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>> Mordecai: WH-O-O-O-O-O-OA!

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I BEAT THE WHOLE GAME WITHOUT

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EVEN TAKING A HIT!

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>> Rigby: I COULD'VE DONE THAT.

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>> Pops: MORDECAI, RIGBY!

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HELLO!

7
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WOULD YOU TWO MIND PICKING UP A

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PAINTING FOR ME TODAY?

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>> Rigby: YEAH, SURE, THAT

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SOUNDS FUN!

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>> Mordecai: WHAT'S THE

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OCCASION, POPS?

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>> Pops: TONIGHT'S THE

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HALL OF PARK MANAGER'S ANNUAL

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CELEBRATION, AND BENSON IS

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BEING HONORED!

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>> Rigby: WOW. THEY HAVE A HALL

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FOR EVERYTHING THESE DAYS.

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>> Pops: MM-HMM. YES.

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ALL THE GREATEST PARK MANAGERS

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IN THE TRI-COUNTY AREA HAVE BEEN

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REPRESENTED THERE.

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>> Mordecai: THIS SOUNDS LIKE

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KIND OF A BIG DEAL.

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ARE YOU SURE YOU WANT US TO DO

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IT?

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>> Pops: OF COURSE!

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I TRUST YOU.

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BENSON'S PORTRAIT IS AT A LOCAL

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GALLERY.

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HERE IS THEIR INFORMATION.

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>> Mordecai: WE WON'T LET YOU

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DOWN, POPS.

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>> Pops: SEE YOU AT THE

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CELEBRATION!

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>> Both: PICKING UP A PORTRAIT!

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>> Mordecai: NOPE, NOPE.

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NOPE, NOPE, NOPE, NOPE, NOPE,

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NOPE, NOPE, NOPE, NOPE!

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OH. HOO!

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HI. SORRY WE'RE LATE.

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WE'RE HERE TO PICK UP A

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PAINTING?

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>> I WAS WONDERING WHEN YOU'D

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SHOW UP.

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>> Rigby: SO NO ONE'S SEEN THIS

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PAINTING YET?

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>> Mordecai: NOPE.

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>> Rigby: YOU KNOW, WE COULD SEE

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THIS PAINTING YET.

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>> Mordecai: NOPE.

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>> Rigby: OH, COME ON!

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YOU WENT TO ART SCHOOL!

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DON'T YOU WANT TO SEE BENSON,

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LIKE, INTERPRETED OR...LOOK AT

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THE PAINT...COMPOSITION?

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>> Mordecai: WELL...

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I GUESS THAT COULD BE KIND OF

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COOL.

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>> Rigby: SWEET!

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LET'S RIP 'ER OPEN!

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>> Mordecai: WHOA, DUDE!

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YOU'RE NOT GOING NEAR IT WITH

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THAT PRETZEL.

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>> Rigby: MY HANDS ARE CLEAN.

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CHECK IT OUT.

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ONE FINGER HOLDS THE PRETZEL

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WHILE THE OTHERS DO WHAT I WANT.

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SEE? THAT'S WHY PRETZELS ARE THE

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PERFECT FOOD.

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THEY GOT HANDLES!

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>> Mordecai: OH, NO, DUDE!

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OH, NO, DUDE! OH, NO, DUDE!

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WIPE IT OFF!

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>> Rigby:

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>> Rigby: WE JUST RUINED

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BENSON'S FACE FOR BENSON'S FACE

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THING!

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>> Mordecai: WE'RE FIRED!

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THAT'S IT! WE'RE FIRED!

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>> Rigby: YOU'RE THE ART GUY!

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MAKE US NOT FIRED!

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>> Mordecai: OKAY, THE PARTY'S

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IN SEVEN HOURS.

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HMM.

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MMMM?

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HM-HM! YEP.

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I'M GONNA REPAINT THIS THING.

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>> Rigby: SWEET!

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LET'S GET THIS ARTY STARTED!

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>> Both: WH-O-O-O-O-O-OA!

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>> Mordecai:

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OKAY. BENSON...

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BENSON.

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OKAY. BENSON...

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>> Rigby: UGH! COME ON!

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JUST START ALREADY!

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>> Mordecai: I'M TRYING!

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>> Rigby: WHEN WAS THE LAST TIME

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YOU ACTUALLY DREW SOMETHING?

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>> Mordecai: IT'S A PROCESS,

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MAN!

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IN ART SCHOOL, THEY TAUGHT US TO

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REALLY EXPLORE THE SUBJECT AND

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TAKE TIME TO REALLY UNDERSTAND

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THE DEEPER MEANING.

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>> Rigby:

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COME ON! THIS IS BENSON!

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IT'S NOT HARD.

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MOVE.

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WATCH.

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HE'S ROUND...ANGRY...RED...

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BIG OL' FACE.

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WHATEVER. DONE. PERFECT.

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>> Mordecai: DUDE, THAT'S WAY

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WORSE.

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>> Rigby: AT LEAST I DID

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SOMETHING.

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>> Mordecai: UGH!

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I JUST CAN'T CONCENTRATE WITH

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YOU HERE WATCHING ME.

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>> Rigby: FINE. BUT YOU BETTER

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HAVE SOMETHING DONE WHEN I GET

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BACK.

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>> Mordecai: I WILL!

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ONCE I, LIKE, GET THE LIGHTS

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RIGHT.

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AND THE PAINT'S GOTTA SET...

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WAIT FOR THE...GESSO TO DRY...

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ALL RIGHT.

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TIME TO GET TO BUSINESS.

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JUST GOT TO PICK THE RIGHT

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TUNEAGE.

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>> Rigby: SO, HOW'S IT GOIN'?

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>> Mordecai: DUDE, ANOTHER HOT

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PRETZEL?

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>> Rigby: OF COURSE ANOTHER HOT

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PRETZEL.

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THIS IS WHO I AM NOW.

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DEAL WITH IT.

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ALL RIGHT, LET ME HAVE A LOOK.

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>> Mordecai: UH, NAH.

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IT'S NOT READY YET.

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>> Rigby: COME ON, I WANT TO

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SEE!

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>> Mordecai: IT'S A WORK IN

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PROGRESS.

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>> Rigby: DUDE, YOU LITERALLY

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HAVEN'T DONE ANYTHING!

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>> Mordecai: I SAID IT'S A WORK

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IN PROGRESS!

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>> Rigby:

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SERIOUSLY, MORDECAI, WHAT'S THE

154
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HOLDUP?

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HUNGRY? THIRSTY?

156
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DIDN'T GRADUATE AND ARE A HUGE

157
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LOSER?

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>> Mordecai:

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NO, IT'S NOT THAT.

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>> Rigby: WELL, WHAT IS IT THEN?

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>> Mordecai: IT'S JUST...

162
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ALL RIGHT, LOOK, WHENEVER I

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DREW PORTRAITS IN COLLEGE, IT

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ALWAYS WENT BADLY.

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THEY'D ALWAYS MISINTERPRET IT OR

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GET OFFENDED.

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AND IT WAS JUST TOUGH BECAUSE --

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WHATEVER.

169
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I JUST CAN'T DO PORTRAITS.

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>> Rigby: IT'S OKAY, DUDE.

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I'M SURE YOU CAN CONQUER YOUR

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FEAR.

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YOU REALLY WANT TO LET DOWN THAT

174
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FACE?

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>> Mordecai:

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>> Rigby: I BELIEVE IN YOU, MAN.

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>> Mordecai: ALL RIGHT, I'M

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GONNA TRY A TRICK THAT ALWAYS

179
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WORKED IN ART SCHOOL.

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>> OH, HEY, THERE, FELLOW

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PAINTERS.

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BENNY HARRIS HERE, AND TODAY

183
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I'LL BE SHOWIN' YOU HOW TO

184
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MAKE SOME BEAUTIFUL LITTLE

185
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PORTRAITS.

186
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>> Mordecai: HM. HM.

187
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>> ...AND SOMETIMES WE JUST

188
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GOT TO TAKE OUR ACCIDENTS AND

189
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MAKE 'EM A LITTLE MORE CHIPPER!

