1
00:01:07,958 --> 00:01:12,125
(THUNDER RUMBLING)
2
00:01:12,292 --> 00:01:16,458
(RAIN PATTERING)
3
00:01:25,292 --> 00:01:27,000
Hello, Adri.
4
00:01:28,125 --> 00:01:31,542
Um, this isn't easy.
5
00:01:32,292 --> 00:01:35,167
I wasn't strong enough
to tell you face-to-face.
6
00:01:36,167 --> 00:01:39,833
Maybe this is the way
to avoid useless arguments.
7
00:01:40,000 --> 00:01:41,792
I'm leaving.
8
00:01:41,958 --> 00:01:44,167
I love you so much...
9
00:01:44,292 --> 00:01:46,167
...but I can't carry on with you.
10
00:01:46,333 --> 00:01:49,000
Please don't look for me,
and don't hate me.
11
00:02:08,625 --> 00:02:11,042
(THUNDER CRASHES)
12
00:02:16,958 --> 00:02:19,042
THE HIDDEN FACE
13
00:02:36,875 --> 00:02:38,958
(CHATTERING)
14
00:02:39,125 --> 00:02:40,833
(MELLOW JAZZ MUSIC PLAYING
OVER SPEAKERS)
15
00:02:40,958 --> 00:02:42,667
(SIGHS)
16
00:02:45,625 --> 00:02:47,500
Good evening.
17
00:02:49,375 --> 00:02:51,250
What are you having?
18
00:02:52,625 --> 00:02:55,000
Whiskey with one ice cube, please.
19
00:02:57,125 --> 00:02:58,792
Right away.
20
00:03:08,792 --> 00:03:11,125
I don't like seeing men cry.
21
00:03:11,292 --> 00:03:14,500
When a man cries,
it's because he feels guilty.
22
00:03:15,125 --> 00:03:16,875
Not always.
23
00:03:33,292 --> 00:03:37,250
Excuse me. We're closing up.
24
00:03:47,958 --> 00:03:49,542
Never mind.
25
00:03:52,167 --> 00:03:53,875
Are you all right?
26
00:03:55,625 --> 00:03:57,833
No, I'm not all right.
27
00:04:04,958 --> 00:04:06,333
(MAN SPEAKING INDISTINCTLY)
28
00:04:08,167 --> 00:04:10,292
What's up, pal?
29
00:04:11,750 --> 00:04:14,042
(GRUNTING)
30
00:04:14,250 --> 00:04:15,625
WOMAN:
What are you doing?
31
00:04:16,333 --> 00:04:19,125
Leave him, he's drunk. Let's go.
32
00:04:19,292 --> 00:04:22,208
MAN:
But he hit me! Didn't you see?
33
00:04:22,375 --> 00:04:25,250
WOMAN: Let's go. It's over.
MAN: Sure, sure.
34
00:04:28,167 --> 00:04:30,042
FABIANA:
What happened?
35
00:04:31,125 --> 00:04:33,000
Why did they hit you?
36
00:04:33,125 --> 00:04:34,333
ADRIAN:
Nothing happened.
37
00:04:35,958 --> 00:04:37,500
Careful.
38
00:04:37,792 --> 00:04:39,708
Ooh. Ah.
39
00:04:39,875 --> 00:04:41,375
Does it hurt?
40
00:04:41,500 --> 00:04:44,000
No, it's nothing.
41
00:04:47,792 --> 00:04:49,625
You can't go like this.
42
00:04:49,792 --> 00:04:52,875
I'll call a taxi. Where do you live?
43
00:04:54,667 --> 00:04:56,792
Where do I live?
44
00:04:58,292 --> 00:04:59,708
(CHUCKLES)
45
00:04:59,875 --> 00:05:01,667
(DRAMATIC CLASSICAL
MUSIC PLAYING)
46
00:05:03,625 --> 00:05:05,708
- No.
- What are you doing? Ha, ha.
47
00:05:05,875 --> 00:05:07,375
I'm conducting.
48
00:05:07,542 --> 00:05:08,792
What's the tempo?
49
00:05:11,333 --> 00:05:13,833
Don't turn it down, I'm conducting.
50
00:05:22,292 --> 00:05:24,250
(LAUGHING)
51
00:05:26,833 --> 00:05:27,958
Forcefully.
52
00:05:29,375 --> 00:05:31,375
FABIANA:
Don't fall down.
53
00:05:31,542 --> 00:05:34,542
One, two, almost there.
54
00:05:34,667 --> 00:05:36,667
Three, four. Good.
55
00:05:36,792 --> 00:05:38,667
(ADRIAN MUMBLING)
56
00:05:45,292 --> 00:05:47,500
- Careful.
- Where's a sofa?
57
00:05:47,667 --> 00:05:49,167
Careful.
58
00:05:56,333 --> 00:05:58,250
Good morning.
59
00:06:01,167 --> 00:06:03,167
Where am I?
60
00:06:03,292 --> 00:06:05,167
My Place.
61
00:06:07,625 --> 00:06:08,667
I have to go.
62
00:06:16,875 --> 00:06:19,167
Adrian, isn't it? I'm Fabiana.
63
00:06:19,792 --> 00:06:23,000
- How do you know my name?
- You told me.
64
00:06:25,500 --> 00:06:28,958
What happened last night?
Why were you fighting?
65
00:06:31,500 --> 00:06:32,667
I really have to go.
66
00:06:41,833 --> 00:06:43,500
Thank you.
67
00:06:53,667 --> 00:06:55,625
(CAR BEEPS)
68
00:07:03,125 --> 00:07:05,125
(PLAYING DRAMATIC
CLASSICAL MUSIC)
69
00:07:30,500 --> 00:07:32,167
That's all for today.
70
00:07:33,333 --> 00:07:34,833
(MUSICIANS MURMURING)
71
00:07:44,250 --> 00:07:45,750
(MELLOW JAZZ MUSIC PLAYING
OVER SPEAKERS)
72
00:07:46,792 --> 00:07:48,667
Whiskey with one ice cube.
73
00:07:52,375 --> 00:07:54,458
I came to apologize.
74
00:07:54,625 --> 00:07:56,167
I was a dick this morning.
75
00:07:58,292 --> 00:07:59,667
Yes, that's true.
76
00:08:00,625 --> 00:08:03,792
I also wanted to thank you
for helping me.
77
00:08:03,958 --> 00:08:06,042
You didn't have to.
78
00:08:08,000 --> 00:08:11,542
- Anyone would've done it.
- No, I don't think so.
79
00:08:16,667 --> 00:08:18,375
Excuse me.
80
00:08:21,000 --> 00:08:22,500
Would you like to sit with me?
81
00:08:24,000 --> 00:08:25,667
No, I can't, I have to work.
82
00:08:27,125 --> 00:08:29,542
Sure. Then I suggest something.
83
00:08:30,292 --> 00:08:31,833
What?
84
00:08:34,458 --> 00:08:36,000
Wow, this is incredible.
85
00:08:36,167 --> 00:08:39,333
The instruments are arranged
from lesser to greater volume.
86
00:08:39,500 --> 00:08:42,375
First the strings:
violins, violas, cellos and basses.
87
00:08:42,542 --> 00:08:46,667
Then woodwinds,
horns and percussion at the back.
88
00:08:46,833 --> 00:08:47,875
And that's it.
89
00:08:48,042 --> 00:08:49,333
(BOTH CHUCKLE)
90
00:08:49,458 --> 00:08:51,833
It's a very special place.
Thanks for bringing me.
91
00:08:52,000 --> 00:08:53,167
You're welcome.
92
00:08:55,125 --> 00:08:57,833
- I like seeing you like this.
- Like what?
93
00:08:58,667 --> 00:09:01,500
Relaxed, happy, okay.
94
00:09:06,000 --> 00:09:08,500
I bet you're married
or have a girlfriend.
95
00:09:08,667 --> 00:09:10,500
(CHUCKLES)
96
00:09:10,625 --> 00:09:11,750
Neither.
97
00:09:32,750 --> 00:09:34,958
I like this mirror.
