Narrator: Ancient stone
fingers reaching for the sky,
and stretching out over several
Miles.
David Childress: People who
were basically one step removed
from cavemen were quarrying
these giant stones, some of them
weighing 100, 200 tons... even up
to 350 tons.
Narrator: A complex of stone
structures dating back more than
10,000 years.
Graham Hancock: It just
stands there, asking us to go
figure, "how was this done?"
"What's the background to this?"
Jason Martell: Were they
meant to be seen by people in
the sky?
Who could have been flying at
that time other than
extraterrestrials?
Narrator: And the remains of
an lncan temple, reported to
have otherworldly origins.
Erich Von Daniken: They
wanted that in the far future, a
question comes up: "Have you
been visited by outer space?"
Narrator: Millions of people
around the world believe we have
been visited in the past by
extraterrestrial beings.
What if it were true?
Did ancient aliens really help
to shape our history?
And if so, is there an
extraterrestrial explanation for
the earth's most mysterious,
unexplained structures?
Narrator: Located more than
500 Miles away from the crowded
streets of Istanbul is Sanliurfa
in southeastern Turkey.
There, in 1994, on a dusty
hilltop, a local Shepherd
noticed the tip of a stone
sticking out of his field.
He began to dig, eventually
unearthing a 19-foot pillar.
Its edges were precise, and
rising from its center was a
relief carving of a strange
animal.
Upon closer examination, it
appeared that the
finely-chiseled stone had been
fashioned by talented
stonemasons, working with
advanced tools.
When word of the discovery
reached the scientific
community, one fact became
obvious.
A Kurdish Shepherd had stumbled
upon what is perhaps the most
astonishing archeological
discovery in modern times,
a site known as Gobekli Tepe.
Linda Moulton Howe: For 13
years, a German archeology team
has been meticulously going into
a hill, and they have been doing
carbon dating as deep as they
go.
And it has taken them 13 years
to uncover only five percent of
a gigantic civilization.
They know what's under the
ground.
Circles upon circles upon
circles.
Perfect circles in stone.
And rising up out of those
stone circles are huge, sculpted
columns, 19 feet high, 15 tons
per column.
Narrator: Test results have
supported the idea that Gobekli
Tepe is nearly 12,000 years old,
almost 7,000 years older than
Mesopotamia's fertile Crescent,
long heralded as the cradle of
civilization.
Howe: Gobekli Tepe, the
oldest advanced site now on our
planet.
We know of no other site that is
this advanced.
It has now doubled the history
of humanity.
Graham Hancock: And right
there is this gigantic site with
huge, megalithic, circular
structures.
It just stands there, a mystery,
asking us to go figure, "how
was this done?"
"What's the background to this?"
We don't know who made them.
They just come out of the
darkness of the last ice age,
where we know nothing, and enter
the stage of history, already
fully formed.
And to my mind, this is
indicative of a major forgotten
episode in human history.
Narrator: Could the discovery
of Gobekli Tepe radically change
our understanding of human
history?
And might proof of an ancient
civilization provide evidence
that mankind's most puzzling
myths might actually be based in
fact?
Robert M. Schoch: A lot of
myths, a lot of legends suggest
that there were past
civilizations of astounding
sophistication at incredibly
early periods.
I think we have little glimmers,
little suggestions around the
world that there was something
going on, much higher, much more
sophisticated at a much earlier
period of time.
Andrew Collins: To put things
into perspective, Gobekli Tepe
is 12,000 years old.
That is several thousand years
earlier in age than Stonehenge
and the great pyramid.
And indeed, according to
biblical tradition, the world
really began in 4000 b.C.
And yet, that is 8,000 years
later than the foundation of
Gobekli Tepe.
So, clearly, we have here
something that contradicts our
normal understanding of the
evolution of civilization.
Narrator: Curiously, after 13
years of digging, archeologists
investigating the ancient site
have failed to recover a single
stonecutting tool.
Nor have they found any
agricultural implements.
Howe: How in the world can
you contemplate 19-foot-tall,
perfectly-sculpted columns that
are 11,000 to 12,000 years old,
and no tools?
Narrator: The mystery of
Gobekli Tepe is further
compounded by the ancient stone
carvings found throughout the
site.
They depict creatures like
armadillos, wild boars and
geese... animals not indigenous
to the region.
