1 00:00:00,367 --> 00:00:01,568 [jazz music] 2 00:00:01,601 --> 00:00:03,203 ♪ ♪ 3 00:00:17,617 --> 00:00:20,153 [applause] 4 00:00:20,186 --> 00:00:21,955 - From the Penn and Teller Theater 5 00:00:21,988 --> 00:00:26,326 at the Rio Hotel in Las Vegas. 6 00:00:26,359 --> 00:00:29,295 Here's our host, Brooke Burke. 7 00:00:29,329 --> 00:00:31,831 [cheering] 8 00:00:40,707 --> 00:00:42,175 - Welcome to Fool Us. 9 00:00:42,208 --> 00:00:45,011 Brace yourselves for a night of electrifying performances 10 00:00:45,045 --> 00:00:46,780 because tonight's magicians 11 00:00:46,813 --> 00:00:49,215 are ready to rock you like a hurricane. 12 00:00:49,249 --> 00:00:50,683 So let's crank up the volume 13 00:00:50,717 --> 00:00:54,454 and bring out the Keith Richards and Mick Jagger of Magic, 14 00:00:54,487 --> 00:00:56,156 Penn and Teller. 15 00:00:56,189 --> 00:00:58,992 [cheering] 16 00:01:05,165 --> 00:01:06,699 - That was my Keith Richards. 17 00:01:06,733 --> 00:01:09,803 That's all I give for Keith Richards. 18 00:01:09,836 --> 00:01:11,037 [cheering] 19 00:01:14,274 --> 00:01:16,976 - Every magician tonight has a chance to fool Penn and Teller, 20 00:01:17,010 --> 00:01:20,346 and if they do, they get a famous "Fool Us" trophy 21 00:01:20,380 --> 00:01:23,349 and a slot in P&T's Las Vegas Spectacular. 22 00:01:23,383 --> 00:01:26,386 Let's meet our first magician right now. 23 00:01:29,456 --> 00:01:32,525 - I am Emily Robinson-Hardy, and I am 20 years old. 24 00:01:32,559 --> 00:01:36,229 When I finished school, I did not know what I wanted to do. 25 00:01:36,262 --> 00:01:40,400 Then I saw an ad for the next TV stunt magician. 26 00:01:40,433 --> 00:01:41,768 Yeah. 27 00:01:41,801 --> 00:01:44,771 So I applied because I love fast cars. 28 00:01:44,804 --> 00:01:47,006 I love high speed driving. 29 00:01:47,040 --> 00:01:49,943 I've jetskied and I've even got the scars to prove it. 30 00:01:49,976 --> 00:01:52,112 I even had a lesson flying a helicopter. 31 00:01:52,145 --> 00:01:54,280 So when I got the stunt magician job, 32 00:01:54,314 --> 00:01:57,016 and I was told I was going to be jumping out of the helicopter, 33 00:01:57,050 --> 00:01:59,686 I was so excited. I was completely all over it. 34 00:01:59,719 --> 00:02:02,889 Or an act where I might end up pouring acid all over myself. 35 00:02:02,922 --> 00:02:04,691 Yes, sign me up. 36 00:02:04,724 --> 00:02:06,693 Danger does not deter me. 37 00:02:06,726 --> 00:02:09,629 Here in Las Vegas, there's all sorts of danger and excitement. 38 00:02:09,662 --> 00:02:13,399 Every magician knows that the card trick that 39 00:02:13,433 --> 00:02:14,901 I'm going to be doing is a very big risk. 40 00:02:14,934 --> 00:02:17,704 It is a very scary trick to perform live 41 00:02:17,737 --> 00:02:19,739 in front of two legends as well. 42 00:02:19,772 --> 00:02:22,809 But like I said, I love taking risks. 43 00:02:22,842 --> 00:02:23,776 Wish me luck. 44 00:02:25,245 --> 00:02:30,316 [applause] 45 00:02:30,350 --> 00:02:32,218 - Here's a fresh face from the UK. 46 00:02:32,252 --> 00:02:35,054 Give it up for Emily Robinson-Hardy. 47 00:02:35,088 --> 00:02:37,657 [applause] 48 00:02:37,690 --> 00:02:41,161 - What you're about to witness is said to be impossible. 49 00:02:41,194 --> 00:02:43,930 This particular card trick is a version of plot 50 00:02:43,963 --> 00:02:46,799 within magic known as "any card at any number." 51 00:02:46,833 --> 00:02:49,335 Or as we magicians know it, ACAN. 52 00:02:49,369 --> 00:02:51,271 The idea of the trick is very simple. 53 00:02:51,304 --> 00:02:53,306 A spectator would name a playing card, 54 00:02:53,339 --> 00:02:56,109 so let's say the two of hearts. 55 00:02:56,142 --> 00:02:58,811 Another spectator would then name a position 56 00:02:58,845 --> 00:03:02,015 within the deck, so let's say 24. 57 00:03:02,048 --> 00:03:04,117 The magician would then pick up the deck 58 00:03:04,150 --> 00:03:06,419 and count down to the 24th card, 59 00:03:06,452 --> 00:03:08,788 and at that position would then be the chosen card, 60 00:03:08,821 --> 00:03:09,989 the two of hearts. 61 00:03:10,023 --> 00:03:12,992 Now, ACAN has been around since the 1700s, 62 00:03:13,026 --> 00:03:14,761 and magicians have created 63 00:03:14,794 --> 00:03:17,130 thousands of versions of this effect. 64 00:03:17,163 --> 00:03:18,765 But they all have one thing in common. 65 00:03:18,798 --> 00:03:20,667 At some point within the routine, 66 00:03:20,700 --> 00:03:23,136 the magician will always touch the cards. 67 00:03:23,169 --> 00:03:25,471 Now, the perfect ACAN is one 68 00:03:25,505 --> 00:03:28,308 where the magician never touches the cards, 69 00:03:28,341 --> 00:03:30,610 where the spectators have a free choice, 70 00:03:30,643 --> 00:03:33,146 where the deck is a normal deck of playing cards, 71 00:03:33,179 --> 00:03:35,181 and there are no stooges in play. 72 00:03:35,215 --> 00:03:39,152 And that's why what you're about to witness is impossible. 73 00:03:39,185 --> 00:03:41,988 Or is it? 74 00:03:42,021 --> 00:03:44,357 Now, I need some volunteers from the audience, 75 00:03:44,390 --> 00:03:45,892 so if you don't mind helping out, 76 00:03:45,925 --> 00:03:48,494 can you please pop your hand up just so I can choose someone? 77 00:03:48,528 --> 00:03:51,231 Okay, so can I have the front row down there, 78 00:03:51,264 --> 00:03:53,499 and let's go glasses. 79 00:03:53,533 --> 00:03:54,801 Yes, please, come on up. 80 00:03:54,834 --> 00:03:56,302 So a round of applause for our volunteers, please. 81 00:03:56,336 --> 00:03:58,404 [applause] 82 00:03:58,438 --> 00:04:00,540 Just either side of the table. Thank you. 83 00:04:00,573 --> 00:04:03,977 So hello, and welcome to what I like to call 84 00:04:04,010 --> 00:04:06,246 the Emily Robinson-Hardy Experience. 85 00:04:06,279 --> 00:04:07,547 [laughing] 86 00:04:07,580 --> 00:04:09,482 So for this miracle, we are going to be using 87 00:04:09,515 --> 00:04:11,251 this jumbo deck of playing cards, 88 00:04:11,284 --> 00:04:14,220 which makes any sleight of hand incredibly difficult. 89 00:04:14,254 --> 00:04:15,855 So in a moment, I'm going to be asking you 90 00:04:15,888 --> 00:04:17,924 to name a playing card for me. 91 00:04:17,957 --> 00:04:19,492 So please get one ready in your mind, 92 00:04:19,525 --> 00:04:21,594 and I will be back to you shortly. 93 00:04:21,628 --> 00:04:24,731 I'm going to be asking you to name a position in the deck. 94 00:04:24,764 --> 00:04:26,866 So that's a number between 1 and 52. 95 00:04:26,899 --> 00:04:29,202 So again, if you could please get that ready in your mind, 96 00:04:29,235 --> 00:04:30,937 and I'll be back to you in a moment. 