1 00:00:04,087 --> 00:00:07,424 - PREVIOUSLY ON 2 00:00:04,087 --> 00:00:07,424 "MYSTERY, INCORPORATED..." 3 00:00:07,466 --> 00:00:10,135 - THERE IT IS-- 4 00:00:07,466 --> 00:00:10,135 THE UNDERSEA TOWN! 5 00:00:10,177 --> 00:00:12,304 - I THINK THAT'S 6 00:00:10,177 --> 00:00:12,304 THE LOST TOWN OF MISSIONARIES 7 00:00:12,346 --> 00:00:14,515 THAT DISAPPEARED 8 00:00:12,346 --> 00:00:14,515 ABOUT 300 YEARS AGO. 9 00:00:14,556 --> 00:00:18,185 - THERE IS NO ESCAPE! 10 00:00:18,226 --> 00:00:21,522 NIBIRU... 11 00:00:21,563 --> 00:00:22,940 - IT SOUNDED LIKE... 12 00:00:21,563 --> 00:00:22,940 - NIBIRU. 13 00:00:22,982 --> 00:00:25,359 MY FAVORITE 14 00:00:22,982 --> 00:00:25,359 INTERNET ENCYCLOPEDIA SAYS 15 00:00:25,400 --> 00:00:28,111 THE NIBIRU COLLISION IS 16 00:00:25,400 --> 00:00:28,111 A DISASTROUS ENCOUNTER 17 00:00:28,153 --> 00:00:30,698 BETWEEN THE EARTH 18 00:00:28,153 --> 00:00:30,698 AND A LARGE PLANETARY OBJECT. 19 00:00:30,739 --> 00:00:34,827 I HAVE COBBLED TOGETHER 20 00:00:30,739 --> 00:00:34,827 A RUDIMENTARY PLAYER FOR 21 00:00:30,739 --> 00:00:34,827 THE PLANOSPHERIC DISC. 22 00:00:34,869 --> 00:00:36,871 - [ALL GASP] NIBIRU! 23 00:00:36,912 --> 00:00:38,288 - DOOMSDAY! 24 00:00:38,330 --> 00:00:41,542 - NIBIRU. 25 00:00:38,330 --> 00:00:41,542 [LAUGHTER] 26 00:00:48,215 --> 00:00:49,800 [CRICKETS] 27 00:00:49,842 --> 00:00:52,928 - WELCOME, 28 00:00:49,842 --> 00:00:52,928 VOLUNTEER STAGE HANDS. 29 00:00:52,970 --> 00:00:56,139 THANKS TO YOUR COURT-ORDERED 30 00:00:52,970 --> 00:00:56,139 COMMUNITY SERVICE, 31 00:00:56,181 --> 00:00:58,183 YOU GET TO BE A PART OF 32 00:00:56,181 --> 00:00:58,183 THIS YEARLY TRADITION 33 00:00:58,225 --> 00:01:01,562 WHERE WE THEATRICALLY RECREATE 34 00:00:58,225 --> 00:01:01,562 SOMETHING HORRID 35 00:01:01,603 --> 00:01:04,606 FROM OUR CITY'S 36 00:01:01,603 --> 00:01:04,606 SORDID PAST. 37 00:01:05,900 --> 00:01:07,568 AND WHAT COULD BE 38 00:01:05,900 --> 00:01:07,568 MORE HORRID 39 00:01:07,609 --> 00:01:10,612 THAN THAT NIGHT 40 00:01:07,609 --> 00:01:10,612 500 YEARS AGO 41 00:01:10,654 --> 00:01:12,280 WHEN A TERRIFYING EARTHQUAKE 42 00:01:12,322 --> 00:01:14,616 SENT THE FIRST TOWN 43 00:01:12,322 --> 00:01:14,616 OF CRYSTAL COVE 44 00:01:14,658 --> 00:01:16,702 SINKING INTO THE SEA? 45 00:01:16,744 --> 00:01:19,705 ALL WOULD HAVE PERISHED 46 00:01:16,744 --> 00:01:19,705 IF IT WEREN'T FOR 47 00:01:16,744 --> 00:01:19,705 THE BRAVE EFFORTS 48 00:01:19,747 --> 00:01:22,165 OF FRIAR GABRIELLO SERRA 49 00:01:22,207 --> 00:01:24,877 AND HIS TRUSTY DONKEY PORTO. 50 00:01:24,919 --> 00:01:27,086 AND I'M VERY PLEASED 51 00:01:24,919 --> 00:01:27,086 TO ANNOUNCE 52 00:01:27,128 --> 00:01:29,840 THAT THE ROLE OF FRIAR SERRA 53 00:01:27,128 --> 00:01:29,840 WILL BE PLAYED BY 54 00:01:29,882 --> 00:01:34,135 NONE OTHER THAN 55 00:01:29,882 --> 00:01:34,135 CRYSTAL COVE HIGH'S 56 00:01:29,882 --> 00:01:34,135 MASTER THESPIAN 57 00:01:34,177 --> 00:01:36,137 DOOGLE McGINNIS! 58 00:01:39,474 --> 00:01:41,393 - TA! HOW'S EVERYBODY DOING? 59 00:01:41,435 --> 00:01:43,938 - WELL, DOOGLE, 60 00:01:41,435 --> 00:01:43,938 READY TO REHEARSE? 61 00:01:43,979 --> 00:01:45,522 - CHA! YOU BET! 62 00:01:45,564 --> 00:01:47,816 BUT, UM, 63 00:01:45,564 --> 00:01:47,816 WHAT'S WITH THE DEAD GUY? 64 00:01:47,858 --> 00:01:50,819 - BURLINGTON LIBRARY SENT OVER 65 00:01:47,858 --> 00:01:50,819 GENUINE ARTIFACTS 66 00:01:50,861 --> 00:01:53,196 TO HELP LEND OUR PRODUCTION 67 00:01:50,861 --> 00:01:53,196 AUTHENTICITY, 68 00:01:53,238 --> 00:01:57,200 INCLUDING THE MUMMIFIED BODY 69 00:01:53,238 --> 00:01:57,200 OF FRIAR SERRA HIMSELF. 70 00:01:57,242 --> 00:01:58,953 ISN'T THAT WONDERFUL? 71 00:01:58,994 --> 00:02:00,037 [CLICKS] 72 00:02:00,079 --> 00:02:02,081 WHAT HAPPENED 73 00:02:00,079 --> 00:02:02,081 TO THE LIGHTS? 74 00:02:02,122 --> 00:02:03,665 [CREAKS] 75 00:02:02,122 --> 00:02:03,665 [HISSING] 76 00:02:03,707 --> 00:02:07,502 - [LOW ROARING] 77 00:02:07,544 --> 00:02:08,963 - AAH! AH! 78 00:02:09,004 --> 00:02:11,214 - [ALL SCREAMING] 79 00:02:11,256 --> 00:02:12,967 - [GROWLS] 80 00:02:11,256 --> 00:02:12,967 - [BOTH GASP] 81 00:02:13,008 --> 00:02:15,761 - [ROARS] 82 00:02:15,803 --> 00:02:18,388 - [BOTH SCREAMING] 83 00:02:23,560 --> 00:02:26,021 - [GRUNTING AND WHIMPERING] 84 00:02:26,063 --> 00:02:27,856 - [ROARS] 85 00:02:27,898 --> 00:02:29,357 - [SCREAMS] 86 00:02:29,399 --> 00:02:31,735 - [GROWLS] 87 00:02:33,153 --> 00:02:34,947 [SNARLS] 88 00:02:33,153 --> 00:02:34,947 - [SCREAMS] 89 00:02:37,783 --> 00:02:42,496 - ANYONE WHO DARES TELL MY STORY 90 00:02:37,783 --> 00:02:42,496 IS DOOMED! 