98
00:10:54,958 --> 00:10:57,292
(LOW HUMMING)
99
00:11:32,125 --> 00:11:34,250
(DOG GROWLS)
100
00:11:40,958 --> 00:11:42,750
(DOG BARKS)
101
00:12:12,625 --> 00:12:14,625
ADRIAN:
Fabiana.
102
00:12:17,958 --> 00:12:19,208
Hello.
103
00:12:19,375 --> 00:12:22,667
- Have you been up long?
- No.
104
00:12:25,500 --> 00:12:26,542
Want some breakfast?
105
00:12:30,000 --> 00:12:31,667
Let's go.
106
00:12:37,125 --> 00:12:39,167
This place is huge.
107
00:12:39,333 --> 00:12:41,500
Why don't you live in the city?
108
00:12:42,000 --> 00:12:46,000
It's quieter. I concentrate better.
109
00:12:48,833 --> 00:12:51,333
Nature is inspiring.
110
00:12:53,292 --> 00:12:55,042
Yes, but not just the beautiful side.
111
00:12:55,250 --> 00:12:58,250
I like what's behind too,
hidden, you know?
112
00:13:00,292 --> 00:13:01,875
Hmm.
113
00:13:04,292 --> 00:13:07,292
- When do you go to work?
- I'm not working today.
114
00:13:07,458 --> 00:13:10,250
No? I am.
115
00:13:11,792 --> 00:13:13,667
Sleep here tonight.
116
00:13:13,792 --> 00:13:15,125
I'll pick you up later.
117
00:13:18,292 --> 00:13:20,167
All right.
118
00:13:20,292 --> 00:13:21,958
Okay.
119
00:13:30,125 --> 00:13:32,333
BUITRAGO: Morning, maestro.
- Morning.
120
00:13:32,458 --> 00:13:33,958
Maestro.
121
00:13:34,792 --> 00:13:37,625
I assume there's no news
of Miss Belen Echeverria.
122
00:13:37,792 --> 00:13:41,167
- I don't know anything.
- Have you got company?
123
00:13:43,792 --> 00:13:45,875
Are we interrupting?
124
00:13:47,167 --> 00:13:48,958
Come in.
125
00:13:49,125 --> 00:13:50,833
BUITRAGO If I may.
126
00:13:52,125 --> 00:13:54,125
Nice to meet you, miss.
127
00:13:54,292 --> 00:13:56,250
Francisco Jose Buitrago, DA's office.
128
00:13:57,167 --> 00:13:59,000
Fabiana Caicedo.
129
00:13:59,125 --> 00:14:01,833
- Bernardo Ramirez, my partner.
- How are you?
130
00:14:04,042 --> 00:14:06,125
Your girlfriend hasn't left the country.
131
00:14:07,792 --> 00:14:10,708
I confirmed it with Immigration.
132
00:14:11,958 --> 00:14:14,875
- We want to look at the house.
- Is that necessary?
133
00:14:15,625 --> 00:14:18,667
Absolutely, maestro. You never know.
134
00:14:21,792 --> 00:14:23,792
- What was your name?
- Fabiana Caicedo.
135
00:14:26,292 --> 00:14:28,667
Fabiana. If I may.
136
00:14:32,000 --> 00:14:33,333
Ah.
137
00:14:37,750 --> 00:14:39,458
Beautiful.
138
00:14:43,833 --> 00:14:47,292
Very nice. Very nice.
139
00:14:48,625 --> 00:14:51,500
Congratulations, a very pretty house.
140
00:14:51,667 --> 00:14:54,125
- Thanks a lot.
- Yours, isn't it?
141
00:14:54,292 --> 00:14:55,667
Rented.
142
00:14:55,792 --> 00:14:58,292
BUITRAGO:
How long have you lived here?
143
00:14:58,458 --> 00:15:00,167
Almost two months.
144
00:15:00,292 --> 00:15:02,792
Did Miss Echeverria leave anything?
145
00:15:04,125 --> 00:15:08,833
A few things in the bathroom.
Creams, a toothbrush.
146
00:15:09,000 --> 00:15:11,833
And work items. That's her workshop.
147
00:15:21,792 --> 00:15:23,667
What's going on?
148
00:15:29,292 --> 00:15:32,792
ADRIAN: She didn't disappear.
She left me for another man.
149
00:15:32,958 --> 00:15:35,708
- The police are investigating.
- It's routine.
150
00:15:35,875 --> 00:15:37,958
They don't know anything.
151
00:15:39,125 --> 00:15:40,667
Her friends or family in Spain?
152
00:15:40,833 --> 00:15:45,333
I tried every means to contact her.
They never replied.
153
00:15:45,500 --> 00:15:48,000
Nor do I want to alarm anyone.
154
00:15:48,167 --> 00:15:50,125
Aren't you worried?
155
00:15:51,375 --> 00:15:54,167
Of course, but I know she's all right.
156
00:15:54,958 --> 00:15:57,292
You don't think she's dead?
157
00:15:57,792 --> 00:15:58,792
No.
158
00:15:58,958 --> 00:16:01,292
- What if she was kidnapped?
- Please.
159
00:16:04,792 --> 00:16:08,000
Do they think I've got her buried
in the garden?
160
00:16:14,833 --> 00:16:17,083
(THUNDER RUMBLING)
161
00:16:17,625 --> 00:16:19,958
(PLAYING DRAMATIC MELODY)
162
00:16:46,542 --> 00:16:48,333
What are you doing?
163
00:16:51,292 --> 00:16:54,292
Come up, it's late.
164
00:16:54,458 --> 00:16:56,833
- I'll be right there.
- I'll be waiting.
165
00:17:01,000 --> 00:17:03,292
(THUNDER CRASHES)
166
00:17:07,458 --> 00:17:09,458
(CONTINUES PLAYING PIANO)
167
00:17:25,292 --> 00:17:27,000
(RESONANT HUMMING)
168
00:17:27,125 --> 00:17:28,833
(GASPS SOFTLY)
169
00:17:57,333 --> 00:17:59,458
(THUNDER CRASHES
AND FABIANA SHRIEKS)
170
00:18:02,292 --> 00:18:04,500
- Fabiana.
- Adrian, don't scare me.
171
00:18:04,625 --> 00:18:06,458
What's wrong?
172
00:18:06,625 --> 00:18:08,875
I don't like the lights going out
in this place.
173
00:18:09,042 --> 00:18:11,833
They do when it rains. It's fine.
174
00:18:12,000 --> 00:18:13,625
Are you all right?
175
00:18:14,333 --> 00:18:15,833
Come here.
176
00:18:17,958 --> 00:18:22,500
See? It comes back on its own.
Ha, ha. Don't be scared.
177
00:18:26,833 --> 00:18:29,000
You're so clean.
178
00:18:29,167 --> 00:18:31,333
You left me waiting.
179
00:18:35,125 --> 00:18:36,542
The water was lovely.
180
00:18:36,750 --> 00:18:38,750
- Oh, yeah?
- Yes.
181
00:18:52,167 --> 00:18:54,125
Can you get the dog out, please?
182
00:18:55,792 --> 00:18:57,500
Hans, out.
183
00:19:05,458 --> 00:19:07,625
Fabiana, don't you think
it's a bit rushed...
184
00:19:07,792 --> 00:19:11,125
...this guy going out with you
just after his girl vanished?
185
00:19:11,292 --> 00:19:12,667
No, I don't.
186
00:19:12,792 --> 00:19:14,833
(UPBEAT POP MUSIC PLAYING
OVER SPEAKERS)
187
00:19:15,000 --> 00:19:17,000
I wouldn't be so calm if I were you.
188
00:19:19,375 --> 00:19:22,167
- Why?
- He's a suspect.
189
00:19:22,792 --> 00:19:25,125
That doesn't mean he is guilty.
190
00:19:25,292 --> 00:19:26,958
Besides, she left him.
191
00:19:27,125 --> 00:19:29,500
We don't know that for sure.
192
00:19:32,042 --> 00:19:33,458
Are you jealous?