97 00:04:30,970 --> 00:04:35,508 Now, the last time I demonstrated this effect, 98 00:04:35,541 --> 00:04:38,778 my volunteers got a little bit freaked out. 99 00:04:38,811 --> 00:04:41,281 So one of them fell off their chair, 100 00:04:41,314 --> 00:04:43,383 and the other almost choked on a peanut. 101 00:04:43,416 --> 00:04:45,685 So I would like to ask you both 102 00:04:45,718 --> 00:04:49,222 to please not react as you experience this. 103 00:04:49,255 --> 00:04:52,959 So you are thinking of a playing card. 104 00:04:52,992 --> 00:04:55,194 Please state that playing card now. 105 00:04:55,228 --> 00:04:56,963 - Six of spades. 106 00:04:56,996 --> 00:04:58,598 - Six of spades, and that was a free choice. 107 00:04:58,631 --> 00:05:00,133 - Yes. 108 00:05:00,166 --> 00:05:02,535 - No one's primed you to say that beforehand. 109 00:05:02,568 --> 00:05:04,704 - No. - Fabulous. 110 00:05:04,737 --> 00:05:07,206 And you are thinking of a number. 111 00:05:07,240 --> 00:05:10,076 Please state that number now. 112 00:05:10,109 --> 00:05:12,278 - 47. - Perfect. 113 00:05:12,312 --> 00:05:14,380 Now, what I want you to both do is keep your eyes 114 00:05:14,414 --> 00:05:15,915 fixed on that deck. 115 00:05:15,948 --> 00:05:20,486 Ensure that these hands do not touch the deck at any point. 116 00:05:20,520 --> 00:05:24,490 So turning the cards face up one at a time. 117 00:05:24,524 --> 00:05:27,560 We are going to count to the 47th position. 118 00:05:27,593 --> 00:05:31,164 Now, as 47 is quite far in the deck, 119 00:05:31,197 --> 00:05:34,000 going to ask you to go quite quick at the beginning. 120 00:05:34,033 --> 00:05:35,768 I'll count with you as you go so we don't lose track, 121 00:05:35,802 --> 00:05:37,403 and I'm sure the audience will join in with us. 122 00:05:37,437 --> 00:05:38,771 You ready? - Yes. 123 00:05:38,805 --> 00:05:40,306 Please begin. 124 00:05:40,340 --> 00:05:43,776 One... Two... Three... 125 00:05:43,810 --> 00:05:45,578 [audience counts] Four... Five... 126 00:05:45,611 --> 00:05:47,580 Six... Seven... 127 00:05:47,613 --> 00:05:49,582 Eight... Nine... 128 00:05:49,615 --> 00:05:51,417 10... 11... 129 00:05:51,451 --> 00:05:53,319 12... 13... 130 00:05:53,353 --> 00:05:55,355 14... 15... 131 00:05:55,388 --> 00:05:57,156 16... 17... 132 00:05:57,190 --> 00:05:59,192 18... 19... 133 00:05:59,225 --> 00:06:01,194 20... 21... 134 00:06:01,227 --> 00:06:03,296 22... 23... 135 00:06:03,329 --> 00:06:05,331 24... 25... 136 00:06:05,365 --> 00:06:07,300 26... 27... 137 00:06:07,333 --> 00:06:11,704 28... 29... 138 00:06:11,738 --> 00:06:13,306 30... 31... 139 00:06:13,339 --> 00:06:15,842 32... 33... 140 00:06:15,875 --> 00:06:17,844 34... 35... 141 00:06:17,877 --> 00:06:20,146 36... 37... 142 00:06:20,179 --> 00:06:22,615 38... 39... 143 00:06:22,648 --> 00:06:24,684 40... 41... 144 00:06:24,717 --> 00:06:27,019 42... 43... 145 00:06:27,053 --> 00:06:30,490 44... 45... 146 00:06:30,523 --> 00:06:31,724 46. 147 00:06:31,758 --> 00:06:32,825 Okay, stop. 148 00:06:32,859 --> 00:06:35,828 So before you turn over this 47th card, 149 00:06:35,862 --> 00:06:38,197 could you please just remind everyone what the card was? 150 00:06:38,231 --> 00:06:40,633 - Six of spades. - The six of spades. Okay. 151 00:06:40,666 --> 00:06:43,970 So I just want to say that if it is not the six of spades, 152 00:06:44,003 --> 00:06:46,139 then it is not my fault. 153 00:06:46,172 --> 00:06:48,207 I have no say in the card that was chosen 154 00:06:48,241 --> 00:06:50,376 or its position in the deck. 155 00:06:50,410 --> 00:06:52,845 There's no one hiding underneath the table 156 00:06:52,879 --> 00:06:54,647 making sneaky things happen. 157 00:06:54,680 --> 00:06:56,849 And although I admit I supplied the cards myself, 158 00:06:56,883 --> 00:07:00,520 they hide no mechanical parts and they're not haunted. 159 00:07:00,553 --> 00:07:05,191 So with that said, please turn over this 47th card. 160 00:07:05,224 --> 00:07:06,659 Show everyone what it is. 161 00:07:06,692 --> 00:07:07,860 [audience gasps] 162 00:07:07,894 --> 00:07:09,896 - It is the six of spades. 163 00:07:09,929 --> 00:07:11,664 Thank you both so much. 164 00:07:11,697 --> 00:07:14,567 You can return to your seats. Thank you. 165 00:07:14,600 --> 00:07:19,405 - All right. Emily Robinson-Hardy everyone. 166 00:07:19,439 --> 00:07:23,609 So how do you prepare for a performance like this? 167 00:07:23,643 --> 00:07:25,545 - Quite honestly, the night before, I'll do 168 00:07:25,578 --> 00:07:27,713 a nice face mask and probably then just 169 00:07:27,747 --> 00:07:31,451 jamming out to some like incredibly heavy like 170 00:07:31,484 --> 00:07:33,286 Rob Zombie, Motley Crue, Black Sabbath. 171 00:07:33,319 --> 00:07:34,921 That's the routine. 172 00:07:34,954 --> 00:07:37,623 - Do you prep for stunt work in the same way? 173 00:07:37,657 --> 00:07:40,126 - Not always. 174 00:07:40,159 --> 00:07:41,928 It's basically just making sure that I still 175 00:07:41,961 --> 00:07:43,863 remember how to stick shift. 176 00:07:43,896 --> 00:07:45,298 Apart from that, I'm sorted. 177 00:07:45,331 --> 00:07:46,532 [laughing] 178 00:07:46,566 --> 00:07:47,633 - Have you ever combined stunt work and magic? 179 00:07:47,667 --> 00:07:49,535 - Not yet. 180 00:07:49,569 --> 00:07:53,539 - Let's imagine for a moment the greatest stunt magic trick ever. 181 00:07:53,573 --> 00:07:55,208 What does that look like? 182 00:07:55,241 --> 00:07:57,376 - Me on fire. Anything like that. 183 00:07:57,410 --> 00:07:59,245 - You on fire? - Yeah. 184 00:07:59,278 --> 00:08:00,813 I mean, whatever. 185 00:08:00,847 --> 00:08:04,116 I want to be set on fire, but everyone keeps telling me no. 186 00:08:04,150 --> 00:08:06,152 - Okay, Emily. Let's see if Penn and Teller are going 187 00:08:06,185 --> 00:08:10,223 to send you back to England with a "Fool Us" trophy. 188 00:08:10,256 --> 00:08:12,058 - Hey, Emily. - Hi. 189 00:08:12,091 --> 00:08:14,460 - Really nice. Really good performance. 190 00:08:14,494 --> 00:08:18,164 We know an awful lot about "any card any number." 191 00:08:18,197 --> 00:08:21,067 Everything that Emily said about that is true. 192 00:08:21,100 --> 00:08:23,903 It is a classic trick in magic. 193 00:08:23,936 --> 00:08:26,772 It is kind of the holy grail in magic 194 00:08:26,806 --> 00:08:29,342 to get a perfect version of it 195 00:08:29,375 --> 00:08:31,744 where you don't touch the deck 196 00:08:31,777 --> 00:08:34,113 and you don't do pre-show, 197 00:08:34,146 --> 00:08:35,181 which we believe you didn't do, right? 198 00:08:35,214 --> 00:08:36,282 - Yeah. 199 00:08:36,315 --> 00:08:37,617 - You promise us there's no pre-show. 200 00:08:37,650 --> 00:08:39,585 - I promise. - And you promise us 201 00:08:39,619 --> 00:08:40,686 there's no stooge, right? - Correct. 