1 00:00:07,374 --> 00:00:10,610 [jazz music] 2 00:00:10,611 --> 00:00:14,281 ♪ ♪ 3 00:00:20,187 --> 00:00:22,221 - From the Penn and Teller Theater 4 00:00:22,222 --> 00:00:26,592 at the Rio Hotel in Las Vegas, 5 00:00:26,593 --> 00:00:30,096 here's our host Brooke Burke. 6 00:00:30,097 --> 00:00:33,800 ♪ ♪ 7 00:00:41,241 --> 00:00:44,477 - Welcome to Fool Us. You're here. I'm here. 8 00:00:44,478 --> 00:00:46,379 A bunch of great magicians are here. 9 00:00:46,380 --> 00:00:48,147 The only things that are missing 10 00:00:48,148 --> 00:00:51,918 are the stars of our show, Penn And Teller! 11 00:00:51,919 --> 00:00:56,623 [cheers and applause] 12 00:01:09,703 --> 00:01:12,505 Penn and Teller always give away a Fool Us trophy 13 00:01:12,506 --> 00:01:14,907 and a spot in their world-famous magic show 14 00:01:14,908 --> 00:01:16,742 to any act that fools them. 15 00:01:16,743 --> 00:01:19,646 Let's get this party started with our first magician. 16 00:01:21,682 --> 00:01:25,217 - As a little girl in England, ballet was my passion. 17 00:01:25,218 --> 00:01:27,520 Tchaikovsky fulfilled me. 18 00:01:27,521 --> 00:01:31,791 {\an8}Then rock and roll found me and video games. 19 00:01:31,792 --> 00:01:34,427 {\an8}I became like Sandy in Grease. 20 00:01:34,428 --> 00:01:37,496 You know, the good girl drawn to badassery. 21 00:01:37,497 --> 00:01:41,434 On stage, I work with crossbows, motorcycles, 22 00:01:41,435 --> 00:01:44,838 the savage, the strange, controlled chaos. 23 00:01:45,672 --> 00:01:47,807 Magic happened to me by accident. 24 00:01:47,808 --> 00:01:49,775 I actually auditioned as a dancer 25 00:01:49,776 --> 00:01:53,379 and only found out it was a magic show as I got hired. 26 00:01:53,380 --> 00:01:55,848 It felt instantly familiar. 27 00:01:55,849 --> 00:01:58,618 The movement, the skill on display. 28 00:01:58,619 --> 00:02:00,786 Magicians are like superheroes. 29 00:02:00,787 --> 00:02:02,788 They break rules and make things happen. 30 00:02:02,789 --> 00:02:05,691 I don't think of myself as a standard bearer, 31 00:02:05,692 --> 00:02:09,562 but as a woman in magic, you kind of have to be. 32 00:02:09,563 --> 00:02:12,965 If I have anything to teach a young girl watching right now, 33 00:02:12,966 --> 00:02:15,401 I want to show her by going on stage 34 00:02:15,402 --> 00:02:19,839 and being intensely, passionately me. 35 00:02:19,840 --> 00:02:22,976 [applause] 36 00:02:24,978 --> 00:02:28,981 - Here comes one magic badass, Hollie England. 37 00:02:28,982 --> 00:02:31,951 [applause] 38 00:02:31,952 --> 00:02:34,687 - I always wanted to be on a TV show 39 00:02:34,688 --> 00:02:37,623 with legendary hosts, a live audience, 40 00:02:37,624 --> 00:02:40,326 and guest entertainers at the top of their field. 41 00:02:40,327 --> 00:02:43,095 To be honest, I was kind of hoping 42 00:02:43,096 --> 00:02:45,331 for a cool late-night talk show, 43 00:02:45,332 --> 00:02:48,701 but I guess this'll do. 44 00:02:48,702 --> 00:02:49,969 - ANNOUNCER: Live from Las Vegas, 45 00:02:49,970 --> 00:02:51,537 it's the chat show without the chat. 46 00:02:51,538 --> 00:02:53,105 Welcome to Tell Teller. 47 00:02:53,106 --> 00:02:57,476 And now here's your host Teller and his co-host Penn Gillette, 48 00:02:57,477 --> 00:02:59,346 who does all the talking for him. 49 00:03:02,049 --> 00:03:04,150 {\an8}- Welcome to Tell Teller. 50 00:03:04,151 --> 00:03:06,686 {\an8}I'm your host Teller. 51 00:03:06,687 --> 00:03:09,288 {\an8}We've got a fantastic show for you tonight. 52 00:03:09,289 --> 00:03:12,792 {\an8}My first guest is a rising star in magic, 53 00:03:12,793 --> 00:03:16,195 {\an8}the incredible Hollie England. 54 00:03:16,196 --> 00:03:22,668 [cheers and applause] 55 00:03:22,669 --> 00:03:26,138 Tell us how it feels to be the most talented magician 56 00:03:26,139 --> 00:03:29,308 we've ever had on this sofa. 57 00:03:29,309 --> 00:03:31,410 {\an8}- Well, it's a heavy burden to bear, 58 00:03:31,411 --> 00:03:33,846 {\an8}but someone has to carry the wand. 59 00:03:33,847 --> 00:03:35,781 No, no, no. But seriously, 60 00:03:35,782 --> 00:03:38,384 it really is like being a superhero. 61 00:03:38,385 --> 00:03:40,319 I get to do the impossible 62 00:03:40,320 --> 00:03:43,689 and I get to wear a lot of spandex. 63 00:03:43,690 --> 00:03:47,626 But I see you have some of your most famous guests 64 00:03:47,627 --> 00:03:51,130 in pictures on your desk there. 65 00:03:51,131 --> 00:03:55,134 But I did notice that you have one empty frame. 66 00:03:55,135 --> 00:03:56,535 Maybe I can help with that, 67 00:03:56,536 --> 00:03:59,572 because I am somewhat of an artist myself. 68 00:03:59,573 --> 00:04:01,640 I didn't always want to be a magician. 69 00:04:01,641 --> 00:04:03,843 In fact, when I was 10 years old, 70 00:04:03,844 --> 00:04:08,848 I said, "When I grow up, I want to be a painter." 71 00:04:08,849 --> 00:04:13,586 And that very night my parents cried themselves to sleep 72 00:04:13,587 --> 00:04:15,988 and thought that I'd never leave home. 73 00:04:15,989 --> 00:04:18,724 But maybe I can use a little bit of magic 74 00:04:18,725 --> 00:04:23,496 to fill the empty frame in your celebrity portrait gallery. 75 00:04:23,497 --> 00:04:27,266 Yes. Let's start with a random selection 76 00:04:27,267 --> 00:04:30,603 of an incredible guest that you may or may not have had 77 00:04:30,604 --> 00:04:32,304 on your late-night talk show. 78 00:04:32,305 --> 00:04:35,341 You know, someone you might find in a coffee table book. 79 00:04:35,342 --> 00:04:37,309 A real legend. 80 00:04:37,310 --> 00:04:39,345 Penn, if you could name a number 81 00:04:39,346 --> 00:04:41,981 between one and 100 for me, please. 82 00:04:41,982 --> 00:04:44,250 - Uh, 76. 83 00:04:44,251 --> 00:04:46,452 - Okay, so completely random. 84 00:04:46,453 --> 00:04:48,988 'Cause before, I actually used to go out into the audience 85 00:04:48,989 --> 00:04:52,024 and ask someone to name a random celebrity. 86 00:04:52,025 --> 00:04:57,396 But as time went on and as I got a little older, 87 00:04:57,397 --> 00:05:01,200 I realized I knew less and less of the people that they named. 88 00:05:01,201 --> 00:05:03,369 I don't know what a Bebe Rexha is, 89 00:05:03,370 --> 00:05:06,372 but I wish it well. 90 00:05:06,373 --> 00:05:09,909 Teller, if you could open the drawer in your desk, please, 91 00:05:09,910 --> 00:05:15,815 you should find a book of 100 inspiring people. 92 00:05:15,816 --> 00:05:18,617 Wonderful. Any of whom would be an incredible guest 93 00:05:18,618 --> 00:05:20,052 on a late-night talk show. 94 00:05:20,053 --> 00:05:23,589 And if you could flick through the book from the back 95 00:05:23,590 --> 00:05:26,659 until you get to person number... 96 00:05:26,660 --> 00:05:28,928 - 76. - 76. 97 00:05:28,929 --> 00:05:33,098 And then if you could tell us who that person is. 98 00:05:33,099 --> 00:05:34,834 - Leonardo da Vinci. 99 00:05:34,835 --> 00:05:37,436 - Leonardo da Vinci. A great choice. 100 00:05:37,437 --> 00:05:39,972 And just to make sure all of the, you know-- 101 00:05:39,973 --> 00:05:41,574 all of the pages are different, 102 00:05:41,575 --> 00:05:45,311 if you could see who was on the page before, who's that? 103 00:05:45,312 --> 00:05:46,579 - Albert Einstein. 104 00:05:46,580 --> 00:05:49,983 - And someone on the page after maybe, too. 105 00:05:51,084 --> 00:05:53,085 - That would be Eleanor Roosevelt. 106 00:05:53,086 --> 00:05:56,155 - Wonderful. But you chose Leonardo da Vinci. 107 00:05:56,156 --> 00:05:57,890 - That's correct. - So we go to that page. 108 00:05:57,891 --> 00:06:00,125 You know, I'm actually not that familiar 109 00:06:00,126 --> 00:06:03,128 with what Leonardo da Vinci actually looked like. 110 00:06:03,129 --> 00:06:07,800 Maybe there's another kind of more familiar face on the page. 111 00:06:07,801 --> 00:06:10,836 Oh, yeah. So we have the Mona Lisa, 112 00:06:10,837 --> 00:06:12,805 a bit more familiar. 