193
00:19:35,625 --> 00:19:40,208
You finally got what you wanted,
a guy with money.
194
00:19:40,375 --> 00:19:42,458
Better than a cop with a shit salary.
195
00:19:45,542 --> 00:19:47,458
You may be right.
196
00:19:48,958 --> 00:19:52,333
(PLAYING DRAMATIC
CLASSICAL MUSIC)
197
00:20:15,542 --> 00:20:17,792
(PEOPLE CHATTERING)
198
00:20:19,958 --> 00:20:21,542
ADRIAN:
Tito.
199
00:20:22,875 --> 00:20:25,833
The orchestra manager. Remember?
200
00:20:26,458 --> 00:20:27,958
I'd like you to meet Fabiana.
201
00:20:28,125 --> 00:20:31,833
- Hi, nice to meet you.
- Oh, I saw you.
202
00:20:32,042 --> 00:20:35,208
I was right behind you in the concert.
Roberto Peña.
203
00:20:35,375 --> 00:20:37,042
Fabiana Caicedo. Nice to meet you.
204
00:20:37,250 --> 00:20:39,375
Tito makes sure all this
comes off perfectly.
205
00:20:39,542 --> 00:20:41,042
He's a wonderful boss.
206
00:20:41,250 --> 00:20:44,500
On the contrary, Adrian,
you know we were lucky...
207
00:20:44,667 --> 00:20:46,792
...and privileged to have you.
208
00:20:46,958 --> 00:20:49,958
The orchestra and I won't forget you.
209
00:20:50,125 --> 00:20:54,125
I'll miss you when I go, which is soon.
210
00:20:55,542 --> 00:20:57,750
That's life.
211
00:21:21,458 --> 00:21:22,875
(SHRIEKS)
212
00:21:35,625 --> 00:21:37,500
(SHRIEKS)
213
00:22:03,125 --> 00:22:04,833
(LOW HUMMING)
214
00:22:13,250 --> 00:22:14,542
(GASPS)
215
00:22:15,250 --> 00:22:16,292
(GROWLS)
216
00:22:16,458 --> 00:22:18,167
Hans.
217
00:22:18,292 --> 00:22:20,500
Out. Get out of here.
218
00:22:35,042 --> 00:22:37,000
(THUNDER RUMBLING)
219
00:23:38,500 --> 00:23:40,458
(THUNDER CRASHES)
220
00:23:42,000 --> 00:23:43,792
Who's there?
221
00:24:05,167 --> 00:24:06,833
Adrian?
222
00:24:06,958 --> 00:24:09,042
(THUNDER CRASHES)
223
00:24:10,958 --> 00:24:12,667
Who is it?
224
00:24:24,000 --> 00:24:25,375
(THUNDER CRASHES)
225
00:24:25,542 --> 00:24:26,625
Who is it?
226
00:24:26,792 --> 00:24:28,000
(BARKING)
227
00:24:38,333 --> 00:24:41,458
Does it still hurt? Here.
228
00:24:42,958 --> 00:24:45,250
In half an hour it won't hurt any more.
229
00:24:50,667 --> 00:24:52,167
All right?
230
00:24:53,542 --> 00:24:57,875
I don't want to be alone in this house.
What if something bad happened to me?
231
00:24:58,042 --> 00:24:59,875
Nothing happened.
232
00:25:00,792 --> 00:25:04,667
The lights went because of the rain,
and the dog scared you, that's all.
233
00:25:06,875 --> 00:25:08,875
No? What happened?
234
00:25:11,833 --> 00:25:13,375
I think there's a ghost.
235
00:25:16,750 --> 00:25:19,792
- Ha, ha. Fabiana...
- Don't laugh, I'm serious.
236
00:25:19,958 --> 00:25:22,833
What ghost? Where is it?
237
00:25:24,625 --> 00:25:26,333
(LOW HUMMING)
238
00:25:26,458 --> 00:25:29,167
It's here. Listen.
239
00:25:29,333 --> 00:25:31,000
Right...
240
00:25:33,542 --> 00:25:36,500
- Hear it?
- There is a weird sound.
241
00:25:36,625 --> 00:25:38,292
See?
242
00:25:39,167 --> 00:25:42,792
It could be the wind
through the plumbing.
243
00:25:43,375 --> 00:25:44,958
No?
244
00:25:45,750 --> 00:25:47,167
Hmm.
245
00:25:49,250 --> 00:25:50,708
Ghost down there...
246
00:25:50,875 --> 00:25:55,542
...if you bother Fabiana,
you'll be dealing with me, all right?
247
00:25:57,458 --> 00:25:59,708
I think that'll do it.
248
00:25:59,875 --> 00:26:01,167
No, something's going on here.
249
00:26:01,292 --> 00:26:02,833
(ADRIAN CHUCKLES)
250
00:26:03,750 --> 00:26:05,958
Don't worry.
251
00:26:06,125 --> 00:26:09,250
Let's go to sleep.
I'll put ice on your head.
252
00:26:12,833 --> 00:26:14,833
(RINGING)
253
00:26:16,833 --> 00:26:18,292
Thanks.
254
00:26:18,458 --> 00:26:19,958
Yes.
255
00:26:20,542 --> 00:26:22,333
Yes, that's me.
256
00:26:22,792 --> 00:26:24,375
What?
257
00:26:32,875 --> 00:26:35,500
Yes, I'll be there in half an hour.
258
00:26:38,167 --> 00:26:40,000
What's wrong?
259
00:26:43,000 --> 00:26:44,833
What happened?
260
00:26:47,375 --> 00:26:48,500
It was the DA's office.
261
00:26:49,292 --> 00:26:52,875
They say they've found a body
that could be Belen.
262
00:26:56,958 --> 00:26:59,667
They want me to identify the body.
263
00:27:18,292 --> 00:27:21,667
We have the body here of a young lady
with similar characteristics...
264
00:27:21,792 --> 00:27:25,167
...to Miss Belen Echeverria,
and we want you to help us identify her.
265
00:27:25,292 --> 00:27:27,000
- Very well.
- Follow me.
266
00:27:30,875 --> 00:27:33,542
CORONER: Mr. Salamanca.
- Hello.
267
00:27:43,833 --> 00:27:46,000
Her face is unrecognizable
due to the fire.
268
00:27:46,458 --> 00:27:48,750
It was impossible to identify her.
269
00:27:56,958 --> 00:27:58,292
It's not Belen.
270
00:27:59,292 --> 00:28:02,667
- Are you sure, maestro?
- Completely.
271
00:28:06,625 --> 00:28:08,292
(CAR ENGINE STARTS)
272
00:28:33,792 --> 00:28:35,542
FABIANA I'm sorry.
273
00:28:40,958 --> 00:28:42,042
(GASPS)
274
00:28:42,250 --> 00:28:43,625
- Hi.
- Who were you talking to?
275
00:28:43,792 --> 00:28:47,500
- What happened out there?
- To nobody. I was looking for a book.
276
00:28:47,625 --> 00:28:49,792
How did it go?
277
00:28:50,625 --> 00:28:52,833
- Was it her?
- No.
278
00:28:57,833 --> 00:29:00,000
Belen is no longer in my life.
279
00:29:00,542 --> 00:29:01,625
All right?
280
00:29:03,125 --> 00:29:05,000
I love you.
281
00:29:31,625 --> 00:29:34,125
Are you following me or not?
282
00:29:48,125 --> 00:29:49,833
(SPEAKING INDISTINCTLY)
283
00:29:49,958 --> 00:29:52,250
(BOTH CHUCKLE)
284
00:29:54,458 --> 00:29:56,458
(BICYCLE BELLS RINGING)
285
00:30:11,958 --> 00:30:14,958
Why this great honor, you cooking?
286
00:30:15,125 --> 00:30:18,208
- I cook a lot.
- Yeah.
287
00:30:18,375 --> 00:30:19,958
I have to tell you something.
288
00:30:21,667 --> 00:30:23,167
Good or bad?
289
00:30:23,333 --> 00:30:25,167
Well...
290
00:30:25,292 --> 00:30:30,000
Remember I was a candidate
to conduct the Bogota Philharmonic?