202 00:08:40,720 --> 00:08:43,155 - Because if this were pre-show or there was a stooge, 203 00:08:43,189 --> 00:08:45,591 there's no trick at all. - Yeah. 204 00:08:45,625 --> 00:08:46,759 - But there's none of that. 205 00:08:46,792 --> 00:08:48,261 So there is a trick and there's 206 00:08:48,294 --> 00:08:49,328 a really, really good trick. 207 00:08:49,362 --> 00:08:50,796 - Thank you so much. 208 00:08:50,830 --> 00:08:54,367 - And we've gone through the list of all that we know 209 00:08:54,400 --> 00:08:56,702 of ways to do this. We've been checking them out. 210 00:08:56,736 --> 00:09:01,607 And as far as we can tell, there are two choices. 211 00:09:01,641 --> 00:09:06,178 One is it was supernatural 212 00:09:06,212 --> 00:09:07,446 and two is you fooled us. 213 00:09:07,480 --> 00:09:10,550 - [cheering] - Did you hear that, Emily? 214 00:09:10,583 --> 00:09:13,052 Oh my goodness. 215 00:09:13,085 --> 00:09:14,053 You fooled, them, Emily. 216 00:09:14,086 --> 00:09:15,488 - Oh my God! - Well done. 217 00:09:15,521 --> 00:09:18,958 - Congratulations. - Thank you very much. 218 00:09:18,991 --> 00:09:21,694 - Thank you very much. - Congratulations. 219 00:09:21,727 --> 00:09:23,229 Amazing. 220 00:09:29,335 --> 00:09:31,003 Emily Robinson-Hardy, everyone. 221 00:09:31,037 --> 00:09:33,239 [applause] 222 00:09:33,272 --> 00:09:35,741 - A girl with sequins gets a trophy in my book. 223 00:09:35,775 --> 00:09:38,210 [laughing] 224 00:09:38,244 --> 00:09:39,879 So much fun. 225 00:09:39,912 --> 00:09:41,581 Congratulations to our latest fooler, 226 00:09:41,614 --> 00:09:43,516 Emily Robinson-Hardy. 227 00:09:43,549 --> 00:09:45,985 Are Penn and Teller ready for more? 228 00:09:46,018 --> 00:09:48,554 We'll come back and find out when "Fool Us" returns. 229 00:09:48,588 --> 00:09:49,822 [applause] 230 00:09:49,855 --> 00:09:51,257 ♪ ♪ 231 00:09:56,228 --> 00:09:57,964 ♪ ♪ 232 00:10:01,901 --> 00:10:03,703 Welcome back. 233 00:10:03,736 --> 00:10:05,204 The next magician attempting to leave 234 00:10:05,237 --> 00:10:07,139 Penn and Teller spellbound is right here. 235 00:10:57,089 --> 00:11:02,495 [applause] 236 00:11:02,528 --> 00:11:06,465 - Make way for the magic of C.Y. 237 00:11:06,499 --> 00:11:11,337 [birds chirping] 238 00:11:11,370 --> 00:11:13,973 ♪ ♪ 239 00:11:20,780 --> 00:11:22,782 [applause] 240 00:11:29,689 --> 00:11:31,824 [audience gasps] 241 00:11:31,857 --> 00:11:34,460 [applause] 242 00:11:47,907 --> 00:11:51,410 [applause] 243 00:11:56,916 --> 00:11:58,884 [audience gasps] 244 00:12:01,187 --> 00:12:04,256 [applause] 245 00:12:11,731 --> 00:12:13,032 [birds chirping] 246 00:12:17,236 --> 00:12:19,739 [audience gasps] 247 00:12:19,772 --> 00:12:22,007 [applause] 248 00:12:39,291 --> 00:12:41,393 [audience gasps] 249 00:12:46,265 --> 00:12:48,868 [applause] 250 00:12:56,142 --> 00:12:57,176 [bell tolls] 251 00:12:57,209 --> 00:12:58,978 [audience gasps] 252 00:13:06,919 --> 00:13:08,754 [audience gasps] 253 00:13:14,927 --> 00:13:17,096 ♪ ♪ 254 00:13:31,944 --> 00:13:33,512 [audience gasps] 255 00:13:51,096 --> 00:13:53,332 [audience gasps] 256 00:13:53,365 --> 00:13:55,367 [applause] 257 00:14:03,876 --> 00:14:06,512 [applause] 258 00:14:24,797 --> 00:14:26,799 [audience gasps] 259 00:14:26,832 --> 00:14:29,568 [applause] 260 00:14:50,689 --> 00:14:52,725 [audience gasps] 261 00:14:52,758 --> 00:14:54,827 [applause] 262 00:15:12,778 --> 00:15:15,247 [applause] 263 00:15:23,289 --> 00:15:25,524 [audience gasps] 264 00:15:26,892 --> 00:15:29,061 [applause] 265 00:15:46,445 --> 00:15:49,415 [applause] 266 00:15:53,819 --> 00:15:55,955 [audience gasps] 267 00:15:59,224 --> 00:16:01,994 [applause] 268 00:16:09,268 --> 00:16:11,737 [audience gasps] 269 00:16:11,770 --> 00:16:14,206 [applause] 270 00:16:14,239 --> 00:16:18,744 [cheering] 271 00:16:22,247 --> 00:16:24,083 - C.Y., everyone! 272 00:16:25,684 --> 00:16:27,987 Are you always a one-man show 273 00:16:28,020 --> 00:16:29,688 with the exception of the animals? 274 00:16:31,023 --> 00:16:32,591 [speaking Korean] 275 00:16:34,693 --> 00:16:38,397 - It's always just him and the birds. 276 00:16:38,430 --> 00:16:41,066 - What was your parents first reaction when you decided 277 00:16:41,100 --> 00:16:43,502 to be a magician, were they supportive? 278 00:16:51,877 --> 00:16:53,445 - Did you practice at home for them 279 00:16:53,479 --> 00:16:54,880 or did you have to hide? 280 00:16:57,983 --> 00:16:59,151 - And did they catch you? 281 00:17:02,154 --> 00:17:04,456 - Oh, no. 282 00:17:05,958 --> 00:17:07,593 [laughing] 283 00:17:07,626 --> 00:17:09,128 - All right, C.Y., you ready? 284 00:17:09,161 --> 00:17:10,629 Let's see if you fooled Penn and Teller. 285 00:17:10,662 --> 00:17:11,630 - Yes. - Shall we? 286 00:17:11,663 --> 00:17:12,865 Boys? 287 00:17:12,898 --> 00:17:15,534 C.Y. 288 00:17:15,567 --> 00:17:18,804 Translator, please tell C.Y. that 289 00:17:18,837 --> 00:17:20,005 we're a little scared of him 290 00:17:20,039 --> 00:17:21,106 and we mean no harm. 291 00:17:21,140 --> 00:17:23,175 [laughing] 292 00:17:26,412 --> 00:17:28,614 Very very intense act. 293 00:17:28,647 --> 00:17:30,449 Really wonderful 294 00:17:30,482 --> 00:17:32,551 and has those two great movements 295 00:17:32,584 --> 00:17:34,987 going from the white to the red. 296 00:17:35,020 --> 00:17:37,790 The change in the color of the doves, 297 00:17:37,823 --> 00:17:39,958 The vanish in plain sight. 298 00:17:39,992 --> 00:17:42,961 That's always done covered in some way. 299 00:17:42,995 --> 00:17:46,198 The dove in the smoke vanishing all of those 300 00:17:46,231 --> 00:17:49,034 are just beautiful and real innovations. 301 00:17:49,068 --> 00:17:51,703 Dove magic is, as Teller knows, 302 00:17:51,737 --> 00:17:55,741 among the hardest kinds of magic to do 303 00:17:55,774 --> 00:17:57,576 because you're dealing with living things 304 00:17:57,609 --> 00:18:00,045 that have to be dealt with with with compassion 305 00:18:00,079 --> 00:18:03,082 and respect and that's very difficult to do. 306 00:18:03,115 --> 00:18:05,150 You don't have to worry about killing a card. 307 00:18:05,184 --> 00:18:07,219 You do have to worry about killing a dove 308 00:18:07,252 --> 00:18:09,688 and making sure they are treated well. 309 00:18:09,721 --> 00:18:11,924 We know Lance Burton very well. 310 00:18:11,957 --> 00:18:14,426 We know Johnny Thompson very well, 311 00:18:14,460 --> 00:18:17,696 and they do those traditional dove acts 312 00:18:17,729 --> 00:18:23,702 and it's very very hard to innovate in a form 313 00:18:23,735 --> 00:18:25,037 that's that difficult 314 00:18:25,070 --> 00:18:27,239 and is dealing with living things. 