A mighty empire ruled by the descendants of gods.
A remote island where stone giants walked the Earth.
And a fertile garden where modern man was born.
Are the legends behind these ancient locations really based on fact?
If so, why did they exist?
And why have the answers been lost to history?
GEORGE NOORY: How in the heck did they make these?
How did they move them?
Nobody has the answer.
DAVID CHILDRESS: It may well be that the Garden of Eden today is underwater.
GIORGIO TSOUKALOS: These cultures were connected by
flying machines operated by
extraterrestrials.
NARRATOR: Millions of people around the world believe
we have been visited in the past by extraterrestrial beings.
What if it were true?
Did ancient aliens really help to shape our history?
And might we find proof by
searching for our planet's mysterious lost worlds?
Central America
In a fertile valley between
the Pacific Ocean and the Caribbean Sea, in what is now Honduras,
lie the monumental ruins of Copan.
This archaeological site is believed to have been the
cultural and political center of the once mighty Maya civilization
that thrived between 2000 BC and 800 AD.
PAYSON SHEETS: People have called Copan the paradise of Mesoamerica
because it was such a place for the arts and humanities
The sculpture is beautiful.
Architecture is just magnificent.
NARRATOR: It is believed that, at one time, Copan was
inhabited by as many as 20,000 people
and covered an area of ten square miles.
But in the ninth century, this incredible Mayan city
was abandoned, and its people vanished.
When Spanish conquistadors arrived in the 16th century,
they found only a few farming hamlets.
But why?
DAVID CHEETHAM: They decimated their environment.
Warfare became endemic.
And it ended.
And people left.
They walked away.
PHILIP COPPENS: To some extend, the idea that the Mayans became a lost culture
is a yes and a no.
We know that they stopped building.
But at the very heart of the Mayan, it's a belief, it's a religion.
which continues to beaten to this very day.
saying, please pay attention to us because we have this vast body of knowledge
"want to share with the world."
At Copan, the Mayan had built a complex of
monuments, temples and plazas, as well as sculptured
stone pillars depicting ancient kings.
The Maya were also one of the earliest ancient civilizations
to create a written language.
ADRIAN GILBERT: In the last 20, 30 years, it's been a huge advance in
the decoding of their hieroglyphs.
This is obvious happened in our generation is still ongoing.
NARRATOR: Might a closer look at the Mayan stone carvings
and their hieroglyphs provide proof of contact with
extraterrestrials at Copan?
According to ancient astronaut theorists, the answer is yes.
TSOUKALOS: Some of the large stautes at Copan
are infantly fascinating to me the gear they are wearing
is very reminiscent of something technological.
One of the figures has a box with tubes coming out
and buttons and just very weird things.
These statues look like some type of a being
wearing an astronaut suit.
And, in my opinion, that means that we were visited by some
type of extraterrestrials who
were very similar in appearance to us, because according to the
ancient texts, we were created in their image.
NARRATOR: Researchers working in Copan have also found stone sculptures
called stelae, which have provoked controversy since
the site was discovered in 1576.
And various interpretations of the carvings suggest the Maya
may have had knowledge of a world far beyond their own continent.
CHILDRESS: This is one of the curious dragon sculptures here at Copan,
of which there are many. In fact, this very oriental statues
would look right at place in China or some other Oriental country.
Some archeologists believe that they are elephants on either side
of this Copan ruler.
So why would there be, here at Copan, such Asian motifs as
elephants and dragons in a place in Central America that is so
far away from China and Southeast Asia?
Is there some kind of extraterrestrial connection
between the Mayans and the Chinese,
and an origin for both that comes from the stars?
How could the early Maya of Central America
have had knowledge possessed by people living in Asia--
on the other side of the Pacific Ocean?
TSOUKALOS: One of the basic premises of the ancient
astronaut theory suggests that there was contact between
ancient cultures way before we give them credit.
These ancient cultures were, in fact, connected by flying machines,
and those flying machines were usually operated
by extraterrestrials.
And especially in the Mayan carvings, we find many
references of the gods descending from the sky
in flying serpents.
Now, do flying serpents actually exist?
Of course not.
But it is a beautiful and very
poetic description of something that is rooted in technology.
NARRATOR: Due to the many strange carvings found at Copan really
provide proof of contact between the Maya and otherworldly beings?
And if so, might that contact have produced offspring
that could also be traced to an extraterrestrial source?
On the west side of the main temple at Copan stands a 63-step
structure known as the Hieroglyphic Stairway.