291
00:30:31,167 --> 00:30:34,625
- Yes.
- They called me today...
292
00:30:36,375 --> 00:30:38,292
...and they've chosen me.
293
00:30:39,125 --> 00:30:40,167
Really?
294
00:30:42,375 --> 00:30:45,708
- Adri, really?
- Ha, ha. Yes.
295
00:30:45,875 --> 00:30:49,000
Congratulations, honey.
296
00:30:49,167 --> 00:30:51,333
That's great.
297
00:30:53,125 --> 00:30:54,667
I'm so happy, I really am.
298
00:30:55,250 --> 00:30:56,542
I leave in 15 days.
299
00:30:58,000 --> 00:31:00,250
In 15 days?
300
00:31:00,792 --> 00:31:03,792
- For how long?
- A year.
301
00:31:07,000 --> 00:31:08,833
(CHUCKLES)
302
00:31:09,458 --> 00:31:11,167
A year?
303
00:31:12,667 --> 00:31:14,833
Well, then...
304
00:31:16,500 --> 00:31:19,792
- I don't know.
- You are coming with me?
305
00:31:20,250 --> 00:31:21,667
What, to Bogotá?
306
00:31:23,792 --> 00:31:28,333
You want me to go to Bogotá
for a year with you in 15 days?
307
00:31:29,625 --> 00:31:31,125
(CHUCKLES)
308
00:31:31,292 --> 00:31:34,833
What do I do about my job,
for example?
309
00:31:35,750 --> 00:31:38,125
Come and then we'll see.
310
00:32:03,291 --> 00:32:04,625
Okay.
311
00:32:05,625 --> 00:32:08,791
If I come with you,
do you promise to take care of me?
312
00:32:14,250 --> 00:32:17,166
- Is that a yes?
- Yes.
313
00:32:18,250 --> 00:32:19,750
What?
314
00:32:21,333 --> 00:32:25,125
You won't leave me alone?
315
00:32:25,291 --> 00:32:27,458
You'll be with me?
316
00:32:27,875 --> 00:32:32,250
Mm, I won't leave you alone
for one second.
317
00:32:39,500 --> 00:32:42,500
(PLAYING DRAMATIC
CLASSICAL MUSIC)
318
00:34:17,458 --> 00:34:19,458
Adrian was wonderful.
319
00:34:19,625 --> 00:34:23,000
There are very few conductors
of his age with such talent.
320
00:34:23,125 --> 00:34:24,875
I wasn't wrong to get him.
321
00:34:25,041 --> 00:34:28,000
No, you have a good eye.
322
00:34:28,125 --> 00:34:31,500
- So do you.
- Well, I'll get him.
323
00:34:31,625 --> 00:34:34,791
- Well done, Tito.
- Congratulations to you too.
324
00:34:34,958 --> 00:34:36,041
Thanks.
325
00:34:36,250 --> 00:34:37,500
Yes.
326
00:34:38,666 --> 00:34:40,791
- Hi.
- Hi, Belen.
327
00:34:41,500 --> 00:34:43,333
How are you? I was looking for you.
328
00:34:43,500 --> 00:34:45,791
I was saying goodbye to Veronica.
Remember her?
329
00:34:45,958 --> 00:34:47,666
- Sure. How are you?
- How are you?
330
00:34:47,791 --> 00:34:48,875
Great.
331
00:34:49,041 --> 00:34:51,833
- Did you like the concert?
- Very much. You were all great.
332
00:34:52,458 --> 00:34:53,833
ADRIAN: Let's go.
- Yes.
333
00:34:54,000 --> 00:34:56,541
- Bye.
- Bye.
334
00:34:59,125 --> 00:35:01,500
I didn't know
you were such a good conductor, sir.
335
00:35:01,625 --> 00:35:04,125
Excuse me, miss,
are you trying to pick me up?
336
00:35:04,291 --> 00:35:07,208
I won't deny it. I am a little.
337
00:35:07,375 --> 00:35:11,000
- And are you picking me up?
- Who else?
338
00:35:11,125 --> 00:35:14,500
- I don't know.
- "I don't know"?
339
00:35:15,458 --> 00:35:18,666
- Eh?
- I'm just kidding, silly. Ha, ha.
340
00:35:18,833 --> 00:35:21,833
I know you only have eyes for me.
341
00:35:29,958 --> 00:35:34,958
EMMA: This house was built
by a very interesting Italian architect...
342
00:35:35,125 --> 00:35:37,125
...a very famous one.
343
00:35:37,291 --> 00:35:40,375
- Oh, please.
- Ha, ha. This is my dog, Hans.
344
00:35:40,541 --> 00:35:43,291
He's a good dog, aren't you, Hans?
345
00:35:43,458 --> 00:35:47,666
Hello, Hans. You're gorgeous.
346
00:35:47,791 --> 00:35:50,333
It seems he likes you.
347
00:35:50,500 --> 00:35:53,333
I love dogs.
348
00:35:53,500 --> 00:35:57,166
Then some modifications were done.
349
00:35:57,333 --> 00:36:01,041
I took care of the garden.
Botany is my passion.
350
00:36:01,250 --> 00:36:05,000
- Is your husband German too?
- He was.
351
00:36:05,166 --> 00:36:11,125
He came to Colombia to work,
and I followed him, in love.
352
00:36:11,291 --> 00:36:13,458
A toast to that.
353
00:36:15,625 --> 00:36:18,333
Mm. You have a piano.
354
00:36:18,500 --> 00:36:23,833
It's not just any piano,
it's a very fine German piano.
355
00:36:24,000 --> 00:36:26,458
- May I?
- Sure.
356
00:36:28,458 --> 00:36:31,125
- Do you play?
- No, not a note.
357
00:36:31,291 --> 00:36:34,333
But my boyfriend does.
He conducts the philharmonic.
358
00:36:34,500 --> 00:36:36,333
Oh, yes? How marvelous.
359
00:36:36,458 --> 00:36:39,541
- Like you, I followed him to Colombia.
- Ah.
360
00:36:40,041 --> 00:36:42,375
That's love.
361
00:36:43,000 --> 00:36:47,541
For some time, I've been living
in a small flat in the city.
362
00:36:47,750 --> 00:36:51,125
I only spend weekends here.
363
00:36:52,458 --> 00:36:55,375
Here we have the bathroom.
364
00:36:55,541 --> 00:37:01,000
I'm going back to Berlin in a month.
I've got mixed feelings about it.
365
00:37:01,166 --> 00:37:04,000
If you like the house,
you can have it when you like.
366
00:37:04,125 --> 00:37:06,666
- There's only one drawback.
- What's that?
367
00:37:06,833 --> 00:37:10,958
The person who stays
has to look after my dog, Hans.
368
00:37:11,125 --> 00:37:14,791
No, no problem. As I said, I love dogs.
369
00:37:14,958 --> 00:37:16,250
Fabulous.
370
00:37:22,125 --> 00:37:23,833
Adrian.
371
00:37:24,625 --> 00:37:27,500
What's the purpose of the table here?
372
00:37:27,625 --> 00:37:30,000
- I don't quite understand.
- It's a great position.
373
00:37:34,333 --> 00:37:36,750
Hans, get off.
374
00:37:54,000 --> 00:37:55,958
(BELEN LAUGHING)
375
00:38:29,166 --> 00:38:31,666
(BOTH LAUGHING)
376
00:38:33,125 --> 00:38:34,791
BELEN:
So looking at the leather first...
377
00:38:34,958 --> 00:38:39,000
...I like this one best,
for the texture and color.
378
00:38:39,166 --> 00:38:42,333
It'd mean making one
with a rubber wedge like this...
379
00:38:42,458 --> 00:38:43,833
(PHONE RINGING)
380
00:38:44,000 --> 00:38:46,625
...and another with a wooden heel.
381
00:38:46,791 --> 00:38:48,541
Excuse me a second.
382
00:38:48,750 --> 00:38:51,208
Hi, Emma. Good.
383
00:38:51,375 --> 00:38:53,750
Yes, he's with me,
and he's behaving really well.
