1
00:00:11,712 --> 00:00:14,548
[ VIDEO GAME MUSIC PLAYS ]

2
00:00:14,582 --> 00:00:17,484
OKAY, WHOEVER MAKES THIS JUMP
GETS TO CHOOSE LUNCH.

3
00:00:17,517 --> 00:00:18,518
YOU'RE ON!

4
00:00:23,190 --> 00:00:24,257
OHHHHH!

5
00:00:24,291 --> 00:00:26,927
WE'RE GOING
TO WING KINGDOM!

6
00:00:26,960 --> 00:00:28,195
[ SIGHS ]

7
00:00:28,228 --> 00:00:30,564
RIGBY, DID YOU CLEAN OUT
THE GUTTERS YET?

8
00:00:30,598 --> 00:00:32,332
NO WAY.
THAT'S A TWO-MAN JOB.

9
00:00:32,365 --> 00:00:34,001
WHERE'S MORDECAI?

10
00:00:34,034 --> 00:00:35,235
I DON'T KNOW.
I HAVEN'T SEEN HIM.

11
00:00:35,268 --> 00:00:37,004
COME TO THINK OF IT,
I HAVEN'T SEEN HIM

12
00:00:37,037 --> 00:00:39,006
SINCE C.J. DUMPED HIM
AT MUSCLE MAN'S WEDDING.

13
00:00:39,039 --> 00:00:40,340
YEAH, NO ONE HAS.

14
00:00:40,373 --> 00:00:42,175
HE HASN'T COME TO WORK
FOR TWO WEEKS NOW.

15
00:00:42,209 --> 00:00:44,377
I'VE TRIED CALLING,
BUT HE WON'T PICK UP.

16
00:00:44,411 --> 00:00:47,881
WHAT?!
NO, HERE. I'LL CALL HIM.

17
00:00:47,915 --> 00:00:49,883
[ Speed-dialing ]

18
00:00:49,917 --> 00:00:51,619
[ CELLPHONE BUZZING ]

19
00:00:54,254 --> 00:00:55,856
[ BUZZING STOPS ]
HUH.

20
00:00:55,889 --> 00:00:57,190
THAT'S NOT LIKE
MORDECAI.

21
00:00:57,224 --> 00:00:58,626
I CAN'T BELIEVE THIS!

22
00:00:58,659 --> 00:01:01,028
YOU DON'T EVEN KNOW
WHERE YOUR BEST FRIEND IS?

23
00:01:01,061 --> 00:01:03,230
HEY, I'VE BEEN BUSY.

24
00:01:04,064 --> 00:01:05,899
LOOK,
I'M JUST AS CONCERNED ABOUT

25
00:01:05,933 --> 00:01:09,069
THE WELL-BEING OF MY EMPLOYEES
AS ANY PARK MANAGER,

26
00:01:09,102 --> 00:01:11,271
BUT I'VE GOT A BUSINESS
TO RUN HERE.

27
00:01:11,304 --> 00:01:12,539
IF YOU DON'T FIND
MORDECAI

28
00:01:12,572 --> 00:01:14,407
AND BRING HIM BACK TO WORK
BY TOMORROW,

29
00:01:14,441 --> 00:01:16,143
THEN I'M GONNA
HAVE TO FIRE HIM.

30
00:01:16,176 --> 00:01:18,045
WHAT?!
WAIT! I CAN FIND HIM!

31
00:01:18,078 --> 00:01:19,813
WELL, FOR YOUR SAKE,
I HOPE SO.

32
00:01:19,847 --> 00:01:24,117
OTHERWISE, YOU'LL BE CLEANING
THE GUTTERS SOLO FROM NOW ON.

33
00:01:25,252 --> 00:01:27,254
COME ON, MORDECAI.
GIVE ME A CLUE HERE.

34
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[ CELLPHONE RINGS ]

35
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HELLO?

36
00:01:29,489 --> 00:01:31,058
HEY. I CHECKED
WITH MARGARET.

37
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SHE HASN'T SEEN OR HEARD
FROM MORDECAI.

38
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YEAH, HIS PARENTS DON'T KNOW
WHERE HE IS, EITHER.

39
00:01:34,962 --> 00:01:37,765
AND I DON'T THINK HE'D BE
HANGING WITH C.J. ANY TIME SOON.