It contains more than 1,200 stones carved with symbols that
record the history of the kings of Copan.
CHILDRESS: This Hieroglyphic Stairway is the longest Mayan
inscription in the world.
It emphasizes the divine right of the 16 rulers of the Copan
dynasty to rule their subjects--
a power given to them by the gods.
SHEETS: The Hieroglyphic Stairway mentions the various rulers of Copan.
And talks about them in a semi divine sense.
So, they are human, they're mortal, but they are much more than that.
They are royal.
They have a spirit in their blood, and Maya called it Xuit Lel.
A Xuit Lel is in the blood and is the most powerful thing to
get access to the supernatural.
So a king's Xuit Lel,
when shed in a bloodletting ceremony and burned with copal incense,
goes up into the heavens and takes a message to the deities,
and they did things for the Maya.
NARRATOR: Could the Maya rulers really have been the descendants
of extraterrestrials, as ancient astronaut theorists believe?
Perhaps conclusive evidence can be found in what is widely believed
to be the most advanced celestial calendar system of ancient times.
VON DANIKEN: The Mayas had most the most precise calendar
of all the people in antiquity, even the Babylonian, the Sumerian
They did not only observed our planetary system
They observed Orion,
they observed Sirius
and all the far away systems.
JON LOHSE: One of the things that says about the Maya part
it was the their ability to monitor the passage of astronomical
events and to track the movement of constellations,
to predict eclipses
They really developed some of this knowledge and skills
to a pretty high degree.
It's remarkable.
No telescopes, no metal,
yet the ability to predict time and advance in time
in a way that it was really unprecedented in the world.
NARRATOR: But why did the Maya create such precise maps of the Cosmos?
According to ancient astronauts theorists, the Maya's knowledge of the stars,
in fact, came to them, from the stars,
brought by extraterrestrial beings.
COPPENS: When it comes to the ancient Maya that creation mythology
evokes these legends, which say somewhere, just south
of Orion's belt is this place where life originated from
and they came to planet Earth on 1,200 BC
when the ancient Mayans said the gods came to Earth.
VON DANIKEN: Their teachers were the gods,
and the gods were the extraterrestrials.
NARRATOR: If beings from another star system really came
to Earth in the ancient past, did they create the foundations
of Mayan civilization and breed with its rulers?
Might they have also visited other areas of our planet?
Perhaps further evidence can be found at a desolate mountain
kingdom visited by ancient priests from the East as the Magi.
Southeastern Turkey.
7,000 feet high, atop a barren mountain called Nemrud Dagi,
lie the ruins of the lost Kingdom of Commagene.
Here, in 62 BC, a mysterious royal sanctuary was built by
King Antiochus I.
Colossal statues were created of lions and eagles, and Persian
and Greek gods, as well as two
massive sculptures of the king himself.
GILBERT: Now, what Antiochus was trying to do was to produce
a synthesis, a new version of the old religions.
And what he basically did was to take the Persian gods and put
them into Greek dress.
So you've got a synthesis happening of the Persian gods
with their Greek equivalents.
DONALD SANDERS: The reason he build a colossal statue of himself
among the gods was, I guess, a presumption on his part
that he would indeed ascend to heaven and eventually be among them.
NARRATOR: The conical peak was the highest point in the
kingdom of King Antiochus.
Measuring 150 feet high and 500 feet wide, it is man-made with
countless small limestone rocks,
and was said to be the location of the king's royal tomb.
Researchers believe the memorial was originally built as two large plazas.
The one on the east side was used to celebrate the birthday
of King Antiochus.
The one on the west side was used to commemorate the day in
62 BC when Antiochus became the leader of a secret society.
GILBERT: I think it's meant to symbolize Mount Olympus,
the home of the gods.
Because you've got the God seated round it and then you've
got a peak above them.
I think this is all very symbolic.
It's a stage for carrying out certain rituals and performances.
SANDERS: And he also shows himself in the relief stelae
shaking hands to all the gods, as if the gods recognize him as
one of their own and are welcoming him into Heaven.
NARRATOR: Mysteriously, both the site and the kingdom were
abandoned in the first century AD.
And, so far, the king's legendary burial chamber has never been found.
But another question still remains: just why did King
Antiochus build this mysterious and massive monumental sanctuary?
According to researchers, evidence found at Nemrud Dagi
suggests the king had a profound interest in, and understanding
of star sciences.
GILBERT: One example of the advanced knowledge
of astronomy that they had is actually the
lion horoscope, which gives us a very precise date.
