50,470 --> 00:32:53,139 * It was rare, I was there * 778 00:32:53,181 --> 00:32:58,561 * I remember it all too well * 779 00:33:00,855 --> 00:33:03,191 * No * 780 00:33:03,233 --> 00:33:05,485 [ Cheers and applause ] 781 00:33:06,528 --> 00:33:09,447 Daly: That is Anya True, ladies and gentlemen. 782 00:33:10,281 --> 00:33:11,866 Chance, let's start with you. What'd you think? 783 00:33:11,908 --> 00:33:15,161 I didn't really see you in a pop space until now. 784 00:33:15,203 --> 00:33:17,330 I've always felt like you had, like, a very cool, 785 00:33:17,372 --> 00:33:18,998 like, folk-leaning country sound, 786 00:33:19,040 --> 00:33:20,500 but it was a very cool performance. 787 00:33:20,542 --> 00:33:21,876 It was good to see. Thank you. 788 00:33:21,918 --> 00:33:23,378 [ Cheers and applause ] John? 789 00:33:23,420 --> 00:33:25,505 This felt like the right song for you. 790 00:33:25,547 --> 00:33:27,173 It's pop, but it's still, you know, 791 00:33:27,215 --> 00:33:29,426 got some of Taylor's country heritage in it. 792 00:33:29,467 --> 00:33:32,429 There's a big space for that kind of music, 793 00:33:32,470 --> 00:33:34,806 and I was really compelled by the performance. 794 00:33:34,848 --> 00:33:37,017 Thank you so much. Reba? 795 00:33:37,058 --> 00:33:38,435 You are so sweet. 796 00:33:38,476 --> 00:33:40,311 I loved it when you quit playing your guitar 797 00:33:40,353 --> 00:33:42,188 and you put your hands up to your heart. 798 00:33:42,230 --> 00:33:44,524 I knew that you were really into it. 799 00:33:44,566 --> 00:33:47,444 If you backed up off the mic just a little bit, 800 00:33:47,485 --> 00:33:49,237 I think I would have been able to understand 801 00:33:49,279 --> 00:33:50,697 the words a little better. 802 00:33:50,739 --> 00:33:52,365 I love the song, and I love you singing it. 803 00:33:52,407 --> 00:33:53,616 It was great. Thank you so much. 804 00:33:53,658 --> 00:33:54,701 I'll work on it. 805 00:33:54,743 --> 00:33:56,870 Your coaches, Dan + Shay. Guys? 806 00:33:56,911 --> 00:33:59,914 That was my favorite performance of yours so far. 807 00:33:59,956 --> 00:34:02,792 It's easy to really go over the top, emulating Taylor Swift. 808 00:34:02,834 --> 00:34:04,711 I didn't feel that at all from you. I heard Anya. 809 00:34:04,753 --> 00:34:06,588 You absolutely stepped up and crushed it. 810 00:34:06,629 --> 00:34:08,048 Thank you, Dan. 811 00:34:08,089 --> 00:34:10,508 You have this kind of Julia Michaels way 812 00:34:10,550 --> 00:34:11,885 that you sing. 813 00:34:11,926 --> 00:34:13,303 I don't know if you are a fan of hers, like we are. 814 00:34:13,345 --> 00:34:14,554 Yeah, a huge fan. Thank you. 815 00:34:14,596 --> 00:34:16,306 There's this sharpness to her voice. 816 00:34:16,348 --> 00:34:19,351 You approach the way that you sing very similarly. 817 00:34:19,392 --> 00:34:21,436 "Similarly." Is that how you say that word? 818 00:34:21,478 --> 00:34:23,313 Yeah, that's the adverb version. It's the adverb? 819 00:34:23,355 --> 00:34:24,898 Well, we don't need to get into all that. 820 00:34:24,939 --> 00:34:26,566 I don't know what you're talking about, John. 821 00:34:26,608 --> 00:34:28,443 It's hard sitting next to John because he's so smart, 822 00:34:28,485 --> 00:34:29,611 and I'm just -- I know words, 823 00:34:29,652 --> 00:34:30,779 but I don't know what they mean. 824 00:34:30,820 --> 00:34:31,988 I know how to use them. 825 00:34:32,030 --> 00:34:33,323 But no, Anya, we're such fans. 826 00:34:33,365 --> 00:34:35,075 I feel like we're your older brothers 827 00:34:35,116 --> 00:34:37,577 over here, just beaming with pride. 828 00:34:37,619 --> 00:34:39,621 As Reba would say, you're cute as a button, 829 00:34:39,662 --> 00:34:42,957 and we're just grateful to have you here on the show. Thank you, guys. 830 00:34:42,999 --> 00:34:46,378 How about another big hand for Anya True, everybody? 831 00:34:46,419 --> 00:34:47,796 I just love Anya so much. 832 00:34:47,837 --> 00:34:49,089 She is so sweet 833 00:34:49,130 --> 00:34:50,256 and so talented beyond her years. 834 00:34:50,298 --> 00:34:52,050 -Great job. -Come on! 835 00:34:52,092 --> 00:34:53,093 Great job, Anya. 836 00:34:53,134 --> 00:34:54,260 I'll be honest, Dan. 837 00:34:54,302 --> 00:34:55,553 I'm sweating in places 838 00:34:55,595 --> 00:34:57,347 that I didn't know I could sweat. 839 00:34:57,389 --> 00:34:59,265 We have to send two people home, 840 00:34:59,307 --> 00:35:01,351 and we love every single person on our team. 841 00:35:01,393 --> 00:35:03,228 This is just hard, man. What are we going to do? 842 00:35:03,269 --> 00:35:04,938 I don't know. I don't know. 843 00:35:04,979 --> 00:35:06,523 Similarly-ly-ly. 844 00:35:06,564 --> 00:35:08,525 It doesn't help that John was an English major. 845 00:35:08,566 --> 00:35:10,110 Were you an English major? I was. 846 00:35:10,151 --> 00:35:11,736 I was. No wonder, dude. 847 00:35:11,778 --> 00:35:14,614 I didn't go to college, so, guys, I'm trying my best. 848 00:35:14,656 --> 00:35:16,783 [ Laughter ] 849 00:35:21,996 --> 00:35:23,206 * This is "The Voice" * 850 00:35:23,248 --> 00:35:25,250 Daly: Welcome back to "The Voice." 851 00:35:27,127 --> 00:35:28,628 John: So, Bryan is coming next. 852 00:35:28,670 --> 00:35:33,174 He's the guy I saved with my playoff pass. Okay. 853 00:35:33,216 --> 00:35:34,676 * Could have had it all * 854 00:35:34,718 --> 00:35:36,845 He's special. I feel like he could be in the finale. 855 00:35:36,886 --> 00:35:38,179 Sing, Bryan! 856 00:35:38,221 --> 00:35:40,974 You're like, how is he not already a star? 857 00:35:41,016 --> 00:35:42,892 Daly: We got two steals! 858 00:35:43,935 --> 00:35:45,186 There it is! 859 00:35:45,228 --> 00:35:47,313 The Playoff Pass! 860 00:35:47,355 --> 00:35:48,606 He's such a great vocalist, 861 00:35:48,648 --> 00:35:50,150 but also a really good performer. 862 00:35:50,191 --> 00:35:51,568 His voice sounds like the radio. 863 00:35:51,609 --> 00:35:53,403 You're just singing at such a high level, 864 00:35:53,445 --> 00:35:55,697 but you're also performing at such a high level. 865 00:35:55,739 --> 00:35:58,283 I'm like, how's this guy not already 866 00:35:58,324 --> 00:36:00,160 out there making records? A single, yeah. 867 00:36:00,201 --> 00:36:01,828 Playing arenas all the time. 868 00:36:01,870 --> 00:36:04,330 Bryan: I know I keep saying I'm the oldest contestant. 869 00:36:04,372 --> 00:36:06,249 Somehow, I'm still doing music, 870 00:36:06,291 --> 00:36:09,627 but it was always alongside some other job 871 00:36:09,669 --> 00:36:11,338 to help make that happen. 872 00:36:11,379 --> 00:36:12,714 I've worked at an airline, 873 00:36:12,756 --> 00:36:14,924 out in the tarmac, pushing the plane, 874 00:36:14,966 --> 00:36:16,217 throwing the bags in. 875 00:36:16,259 --> 00:36:17,677 I was a window washer. 876 00:36:17,719 --> 00:36:19,387 I'm still a good professional window washer. 877 00:36:19,429 --> 00:36:20,972 You know, if "The Voice" thing doesn't work out, 878 00:36:21,014 --> 00:36:22,432 you need me, find my number. 879 00:36:22,474 --> 00:36:24,017 You name it, I've probably done it. 880 00:36:24,059 --> 00:36:26,936 All these things I hoped to just put together 881 00:36:26,978 --> 00:36:28,521 to make music happen, 882 00:36:28,563 --> 00:36:30,440 and when you're about ready to throw in the towel, 883 00:36:30,482 --> 00:36:32,108 some cool opportunity would come up, 884 00:36:32,150 --> 00:36:33,234 right in the nick of time. 885 00:36:33,276 --> 00:36:34,569 And "The Voice," for sure, 886 00:36:34,611 --> 00:36:36,821 is the biggest platform that I've had. 887 00:36:36,863 --> 00:36:39,699 * I bless the rains down in Africa * 888 00:36:39,741 --> 00:36:42,327 John: Bryan is back in the arena. 889 00:36:42,369 --> 00:36:43,578 And I'm so excited. 890 00:36:43,620 --> 00:36:46,373 He's gonna sing "Africa" by Toto. 891 00:36:46,414 --> 00:36:48,041 * Gonna take some time to do... * 892 00:36:48,083 --> 00:36:49,709 John: I just love hearing Bryan's voice 893 00:36:49,751 --> 00:36:51,461 on some classic rock 'n' roll. 894 00:36:51,503 --> 00:36:54,547 The chorus is just so big and uplifting. 895 00:36:54,589 --> 00:36:56,549 I think this is gonna really sound great for him. 896 00:36:56,591 --> 00:36:58,677 * I bless the rains... * 897 00:36:58,718 --> 00:37:01,388 I want for John to know that he made the right decision 898 00:37:01,429 --> 00:37:03,056 in giving me the Playoff Pass. 899 00:37:03,098 --> 00:37:04,182 * I bless the... * 900 00:37:04,224 --> 00:37:05,517 My bad on that last chorus. 901 00:37:05,558 --> 00:37:07,060 Go crazy with it. 902 00:37:07,102 --> 00:37:08,978 Let the background singers sing the main thing, 903 00:37:09,020 --> 00:37:11,356 and then just structurally make sure the melodies feel 904 00:37:11,398 --> 00:37:12,857 connected to each other, 905 00:37:12,899 --> 00:37:14,901 and not you trying this and you trying that. 906 00:37:14,943 --> 00:37:19,572 * I bless the rains down in Africa * 907 00:37:19,614 --> 00:37:21,491 This is going to be pretty tough for John 908 00:37:21,533 --> 00:37:24,744 because he needs to pick only three from five. 909 00:37:24,786 --> 00:37:27,247 Bryan, he's been in the game for a while. 910 00:37:27,288 --> 00:37:28,665 You can tell. 911 00:37:28,707 --> 00:37:30,542 His vocal range is from another world. 912 00:37:30,583 --> 00:37:32,627 So, he has to take advantage of it 913 00:37:32,669 --> 00:37:34,212 and do a great performance. 914 00:37:34,254 --> 00:37:36,089 Bryan: Should I have the guitar ready for the choruses? 915 00:37:36,131 --> 00:37:38,675 I really love playing the guitar with my friends and everything, 916 00:37:38,717 --> 00:37:40,760 but on tour, I don't vibe with it 917 00:37:40,802 --> 00:37:42,053 because I have another vision. 918 00:37:42,095 --> 00:37:43,763 I want to focus in other things. 919 00:37:43,805 --> 00:37:45,557 So, it's fine if you play the instrument, 920 00:37:45,598 --> 00:37:46,891 if you feel like it's something 921 00:37:46,933 --> 00:37:48,601 that is gonna be a plus in your show. 922 00:37:48,643 --> 00:37:50,979 Everything you're doing is intentional and cool. 923 00:37:51,021 --> 00:37:52,397 So, I trust you. 924 00:37:52,439 --> 00:37:53,606 Yeah, I don't need to waste your time, 925 00:37:53,648 --> 00:37:54,733 even though I'd love to hang. 926 00:37:54,774 --> 00:37:56,192 What are you guys doing later? 