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[ DRAMATIC MUSIC PLAYS ]

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[ BIRDS CHIRPING ]

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[ GLASS THUMPS LIGHTLY ]

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>> [ SNIFFLES ] NO.

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NO, NO, NO, NO, NO.

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[ VEHICLE DOORS CLOSE ]

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WHY?

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[ DOORBELL RINGS ]

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[ KNOCK ON DOOR ]

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ALL RIGHT.

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ALL RIGHT.

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AW, NO.

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CHRIS!

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>> Chris: QUINTY!

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[ BOTH LAUGH ]

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>> I'LL BE DAMNED.

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>> Chris: LADIES, THIS IS QUINT.

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HE'S MY OLD PAL AND MY MENTOR.

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HE TAUGHT ME EVERYTHING I KNOW

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ABOUT BEING A MARSHAL.

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>> COME ON IN, FOLKS.

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>> Chris: YEAH.

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HEY, WHY IS THE FLOOR SO WET?

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>> WHAT?

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OH. UH, NOT CAUSE I BEEN CRYIN'

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ALL THE TIME.

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[ CHUCKLES ]

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AW, DAMN IT.

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>> Chris: LOOK, LADIES, QUINT

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AND I HAVE A LITTLE, UH,

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CATCHING UP TO DO, OKAY?

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HUH? GOOD.

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OFF YOU GO. THAT'S IT.

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THERE YOU GO. VERY GOOD.

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AH.

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>> ♪ YOUR OTHER MAN...

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>> SO, WHAT BRINGS YOU OUT THIS

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WAY?

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>> Chris: I'M ON THE LAM, QUINT.

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I GOT FRAMED FOR MY FRIEND

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BRETT'S MURDER.

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AND WHEN I CAME UP WITH THE

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EVIDENCE THAT WOULD PROVE MY

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INNOCENCE, THE MARSHALS TRIED TO

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HAVE ME KILLED.

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I THINK THERE'S A CONSPIRACY

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THAT GOES ALL THE WAY UP TO THE

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TOP.

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>> A "CONSPIRA-CRY," EH?

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YOU KNOW, CHRIS, I DON'T THINK I

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EVER TOLD YOU WHY I LEFT THE

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MARSHALS.

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>> Chris: WELL, I JUST ASSUMED

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IT WAS 'CAUSE YOU GOT CAUGHT

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TAKING PICTURES OF THE FEMALE

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MARSHALS USING THE RESTROOMS.

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>> THAT IS TRUE, BUT THERE'S

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ANOTHER REASON.

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COME WITH ME, CHRIS.

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>> Chris: [ SIGHS ]

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OKAY, WHAT'S IN HERE?

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>> OH, JUST SOMETHING THAT --

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>> Chris: OH, HEY!

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QUINT, I TRUSTED YOU!

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AAH!

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[ MOTORS WHIRRING ]

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HUH? OH!

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[ PROGRESSIVE ROCK MUSIC PLAYS ]

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UGH. WHAT IS THIS CRAP?

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MY

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PROGRESSIVE ROCK CONCEPT ALBUM.

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IT'S WHAT I'VE SPENT THE LAST

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30 YEARS WORKING ON.

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>> Chris: YOU LEFT THE MARSHALS

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TO DO A PROG ROCK ALBUM?

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>> YES, SIR.

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FORMED A BAND CALLED

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"DreamPrism."

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I PLAYED SYNTH...

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...IA, OUR LEAD GUITARIST,

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LIKE A FIDDLE --

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THAT IS, WHEN I WASN'T

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DRUMMING...

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UP SUPPORT FOR MY MIND-MELTING

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BASS LICKS.

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SWEET, HUH?

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>> Chris: OH, YEAH. NO, IT'S --

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PARADISE RISING.

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IT'S OUR TRIPLE-LENGTH

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DEBUT/SWAN SONG.

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THE LYRICS ARE FILLED WITH COOL

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PORCUPINE IMAGERY.

