1 00:00:04,713 --> 00:00:08,466 * Let's keep this party rockin', keep this party poppin' * 2 00:00:08,508 --> 00:00:10,260 [ As Carson ] Hey, I'm Carson Daly. 3 00:00:10,301 --> 00:00:11,678 Welcome to "The Voice." 4 00:00:11,720 --> 00:00:13,013 * So turn it up * 5 00:00:13,054 --> 00:00:15,265 Look at how cute Niall is. Oh, my God. 6 00:00:15,306 --> 00:00:17,726 That was a good American accent. [ Chuckles ] 7 00:00:17,767 --> 00:00:18,935 Hey, I'm Carson Daly. 8 00:00:18,977 --> 00:00:20,311 I thought I do that. [ Laughter ] 9 00:00:20,353 --> 00:00:21,688 Let's kick it off. How about a quick hello 10 00:00:21,730 --> 00:00:24,315 to our four Playoff Pass artists right up here -- 11 00:00:24,357 --> 00:00:25,984 D.Smooth, Manasseh, 12 00:00:26,026 --> 00:00:28,028 Ryley Tate Wilson, and Mary Kate. 13 00:00:28,069 --> 00:00:29,821 Whoa-ho! Alright, alright, D.Smooth! 14 00:00:29,863 --> 00:00:31,698 As you know, they get to sit out this week 15 00:00:31,740 --> 00:00:34,034 because they were sent directly to the playoffs 16 00:00:34,075 --> 00:00:35,201 by their coaches. 17 00:00:35,243 --> 00:00:36,953 [ Cheers and applause ] 18 00:00:36,995 --> 00:00:40,665 Taking calls from America, our panel is standing by. 19 00:00:40,707 --> 00:00:42,125 [ Laughter ] 20 00:00:42,167 --> 00:00:44,627 I got a good feeling about your chances today. 21 00:00:44,669 --> 00:00:46,212 [ Laughs ] 22 00:00:46,254 --> 00:00:48,381 I think you're gonna stay. Yeah. 23 00:00:48,423 --> 00:00:50,216 Niall: Pretty chilled-out show, really, isn't it? 24 00:00:50,258 --> 00:00:51,718 Reba: Oh, my gosh, yeah. 25 00:00:51,760 --> 00:00:53,470 It's not, like, overproduced or -- Nope. 26 00:00:53,511 --> 00:00:54,929 I've really enjoyed it. And you know they can edit it 27 00:00:54,971 --> 00:00:56,723 and take out the bad stuff you say... Yeah, yeah. 28 00:00:56,765 --> 00:00:59,059 ...which -- hadn't said anything really stupid yet... 29 00:00:59,100 --> 00:01:00,477 Yeah, but I'm planning on it. ...which is good. 30 00:01:00,518 --> 00:01:02,354 Oh! [ Both laugh ] 31 00:01:02,395 --> 00:01:03,688 You want to show 'em, huh? Yeah. 32 00:01:03,730 --> 00:01:04,981 [ Laughs ] 33 00:01:05,023 --> 00:01:06,608 See, can you edit this one out? Yeah. [ Laughs ] 34 00:01:06,649 --> 00:01:09,319 Work around it. That's what Blake does for a living. 35 00:01:09,361 --> 00:01:11,613 [ Both laugh ] 36 00:01:11,654 --> 00:01:15,742 I got EJ, who I stole from Blake. 37 00:01:15,784 --> 00:01:17,744 I just couldn't watch a voice like that leave. 38 00:01:17,786 --> 00:01:19,287 Good for you. 39 00:01:19,329 --> 00:01:20,914 And then over here is Michael. I was the only one that turned. 40 00:01:20,955 --> 00:01:23,083 He's got a theatrical voice. Uh-huh. 41 00:01:23,124 --> 00:01:26,461 Now, they're all going, "Where were we that day?" You just heard something. 42 00:01:26,503 --> 00:01:28,588 And I was like, "Blake, you were drunk." [ Laughs ] 43 00:01:28,630 --> 00:01:30,423 That's why -- That's why you missed it. [ Both laugh ] 44 00:01:30,465 --> 00:01:33,593 I paired EJ and Michael B. because they're my two big, 45 00:01:33,635 --> 00:01:36,554 rangy, dramatic singers who can do it all. 46 00:01:36,596 --> 00:01:38,598 Come out! Michael: Okay. 47 00:01:38,640 --> 00:01:40,266 Here they are. Whoooooo! 48 00:01:40,308 --> 00:01:41,851 Hey, guys. 49 00:01:41,893 --> 00:01:45,021 Reba McEntire. I'm like, "Oh, my gosh, 50 00:01:45,063 --> 00:01:46,981 this is the one and only." 51 00:01:47,023 --> 00:01:48,775 I'm blind. Now I realize who it is. 52 00:01:48,817 --> 00:01:50,694 [ Exhales deeply ] Oh, my God! 53 00:01:50,735 --> 00:01:54,906 I was walking in like this, and once I realized who it was, 54 00:01:54,948 --> 00:01:56,324 I absolutely lost my mind. 55 00:01:56,366 --> 00:01:58,535 I'm from Oklahoma. She's like Oklahoma royalty. 56 00:01:58,576 --> 00:02:01,287 I love Reba McEntire. She's a star. 57 00:02:01,329 --> 00:02:02,997 Niall: Look what you're doing to these people, Reba. 58 00:02:03,039 --> 00:02:05,625 I know, right? I'm shaking like a leaf here beside you. 59 00:02:05,667 --> 00:02:07,585 [ Chuckles ] You're nervous, too. 60 00:02:07,627 --> 00:02:09,045 [ Chuckles ] Oh, baloney. 61 00:02:09,087 --> 00:02:11,089 So this is an alt-rock song 62 00:02:11,131 --> 00:02:13,174 by UK band Nothing But Thieves. 63 00:02:13,216 --> 00:02:14,634 The song's called "Trip Switch." 64 00:02:14,676 --> 00:02:16,302 It kind of is gonna hopefully show 65 00:02:16,344 --> 00:02:17,804 maybe a little bit more attitude 66 00:02:17,846 --> 00:02:19,639 and just a little bit more frontman vibes. 67 00:02:19,681 --> 00:02:21,433 Excellent. Now I'm excited to hear this. 68 00:02:21,474 --> 00:02:23,643 * Make a wish and I'll count to three * 69 00:02:23,685 --> 00:02:25,854 Niall: First of all, it's great to have EJ on Team Niall. 70 00:02:25,895 --> 00:02:27,313 That was a hell of a steal. 71 00:02:27,355 --> 00:02:29,065 * What do we do when the power's out? * 72 00:02:29,107 --> 00:02:32,694 EJ has sung Adele, some Smokey Robinson in the battles. 73 00:02:32,736 --> 00:02:35,071 He really changed it up this week, 74 00:02:35,113 --> 00:02:36,489 something I'm excited to see 75 00:02:36,531 --> 00:02:38,199 'cause half the reason why I got him on my team 76 00:02:38,241 --> 00:02:39,492 was for his stage presence, 77 00:02:39,534 --> 00:02:42,078 and I feel like this song you need it. 78 00:02:42,120 --> 00:02:45,999 * When the lights go down, down, down, down, down, down * 79 00:02:46,041 --> 00:02:47,208 Owww! 80 00:02:47,250 --> 00:02:51,504 * When the lights gooo, yeah * 81 00:02:51,546 --> 00:02:53,131 EJ: My band is Foreign Figures. 82 00:02:53,173 --> 00:02:56,926 Being the front man in the beginning was terrifying. 83 00:02:56,968 --> 00:02:59,971 But then I got more confidence to be like, 84 00:03:00,013 --> 00:03:02,891 "I deserve to be right here in the spotlight." 85 00:03:02,932 --> 00:03:06,770 We've opened for Smash Mouth, X Ambassadors, like, Kesha, 86 00:03:06,811 --> 00:03:09,397 but "The Voice" is my first opportunity 87 00:03:09,439 --> 00:03:13,902 to really take my solo career step forward. 88 00:03:13,943 --> 00:03:15,487 Yeah! 89 00:03:15,528 --> 00:03:17,655 Wow. Excellent! Super impressive. 90 00:03:17,697 --> 00:03:19,824 You nearly sounded like Matt Bellamy vibes. 91 00:03:19,866 --> 00:03:21,701 Dude, I love Muse. 92 00:03:21,743 --> 00:03:23,787 The performance side of it, you've definitely got that. 93 00:03:23,828 --> 00:03:25,705 When they've got the red light over the camera... 94 00:03:25,747 --> 00:03:27,040 Yeah. [ Chuckles ] ...he really comes alive. 95 00:03:27,082 --> 00:03:29,834 Just be mindful of that story. Tell that story. 96 00:03:29,876 --> 00:03:34,339 What's a way that you get into emotion in the storytelling? 97 00:03:34,381 --> 00:03:36,508 I see it in my mind. 98 00:03:36,549 --> 00:03:39,469 Whatever the story is, like, if it's "Fancy," 99 00:03:39,511 --> 00:03:42,389 I'm in that old house walking to the car. 100 00:03:42,430 --> 00:03:43,807 My mom's giving me away 101 00:03:43,848 --> 00:03:46,976 because she can't afford to feed me anymore. 102 00:03:47,018 --> 00:03:51,564 Every lyric, it's either this or it's like [growls] 103 00:03:51,606 --> 00:03:53,358 Yeah. If I have that story, 104 00:03:53,400 --> 00:03:57,195 whatever comes out of my mouth, hopefully you will feel that 105 00:03:57,237 --> 00:03:59,447 because it was so intensely felt by me. 106 00:03:59,489 --> 00:04:01,074 That's great advice. 107 00:04:01,116 --> 00:04:02,826 If you're not feeling it, 108 00:04:02,867 --> 00:04:04,577 how are you gonna make anyone else feel it? 109 00:04:04,619 --> 00:04:07,831 That advice really just flipped the switch and I was like, 110 00:04:07,872 --> 00:04:11,251 "I will remember that forever. I will never forget this moment." 111 00:04:11,292 --> 00:04:13,461 So what have you picked to sing today? 112 00:04:13,503 --> 00:04:15,046 "When You're Gone" by Shawn Mendes. 113 00:04:15,088 --> 00:04:17,549 And I chose this one because it's up-tempo, 114 00:04:17,590 --> 00:04:19,843 but it still has kind of a grieving message. 115 00:04:19,884 --> 00:04:22,762 I'm not necessarily grieving a relationship right now, 116 00:04:22,804 --> 00:04:25,598 but I totally am familiar with the feeling. 117 00:04:25,640 --> 00:04:27,017 I've been in relationships 118 00:04:27,058 --> 00:04:29,894 that I thought were gonna be end all, be all, 119 00:04:29,936 --> 00:04:33,440 and I definitely immediately think of those relationships 120 00:04:33,481 --> 00:04:34,941 when I do sing this song. 121 00:04:34,983 --> 00:04:37,819 But right now, I am beyond grateful. 122 00:04:37,861 --> 00:04:41,114 I met my boyfriend, Tevin, two and a half years ago. 123 00:04:41,156 --> 00:04:42,907 We clicked right away. 124 00:04:42,949 --> 00:04:44,451 We live together, and I mean, he's my best friend 125 00:04:44,492 --> 00:04:45,952 in the whole wide world. 126 00:04:45,994 --> 00:04:48,288 * Hold on, I don't wanna know what it's like... * 127 00:04:48,329 --> 00:04:49,706 Niall: Michael is a pop singer 128 00:04:49,748 --> 00:04:51,374 with unbelievable drama to his voice 129 00:04:51,416 --> 00:04:55,170 and can really sell a song, so this is gonna be exciting. 130 00:04:55,211 --> 00:04:56,796 * Hold on * 131 00:04:56,838 --> 00:04:59,090 He gets to show off all the different parts of his range, 132 00:04:59,132 --> 00:05:01,634 which is super important when you've got two minutes to show what you can do. 133 00:05:01,676 --> 00:05:03,470 Thank you. That's a workout, that one. 134 00:05:03,511 --> 00:05:05,347 It is. That's a lot of words. 135 00:05:05,388 --> 00:05:07,057 A ton of words. Yeah. 136 00:05:07,098 --> 00:05:09,601 I got a little emotional at the end, so it got sloppy, but... 137 00:05:09,642 --> 00:05:11,978 Oh, no, no, no. Thank you. 138 00:05:12,020 --> 00:05:16,066 I'll take sloppy and emotion over hitting every note 139 00:05:16,107 --> 00:05:17,484 because I could feel it. 140 00:05:17,525 --> 00:05:19,694 Honestly, you'd rather hear pitch and slop 141 00:05:19,736 --> 00:05:21,488 than something, someone that doesn't mean it. 142 00:05:21,529 --> 00:05:22,697 That was great. 143 00:05:22,739 --> 00:05:24,991 I think there's too much low octave. 144 00:05:25,033 --> 00:05:26,493 Oh, yeah. Personally. 145 00:05:26,534 --> 00:05:27,994 * Hold on * 146 00:05:28,036 --> 00:05:30,580 You're going from that range to -- * Hold on * 147 00:05:30,622 --> 00:05:33,917 in one move, and you haven't had time to ramp up to that. 148 00:05:33,958 --> 00:05:35,669 I get all psyched up there. 149 00:05:35,710 --> 00:05:39,130 How do you do a quick reset that's like...you got it? 150 00:05:39,172 --> 00:05:42,884 What I do is I touch my thumb and my forefinger. 151 00:05:42,926 --> 00:05:45,512 Whenever I hit a high note, that says, 152 00:05:45,553 --> 00:05:47,722 "You're gonna hit it right on." 153 00:05:47,764 --> 00:05:49,307 It's that positive thinking. 154 00:05:49,349 --> 00:05:52,894 Okay. Y-You're kind of tricking your subconscious 155 00:05:52,936 --> 00:05:55,146 because your subconscious drives the boat. 156 00:05:55,188 --> 00:05:57,190 I'm gonna do this the whole song. Yeah. 157 00:05:57,232 --> 00:05:58,650 [ Laughter ] 158 00:05:58,692 --> 00:06:00,694 That's a low note, I don't care. I'm doing this. 159 00:06:00,735 --> 00:06:02,195 [ Laughter ] Right. Exactly. 160 00:06:02,237 --> 00:06:05,699 Seeing Michael B. perform just made me a little nervous 161 00:06:05,740 --> 00:06:07,117 in a sense of like, 162 00:06:07,158 --> 00:06:09,869 "Man, the competition is so hot this season." 163 00:06:09,911 --> 00:06:13,331 I'm like, "I gotta step up my game if I want to go forward." 164 00:06:13,373 --> 00:06:14,541 So excited. Thank you so much. 165 00:06:14,582 --> 00:06:15,875 Nice to meet you both. 166 00:06:15,917 --> 00:06:18,169 Michael and EJ, the songs they selected 167 00:06:18,211 --> 00:06:19,504 were so different. 168 00:06:19,546 --> 00:06:21,006 I mean, what do you go for? 169 00:06:21,047 --> 00:06:22,340 That's gonna be tough. 170 00:06:22,382 --> 00:06:23,883 They're such good singers. 171 00:06:23,925 --> 00:06:25,510 Absolutely love it, and they're just cute as a button. 172 00:06:25,552 --> 00:06:27,345 We've got some nice people on our team. 173 00:06:27,387 --> 00:06:28,555 I don't know about the rest of them. 174 00:06:28,596 --> 00:06:30,515 [ Laughs ] 175 00:06:30,557 --> 00:06:33,351 [ Cheers and applause ] Come on, EJ! 176 00:06:33,393 --> 00:06:35,437 Kelly: I'm so excited! 177 00:06:35,478 --> 00:06:38,940 With "Trip Switch," here's EJ Michels. 178 00:06:41,526 --> 00:06:48,116 ** 179 00:06:48,158 --> 00:06:53,121 * Ooooooh-woaaah * 180 00:06:53,163 --> 00:06:56,666 * Sharing secrets with another world * 181 00:06:56,708 --> 00:06:59,252 * Rubbing shoulders with some unknown lovers * 182 00:06:59,294 --> 00:07:01,880 * Making waves through the universe * 183 00:07:01,921 --> 00:07:05,258 * Starting wars with anonymous brothers * 184 00:07:05,300 --> 00:07:10,013 * Trip switch, trip switch * 185 00:07:10,055 --> 00:07:12,849 * Make a wish and I'll count to three * 186 00:07:12,891 --> 00:07:15,602 * Press the button and we'll both be happy * 187 00:07:15,643 --> 00:07:18,104 * Sending signals is a dirty trick * 188 00:07:18,146 --> 00:07:21,441 * I get my love in a digital package * 189 00:07:21,483 --> 00:07:26,529 * Trip switch, trip switch * 190 00:07:26,571 --> 00:07:29,032 * What we do when the power's out? * 191 00:07:29,074 --> 00:07:31,785 * What do we do when the lights go * Alright. 192 00:07:31,826 --> 00:07:34,579 * What we do when the power's out? * 193 00:07:34,621 --> 00:07:36,873 * What do we do when the lights go * 194 00:07:36,915 --> 00:07:40,794 * Down, down, down, down, down, down * 195 00:07:40,835 --> 00:07:46,091 * When the lights go down, down, down, down, down, down * 196 00:07:46,132 --> 00:07:50,595 * When the lights goooooo, yeah * 197 00:07:50,637 --> 00:07:52,972 [ Cheers and applause ] 198 00:07:53,014 --> 00:07:56,976 * Ooooooh, they put out the lights * 199 00:07:57,018 --> 00:07:59,688 * They put out the lights * 200 00:07:59,729 --> 00:08:04,317 * They put out the lights, ohhh * 201 00:08:04,359 --> 00:08:06,945 * What we do when the power's out? * 202 00:08:06,986 --> 00:08:09,781 * What do we do when the lights go? * 203 00:08:09,823 --> 00:08:12,617 * What we do when the power's out? * 204 00:08:12,659 --> 00:08:15,078 * What do we do when the lights go * 205 00:08:15,120 --> 00:08:20,291 * Doooooown * 206 00:08:20,333 --> 00:08:25,839 * Heeeeeey, let's gooo * 207 00:08:25,880 --> 00:08:31,177 * Down, down, down, down, down, dooown, yeah * 208 00:08:31,219 --> 00:08:35,015 * Down, down, down, down, down, down * 209 00:08:35,056 --> 00:08:39,144 * When the lights go dooown? * 210 00:08:39,185 --> 00:08:40,520 [ Cheers and applause ] I liked that! 211 00:08:40,562 --> 00:08:42,981 I thought that was cool. 212 00:08:45,066 --> 00:08:46,860 Whoo! 213 00:08:46,901 --> 00:08:47,861 EJ! 214 00:08:47,902 --> 00:08:50,238 I have to go after that? 215 00:08:50,280 --> 00:08:52,032 That's a cool song. 216 00:08:53,491 --> 00:08:54,909 Come on! 217 00:08:55,744 --> 00:08:57,829 I love Michael B. 218 00:08:57,871 --> 00:08:59,622 Huge Michael B. fan. 219 00:08:59,664 --> 00:09:01,166 Wait till you hear this. 220 00:09:01,207 --> 00:09:03,209 Come on, Michael! 221 00:09:03,251 --> 00:09:05,670 Now with "When You're Gone," here's Michael B. 222 00:09:05,712 --> 00:09:08,923 [ Cheers and applause ] 223 00:09:11,092 --> 00:09:14,679 ** 224 00:09:14,721 --> 00:09:18,558 * You never know how good you have it * 225 00:09:18,600 --> 00:09:19,976 * No, no * 226 00:09:20,018 --> 00:09:21,811 * Until you're starin' at a picture * 227 00:09:21,853 --> 00:09:25,357 * Of the only one that matters * 228 00:09:25,398 --> 00:09:27,025 * Yeaaah * 229 00:09:27,067 --> 00:09:31,571 * I know what we're supposed to do * 230 00:09:31,613 --> 00:09:33,114 Wow. 231 00:09:33,156 --> 00:09:38,161 * It's hard for me to let go of you * 232 00:09:38,203 --> 00:09:41,581 * So I'm just tryna hold on, hold on * 233 00:09:41,623 --> 00:09:45,835 * I don't wanna know what it's like when you're gone * 234 00:09:45,877 --> 00:09:48,213 * I don't wanna move on * 235 00:09:48,254 --> 00:09:52,175 * I don't wanna know what it's like when you're gone for good * 236 00:09:52,217 --> 00:09:54,636 * You're slipping through my fingertips * 237 00:09:54,678 --> 00:09:57,639 * A little bit by a little bit * 238 00:09:57,681 --> 00:09:58,848 [ Cheers and applause ] 239 00:09:58,890 --> 00:10:00,934 * I never knew that loving you * 240 00:10:00,975 --> 00:10:04,270 * Was the happiest I've ever been * 241 00:10:04,312 --> 00:10:06,773 * No, no * Yeah, use that soul. 242 00:10:06,815 --> 00:10:09,442 * Starting to feel like you don't need me * 243 00:10:09,484 --> 00:10:12,779 * Wanna believe it's all for the better * 244 00:10:12,821 --> 00:10:17,409 * It's getting real, I'm missing you deeply * 245 00:10:17,450 --> 00:10:19,244 * I'm just tryna hold on * 246 00:10:19,285 --> 00:10:22,455 * Starting to feel like you don't need me * 247 00:10:22,497 --> 00:10:25,917 * Wanna believe it's all for the better * 248 00:10:25,959 --> 00:10:30,755 * It's getting real, I'm missing you deeply * 249 00:10:30,797 --> 00:10:34,050 * So I'm just tryna hold on, hold on * 250 00:10:34,092 --> 00:10:38,096 * I don't wanna know what it's like when you're gone * 251 00:10:38,138 --> 00:10:40,682 * I don't wanna move on * 252 00:10:40,724 --> 00:10:44,310 * I don't wanna knooow * 253 00:10:44,352 --> 00:10:46,896 * You're slipping through my fingertips * 254 00:10:46,938 --> 00:10:50,150 * A little bit by a little bit * 255 00:10:50,984 --> 00:10:53,069 * I never knew that loving you * 256 00:10:53,111 --> 00:10:56,698 * Was the happiest, oh, I've ever been * 257 00:10:56,740 --> 00:11:03,580 * Yeaaaaaah * 258 00:11:03,621 --> 00:11:06,958 * I'm just tryna hold on * 259 00:11:07,000 --> 00:11:09,669 * Yeah, yeah, yeaaah * 260 00:11:09,711 --> 00:11:11,338 There we go! 261 00:11:11,379 --> 00:11:14,716 * Hoooooold ooon * 262 00:11:14,758 --> 00:11:18,845 [ Cheers and applause ] 263 00:11:20,513 --> 00:11:21,848 Hard. 264 00:11:21,890 --> 00:11:23,600 Whoo-hoo-hoo! 265 00:11:23,641 --> 00:11:25,185 Wooow. 