927 00:37:56,234 --> 00:37:57,277 You want to hang? [ Laughter ] 928 00:37:57,318 --> 00:37:59,112 [ Cheers and applause ] 929 00:37:59,154 --> 00:38:01,281 Yeah, Bryan! Rock Star Ken. 930 00:38:01,322 --> 00:38:03,533 We got Rock Star Ken up here. 931 00:38:04,451 --> 00:38:06,494 Let's go, Bryan! 932 00:38:07,328 --> 00:38:10,498 With "Africa," here's Bryan Olesen. 933 00:38:11,875 --> 00:38:16,963 * It's gonna take a lot to drag me away from you * 934 00:38:17,005 --> 00:38:21,968 * There's nothing that a hundred men or more could ever do * 935 00:38:22,010 --> 00:38:27,265 * I bless the rains down in Africa * 936 00:38:27,307 --> 00:38:32,354 * Gonna take some time to do the things we never had * 937 00:38:32,395 --> 00:38:34,939 * Oh * 938 00:38:34,981 --> 00:38:40,070 ** 939 00:38:40,111 --> 00:38:43,448 * I hear the drums echoing tonight * 940 00:38:43,490 --> 00:38:50,497 * But she hears only whispers of some silent conversation * 941 00:38:51,873 --> 00:38:55,168 * She's coming in, 12:30 flight * 942 00:38:55,210 --> 00:38:57,754 * The moonlit wings reflect the stars * 943 00:38:57,796 --> 00:39:02,384 * That guide me towards salvation * 944 00:39:03,593 --> 00:39:06,888 * I seek to cure what's deep inside * 945 00:39:06,930 --> 00:39:13,687 * Frightened of this thing that I've become * 946 00:39:13,728 --> 00:39:18,858 * It's gonna take a lot to drag me away from you * 947 00:39:18,900 --> 00:39:24,072 * There's nothing that a hundred men or more could ever do * 948 00:39:24,114 --> 00:39:29,202 * I bless the rains down in Africa * 949 00:39:29,244 --> 00:39:37,127 * Gonna take some time to do the things we never had * 950 00:39:37,168 --> 00:39:45,677 ** 951 00:39:45,719 --> 00:39:51,516 * Hurry, boy, she's waiting there for you, oh * 952 00:39:51,558 --> 00:39:53,143 * Sing it * 953 00:39:53,184 --> 00:39:57,397 * Gonna take a lot to drag me away from you * 954 00:39:57,439 --> 00:40:02,861 * There's nothing that a hundred men or more could ever do * 955 00:40:02,902 --> 00:40:08,116 * I bless, I bless, I bless the rain * 956 00:40:08,158 --> 00:40:17,167 * I bless, I bless, I bless the rain * 957 00:40:17,208 --> 00:40:19,085 * I bless the rains * 958 00:40:19,127 --> 00:40:20,754 * I bless the rains down in Africa * 959 00:40:20,795 --> 00:40:23,757 * Ahhhh, take the time * 960 00:40:23,798 --> 00:40:30,972 * Take some time to do the things we never had * 961 00:40:31,014 --> 00:40:35,101 ** 962 00:40:35,143 --> 00:40:38,438 Yeah! Yeah! Yeah! 963 00:40:38,480 --> 00:40:40,899 Daly: Bryan Olesen! 964 00:40:40,940 --> 00:40:41,900 Yes, Bryan! 965 00:40:41,941 --> 00:40:44,778 [ Cheers and applause ] Yeah! 966 00:40:44,819 --> 00:40:47,113 Dude, you just seem like you're already a superstar. 967 00:40:47,155 --> 00:40:49,282 You seem like a guest performer on the show. 968 00:40:49,324 --> 00:40:51,618 It's compelling. I can't take my eyes off you. 969 00:40:51,659 --> 00:40:54,162 It's not just the pink suit, but it's that voice. 970 00:40:54,204 --> 00:40:55,622 Thank you. 971 00:40:55,663 --> 00:40:57,415 Alright, Reba, what'd you think? 972 00:40:57,457 --> 00:40:59,417 We missed you. I missed you, too. 973 00:40:59,459 --> 00:41:00,877 You're the perfect package, 974 00:41:00,919 --> 00:41:02,629 and I loved you getting the guitar. 975 00:41:02,671 --> 00:41:04,673 Way to go. You need to be on the lives. 976 00:41:04,714 --> 00:41:06,007 Definitely. Thank you. 977 00:41:06,049 --> 00:41:09,052 Alright. And you are 100% a rock star. 978 00:41:09,094 --> 00:41:12,097 To see somebody that can, like, control the crowd, 979 00:41:12,138 --> 00:41:13,390 create a moment. 980 00:41:13,431 --> 00:41:14,683 If I was John, I would definitely 981 00:41:14,724 --> 00:41:15,975 try and move you to lives. 982 00:41:16,017 --> 00:41:17,644 I know I've said that every time so far. 983 00:41:17,686 --> 00:41:19,729 Your team is doing good. You got a great team. 984 00:41:19,771 --> 00:41:21,773 Bryan, you just show up here every time 985 00:41:21,815 --> 00:41:24,401 and make it feel like we're at Bryan's concert. 986 00:41:24,442 --> 00:41:26,319 You're such a pro. 987 00:41:26,361 --> 00:41:29,072 I feel your intention in everything you do as well. 988 00:41:29,114 --> 00:41:31,032 I love the way you took the guitar 989 00:41:31,074 --> 00:41:32,450 in the middle of the performance. 990 00:41:32,492 --> 00:41:33,827 It just made you look more like 991 00:41:33,868 --> 00:41:35,829 you were the boss up on stage. 992 00:41:35,870 --> 00:41:37,997 I'm glad I used my Playoff Pass on you. 993 00:41:38,039 --> 00:41:41,459 You deserved it. Thank you, John. That means a lot. 994 00:41:41,501 --> 00:41:42,836 Give it up for the man in pink, 995 00:41:42,877 --> 00:41:45,171 Bryan Olesen, everybody. 996 00:41:45,213 --> 00:41:47,465 Bryan justified getting that playoff pass. 997 00:41:47,507 --> 00:41:49,592 He delivers every single time. 998 00:41:49,634 --> 00:41:51,428 Yeah. 999 00:41:51,469 --> 00:41:52,846 I'm so proud of Team Legend. 1000 00:41:52,887 --> 00:41:56,016 These performances have been next level. 1001 00:41:56,057 --> 00:41:58,852 Nathan's my throwback soul artist. 1002 00:41:58,893 --> 00:42:01,354 Kamalei is our aloha spirit. 1003 00:42:01,396 --> 00:42:03,189 Bryan's my rock star. 1004 00:42:03,231 --> 00:42:05,984 All the coaches think all of them should go to the lives. 1005 00:42:06,026 --> 00:42:08,695 This decision is so difficult. 1006 00:42:14,367 --> 00:42:15,577 * This is "The Voice" * 1007 00:42:15,618 --> 00:42:17,954 Daly: Welcome back to "The Voice." 1008 00:42:17,996 --> 00:42:19,247 John: Y'all having a good time? 1009 00:42:19,289 --> 00:42:20,582 [ Cheers and applause ] 1010 00:42:20,623 --> 00:42:22,042 My cardigan is very controversial. 1011 00:42:22,083 --> 00:42:24,461 What do you think? [ Laughter ] 1012 00:42:24,502 --> 00:42:26,504 And then he goes, "Ah!" 1013 00:42:26,546 --> 00:42:28,590 That was tepid. He was like, "Ah." 1014 00:42:28,631 --> 00:42:31,301 Nah. It was alright. 1015 00:42:31,343 --> 00:42:33,887 Shay: It's exciting to be able to pass along some 1016 00:42:33,928 --> 00:42:35,972 of the stupid things that we've done in our career 1017 00:42:36,014 --> 00:42:37,891 to keep them from making the same mistakes that we did. 1018 00:42:37,932 --> 00:42:39,726 I feel like it's an honor for me to be here, 1019 00:42:39,768 --> 00:42:41,102 because giving back is the purpose 1020 00:42:41,144 --> 00:42:42,395 we have in the first place, you know? 1021 00:42:42,437 --> 00:42:43,688 I agree. 1022 00:42:43,730 --> 00:42:44,814 We all have different journeys, 1023 00:42:44,856 --> 00:42:46,274 but one thing that we all, 1024 00:42:46,316 --> 00:42:48,068 like, commonly share is our love for music. 1025 00:42:48,109 --> 00:42:49,235 I'm just happy to be sharing the stage with you guys. 1026 00:42:49,277 --> 00:42:50,904 Yeah, likewise. 1027 00:42:50,945 --> 00:42:54,240 I'm just so grateful and stoked to even be in the playoffs. 1028 00:42:54,282 --> 00:42:55,950 You are so good. 1029 00:42:55,992 --> 00:42:57,410 Olivia: During the battles, losing on Team John, 1030 00:42:57,452 --> 00:43:02,957 but then getting stolen by Dan + Shay, 1031 00:43:02,999 --> 00:43:07,212 it really worked out in a really cool, beautiful way. 1032 00:43:07,253 --> 00:43:09,631 Shay: How much more fun is Team Dan + Shay than Team Legend? 1033 00:43:09,673 --> 00:43:10,757 [ Exhales sharply ] Come on. 1034 00:43:10,799 --> 00:43:11,883 Ooh! I mean... 1035 00:43:11,925 --> 00:43:13,468 Let's go. That's all we need. 1036 00:43:13,510 --> 00:43:16,262 You can talk trash here. That's all we need in here. 1037 00:43:16,304 --> 00:43:17,972 Stop, you guys are gonna get me in trouble. 1038 00:43:18,014 --> 00:43:19,557 Shay: Freaking love Olivia. 1039 00:43:19,599 --> 00:43:21,518 Poor John, yeah, he's probably crying right now. 1040 00:43:21,559 --> 00:43:23,269 Yeah! 1041 00:43:23,311 --> 00:43:25,105 John: In the knockouts, Olivia made me regret 1042 00:43:25,146 --> 00:43:26,940 ever letting her go. Whoo! 1043 00:43:26,981 --> 00:43:28,900 And I'm a little bit jealous 1044 00:43:28,942 --> 00:43:30,151 that Dan + Shay get to coach her now. 1045 00:43:30,193 --> 00:43:32,779 * I'll stand by you, oh * 1046 00:43:32,821 --> 00:43:36,449 Olivia: I'm singing "I'll Stand By You" by The Pretenders. 1047 00:43:36,491 --> 00:43:39,202 It's really intimate, but also really powerful. 1048 00:43:39,244 --> 00:43:44,040 * For you, I'll stand by you * 1049 00:43:44,082 --> 00:43:45,792 There's such amazing control, just like, 1050 00:43:45,834 --> 00:43:47,127 going from the big stuff, the high stuff 1051 00:43:47,168 --> 00:43:48,962 to those real intimate moments. 1052 00:43:49,004 --> 00:43:50,338 It means a lot. Thank you. 1053 00:43:50,380 --> 00:43:52,298 I like your eyes. I can get lost in them. 1054 00:43:52,340 --> 00:43:54,801 Like, stare at us, the girl. Point at us. 1055 00:43:54,843 --> 00:43:56,469 Like, let us know you gon' stand by us. 1056 00:43:56,511 --> 00:43:57,846 Absolutely. It's just an easy little, 1057 00:43:57,887 --> 00:43:59,139 * I'll stand by you * 1058 00:43:59,180 --> 00:44:00,432 [ Laughter ] 1059 00:44:00,473 --> 00:44:02,267 Absolutely. I ain't about to play myself. 1060 00:44:02,308 --> 00:44:06,146 Do you have any advice for young women in the biz? 1061 00:44:06,187 --> 00:44:08,940 My biggest advice is not taking no for an answer. 1062 00:44:08,982 --> 00:44:10,817 So always fight for the yes, 1063 00:44:10,859 --> 00:44:12,944 know your boundaries, never settle with your standards, 1064 00:44:12,986 --> 00:44:15,405 because if you respect you, the world will respect you, you know? 1065 00:44:15,447 --> 00:44:17,782 Absolutely. I got that right from Saweetie. 1066 00:44:17,824 --> 00:44:19,034 No one can take that away from me now. 1067 00:44:19,075 --> 00:44:20,493 Uh-huh, that's right, girl. 1068 00:44:20,535 --> 00:44:21,661 Shay: Hey! Dropping facts over here. 1069 00:44:21,703 --> 00:44:23,038 Dropping straight facts. 1070 00:44:23,079 --> 00:44:24,789 Olivia: Saweetie, she's such a boss. 1071 00:44:24,831 --> 00:44:27,876 It's a lot of the stuff that I feel like I needed to hear. 1072 00:44:27,917 --> 00:44:30,211 When I really need to evoke a certain emotion, 1073 00:44:30,253 --> 00:44:32,922 it's a good trick. The more that you feel it, 1074 00:44:32,964 --> 00:44:35,175 the more that we feel it. Olivia: Yeah. 1075 00:44:35,216 --> 00:44:36,301 Go all the way. 1076 00:44:36,343 --> 00:44:37,802 Totally. 1077 00:44:37,844 --> 00:44:39,846 It is so important to make Dan + Shay proud. 