40
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WELL, GUESS I'LL START PUTTING
UP THESE FLIERS AROUND TOWN.

41
00:01:40,634 --> 00:01:42,235
HOPEFULLY,
100 SHOULD BE ENOUGH.

42
00:01:42,269 --> 00:01:44,004
WELL, I'LL KEEP RIFFLING THROUGH
HIS PERSONAL STUFF

43
00:01:44,037 --> 00:01:45,272
THAT HE DOESN'T LIKE ME
TOUCHING.

44
00:01:45,305 --> 00:01:46,674
SEE YA.
[ CELLPHONE BEEPS ]

45
00:01:47,775 --> 00:01:50,077
[ GRUNTS ]

46
00:01:50,110 --> 00:01:52,112
HUH?

47
00:01:52,880 --> 00:01:56,083
"DEAR, MORDECAI,
STOP WALLOWING IN YOUR LADY WOES

48
00:01:56,116 --> 00:01:57,450
AND COME HAVE SODAS..."

49
00:01:57,484 --> 00:01:59,186
Sad Sax:
"...WITH OTHER SINGLE BROS!

50
00:01:59,219 --> 00:02:01,288
THERE'S A PLACE
WITH HOT SANDY BEACHES

51
00:02:01,321 --> 00:02:02,923
AND AN ALL YOU CAN EAT BUFFET.

52
00:02:02,956 --> 00:02:05,826
SO PICK UP YOUR SAX
AND JAM WITH THE CREW

53
00:02:05,859 --> 00:02:07,795
IN DUMPTOWN U.S.A.!

54
00:02:07,828 --> 00:02:09,462
SIGNED, SAD SAX."

55
00:02:09,496 --> 00:02:11,765
AAH! SAD SAX GUY?
I SHOULD HAVE KNOWN!

56
00:02:11,799 --> 00:02:14,434
AND DUMPTOWN U.S.A.?
THAT SOUNDS SO LAME!

57
00:02:14,467 --> 00:02:16,704
I BET NOBODY'S EVEN
BEEN TO THIS PLACE.

58
00:02:16,737 --> 00:02:18,505
I HAVE.

59
00:02:18,538 --> 00:02:22,042
DUMPTOWN IS A REFUGE FOR GUYS
WHO HAVE RECENTLY BEEN DUMPED,

60
00:02:22,075 --> 00:02:24,544
A PLACE WHERE THEY CAN
FORGET ABOUT THEIR BREAKUPS

61
00:02:24,577 --> 00:02:26,479
AND EMBRACE
THEIR NEWFOUND SINGLEHOOD.

62
00:02:26,513 --> 00:02:28,115
WOW.
THAT'S DEPRESSING.

63
00:02:28,148 --> 00:02:31,151
OH, NO!
DUMPTOWN IS GREAT!

64
00:02:33,420 --> 00:02:35,322
THROUGHOUT MY LIFE,
WHENEVER I GOT DUMPED,

65
00:02:35,355 --> 00:02:36,690
IT WAS THE PERFECT PLACE

66
00:02:36,724 --> 00:02:38,959
TO FORGET ABOUT
ALL MY EX-GIRLFRIENDS.

67
00:02:38,992 --> 00:02:40,060
[ SIGHS ]

68
00:02:40,093 --> 00:02:41,594
ASHLEY WHO?

69
00:02:42,195 --> 00:02:44,231
MONICA WHO?

70
00:02:44,264 --> 00:02:45,966
PATRICIA WHO?

71
00:02:45,999 --> 00:02:47,634
[ Muffled ] LISA WHO?

72
00:02:47,667 --> 00:02:49,636
WHOO-HOO!

73
00:02:49,669 --> 00:02:52,239
AUDREY WHO?!

74
00:02:52,272 --> 00:02:54,674
YEP. GOOD TIMES.

75
00:02:54,708 --> 00:02:57,544
SO GOOD THAT SOME PEOPLE
DON'T EVER LEAVE.

76
00:02:57,577 --> 00:02:59,179
AND I DON'T
BLAME THEM.

77
00:02:59,212 --> 00:03:00,814
OKAY, WELL,
HOW DO I GET THERE?

78
00:03:00,848 --> 00:03:03,216
THE ONLY WAY
YOU CAN GET TO DUMPTOWN

79
00:03:03,250 --> 00:03:04,584
IS TO GET DUMPED.