266 00:11:25,226 --> 00:11:29,647 EJ, you had an energy that felt personal, 267 00:11:29,689 --> 00:11:31,775 I do think because you were so into it, 268 00:11:31,816 --> 00:11:35,070 there were moments where the pitch wasn't all the way right, 269 00:11:35,111 --> 00:11:38,156 but you enjoying it so much gave us the feeling 270 00:11:38,198 --> 00:11:39,491 that we were looking for. 271 00:11:39,532 --> 00:11:41,534 Mikey B., I think the pitch was perfect, 272 00:11:41,576 --> 00:11:44,621 but it felt like the soul that I am attracted to 273 00:11:44,662 --> 00:11:46,206 and what you -- what you do -- The ache. 274 00:11:46,247 --> 00:11:47,707 Yeah, that wasn't there in the beginning, 275 00:11:47,749 --> 00:11:49,751 but then towards the end, you kind of just, like, 276 00:11:49,793 --> 00:11:51,294 let loose and the crowd got into it, 277 00:11:51,336 --> 00:11:52,879 everybody started standing up and cheering. 278 00:11:52,921 --> 00:11:55,924 I would lean towards my boy, Michael B. 279 00:11:55,965 --> 00:11:58,968 [ Cheers and applause ] Thank you. 280 00:11:59,010 --> 00:12:01,930 Michael B., I think this was a really great avenue for you. 281 00:12:01,971 --> 00:12:04,307 I would love to hear a record with songs like this on it. 282 00:12:04,349 --> 00:12:07,185 And you're like that dude that's sitting next to me in school, 283 00:12:07,227 --> 00:12:09,187 and then all of a sudden, I would find out 284 00:12:09,229 --> 00:12:10,772 that you're, like, this incredible singer, 285 00:12:10,814 --> 00:12:12,524 but you never talked to me the whole time. 286 00:12:12,565 --> 00:12:14,025 [ Laughter ] 287 00:12:14,067 --> 00:12:16,444 You seem like this, like, really quiet, just subdued guy, 288 00:12:16,486 --> 00:12:19,531 and then you have this, like, powerhouse voice. 289 00:12:19,572 --> 00:12:21,783 That alone is, like, captivating. 290 00:12:21,825 --> 00:12:23,576 [ Cheers and applause ] Thank you. 291 00:12:23,618 --> 00:12:25,078 EJ, I've never heard of that song, 292 00:12:25,120 --> 00:12:28,081 but I will be covering it shortly on a talk show near you. 293 00:12:28,123 --> 00:12:30,333 [ Laughter ] Yeah! 294 00:12:30,375 --> 00:12:34,379 That song is so cool, like, the whole vibe of it. 295 00:12:34,421 --> 00:12:38,091 It was such a smart decision for you as a performer 296 00:12:38,133 --> 00:12:41,094 and also, like, separates you from other singers 297 00:12:41,136 --> 00:12:42,303 in the competition. 298 00:12:42,345 --> 00:12:44,431 Thank you so much, Kelly. 299 00:12:44,472 --> 00:12:45,890 What's up, EJ? 300 00:12:45,932 --> 00:12:47,100 What's up, Blake? Good to see you, buddy. 301 00:12:47,142 --> 00:12:48,601 Yeah, good to see you. 302 00:12:48,643 --> 00:12:50,603 Anything that I didn't see in the blind auditions 303 00:12:50,645 --> 00:12:51,896 with your performance, 304 00:12:51,938 --> 00:12:54,274 I got to finally see an entire thing 305 00:12:54,315 --> 00:12:56,026 without making you do a battle, you know? 306 00:12:56,067 --> 00:12:58,403 It was huge. That was a huge performance. 307 00:12:58,445 --> 00:12:59,612 So good job. 308 00:12:59,654 --> 00:13:00,780 Thank you. 309 00:13:00,822 --> 00:13:02,240 [ Cheers and applause ] 310 00:13:02,282 --> 00:13:04,534 Michael, all I was really paying attention to 311 00:13:04,576 --> 00:13:07,746 was how exactly in the pocket it felt like you were. 312 00:13:07,787 --> 00:13:10,749 Man, I thought that was really solid all the way through, 313 00:13:10,790 --> 00:13:14,794 and because of the consistency, I'd probably go with Michael B. 314 00:13:14,836 --> 00:13:16,212 [ Cheers and applause ] 315 00:13:16,254 --> 00:13:18,798 Thank you, Coaches. Alright, Niall. 316 00:13:18,840 --> 00:13:20,300 Tough one coming up for you. 317 00:13:20,342 --> 00:13:21,801 Before you tell us who won the knockout, 318 00:13:21,843 --> 00:13:23,428 give us some thoughts. 319 00:13:23,470 --> 00:13:24,971 When you think about what EJ has done in this competition, 320 00:13:25,013 --> 00:13:29,893 Adele to Smokey Robinson to a UK indie rock band, 321 00:13:29,934 --> 00:13:32,312 that shows the diversity that he's capable of. 322 00:13:32,354 --> 00:13:33,813 Everything he puts his hand to, 323 00:13:33,855 --> 00:13:35,231 it seems to, you know, turn to gold. 324 00:13:35,273 --> 00:13:36,775 Thank you so much, Niall. 325 00:13:36,816 --> 00:13:39,069 Michael B., the last few weeks, you've just really shown 326 00:13:39,110 --> 00:13:41,613 what you're capable of and have become a dark horse, 327 00:13:41,654 --> 00:13:44,657 and Shawn will be absolutely over the moon 328 00:13:44,699 --> 00:13:45,825 with that version of it. 329 00:13:45,867 --> 00:13:47,243 [ Cheers and applause ] 330 00:13:47,285 --> 00:13:48,828 Um...God. 331 00:13:48,870 --> 00:13:51,456 Daly: Niall, tough one for you, but the time has come. 332 00:13:51,498 --> 00:13:53,291 Who is the winner of this knockout? 333 00:13:54,542 --> 00:13:55,669 Ooh. 334 00:13:55,710 --> 00:13:58,630 ** 335 00:13:58,672 --> 00:14:00,965 I guess I just have to go with what I see in the future 336 00:14:01,007 --> 00:14:04,177 and in my gut for the coming rounds 337 00:14:04,219 --> 00:14:06,846 and the bulletproof-ness of it. 338 00:14:06,888 --> 00:14:09,557 ** 339 00:14:09,599 --> 00:14:11,184 The winner of this knockout is Michael. 340 00:14:11,226 --> 00:14:13,186 [ Cheers and applause ] 341 00:14:13,228 --> 00:14:14,604 Daly: Michael, congratulations! 342 00:14:14,646 --> 00:14:18,525 You're moving on to the playoffs for Team Niall! 343 00:14:18,566 --> 00:14:20,860 Niall: Michael's always been the sleeping giant 344 00:14:20,902 --> 00:14:22,028 in this competition. 345 00:14:22,070 --> 00:14:23,530 His voice is unbelievable. 346 00:14:23,571 --> 00:14:25,699 I'm really excited for Michael in the playoffs. 347 00:14:25,740 --> 00:14:28,535 So much love. Give it up for EJ Michels one more time, ladies and gentlemen! 348 00:14:28,576 --> 00:14:30,120 Thank you, EJ! [ Cheers and applause ] 349 00:14:30,161 --> 00:14:31,913 Niall: Really tough to see EJ go. 350 00:14:31,955 --> 00:14:33,415 He put his heart on the line. 351 00:14:33,456 --> 00:14:35,166 The pairings are so tough in the knockouts. 352 00:14:35,208 --> 00:14:36,918 You're gonna lose a good singer. 353 00:14:36,960 --> 00:14:38,169 Daly: Coming up... Kelly: Reba McEnti-- 354 00:14:38,211 --> 00:14:39,713 Look at her, she -- [ Laughs ] 355 00:14:39,754 --> 00:14:42,674 ...Reba shocks the artists and whips them into shape... 356 00:14:42,716 --> 00:14:45,218 "When I let my guard down," I gotta see that pain. 357 00:14:45,260 --> 00:14:47,846 * I let my guard down * 358 00:14:47,887 --> 00:14:49,597 * And then you pulled the rug * 359 00:14:49,639 --> 00:14:52,017 Daly: ...leading to jaw-dropping performances... 360 00:14:52,058 --> 00:14:54,894 * I said blue moon of Kentucky * Yes! 361 00:14:54,936 --> 00:14:56,604 Daly: ...that impress our coaches. 362 00:14:56,646 --> 00:14:59,399 [ Chuckling ] Holy crap! That was crazy. 363 00:14:59,441 --> 00:15:00,358 You are a star. 364 00:15:00,400 --> 00:15:02,318 Daly: And later... Oh. 365 00:15:02,360 --> 00:15:05,155 ...two steals are up for grabs. 366 00:15:05,196 --> 00:15:08,658 Which artist will get Blake's last steal ever? 367 00:15:08,700 --> 00:15:10,994 Whoa! We got a steal! 368 00:15:16,750 --> 00:15:17,917 * This is "The Voice" * 369 00:15:17,959 --> 00:15:20,045 Daly: Welcome back to the knockouts. 370 00:15:20,086 --> 00:15:22,839 Man: So we're gonna do a quick little thing here with Niall. 371 00:15:22,881 --> 00:15:24,215 Play a little bit of his music. 372 00:15:24,257 --> 00:15:26,426 [ Cheers and applause ] 373 00:15:26,468 --> 00:15:27,969 Niall: I had a really cool moment today 374 00:15:28,011 --> 00:15:29,387 where I got to share a little short clip 375 00:15:29,429 --> 00:15:31,264 of my single "Heaven," which is out, 376 00:15:31,306 --> 00:15:33,558 and got the -- the crowd singing along. 377 00:15:33,600 --> 00:15:37,020 * God only knows where this could go * 378 00:15:37,062 --> 00:15:42,442 * And even if our love starts to grow out of control * I like this song! 379 00:15:42,484 --> 00:15:46,780 * And you and me go up in flames * 380 00:15:46,821 --> 00:15:49,074 * Heaven won't be the same * It was really cool. 381 00:15:49,115 --> 00:15:50,784 The audience knew every single word to it. 382 00:15:50,825 --> 00:15:52,744 Alright, cowboy, what'd you think? 383 00:15:52,786 --> 00:15:54,120 I love the song. 384 00:15:54,162 --> 00:15:55,580 Do you remember any of it? Yes, uh... 385 00:15:55,622 --> 00:15:58,041 * They're magically delicious * 386 00:15:58,083 --> 00:15:59,709 [ Laughter ] 387 00:15:59,751 --> 00:16:02,420 What? That was tough for me to take. 388 00:16:02,462 --> 00:16:03,797 [ Laughter ] 389 00:16:03,838 --> 00:16:05,548 Chance: So you're living in Nashville? Reba: Yeah. 390 00:16:05,590 --> 00:16:07,300 Were you raised there, or you moved there when -- Oklahoma. 391 00:16:07,342 --> 00:16:09,052 Okay. My great-grandmother's from Tulsa, 392 00:16:09,094 --> 00:16:10,387 but I've never made it there. 393 00:16:10,428 --> 00:16:12,347 We grew up on a working cattle ranch, 394 00:16:12,389 --> 00:16:14,307 bought cattle in the spring, sold them in the fall 395 00:16:14,349 --> 00:16:17,102 after we fattened them up for feeder cattle. 396 00:16:17,143 --> 00:16:18,853 That's crazy. I didn't even think about it, 397 00:16:18,895 --> 00:16:20,647 that there's cows that are bred 398 00:16:20,689 --> 00:16:23,483 specifically to get ate versus to produce... Yeah. 399 00:16:23,525 --> 00:16:25,360 ...produce. Milk or, yeah, produce. There you go. 400 00:16:25,402 --> 00:16:26,778 [ Chuckles ] Produce produce. 401 00:16:26,820 --> 00:16:28,238 [ Both laugh ] 402 00:16:28,279 --> 00:16:29,656 I'm really excited for these -- for these next two. 403 00:16:29,698 --> 00:16:32,492 I got Magnus and Jamar. 404 00:16:32,534 --> 00:16:34,994 Jamar is soulful. He's got a blues influence. 405 00:16:35,036 --> 00:16:37,080 He plays guitar, like, he's a little bit older, 406 00:16:37,122 --> 00:16:39,499 so he's got this old soul thing going for him. 407 00:16:39,541 --> 00:16:42,002 Magnus in the same way, he's a younger guy, 408 00:16:42,043 --> 00:16:43,670 but he's got a '70s soul, 409 00:16:43,712 --> 00:16:47,090 Curtis Mayfield, Donny Hathaway feel to him. Ooh, cool. 410 00:16:47,132 --> 00:16:49,676 I want you to see 'em. Magnus, Jamar. 411 00:16:49,718 --> 00:16:51,511 Come on down. 412 00:16:51,553 --> 00:16:52,846 What?! 413 00:16:52,887 --> 00:16:54,305 Wha-- [ Laughs ] 414 00:16:54,347 --> 00:16:55,724 We got Reba in this joint. 415 00:16:55,765 --> 00:16:56,975 Queen of Country. 416 00:16:57,017 --> 00:16:58,852 She's definitely a legend in the game. 417 00:16:58,893 --> 00:17:00,103 I need a hug. I need a hug. 418 00:17:00,145 --> 00:17:01,896 She gives some of the warmest hugs, 419 00:17:01,938 --> 00:17:03,440 I feel a real Southern hug. 420 00:17:03,481 --> 00:17:04,816 So what are you singing? 421 00:17:04,858 --> 00:17:07,068 I'm singing John Legend, "Ordinary People." 422 00:17:07,110 --> 00:17:09,696 Wonderful. That's the first song I learned how to play on piano. 423 00:17:09,738 --> 00:17:11,364 That's funny. It was one of my firsts, too. No kidding. 424 00:17:11,406 --> 00:17:13,825 I feel like young Black kids around our age, 425 00:17:13,867 --> 00:17:17,370 like, when this song came out, it changed the game. It did. 426 00:17:17,412 --> 00:17:20,707 I'm a gospel soul singer. John is such a beast. 427 00:17:20,749 --> 00:17:23,376 * Girl, I'm in love with you * 428 00:17:23,418 --> 00:17:25,628 Oh, wow. Magnus: He's been a light for my life. 429 00:17:25,670 --> 00:17:28,048 A lot of his songs are really inspirational for me. 430 00:17:28,089 --> 00:17:29,841 * ...infatuation phase * 431 00:17:29,883 --> 00:17:33,470 The journey for me, pursuing music has been up and down. 432 00:17:33,511 --> 00:17:35,221 I've definitely had to do some odd jobs, 433 00:17:35,263 --> 00:17:36,890 such as being a delivery driver, 434 00:17:36,931 --> 00:17:39,601 but I have my own personal concert in my car, 435 00:17:39,642 --> 00:17:41,519 so it's like while I'm delivering, 436 00:17:41,561 --> 00:17:43,980 I'm still practicing in my craft every day. 437 00:17:44,022 --> 00:17:47,817 * Slowwww * 438 00:17:47,859 --> 00:17:50,070 Wow. Right? Insane. 439 00:17:50,111 --> 00:17:51,571 Thank you. 440 00:17:51,613 --> 00:17:54,407 When you started, it was so rich and thick with your -- 441 00:17:54,449 --> 00:17:56,242 your voice, your vocal. Thank you. 442 00:17:56,284 --> 00:17:58,578 So full. Love it. 443 00:17:58,620 --> 00:18:00,163 And then when you hit that high note, 444 00:18:00,205 --> 00:18:01,373 I'm like, "Oh, my gosh." 445 00:18:01,414 --> 00:18:02,582 Yeah. [ Chuckles ] 446 00:18:02,624 --> 00:18:04,209 Oh, my gosh. He has the range. 447 00:18:04,250 --> 00:18:05,752 [ Laughs ] 448 00:18:05,794 --> 00:18:08,672 I think with, like, people of distinct tones like John Legend, 449 00:18:08,713 --> 00:18:10,590 like, you being able to put your spin on it 450 00:18:10,632 --> 00:18:12,759 and also all your choices and runs that you choose 451 00:18:12,801 --> 00:18:16,012 to make it your own song is super important. 452 00:18:16,054 --> 00:18:18,473 * I still put you first * 453 00:18:18,515 --> 00:18:21,393 Reba: Magnus did a great job of selecting that song. 454 00:18:21,434 --> 00:18:23,019 He had me right there. 455 00:18:23,061 --> 00:18:26,398 And he looked at Chance and me while he was singing 456 00:18:26,439 --> 00:18:31,319 because he was telling us about this and we believed him. 457 00:18:31,361 --> 00:18:34,906 You feel so comfortable, too. Your voice is so smooth. 458 00:18:34,948 --> 00:18:37,450 You ever see those chocolate commercials on television 459 00:18:37,492 --> 00:18:39,494 and it's like a river of chocolate? Just lay in that chocolate... 460 00:18:39,536 --> 00:18:43,456 That was just so smooth and just flowing like a river. 461 00:18:43,498 --> 00:18:45,125 Yeah, keep doing the same thing. 462 00:18:45,166 --> 00:18:46,626 [ Laughs ] 463 00:18:46,668 --> 00:18:49,546 Jamar: Magnus, we're brothers, but we're gonna fight. 464 00:18:49,587 --> 00:18:50,797 I want to go to playoffs badly. 465 00:18:50,839 --> 00:18:53,341 I'm quiet, but I'm a competitor. 466 00:18:53,383 --> 00:18:55,385 So we got Jamar with "Cruisin'." 467 00:18:55,427 --> 00:18:56,678 Yep. Smokey Robinson. 468 00:18:56,720 --> 00:18:58,513 That's my favorite, my mom's favorite. 469 00:18:58,555 --> 00:19:01,599 I mean, Smokey's been in our household for longer than me. 470 00:19:01,641 --> 00:19:05,270 This song actually represents my genre to a T. 471 00:19:05,311 --> 00:19:07,272 * Baby, let's cruise... * 472 00:19:07,313 --> 00:19:09,482 I'm all about telling love stories. 473 00:19:09,524 --> 00:19:10,984 When I perform this song, 474 00:19:11,026 --> 00:19:13,028 I'm definitely going to be thinking about my wife. 475 00:19:13,069 --> 00:19:14,696 She is so amazing. 476 00:19:14,738 --> 00:19:19,826 It's a perfect example of how I feel every day. I feel love. 477 00:19:19,868 --> 00:19:21,327 * Oooh * 478 00:19:21,369 --> 00:19:23,329 And I chose this song because I want to show the coaches 479 00:19:23,371 --> 00:19:26,249 that I'm the person that they would want to take to the playoffs. 480 00:19:26,291 --> 00:19:29,627 Great job. Great job. You got a great voice. [ Whistles ] 481 00:19:29,669 --> 00:19:30,712 Thank you. 482 00:19:30,754 --> 00:19:32,255 Chance, I don't know what you think, 483 00:19:32,297 --> 00:19:34,841 but it seemed like the band was loud 484 00:19:34,883 --> 00:19:36,926 all the way through at one level. 485 00:19:36,968 --> 00:19:39,220 Yeah. Maybe put some dynamics in it. 486 00:19:39,262 --> 00:19:40,597 Yeah, I would agree. 487 00:19:40,638 --> 00:19:43,850 'Cause at the beginning, it's real intimate. 488 00:19:43,892 --> 00:19:44,934 I agree totally. 489 00:19:44,976 --> 00:19:46,686 I mean, we could certainly do that. 490 00:19:46,728 --> 00:19:48,563 I think for anything, just to catch the tempo, 491 00:19:48,605 --> 00:19:50,190 even if it's a count-in from rhythm, 492 00:19:50,231 --> 00:19:53,026 like just so that he knows what BPM you guys are playing at 493 00:19:53,068 --> 00:19:54,986 then he could play and then you guys could join him. 494 00:19:55,028 --> 00:19:57,447 Messes things up a little bit. Yeah, jumbles it. 495 00:19:57,489 --> 00:20:00,116 * Don't be confused * 496 00:20:00,158 --> 00:20:02,952 Chance: Jamar is a cold dude, man. He's an instrumentalist. 497 00:20:02,994 --> 00:20:05,080 He's somebody that has a deep sense 498 00:20:05,121 --> 00:20:06,581 of knowledge of himself. 499 00:20:06,623 --> 00:20:09,042 One of my favorite things is when Jamar goes up 500 00:20:09,084 --> 00:20:10,335 into that higher octave 501 00:20:10,377 --> 00:20:12,212 and really sings in his head voice. 502 00:20:12,253 --> 00:20:13,797 * Ooooooh * 503 00:20:13,838 --> 00:20:16,591 It's very flowy, angelic feel to it. 504 00:20:16,633 --> 00:20:19,469 Lots better. Amazing. 505 00:20:19,511 --> 00:20:21,429 I really love your natural tone, 506 00:20:21,471 --> 00:20:24,391 and when you go into a space of feeling out a song... Yes, exactly. 507 00:20:24,432 --> 00:20:25,725 ...that's what, like, gives life to it 508 00:20:25,767 --> 00:20:27,852 and makes, you know, your ears perk up and stuff, 509 00:20:27,894 --> 00:20:29,604 so I would just say keep leaning into that. 510 00:20:29,646 --> 00:20:31,022 Way to go. Thank you so much. 511 00:20:31,064 --> 00:20:32,273 Thank you. Thank you. 512 00:20:32,315 --> 00:20:33,692 Magnus: Jamar is an amazing artist, 513 00:20:33,733 --> 00:20:35,402 but I want to make it to the playoffs bad. 514 00:20:35,443 --> 00:20:36,695 This is where my heart is, 515 00:20:36,736 --> 00:20:38,655 this is where my time and energy is. 516 00:20:38,697 --> 00:20:40,573 I'm gonna leave everything out on the stage. 