1078 00:44:39,888 --> 00:44:41,556 I just want to keep bumping it up, 1079 00:44:41,598 --> 00:44:45,185 making them more excited to keep having me on their team 1080 00:44:45,226 --> 00:44:48,271 and hopefully get them a win. 1081 00:44:48,313 --> 00:44:50,023 [ Cheers and applause ] 1082 00:44:50,065 --> 00:44:51,524 Daly: Now it's time for the pop-rocker 1083 00:44:51,566 --> 00:44:54,194 from Delaware who's taking on a rock classic. 1084 00:44:54,235 --> 00:44:57,447 Singing "I'll Stand By You," here's Olivia Rubini. 1085 00:44:57,489 --> 00:44:58,865 Yeah, Olivia! 1086 00:44:58,907 --> 00:45:02,952 ** 1087 00:45:02,994 --> 00:45:08,792 * Oh, why you look so sad? * 1088 00:45:08,833 --> 00:45:12,671 * Tears are in your eyes * 1089 00:45:12,712 --> 00:45:16,800 * Come on and come to me now * 1090 00:45:16,841 --> 00:45:23,056 * Don't be ashamed to cry * 1091 00:45:23,098 --> 00:45:26,434 * Let me see you through * 1092 00:45:26,476 --> 00:45:30,939 * 'Cause I've seen the dark side too * 1093 00:45:30,980 --> 00:45:34,567 * When the night falls on you * 1094 00:45:34,609 --> 00:45:37,153 * You don't know what to do * 1095 00:45:37,195 --> 00:45:40,573 * Nothing you confess * 1096 00:45:40,615 --> 00:45:43,993 * Could make me love you less * 1097 00:45:44,035 --> 00:45:46,496 * I'll stand by you * 1098 00:45:46,538 --> 00:45:47,664 [ Cheers and applause ] 1099 00:45:47,706 --> 00:45:50,875 * I'll stand by you * 1100 00:45:50,917 --> 00:45:54,587 * Won't let nobody hurt you * 1101 00:45:54,629 --> 00:45:57,632 * I'll stand by you * 1102 00:45:57,674 --> 00:45:59,092 ** 1103 00:45:59,134 --> 00:46:05,181 * So if you're mad, get mad * 1104 00:46:05,223 --> 00:46:08,893 * Don't hold it all inside * 1105 00:46:08,935 --> 00:46:13,356 * Come on and come to me now * 1106 00:46:13,398 --> 00:46:19,612 * Hey, what you got to hide? * 1107 00:46:19,654 --> 00:46:23,283 * I get angry too * 1108 00:46:23,324 --> 00:46:27,454 * Well, I'm a lot like you * 1109 00:46:27,495 --> 00:46:29,497 * And when * 1110 00:46:29,539 --> 00:46:33,668 * When the night falls on you, baby * 1111 00:46:33,710 --> 00:46:37,005 * You're feeling all alone * 1112 00:46:37,047 --> 00:46:40,508 * You won't be on your own * 1113 00:46:40,550 --> 00:46:43,970 * I'll stand by you * 1114 00:46:44,012 --> 00:46:47,307 * I'll stand by you * 1115 00:46:47,349 --> 00:46:49,517 * Won't let nobody hurt you * 1116 00:46:50,935 --> 00:46:54,272 * I'll stand by you * 1117 00:46:54,314 --> 00:46:58,151 * Take me into your darkest hour * 1118 00:46:58,193 --> 00:47:01,529 * And I'll never desert you * 1119 00:47:01,571 --> 00:47:05,075 * I'll stand by you * 1120 00:47:05,116 --> 00:47:08,328 * I'll stand by you * 1121 00:47:08,370 --> 00:47:12,123 * Won't let nobody hurt you * 1122 00:47:12,165 --> 00:47:15,794 * I'll stand by you * 1123 00:47:15,835 --> 00:47:19,089 * I'll stand by you * 1124 00:47:19,130 --> 00:47:23,009 * Won't let nobody hurt you * 1125 00:47:23,051 --> 00:47:28,973 * I'll stand by you * 1126 00:47:29,015 --> 00:47:30,850 [ Cheers and applause ] 1127 00:47:30,892 --> 00:47:32,268 ** 1128 00:47:32,310 --> 00:47:34,521 Daly: There's Olivia Rubini, everybody. 1129 00:47:34,562 --> 00:47:35,647 Give it up for her! 1130 00:47:35,689 --> 00:47:37,023 [ Cheers and applause ] 1131 00:47:37,065 --> 00:47:38,191 Chance, talk to us. 1132 00:47:38,233 --> 00:47:41,027 You have a very, like -- like, 1133 00:47:41,069 --> 00:47:44,155 Stevie Nicks, rockstar, '70s vibe to you. 1134 00:47:44,197 --> 00:47:45,532 And I think you do have a great voice, 1135 00:47:45,573 --> 00:47:46,825 and that's why you've come so far. 1136 00:47:46,866 --> 00:47:48,368 Thank you. 1137 00:47:48,410 --> 00:47:49,994 But I wish there was a little bit more dynamics 1138 00:47:50,036 --> 00:47:51,621 and just, like, a little bit more of your range. 1139 00:47:51,663 --> 00:47:53,415 And I think Dan + Shay have a lot to think about. 1140 00:47:53,456 --> 00:47:54,708 Thank you. 1141 00:47:54,749 --> 00:47:56,376 And let's go to your former coach, John. 1142 00:47:56,418 --> 00:47:59,337 Olivia, you're always such a wonderful singer. 1143 00:47:59,379 --> 00:48:01,381 Thank you. 1144 00:48:01,423 --> 00:48:03,675 And I feel like you were doing little things with your voice 1145 00:48:03,717 --> 00:48:06,720 and with your body to try to kind of find, like, 1146 00:48:06,761 --> 00:48:08,555 some rock 'n roll in this song. 1147 00:48:08,596 --> 00:48:10,306 I just feel like maybe this song wasn't 1148 00:48:10,348 --> 00:48:11,766 the best song for this moment. 1149 00:48:11,808 --> 00:48:13,059 Thank you. Alright, Olivia, let's hear your coaches, 1150 00:48:13,101 --> 00:48:14,561 Team Dan + Shay. 1151 00:48:14,602 --> 00:48:16,354 Olivia, first of all, we've loved you, you know, 1152 00:48:16,396 --> 00:48:17,981 since the beginning of this competition, 1153 00:48:18,023 --> 00:48:19,482 when we got to steal you. 1154 00:48:19,524 --> 00:48:20,859 As far as, like, 1155 00:48:20,900 --> 00:48:22,235 the high stuff that you like to do, like, I dig it. 1156 00:48:22,277 --> 00:48:23,778 He's gonna be trying to do that. 1157 00:48:23,820 --> 00:48:25,238 I'll be trying to do that immediately after this. 1158 00:48:25,280 --> 00:48:26,906 I'll be trying to do it. 1159 00:48:26,948 --> 00:48:28,742 I feel like you have so much originality. 1160 00:48:28,783 --> 00:48:30,326 There's no one else in this competition that sings like you. 1161 00:48:30,368 --> 00:48:31,828 You're awesome. Thank you so much. 1162 00:48:31,870 --> 00:48:33,079 Good job, Olivia. Thank you so much. 1163 00:48:33,121 --> 00:48:35,081 Another big hand for Olivia Rubini! 1164 00:48:35,123 --> 00:48:37,625 Ladies and gentlemen. 1165 00:48:37,667 --> 00:48:39,627 Shay: Olivia was a steal from Team Legend in the battle, 1166 00:48:39,669 --> 00:48:42,172 so it's really cool to see her growth, you know. 1167 00:48:42,213 --> 00:48:43,840 Whenever she's finally able to have a good coach, 1168 00:48:43,882 --> 00:48:44,966 you know. Aw! 1169 00:48:45,008 --> 00:48:47,093 I was kidding. It was amazing. 1170 00:48:47,135 --> 00:48:48,511 Yes, Olivia. 1171 00:48:48,553 --> 00:48:50,430 Shay: She's just such a great singer, 1172 00:48:50,472 --> 00:48:52,432 and I feel like she has so much potential, 1173 00:48:52,474 --> 00:48:55,060 but I'm feeling incredible about Team Dan + Shay. 1174 00:48:55,101 --> 00:48:57,937 Dan: I would say Karen is more of our country leading singer. 1175 00:48:57,979 --> 00:48:59,356 Anya, I really love her voice. 1176 00:48:59,397 --> 00:49:01,274 It has so much uniqueness. 1177 00:49:01,316 --> 00:49:04,277 Olivia's got this, like, retro throwback sound to her. 1178 00:49:04,319 --> 00:49:07,030 They're making this decision, like, literally impossible. 1179 00:49:07,072 --> 00:49:09,157 She's like, I got to win this competition! 1180 00:49:09,199 --> 00:49:11,534 Pretty voice, though. Yeah. I really like her. 1181 00:49:11,576 --> 00:49:12,744 ** 1182 00:49:17,791 --> 00:49:19,125 * This is "The Voice" * 1183 00:49:19,167 --> 00:49:22,796 Daly: Welcome back to the playoffs. 1184 00:49:22,837 --> 00:49:24,881 Let's get it. Leyenda. 1185 00:49:24,923 --> 00:49:28,009 [ Laughs ] Wow, yeah. Juan Legenda. 1186 00:49:28,051 --> 00:49:29,427 Yeah. You'll be Juan Legenda. 1187 00:49:29,469 --> 00:49:32,013 Juan Leyenda, yeah. My name is Juan, too. 1188 00:49:32,055 --> 00:49:33,598 Ah, nice. So Juan Legenda y Don Juan. 1189 00:49:33,640 --> 00:49:34,974 Let's get it. 1190 00:49:35,016 --> 00:49:37,560 Alright, it's happening. Juan Legenda. 1191 00:49:37,602 --> 00:49:38,478 [ Laughter ] 1192 00:49:38,520 --> 00:49:40,814 Man: Ready ready? Yes. 1193 00:49:40,855 --> 00:49:42,565 I'm ready. 1194 00:49:42,607 --> 00:49:44,150 ** 1195 00:49:44,192 --> 00:49:46,986 Mafe, look who's here! Hola,Mafe. 1196 00:49:47,028 --> 00:49:49,114 Maluma! 1197 00:49:49,155 --> 00:49:50,782 How are you? Hola, I'm good. 1198 00:49:50,824 --> 00:49:54,202 Seeing Maluma was insane. 1199 00:49:54,244 --> 00:49:56,996 Latino, Latino power right here. 1200 00:49:57,038 --> 00:49:59,791 Mafe: He comes from Colombia, and I'm from Venezuela, 1201 00:49:59,833 --> 00:50:02,919 and Colombia and Venezuela are brothers and sisters. 1202 00:50:02,961 --> 00:50:04,254 Like, we are the same people. 1203 00:50:04,295 --> 00:50:05,755 How are you? How do you feel? 1204 00:50:05,797 --> 00:50:07,382 I feel great, honestly. 1205 00:50:07,424 --> 00:50:09,259 And it was so easy to talk to him. 1206 00:50:09,300 --> 00:50:10,677 It felt right. 1207 00:50:10,719 --> 00:50:13,179 VamosVenezuela. Venezuela, let's go. 1208 00:50:13,221 --> 00:50:14,973 Venezuela en la casa. 1209 00:50:15,015 --> 00:50:17,934 Your accent is good, bro. I took Spanish class, you know. 1210 00:50:17,976 --> 00:50:20,228 I heard the song that you do with -- With Sebastián. 1211 00:50:20,270 --> 00:50:22,355 And I've done one with Juanes. 1212 00:50:22,397 --> 00:50:24,315 Yeah. A couple of your fellow Colombians. 1213 00:50:24,357 --> 00:50:26,401 Yeah. That means me and you next. 1214 00:50:26,443 --> 00:50:27,736 Yes, please. Me and you next. 1215 00:50:27,777 --> 00:50:29,320 Let's get it. 1216 00:50:29,362 --> 00:50:34,659 * Never mind, I'll find someone like you * 1217 00:50:34,701 --> 00:50:38,288 I'm gonna be singing "Someone Like You" by Adele. 1218 00:50:38,329 --> 00:50:41,583 It is a very challenging song because it's fast 1219 00:50:41,624 --> 00:50:44,502 and is a lot of words that are hard for me to say. 1220 00:50:44,544 --> 00:50:46,880 But I'm going to show the coaches 1221 00:50:46,921 --> 00:50:48,882 absolutely everything I've got. 1222 00:50:48,923 --> 00:50:51,009 What do you if you think if we want a half step up? 1223 00:50:51,051 --> 00:50:52,886 Yeah. 1224 00:50:52,927 --> 00:50:54,637 'Cause there's a lot of time in that lower part of the song, 1225 00:50:54,679 --> 00:50:56,723 'cause your voice is really quiet down there. 1226 00:50:56,765 --> 00:50:59,267 Everybody thinks that it is more difficult 1227 00:50:59,309 --> 00:51:01,227 to sing up there, right? 1228 00:51:01,269 --> 00:51:03,480 It's always more difficult to sing lower. 1229 00:51:03,521 --> 00:51:05,732 When I do "Ordinary People," 1230 00:51:05,774 --> 00:51:09,277 like, the end of the song is one of the lowest notes -- 1231 00:51:09,319 --> 00:51:10,945 I have to, like, really take a breath. 