315 00:18:27,272 --> 00:18:30,042 And you have absolutely done that. 316 00:18:30,075 --> 00:18:33,412 The change in colors the glove change at the end, 317 00:18:33,445 --> 00:18:35,514 after you've established so clearly 318 00:18:35,547 --> 00:18:37,416 that everything is white, 319 00:18:37,449 --> 00:18:40,619 the hands going to red is just beautiful. 320 00:18:40,652 --> 00:18:43,422 It really is an innovative very intense, 321 00:18:43,455 --> 00:18:45,591 very wonderful act. 322 00:18:45,624 --> 00:18:48,260 We don't think you fooled us and please don't hurt us. 323 00:18:48,293 --> 00:18:50,829 [laughing] 324 00:18:56,001 --> 00:18:57,369 - Okay. Thank you. 325 00:18:57,402 --> 00:18:58,904 - Just wonderful. 326 00:18:58,937 --> 00:19:00,539 - Well, you didn't fool Penn and Teller 327 00:19:00,572 --> 00:19:02,074 but we enjoyed that so much 328 00:19:02,107 --> 00:19:03,575 and we hope that you come back to America 329 00:19:03,609 --> 00:19:04,743 and perform for us again. 330 00:19:04,776 --> 00:19:05,911 - Thank you. 331 00:19:05,944 --> 00:19:09,615 - C.Y. everyone. Thank you so much. 332 00:19:09,648 --> 00:19:14,419 [cheering] 333 00:19:14,453 --> 00:19:16,054 We are taking a quick break, 334 00:19:16,088 --> 00:19:17,923 but we'll have a fantastic magician 335 00:19:17,956 --> 00:19:19,658 waiting for you when we come back. 336 00:19:19,691 --> 00:19:20,959 [cheering] 337 00:19:20,993 --> 00:19:22,194 ♪ ♪ 338 00:19:27,332 --> 00:19:28,800 ♪ ♪ 339 00:19:33,172 --> 00:19:34,740 - Welcome back, everyone. 340 00:19:34,773 --> 00:19:36,842 It's time for our next magician to step up 341 00:19:36,875 --> 00:19:38,010 and try to fool Penn and Teller. 342 00:19:41,046 --> 00:19:42,648 - I've been fortunate enough to be constantly working 343 00:19:42,681 --> 00:19:45,350 and in high demand for the last number of years. 344 00:19:45,384 --> 00:19:48,086 Overall, I'm a pretty happy guy, 345 00:19:48,120 --> 00:19:50,155 except for my social circles. 346 00:19:50,189 --> 00:19:52,457 This is Matt King. This is Eric Mead. 347 00:19:52,491 --> 00:19:55,427 This is Vinnie Grosso. Magicians. 348 00:19:55,460 --> 00:19:58,163 You may not have noticed, but they have "Fool Us" trophies. 349 00:19:58,197 --> 00:20:01,266 And you also may have noticed, I do not. 350 00:20:01,300 --> 00:20:04,036 And trust me, not five minutes go by 351 00:20:04,069 --> 00:20:06,004 without them rubbing my nose in it. 352 00:20:06,038 --> 00:20:08,373 Every week, we play cutthroat croquet. 353 00:20:08,407 --> 00:20:12,778 Off cars, in the street, off pool toys, trees. 354 00:20:12,811 --> 00:20:14,179 - Play it where it lies. 355 00:20:14,213 --> 00:20:16,548 - If I don't come away with a trophy of my own, 356 00:20:16,582 --> 00:20:20,686 the ridicule will be ruthless and never-ending. 357 00:20:20,719 --> 00:20:22,955 This is in no way facetious. 358 00:20:22,988 --> 00:20:26,191 The pressure that I'm under is unbearable. 359 00:20:26,225 --> 00:20:28,994 This is my one shot to shut them up. 360 00:20:29,027 --> 00:20:33,565 Penn, Teller, the stakes could not be higher. 361 00:20:33,599 --> 00:20:37,903 [applause] 362 00:20:37,936 --> 00:20:41,073 - Give it up for the comedy magic of Nick Diffatte. 363 00:20:41,106 --> 00:20:44,543 - Thank you so much. Thank you, Brooke. 364 00:20:44,576 --> 00:20:46,311 Hi, nice to meet you. - Nice to meet you as well. 365 00:20:46,345 --> 00:20:47,913 Before the show, I made a prediction. 366 00:20:47,946 --> 00:20:50,315 Rolled it up, wrote something down, 367 00:20:50,349 --> 00:20:51,683 rolled it up, taped it to the mic stand. 368 00:20:51,717 --> 00:20:53,552 No one's touched it since before the show started. 369 00:20:53,585 --> 00:20:54,820 - Okay. 370 00:20:54,853 --> 00:20:55,988 - The staff has been guarding it. 371 00:20:56,021 --> 00:20:57,322 - Ooh. - And we've never met before. 372 00:20:57,356 --> 00:20:58,590 - We have not. 373 00:20:58,624 --> 00:20:59,658 You didn't write down any personal information 374 00:20:59,691 --> 00:21:01,193 that could have been secreted to me? 375 00:21:01,226 --> 00:21:03,495 - I know nothing as usual. 376 00:21:03,528 --> 00:21:06,198 - Brooke, in your loudest, most clear voice, 377 00:21:06,231 --> 00:21:07,833 all you have to say is yes or no. 378 00:21:07,866 --> 00:21:08,900 - Be honest. - Okay. 379 00:21:08,934 --> 00:21:11,403 Is your phone number 380 00:21:11,436 --> 00:21:15,540 909-334-29? 381 00:21:15,574 --> 00:21:17,609 - No. 382 00:21:17,643 --> 00:21:19,244 [laughing] 383 00:21:25,417 --> 00:21:26,418 Sorry. 384 00:21:26,451 --> 00:21:28,220 - That's because it's mine. 385 00:21:28,253 --> 00:21:30,222 - Oh, it's yours? Oh, thank you. 386 00:21:32,324 --> 00:21:34,393 And the rest of the ladies are thanking you, too. 387 00:21:36,895 --> 00:21:38,964 - Look, people come up to me after shows. 388 00:21:38,997 --> 00:21:40,732 They see me do magic. They come up to me. 389 00:21:40,766 --> 00:21:43,602 They go, how much of this is real and how much of it is fake? 390 00:21:43,635 --> 00:21:44,970 How much of it's just to put on? 391 00:21:45,003 --> 00:21:47,406 And the answer is all of it. 392 00:21:47,439 --> 00:21:49,207 All of it. It's all fake. 393 00:21:49,241 --> 00:21:53,245 I don't have any real... Well, I have one superpower. 394 00:21:53,278 --> 00:21:56,815 I can tell the expiration date of any item. 395 00:21:56,848 --> 00:21:58,750 - Really? 396 00:21:58,784 --> 00:22:02,321 - So does anyone have a gallon of milk I could borrow? 397 00:22:02,354 --> 00:22:03,388 We've been sitting here for a minute. 398 00:22:03,422 --> 00:22:04,489 Tell you what, let's use... 399 00:22:04,523 --> 00:22:07,159 I don't do pets anymore, but I do... 400 00:22:07,192 --> 00:22:08,260 I can do relationships like how long 401 00:22:08,293 --> 00:22:09,761 have you folks worked together? 402 00:22:09,795 --> 00:22:12,130 - 48 years. - 48 years? 403 00:22:12,164 --> 00:22:14,933 What's the date? 404 00:22:14,966 --> 00:22:16,635 [laughing] 405 00:22:16,668 --> 00:22:17,969 You know, we'll move on. Never mind. 406 00:22:18,003 --> 00:22:20,339 Tell you what, do you... 407 00:22:20,372 --> 00:22:22,441 Brooke, do you have anything government issue on you? 408 00:22:22,474 --> 00:22:24,009 Do you have, like, your ID? 409 00:22:24,042 --> 00:22:25,310 - I do have my ID on me. 410 00:22:25,344 --> 00:22:26,745 - Could you pull out your ID? 411 00:22:26,778 --> 00:22:27,679 Don't show it to me. 412 00:22:27,713 --> 00:22:29,481 - Okay. 413 00:22:29,514 --> 00:22:32,651 I don't have any pockets, so I actually do have my ID. 414 00:22:32,684 --> 00:22:33,685 I won't look. 415 00:22:33,719 --> 00:22:36,455 I will use this blindfold of modesty. 