190
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CHEER UP, THERE, LITTLE

191
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MUSTACHE!

192
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NOW THAT'S A PLEASANT LITTLE

193
00:04:23,697 --> 00:04:24,965
MUSTACHE WE JUST PAINTED.

194
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>> Mordecai: HM. HM-HM.

195
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>> AND DO YOU KNOW WHY?

196
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>> Mordecai: MNH-MNH.

197
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>> 'CAUSE I PICTURED IT...

198
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IN MY MIND'S EYE.

199
00:04:33,140 --> 00:04:34,308
PENELOPE SURE DOES LOVE IT WHEN

200
00:04:34,308 --> 00:04:35,376
I GET EXISTENTIAL.

201
00:04:35,376 --> 00:04:36,977
>> Mordecai: MIND'S EYE...

202
00:04:39,480 --> 00:04:40,481
>> HEY!

203
00:04:40,481 --> 00:04:43,050
SO, YOU'RE, LIKE, AN ARTIST?

204
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>> Mordecai: YEAH, I MEAN, I'M

205
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IN ART SCHOOL, SO...

206
00:04:45,185 --> 00:04:45,819
HEH.

207
00:04:45,819 --> 00:04:47,488
>> SO, COULD YOU, LIKE, DRAW ME?

208
00:04:47,488 --> 00:04:50,391
>> Mordecai: OH! YEAH, SURE.

209
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>> Mordecai: EULLLL!

210
00:04:56,830 --> 00:04:58,399
EULLLL!

211
00:04:58,399 --> 00:04:59,500
>> RELAX.

212
00:04:59,500 --> 00:05:01,902
THE HUMAN MIND CAN BE A SPOOKY

213
00:05:01,902 --> 00:05:03,404
PLACE, FULL OF ALL YOUR FEARS

214
00:05:03,404 --> 00:05:05,238
AND MEMORIES AND SECRETS.

215
00:05:05,238 --> 00:05:07,007
FOCUS ON THAT THERE SUBJECT.

216
00:05:07,007 --> 00:05:09,843
>> Mordecai: OKAY, OKAY...

217
00:05:11,945 --> 00:05:13,347
>> Mordecai:

218
00:05:13,347 --> 00:05:14,915
>> Benson: HI. I'M BENSON --

219
00:05:14,915 --> 00:05:17,017
YOUR BOSS, FORMER DRUMMER,

220
00:05:17,017 --> 00:05:18,352
STICK-HOCKEY ENTHUSIAST.

221
00:05:18,352 --> 00:05:19,420
>> Mordecai: YEAH.

222
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YEAH! YEAH!

223
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AW. OH.

224
00:05:24,057 --> 00:05:25,292
>> Skips: BENSON, YOU EXCITED

225
00:05:25,292 --> 00:05:26,360
FOR THE PARTY TONIGHT?

226
00:05:26,360 --> 00:05:27,194
>> Benson: YEAH!

227
00:05:27,194 --> 00:05:28,896
IT FEELS REALLY GOOD TO BE GIVEN

228
00:05:28,896 --> 00:05:29,863
THIS HUGE HONOR.

229
00:05:29,863 --> 00:05:30,464
I CAN'T WAIT.

230
00:05:30,464 --> 00:05:31,532
>> Rigby: HEY, MAN, HOW'S IT

231
00:05:31,532 --> 00:05:32,032
GOING?

232
00:05:32,032 --> 00:05:33,133
I ASSUME EVERYTHING'S AWES--

233
00:05:33,133 --> 00:05:34,902
OOOOO-EULLLLL!

234
00:05:34,902 --> 00:05:36,036
>> Mordecai: UGH!

235
00:05:36,036 --> 00:05:37,037
THIS IS HORRIBLE!

236
00:05:37,037 --> 00:05:38,372
I CAN'T SHOW THIS TO BENSON!

237
00:05:38,372 --> 00:05:39,940
>> NOW, I KNOW OUR MIND'S EYE

238
00:05:39,940 --> 00:05:41,241
CAN SOMETIMES GET A LITTLE

239
00:05:41,241 --> 00:05:41,809
MESSY.

240
00:05:41,809 --> 00:05:43,944
WHEN MY THOUGHTS GET CLOGGED UP,

241
00:05:43,944 --> 00:05:46,079
I FIND TAKIN' SOME SLIDES REALLY

242
00:05:46,079 --> 00:05:47,147
INSPIRES MY CREATIVE FLOW.

243
00:05:47,147 --> 00:05:48,281
>> Mordecai: DUDE, THAT'S IT!

244
00:05:48,281 --> 00:05:49,917
I JUST NEED SOME REFERENCE!

245
00:05:49,917 --> 00:05:51,952
>> Rigby: I'M ON IT!

246
00:05:51,952 --> 00:05:52,953
>> Benson: YEAH, I MEAN, AUDREY

247
00:05:52,953 --> 00:05:53,987
AND I AREN'T REALLY CALLING IT A

248
00:05:53,987 --> 00:05:54,388
DATE, BUT --

249
00:05:55,389 --> 00:05:56,390
RIGBY, WHAT ARE YOU DOING?!

250
00:05:56,390 --> 00:05:57,891
STOP! STOP IT!

251
00:05:57,891 --> 00:05:59,059
GET OUT OF MY FACE WITH THAT

252
00:05:59,059 --> 00:06:00,060
CAMERA OR YOU'RE FIRED!

253
00:06:01,895 --> 00:06:02,930
>> Rigby: ALL RIGHT, LET'S GO

254
00:06:02,930 --> 00:06:04,998
GET THESE BABIES DEVELOPED.

255
00:06:04,998 --> 00:06:05,466
OKAY!

256
00:06:05,466 --> 00:06:07,234
LETS SEE WHAT WE GOT HERE.

257
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NICE.

258
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COOL.

259
00:06:09,803 --> 00:06:10,404
BOLD!

260
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>> Mordecai: RIGBY, I CAN'T USE

261
00:06:11,472 --> 00:06:12,239
ANY OF THESE.

262
00:06:12,239 --> 00:06:13,407
>> Rigby: HE MOVES AROUND A LOT!

263
00:06:13,407 --> 00:06:14,475
GOT ALL THAT NERVOUS ENERGY.

264
00:06:14,475 --> 00:06:15,242
>> Mordecai: UGH!

265
00:06:15,242 --> 00:06:16,343
>> Rigby: COME ON! YOU GOT ALL

266
00:06:16,343 --> 00:06:17,845
YOU NEED HERE -- HIS FACE...

267
00:06:17,845 --> 00:06:18,345
HANDS, FEET...

268
00:06:18,345 --> 00:06:19,447
THAT'S HIS -- YOU KNOW, HIS

269
00:06:19,447 --> 00:06:19,947
BUTT.

270
00:06:19,947 --> 00:06:20,981
THAT'S AN IMPORTANT ELEMENT.

271
00:06:20,981 --> 00:06:21,849
>> Mordecai:

272
00:06:21,849 --> 00:06:23,484
YEAH, I GUESS I CAN PIECE IT

273
00:06:23,484 --> 00:06:25,085
TOGETHER.

274
00:06:25,085 --> 00:06:26,119
>> Rigby: YOU'RE DOING IT!

275
00:06:26,119 --> 00:06:27,154
>> Mordecai: DUDE, DON'T JINX

276
00:06:27,154 --> 00:06:27,488
IT.

277
00:06:28,489 --> 00:06:29,490
>> Rigby: HEY, POPS.

278
00:06:29,490 --> 00:06:31,191
>> Pops: YES, HELLO, RIGBY.

279
00:06:31,191 --> 00:06:33,093
IT'S POPS -- YOUR FRIEND POPS

280
00:06:33,093 --> 00:06:34,127
FROM THE PARK.

281
00:06:34,127 --> 00:06:36,029
SAY, I MUST ASK, WHERE'S THE

282
00:06:36,029 --> 00:06:36,964
PORTRAIT?

283
00:06:36,964 --> 00:06:37,965
WE'RE ALL WAITING.

284
00:06:37,965 --> 00:06:39,099
>> Rigby: OH, IT'S GOING GREAT.