1232 00:51:10,987 --> 00:51:12,947 That's going to be the key -- somehow finding a way 1233 00:51:12,989 --> 00:51:16,451 to gather yourself and then support those quiet, 1234 00:51:16,493 --> 00:51:18,203 low notes at the very end. 1235 00:51:18,244 --> 00:51:20,080 * Would I * 1236 00:51:20,121 --> 00:51:21,581 John: I picked this song for Mafe 1237 00:51:21,623 --> 00:51:23,583 because this is a classic ballad. 1238 00:51:23,625 --> 00:51:25,835 You've got to be able to handle the classics. 1239 00:51:25,877 --> 00:51:27,420 * Someone like you * Sing it, Mafe! 1240 00:51:27,462 --> 00:51:30,548 I really believed she could do it justice. 1241 00:51:30,590 --> 00:51:31,591 Whoo! 1242 00:51:31,633 --> 00:51:33,885 Whoo! That's why he's Juan Legenda. 1243 00:51:33,927 --> 00:51:35,512 [ Laughter ] Legend, you know what I mean? 1244 00:51:35,553 --> 00:51:37,806 He knew about the key. 1245 00:51:37,847 --> 00:51:39,724 It is stunning. Like, I was about to cry. 1246 00:51:39,766 --> 00:51:42,102 It was like, 'cause you had me under your spell. 1247 00:51:42,143 --> 00:51:43,645 Don't break that spell. 1248 00:51:43,687 --> 00:51:45,730 I'm here just to say that I'm proud of you 1249 00:51:45,772 --> 00:51:49,275 as a Latino because for us coming to the states 1250 00:51:49,317 --> 00:51:51,569 becoming a big star is not easy. 1251 00:51:51,611 --> 00:51:54,114 So I just want to give a big applause to all the Latinos 1252 00:51:54,155 --> 00:51:56,116 that are watching me right now, guys. 1253 00:51:56,157 --> 00:51:58,326 Congratulations. We're here working hard. 1254 00:51:58,368 --> 00:51:59,661 Doing it. Yeah. 1255 00:51:59,703 --> 00:52:01,287 Maluma, stop! 1256 00:52:01,329 --> 00:52:06,167 John: Mafe! 1257 00:52:06,209 --> 00:52:08,336 With "Someone Like You," here's Mafe. 1258 00:52:08,378 --> 00:52:10,213 [ Cheers and applause ] 1259 00:52:10,255 --> 00:52:16,469 ** 1260 00:52:16,511 --> 00:52:23,643 * I heard that you're settled down * 1261 00:52:23,685 --> 00:52:32,777 * That you found a girl and you're married now * 1262 00:52:32,819 --> 00:52:38,658 * I heard that your dreams came true * 1263 00:52:38,700 --> 00:52:46,458 * Guess she gave you things I didn't give to you * 1264 00:52:46,499 --> 00:52:49,669 * I hate to turn up out of the blue, uninvited * 1265 00:52:49,711 --> 00:52:53,506 * But I couldn't stay away, I couldn't fight it * 1266 00:52:53,548 --> 00:52:55,342 * I had hoped you'd see my face * 1267 00:52:55,383 --> 00:53:02,891 * And that you'd be reminded that for me, it isn't over * 1268 00:53:02,932 --> 00:53:09,481 * Never mind, I'll find someone like you * 1269 00:53:09,522 --> 00:53:16,654 * I wish nothing but the best for you, too * 1270 00:53:16,696 --> 00:53:20,450 * "Don't forget me," I beg * 1271 00:53:20,492 --> 00:53:23,703 * I remember you said * 1272 00:53:23,745 --> 00:53:26,331 * "Sometimes it lasts in love" * 1273 00:53:26,373 --> 00:53:31,169 * "But sometimes it hurts instead" * 1274 00:53:31,211 --> 00:53:33,463 * "Sometimes it lasts in love" * 1275 00:53:33,505 --> 00:53:39,094 * "But sometimes it hurts instead" * 1276 00:53:39,135 --> 00:53:42,681 * Nothing compares, no worries or cares * 1277 00:53:42,722 --> 00:53:46,226 * Regrets and mistakes, they're memories made * 1278 00:53:46,267 --> 00:53:53,817 * Who would have known how bittersweet this would... 1279 00:53:54,484 --> 00:54:00,448 * ...taste? * 1280 00:54:01,199 --> 00:54:07,455 * Never mind, I'll find someone like you * 1281 00:54:07,497 --> 00:54:14,754 * I wish nothing but the best for you, too * 1282 00:54:14,796 --> 00:54:18,466 * "Don't forget me," I beg * 1283 00:54:18,508 --> 00:54:25,181 * I remember you said * 1284 00:54:25,598 --> 00:54:28,059 * "Sometimes it lasts in love" * 1285 00:54:28,101 --> 00:54:38,069 * "But sometimes it hurts instead" * 1286 00:54:38,111 --> 00:54:39,904 [ Cheers and applause ] 1287 00:54:39,946 --> 00:54:41,823 Man, beautiful. 1288 00:54:42,782 --> 00:54:45,952 Daly: There's Mafe, ladies and gentlemen. 1289 00:54:45,994 --> 00:54:48,413 Beautiful. 1290 00:54:48,455 --> 00:54:49,998 Reba, what did you think? 1291 00:54:50,040 --> 00:54:51,750 I just absolutely loved it. 1292 00:54:51,791 --> 00:54:54,753 And I also loved that you stayed stationary 1293 00:54:54,794 --> 00:54:58,214 and just let your voice do the convincing. 1294 00:54:58,256 --> 00:54:59,549 Yeah. You really sold it to me. 1295 00:54:59,591 --> 00:55:02,052 So, boy, I think you need to-- Ep! Up! 1296 00:55:02,093 --> 00:55:03,636 Go to the lives. Nah! 1297 00:55:03,678 --> 00:55:06,639 Chance? She should go to the lives. 1298 00:55:06,681 --> 00:55:08,767 [ John shouting, laughter ] 1299 00:55:08,808 --> 00:55:11,269 I think your fellow coaches are making it harder for you. 1300 00:55:11,311 --> 00:55:13,146 Oh, man. 1301 00:55:13,188 --> 00:55:15,148 This is a song that everybody's heard a million times. 1302 00:55:15,190 --> 00:55:18,193 So we notice when you do something really cool 1303 00:55:18,234 --> 00:55:20,528 and make a great choice. 1304 00:55:20,570 --> 00:55:22,197 That was fantastic, Mafe. 1305 00:55:22,238 --> 00:55:23,740 I agree with what everyone's saying. 1306 00:55:23,782 --> 00:55:25,742 My only thing that was distracting to me was, 1307 00:55:25,784 --> 00:55:28,036 in a song like this that is so iconic, 1308 00:55:28,078 --> 00:55:30,830 all of the liberties that you took, it moved too much, 1309 00:55:30,872 --> 00:55:32,749 and that's just personal preference. 1310 00:55:32,791 --> 00:55:34,334 You're entitled to be wrong. It's fine. 1311 00:55:34,376 --> 00:55:35,752 [ Laughter ] 1312 00:55:35,794 --> 00:55:38,046 You're entitled to wearing sleeping clothes. 1313 00:55:38,088 --> 00:55:40,548 It's a free country. 1314 00:55:40,590 --> 00:55:42,258 But you're such an amazing singer. 1315 00:55:42,300 --> 00:55:43,510 You should definitely go to the lives. 1316 00:55:43,551 --> 00:55:45,261 Thank you so much. Wow. 1317 00:55:45,303 --> 00:55:46,680 You could have just said that. 1318 00:55:46,721 --> 00:55:48,973 What am I supposed to do? 1319 00:55:49,015 --> 00:55:51,976 Everybody keeps coming up here being their very best selves. 1320 00:55:52,018 --> 00:55:55,980 And I disagree with Shay. I thought the moments 1321 00:55:56,022 --> 00:55:58,817 when you took a few melodic liberties were tasteful. 1322 00:55:58,858 --> 00:56:01,861 They didn't take me out of the feeling of the song. 1323 00:56:01,903 --> 00:56:04,823 I love working with you, Mafe. You're fantastic. 1324 00:56:04,864 --> 00:56:08,702 Give it up one more time for Mafe, everybody. 1325 00:56:08,743 --> 00:56:13,081 To have this quality of a team is astronomical. 1326 00:56:13,123 --> 00:56:14,874 I don't know what John's gonna do. Very good. 1327 00:56:14,916 --> 00:56:16,918 Chance: Mafe did amazing. 1328 00:56:16,960 --> 00:56:19,462 I just love how she always changes the song up 1329 00:56:19,504 --> 00:56:20,880 and makes it her own. 1330 00:56:20,922 --> 00:56:23,425 Seeing Team Legend and Team Dan + Shay 1331 00:56:23,466 --> 00:56:24,884 makes me a little nervous 1332 00:56:24,926 --> 00:56:26,511 'cause I know I got to make these kind of 1333 00:56:26,553 --> 00:56:28,138 decisions next week. 1334 00:56:28,179 --> 00:56:30,432 So good. Love her singing. 1335 00:56:30,473 --> 00:56:31,933 Lot of back to back show stoppers. 1336 00:56:31,975 --> 00:56:34,185 Yeah. Who do you send home from that group? 1337 00:56:34,227 --> 00:56:37,731 ** 1338 00:56:41,234 --> 00:56:43,194 * This is "The Voice" * 1339 00:56:43,236 --> 00:56:45,196 Daly: Welcome back. 1340 00:56:45,238 --> 00:56:47,073 We got Tae coming up next. 1341 00:56:47,115 --> 00:56:49,576 Yes. This is Tae's first round on Team Dan + Shay. 1342 00:56:49,617 --> 00:56:54,080 Oh, wow. We got him from Team Reba. 1343 00:56:54,122 --> 00:56:56,249 He's a country singer through and through. 1344 00:56:56,291 --> 00:56:58,752 Just a great entertainer, great spirit, very charismatic. 1345 00:56:58,793 --> 00:57:00,170 I'm gonna go with Dan + Shay. 1346 00:57:00,211 --> 00:57:01,588 [ Dan and Shay cheering ] 1347 00:57:01,629 --> 00:57:03,340 Reba is really gonna regret letting Tae go. 1348 00:57:03,381 --> 00:57:05,425 Man, congratulations. I wouldn't let y'all down. 1349 00:57:05,467 --> 00:57:07,218 We had to get him on Team Dan + Shay 1350 00:57:07,260 --> 00:57:08,762 'cause he has so much talent. 1351 00:57:08,803 --> 00:57:09,804 Let's bring him in. Yeah, let's bring him in. 1352 00:57:09,846 --> 00:57:12,307 Jinx. [ Laughs ] 1353 00:57:12,349 --> 00:57:14,392 All: Hey! 1354 00:57:14,434 --> 00:57:15,602 Tae, yes! 1355 00:57:15,643 --> 00:57:17,854 That's my guy. Yo, it's Saweetie. 1356 00:57:17,896 --> 00:57:19,314 Yes, sir. 1357 00:57:19,356 --> 00:57:21,566 [ Tae and Saweetie cheering ] 1358 00:57:21,608 --> 00:57:25,278 It's crazy now that I am in front of people 1359 00:57:25,320 --> 00:57:29,741 I grew up listening to -- Dan + Shay, as well as Saweetie. 1360 00:57:29,783 --> 00:57:31,659 It's a dream come true. 1361 00:57:31,701 --> 00:57:33,161 I've been listening to y'all for so long. 1362 00:57:33,203 --> 00:57:35,205 I've, like, put y'all on my vision board. 1363 00:57:35,246 --> 00:57:37,290 You're gonna make us cry, dude. No, I'm serious. 1364 00:57:37,332 --> 00:57:40,710 Like, and so this is like a huge pivotal thing that, 1365 00:57:40,752 --> 00:57:42,796 like, I'm on y'all team now. 1366 00:57:42,837 --> 00:57:46,049 I'm just so happy. I'm so excited that I'm on they team. 1367 00:57:46,091 --> 00:57:47,801 I really am. What are you singing today? 1368 00:57:47,842 --> 00:57:49,636 I am singing "Running Out of Moonlight" 1369 00:57:49,678 --> 00:57:52,138 by none other than Randy Houser. 1370 00:57:52,180 --> 00:57:55,100 I actually sing this song when I go and perform. 1371 00:57:55,141 --> 00:57:57,018 This is, like, my opener. I'd love to see it. 1372 00:57:57,060 --> 00:57:59,771 * Come on, baby, don't ya keep me waitin' * 1373 00:57:59,813 --> 00:58:02,148 * I gotta go, I got a reservation * 1374 00:58:02,190 --> 00:58:04,025 * Tailgate for two underneath the stars * 1375 00:58:04,067 --> 00:58:05,985 Tae: I learned this song from my brother. 1376 00:58:06,027 --> 00:58:09,197 We were arguing because I had moved away from home. 1377 00:58:09,239 --> 00:58:12,158 It was hard for him to understand why I left. 1378 00:58:12,200 --> 00:58:14,911 He showed me the song because the song talks about, 1379 00:58:14,953 --> 00:58:16,955 you don't have a lot of time to waste, 1380 00:58:16,996 --> 00:58:18,915 just spend as much time as you can with each other. 