517 00:20:40,615 --> 00:20:42,909 Wow, I'm just thrilled to death I got to meet you. 518 00:20:42,951 --> 00:20:44,536 Oh, come -- come on, now. Come on. 519 00:20:44,577 --> 00:20:46,329 I think this knockout round is gonna come down 520 00:20:46,371 --> 00:20:48,581 to who steps into themselves the most 521 00:20:48,623 --> 00:20:51,209 and presents themselves as their own artist 522 00:20:51,251 --> 00:20:55,296 and their own identity that needs to be in the show. 523 00:20:55,338 --> 00:20:56,798 I don't know what I'm gonna do. 524 00:20:56,840 --> 00:20:59,884 This just blows me away, so many talented people. 525 00:20:59,926 --> 00:21:01,428 Yeah, I know. It's crazy, right? 526 00:21:01,469 --> 00:21:02,637 [ Scoffs ] 527 00:21:02,679 --> 00:21:04,431 That's gonna be a tough decision. 528 00:21:04,472 --> 00:21:06,182 [ Cheers and applause ] 529 00:21:06,224 --> 00:21:08,768 It's gonna be good. 530 00:21:08,810 --> 00:21:11,813 With "Cruisin'," here's Jamar Langley. 531 00:21:11,855 --> 00:21:13,940 Kelly: Oh, man, this is gonna be hard, I think. 532 00:21:13,982 --> 00:21:16,276 Chance: I have no idea what I'm gonna do. 533 00:21:16,317 --> 00:21:24,576 ** 534 00:21:24,617 --> 00:21:32,208 * Baby, let's cruise away from heeere * 535 00:21:32,250 --> 00:21:34,919 [ Cheering ] 536 00:21:34,961 --> 00:21:44,721 * Don't be confused, the way is cleeear * 537 00:21:44,763 --> 00:21:50,643 * And if you want it, you got it forever * 538 00:21:50,685 --> 00:21:56,858 * This is not a one-night stand, nooo, ooooooh * 539 00:21:56,900 --> 00:21:58,360 God, he's good. 540 00:21:58,401 --> 00:22:02,822 * Let the music take your mind, your mind, your mind * 541 00:22:02,864 --> 00:22:07,827 * Just release and you will fiiind * 542 00:22:07,869 --> 00:22:14,376 * That you're gonna fly away, glad you're going my way * 543 00:22:14,417 --> 00:22:19,756 * I love it when we're cruisin' together * 544 00:22:20,882 --> 00:22:25,220 * And inch by inch, we get closer and closer * 545 00:22:25,261 --> 00:22:26,763 Come on! Come on, Jay! 546 00:22:26,805 --> 00:22:30,684 * To every little part of each otheeer * 547 00:22:30,725 --> 00:22:31,851 Whoo! 548 00:22:31,893 --> 00:22:33,853 * Baby, baby, baby, baby * Aah! 549 00:22:33,895 --> 00:22:38,525 * Let the music -- whoo! -- take your miiind * 550 00:22:38,566 --> 00:22:40,193 Whoo-hoo! 551 00:22:40,235 --> 00:22:42,195 * Just release, and you will find * Alright, J! 552 00:22:42,237 --> 00:22:47,242 * You will find that you're gonna fly away * 553 00:22:47,283 --> 00:22:50,704 * Glad you're going my way * 554 00:22:50,745 --> 00:22:55,542 * I love it when we're cruisin' together * 555 00:22:55,583 --> 00:22:58,253 * Music is made for loooooove * 556 00:22:58,294 --> 00:23:01,881 * Cruisin' is made for love * 557 00:23:01,923 --> 00:23:07,178 * I love it when we're cruising togetheeer * 558 00:23:07,220 --> 00:23:12,225 * Cruuuisin' * 559 00:23:12,267 --> 00:23:14,686 * We're gonna cruise now * 560 00:23:14,728 --> 00:23:17,313 Yeah! Alright, alright! 561 00:23:17,355 --> 00:23:18,606 That was sick. 562 00:23:18,648 --> 00:23:20,275 [ Cheers and applause ] 563 00:23:20,316 --> 00:23:21,735 That boy good! 564 00:23:21,776 --> 00:23:23,862 Oh, man, looks like Magnus 565 00:23:23,903 --> 00:23:26,489 don't be playing around, no. 566 00:23:33,288 --> 00:23:34,789 * This is "The Voice" * 567 00:23:34,831 --> 00:23:36,624 Daly: Welcome back. 568 00:23:36,666 --> 00:23:38,877 [ Cheers and applause ] 569 00:23:42,380 --> 00:23:45,842 Now singing "Ordinary People," here's Magnus. 570 00:23:47,427 --> 00:23:50,263 ** 571 00:23:50,305 --> 00:23:52,807 * Oh, oh, oh, oh * 572 00:23:52,849 --> 00:23:55,352 * Girl, I'm in love with you * 573 00:23:55,393 --> 00:23:57,854 * This ain't the honeymoon * 574 00:23:57,896 --> 00:24:01,399 * Past the infatuation phase * 575 00:24:01,441 --> 00:24:04,361 * I know I misbehaved * 576 00:24:04,402 --> 00:24:06,821 * And you made your mistakes * 577 00:24:06,863 --> 00:24:11,743 * And we both still got room left to grow * 578 00:24:11,785 --> 00:24:14,662 * And though love sometimes hurts * 579 00:24:14,704 --> 00:24:16,998 * I still put you first * 580 00:24:17,040 --> 00:24:19,167 * And we'll make this thing work * 581 00:24:19,209 --> 00:24:23,338 * But I think we should take it slow * 582 00:24:23,380 --> 00:24:26,841 * We're just ordinary people * 583 00:24:26,883 --> 00:24:28,093 Ooh. 584 00:24:28,134 --> 00:24:33,515 * We don't know which way to gooooo * 585 00:24:33,556 --> 00:24:36,476 * 'Cause we're ordinary people * 586 00:24:36,518 --> 00:24:38,478 * Yes, we are, baby * 587 00:24:38,520 --> 00:24:41,731 * Maybe we should take it slow * 588 00:24:41,773 --> 00:24:43,692 * Take it slow * 589 00:24:43,733 --> 00:24:45,902 * Maybe we'll live and learn * 590 00:24:45,944 --> 00:24:48,697 * Or maybe we'll crash and burn * 591 00:24:48,738 --> 00:24:50,281 * Maybe we'll stay * 592 00:24:50,323 --> 00:24:51,366 * Maybe we'll leave * 593 00:24:51,408 --> 00:24:53,535 * Maybe you'll return * 594 00:24:53,576 --> 00:24:56,496 * Maybe another fiiiiight * 595 00:24:56,538 --> 00:24:58,331 * Maybe we won't survive * 596 00:24:58,373 --> 00:25:01,292 * Maybe we'll grow, we never know * 597 00:25:01,334 --> 00:25:03,795 * Baby, you and I * 598 00:25:03,837 --> 00:25:07,924 * We're just ordinary people * 599 00:25:07,966 --> 00:25:14,014 * Oh, we don't know which way to goooooo * 600 00:25:14,055 --> 00:25:18,476 * 'Cause we're ordinary people * 601 00:25:18,518 --> 00:25:21,730 * Maybe we should take it slow * 602 00:25:21,771 --> 00:25:25,066 * Take it slow * 603 00:25:25,108 --> 00:25:28,111 * Oh * 604 00:25:28,153 --> 00:25:31,865 * This time we'll take it slow * 605 00:25:31,906 --> 00:25:37,746 * Take it slow, da-do-da-do-ba-doo-ba-doo * 606 00:25:37,787 --> 00:25:39,164 Come on! * This time * 607 00:25:39,205 --> 00:25:40,623 Saxophone solo. 608 00:25:40,665 --> 00:25:47,422 * Take it sloooooow * 609 00:25:47,464 --> 00:25:49,716 [ Cheers and applause ] 610 00:25:51,426 --> 00:25:52,427 Wow. 611 00:25:52,469 --> 00:25:53,553 What they gonna do? 612 00:25:53,595 --> 00:25:54,971 I don't know. 613 00:25:56,973 --> 00:25:59,017 Great job, Jamar. Great job, Magnus. 614 00:25:59,059 --> 00:26:00,560 I'm gonna start with Jamar. 615 00:26:00,602 --> 00:26:02,771 You can sing some baby-making music, man. 616 00:26:02,812 --> 00:26:03,855 [ Laughter ] Thank you. 617 00:26:03,897 --> 00:26:05,940 I was like, oh, my gosh. 618 00:26:05,982 --> 00:26:08,443 It was so cool. I love you playing the guitar. 619 00:26:08,485 --> 00:26:10,153 I know it's called "The Voice," 620 00:26:10,195 --> 00:26:12,947 but it actually enhances your vocal ability. Yeah. 621 00:26:12,989 --> 00:26:14,324 Do you ever perform without it, really? 622 00:26:14,366 --> 00:26:16,368 Yes, I do. It depends on the mood, so... 623 00:26:16,409 --> 00:26:17,660 [ Laughter ] Ooh. 624 00:26:17,702 --> 00:26:18,870 I'm gonna be up in the crowd, you know... 625 00:26:18,912 --> 00:26:20,372 Hey! Alright, Jamar. 626 00:26:20,413 --> 00:26:22,207 I'm gonna have to put the guitar down, so... 627 00:26:22,248 --> 00:26:23,041 Alright, Jamar. 628 00:26:23,083 --> 00:26:24,626 [ Laughter ] I see you. 629 00:26:24,668 --> 00:26:27,295 Magnus, you have such a beautiful voice. 630 00:26:27,337 --> 00:26:28,797 When you sing John Legend, 631 00:26:28,838 --> 00:26:30,715 first of all, I'm like a part of his street team. 632 00:26:30,757 --> 00:26:33,760 I'm like a stalker fan. Like, I love him. 633 00:26:33,802 --> 00:26:35,261 I just feel like it's maybe hard for you 634 00:26:35,303 --> 00:26:37,972 not to sound like an imitation of what he does. 635 00:26:38,014 --> 00:26:39,683 I'm gonna lean more towards Jamar 636 00:26:39,724 --> 00:26:40,975 just because I couldn't get 637 00:26:41,017 --> 00:26:42,977 the John Legend thing out of my head. 638 00:26:43,019 --> 00:26:44,771 But you're incredible. 639 00:26:44,813 --> 00:26:46,147 Thank you. Yes, you are, man. 640 00:26:46,189 --> 00:26:47,565 Thank you. 641 00:26:47,607 --> 00:26:49,776 Blake: Jamar, I love when you're playing the guitar. 642 00:26:49,818 --> 00:26:51,820 That's how I want to see you perform, man. 643 00:26:51,861 --> 00:26:53,363 You just have a thing when you're doing it 644 00:26:53,405 --> 00:26:55,407 and you're kind of lost in the moment, and it works. 645 00:26:55,448 --> 00:26:57,492 Thank you. And then on the flipside of that, 646 00:26:57,534 --> 00:27:00,120 Magnus, when he performs, has a big handful of something 647 00:27:00,161 --> 00:27:01,746 in his imagination. [ Laughter ] 648 00:27:01,788 --> 00:27:03,832 And he's like -- Niall: Yeah, like -- 649 00:27:03,873 --> 00:27:06,126 He's tickling it, and he's doing something. 650 00:27:06,167 --> 00:27:07,794 [ Laughter ] 651 00:27:07,836 --> 00:27:09,671 I may lean towards Magnus just because 652 00:27:09,713 --> 00:27:12,757 his voice is just huge, and I like how he gets out here 653 00:27:12,799 --> 00:27:14,843 and plays with the imaginary friend. 654 00:27:14,884 --> 00:27:16,302 Magnus: Thank you. 655 00:27:16,344 --> 00:27:17,595 [ Laughter, applause ] 656 00:27:17,637 --> 00:27:19,014 Niall: Gents, that was so cool. 657 00:27:19,055 --> 00:27:22,392 It's the mic, the guitar, and the song for Jamar. 658 00:27:22,434 --> 00:27:24,019 And he doesn't need anything else 659 00:27:24,060 --> 00:27:26,146 to portray the same sort of stage performance. 660 00:27:26,187 --> 00:27:29,315 Magnus, so round and big and powerful, 661 00:27:29,357 --> 00:27:31,651 but, like, I'm naturally attracted to someone 662 00:27:31,693 --> 00:27:32,944 that can tell a story. 663 00:27:32,986 --> 00:27:34,863 And for that reason, I'd go with Jamar. 664 00:27:34,904 --> 00:27:37,574 [ Applause ] Daly: Thank you, Coaches. 665 00:27:37,615 --> 00:27:40,035 Alright, Chance. This will be a tough one for you. 666 00:27:40,076 --> 00:27:41,703 Give us some thoughts on the knockout first. 667 00:27:41,745 --> 00:27:43,872 When I think about the idea of "The Voice" as like, 668 00:27:43,913 --> 00:27:46,708 it's not about what you see on stage, 669 00:27:46,750 --> 00:27:48,043 but really what you can hear. 670 00:27:48,084 --> 00:27:51,504 And Magnus has such like a specific identity 671 00:27:51,546 --> 00:27:53,131 as a vocalist that I love. 672 00:27:53,173 --> 00:27:55,383 And then, Jamar, you have the same thing 673 00:27:55,425 --> 00:27:57,844 in, like, a completely different wheelhouse. 674 00:27:57,886 --> 00:27:59,888 You were, like, wrestling with that song, 675 00:27:59,929 --> 00:28:01,264 not like you didn't know it. 676 00:28:01,306 --> 00:28:02,974 Just like, okay, this is what I'm gonna do. 677 00:28:03,016 --> 00:28:05,894 I'm having a very tough time making this decision, 678 00:28:05,935 --> 00:28:07,228 as you could tell. 679 00:28:07,270 --> 00:28:09,189 Daly: It's an impossible decision, but it is time. 680 00:28:09,230 --> 00:28:10,857 Chance, who's the winner of this knockout? 681 00:28:10,899 --> 00:28:15,236 ** 682 00:28:15,278 --> 00:28:18,406 This was incredibly difficult. 683 00:28:22,118 --> 00:28:24,245 Hey, can we go to commercial real quick? 684 00:28:24,287 --> 00:28:26,581 [ Laughter ] 685 00:28:26,623 --> 00:28:27,791 Come on, Carson. Throw it. 686 00:28:27,832 --> 00:28:29,167 He wants to go to a commercial break? 687 00:28:35,590 --> 00:28:36,758 * This is "The Voice" * 688 00:28:36,800 --> 00:28:39,135 Daly: Welcome back to the knockouts. 689 00:28:40,804 --> 00:28:42,514 Chance, who's the winner of this knockout? 690 00:28:42,555 --> 00:28:45,600 ** 691 00:28:45,642 --> 00:28:48,269 This was incredibly difficult. 692 00:28:48,311 --> 00:28:51,439 The winner of this knockout is... 693 00:28:51,481 --> 00:28:52,691 Jamar. 694 00:28:52,732 --> 00:28:55,026 Daly: Jamar, congratulations! 695 00:28:55,068 --> 00:28:56,778 You're moving on to the playoffs! 696 00:28:56,820 --> 00:29:00,490 Chance: Jamar is a very seasoned artist. 697 00:29:00,532 --> 00:29:04,452 He has this unspoken confidence when he's performing. 698 00:29:04,494 --> 00:29:07,247 I'm excited that he's gonna continue to show who he is. 699 00:29:07,288 --> 00:29:09,916 Coaches, let me remind you that Magnus is available to steal. 700 00:29:09,958 --> 00:29:12,627 Magnus, anything you want to say to your coach? 701 00:29:12,669 --> 00:29:14,004 I'm just happy to be here, 702 00:29:14,045 --> 00:29:15,213 and I'm blessed to have had you as a coach. 703 00:29:15,255 --> 00:29:16,548 And I just want to say thank you. 704 00:29:16,589 --> 00:29:18,049 Give it up, everybody, for Magnus! Amen. 705 00:29:18,091 --> 00:29:20,301 Good job, Magnus! [ Cheers and applause ] 706 00:29:20,343 --> 00:29:22,012 Blake: Magnus is an incredible artist. 707 00:29:22,053 --> 00:29:23,471 I just didn't use my steal 708 00:29:23,513 --> 00:29:25,682 because I've got my eye on somebody coming up. 709 00:29:25,724 --> 00:29:27,058 That was tough for me, man. 710 00:29:27,100 --> 00:29:28,518 Niall: This is the level it's at. 711 00:29:28,560 --> 00:29:29,602 When a singer like that -- 712 00:29:29,644 --> 00:29:31,187 Like, it's just nuts. 713 00:29:32,188 --> 00:29:33,732 The last time we did stuff like this 714 00:29:33,773 --> 00:29:36,693 was when we were hosting the "ACM Awards" together... Uh-huh. 715 00:29:36,735 --> 00:29:39,154 ...back in 1934. [ Laughs ] 716 00:29:39,195 --> 00:29:40,405 I was starting to think you hate me. 717 00:29:40,447 --> 00:29:42,907 I thought you'd totally got so big 718 00:29:42,949 --> 00:29:45,035 that you just lost my number. 719 00:29:45,076 --> 00:29:46,911 I have gotten so big, 720 00:29:46,953 --> 00:29:48,830 but now I want to spread the fame. 721 00:29:48,872 --> 00:29:50,123 So... You are so thoughtful. 722 00:29:50,165 --> 00:29:51,416 ...I figured you could use a little extra fame. 723 00:29:51,458 --> 00:29:53,668 Well, us Okies got to stay together. 724 00:29:53,710 --> 00:29:55,587 [ Laughs ] Okay. 725 00:29:55,628 --> 00:29:58,882 Alright. Let's bring out Grace, who is a country singer. 726 00:29:58,923 --> 00:30:00,050 She lives in Nashville now. 727 00:30:00,091 --> 00:30:01,343 I'm gonna have a panic attack. 728 00:30:01,384 --> 00:30:02,719 Oh, my God. I knew it. Neil. 729 00:30:02,761 --> 00:30:04,512 And then this is Neil, 730 00:30:04,554 --> 00:30:06,556 coming out here with her. Reba: Neil. Okay. 731 00:30:06,598 --> 00:30:09,267 Who I didn't recognize without a hat on, for a second there. What? 732 00:30:09,309 --> 00:30:13,355 Seeing Reba, it was like panic, excitement, panic. 733 00:30:13,396 --> 00:30:16,191 Like, I don't even know [laughs] to be honest with you. 734 00:30:16,232 --> 00:30:17,734 I don't know how to put it into words. 735 00:30:17,776 --> 00:30:19,235 Pulling out all the stops. Good to see you. 736 00:30:19,277 --> 00:30:21,696 She is a pop culture behemoth, really. 737 00:30:21,738 --> 00:30:25,158 And so, being in her presence is a life highlight. 738 00:30:25,200 --> 00:30:26,409 I think both of you guys 739 00:30:26,451 --> 00:30:28,661 are honed in on what lane you're in. 740 00:30:28,703 --> 00:30:31,706 And, man, that puts you way ahead of the competition. 741 00:30:31,748 --> 00:30:33,541 You gonna sing first? Yeah. 742 00:30:33,583 --> 00:30:34,834 Let's do this. 743 00:30:34,876 --> 00:30:36,544 Uh-oh. What are you singing today? 744 00:30:36,586 --> 00:30:38,630 Today, I'm singing "Here You Come Again" by Dolly Parton. 745 00:30:38,672 --> 00:30:40,382 You've been singing this for a long, long time? 746 00:30:40,423 --> 00:30:42,300 I've been singing this since I could sing. 747 00:30:42,342 --> 00:30:43,885 Aww, cute. Since noise could come out of my mouth. 748 00:30:43,927 --> 00:30:45,136 Grace: I love Dolly Parton. 749 00:30:45,178 --> 00:30:47,430 She is just this amazing, strong woman 750 00:30:47,472 --> 00:30:49,557 who has literally done it all. 751 00:30:49,599 --> 00:30:51,184 She has inspired me a lot. 752 00:30:51,226 --> 00:30:53,395 I am a songwriter in Nashville. 753 00:30:53,436 --> 00:30:56,231 Being younger, there was a lot of doubt just in, like, 754 00:30:56,272 --> 00:30:57,774 is this the right decision to make, 755 00:30:57,816 --> 00:31:00,902 especially moving and having your family go with you. 756 00:31:00,944 --> 00:31:02,320 We were traveling back and forth, 757 00:31:02,362 --> 00:31:03,947 Detroit to Nashville, Detroit to Nashville. 758 00:31:03,988 --> 00:31:05,198 So, I graduated high school, 759 00:31:05,240 --> 00:31:06,741 and then my family, we packed up, 760 00:31:06,783 --> 00:31:08,535 and my parents came to help support and everything. 761 00:31:08,576 --> 00:31:10,829 Kinda sounds familiar, making those trips. 762 00:31:10,870 --> 00:31:13,206 Except my family never moved there with me. Mine, neither. 763 00:31:13,248 --> 00:31:14,374 They were like, "Hey, good luck out there." 764 00:31:14,416 --> 00:31:15,583 Yeah. [ Laughter ] 765 00:31:15,625 --> 00:31:17,002 "Call when you can." 766 00:31:17,043 --> 00:31:19,087 My parents mean the world to me. 767 00:31:19,129 --> 00:31:23,133 We are just so glad that you are following your dreams. 768 00:31:23,174 --> 00:31:25,010 I'm sorry I'm crying. [ Laughs] 769 00:31:25,051 --> 00:31:26,344 Everything they've sacrificed for me, 770 00:31:26,386 --> 00:31:28,096 I just want to make sure it's all worth it. 771 00:31:28,138 --> 00:31:29,973 So, I put my all into it every time. 772 00:31:30,015 --> 00:31:33,268 * Here you come again * 773 00:31:33,309 --> 00:31:35,770 Blake: I love Grace's song choice 'cause it shows 774 00:31:35,812 --> 00:31:38,606 her tip of the hat to some of the old-school country. 775 00:31:38,648 --> 00:31:40,942 This gives Grace a chance to be playful 776 00:31:40,984 --> 00:31:42,110 and have fun on the stage -- 777 00:31:42,152 --> 00:31:45,655 * And here I goooo * 778 00:31:45,697 --> 00:31:46,906 Oh, I love that. 779 00:31:46,948 --> 00:31:47,949 ...and show a side of what she does 780 00:31:47,991 --> 00:31:49,325 that we haven't seen yet. 781 00:31:49,367 --> 00:31:51,161 I could listen to that all day. Reba: Uh-huh! 782 00:31:51,202 --> 00:31:53,371 The country version of a run that you do 783 00:31:53,413 --> 00:31:56,624 at the end of the phrases, it's just so pure. Little trills. 784 00:31:56,666 --> 00:31:58,793 The only thing I would say is there was one moment where 785 00:31:58,835 --> 00:32:01,338 you sang the word * Filling up my senses * 786 00:32:01,379 --> 00:32:03,381 and that fell just a little bit flat. 787 00:32:03,423 --> 00:32:05,467 Okay. I just felt like you just probably needed some more air 788 00:32:05,508 --> 00:32:07,344 to get up there. One other thing. 