113 00:06:12,806 --> 00:06:15,641 You know, Leonardo da Vinci did actually create probably 114 00:06:15,642 --> 00:06:19,678 the most iconic and maybe copied artwork in the entire world, 115 00:06:19,679 --> 00:06:21,146 the Mona Lisa. 116 00:06:21,147 --> 00:06:24,884 So maybe I can create an artistic representation 117 00:06:24,885 --> 00:06:28,621 of Teller and his randomly selected guest 118 00:06:28,622 --> 00:06:30,389 within this frame. 119 00:06:30,390 --> 00:06:35,427 This is going to require a delicate touch. 120 00:06:35,428 --> 00:06:37,197 [clears throat] 121 00:06:38,632 --> 00:06:41,567 [audience laughs] 122 00:06:41,568 --> 00:06:43,469 This is a flamethrower. 123 00:06:43,470 --> 00:06:45,871 Is it legal? Questionable. 124 00:06:45,872 --> 00:06:48,207 Is it safe? Probably not. 125 00:06:48,208 --> 00:06:50,910 Is it more exciting than watching me paint? 126 00:06:50,911 --> 00:06:52,778 We can only hope. 127 00:06:52,779 --> 00:06:56,882 Oh, you may want to move out of the danger zone. Yes. 128 00:06:56,883 --> 00:06:58,083 - You don't have to tell us twice. 129 00:06:58,084 --> 00:06:59,919 - Yeah, yeah. Okay. 130 00:06:59,920 --> 00:07:02,254 Teller and the Mona Lisa-- 131 00:07:02,255 --> 00:07:06,593 burned into your minds literally. 132 00:07:14,768 --> 00:07:16,802 [audience exclaims] 133 00:07:16,803 --> 00:07:19,839 [applause] 134 00:07:25,211 --> 00:07:27,980 - Hollie England, everyone. 135 00:07:27,981 --> 00:07:29,783 Whoo! 136 00:07:30,884 --> 00:07:33,519 So, you work here in Vegas. Do you know the guys? 137 00:07:33,520 --> 00:07:36,121 - I do work here in Vegas. I have seen their show. 138 00:07:36,122 --> 00:07:39,525 But I think I haven't officially met them before. 139 00:07:39,526 --> 00:07:43,095 - Are all of your acts so dangerous? 140 00:07:43,096 --> 00:07:46,799 - Um, I do do quite a few danger acts 141 00:07:46,800 --> 00:07:49,735 with crossbows and fire 142 00:07:49,736 --> 00:07:53,472 and needles and sharp objects, um, 143 00:07:53,473 --> 00:07:55,841 you know, just to keep life interesting. 144 00:07:55,842 --> 00:07:58,610 - Were you a daredevil as a child? 145 00:07:58,611 --> 00:08:01,547 - I was very much the kind of geeky kid, 146 00:08:01,548 --> 00:08:04,717 Goody Two-shoes, always did what she's told. 147 00:08:04,718 --> 00:08:08,554 Yes. Yeah. So I kind of--I guess I rebelled later in life. 148 00:08:08,555 --> 00:08:11,523 - Well, this was fantastic. You did great tonight. 149 00:08:11,524 --> 00:08:13,860 - Thank you so much. - Such a great job. 150 00:08:17,430 --> 00:08:19,164 Hollie, let's find out 151 00:08:19,165 --> 00:08:21,567 if you fooled your fellow Las Vegas magicians. 152 00:08:21,568 --> 00:08:22,568 Penn and Teller? 153 00:08:22,569 --> 00:08:23,802 - Hey, Hollie. - Hello. 154 00:08:23,803 --> 00:08:27,940 - Now, we like to start out with compliments. 155 00:08:27,941 --> 00:08:31,543 And we loved this act. It's just fabulous. 156 00:08:31,544 --> 00:08:33,512 And the next stuff I'm going to say 157 00:08:33,513 --> 00:08:37,016 you may think is complimentary and you may not. 158 00:08:37,017 --> 00:08:39,685 This is exactly a trick we would do. 159 00:08:39,686 --> 00:08:42,087 Exactly a trick we would do. 160 00:08:42,088 --> 00:08:45,491 This is so much in a style that we love 161 00:08:45,492 --> 00:08:46,792 that we could do this trick. 162 00:08:46,793 --> 00:08:49,361 The first thing Teller said when he sat down 163 00:08:49,362 --> 00:08:51,697 is we should do this trick. 164 00:08:51,698 --> 00:08:55,934 It is so good. It is so perfect in every way. 165 00:08:55,935 --> 00:08:58,303 I mean, we loved everything about it. 166 00:08:58,304 --> 00:09:00,939 We loved the flamethrower for...[bleep] 167 00:09:00,940 --> 00:09:02,374 You had a flamethrower. 168 00:09:02,375 --> 00:09:04,209 - Yeah. 169 00:09:04,210 --> 00:09:05,978 - I had a real choice of numbers. 170 00:09:05,979 --> 00:09:08,781 You did all that and you gave everything in here 171 00:09:08,782 --> 00:09:10,182 is stuff that we love. 172 00:09:10,183 --> 00:09:13,552 So either you're absolutely targeting us 173 00:09:13,553 --> 00:09:16,755 or you just have exactly the same taste as us. 174 00:09:16,756 --> 00:09:19,925 And we love, love, love two-person acts. 175 00:09:19,926 --> 00:09:21,593 You know, we're a two-person act. 176 00:09:21,594 --> 00:09:23,195 And you've set up a thing here 177 00:09:23,196 --> 00:09:25,798 where you have Mona Lisa and Teller. 178 00:09:25,799 --> 00:09:29,034 So the two-person act thing is all the way through this. 179 00:09:29,035 --> 00:09:30,969 And what we like the most, 180 00:09:30,970 --> 00:09:33,672 the reason Teller said we should do something like this 181 00:09:33,673 --> 00:09:37,509 is it's so different from what other magicians do. 182 00:09:37,510 --> 00:09:40,212 Just fabulous all the way through, Hollie. 183 00:09:40,213 --> 00:09:44,750 But I think I might have snuck in a thing or two 184 00:09:44,751 --> 00:09:48,487 that gives you an idea that we might be on to you 185 00:09:48,488 --> 00:09:50,856 'cause you're exactly reading our mail. 186 00:09:50,857 --> 00:09:52,491 It's exactly our taste. 187 00:09:52,492 --> 00:09:56,261 - Once again, I have no idea what you're talking about, Penn. 188 00:09:56,262 --> 00:09:58,297 Hollie, do they know how you did your trick? 189 00:09:58,298 --> 00:10:01,700 - Yeah. They're pretty smart. I think they have an idea. 190 00:10:01,701 --> 00:10:03,202 [audience laughs] 191 00:10:03,203 --> 00:10:06,205 - Well, it was pretty cool, and we really loved that act. 192 00:10:06,206 --> 00:10:07,439 - Thank you. 193 00:10:07,440 --> 00:10:10,542 - The first flamethrower on Fool Us. Great job. 194 00:10:10,543 --> 00:10:11,844 - Thank you so much. 195 00:10:11,845 --> 00:10:13,946 - Hollie England. 196 00:10:13,947 --> 00:10:16,048 Come back and see us, Hollie. 197 00:10:16,049 --> 00:10:18,817 [cheers and applause] 198 00:10:18,818 --> 00:10:21,453 Penn and Teller will tango with more magicians 199 00:10:21,454 --> 00:10:23,822 before they take the dance floor themselves 200 00:10:23,823 --> 00:10:25,692 when Fool Us returns. 201 00:10:39,139 --> 00:10:40,606 - Welcome back to Fool Us. 202 00:10:40,607 --> 00:10:44,677 I've got 52 reasons for you to watch our next magic ace. 203 00:10:47,080 --> 00:10:48,680 - Hi. I'm Giancarlo Scalia. 204 00:10:48,681 --> 00:10:51,350 I have a background in theater and circus. 205 00:10:51,351 --> 00:10:54,219 Both of these experience have influenced my magic, 206 00:10:54,220 --> 00:10:56,722 helping me to understand movement, 207 00:10:56,723 --> 00:10:58,056 to improve my techniques, 208 00:10:58,057 --> 00:11:01,493 and to feel free to express myself through magic. 209 00:11:01,494 --> 00:11:04,196 There's a lot going on during a magic trick. 210 00:11:04,197 --> 00:11:06,031 There is everything the audience sees 211 00:11:06,032 --> 00:11:08,367 and then everything that the magician is doing 212 00:11:08,368 --> 00:11:11,203 that the audience doesn't see-- well, hopefully. 213 00:11:11,204 --> 00:11:12,738 For me, it's very important 214 00:11:12,739 --> 00:11:14,907 to leave the audience with a sense of ease. 215 00:11:14,908 --> 00:11:16,775 I don't want the people to be impressed 216 00:11:16,776 --> 00:11:18,977 because they think what I'm doing is difficult. 217 00:11:18,978 --> 00:11:21,246 I just want them to be relaxed, have fun, 218 00:11:21,247 --> 00:11:23,582 and enjoy the experience. 219 00:11:23,583 --> 00:11:27,152 The trick I'll be performing tonight is one of my favorites. 220 00:11:27,153 --> 00:11:30,622 I've been working on it for almost seven years. 221 00:11:30,623 --> 00:11:32,090 - It's a classic of magic, 222 00:11:32,091 --> 00:11:33,959 but I don't think Penn and Teller have seen 223 00:11:33,960 --> 00:11:35,727 a version quite like this. 224 00:11:35,728 --> 00:11:38,798 [applause] 225 00:11:40,366 --> 00:11:44,336 - Give it up for Madrid magician Giancarlo Scalia. 226 00:11:44,337 --> 00:11:46,805 - Thank you very much. Hi. How are you? 227 00:11:46,806 --> 00:11:48,540 - Nice to meet you. - Nice to meet you as well. 228 00:11:48,541 --> 00:11:49,641 - Thank you for helping. 