285
00:06:39,099 --> 00:06:39,933
GONNA BE GREAT.

286
00:06:39,933 --> 00:06:41,001
EVERYONE'S GONNA LOVE IT!

287
00:06:41,001 --> 00:06:42,269
I THINK THE ARTIST REALLY HAD

288
00:06:42,269 --> 00:06:43,203
SOME BREAKTHROUGHS.

289
00:06:43,203 --> 00:06:44,605
GET YOUR HOPES WAY, WAY UP!

290
00:06:44,605 --> 00:06:45,973
WE'LL BE THERE SOON, VERY SOON!

291
00:06:45,973 --> 00:06:47,140
>> Mordecai: DUDE, WHY'D YOU SAY

292
00:06:47,140 --> 00:06:47,541
ALL THAT?

293
00:06:47,541 --> 00:06:48,609
>> Rigby: IT'S TRUE, RIGHT?

294
00:06:48,609 --> 00:06:49,443
YOU GOT TO BE DONE BY NOW.

295
00:06:49,443 --> 00:06:50,611
>> Mordecai: NO, I STILL GOT TO

296
00:06:50,611 --> 00:06:51,178
FIX THE --

297
00:06:51,178 --> 00:06:52,212
>> Rigby: THERE'S NO TIME!

298
00:06:52,212 --> 00:06:53,113
I'M SURE IT'S FINE!

299
00:06:53,113 --> 00:06:54,214
>> Mordecai: SERIOUSLY, IT'S NOT

300
00:06:54,214 --> 00:06:55,015
READY YET!

301
00:06:55,015 --> 00:06:56,183
AND GET THAT STUPID PRETZEL AWAY

302
00:06:56,183 --> 00:06:56,884
FROM IT!

303
00:06:56,884 --> 00:06:57,618
>> Rigby: I'M SORRY BUT,

304
00:06:57,618 --> 00:06:58,619
SERIOUSLY, WE HAVE TO GO NOW!

305
00:06:58,619 --> 00:06:59,853
>> Mordecai: BUT THEY'RE GONNA

306
00:06:59,853 --> 00:07:00,287
HATE IT!

307
00:07:00,287 --> 00:07:01,121
NO!

308
00:07:01,121 --> 00:07:03,190
>> Rigby: UNH!

309
00:07:04,124 --> 00:07:04,558
HMM.

310
00:07:04,558 --> 00:07:06,126
SOMETHING WEIRD NORMALLY HAPPENS

311
00:07:06,126 --> 00:07:08,496
WHEN THAT HAPPENS.

312
00:07:08,496 --> 00:07:10,397
OH, NO! MY DIPPING SAUCE!

313
00:07:11,965 --> 00:07:13,967
>> Both:

314
00:07:15,302 --> 00:07:16,504
>> Mordecai: WHAT IS THAT?

315
00:07:18,972 --> 00:07:20,073
>> Mordecai: DUDE, ARE THOSE

316
00:07:20,073 --> 00:07:21,475
YOUR HORRIBLE SLIDES?

317
00:07:21,475 --> 00:07:23,076
>> WE'RE HORRIBLE?

318
00:07:23,076 --> 00:07:24,478
YOU CALL THIS ART?

319
00:07:24,478 --> 00:07:25,579
>> Mordecai: WHAT DO YOU MEAN?

320
00:07:25,579 --> 00:07:26,980
THIS PORTRAIT LOOKS NOTHING LIKE

321
00:07:26,980 --> 00:07:27,347
ME!

322
00:07:27,347 --> 00:07:28,482
>> Mordecai: YEAH, IT DOES!

323
00:07:28,482 --> 00:07:29,883
I MEAN, KIND OF.

324
00:07:29,883 --> 00:07:31,485
>> YOU'VE RUINED EVERYTHING!

325
00:07:31,485 --> 00:07:33,386
>> DESTROY THE PAINTING!

326
00:07:35,322 --> 00:07:36,990
>> Mordecai: AAH!

327
00:07:36,990 --> 00:07:37,891
>> Rigby: NO!

328
00:07:37,891 --> 00:07:39,359
MORDECAI IS GOOD AT ART!

329
00:07:40,994 --> 00:07:42,429
>> RIGBY'S NOT AN ARTIST!

330
00:07:42,429 --> 00:07:44,431
YOU CAN'T TRUST HIS OPINION!

331
00:07:44,431 --> 00:07:46,333
>> Mordecai: HE'S MY FRIEND!

332
00:07:46,333 --> 00:07:49,036
>> EXACTLY!

333
00:07:49,036 --> 00:07:50,170
GIVE ME THAT CUBIST TRASH!

334
00:07:50,170 --> 00:07:53,040
>> Rigby: AAH!

335
00:07:53,040 --> 00:07:54,007
UNH!

336
00:07:54,007 --> 00:07:55,175
MORDECAI, THERE'S NO TIME!

337
00:07:55,175 --> 00:07:58,211
WE HAVE TO GET TO THE PARTY!

338
00:07:58,211 --> 00:07:59,680
THEIR PUNCHES ARE LIKE PAPER

339
00:07:59,680 --> 00:08:02,049
CUTS!

340
00:08:02,049 --> 00:08:03,517
YOU'RE JUST ANOTHER SLACKER WHO

341
00:08:03,517 --> 00:08:05,185
WENT TO ART SCHOOL TO FEEL LIKE

342
00:08:05,185 --> 00:08:06,587
HE ACCOMPLISHED SOMETHING!

343
00:08:06,587 --> 00:08:07,955
>> Mordecai: HUNH!

344
00:08:09,356 --> 00:08:10,457
>> Both: BENNY HARRIS!

345
00:08:10,457 --> 00:08:11,358
>> WELL, HEY, THERE!

346
00:08:11,358 --> 00:08:12,392
>> Mordecai: WHAT SHOULD WE DO?

347
00:08:12,392 --> 00:08:14,595
>> I ALWAYS SAY USE WHAT YOU SEE

348
00:08:14,595 --> 00:08:16,196
IN YOUR MIND'S EYE.

349
00:08:16,196 --> 00:08:17,464
>> Mordecai: DUDE, THAT DIDN'T

350
00:08:17,464 --> 00:08:18,065
WORK!

351
00:08:18,065 --> 00:08:18,932
>> WHO CARES?

352
00:08:18,932 --> 00:08:20,300
WHAT'S MORE IMPORTANT IS THAT

353
00:08:20,300 --> 00:08:21,301
YOU MADE SOMETHING.

354
00:08:21,301 --> 00:08:22,570
THAT'S MORE THAN MOST PEOPLE CAN

355
00:08:22,570 --> 00:08:23,203
SAY.

356
00:08:23,203 --> 00:08:24,204
LOOK AT THAT GUY.

357
00:08:24,204 --> 00:08:25,272
HE PROBABLY NEVER MADE ANYTHING

358
00:08:25,272 --> 00:08:25,973
IN HIS LIFE.

359
00:08:25,973 --> 00:08:27,407
>> Rigby: HEY! HUNH!

360
00:08:27,407 --> 00:08:28,475
>> Mordecai: BUT THE PAINTING'S

361
00:08:28,475 --> 00:08:29,209
ALL WRONG.

362
00:08:29,209 --> 00:08:29,943
I MESSED IT UP!

363
00:08:29,943 --> 00:08:31,144
NOW BENSON'S NIGHT IS GONNA BE

364
00:08:31,144 --> 00:08:31,478
RUINED.

365
00:08:31,478 --> 00:08:33,080
>> WELL, SOMETIMES WE GOT TO

366
00:08:33,080 --> 00:08:34,615
TAKE OUR ACCIDENTS AND MAKE THEM

367
00:08:34,615 --> 00:08:36,249
A LITTLE MORE CHIPPER.

368
00:08:36,249 --> 00:08:37,484
>> Mordecai: BUT HOW DOES THAT

369
00:08:37,484 --> 00:08:38,586
STOP THE BENSONS?

370
00:08:39,486 --> 00:08:40,487
JUST PAINT OVER THEM.

371
00:08:40,487 --> 00:08:41,488
THEY'RE SLIDES.