1381 00:58:18,957 --> 00:58:20,709 And so it was that moment 1382 00:58:20,750 --> 00:58:22,502 I just fell in love with that song. 1383 00:58:22,544 --> 00:58:24,796 * Come on, come on, come on, we're runnin' outta moonlight * 1384 00:58:24,838 --> 00:58:27,132 Tae was such a burst of joy. 1385 00:58:27,173 --> 00:58:29,592 I wasn't expecting his voice to be that big. 1386 00:58:29,634 --> 00:58:31,594 His presence is really strong. 1387 00:58:31,636 --> 00:58:33,513 If he was at a bar, I would be captivated. 1388 00:58:33,555 --> 00:58:37,475 * Oh * 1389 00:58:37,517 --> 00:58:40,437 [ All cheering ] We run out of moonlight. 1390 00:58:40,478 --> 00:58:42,522 * Running out of moonlight * 1391 00:58:42,564 --> 00:58:43,940 I like it. Thank you for introducing me 1392 00:58:43,982 --> 00:58:45,692 further into the country genre. 1393 00:58:45,734 --> 00:58:47,068 Absolutely. 1394 00:58:47,110 --> 00:58:48,862 It's such a perfect performance to me. 1395 00:58:48,903 --> 00:58:50,572 I want to challenge you. 1396 00:58:50,613 --> 00:58:52,240 I want you to try different moods. 1397 00:58:52,282 --> 00:58:53,992 Whatever personality you want to tap into... 1398 00:58:54,034 --> 00:58:55,994 Okay. 1399 00:58:56,036 --> 00:58:57,537 ...just challenge yourself and be like, I want to go here. 1400 00:58:57,579 --> 00:58:58,538 I want to pull back. I want to be light. 1401 00:58:58,580 --> 00:58:59,956 I want to be dark. 1402 00:58:59,998 --> 00:59:01,583 I want to be louder, a little quieter. 1403 00:59:01,624 --> 00:59:03,168 If we're trying to do some different stuff, 1404 00:59:03,209 --> 00:59:05,045 I feel like you could take that mic off the stand 1405 00:59:05,086 --> 00:59:06,880 and move it, like, work it around the stage a little bit, 1406 00:59:06,921 --> 00:59:08,465 too, if you weren't tethered to that guitar. 1407 00:59:08,506 --> 00:59:11,051 I'm-a try it without the guitar and see what y'all think. 1408 00:59:11,092 --> 00:59:12,719 Okay. 1409 00:59:12,761 --> 00:59:14,387 There's already a Randy Houser. 1410 00:59:14,429 --> 00:59:16,139 When you start trying to chase what somebody else is doing, 1411 00:59:16,181 --> 00:59:19,684 you've already lost, 'cause you have to be 100%, 1412 00:59:19,726 --> 00:59:23,229 and you have to find out exactly what that is. 1413 00:59:23,271 --> 00:59:25,398 * Oh, baby, don't it feel so right * 1414 00:59:25,440 --> 00:59:28,109 * Come on, now, we're runnin' outta moonlight * 1415 00:59:28,151 --> 00:59:30,236 If Tae makes this performance his own, 1416 00:59:30,278 --> 00:59:32,781 really shows us who Tae is as an artist... 1417 00:59:32,822 --> 00:59:34,783 * We're running out of moonlight * 1418 00:59:34,824 --> 00:59:36,576 I feel like he's a really strong contender 1419 00:59:36,618 --> 00:59:38,078 to move forward to the live shows. 1420 00:59:38,119 --> 00:59:40,705 Whoo! Yeah! I like that. 1421 00:59:40,747 --> 00:59:42,415 I like that, 'cause you know what? 1422 00:59:42,457 --> 00:59:44,834 You went from great performer to great storyteller. 1423 00:59:44,876 --> 00:59:46,002 We grateful to have you on team, Dan + Shay, dude. 1424 00:59:46,044 --> 00:59:48,838 Let's go. Let's get it popping. 1425 00:59:48,880 --> 00:59:51,466 With "Running Out of Moonlight," here's Tae Lewis. 1426 00:59:51,508 --> 00:59:53,051 [ Cheers and applause ] 1427 00:59:53,093 --> 00:59:56,388 ** 1428 00:59:56,429 --> 00:59:59,099 Yeah! 1429 00:59:59,140 --> 01:00:00,433 Here we go. 1430 01:00:00,475 --> 01:00:03,019 * Don't you worry 'bout getting fixed up * 1431 01:00:03,061 --> 01:00:06,022 * When you wake up, you're pretty enough * 1432 01:00:06,064 --> 01:00:08,233 * Look out your window, that’s a cloud of dust * 1433 01:00:08,274 --> 01:00:11,528 * That's my headlights, that's my truck * 1434 01:00:11,569 --> 01:00:14,280 * Come on, baby, don't ya keep me waitin' * 1435 01:00:14,322 --> 01:00:16,783 * I gotta go, I got a reservation * 1436 01:00:16,825 --> 01:00:19,369 * Tailgate for two underneath the stars * 1437 01:00:19,411 --> 01:00:22,872 * Kiss on your lips when you're in my arms * 1438 01:00:22,914 --> 01:00:24,290 Background singers: * Whoa, oh, oh * 1439 01:00:24,332 --> 01:00:26,167 * Come on, girl, every now and then * 1440 01:00:26,209 --> 01:00:28,336 * You get a night like this * 1441 01:00:28,378 --> 01:00:30,088 * Whoa, oh, oh * 1442 01:00:30,130 --> 01:00:33,633 * Come on, this is one that we don't want to miss, no * 1443 01:00:33,675 --> 01:00:36,720 * Come on, baby, let me take you on a night ride * 1444 01:00:36,761 --> 01:00:39,472 * Windows down, sittin' on my side * 1445 01:00:39,514 --> 01:00:41,975 * Tick tock, now we're knockin' on midnight * 1446 01:00:42,017 --> 01:00:45,103 * Me and you, girl, runnin' outta moonlight * 1447 01:00:45,145 --> 01:00:47,439 * I wanna hold you till the break of dawn * 1448 01:00:47,480 --> 01:00:50,483 * And hear the crickets sing a riverside love song * 1449 01:00:50,525 --> 01:00:53,445 * Hey baby all we got is all night * 1450 01:00:53,486 --> 01:00:57,699 * Come on now, we're runnin' outta moonlight * 1451 01:00:57,741 --> 01:01:00,410 * Yeah * 1452 01:01:00,452 --> 01:01:04,289 * Ooh, girl, I bet you thought I lost my mind * 1453 01:01:04,330 --> 01:01:06,458 * Out of the blue pullin' into your drive * 1454 01:01:06,499 --> 01:01:07,917 * Into your drive * 1455 01:01:07,959 --> 01:01:10,170 * Wonderin' why I got ya way out here * 1456 01:01:10,211 --> 01:01:12,881 * Have you ever seen a sky this clear? * 1457 01:01:12,922 --> 01:01:15,050 * Whoa, oh, oh * 1458 01:01:15,091 --> 01:01:18,511 * Girl, you never looked better than you do right now * 1459 01:01:18,553 --> 01:01:20,513 * Whoa, oh, oh * 1460 01:01:20,555 --> 01:01:24,934 * Aw, heaven let your light shine down, yeah * 1461 01:01:24,976 --> 01:01:26,603 [ Cheers and applause ] 1462 01:01:26,644 --> 01:01:29,731 * Come on, baby, let me take you on a night ride * 1463 01:01:29,773 --> 01:01:32,442 * Windows down, sittin' on my side * 1464 01:01:32,484 --> 01:01:35,028 * Tick tock, now we're knockin' on midnight * 1465 01:01:35,070 --> 01:01:37,906 * Me and you, girl, runnin' outta moonlight * 1466 01:01:37,947 --> 01:01:40,533 * Oh * * I wanna hold you till the break of dawn * 1467 01:01:40,575 --> 01:01:43,870 * Night, night * * Hear the crickets sing a riverside love song * 1468 01:01:43,912 --> 01:01:46,414 * Yeah * * Hey, baby, all we got is all night * 1469 01:01:46,456 --> 01:01:49,334 * Come on now, we're runnin' outta moonlight * 1470 01:01:49,376 --> 01:01:52,045 * Oh, baby, don't it feel so right * 1471 01:01:52,087 --> 01:01:54,923 * Come on now, we're runnin' outta moonlight * 1472 01:01:54,964 --> 01:01:56,841 * Oh, baby, wanna hold ya tight * 1473 01:01:56,883 --> 01:02:00,553 * Come on, come on, come on, we're runnin' outta moonlight * 1474 01:02:00,595 --> 01:02:02,514 * Whoa, oh, oh * 1475 01:02:02,555 --> 01:02:05,892 * Hey, yeah, we're runnin outta moonlight, say * 1476 01:02:05,934 --> 01:02:08,478 * Whoa, oh, oh * 1477 01:02:08,520 --> 01:02:13,066 * Oh, oh, oh * 1478 01:02:13,108 --> 01:02:15,694 [ Cheers and applause ] 1479 01:02:15,735 --> 01:02:17,404 Yes, sir! Let's go! 1480 01:02:17,445 --> 01:02:19,906 ** 1481 01:02:19,948 --> 01:02:23,284 Whoa. Yeah. 1482 01:02:23,326 --> 01:02:25,787 You feel the playoff fever pitch, John. 1483 01:02:25,829 --> 01:02:27,831 John: He's just trying to tell Dan + Shay 1484 01:02:27,872 --> 01:02:29,666 y'all know what y'all need to do. 1485 01:02:29,708 --> 01:02:31,960 [ Laughter ] 1486 01:02:32,002 --> 01:02:33,753 Everybody just kind of leans forward 1487 01:02:33,795 --> 01:02:35,714 when you walk in the room 1488 01:02:35,755 --> 01:02:37,382 because they want to know what you're gonna do next. 1489 01:02:37,424 --> 01:02:40,510 Lives, absolutely. That's my vote. 1490 01:02:40,552 --> 01:02:43,013 Noted. Aw, man! 1491 01:02:43,054 --> 01:02:44,639 Chance: This was like your most soulful performance. 1492 01:02:44,681 --> 01:02:46,474 You were doing, like, the nay-nay kind of, like, 1493 01:02:46,516 --> 01:02:48,518 halfway, like, around the stage the whole time. 1494 01:02:48,560 --> 01:02:50,937 That's the dance -- that's the dance I was talking about. 1495 01:02:50,979 --> 01:02:52,897 Come on. I would put him on my live team. 1496 01:02:52,939 --> 01:02:55,150 Shay: How about that? 1497 01:02:55,191 --> 01:02:56,943 You're an amazing tenor vocalist. 1498 01:02:56,985 --> 01:02:58,903 You really showcased your range in this. 1499 01:02:58,945 --> 01:03:00,947 I had this just fire in my belly. 1500 01:03:00,989 --> 01:03:02,449 It might have been the tacos I had for lunch, 1501 01:03:02,490 --> 01:03:03,825 but I'm not sure. 1502 01:03:03,867 --> 01:03:05,702 You are so fantastic, man, 1503 01:03:05,744 --> 01:03:07,787 and I am so proud that you're on Team Dan + Shay. 1504 01:03:07,829 --> 01:03:09,039 Dan: You said, "I won't let you guys down. 1505 01:03:09,080 --> 01:03:10,874 I'll make you proud." 1506 01:03:10,915 --> 01:03:12,459 And you did not let us down today. 1507 01:03:12,500 --> 01:03:14,461 You made us damn proud up here on the stage. 1508 01:03:14,502 --> 01:03:16,546 Let's go! Come on, another round for Tae Lewis. 1509 01:03:16,588 --> 01:03:19,799 Come on! Come down. 1510 01:03:19,841 --> 01:03:22,594 Reba: Tae has a very special place in my heart. 1511 01:03:22,635 --> 01:03:24,596 Way to go. 1512 01:03:24,637 --> 01:03:28,016 I just absolutely love his energy, his attitude, his try. 1513 01:03:28,058 --> 01:03:32,187 He's got more try than about anybody I know. 1514 01:03:32,228 --> 01:03:34,147 Tae proved that he deserved our steal in the knockouts. 1515 01:03:34,189 --> 01:03:36,649 He immediately became one of the best on Team Dan + Shay. 1516 01:03:36,691 --> 01:03:38,860 Sometimes, you got to convince people on stage. 1517 01:03:38,902 --> 01:03:40,320 That's what he did. I like him. 1518 01:03:40,362 --> 01:03:42,447 I think you got to put him through, bro. 1519 01:03:42,489 --> 01:03:45,492 ** 1520 01:03:48,703 --> 01:03:49,913 * This is "The Voice" * 1521 01:03:49,954 --> 01:03:53,041 Daly: Welcome back to the playoffs. 1522 01:03:53,083 --> 01:03:54,626 What do you think the chances are both you 1523 01:03:54,668 --> 01:03:56,086 and I getting in that robe? 1524 01:03:56,127 --> 01:03:58,088 Hey, we can fit. We can fit. 1525 01:03:58,129 --> 01:03:59,547 [ Laughter ] 1526 01:03:59,589 --> 01:04:03,885 We have the great global superstar Maluma here 1527 01:04:03,927 --> 01:04:06,221 to be our advisor for Team Legend. 1528 01:04:06,262 --> 01:04:09,182 I'm Team Legend right now. You already know, right? 