384
00:38:54,625 --> 00:38:59,000
Oh, perfect.
Hans will be so happy to see you.
385
00:38:59,625 --> 00:39:01,958
Okay, see you tomorrow, then.
386
00:39:02,125 --> 00:39:04,458
- Who's this beastie?
- That's Hans.
387
00:39:04,625 --> 00:39:06,958
Is it a problem letting him loose here?
388
00:39:07,125 --> 00:39:11,375
No, we love dogs here,
and dogs love music.
389
00:39:11,541 --> 00:39:12,833
(BELEN CHUCKLES)
390
00:39:16,791 --> 00:39:18,625
Hello, Belen.
391
00:39:21,666 --> 00:39:25,125
Sorry, am I interrupting?
Are you still rehearsing?
392
00:39:26,041 --> 00:39:29,500
- No, I was talking to Veronica.
- Hello, Belen.
393
00:39:32,958 --> 00:39:33,958
All right, then.
394
00:39:34,125 --> 00:39:38,291
Finish your whiskey, rehearse...
I'll see you in the car.
395
00:39:43,000 --> 00:39:44,125
I'll go too.
396
00:39:44,291 --> 00:39:49,791
Miss Veronica, you appear to have
forgotten your violin.
397
00:39:51,875 --> 00:39:53,875
Maestro.
398
00:39:58,125 --> 00:40:00,833
- We weren't doing anything.
- And I'm not saying anything.
399
00:40:11,250 --> 00:40:13,291
Aren't you going to talk
for the whole trip?
400
00:40:15,750 --> 00:40:16,791
Belen?
401
00:40:16,958 --> 00:40:21,333
Do you take all your musicians into
your office, or just the girl violinists?
402
00:40:22,041 --> 00:40:23,791
Can't I speak to the musicians?
403
00:40:23,958 --> 00:40:27,041
Sure, but talking and flirting
aren't the same thing.
404
00:40:27,250 --> 00:40:29,125
- You're exaggerating.
- I'm exaggerating?
405
00:40:29,291 --> 00:40:30,625
Yes.
406
00:40:31,666 --> 00:40:33,166
I've seen you with her before.
407
00:40:33,791 --> 00:40:35,458
- When?
- Forget it.
408
00:40:35,625 --> 00:40:38,208
Do what you like.
It's your problem if you screw up.
409
00:40:38,375 --> 00:40:41,750
Don't get a shock if one day you wake up
and I'm not there.
410
00:41:15,791 --> 00:41:17,500
I'm sorry.
411
00:41:30,375 --> 00:41:32,166
(ADRIAN SIGHS)
412
00:41:39,291 --> 00:41:41,291
(SHOWER RUNNING)
413
00:42:22,500 --> 00:42:25,166
- How are the new designs?
- Fine.
414
00:42:25,333 --> 00:42:27,125
Have you sent the sketches to Spain?
415
00:42:27,291 --> 00:42:30,166
Yes, last week. They're very pleased.
416
00:42:31,125 --> 00:42:32,791
Is the leather here all right?
417
00:42:32,958 --> 00:42:36,291
- Fine, good quality.
- That's great.
418
00:42:38,291 --> 00:42:40,000
I'm going.
419
00:42:41,291 --> 00:42:43,000
Adrian?
420
00:42:43,458 --> 00:42:45,125
What is it?
421
00:42:48,375 --> 00:42:51,666
What have you got going
with that violinist Veronica?
422
00:42:54,041 --> 00:42:56,291
Jeez, Belen.
423
00:42:56,458 --> 00:42:58,833
I've got nothing going on with her.
424
00:43:01,000 --> 00:43:03,958
Then why do you call
and text each other?
425
00:43:06,041 --> 00:43:07,666
You looked at my phone?
426
00:43:09,041 --> 00:43:10,333
Answer me.
427
00:43:13,000 --> 00:43:15,833
I flirted with her a little, that's all.
428
00:43:15,958 --> 00:43:17,875
Nothing happened.
429
00:43:18,791 --> 00:43:21,000
I couldn't do anything to hurt you.
430
00:43:21,166 --> 00:43:22,500
Then why flirt with her?
431
00:43:24,125 --> 00:43:26,958
- We all flirt.
- No...
432
00:43:27,125 --> 00:43:29,000
...we don't all flirt.
433
00:43:31,625 --> 00:43:34,000
I love you and I'm with you.
434
00:43:34,750 --> 00:43:36,500
There is nothing else.
435
00:43:40,458 --> 00:43:43,250
What can I do for you to believe me?
Fire Veronica?
436
00:43:45,291 --> 00:43:46,791
All right, fire her.
437
00:43:48,166 --> 00:43:51,500
- I can't do that.
- Okay.
438
00:43:51,666 --> 00:43:54,500
Get going. You'll be late.
439
00:43:58,791 --> 00:44:02,000
It's fine.
I just need to be alone, that's all.
440
00:44:13,875 --> 00:44:15,875
(DOOR OPENS THEN CLOSES)
441
00:44:16,041 --> 00:44:17,958
(SOBS)
442
00:44:19,625 --> 00:44:23,291
I left behind my life in Spain
to come here with him...
443
00:44:24,625 --> 00:44:27,458
...and I don't know
if it was the right decision.
444
00:44:28,791 --> 00:44:31,666
My husband was very involved
with his work.
445
00:44:31,791 --> 00:44:34,500
It always came first.
446
00:44:34,666 --> 00:44:37,041
But he couldn't live without me.
447
00:44:37,250 --> 00:44:38,875
What did your husband do?
448
00:44:42,458 --> 00:44:44,333
He was an engineer.
449
00:44:44,791 --> 00:44:48,666
He had a prodigious mind.
He wooed me with it.
450
00:44:48,833 --> 00:44:50,000
Can you believe it?
451
00:44:52,125 --> 00:44:54,125
(SPEAKS INDISTINCTLY)
452
00:44:55,000 --> 00:44:58,291
Sometimes I wonder...
453
00:44:58,458 --> 00:45:00,875
...what would happen
if something happened to me...
454
00:45:01,041 --> 00:45:02,791
...if I died or something.
455
00:45:02,958 --> 00:45:04,666
How would Adrian react?
456
00:45:07,666 --> 00:45:10,041
Why don't you test him?
457
00:45:10,250 --> 00:45:11,500
What do you mean, "test"?
458
00:45:11,666 --> 00:45:14,791
Yes, teach him a little lesson.
459
00:45:14,958 --> 00:45:17,291
Love has to be absolute, doesn't it?
460
00:45:19,958 --> 00:45:22,333
Can you keep a secret?
461
00:45:24,125 --> 00:45:25,833
Come with me.
462
00:46:03,625 --> 00:46:06,333
My husband felt
they could come for him...
463
00:46:06,500 --> 00:46:11,166
...at any time,
like others in South America.
464
00:46:11,291 --> 00:46:15,125
So he built this place.
He was obsessed with it.
465
00:46:15,291 --> 00:46:19,708
He said it was a place
where one could die in peace.
466
00:46:19,875 --> 00:46:21,333
And so he did.
467
00:46:22,125 --> 00:46:23,833
Go in.
468
00:46:41,541 --> 00:46:45,625
Reinforced glass, one-way vision.
469
00:46:45,791 --> 00:46:49,958
Utterly soundproof.
It's hermetically sealed.
470
00:46:50,125 --> 00:46:54,208
This is a dynamo to turn on the light.
471
00:46:54,375 --> 00:46:55,958
Look.
472
00:46:56,666 --> 00:46:58,000
See?
473
00:46:58,125 --> 00:47:03,041
With this speaker,
you can hear everything outside.
474
00:47:04,375 --> 00:47:07,291
This is crazy.
475
00:47:10,291 --> 00:47:11,333
And here?
476
00:47:25,875 --> 00:47:28,000
It's strange.
477
00:47:28,166 --> 00:47:30,833
I haven't come in here for a long time.
478
00:47:32,500 --> 00:47:34,458
Thank you
for showing me your secret.