372
00:08:41,488 --> 00:08:44,124
>> Mordecai: OH. COOL.

373
00:08:44,124 --> 00:08:45,492
>> MIGHT AS WELL JUST GIVE UP

374
00:08:45,492 --> 00:08:46,093
NOW!

375
00:08:46,093 --> 00:08:47,494
YOU COULDN'T USE A PAINTBRUSH TO

376
00:08:47,494 --> 00:08:48,328
SAVE YOUR LIFE!

377
00:08:48,328 --> 00:08:49,663
>> Mordecai: WELL, THEN, I WON'T

378
00:08:49,663 --> 00:08:51,531
USE A PAINTBRUSH.

379
00:08:56,970 --> 00:09:00,240
>> Rigby:

380
00:09:00,240 --> 00:09:03,644
>> Mordecai: HM.

381
00:09:03,644 --> 00:09:08,115
>> Rigby: AAH!

382
00:09:10,417 --> 00:09:11,418
YE-A-A-A-A-AH!

383
00:09:11,418 --> 00:09:12,753
>> YOU'RE MAKING A MESS!

384
00:09:12,753 --> 00:09:19,593
CLEAN IT UP OR YOU'RE FIRED!

385
00:09:20,628 --> 00:09:21,595
>> Rigby: WE DID IT!

386
00:09:21,595 --> 00:09:22,596
>> Mordecai: THANKS FOR YOUR

387
00:09:22,596 --> 00:09:24,097
HELP, BENNY HARRIS'S GHOST...OR

388
00:09:24,097 --> 00:09:26,266
HOLOGRAM OR ASTRAL PROJECTION OR

389
00:09:26,266 --> 00:09:26,767
WHATEVER.

390
00:09:26,767 --> 00:09:27,668
>> NO PROBLEMO!

391
00:09:27,668 --> 00:09:29,136
DON'T BE A STRANGER, NOW!

392
00:09:29,136 --> 00:09:33,273
AND REMEMBER TO REW-I-I-I-I-IND!

393
00:09:33,273 --> 00:09:35,508
>> Mordecai: HOW DOES IT LOOK?

394
00:09:38,378 --> 00:09:39,212
WAIT.

395
00:09:39,212 --> 00:09:42,015
HELP ME FLIP IT OVER.

396
00:09:42,015 --> 00:09:43,216
GOOD ENOUGH. LET'S ROLL.

397
00:09:45,452 --> 00:09:47,554
>> AND NOW, TO WELCOME OUR

398
00:09:47,554 --> 00:09:50,123
NEWEST MEMBER, MR. POPS, WOULD

399
00:09:50,123 --> 00:09:52,559
YOU PLEASE PRESENT THE PORTRAIT?

400
00:09:52,559 --> 00:09:55,128
>> Pops:

401
00:09:55,128 --> 00:09:56,163
>> Benson: YOU DIDN'T HAVE

402
00:09:56,163 --> 00:09:57,230
MORDECAI AND RIGBY DO IT, DID

403
00:09:57,230 --> 00:09:57,631
YOU?

404
00:09:57,631 --> 00:09:59,499
>> Pops: WELL...

405
00:10:00,400 --> 00:10:01,702
>> WHO ARE THOSE TWO?

406
00:10:01,702 --> 00:10:03,136
THIS IS MOST UNUSUAL!

407
00:10:03,136 --> 00:10:04,171
>> Mordecai: WE BROUGHT THE

408
00:10:04,171 --> 00:10:04,571
PAINTING.

409
00:10:04,571 --> 00:10:06,073
AND...WE'RE SORRY.

410
00:10:06,073 --> 00:10:08,141
WE MESSED IT UP.

411
00:10:08,141 --> 00:10:09,176
BUT I TRIED TO...

412
00:10:09,176 --> 00:10:10,510
WELL...I HOPE YOU LIKE IT

413
00:10:10,510 --> 00:10:11,178
ANYWAY.

414
00:10:11,178 --> 00:10:12,245
SORRY IF IT WASN'T WHAT YOU

415
00:10:12,245 --> 00:10:13,681
WANTED.

416
00:10:17,584 --> 00:10:18,719
>> Mordecai: UH...

417
00:10:18,719 --> 00:10:22,422
DUDE! FLIP IT OVER!

418
00:10:22,422 --> 00:10:23,156
>> OH.

419
00:10:23,156 --> 00:10:24,491
>> THAT'S LOVELY.

420
00:10:24,491 --> 00:10:25,592
I UNDERSTAND IF YOU WANT TO

421
00:10:25,592 --> 00:10:26,359
FIRE ME.

422
00:10:26,359 --> 00:10:27,594
>> Benson: FIRE YOU?

423
00:10:27,594 --> 00:10:28,829
I THINK IT'S GREAT!

424
00:10:28,829 --> 00:10:31,064
THE BRUSH WORK, THE COMPOSITION,

425
00:10:31,064 --> 00:10:32,432
THE RAW ENERGY!

426
00:10:32,432 --> 00:10:33,667
PERFECTLY CAPTURED MY

427
00:10:33,667 --> 00:10:35,335
MISUNDERSTOOD PERSONALITY!

428
00:10:35,335 --> 00:10:36,670
YOU'RE ACTUALLY A REALLY GREAT

429
00:10:36,670 --> 00:10:37,738
ARTIST, MORDECAI.

430
00:10:37,738 --> 00:10:38,839
>> Mordecai: THANKS.

431
00:10:38,839 --> 00:10:40,340
>> UH, YES, YES, I LOVE IT,

432
00:10:40,340 --> 00:10:41,341
TOO.

433
00:10:41,341 --> 00:10:42,342
BUT I'M SORRY.

434
00:10:42,342 --> 00:10:45,112
THIS ABSTRACT, UNCONVENTIONAL

435
00:10:45,112 --> 00:10:46,613
PIECE JUST ISN'T APPROPRIATE FOR

436
00:10:46,613 --> 00:10:47,848
A "HALL" SETTING.

437
00:10:47,848 --> 00:10:49,249
WE'LL HAVE TO COMMISSION A NEW

438
00:10:49,249 --> 00:10:49,750
PORTRAIT.

439
00:10:49,750 --> 00:10:50,851
>> Rigby: YOU'RE NOT EVEN GONNA

440
00:10:50,851 --> 00:10:52,219
USE MORDECAI'S COOL ONE?

441
00:10:52,219 --> 00:10:53,353
>> Benson: THAT'S OKAY.

442
00:10:53,353 --> 00:10:57,290
I KNOW JUST THE PLACE FOR IT.

443
00:10:59,727 --> 00:11:00,861
WHY DID I HAVE MORDECAI AND

444
00:11:00,861 --> 00:11:02,362
RIGBY HANG IT?

445
00:11:42,169 --> 00:11:44,304
>> SO, FOR YOUR FINAL PROJECT, I

446
00:11:44,304 --> 00:11:47,007
THOUGHT WE'D DO SOMETHING FUN --

447
00:11:47,007 --> 00:11:48,308
A MUSIC VIDEO.

448
00:11:50,143 --> 00:11:52,112
PROJECTS ARE DUE AT THE END OF

449
00:11:52,112 --> 00:11:52,913
THE WEEK.

450
00:11:52,913 --> 00:11:56,016
GOOD LUCK.

451
00:11:56,917 --> 00:11:58,318
>> Eileen: UM, MR. MURPHY, WHAT

452
00:11:58,318 --> 00:11:59,920
EXACTLY ARE YOU LOOKING FOR IN

453
00:11:59,920 --> 00:12:00,788
THE ASSIGNMENT?

454
00:12:00,788 --> 00:12:02,255
I WANT TO DO A GOOD JOB SO I CAN

455
00:12:02,255 --> 00:12:03,190
PASS THE CLASS.

456
00:12:03,190 --> 00:12:05,092
>> DON'T ASK ME WHAT I'M LOOKING

457
00:12:05,092 --> 00:12:06,259
FOR, EILEEN.