91 00:03:14,235 --> 00:03:16,404 - SCOOBY-DOOBY-DOO! 92 00:03:33,254 --> 00:03:35,757 - UP THE SERVANT STAIRCASE, 93 00:03:33,254 --> 00:03:35,757 QUICK! 94 00:03:37,258 --> 00:03:39,053 - BUT DAPHNE, 95 00:03:37,258 --> 00:03:39,053 YOU DON'T HAVE TO DO THIS. 96 00:03:39,094 --> 00:03:40,470 - YES, FRED, I DO. 97 00:03:40,512 --> 00:03:41,847 YOU CAN'T KEEP LIVING 98 00:03:40,512 --> 00:03:41,847 BY THE RIVER 99 00:03:41,889 --> 00:03:43,306 IN THE MYSTERY MACHINE. 100 00:03:43,348 --> 00:03:44,808 YOU'RE BEGINNING TO...SMELL. 101 00:03:44,850 --> 00:03:46,101 - BUT I'VE BEEN USING 102 00:03:44,850 --> 00:03:46,101 MY HOBO SOAP. 103 00:03:46,143 --> 00:03:47,602 - HOBO SOAP? 104 00:03:47,644 --> 00:03:49,021 - A PINE CONE DIPPED 105 00:03:47,644 --> 00:03:49,021 IN DEER SWEAT 106 00:03:49,063 --> 00:03:50,647 AND SCENTED 107 00:03:49,063 --> 00:03:50,647 WITH FERRET MUSK. 108 00:03:50,689 --> 00:03:52,649 - BLECH. 109 00:03:52,691 --> 00:03:54,568 - [SNIFFS] HMM. 110 00:03:57,571 --> 00:03:58,906 - WHOA. 111 00:04:02,076 --> 00:04:04,244 - YOU AND NOVA SHOULD BE 112 00:04:02,076 --> 00:04:04,244 OK IN HERE. 113 00:04:04,285 --> 00:04:06,914 BATHROOM'S IN THERE. 114 00:04:04,285 --> 00:04:06,914 THERE'S REAL SOAP IN THE SHOWER. 115 00:04:06,955 --> 00:04:08,665 USE IT. 116 00:04:08,707 --> 00:04:11,126 - I'LL VISIT YOU 117 00:04:08,707 --> 00:04:11,126 EVERY DAY. 118 00:04:12,419 --> 00:04:13,879 [BELL DINGS] 119 00:04:13,921 --> 00:04:15,630 - LIKE, IT'S A TEXT 120 00:04:13,921 --> 00:04:15,630 FROM VINCENT VAN GHOUL. 121 00:04:15,672 --> 00:04:17,799 - WHAT DOES IT SAY? 122 00:04:17,841 --> 00:04:19,426 "HEEP"? 123 00:04:19,467 --> 00:04:20,969 WHAT THE HECK'S THAT MEAN? 124 00:04:21,011 --> 00:04:22,804 - I MEANT TO TYPE "HELP." 125 00:04:22,846 --> 00:04:25,306 I'M NO GOOD WITH 126 00:04:22,846 --> 00:04:25,306 THESE NEW-FANGLED GADGETS. 127 00:04:25,348 --> 00:04:27,559 BUT I WAS IN 128 00:04:25,348 --> 00:04:27,559 SUCH A PANICKED STATE... 129 00:04:27,601 --> 00:04:30,104 MAYOR NETTLES CALLED 130 00:04:27,601 --> 00:04:30,104 AND ASKED ME TO TAKE 131 00:04:27,601 --> 00:04:30,104 OVER THE PLAY. 132 00:04:30,145 --> 00:04:33,356 EVIDENTLY, THE DIRECTOR 133 00:04:30,145 --> 00:04:33,356 AND THE STAR SUDDENLY QUIT. 134 00:04:33,398 --> 00:04:35,067 OBVIOUSLY, 135 00:04:33,398 --> 00:04:35,067 I JUMPED AT THE CHANCE. 136 00:04:35,109 --> 00:04:37,027 I'M A GREAT SUPPORTER 137 00:04:35,109 --> 00:04:37,027 OF AMATEUR DRAMATICS. 138 00:04:37,069 --> 00:04:40,363 AND TRUTH BE TOLD, 139 00:04:37,069 --> 00:04:40,363 MY CAREER COULD USE A GOOSE. 140 00:04:40,405 --> 00:04:43,951 BUT WHEN I ARRIVE, 141 00:04:40,405 --> 00:04:43,951 I FIND THE SET'S BEEN DESTROYED. 142 00:04:43,992 --> 00:04:46,411 AND WORSE, 143 00:04:43,992 --> 00:04:46,411 THE ONLY COPY OF THE SCRIPT 144 00:04:46,453 --> 00:04:48,789 HAS BEEN RIPPED 145 00:04:46,453 --> 00:04:48,789 TO PIECES! 146 00:04:48,830 --> 00:04:51,416 WHAT AM I TO DO? 147 00:04:48,830 --> 00:04:51,416 [CRYING] 148 00:04:51,458 --> 00:04:53,043 - DON'T WORRY, 149 00:04:51,458 --> 00:04:53,043 MR. VAN GHOUL. 150 00:04:53,085 --> 00:04:54,294 - WE'LL HELP YOU. 151 00:04:54,335 --> 00:04:56,504 - WE WILL? 152 00:04:54,335 --> 00:04:56,504 - WE WILL. 153 00:04:56,546 --> 00:04:59,091 AFTER ALL THE TIMES 154 00:04:56,546 --> 00:04:59,091 YOU GUYS HAVE GOTTEN 155 00:04:56,546 --> 00:04:59,091 SCOOBY AND I IN TROUBLE, 156 00:04:59,133 --> 00:05:01,509 YOU OWE US. 157 00:04:59,133 --> 00:05:01,509 - BIG TIME. 158 00:05:01,551 --> 00:05:03,303 - PLEASE? 159 00:05:03,344 --> 00:05:05,597 - WELL...OK. 160 00:05:05,639 --> 00:05:07,724 - OH, THANK YOU! 161 00:05:05,639 --> 00:05:07,724 THANK YOU! 162 00:05:07,766 --> 00:05:10,102 - THIS I GOT TO SEE. 163 00:05:10,144 --> 00:05:12,271 - GEORGE AVOCADOS? 164 00:05:12,312 --> 00:05:15,107 - THAT'S AVACADOS. 165 00:05:15,149 --> 00:05:17,317 - MR. AVOCADOS, 166 00:05:15,149 --> 00:05:17,317 WHAT ARE YOU DOING HERE? 167 00:05:17,358 --> 00:05:20,445 - SWEEPING. THAT'S WHAT 168 00:05:17,358 --> 00:05:20,445 A JANITOR DOES, ISN'T IT? 169 00:05:20,487 --> 00:05:21,738 - JANITOR? 170 00:05:21,780 --> 00:05:23,907 - AFTER YOU ALL DESTROYED 171 00:05:21,780 --> 00:05:23,907 MY FARM, 172 00:05:23,949 --> 00:05:26,160 THE ONLY JOB I COULD GET 173 00:05:23,949 --> 00:05:26,160 WAS BACK HERE AT CITY HALL 174 00:05:26,201 --> 00:05:27,577 AS A JANITOR! 175 00:05:27,619 --> 00:05:29,288 AND A GOOD THING, TOO. 176 00:05:29,329 --> 00:05:31,206 NOW I GET TO WATCH YOU ALL 177 00:05:29,329 --> 00:05:31,206 MAKE FOOLS OF YOURSELVES 178 00:05:31,248 --> 00:05:33,083 TRYING TO PUT ON 179 00:05:31,248 --> 00:05:33,083 THAT PLAY. 180 00:05:33,125 --> 00:05:34,751 AND WHEN YOU FAIL, 181 00:05:34,793 --> 00:05:37,296 I'LL BE HERE 182 00:05:34,793 --> 00:05:37,296 TO CLEAN UP YOUR MESS. 183 00:05:37,336 --> 00:05:39,756 [LAUGHS] 184 00:05:39,798 --> 00:05:42,341 - AVOCADOS! 