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JUST WAIT TILL WE GET TO THE

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END OF SIDE SIX.

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>> Chris: OHH.

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[ BIRDS CHIRPING ]

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[ PROGRESSIVE ROCK MUSIC PLAYS ]

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>> OOH, CHECK IT OUT --

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FOUR SOLOS AT ONCE, THE WORLD'S

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FIRST QUATRO SOLO.

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>> Chris: YOU KNOW, QUINT, I'M

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REALLY LOVING LISTENING TO YOUR

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TERRIBLE MUSIC, BUT I NEED YOUR

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HELP.

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I THINK BRETT MIGHT STILL BE

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ALIVE.

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I THINK THE MARSHALS MIGHT HAVE

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HIM.

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>> TRIP OUT ON THIS.

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[ VOLUME INCREASES ]

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>> Chris: UGH. [ SIGHS ]

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>> LISTEN UP AND LISTEN GOOD.

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THERE'S A LOT YOU DON'T KNOW

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ABOUT THE MARSHALS.

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FIRST OFF, THE U.S. MARSHAL

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SERVICE WAS ACTUALLY FOUNDED IN

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1789.

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>> Chris: I KNOW THAT.

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WE LEARNED THAT IN THE ACADEMY.

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>> LET ME FINISH.

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1789 THOUSAND B.C.

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IT WAS STARTED BY A SECRET CABAL

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KNOWN AS THE ANCIENTS.

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>> Chris: WHAT THE HELL ARE YOU

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TALKING ABOUT?

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>> LISTEN, THEIR MISSION WAS

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ONEFOLD -- TO SCOUR THE EARTH IN

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SEARCH OF THE FIVE CHOSEN ONES

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THAT WERE FORETOLD IN THE

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PROPHECY.

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THE ANCIENTS NEEDED THEM TO

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COMPLETE "THE PROJECT."

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MAYBE YOUR FRIEND BRETT WAS ONE

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OF THE CHOSEN ONES.

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>> Chris: OKAY, WELL, NONE OF

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THAT HELPS ME AND WAS A TOTAL

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WASTE OF MY TIME, SO THANK YOU,

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OLD MAN.

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[ SIGHS ]

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>> CHRIS.

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[ DOOR CLOSES ]

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IF YOUR BOY'S STILL ALIVE, HE'S

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HEADED FOR KARTUUK, ANCIENT CITY

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WHERE THE MARSHAL SERVICE

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STARTED.

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NO ONE KNOWS EXACTLY WHERE IT

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IS, BUT YOU'LL KNOW IT WHEN YOU

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SEE IT.

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HEAD SOUTH AND DON'T STOP.

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>> Chris: THANK YOU.

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>> IT'S A LONG TRIP.

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HERE'S A COPY OF

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PARADISE RISING.

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GET READY FOR SOME SICK LICKS.

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>> Chris: OKAY, CAN'T WAIT.

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>> CHRIS, PROMISE ME YOU'LL

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LISTEN TO THE TAPE.

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>> Chris: OOH, OKAY.

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I PROMISE.

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[ CHUCKLES ]

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I'LL SEE YA LATER, QUINTY.

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[ DOOR OPENS, CLOSES ]

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>> SEE? THAT WASN'T SO HARD.

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>> I JUST SENT MY PROTéGé TO

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CERTAIN DEATH.

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>> AND IN RETURN, I WILL PASS ON

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YOUR DEMO ON TO MY COUSIN AT

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TopTune RECORDS, AS PROMISED.

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>> REALLY?

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>> I'M A MAN OF MY WORD.

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AND NOW I'M AFRAID YOU'VE

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OUTLIVED YOUR USEFULNESS, AND

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I'VE OUT-USED YOUR LIVE-FULNESS.

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>> HUH?

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[ GRUNTS ]

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[ THUDS ]

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>> [ CHUCKLES ]

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DUMB BASTARD.

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20 FINGERS?

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WHAT THE HELL?