1529 01:04:09,224 --> 01:04:11,142 Yeah. For life. 1530 01:04:11,184 --> 01:04:13,812 So we're gonna do some "Iris" by Goo Goo Dolls. 1531 01:04:13,853 --> 01:04:15,313 It's not exactly country. 1532 01:04:15,355 --> 01:04:16,981 Are you gonna country-fy it a little bit? 1533 01:04:17,023 --> 01:04:18,983 I do want to turn it into a ballad. 1534 01:04:19,025 --> 01:04:20,443 Yeah. I'm a piano player. 1535 01:04:20,485 --> 01:04:22,987 I love the stripped-down, dreamy vibe. 1536 01:04:23,029 --> 01:04:24,864 Yeah. I think that's your zone. 1537 01:04:24,906 --> 01:04:26,408 Sounds like stuff that I write. 1538 01:04:26,449 --> 01:04:28,326 Do you write a lot? I do. 1539 01:04:28,368 --> 01:04:30,245 I think my main thing I want to do is be a songwriter. 1540 01:04:30,286 --> 01:04:31,871 You ever released your own songs? 1541 01:04:31,913 --> 01:04:34,082 I have, like, videos on social media. 1542 01:04:34,124 --> 01:04:36,126 That's the way I started, man. Yeah. 1543 01:04:36,167 --> 01:04:40,255 * I'd give up forever to touch you * 1544 01:04:40,296 --> 01:04:41,965 * 'Cause I know that you feel me somehow * 1545 01:04:42,007 --> 01:04:45,969 Zoe -- She's so young, and she reminds me when I started. 1546 01:04:46,011 --> 01:04:50,140 * And all I can taste is this moment * 1547 01:04:50,181 --> 01:04:52,308 Yeah. I like that. 1548 01:04:52,350 --> 01:04:54,269 Her voice reminds me, like, a cloud, 1549 01:04:54,310 --> 01:04:56,146 like, the sky is so sweet, so beautiful. 1550 01:04:56,187 --> 01:04:57,689 She's great. 1551 01:04:57,731 --> 01:05:01,151 * And I don't want the world to see me * 1552 01:05:01,192 --> 01:05:03,611 Zoe: Before being on the show, 1553 01:05:03,653 --> 01:05:07,657 I was just a girl in Louisiana, writing songs in her room. 1554 01:05:07,699 --> 01:05:10,285 I've been a part of this band with my fiance, 1555 01:05:10,326 --> 01:05:12,954 his brother, and all of our musician friends. 1556 01:05:12,996 --> 01:05:16,541 Performing with people you love is such a rare experience. 1557 01:05:16,583 --> 01:05:20,253 * I just want you to know who I am * 1558 01:05:20,295 --> 01:05:22,797 Now I'm working with John Legend and artists 1559 01:05:22,839 --> 01:05:25,967 like Maluma, performing for all of America? 1560 01:05:26,009 --> 01:05:28,303 All of my dreams are coming true. 1561 01:05:28,345 --> 01:05:30,847 It's just super cool to have this platform. 1562 01:05:30,889 --> 01:05:34,142 Take advantage of your lower voice. 1563 01:05:34,184 --> 01:05:35,810 You know what I mean? 1564 01:05:35,852 --> 01:05:37,395 Because it's so beautiful, because we're always paying 1565 01:05:37,437 --> 01:05:39,189 attention to the higher notes, right? 1566 01:05:39,230 --> 01:05:41,358 But once you hit the lower notes, for me, 1567 01:05:41,399 --> 01:05:44,152 that's one of my favorite parts of this whole performance, 1568 01:05:44,194 --> 01:05:45,362 too, so pay attention to it. 1569 01:05:45,403 --> 01:05:46,696 Yeah. 1570 01:05:46,738 --> 01:05:48,656 John: I like how conversational you make it. 1571 01:05:48,698 --> 01:05:49,949 We were both looking at each other when we were doing that. 1572 01:05:49,991 --> 01:05:51,826 We're like, yeah. That's it. 1573 01:05:51,868 --> 01:05:54,829 It gives you room to grow into, like, the big belt-y stuff. 1574 01:05:54,871 --> 01:05:58,333 You're so close. I feel like it's at 90% now. 1575 01:05:58,375 --> 01:06:01,628 Just make sure you are breathing to support all those big notes 1576 01:06:01,670 --> 01:06:04,798 because occasionally, you're like, pushing a little bit. 1577 01:06:04,839 --> 01:06:07,884 Breathing to support all of that will make it 100%. 1578 01:06:07,926 --> 01:06:10,178 Maluma, you started so young. 1579 01:06:10,220 --> 01:06:12,681 I just wanted to ask what was it like for you, 1580 01:06:12,722 --> 01:06:15,308 and if you have any advice for, like, young artists. 1581 01:06:15,350 --> 01:06:17,435 Talent without discipline is nothing. 1582 01:06:17,477 --> 01:06:19,354 So, for me, discipline is first. 1583 01:06:19,396 --> 01:06:21,773 Keep writing your own songs 1584 01:06:21,815 --> 01:06:24,693 because that's something that not every artist could do it. 1585 01:06:24,734 --> 01:06:26,903 You're gonna make it. You're full of talent. 1586 01:06:26,945 --> 01:06:28,196 Congratulations. 1587 01:06:28,238 --> 01:06:29,823 Thank you so much for sharing. 1588 01:06:29,864 --> 01:06:31,199 I'm so excited for you, Zoe. 1589 01:06:31,241 --> 01:06:33,451 Zoe, I just feel like she's growing 1590 01:06:33,493 --> 01:06:35,078 and getting more confident with each round, 1591 01:06:35,120 --> 01:06:36,454 and I'm excited to see what she'll do next. 1592 01:06:36,496 --> 01:06:38,665 It was so nice to meet you. Bye, Zoe. 1593 01:06:38,707 --> 01:06:42,127 Will Zoe step up once again and sing her way into the lives? 1594 01:06:42,168 --> 01:06:43,962 [ Cheers and applause ] 1595 01:06:44,004 --> 01:06:46,423 ** 1596 01:06:46,464 --> 01:06:48,800 Now, it's a '90s rock hit 1597 01:06:48,842 --> 01:06:52,595 by Team Legend's Louisiana pop singer Zoe Levert. 1598 01:06:52,637 --> 01:06:59,686 ** 1599 01:06:59,728 --> 01:07:04,441 * I'd give up forever to touch you * 1600 01:07:04,482 --> 01:07:09,154 * 'Cause I know that you feel me somehow * 1601 01:07:09,195 --> 01:07:13,825 * You're the closest to heaven that I'll ever be * 1602 01:07:13,867 --> 01:07:19,122 * And I don't wanna go home right now * 1603 01:07:19,164 --> 01:07:23,293 * And all I can taste is this moment * 1604 01:07:23,335 --> 01:07:28,298 * And all I can breathe is your life * 1605 01:07:28,340 --> 01:07:32,635 * And sooner or later, it's over * 1606 01:07:32,677 --> 01:07:37,390 * I just don't wanna miss you tonight * 1607 01:07:37,432 --> 01:07:41,936 * And I don't want the world to see me * 1608 01:07:41,978 --> 01:07:47,275 * 'Cause I don't think that they'd understand * 1609 01:07:47,317 --> 01:07:51,529 * When everything's made to be broken * 1610 01:07:51,571 --> 01:07:59,287 * I just want you to know who I am * 1611 01:07:59,329 --> 01:08:02,791 Yeah! I do like Zoe, man. 1612 01:08:02,832 --> 01:08:07,462 * And you can't fight the tears that ain't coming * 1613 01:08:07,504 --> 01:08:12,300 * Or the moment of truth in your lies * 1614 01:08:12,342 --> 01:08:16,680 * When everything feels like the movies * 1615 01:08:16,721 --> 01:08:21,643 * Yeah, you bleed just to know you're alive * 1616 01:08:21,685 --> 01:08:26,356 * And I don't want the world to see me * 1617 01:08:26,398 --> 01:08:31,361 * 'Cause I don't think that they'd understand * 1618 01:08:31,403 --> 01:08:35,657 * When everything's made to be broken * 1619 01:08:35,699 --> 01:08:44,207 * I just want you to know who I am * 1620 01:08:45,000 --> 01:08:51,548 * Oh, and I don't want the world to see me * 1621 01:08:51,589 --> 01:08:56,678 * 'Cause I don't think that they'd understand * 1622 01:08:56,720 --> 01:09:00,807 * When everything's made to be broken * 1623 01:09:00,849 --> 01:09:10,400 * I just want you to know who I am * 1624 01:09:10,442 --> 01:09:16,990 * I just want you to know who I am * 1625 01:09:17,032 --> 01:09:20,618 [ Cheers and applause ] 1626 01:09:20,660 --> 01:09:23,413 Daly: Zoe Levert! Put the coaches on their feet, 1627 01:09:23,455 --> 01:09:25,206 always a good sign. 1628 01:09:25,248 --> 01:09:27,042 That was so good! 1629 01:09:27,083 --> 01:09:29,502 That was crazy. Oh, my God. 1630 01:09:29,544 --> 01:09:31,212 Wow. Daly: Chance, let's start with you. 1631 01:09:31,254 --> 01:09:33,089 That was my favorite performance, man. 1632 01:09:33,131 --> 01:09:34,215 Oh, my God. 1633 01:09:34,257 --> 01:09:35,550 Thank you. 1634 01:09:35,592 --> 01:09:37,218 I'm not super familiar with this song, 1635 01:09:37,260 --> 01:09:38,636 but I feel like you should cover it, 1636 01:09:38,678 --> 01:09:40,221 and you should probably put it out. 1637 01:09:40,263 --> 01:09:41,681 It was that good. I like it a lot. 1638 01:09:41,723 --> 01:09:43,683 When it comes to the lives, 1639 01:09:43,725 --> 01:09:46,353 like, I've said for every single person that's gone on. 1640 01:09:46,394 --> 01:09:47,729 [ Laughter ] 1641 01:09:47,771 --> 01:09:49,856 No, you don't know what I'm gonna say. 1642 01:09:49,898 --> 01:09:52,776 You should send her to the lives. 1643 01:09:52,817 --> 01:09:56,071 [ Laughter ] 1644 01:09:56,112 --> 01:10:00,575 When she performs, it's such a, like, captivating thing. 1645 01:10:00,617 --> 01:10:02,702 You want somebody that can spearhead your team, 1646 01:10:02,744 --> 01:10:04,704 and I feel like that might be Zoe. 1647 01:10:04,746 --> 01:10:07,082 Thank you so much. Daly: Dan + Shay? 1648 01:10:07,123 --> 01:10:08,750 Zoe, that was unbelievable. 1649 01:10:08,792 --> 01:10:10,752 I've loved honestly, every performance that you've done. 1650 01:10:10,794 --> 01:10:13,171 You were feeling every bit of this moment. 1651 01:10:13,213 --> 01:10:15,173 And that matters so much in the playoffs. 1652 01:10:15,215 --> 01:10:16,716 The stakes are so high. 1653 01:10:16,758 --> 01:10:18,259 There's so much talent, and everybody watching 1654 01:10:18,301 --> 01:10:20,512 at home knows who you are. 1655 01:10:20,553 --> 01:10:22,430 Bravo. Amazing. 1656 01:10:22,472 --> 01:10:23,723 Thank you. Daly: Reba? 1657 01:10:23,765 --> 01:10:25,975 Boy, you brought it, and I was like, 1658 01:10:26,017 --> 01:10:29,104 "Oh, my gosh, this gal is somebody to reckon with." 1659 01:10:29,145 --> 01:10:32,232 Your voice, your stage presence, your look. 1660 01:10:32,273 --> 01:10:34,693 I could listen to you all night long. 1661 01:10:34,734 --> 01:10:38,905 You've just got that kind of voice I never get tired of. 1662 01:10:38,947 --> 01:10:40,448 Absolutely beautiful. 1663 01:10:40,490 --> 01:10:41,908 John, your artists tonight have been incredible. 1664 01:10:41,950 --> 01:10:44,327 This is your last artist. Hey, hey, hey. 1665 01:10:44,369 --> 01:10:45,745 I'm sorry. Hey, hey, hey. 1666 01:10:45,787 --> 01:10:47,956 John, you ought to take her to the lives. 1667 01:10:47,997 --> 01:10:50,041 [ Laughter ] 1668 01:10:50,083 --> 01:10:51,793 Queen Reba, thank you. 1669 01:10:51,835 --> 01:10:55,380 Like the little pronunciations and tonal things you were doing, 1670 01:10:55,422 --> 01:10:58,383 they just made it sound like this is prime time. 1671 01:10:58,425 --> 01:11:00,427 I want to hear a record with this voice on it. 1672 01:11:00,468 --> 01:11:03,263 You look like. "I am ready for this moment, 1673 01:11:03,304 --> 01:11:06,641 and I want you to know who I am." 1674 01:11:06,683 --> 01:11:08,143 Congratulations, Zoe. 1675 01:11:08,184 --> 01:11:11,229 Another big hand for Zoe Levert! 