458
00:12:06,259 --> 00:12:08,929
ASK YOU WHAT YOU'RE LOOKING FOR

459
00:12:08,929 --> 00:12:11,164
IN HERE, BECAUSE MAKING A GOOD

460
00:12:11,164 --> 00:12:13,466
FILM TAKES MORE THAN WHAT YOU

461
00:12:13,466 --> 00:12:16,136
HAVE UP HERE.

462
00:12:17,170 --> 00:12:18,171
>> Mordecai: NO WAY.

463
00:12:18,171 --> 00:12:19,472
NAME ME ONE REMAKE THAT'S BETTER

464
00:12:19,472 --> 00:12:20,340
THAN THE ORIGINAL.

465
00:12:20,340 --> 00:12:21,174
>> UH, HELLO.

466
00:12:21,174 --> 00:12:21,842
OBVIOUSLY,

467
00:12:21,842 --> 00:12:23,010
"SUMMER CAMP SLASH DOWN."

468
00:12:23,010 --> 00:12:24,477
THE ORIGINAL WAS TOTALLY SHOT IN

469
00:12:24,477 --> 00:12:25,478
SOME GUY'S BACKYARD.

470
00:12:25,478 --> 00:12:26,446
>> Mordecai: WHAT?

471
00:12:26,446 --> 00:12:27,881
THAT WAS A PREQUEL, NOT A

472
00:12:27,881 --> 00:12:28,315
REMAKE.

473
00:12:28,315 --> 00:12:29,783
>> YOUR FACE IS A REMAKE.

474
00:12:29,783 --> 00:12:31,284
>> Rigby: OH, BURN!

475
00:12:31,284 --> 00:12:32,352
>> Mordecai: THAT DOESN'T EVEN

476
00:12:32,352 --> 00:12:33,020
MAKE SENSE.

477
00:12:33,020 --> 00:12:33,887
>> Eileen: HEY, GUYS.

478
00:12:33,887 --> 00:12:34,521
REFILLS? REFILLS?

479
00:12:34,521 --> 00:12:35,856
>> Mordecai: EILEEN, THAT'S THE

480
00:12:35,856 --> 00:12:37,057
THIRD TIME YOU'VE TOPPED US OFF.

481
00:12:37,057 --> 00:12:38,158
>> Rigby: YEAH. WHAT GIVES?

482
00:12:38,158 --> 00:12:39,359
>> Eileen: WELL, THERE'S KIND OF

483
00:12:39,359 --> 00:12:40,794
THIS FAVOR I WANTED TO ASK YOU

484
00:12:40,794 --> 00:12:41,194
GUYS.

485
00:12:41,194 --> 00:12:42,830
LOOK, I GOT TO MAKE A MUSIC

486
00:12:42,830 --> 00:12:44,197
VIDEO FOR MY INTRODUCTORY

487
00:12:44,197 --> 00:12:45,966
FILMMAKING CLASS, WHICH I ONLY

488
00:12:45,966 --> 00:12:47,534
TOOK BECAUSE I'M REQUIRED TO TO

489
00:12:47,534 --> 00:12:48,235
GRADUATE.

490
00:12:48,235 --> 00:12:50,003
BUT I DON'T KNOW THE FIRST THING

491
00:12:50,003 --> 00:12:51,238
ABOUT THIS KIND OF STUFF.

492
00:12:51,238 --> 00:12:52,539
YOU GUYS ARE SO CREATIVE.

493
00:12:52,539 --> 00:12:53,473
CAN YOU HELP ME?

494
00:12:53,473 --> 00:12:54,875
>> Rigby: CAN WE BE IN IT?

495
00:12:54,875 --> 00:12:55,809
>> Eileen: SURE.

496
00:12:55,809 --> 00:12:58,011
>> Rigby: OH, YEAH, WE CAN HELP.

497
00:12:58,011 --> 00:12:58,879
>> Mordecai: YEAH.

498
00:12:58,879 --> 00:13:00,080
WE WATCH TONS OF MUSIC VIDEOS.

499
00:13:00,080 --> 00:13:01,348
WE KNOW ALL ABOUT THIS STUFF.

500
00:13:01,348 --> 00:13:02,515
>> SOUNDS LIKE A LOT OF FUN,

501
00:13:02,515 --> 00:13:03,050
EILEEN.

502
00:13:03,050 --> 00:13:04,084
>> Eileen: WELL, SUPER.

503
00:13:04,084 --> 00:13:05,385
I'M SO GLAD YOU GUYS ARE UP FOR

504
00:13:05,385 --> 00:13:05,853
IT.

505
00:13:05,853 --> 00:13:07,154
I FIGURED THIS KIND OF THING WAS

506
00:13:07,154 --> 00:13:08,155
UP YOUR ALLEY ANYWAYS.

507
00:13:08,155 --> 00:13:08,822
>> Both: PSH!

508
00:13:08,822 --> 00:13:09,522
>> Rigby: YOU'LL GET AN

509
00:13:09,522 --> 00:13:10,824
AUTOMATIC "A" WITH US HELPING

510
00:13:10,824 --> 00:13:11,158
YOU OUT.

511
00:13:11,158 --> 00:13:13,226
>> Mordecai: AUTOMATIC "A."

512
00:13:13,226 --> 00:13:14,361
>> Both: AUTOMATIC "A."

513
00:13:14,361 --> 00:13:15,829
GONNA BLOW YOUR CLASS AWAY.

514
00:13:15,829 --> 00:13:16,396
AUTOMATIC "A."

515
00:13:16,396 --> 00:13:18,531
MAKE THE TEACHER SAY "HEY!"

516
00:13:20,901 --> 00:13:22,102
>> Eileen: ALL RIGHT, I MAY NOT

517
00:13:22,102 --> 00:13:23,236
KNOW MUCH ABOUT MUSIC VIDEOS,

518
00:13:23,236 --> 00:13:24,271
BUT FROM WHAT I GATHER, THE

519
00:13:24,271 --> 00:13:25,873
COOLEST ONES HAVE DANCING IN

520
00:13:25,873 --> 00:13:27,207
THEM, AND IT JUST SO HAPPENS

521
00:13:27,207 --> 00:13:28,508
I'VE PUT TOGETHER A LITTLE

522
00:13:28,508 --> 00:13:29,409
ROUTINE.

523
00:13:29,409 --> 00:13:31,178
NOW, FOLLOW MY LEAD.

524
00:13:31,178 --> 00:13:32,946
5, 6, 7, 8.

525
00:13:32,946 --> 00:13:35,115
STEP, STEP, REACH, AND UP.

526
00:13:35,115 --> 00:13:35,548
>> OH, MAN.

527
00:13:35,548 --> 00:13:36,583
>> Eileen: NO, YOU'RE GETTING

528
00:13:36,583 --> 00:13:37,084
IT.

529
00:13:37,084 --> 00:13:38,852
KEEP GOING.

530
00:13:45,893 --> 00:13:47,928
OKAY, NOW, STEP TO YOUR LEFT.

531
00:13:47,928 --> 00:13:49,897
ARM, ARM, JUMP.

532
00:13:49,897 --> 00:13:51,531
LEFT. LEFT.

533
00:13:51,531 --> 00:13:52,966
>> Rigby: OH, THE OTHER LEFT.

534
00:13:52,966 --> 00:13:54,201
>> Eileen: THERE'S ONLY ONE

535
00:13:54,201 --> 00:13:54,935
LEFT, RIGBY.

536
00:13:54,935 --> 00:13:58,038
>> Rigby: I GOT IT. I GOT IT.

537
00:13:58,038 --> 00:13:59,139
>> Eileen: ALL RIGHT, YOU GUYS,

538
00:13:59,139 --> 00:13:59,907
ARE NAILING IT.

539
00:13:59,907 --> 00:14:02,109
I THINK WE'RE READY TO RECORD.

540
00:14:02,109 --> 00:14:02,976
>> Mordecai: WAIT.

541
00:14:02,976 --> 00:14:04,044
YOU'RE GONNA FILM HERE?

542
00:14:04,044 --> 00:14:05,045
>> Eileen: YEAH. WHY?

543
00:14:05,045 --> 00:14:06,313
>> Mordecai: THE PARK'S JUST...