185 00:05:39,798 --> 00:05:42,341 BACK TO WORK. 186 00:05:42,383 --> 00:05:44,552 - THAT'S AVACADOS. 187 00:05:46,554 --> 00:05:48,598 - BUT-- 188 00:05:46,554 --> 00:05:48,598 - STIFLE IT, CHILES. 189 00:05:48,640 --> 00:05:51,726 PERICLES HAS THE FLOOR. 190 00:05:51,768 --> 00:05:55,272 - SO, THE KINDER STILL HAVE 191 00:05:51,768 --> 00:05:55,272 THE DISC. 192 00:05:55,314 --> 00:05:59,276 YOU COULDN'T EVEN MANIPULATE 193 00:05:55,314 --> 00:05:59,276 YOUR OWN SON? PATHETIC. 194 00:05:59,318 --> 00:06:00,652 - FINE. WE FAILED. 195 00:06:00,694 --> 00:06:03,113 - THAT'S RIGHT, BRAD. 196 00:06:00,694 --> 00:06:03,113 - NOT NOW, JUDY. 197 00:06:03,155 --> 00:06:06,074 AREN'T YOU THE SMART ONE 198 00:06:03,155 --> 00:06:06,074 WHO SHOULD HAVE SEEN 199 00:06:03,155 --> 00:06:06,074 THROUGH FRED'S RUSE? 200 00:06:06,116 --> 00:06:09,368 - DON'T PUSH ME, 201 00:06:06,116 --> 00:06:09,368 OLDER PRETTY BOY. 202 00:06:09,410 --> 00:06:12,122 I WANT THOSE PIECES, 203 00:06:12,164 --> 00:06:15,416 AND SINCE YOU 204 00:06:12,164 --> 00:06:15,416 AND YOUR SWEET, 205 00:06:12,164 --> 00:06:15,416 DUMB BRIDE FAILED ME, 206 00:06:15,458 --> 00:06:17,919 IT IS UP TO YOU 207 00:06:15,458 --> 00:06:17,919 TO RECOVER THEM 208 00:06:17,961 --> 00:06:20,839 BEFORE PEOPLE GET HURT. 209 00:06:24,968 --> 00:06:27,137 - MOST OF THE SCRIPT'S MISSING, 210 00:06:27,179 --> 00:06:28,805 BUT IT LOOKS LIKE 211 00:06:27,179 --> 00:06:28,805 THEY WERE TRYING 212 00:06:27,179 --> 00:06:28,805 TO TELL THE STORY 213 00:06:28,847 --> 00:06:30,807 OF FRIAR SERRA 214 00:06:28,847 --> 00:06:30,807 AND HIS DONKEY PORTO. 215 00:06:30,849 --> 00:06:32,351 THE ONES 216 00:06:30,849 --> 00:06:32,351 WHO SAVED EVERYONE 217 00:06:32,391 --> 00:06:34,186 WHEN THE FIRST TOWN 218 00:06:32,391 --> 00:06:34,186 OF CRYSTAL COVE SANK 219 00:06:34,228 --> 00:06:35,979 INTO THE OCEAN? 220 00:06:34,228 --> 00:06:35,979 - MM-HMM. 221 00:06:36,021 --> 00:06:38,648 - LIKE, THE SAME UNDERWATER TOWN 222 00:06:36,021 --> 00:06:38,648 WITH THOSE KILLER ROBOTS? 223 00:06:38,690 --> 00:06:40,399 - BINGO. 224 00:06:38,690 --> 00:06:40,399 - HUH? 225 00:06:40,441 --> 00:06:41,693 [BOTH WHIMPER] 226 00:06:41,735 --> 00:06:43,111 - I STILL DON'T UNDERSTAND 227 00:06:43,153 --> 00:06:45,197 WHY MR. LeFRANC AND DOOGLE 228 00:06:43,153 --> 00:06:45,197 WOULD SMASH THE SET 229 00:06:45,239 --> 00:06:47,824 AND RUN OFF LIKE THAT. 230 00:06:45,239 --> 00:06:47,824 - TYPICAL THEATER FOLK. 231 00:06:47,866 --> 00:06:52,079 I ONCE SAW LIONEL BARRYMORE 232 00:06:47,866 --> 00:06:52,079 ATTACK A SETTEE WITH 233 00:06:47,866 --> 00:06:52,079 A LEAD PIPE. 234 00:06:52,120 --> 00:06:55,456 BUT WE'LL SHOW THEM 235 00:06:52,120 --> 00:06:55,456 WHO THE TRUE PROFESSIONALS ARE. 236 00:06:55,498 --> 00:06:57,167 - BUT WHAT ABOUT 237 00:06:55,498 --> 00:06:57,167 THE ACTORS? 238 00:06:57,209 --> 00:07:00,962 - STOP! DON'T MOVE. 239 00:07:01,004 --> 00:07:03,757 THAT CHIN. THAT NOSE. 240 00:07:03,798 --> 00:07:06,760 YOU SHALL BE 241 00:07:03,798 --> 00:07:06,760 FRIAR GABRIELO SERRA, 242 00:07:06,801 --> 00:07:09,346 AND YOU SHALL BE 243 00:07:06,801 --> 00:07:09,346 HIS DONKEY PORTO. 244 00:07:09,388 --> 00:07:11,973 - WOW. A DONKEY! 245 00:07:12,015 --> 00:07:13,725 - I SHOULD BE ABLE 246 00:07:12,015 --> 00:07:13,725 TO REBUILD THE SET. 247 00:07:13,767 --> 00:07:15,560 - AND I CAN MAKE 248 00:07:13,767 --> 00:07:15,560 THE COSTUMES. 249 00:07:15,602 --> 00:07:17,396 - AND I'LL FINISH 250 00:07:15,602 --> 00:07:17,396 WRITING THE PLAY. 251 00:07:17,437 --> 00:07:20,565 - OH, I LOVE IT. 252 00:07:17,437 --> 00:07:20,565 IT'S SO CLICHE! 253 00:07:20,607 --> 00:07:23,944 - BUT FIRST, I'LL NEED 254 00:07:20,607 --> 00:07:23,944 TO FIND OUT MORE ABOUT 255 00:07:20,607 --> 00:07:23,944 FRIAR SERRA AND PORTO. 256 00:07:40,294 --> 00:07:41,253 - [HISSES] 257 00:07:41,295 --> 00:07:42,545 - HUH? 258 00:07:45,257 --> 00:07:47,926 HMM. THAT'S WEIRD. 259 00:07:47,968 --> 00:07:50,971 HELLO? 260 00:07:47,968 --> 00:07:50,971 ANYBODY THERE? 261 00:07:51,012 --> 00:07:52,306 HELLO? 262 00:07:52,347 --> 00:07:53,807 OH! 263 00:07:53,848 --> 00:07:56,768 [GRUNTS] 264 00:07:53,848 --> 00:07:56,768 MY GLASSES! 