1676 01:11:11,271 --> 01:11:14,190 John: I just feel like Zoe is becoming a star before our eyes. 1677 01:11:14,232 --> 01:11:15,650 I'm so impressed. Wow! 1678 01:11:15,692 --> 01:11:18,111 [ Judges cheering ] 1679 01:11:18,153 --> 01:11:19,863 She crushed it. 1680 01:11:19,904 --> 01:11:21,698 But we can only take three into the lives. 1681 01:11:21,740 --> 01:11:22,824 It's gonna be some tough decisions, 1682 01:11:22,866 --> 01:11:24,617 and then it's on America. 1683 01:11:24,659 --> 01:11:26,995 Sounds like superstar country. 1684 01:11:27,037 --> 01:11:28,413 Yeah, yeah. Better and better every time. 1685 01:11:28,455 --> 01:11:32,000 ** 1686 01:11:35,211 --> 01:11:36,546 * This is "The Voice" * 1687 01:11:36,588 --> 01:11:39,341 Daly: Welcome back to the playoffs. 1688 01:11:39,382 --> 01:11:41,384 I feel like you gave our team, like, 1689 01:11:41,426 --> 01:11:44,304 life lessons that they can take with them on this competition, 1690 01:11:44,346 --> 01:11:45,680 but, like, beyond this competition. 1691 01:11:45,722 --> 01:11:47,223 Just really, really good advice. 1692 01:11:47,265 --> 01:11:49,142 Well, I think the beautiful thing about this show 1693 01:11:49,184 --> 01:11:51,978 is artists helping artists we see ourselves in them. 1694 01:11:52,020 --> 01:11:54,189 Totally. So it's like, that's where it comes from. 1695 01:11:54,230 --> 01:11:55,690 I'm like, what would I want someone to tell me? 1696 01:11:55,732 --> 01:11:57,108 Yeah. 1697 01:11:57,150 --> 01:11:58,485 Dan: So we've got Madison coming up next. 1698 01:11:58,526 --> 01:12:00,111 She has been one of our favorites 1699 01:12:00,153 --> 01:12:01,821 since the very beginning -- a person who just, like, 1700 01:12:01,863 --> 01:12:03,531 radiates light and positivity. 1701 01:12:03,573 --> 01:12:07,702 [ Singing in Spanish ] 1702 01:12:07,744 --> 01:12:09,079 I can see Madison being successful 1703 01:12:09,120 --> 01:12:10,872 in the music industry. 1704 01:12:10,914 --> 01:12:13,208 Her voice is consistent. It's dynamic. 1705 01:12:13,249 --> 01:12:16,002 It's engaging. It's endearing. 1706 01:12:16,044 --> 01:12:17,170 Daly: We got a steal! 1707 01:12:17,212 --> 01:12:21,049 Oh, we've got something better! 1708 01:12:21,091 --> 01:12:22,884 She deserves our Playoff Pass in a big way, 1709 01:12:22,926 --> 01:12:24,886 and I think she's gonna make us proud. 1710 01:12:24,928 --> 01:12:27,305 I feel like you guys somehow picked, like, the perfect song, 1711 01:12:27,347 --> 01:12:29,140 'cause this song reminds me of my dad so much. 1712 01:12:29,182 --> 01:12:33,228 * Till the landslide brought me down * 1713 01:12:33,269 --> 01:12:36,439 Madison: I'm singing "Landslide" by Fleetwood Mac. 1714 01:12:36,481 --> 01:12:38,817 I think about my dad when I sing it. 1715 01:12:38,858 --> 01:12:42,612 I'm just so proud of him, like he's proud of me. 1716 01:12:42,654 --> 01:12:44,739 My dad's just sacrificed a lot. 1717 01:12:44,781 --> 01:12:47,283 He drives trucks every day just to provide 1718 01:12:47,325 --> 01:12:49,202 the most beautiful life for us, 1719 01:12:49,244 --> 01:12:51,955 and he always just reminds us that we're of love. 1720 01:12:51,996 --> 01:12:57,127 * And I'm getting older, too * 1721 01:12:57,168 --> 01:12:59,087 As we get older, so do our parents. 1722 01:12:59,129 --> 01:13:02,424 And he is getting older, and I just hope I can one day 1723 01:13:02,465 --> 01:13:04,092 be able to provide for him the way 1724 01:13:04,134 --> 01:13:06,845 that he provided for me. 1725 01:13:06,886 --> 01:13:10,015 Standing ovation. That's so -- 1726 01:13:10,056 --> 01:13:11,141 I'm, like, shaking. 1727 01:13:11,182 --> 01:13:13,601 I have chills, dude. That was so good. 1728 01:13:13,643 --> 01:13:15,770 Thank you, guys. Thank you. 1729 01:13:15,812 --> 01:13:17,105 I could tell you were thinking about your dad. 1730 01:13:17,147 --> 01:13:19,441 I was -- oh, man. That was incredible. 1731 01:13:19,482 --> 01:13:23,111 That literally stopped me in my tracks and just blew me away. 1732 01:13:23,153 --> 01:13:25,488 I hope he loves it as much as I love singing it. 1733 01:13:25,530 --> 01:13:26,656 I think that's my favorite thing I've ever heard. 1734 01:13:26,698 --> 01:13:28,116 I'm about to tear up right now. 1735 01:13:28,158 --> 01:13:29,909 If I know that Dan + Shay saw my heart, 1736 01:13:29,951 --> 01:13:32,454 I can't imagine what America would think about it, 1737 01:13:32,495 --> 01:13:34,289 so I'm excited. 1738 01:13:34,330 --> 01:13:36,791 If I were just to give you this one little note -- 1739 01:13:36,833 --> 01:13:39,419 I began to know you more towards the end of the song. 1740 01:13:39,461 --> 01:13:41,004 Mm-hm. 1741 01:13:41,046 --> 01:13:42,505 And I would just want to see more 1742 01:13:42,547 --> 01:13:43,506 of that Puerto Rican personality. 1743 01:13:43,548 --> 01:13:45,800 Right. 1744 01:13:45,842 --> 01:13:47,135 'Cause the voice is also symbolic of just 1745 01:13:47,177 --> 01:13:49,471 where you come from, your heritage. 1746 01:13:49,512 --> 01:13:53,183 Madison is very special. She felt like a little sister. 1747 01:13:53,224 --> 01:13:55,143 I think the fact that she's that young 1748 01:13:55,185 --> 01:13:57,270 and by having the presence that she has already, 1749 01:13:57,312 --> 01:13:59,356 that she's destined for great things. 1750 01:13:59,397 --> 01:14:01,399 Dan: There's a reason that you are our Playoff Pass, 1751 01:14:01,441 --> 01:14:03,568 and I want you to go into this performance knowing that, 1752 01:14:03,610 --> 01:14:05,153 keeping that in the back of your mind, 1753 01:14:05,195 --> 01:14:08,281 being confident and just being yourself. 1754 01:14:08,323 --> 01:14:11,493 With "Landslide," here's Madison Curbelo. 1755 01:14:11,534 --> 01:14:18,500 ** 1756 01:14:18,541 --> 01:14:24,214 * I took my love, I took it down * 1757 01:14:24,255 --> 01:14:29,594 * I climbed a mountain and I turned around * 1758 01:14:29,636 --> 01:14:36,017 * And I saw my reflection in the snow-covered hills * 1759 01:14:36,059 --> 01:14:42,315 * Till the landslide brought me down * 1760 01:14:42,357 --> 01:14:45,360 * Oh, mirror in the sky * 1761 01:14:45,402 --> 01:14:48,279 * What is love? * 1762 01:14:48,321 --> 01:14:54,911 * Can the child within my heart rise above? * 1763 01:14:54,953 --> 01:15:01,292 * Can I sail through the changin' ocean tides? * 1764 01:15:01,334 --> 01:15:10,677 * Can I handle the seasons of my life? * 1765 01:15:10,719 --> 01:15:13,722 [ Cheers and applause ] 1766 01:15:13,763 --> 01:15:19,019 * Well, I've been afraid of changin' * 1767 01:15:19,060 --> 01:15:26,568 * 'Cause I've built my life around you * 1768 01:15:26,609 --> 01:15:29,738 * But time makes you bolder * 1769 01:15:29,779 --> 01:15:33,074 * Even children get older * 1770 01:15:33,116 --> 01:15:39,122 * And I'm getting older too * 1771 01:15:39,164 --> 01:15:46,880 * Oh, I'm getting older, too * 1772 01:15:46,921 --> 01:15:52,010 * Take my love, take it down * 1773 01:15:52,052 --> 01:15:58,058 * Oh-oh, if I climbed a mountain and I turned around * 1774 01:15:58,099 --> 01:16:04,439 * And I saw my reflection in the snow-covered hills * 1775 01:16:04,481 --> 01:16:10,278 * Till the landslide brought me down * 1776 01:16:10,320 --> 01:16:19,496 * And if you see my reflection in the snow-covered hills * 1777 01:16:19,537 --> 01:16:21,206 [ Cheers and applause ] 1778 01:16:21,247 --> 01:16:25,877 * Well, the landslide will bring it down * 1779 01:16:25,919 --> 01:16:32,634 * Oh-ohh, the landslide will bring it down * 1780 01:16:32,676 --> 01:16:35,387 [ Cheers and applause ] 1781 01:16:35,428 --> 01:16:38,014 ** 1782 01:16:38,056 --> 01:16:42,811 Daly: Madison Curbelo wraps it up for Team Dan + Shay 1783 01:16:42,852 --> 01:16:44,646 in the playoffs. 1784 01:16:44,688 --> 01:16:47,816 I got chills. You gave me goose bumps. 1785 01:16:47,857 --> 01:16:49,651 I love your voice. 1786 01:16:49,693 --> 01:16:51,820 Thank you so much. 1787 01:16:51,861 --> 01:16:53,613 I wanted to cry a little bit. 1788 01:16:53,655 --> 01:16:55,240 Yeah. Just a little bit. 1789 01:16:55,281 --> 01:16:57,033 No, I'm actually going to ask the producers 1790 01:16:57,075 --> 01:16:58,660 if I could get a copy of that performance 1791 01:16:58,702 --> 01:17:00,203 'cause I want to listen to it again. 1792 01:17:00,245 --> 01:17:03,665 It was really, really special. Thank you so much. 1793 01:17:03,707 --> 01:17:04,874 And Carson, if it was up to me. 1794 01:17:04,916 --> 01:17:06,251 Yeah, Chance? 1795 01:17:06,292 --> 01:17:07,669 I would be sending her to the lives. 1796 01:17:07,711 --> 01:17:09,170 John: Hey, alright now. 1797 01:17:09,212 --> 01:17:10,839 -High praise from Chance. -High praise, yeah. 1798 01:17:10,880 --> 01:17:13,591 That's rare -- he never says that, so that's -- 1799 01:17:13,633 --> 01:17:16,678 Well, Madison, what you did up there was so beautiful 1800 01:17:16,720 --> 01:17:20,390 because it felt so easy coming from you. 1801 01:17:20,432 --> 01:17:22,392 You're amazing. You should go to the lives. 1802 01:17:22,434 --> 01:17:23,685 It's obvious. 1803 01:17:23,727 --> 01:17:25,979 Wow. Thank you so much. 1804 01:17:26,021 --> 01:17:27,605 Dan + Shay, what are you going to do? 1805 01:17:27,647 --> 01:17:29,357 Dan: Unreal. 1806 01:17:29,399 --> 01:17:31,401 I'm so glad we gave you the Playoff Pass 1807 01:17:31,443 --> 01:17:34,154 because you truly showed up and show that you deserved it. 1808 01:17:34,195 --> 01:17:35,864 There's just something about your voice 1809 01:17:35,905 --> 01:17:38,366 that carries more than just notes. 1810 01:17:38,408 --> 01:17:42,162 It doesn't just go to my ears. It goes straight to my soul. 1811 01:17:42,203 --> 01:17:44,664 That was the first time today that I got chills. 1812 01:17:44,706 --> 01:17:46,875 I never get the chills. 1813 01:17:46,916 --> 01:17:50,503 Maybe when I'm listening to John Legend sing sometimes. 1814 01:17:50,545 --> 01:17:52,213 Me? Moi? And yeah, I know. 1815 01:17:52,255 --> 01:17:53,590 It's rare that I say something nice about him. 1816 01:17:53,631 --> 01:17:55,508 Oh, man. 1817 01:17:55,550 --> 01:17:57,635 And when I do get the chills, I also wear my bathrobe. 1818 01:17:57,677 --> 01:17:59,888 Yeah. 1819 01:17:59,929 --> 01:18:02,057 Completely appropriate. Convenient. 1820 01:18:02,098 --> 01:18:05,393 Maybe you're sick. I can talk about you all night. 