544
00:14:06,313 --> 00:14:07,614
>> Rigby: ...SO BORING.

545
00:14:07,614 --> 00:14:09,216
>> Eileen: I LIKE THE PARK.

546
00:14:09,216 --> 00:14:10,450
THERE'S A SIMPLE CHARM.

547
00:14:10,450 --> 00:14:11,885
>> Mordecai: I GUESS.

548
00:14:11,885 --> 00:14:13,153
BUT WOULDN'T IT BE COOLER ON,

549
00:14:13,153 --> 00:14:14,421
I DON'T KNOW, A MOUNTAINTOP?

550
00:14:14,421 --> 00:14:15,923
>> Rigby: OR ON THE BACK OF A

551
00:14:15,923 --> 00:14:16,456
MOVING TRUCK?

552
00:14:16,456 --> 00:14:17,958
>> Mordecai: OR BOTH AT ONCE?

553
00:14:17,958 --> 00:14:19,126
>> Rigby: AND IT'S ON FIRE!

554
00:14:19,126 --> 00:14:20,127
WHOO-WHOOSH!

555
00:14:20,127 --> 00:14:21,228
>> Mordecai: WE'D STILL DO YOUR

556
00:14:21,228 --> 00:14:22,129
DANCE, JUST IN FRONT OF

557
00:14:22,129 --> 00:14:23,063
SOMETHING AWESOME.

558
00:14:23,063 --> 00:14:24,331
EITHER WAY, IT'S TOTALLY UP TO

559
00:14:24,331 --> 00:14:24,631
YOU.

560
00:14:24,631 --> 00:14:25,465
>> SOUNDS FUN.

561
00:14:25,465 --> 00:14:26,566
>> Eileen: WELL...

562
00:14:26,566 --> 00:14:28,501
WHOA, YOU GUYS WERE RIGHT!

563
00:14:28,501 --> 00:14:30,470
WHAT AN IMPRESSIVE VISTA.

564
00:14:30,470 --> 00:14:31,138
>> YEAH.

565
00:14:31,138 --> 00:14:32,105
GOOD CALL, GUYS.

566
00:14:32,105 --> 00:14:33,573
>> Rigby: GOOD CALLS ARE WHAT

567
00:14:33,573 --> 00:14:34,307
I'M ALL ABOUT.

568
00:14:34,307 --> 00:14:35,642
>> Mordecai: LIKE THAT GOOD CALL

569
00:14:35,642 --> 00:14:36,977
YOU MADE WHEN YOU ATE THAT

570
00:14:36,977 --> 00:14:38,111
SANDWICH OFF THE SIDEWALK?

571
00:14:38,111 --> 00:14:39,446
>> Rigby: HEY, THE SIDEWALK ADDS

572
00:14:39,446 --> 00:14:39,980
FLAVOR.

573
00:14:39,980 --> 00:14:41,148
>> SO DO PORTABLE TOILETS.

574
00:14:42,282 --> 00:14:44,151
>> Rigby: OH, BURN!

575
00:14:44,151 --> 00:14:47,988
>> Eileen: ALL RIGHT, PLACES.

576
00:14:51,624 --> 00:14:53,093
>> Rigby: WAIT, WAIT, STOP.

577
00:14:53,093 --> 00:14:53,426
STOP.

578
00:14:53,426 --> 00:14:54,594
>> Eileen: WHAT'S WRONG?

579
00:14:54,594 --> 00:14:55,462
>> Rigby: WHOA.

580
00:14:55,462 --> 00:14:56,096
IDEA.

581
00:14:56,096 --> 00:14:57,931
LIGHTNING BOLT, LIKE, RIGHT

582
00:14:57,931 --> 00:14:58,331
HERE.

583
00:14:58,331 --> 00:14:59,166
CHECK IT.

584
00:14:59,166 --> 00:15:00,667
WE KEEP DANCING, BUT THE

585
00:15:00,667 --> 00:15:02,469
BACKGROUND KEEPS CHANGING.

586
00:15:02,469 --> 00:15:03,636
BOOM! THE ARCTIC.

587
00:15:03,636 --> 00:15:04,938
BOOM! A VOLCANO.

588
00:15:04,938 --> 00:15:06,106
BOOM! OUTER SPACE.

589
00:15:06,106 --> 00:15:08,108
>> Mordecai: DUDE, YOU JUST BLEW

590
00:15:08,108 --> 00:15:08,608
MY MIND.

591
00:15:08,608 --> 00:15:10,310
>> Eileen: THAT SOUNDS REALLY

592
00:15:10,310 --> 00:15:10,944
COMPLICATED.

593
00:15:10,944 --> 00:15:12,012
>> Rigby: JUST FIX IT IN POST.

594
00:15:12,012 --> 00:15:13,113
>> DO YOU EVEN KNOW WHAT THAT

595
00:15:13,113 --> 00:15:13,380
MEANS?

596
00:15:13,380 --> 00:15:14,447
>> Rigby: NO, BUT THEY SAY IT

597
00:15:14,447 --> 00:15:15,515
ALL THE TIME IN THOSE "MAKING

598
00:15:15,515 --> 00:15:16,283
OF" DOCUMENTARIES.

599
00:15:16,283 --> 00:15:17,284
>> Mordecai: YOU'RE GOOD AT

600
00:15:17,284 --> 00:15:18,218
TECHNICAL STUFF, EILEEN.

601
00:15:18,218 --> 00:15:19,119
IT CAN'T BE THAT HARD.

602
00:15:19,119 --> 00:15:19,987
>> Eileen: ALL RIGHT.

603
00:15:19,987 --> 00:15:21,054
IF YOU THINK I CAN DO IT, THEN

604
00:15:21,054 --> 00:15:22,289
LET'S GO FOR IT!

605
00:15:22,289 --> 00:15:25,125
>> Rigby: YEAH! UP HIGH, EILEEN.

606
00:15:45,478 --> 00:15:47,680
>> Eileen: CUT! CUT!

607
00:15:47,680 --> 00:15:49,149
UH, WHAT ARE YOU GUYS WEARING?

608
00:15:49,149 --> 00:15:50,050
>> Rigby: COSTUMES.

609
00:15:50,050 --> 00:15:51,218
ALL THE COOLEST MUSIC VIDEOS

610
00:15:51,218 --> 00:15:51,684
HAVE THEM.

611
00:15:51,684 --> 00:15:52,719
>> Mordecai: TOO MUCH?

612
00:15:52,719 --> 00:15:53,320
TOO MUCH?

613
00:15:53,320 --> 00:15:54,354
>> Eileen: WELL, YEAH.

614
00:15:54,354 --> 00:15:55,588
YOU BOTH LOOK INSANE.

615
00:15:55,588 --> 00:15:57,490
>> Mordecai: HEY, SOMETIMES YOU

616
00:15:57,490 --> 00:15:59,392
GOT TO GO INSANE TO OUTSANE THE

617
00:15:59,392 --> 00:15:59,993
SANE.

618
00:15:59,993 --> 00:16:01,228
YOU KNOW WHAT I'M SANE-ING?

619
00:16:01,228 --> 00:16:02,029
>> Eileen: NO.

620
00:16:02,029 --> 00:16:03,330
LOOK, I THINK WE SHOULD JUST

621
00:16:03,330 --> 00:16:04,164
KEEP IT SIMPLE.

622
00:16:04,164 --> 00:16:05,532
LESS IS MORE IS THE WAY TO GO.

623
00:16:05,532 --> 00:16:07,000
>> Rigby: WHY NOT GO MORE IS

624
00:16:07,000 --> 00:16:07,267
MORE?

625
00:16:07,267 --> 00:16:08,568
>> BUT WON'T IT LOOK WEIRD WITH

626
00:16:08,568 --> 00:16:09,602
JUST YOU TWO IN COSTUME?

627
00:16:09,602 --> 00:16:11,104
>> Mordecai: WE'RE WAY AHEAD OF

628
00:16:11,104 --> 00:16:12,572
YOU.

629
00:16:12,572 --> 00:16:14,041
>> Eileen: HOW DO YOU EVEN DANCE

630
00:16:14,041 --> 00:16:14,407
IN THIS?