479
00:47:34,625 --> 00:47:36,666
It's ours now.
480
00:47:36,833 --> 00:47:40,500
- Goodbye.
- All the best. Take care.
481
00:47:40,666 --> 00:47:43,541
- I'll call you when I get to Berlin.
- Okay.
482
00:47:44,333 --> 00:47:46,125
- All the best.
- Thanks.
483
00:47:46,291 --> 00:47:48,666
Have a nice trip.
484
00:47:48,791 --> 00:47:51,208
And thanks for everything, Emma.
485
00:47:51,375 --> 00:47:54,458
You're welcome. Take care, eh?
486
00:48:32,458 --> 00:48:37,500
Hello, Adrian. I'm leaving
because I've met someone...
487
00:48:38,750 --> 00:48:43,000
(LAUGHING)
...at the gym, and he gets me hot.
488
00:48:45,958 --> 00:48:47,625
Hello, Adrian.
489
00:48:48,291 --> 00:48:51,666
Look, I'm off to Spain,
and you know why?
490
00:48:51,791 --> 00:48:53,666
Because I'm fucking fed up.
491
00:48:54,791 --> 00:48:56,166
Hello, Adri.
492
00:48:57,333 --> 00:49:00,750
Um, this isn't easy.
493
00:49:01,250 --> 00:49:03,500
I wasn't strong enough
to tell you face-to-face.
494
00:49:04,458 --> 00:49:08,750
Maybe this is the way
to avoid useless arguments.
495
00:49:09,250 --> 00:49:10,958
I'm leaving.
496
00:49:11,625 --> 00:49:14,333
I love you so much...
497
00:49:14,458 --> 00:49:16,958
...but I can't carry on with you.
498
00:49:18,041 --> 00:49:21,041
I think this is the best for both of us.
499
00:49:21,250 --> 00:49:24,791
Please don't look for me,
and don't hate me.
500
00:49:25,875 --> 00:49:27,875
(SIGHS)
501
00:49:51,125 --> 00:49:52,875
(HANS BARKING)
502
00:50:18,458 --> 00:50:20,666
(DOOR OPENS AND HANS BARKS)
503
00:50:56,666 --> 00:50:58,666
VIDEO
FOR ADRIAN
504
00:51:06,458 --> 00:51:08,291
BELEN (ON VIDEO):
Hello, Adri.
505
00:51:08,458 --> 00:51:11,875
Um, this isn't easy.
506
00:51:12,541 --> 00:51:15,458
I wasn't strong enough
to tell you face-to-face.
507
00:51:32,958 --> 00:51:34,375
(CHUCKLES)
508
00:52:02,125 --> 00:52:04,625
ADRIAN:
Belen, I just saw the video.
509
00:52:04,791 --> 00:52:06,666
I don't get it.
510
00:52:06,833 --> 00:52:08,833
I don't know what's going on.
511
00:52:09,000 --> 00:52:12,333
Call me when you can, okay?
512
00:53:29,958 --> 00:53:33,500
Adrian! Adri, I'm here! I'm here! Adri!
513
00:53:37,958 --> 00:53:40,166
Adrian! Adrian!
514
00:53:41,625 --> 00:53:43,375
No, don't go, Adri!
515
00:53:49,791 --> 00:53:51,500
Holy shit.
516
00:54:03,041 --> 00:54:04,125
Come on.
517
00:54:07,375 --> 00:54:08,541
Fuck!
518
00:54:55,250 --> 00:54:57,458
(WHIMPERING)
519
00:55:02,625 --> 00:55:05,000
(DOOR OPENS)
520
00:55:16,125 --> 00:55:18,833
Adrian! Adrian!
521
00:55:25,375 --> 00:55:26,833
(SOBBING)
522
00:55:27,541 --> 00:55:30,166
I'm sorry. I'm sorry, Adri.
523
00:55:33,875 --> 00:55:35,333
I'm so sorry.
524
00:55:52,333 --> 00:55:53,833
I love you.
525
00:55:58,125 --> 00:55:59,791
(SOBBING) Adri.
526
00:56:02,333 --> 00:56:04,833
Help me.
527
00:56:10,125 --> 00:56:12,750
...but I can't carry on with you.
528
00:56:13,458 --> 00:56:15,958
I think this is the best for both of us.
529
00:56:17,000 --> 00:56:20,458
Please don't look for me,
and don't hate me.
530
00:56:21,625 --> 00:56:24,500
- Do you suspect anyone?
- What do you mean, "suspect anyone"?
531
00:56:24,666 --> 00:56:26,041
BUITRAGO:
She's a beautiful woman.
532
00:56:26,250 --> 00:56:28,500
Suddenly there's an admirer,
a friend, a lover.
533
00:56:28,666 --> 00:56:31,500
No. We hardly know anyone here.
534
00:56:31,666 --> 00:56:33,958
She was alone a lot, but I doubt it.
535
00:56:34,125 --> 00:56:37,541
This was the 8th of August,
the last day you saw her.
536
00:56:37,750 --> 00:56:38,791
- Yes.
BUITRAGO: Mm-hm.
537
00:56:40,291 --> 00:56:41,291
Mr. Peña?
538
00:56:41,791 --> 00:56:44,333
I saw her the day before.
She came here.
539
00:56:44,791 --> 00:56:47,333
BUITRAGO: Did she say anything
that could help us?
540
00:56:48,125 --> 00:56:51,000
Why don't you tell them, Adrian?
541
00:56:54,333 --> 00:56:57,708
- We argued. Nothing important.
- Everything's important here.
542
00:56:57,875 --> 00:57:00,791
A couple's spat, that's all.
543
00:57:00,958 --> 00:57:04,000
What happened was that
Belen surprised Adrian...
544
00:57:04,166 --> 00:57:06,291
...with a member of the orchestra.
545
00:57:06,875 --> 00:57:09,666
Nothing happened,
they were having a drink...
546
00:57:09,791 --> 00:57:11,958
...but Belen was annoyed.
547
00:57:12,125 --> 00:57:15,708
It's not important, it isn't. What's
important is finding out where she is.
548
00:57:15,875 --> 00:57:19,166
- That's what we have to find out.
RAMIREZ: We have to wait now.
549
00:57:19,333 --> 00:57:20,500
Maybe she'll turn up.
550
00:57:21,250 --> 00:57:24,750
Maestro, we have no traces
of a kidnapping or forced disappearance.
551
00:57:25,291 --> 00:57:29,000
We'll go to Immigration
and see if she left the country.
552
00:57:29,125 --> 00:57:32,291
We'll check your house
to see if something can help us find her.
553
00:57:32,458 --> 00:57:36,958
So you don't think anything bad
happened to her?
554
00:57:37,125 --> 00:57:40,208
BUITRAGO: These cases
are more common than you might think.
555
00:57:40,375 --> 00:57:41,958
Even in this country.
556
00:58:53,458 --> 00:58:54,958
(SNIFFS)
557
00:59:22,791 --> 00:59:24,458
(COUGHS)
558
00:59:37,958 --> 00:59:40,375
(BELEN SPEAKING INDISTINCTLY
ON VIDEO)
559
00:59:50,791 --> 00:59:53,750
- All the best.
- What?
560
00:59:55,875 --> 00:59:57,458
Adri.
561
00:59:59,125 --> 01:00:00,458
Adri.
562
01:00:00,625 --> 01:00:02,958
What do you mean, "all the best"?
563
01:00:04,250 --> 01:00:05,666
Adri.
564
01:00:05,791 --> 01:00:09,458
What does "all the best" mean?
Adrian.
565
01:00:11,041 --> 01:00:13,375
You can't say that!
It couldn't be worse!
566
01:00:24,291 --> 01:00:26,125
(RAIN PATTERING)
567
01:00:38,166 --> 01:00:40,000
Adrian!
568
01:00:41,625 --> 01:00:43,375
Adrian, look at the ripples!
569
01:00:43,541 --> 01:00:45,625
(THUNDER CRASHES)
570
01:00:48,125 --> 01:00:49,833
Adri, look at them!