789 00:32:07,385 --> 00:32:09,220 Just play with the camera every once in a while. 790 00:32:09,262 --> 00:32:11,848 On a cute little moment, just kind of look over and go... 791 00:32:11,890 --> 00:32:13,475 A good friend of mine told me, 792 00:32:13,516 --> 00:32:17,228 "When you are singing and you smile, that comes through." 793 00:32:17,270 --> 00:32:19,189 It's like you're telling a story and you know, 794 00:32:19,230 --> 00:32:21,316 "Here you come again. Oh, my God." Yeah. 795 00:32:21,358 --> 00:32:23,360 That was Barry Manilow who told me that. Oh, really? 796 00:32:23,401 --> 00:32:24,986 I'm just gonna drop that name right there. 797 00:32:25,028 --> 00:32:26,404 Yeah, and it works. 798 00:32:26,446 --> 00:32:28,114 * You look into my eyes * 799 00:32:28,156 --> 00:32:30,367 I picked this song because it's different 800 00:32:30,408 --> 00:32:32,202 than the two songs that I've sang previously. 801 00:32:32,243 --> 00:32:34,579 I'm just gonna showcase more of a range. 802 00:32:34,621 --> 00:32:36,414 I'm not playing my guitar for this one, 803 00:32:36,456 --> 00:32:38,708 so I'm not gonna have a little safety net here. 804 00:32:38,750 --> 00:32:41,002 To make sure I win, we're gonna be cheesing. 805 00:32:41,044 --> 00:32:42,253 We're gonna be moving around. 806 00:32:42,295 --> 00:32:43,838 It's gonna be good. [ Laughs ] 807 00:32:43,880 --> 00:32:45,799 * And here I goooo * 808 00:32:45,840 --> 00:32:48,301 She was very timid on the first round. 809 00:32:48,343 --> 00:32:50,011 And the second time she sang it, 810 00:32:50,053 --> 00:32:52,013 she just let everything go 811 00:32:52,055 --> 00:32:53,306 and just sang her little heart out. 812 00:32:53,348 --> 00:32:55,016 Did you ever cover any Dolly songs? 813 00:32:55,058 --> 00:32:56,393 Yeah. "Hard Candy Christmas." 814 00:32:56,434 --> 00:32:57,977 Oh, yeah. She's a great gal. 815 00:32:58,019 --> 00:32:59,396 She'll love you singing her song. 816 00:32:59,437 --> 00:33:00,772 [ Laughs ] Thank you. 817 00:33:00,814 --> 00:33:02,065 Sounds so good, buddy. 818 00:33:02,107 --> 00:33:03,525 Smile, like Reba said. 819 00:33:03,566 --> 00:33:05,318 If you don't do what Reba says, trust me, I know... 820 00:33:05,360 --> 00:33:06,986 Oh, believe me. ...stuff happens. 821 00:33:07,028 --> 00:33:08,071 [ Laughs ] 822 00:33:08,113 --> 00:33:09,322 Neil: Being paired with Grace, 823 00:33:09,364 --> 00:33:11,199 it's gonna keep me on my toes. 824 00:33:11,241 --> 00:33:12,575 Now I know who I'm up against. 825 00:33:12,617 --> 00:33:14,327 I've gone through so much to get to this point, 826 00:33:14,369 --> 00:33:16,371 I just want to make it to the playoffs. 827 00:33:16,413 --> 00:33:18,123 Reba: So where are you from? I'm from St. Louis. 828 00:33:18,164 --> 00:33:21,418 St. Louis. And I'm singing a song by a St. Louis singer. 829 00:33:21,459 --> 00:33:23,211 "Takin' It to the Streets" by The Doobie Brothers. 830 00:33:23,253 --> 00:33:24,838 Oh, I love that song. 831 00:33:24,879 --> 00:33:27,632 * You don't know me, but I'm your brother * 832 00:33:27,674 --> 00:33:30,176 Neil: This song, it's almost like a gospel song 833 00:33:30,218 --> 00:33:31,761 disguised as a rock song. 834 00:33:31,803 --> 00:33:33,013 * You will find... * 835 00:33:33,054 --> 00:33:34,139 If the St. Louis sound is anything, 836 00:33:34,180 --> 00:33:35,724 it's those two things. 837 00:33:35,765 --> 00:33:39,352 And that is who I am and who I want to be as a performer. 838 00:33:39,394 --> 00:33:42,063 I've been working as a musician in St. Louis 839 00:33:42,105 --> 00:33:43,523 for the last decade. 840 00:33:43,565 --> 00:33:45,567 There's an amazing history of music 841 00:33:45,608 --> 00:33:48,028 from Chuck Berry to Michael McDonald, 842 00:33:48,069 --> 00:33:52,323 but I am super grateful to sing on the "Voice" stage. 843 00:33:52,365 --> 00:33:54,242 * Takin' it to the streets * 844 00:33:54,284 --> 00:33:57,579 Being here and all the performances so far 845 00:33:57,620 --> 00:34:00,665 have pushed me to be a better performer. 846 00:34:00,707 --> 00:34:03,918 Blake: Neil looks like he's having his own private party 847 00:34:03,960 --> 00:34:05,003 when he's performing. 848 00:34:05,045 --> 00:34:06,296 It's fun to see. 849 00:34:06,338 --> 00:34:07,672 This is a perfect song, 850 00:34:07,714 --> 00:34:09,257 especially coming out of the battles. 851 00:34:09,299 --> 00:34:11,426 He did so well with "Heard It Through the Grapevine" 852 00:34:11,468 --> 00:34:13,386 that this seems like the perfect next step for him. 853 00:34:13,428 --> 00:34:15,013 I couldn't look at you. I was too nervous, but... 854 00:34:15,055 --> 00:34:17,098 [ Laughing ] Oh! That sounded great. 855 00:34:17,140 --> 00:34:18,933 Do you have background vocals on this? 856 00:34:18,975 --> 00:34:21,436 Yeah, they'll be there. We will in the next pass. We can play him out. 857 00:34:21,478 --> 00:34:24,397 I think it'll help because I feel like on that second chorus, 858 00:34:24,439 --> 00:34:27,067 that's such a signature part of that record, 859 00:34:27,108 --> 00:34:28,526 I'm kind of on the edge of my seat. 860 00:34:28,568 --> 00:34:30,278 Like, what's he gonna do? You know what I mean? 861 00:34:30,320 --> 00:34:32,280 And I think knowing what the content of this song is, 862 00:34:32,322 --> 00:34:34,616 it's about this is the kind of lifestyle you live. 863 00:34:34,657 --> 00:34:37,535 I'm down here literally in the streets... Yeah. 864 00:34:37,577 --> 00:34:39,412 ...and so maybe it's not so playful. 865 00:34:39,454 --> 00:34:41,998 "I was raised here in this living hell." Yeah. 866 00:34:42,040 --> 00:34:45,460 That's kind of a somber message there. Right, right. Yeah. 867 00:34:45,502 --> 00:34:46,920 I don't think it has to be such a downer. 868 00:34:46,961 --> 00:34:49,381 No, I -- But it can be more, maybe, serious. 869 00:34:49,422 --> 00:34:51,132 Now, I think the second one, where it says, 870 00:34:51,174 --> 00:34:54,302 "Take this message to my brother," that's a hopefulness. 871 00:34:54,344 --> 00:34:55,512 Alright. Let's try it again. 872 00:34:55,553 --> 00:34:57,138 So, we do have some singers? Man: Yeah. 873 00:34:57,180 --> 00:34:59,224 Me and Reba were gonna jump in, but that's cool. [ Whistles ] 874 00:34:59,265 --> 00:35:01,142 We'll get you a couple mics right now, if you want. There you go. 875 00:35:01,184 --> 00:35:03,978 You're gonna owe her a lot more money if she sings, also. 876 00:35:04,020 --> 00:35:05,480 [ Laughter ] 877 00:35:05,522 --> 00:35:07,273 * I ain't blind and I don't like... * 878 00:35:07,315 --> 00:35:08,817 Grace: Neil is incredible. 879 00:35:08,858 --> 00:35:12,612 He brings every cell of his being to everything he sings. 880 00:35:12,654 --> 00:35:14,489 So I'm like, "Oh, I have to sing -- 881 00:35:14,531 --> 00:35:16,866 Wait a minute. [ Chuckles ] What are the rules again?" 882 00:35:16,908 --> 00:35:18,159 Uh-oh. 883 00:35:18,201 --> 00:35:19,452 I can't imagine that I'm gonna have 884 00:35:19,494 --> 00:35:21,579 a tougher decision than this one. 885 00:35:21,621 --> 00:35:23,832 I feel for ya. I know, but you already won. 886 00:35:23,873 --> 00:35:25,417 You got to meet Reba. I know. I was just saying that. 887 00:35:25,458 --> 00:35:27,085 [ Laughs ] I got to meet y'all. 888 00:35:27,127 --> 00:35:28,837 Blake: Neil and Grace -- that's gonna be a tough one for me. 889 00:35:28,878 --> 00:35:31,089 I just got to pick who's gonna embody the song the best. 890 00:35:31,131 --> 00:35:32,507 Reba: They're great. 891 00:35:32,549 --> 00:35:33,925 I wouldn't know which one to pick right now 892 00:35:33,967 --> 00:35:36,511 'cause they're kind of similar, but different. 893 00:35:36,553 --> 00:35:37,303 Yeah. 894 00:35:37,345 --> 00:35:38,763 [ Cheers and applause ] 895 00:35:38,805 --> 00:35:42,642 With "Here You Come Again," this is Grace West. 896 00:35:44,894 --> 00:35:49,691 ** 897 00:35:49,733 --> 00:35:52,736 * Here you come again * 898 00:35:53,737 --> 00:35:58,074 * Just when I'd begun to get myself together * 899 00:35:58,116 --> 00:36:00,452 * You waltz right in the door * 900 00:36:00,493 --> 00:36:02,620 * Just like you've done before * 901 00:36:02,662 --> 00:36:08,126 * And wrapped my heart 'round your little finger * 902 00:36:08,168 --> 00:36:11,087 * Here you come again * 903 00:36:12,005 --> 00:36:16,509 * Just when I'm about to make it work without you * 904 00:36:16,551 --> 00:36:18,720 * You look into my eyes * 905 00:36:18,762 --> 00:36:20,889 * And lie those pretty lies * 906 00:36:20,930 --> 00:36:25,727 * And pretty soon, I'm wondering how I came to doubt you * 907 00:36:25,769 --> 00:36:30,273 * All you've got to do is smile that smile * 908 00:36:30,315 --> 00:36:34,444 * And there go all my defenses * 909 00:36:34,486 --> 00:36:39,074 * Just leave it up to you and in a little while * 910 00:36:39,115 --> 00:36:44,746 * You're messing up my mind and filling up my senses * 911 00:36:44,788 --> 00:36:48,500 * Here you come again * 912 00:36:48,541 --> 00:36:52,879 * Looking better than a body has a right to * 913 00:36:52,921 --> 00:36:57,592 * And shaking me up so that all I really know * 914 00:36:57,634 --> 00:37:01,179 * Is here you come again * 915 00:37:01,221 --> 00:37:05,100 * And here I goooo * 916 00:37:05,141 --> 00:37:07,602 [ Cheers and applause ] 917 00:37:07,644 --> 00:37:10,313 * Here you come again * 918 00:37:11,231 --> 00:37:15,777 * Looking better than a body has a right to * 919 00:37:15,819 --> 00:37:20,490 * And shaking me up so that all I really know * 920 00:37:20,532 --> 00:37:23,743 * Is here you come again * 921 00:37:23,785 --> 00:37:28,748 * And here I goooooooo * 922 00:37:28,790 --> 00:37:33,461 * Here I gooooooooooo, whoa, oh * 923 00:37:33,503 --> 00:37:39,134 * Here I goooo, whoa, oh * 924 00:37:39,175 --> 00:37:42,012 [ Cheers and applause ] 925 00:37:45,306 --> 00:37:46,850 She's so good. Yeah. 926 00:37:46,891 --> 00:37:48,977 Oh, my God. I feel like I've heard that voice. 927 00:37:50,854 --> 00:37:52,397 Come on, Neil. 928 00:37:59,195 --> 00:38:00,405 * This is "The Voice" * 929 00:38:00,447 --> 00:38:01,531 Daly: Welcome back to the final night 930 00:38:01,573 --> 00:38:02,782 of the knockouts. 931 00:38:02,824 --> 00:38:04,868 [ Cheers and applause ] 932 00:38:04,909 --> 00:38:07,037 Now singing "Takin' It to the Streets," 933 00:38:07,078 --> 00:38:09,456 here is Neil Salsich. 934 00:38:09,497 --> 00:38:12,917 [ Cheers and applause ] 935 00:38:12,959 --> 00:38:20,050 ** 936 00:38:20,091 --> 00:38:26,556 * You don't know me, but I'm your brother * 937 00:38:26,598 --> 00:38:32,896 * I was raised here in this living hell * 938 00:38:32,937 --> 00:38:39,069 * You don't know my kind in your world * 939 00:38:39,110 --> 00:38:45,075 * Fairly soon, the time will tell * 940 00:38:45,116 --> 00:38:47,994 * You * 941 00:38:48,036 --> 00:38:52,457 * Telling me the things you're gonna do for me * 942 00:38:54,417 --> 00:38:57,754 * I ain't blind and I don't like what I think I see * 943 00:38:57,796 --> 00:38:59,506 * Takin' it to the streets * 944 00:38:59,547 --> 00:39:01,007 * Takin' it to the streets * 945 00:39:01,049 --> 00:39:02,759 * Takin' it to the streets * 946 00:39:02,801 --> 00:39:04,010 * No more need for running * 947 00:39:04,052 --> 00:39:06,054 * Takin' it to the streets * 948 00:39:06,096 --> 00:39:07,555 * Yeah, na-a * 949 00:39:07,597 --> 00:39:09,015 * Takin' it to the * 950 00:39:09,057 --> 00:39:11,226 ** 951 00:39:11,267 --> 00:39:17,732 * Take this message to my brother * 952 00:39:17,774 --> 00:39:22,195 * You will find him everywhere * 953 00:39:22,237 --> 00:39:23,988 There ya go. There ya go! 954 00:39:24,030 --> 00:39:30,537 * Wherever people live together * [ Laughs ] 955 00:39:30,578 --> 00:39:34,666 * Tied in poverty's despair * 956 00:39:35,625 --> 00:39:37,544 * Oh, you * 957 00:39:37,585 --> 00:39:39,212 Ay! 958 00:39:39,254 --> 00:39:45,343 * Telling me the things you're gonna do for me, yeah * 959 00:39:45,385 --> 00:39:48,930 * I ain't blind and I don't like what I think I see * 960 00:39:48,972 --> 00:39:50,640 * Takin' it to the streets * 961 00:39:50,682 --> 00:39:52,392 * Takin' it to the streets * 962 00:39:52,434 --> 00:39:53,935 * Takin' it to the streets * 963 00:39:53,977 --> 00:39:55,478 * No more need for running * 964 00:39:55,520 --> 00:39:57,313 * Takin' it to the streets * 965 00:39:57,355 --> 00:39:58,648 * Yeaah, now * 966 00:39:58,690 --> 00:40:00,567 * Takin' it to the streets * 967 00:40:00,608 --> 00:40:01,818 * Takin' it, takin' it * 968 00:40:01,860 --> 00:40:03,987 * Takin' it to the streets * 969 00:40:04,029 --> 00:40:04,946 [ Vocalizing ] 970 00:40:04,988 --> 00:40:06,448 * Takin' it to the streets * 971 00:40:06,489 --> 00:40:08,491 * Takin' it to the streets * 972 00:40:08,533 --> 00:40:10,410 * Takin' it to the streets * 973 00:40:10,452 --> 00:40:12,829 * Oooooh * 974 00:40:12,871 --> 00:40:14,247 Huh! 975 00:40:14,289 --> 00:40:16,207 [ Laughs ] Hey! 976 00:40:16,249 --> 00:40:17,667 I love him! 977 00:40:17,709 --> 00:40:20,378 [ Cheers and applause ] 978 00:40:20,420 --> 00:40:22,672 Whoo! Oh, that was so good. 979 00:40:22,714 --> 00:40:24,174 Oh, yeah! 980 00:40:24,215 --> 00:40:26,384 * Takin' it to the streets * 981 00:40:26,426 --> 00:40:28,053 [ Laughs ] Niall: Wow. Grace, Neil. 982 00:40:28,094 --> 00:40:30,013 Both of you absolutely smashed it. 983 00:40:30,055 --> 00:40:31,848 For Neil, the arrangement that you made 984 00:40:31,890 --> 00:40:33,475 and t-the changes you made towards the end especially, 985 00:40:33,516 --> 00:40:35,643 you really, really took it to a different level. 986 00:40:35,685 --> 00:40:37,604 And it's just such a solid voice. Thank you. Thank you, Niall. 987 00:40:37,645 --> 00:40:39,773 The minute I heard you sing, I was like, yeah, Neil's back. 988 00:40:39,814 --> 00:40:41,316 So that's a cool thing to have. 989 00:40:41,358 --> 00:40:43,526 And, Grace, unbelievable performance. Thank you. 990 00:40:43,568 --> 00:40:44,986 You've always been one of my favorites, 991 00:40:45,028 --> 00:40:47,364 and I'm really excited to hear you 992 00:40:47,405 --> 00:40:48,907 after this show, actually. 993 00:40:48,948 --> 00:40:50,367 In my eyes, you'd be one for the future, 994 00:40:50,408 --> 00:40:53,828 and that's why I would just lean towards Grace. 995 00:40:53,870 --> 00:40:55,663 [ Cheers and applause ] Thank you. 996 00:40:55,705 --> 00:40:57,874 Awesome performances on both sides. 997 00:40:57,916 --> 00:40:59,876 Grace, your tone is just super cool to me 998 00:40:59,918 --> 00:41:01,336 and has that Southern feel to it, 999 00:41:01,378 --> 00:41:04,089 and the pitch is always there, which is dope. 1000 00:41:04,130 --> 00:41:05,590 And then for Neil, 1001 00:41:05,632 --> 00:41:08,093 what I love is your stage presence, man. 1002 00:41:08,134 --> 00:41:10,512 It's really just so exciting. 1003 00:41:10,553 --> 00:41:14,057 And when you just do this thing that you do... [ Laughter ] 1004 00:41:14,099 --> 00:41:16,226 And you were like, "I want all of y'all to pick me." 1005 00:41:16,267 --> 00:41:18,395 And I was like, "This is convincing me." 1006 00:41:18,436 --> 00:41:20,271 I would go with Neil for sure. 1007 00:41:20,313 --> 00:41:21,815 [ Cheers and applause ] 1008 00:41:21,856 --> 00:41:23,900 We were having a good old time during your performance, Neil. 1009 00:41:23,942 --> 00:41:25,443 [ Laughs ] I love that song. 1010 00:41:25,485 --> 00:41:28,697 I love that you are the kind of versatile singer 1011 00:41:28,738 --> 00:41:30,907 that picks different genres of music, 1012 00:41:30,949 --> 00:41:32,492 and you have this energy about you. 1013 00:41:32,534 --> 00:41:36,871 When you sing, it's captivating, and your voice is crazy. 1014 00:41:36,913 --> 00:41:40,208 That control is the reason why this show exists. 1015 00:41:40,250 --> 00:41:42,919 Thank you. And, Grace, you are a star. 1016 00:41:42,961 --> 00:41:45,880 You have that kind of quality about your -- your tone. 1017 00:41:45,922 --> 00:41:48,299 I don't know that this was the best song 1018 00:41:48,341 --> 00:41:50,093 to showcase in this moment. 1019 00:41:50,135 --> 00:41:52,137 I think, Neil, like, with song selection, 1020 00:41:52,178 --> 00:41:53,888 I feel like you nailed it this time. 1021 00:41:53,930 --> 00:41:55,348 I would go with Neil. 1022 00:41:55,390 --> 00:41:57,225 Daly: Thank you, Coaches. 1023 00:41:57,267 --> 00:41:59,436 Alright, cowboy, this is a tough one for you, I know. Yeah. 1024 00:41:59,477 --> 00:42:02,272 We're down to the best of the best now, you know, 1025 00:42:02,313 --> 00:42:05,817 and this is the last time I'm going to have to do this. 1026 00:42:05,859 --> 00:42:06,943 The knockouts is one of the reasons 1027 00:42:06,985 --> 00:42:08,319 I'm quitting, by the way. 1028 00:42:08,361 --> 00:42:11,823 That's how much I hate the dadgum knockouts. 1029 00:42:11,865 --> 00:42:14,284 'Cause you guys both deserve to be here. 1030 00:42:14,325 --> 00:42:16,953 And hopefully you both will be here. 1031 00:42:16,995 --> 00:42:20,457 Buddy, tough choice, I know. Who won this knockout? 1032 00:42:20,498 --> 00:42:22,250 Um... 1033 00:42:22,292 --> 00:42:24,336 I'm gonna go out how I want to here. 1034 00:42:26,004 --> 00:42:28,548 And, uh, the winner of this knockout is Grace. 1035 00:42:28,590 --> 00:42:31,134 [ Cheers and applause ] Grace, congratulations. 1036 00:42:31,176 --> 00:42:33,720 You're moving on to the playoffs on Team Blake. 1037 00:42:33,762 --> 00:42:35,221 You killed it. Mm. 1038 00:42:35,263 --> 00:42:36,973 Blake: Grace and Neil was a tough decision for me. 1039 00:42:37,015 --> 00:42:38,475 I just ended up going with Grace 1040 00:42:38,516 --> 00:42:41,644 because she just has this old-school, country voice. 1041 00:42:41,686 --> 00:42:43,021 All the potential that she has 1042 00:42:43,063 --> 00:42:44,814 is still out there in front of her, 1043 00:42:44,856 --> 00:42:46,608 and I think she's gonna be a star in country music. 1044 00:42:46,649 --> 00:42:49,027 Daly: Coaches, let me remind you that Neil is available to steal. 