265 00:07:59,896 --> 00:08:02,149 - [ROARS] 266 00:08:02,190 --> 00:08:04,359 - AAH! 267 00:08:06,820 --> 00:08:08,822 - [ROARING] 268 00:08:06,820 --> 00:08:08,822 - [GRUNTING] 269 00:08:08,863 --> 00:08:10,907 [SCREAMS] 270 00:08:16,246 --> 00:08:17,956 [PANTING] 271 00:08:17,998 --> 00:08:20,000 WHOA! OH! 272 00:08:20,041 --> 00:08:22,043 - [BOTH GRUNT] 273 00:08:22,085 --> 00:08:24,838 - AAH! 274 00:08:22,085 --> 00:08:24,838 - [GROWLS] 275 00:08:26,089 --> 00:08:29,426 - NO. STAY AWAY! 276 00:08:29,468 --> 00:08:32,012 I SHOULD NEVER HAVE TRANSFERRED 277 00:08:29,468 --> 00:08:32,012 MY DEAD WIFE'S BRAIN 278 00:08:32,053 --> 00:08:33,847 INTO AN EARTHWORM! 279 00:08:33,888 --> 00:08:37,976 - KISS ME, DARLING. 280 00:08:33,888 --> 00:08:37,976 MMM. 281 00:08:38,018 --> 00:08:40,895 - NO! NO! 282 00:08:40,937 --> 00:08:43,273 NOTICE MY ACTING TECHNIQUE HERE. 283 00:08:43,315 --> 00:08:47,027 I'M STILL IN LOVE WITH HER, 284 00:08:43,315 --> 00:08:47,027 YET REPULSED. 285 00:08:47,068 --> 00:08:48,278 - [CHEWING AND GRUNTING] 286 00:08:48,320 --> 00:08:50,280 - HEY, VELMA, MOVE. 287 00:08:50,322 --> 00:08:52,199 - VELMA, YOU ALL RIGHT? 288 00:08:52,240 --> 00:08:54,784 - POOR GIRL LOOKS LIKE 289 00:08:52,240 --> 00:08:54,784 SHE'S SEEN A GHOST. 290 00:08:54,826 --> 00:08:56,077 - TRY MUMMY. 291 00:08:56,119 --> 00:08:58,205 - MUMMY? 292 00:08:58,246 --> 00:09:01,624 - I THINK I KNOW WHY DOOGLE 293 00:08:58,246 --> 00:09:01,624 AND MR. LeFRANC RAN AWAY. 294 00:09:01,666 --> 00:09:04,044 - MY DEAR WOMAN, 295 00:09:01,666 --> 00:09:04,044 WHY DIDN'T YOU TELL ME 296 00:09:04,085 --> 00:09:06,296 THIS PRODUCTION WAS PLAGUED 297 00:09:04,085 --> 00:09:06,296 BY A MUMMY? 298 00:09:06,338 --> 00:09:09,508 - I DIDN'T KNOW 299 00:09:06,338 --> 00:09:09,508 MR. LeFRANC AND DOOGLE 300 00:09:06,338 --> 00:09:09,508 WERE TELLING THE TRUTH! 301 00:09:09,549 --> 00:09:10,758 I THOUGHT 302 00:09:09,549 --> 00:09:10,758 THEY WERE MAKING IT ALL UP 303 00:09:10,800 --> 00:09:12,093 TO GET OUT 304 00:09:10,800 --> 00:09:12,093 OF THE PRODUCTION 305 00:09:12,135 --> 00:09:13,928 BECAUSE I WASN'T 306 00:09:12,135 --> 00:09:13,928 PAYING THEM ENOUGH. 307 00:09:13,970 --> 00:09:16,473 - WAIT. 308 00:09:13,970 --> 00:09:16,473 YOU WERE PAYING THEM? 309 00:09:16,515 --> 00:09:19,100 WELL, I AM DONE 310 00:09:16,515 --> 00:09:19,100 WITH THIS CHARADE. 311 00:09:19,142 --> 00:09:20,643 - BUT WE'RE ALREADY SOLD OUT! 312 00:09:20,685 --> 00:09:22,396 WE'RE HAVING CHURROS 313 00:09:20,685 --> 00:09:22,396 SHIPPED IN SPECIAL. 314 00:09:22,437 --> 00:09:24,272 THE NEWSPAPER'S 315 00:09:22,437 --> 00:09:24,272 EVEN SENDING OVER 316 00:09:22,437 --> 00:09:24,272 THEIR BEST CRITIC 317 00:09:24,314 --> 00:09:27,192 VALDESH HELGENJEW. 318 00:09:27,234 --> 00:09:29,152 - HELGENJEW? 319 00:09:29,194 --> 00:09:31,071 OH, NO. NOT HIM! 320 00:09:31,112 --> 00:09:32,531 - LIKE, WHO'S HELGENJEW? 321 00:09:32,572 --> 00:09:34,533 - THE NORWEGIAN ME. 322 00:09:34,574 --> 00:09:36,701 WE USED TO GO UP 323 00:09:34,574 --> 00:09:36,701 FOR THE SAME PARTS. 324 00:09:36,743 --> 00:09:40,372 HE HATES ME BECAUSE 325 00:09:36,743 --> 00:09:40,372 I ALWAYS GOT THE ROLES OVER HIM. 326 00:09:40,414 --> 00:09:41,998 OH, HE'LL SAVAGE ME! 327 00:09:42,040 --> 00:09:43,750 HE'LL TEAR ME APART! 328 00:09:43,791 --> 00:09:46,503 - NO, HE WON'T. 329 00:09:43,791 --> 00:09:46,503 YOU'RE VINCENT VAN GHOUL! 330 00:09:46,545 --> 00:09:47,962 - YOU CAN DO THIS! 331 00:09:48,004 --> 00:09:50,048 - BUT...THE MUMMY... 332 00:09:50,090 --> 00:09:51,591 - DON'T WORRY, 333 00:09:50,090 --> 00:09:51,591 MR. VAN GHOUL. 334 00:09:51,632 --> 00:09:53,552 MYSTERY, INCORPORATED IS 335 00:09:51,632 --> 00:09:53,552 ON THE CASE. 336 00:09:53,593 --> 00:09:56,513 - IF THERE IS A MUMMY FRIAR, 337 00:09:53,593 --> 00:09:56,513 WE'LL GET TO THE BOTTOM OF IT. 338 00:09:56,555 --> 00:09:58,806 - YOU MEAN IT? 339 00:09:56,555 --> 00:09:58,806 - OH, IT'S ON. 340 00:10:01,142 --> 00:10:02,685 - THAT MUST BE THE CASE 341 00:10:01,142 --> 00:10:02,685 THAT USED TO HOLD 342 00:10:02,727 --> 00:10:04,438 FRIAR SERRA'S 343 00:10:02,727 --> 00:10:04,438 MUMMIFIED BODY. 344 00:10:04,479 --> 00:10:05,772 - BUT WHERE DID IT GO? 345 00:10:05,813 --> 00:10:07,399 - I WONDER WHAT THIS IS. 346 00:10:07,441 --> 00:10:08,649 [SNIFFS] 347 00:10:08,691 --> 00:10:09,943 - EWW. 348 00:10:09,984 --> 00:10:11,903 - APPEARS ORGANIC. 349 00:10:16,408 --> 00:10:18,618 - IT'S OVER HERE, TOO. 350 00:10:18,659 --> 00:10:21,288 IT'S ON ALL OF THESE 351 00:10:18,659 --> 00:10:21,288 BURLINGTON LIBRARY CRATES. 352 00:10:21,329 --> 00:10:23,373 - HEY, DAPH, 353 00:10:21,329 --> 00:10:23,373 MAYBE YOU COULD USE 354 00:10:21,329 --> 00:10:23,373 SOME OF THIS STUFF 355 00:10:23,415 --> 00:10:25,833 TO MAKE A FRIAR SERRA COSTUME 356 00:10:23,415 --> 00:10:25,833 FOR SHAGGY. 