A WONDERFUL LOVE STORY
Okay. We're going to film my cousin Koldo,
who I'm sure is a IittIe nervous.
Auntie!
Koldo? Koldo?
-Congratulations. -Thanks.
Cousin!
Hey!
-What's up, Cousin? -How are you?
-Great. What about you? -WelI... Can't you telI?
You're great! You look great!
And no rice...
No, don't throw rice. The girl wants rose petals.
-How refined. -Come on, give us a hand!
-Koldo! Koldito! -Hey!
What are you doing lurking around here?
Hey, do you remember my cousin Adrián?
Of course l do. But the last time I saw you, you were only knee high.
Hey, if you film any good-looking girls, telI me, okay?
Speaking of the devil... Is NataIie coming?
But aren't you even going to give it a rest on my wedding day?
-But is she coming or not? -She's aIready inside.
Perfect!
Hey, who.... Who's Natalie?
Natalié, Natalié... "The children of the fatherland."
Let's see. Look over there. Okay...
Look, the wedding video man! Nice equipment!
Hey, what's this for?
That's for stabilising the image and creating cinema-quality movements.
Otherwise, with aIl this stuff on your shouIder, the picture is unwatchable.
Do they shoot films with this, too?
Here, some of them. ln America, alI of them.
AIl of them?
Look, look, look, look. Cinema quaIity.
And what about your camera, kid?
This one's got high-definition HD with megapixels.
With megapixeIs? Hey, can you do me a favour?
CouId you get some shots inside, being as how you're famiIy?
Yeah, I'm going to film everything, no worries.
FiIm what the naked eye wouldn't see. Dziga Vertov, Cinema verité...
Yeah, of course. l swear to God I'lI film everything.
-What's your name, sunshine? -Adrián. And you?
-Atún. -Okay. PIeased to meet you.
Tita, put your cardigan on, we're going.
See you later, EsteIa.
-Have you got your keys? -Yes, dear, don't worry.
And where's Clara?
WeIl, she's not upstairs. I don't know.
-What do you mean, she's not upstairs? -No.
Go and look for your sister in the kitchen.
No, this way.
And put that camera away!
Oh...
CIara! Clara!
Clara, we're leaving!
Are you aIl right?
Tita, switch off the camera. I've got something to teIl you.
l think...
Bye!
Here's Koldo with uncle Pepe Víctor.
Let's see what he's got to say. He's always stirring it.
Clara's great. If you change your mind, l'Il divorce your aunt...
-...and steal her from you. -What are you talking about!
WelI, that's great, Uncle. Viva Valencia!
-Víctor, Pepe Víctor! -I'm coming, Amparín, l'm coming!
Hey, UncIe, what happened to your hand?
Don't say anything to your aunt. A dog in the cIinic...
-It looked like it was dead... -What happened?
and it woke up and bam! He just made a right mess of it.
-You mean it bit you? -Yeah, but don't worry, l'm...
-Are you aIl right? -Can't you teIl? Eh?
-Come on! Pepe Víctor, Iet's go! -l've got a IittIe something for you.
-I'lI come and find you Iater, okay? -Yeah, yeah...
Give it to me.
l Iike fiIming.
Yeah...
WelI, she's a bit nervous, of course.
But she's realIy beautifuI. You should see her.
AIl right.
She's coming. Come on, she's on her way. Everybody inside!
Come on, Koldo. Chin up! Be brave!
Come on, get inside!
-Come on, inside! -Come on, get moving!
-Where is he? Where's my father? -Your father's inside.
-With Mónica, Óscar and the kids. -Okay, okay, come on...
Come on. Come on, let's go! Everybody inside!
Go get 'em!
At the back! Come on, let's get inside.
-Do you want one, Adri? -No. No, thanks.
Rafa!
Hey! The boys are here! Ha ha!
And the fool who's getting married? Where's he got to, mate?
He's inside. Where do you think?
Hey, kid!
Hey Rafita...
So good-looking...
Hey Charly! lnside! Give us a hug!
There... Jumangi!
You're gorgeous!
And so, as you wish to enter into matrimony, join hands...
Clara, take this ring, as a sign of my Iove and my fidelity to you...
KoIdo, take this ring, as a sign of my Iove and my fidelity to you...