1045 00:42:49,069 --> 00:42:52,113 Neil, anything you want to say to your coach? 1046 00:42:52,155 --> 00:42:54,824 It's just been a freaking blast, so thank you. 1047 00:42:54,866 --> 00:42:56,993 How about a big thank you to Neil Salsich, 1048 00:42:57,035 --> 00:42:57,994 ladies and gentlemen? 1049 00:42:58,036 --> 00:42:59,996 Thank you, Neil. Thank you. 1050 00:43:00,038 --> 00:43:01,164 [ Cheers and applause ] 1051 00:43:01,206 --> 00:43:03,708 Thank you all. Appreciate you. 1052 00:43:04,292 --> 00:43:05,877 Do it. 1053 00:43:06,878 --> 00:43:09,506 Daly: We got a steal! I knew it! 1054 00:43:09,547 --> 00:43:11,132 At the last second! 1055 00:43:11,174 --> 00:43:15,845 Kelly Clarkson wants to steal Neil Salsich. Whoo! 1056 00:43:15,887 --> 00:43:17,305 Kelly: I'm just excited to work with Neil. 1057 00:43:17,347 --> 00:43:18,556 He can sing anything. 1058 00:43:18,598 --> 00:43:20,100 I want you to sing some Billy Joel. 1059 00:43:20,141 --> 00:43:22,977 He's done just such different songs each round. 1060 00:43:23,019 --> 00:43:24,688 I think he's sneakily one of the best singers 1061 00:43:24,729 --> 00:43:26,856 in the competition. Chance: That was awesome. 1062 00:43:26,898 --> 00:43:28,274 I love him. That was fire. 1063 00:43:28,316 --> 00:43:30,276 That was so good. He makes me so happy. 1064 00:43:30,318 --> 00:43:32,070 Chance: I was really glad that Kelly stole him. 1065 00:43:32,112 --> 00:43:34,489 He's so funny. And he does his head... 1066 00:43:34,531 --> 00:43:35,490 and he points. 1067 00:43:35,532 --> 00:43:36,866 He's so cute. 1068 00:43:36,908 --> 00:43:38,910 He said, "You, you, you." 1069 00:43:38,952 --> 00:43:40,578 [ Laughter ] 1070 00:43:40,620 --> 00:43:42,122 I love him. 1071 00:43:48,586 --> 00:43:49,754 * This is "The Voice" * 1072 00:43:49,796 --> 00:43:50,922 Daly: Welcome back to the knockouts 1073 00:43:50,964 --> 00:43:52,549 at Universal Studios Hollywood. 1074 00:43:52,590 --> 00:43:54,926 Mary Kate: Team Blake, we're going to the playoffs. Whoo! 1075 00:43:54,968 --> 00:43:57,554 What are we talking about? Are we doing an interview? [ Laughs ] 1076 00:43:57,595 --> 00:43:58,930 Hi. How you doing, little buddy? 1077 00:43:58,972 --> 00:44:00,098 What do you think about -- 1078 00:44:00,140 --> 00:44:01,474 What's it like watching this stuff? 1079 00:44:01,516 --> 00:44:03,226 Honestly, I thought that I was gonna, like, 1080 00:44:03,268 --> 00:44:04,644 be, like, so, like, chill. 1081 00:44:04,686 --> 00:44:06,896 I'm stressed, like, I don't know how you guys 1082 00:44:06,938 --> 00:44:08,023 do this the whole time. 1083 00:44:08,064 --> 00:44:09,274 It's been fun, though. Cool. 1084 00:44:09,315 --> 00:44:10,942 I like watching you. You're funny. 1085 00:44:10,984 --> 00:44:12,736 Cool. You all look like you're on a telethon up there. 1086 00:44:12,777 --> 00:44:14,320 It's weird. Cool. 1087 00:44:14,362 --> 00:44:15,989 Thanks, Blake. I'll see you at the playoffs. 1088 00:44:16,031 --> 00:44:18,074 See you, big buddy. Alright, buddy. 1089 00:44:18,116 --> 00:44:20,702 He's my favorite. [ Laughs ] 1090 00:44:20,744 --> 00:44:22,871 Reba: Have you ever been to Oklahoma? Niall: Touring wise, yeah, yeah. 1091 00:44:22,912 --> 00:44:24,456 Played some of those sheds. 1092 00:44:24,497 --> 00:44:25,707 Niall's very bashful. 1093 00:44:25,749 --> 00:44:27,208 Not a state that I've spent a lot of time in. 1094 00:44:27,250 --> 00:44:28,793 You're always on the move. Yeah. 1095 00:44:28,835 --> 00:44:32,422 We see the airport, the hotel, and the venue. That's it. 1096 00:44:32,464 --> 00:44:36,092 I'm working with him to try to come out of his shell. 1097 00:44:36,134 --> 00:44:38,636 No, I'm kidding. He is a sweetheart. 1098 00:44:38,678 --> 00:44:40,388 We clicked immediately. 1099 00:44:40,430 --> 00:44:42,932 Alright, Reba, we got Jerome and Ross. 1100 00:44:42,974 --> 00:44:45,477 Alright, man. You feeling good? Ready to go? All good. Ready to go. 1101 00:44:45,518 --> 00:44:47,937 Jerome, he's a real gospel soul singer. 1102 00:44:47,979 --> 00:44:49,272 Love that. 1103 00:44:49,314 --> 00:44:50,982 And Ross, he's really good at this kind of, like, 1104 00:44:51,024 --> 00:44:53,401 soft rock, country twang. 1105 00:44:53,443 --> 00:44:55,945 Both of them are amazing. These pairings are horrible. 1106 00:44:55,987 --> 00:44:57,739 'Cause then again, I have to pick someone. 1107 00:44:57,781 --> 00:44:58,990 It's very hard. I feel for ya. 1108 00:44:59,032 --> 00:45:00,408 But that's why you're here. 1109 00:45:00,450 --> 00:45:01,868 And that's why I need your help. Oh. 1110 00:45:01,910 --> 00:45:03,995 I was afraid of that. [ Both laugh ] 1111 00:45:04,037 --> 00:45:05,830 Bring 'em out. Here we go. 1112 00:45:05,872 --> 00:45:07,665 Oh, my God. [ Laughs ] 1113 00:45:07,707 --> 00:45:09,751 Look at Ross. He nearly died. 1114 00:45:09,793 --> 00:45:12,545 Ross: Getting to see Reba, I kind of couldn't handle it. 1115 00:45:12,587 --> 00:45:15,006 One of my mom's heroes. One of my heroes. 1116 00:45:15,048 --> 00:45:18,510 It was Reba McEntire. [ Chuckles ] 1117 00:45:18,551 --> 00:45:20,387 Mom: No! Yeah. 1118 00:45:20,428 --> 00:45:22,013 It was... Oh, my God. [ Laughs] 1119 00:45:22,055 --> 00:45:23,473 ...insane. How are you? 1120 00:45:23,515 --> 00:45:25,183 Sorry, I'm probably shaking a lot. Aww. 1121 00:45:25,225 --> 00:45:26,851 This is Ross. Out of control. Hi. 1122 00:45:26,893 --> 00:45:28,853 It's wonderful to meet you. Nice to meet you, Ross. 1123 00:45:28,895 --> 00:45:30,814 I was visibly shaking. 1124 00:45:30,855 --> 00:45:33,024 Did she think you're a dork?[ Laughs] 1125 00:45:33,066 --> 00:45:34,234 Probably. 1126 00:45:34,275 --> 00:45:35,193 Let's do it! 1127 00:45:35,235 --> 00:45:37,028 I decided to choose 1128 00:45:37,070 --> 00:45:39,572 "Someone You Loved" by Lewis Capaldi. Oof. 1129 00:45:39,614 --> 00:45:41,574 Everything I've done so far is up-tempo, 1130 00:45:41,616 --> 00:45:43,618 so I just want to give something different. 1131 00:45:43,660 --> 00:45:47,080 * Sometimes I fall into your arms * 1132 00:45:47,122 --> 00:45:49,249 Niall: Lewis Capaldi is a good friend of mine. 1133 00:45:49,290 --> 00:45:50,792 He'd be delighted that his song's on this, actually. 1134 00:45:50,834 --> 00:45:53,920 We've seen a lot of big moments from Jerome so far. 1135 00:45:53,962 --> 00:45:56,631 So it's nice that he's taking a step back 1136 00:45:56,673 --> 00:45:59,259 and singing one of the biggest ballads of the last 20 years also. 1137 00:45:59,300 --> 00:46:02,095 * And you're not here to get me through it all * 1138 00:46:02,137 --> 00:46:04,764 When I first heard Jerome, I was fascinated 1139 00:46:04,806 --> 00:46:06,725 by the roundness of his voice. 1140 00:46:06,766 --> 00:46:09,060 If you say, "How are you supposed to sing 1141 00:46:09,102 --> 00:46:11,062 and hold your mouth open?" Jerome. 1142 00:46:11,104 --> 00:46:12,355 * Yeah * 1143 00:46:12,397 --> 00:46:14,607 20 years old and singing like that, 1144 00:46:14,649 --> 00:46:15,942 he's got a great talent. 1145 00:46:15,984 --> 00:46:18,111 Great sound. Oh, my gosh. Thank you. 1146 00:46:18,153 --> 00:46:19,654 The only note I would have, 1147 00:46:19,696 --> 00:46:21,865 I want to know that you did go through that. 1148 00:46:21,906 --> 00:46:23,283 I gotta see that pain. Right. 1149 00:46:23,324 --> 00:46:25,910 When I let my guard down, almost whisper 1150 00:46:25,952 --> 00:46:27,787 to help with the dynamics a little bit. 1151 00:46:27,829 --> 00:46:29,205 That's a tearjerker. 1152 00:46:29,247 --> 00:46:31,249 That hurt my heart when I heard those lyrics. 1153 00:46:31,291 --> 00:46:33,710 Jerome: I would like to stay on Team Niall 1154 00:46:33,752 --> 00:46:37,589 because this is the craziest life experience ever. 1155 00:46:37,630 --> 00:46:40,800 And honestly, it still hasn't hit me yet. [ Chuckles ] 1156 00:46:40,842 --> 00:46:44,012 Back home, I have struggled with the choice -- 1157 00:46:44,054 --> 00:46:46,723 dentistry or music. 1158 00:46:46,765 --> 00:46:48,558 I do little gigs here and there. 1159 00:46:48,600 --> 00:46:50,352 This is definitely one of the biggest stages 1160 00:46:50,393 --> 00:46:52,812 I have had the opportunity to be on. 1161 00:46:52,854 --> 00:46:55,899 Tapping into the vulnerable side has been a challenge, 1162 00:46:55,940 --> 00:46:58,276 but I've had a couple of heartbreaks, 1163 00:46:58,318 --> 00:47:00,612 so I have to break down the lyrics 1164 00:47:00,653 --> 00:47:02,989 and decipher what they mean to me. 1165 00:47:03,031 --> 00:47:05,575 When you're technically as good as you are, 1166 00:47:05,617 --> 00:47:07,118 I think there's a lot of concentration 1167 00:47:07,160 --> 00:47:08,370 that goes on notes. 1168 00:47:08,411 --> 00:47:10,080 The next progression for the coming days 1169 00:47:10,121 --> 00:47:12,165 is making sure that the emotion is attached 1170 00:47:12,207 --> 00:47:13,708 to the technical singing. 1171 00:47:13,750 --> 00:47:16,419 This is a song that comes from the pit of your stomach, 1172 00:47:16,461 --> 00:47:18,296 so I need Jerome to really sell that story 1173 00:47:18,338 --> 00:47:19,923 to the people at home, because if he does, 1174 00:47:19,964 --> 00:47:22,717 he's gonna set living rooms on fire all across America. 1175 00:47:22,759 --> 00:47:25,512 Have you gotten over the fact that this lady's here yet? 1176 00:47:25,553 --> 00:47:27,514 Are you actually ready to sing? That's not gonna happen 1177 00:47:27,555 --> 00:47:29,641 for a while. Thank you for that. 1178 00:47:29,683 --> 00:47:33,311 * I'm a fool to do your dirty work * 1179 00:47:33,353 --> 00:47:35,230 I'm singing "Dirty Work" by Steely Dan. 1180 00:47:35,271 --> 00:47:38,692 Cool. I know this song backwards, in Portuguese. 1181 00:47:38,733 --> 00:47:41,611 My dad used to play the album for me on repeat. 1182 00:47:41,653 --> 00:47:42,779 * I don't wanna... * 1183 00:47:42,821 --> 00:47:44,781 Ross: I remember being in my dad's office 1184 00:47:44,823 --> 00:47:47,909 and he'd have music bumpin' while he was working. 1185 00:47:47,951 --> 00:47:51,079 My childhood with my dad was relatively short-lived. 1186 00:47:51,121 --> 00:47:52,497 He passed when I was 12. 1187 00:47:52,539 --> 00:47:56,501 It, um... It was rough. 1188 00:47:56,543 --> 00:47:59,337 He laid the foundation for what a father should be. 1189 00:47:59,379 --> 00:48:02,173 He was coaching my baseball team when he had cancer, too. 1190 00:48:02,215 --> 00:48:05,218 [ Vocalizing ] 1191 00:48:05,260 --> 00:48:07,429 I think about him every day. 1192 00:48:07,470 --> 00:48:08,930 Yeah. This song, 1193 00:48:08,972 --> 00:48:11,516 as soon as I hear it, I'm sitting with him again. 1194 00:48:11,558 --> 00:48:13,435 I'm gonna do my best to do it justice. 1195 00:48:13,476 --> 00:48:15,437 And I think no matter what I do out there, 1196 00:48:15,478 --> 00:48:17,439 even if I go up there and totally blow it, 1197 00:48:17,480 --> 00:48:20,191 [laughs] he'd still be -- he'd still be proud. 1198 00:48:20,233 --> 00:48:22,193 * No more * 1199 00:48:22,235 --> 00:48:24,070 Reba: Ross, he's a great stylist. 1200 00:48:24,112 --> 00:48:26,698 If you hear Ross on the radio, 1201 00:48:26,740 --> 00:48:28,533 you'll know immediately that's him. 1202 00:48:28,575 --> 00:48:31,036 If I was a record executive, that's what I would look for. 1203 00:48:31,077 --> 00:48:34,289 Great job, great job. And good song selection. Thanks. Thank you. 1204 00:48:34,330 --> 00:48:36,207 Everybody wants to sing along with that. Yep. 1205 00:48:36,249 --> 00:48:37,542 Great. Yeah. It's a groove. 1206 00:48:37,584 --> 00:48:41,338 Ross' voice sounds almost studio-ready, live, 1207 00:48:41,379 --> 00:48:43,715 so I got to make sure that I perform my best. 1208 00:48:43,757 --> 00:48:45,467 I don't know if you could see, at the end of that 1209 00:48:45,508 --> 00:48:47,677 I was way out of breath. Timing is everything. 1210 00:48:47,719 --> 00:48:50,513 My diaphragm all the way up into my back here 1211 00:48:50,555 --> 00:48:52,432 fills up with air as much as I can. 1212 00:48:52,474 --> 00:48:54,434 Because if you don't have air pushing, 1213 00:48:54,476 --> 00:48:56,644 there's nothing that's gonna come out of those vocal cords. 1214 00:48:56,686 --> 00:48:59,731 Right. I always think of the note before I go near it. 1215 00:48:59,773 --> 00:49:01,274 Yeah. Then I just have to go and meet it. 1216 00:49:01,316 --> 00:49:02,692 This knockout is gonna come down 1217 00:49:02,734 --> 00:49:05,487 to whoever sells their individual song the best. 1218 00:49:05,528 --> 00:49:07,489 I'm gonna have to make a tough decision, obviously, 1219 00:49:07,530 --> 00:49:09,449 but just go out and nail it. 1220 00:49:09,491 --> 00:49:11,409 It's whoever really connects with the people 1221 00:49:11,451 --> 00:49:13,661 and connects with me that is gonna make their way 1222 00:49:13,703 --> 00:49:14,954 through to the playoffs. 1223 00:49:14,996 --> 00:49:16,664 [ Cheers and applause ] 1224 00:49:16,706 --> 00:49:18,041 Yeah, Ross! 1225 00:49:18,083 --> 00:49:19,668 Whoo! 1226 00:49:20,960 --> 00:49:24,130 Now singing "Dirty Work," here's Ross Clayton. 1227 00:49:24,172 --> 00:49:26,091 [ Cheers and applause ] 1228 00:49:26,132 --> 00:49:31,846 ** 1229 00:49:31,888 --> 00:49:37,435 ** 1230 00:49:37,477 --> 00:49:39,270 * Well, times are hard * 1231 00:49:39,312 --> 00:49:42,482 * And you're afraid to pay the fee * 1232 00:49:42,524 --> 00:49:45,985 * So you find yourself somebody * 1233 00:49:46,027 --> 00:49:50,740 * Who can do the job for free * 1234 00:49:50,782 --> 00:49:54,160 * When you need a little lovin' * 1235 00:49:54,202 --> 00:49:57,122 * 'Cause your man is out of town * 1236 00:49:57,163 --> 00:50:00,583 * Yeah, that's the time you get me runnin' * 1237 00:50:00,625 --> 00:50:06,297 * And you know I'll be around * 1238 00:50:06,339 --> 00:50:10,176 * I'm a fool to do your dirty work * 1239 00:50:10,218 --> 00:50:12,887 * Oh, yeah * 1240 00:50:12,929 --> 00:50:16,808 * I don't wanna do your dirty work * 1241 00:50:16,850 --> 00:50:19,436 * No more * 1242 00:50:19,477 --> 00:50:23,314 * I'm a fool to do your dirty work * 1243 00:50:23,356 --> 00:50:25,942 * Oh, yeah * 1244 00:50:27,736 --> 00:50:31,114 * Like the castle in its corner * 1245 00:50:31,156 --> 00:50:34,451 * In a medieval game * 1246 00:50:34,492 --> 00:50:37,662 * I foresee a terrible trouble * 1247 00:50:37,704 --> 00:50:43,460 * And I stay here just the same * 1248 00:50:43,501 --> 00:50:47,172 * I'm a fool to do your dirty work * 1249 00:50:47,213 --> 00:50:49,883 * Oh, yeah * 1250 00:50:49,924 --> 00:50:53,845 * I don't wanna do your dirty work * 1251 00:50:53,887 --> 00:50:56,389 * No more * 1252 00:50:56,431 --> 00:51:00,185 * I'm a fool to do your dirty work * 1253 00:51:00,226 --> 00:51:02,896 * Oh, yeah * 1254 00:51:02,937 --> 00:51:06,816 * I don't wanna do your dirty work * 1255 00:51:06,858 --> 00:51:08,318 * No more * 1256 00:51:08,360 --> 00:51:09,694 * No more * 1257 00:51:09,736 --> 00:51:13,448 * I'm a fool to do your dirty work * 1258 00:51:13,490 --> 00:51:15,033 * Oh, yeah * Yes, Ross! 1259 00:51:15,075 --> 00:51:19,371 * More * 1260 00:51:19,412 --> 00:51:22,582 [ Cheers and applause ] 1261 00:51:33,093 --> 00:51:34,302 * This is "The Voice" * 1262 00:51:34,344 --> 00:51:36,221 Daly: Welcome back to the knockouts. 1263 00:51:36,262 --> 00:51:39,849 [ Cheers and applause ] 1264 00:51:39,891 --> 00:51:43,895 With "Someone You Loved," here's Jerome Godwin III. 1265 00:51:44,479 --> 00:51:47,440 I don't know any thirds or seconds. 1266 00:51:47,482 --> 00:51:48,650 I'm a third. You are? 1267 00:51:48,692 --> 00:51:49,943 Nah. I'm not even a junior. 1268 00:51:49,984 --> 00:51:51,820 [ Laughs ] 1269 00:51:52,987 --> 00:51:56,950 ** 1270 00:51:56,991 --> 00:51:59,828 * I'm going under and this time I fear * 1271 00:51:59,869 --> 00:52:02,956 * There's no one to save me * 1272 00:52:02,997 --> 00:52:05,792 * Mm-mm * 1273 00:52:05,834 --> 00:52:11,339 * This all or nothing really got a way of driving me crazy * 1274 00:52:12,507 --> 00:52:15,218 * I need somebody to heal * 1275 00:52:15,260 --> 00:52:17,345 * Somebody to know * 1276 00:52:17,387 --> 00:52:19,472 * Somebody to have * 1277 00:52:19,514 --> 00:52:21,641 * Somebody to hold * 1278 00:52:21,683 --> 00:52:23,768 * It's easy to say * 1279 00:52:23,810 --> 00:52:25,979 * But it's never the same * 1280 00:52:26,021 --> 00:52:30,233 * I guess I kinda liked the way you numbed all the pain * 1281 00:52:30,275 --> 00:52:32,444 * Now the day bleeds * 1282 00:52:32,485 --> 00:52:34,571 * Into nightfall * 1283 00:52:34,612 --> 00:52:36,489 * And you're not here * 1284 00:52:36,531 --> 00:52:38,658 * To get me through it all * 1285 00:52:38,700 --> 00:52:40,827 * I let my guard down * 1286 00:52:40,869 --> 00:52:43,079 * Then you pulled the rug * 1287 00:52:43,121 --> 00:52:48,001 * I was getting kinda used to being someone you loved * 1288 00:52:48,918 --> 00:52:55,175 * And I tend to close my eyes when it hurts sometimes * 1289 00:52:55,216 --> 00:52:59,220 * I fall into your arms * 1290 00:52:59,262 --> 00:53:04,726 * I'll be safe in your sound till you come back around * 1291 00:53:04,768 --> 00:53:07,354 * Now the day bleeds * 1292 00:53:07,395 --> 00:53:09,689 * Into nightfall * 1293 00:53:09,731 --> 00:53:11,649 * And you're not here * Wow. 1294 00:53:11,691 --> 00:53:13,777 * To get me through it all * 1295 00:53:13,818 --> 00:53:16,279 * I let my guard down * 1296 00:53:16,321 --> 00:53:18,031 * Then you pulled the rug * 1297 00:53:18,073 --> 00:53:28,041 * I was getting kinda used to being someone you loooooved * 1298 00:53:28,083 --> 00:53:31,127 * Yeaah * 1299 00:53:31,169 --> 00:53:33,546 * I let my guard down * 1300 00:53:33,588 --> 00:53:35,298 * Then you pulled the rug * 1301 00:53:35,340 --> 00:53:44,557 * I was getting kinda used to being someone you loved * 1302 00:53:44,599 --> 00:53:48,603 [ Cheers and applause ] 1303 00:53:54,609 --> 00:53:56,569 I think they were both amazing performances. 