We know that the position of the stars on the lion's body
fits with the positions of stars of Leo given in a book
of Eratosthenes, who was a Greek
astronomer from Alexandria who wrote a book about the stars.
The arrangement of stars on the lion horoscope
represented the constellation of Leo as seen in the sky in July 62 BC,
a configuration that wouldn't be visible again for 25,000 years.
Further evidence of the exceptional knowledge of the
stars was found in a nearby shaft
that Antiochus built into the mountain.
GILBERT: The shaft runs into the mountainside there,
at an angle of 35 degrees to the horizontal,
and it's about 150 meters long,
and there's nothing at the bottom.
NARRATOR: Computer analysis reveals that on two days of the
year, the sun's rays would illuminate the bottom of the
shaft-- once when in line with the constellation of Leo and
once when in line with Orion.
GILBERT: Now, that is a very interesting point in the sky,
because it's the path where the sun crosses over the Milky Way, our galaxy.
And that, to the ancient world, was known as the Gate of Heaven.
And there were two of these-- one where they cross in the
north and the other where they cross in the south.
There were two Gates to Heaven.
So we can understand that that gateway would be where the soul
of the king is going back to heaven through Heaven's Gate.
NARRATOR: Given the fact that neither Antiochus's tomb or
remains have been found, is it possible that the king actually
journeyed to the stars through
a heavenly gate, as ancient astronaut theorists contend?
During his life, researchers believe Antiochus studied with
a priestly sect of Eastern astrologers called the Magi,
who were thought to be able to predict and even manipulate
events based on their knowledge of the stars.
JASON MARTELL: The Magi were renown priests from the far near east.
who had advanced astronomical knowledge
and it's well known that most of the astronomers from the near east
specifically ancient Irak, Sumer,
recorded series of events happening in the heavens
over hundreds of thousands of years.
This information was kept on stone tablets, held very
sacredly and only passed down to the high priests.
NARRATOR: According to the Gospel of Matthew
in the New Testament, it was three of these magi who followed
celestial signs and stars to the birthplace of Jesus
in Bethlehem.
A coincidence?
MARTELL: What's interesting about this story is that the
Star of Bethlehem wasn't used as a navigation point.
It is clearly stated as it guided the wise men to the place of Christ.
A star cannot guide someone.
It can only be used as a navigation point.
So this brings up the idea that the star was possibly a UFO.
TSOUKALOS: Today we think that the Magi were magicians
and that is actually why we have the word magic today.
But when I hear about magical powers, that raises a flag
because magic as such does not exist.
So were these Magi, in fact, in possession of some type of an
extraterrestrial technology?
Because, according to the ancient texts, it was the
initiates of each culture who were in touch with extraterrestrials.
And it was the initiates who later became priests or magi.
NARRATOR: Is it possible that Antiochus was, in fact, a magi,
one who learned celestial knowledge from extraterrestrial sources?
If so, might the monumental sanctuary at Nemrud Dagi have
been built as a place to contact star travelers?
The answer may have been found among the ruins of Nemrud Dagi.
GILBERT: The head of Antiochus is placed on the
statue which is appropriate for Mercury, and that's because
Mercury is the planet of initiation for priests.
And he's one himself, so he models it on himself.
And people think this is him being boastful-- sitting among the gods.
It's not.
It's actually a code to say that he's one with the priests.
NARRATOR: Eventually annexed by the Romans in the first
century AD, King Antiochus and his court became scattered
throughout the region.
Or were they?
According to ancient astronaut theorists, they may have instead
used a heavenly gate to depart through--- to a distant realm.
An audacious idea?
Perhaps.
And there are those who believe further evidence can be found in
one of the driest areas of the world-- in South America.
Peru, South America.
250 miles south of the capital of Lima lies one of the driest
places on Earth-- a wasteland that once was home to an ancient
civilization called Nazca.
Thriving between the 15th century BC and 500 AD,
the Nazca were a deeply religious and spiritual people who built
their ceremonial center in the temple city of Cahuachi.
GIUSEPPE OREFICI: Cahuachi is the largest adobe ceremonial center in the world
Therefore, we find groups of temples and pyramids
of immense size. Spirituality was the most important thing in Cahuachi
The people of Nazca used the sacred spaces to elevate themselves
in order to communicate with the deities.
BRIEN FOERSTER: The Nazca were predominantly were farming people
So Cahuachi was built at the prime when they had all the food they needed
and they had enough resources to be able to develop
a highly evolved religious system.