357 00:10:25,875 --> 00:10:27,668 - [ROARS] 358 00:10:25,875 --> 00:10:27,668 - HYAH! 359 00:10:27,710 --> 00:10:29,463 - [GRUNTS AND GROANS] 360 00:10:29,504 --> 00:10:31,965 - WOW. THAT WAS ANTICLIMACTIC. 361 00:10:32,006 --> 00:10:33,674 - [GROANS] 362 00:10:33,716 --> 00:10:35,385 - DOOGLE McGINNIS? 363 00:10:35,427 --> 00:10:37,762 - YOU'RE THE MUMMY? 364 00:10:35,427 --> 00:10:37,762 - OF COURSE NOT! 365 00:10:37,804 --> 00:10:39,598 I JUST WANTED TO GET 366 00:10:37,804 --> 00:10:39,598 MY COSTUME BACK. 367 00:10:39,639 --> 00:10:42,892 IT WAS CUSTOM-MADE 368 00:10:39,639 --> 00:10:42,892 TO HIDE MY INHERITED 369 00:10:39,639 --> 00:10:42,892 BUTTOCKS DYSPLASIA. 370 00:10:42,934 --> 00:10:44,144 - WHERE'S MR. LeFRANC? 371 00:10:44,185 --> 00:10:46,146 - WHO KNOWS? 372 00:10:44,185 --> 00:10:46,146 HE'S DISAPPEARED. 373 00:10:46,187 --> 00:10:47,814 AND WHAT WERE YOU ALL 374 00:10:46,187 --> 00:10:47,814 TALKING ABOUT? 375 00:10:47,855 --> 00:10:50,609 WHY WOULD SHAGGY NEED 376 00:10:47,855 --> 00:10:50,609 A FRIAR SERRA COSTUME? 377 00:10:50,650 --> 00:10:52,735 - SINCE YOU 378 00:10:50,650 --> 00:10:52,735 AND MR. LeFRANC LEFT, 379 00:10:52,777 --> 00:10:55,155 WE'RE HELPING VINCENT VAN GHOUL 380 00:10:52,777 --> 00:10:55,155 PUT ON THE PLAY WITHOUT YOU. 381 00:10:55,196 --> 00:10:58,325 - SHAGGY ROGERS IS PLAYING 382 00:10:55,196 --> 00:10:58,325 MY ROLE? 383 00:10:58,366 --> 00:11:00,743 I AM THE FINEST ACTOR 384 00:10:58,366 --> 00:11:00,743 IN CRYSTAL COVE! 385 00:11:00,785 --> 00:11:02,912 I CANNOT BE REPLACED! 386 00:11:02,954 --> 00:11:06,333 IF YOU DO THIS PLAY, 387 00:11:02,954 --> 00:11:06,333 YOU'RE DOOMED. 388 00:11:08,335 --> 00:11:10,295 - EVERYBODY, 389 00:11:08,335 --> 00:11:10,295 LISTEN TO ME. 390 00:11:10,337 --> 00:11:15,133 THE CITY, SHE IS, LIKE, UH, 391 00:11:10,337 --> 00:11:15,133 FALLING INTO THE SEA. 392 00:11:15,175 --> 00:11:17,676 COME WITH US 393 00:11:15,175 --> 00:11:17,676 IF YOU WANT TO LIVE. 394 00:11:17,718 --> 00:11:20,180 - UH, I'M A DONKEY? 395 00:11:20,221 --> 00:11:21,806 - BOO! 396 00:11:21,848 --> 00:11:24,601 - BACK TO WORK, AVOCADOS! 397 00:11:24,643 --> 00:11:28,729 - DON'T WORRY. 398 00:11:24,643 --> 00:11:28,729 RIDICULE IS ALL 399 00:11:24,643 --> 00:11:28,729 A PART OF THE CRAFT. 400 00:11:28,771 --> 00:11:32,025 - LIKE, RIGHT NOW, 401 00:11:28,771 --> 00:11:32,025 I'M MORE INTERESTED 402 00:11:28,771 --> 00:11:32,025 IN CRAFT SERVICES. 403 00:11:32,066 --> 00:11:33,985 WHAT DO YOU SAY, SCOOB? 404 00:11:32,066 --> 00:11:33,985 BREAK TIME? 405 00:11:34,027 --> 00:11:35,903 - YEAH. YUM! 406 00:11:37,405 --> 00:11:38,948 - I'M DOOMED. 407 00:11:38,990 --> 00:11:42,035 - YES, YOU ARE! 408 00:11:38,990 --> 00:11:42,035 [LAUGHS] 409 00:11:42,076 --> 00:11:43,537 - AVOCADOS! 410 00:11:43,578 --> 00:11:46,831 - [MUNCHING] 411 00:11:46,873 --> 00:11:48,375 - YOU FIND ANYTHING? 412 00:11:48,416 --> 00:11:50,126 - JUST A HAM 413 00:11:48,416 --> 00:11:50,126 IN A FRIAR'S COSTUME 414 00:11:50,168 --> 00:11:51,752 WHO DOESN'T WANT 415 00:11:50,168 --> 00:11:51,752 THE SHOW TO GO ON. 416 00:11:51,794 --> 00:11:54,088 - AH. HMM? 417 00:11:54,130 --> 00:11:56,383 - READ MY MIND, BUDDY. 418 00:11:54,130 --> 00:11:56,383 HOO-HOO! 419 00:11:56,424 --> 00:11:58,051 - IT DOESN'T MAKE SENSE. 420 00:11:58,092 --> 00:11:59,594 WHY WOULD DOOGLE SABOTAGE 421 00:11:58,092 --> 00:11:59,594 THIS SHOW? 422 00:11:59,636 --> 00:12:01,179 - HUH? 423 00:12:01,221 --> 00:12:02,763 - NOW WHAT? 424 00:12:04,182 --> 00:12:08,395 - YOU MUST NOT EVOKE 425 00:12:04,182 --> 00:12:08,395 THE MEMORY OF NIBIRU! 426 00:12:08,436 --> 00:12:12,065 THE TELLING OF THE STORY 427 00:12:08,436 --> 00:12:12,065 MUST NEVER BE HEARD! 428 00:12:12,106 --> 00:12:15,068 HE WILL FEED ON IT. 429 00:12:15,109 --> 00:12:17,028 NIBIRU WILL GROW STRONGER, 430 00:12:17,070 --> 00:12:19,447 AND YOU WILL NEVER BE ABLE 431 00:12:17,070 --> 00:12:19,447 TO STOP HIM! 432 00:12:19,489 --> 00:12:21,491 - [SCREAMING] 433 00:12:24,035 --> 00:12:26,705 - AAH! 434 00:12:24,035 --> 00:12:26,705 - [ALL GRUNT] 435 00:12:26,745 --> 00:12:31,334 - DANGER! YOU ARE ALL 436 00:12:26,745 --> 00:12:31,334 IN HORRIBLE DANGER! 437 00:12:31,376 --> 00:12:32,460 - [SCREAMS] 438 00:12:32,502 --> 00:12:34,837 - [LAUGHS] 439 00:12:38,174 --> 00:12:39,426 - AAH! 440 00:12:39,467 --> 00:12:41,553 - YOU WILL NEVER BE ABLE 441 00:12:39,467 --> 00:12:41,553 TO STOP HIM! 442 00:12:41,595 --> 00:12:43,930 [GROWLS] 443 00:12:43,971 --> 00:12:47,392 [GROANS] 444 00:12:49,102 --> 00:12:50,228 - LIKE, WHAT JUST HAPPENED? 