80
00:03:07,120 --> 00:03:09,089
SO...LET ME
GET THIS STRAIGHT.

81
00:03:09,122 --> 00:03:11,424
YOU...WANT ME
TO DUMP YOU?

82
00:03:11,458 --> 00:03:12,659
YES.

83
00:03:12,692 --> 00:03:15,328
AS IN BREAK UP WITH ME?
YES.

84
00:03:15,362 --> 00:03:18,331
SO YOU CAN BE
MAGICALLY TRANSPORTED

85
00:03:18,365 --> 00:03:19,699
TO A BEACH FULL OF LOSERS

86
00:03:19,733 --> 00:03:22,069
SO MORDECAI
DOESN'T LOSE HIS JOB?

87
00:03:22,102 --> 00:03:23,603
YEAH, THAT'S RIGHT.
NO!

88
00:03:23,636 --> 00:03:25,405
AW, COME ON!
IT'S NOT FOR REALS!

89
00:03:25,438 --> 00:03:26,573
[ SIGHS ] FINE.

90
00:03:26,606 --> 00:03:28,275
RIGBY, IT'S NOT YOU --
IT'S ME.

91
00:03:28,308 --> 00:03:30,377
I THINK
WE SHOULD SEE OTHER PEOPLE.

92
00:03:31,478 --> 00:03:32,712
NOTHING'S HAPPENING.

93
00:03:32,746 --> 00:03:34,281
WELL, PUT SOME MORE FEELING
INTO IT.

94
00:03:34,314 --> 00:03:35,783
IT'S NOT CALLED
GENTLE LETDOWN U.S.A.

95
00:03:35,816 --> 00:03:37,050
I GOT TO GET DUMPED.

96
00:03:37,084 --> 00:03:40,087
[ SIGHS ] WELL, I GUESS
YOU A PRETTY IMMATURE.

97
00:03:40,120 --> 00:03:41,421
GO ON.

98
00:03:41,454 --> 00:03:44,124
YOU DON'T FLOSS
OR BRUSH YOUR TEETH AT ALL.

99
00:03:44,157 --> 00:03:45,125
KEEP GOING.

100
00:03:45,158 --> 00:03:46,927
YOU'RE IRRESPONSIBLE,
LAZY,

101
00:03:46,960 --> 00:03:48,228
YOU NEVER TRY
ANYTHING NEW!

102
00:03:48,261 --> 00:03:49,797
NOW WE'RE TALKING!

103
00:03:49,830 --> 00:03:51,598
I'VE BEEN WANTING TO TRY
THAT NEW ETHIOPIAN PLACE

104
00:03:51,631 --> 00:03:52,732
FOR WEEKS NOW,
AND YOU WON'T --

105
00:03:52,766 --> 00:03:54,267
WHOA! OKAY.
I THINK THAT'S GOOD.

106
00:03:54,301 --> 00:03:56,736
YOU KNOW WHAT?! IT'S OVER!
GET OUT!

107
00:03:56,770 --> 00:03:58,939
CONSIDER YOURSELF DUMPED,
LOSER!

108
00:03:59,739 --> 00:04:00,707
DON'T CALL ME!

109
00:04:00,740 --> 00:04:01,608
[ DOOR SLAMS ]

110
00:04:01,641 --> 00:04:04,044
DID I JUST GET DUMPED
FOR REALS?

111
00:04:04,077 --> 00:04:06,780
[ SLOW JAZZ MUSIC PLAYS ]

112
00:04:06,814 --> 00:04:08,315
PFFT. CHICKS, MAN.

113
00:04:08,348 --> 00:04:09,783
HOW LONG
HAVE YOU BEEN UP THERE?!

114
00:04:09,817 --> 00:04:11,885
BROTHER,
I SAW THE WHOLE THING.

115
00:04:11,919 --> 00:04:13,120
IT WASN'T FOR REALS!

116
00:04:13,153 --> 00:04:14,487
THAT'S WHAT THEY ALL SAY.

117
00:04:14,521 --> 00:04:16,723
LUCKILY, I HAVE
A CONSOLATION PRIZE FOR YOU --

118
00:04:16,756 --> 00:04:20,593
A ONE-WAY TICKET TO A PLACE
TO MAKE THE SAD TIMES GO AWAY.