416 00:22:36,488 --> 00:22:37,956 Okay. 417 00:22:37,989 --> 00:22:40,759 And would you take a look at the expiration date on your ID? 418 00:22:40,792 --> 00:22:41,760 Don't show it to me. 419 00:22:41,793 --> 00:22:43,428 - Okay. Shh. 420 00:22:43,462 --> 00:22:44,663 - And remember it. - Okay. 421 00:22:44,696 --> 00:22:46,365 - I know that's kind of the tough part. 422 00:22:46,398 --> 00:22:47,999 And would you hold it face down? 423 00:22:48,033 --> 00:22:48,934 Hold it face down so I can't see it. 424 00:22:48,967 --> 00:22:50,769 I will take your ID. 425 00:22:50,802 --> 00:22:53,105 I'm going to cover it up so that neither of us can get to it. 426 00:22:53,138 --> 00:22:54,973 And would you hold out your right hand? 427 00:22:55,006 --> 00:22:57,142 Kind of like a crab claw? 428 00:22:57,175 --> 00:22:58,110 - Like this? - Like this? 429 00:22:58,143 --> 00:22:59,845 Facing down. Perfect. 430 00:22:59,878 --> 00:23:02,147 Sorry, I know it's kind of... 431 00:23:02,180 --> 00:23:04,116 - Pinch on top. - Okay. Okay. 432 00:23:04,149 --> 00:23:07,552 I'll come over here just so they don't think we're in cahoots. 433 00:23:07,586 --> 00:23:08,954 We're going to go for the month first, okay? 434 00:23:08,987 --> 00:23:10,222 - Okay, you're going to guess the expiration date 435 00:23:10,255 --> 00:23:11,723 of my license. 436 00:23:11,757 --> 00:23:13,558 - Of your license, which I've never seen before. 437 00:23:13,592 --> 00:23:14,726 - He has not. 438 00:23:14,760 --> 00:23:15,727 - Um... 439 00:23:19,364 --> 00:23:21,333 I'm going to say January? 440 00:23:21,366 --> 00:23:23,402 - No. - No. 441 00:23:23,435 --> 00:23:27,672 But it's a... eh, it's a cold month? 442 00:23:27,706 --> 00:23:28,807 Colder month. 443 00:23:28,840 --> 00:23:30,475 - Could be. It depends where you are. 444 00:23:30,509 --> 00:23:31,810 - In several places. 445 00:23:31,843 --> 00:23:33,378 We're going to also count that as a hit. 446 00:23:33,412 --> 00:23:35,914 Listen, I don't need this, okay? 447 00:23:35,947 --> 00:23:40,318 I babysit on the weekends. This isn't it for me, okay? 448 00:23:40,352 --> 00:23:41,686 Stable income. Brooke. 449 00:23:41,720 --> 00:23:42,821 - Yes? 450 00:23:42,854 --> 00:23:44,055 - We're going to go for the year. 451 00:23:44,089 --> 00:23:45,157 We're going full balls to the wall. 452 00:23:45,190 --> 00:23:46,158 We're going to do it. - Okay. 453 00:23:46,191 --> 00:23:47,426 - Go big. - Go. 454 00:23:47,459 --> 00:23:49,728 - Is this expired? 455 00:23:49,761 --> 00:23:51,263 - No. - No? 456 00:23:51,296 --> 00:23:52,931 - No. - It's 2014. 457 00:23:52,964 --> 00:23:55,600 2014 is expired, right? 458 00:23:55,634 --> 00:23:57,369 - It's not 2014. 459 00:23:57,402 --> 00:23:58,503 - Can you check? 460 00:23:58,537 --> 00:23:59,604 I'm sorry. Is it even... 461 00:23:59,638 --> 00:24:01,273 Here, could you turn your hand over? 462 00:24:01,306 --> 00:24:02,507 - Sure. - Turn your hand over. 463 00:24:02,541 --> 00:24:03,875 Is it even yours? 464 00:24:03,909 --> 00:24:05,210 - That's not even my ID. 465 00:24:05,243 --> 00:24:07,345 - Well, whose is it? 466 00:24:07,379 --> 00:24:09,848 Shoot. How did you get that? 467 00:24:09,881 --> 00:24:13,185 That's a little embarrassing. This is my fifth grade ID. 468 00:24:13,218 --> 00:24:14,853 I'm not quite sure. 469 00:24:14,886 --> 00:24:16,855 I'm sorry. It's not... 470 00:24:16,888 --> 00:24:18,857 - It's expired. - It's kind of... Yeah. 471 00:24:18,890 --> 00:24:20,592 I'm sorry. 472 00:24:20,625 --> 00:24:22,194 And there's nothing else inside the handkerchief? 473 00:24:22,227 --> 00:24:23,428 I'm a little freaked out, though. 474 00:24:23,462 --> 00:24:24,563 How did you get... 475 00:24:24,596 --> 00:24:27,065 Because I consider myself fairly muggable. 476 00:24:27,098 --> 00:24:28,600 - I didn't do that. 477 00:24:28,633 --> 00:24:30,902 - No, I'm actually freaked out about getting mugged. 478 00:24:30,936 --> 00:24:32,604 I know a couple of you are chuckling, but that's... 479 00:24:32,637 --> 00:24:34,406 I realize that I dressed today. 480 00:24:34,439 --> 00:24:35,774 I looked in the mirror downstairs 481 00:24:35,807 --> 00:24:37,242 and realized that I'm dressed like 482 00:24:37,275 --> 00:24:38,944 I'm running for a student body president. 483 00:24:38,977 --> 00:24:39,911 - [laughing] - But... 484 00:24:39,945 --> 00:24:41,446 It's okay. 485 00:24:41,480 --> 00:24:42,747 But I'm a little freaked out that you got this. 486 00:24:42,781 --> 00:24:44,416 Only because I do... 487 00:24:44,449 --> 00:24:46,785 If you were trying to get my ID, 488 00:24:46,818 --> 00:24:48,620 where would you assume I kept my ID? 489 00:24:48,653 --> 00:24:50,789 - In your wallet. - My wallet. 490 00:24:50,822 --> 00:24:51,990 Do you want to see where I actually keep my ID? 491 00:24:52,023 --> 00:24:53,458 - Sure. - It's a thing I came up with. 492 00:24:53,492 --> 00:24:54,960 It's called a back wallet. 493 00:24:54,993 --> 00:24:56,228 - Okay. - It's not a real thing. 494 00:24:56,261 --> 00:24:57,128 I'm trying to pitch it. 495 00:24:57,162 --> 00:24:59,598 But it's a wallet. 496 00:24:59,631 --> 00:25:01,266 It's not a very clever title, 497 00:25:01,299 --> 00:25:04,970 but it is duct taped onto my back. 498 00:25:05,003 --> 00:25:07,072 This is not the most flattering look on the planet. 499 00:25:07,105 --> 00:25:08,640 Not super easy to pay. Would you help me out? 500 00:25:08,673 --> 00:25:10,642 - Sure. - Just peel the wallet off. 501 00:25:10,675 --> 00:25:13,178 - Okay. - Perfect. 502 00:25:13,211 --> 00:25:15,480 You can leave the tape where it's at. 503 00:25:15,514 --> 00:25:16,748 Okay. 504 00:25:16,781 --> 00:25:19,150 Inside the wallet. 505 00:25:19,184 --> 00:25:21,353 We take a look inside. 506 00:25:21,386 --> 00:25:24,122 I've taped it shut. 507 00:25:24,155 --> 00:25:27,826 Inside of the overly secure snap fasten pocket. 508 00:25:27,859 --> 00:25:29,461 - Would you pull that out? - Sure. 509 00:25:29,494 --> 00:25:30,862 Show it around to everybody. 510 00:25:30,896 --> 00:25:32,764 Your face, your personal information. 511 00:25:32,797 --> 00:25:34,099 - It's my ID. - [audience gasps] 512 00:25:34,132 --> 00:25:35,834 - You did it. 513 00:25:35,867 --> 00:25:39,271 Thank you very much. 514 00:25:39,304 --> 00:25:42,674 - Nick Diffatte, everyone. Woo. 515 00:25:42,707 --> 00:25:45,610 Come on over. Let's chat. 516 00:25:45,644 --> 00:25:47,445 That was confusing and amazing at the same time. 517 00:25:47,479 --> 00:25:49,948 - Thank you very much. Thanks. 518 00:25:49,981 --> 00:25:52,017 - You still look like your middle school ID. 519 00:25:52,050 --> 00:25:54,352 - Yeah. At this point, I'm sure most people watching 520 00:25:54,386 --> 00:25:58,623 don't know if I'm 14 or 40. I feel a little odd. 521 00:25:58,657 --> 00:26:00,692 - Do you still have to show proper ID to get into clubs? 