445 00:12:50,270 --> 00:12:52,647 - THIS TIME, 446 00:12:50,270 --> 00:12:52,647 I HAVE NO IDEA. 447 00:12:52,689 --> 00:12:55,024 - HEY, REMEMBER DOOGLE McGINNIS 448 00:12:52,689 --> 00:12:55,024 DID SAY WE WERE DOOMED 449 00:12:55,066 --> 00:12:56,443 IF WE TRIED 450 00:12:55,066 --> 00:12:56,443 TO DO THE PLAY. 451 00:12:56,484 --> 00:12:59,404 - NO. IT'S THAT CRITIC 452 00:12:56,484 --> 00:12:59,404 VALDESH HELGENJEW. 453 00:12:59,446 --> 00:13:01,239 HE'S OUT TO RUIN ME 454 00:12:59,446 --> 00:13:01,239 ONCE AND FOR ALL. 455 00:13:01,281 --> 00:13:02,741 - WHAT ABOUT MR. LeFRANC? 456 00:13:02,781 --> 00:13:04,825 NOBODY'S SEEN HIM 457 00:13:02,781 --> 00:13:04,825 SINCE THE INITIAL ATTACK. 458 00:13:04,867 --> 00:13:06,327 - ONE THING'S FOR SURE-- 459 00:13:06,369 --> 00:13:07,995 IF WE'RE GOING TO GET 460 00:13:06,369 --> 00:13:07,995 TO THE BOTTOM OF THIS, 461 00:13:08,037 --> 00:13:09,664 THE SHOW MUST GO ON! 462 00:13:09,706 --> 00:13:11,625 - HUH? [WHIMPERING] 463 00:13:23,678 --> 00:13:26,347 - [BRAYING] 464 00:13:26,389 --> 00:13:28,516 - [BOTH BRAYING] 465 00:13:46,409 --> 00:13:48,286 - [GROANS] 466 00:13:52,123 --> 00:13:56,877 - HMM. THERE HE IS, 467 00:13:52,123 --> 00:13:56,877 HELGENJEW. 468 00:13:56,919 --> 00:14:00,089 OH, I'M SO NERVOUS, 469 00:13:56,919 --> 00:14:00,089 I THINK I'M GOING TO TINKLE. 470 00:14:00,131 --> 00:14:03,134 - NO TIME. 471 00:14:00,131 --> 00:14:03,134 YOU GUYS ARE ON IN 5 MINUTES. 472 00:14:03,176 --> 00:14:05,428 [CHEERING AND APPLAUSE] 473 00:14:09,182 --> 00:14:12,811 - NOW, THE HOUR HAS COME TO BE. 474 00:14:12,851 --> 00:14:16,690 THE EARTH AND OCEAN 475 00:14:12,851 --> 00:14:16,690 DON'T AGREE. 476 00:14:16,731 --> 00:14:20,735 THE FAULT HAS SPLIT. 477 00:14:16,731 --> 00:14:20,735 HERE COMES THE FLOOD 478 00:14:20,777 --> 00:14:25,239 TO DESTRUCTIFY 479 00:14:20,777 --> 00:14:25,239 Y'ALL'S NEIGHBORHO'D. 480 00:14:25,281 --> 00:14:28,535 NO TIME TO RUN. 481 00:14:25,281 --> 00:14:28,535 THERE'S ONLY PANIC 482 00:14:28,576 --> 00:14:33,707 WHILE THE MISSION FALLS 483 00:14:28,576 --> 00:14:33,707 INTO THE ATLANTIC. 484 00:14:33,748 --> 00:14:36,209 - IT'S THE PACIFIC, 485 00:14:33,748 --> 00:14:36,209 YOU HACK! 486 00:14:36,250 --> 00:14:39,212 - [LAUGHTER] 487 00:14:36,250 --> 00:14:39,212 - UM, UH, UMMM... 488 00:14:39,253 --> 00:14:41,464 [LAUGHTER] 489 00:14:39,253 --> 00:14:41,464 [DANCE MUSIC PLAYING] 490 00:14:53,518 --> 00:14:56,103 - ♪ SO, LIKE, WE'RE SINKING ♪ 491 00:14:56,145 --> 00:14:58,565 - ♪ INTO THE SEA ♪ 492 00:14:58,606 --> 00:15:01,942 ♪ BECAUSE I'M PORTO, 493 00:14:58,606 --> 00:15:01,942 A SUPER DONKEY! ♪ 494 00:15:01,984 --> 00:15:03,862 ♪ THE EARTHQUAKE'S 495 00:15:01,984 --> 00:15:03,862 LIKE A SIEVE ♪ 496 00:15:03,903 --> 00:15:06,906 ♪ SO COME WITH ME 497 00:15:03,903 --> 00:15:06,906 IF YOU WANT TO LIVE ♪ 498 00:15:06,947 --> 00:15:08,658 - UH... 499 00:15:08,700 --> 00:15:12,953 - ♪ LIKE, THE ONLY ONES TO SAVE 500 00:15:08,700 --> 00:15:12,953 YOU ARE MY DONKEY AND ME ♪ 501 00:15:14,247 --> 00:15:16,249 [CLICKS] 502 00:15:14,247 --> 00:15:16,249 [BUZZING] 503 00:15:16,290 --> 00:15:18,167 - [ALL GASP] 504 00:15:18,209 --> 00:15:19,210 [CROWD MURMURS] 505 00:15:19,252 --> 00:15:21,170 - [GROWLS] 506 00:15:23,339 --> 00:15:27,343 I WARNED YOU 507 00:15:23,339 --> 00:15:27,343 NOT TO TELL MY STORY. 508 00:15:27,385 --> 00:15:29,262 [GROWLING] 509 00:15:29,303 --> 00:15:31,180 [HISSES] 510 00:15:31,222 --> 00:15:33,307 - [ALL GASP] 511 00:15:33,349 --> 00:15:35,309 [GROWLING] 512 00:15:33,349 --> 00:15:35,309 - [SCREAMING] 513 00:15:37,729 --> 00:15:40,523 LOOK OUT! 514 00:15:37,729 --> 00:15:40,523 - AAH! 515 00:15:40,565 --> 00:15:42,400 [WHIMPERS AND LAUGHS] 516 00:15:42,442 --> 00:15:44,360 - [GROWLING] 517 00:15:46,195 --> 00:15:48,197 - [GRUNTS] 518 00:15:48,239 --> 00:15:49,574 - [PANTING] OH! 519 00:15:49,616 --> 00:15:50,950 AAH! TAKE THAT! 520 00:15:49,616 --> 00:15:50,950 - HEY! 521 00:15:50,991 --> 00:15:53,202 - [GROWLING] 522 00:15:54,245 --> 00:15:56,163 - [SCREAMING] 523 00:15:59,626 --> 00:16:01,168 - [BOTH GASP] 524 00:16:06,466 --> 00:16:07,550 - WHOA! OH! 525 00:16:07,592 --> 00:16:09,260 - [CROWD GASPS] 526 00:16:07,592 --> 00:16:09,260 - OH! 527 00:16:09,302 --> 00:16:12,597 - [SNARLING] 528 00:16:13,890 --> 00:16:16,309 - [CROWD GASPS 529 00:16:13,890 --> 00:16:16,309 AND MURMURS] 530 00:16:16,350 --> 00:16:18,227 - [PANTING] 531 00:16:18,269 --> 00:16:19,729 - CHURRO! 532 00:16:19,771 --> 00:16:22,022 - [CHOKING] 533 00:16:22,064 --> 00:16:23,524 - NOW! 534 00:16:22,064 --> 00:16:23,524 - [GRUNTS] 535 00:16:23,566 --> 00:16:25,610 - [GRUNTING] 536 00:16:25,652 --> 00:16:27,862 [GROANS] 537 00:16:27,904 --> 00:16:31,198 [CHEERING AND APPLAUSE] 538 00:16:34,661 --> 00:16:38,414 - NOW, LET'S SEE 539 00:16:34,661 --> 00:16:38,414 WHO THIS GHOSTLY MONK REALLY IS. 540 00:16:38,456 --> 00:16:40,792 - GEORGE AVOCADOS? 