229 00:11:49,642 --> 00:11:50,876 - Pleasure. - Thank you very much. 230 00:11:50,877 --> 00:11:53,445 I will show something very quick, very simple, 231 00:11:53,446 --> 00:11:54,846 just with a few cards. 232 00:11:54,847 --> 00:11:57,816 But it won't be important, the identity of the cards, 233 00:11:57,817 --> 00:12:01,186 because the important thing here will be your signature. Okay? 234 00:12:01,187 --> 00:12:02,287 - Okay. - So very simple. 235 00:12:02,288 --> 00:12:03,889 Take any card that's easy to sign. 236 00:12:03,890 --> 00:12:05,824 - Okay. - Okay. This one. Why not? 237 00:12:05,825 --> 00:12:08,927 And please put a very big signature 238 00:12:08,928 --> 00:12:10,429 across the face of the card. 239 00:12:10,430 --> 00:12:12,030 - Okay. - Yes. Of the face. 240 00:12:12,031 --> 00:12:13,465 The face of the card. Okay, no problem. 241 00:12:13,466 --> 00:12:16,568 No problem. It's marked so it will be easy to find. 242 00:12:16,569 --> 00:12:18,604 But is it a 6? Okay, perfect. 243 00:12:18,605 --> 00:12:20,772 We use the 6 because I need more signature. 244 00:12:20,773 --> 00:12:22,441 - Okay. - Yeah. Put exactly the same. 245 00:12:22,442 --> 00:12:23,609 - All of them? - Yes. 246 00:12:23,610 --> 00:12:25,510 - Okay. - You can give me one by one. 247 00:12:25,511 --> 00:12:27,379 This is fundamental for the trick. 248 00:12:27,380 --> 00:12:29,982 You can give me so I can show it's fundamental, 249 00:12:29,983 --> 00:12:33,051 because in this way, the next time you'll see these cards, 250 00:12:33,052 --> 00:12:35,387 you will be sure that are exactly your cards. 251 00:12:35,388 --> 00:12:36,488 - Okay. - Okay? 252 00:12:36,489 --> 00:12:39,725 And--[blows] With this simple gesture, 253 00:12:39,726 --> 00:12:43,128 these cards just became unique in the universe. 254 00:12:43,129 --> 00:12:45,597 Yes? It sounds very great. 255 00:12:45,598 --> 00:12:48,033 What I will do will be very, very quick. Okay? 256 00:12:48,034 --> 00:12:49,368 So it's fundamental. 257 00:12:49,369 --> 00:12:52,638 I tell you exactly what I will do before I do it 258 00:12:52,639 --> 00:12:54,273 so you won't miss anything. 259 00:12:54,274 --> 00:12:55,907 Okay? So it's very simple. 260 00:12:55,908 --> 00:12:59,845 It's just four cards, signed cards lost in the deck. 261 00:12:59,846 --> 00:13:01,780 And what I will do will be very easy 262 00:13:01,781 --> 00:13:03,615 because I will just slap the deck. 263 00:13:03,616 --> 00:13:05,984 The car will fly out from the deck, invisibly. 264 00:13:05,985 --> 00:13:08,387 I will catch them and throw them into my pocket. 265 00:13:08,388 --> 00:13:10,322 Okay? I will even tell you 266 00:13:10,323 --> 00:13:13,158 in which pocket they will travel. All right? 267 00:13:13,159 --> 00:13:15,794 So, the first card will appear in this pocket here. Okay. 268 00:13:15,795 --> 00:13:17,262 When I will do the effect, of course, 269 00:13:17,263 --> 00:13:18,997 I will show my hand empty. 270 00:13:18,998 --> 00:13:22,367 And, of course, I will take out your first signed card 271 00:13:22,368 --> 00:13:24,670 with your signature, okay? You can take. 272 00:13:24,671 --> 00:13:28,040 The second one will appear in the other pocket, okay? 273 00:13:28,041 --> 00:13:30,575 Of course, in the pants pocket, I will show my hand empty 274 00:13:30,576 --> 00:13:32,644 and take out the second sign card. 275 00:13:32,645 --> 00:13:34,880 Yes. The third one, it's a little more difficult 276 00:13:34,881 --> 00:13:37,049 because it appear in the side jacket pocket, 277 00:13:37,050 --> 00:13:39,084 of course, with your signature. 278 00:13:39,085 --> 00:13:43,789 Yes. And the last card for the grand finale, the last one. 279 00:13:43,790 --> 00:13:46,191 Yes. The last one appears always 280 00:13:46,192 --> 00:13:50,028 in the inside jacket pocket, of course, with your signature. 281 00:13:50,029 --> 00:13:54,132 Yes. This is the idea. This is the idea of the effect, okay? 282 00:13:54,133 --> 00:13:59,171 The problem with magic is that if you miss some details, 283 00:13:59,172 --> 00:14:02,741 it's very easy that you start to search for many solutions. 284 00:14:02,742 --> 00:14:05,077 For example, some people may think 285 00:14:05,078 --> 00:14:08,380 that I had the cards in my pocket before I started. 286 00:14:08,381 --> 00:14:13,819 I mean, imagine I had just the card prepared in my pocket. 287 00:14:13,820 --> 00:14:15,721 Any card, of course, is any pocket. 288 00:14:15,722 --> 00:14:19,458 I know that this can sound crazy, and, of course it is 289 00:14:19,459 --> 00:14:22,294 because you understand that you select 290 00:14:22,295 --> 00:14:24,162 and send the card in front of everybody, no? 291 00:14:24,163 --> 00:14:26,164 So this solution, of course, is completely crazy. 292 00:14:26,165 --> 00:14:28,467 It cannot be. Okay, this solution can be. 293 00:14:28,468 --> 00:14:30,001 These are your signature, yeah? 294 00:14:30,002 --> 00:14:31,870 - They are. - Yes, yes, yes. 295 00:14:31,871 --> 00:14:34,172 It's completely crazy. Cannot be. Cannot be. 296 00:14:34,173 --> 00:14:36,708 And I know that somebody could think 297 00:14:36,709 --> 00:14:38,844 that we arranged something before, 298 00:14:38,845 --> 00:14:41,380 and maybe they think that you sign more cards. 299 00:14:41,381 --> 00:14:45,016 But could you promise that you sign only four cards? 300 00:14:45,017 --> 00:14:46,518 - Yes, I only signed four cards. 301 00:14:46,519 --> 00:14:48,220 So if this is true, of course, 302 00:14:48,221 --> 00:14:51,656 I couldn't have a fifth card with your signature. 303 00:14:51,657 --> 00:14:53,158 - No. - It's impossible. No. 304 00:14:53,159 --> 00:14:56,128 Because you signed only four. You didn't sign five. 305 00:14:56,129 --> 00:14:57,829 - I did not. - And it will be impossible 306 00:14:57,830 --> 00:15:00,565 to have a six card with your signature. 307 00:15:00,566 --> 00:15:02,067 Yeah, these are your signature. 308 00:15:02,068 --> 00:15:04,469 But it's impossible because I couldn't even have, 309 00:15:04,470 --> 00:15:06,838 like, a seven card with your signature. 310 00:15:06,839 --> 00:15:10,542 It's impossible. But let me ask you something. 311 00:15:10,543 --> 00:15:13,512 Let me ask you something. Is this your signature? 312 00:15:13,513 --> 00:15:14,980 - It is. - Yeah, really. 313 00:15:14,981 --> 00:15:17,549 But at this moment, the people think maybe 314 00:15:17,550 --> 00:15:19,551 that you sign even like 10 cards 315 00:15:19,552 --> 00:15:22,087 or maybe even like 20 cards, 316 00:15:22,088 --> 00:15:25,924 or maybe you signed, I don't know, 30 317 00:15:25,925 --> 00:15:29,594 or even, I don't know, 40 cards with your signature. 318 00:15:29,595 --> 00:15:32,130 Of course it is not possible, 319 00:15:32,131 --> 00:15:35,033 because some people maybe think that you're a secret assistant, 320 00:15:35,034 --> 00:15:36,601 you are passing me the card. 321 00:15:36,602 --> 00:15:39,638 Or maybe I have cards behind my leg or under the other leg, 322 00:15:39,639 --> 00:15:42,240 or maybe I just pick them up with your signature. 323 00:15:42,241 --> 00:15:46,044 But, of course, no, because you sign only four cards. 324 00:15:46,045 --> 00:15:47,847 Only four. Only--Only four. 325 00:15:48,881 --> 00:15:51,483 So now that you know everything, 326 00:15:51,484 --> 00:15:55,253 I will do the effect of the four cards to the four pockets. 327 00:15:55,254 --> 00:15:56,555 - Okay. - Good. 328 00:15:56,556 --> 00:16:00,492 Okay, so, look, very simple, 329 00:16:00,493 --> 00:16:02,828 just cut the deck in half. 330 00:16:02,829 --> 00:16:06,198 The deck. The deck. Just lift half of the deck. 331 00:16:06,199 --> 00:16:09,301 Look. Very cleanly. Complete the deck. 332 00:16:09,302 --> 00:16:10,335 - Okay. - Okay. 333 00:16:10,336 --> 00:16:11,703 And shuffle the deck. 334 00:16:11,704 --> 00:16:14,573 - Okay. - Shuffle the deck. 335 00:16:14,574 --> 00:16:17,609 This will be very-- Okay. And cut it complete. 