1304 00:53:56,611 --> 00:53:58,571 To me, I think Ross kind of edged it out 1305 00:53:58,613 --> 00:54:00,990 because I could tell that song means a lot to you. 1306 00:54:01,032 --> 00:54:02,909 And, Jerome, I felt like you were kind of 1307 00:54:02,951 --> 00:54:05,537 trying to find your place in the song a little bit more. 1308 00:54:05,578 --> 00:54:07,580 If I had to advise my homie Niall, 1309 00:54:07,622 --> 00:54:09,582 I'm leaning a little bit towards Ross. 1310 00:54:09,624 --> 00:54:10,792 [ Applause ] 1311 00:54:10,834 --> 00:54:12,627 Kelly: I loved both performances. 1312 00:54:12,669 --> 00:54:14,754 Ross, like, you continue to just blow me away. 1313 00:54:14,796 --> 00:54:16,589 Your vocals are so effortless. 1314 00:54:16,631 --> 00:54:20,135 It's like a conversation with people, which is so cool. 1315 00:54:20,176 --> 00:54:21,928 Jerome, it was almost like you had a wall up. 1316 00:54:21,970 --> 00:54:23,930 Like, sometimes I feel a song so much 1317 00:54:23,972 --> 00:54:25,807 I have to go dead inside [laughs] 1318 00:54:25,849 --> 00:54:27,308 'cause I don't want to ball. 1319 00:54:27,350 --> 00:54:28,935 Dead inside. Yeah. 1320 00:54:28,977 --> 00:54:31,271 But, like, your vocals are incredible. 1321 00:54:31,312 --> 00:54:32,731 I love the song selection. 1322 00:54:32,772 --> 00:54:36,151 I feel like you're a perfect singer for this show. 1323 00:54:36,192 --> 00:54:37,777 [ Cheers and applause ] 1324 00:54:37,819 --> 00:54:39,404 Blake: The difference for me, I think, is Jerome, 1325 00:54:39,446 --> 00:54:42,198 it just felt like you were putting the song together still 1326 00:54:42,240 --> 00:54:45,285 versus Ross came right out singing this song 1327 00:54:45,326 --> 00:54:47,787 like he's halfway through a concert already. 1328 00:54:47,829 --> 00:54:49,748 And I love that Oklahoma twang 1329 00:54:49,789 --> 00:54:51,041 that you naturally have in there. 1330 00:54:51,082 --> 00:54:53,793 That's great tone, so I'd lean towards Ross 1331 00:54:53,835 --> 00:54:55,628 if it was me, little buddy. Niall: Okay. 1332 00:54:55,670 --> 00:54:57,964 Daly: Thank you, Coaches. 1333 00:54:58,006 --> 00:54:59,466 Alright, Niall, it all comes down to you. 1334 00:54:59,507 --> 00:55:00,675 Before we find out the winner, 1335 00:55:00,717 --> 00:55:02,218 give us your thoughts on the knockout. 1336 00:55:02,260 --> 00:55:04,012 These decisions are -- I've said it every single time 1337 00:55:04,054 --> 00:55:05,764 I've had to do it -- it's horrible. 1338 00:55:05,805 --> 00:55:08,016 Jerome, I thought you really put everything into it. 1339 00:55:08,058 --> 00:55:10,101 It did get a little bit pitchy in the first verse, 1340 00:55:10,143 --> 00:55:11,978 and that's usually where you're the most solid, 1341 00:55:12,020 --> 00:55:13,480 is in that lower register. 1342 00:55:13,521 --> 00:55:15,482 And I think it knocked your confidence a little bit. 1343 00:55:15,523 --> 00:55:17,901 But you're an incredible singer, there's no doubt about it. 1344 00:55:17,942 --> 00:55:19,569 Thank you. 1345 00:55:19,611 --> 00:55:21,279 Ross, unbelievable. 1346 00:55:21,321 --> 00:55:22,781 You got a four-chair turn 1347 00:55:22,822 --> 00:55:24,908 in the blind audition for a reason, obviously. 1348 00:55:24,949 --> 00:55:26,826 And you just have that tone that cuts through. 1349 00:55:26,868 --> 00:55:27,994 Like, as Blake said, it felt like 1350 00:55:28,036 --> 00:55:29,245 we were in the middle of a gig. 1351 00:55:29,287 --> 00:55:31,247 And I know for a fact that there's more 1352 00:55:31,289 --> 00:55:32,665 in your back pocket. 1353 00:55:32,707 --> 00:55:34,000 Oh, God, I can't believe 1354 00:55:34,042 --> 00:55:35,835 that I still have to make these decisions. 1355 00:55:35,877 --> 00:55:37,462 When is American voting gonna get involved? 1356 00:55:37,504 --> 00:55:39,130 [ Laughter ] It's a tough one, Niall. 1357 00:55:39,172 --> 00:55:41,341 Who is the winner of this knockout? 1358 00:55:41,383 --> 00:55:43,218 ** 1359 00:55:43,259 --> 00:55:48,056 Uh, I think the winner of this knockout is... 1360 00:55:48,098 --> 00:55:48,848 Ross. 1361 00:55:48,890 --> 00:55:49,974 Ross, congratulations. 1362 00:55:50,016 --> 00:55:51,851 You're moving on to the playoffs. 1363 00:55:51,893 --> 00:55:53,812 Ross, I love how pure his voice is. 1364 00:55:53,853 --> 00:55:55,355 He's got this rocky tone. 1365 00:55:55,397 --> 00:55:57,190 I get the feeling that Ross could win this thing. 1366 00:55:57,232 --> 00:55:58,858 Jerome Godwin III. 1367 00:55:58,900 --> 00:56:00,485 Sad to see Jerome go. 1368 00:56:00,527 --> 00:56:02,237 He's an unbelievable singer, 1369 00:56:02,278 --> 00:56:06,199 but I just had to make a tough decision in the moment. 1370 00:56:06,241 --> 00:56:07,784 That Ross guy is good. 1371 00:56:07,826 --> 00:56:09,494 I think Ross is just bulletproof. 1372 00:56:09,536 --> 00:56:11,746 Daly: Still to come... * Don't blame it on the sunshine * 1373 00:56:11,788 --> 00:56:14,290 * Sunshine * * Don't blame it on the moonlight * 1374 00:56:14,332 --> 00:56:16,835 * Don't blame it on the good times * 1375 00:56:16,876 --> 00:56:19,421 * Blame it on the boogie * 1376 00:56:20,088 --> 00:56:21,673 Yes! You did it! Whoa! 1377 00:56:21,715 --> 00:56:23,258 Daly: We got a steal! 1378 00:56:23,299 --> 00:56:24,884 You're my last steal. 1379 00:56:24,926 --> 00:56:26,553 My last steal ever. 1380 00:56:26,594 --> 00:56:28,638 Ah! I'm so happy! 1381 00:56:35,437 --> 00:56:36,604 * This is "The Voice" * 1382 00:56:36,646 --> 00:56:38,857 Daly: Welcome back to "The Voice." 1383 00:56:38,898 --> 00:56:40,775 Madi: You were stolen, and you're now on Team Chance. 1384 00:56:40,817 --> 00:56:42,610 I know. I'm so happy. Welcome. 1385 00:56:42,652 --> 00:56:43,695 Thank you! Welcome to Team Chance! 1386 00:56:43,737 --> 00:56:44,946 I'm happy to be here. 1387 00:56:44,988 --> 00:56:46,740 Tiana is actually new to my team. 1388 00:56:46,781 --> 00:56:48,158 Daly: We got a steal! 1389 00:56:48,199 --> 00:56:50,160 I stole her from Team Niall. Yeah! 1390 00:56:50,201 --> 00:56:52,912 Sorelle is actually a trio. 1391 00:56:52,954 --> 00:56:54,914 They're a three-part super harmonic group. 1392 00:56:54,956 --> 00:56:56,291 Ana: We're more like modern pop. 1393 00:56:56,332 --> 00:56:58,460 Okay, I'm kind of like a pop-R&B artist, 1394 00:56:58,501 --> 00:57:00,962 so I think that's why he'd want to pair us. 1395 00:57:01,004 --> 00:57:02,088 Are they related? 1396 00:57:02,130 --> 00:57:03,465 They are. They're three sisters. 1397 00:57:03,506 --> 00:57:04,799 Oh, cool. Isn't that cool? 1398 00:57:04,841 --> 00:57:05,967 Love that. They're fire, right? Yeah. 1399 00:57:06,009 --> 00:57:07,302 Nothing like blood harmony. 1400 00:57:07,344 --> 00:57:08,595 Yeah. Blood harmony. 1401 00:57:08,636 --> 00:57:09,763 Yeah. We got this. Let's go. 1402 00:57:09,804 --> 00:57:11,306 Girl power! 1403 00:57:11,348 --> 00:57:12,932 [ Laughs ] 1404 00:57:14,392 --> 00:57:15,352 Hey, guys. 1405 00:57:15,393 --> 00:57:16,353 Hi! Hi! Hi! 1406 00:57:16,394 --> 00:57:17,937 Ooh, man. 1407 00:57:17,979 --> 00:57:21,775 You walk in, and there's Reba McEntire. 1408 00:57:21,816 --> 00:57:23,443 Like what? Craziness. Like what? 1409 00:57:23,485 --> 00:57:24,444 How are ya? 1410 00:57:24,486 --> 00:57:26,029 Ana: She is a legend. 1411 00:57:26,071 --> 00:57:28,948 So to see her literally made my heart stop. 1412 00:57:28,990 --> 00:57:30,575 How are you guys doing? 1413 00:57:30,617 --> 00:57:31,576 Doing great. How are you? 1414 00:57:31,618 --> 00:57:32,786 I'm wonderful. 1415 00:57:32,827 --> 00:57:34,120 I'm so glad to have you on my team. 1416 00:57:34,162 --> 00:57:35,413 Thank you for stealing me. 1417 00:57:35,455 --> 00:57:37,332 I think that you have a lot to show, man. 1418 00:57:37,374 --> 00:57:39,000 I'm excited to see what you do in this competition. Thank you. 1419 00:57:39,042 --> 00:57:40,835 I'm excited to see what you think of the song. 1420 00:57:40,877 --> 00:57:42,921 Battles, I did, like, such a big song. 1421 00:57:42,962 --> 00:57:44,339 I did "Girls Just Want to Have Fun." 1422 00:57:44,381 --> 00:57:45,882 Uh-huh. So, I wanted to strip it down 1423 00:57:45,924 --> 00:57:47,842 and do something a little slower. 1424 00:57:47,884 --> 00:57:51,388 * You, you're loving how I move you * 1425 00:57:51,429 --> 00:57:54,224 Tiana: I'm singing "God is a Woman" by Ariana Grande. 1426 00:57:54,265 --> 00:57:56,101 I kind of changed the arrangement to make it 1427 00:57:56,142 --> 00:57:57,894 a little more acoustic, 1428 00:57:57,936 --> 00:58:00,105 slow it down just a little bit. 1429 00:58:00,146 --> 00:58:02,857 "God is a woman" -- that statement is so powerful to me. 1430 00:58:02,899 --> 00:58:05,485 I grew up in a house with a single mom. 1431 00:58:05,527 --> 00:58:09,030 She had four kids, and she did it all on her own. 1432 00:58:09,072 --> 00:58:11,074 * You'll believe God is a woman * 1433 00:58:11,116 --> 00:58:14,703 She made miracles happen, and I look up to her so much. 1434 00:58:14,744 --> 00:58:16,538 So, it's a very personal choice. 1435 00:58:16,579 --> 00:58:19,666 * When you try to come for me, I keep on flourishing, yeah * 1436 00:58:19,708 --> 00:58:21,710 Chance: This is my first time really getting to sit down with Tiana, 1437 00:58:21,751 --> 00:58:23,044 and the first thing that I'm noticing 1438 00:58:23,086 --> 00:58:26,047 is that she has a very distinct vocal 1439 00:58:26,089 --> 00:58:29,092 and that it's got an angelic sense to it. 1440 00:58:29,134 --> 00:58:31,094 * You love it how * On a technical level, 1441 00:58:31,136 --> 00:58:33,388 her talent is -- is undeniable. 1442 00:58:33,430 --> 00:58:36,266 * When all is said and done, you'll believe... * 1443 00:58:36,307 --> 00:58:37,726 Madi: When we were watching Tiana perform, 1444 00:58:37,767 --> 00:58:39,227 I think we were all in amazement. 1445 00:58:39,269 --> 00:58:40,895 Our jaws were dropped. Yeah. 1446 00:58:40,937 --> 00:58:42,564 Ana: But this is a competition, 1447 00:58:42,605 --> 00:58:44,065 so we are here to fight, 1448 00:58:44,107 --> 00:58:47,318 and we are here to earn our spot into the playoffs. 1449 00:58:47,360 --> 00:58:48,820 [ Music ends ] [ Applause ] 1450 00:58:48,862 --> 00:58:50,697 Beautiful. Thank you. 1451 00:58:50,739 --> 00:58:51,948 Beautiful. 1452 00:58:51,990 --> 00:58:53,408 You're obviously a very talented singer. 1453 00:58:53,450 --> 00:58:55,452 Thank you. I feel like, with this song, 1454 00:58:55,493 --> 00:58:57,829 I just want you to show what the song means to you. 1455 00:58:57,871 --> 00:59:00,248 Okay. Feeling is a lot of what music is... 1456 00:59:00,290 --> 00:59:02,250 Definitely. ...and so just -- just maybe reading the lyrics 1457 00:59:02,292 --> 00:59:03,752 and, like, making it mean to you 1458 00:59:03,793 --> 00:59:05,086 what it means in this moment. 1459 00:59:05,128 --> 00:59:07,255 Tell a story. Like -- Exactly. 1460 00:59:07,297 --> 00:59:09,132 This is my first time working with Chance, 1461 00:59:09,174 --> 00:59:12,719 and I want him to see that I'm a valuable asset. 1462 00:59:12,761 --> 00:59:13,762 Great job. 1463 00:59:13,803 --> 00:59:14,763 It's going to be harder 1464 00:59:14,804 --> 00:59:16,056 going up against a trio, 1465 00:59:16,097 --> 00:59:18,391 but Tiana, she's just incredible. 1466 00:59:18,433 --> 00:59:20,769 It was really good. I totally love her singing. 1467 00:59:20,810 --> 00:59:22,604 Three sisters singing together. 1468 00:59:22,645 --> 00:59:25,190 I'm a part also of a singing group. Yeah. 1469 00:59:25,231 --> 00:59:27,525 My older brother, my little sister, and I, 1470 00:59:27,567 --> 00:59:29,235 we were the Singing McEntires. 1471 00:59:29,277 --> 00:59:30,779 How'd y'all get y'all's name? 1472 00:59:30,820 --> 00:59:31,988 So, we're Italian. Reba: Uh-huh. 1473 00:59:32,030 --> 00:59:33,740 So, Sorelle is "sisters" in Italian. 1474 00:59:33,782 --> 00:59:35,283 I love that. Oh! 1475 00:59:35,325 --> 00:59:37,118 You picked "Blame It on the Boogie" by the Jacksons? 1476 00:59:37,160 --> 00:59:38,661 Oh, yeah. Yes. We did. 1477 00:59:38,703 --> 00:59:40,121 Chance: That's a great choice. This was -- This was 1478 00:59:40,163 --> 00:59:41,790 one of our favorite songs growing up, 1479 00:59:41,831 --> 00:59:43,291 so we're super excited. 1480 00:59:43,333 --> 00:59:44,125 I love that. 1481 00:59:44,167 --> 00:59:45,418 I love the plaid theme, too. 1482 00:59:45,460 --> 00:59:46,961 Oh, thank you. Thank you. So cute. 1483 00:59:47,003 --> 00:59:48,004 We always like to coordinate some kind of way. 1484 00:59:48,046 --> 00:59:49,255 I love it. [ Laughter ] 1485 00:59:49,297 --> 00:59:50,840 * My baby's always dancin' * 1486 00:59:50,882 --> 00:59:53,510 * And it wouldn't be a bad thing * 1487 00:59:53,551 --> 00:59:55,470 Madi: Growing up, we actually had a karaoke machine. 1488 00:59:55,512 --> 00:59:58,932 Our constant go-to song was "Blame It on the Boogie," 1489 00:59:58,973 --> 01:00:00,350 and we would all, like, pass the mic around, 1490 01:00:00,392 --> 01:00:01,685 and then we'd have our feet. Awesome. 1491 01:00:01,726 --> 01:00:02,686 We'd be like * I just * 1492 01:00:02,727 --> 01:00:03,812 * I just can't * 1493 01:00:03,853 --> 01:00:05,480 * I just can't control my feet * 1494 01:00:05,522 --> 01:00:09,984 We really love upbeat, high-energy, catchy choruses. 1495 01:00:10,026 --> 01:00:11,236 * This magic music grooves me * 1496 01:00:11,277 --> 01:00:13,238 We are putting our own little spin on it 1497 01:00:13,279 --> 01:00:15,198 to show exactly who Sorelle is. 1498 01:00:15,240 --> 01:00:16,491 We really want to show the coaches 1499 01:00:16,533 --> 01:00:18,993 that we have the ability to fill up arenas. 1500 01:00:19,035 --> 01:00:20,954 * Don't blame it on the good times * 1501 01:00:20,995 --> 01:00:22,414 * Blame it on the boogie * 1502 01:00:22,455 --> 01:00:26,376 The girls got up on stage and were cute as a button. 1503 01:00:26,418 --> 01:00:28,211 They did the little dance routines 1504 01:00:28,253 --> 01:00:30,171 and -- and taking turns singing, 1505 01:00:30,213 --> 01:00:31,756 and then that three-part harmony, 1506 01:00:31,798 --> 01:00:34,175 which I absolutely love. 1507 01:00:34,217 --> 01:00:35,760 I just fell in love with them. 1508 01:00:35,802 --> 01:00:36,928 * Whoa-oh-oh * 1509 01:00:36,970 --> 01:00:39,597 Oh, my God. Insane, right? 1510 01:00:39,639 --> 01:00:40,849 Wow. 1511 01:00:40,890 --> 01:00:42,183 Love it. Love it. Thank you. 1512 01:00:42,225 --> 01:00:45,020 Not only was the three-part harmony so good, 1513 01:00:45,061 --> 01:00:46,062 but the dance moves. 1514 01:00:46,104 --> 01:00:47,522 Oh, my gosh. 1515 01:00:47,564 --> 01:00:49,774 Every time you guys get on stage, you guys smash it. 1516 01:00:49,816 --> 01:00:51,276 It's so dope. Aww, thank you. 1517 01:00:51,317 --> 01:00:52,694 That's what I was going to say. Chance: Right? 1518 01:00:52,736 --> 01:00:55,113 But I think the one thing that I would give notes on 1519 01:00:55,155 --> 01:00:56,865 is maybe the lyric splits, a little bit. 1520 01:00:56,906 --> 01:01:00,076 We go straight for the harmony within, like, that first verse. 1521 01:01:00,118 --> 01:01:02,203 Uh-huh. And I think it sounds the best 1522 01:01:02,245 --> 01:01:03,413 when you guys have the splits, 1523 01:01:03,455 --> 01:01:05,373 where two of you guys are doing harms 1524 01:01:05,415 --> 01:01:07,542 and one person is doing the lead vocal. Okay. 1525 01:01:07,584 --> 01:01:10,211 Yeah. But the performance is A-1 to me. 1526 01:01:10,253 --> 01:01:12,005 Did you have anything? I don't, at all. 1527 01:01:12,047 --> 01:01:13,214 Right? It's so good, right? 1528 01:01:13,256 --> 01:01:14,799 I'm just totally entertained. 1529 01:01:14,841 --> 01:01:17,427 Pitch is great. You've got great interaction. 1530 01:01:17,469 --> 01:01:18,720 Thank you. Thank you. Thank you. 1531 01:01:18,762 --> 01:01:21,514 Sorelle, their vocals are amazing. 1532 01:01:21,556 --> 01:01:22,557 You want to come back up? 1533 01:01:22,599 --> 01:01:24,059 Tiana: In my head, I'm like, "Okay, 1534 01:01:24,100 --> 01:01:25,685 I need to make sure my vocals are on point." 1535 01:01:25,727 --> 01:01:27,687 It was so beautiful. 1536 01:01:27,729 --> 01:01:28,813 Amazingly talented. 1537 01:01:28,855 --> 01:01:29,898 Oh, I got to have one more hug. 1538 01:01:29,939 --> 01:01:30,899 Aww. [ Laughter ] 1539 01:01:30,940 --> 01:01:32,984 Sorelle was a total package. 1540 01:01:33,026 --> 01:01:34,569 You just wanted more. 1541 01:01:34,611 --> 01:01:35,403 You're wonderful. 1542 01:01:35,445 --> 01:01:37,405 But Tiana has a great voice. 1543 01:01:37,447 --> 01:01:40,408 If she amped it up with emotion, with feeling, 1544 01:01:40,450 --> 01:01:43,286 then she might just blow the audience out of the water. 1545 01:01:43,328 --> 01:01:44,704 See you in the knockouts. 1546 01:01:44,746 --> 01:01:46,623 We'll see on that night of the performance. 1547 01:01:46,664 --> 01:01:48,208 Oh, my gosh. 1548 01:01:48,249 --> 01:01:50,460 So different and so good. Yeah. 1549 01:01:50,502 --> 01:01:51,836 Good luck, buddy. [ Laughs ] 1550 01:01:51,878 --> 01:01:53,004 Nah, it's gonna be tough. 1551 01:01:53,046 --> 01:01:54,255 [ Cheers and applause ] 1552 01:01:54,297 --> 01:01:55,548 I'm so looking forward to this. 1553 01:01:55,590 --> 01:01:56,800 It's gonna be sick. 1554 01:01:56,841 --> 01:02:00,053 With "Blame It on the Boogie," here is Sorelle. 