541 00:16:40,834 --> 00:16:44,253 - THAT'S AVAC-- 542 00:16:40,834 --> 00:16:44,253 AH. OH, FORGET IT. 543 00:16:44,295 --> 00:16:46,840 THAT'S RIGHT, 544 00:16:44,295 --> 00:16:46,840 IT IS ME. 545 00:16:46,881 --> 00:16:50,301 - YES! FINALLY! 546 00:16:46,881 --> 00:16:50,301 I KNEW YOU'D BE 547 00:16:46,881 --> 00:16:50,301 THE VILLAIN EVENTUALLY. 548 00:16:50,343 --> 00:16:53,680 - ALL RIGHT, YOU GOT ME. 549 00:16:50,343 --> 00:16:53,680 AND I SUPPOSE YOU'RE WONDERING, 550 00:16:53,721 --> 00:16:56,766 AFTER SO MANY PRIOR MISDIRECTS, 551 00:16:53,721 --> 00:16:56,766 WHY NOW. 552 00:16:56,808 --> 00:16:58,267 - ACTUALLY, NO. 553 00:16:56,808 --> 00:16:58,267 NOT REALLY. 554 00:16:58,309 --> 00:17:00,269 WE KIND OF ALWAYS KNEW 555 00:16:58,309 --> 00:17:00,269 YOU WERE EVIL. 556 00:17:00,311 --> 00:17:04,565 - HMMPH! OK, FINE. 557 00:17:00,311 --> 00:17:04,565 THEN MY TALE SHOULD 558 00:17:00,311 --> 00:17:04,565 NOT SURPRISE. 559 00:17:04,607 --> 00:17:08,110 IT ALL BEGAN 560 00:17:04,607 --> 00:17:08,110 AFTER I FAILED IN POLITICS. 561 00:17:08,152 --> 00:17:10,655 I HAD NO CHOICE BUT TO GO 562 00:17:08,152 --> 00:17:10,655 INTO THE FAMILY BUSINESS-- 563 00:17:10,697 --> 00:17:13,073 FARMING AVOCADOS. 564 00:17:13,115 --> 00:17:15,034 EVERYTHING WAS GOING SO WELL 565 00:17:15,075 --> 00:17:18,496 UNTIL YOU MYSTERY BRATS 566 00:17:15,075 --> 00:17:18,496 BLEW UP MY CROPS. 567 00:17:20,080 --> 00:17:24,043 I THEN TRIED MY HAND 568 00:17:20,080 --> 00:17:24,043 AT FORTUNE TELLING. 569 00:17:24,084 --> 00:17:26,963 BUT WHEN THAT ENDEAVOR FAILED... 570 00:17:27,005 --> 00:17:29,048 I FELL BACK ON 571 00:17:27,005 --> 00:17:29,048 THE AVACADOS LEGACY 572 00:17:29,089 --> 00:17:31,592 OF STEALING 573 00:17:29,089 --> 00:17:31,592 OTHER PEOPLE'S THINGS. 574 00:17:33,260 --> 00:17:36,263 I LOCATED THE AVACADOS DIAMOND, 575 00:17:33,260 --> 00:17:36,263 STOLEN BY MY FATHER. 576 00:17:36,305 --> 00:17:39,266 TURNS OUT, IT ACTUALLY WAS 577 00:17:36,305 --> 00:17:39,266 DISGUISED AS A DOOR KNOB-- 578 00:17:39,308 --> 00:17:41,019 NOT ON A DOOR 579 00:17:39,308 --> 00:17:41,019 IN CRYSTAL COVE, 580 00:17:41,060 --> 00:17:43,021 BUT ON A DOOR AT 581 00:17:41,060 --> 00:17:43,021 THE BURLINGTON LIBRARY. 582 00:17:45,439 --> 00:17:47,191 WHEN I FOUND OUT 583 00:17:45,439 --> 00:17:47,191 IT WAS AMONG THE ARTIFACTS 584 00:17:47,233 --> 00:17:49,276 SENT HERE 585 00:17:47,233 --> 00:17:49,276 FOR THE PRODUCTION. 586 00:17:49,318 --> 00:17:51,404 I TOOK A JOB AS A JANITOR. 587 00:17:51,445 --> 00:17:53,406 I NEEDED EVERYONE TO STAY CLEAR 588 00:17:51,445 --> 00:17:53,406 OF THE BASEMENT 589 00:17:53,447 --> 00:17:55,115 TO GIVE ME 590 00:17:53,447 --> 00:17:55,115 TIME TO LOOK. 591 00:17:58,995 --> 00:18:01,748 I HID THE BODY OF FRIAR SERRA 592 00:17:58,995 --> 00:18:01,748 IN A CLOSET 593 00:18:01,789 --> 00:18:03,541 AND ASSUMED HIS IDENTITY. 594 00:18:03,583 --> 00:18:05,334 KNOWING THIS TOWN'S 595 00:18:03,583 --> 00:18:05,334 GULLIBILITY, 596 00:18:05,376 --> 00:18:08,588 I KNEW A GHOST STORY 597 00:18:05,376 --> 00:18:08,588 WOULD GIVE ME ROOM TO HUNT. 598 00:18:08,629 --> 00:18:11,131 AND I WOULD HAVE SUCCEEDED, TOO, 599 00:18:11,173 --> 00:18:14,218 IF IT WEREN'T FOR 600 00:18:11,173 --> 00:18:14,218 VINCENT VAN GHOUL. 601 00:18:14,260 --> 00:18:15,636 - MOI? 602 00:18:15,678 --> 00:18:17,680 - SO THE BROWN RESIDUE 603 00:18:15,678 --> 00:18:17,680 THAT WAS LEFT BEHIND... 604 00:18:17,722 --> 00:18:20,016 - THAT'S RIGHT. 605 00:18:17,722 --> 00:18:20,016 GUACAMOLE! 606 00:18:20,058 --> 00:18:23,352 NOW, I WANT MY DIAMOND! 607 00:18:23,394 --> 00:18:26,146 - LET ME SEE SOMETHING. 608 00:18:26,188 --> 00:18:28,274 THIS CRYSTAL IS 609 00:18:26,188 --> 00:18:28,274 THE DIAMOND! 610 00:18:28,315 --> 00:18:30,276 - BUT, LIKE, HOLD ON. 611 00:18:28,315 --> 00:18:30,276 IF YOU WERE THE FRIAR, 612 00:18:30,317 --> 00:18:32,070 HOW DID YOU APPEAR 613 00:18:30,317 --> 00:18:32,070 AT THE REHEARSALS? 614 00:18:32,111 --> 00:18:34,405 - I DIDN'T. 615 00:18:32,111 --> 00:18:34,405 I ASSUMED THAT WAS 616 00:18:34,447 --> 00:18:37,575 YOU MEDDLING KIDS 617 00:18:34,447 --> 00:18:37,575 TRYING TO TRICK ME 618 00:18:34,447 --> 00:18:37,575 INTO REVEALING MYSELF. 619 00:18:37,617 --> 00:18:39,535 - HUH? 620 00:18:41,287 --> 00:18:43,205 [INDISTINCT RADIO CHATTER] 621 00:18:46,793 --> 00:18:49,169 - OH! HERE COMES HELGENJEW. 622 00:18:49,211 --> 00:18:52,924 I'M RUINED! 623 00:18:49,211 --> 00:18:52,924 [WHIMPERS] 624 00:18:52,966 --> 00:18:54,801 [GROANS] 625 00:18:54,842 --> 00:18:56,636 - THAT WAS 626 00:18:54,842 --> 00:18:56,636 THE SINGLE GREATEST PIECE 627 00:18:56,677 --> 00:19:01,390 OF ABSURDIST META THEATER 628 00:18:56,677 --> 00:19:01,390 THAT I HAVE EVER WITNESSED. 