631
00:16:14,407 --> 00:16:16,676
>> Mordecai: ANY WAY YOU CAN.

632
00:16:16,676 --> 00:16:18,178
>> Eileen:

633
00:16:18,178 --> 00:16:18,578
OKAY.

634
00:16:18,578 --> 00:16:20,247
ONCE MORE, FROM THE TOP.

635
00:16:20,247 --> 00:16:22,382
5, 6, 7, 8.

636
00:16:22,382 --> 00:16:23,183
>> Rigby: HI, EILEEN.

637
00:16:23,183 --> 00:16:23,750
>> Eileen:

638
00:16:23,750 --> 00:16:24,251
CUT!

639
00:16:24,251 --> 00:16:25,285
WHAT THE HECK IS THAT?

640
00:16:25,285 --> 00:16:27,754
>> Rigby: GENUINE ZEBRA HEAD.

641
00:16:27,754 --> 00:16:28,721
DON'T WORRY. IT'S NOT REAL.

642
00:16:29,422 --> 00:16:30,523
>> Eileen: RIGBY, I DON'T THINK

643
00:16:30,523 --> 00:16:31,191
WE NEED PROPS.

644
00:16:31,191 --> 00:16:31,724
>> Rigby:

645
00:16:31,724 --> 00:16:32,592
DON'T LISTEN TO HER.

646
00:16:32,592 --> 00:16:33,760
>> Mordecai: LOOK, WHY DON'T WE

647
00:16:33,760 --> 00:16:35,062
JUST TRY A COUPLE TAKES WITH

648
00:16:35,062 --> 00:16:36,263
PROPS, AND IF YOU DON'T LIKE IT,

649
00:16:36,263 --> 00:16:37,430
YOU CAN JUST TAKE IT OUT LATER.

650
00:16:37,430 --> 00:16:38,065
NO BIGGIE.

651
00:16:38,065 --> 00:16:39,132
>> Rigby: THOUGH YOU WOULD BE

652
00:16:39,132 --> 00:16:40,367
TAKING OUT THE MOST AWESOME PART

653
00:16:40,367 --> 00:16:41,068
OF THE VIDEO.

654
00:16:41,068 --> 00:16:42,035
>> Eileen: I DON'T KNOW.

655
00:16:42,035 --> 00:16:43,603
>> LOOK, EILEEN, THIS IS YOUR

656
00:16:43,603 --> 00:16:44,371
PROJECT.

657
00:16:44,371 --> 00:16:46,739
IS THIS WHAT YOU WANT?

658
00:16:46,739 --> 00:16:48,208
>> Eileen: YES.

659
00:16:48,208 --> 00:16:49,109
WELL, NO.

660
00:16:49,109 --> 00:16:51,478
I MEAN, IT'S NOT WHAT I THOUGHT,

661
00:16:51,478 --> 00:16:53,080
BUT I GUESS IT'S COOL.

662
00:16:53,080 --> 00:16:54,114
>> Rigby: SOLD!

663
00:16:54,114 --> 00:16:55,315
PROPS TO THE PROPS.

664
00:16:55,315 --> 00:16:56,749
>> Eileen:

665
00:17:17,670 --> 00:17:18,438
WHAT'S UP?

666
00:17:18,438 --> 00:17:20,107
>> HEY, JUST WANTED TO MAKE SURE

667
00:17:20,107 --> 00:17:20,640
YOU'RE OKAY.

668
00:17:20,640 --> 00:17:22,175
YOU SEEMED KIND OF FRAZZLED BACK

669
00:17:22,175 --> 00:17:23,143
AT THE VIDEO SHOOT.

670
00:17:23,143 --> 00:17:24,477
>> Eileen: WELL, MAYBE A LITTLE.

671
00:17:24,477 --> 00:17:26,113
MORDECAI AND RIGBY HAVE A LOT OF

672
00:17:26,113 --> 00:17:26,446
IDEAS.

673
00:17:26,446 --> 00:17:27,780
>> JUST DON'T LET THEM STEAMROLL

674
00:17:27,780 --> 00:17:28,481
YOU, OKAY?

675
00:17:28,481 --> 00:17:29,616
>> Eileen: OH, IT'S FINE.

676
00:17:29,616 --> 00:17:31,118
MY FRIEND MARCUS FROM CLASS IS

677
00:17:31,118 --> 00:17:32,319
COMING OVER TO HELP ME EDIT

678
00:17:32,319 --> 00:17:32,685
TONIGHT.

679
00:17:32,685 --> 00:17:33,486
>> Cool.

680
00:17:33,486 --> 00:17:34,754
Well, good luck.

681
00:17:38,091 --> 00:17:38,658
>> Both: SURPRISE!

682
00:17:38,658 --> 00:17:39,659
>> Eileen: WHAT ARE YOU GUYS

683
00:17:39,659 --> 00:17:40,260
DOING HERE?!

684
00:17:40,260 --> 00:17:41,328
>> Mordecai: WE'RE HERE TO HELP

685
00:17:41,328 --> 00:17:41,661
YOU EDIT.

686
00:17:41,661 --> 00:17:42,695
>> Eileen: BUT I ALREADY HAVE A

687
00:17:42,695 --> 00:17:43,696
FRIEND COMING BY TO HELP ME.

688
00:17:43,696 --> 00:17:44,664
>> Mordecai: OH, THAT DUDE,

689
00:17:44,664 --> 00:17:45,198
MARCUS?

690
00:17:45,198 --> 00:17:45,698
WE SENT HIM HOME.

691
00:17:45,698 --> 00:17:46,366
>> Rigby: YEAH.

692
00:17:46,366 --> 00:17:47,634
WE EVEN GAVE HIM A SLICE OF THIS

693
00:17:47,634 --> 00:17:48,368
PIZZA WE BROUGHT.

694
00:17:48,368 --> 00:17:49,336
IT'S THE GOOD STUFF --

695
00:17:49,336 --> 00:17:50,103
POPPA GREAZEOS.

696
00:17:50,103 --> 00:17:51,204
>> Mordecai: NO NEED TO THANK

697
00:17:51,204 --> 00:17:51,504
US.

698
00:17:51,504 --> 00:17:52,539
>> Eileen: LOOK, MY PROJECT IS

699
00:17:52,539 --> 00:17:53,506
DUE TOMORROW MORNING.

700
00:17:53,506 --> 00:17:54,441
I DON'T HAVE MUCH TIME.

701
00:17:54,441 --> 00:17:55,342
>> Mordecai: EXACTLY.

702
00:17:55,342 --> 00:17:56,443
THREE PEOPLE WILL MAKE IT GO

703
00:17:56,443 --> 00:17:57,177
FASTER THAN ONE.

704
00:17:57,177 --> 00:17:58,378
>> Rigby: WE'LL CRANK THIS PUPPY

705
00:17:58,378 --> 00:17:59,312
OUT IN NO TIME.

706
00:17:59,312 --> 00:18:00,680
COME ON, EILEEN.

707
00:18:00,680 --> 00:18:01,681
I'M GETTING COLD.

708
00:18:01,681 --> 00:18:02,815
LET ME IN AND EAT ME!

709
00:18:02,815 --> 00:18:04,117
>> Eileen: ALL RIGHT.

710
00:18:04,117 --> 00:18:05,152
>> Both: WHOO!

711
00:18:05,152 --> 00:18:07,687
EDIT! EDIT! EDIT!

712
00:18:07,687 --> 00:18:09,356
EDIT! EDIT! EDIT!

713
00:18:09,356 --> 00:18:10,390
>> Eileen: LET ME JUST OPEN

714
00:18:10,390 --> 00:18:11,191
EDITMAX PRO.

715
00:18:11,191 --> 00:18:12,492
I THINK THERE'S SOME COOL

716
00:18:12,492 --> 00:18:13,460
FEATURES IN HERE.

717
00:18:13,460 --> 00:18:14,861
>> Rigby: WHAT'S A STAR WIPE?

718
00:18:16,163 --> 00:18:17,364
>> Both: WHOA.