119
00:04:23,263 --> 00:04:25,565
SO, AM I SUPPOSED TO
TAKE A CAB OR...

120
00:04:25,598 --> 00:04:29,502
[ SAXOPHONE PLAYING ]

121
00:04:29,536 --> 00:04:30,770
HUH?

122
00:04:32,840 --> 00:04:34,774
OOOOOAAAAAAAAH!

123
00:04:37,277 --> 00:04:41,448
THERE SHE IS --
DUMPTOWN U.S.A.

124
00:04:41,481 --> 00:04:42,916
YOU'RE GONNA LOVE IT HERE,
MAN.

125
00:04:42,950 --> 00:04:43,984
I'M NOT HERE FOR ME!

126
00:04:44,017 --> 00:04:45,953
I'M HERE TO FIND
MY FRIEND MORDECAI!

127
00:04:45,986 --> 00:04:47,354
MORDECAI?

128
00:04:47,387 --> 00:04:49,589
OH, YEAH! I BROUGHT HIM HERE
LIKE TWO WEEKS AGO.

129
00:04:49,622 --> 00:04:50,790
YOU KNOW
WHERE I CAN FIND HIM?

130
00:04:50,824 --> 00:04:52,692
WELL, HE'S PROBABLY
ON A FOOD RUN.

131
00:04:52,725 --> 00:04:54,527
THE NEW GUY
ALWAYS GETS THE FOOD.

132
00:04:54,561 --> 00:04:55,963
TRY DUMPTOWN DELI.

133
00:04:58,231 --> 00:05:00,200
ALL RIGHT, MAN,
THIS IS YOU.

134
00:05:00,233 --> 00:05:01,601
WHAT? YOU'RE NOT
COMING WITH ME?

135
00:05:01,634 --> 00:05:02,936
DUMPEES ONLY,
BROTHER.

136
00:05:02,970 --> 00:05:04,972
I'LL CHILL AROUND HERE
UNTIL YOU GET BACK.

137
00:05:05,005 --> 00:05:06,306
[ SAXOPHONE PLAYS ]

138
00:05:06,339 --> 00:05:08,641
UGH!
I HATE THAT SONG!

139
00:05:17,017 --> 00:05:21,454
UGH! EVERYBODY'S ALL GROSS
AND WEARING BATHROBES IN PUBLIC.

140
00:05:21,488 --> 00:05:23,290
EXCUSE ME, SIR,
HAVE YOU SEEN A TALL GUY

141
00:05:23,323 --> 00:05:24,724
BY THE NAME OF MORDECA--

142
00:05:24,757 --> 00:05:25,525
AIEEEEEE!

143
00:05:25,558 --> 00:05:27,961
RIGBY! YOU MADE IT!

144
00:05:27,995 --> 00:05:29,462
GOT DUMPED TOO, HUH?

145
00:05:29,496 --> 00:05:31,798
I KNEW EILEEN COULDN'T TAKE IT
MUCH LONGER.

146
00:05:31,831 --> 00:05:32,832
[ CHUCKLES ]

147
00:05:32,866 --> 00:05:33,833
UGH. WHAT?! NO!

148
00:05:33,867 --> 00:05:35,635
OUR BREAKUP
WASN'T FOR REALS.

149
00:05:35,668 --> 00:05:37,504
THAT'S WHAT THEY ALL SAY.

150
00:05:37,537 --> 00:05:41,008
IT'S TRUE! I JUST CAME HERE
TO BRING YOU BACK TO WORK
SO YOU DON'T GET FIRED!

151
00:05:41,041 --> 00:05:42,642
WORK? PFFT!

152
00:05:42,675 --> 00:05:44,177
LOOK AROUND YOU, MAN.

153
00:05:44,211 --> 00:05:46,546
THIS PLACE
IS A PARADISE.

154
00:05:48,015 --> 00:05:50,817
ALSO, NOW THAT
YOU'RE THE NEW GUY,

155
00:05:50,850 --> 00:05:53,220
I DON'T HAVE TO
PICK UP FOOD ANYMORE!

156
00:05:53,253 --> 00:05:54,254
OHHHH--

157
00:05:54,287 --> 00:05:55,488
[ COUGHS ]

158
00:05:55,522 --> 00:05:57,490
MAYBE I'M NOT
MAKING MYSELF CLEAR HERE.