629 00:19:01,432 --> 00:19:04,060 - OH! 630 00:19:01,432 --> 00:19:04,060 - OH, THANK YOU, SIR. 631 00:19:04,102 --> 00:19:06,395 YOU KNOW, 632 00:19:04,102 --> 00:19:06,395 IT CAME TO ME IN A FLASH, 633 00:19:06,437 --> 00:19:08,481 AN INSPIRATION, 634 00:19:06,437 --> 00:19:08,481 TOUCHED BY THE MUSE... 635 00:19:08,522 --> 00:19:11,651 [CONTINUES INDISTINCTLY] 636 00:19:11,692 --> 00:19:14,821 - WELL, GANG, I THINK 637 00:19:11,692 --> 00:19:14,821 WE CAN PUT THIS MYSTERY TO BED. 638 00:19:14,862 --> 00:19:16,447 - [LAUGHS] 639 00:19:14,862 --> 00:19:16,447 LIKE, YEAH. 640 00:19:16,489 --> 00:19:18,157 AND I CAN'T WAIT TO GET 641 00:19:16,489 --> 00:19:18,157 ALL THIS STUFF PUT AWAY 642 00:19:18,198 --> 00:19:19,659 SO WE CAN GO CELEBRATE... 643 00:19:19,700 --> 00:19:22,829 - AT THE CLAM CABIN! 644 00:19:25,581 --> 00:19:27,374 - WHAT THE WHAT? 645 00:19:27,416 --> 00:19:29,543 - THAT'S WEIRD. 646 00:19:29,585 --> 00:19:31,462 HOW'D HE GET BACK IN THERE? 647 00:19:31,504 --> 00:19:34,590 - HOO-HOO! NO, NO. 648 00:19:31,504 --> 00:19:34,590 LIKE, LET'S NOT WAIT 649 00:19:31,504 --> 00:19:34,590 AROUND TO FIND OUT. 650 00:19:34,632 --> 00:19:37,010 [CLICKS] 651 00:19:34,632 --> 00:19:37,010 - HUH? 652 00:19:40,513 --> 00:19:43,099 - YOU ARE STILL IN DANGER. 653 00:19:43,141 --> 00:19:46,519 THE STORY OF CRYSTAL COVE IS 654 00:19:43,141 --> 00:19:46,519 A LIE. 655 00:19:46,560 --> 00:19:49,772 THE DONKEY NEVER TRIED 656 00:19:46,560 --> 00:19:49,772 TO HELP SAVE THE TOWN, 657 00:19:49,814 --> 00:19:53,484 BUT TO DESTROY IT. 658 00:19:53,526 --> 00:19:57,530 THERE WERE 4 OF US AND PORTO 659 00:19:53,526 --> 00:19:57,530 IN THE FRATERNITAS MYSTERIUM, 660 00:19:57,571 --> 00:20:00,825 A GROUP OF 661 00:19:57,571 --> 00:20:00,825 MYSTERY-SOLVING FRIARS. 662 00:20:03,995 --> 00:20:06,246 WE ENCOUNTERED 663 00:20:03,995 --> 00:20:06,246 A CONQUISTADOR. 664 00:20:08,290 --> 00:20:10,459 HE TOLD US 665 00:20:08,290 --> 00:20:10,459 A TALE OF GREAT EVIL 666 00:20:10,501 --> 00:20:13,963 BEFORE HIS MADNESS GOT 667 00:20:10,501 --> 00:20:13,963 THE BEST OF HIM. 668 00:20:14,005 --> 00:20:15,965 AND HE VANISHED 669 00:20:14,005 --> 00:20:15,965 IN THE NIGHT. 670 00:20:16,007 --> 00:20:19,301 HE LEFT BEHIND 671 00:20:16,007 --> 00:20:19,301 TWO ODDLY-MARKED DISC PIECES. 672 00:20:22,304 --> 00:20:25,349 WE QUICKLY BECAME OBSESSED 673 00:20:22,304 --> 00:20:25,349 WITH THE PIECES. 674 00:20:25,391 --> 00:20:28,477 WE REALIZED THAT THERE WAS 675 00:20:25,391 --> 00:20:28,477 AN EVIL AT WORK. 676 00:20:28,519 --> 00:20:31,147 WE ATTEMPTED 677 00:20:28,519 --> 00:20:31,147 TO DESTROY THE PIECES 678 00:20:31,189 --> 00:20:33,191 TO RID US, 679 00:20:31,189 --> 00:20:33,191 AND THE TOWN, OF EVIL. 680 00:20:33,232 --> 00:20:35,151 BUT THE EVIL 681 00:20:33,232 --> 00:20:35,151 WOULD NOT ALLOW US. 682 00:20:35,193 --> 00:20:36,819 [THUNDER] 683 00:20:36,861 --> 00:20:39,197 THE EVIL MANIPULATED PORTO. 684 00:20:39,238 --> 00:20:42,575 PORTO SET OUT 685 00:20:39,238 --> 00:20:42,575 TO DESTROY THE TOWN. 686 00:20:52,418 --> 00:20:56,505 WE CHASED PORTO TO 687 00:20:52,418 --> 00:20:56,505 THE ALLIGATOR-INFESTED 688 00:20:52,418 --> 00:20:56,505 SWAMPS OUTSIDE OF TOWN. 689 00:20:56,547 --> 00:20:59,050 PORTO WAS DRAGGED AWAY 690 00:20:56,547 --> 00:20:59,050 BY THE ALLIGATORS, 691 00:20:59,092 --> 00:21:02,469 BUT NOT BEFORE 692 00:20:59,092 --> 00:21:02,469 I WAS ABLE TO RETRIEVE 693 00:20:59,092 --> 00:21:02,469 THE ONE PIECE HE TOOK. 694 00:21:09,143 --> 00:21:11,812 THE OTHER PIECE, 695 00:21:09,143 --> 00:21:11,812 THANKFULLY, 696 00:21:11,854 --> 00:21:13,814 WAS LOST AT 697 00:21:11,854 --> 00:21:13,814 THE BOTTOM OF THE OCEAN 698 00:21:13,856 --> 00:21:17,068 WHEN CRYSTAL COVE SANK 699 00:21:13,856 --> 00:21:17,068 INTO THE SEA. 700 00:21:17,110 --> 00:21:21,655 IT WAS UP TO ME, NOW, 701 00:21:17,110 --> 00:21:21,655 TO HIDE THE LAST PIECE. 702 00:21:25,118 --> 00:21:26,744 BEWARE. 703 00:21:26,786 --> 00:21:28,996 NIBIRU IS COMING. 704 00:21:29,038 --> 00:21:30,706 THIS HAS 705 00:21:29,038 --> 00:21:30,706 ALL HAPPENED BEFORE. 706 00:21:30,748 --> 00:21:32,833 IT BEGINS 707 00:21:30,748 --> 00:21:32,833 WITH THE ANIMAL, 708 00:21:32,875 --> 00:21:35,086 ALWAYS THE ANIMAL. 709 00:21:35,128 --> 00:21:37,755 HEED THE WARNING 710 00:21:35,128 --> 00:21:37,755 OF THE ALLIGATORS. 711 00:21:37,797 --> 00:21:40,925 THE DOG DIES. 712 00:21:48,057 --> 00:21:49,850 - [GULPS] 713 00:21:48,057 --> 00:21:49,850 THE DOG DIES? 714 00:21:49,892 --> 00:21:52,270 IS HE TALKING ABOUT ME?