1821 01:18:05,435 --> 01:18:07,896 I'm so proud that you're part of our team, 1822 01:18:07,937 --> 01:18:08,980 and that's all I have to say. 1823 01:18:09,022 --> 01:18:10,357 Thank you. Awesome. 1824 01:18:10,398 --> 01:18:12,400 Thank you so much. 1825 01:18:12,442 --> 01:18:14,736 An impossible decision is coming up from these teams over here. 1826 01:18:14,778 --> 01:18:17,072 Another big hand for Madison Curbelo! 1827 01:18:17,113 --> 01:18:18,615 Ladies and gentlemen. 1828 01:18:18,656 --> 01:18:20,825 Dan: I was absolutely blown away by Madison's 1829 01:18:20,867 --> 01:18:22,202 performance of "Landslide." 1830 01:18:22,243 --> 01:18:24,079 So good, Madison. Amazing, Madison. 1831 01:18:24,120 --> 01:18:25,789 Shay: Moving forward to these live shows, 1832 01:18:25,830 --> 01:18:27,457 we have to think about who has been consistent 1833 01:18:27,499 --> 01:18:30,835 throughout the performances and that we know can deliver. 1834 01:18:30,877 --> 01:18:32,212 Someone help us. Help! 1835 01:18:34,089 --> 01:18:35,256 They have to make this decision hard. Help us make this decision please. 1836 01:18:35,298 --> 01:18:38,093 ** 1837 01:18:41,638 --> 01:18:42,931 * This is "The Voice" * 1838 01:18:42,972 --> 01:18:44,933 Daly: Welcome back. 1839 01:18:44,974 --> 01:18:47,936 Alright, everybody. We've just seen 5 incredible performances 1840 01:18:47,977 --> 01:18:51,898 from Team Dan + Shay. 1841 01:18:51,940 --> 01:18:54,109 [ Cheers and applause ] 1842 01:18:54,150 --> 01:18:57,070 Unfortunately, only three can represent Dan + Shay 1843 01:18:57,112 --> 01:18:58,863 in the live shows, in the top 12. 1844 01:18:58,905 --> 01:18:59,906 How are you feeling in this moment? 1845 01:18:59,948 --> 01:19:01,241 I'm sure it's tough. 1846 01:19:01,282 --> 01:19:02,492 Dan: My heart is beating out of my chest. 1847 01:19:02,534 --> 01:19:04,119 I'm getting emotional now. 1848 01:19:04,160 --> 01:19:05,537 Y'all have made us so happy and so proud. 1849 01:19:05,578 --> 01:19:07,122 Thank you, guys, 1850 01:19:07,163 --> 01:19:10,417 for trusting us to be your coaches. 1851 01:19:10,458 --> 01:19:12,961 Nice work. Now, the hard work. 1852 01:19:13,003 --> 01:19:20,719 Dan + Shay, who is the first artist moving on? 1853 01:19:20,760 --> 01:19:25,765 The very, very first artist that is moving on to the lives 1854 01:19:25,807 --> 01:19:27,100 is Madison. 1855 01:19:27,142 --> 01:19:29,477 Madison, congratulations! 1856 01:19:29,519 --> 01:19:31,521 You are in the top 12. 1857 01:19:31,563 --> 01:19:33,815 How in the world would you not let Madison through 1858 01:19:33,857 --> 01:19:34,983 to the live shows? 1859 01:19:35,025 --> 01:19:36,526 Congratulations. 1860 01:19:36,568 --> 01:19:38,111 Shay: There's just something about her voice. 1861 01:19:38,153 --> 01:19:39,738 You feel it in your soul and your heart. 1862 01:19:39,779 --> 01:19:41,865 And that's an important thing moving into these live shows. 1863 01:19:41,906 --> 01:19:43,575 Thank you. Dan: We'll see you soon. 1864 01:19:43,616 --> 01:19:45,243 So well deserved. 1865 01:19:45,285 --> 01:19:48,246 Alright, Dan + Shay, who is the next artist moving on? 1866 01:19:48,288 --> 01:19:49,664 ** 1867 01:19:49,706 --> 01:19:52,000 This is so tough. I know. 1868 01:19:52,042 --> 01:19:58,965 The second artist advancing to the lives 1869 01:19:59,007 --> 01:19:59,966 is Karen. 1870 01:20:00,008 --> 01:20:01,426 [ Cheers and applause ] 1871 01:20:01,468 --> 01:20:05,096 Karen also moving on to the live shows. 1872 01:20:05,138 --> 01:20:06,348 Dan: We moved Karen forward 1873 01:20:06,389 --> 01:20:07,599 'cause she delivered an absolutely 1874 01:20:07,640 --> 01:20:09,267 incredible performance. 1875 01:20:09,309 --> 01:20:11,227 She is so consistent. She is someone we can depend on. 1876 01:20:11,269 --> 01:20:15,231 That's what you need, moving forward to the live shows. 1877 01:20:15,273 --> 01:20:18,360 Dan + Shay, who is your last artist moving on? 1878 01:20:18,401 --> 01:20:20,945 I was okay till now. 1879 01:20:20,987 --> 01:20:24,366 This is a very, very difficult decision right now. 1880 01:20:24,407 --> 01:20:27,369 The third artist moving on to the lives... 1881 01:20:27,410 --> 01:20:32,123 ** 1882 01:20:32,165 --> 01:20:33,041 Tae. 1883 01:20:33,083 --> 01:20:37,420 Tae Lewis. Congratulations. 1884 01:20:37,462 --> 01:20:39,130 You're in the top 12 of Team Dan + Shay. Yeah, Tae! 1885 01:20:39,172 --> 01:20:40,965 I know when those live shows come around, 1886 01:20:41,007 --> 01:20:43,968 the lights come on, the cameras are on Tae, he's gonna deliver. 1887 01:20:44,010 --> 01:20:45,220 He is so exciting. 1888 01:20:45,261 --> 01:20:47,097 He is so energetic, 1889 01:20:47,138 --> 01:20:48,306 and he wants this almost more than anybody 1890 01:20:48,348 --> 01:20:50,308 on this entire competition. 1891 01:20:50,350 --> 01:20:53,061 And another big hand for team Dan + Shay. 1892 01:20:53,103 --> 01:20:54,896 I love you so much. I love y'all so much. 1893 01:20:54,938 --> 01:20:56,398 Dan: I feel like we've built connections and relationships 1894 01:20:56,439 --> 01:20:58,149 with everybody on Team Dan + Shay, 1895 01:20:58,191 --> 01:21:00,902 and to have to see a few of those artists go home 1896 01:21:00,944 --> 01:21:04,656 is heartbreaking, and it just really makes our decision tough. 1897 01:21:04,698 --> 01:21:06,908 I have no doubt that there's the winner of "The Voice" 1898 01:21:06,950 --> 01:21:07,951 is on Team Dan + Shay. Let's go. 1899 01:21:07,992 --> 01:21:09,327 I'll tell you that right now. 1900 01:21:09,369 --> 01:21:10,912 Here they are, Team Legend. 1901 01:21:10,954 --> 01:21:12,539 Come on out. 1902 01:21:12,580 --> 01:21:14,416 [ Cheers and applause ] 1903 01:21:14,457 --> 01:21:17,460 ** 1904 01:21:17,502 --> 01:21:20,296 This is going to be a tough decision for our friend John. 1905 01:21:20,338 --> 01:21:22,716 Guys, great work tonight. 1906 01:21:22,757 --> 01:21:25,218 John, what would you like to say to Team Legend? 1907 01:21:25,260 --> 01:21:29,014 You all took the feedback that we gave you in rehearsals. 1908 01:21:29,055 --> 01:21:32,684 You took all of your passion and ingenuity, 1909 01:21:32,726 --> 01:21:36,938 and you poured it into beautiful performances tonight, 1910 01:21:36,980 --> 01:21:38,940 and I'm very proud of you. 1911 01:21:38,982 --> 01:21:40,233 Thank you. 1912 01:21:40,275 --> 01:21:41,818 [ Cheers and applause ] 1913 01:21:41,860 --> 01:21:44,112 Daly: Well said, Coach. We have decisions to make. 1914 01:21:44,154 --> 01:21:45,280 We do have decisions to make. 1915 01:21:45,321 --> 01:21:47,240 Only three of your artists 1916 01:21:47,282 --> 01:21:49,451 can move on to represent you in the lives. 1917 01:21:49,492 --> 01:21:54,497 Who is the first artist moving on? 1918 01:21:54,539 --> 01:21:57,417 The first artist moving on to the lives... 1919 01:21:57,459 --> 01:22:03,465 ** 1920 01:22:03,506 --> 01:22:04,883 ...is Nathan. 1921 01:22:04,924 --> 01:22:08,970 Daly: Nathan! Congratulations! You're in the final 12. 1922 01:22:09,012 --> 01:22:12,932 John: I chose Nathan because he's been so consistently fantastic. 1923 01:22:12,974 --> 01:22:14,642 Way to go, Nathan. 1924 01:22:14,684 --> 01:22:16,644 I love that he gives us the full performance 1925 01:22:16,686 --> 01:22:19,230 from choreography to vocals to everything. 1926 01:22:19,272 --> 01:22:21,816 He's the full package. 1927 01:22:21,858 --> 01:22:25,153 I'm going to lives. I'll see you in the lives. 1928 01:22:25,195 --> 01:22:28,573 John, who is the next artist moving on? 1929 01:22:28,615 --> 01:22:30,658 The next artist moving on to the lives... 1930 01:22:30,700 --> 01:22:34,954 ** 1931 01:22:34,996 --> 01:22:36,539 ...is Zoe. 1932 01:22:36,581 --> 01:22:37,791 Daly: Zoe! 1933 01:22:37,832 --> 01:22:40,085 I chose Zoe because she's just gotten better 1934 01:22:40,126 --> 01:22:41,920 and better with time, 1935 01:22:41,961 --> 01:22:44,506 and this performance was my favorite in this round. 1936 01:22:44,547 --> 01:22:45,840 You earned it. 1937 01:22:45,882 --> 01:22:47,467 I was waiting to be moved in the moment, 1938 01:22:47,509 --> 01:22:50,178 and Zoe did exactly what she needed to do. 1939 01:22:50,220 --> 01:22:53,139 Congratulations. 1940 01:22:53,181 --> 01:22:54,474 Alright, it is the moment of truth, 1941 01:22:54,516 --> 01:22:56,059 three incredible artists are left. 1942 01:22:56,101 --> 01:22:58,353 You can only take one more. 1943 01:22:58,395 --> 01:23:01,064 John Legend, who is your last artist moving on? 1944 01:23:01,106 --> 01:23:03,024 Nobody deserves to go home. 1945 01:23:03,066 --> 01:23:05,902 You're all amazing, and this is only part of your journey. 1946 01:23:05,944 --> 01:23:09,531 The final artist going to the lives for Team Legend... 1947 01:23:09,572 --> 01:23:17,706 ** 1948 01:23:17,747 --> 01:23:19,040 ...is Bryan. 1949 01:23:19,082 --> 01:23:23,169 Daly: Bryan, congratulations. 1950 01:23:23,211 --> 01:23:24,838 Bryan is a star. 1951 01:23:24,879 --> 01:23:26,381 And whenever I'm watching him perform, 1952 01:23:26,423 --> 01:23:28,383 I feel like I'm at Bryan's concert. 1953 01:23:28,425 --> 01:23:30,343 His presence on stage is so confident. 1954 01:23:30,385 --> 01:23:32,387 His voice is amazing. 1955 01:23:32,429 --> 01:23:34,556 Brian deserves to be in the lives. 1956 01:23:34,597 --> 01:23:35,890 You got this. 1957 01:23:35,932 --> 01:23:37,517 I can't wait to see what we do next together. 1958 01:23:37,559 --> 01:23:40,228 My team is ready for America to vote, 1959 01:23:40,270 --> 01:23:43,273 and we're gonna prove that we belong in this moment. 1960 01:23:43,314 --> 01:23:44,941 Go Team Legend. 1961 01:23:44,983 --> 01:23:47,068 Nice work, John. Yeah. 1962 01:23:47,110 --> 01:23:48,570 Wow. 1963 01:23:48,611 --> 01:23:50,572 All these performances have been incredible. 1964 01:23:50,613 --> 01:23:53,116 So it just makes me excited to see what my team is going to do. 1965 01:23:53,158 --> 01:23:55,201 Wow. Okay. 1966 01:23:55,243 --> 01:23:56,578 Another chapter over with. 1967 01:23:56,619 --> 01:23:58,413 Watching John, Dan, and Shay 1968 01:23:58,455 --> 01:23:59,998 having to make all these decisions. 1969 01:24:00,040 --> 01:24:01,624 Ay, ay, ay. 1970 01:24:01,666 --> 01:24:03,209 Oh, yeah, I know I'm gonna have to do that next week. 1971 01:24:03,251 --> 01:24:05,754 Oof! I'm sweating about it right now. 1972 01:24:06,796 --> 01:24:13,928 ** 1973 01:24:13,970 --> 01:24:21,144 ** 1974 01:24:21,186 --> 01:24:28,610 ** 1975 01:24:28,651 --> 01:24:35,867 **