Oh...
You've been tangled up with me for years in my hands, my hair,
ln my head...
And l can't do it any more
l can't do it any more
I should be tired of your hands, your hair
your strange ways
but l want more
l want more.
l can't live without you.
There's no way
l can't be without you.
No way, oh...
You're gorgeous!
Long live the happy coupIe!
Viva!
WeIl done, son!
Photo!
And now the famiIy!
UncIe, Uncle, UncIe...
Granddad, how are you? How are you?
-Okay, so you're going... -Are you happy?
Oh, yes!
Your hearing aid!
Can you hear me? Granddad!
Are you hearing?
Can l have your attention, pIease?
The buses for the reception are behind the church.
So, there's room for everyone, but little by IittIe.
Let's not aIl get there at once, okay?
Okay, thanks.
Look at them! You're going to look so cute!
Have you seen your brother?
Hey, kid, have you seen your brother?
The kid's just got married and he's already sneaking off?
UnbelievabIe!
There's such a lot of people here!
WelI, we're at the reception, in this marvelIous place...
This must have cost them a fortune!
Hi, beautifuI. How are you?
-No alcohol? -No, it's aIcohoI free.
-No alcohol? -No alcohol.
-What is it? -Piña coIada.
-Piña colada? I'lI have one! -He knows it!
-l'Il have one! -AIl right!
Mother and daughter!
WeIl, the mother's bit of a MILF, isn't she?
-Granddad? -Yes?
-They said it was going to rain, eh? -Yes. When I went to school...
That hasn't got much to do with anything, but yeah...
I missed...
I was saying how pretty your mother is... but you...
-Yeah, come on... -lt's getting better...
Bye.
Atún!
Cinema quality, mate!
There, there...
That guy's reaIly good!
It has to be edited...
with a touch of fresco, a touch of Renoir...
a pinch of cinema verité...
Yeah, yeah, right...
-Very down to earth, very onIine. -OnIine?
Uncle... are you aIl right?
-Yes. -Yeah?
Look at the lovebirds.
-l'm realIy happy, very happy. -Me too.
No. What you are is reaIly pretty.
-I want to teIl you something. -Oh, yeah, right. Sorry.
But you're so pretty...
I mean, you're usualIy pretty, but today...?
Right...
Sorry.
This morning, at my parent's house...
Hey!
Gorgeous!
WelI, thanks to everyone for being here, and...
l don't know... Koldo and I...
Koldo and I love you lots and...
it's great to see that you Iove us so much and that you're happy
that we've found the Ioves of our Iives.
Bravo!
That's Iovely. That's loveIy. That's loveIy...
I want a bit!
Get us!
There... there...
Long Iive the happy couple. We love you lots...
And for love!
Pour I'amour. Pour I'amour.
Rafa! Pour l'amour.
Oh, oh!
She's stood you up! She's stood you up!
She came, she came...
She got confused and she's gone!
-She got away from you! -For la France...
Natalié... Natalié...
A les enfants de la patríe.
That's where I want it.
Hey! Gorgeous!
Hey, KoIdito!
Okay, cinema verité.
Let's continue our programme with some interviews...
Here we have Sponge Bob...
Can l interview you?
Yes, but could we go outside? I want to smoke a cigarette.
Okay, let's go outside.
There's a room next to the dining room,
where we put on games and shows
so that the kids are entertained during the banquet.
And how Iong have you been doing this?
WeIl, weddings, for about ten years...
and children's shows, eight.
And what exactly are you dressed up as?
As Sponge John.
That would be Sponge Bob?
No. WelI, you see, there was a copyright probIem
and now the costume is caIled Sponge John.
We are taIking about a character that's got nothing to do with
the one you're taIking about. I don't want any troubIe later on.
l swear to God.
WeIl, that's it. It's reaIly great. Because the kids love it.
Fuck... There goes the typical drunk!
That's my uncle!
-Oh, sorry kid, I didn't know. -UncIe, are you alI right?
Sorry, l didn't know he was your uncle.
What are those doing there?
Once I heard it was better to spray at night.
How strange!
Have the cops arrived?
Oh, UncIe, if they breathalyse you...
Adrián!
l've just filmed my uncle Pepe Víctor throwing up, man. It's great!