NARRATOR: But the Nazca people and their culture
mysteriously vanished some 1,200 years ago, though not
before etching a series of enormous geoglyphs--
or ground drawings-- into the nearby desert floor.
OREFICI: The Nazca Lines were an important
element of their religious worship and their ceremonies.
They would walk through these lines during their ceremonies,
breaking ceramics and offering
important elements to the deities from their own culture.
The great geoglyphs are composed of dozens of
spirals, triangles and trapezoids, as well as miles of zigzagging lines.
FOERSTER: This whole flat area, which covers several
square miles, is covered in stones made of iron oxide,
either red or black, and that's what gives it the darkish,
brownish red appearance.
But right underneath the surface
is clay, which is white, and all I have to do---
is that.
The contrast between the clay
and the iron oxide gives a Nazca Line.
Acre size drawings depict a hummingbird, a spider,
a killer whale and a human figure with owl-like eyes.
FOERSTER: They would have had to have had observation from the
sky in order to guide the workforce the ground
as to how to draw complicated figures such as the spider and
the hummingbird.
NARRATOR: Preserved for centuries by the lack of wind
and rain, the lines are best seen from the air, and were
first spotted by aviators in the 1930s.
But why did the Nazca create patterns that could only
be properly seen from a great height?
JORGE LUIS DELGADO MAMANI: The obvious answer is because
you can see only from the sky.
Many of our ancestors would talk about the star people.
All these sacred sites we consider it is for whom? For the star people
CHILDRESS: At Nazca and other areas in Peru
there are legends of sky people and gods coming down from the sky.
NARRATOR: But might the so-called star people referred
to in the Nazca legends really have been extraterrestrial
beings, as ancient astronaut theorists believe?
VON DANIKEN : In the beginning there was just one line
made by some robot or some extraterrestrial spaceship
or space shuttle because they were looking for raw material for energy.
TSOUKALOS: After a while the local population would see all those tracks
on the ground.
And they would say, that these tracks were just left behind
by these divine beings, by the gods.
And then they would wonder and "what can we do for those gods to return?"
According to ancient astronaut theory,
the earliest of the Nazca Lines were made in imitation of the
trails left by the first space visitors.
Later generations added more elaborate lines, and then
shapes and figures, all in an
attempt to signal the star gods to return.
But they never did.
OREFICI: And this caused the population to doubt the deities, because it
was mainly a psychological problem they had with their
deities that brought about the
abandonment and collapse of the Nazca culture.
NARRATOR: But could there be other evidence of alien contact
with the ancient people of Peru that is even more astounding
than the Nazca Lines?
CHILDRESS: Some of the skulls that we find today, because it's
a very dry desert and they're well preserved, are some of the
most astonishing, elongated skulls that you'll ever see.
And they look like extraterrestrials.
NARRATOR: According to Nazca
legends, the gods had elongated heads,
much like the distended skulls of the controversial
Egyptian pharaoh King Tutankhamen and his sister Meretaten.
FOERSTER: I honestly believe that the largest of the
elongated skulls represent hybrid human beings dating
back thousands of years, who lived here very peacefully
and could very well be the ancestors of the lnca.
And that could be the reason why the Inca suddenly were these
people of incredible sophistication who came from
seemingly nowhere.
It's possible that they're descendants from star beings.
CHILDRESS: Were they trying to imitate people they had
already seen, gods from outer space?
NARRATOR: Is it possible the ancient Nazca altered their
bodies and their lands in order to communicate with or emulate
something their ancestors may
have witnessed, something out of this world?
Perhaps further clues to mankind's extraterrestrial
connection can be found in the
most remote place on planet Earth: in the South Pacific.
The South Pacific Ocean.
2,300 miles west of South America, in one of the most
remote places on Earth, giant
stone figures stand with their backs to the sea.
Called moai by the native inhabitants, they are the silent
sentinels of Easter Island.
STEVENSON: The moais are scattered throughout the island,
and they're positioned on top of platforms, for the most part.
A moai is a stone sculpture of a deceased ancestor
They were once living individuals
who ruled the society or led the society.
They were chiefs.
And then, upon their death, we
believe that they've become represented in stone.
Nearly 900 moai were carved between the 12th and 18th centuries.
Hewn with stone tools from volcanic rock, the tallest
stands a towering 33 feet high and weighs a staggering 75 tons.
They were even more unique-looking in the past.
They may have been painted.