181
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BUT I JUST KILLED YOU.

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>> NO, SUGALSKI.

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MY

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DUMB BASTARD CLONE.

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[ GUN COCKS ]

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>> YOU HAVE A FEW MINUTES TO

187
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EXPLAIN YOURSELF.

188
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>> SEE, WHEN I QUIT THE MARSHALS

189
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TO DEVOTE MY LIFE TO PROGRESSIVE

190
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ROCK, I SOON ENCOUNTERED WHAT'S

191
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KNOWN AS "PROG ROCKER'S

192
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DILEMMA."

193
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THE MUSIC I COMPOSED WAS TOO

194
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DENSE AND COMPLEX FOR ANY

195
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REGULAR HUMAN BEING TO PLAY.

196
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NO ONE HAD THE CHOPS,

197
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NOT EVEN CYNTHIA.

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SO I DID SOME CHOPPIN' OF MY

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OWN -- DNA CHOPPIN' AND SLICIN'

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AND A-DICIN' AND A SPLICIN'.

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I BUILT A LAB IN MY BASEMENT,

202
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CLONED MUTANT VERSIONS OF

203
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MYSELF, AND FORMED THE WORLD'S

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FIRST GENETICALLY ENGINEERED

205
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PROG ROCK SUPERGROUP.

206
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FIRST CAME GRINT.

207
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HIS 20 FINGERS MADE HIM IDEALLY

208
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SUITED TO PLAY COMPLEX GUITAR

209
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CHORDS.

210
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THEN I MADE A LEAD SINGER, ZINT,

211
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WHOSE GIRAFFE-LIKE NECK GAVE HIM

212
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A 12-OCTAVE VOCAL RANGE, JUST

213
00:05:47,979 --> 00:05:49,104
LIKE A GIRAFFE.

214
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NEXT CAME DINT, THE DRUMMER

215
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THAT'S NOTHING BUT ARMS,

216
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JINT, WHOSE DIM, EGO-LESS BRAIN

217
00:05:54,188 --> 00:05:56,771
MADE HIM WILLING TO PLAY BASS,

218
00:05:56,854 --> 00:05:58,854
AND VARIOUS SESSION MUTANTS.

219
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>> ALL RIGHT, I GET IT.

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>> I HAD A HUNCH YOU WERE GONNA

221
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DOUBLE-CROSS ME.

222
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THAT'S WHY I HAD GRINT PRETEND

223
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TO BE ME.

224
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>> I DIDN'T DOUBLE-CROSS YOU,

225
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QUINT.

226
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I SAID I WOULD GET YOUR DEMO TO

227
00:06:09,521 --> 00:06:10,313
THE RECORD LABEL.

228
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I NEVER SAID I WOULDN'T KILL

229
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YOU.

230
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>> SO YOU ARE GOING TO GIVE THEM

231
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THE TAPE?

232
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THANKS, BROTHER.

233
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[ GUNSHOT ]

234
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[ THUDS ]

235
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[ PROGRESSIVE ROCK MUSIC PLAYS ]

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>> Susie: THIS MUSIC STINKS.

237
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>> Chris: WELL, SOUNDWISE, YES,

238
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BUT IT'S NEEDLESSLY

239
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COMPLICATED -- I'LL GIVE IT THAT

240
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MUCH.

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>> Susie: SOUNDS LIKE A CIRCLE

242
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JERK TO ME.

243
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[ HORN HONKS ]

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[ BRAKES SQUEAL ]

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[ SIGHS ]

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>> Chris: WHAT'S GOING ON?

247
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>> Susie: WHERE ARE WE?

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>> Chris: "KillSpace:

249
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A UNIQUE DYING CONCEPT."

250
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[ GUNFIRE IN DISTANCE ]

251
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>> Susie: ARE YOU SURE WE WANT

252
00:06:41,229 --> 00:06:41,813
TO GO IN THERE?

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>> Chris: WELL, THIS WHERE QUINT

254
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TOLD ME TO GO.