Enough of Pepe, enough crap and smokers.
Come inside and start fiIming the good stuff.
You can't rush...
You can't rush things.
You can't rush things...! Come on, Rafa!
Atún!
I've just fiImed Rafa getting off with the French woman!
You were made for this, kid!
Oh! Yeah!
Uncle!
What are you doing?
Uncle!
Get down!
Uncle!
That's dangerous!
Stop the music!
CaIl an ambulance!
Please move!
CaIl an ambulance, come on!
An ambuIance!
Have you seen Clara? Have you seen Clara?
No?
Look, Tita is there!
Hey, come on!
FoIlow me, Adrián!
This way! Koldo!
Get inside! And Iock the door!
Lock the door! lt's there!
Ah! God!
CIara! Have you seen Clara? Has anyone seen Clara?
No, I haven't seen her!
Jesus!
-What happened out there? -I don't know...
PeopIe went stark raving mad and they just started eating each other.
-Are you filming? -Yes, everything.
What are you doing?
PeopIe have a right to know what's going on!
l have to fiIm everything!
-What the fuck are you talking about? -Stop! Stop!
-Give me the camera! -Stop!
You are going to...
break it!
You know you're paying for the camera, right?
Try and caIl Clara, okay?
The stairs! Let's see if there's an exit. Come with me!
Come on, come on!
Get back, back!
Lock the door!
-WeIl? -l tried. There's no cover.
l have to find Clara! l have to find her!
That's not possibIe right now!
This is no time to act the crazy husband. You see how fucked-up alI this is.
Shit!
My name's Atún. From FiImax fiIms.
Koldo.
And this?
My name's Moncho...
What part of Clara's family are you from, Moncho?
He's not from my family.
SGAE lnspector.
What's that?
I make a note of the songs pIayed at the wedding.
For the royalties thing.
Hey, come here. This griIle must lead somewhere.
Ah!
Go!
Go, go!
Shit! You fucking idiot, RoyaIties!
Hey, Iads, I think there's something over here!
Go on, go on...
Let me help you!
I'm not going to fit in there.
We can't leave here without Atún.
Don't be so stupid. Go on, get in!
We have to go! We have to go!
Here. l've put it on night-vision so you can see inside there.
Don't even think about erasing anything, eh?
Atún, I swear to God we'lI come back for you.
lt's dark!
l can't see a thing!
Cousin?
Tita, here, take the camera!
Come on!
We don't know what's going on, but everything wiIl be aIl right.
We're going to find your sister and we're going to get out of here, okay?
I promise.
Come on! Come with me!
-Koldo! -What's wrong?
When l was outside, I saw a police car. We have to find it!
Come on, we have to get heIp, no matter what!
Shit!
Hey! Wait! There is a light!
l think... l think I there's a light.
Maybe this leads to the garden. Come on!
Come on! Come on!
HeIp me, pIease! PIease!
What are you doing there? Come on, come on, Royalties!
Officer!
No!
Royalties!
RoyaIties! Royalties! HeIp me, for fuck's sake!
Come on, Royalties!
HeIlo? PIease help us! Can anyone hear me?
How the heIl does this thing work?
PIease, can anyone hear me? Please... Help!
Come on! Come on! They're coming!
Come on!
I'm sorry.
Get a move on! What are you waiting for! Inside!
Run, Grandma. run! Close it!
Shut up, wise guy. They can't get in here.
Heretics! Bastards!
Clara! Has anyone seen Clara?
Does anyone have a mobile that works?
None of them are working.
We've got to get these people out of here!
We're safe in here, Grandma.
Why don't they come in?
They can't set foot in the church, and hoIy water hurts them.
We don't know any more.
And l'm not your grandma, dear.
Is there a IandIine phone here?
There is one, but it doesn't work.
They seem to be going.
Take the kids and get to the coaches, aIl of you.
I'm going to find CIara.
-Wait, KoIdo. We don't know if... -No, don't say that. Shut up, okay?
-Sir, remember that... - Shut up! l don't want to hear it.
Koldo...
Clara is aIive, l'm sure.
I know, because I can sense her.
What the helI is that?
Koldo.
KoIdo, it's me.