And they also had large white coral eyes with obsidian pupils.
So it's a very effective way of kind of telling people, not
verbally but symbolically, that someone's watching you and you
should toe the line.
You should do what you're supposed to do.
NARRATOR: The people who created the moai called
themselves the Rapa Nui, and mainstream historians
believe their Polynesian ancestors came to the island in
canoes from across the vast
Pacific Ocean between 700 and 1100 AD.
But over several centuries, for reasons that are still unclear,
what was once an island paradise withered into a treeless desert,
stalked by famine, violence and some say cannibalism.
When the first europeans arrived in 1722, the Rapa Nui culture
had already been nearly wiped out...
and few could imagine how such primitive people could have
created the moai.
NOORY: How in the heck did they make these?
Where did they come from?
and how did they move them?
Nobody has the answer.
Modern scientists have tried, and so far have failed
to duplicate the feats of the ancient Rapa Nui.
In 1987, anthropologist Charles Love used rollers to move a
nine-ton moai replica at Western Wyoming Community College.
Ready?
On three.
One, two, three.
Come on, Rick.
- Come on. - Get it
Good.
Thank you.
Whoa.
Only able to budge it about half an inch.
NARRATOR: Other researchers have tried pulling moai with sleds.
But there is a unique problem with the idea of moving moai
with sleds or rollers.
LOVE: When you go to Easter Island, you don't get the
impression they had enough wood to have rollers.
And in fact, in the 1700s, the first four expeditions to Easter
Island never really saw a tree.
And so that's the real mystery of Easter Island
how can you move a multi-ton statue if you have no trees for rollers?
NARRATOR: According to the oral history of the Rapa Nui,
the moai were moved in a very unusual way.
LOVE: They all reply basically the same thing.
The moai walked to the ahu, and that's the only explanation that they give.
NARRATOR: But who or what had the power to make multi-ton moai
appear to walk to their ahu, or stone platforms?
In 1919, British archaeologist Katherine Routledge, who lived
on Easter Island for a year, recorded the legends and
testimony of an old woman who said the moai were moved with
a mystical energy called mana.
And according to the oral histories of the Rapa Nui,
mana came from the gods.
TSOUKALOS: Mana was a direct gift of the gods given to the Easter lslanders
Was this mana really a type of magical force?
Of course not.
It was some type of misunderstood technology,
some type of a device, an extraterrestrial tool with which
you could move those massive Easter Island heads rather easily.
NARRATOR: Did early inhabitants of Easter Island
really know how to unlock the secrets of gravity using mana?
And if so, where might such power over the physical world have come from?
Researchers believe there are clues hidden within mysterious
written texts called rongorongo, inscribed on pieces
of wood, discovered on the island in the 19th century.
LOVE: This is a rongorongo board.
And it's a replica of ones of old.
About 25 of them are known.
We have had about six or eight different attempts at
translating these things, with six or eight different results.
CHILDRESS: You have to ask yourself, how could the Easter islanders
have invented their own writing without some other cultural
influence coming there.
Would it have been ancient seafarers coming to Easter Island
or perhaps even space visitors?
NARRATOR: Further evidence of early contact with otherworldly beings
can be found in numerous strange stone carvings--
called petroglyphs.
LOVE: What we see in the petroglyph art of the island are
these figures of bird men, these tangata manus, carved in bas
relief on the rocks on the very edge of the precipice.
NARRATOR: In the myths of Easter Island's Rapa Nui, the
bird man represents Makemake, the chief god and creator of humanity.
COPPENS: Did at some point in the past a creature come,
which was Bird man who flew in from somewhere?
Did he arrive on this island and did he indeed
live very much like a pariah?
Did he die or did he take off again, and is this what the
locals keep this legend of this creature who came to them alive
through myth, legend and ritual.
Walking stone giants,
petroglyphs of flying beings---
might the ancient inhabitants of Easter Island have been
familiar with antigravity levitation and spaceflight?
If so, might these astounding abilities-- forever lost to
time, have been made possible by extraterrestrial visitors?
Perhaps more evidence can be found in the most famous and
alluring of all lost worlds-- the Garden of Eden.
The Middle East
For centuries, archaeologists,
theologians and scholars have debated the location-- and even
the existence of the ultimate of all lost worlds--
the biblical "Garden of Eden."
It was here, according to the Hebrew Book of Genesis, that
a paradise once existed--
a paradise where the first human beings, Adam and Eve, were
actually created by God.
But could such a paradise, now shrouded in myth and legend,
have actually been a real place?