336 00:16:17,610 --> 00:16:18,844 - Again? - Yes. 337 00:16:18,845 --> 00:16:20,312 - Okay. - So, now, look. 338 00:16:20,313 --> 00:16:23,748 From this situation with the deck shuffled and cut, 339 00:16:23,749 --> 00:16:27,919 I just have to memorize quickly the order of the cards. 340 00:16:27,920 --> 00:16:29,221 - What? 341 00:16:29,222 --> 00:16:30,655 - 37. Okay. 342 00:16:30,656 --> 00:16:32,557 It will be difficult because you shuffled four times, 343 00:16:32,558 --> 00:16:34,392 but I will try, okay? 344 00:16:34,393 --> 00:16:35,227 - Okay. - From this situation. 345 00:16:35,228 --> 00:16:36,828 - Look. - No way. 346 00:16:36,829 --> 00:16:39,197 - Way. Yes. [audience laughs] 347 00:16:39,198 --> 00:16:40,632 - No way. - Look. Look. Look. Look. Look. 348 00:16:40,633 --> 00:16:43,034 Maybe or not. I don't know. I hope. 349 00:16:43,035 --> 00:16:44,936 As I told you-- As I told you, 350 00:16:44,937 --> 00:16:46,771 I will slap the deck with my hands. 351 00:16:46,772 --> 00:16:48,273 Each time I slap the hand, 352 00:16:48,274 --> 00:16:49,641 one car will shoot out invisibly. 353 00:16:49,642 --> 00:16:51,109 I will catch it in my fingertips 354 00:16:51,110 --> 00:16:53,778 and throw it into each corresponding pocket. 355 00:16:53,779 --> 00:16:55,046 [blows] Let's try. 356 00:16:55,047 --> 00:16:57,183 - Okay. - Look. The first one. 357 00:16:58,184 --> 00:17:00,018 [blowing] 358 00:17:00,019 --> 00:17:01,253 Very quick. 359 00:17:01,254 --> 00:17:04,289 Yes. Look. The second one. Look. 360 00:17:04,290 --> 00:17:05,991 [blowing] 361 00:17:05,992 --> 00:17:08,260 Sometimes I feel like a ninja. Almost. 362 00:17:08,261 --> 00:17:10,395 - Totally. - The last two at the same time. 363 00:17:10,396 --> 00:17:12,764 Last two at the same time. Look. 364 00:17:12,765 --> 00:17:14,900 [blowing] 365 00:17:14,901 --> 00:17:16,902 Yes. Thank you very much. You can take. 366 00:17:16,903 --> 00:17:19,571 - Okay. - Thank you. 367 00:17:19,572 --> 00:17:22,174 - Uh...[laughs] - [applause] 368 00:17:23,476 --> 00:17:25,877 - I know--I know--I know that you want to see the card. 369 00:17:25,878 --> 00:17:26,745 No problem. 370 00:17:26,746 --> 00:17:27,979 Look. As I promise, 371 00:17:27,980 --> 00:17:31,783 here is the first card with your signature. 372 00:17:31,784 --> 00:17:35,754 Here, the second card, of course, with your signature. 373 00:17:35,755 --> 00:17:38,657 The third one, you remember, a little more difficult. 374 00:17:38,658 --> 00:17:42,093 It's in the outside jacket pocket with your signature. 375 00:17:42,094 --> 00:17:44,496 And for the last card, the grand finale, 376 00:17:44,497 --> 00:17:47,165 please, could you take it by yourself 377 00:17:47,166 --> 00:17:49,134 from this pocket and show everybody 378 00:17:49,135 --> 00:17:51,570 the fourth and last card with your signature. 379 00:17:51,571 --> 00:17:54,706 - What? What? Wow. - [applause] 380 00:17:54,707 --> 00:17:57,876 - Thank you very much. - Giancarlo Scalia. 381 00:17:57,877 --> 00:18:00,412 - Thank you. - Wow, Giancarlo. 382 00:18:00,413 --> 00:18:03,815 That's amazing. That was fantastic. 383 00:18:03,816 --> 00:18:06,418 - Oh, thank you. - So, you moved from Italy 384 00:18:06,419 --> 00:18:09,254 to Madrid, I'm told, to study circus. 385 00:18:09,255 --> 00:18:11,856 - Yes, yes. I studied circus in Italy, 386 00:18:11,857 --> 00:18:16,027 and then I moved to Madrid to study physical theater 387 00:18:16,028 --> 00:18:17,829 and, of course, magic, because in Madrid, 388 00:18:17,830 --> 00:18:20,565 it's the best city for magic. 389 00:18:20,566 --> 00:18:22,400 Now I'm working more with magic, 390 00:18:22,401 --> 00:18:25,604 but sometimes I still have some theater projects. 391 00:18:25,605 --> 00:18:28,707 - So you have theater projects now that involve magic? 392 00:18:28,708 --> 00:18:30,909 - Yeah, yeah. I work with a friend, okay? 393 00:18:30,910 --> 00:18:33,445 We perform with puppets, and they're like quite big puppets 394 00:18:33,446 --> 00:18:36,247 because we use like a Japanese traditional technique. 395 00:18:36,248 --> 00:18:39,384 When you manipulate directly the puppets, okay, 396 00:18:39,385 --> 00:18:41,753 to give life to something 397 00:18:41,754 --> 00:18:45,757 that doesn't have it in everyday life, 398 00:18:45,758 --> 00:18:46,958 it's already magical. 399 00:18:46,959 --> 00:18:49,861 But then if you add also some impossible effects, 400 00:18:49,862 --> 00:18:51,229 it's also better. 401 00:18:51,230 --> 00:18:53,264 - Maybe one day you'll bring that back to the fullest. 402 00:18:53,265 --> 00:18:55,100 - Maybe. Yes. Why not? 403 00:18:55,101 --> 00:18:56,568 - All right, Giancarlo, let's see 404 00:18:56,569 --> 00:18:59,771 if you're going to pocket a Full Us trophy, shall we? 405 00:18:59,772 --> 00:19:01,106 Penn and Teller? 406 00:19:01,107 --> 00:19:04,576 - Oh, Giancarlo, it's so--it's so great 407 00:19:04,577 --> 00:19:07,679 to see a wonderful Spanish card magician. 408 00:19:07,680 --> 00:19:10,415 Are there any other good card magicians in Spain? 409 00:19:10,416 --> 00:19:11,583 [audience laughs] 410 00:19:11,584 --> 00:19:13,485 - I think. I think. - There are a few. 411 00:19:13,486 --> 00:19:18,690 You have such a casual, disarming style 412 00:19:18,691 --> 00:19:22,360 that you can make people forget you're working your ass off. 413 00:19:22,361 --> 00:19:25,997 This is a really, really hard trick, 414 00:19:25,998 --> 00:19:29,868 and it's tough for us because we're familiar with travelers. 415 00:19:29,869 --> 00:19:31,903 We know the trick. We know the plot. 416 00:19:31,904 --> 00:19:33,738 We know a lot of moves to it. 417 00:19:33,739 --> 00:19:35,807 And so we're watching you, 418 00:19:35,808 --> 00:19:39,210 knowing, in many cases, what you're doing. 419 00:19:39,211 --> 00:19:42,147 We're following the plot. We know where you're going. 420 00:19:42,148 --> 00:19:44,983 Then we have to do this uncomfortable thing. 421 00:19:44,984 --> 00:19:48,319 We have to go through and say 422 00:19:48,320 --> 00:19:51,289 it's the best version of this routine we've ever seen. 423 00:19:51,290 --> 00:19:53,358 But is there enough new 424 00:19:53,359 --> 00:19:56,528 to really make it seem like it fools us 425 00:19:56,529 --> 00:20:00,098 and doesn't just delight us and thrill us 426 00:20:00,099 --> 00:20:03,268 but actually fool us at the level of the show? 427 00:20:03,269 --> 00:20:05,570 So we have to beat ourselves up on this 428 00:20:05,571 --> 00:20:07,739 and finally decide yeah, there's enough. 429 00:20:07,740 --> 00:20:08,740 You fooled us. 430 00:20:08,741 --> 00:20:09,908 - Wow. 431 00:20:09,909 --> 00:20:11,142 [cheers and applause] 432 00:20:11,143 --> 00:20:13,279 - We did it. You did it. - Thank you. 433 00:20:14,513 --> 00:20:18,717 - Congratulations. We have another fooler! 434 00:20:18,718 --> 00:20:22,087 - Thank you. - Congratulations. 435 00:20:22,088 --> 00:20:24,956 - Wow. Thank you very much. Thank you. 436 00:20:24,957 --> 00:20:28,193 - Giancarlo Scalia! 437 00:20:28,194 --> 00:20:31,162 Thank you, Giancarlo. That was amazing. 438 00:20:31,163 --> 00:20:33,398 - Thank you. - Wow! 439 00:20:33,399 --> 00:20:36,602 Incredible. Incredible. Giancarlo Scalia. 440 00:20:37,970 --> 00:20:42,307 A magician just got the icing on the cake, a shiny new trophy. 441 00:20:42,308 --> 00:20:45,643 {\an8}Stay tuned to see what sweet surprises are still in store 442 00:20:45,644 --> 00:20:47,545 {\an8}when Fool Us returns. 443 00:20:47,546 --> 00:20:49,982 [applause] 444 00:21:00,559 --> 00:21:01,926 - Welcome back. 445 00:21:01,927 --> 00:21:04,729 Penn and Teller have already been fooled once tonight. 446 00:21:04,730 --> 00:21:07,233 Let's see if this next magician can do it again. 447 00:21:09,668 --> 00:21:11,302 - Hi. My name is Francis Menotti, 448 00:21:11,303 --> 00:21:14,339 and I create solutions for seemingly impossible problems. 449 00:21:14,340 --> 00:21:16,141 Magic is never a finished product. 450 00:21:16,142 --> 00:21:18,343 There's always room for tinkering and improvement. 