522 00:26:00,725 --> 00:26:01,993 - I do. 523 00:26:02,027 --> 00:26:04,162 I got IDed three times walking 524 00:26:04,195 --> 00:26:06,965 through a casino in town the other day. 525 00:26:06,998 --> 00:26:09,501 - You seem like the kind of guy that likes to make fun 526 00:26:09,534 --> 00:26:10,802 and have fun. Is that right? 527 00:26:10,835 --> 00:26:12,737 - Sure. Yeah. 528 00:26:12,771 --> 00:26:16,174 I think the moment that I found being self-deprecating, 529 00:26:16,207 --> 00:26:18,710 I kind of settled in. 530 00:26:18,743 --> 00:26:21,746 - How important do you think humor is in magic? 531 00:26:21,780 --> 00:26:24,482 - In certain cases, it can detract. 532 00:26:24,516 --> 00:26:26,718 In certain cases, it can magnify the effect. 533 00:26:26,751 --> 00:26:29,888 And I think if you're a funny person, 534 00:26:29,921 --> 00:26:31,856 then it's cool to be able to express that through this. 535 00:26:31,890 --> 00:26:33,491 - Well, all right, Nick. 536 00:26:33,525 --> 00:26:35,093 Let's find out if you fooled Penn and Teller. 537 00:26:35,126 --> 00:26:36,094 - Awesome. - You ready? 538 00:26:36,127 --> 00:26:37,429 Ready, boys? 539 00:26:37,462 --> 00:26:38,863 - Hey, Nick. - Hey. 540 00:26:38,897 --> 00:26:40,599 - Boy, you got a great look and a great style. 541 00:26:40,632 --> 00:26:42,033 - Thank you so much. 542 00:26:42,067 --> 00:26:43,168 - Really, really nice all the way. 543 00:26:43,201 --> 00:26:44,836 And this is a fascinating trick. 544 00:26:44,869 --> 00:26:47,272 We've seen the card in the wallet before. 545 00:26:47,305 --> 00:26:48,840 - For sure. 546 00:26:48,873 --> 00:26:50,508 - The card in the back wallet we haven't seen. 547 00:26:50,542 --> 00:26:53,612 We were a little stuck on that for a moment. 548 00:26:53,645 --> 00:26:58,083 But what's interesting about this for those who study magic 549 00:26:58,116 --> 00:27:00,418 is how important choreography is. 550 00:27:00,452 --> 00:27:02,887 Everything you did looked completely natural 551 00:27:02,921 --> 00:27:06,224 and more important than that, necessary. 552 00:27:06,257 --> 00:27:07,959 You didn't do anything you didn't have to do 553 00:27:07,993 --> 00:27:10,228 for the trick to be the way it was. 554 00:27:10,261 --> 00:27:13,932 But we believe that was very, very carefully done 555 00:27:13,965 --> 00:27:16,868 and very sneakily done and very well choreographed. 556 00:27:16,901 --> 00:27:18,436 Thank you. 557 00:27:18,470 --> 00:27:21,973 And you know, Nick, I have my phone right here in my pocket. 558 00:27:22,007 --> 00:27:25,210 And when you exposed what I thought was going 559 00:27:25,243 --> 00:27:30,482 to be Brooke's phone number, I took the, well... 560 00:27:30,515 --> 00:27:32,817 [laughing] 561 00:27:32,851 --> 00:27:35,920 I took the rather creepy liberty 562 00:27:35,954 --> 00:27:40,458 of programming her number into my phone. 563 00:27:40,492 --> 00:27:45,730 Just thinking it might be useful, maybe, in the future. 564 00:27:45,764 --> 00:27:50,268 And then you can imagine my chagrin 565 00:27:50,301 --> 00:27:52,737 when I found out it was actually your phone number. 566 00:27:52,771 --> 00:27:55,106 - I apologize. - Yeah. 567 00:27:55,140 --> 00:27:59,310 I'm going to call that now anyways, Nick. 568 00:27:59,344 --> 00:28:02,647 Oh, it's going to your, it's going to your voicemail. 569 00:28:02,681 --> 00:28:04,249 I'll just leave a message. 570 00:28:04,282 --> 00:28:06,751 Hey, Nick, this is Penn. Penn and Teller. 571 00:28:06,785 --> 00:28:08,186 Fool us. 572 00:28:08,219 --> 00:28:09,821 I don't think you fooled us. What do you think? 573 00:28:09,854 --> 00:28:11,823 [audience groans] 574 00:28:11,856 --> 00:28:13,591 - I think you guys are hip to my jive. 575 00:28:13,625 --> 00:28:15,860 - Oh. - Thank you so much. 576 00:28:15,894 --> 00:28:17,462 - They're hip to your jive. 577 00:28:17,495 --> 00:28:18,596 But you did a great job. 578 00:28:18,630 --> 00:28:19,764 Thanks for letting me help you. 579 00:28:19,798 --> 00:28:20,965 Thank you so much. 580 00:28:20,999 --> 00:28:25,704 - Bye, guys. - Nick Diffatte, everyone. 581 00:28:25,737 --> 00:28:28,006 Will our next magician be a fooler? 582 00:28:28,039 --> 00:28:30,175 Come back and find out. We won't take long. 583 00:28:30,208 --> 00:28:31,443 I promise. 584 00:28:31,476 --> 00:28:32,577 ♪ ♪ 585 00:28:38,750 --> 00:28:39,918 ♪ ♪ 586 00:28:44,355 --> 00:28:47,792 - You're just in time for me to produce our next magician, 587 00:28:47,826 --> 00:28:48,860 Abra Kadabra. 588 00:28:52,230 --> 00:28:55,300 - Hello, I'm Cody Stone, and I'm from Hanover, Germany. 589 00:28:55,333 --> 00:28:58,536 I really love classics in magic, 590 00:28:58,570 --> 00:29:01,639 and I'm really interested in smart devices 591 00:29:01,673 --> 00:29:03,208 and the combination of both. 592 00:29:03,241 --> 00:29:05,710 I call it classical smart magic. 593 00:29:07,078 --> 00:29:09,581 My wife is a doctor. She's my best friend. 594 00:29:09,614 --> 00:29:12,484 When I have a new trick, I come to her first, 595 00:29:12,517 --> 00:29:15,520 and when it's possible to amaze her, 596 00:29:15,553 --> 00:29:17,989 then I know, okay, it's good enough for my magic. 597 00:29:18,022 --> 00:29:20,492 The idea for tonight's trick came to me 598 00:29:20,525 --> 00:29:22,761 while I was working on a totally different routine. 599 00:29:22,794 --> 00:29:24,362 Seeing how the trick is viewed 600 00:29:24,395 --> 00:29:26,598 from different angles can be very helpful, 601 00:29:26,631 --> 00:29:29,534 but sometimes the unexpected occurs. 602 00:29:29,567 --> 00:29:31,836 This one in the mirror showed me 603 00:29:31,870 --> 00:29:35,240 something that surprised and almost fooled me. 604 00:29:35,273 --> 00:29:36,608 And hopefully tonight, 605 00:29:36,641 --> 00:29:38,676 this surprise will fool Penn & Teller. 606 00:29:38,710 --> 00:29:40,712 [applause] 607 00:29:45,383 --> 00:29:46,618 - From Germany, put your hands together for 608 00:29:46,651 --> 00:29:49,087 illusionist Cody Stone. 609 00:29:49,120 --> 00:29:50,655 [applause] 610 00:29:53,958 --> 00:29:56,628 ♪ ♪ 611 00:30:03,434 --> 00:30:05,136 [cheering, whistling] 612 00:30:16,080 --> 00:30:17,615 [audience gasps] 613 00:30:18,683 --> 00:30:20,618 [applause] 614 00:31:08,366 --> 00:31:10,068 [applause] 615 00:31:28,219 --> 00:31:29,921 [audience gasps] 616 00:31:37,328 --> 00:31:39,530 [audience gasps] 617 00:31:41,366 --> 00:31:44,602 [applause] 618 00:31:53,845 --> 00:31:55,914 [audience gasps] 619 00:32:04,722 --> 00:32:07,892 [applause] 620 00:32:33,251 --> 00:32:36,287 [applause] 621 00:32:44,762 --> 00:32:47,732 [applause] 622 00:33:01,679 --> 00:33:04,849 [applause] 623 00:33:06,751 --> 00:33:08,987 - Cody Stone, everyone. 624 00:33:09,020 --> 00:33:10,121 [applause] 625 00:33:10,154 --> 00:33:12,590 - Wow. That was incredible. 