255
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JUST BE COOL, OKAY?

256
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>> HI. WHAT'S THE NAME?

257
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>> Chris: COULD YOU SEE IF

258
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THERE'S A "MONSANTO"?

259
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>> LET'S SEE.

260
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MONSANTO, PARTY OF TWO PLUS

261
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ONE DESK.

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00:06:53,188 --> 00:06:53,771
>> Chris: OH, GREAT.

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>> LET ME EXPLAIN OUR CONCEPT A

264
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LITTLE BIT.

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KillSpace OFFERS A FRESH, MODERN

266
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TAKE ON VIOLENT DEATH.

267
00:06:58,938 --> 00:07:00,104
WE USE ALL LOCAL HARMERS --

268
00:07:00,188 --> 00:07:01,604
>> Susie: CHRIS, WE DON'T WANT

269
00:07:01,688 --> 00:07:02,313
TO DIE!

270
00:07:02,396 --> 00:07:02,854
>> Chris: Shh!

271
00:07:02,938 --> 00:07:04,188
YOU'RE EMBARRASSING US.

272
00:07:04,271 --> 00:07:04,979
[ HORN HONKS ]

273
00:07:05,063 --> 00:07:05,646
>> EXCUSE ME.

274
00:07:05,729 --> 00:07:06,729
WE'VE BEEN WAITING TO DIE FOR

275
00:07:06,813 --> 00:07:07,771
LIKE 45 MINUTES.

276
00:07:07,854 --> 00:07:08,854
>> I'M SORRY. JUST A SECOND.

277
00:07:08,938 --> 00:07:09,396
WE'RE A LITTLE BACKED UP.

278
00:07:09,479 --> 00:07:10,479
>> THIS IS RIDICULOUS.

279
00:07:10,563 --> 00:07:11,271
>> HAVE YOU DECIDED?

280
00:07:11,354 --> 00:07:12,188
>> Chris: YOU KNOW WHAT?

281
00:07:12,271 --> 00:07:13,188
WE'RE JUST GONNA LET YOU

282
00:07:13,271 --> 00:07:13,854
SURPRISE US.

283
00:07:13,938 --> 00:07:14,354
>> DONE.

284
00:07:14,438 --> 00:07:15,313
>> Chris: OKAY, GREAT.

285
00:07:15,396 --> 00:07:16,188
[ HORN HONKS ]

286
00:07:16,271 --> 00:07:17,271
[ BIRDS CHIRPING ]

287
00:07:17,354 --> 00:07:18,188
[ DOOR OPENS ]

288
00:07:18,271 --> 00:07:20,979
>> [ GRUNTING ]

289
00:07:21,063 --> 00:07:21,938
BAND MEETING.

290
00:07:22,021 --> 00:07:25,188
UGH. FIRST, SOME BAD NEWS --

291
00:07:25,271 --> 00:07:28,021
I SENT CHRIS OFF TO KillSpace.

292
00:07:28,104 --> 00:07:28,729
>> WHAT?

293
00:07:28,813 --> 00:07:29,354
>> BUT HE WAS YOUR FRIEND!

294
00:07:29,438 --> 00:07:30,813
>> WHY WOULD YOU DO THAT?

295
00:07:30,896 --> 00:07:31,854
>> I KNOW. I KNOW.

296
00:07:31,938 --> 00:07:32,438
I SOLD HIM OUT.

297
00:07:32,521 --> 00:07:34,063
BUT, IN RETURN, A BIG-TIME

298
00:07:34,146 --> 00:07:37,021
RECORD EXECUTIVE IS GOING TO

299
00:07:37,104 --> 00:07:38,813
PARADISE RISING.

300
00:07:38,896 --> 00:07:39,229
>> [ GRUNTS ]

301
00:07:39,313 --> 00:07:40,396
>> THAT'S GREAT.

302
00:07:40,479 --> 00:07:41,063
>> THAT'S GREAT.