451 00:21:18,344 --> 00:21:20,345 And whether creating a trick for myself 452 00:21:20,346 --> 00:21:23,181 or consulting for others, I try to keep that in mind. 453 00:21:23,182 --> 00:21:26,351 I've been on Fool Us twice already. I fooled them once. 454 00:21:26,352 --> 00:21:27,919 - We don't think you fooled us. 455 00:21:27,920 --> 00:21:29,789 - They got me the second time. That sounds about right to me. 456 00:21:30,923 --> 00:21:32,590 For my trick tonight, I'm performing 457 00:21:32,591 --> 00:21:35,393 something that I have reworked and re-tweaked countless times 458 00:21:35,394 --> 00:21:36,728 over the last 20 years. 459 00:21:36,729 --> 00:21:38,997 Teller actually saw one of my first performances 460 00:21:38,998 --> 00:21:42,500 of this trick, and it was a spectacular disaster. 461 00:21:42,501 --> 00:21:44,302 The trick didn't work at all. 462 00:21:44,303 --> 00:21:46,404 But magic is never a finished product. 463 00:21:46,405 --> 00:21:48,439 I put in the work, and now I'm excited to see 464 00:21:48,440 --> 00:21:50,074 if I can get another Fool Us trophy 465 00:21:50,075 --> 00:21:52,477 against two of the best in the business. 466 00:21:52,478 --> 00:21:56,748 [applause] 467 00:21:56,749 --> 00:22:00,752 - Give it up for the magical mind of Francis Menotti. 468 00:22:00,753 --> 00:22:02,021 - Thank you. 469 00:22:03,222 --> 00:22:04,222 Thank you. 470 00:22:04,223 --> 00:22:05,423 Penn. 471 00:22:05,424 --> 00:22:07,492 - Yeah. - Brooke. 472 00:22:07,493 --> 00:22:08,860 Do you ever sit around 473 00:22:08,861 --> 00:22:11,129 contemplating the wonders of coincidence? 474 00:22:11,130 --> 00:22:11,930 - Yeah. - Sure. 475 00:22:11,931 --> 00:22:12,797 - You do? - Yeah. 476 00:22:12,798 --> 00:22:15,400 - Me, too. This is amazing. 477 00:22:15,401 --> 00:22:18,369 - What a coincidence. - It is kind of a coincidence. 478 00:22:18,370 --> 00:22:20,538 Look. A Rubik's Cube with numbers on it. 479 00:22:20,539 --> 00:22:21,673 Let's create a coincidence. 480 00:22:21,674 --> 00:22:23,174 - Okay. - Numbers 1 through 9 481 00:22:23,175 --> 00:22:24,709 on all six sides. 482 00:22:24,710 --> 00:22:28,112 And the colors, you got orange and red and green, yellow, blue. 483 00:22:28,113 --> 00:22:31,950 Brooke, which would you say of those is your favorite color? 484 00:22:31,951 --> 00:22:34,719 - Orange. - Orange. Mine, too. 485 00:22:34,720 --> 00:22:36,387 - Coincidence. - Coincidence. 486 00:22:36,388 --> 00:22:39,991 Penn, I'd like you to mix the Rubik's Cube, please. 487 00:22:39,992 --> 00:22:42,660 Now, gently, gingerly, one twist at a time, 488 00:22:42,661 --> 00:22:44,062 until you're really satisfied 489 00:22:44,063 --> 00:22:45,630 that it's pretty well mixed. Okay? 490 00:22:45,631 --> 00:22:47,966 And then once you're done, just put it back down on the table. 491 00:22:47,967 --> 00:22:53,037 And, Brooke, meanwhile, a pack of blank playing cards, 492 00:22:53,038 --> 00:22:55,907 kind of for obsessive magicians to take notes on. 493 00:22:55,908 --> 00:22:59,310 Brooke, I'd like you to write your name across the card. 494 00:22:59,311 --> 00:23:01,813 Big, bold letters. And make it as big as you can. 495 00:23:01,814 --> 00:23:03,648 Take up as much space as you can on the card. 496 00:23:03,649 --> 00:23:05,917 - Okay. - And once you're satisfied... 497 00:23:05,918 --> 00:23:07,318 You're doing a good job. 498 00:23:07,319 --> 00:23:09,888 - PENN: I'm trying to. - I appreciate it. 499 00:23:09,889 --> 00:23:12,190 - BROOKE: Don't mess it up, Penn. 500 00:23:12,191 --> 00:23:13,558 - You're doing great, Penn. Thank you. 501 00:23:13,559 --> 00:23:16,961 And I would say with 43 quintillion combinations, 502 00:23:16,962 --> 00:23:18,963 there's a good chance that that combination 503 00:23:18,964 --> 00:23:21,532 of colors and numbers has never before existed. 504 00:23:21,533 --> 00:23:22,500 - Yeah. - Fair? 505 00:23:22,501 --> 00:23:25,837 - Yeah. Very. - For now. 506 00:23:25,838 --> 00:23:27,772 Brooke, we're going to leave your card back 507 00:23:27,773 --> 00:23:29,374 about halfway somewhere in the deck. 508 00:23:29,375 --> 00:23:30,575 It's not going to stay there. 509 00:23:30,576 --> 00:23:32,210 One of my favorite concepts with coincidence 510 00:23:32,211 --> 00:23:35,546 is that the less control you exercise over a situation, 511 00:23:35,547 --> 00:23:38,549 the greater the seemingly impossible coincidence 512 00:23:38,550 --> 00:23:40,084 you can create. 513 00:23:40,085 --> 00:23:42,287 So I'm going to have both of you mix the cards 514 00:23:42,288 --> 00:23:44,856 and not exercising much control over it at all. 515 00:23:44,857 --> 00:23:47,926 Take some cards for me, Penn. In fact, a few more. 516 00:23:47,927 --> 00:23:50,461 And, Brooke, same for you. Would you take them? 517 00:23:50,462 --> 00:23:52,263 And go ahead and mix them. Mix them as much as you want. 518 00:23:52,264 --> 00:23:53,765 Really shuffle them. 519 00:23:53,766 --> 00:23:55,667 And again, you can turn them upside down as you go through. 520 00:23:55,668 --> 00:23:57,769 Really make a big mess of the cards. 521 00:23:57,770 --> 00:23:59,737 And you know what? Let's make this even more interesting. 522 00:23:59,738 --> 00:24:02,573 Why don't you both switch piles? You switch. 523 00:24:02,574 --> 00:24:04,676 - Shall we? - Yeah. Continue shuffling. 524 00:24:04,677 --> 00:24:08,012 If you stop, if you happen to see Brook's card, 525 00:24:08,013 --> 00:24:09,747 just keep shuffling past it, okay? 526 00:24:09,748 --> 00:24:11,883 I don't want you to know where it is. 527 00:24:11,884 --> 00:24:15,286 Then, Penn, put your stack down whenever you're done. 528 00:24:15,287 --> 00:24:18,056 - Okay. Where would you like it? - Anywhere is fine. 529 00:24:18,057 --> 00:24:19,757 Fantastic. And, Brooke. 530 00:24:19,758 --> 00:24:21,059 - Here? - Why not right on top. 531 00:24:21,060 --> 00:24:23,127 We're going to assemble them all. Fantastic. 532 00:24:23,128 --> 00:24:25,631 We'll come back to these in just a moment. 533 00:24:26,165 --> 00:24:27,165 Penn. 534 00:24:27,166 --> 00:24:29,667 - Yes. - Look. A 3x3 grid. 535 00:24:29,668 --> 00:24:30,969 - Okay. 536 00:24:30,970 --> 00:24:32,770 - Almost matching one of the sides of a cube. 537 00:24:32,771 --> 00:24:34,505 It's not littered with numbers yet. 538 00:24:34,506 --> 00:24:35,840 But I tell you what, 539 00:24:35,841 --> 00:24:38,409 Penn, I'm going to have you write down some numbers. 540 00:24:38,410 --> 00:24:42,680 But, Penn, how's your handwriting? 541 00:24:42,681 --> 00:24:44,248 - Terrible. 542 00:24:44,249 --> 00:24:45,783 - Is it good for numbers? - I'll try. 543 00:24:45,784 --> 00:24:47,452 - Okay, great. Here's what's going to happen. 544 00:24:47,453 --> 00:24:48,653 Hold on to the board for me. 545 00:24:48,654 --> 00:24:50,455 In a moment. Brooke, what's going to happen-- 546 00:24:50,456 --> 00:24:52,623 I'll have you read these numbers out loud. 547 00:24:52,624 --> 00:24:54,258 - Okay. The numbers. 548 00:24:54,259 --> 00:24:56,694 - In just a moment. Don't worry. I'll get to it. 549 00:24:56,695 --> 00:25:00,164 On a Rubik's Cube, the center squares never change. 550 00:25:00,165 --> 00:25:01,399 So they're always, you know-- 551 00:25:01,400 --> 00:25:03,201 The red is always opposite the orange. 552 00:25:03,202 --> 00:25:04,769 White's always opposite the yellow. 553 00:25:04,770 --> 00:25:06,804 Green is always opposite the blue. 554 00:25:06,805 --> 00:25:08,706 At least on this cube, right? 555 00:25:08,707 --> 00:25:10,842 So if you look at the red side, 556 00:25:10,843 --> 00:25:12,977 right now you have a 4, 9 and a 2. 557 00:25:12,978 --> 00:25:15,747 A 1, 5 and a 1. A 4, 9, and a 2 again. 558 00:25:15,748 --> 00:25:17,915 But your favorite color was orange? 559 00:25:17,916 --> 00:25:19,117 - Orange. - Orange. 560 00:25:19,118 --> 00:25:20,385 Let's look at the orange side. 561 00:25:20,386 --> 00:25:22,854 Would you read these out loud for me, please? 562 00:25:22,855 --> 00:25:24,222 I will go from the top row. 563 00:25:24,223 --> 00:25:26,324 Penn, would you put them in the corresponding numbers 564 00:25:26,325 --> 00:25:27,325 as Brooke reads out... 565 00:25:27,326 --> 00:25:29,494 - The corresponding here or there? 