626 00:33:13,958 --> 00:33:16,060 - Thank you. - Wow. 627 00:33:16,094 --> 00:33:18,296 Do magicians use mirrors a lot? 628 00:33:18,329 --> 00:33:20,665 - Of course. 629 00:33:20,698 --> 00:33:22,133 It starts right from the beginning 630 00:33:22,166 --> 00:33:25,770 because we are practicing a lot 631 00:33:25,803 --> 00:33:29,607 with the mirror to make this trick really perfect 632 00:33:29,640 --> 00:33:33,344 because you see the view from the audience. 633 00:33:33,378 --> 00:33:35,079 - What is the biggest challenge that you have faced 634 00:33:35,113 --> 00:33:36,247 as a magician? 635 00:33:36,280 --> 00:33:40,918 - I have too many ideas. 636 00:33:40,952 --> 00:33:41,986 - Sounds like a good problem. 637 00:33:42,020 --> 00:33:44,022 - Not enough time. 638 00:33:44,055 --> 00:33:45,857 - Okay, it looks like they're ready. 639 00:33:45,890 --> 00:33:47,525 - I'm excited. 640 00:33:47,558 --> 00:33:49,761 - Boys, Penn and Teller. 641 00:33:49,794 --> 00:33:52,830 - Cody, thank you. Thank you so much. 642 00:33:52,864 --> 00:33:55,933 It was a wonderful act, but even more important 643 00:33:55,967 --> 00:33:57,535 than a wonderful act it was, 644 00:33:57,568 --> 00:33:59,604 you had a mirror on stage 645 00:33:59,637 --> 00:34:01,539 and didn't do doubling stuff. 646 00:34:01,572 --> 00:34:03,441 Everyone that brings a mirror on stage 647 00:34:03,474 --> 00:34:05,643 has one card, then they have two cards, 648 00:34:05,676 --> 00:34:07,545 then they have one coin, then they have two coins, 649 00:34:07,578 --> 00:34:09,814 then they have one apple, then they have two apples. 650 00:34:09,847 --> 00:34:11,149 You didn't do any of that. 651 00:34:11,182 --> 00:34:12,383 Thank you, thank you, thank you. 652 00:34:12,417 --> 00:34:13,818 [applause] 653 00:34:13,851 --> 00:34:15,553 - Something else to do with the mirror. 654 00:34:15,586 --> 00:34:17,221 - My pleasure. 655 00:34:17,255 --> 00:34:20,191 - Just brilliant, you know. It's so well lit on this stage. 656 00:34:20,224 --> 00:34:23,628 It's like you were doing daylight séance 657 00:34:23,661 --> 00:34:25,897 with a zombie who was rotating in space. 658 00:34:25,930 --> 00:34:27,398 It was just terrific. 659 00:34:27,432 --> 00:34:28,533 You know what I'm talking about? 660 00:34:28,566 --> 00:34:29,534 - I have no idea. - He does. 661 00:34:29,567 --> 00:34:33,171 - And I also want to say that 662 00:34:33,204 --> 00:34:37,308 this principle that you use is a brilliant use of this. 663 00:34:37,341 --> 00:34:40,978 Ladies looking glass by Alexander Herman, 664 00:34:41,012 --> 00:34:43,648 use the same principle for a vanish, 665 00:34:43,681 --> 00:34:45,650 but you use it for a penetration 666 00:34:45,683 --> 00:34:47,585 in a wonderful, spooky way. 667 00:34:47,618 --> 00:34:49,921 It's really, really a nice routine. 668 00:34:49,954 --> 00:34:51,422 We really loved it. 669 00:34:51,456 --> 00:34:53,224 And I think some of my 670 00:34:53,257 --> 00:34:55,827 surrealistic acid trip words there 671 00:34:55,860 --> 00:34:58,529 may have given you an idea we know what you're talking about. 672 00:34:58,563 --> 00:34:59,997 - Does that mean anything to you, Cody? 673 00:35:00,031 --> 00:35:00,998 Does that make sense? 674 00:35:01,032 --> 00:35:02,567 - Yes, of course. 675 00:35:02,600 --> 00:35:04,168 But I was really honored to perform in front of you. 676 00:35:04,202 --> 00:35:05,736 - Wonderful having you, thanks. 677 00:35:05,770 --> 00:35:07,572 - The language of magic. 678 00:35:07,605 --> 00:35:09,207 Cody Stone, everyone, thank you so much. 679 00:35:09,240 --> 00:35:12,143 [cheering] 680 00:35:14,979 --> 00:35:18,349 - More unbelievable magic tricks on the way after the break. 681 00:35:18,382 --> 00:35:20,518 Stay close. 682 00:35:20,551 --> 00:35:23,154 ♪ ♪ 683 00:35:27,325 --> 00:35:28,926 ♪ ♪ 684 00:35:34,332 --> 00:35:36,267 - Welcome back to Fool Us. -[piano playing] 685 00:35:36,300 --> 00:35:39,570 So, Penn recently collaborated on a jazz album with his pal 686 00:35:39,604 --> 00:35:41,973 and renowned piano player, Mike Jones. 687 00:35:42,006 --> 00:35:44,375 So, what does jazz have to do with magic? 688 00:35:44,408 --> 00:35:46,911 I'll let Penn and Jonesy take it from here. 689 00:35:46,944 --> 00:35:50,248 [applause] 690 00:35:50,281 --> 00:35:52,617 - We're playing jazz. 691 00:35:52,650 --> 00:35:56,053 It's an American improvisational form of music. 692 00:35:56,087 --> 00:35:58,389 We know our instruments, we know the form, 693 00:35:58,422 --> 00:36:03,628 but we don't know exactly what we're going to do. 694 00:36:03,661 --> 00:36:05,997 Well, you know, late 20th century, 695 00:36:06,030 --> 00:36:11,302 some magicians started doing jazz with magic tricks. 696 00:36:11,335 --> 00:36:13,437 And they would just make up the trick 697 00:36:13,471 --> 00:36:16,007 based on how they were feeling at that moment 698 00:36:16,040 --> 00:36:18,276 and what card happened to be picked. 699 00:36:18,309 --> 00:36:19,777 We got two of the best. 700 00:36:19,810 --> 00:36:24,448 We got Eric Mead over here, one of the best jazz magicians. 701 00:36:24,482 --> 00:36:25,917 [applause] 702 00:36:25,950 --> 00:36:27,451 And then we have Shoji, 703 00:36:27,485 --> 00:36:30,988 who is one of the newest jazz magicians. 704 00:36:31,022 --> 00:36:33,591 Yeah, one name, that's all he needs. 705 00:36:33,624 --> 00:36:35,760 [laughing] 706 00:36:35,793 --> 00:36:40,198 And now, they'll make up some tricks right before your eyes. 707 00:36:40,231 --> 00:36:42,934 Teller has a shuffled deck there. 708 00:36:42,967 --> 00:36:44,435 He's going to pull one card out, 709 00:36:44,468 --> 00:36:48,706 and Eric and Shoji are going to turn that into a magic trick. 710 00:36:48,739 --> 00:36:51,275 What card you got? 711 00:36:51,309 --> 00:36:53,177 - The Queen of Diamonds. - Queen of Diamonds. 712 00:36:53,211 --> 00:36:54,212 - How are you feeling? - Good. 713 00:36:54,245 --> 00:36:55,546 - Start thinking Queen of Diamonds. 714 00:36:55,580 --> 00:36:57,515 - Queen of Diamonds, Queen of Diamonds, little jazz. 715 00:36:57,548 --> 00:37:01,385 So let's do, let's start a little walking bass like this. 716 00:37:01,419 --> 00:37:04,789 Walking the cards up through each other and around. 717 00:37:04,822 --> 00:37:07,658 And hopefully, if I've done it correctly right here on top, 718 00:37:07,692 --> 00:37:11,062 - that's three of diamonds. - Ooh... 719 00:37:11,095 --> 00:37:13,698 Of course, Miles Davis once said famously, 720 00:37:13,731 --> 00:37:16,400 it's not a wrong note until you play the next one. 721 00:37:16,434 --> 00:37:19,036 So I'll take that three, 722 00:37:19,070 --> 00:37:21,806 and I just sort of toss it through the center of the pack. 723 00:37:21,839 --> 00:37:25,009 And as it passes through there, 724 00:37:25,042 --> 00:37:27,311 it changes into the Queen of Diamonds. 