303
00:07:41,146 --> 00:07:41,813
>> [ SQUEAKS ]

304
00:07:41,896 --> 00:07:43,063
>> HAVE YOU TOLD GRINT?

305
00:07:43,146 --> 00:07:44,938
>> BAD NEWS PART TWO --

306
00:07:45,021 --> 00:07:45,813
GRINT IS DEAD.

307
00:07:45,896 --> 00:07:46,438
>> WHAT?!

308
00:07:46,521 --> 00:07:47,063
>> WHAT?!

309
00:07:47,146 --> 00:07:48,063
>> YEAH. I FIGURED THE GUY I

310
00:07:48,146 --> 00:07:49,396
MADE THE DEAL WITH WAS GONNA

311
00:07:49,479 --> 00:07:50,979
KILL ME, SO I HAD GRINT STAND

312
00:07:51,063 --> 00:07:51,771
IN.

313
00:07:51,854 --> 00:07:53,146
>> AND GRINT WAS COOL WITH THAT?

314
00:07:53,229 --> 00:07:54,813
>> UM...

315
00:07:54,896 --> 00:07:55,854
HE INSISTED.

316
00:07:55,938 --> 00:07:57,229
>> THAT DOESN'T SOUND LIKE

317
00:07:57,313 --> 00:07:57,604
GRINT.

318
00:07:57,688 --> 00:07:58,438
>> TO GRINT!

319
00:07:58,521 --> 00:08:00,896
UH, GUYS, RECORD EXEC,

320
00:08:00,979 --> 00:08:02,063
DEMO TAPE?

321
00:08:02,146 --> 00:08:04,271
[ GUNFIRE, SCREAMING IN

322
00:08:04,354 --> 00:08:05,896
DISTANCE ]

323
00:08:05,979 --> 00:08:08,813
>> Chris: TRISH?

324
00:08:08,896 --> 00:08:10,021
AND SHE'S GONE.

325
00:08:10,104 --> 00:08:10,688
[ HORN HONKS ]

326
00:08:10,771 --> 00:08:11,854
>> Susie: CHRIS, WE'RE GONNA DIE

327
00:08:11,938 --> 00:08:12,396
IN THERE.

328
00:08:12,479 --> 00:08:13,354
WE NEED TO TURN AROUND.

329
00:08:13,438 --> 00:08:14,354
>> COME ON!

330
00:08:14,438 --> 00:08:15,896
[ MOTOR WHIRRS ]

331
00:08:15,979 --> 00:08:18,104
OH, YEAH! HERE WE GO!

332
00:08:18,188 --> 00:08:18,604
OH!

333
00:08:20,938 --> 00:08:23,104
>> Chris: AH, FINALLY.

334
00:08:23,188 --> 00:08:25,854
[ MOTOR WHIRRS ]

335
00:08:25,938 --> 00:08:27,896
>> SO YOU HAD GRINT KILLED AND

336
00:08:27,979 --> 00:08:29,521
SENT CHRIS TO HIS DEATH, ON A

337
00:08:29,604 --> 00:08:31,229
PROMISE MADE TO YOU BY A MAN WHO

338
00:08:31,313 --> 00:08:32,229
YOU CORRECTLY GUESSED WOULD TURN

339
00:08:32,313 --> 00:08:34,563
AROUND AND SHOOT YOU AS SOON AS

340
00:08:34,646 --> 00:08:35,438
YOU HELPED HIM?

341
00:08:35,521 --> 00:08:37,021
>> WHAT ARE YOU -- AN IDIOT?

342
00:08:37,104 --> 00:08:38,813
>> NOW, FELLAS, I KNOW IT SOUNDS

343
00:08:38,896 --> 00:08:40,063
LIKE NOT A GREAT PLAN, BUT I

344
00:08:40,146 --> 00:08:43,021
THINK CHRIS IS GONNA BE OKAY.