159
00:05:57,524 --> 00:05:59,526
IF YOU DON'T
GET BACK TO WORK BY TOMORROW,

160
00:05:59,559 --> 00:06:01,161
BENSON'S GONNA FIRE YOU!

161
00:06:01,194 --> 00:06:02,195
[ BELL DINGS ]
ORDER UP!

162
00:06:03,296 --> 00:06:05,933
COME ON, DUDE. WE GOT
PLENTY OF TIME TO GET BACK.

163
00:06:05,966 --> 00:06:09,369
FIRST, YOU GOT TO COME
CHECK OUT THE BEACH HOUSE.

164
00:06:11,271 --> 00:06:14,574
WHASSUP, ROOMIES?!

165
00:06:14,607 --> 00:06:16,043
[ ALL MUTTERING ]

166
00:06:16,076 --> 00:06:18,545
I BROUGHT YOU GUYS
SOME FRENCH DI-I-I-I-PS!

167
00:06:18,578 --> 00:06:19,879
[ ALL GASP ]

168
00:06:25,585 --> 00:06:26,686
[ FLIES BUZZING ]

169
00:06:26,719 --> 00:06:28,455
DUDE, THIS IS
NO WAY TO LIVE.

170
00:06:28,488 --> 00:06:31,124
IT'S THE ONLY WAY
TO LIVE.

171
00:06:35,162 --> 00:06:36,196
EH? EH?

172
00:06:36,229 --> 00:06:37,397
NYAH!

173
00:06:37,430 --> 00:06:39,466
AW, DUDE.
THAT WAS MY BRUNCH.

174
00:06:39,499 --> 00:06:42,035
NOBODY EATS BRUNCH AT HOME!
ONLY LOSERS DO!

175
00:06:42,069 --> 00:06:43,937
COME ON, MAN.
DON'T BE LIKE THAT.

176
00:06:43,971 --> 00:06:47,540
HEY, I KNOW WHAT YOU NEED --
A GRAND TOUR OF DUMPTOWN.

177
00:06:47,574 --> 00:06:49,576
COME ON. THERE'S PLENTY
OF FUN THINGS TO DO.

178
00:06:49,609 --> 00:06:51,211
AREN'T YOU GONNA
CLEAN THAT UP?

179
00:06:51,244 --> 00:06:52,545
NAH.
JEFFREY'S GOT IT.

180
00:06:52,579 --> 00:06:54,247
[ WHEEZING ]

181
00:06:54,281 --> 00:06:57,584
NOW CHOP-CHOP.
DUMPTOWN AWAITS.

182
00:07:36,723 --> 00:07:39,592
Mordecai: BAND PRACTICE!

183
00:07:39,626 --> 00:07:42,629
[ SAXOPHONES PLAYING OFF-KEY ]

184
00:07:44,464 --> 00:07:46,699
HERE, DUDE!
GIVE IT A WHIRL!

185
00:07:46,733 --> 00:07:48,801
NO! I'VE HAD IT
WITH THIS PLACE!

186
00:07:48,835 --> 00:07:51,304
COME ON, MORDECAI. WE'RE GOING
BACK TO THE PARK RIGHT NOW.

187
00:07:51,338 --> 00:07:52,939
YEAH, YEAH.
I'LL GO, I'LL GO.

188
00:07:52,972 --> 00:07:54,841
ALL RIGHT, GUYS,
ONE MORE TIME!

189
00:07:54,874 --> 00:07:56,609
[ INHALES DEEPLY ]
NYAH!

190
00:07:56,643 --> 00:07:57,777
YOU'RE BEING RIDICULOUS!

191
00:07:57,810 --> 00:07:59,512
ALL OF THIS
BECAUSE C.J. DUMPED YOU?

192
00:07:59,546 --> 00:08:01,448
C.J. WHO?

193
00:08:01,481 --> 00:08:02,815
YOU'VE CHANGED, MAN.

194
00:08:02,849 --> 00:08:04,951
I DON'T EVEN KNOW
WHO I'M TALKING TO ANYMORE.

195
00:08:04,984 --> 00:08:07,954
NAH, MAN, YOU DON'T UNDERSTAND.
THIS PLACE IS GOOD FOR ME.

196
00:08:07,987 --> 00:08:10,790
IT'S GIVEN ME A CHANCE
TO RETHINK MY LIFE, YOU KNOW?