COPPENS: When we're looking at the Garden of Eden
we know there is actually a physical description as to where it was.
It is set at four very specific rivers, came from it, over near it
So we can actually go in search of this.
ROBERT MULLINS: Two of these rivers, the Tigris and the Euphrates rivers,
are well known and actually run through what is Irak today.
The other two rivers that are described are not very clear.
NARRATOR: Researchers now believe the third river, known
as the Karun River, runs through Iran and joins the Euphrates
just north of the Persian Gulf.
Then, in 2010, satellite imagery revealed a fossil river, or dry
riverbed, called the Wadi Baton, that once flowed through
northern Arabia and also joined with the Euphrates.
Could these two rivers have been the location of the Pishon
and Gihon rivers-- the lost rivers mentioned in the Bible--
that point to the actual location of the Garden of Eden?
JURIS ZARINS: When you read the account in the Genesis
it says that the four rivers form one river
So very careful reading indicates that the two rivers
which are today in Irak, Tigris and Euphrates, and the one which
is in Iran, the Karun and a false river, in Arabia, and then when you join them up
to form one river that is the approximate location of northern Persian Gulf.
NARRATOR: And according to the Bible, that one river flowed
through the Garden of Eden.
ZARINS: And so, based upon Landsat images and a close
reading of the Hebrew text, I think that the location of the
Garden of Eden is under the
waters of the Persian Gulf and not on land.
NARRATOR: Scientists believe that during the last ice age,
the polar ice caps were two miles high and ocean levels were
170 feet lower than they are today.
Recent studies suggest the area of the Persian Gulf would have
been a dry, fertile plain the size of Great Britain, providing
an ideal refuge to some of the earliest humans outside Africa
nearly 75,000 years ago.
But as the ice caps melted over the course of thousands of
years, the waters of what is now the Indian Ocean flooded the
land and formed the Persian Gulf.
GRAHAM HANCOCK: During that long period, there were at least
three episodes of very very major flooding.
When you would be looking at 30 or 40 ft rises in sea level
virtually over night.
NARRATOR: Might a great flood-- perhaps the one
described in the biblical story of Noah's Ark, really be
responsible for the disappearance of the so-called "Garden of Eden"?
Ancient astronaut theorists believe it is not only possible,
but that the proof can be found by studying ancient Sumerian texts.
The earliest known civilization of Sumer dates to 5,000 BC,
and their first settlement in
southern Mesopotamia was called Eridu.
ZARINS: The ancient Sumerians have a wonderful story.
They believe that they had lived in an area that was probably to
the south of what is today Sumer.
And the reason we know that is because they said they came out of the sea.
NARRATOR: Ancient cuneiform writings that have survived on
clay tablets suggest the Sumerians had been brought to
Eridu by their god Enki.
The cuneiform texts also describe an alien race named
the Anunnaki who came to Earth and
created the first modern human beings.
ZARINS: Adam in sumerian or a very early form of
Sumerian, means "a small rural settlement."
"Eve," however, isn't Sumerian.
"Eve" in Arabic and the Semitic
languages means "one who gives birth."
The word "Eden" is a pre-Sumerian word and it means "plain."
NARRATOR: But, according to ancient astronaut theory, the
Sumerian accounts may actually refer to a more ancient time,
and to a distant fertile plain now lost under the waters of the Persian Gulf.
COPPENS: Now the question is this, was the Garden of Eden
really some kind of laboratory where certain things were
created by the ancient scientists of their day?
Well, if mankind was created in a Garden of Eden, then clearly
whoever was creating this wasn't a human being,
it was somebody else.
TSOUKALOS: So is it possible that the Garden of Eden
was located here on planet Earth?
Yes, but was it a specific geographic location?
I'm not sure.
Personally, I'm leaning more towards the idea that the Garden
of Eden was some type of a closed environment somewhere
in nature, but it definitely was
some type of a laboratory from where modern man originated.
NARRATOR: Is it really possible that the first humans
were created by extraterrestrial beings in what is referred to
in the Bible as a "Garden of Eden"?
If so, has the evidence existed all along, on the cuneiform
tablets of the ancient Sumerians?
Ancient astronaut theorists believe the answer is a
definite yes.
And there are those who believe that such an incredible notion
is not only possible, but that the proof lies in the further
investigation of lost civilizations and ancient worlds--
an investigation that will not only uncover our past,
but reveal our future.
sync and corrections by Bellows www.addic7ed.com