725 00:37:27,345 --> 00:37:30,848 [audience gasps, applause] 726 00:37:30,881 --> 00:37:33,718 Okay, Shoji, your turn. 727 00:37:33,751 --> 00:37:36,387 - Queen of Diamonds is a kind of hard card, 728 00:37:36,420 --> 00:37:38,556 so I'm going to use the help of the two jokers. 729 00:37:38,589 --> 00:37:39,857 - Okay. 730 00:37:39,890 --> 00:37:42,360 - All right. 731 00:37:42,393 --> 00:37:45,730 Now, your card, the Queen of Diamonds, 732 00:37:45,763 --> 00:37:49,000 is in between the two jokers, because there's one on top now. 733 00:37:49,033 --> 00:37:50,434 Sorry, bad joke. 734 00:37:50,468 --> 00:37:53,404 Now, if we give a riffle, 735 00:37:53,437 --> 00:37:58,042 the two jokers vanish from top and bottom, 736 00:37:58,075 --> 00:37:59,543 and go into the middle, 737 00:37:59,577 --> 00:38:04,348 centering in on one card and one card only. 738 00:38:04,382 --> 00:38:05,383 The Queen of Diamonds. 739 00:38:05,416 --> 00:38:06,384 [applause] 740 00:38:06,417 --> 00:38:09,053 - Nicely done. 741 00:38:09,086 --> 00:38:12,623 - Nicely done, nicely done. - Nicely done, Shoji. 742 00:38:12,657 --> 00:38:14,258 Brooke, why don't you give them a card? 743 00:38:14,292 --> 00:38:15,593 - Okay. 744 00:38:15,626 --> 00:38:16,694 Shoji, you go first this time. Any card you want. 745 00:38:16,727 --> 00:38:17,962 Any card. 746 00:38:17,995 --> 00:38:21,232 - How's that? - Six of diamonds. 747 00:38:21,265 --> 00:38:23,401 - Six of diamonds. - Six of diamonds. 748 00:38:23,434 --> 00:38:25,636 - Let's try something. You know what? 749 00:38:25,670 --> 00:38:29,573 We're going to mix the six of diamonds in my deck even more 750 00:38:29,607 --> 00:38:32,943 by shuffling them in a very special way. 751 00:38:32,977 --> 00:38:36,380 Face-up cards shuffled into face-down cards. 752 00:38:36,414 --> 00:38:37,748 - You're really good at that. - Thank you. 753 00:38:37,782 --> 00:38:39,050 [laughing] 754 00:38:39,083 --> 00:38:40,484 - Surprising, right? 755 00:38:40,518 --> 00:38:42,086 Do it a little more. 756 00:38:42,119 --> 00:38:46,390 Now, you can see how this would create a total mess, 757 00:38:46,424 --> 00:38:48,759 complete chaos, as you can see. 758 00:38:48,793 --> 00:38:52,263 You have a ton 759 00:38:52,296 --> 00:38:56,167 of face-up cards, face-down cards, 760 00:38:56,200 --> 00:38:57,935 face-down cards, face-up cards, 761 00:38:57,968 --> 00:39:01,672 face-to-face cards, back-to-back cards. 762 00:39:01,706 --> 00:39:04,775 But if I snap, 763 00:39:04,809 --> 00:39:07,945 every single card turns up except for one. 764 00:39:07,978 --> 00:39:09,647 [audience gasps] 765 00:39:09,680 --> 00:39:10,948 The six. 766 00:39:10,981 --> 00:39:13,517 [laughing, applause] 767 00:39:13,551 --> 00:39:16,787 - Nice. 768 00:39:16,821 --> 00:39:18,522 - I was going to do something else, 769 00:39:18,556 --> 00:39:21,492 but we thought it was the six of diamonds. 770 00:39:21,525 --> 00:39:24,762 I noticed that I had the nine of diamonds on the face of my pack, 771 00:39:24,795 --> 00:39:26,764 which is just an upside-down six. 772 00:39:26,797 --> 00:39:28,799 So if I just turn it around like this, 773 00:39:28,833 --> 00:39:31,302 it's suddenly become the six of diamonds. 774 00:39:31,335 --> 00:39:33,204 [laughing] 775 00:39:33,237 --> 00:39:36,374 - Now, I didn't just randomly mix up like this. 776 00:39:36,407 --> 00:39:38,008 Let me have your six of diamonds or Brooke's. 777 00:39:38,042 --> 00:39:39,443 - Sure. 778 00:39:39,477 --> 00:39:41,545 - Six of diamonds, six of diamonds. 779 00:39:41,579 --> 00:39:45,316 Into the air like this, and it comes down, 780 00:39:45,349 --> 00:39:47,385 and it slices into the sideways, 781 00:39:47,418 --> 00:39:48,819 into the side of the deck like this, 782 00:39:48,853 --> 00:39:51,155 right at this location, next to 783 00:39:51,188 --> 00:39:52,323 my six of diamonds. 784 00:39:52,356 --> 00:39:55,393 [audience gasps] 785 00:39:55,426 --> 00:39:58,195 - Now, let's do magic and music together, 786 00:39:58,229 --> 00:39:59,730 and let's trade fours. 787 00:39:59,764 --> 00:40:01,332 We'll play four bars that will give you each 788 00:40:01,365 --> 00:40:02,900 a chance to do another trick. 789 00:40:02,933 --> 00:40:04,502 Ready, Jonesy? 790 00:40:04,535 --> 00:40:05,503 Well, if we're going to trade fours, 791 00:40:05,536 --> 00:40:07,171 let's trade decks. - Okay. 792 00:40:07,204 --> 00:40:11,008 - Shall we? 793 00:40:11,041 --> 00:40:12,143 - Thank you. - Okay. 794 00:40:12,176 --> 00:40:13,811 - Go. - Go. 795 00:40:13,844 --> 00:40:16,680 Trading fours, fours, 796 00:40:16,714 --> 00:40:19,316 four bars of music in jazz would sort of be like 797 00:40:19,350 --> 00:40:21,919 four of a kind in cards, I think. 798 00:40:21,952 --> 00:40:23,721 So let's start. 799 00:40:23,754 --> 00:40:26,824 Oh, lucky me. Look, it's a four. 800 00:40:26,857 --> 00:40:30,161 I'll give him a couple of cuts, 801 00:40:30,194 --> 00:40:31,762 and hopefully, yes, a second four. 802 00:40:31,796 --> 00:40:34,498 [audience gasps] 803 00:40:34,532 --> 00:40:38,035 That leaves two more, fewer and fewer. 804 00:40:38,068 --> 00:40:40,271 Brooke, one at a time or both at the same time? 805 00:40:40,304 --> 00:40:42,072 Let's do both at the same time. 806 00:40:42,106 --> 00:40:43,607 That's what I thought you'd say, yes. 807 00:40:43,641 --> 00:40:44,708 Here we are. Fours. 808 00:40:44,742 --> 00:40:47,678 [cheering] 809 00:40:47,711 --> 00:40:49,313 ♪ ♪ 810 00:40:52,583 --> 00:40:54,618 - Back to you, Shoji. 811 00:40:54,652 --> 00:40:55,586 - All right. 812 00:40:57,054 --> 00:40:58,556 We shuffle. 813 00:40:58,589 --> 00:41:00,391 I'll go for the aces instead of the fours. 814 00:41:00,424 --> 00:41:02,092 - Why not? Winning hand. 815 00:41:02,126 --> 00:41:04,028 - Yep. 816 00:41:04,061 --> 00:41:05,763 And I see you're using the Coltrane changes. 817 00:41:05,796 --> 00:41:07,565 [laughing] 818 00:41:07,598 --> 00:41:10,067 - All right. 819 00:41:10,100 --> 00:41:14,371 See, I believe the first one is right about there. 820 00:41:14,405 --> 00:41:15,439 Oh, right with the second one. 821 00:41:15,473 --> 00:41:17,808 - I like the look away. 822 00:41:17,842 --> 00:41:19,143 - And that's the third one. And fourth. 823 00:41:19,176 --> 00:41:20,811 [audience gasps, applauds] 824 00:41:20,845 --> 00:41:22,913 - Eric Mead and Shoji. 825 00:41:28,619 --> 00:41:30,488 - Well, that's the show for tonight. 826 00:41:30,521 --> 00:41:32,456 But we'll be back in the groove when we see you next time 827 00:41:32,490 --> 00:41:33,457 on "Fool Us." 828 00:41:33,491 --> 00:41:36,060 Penn, Jonesy, take us home. 829 00:41:36,093 --> 00:41:37,428 Good night, everybody. 830 00:41:37,461 --> 00:41:39,330 [cheering]