566 00:25:29,495 --> 00:25:32,463 - From left to right. So if we read out 83... 567 00:25:32,464 --> 00:25:33,865 - 834. 568 00:25:33,866 --> 00:25:37,468 - Mm-hmm. That's not so bad, Penn. 569 00:25:37,469 --> 00:25:39,170 - Oh, it's terrible. 570 00:25:39,171 --> 00:25:42,040 - Second row. - 159. 571 00:25:42,041 --> 00:25:43,409 - 159. 572 00:25:45,944 --> 00:25:47,245 Very good. And the bottom row. 573 00:25:47,246 --> 00:25:50,548 - 672. - 672. 574 00:25:50,549 --> 00:25:54,018 Now, if you had mixed this just a turn or two more, 575 00:25:54,019 --> 00:25:56,087 it would be a different combination of numbers, 576 00:25:56,088 --> 00:25:58,289 a different combination of colors, right? 577 00:25:58,290 --> 00:25:59,791 - I would think so, yeah. 578 00:25:59,792 --> 00:26:01,225 - This is where it gets weird, 579 00:26:01,226 --> 00:26:03,194 because up to this point, it's been perfectly normal. 580 00:26:03,195 --> 00:26:05,129 Can I see this for a second, please, Penn? And the marker. 581 00:26:05,130 --> 00:26:07,365 Thank you. This is where it gets strange. 582 00:26:07,366 --> 00:26:08,866 Now, the mathematically inclined 583 00:26:08,867 --> 00:26:10,435 may be kind of ahead of me already, 584 00:26:10,436 --> 00:26:13,271 but if you look at this top row, 8 and 3 is 11. 585 00:26:13,272 --> 00:26:16,407 11 and 4 is 15. Right? 586 00:26:16,408 --> 00:26:18,176 But if you look at the next row down, 587 00:26:18,177 --> 00:26:19,544 you've got 1 and 5 is 6. 588 00:26:19,545 --> 00:26:21,345 6 plus 9? 589 00:26:21,346 --> 00:26:23,047 - 15. - Coincidentally. 590 00:26:23,048 --> 00:26:26,317 And the second at the bottom row is 6 and 7 is 13, plus 2 is 15. 591 00:26:26,318 --> 00:26:29,554 Look at the columns. You got 8 and 1 is 9, plus 6 is 15. 592 00:26:29,555 --> 00:26:31,989 3 and 5 is 8, plus 7 is 15. 4, 9, and 2 is 15. 593 00:26:31,990 --> 00:26:33,157 Even the diagonals work. 594 00:26:33,158 --> 00:26:36,494 That's 8 and 5 and 2. 4, 5, and 6. 595 00:26:36,495 --> 00:26:39,464 A coincidence that you made just by mixing up the group. 596 00:26:39,465 --> 00:26:40,798 That's pretty cool. 597 00:26:40,799 --> 00:26:43,601 [applause] 598 00:26:43,602 --> 00:26:46,370 Brooke, would you mind picking those cards up, please? 599 00:26:46,371 --> 00:26:48,172 This is where it gets really strange. 600 00:26:48,173 --> 00:26:50,508 - Okay. - So, you can hold it 601 00:26:50,509 --> 00:26:52,310 from that side or the other side. 602 00:26:52,311 --> 00:26:53,511 It doesn't matter. 603 00:26:53,512 --> 00:26:55,146 In a moment, you're going to deal these down, 604 00:26:55,147 --> 00:26:58,216 and we're going to count until we get to the 15th card. 605 00:26:58,217 --> 00:26:59,550 - Okay. - Okay? Whichever side. 606 00:26:59,551 --> 00:27:01,619 But before you do, let's recap here. 607 00:27:01,620 --> 00:27:03,121 You mixed up the Rubik's Cube. 608 00:27:03,122 --> 00:27:04,655 - I sure did. - Pretty thoroughly. 609 00:27:04,656 --> 00:27:06,224 - Yeah. - You had one combination 610 00:27:06,225 --> 00:27:08,359 that we chose, which was your favorite color, orange. 611 00:27:08,360 --> 00:27:09,760 - Yes. - That number. 612 00:27:09,761 --> 00:27:11,295 All those numbers added up to 15. 613 00:27:11,296 --> 00:27:12,663 You both mixed the cards up. 614 00:27:12,664 --> 00:27:14,465 We all mixed the cards up together. 615 00:27:14,466 --> 00:27:15,700 That's where you want to count from? 616 00:27:15,701 --> 00:27:17,168 You made all the decisions. 617 00:27:17,169 --> 00:27:18,369 - Yes. - Turn over that top card. 618 00:27:18,370 --> 00:27:19,537 That's card number one. 619 00:27:19,538 --> 00:27:20,538 - Turn it over. - Please. Onto the table. 620 00:27:20,539 --> 00:27:21,873 In the center, right there. 621 00:27:21,874 --> 00:27:23,341 And the card number two on top of that, please. 622 00:27:23,342 --> 00:27:25,309 And then count till we get to 15. 623 00:27:25,310 --> 00:27:29,547 There's 3, 4, 5, 6, 7, 624 00:27:29,548 --> 00:27:34,552 8, 9, 10, 11, 12, 13, 14, 15. 625 00:27:34,553 --> 00:27:36,420 Down is Brooke's card. 626 00:27:36,421 --> 00:27:39,824 That is an amazing coincidence that you have both made. 627 00:27:39,825 --> 00:27:41,993 Thank you so much. Thank you so much. 628 00:27:41,994 --> 00:27:43,427 Penn, you can go back to your seat. 629 00:27:43,428 --> 00:27:45,329 I appreciate you. 630 00:27:45,330 --> 00:27:47,665 - Frances Menotti, everyone. 631 00:27:47,666 --> 00:27:49,901 Wow, wow, wow. Brilliant. 632 00:27:49,902 --> 00:27:51,235 - Thanks, Brooke. 633 00:27:51,236 --> 00:27:52,637 - What do you think makes a better trick? 634 00:27:52,638 --> 00:27:54,338 Simplicity or complexity. 635 00:27:54,339 --> 00:27:55,840 - That's a great question. 636 00:27:55,841 --> 00:27:57,675 I am guilty of being complex, 637 00:27:57,676 --> 00:28:01,712 but I think a simple trick is better. 638 00:28:01,713 --> 00:28:03,581 But what I like to do is take a couple of simple tricks 639 00:28:03,582 --> 00:28:06,350 and put them together so as to kind of obfuscate 640 00:28:06,351 --> 00:28:08,953 what people are perceiving as happening. 641 00:28:08,954 --> 00:28:11,622 - Do you see yourself as an intellectual magician? 642 00:28:11,623 --> 00:28:13,491 - I don't know if I'd say I'm an intellectual magician. 643 00:28:13,492 --> 00:28:16,260 I like intellectual ideas. 644 00:28:16,261 --> 00:28:18,996 I love creating intellectual concepts 645 00:28:18,997 --> 00:28:22,233 or using intellectual concepts for theatrical purposes. 646 00:28:22,234 --> 00:28:23,467 Right now, the biggest project 647 00:28:23,468 --> 00:28:25,403 that I'm working on is called the Wake. 648 00:28:25,404 --> 00:28:26,771 And the whole goal is to get people 649 00:28:26,772 --> 00:28:28,206 to walk out feeling changed. 650 00:28:28,207 --> 00:28:30,141 - And it's a magic show. - It's a magic show. 651 00:28:30,142 --> 00:28:31,842 It's a theater show. It's a music show. 652 00:28:31,843 --> 00:28:33,244 It's all those combined. 653 00:28:33,245 --> 00:28:34,612 - All right, Frances, let's see 654 00:28:34,613 --> 00:28:36,047 if you mixed up Penn and Teller enough 655 00:28:36,048 --> 00:28:38,416 to get you a Fool Us trophy. You ready? 656 00:28:38,417 --> 00:28:40,017 - Yeah. - Boys, are we ready? 657 00:28:40,018 --> 00:28:42,019 - Hey, Francis, great routine. 658 00:28:42,020 --> 00:28:44,622 You know, doing a new presentation 659 00:28:44,623 --> 00:28:47,525 of the magic square is almost impossible. 660 00:28:47,526 --> 00:28:49,727 And you're always such a good thinker, 661 00:28:49,728 --> 00:28:52,396 and the stuff always looks so original. 662 00:28:52,397 --> 00:28:54,332 Putting numbers on a Rubik's Cube 663 00:28:54,333 --> 00:28:57,335 and using that for a magic square is just brilliant. 664 00:28:57,336 --> 00:29:00,705 It made me think. We did the Hollywood Squares a lot. 665 00:29:00,706 --> 00:29:03,441 We did it many, many times, maybe a dozen times. 666 00:29:03,442 --> 00:29:05,743 And we were doing it when Whoopi Goldberg 667 00:29:05,744 --> 00:29:08,879 was in the center square, and my dear, dear friend 668 00:29:08,880 --> 00:29:12,149 who I miss so much, Martin Mull, was in the center square, 669 00:29:12,150 --> 00:29:14,652 and we were always somewhere around there. 670 00:29:14,653 --> 00:29:17,521 We were never really cut out to be the center square 671 00:29:17,522 --> 00:29:19,123 the way we wanted to, you know? 672 00:29:19,124 --> 00:29:21,859 But having Martin and Whoopi there, 673 00:29:21,860 --> 00:29:23,861 I guess they did a better job. 674 00:29:23,862 --> 00:29:28,499 And if the--If the game was Fool Me, you did it. 675 00:29:28,500 --> 00:29:31,035 'Cause I didn't know-- I was there, 676 00:29:31,036 --> 00:29:33,004 totally wrapped up in the math 677 00:29:33,005 --> 00:29:34,772 and the magic square and everything. 678 00:29:34,773 --> 00:29:37,975 But then I sat down, fooled, 679 00:29:37,976 --> 00:29:40,411 and Teller told me how it was done. 680 00:29:40,412 --> 00:29:42,647 Now, I know that Teller's kind of a friend of yours. 