1555 01:02:00,095 --> 01:02:02,097 [ Cheers and applause ] 1556 01:02:02,138 --> 01:02:06,685 ** 1557 01:02:06,726 --> 01:02:09,979 * Hee, hee, yeah * 1558 01:02:10,021 --> 01:02:11,231 -Hey! -Whoo! 1559 01:02:11,272 --> 01:02:13,316 * My baby's always dancin' * 1560 01:02:13,358 --> 01:02:15,443 * And it wouldn't be a bad thing * 1561 01:02:15,485 --> 01:02:19,447 * But I don't get no lovin', and that's no lie * 1562 01:02:19,489 --> 01:02:21,825 * We spent the night in Frisco * 1563 01:02:21,866 --> 01:02:23,827 * At every kind of disco * 1564 01:02:23,868 --> 01:02:27,414 * From that night I kissed our love goodbye * 1565 01:02:27,455 --> 01:02:29,332 * Don't blame it on the sunshine * 1566 01:02:29,374 --> 01:02:31,376 * Don't blame it on the moonlight * 1567 01:02:31,418 --> 01:02:33,795 * Don't blame it on the good times * 1568 01:02:33,837 --> 01:02:35,588 * Blame it on the boogie * 1569 01:02:35,630 --> 01:02:37,757 * Don't blame it on the sunshine * 1570 01:02:37,799 --> 01:02:39,676 * Don't blame it on the moonlight * 1571 01:02:39,718 --> 01:02:42,220 * Don't blame it on the good times * 1572 01:02:42,262 --> 01:02:44,347 * Blame it on the boogie * 1573 01:02:45,223 --> 01:02:46,016 * I just can't, I just can't * 1574 01:02:47,017 --> 01:02:49,019 * I just can't control my feet * 1575 01:02:49,644 --> 01:02:50,145 * I can't, no * 1576 01:02:51,187 --> 01:02:52,981 * I just can't control my feet * 1577 01:02:53,023 --> 01:02:55,150 * This magic music grooves me * 1578 01:02:55,191 --> 01:02:56,651 * That dirty rhythm moves me * 1579 01:02:56,693 --> 01:02:59,446 Yeah! * The devil's gotten to me * 1580 01:02:59,487 --> 01:03:01,281 * Through this dance * 1581 01:03:01,322 --> 01:03:03,450 * I'm full of funky fever * 1582 01:03:03,491 --> 01:03:05,493 * The fire burns inside me * 1583 01:03:05,535 --> 01:03:09,873 * Boogie's got me in a super trance * 1584 01:03:09,914 --> 01:03:11,207 * Sunshine * 1585 01:03:12,000 --> 01:03:13,251 * Moonlight * 1586 01:03:14,127 --> 01:03:15,378 * Good times * 1587 01:03:16,171 --> 01:03:17,172 * Boogie * 1588 01:03:17,213 --> 01:03:18,340 * Uh, uh, uh, uh, uh * 1589 01:03:19,257 --> 01:03:19,632 * Ooooooh * 1590 01:03:21,593 --> 01:03:22,177 * Do-be-do-be-do-do * 1591 01:03:22,927 --> 01:03:24,429 * Good times * 1592 01:03:24,471 --> 01:03:27,349 * Boo, boo, boo, boogie * 1593 01:03:28,516 --> 01:03:28,933 * Sunshine * 1594 01:03:29,768 --> 01:03:30,810 * You just wanna * 1595 01:03:30,852 --> 01:03:32,812 * Good times * 1596 01:03:33,813 --> 01:03:34,814 * Don't you blame it on the sunshine * 1597 01:03:36,232 --> 01:03:38,318 * Don't blame it on the moonlight * 1598 01:03:38,360 --> 01:03:40,362 * Don't blame it on the good times * 1599 01:03:40,403 --> 01:03:41,905 * Blame it on the boogie * 1600 01:03:41,946 --> 01:03:43,823 * Oooooh * * Don't blame it on the sunshine * 1601 01:03:43,865 --> 01:03:45,116 * Sunshine * 1602 01:03:45,158 --> 01:03:46,117 * Don't blame it on the moonlight * 1603 01:03:47,243 --> 01:03:48,203 * Don't blame it on the good times * 1604 01:03:49,162 --> 01:03:51,790 * Blame it on the boogie * 1605 01:03:51,831 --> 01:03:53,750 ** 1606 01:03:53,792 --> 01:03:54,918 * Boogie * 1607 01:03:54,959 --> 01:03:57,170 * Whoa-oh-oh * 1608 01:03:57,212 --> 01:04:00,465 [ Cheers and applause ] 1609 01:04:03,677 --> 01:04:05,220 Oh, my God. I got me a little Jackson 5. 1610 01:04:05,261 --> 01:04:06,971 Yeah. [ Laughs ] 1611 01:04:07,013 --> 01:04:09,307 [ Cheers and applause continue ] 1612 01:04:15,939 --> 01:04:17,148 * This is "The Voice" * 1613 01:04:17,190 --> 01:04:19,484 Daly: Welcome back. 1614 01:04:19,526 --> 01:04:21,194 Chance: Go, Tiana! 1615 01:04:22,320 --> 01:04:23,738 Come on, Tiana! 1616 01:04:23,780 --> 01:04:27,283 Now with "God is a Woman," here's Tiana Goss. 1617 01:04:28,034 --> 01:04:31,246 ** 1618 01:04:31,287 --> 01:04:35,291 * You, you're loving how I move you * 1619 01:04:35,333 --> 01:04:39,170 * You're loving how I touch you, my one * 1620 01:04:39,212 --> 01:04:44,342 * When all is said and done, you'll believe God is a woman * 1621 01:04:44,384 --> 01:04:48,471 * And I, I feel it after midnight * 1622 01:04:48,513 --> 01:04:52,642 * A feeling that you can't fight, my one * 1623 01:04:52,684 --> 01:04:54,561 * It lingers when we're done * 1624 01:04:54,602 --> 01:04:59,357 * You'll believe God is a woman * 1625 01:05:00,483 --> 01:05:03,028 * I don't wanna waste no time, yeah * 1626 01:05:03,820 --> 01:05:06,948 * You ain't got a one-track mind, yeah * 1627 01:05:06,990 --> 01:05:10,076 * Have it any way you like, yeah * 1628 01:05:10,118 --> 01:05:13,663 * And I can tell that you know I know how I want it * 1629 01:05:13,705 --> 01:05:17,000 * Ain't nobody else can relate * 1630 01:05:17,042 --> 01:05:20,503 * Boy, I like that you ain't afraid * 1631 01:05:20,545 --> 01:05:23,506 * Baby, lay me down and let's pray * 1632 01:05:23,548 --> 01:05:26,968 * I'm tellin' you the way I like it, how I want it * 1633 01:05:27,719 --> 01:05:31,097 * And I can be all the things you told me not to be * 1634 01:05:31,139 --> 01:05:33,224 * When you try to come for me, I keep on flourishing, yeah * 1635 01:05:33,266 --> 01:05:34,684 Yeah! Hey! 1636 01:05:34,726 --> 01:05:37,187 * And he see the universe when I'm in company * 1637 01:05:37,228 --> 01:05:39,564 * It's all in me * 1638 01:05:39,606 --> 01:05:47,447 * You, you, you're lovin' how I touch you, my one * 1639 01:05:47,489 --> 01:05:52,535 * When all is said and done, you'll believe God is a woman * 1640 01:05:52,577 --> 01:05:56,873 * And I-I-I-I * 1641 01:05:56,915 --> 01:06:01,086 * A feeling that you can't fight, my one * 1642 01:06:01,127 --> 01:06:02,837 * It lingers when we're done * 1643 01:06:02,879 --> 01:06:05,423 * You'll believe God is a woman * 1644 01:06:05,465 --> 01:06:08,718 * You'll believe God * 1645 01:06:08,760 --> 01:06:14,516 * You'll believe Gooooood * 1646 01:06:14,557 --> 01:06:16,309 * It lingers when we're done * 1647 01:06:16,351 --> 01:06:21,898 * You'll believe God is a woman * 1648 01:06:21,940 --> 01:06:23,900 [ Cheers and applause ] 1649 01:06:23,942 --> 01:06:33,243 ** 1650 01:06:33,284 --> 01:06:34,411 What's up, ladies? 1651 01:06:34,452 --> 01:06:35,912 Hi! Hi! Hi! 1652 01:06:35,954 --> 01:06:38,998 Tiana, you just have a very tender way of singing 1653 01:06:39,040 --> 01:06:41,960 and the effortless, little ethereal runs that you have, 1654 01:06:42,002 --> 01:06:43,920 it's so cool. 1655 01:06:43,962 --> 01:06:45,130 And, Sorelle, 1656 01:06:45,171 --> 01:06:47,173 I would have never picked this song for you. 1657 01:06:47,215 --> 01:06:48,425 [ Laughter ] 1658 01:06:48,466 --> 01:06:49,718 I was like -- I saw this, I looked over, 1659 01:06:49,759 --> 01:06:50,927 and I was like, "I love this song." 1660 01:06:50,969 --> 01:06:52,262 He was like, "It's going to be crazy." 1661 01:06:52,303 --> 01:06:54,264 And I was like, "It so is." 1662 01:06:54,305 --> 01:06:55,557 [ Cheers and applause ] 1663 01:06:55,598 --> 01:06:57,642 Blake: This is tough, because, Tiana, 1664 01:06:57,684 --> 01:07:00,061 you're great, and you sounded great today. 1665 01:07:00,103 --> 01:07:03,273 And that's rare, for someone to always be that consistent 1666 01:07:03,314 --> 01:07:04,649 and be as great as you are. 1667 01:07:04,691 --> 01:07:07,610 It's just not as rare as Sorelle. 1668 01:07:07,652 --> 01:07:10,780 They sound literally like they've been auto-tuned 1669 01:07:10,822 --> 01:07:12,490 as they're singing live, you know? 1670 01:07:12,532 --> 01:07:15,869 It's like it's almost impossible to sound that perfect. 1671 01:07:15,910 --> 01:07:18,413 Because of just the uniqueness of it, 1672 01:07:18,455 --> 01:07:19,748 I would have to go with Sorelle. 1673 01:07:19,789 --> 01:07:21,458 Thank you. Thank you. Thank you. 1674 01:07:21,499 --> 01:07:23,626 Sorelle, it's the shock factor every time. 1675 01:07:23,668 --> 01:07:26,296 Like, that is hours and hours of standing in a bedroom 1676 01:07:26,338 --> 01:07:27,964 going like this to each other. 1677 01:07:28,006 --> 01:07:28,965 Oh, yeah. Yes. 1678 01:07:29,007 --> 01:07:31,134 * Ooh * Lots of mirror work. 1679 01:07:31,176 --> 01:07:32,469 Exactly. Yeah. 1680 01:07:32,510 --> 01:07:34,804 And, Tiana, we have our history, and it was... 1681 01:07:34,846 --> 01:07:37,724 [ Chuckles ] And I've got a whole lot of love for you. 1682 01:07:37,766 --> 01:07:39,809 You always sound pure and sweet, 1683 01:07:39,851 --> 01:07:42,812 and that's why I've always been a big fan. 1684 01:07:42,854 --> 01:07:44,314 And I'm glad you're still here. 1685 01:07:44,356 --> 01:07:45,315 [ Cheers and applause ] 1686 01:07:45,357 --> 01:07:46,691 Thank you, Coaches. 1687 01:07:47,859 --> 01:07:50,236 Alright, Chance. It all comes down to you, buddy. 1688 01:07:50,278 --> 01:07:51,654 Chance: I'll start with Tiana. 1689 01:07:51,696 --> 01:07:53,990 I thought that you've always performed well, 1690 01:07:54,032 --> 01:07:55,742 and I feel like the song is to your style, 1691 01:07:55,784 --> 01:07:58,703 and I feel like you slowing it down made us, 1692 01:07:58,745 --> 01:08:01,581 as an audience, able to interpret the lyrics better. 1693 01:08:01,623 --> 01:08:03,917 You're an awesomely talented vocalist. 1694 01:08:03,958 --> 01:08:06,670 Sorelle, you guys' skill with harmonics 1695 01:08:06,711 --> 01:08:08,630 and the way that you guys gel together so well 1696 01:08:08,672 --> 01:08:11,716 is, like, something that this show doesn't really have. 1697 01:08:11,758 --> 01:08:13,468 And it just shows that y'all are, like, 1698 01:08:13,510 --> 01:08:15,512 willing to go the extra mile 1699 01:08:15,553 --> 01:08:17,180 and try new stuff to make stuff work, 1700 01:08:17,222 --> 01:08:18,765 which is awesome to me. 1701 01:08:18,807 --> 01:08:20,392 Thank you. Thank you. Thank you so much. 1702 01:08:20,433 --> 01:08:21,685 Thank you. 1703 01:08:21,726 --> 01:08:23,687 Daly: Chance, it's a tough decision, 1704 01:08:23,728 --> 01:08:25,397 but the time has come. 1705 01:08:25,438 --> 01:08:27,649 Who is the winner of this knockout? 1706 01:08:31,111 --> 01:08:32,987 It is a tough decision. 1707 01:08:34,739 --> 01:08:37,158 The winner of this knockout is... 1708 01:08:39,744 --> 01:08:40,662 Sorelle. 1709 01:08:40,704 --> 01:08:42,288 Daly: Sorelle, congratulations! 1710 01:08:42,330 --> 01:08:44,249 You are moving on to the playoffs 1711 01:08:44,290 --> 01:08:46,376 for Team Chance. 1712 01:08:46,418 --> 01:08:48,211 [ Cheers and applause ] 1713 01:08:48,253 --> 01:08:51,214 Chance: Sorelle completely blew me away. 1714 01:08:51,256 --> 01:08:52,882 Great stuff, yet again. 1715 01:08:52,924 --> 01:08:55,176 They have beautiful blends, and they have a stage presence 1716 01:08:55,218 --> 01:08:58,805 that sucks the audience in every time they get up there. 1717 01:08:58,847 --> 01:09:00,932 Give it up one more time for Tiana Goss, 1718 01:09:00,974 --> 01:09:02,976 ladies and gentlemen. 1719 01:09:03,018 --> 01:09:05,895 Niall: Sad to see Tiana go. She's an amazing girl. 1720 01:09:05,937 --> 01:09:10,233 I just think she came up against the beast that is Sorelle today. 1721 01:09:10,275 --> 01:09:13,111 They're so good, by the way. Sorelle. They're so different. 1722 01:09:13,153 --> 01:09:15,572 They're unlike anything we have in the competition. 1723 01:09:15,613 --> 01:09:18,241 And Chance has got Sorelle in his back pocket, 1724 01:09:18,283 --> 01:09:19,993 and that could be dangerous. 1725 01:09:26,291 --> 01:09:27,459 * This is "The Voice" * 1726 01:09:27,500 --> 01:09:30,253 Daly: Welcome back to the knockouts. 1727 01:09:30,295 --> 01:09:32,672 We've had amazing people on here as Mega Mentors, 1728 01:09:32,714 --> 01:09:35,008 but I don't know anybody that's conquered 1729 01:09:35,050 --> 01:09:36,760 as much as you have in a career. 1730 01:09:36,801 --> 01:09:38,386 Or were you saying I've been around longer 1731 01:09:38,428 --> 01:09:39,721 than all the rest of them? [ Laughs ] No! 1732 01:09:39,763 --> 01:09:40,930 I'm saying you've conquered 1733 01:09:40,972 --> 01:09:43,183 TV, movies, Broadway. I'm old, girl! 1734 01:09:43,224 --> 01:09:44,434 You've done everything. 1735 01:09:44,476 --> 01:09:45,852 Man: We're rolling, guys. 1736 01:09:45,894 --> 01:09:47,395 Holly: Why do you think Kelly put us together? 1737 01:09:47,437 --> 01:09:49,481 I have no idea, 'cause we do totally different genres, so... 1738 01:09:49,522 --> 01:09:50,940 I think it's going to be fun. 1739 01:09:50,982 --> 01:09:53,151 Kelly: Holly and Rachel are both really powerful singers. 1740 01:09:53,193 --> 01:09:54,819 I wanted to put them against each other 1741 01:09:54,861 --> 01:09:56,154 because I wanted them to hear each other singing, 1742 01:09:56,196 --> 01:09:57,655 and I wanted to raise their A-game. 1743 01:09:57,697 --> 01:09:58,823 You want to meet them? You bet. Let's do it. 1744 01:09:58,865 --> 01:09:59,866 Alright. You didn't have a choice. 1745 01:09:59,908 --> 01:10:01,201 So... [ Laughs ] [ Laughs ] 1746 01:10:01,242 --> 01:10:02,327 Come on out, y'all! 1747 01:10:02,369 --> 01:10:03,495 What's up? 1748 01:10:03,536 --> 01:10:04,621 Reba McEntire! Look at her. 1749 01:10:04,662 --> 01:10:06,247 She -- [ Laughs ] 1750 01:10:06,289 --> 01:10:08,458 Aw. Holly, you have to come out here. 1751 01:10:08,500 --> 01:10:09,834 [ Laughs ] 1752 01:10:09,876 --> 01:10:12,420 I'm tearing up right now. [ Laughs ] 1753 01:10:12,462 --> 01:10:13,880 Holly: I literally cried when I saw 1754 01:10:13,922 --> 01:10:15,674 that Reba was the Mega Mentor. 1755 01:10:15,715 --> 01:10:17,967 My family is absolutely obsessed with her. 1756 01:10:18,009 --> 01:10:19,719 Rachel. I would love to follow 1757 01:10:19,761 --> 01:10:20,845 in Reba's footsteps. 1758 01:10:20,887 --> 01:10:22,514 She's absolutely the queen 1759 01:10:22,555 --> 01:10:23,890 of country music. [ Chuckles ] 1760 01:10:23,932 --> 01:10:26,309 I just thought it would be an incredible thing 1761 01:10:26,351 --> 01:10:28,770 for y'all to get to, like, learn from the greatest. 1762 01:10:28,812 --> 01:10:30,063 And she did her homework. 1763 01:10:30,105 --> 01:10:31,564 She's already heard a little bit of y'all. 1764 01:10:31,606 --> 01:10:33,274 I did. I watched the battle rounds. 1765 01:10:33,316 --> 01:10:34,776 Big fan already. 1766 01:10:34,818 --> 01:10:36,027 I can't wait to hear what you're going to do today. 1767 01:10:36,069 --> 01:10:37,737 I'm singing "Blue Moon of Kentucky," 1768 01:10:37,779 --> 01:10:39,280 the LeAnn Rimes version. 1769 01:10:39,322 --> 01:10:42,033 Pink boots are starting, so I'm going to own this. 1770 01:10:42,075 --> 01:10:43,952 I love LeAnn Rimes. I did not know this song. 1771 01:10:43,993 --> 01:10:47,038 Okay. Alright. So, let's back it up a little bit. 1772 01:10:47,080 --> 01:10:48,373 Patsy Cline. I am. Patsy -- 1773 01:10:48,415 --> 01:10:50,375 Oh! Why'd you pick this song? 1774 01:10:50,417 --> 01:10:51,876 I grew up doing bluegrass. 1775 01:10:51,918 --> 01:10:53,461 This is, like, one of the first songs that I ever, 1776 01:10:53,503 --> 01:10:54,796 like, learned how to sing. 1777 01:10:54,838 --> 01:10:57,090 * I said blue moon of Kentucky * 1778 01:10:57,132 --> 01:10:58,717 Holly: I just got up with the house band, 1779 01:10:58,758 --> 01:11:00,385 told them what key I wanted to do it in, 1780 01:11:00,427 --> 01:11:01,511 and we sang it. 1781 01:11:01,553 --> 01:11:02,887 * Shine on the one that... * 1782 01:11:02,929 --> 01:11:04,723 I get to yodel in it, which is really fun. 1783 01:11:04,764 --> 01:11:06,725 * Blue * 1784 01:11:06,766 --> 01:11:08,768 When my mom heard me yodel for the first time, 1785 01:11:08,810 --> 01:11:10,145 she was a little shocked. 1786 01:11:10,186 --> 01:11:11,730 It kind of just became a thing after that. 1787 01:11:11,771 --> 01:11:13,064 A really cool party trick. 1788 01:11:13,106 --> 01:11:14,566 * Love said goodbye * 1789 01:11:14,607 --> 01:11:16,317 Yes! * I said blue moon * 1790 01:11:16,359 --> 01:11:19,195 The last two songs that I've done so far are new country. 1791 01:11:19,237 --> 01:11:21,698 So it's going to be a different type of moment 1792 01:11:21,740 --> 01:11:23,491 than what I've been showing. 1793 01:11:23,533 --> 01:11:27,412 [ Vocalizing ] 1794 01:11:27,454 --> 01:11:29,664 What?! [ Laughing ] 1795 01:11:29,706 --> 01:11:31,583 Reba: Holy smokes. Whoo! 1796 01:11:31,624 --> 01:11:34,127 Rachel: Holly's knockout song is so cool. [ Laughs ] 1797 01:11:34,169 --> 01:11:36,838 She's got great tone. She's got great vibrato. 1798 01:11:36,880 --> 01:11:38,757 Insane singer. [ Laughs ] 1799 01:11:38,798 --> 01:11:39,966 Okay with that ending. 1800 01:11:40,008 --> 01:11:41,426 Reba: Yeah. I see you. 1801 01:11:41,468 --> 01:11:43,178 That ending was incredible. [ Laughing ] 1802 01:11:43,219 --> 01:11:44,888 Thank you. I couldn't move. I was mesmerized. 1803 01:11:44,929 --> 01:11:46,598 Reba: In country music, Patsy Cline -- 1804 01:11:46,639 --> 01:11:47,932 that's the ultimate. 1805 01:11:47,974 --> 01:11:50,435 Holly took the song to different places 1806 01:11:50,477 --> 01:11:51,770 that I'd never heard before. 1807 01:11:51,811 --> 01:11:53,313 I definitely think she has star qualities. 1808 01:11:53,355 --> 01:11:54,814 My only thing is, I just wouldn't go soft 1809 01:11:54,856 --> 01:11:55,815 on that "love." 1810 01:11:55,857 --> 01:11:57,484 * Love said goodbye * 1811 01:11:57,525 --> 01:12:00,153 You got that. Don't you look at me like that. Girl. 1812 01:12:00,195 --> 01:12:02,238 I don't know if I can do that in my chest voice. 1813 01:12:02,280 --> 01:12:04,115 Are you serious? Do you know -- 1814 01:12:04,157 --> 01:12:05,742 * Love * Yeah, I guess I can. 1815 01:12:05,784 --> 01:12:08,119 Yes! You got that for days. 1816 01:12:08,161 --> 01:12:09,454 Let me introduce you to yourself. 1817 01:12:09,496 --> 01:12:10,830 Somebody get a mirror. 1818 01:12:10,872 --> 01:12:12,582 Holly: I'm super happy that Kelly pushed me 1819 01:12:12,624 --> 01:12:14,084 outside of my comfort zone. 1820 01:12:14,125 --> 01:12:15,919 I'm actually proud of myself, because this round, 1821 01:12:15,960 --> 01:12:17,754 I got past the starstruck-ness 1822 01:12:17,796 --> 01:12:19,506 and I spoke to her, and it was great. 1823 01:12:19,547 --> 01:12:22,092 Reba: The one thing that I was missing, though, 1824 01:12:22,133 --> 01:12:24,844 at the * I said blue moon * 1825 01:12:24,886 --> 01:12:26,388 the little yodel... * Moon * 1826 01:12:26,429 --> 01:12:28,098 ...maybe do it on the second chorus. 1827 01:12:28,139 --> 01:12:31,226 * I said blue moon of Kentucky * 1828 01:12:31,267 --> 01:12:32,310 Yes! Okay. 1829 01:12:32,352 --> 01:12:34,604 Yeah. Don't just do a boring moon. 1830 01:12:34,646 --> 01:12:35,980 Also, at the very end... Yeah, yeah. 1831 01:12:36,022 --> 01:12:37,899 ...when they stop... Mm-hmm. 1832 01:12:37,941 --> 01:12:39,734 ...bring your mic down. Okay. 1833 01:12:39,776 --> 01:12:44,781 * Shine on the one that's gone and left me blue * 1834 01:12:44,823 --> 01:12:45,907 Yeah. Yeah. 1835 01:12:45,949 --> 01:12:47,283 Just get a little sassy with it. 1836 01:12:47,325 --> 01:12:48,743 'Cause you're like, "Yeah, you think I'm done, 1837 01:12:48,785 --> 01:12:50,328 but I'm about to kill it." [ Laughs ] 1838 01:12:50,370 --> 01:12:52,288 I need to channel my inner Kelly Clarkson. [ Laughs ] 1839 01:12:52,330 --> 01:12:56,334 Holly is a competitor, y'all. She came to play with this song. 1840 01:12:56,376 --> 01:12:57,627 Come on, Miss Rachel. 