And l know that, wherever you are, you can hear me.
l want to telI you that l'm alI right.
Father Losara and me, we've hidden and we're okay.
And I know you're okay, too.
I know you're aIive because I can sense you, KoIdo!
Baby!
I love you!
And, weIl...
l've been trying to taIk to you alI day, but...
But we reaIly haven't had much time to ourselves.
And, it doesn't matter. So I'm going to telI you Iike this.
I'm pregnant.
We're going to be parents, Koldo.
That's too much.
And it wasn't a shotgun wedding.
For anyone who's Iistening, especiaIly from my family.
Just so you know, we didn't get married because of that.
I found out this morning, at home.
What's happening?
What's happening? Why did it stop?
Why did it stop? Why did it stop? Where is she?
The only pIace with a megaphone is CentraI Control.
They must be there.
But right now it's impossibIe to get to them.
No, there must be a way.
There must be a way!
Please, help me, God.
St. George.
Where is CentraI Control?
Koldo, where are you...? Can you see him?
-It's too soon. -What is?
Not yet. It can't be happening!
-What? -Genesis.
And the angels who did not keep their dignity,
but abandoned their own abode...
The Lord kept it in darkness...
eternaI visions...
where they wilI be punished
and where they wilI not come back
untiI Judgement Day.
Koldo, where are you?
He's here. He's here! He's here, Father.
Come on, Father.
This is the end.
Come on, Father!
Father! Father!
What...?
I'm sorry, we have to get out of here.
Let's go.
Come on!
What's that?
that's the...
...and now l'm going down to the engine room...
Rafa?
Oh...
Oh, CIara.
What the helI are you doing here?
You don't know what's going on?
No.
WelI, you'lI never beIieve it...
That way.
First fIoor, corridor on the left. CentraI Control is down there.
-But do you know where he is? -No, but we're going to find him.
-A solution. -What?
They obey orders. I've seen it.
They move as one. They do what a superior, malign being teIls them.
Where did you get alI that from, Father?
I didn't get anything. Look at how they behave, and you'lI see.
They telI us in the Bible.
And then you wonder why everyone thinks French girls are sluts.
They are bodies that...
Come on, Iet's go. Let's go. Come on.
Jesus...
lt's her. Father AIbeIda is right.
Quickly! Go!
Get going. Don't stop.
Hurry up, go on! Come on, Clara!
The Lord is my shepherd, I shalI not want...
Though I walk through the vaIley of the shadow of death,
I shalI fear no eviI, for thou art with me.
Thy rod and thy staff, they comfort me.
Thy kindness and Iove wiIl aIways be with me each day of my Iife,
and I wilI Iive forever in thy house,
I asked the Lord to free me three times,
but he answered: "My grace is sufficient,
because my power wilI triumph in weakness".
So, I wilI boast aIl the more gladly of my weaknesses,
so that the power of Christ may dweIl in me.
l am content with insults, hardships, persecutions,
and caIamities for the sake of Christ;
for whenever I am weak, then l am strong.
Clara?
Jesus, I can't see a thing.
Where are we?
I don't know.
This way.
Jesus!
Shit!
Oh Oh Oh Oh!
HelIo?
Who's that?
Don't move!
lt's me, the chiIdren's entertainer. Sponge John.
Jesus.
You mean Bob?
WeIl, there was this thing with the copyright, and...
Bob, put that down, please.
I took it from the guard. l don't even know if it's loaded.
Don't hoId that Iighter too close. This stuff catches fire easiIy.
HeIp me to Iift this barrier up. lt's realIy heavy.
And this sponge costume doesn't heIp.
Why don't you take it off?
WelI, because I'm not wearing anything underneath.
Is there a Iight here?
Yes, there's a control panel on the walI there.
CIara, what is alI this?
I don't know. I don't know.
We'Il get out of here. Don't worry.
...two and three!
l almost decided not to come.
What?
I was thinking about not coming.
The truth is, l was surprised you invited me.
We haven't seen each other for ages.
WelI, I invited you to be nice. Because l didn't think you'd come.
I looked on the lnternet and I found this reaIly cheap Iow-cost ticket.
Fuck!
I'm sorry.
Oh, no!
Give me the bloody shotgun!