571
01:00:51,375 --> 01:00:55,333
Adri, no. Adrian!
572
01:00:56,125 --> 01:00:57,833
Adri!
573
01:01:15,791 --> 01:01:17,958
(LAMP BUZZING)
574
01:01:46,750 --> 01:01:48,125
Fucking hell.
575
01:01:48,291 --> 01:01:50,125
(CIRCUITS SIZZLING)
576
01:01:55,791 --> 01:01:57,000
What's wrong with this?
577
01:01:57,166 --> 01:01:58,791
(CRACKLES)
578
01:02:05,291 --> 01:02:07,333
Come on.
579
01:02:08,000 --> 01:02:11,166
Don't do this to me, please.
580
01:02:25,000 --> 01:02:27,000
(DOOR OPENS)
581
01:02:32,250 --> 01:02:34,666
(FOOTSTEPS)
582
01:02:40,791 --> 01:02:43,791
(FABIANA CHUCKLING
AND SPEAKING INDISTINCTLY)
583
01:02:50,541 --> 01:02:52,666
I like this mirror.
584
01:03:02,333 --> 01:03:03,666
No, please, no.
585
01:03:07,291 --> 01:03:09,333
Adri, please don't do this.
586
01:03:16,500 --> 01:03:18,500
(SOBS)
587
01:03:33,958 --> 01:03:36,000
(CRYING)
588
01:03:53,791 --> 01:03:56,000
Stop it, please, stop.
589
01:03:56,125 --> 01:03:58,958
(ADRIAN & FABIANA MOANING)
590
01:04:01,666 --> 01:04:03,500
Stop!
591
01:04:04,791 --> 01:04:06,666
Stop!
592
01:04:08,291 --> 01:04:09,958
Stop it! Shut up!
593
01:04:43,125 --> 01:04:45,625
BELEN:
Where the hell did you come from?
594
01:05:01,125 --> 01:05:03,500
That's my toothbrush.
595
01:05:04,875 --> 01:05:06,333
Fucking bitch.
596
01:05:07,458 --> 01:05:09,958
Fucking bitch.
597
01:05:15,666 --> 01:05:16,791
Help!
598
01:05:23,958 --> 01:05:27,500
Help! Here! Help!
599
01:05:29,625 --> 01:05:33,666
Help! Here! Help!
600
01:05:43,291 --> 01:05:45,291
(SOBBING)
601
01:06:06,041 --> 01:06:08,833
(THUNDER RUMBLING)
602
01:06:52,750 --> 01:06:54,875
(WATER RUNNING)
603
01:07:10,291 --> 01:07:11,541
(FABIANA SHRIEKS)
604
01:07:22,125 --> 01:07:23,791
(FABIANA SHRIEKS)
605
01:07:43,000 --> 01:07:45,500
BELEN:
Oh, I scalded you.
606
01:07:45,625 --> 01:07:48,625
What a bummer, eh?
Sorry, but I've got to do it.
607
01:07:48,791 --> 01:07:50,666
You understand, don't you, Fabiana?
608
01:07:51,833 --> 01:07:53,166
Fabiana!
609
01:07:59,666 --> 01:08:02,500
Fabiana, can you hear me?
610
01:08:06,041 --> 01:08:07,333
(FABIANA SHRIEKS)
611
01:08:09,958 --> 01:08:11,375
Hans.
612
01:08:13,666 --> 01:08:16,250
Out. Get out of here.
613
01:08:17,041 --> 01:08:18,750
Fuck.
614
01:08:47,500 --> 01:08:50,625
Having a great time, huh?
615
01:08:51,250 --> 01:08:52,833
How old are you? Five?
616
01:09:00,166 --> 01:09:02,250
What are you doing?
617
01:09:11,291 --> 01:09:14,291
The key. Fabiana.
618
01:09:14,458 --> 01:09:17,166
You've found the key, Fabiana.
619
01:09:17,750 --> 01:09:21,333
Okay, now think. Fabiana, listen to me.
620
01:09:23,791 --> 01:09:27,291
Very good, Fabiana. Listen to me.
Listen to me. Think.
621
01:09:30,250 --> 01:09:32,666
What are you doing?
622
01:09:32,833 --> 01:09:35,000
Don't do that! It's not a necklace!
Listen to me!
623
01:09:35,166 --> 01:09:36,291
(THUNDER CRASHES)
624
01:09:36,458 --> 01:09:39,541
Why do the lights cut out
in this shitty house?
625
01:09:40,125 --> 01:09:43,125
Fabiana, no. The key, Fabiana!
626
01:10:16,875 --> 01:10:18,750
(PHONE RINGING)
627
01:10:19,458 --> 01:10:20,958
ADRIAN:
Will you pass me that?
628
01:10:23,000 --> 01:10:24,708
Thanks.
629
01:10:24,875 --> 01:10:27,666
Yes. Yes, that's me.
630
01:10:27,833 --> 01:10:29,375
What?
631
01:10:32,791 --> 01:10:34,666
What's wrong?
632
01:10:36,166 --> 01:10:38,541
They say they've found a body
that could be Belen.
633
01:10:54,166 --> 01:10:57,000
Don't smile, bitch, I'm not dead.
634
01:11:35,125 --> 01:11:36,875
(SPLASHES)
635
01:12:11,291 --> 01:12:13,958
Well, you're not as thick as I thought.
636
01:12:21,125 --> 01:12:22,166
Start.
637
01:12:28,958 --> 01:12:30,458
Stop.
638
01:12:35,125 --> 01:12:36,500
Good, Fabiana. No.
639
01:12:39,125 --> 01:12:40,291
(MUMBLING)
640
01:12:40,458 --> 01:12:42,666
Don't stop now. Fabiana, come back.
641
01:12:46,250 --> 01:12:47,625
That's it, come on.
642
01:12:49,041 --> 01:12:50,750
Come on, come on, come on.
643
01:12:51,291 --> 01:12:53,000
Start.
644
01:12:56,750 --> 01:12:58,333
Stop.
645
01:12:59,666 --> 01:13:00,791
Is anyone there?
646
01:13:01,625 --> 01:13:02,666
Yes!
647
01:13:05,791 --> 01:13:07,166
Are you talking to me?
648
01:13:10,291 --> 01:13:13,250
- Good, Fabiana.
- Adrian, is it you?
649
01:13:15,375 --> 01:13:17,541
Don't play with me.
650
01:13:17,750 --> 01:13:19,791
Come on. Come on.
651
01:13:28,791 --> 01:13:31,166
- Papa?
- No.
652
01:13:31,333 --> 01:13:33,166
Christ, Fabiana, think.
653
01:13:41,250 --> 01:13:44,000
- Belen?
- Yes!
654
01:13:49,125 --> 01:13:50,333
Come on, Fabiana.
655
01:13:51,250 --> 01:13:54,958
- Are you dead?
- You wish. Come on.
656
01:13:57,125 --> 01:13:58,333
Are you alive?
657
01:14:03,041 --> 01:14:04,125
Are you trapped?
658
01:14:05,291 --> 01:14:06,291
Yes!
659
01:14:12,291 --> 01:14:13,500
Did Adrian lock you up?
660
01:14:14,250 --> 01:14:16,166
No. Come on, Fabiana, keep asking.
661
01:14:17,125 --> 01:14:18,291
Keep going.
662
01:14:22,791 --> 01:14:23,875
Behind the mirror?
663
01:14:25,000 --> 01:14:26,333
Yes!
664
01:14:35,375 --> 01:14:37,166
Good, Fabiana, good.
665
01:14:38,500 --> 01:14:39,666
(HANS BARKING)
666
01:14:41,666 --> 01:14:43,291
No.
667
01:14:56,791 --> 01:14:58,250
The other mirror is the door?
668
01:14:59,000 --> 01:15:00,541
Yes!
669
01:15:06,166 --> 01:15:07,250
Good, Fabiana.
670
01:15:12,250 --> 01:15:13,500
Come on.
671
01:15:17,625 --> 01:15:20,333
The ward robe, Fabiana.
672
01:15:26,125 --> 01:15:29,375
The wardrobe.