197
00:08:10,823 --> 00:08:12,892
LOOK, I KNOW
THINGS HAVE BEEN HARD FOR YOU,

198
00:08:12,925 --> 00:08:14,961
BUT C.J. IS
JUST ONE GIRL, MAN.

199
00:08:14,994 --> 00:08:16,129
THERE'S SO MANY MORE
OUT THERE.

200
00:08:16,163 --> 00:08:17,564
BUT YOU'RE NOT
GONNA MEET THEM

201
00:08:17,597 --> 00:08:18,898
IF YOU'RE TRAPPED
IN THIS PLACE FOREVER.

202
00:08:18,931 --> 00:08:21,134
LOOK, I DON'T SEE
WHAT THE BIG DEAL IS.

203
00:08:21,168 --> 00:08:23,303
I'VE ONLY BEEN HERE
A COUPLE DAYS.

204
00:08:23,336 --> 00:08:24,504
A COUPLE OF DAYS?!

205
00:08:24,537 --> 00:08:26,573
DUDE, YOU'VE BEEN HERE
FOR TWO WEEKS!

206
00:08:26,606 --> 00:08:27,974
WAIT, WHAT?!
NO WAY!

207
00:08:28,007 --> 00:08:30,043
THAT CAN'T BE RIGHT.
I JUST GOT HERE.

208
00:08:30,077 --> 00:08:31,178
RIGHT, GUYS?

209
00:08:31,211 --> 00:08:32,912
YEAH, MAN,
YOU JUST GOT HERE.

210
00:08:32,945 --> 00:08:33,746
1994.

211
00:08:33,780 --> 00:08:34,981
...SEPTEMBER
OR...

212
00:08:35,014 --> 00:08:37,184
STACY WHO?

213
00:08:37,217 --> 00:08:38,051
SEE, DUDE?

214
00:08:38,085 --> 00:08:39,052
EVERYONE IS SO OUT OF IT

215
00:08:39,086 --> 00:08:41,020
BECAUSE THERE'S NO CONCEPT
OF TIME HERE.

216
00:08:41,054 --> 00:08:42,689
YOU'RE WASTING
YOUR LIFE AWAY.

217
00:08:42,722 --> 00:08:43,956
LOOK AT YOURSELF!

218
00:08:45,192 --> 00:08:46,193
[ GASPS ]

219
00:08:47,194 --> 00:08:49,229
[ COUGHS WHEEZILY ]

220
00:08:49,762 --> 00:08:51,598
[ MUTTERS ]

221
00:08:52,232 --> 00:08:53,333
[ WHEEZING ]

222
00:08:53,366 --> 00:08:54,934
[ GASPS ]
YOU'RE RIGHT, DUDE.

223
00:08:54,967 --> 00:08:56,503
I DON'T WANT
TO WIND UP HERE FOREVER.

224
00:08:56,536 --> 00:08:57,504
LET'S GO!

225
00:08:57,537 --> 00:08:58,738
HUP!

226
00:08:58,771 --> 00:08:59,906
HEY!

227
00:08:59,939 --> 00:09:03,510
MORDECAI AND HIS LITTLE BUDDY
RICKY TOOK OFF!

228
00:09:03,543 --> 00:09:05,078
LET'S GET 'EM!

229
00:09:05,112 --> 00:09:07,547
[ BOTH PANTING ]

230
00:09:07,580 --> 00:09:09,782
YOU CAN'T
LEAVE DUMPTOWN!

231
00:09:09,816 --> 00:09:13,353
YEAH! WHO'S GONNA
PICK UP THE FOOD FOR US?!

232
00:09:13,386 --> 00:09:14,521
[ BOTH GRUNT ]

233
00:09:14,554 --> 00:09:16,022
[ INDISTINCT SHOUTING ]

234
00:09:16,055 --> 00:09:17,690
HOW DO WE
GET OUT OF HERE?!

235
00:09:17,724 --> 00:09:19,226
THE DRAWBRIDGE!

236
00:09:22,795 --> 00:09:24,030
WE'RE NOT
GONNA MAKE IT!

237
00:09:24,063 --> 00:09:24,964
LOOK!

238
00:09:27,100 --> 00:09:30,203
HEY, YOU NEED TO SIGN
THE LAZY WHEELZ RENTAL AGREE--

239
00:09:30,237 --> 00:09:31,371
AH, WHATEVER.