719
00:18:17,364 --> 00:18:18,398
>> Mordecai: WE'VE GOT TO USE

720
00:18:18,398 --> 00:18:18,698
THAT.

721
00:18:18,698 --> 00:18:19,699
>> Eileen: I DON'T THINK WE

722
00:18:19,699 --> 00:18:20,533
REALLY NEED IT, DO WE?

723
00:18:20,533 --> 00:18:21,534
>> Mordecai: OH, WE NEED THE

724
00:18:21,534 --> 00:18:22,169
STAR WIPE.

725
00:18:22,169 --> 00:18:23,203
>> Rigby: WE TOTALLY NEED THE

726
00:18:23,203 --> 00:18:23,536
STAR WIPE.

727
00:18:23,536 --> 00:18:24,371
>> Eileen:

728
00:18:24,371 --> 00:18:27,207
LOOK, LET'S JUST GET STARTED.

729
00:18:54,701 --> 00:18:55,435
>> MORNING.

730
00:18:55,435 --> 00:18:56,836
>> Eileen: C.J., WHAT ARE YOU

731
00:18:56,836 --> 00:18:57,570
DOING HERE?

732
00:18:57,570 --> 00:18:59,239
>> I WANTED TO SEE HOW THE VIDEO

733
00:18:59,239 --> 00:18:59,739
TURNED OUT.

734
00:18:59,739 --> 00:19:00,707
>> Eileen: OH, NO.

735
00:19:00,707 --> 00:19:01,741
IS IT TOMORROW TODAY?

736
00:19:01,741 --> 00:19:02,909
I STILL HAVE TO FINISH IT.

737
00:19:02,909 --> 00:19:04,344
>> Mordecai: NO, YOU DON'T,

738
00:19:04,344 --> 00:19:05,578
'CAUSE WE'RE DONE.

739
00:19:05,578 --> 00:19:06,413
>> Both: YOU ARE?

740
00:19:06,413 --> 00:19:07,447
>> Rigby: IT JUST FINISHED

741
00:19:07,447 --> 00:19:07,914
RENDERING.

742
00:19:07,914 --> 00:19:09,249
>> Mordecai: ALL RIGHT, GET

743
00:19:09,249 --> 00:19:11,618
READY TO HAVE YOUR MINDS BLOWN.

744
00:19:23,596 --> 00:19:25,832
CAW-CAW! CAW-CAW!

745
00:19:30,303 --> 00:19:31,871
>> Rigby: GENUINE

746
00:19:31,871 --> 00:19:36,075
ZEBRA H-E-E-E-E-AD!

747
00:19:45,618 --> 00:19:47,454
GENUINE ZEBRA HEA...

748
00:19:50,323 --> 00:19:51,491
>> UM...

749
00:19:51,491 --> 00:19:53,226
>> Rigby: OH, WHO MADE THIS

750
00:19:53,226 --> 00:19:53,760
GARBAGE?

751
00:19:53,760 --> 00:19:54,927
>> Mordecai: DUDE, WE DID.

752
00:19:54,927 --> 00:19:55,928
>> Rigby: OH, YEAH.

753
00:19:55,928 --> 00:19:57,464
I KNEW WE SHOULD HAVE USED MORE

754
00:19:57,464 --> 00:19:57,797
ZEBRA.

755
00:19:57,797 --> 00:19:59,299
>> Eileen: THIS IS TERRIBLE.

756
00:19:59,299 --> 00:20:00,267
I CAN'T TURN THIS IN.

757
00:20:00,267 --> 00:20:01,301
>> I THOUGHT YOU GUYS KNEW

758
00:20:01,301 --> 00:20:02,502
EVERYTHING ABOUT MUSIC VIDEOS.

759
00:20:02,502 --> 00:20:03,770
>> Rigby: YEAH, WATCHING THEM,

760
00:20:03,770 --> 00:20:04,804
NOT MAKI THEM.

761
00:20:04,804 --> 00:20:06,406
>> Mordecai: EILEEN, I HATE TO

762
00:20:06,406 --> 00:20:07,740
SAY THIS, BUT YOU'RE PROBABLY

763
00:20:07,740 --> 00:20:08,641
GONNA FAIL...

764
00:20:08,641 --> 00:20:09,776
FAIL...

765
00:20:09,776 --> 00:20:10,410
FAIL...

766
00:20:10,410 --> 00:20:11,411
FAIL.

767
00:20:11,411 --> 00:20:12,745
>> Eileen: I-I'VE NEVER FAILED A

768
00:20:12,745 --> 00:20:13,646
CLASS IN MY LIFE.

769
00:20:13,646 --> 00:20:14,814
>> Rigby: EH, IT GETS EASIER

770
00:20:14,814 --> 00:20:15,982
AFTER THE FIRST FEW TIMES.

771
00:20:15,982 --> 00:20:16,916
>> Eileen:

772
00:20:16,916 --> 00:20:17,984
>> Mordecai: SORRY, EILEEN.

773
00:20:17,984 --> 00:20:19,419
>> Rigby: YEAH, SORRY WE MESSED

774
00:20:19,419 --> 00:20:19,986
THIS UP FOR YOU.

775
00:20:19,986 --> 00:20:21,421
>> WELL, THERE'S STILL AN HOUR

776
00:20:21,421 --> 00:20:21,688
LEFT.

777
00:20:21,688 --> 00:20:22,655
WE CAN RE-EDIT IT.

778
00:20:22,655 --> 00:20:24,324
>> Eileen: RE-EDITING THIS ISN'T

779
00:20:24,324 --> 00:20:25,325
GONNA MAKE IT WORK.

780
00:20:25,325 --> 00:20:26,526
THINK, EILEEN.

781
00:20:26,526 --> 00:20:27,294
THINK.

782
00:20:27,294 --> 00:20:29,596
>> DON'T ASK ME WHAT I'M LOOKING

783
00:20:29,596 --> 00:20:30,663
FOR, EILEEN.

784
00:20:30,663 --> 00:20:33,600
ASK YOU WHAT YOU'RE LOOKING FOR

785
00:20:33,600 --> 00:20:35,435
IN HERE.

786
00:20:35,435 --> 00:20:36,836
>> Eileen: THERE'S ONLY ONE WAY

787
00:20:36,836 --> 00:20:37,870
I CAN MAKE THIS WORK.

788
00:20:37,870 --> 00:20:40,840
EILEEN'S WAY.

789
00:20:40,840 --> 00:20:42,008
ALL RIGHT, THIS IS WHAT WE'RE

790
00:20:42,008 --> 00:20:42,675
GONNA DO.

791
00:20:42,675 --> 00:20:43,876
WE'RE GONNA STICK TO THE DANCE

792
00:20:43,876 --> 00:20:45,712
ROUTINE, LIKE I PLANNED, AND

793
00:20:45,712 --> 00:20:48,315
WE'RE GONNA SHOOT IT ALL IN ONE

794
00:20:48,315 --> 00:20:50,450
TAKE WITHOUT STOPPING FOR

795
00:20:50,450 --> 00:20:50,883
ANYTHING.

796
00:20:50,883 --> 00:20:52,519
>> Rigby: BUT THAT'S IMPOSSIBLE.

797
00:20:52,519 --> 00:20:53,686
>> Eileen: NO, IT ISN'T.

798
00:20:53,686 --> 00:20:55,355
I DID THE MATH, AND IT'S TOTALLY

799
00:20:55,355 --> 00:20:55,855
POSSIBLE.

800
00:20:55,855 --> 00:20:58,558
JUST DANCE FROM HERE.

801
00:20:58,558 --> 00:20:59,726
NOW, PLACES.

802
00:20:59,726 --> 00:21:01,861
ACTION.

803
00:22:06,726 --> 00:22:07,894
>> Mordecai: SO, HOW'D YOU DO?

804
00:22:07,894 --> 00:22:09,796
>> Eileen: AUTOMATIC "A."

805
00:22:09,796 --> 00:22:11,864
>> All: WHOA!

806
00:22:11,864 --> 00:22:12,965
>> Eileen: NO, "A."

807
00:22:12,965 --> 00:22:14,834
>> All: "A!"