681 00:29:42,648 --> 00:29:45,149 You were betrayed by Teller. 682 00:29:45,150 --> 00:29:48,519 So I want you to know that very, very clearly. 683 00:29:48,520 --> 00:29:51,055 So we think--We think 684 00:29:51,056 --> 00:29:55,126 that Teller's idea for how you did it might be right. 685 00:29:55,127 --> 00:29:56,894 As I said, you fooled me, 686 00:29:56,895 --> 00:29:59,030 but I put some code words in there 687 00:29:59,031 --> 00:30:02,533 based on Teller, and-- I don't know. 688 00:30:02,534 --> 00:30:04,335 - So, do you think the boys figured it out? 689 00:30:04,336 --> 00:30:06,003 - I'm pretty sure they did, yeah. 690 00:30:06,004 --> 00:30:07,371 - Not the boys. 691 00:30:07,372 --> 00:30:08,472 - Teller. - Teller. 692 00:30:08,473 --> 00:30:10,107 - Teller. Pleasure. 693 00:30:10,108 --> 00:30:11,842 - My pleasure. Thank you so much. 694 00:30:11,843 --> 00:30:14,478 - Thank you so much. Francis Menotti, everyone. 695 00:30:14,479 --> 00:30:17,148 [applause] 696 00:30:17,149 --> 00:30:19,317 I can't believe that Penn and Teller 697 00:30:19,318 --> 00:30:20,751 {\an8}figured that last one out. 698 00:30:20,752 --> 00:30:22,753 {\an8}See if they can keep their streak going 699 00:30:22,754 --> 00:30:24,389 {\an8}when Fool Us returns. 700 00:30:37,369 --> 00:30:38,936 - Welcome back. 701 00:30:38,937 --> 00:30:42,407 Let's roll out the red carpet for this next potential fooler. 702 00:31:41,733 --> 00:31:44,436 [applause] 703 00:31:46,204 --> 00:31:50,341 - From France, it's the mental magic of Gabriel Werlen. 704 00:31:50,342 --> 00:31:53,844 [applause] 705 00:31:53,845 --> 00:31:59,016 - As a mentalist, I love playing with brains. 706 00:31:59,017 --> 00:32:03,921 Because our brains are masters of illusion. 707 00:32:03,922 --> 00:32:08,193 Our brain's best trick is the illusion of free will. 708 00:32:09,528 --> 00:32:12,696 What if our subconscious 709 00:32:12,697 --> 00:32:15,901 is pulling the strings behind the curtain? 710 00:32:17,002 --> 00:32:20,905 Let's put it to the test by performing a little theater play 711 00:32:20,906 --> 00:32:24,909 I call the Illusion of Free Will. 712 00:32:24,910 --> 00:32:27,812 Brooke, will you please come star 713 00:32:27,813 --> 00:32:29,113 in our little production? 714 00:32:29,114 --> 00:32:30,982 - I would love to. 715 00:32:32,417 --> 00:32:34,118 Hi. 716 00:32:34,119 --> 00:32:37,588 - Brooke, your role is to play someone 717 00:32:37,589 --> 00:32:39,723 with completely free will. 718 00:32:39,724 --> 00:32:41,025 - Okay. - Can you do that? 719 00:32:41,026 --> 00:32:43,861 - Yes. - And I'll be playing 720 00:32:43,862 --> 00:32:46,096 the stressed mentalist... 721 00:32:46,097 --> 00:32:47,164 - Okay. 722 00:32:47,165 --> 00:32:50,301 - ...hoping to fool Penn and Teller. 723 00:32:50,302 --> 00:32:51,969 Okay. 724 00:32:51,970 --> 00:32:56,140 And here is the script for the climax of our play. Okay? 725 00:32:56,141 --> 00:32:59,143 It's the only part of the script I have written down. 726 00:32:59,144 --> 00:33:00,611 - Okay. - It's our secret goal. 727 00:33:00,612 --> 00:33:02,980 - Okay. - Okay. Please keep this safe. 728 00:33:02,981 --> 00:33:05,015 We don't want to spoil the ending of our play. 729 00:33:05,016 --> 00:33:07,051 Sit on the stool. 730 00:33:07,052 --> 00:33:09,820 No matter what happens, 731 00:33:09,821 --> 00:33:12,490 we will read what's written there. 732 00:33:12,491 --> 00:33:14,325 - Okay. - Okay? 733 00:33:14,326 --> 00:33:17,361 It's all about choices you're about to make 734 00:33:17,362 --> 00:33:19,798 regarding these three objects. 735 00:33:20,799 --> 00:33:21,832 A bill. 736 00:33:21,833 --> 00:33:22,900 - Okay. - A poker chip. 737 00:33:22,901 --> 00:33:24,602 - Okay. - And my wallet. 738 00:33:24,603 --> 00:33:26,070 - Okay. - Ready to play? 739 00:33:26,071 --> 00:33:27,404 - Yes. 740 00:33:27,405 --> 00:33:30,808 - Penn, to start our play, please call out "action." 741 00:33:30,809 --> 00:33:32,142 - Action! 742 00:33:32,143 --> 00:33:37,214 {\an8}- Brooke, you will freely choose one object for you, 743 00:33:37,215 --> 00:33:40,217 {\an8}one for me, and one to remain on the table. 744 00:33:40,218 --> 00:33:44,321 {\an8}After that, to ensure absolute free will, 745 00:33:44,322 --> 00:33:47,758 {\an8}I will even give you two opportunities to make a switch. 746 00:33:47,759 --> 00:33:49,960 {\an8}You could take the cash. 747 00:33:49,961 --> 00:33:53,797 {\an8}It's only $1, but it's real money. 748 00:33:53,798 --> 00:33:56,433 {\an8}Or you might prefer the poker chip. 749 00:33:56,434 --> 00:33:59,270 {\an8}It could be worth nothing or millions. 750 00:33:59,271 --> 00:34:03,374 - Could be worth a lot. - Or you might take the wallet. 751 00:34:03,375 --> 00:34:07,211 But what it might contain is a mystery. 752 00:34:07,212 --> 00:34:11,382 Trust your free will to reach our secret goal. 753 00:34:11,383 --> 00:34:14,251 Okay. Take one. Give me one. The last one stays on the table. 754 00:34:14,252 --> 00:34:17,821 - I'm taking the mystery. I'll give you the cash. 755 00:34:17,822 --> 00:34:19,557 I'll leave the chip on the table. 756 00:34:19,558 --> 00:34:22,126 - Okay. Happy with your starting point? 757 00:34:22,127 --> 00:34:24,862 - I am. - Now for the two switches. 758 00:34:24,863 --> 00:34:26,830 What first switch do you want? 759 00:34:26,831 --> 00:34:28,699 Any switch. We have two switches. 760 00:34:28,700 --> 00:34:30,801 - Let us switch. - Okay. 761 00:34:30,802 --> 00:34:32,803 And another switch. A different one. 762 00:34:32,804 --> 00:34:35,172 So you can switch the chip or I can switch it. 763 00:34:35,173 --> 00:34:36,874 - Okay. I'm going to take the chip 764 00:34:36,875 --> 00:34:38,175 and switch with the dollar, okay? 765 00:34:38,176 --> 00:34:40,811 - Okay. That felt like free will. 766 00:34:40,812 --> 00:34:42,413 - Yeah. - So we can end now? 767 00:34:42,414 --> 00:34:45,149 Unless you don't really want me to keep the wallet. 768 00:34:45,150 --> 00:34:47,384 Maybe you want me to switch the bill. It's possible. 769 00:34:47,385 --> 00:34:49,453 - I'm happy. 770 00:34:49,454 --> 00:34:50,921 - So we end the play now? 771 00:34:50,922 --> 00:34:53,057 - Okay. - I keep the wallet. Okay. 772 00:34:53,058 --> 00:34:54,124 - Okay. 773 00:34:54,125 --> 00:34:56,193 - So it's the end of the play. 774 00:34:56,194 --> 00:34:59,396 Brooke, every decision really appears spontaneous, 775 00:34:59,397 --> 00:35:01,332 born from free will. 776 00:35:01,333 --> 00:35:03,934 But the main question remains, 777 00:35:03,935 --> 00:35:08,839 were these choices truly free or part of a bigger plan 778 00:35:08,840 --> 00:35:11,942 with a scripted ending that I wrote in advance? 779 00:35:11,943 --> 00:35:14,244 Please point out the script. 780 00:35:14,245 --> 00:35:16,880 Did I manage to script 781 00:35:16,881 --> 00:35:19,883 this perfect ending matching your choices? 782 00:35:19,884 --> 00:35:23,420 - Let's see. Let's see. - Well, let's find out. 783 00:35:23,421 --> 00:35:27,025 "I did it!" It's scripted. [continues reading] 784 00:35:31,830 --> 00:35:33,365 [audience exclaims] 785 00:35:35,500 --> 00:35:38,736 Penn, will you please yell "cut"? 786 00:35:38,737 --> 00:35:39,903 - Cut! 787 00:35:39,904 --> 00:35:42,339 - And let's give a big round of applause 788 00:35:42,340 --> 00:35:43,841 to our star, Brooke Burke. 789 00:35:43,842 --> 00:35:46,343 - Thank you. Thank you. 790 00:35:46,344 --> 00:35:50,981 - And that ends our play, the Illusion of Free Will. 791 00:35:50,982 --> 00:35:53,617 - Gabriel Werlen, everyone. 792 00:35:53,618 --> 00:35:54,952 I love that. 793 00:35:54,953 --> 00:35:59,089 Is mentalism and magic-- are those very different things? 794 00:35:59,090 --> 00:36:01,058 - They are to me. 795 00:36:01,059 --> 00:36:04,762 I think every mentalist have their own definition. 796 00:36:04,763 --> 00:36:06,530 - Tell me. - But for me, 797 00:36:06,531 --> 00:36:10,901 magic is more about creating something really impossible. 