I'm reaIly sorry I invited you to my wedding.
Jesus!
NataIié, Natalié.
Clara, please!
CIara! Clara!
This way! Come on! This way!
-Come on, Clara! -Wait for me!
What's wrong?
l think I saw something...
Let's go and see.
Come on.
Clara, you stay here. We're going to see if it's safe, okay?
Mum?
CIara, Ieave her. We have to go.
Clara, leave her, we have to go.
This is my mother.
Clara, it's not your mother, okay?
Let her go, we have to Ieave.
Come on, Clara, they're coming. Come on!
Come on! Run!
This is it!
Koldo!
Clara!
Come on, Clara! Get in, quick!
Run!
Stop!
The exit is over there!
Jesus, CIara, why are you stopping. What's wrong?
I'm not going without Koldo.
Don't be so bIoody stupid! We have to go!
Don't teIl me what I have to do!
Listen, Clara...
if Koldo was aIive...
he wouId have given us some sign to let us know.
I'm sorry.
l'm sorry, CIara...
lt's him.
It's Koldo.
lt's a sign.
He's in the Lounge.
No, we don't know if it's him.
You said that if he was alive, he'd give us a sign, didn't you?
WeIl, there it is.
l'm not leaving here without KoIdo.
Move.
Hold my dress.
-What are you going to do? -Hold my dress!
Wow!
Now, you make your own decision.
But l know where l'm going.
They've got in.
Atún?
UncIe, no, no, no!
Jesus, they're already here.
Clara, come on. Run! We have to go!
No fucking way.
Clara, come on!
This is my day!
Jesus!
Fucking heIl!
Oh!
Oh, God!
Rafa?
No!
CIara, CIara...
Jesus, this is reaIly weird.
This is realIy weird.
l'm sorry, Rafa.
CIara...
Clara!
Clara! l'm here! l'm here, my Iove!
I'm up here!
Koldo! KoIdo, my Iove!
l'm here, my Iove! I'm here!
I knew it!
Come up, come up. There's a Iadder here!
My Iove...
l'm coming, my Iove...
l'm coming, my Iove!
Are you okay? Are you okay?
I love you.
We're never going to separate again, are we?
-No. -Never.
And we're going to be parents.
We have to open this.
The screwdriver.
There's a screwdriver on the Swiss Army knife.
lt must be down there somewhere.
You have to find it, baby.
It's our only chance. Look for it!
It must be there somewhere. Look again!
lt has to be there.
I've got it!
Come on, bring it up!
Here it is!
They're coming, Koldo!
They're coming!
Open it, KoIdo! Open it!
Hurry, Koldo!
KoIdo! KoIdo!...
Let her go!
Koldo!
-My Iove... -Hurry, Koldo!
My love...
-Are you aIl right? -Yes, and you?
Yes.
-What's aIl this? -I don't know.
And now what do we do?
The tunneI! The tunnel, the tunnel!
We got out through there earlier.
You would have been a wonderful mother.
I love you.
ln the beginning, God created the heaven and the earth.
And the earth was without form and void...
and darkness was on the face of the deep.
And God divided the Iight from the darkness.
And God caIled the Iight Day, and...
the darkness he caIled Night.
They're stopping.
And the evening and the morning were the first day.
They're stopping. They're stopping. Why are they stopping?
I don't know.
But let's go.
Let the waters under the heaven be gathered together unto one pIace,
and Iet the dry Iand appear: and it was so.
And God caIled the dry land Earth;
and the gathering together of the waters caIled he Seas...
ls this our family?
Koldo...
Not any more.
...in the midst of the waters.
And God said, Let there be Iight: and there was light.
And Iet them be for Iights in the firmament of the heaven
to give Iight upon the earth...
No, no!
No!
God!
Fuck my granddad and his stupid bloody hearing aid!
The sword.
Pick up the sword.
Pick it up, KoIdo...
Come on!
Do it!
WeIl done, my love.
You're going to be a wonderfuI father.
Koldo, there are people over there!
Stay inside and do not come out!
Stay inside! l repeat, do not come out!
Stay inside!
I repeat...
Put her on the ground! She is infected!
l repeat, put her on the ground!
Get away!
She is infected!
I repeat, move away! Put her on the ground!
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