How the hell do I tell you?
673
01:15:33,875 --> 01:15:36,833
The wardrobe, the wardrobe.
674
01:15:43,625 --> 01:15:46,125
Very good, Fabiana.
675
01:16:09,750 --> 01:16:11,166
Yes.
676
01:16:47,666 --> 01:16:49,833
Fabiana, what are you doing?
677
01:16:55,375 --> 01:16:57,041
Fabiana!
678
01:16:58,791 --> 01:17:00,958
Why won't you open up?
679
01:17:09,125 --> 01:17:12,250
What the fuck are you doing?
Open up!
680
01:17:14,791 --> 01:17:16,666
I'm sorry.
681
01:17:33,958 --> 01:17:35,166
(GASPS)
682
01:17:35,333 --> 01:17:36,500
- Hi.
- Who were you talking to?
683
01:17:36,666 --> 01:17:40,250
- What happened out there?
- To nobody. I was looking for a book.
684
01:17:42,958 --> 01:17:46,125
How did it go? Was it her?
685
01:17:46,291 --> 01:17:47,875
- Fucking bitch.
ADRIAN: No.
686
01:17:51,958 --> 01:17:53,291
Fucking bitch.
687
01:17:53,458 --> 01:17:57,666
Fabiana, you fucking bitch! Open up!
688
01:18:03,125 --> 01:18:07,541
Fabiana, you fucking bitch...
689
01:18:07,750 --> 01:18:09,458
...you can't leave me here.
690
01:18:09,625 --> 01:18:12,166
Fabiana, open up!
691
01:18:13,333 --> 01:18:15,375
You can't leave me here!
692
01:18:15,541 --> 01:18:18,000
Open up! Open up!
693
01:18:33,958 --> 01:18:35,541
Adrian.
694
01:18:37,666 --> 01:18:39,000
What are you doing?
695
01:18:39,625 --> 01:18:41,541
I couldn't sleep.
696
01:18:42,625 --> 01:18:44,458
Are you all right?
697
01:18:45,333 --> 01:18:47,333
Go to bed. I'll be right there.
698
01:18:48,333 --> 01:18:49,500
(BARKS)
699
01:18:49,666 --> 01:18:50,791
Relax, Hans.
700
01:18:51,000 --> 01:18:54,333
Relax, it's all right.
701
01:19:03,041 --> 01:19:05,250
It's all right, relax.
702
01:19:47,958 --> 01:19:49,958
RAMIREZ:
Maestro Salamanca.
703
01:19:51,125 --> 01:19:53,166
- Ramirez.
- Everything all right?
704
01:19:53,333 --> 01:19:54,625
Fine.
705
01:19:54,791 --> 01:19:57,458
It's my duty to inform you
that as a judicial officer...
706
01:19:57,625 --> 01:20:00,458
...Miss Belen Echeverria
is now my case.
707
01:20:00,625 --> 01:20:03,291
Officer Buitrago called me this morning
to tell me.
708
01:20:03,458 --> 01:20:05,625
I hope you find her soon.
709
01:20:05,791 --> 01:20:09,500
- We'll do all we can.
- Thanks a lot.
710
01:20:15,625 --> 01:20:17,500
(CAR BEEPS)
711
01:20:29,000 --> 01:20:30,166
Do you want something?
712
01:20:31,125 --> 01:20:34,125
Listen, maestro,
be very careful what you do.
713
01:20:35,041 --> 01:20:36,166
What's wrong with you?
714
01:20:36,333 --> 01:20:39,000
I don't really care much
about your girlfriend.
715
01:20:40,875 --> 01:20:43,666
But if something happens to Fabiana,
I'll kill you.
716
01:20:48,625 --> 01:20:51,625
- Everything all right?
- Yes, thanks.
717
01:21:02,500 --> 01:21:04,875
- Hi.
- Hi.
718
01:21:07,875 --> 01:21:10,500
- Can I have one?
- You don't smoke.
719
01:21:23,375 --> 01:21:24,541
What about the Spaniard?
720
01:21:25,375 --> 01:21:28,833
- What about him?
- How's it going with him?
721
01:21:29,750 --> 01:21:31,625
Fine.
722
01:21:31,791 --> 01:21:34,333
So are you going to Spain with him?
723
01:21:35,875 --> 01:21:39,208
- We'll see what happens.
- And the girlfriend?
724
01:21:39,375 --> 01:21:41,041
I don't know.
725
01:21:41,250 --> 01:21:43,750
It's better she doesn't turn up, eh?
726
01:22:03,375 --> 01:22:05,041
Belen.
727
01:22:12,541 --> 01:22:14,500
Belen, are you all right?
728
01:22:53,791 --> 01:22:56,333
ARE YOU
OKAY?
729
01:23:10,291 --> 01:23:11,958
What happened?
730
01:23:12,125 --> 01:23:13,166
Hello.
731
01:23:13,833 --> 01:23:15,833
Why did you change
everything around?
732
01:23:15,958 --> 01:23:19,333
I wanted to surprise you.
This bathroom works properly.
733
01:23:21,000 --> 01:23:23,166
- Oh, yes?
- Yes.
734
01:23:23,333 --> 01:23:25,625
And the view from here is nicer.
735
01:23:28,333 --> 01:23:29,500
Do you mind?
736
01:23:30,875 --> 01:23:32,958
No, but I wish you'd asked me first.
737
01:23:34,125 --> 01:23:36,791
I thought you'd like it.
738
01:23:37,875 --> 01:23:39,166
It's fine.
739
01:24:03,958 --> 01:24:07,833
- Adrian's not here.
- No? And where is he?
740
01:24:08,000 --> 01:24:09,250
Working.
741
01:24:10,666 --> 01:24:12,791
That's what you think.
742
01:24:20,791 --> 01:24:22,958
Take care of yourself, Fabiana.
743
01:25:02,458 --> 01:25:05,166
(CHATTERING)
744
01:25:08,666 --> 01:25:10,375
Veronica.
745
01:25:13,833 --> 01:25:15,500
Hello.
746
01:25:16,833 --> 01:25:18,666
Let's see.
747
01:25:18,791 --> 01:25:20,291
I like you a lot.
748
01:25:20,458 --> 01:25:22,958
I love hanging out with you,
but what we're doing...
749
01:25:23,125 --> 01:25:24,791
I can't go on.
750
01:25:27,291 --> 01:25:28,833
Okay.
751
01:25:42,791 --> 01:25:44,708
People, we'll begin on C.
752
01:25:44,875 --> 01:25:49,041
Wind instruments, you are the melody.
Stand out, all right?
753
01:25:49,250 --> 01:25:51,875
Violas, basses and cellos,
heavy on the triplets.
754
01:25:52,041 --> 01:25:53,708
Yes?
755
01:25:53,875 --> 01:25:55,333
Let's go.
756
01:25:55,958 --> 01:25:57,166
One and two and...
757
01:25:57,333 --> 01:25:59,875
(PLAYING SOFT CLASSICAL MUSIC)
758
01:27:17,666 --> 01:27:19,291
Belen.
759
01:27:26,375 --> 01:27:28,333
Belen.
760
01:27:30,625 --> 01:27:33,000
Belen. Belen.
761
01:28:28,625 --> 01:28:31,000
(PHONE RINGING)
762
01:28:36,166 --> 01:28:38,291
(HANS BARKING)
763
01:28:47,166 --> 01:28:48,500
(ANSWERING MACHINE BEEPS)
764
01:28:48,666 --> 01:28:51,500
MAN (ON MACHINE): This message
is for Miss Belen Echeverria.
765
01:28:51,666 --> 01:28:55,458
I inform you that Emma Engel
has passed away in Berlin.
766
01:28:55,625 --> 01:29:00,625
The family wants to sell the house
from Germany, so I need you to...
767
01:30:21,000 --> 01:30:22,833
(SIGHS)
768
01:36:12,624 --> 01:36:13,624
Translated by:
Silvia Grumaches Cortina, Raul E. Reyes
769
01:36:13,791 --> 01:36:14,791
(English - US - SDH)