798 00:36:10,902 --> 00:36:13,270 So they will try to figure out. 799 00:36:13,271 --> 00:36:15,706 And so it's more like you are aiming to create 800 00:36:15,707 --> 00:36:18,842 like a bomb, like a shock. 801 00:36:18,843 --> 00:36:22,112 Yeah, I know it's not possible. I have no idea how it's done. 802 00:36:22,113 --> 00:36:24,448 Okay? For mentalism, 803 00:36:24,449 --> 00:36:30,454 um, I think we need to try to create doubt, questioning, 804 00:36:30,455 --> 00:36:32,623 in the mind of the audience. 805 00:36:32,624 --> 00:36:35,325 So it's more like a roller coaster. 806 00:36:35,326 --> 00:36:40,097 So it's difference of emotion, but both are illusions. 807 00:36:40,098 --> 00:36:41,665 - Penn and Teller have a free choice 808 00:36:41,666 --> 00:36:43,967 to give you a trophy or not. 809 00:36:43,968 --> 00:36:46,770 Let's find out what they've decided, shall we? 810 00:36:46,771 --> 00:36:49,406 - Yes. Thank you. Thank you. - Good luck. Boys? 811 00:36:49,407 --> 00:36:53,177 - Gabriel, a wonderful, wonderful play you did for us, 812 00:36:53,178 --> 00:36:56,880 and that was wonderful watching it all unfold up here 813 00:36:56,881 --> 00:36:58,315 and all go together. 814 00:36:58,316 --> 00:37:00,884 It was just terrific. You get to do something 815 00:37:00,885 --> 00:37:03,654 that not everybody gets to do in show business 816 00:37:03,655 --> 00:37:07,024 or in playwriting or in movies, 817 00:37:07,025 --> 00:37:10,461 and that is you got to write the script and also act. 818 00:37:10,462 --> 00:37:13,163 And that doesn't always end up that way. 819 00:37:13,164 --> 00:37:16,600 Some of us have to write and then watch someone else do 820 00:37:16,601 --> 00:37:17,735 what we've written. 821 00:37:17,736 --> 00:37:22,172 And it's just wonderful to see mentalism 822 00:37:22,173 --> 00:37:25,676 that's so simple and so clear. 823 00:37:25,677 --> 00:37:28,011 Usually there's a lot of procedure, 824 00:37:28,012 --> 00:37:31,048 and this has none of that, making it a beautiful trick. 825 00:37:31,049 --> 00:37:34,685 And also is a subject which is very dear to my heart, 826 00:37:34,686 --> 00:37:37,721 Which is there's no such thing as free will. 827 00:37:37,722 --> 00:37:39,957 And I believe that very, very strongly. 828 00:37:39,958 --> 00:37:43,060 You did a wonderful job demonstrating that. 829 00:37:43,061 --> 00:37:44,194 We love that. 830 00:37:44,195 --> 00:37:47,331 We don't think that your play 831 00:37:47,332 --> 00:37:50,434 has the happiest ending for you of a trophy, 832 00:37:50,435 --> 00:37:53,737 but we sure did love it very much, Gabriel. 833 00:37:53,738 --> 00:37:56,907 - Gabriel, do Penn and Teller know how you did your trick? 834 00:37:56,908 --> 00:37:59,977 - Yeah, I think they do. - Well, you were wonderful. 835 00:37:59,978 --> 00:38:02,412 We enjoyed that so much. Thank you for letting me help. 836 00:38:02,413 --> 00:38:04,882 - Thank you. - Gabriel Werlen, everyone. 837 00:38:04,883 --> 00:38:09,254 [applause] 838 00:38:10,155 --> 00:38:12,756 We've arrived at my favorite part of the show, 839 00:38:12,757 --> 00:38:15,025 watching Penn and Teller do their thing. 840 00:38:15,026 --> 00:38:18,963 See our iconic duo in action when Fool Us returns. 841 00:38:31,242 --> 00:38:32,709 - Welcome back. 842 00:38:32,710 --> 00:38:35,579 Here to close out our show with six selected volunteers, 843 00:38:35,580 --> 00:38:37,047 who have already been put to work, 844 00:38:37,048 --> 00:38:41,185 are our Las Vegas legends themselves, Penn and Teller. 845 00:38:41,186 --> 00:38:45,455 [applause] 846 00:38:45,456 --> 00:38:46,690 - During the break, 847 00:38:46,691 --> 00:38:50,761 we had six guys take naked concrete blocks 848 00:38:50,762 --> 00:38:54,298 and decorate them as though they were giant dice. 849 00:38:54,299 --> 00:38:55,766 They each took a die. 850 00:38:55,767 --> 00:38:57,367 These took a color of dot, 851 00:38:57,368 --> 00:38:59,870 and they put the numbers on each side. 852 00:38:59,871 --> 00:39:02,940 1, 2, 3, 4, 5, and 6. 853 00:39:02,941 --> 00:39:05,275 And then they signed one of the dice pips, 854 00:39:05,276 --> 00:39:06,710 just to make it unique, 855 00:39:06,711 --> 00:39:09,146 and put them into here in a wonderful order-- 856 00:39:09,147 --> 00:39:12,382 1, 2, 3, 4, 5, 6-- 857 00:39:12,383 --> 00:39:16,553 that match the little tiny dice that are in this box-- 858 00:39:16,554 --> 00:39:20,357 1, 2, 3, 4, 5, 6-- the same way. 859 00:39:20,358 --> 00:39:23,227 Now, who had the pink color here? 860 00:39:23,228 --> 00:39:25,262 You had the pink. Is that your signature? 861 00:39:25,263 --> 00:39:29,499 Every one of them signed the one on the die right there. 862 00:39:29,500 --> 00:39:31,435 And would you two-- You stay here. 863 00:39:31,436 --> 00:39:34,371 Would you to come over here? Grab this lid here. 864 00:39:34,372 --> 00:39:38,075 Now, you see, if you shake these up, 865 00:39:38,076 --> 00:39:39,643 they don't move. 866 00:39:39,644 --> 00:39:41,812 The six stay in the same order. 867 00:39:41,813 --> 00:39:45,282 They can rattle, but they can't actually turn. 868 00:39:45,283 --> 00:39:47,718 Same thing with the big ones. 869 00:39:47,719 --> 00:39:49,419 Now, I want you to watch this. 870 00:39:49,420 --> 00:39:52,256 Teller's putting the cover back on. He's taking a die there. 871 00:39:52,257 --> 00:39:55,859 And if you come over here-- Teller's got a die cup. 872 00:39:55,860 --> 00:39:58,629 On that side of Teller. Yeah. He's gonna put the top on there. 873 00:39:58,630 --> 00:40:01,498 Then he's gonna shake it around. Can you guys lift it up 874 00:40:01,499 --> 00:40:03,901 and put it on here without having too much trouble? 875 00:40:03,902 --> 00:40:05,436 Put it on here. 876 00:40:09,474 --> 00:40:12,409 Let's see what number we got. What number we get there? 877 00:40:12,410 --> 00:40:14,745 What number is that? 878 00:40:14,746 --> 00:40:18,515 It's 4. We have a 4 right there. 879 00:40:18,516 --> 00:40:20,450 It's a 4. Now shake that around. 880 00:40:20,451 --> 00:40:22,185 Shake around the big one a little bit. 881 00:40:22,186 --> 00:40:26,089 Shake it around a little bit. Shake it around a little bit. 882 00:40:26,090 --> 00:40:29,059 Good job. Stand up over here. 883 00:40:29,060 --> 00:40:32,195 And you got a 4 there. 884 00:40:32,196 --> 00:40:39,603 And then if you'll see, all the dice have become 4s. 885 00:40:39,604 --> 00:40:43,340 [applause] 886 00:40:43,341 --> 00:40:46,176 And if you shake this up a little bit-- 887 00:40:46,177 --> 00:40:49,913 Shake it up. Shake it up. Shake it up. Shake it up. 888 00:40:49,914 --> 00:40:52,316 Now, can you lift the top off there, 889 00:40:52,317 --> 00:40:57,120 and you'll see that all these dice 890 00:40:57,121 --> 00:40:59,289 have also become 4s. 891 00:40:59,290 --> 00:41:00,757 Where's the green? 892 00:41:00,758 --> 00:41:02,392 Come over here. I want to show you something. 893 00:41:02,393 --> 00:41:03,894 Because that green one-- 894 00:41:03,895 --> 00:41:07,698 You see, you signed that green one right there. 895 00:41:07,699 --> 00:41:10,000 Is that your signature-- signature right there? 896 00:41:10,001 --> 00:41:12,102 You can take that with you as a souvenir. 897 00:41:12,103 --> 00:41:14,037 Go right back to your seat. Oh, come over here. 898 00:41:14,038 --> 00:41:17,207 Grab your colors here. Right back over there. 899 00:41:17,208 --> 00:41:19,242 Just grab them. Walk right over there. 900 00:41:19,243 --> 00:41:20,911 A little piece of advice. 901 00:41:20,912 --> 00:41:23,347 If you sell that on eBay, 902 00:41:23,348 --> 00:41:26,084 make sure that the buyer pays for the shipping. 903 00:41:29,954 --> 00:41:31,656 - Wow. [laughs] 904 00:41:32,757 --> 00:41:35,158 Okay. We are running out of time 905 00:41:35,159 --> 00:41:37,561 and running out of concrete blocks to give away. 906 00:41:37,562 --> 00:41:39,096 So we'll say goodnight. 907 00:41:39,097 --> 00:41:43,133 But join us next time for an all new Fool Us when we return. 908 00:41:43,134 --> 00:41:45,370 [cheers and applause]