345
00:08:43,104 --> 00:08:44,313
>> ♪ ALAS, YOU'VE PASSED

346
00:08:44,396 --> 00:08:46,021
THROUGH THE FIENDISH GATE ♪

347
00:08:46,104 --> 00:08:47,771
♪ HEED MY WORDS, LEST YOU SEAL

348
00:08:47,854 --> 00:08:48,438
YOUR FATE ♪

349
00:08:48,521 --> 00:08:49,813
>> Susie: UGH, CAN I AT LEAST

350
00:08:49,896 --> 00:08:50,938
NOT DIE LISTENING TO THIS AWFUL

351
00:08:51,021 --> 00:08:51,479
MUSIC?

352
00:08:51,563 --> 00:08:52,063
>> ♪ BEWARE

353
00:08:52,146 --> 00:08:53,938
THE PORCUPINE OF DOOM ♪

354
00:08:54,021 --> 00:08:55,021
♪ SWERVE LEFT NOW,

355
00:08:55,104 --> 00:08:56,438
LEST YOU FILL YOUR TOMB ♪

356
00:08:56,521 --> 00:08:59,104
>> Susie: AAH! LOOK OUT!

357
00:08:59,188 --> 00:09:00,438
>> Chris: LEFT!

358
00:09:00,521 --> 00:09:01,521
OH MY GOD! THE LYRICS!

359
00:09:01,604 --> 00:09:02,479
>> Susie: YEAH, THEY'RE

360
00:09:02,563 --> 00:09:03,229
TERRIBLE.

361
00:09:03,313 --> 00:09:04,479
>> Chris: NO, IT'S QUINT -- HE'S

362
00:09:04,563 --> 00:09:05,521
TELLING US HOW TO SURVIVE

363
00:09:05,604 --> 00:09:06,021
KillSpace!

364
00:09:06,104 --> 00:09:07,354
>> ♪ THE LAVA MAN

365
00:09:07,438 --> 00:09:08,604
WILL TEAR YOU APART ♪

366
00:09:08,688 --> 00:09:09,313
>> Susie: LAVA MAN!

367
00:09:09,396 --> 00:09:10,563
>> ♪ LEST YOU STOP HIS FLAMING

368
00:09:10,646 --> 00:09:11,188
HEART... ♪

369
00:09:11,271 --> 00:09:12,063
>> Chris: HEART!

370
00:09:12,146 --> 00:09:13,146
>> ♪ ...WHICH IS LOCATED IN HIS

371
00:09:13,229 --> 00:09:13,938
KNEE ♪

372
00:09:14,021 --> 00:09:14,354
>> Chris: KNEE!

373
00:09:14,438 --> 00:09:16,313
>> UGH! MY HEART!

374
00:09:16,396 --> 00:09:18,521
>> Susie: [ BREATHES SHARPLY ]

375
00:09:18,604 --> 00:09:21,188
>> OHH, I'M FADING.

376
00:09:21,271 --> 00:09:22,229
[ MOTOR WHIRRS ]

377
00:09:22,313 --> 00:09:24,063
COME ON OUT.

378
00:09:24,146 --> 00:09:26,479
I GOT SOMETHING I WANT TO SHOW

379
00:09:26,563 --> 00:09:28,313
YOU -- JUST CAME IN --

380
00:09:28,396 --> 00:09:29,979
THE FINAL ARTWORK FOR

381
00:09:30,063 --> 00:09:31,146
PARADISE RISING.

382
00:09:31,229 --> 00:09:33,229
>> WHAT THE HELL?!

383
00:09:33,313 --> 00:09:35,271
"THE QUINT CUSSLER EXPERIENCE"?

384
00:09:35,354 --> 00:09:37,313
WE'RE CALLED DreamPrism.

385
00:09:37,396 --> 00:09:38,979
>> HUH? OH, RIGHT.

386
00:09:39,063 --> 00:09:40,313
I FIGURED, SINCE YOU'RE ALL

387
00:09:40,396 --> 00:09:42,813
TECHNICALLY ME, IT'S A SOLO

388
00:09:42,896 --> 00:09:43,604
PROJECT.