240
00:09:31,404 --> 00:09:34,207
[ INDISTINCT SHOUTING ]

241
00:09:34,241 --> 00:09:36,543
DUDE! CAN'T THIS THING
GO ANY FASTER?!

242
00:09:36,576 --> 00:09:37,977
I'M TRYING! I'M TRYING!

243
00:09:38,745 --> 00:09:40,547
THERE THEY GO!

244
00:09:40,580 --> 00:09:42,048
[ BELL CLANGING ]

245
00:09:42,081 --> 00:09:43,916
[ SAXOPHONE PLAYING ]
SAD SAX!

246
00:09:45,084 --> 00:09:46,619
WE'RE NOT
GONNA MAKE IT!

247
00:09:47,454 --> 00:09:48,421
HMM! HMM!

248
00:09:48,455 --> 00:09:50,056
TIME TO LOSE
THESE LOSERS.

249
00:09:50,089 --> 00:09:51,057
[ BEEP ]

250
00:09:51,090 --> 00:09:52,925
[ ALL GROAN ]

251
00:09:55,762 --> 00:09:57,497
HOLD ON!

252
00:09:57,530 --> 00:09:59,832
AAAAAAAAH!AAAAAAAAH!

253
00:09:59,866 --> 00:10:01,801
AAAAAAAAH!AAAAAAAAH!

254
00:10:01,834 --> 00:10:04,237
[ TIRES SCREECH ]

255
00:10:04,271 --> 00:10:06,105
AAAAAH!

256
00:10:06,139 --> 00:10:09,309
WOW. I DON'T THINK I'VE SEEN
ANYONE LEAVE DUMPTOWN LIKE THAT.

257
00:10:09,342 --> 00:10:12,512
MOST GUYS STAY FOR YEARS --
OR NEVER COME BACK AT ALL.

258
00:10:12,545 --> 00:10:14,647
WELL,
I'M READY TO GO HOME.

259
00:10:14,681 --> 00:10:15,815
YOU GOT IT, BROTHER.

260
00:10:15,848 --> 00:10:18,151
[ SAXOPHONE PLAYS ]

261
00:10:21,053 --> 00:10:23,256
OOF!OOF!

262
00:10:23,290 --> 00:10:24,757
[ BOTH GROANING ]

263
00:10:24,791 --> 00:10:26,759
WELCOME BACK
TO THE REAL WORLD, DUDE.

264
00:10:26,793 --> 00:10:27,994
I GUESS.

265
00:10:28,027 --> 00:10:30,129
I ADMIT DUMPTOWN WAS
A PRETTY LAME PLACE.

266
00:10:30,163 --> 00:10:32,665
BUT THINGS WERE DEFINITELY
A LOT SIMPLER THERE.

267
00:10:32,699 --> 00:10:35,168
YOU WANT SIMPLE?
TAKE A BREAK FROM DATING, MAN.

268
00:10:35,202 --> 00:10:36,303
FORGET ABOUT THE CHICKS

269
00:10:36,336 --> 00:10:38,505
AND JUST FOCUS ON
WHAT'S BEST FOR MORDECAI.

270
00:10:38,538 --> 00:10:40,173
YEAH. YOU'RE RIGHT.

271
00:10:40,207 --> 00:10:41,274
WELL, WELL.

272
00:10:41,308 --> 00:10:44,944
LOOK WHO DECIDED
TO FINALLY SHOW UP.

273
00:10:44,977 --> 00:10:47,814
GO TAKE A SHOWER,
BURN THAT BATHROBE,

274
00:10:47,847 --> 00:10:50,717
AND GET BACK TO WORK,
OR YOU'RE FIRED!

275
00:10:50,750 --> 00:10:52,319
OH.
HEY, SAD SAX.

276
00:10:52,352 --> 00:10:53,453
WHAT'S UP, BENSON?

277
00:10:53,486 --> 00:10:55,322
[ CELLPHONE BUZZES, BEEPS ]

278
00:10:55,355 --> 00:10:56,789
EILEEN? IT'S ME.

279
00:10:56,823 --> 00:10:58,891
AM I STILL DUMPED?

280
00:10:58,925 --> 00:11:01,328
AAH! ETHIOPIAN FOOD?!

281
00:11:01,361 --> 00:11:03,029
IT WASN'T FOR REALS!