1841 01:12:57,669 --> 01:12:59,587 I love Fleetwood Mac. I definitely know this song. 1842 01:12:59,629 --> 01:13:02,507 I mean, I look like a member right now, so. [ Laughs ] 1843 01:13:02,549 --> 01:13:05,176 * Rhiannon rings like a bell through the night * 1844 01:13:05,218 --> 01:13:07,679 Rachel: I'm singing "Rhiannon" by Fleetwood Mac, 1845 01:13:07,721 --> 01:13:10,223 which is 100% inspired by my mom. 1846 01:13:10,265 --> 01:13:12,017 * All your life you've never... * 1847 01:13:12,058 --> 01:13:13,852 I grew up around the band scene. 1848 01:13:13,893 --> 01:13:15,353 My mom was the lead singer. 1849 01:13:15,395 --> 01:13:18,314 She always had very Stevie Nicks vibes on stage. 1850 01:13:18,356 --> 01:13:20,358 "Rhiannon" is one of the first songs 1851 01:13:20,400 --> 01:13:21,901 that I heard my mom do. 1852 01:13:21,943 --> 01:13:25,113 * Will you ever win? * 1853 01:13:25,155 --> 01:13:27,991 Here I am on NBC "The Voice" singing the same song. 1854 01:13:28,033 --> 01:13:29,409 Who'd have thunk? [ Laughs ] 1855 01:13:29,451 --> 01:13:31,369 * Rhiannon * 1856 01:13:31,411 --> 01:13:33,705 Rachel is the dark horse for me on my team. 1857 01:13:33,747 --> 01:13:36,499 Like, I loved her in the blinds. 1858 01:13:36,541 --> 01:13:39,419 I fell madly in love with her in the battles. 1859 01:13:39,461 --> 01:13:42,047 She's got so much more room, I can even hear, to grow. 1860 01:13:42,088 --> 01:13:43,965 So that's exciting to work with as a coach. 1861 01:13:44,007 --> 01:13:45,550 [ Music ends ] 1862 01:13:45,592 --> 01:13:47,719 That was so cool! 1863 01:13:47,761 --> 01:13:49,220 Very good. 1864 01:13:49,262 --> 01:13:51,097 You have magical eyes, by the way. 1865 01:13:51,139 --> 01:13:52,557 I do? [ Laughs ] Yeah. 1866 01:13:52,599 --> 01:13:55,810 I love the way you do your mic. Oh, thank you. 1867 01:13:55,852 --> 01:13:58,229 Yeah, you caress it and you talk to it. 1868 01:13:58,271 --> 01:13:59,647 Yeah. So that's really good. 1869 01:13:59,689 --> 01:14:01,733 Just a natural storyteller, man. Yeah. 1870 01:14:01,775 --> 01:14:03,360 I love that you changed it up. 1871 01:14:03,401 --> 01:14:05,487 What is your melody on the * All your life *? 1872 01:14:05,528 --> 01:14:08,114 * All your life you've never seen * 1873 01:14:08,156 --> 01:14:09,949 * All your life you've never * 1874 01:14:09,991 --> 01:14:11,951 Like, go into that little break with the "you." 1875 01:14:11,993 --> 01:14:14,913 'Cause those breaks in your voice are so cool 1876 01:14:14,954 --> 01:14:16,331 and make you special. 1877 01:14:16,373 --> 01:14:17,874 That's the coolest thing about Stevie. 1878 01:14:17,916 --> 01:14:19,751 The melody just kind of goes wherever she wants, 1879 01:14:19,793 --> 01:14:21,628 and, like, I want you to feel that freedom, and you've got it. 1880 01:14:21,670 --> 01:14:23,630 You were totally moving with it, and it's, like, 1881 01:14:23,672 --> 01:14:25,131 got to be that vibe. Okay. Yeah. 1882 01:14:25,173 --> 01:14:26,758 That's it. That was so magical. 1883 01:14:26,800 --> 01:14:28,343 Thank you. [ Laughs ] Yeah. 1884 01:14:28,385 --> 01:14:31,554 I think Rachel's voice is absolutely beautiful. 1885 01:14:31,596 --> 01:14:32,806 Come on up here, Holly. 1886 01:14:32,847 --> 01:14:34,349 She has super cool vibes. 1887 01:14:34,391 --> 01:14:37,102 She's just an incredible artist, and it's really an honor 1888 01:14:37,143 --> 01:14:39,270 to be her opponent in the knockouts. 1889 01:14:39,312 --> 01:14:41,398 This will probably be my toughest one, 1890 01:14:41,439 --> 01:14:46,403 but I would be shocked [Laughs] if one of you weren't stolen. 1891 01:14:46,444 --> 01:14:47,570 Y'all just have fun. 1892 01:14:47,612 --> 01:14:49,322 Reba: After working with all four teams, 1893 01:14:49,364 --> 01:14:52,200 it is mind-boggling how many talented people 1894 01:14:52,242 --> 01:14:53,702 y'all have here at "The Voice." 1895 01:14:53,743 --> 01:14:54,953 Best of luck. 1896 01:14:54,994 --> 01:14:58,790 It's a shame you can only pick one. 1897 01:14:58,832 --> 01:15:00,208 [ Cheers and applause ] 1898 01:15:00,250 --> 01:15:02,002 Yeah! 1899 01:15:03,128 --> 01:15:04,629 Got the puffy sleeves. 1900 01:15:04,671 --> 01:15:06,923 I'm going to do that for the next round. 1901 01:15:06,965 --> 01:15:08,466 [ Laughs ] 1902 01:15:08,508 --> 01:15:12,512 With "Blue Moon of Kentucky," here's Holly Brand. 1903 01:15:12,554 --> 01:15:15,682 [ Cheers and applause ] 1904 01:15:16,516 --> 01:15:26,192 * I said blue moon of Kentucky * Whoa! 1905 01:15:26,234 --> 01:15:31,990 * Keep on shinin' * Go ahead. 1906 01:15:32,032 --> 01:15:38,038 * Shine on the one that's gone * 1907 01:15:38,079 --> 01:15:43,126 * And left me blue * 1908 01:15:43,168 --> 01:15:45,378 Yes! Yeah! 1909 01:15:45,420 --> 01:15:48,673 * I said blue moon of Kentucky * 1910 01:15:48,715 --> 01:15:51,593 * Keep on shinin' * 1911 01:15:51,634 --> 01:15:56,681 * Shine on the one that's gone and left me blue * 1912 01:15:56,723 --> 01:15:59,809 * I said blue moon of Kentucky * 1913 01:15:59,851 --> 01:16:02,687 * Keep on shinin' * Hey! 1914 01:16:02,729 --> 01:16:07,567 * Shine on the one that's gone and left me blue * 1915 01:16:07,609 --> 01:16:11,905 * Well, it was on one moonlit night * 1916 01:16:11,946 --> 01:16:14,741 * Stars shinin' bright * 1917 01:16:14,783 --> 01:16:17,369 * Whispered all night * 1918 01:16:17,410 --> 01:16:19,204 * Love said goodbye * Whoa! 1919 01:16:19,245 --> 01:16:22,040 * I said blue moon of Kentucky * 1920 01:16:22,082 --> 01:16:24,876 * Keep on shinin' * 1921 01:16:24,918 --> 01:16:30,090 * Shine on the one that's gone and left me blue * 1922 01:16:30,131 --> 01:16:34,135 * Well, it was on one lonely night * 1923 01:16:34,177 --> 01:16:36,930 * Stars shinin' bright * I know. 1924 01:16:36,971 --> 01:16:39,808 * Whispered all night * 1925 01:16:39,849 --> 01:16:41,309 * Love said goodbye * 1926 01:16:41,351 --> 01:16:44,270 Yeah! * I said blue moon of Kentucky * 1927 01:16:44,312 --> 01:16:47,399 * Keep on shinin' * 1928 01:16:47,440 --> 01:16:53,029 * Shine on the one that's gone and left me blue * 1929 01:16:53,071 --> 01:16:56,324 * Shine on the one that's gone * 1930 01:16:56,366 --> 01:17:04,958 * And left me blue * 1931 01:17:05,000 --> 01:17:06,167 ** 1932 01:17:06,209 --> 01:17:09,295 [ Vocalizing ] 1933 01:17:09,337 --> 01:17:10,380 Whoo! 1934 01:17:10,422 --> 01:17:13,466 [ Cheers and applause ] Yeah! 1935 01:17:13,508 --> 01:17:15,677 [ Laughs ] Holy crap! Whistle note. 1936 01:17:15,719 --> 01:17:17,345 That was crazy. 1937 01:17:17,387 --> 01:17:19,097 -That was insane! -Okay! 1938 01:17:19,139 --> 01:17:20,890 -Whoo! -You better sing, girl! 1939 01:17:20,932 --> 01:17:22,684 Rachel: You did so good. [ Laughs ] 1940 01:17:22,726 --> 01:17:24,394 Holly: You got it! 1941 01:17:30,817 --> 01:17:32,610 * This is "The Voice" * 1942 01:17:32,652 --> 01:17:34,195 Daly: Welcome back. 1943 01:17:34,237 --> 01:17:35,864 [ Cheers and applause ] 1944 01:17:35,905 --> 01:17:37,699 Come on, Rachel! 1945 01:17:37,741 --> 01:17:39,325 Come on, Rachel! 1946 01:17:39,367 --> 01:17:40,493 Chance: Oh, I turned for her. 1947 01:17:40,535 --> 01:17:42,078 I turned for both of them. 1948 01:17:42,120 --> 01:17:44,080 Come on, Rachel. You got this. 1949 01:17:44,122 --> 01:17:48,501 Now with "Rhiannon," here is Rachel Christine. 1950 01:17:48,543 --> 01:17:55,884 ** 1951 01:17:55,925 --> 01:17:59,429 * Rhiannon rings like a bell through the night * 1952 01:17:59,471 --> 01:18:03,683 * And wouldn't you love to love her? * 1953 01:18:03,725 --> 01:18:06,603 * Takes to the sky like a bird in flight * 1954 01:18:06,644 --> 01:18:10,982 * And who will be her lover? * 1955 01:18:11,024 --> 01:18:14,069 * All your life you've never seen * Whoo! 1956 01:18:14,110 --> 01:18:18,531 * A woman taken by the wind * 1957 01:18:18,573 --> 01:18:22,202 * Would you stay if she promised you heaven? * 1958 01:18:22,243 --> 01:18:26,122 * Will you ever win? * 1959 01:18:26,164 --> 01:18:28,875 * She is like a cat in the dark * 1960 01:18:28,917 --> 01:18:33,296 * And then, baby, she's your darkness * Hey! 1961 01:18:33,338 --> 01:18:36,508 * She rules her life like a fine skylark * 1962 01:18:36,549 --> 01:18:40,553 * When the sky is starless * 1963 01:18:40,595 --> 01:18:43,598 * All your life you've never seen * 1964 01:18:43,640 --> 01:18:47,936 * A woman taken by the wind * 1965 01:18:47,977 --> 01:18:51,856 * Would you stay if she promised you heaven? * 1966 01:18:51,898 --> 01:18:55,235 * Will you ever win? * 1967 01:18:55,276 --> 01:19:00,156 * Will you ever win? * 1968 01:19:00,198 --> 01:19:02,409 ** 1969 01:19:02,450 --> 01:19:08,289 * Rhiannon * 1970 01:19:09,207 --> 01:19:13,128 Whoo! * All your life you've never seen * 1971 01:19:13,169 --> 01:19:17,674 * A woman taken by the wind * 1972 01:19:17,716 --> 01:19:21,386 * Would you stay if she promised you heaven? * 1973 01:19:21,428 --> 01:19:24,180 * Will you ever win? * 1974 01:19:24,222 --> 01:19:32,147 * I said, will you ever win? * 1975 01:19:32,188 --> 01:19:38,028 * Rhiannon * Hey! 1976 01:19:38,069 --> 01:19:39,404 [ Cheers and applause ] 1977 01:19:39,446 --> 01:19:45,618 * Rhiannon * 1978 01:19:45,660 --> 01:19:47,120 [ Cheers and applause ] Oh! Whoa! 1979 01:19:47,162 --> 01:19:50,707 Whoo! 1980 01:19:50,749 --> 01:19:52,125 Whoo! 1981 01:19:52,167 --> 01:19:53,293 Yee-haw! 1982 01:19:53,335 --> 01:19:55,003 My team is so good! 1983 01:19:55,045 --> 01:19:56,796 Yeah, it's pretty crazy. 1984 01:19:56,838 --> 01:19:58,340 Blake: Yeah, you guys both did great. 1985 01:19:58,381 --> 01:20:00,300 What's not awesome is knockout rounds. 1986 01:20:00,342 --> 01:20:03,345 They suck! [ Laughs ] 1987 01:20:03,386 --> 01:20:05,388 Holly, you have a great yodel 1988 01:20:05,430 --> 01:20:07,807 and really have awesome control of it. 1989 01:20:07,849 --> 01:20:10,560 Rachel, I felt like after what Holly came out here and did, 1990 01:20:10,602 --> 01:20:11,811 I mean, I was just like, 1991 01:20:11,853 --> 01:20:13,355 "And now she's going to do Rihanna?" 1992 01:20:13,396 --> 01:20:15,899 Like, what? But you did an awesome job. 1993 01:20:15,940 --> 01:20:18,193 I mean, you really sang the crap out of it... Rachel: Thank you so much. 1994 01:20:18,234 --> 01:20:20,987 ...and finding some notes that are different than the record. Thank you. 1995 01:20:21,029 --> 01:20:24,157 Absolutely nothing but an awesome performance. 1996 01:20:24,199 --> 01:20:25,492 Thank you. 1997 01:20:25,533 --> 01:20:27,452 Chance: I think, Rachel, you did a great job 1998 01:20:27,494 --> 01:20:29,329 of coming back onto my radar. 1999 01:20:29,371 --> 01:20:31,247 I had never heard this song before. 2000 01:20:31,289 --> 01:20:32,999 I have heard of Rihanna. 2001 01:20:33,041 --> 01:20:34,167 He said it weird down there. 2002 01:20:34,209 --> 01:20:35,377 Didn't he say Rihanna? 2003 01:20:35,418 --> 01:20:36,544 Yeah, it sounded like he said Rihanna, 2004 01:20:36,586 --> 01:20:38,171 but he meant "Rhiannon," yeah. 2005 01:20:38,213 --> 01:20:40,340 Well, two different things, so... 2006 01:20:40,382 --> 01:20:43,176 [ Laughter ] 2007 01:20:43,218 --> 01:20:44,678 Great performance, Rachel. Thank you. 2008 01:20:44,719 --> 01:20:46,513 Holly, you completely blew me away. 2009 01:20:46,554 --> 01:20:47,847 You started off a cappella. 2010 01:20:47,889 --> 01:20:49,557 You have to have perfect pitch to, like, 2011 01:20:49,599 --> 01:20:52,227 start like that and stay in it throughout the song. 2012 01:20:52,268 --> 01:20:53,520 And, yeah, the whistle note at the end 2013 01:20:53,561 --> 01:20:55,897 was just like a crazy cherry on top. 2014 01:20:55,939 --> 01:20:58,441 You had already, like, killed the whole thing, 2015 01:20:58,483 --> 01:20:59,901 and it was just like, 2016 01:20:59,943 --> 01:21:02,278 "He's dead already," you know what I mean? So... 2017 01:21:02,320 --> 01:21:04,114 But cool moment, man. Thank you. 2018 01:21:04,155 --> 01:21:07,659 Rachel, "Rhiannon" is one of my favorite songs of all time, 2019 01:21:07,701 --> 01:21:10,370 and your ability to change things up was really impressive. 2020 01:21:10,412 --> 01:21:12,706 You smashed it out of the park. It was -- It was bulletproof. 2021 01:21:12,747 --> 01:21:15,375 It was really good. Thank you so much. 2022 01:21:15,417 --> 01:21:18,420 And, Holly, I've been a fan since day one, 2023 01:21:18,461 --> 01:21:21,214 and I think we got to see what Holly Brand is about. 2024 01:21:21,256 --> 01:21:23,550 Even down to the outfit and the sparkly boots and -- 2025 01:21:23,591 --> 01:21:24,968 The puffy sleeves. Yeah. 2026 01:21:25,010 --> 01:21:27,345 I would look like Rob Gronkowski if I wore them. 2027 01:21:27,387 --> 01:21:28,555 [ Laughter ] 2028 01:21:28,596 --> 01:21:30,056 That whistle tone at the end, 2029 01:21:30,098 --> 01:21:31,558 don't think people realize how hard that is to do. 2030 01:21:31,599 --> 01:21:32,767 Just leaning towards Holly 2031 01:21:32,809 --> 01:21:35,353 just for the uniqueness of things. 2032 01:21:35,395 --> 01:21:36,896 Thank you, Coaches. 2033 01:21:36,938 --> 01:21:38,773 Alright, Kel, it comes down to you. Oh, man. 2034 01:21:38,815 --> 01:21:40,775 Give us some thoughts before you tell us who won the knockout. 2035 01:21:40,817 --> 01:21:42,527 You both picked perfect songs. 2036 01:21:42,569 --> 01:21:43,903 Holly, doing the whistle note 2037 01:21:43,945 --> 01:21:45,613 and how you incorporated it somehow into a -- 2038 01:21:45,655 --> 01:21:46,865 like, a Patsy Cline hit... [ Laughs ] 2039 01:21:46,906 --> 01:21:48,575 I was like, "That's incredible." 2040 01:21:48,616 --> 01:21:50,368 You were like, "I don't know if I can belt 2041 01:21:50,410 --> 01:21:51,703 to that one point," and you did it, 2042 01:21:51,745 --> 01:21:53,079 and it was, like, killer. 2043 01:21:53,121 --> 01:21:55,749 So thank you for doing that and trusting yourself. 2044 01:21:55,790 --> 01:21:59,878 Rachel, you remind me so much of me when I was younger. 2045 01:21:59,919 --> 01:22:03,089 To come after someone singing whistle notes 2046 01:22:03,131 --> 01:22:04,716 and the crowd is like, "Ahh!" 2047 01:22:04,758 --> 01:22:07,052 and then you have to start out so mysterious 2048 01:22:07,093 --> 01:22:08,470 and all Stevie Nicks, like, 2049 01:22:08,511 --> 01:22:10,847 I don't know that everyone sitting here could do that 2050 01:22:10,889 --> 01:22:13,516 and not feel a little shaken, you know? 2051 01:22:13,558 --> 01:22:16,853 You're just a really incredibly gifted singer. 2052 01:22:16,895 --> 01:22:18,188 Thank you so much. 2053 01:22:18,229 --> 01:22:19,773 [ Cheers and applause ] 2054 01:22:19,814 --> 01:22:22,275 Sorry, buddy. This is a tough one. 2055 01:22:22,317 --> 01:22:24,611 Who is the winner of this knockout? 2056 01:22:24,652 --> 01:22:27,155 I need y'all to know this is my toughest one. 2057 01:22:27,197 --> 01:22:31,284 Musically speaking, you're both my lane, and... 2058 01:22:31,326 --> 01:22:34,954 ** 2059 01:22:34,996 --> 01:22:36,790 Kel? 2060 01:22:36,831 --> 01:22:39,542 ** 2061 01:22:39,584 --> 01:22:41,461 The winner of this knockout is Holly. 2062 01:22:41,503 --> 01:22:42,629 Holly, congratulations! 2063 01:22:42,671 --> 01:22:45,632 You're moving on to the playoffs! 2064 01:22:45,674 --> 01:22:47,884 She's like a country girl that hits, like, 2065 01:22:47,926 --> 01:22:50,637 Minnie Riperton, Mariah whistle notes? 2066 01:22:50,679 --> 01:22:51,721 What? 2067 01:22:51,763 --> 01:22:53,515 Thank you so much. You killed it. 2068 01:22:53,556 --> 01:22:54,974 I think she just stands out. 2069 01:22:55,016 --> 01:22:56,893 I would be afraid of her in the finale 2070 01:22:56,935 --> 01:22:59,062 if I were all the other singers. [ Chuckles ] 2071 01:22:59,104 --> 01:23:02,107 Coaches, let me remind you that Rachel's available to steal. 2072 01:23:02,148 --> 01:23:03,733 Oh. Rachel -- Oh! 2073 01:23:03,775 --> 01:23:05,902 Kelly: He did it! He did it! We got a steal, 2074 01:23:05,944 --> 01:23:08,655 immediately, from Blake Shelton! Did you do it? Did you do it? Oh, my God! I love you! 2075 01:23:08,697 --> 01:23:10,490 The last steal that Blake Shelton will ever have 2076 01:23:10,532 --> 01:23:12,200 was from my team. 2077 01:23:12,242 --> 01:23:13,284 I'm going to remember that. 2078 01:23:13,326 --> 01:23:15,412 Ah, I'm so happy! 2079 01:23:15,453 --> 01:23:16,871 That is the last steal 2080 01:23:16,913 --> 01:23:19,666 of the Blake Shelton "Voice" career right there. 2081 01:23:19,708 --> 01:23:22,002 Yeah. Oh, my God. 2082 01:23:22,043 --> 01:23:23,169 That's right. 2083 01:23:23,211 --> 01:23:24,629 I think, in a moment like that, 2084 01:23:24,671 --> 01:23:27,549 I mean, what Holly did was -- it was flashy, 2085 01:23:27,590 --> 01:23:28,800 and it's undeniable. 2086 01:23:28,842 --> 01:23:30,760 And now you get to show everybody 2087 01:23:30,802 --> 01:23:33,847 that you can do something just as incredible. 2088 01:23:33,888 --> 01:23:35,181 Thank you. [ Chuckles ] 2089 01:23:35,223 --> 01:23:38,309 You're my last steal. My last steal ever. 2090 01:23:38,351 --> 01:23:40,228 [ Cheers and applause ] 2091 01:23:40,270 --> 01:23:42,188 Daly: Go meet your new coach! 2092 01:23:42,230 --> 01:23:45,859 Blake: I'm so happy I stole Rachel. She sang flawlessly. 2093 01:23:45,900 --> 01:23:48,319 I just think she's a very diverse vocalist, 2094 01:23:48,361 --> 01:23:49,446 and I need that on my team. 2095 01:23:49,487 --> 01:23:52,240 I love you! That was so awesome! 2096 01:23:52,282 --> 01:23:53,825 Rachel: I never thought that Blake would save me 2097 01:23:53,867 --> 01:23:55,410 because I don't do any country music. 2098 01:23:55,452 --> 01:23:56,828 So that meant the world. 2099 01:23:56,870 --> 01:23:58,538 And to hear that it was his last save, like, 2100 01:23:58,580 --> 01:24:00,540 that's a -- I'm putting that on a résumé. 2101 01:24:00,582 --> 01:24:02,500 Sorry, I'm very flustered right now. 2102 01:24:02,542 --> 01:24:04,127 [ Laughs ] Welcome to Team Blake. 2103 01:24:04,169 --> 01:24:05,128 Thank you. 2104 01:24:05,170 --> 01:24:15,096 ** 2105 01:24:15,138 --> 01:24:25,106 ** 2106 01:24:25,148 --> 01:24:35,116 **