389
00:09:43,688 --> 00:09:44,604
[ CHUCKLES ]

390
00:09:44,688 --> 00:09:46,479
IT WAS GRINT'S IDEA?

391
00:09:46,563 --> 00:09:50,063
>> [ Pitch rises ] NOOOOOOOOO!

392
00:09:50,146 --> 00:09:51,188
>> HYAH!

393
00:09:51,271 --> 00:09:51,771
>> AAH!

394
00:09:51,854 --> 00:09:53,896
MARSHMALLOW! MARSHMALLOW!

395
00:09:53,979 --> 00:09:55,188
>> ♪ THE FISHERMAN'S GHOST TAKES

396
00:09:55,271 --> 00:09:55,688
A FINAL BOW ♪

397
00:09:55,771 --> 00:09:57,021
>> Susie: I HATE THIS.

398
00:09:57,104 --> 00:09:58,063
>> ♪ BUT BEWARE HIS FLYING

399
00:09:58,146 --> 00:09:58,521
BEES ♪

400
00:09:58,604 --> 00:09:59,563
>> Chris: BEES!

401
00:09:59,646 --> 00:10:00,396
>> ♪ DUCK NOW

402
00:10:00,479 --> 00:10:01,104
♪ NOW

403
00:10:01,188 --> 00:10:02,521
>> Chris: OH, THANK YOU, QUINT.

404
00:10:02,604 --> 00:10:03,479
[ Echoing ] THANK YOU!

405
00:10:03,563 --> 00:10:04,979
THANK YOU! THANK YOU! THANK YOU!

406
00:10:05,063 --> 00:10:06,354
>> YOU'RE WELCOME, CHRIS.

407
00:10:06,438 --> 00:10:08,021
>> [ GROWLS ]

408
00:10:08,104 --> 00:10:08,688
>> Susie: I'M SORRY.

409
00:10:08,771 --> 00:10:10,354
I WOULD RATHER DIE THAN LISTEN

410
00:10:10,438 --> 00:10:12,563
TO THIS GARBAGE!

411
00:10:12,646 --> 00:10:13,229
[ SIGHS ]

412
00:10:13,313 --> 00:10:15,021
>> ♪ AND THE WENCH DESTROYED

413
00:10:15,104 --> 00:10:16,354
THE TAPE ♪

414
00:10:16,438 --> 00:10:19,188
♪ BUT THE OTHER TAPE WAS ALREADY

415
00:10:19,271 --> 00:10:21,021
ON ITS WAY TO THE RECORD

416
00:10:21,104 --> 00:10:23,146
EXECUTIVE, I SAY ♪

417
00:10:23,229 --> 00:10:26,396
♪ DID THE FUGITIVES SURVIVE?

418
00:10:26,479 --> 00:10:28,604
♪ DID THEY LEAVE THE KillSpace

419
00:10:28,688 --> 00:10:30,604
ALIVE? ♪

420
00:10:30,688 --> 00:10:32,646
♪ THAT'S A STORY FOR ANOTHER

421
00:10:32,729 --> 00:10:34,021
DAY ♪

422
00:10:34,104 --> 00:10:35,313
>> THIS IS JUST WHAT I'VE BEEN

423
00:10:35,396 --> 00:10:35,896
WAITING FOR.

424
00:10:35,979 --> 00:10:37,521
THIS THING IS REALLY GONNA

425
00:10:37,604 --> 00:10:38,396
SIZZLE AND POP.

426
00:10:38,479 --> 00:10:40,063
TAKE IT UP TO THE TOP FLOOR,

427
00:10:40,146 --> 00:10:41,688
RIGHT AWAY!

428
00:10:46,604 --> 00:10:49,146
[ CLATTERING ]

429
00:10:49,229 --> 00:10:52,396
[ DRAMATIC MUSIC PLAYS ]