Collins: We see various types
of creatures, different animals,
birds, insects, and even
abstract human forms that seem
to come together to create this
very weird menagerie which has
totally baffled the
archeologists who have uncovered
this site.
Now what they represent is a
matter of speculation, but it's
my intuition that they may even
represent an ark in stone.
Narrator: Located less than
350 Miles from mount Arara the
site many biblical scholars
believe to be the resting place
of Noah's ark, the animal
carvings of Gobekli Tepe suggest
a time in the region's history
when the indigenous animal
population may have been of a
totally different
anthropological origin.
But do these carvings actually
provide historical proof of the
great flood that was described
in the Bible?
Hancock: Archeologists are
aware that there are more than
2,000 myths of a great flood
which destroyed an earlier
civilization.
Narrator: Some researchers
theorize that the events of a
cataclysmic flood and a story
similar to that told of Noah's
ark was recorded on the stone
pillars of Gobekli Tepe.
If true, that would push the
date of the great flood back to
the end of the last ice age, far
earlier than the biblical
period.
Collins: There is evidence
that this may have ended quite
catastrophically.
There was a lot of things
happening.
Um, a lot of migrations.
Possibly waters rising up very
quickly.
A lot of rapid changes in
lifestyles.
Narrator: But another,
perhaps even more profound,
question remains.
Who built Gobekli Tepe?
For what purpose?
And how did such an ancient site
remain in nearly pristine
condition for more than 10,000
years?
Philip Coppens: In the case
of Gobekli Tepe, we find that
the site was carefully placed
underneath sand.
This site was buried.
It appears as if somehow the
usage of Gobekli Tepe was no
longer there, and that people
moved on, but had such a
reverence to this important site
that rather than destroy it,
they put it to peace by burying
it.
Narrator: But why would the
area's inhabitants carefully
bury their monuments under 20
feet of sand?
Is it possible that Gobekli Tepe
was deliberately buried in
order to protect it from
invaders?
Or might the intention have
been to preserve it, in hope,
someday, to return?
Childress: You have to ask
yourself, why is someone
building these massive
structures all over the world?
And many of them are very
similar.
It leaves us to think that there
is some connection between all
these ancient sites...
That the builders were all doing
it for a similar purpose.
Martell: I do see a
similarity across the globe
from megalithic sites where
these past cultures explain that
they were built by the gods.
But were they really gods?
Or could they have been
extraterrestrials?
Narrator: Perhaps the answers
can be found by examining
another ancient site, one
located half a world away in
the mountains of Peru.
Narrator: Peru, home of the
world's longest Mountain range,
the Andes, the spine of
South America.
Here in a high river valley,
among peaks towering over 20,000
feet, the lnca established their
capital city of Cuzco, which
thrived for over 300 years...
Until Spanish conquistadors
arrived in the 16th century.
Above Cuzco, at an elevation of
more than 12,000 feet, looms the
ancient fortress of
Sacsayhuamán, whose immense
stone walls may hold secrets
which predate the lnca
themselves.
Hancock: My feeling, very
strong feeling, is that we're
looking at a two-phase
construction site in many of the
so-called lnca stone monuments.
And that the lnca structures sit
on top of much more ancient
rock-cut structures and
megalithic structures that we
just don't know who built them.
And this actually fits with the
Incas' own view.
Narrator: Like many lnca
sites, Sacsayhuamán features
astonishing stonework...
But not all of it credited to
the lnca.
According to conventional
archeology, the Killke
culture built the older sections
of the site approximately 1,000
years ago.
But the lnca themselves believed
the site was constructed by an
earlier unnamed race of
people, led by a powerful God
who descended from the skies.
Martell: Throughout time
there has been witness to a God
named Virococha that visited the
South American people and
blessed them and gave them all
types of technology.
And some of his physical
characteristics make him stand
out from the indigenous
population, because he was a
very tall, pale-skinned,
white-haired being.
Narrator: But did this God
Virococha actually exist?
Could he have been, as ancient
astronaut theorists suggest, a
visitor from an alien world?
If so, it might help to explain
just how the ancient site was
constructed.
John Brandenburg: This rock
weighs about 20 tons.
This is miniscule compared to
many of the rocks at
today we have heavy machinery to
move such stones.
But in the ancient times,
especially the lnca, they would
have used massive human
work forces working for massive
amounts of time.
A rule of thumb is it takes
about ten to 20 men to move a
one-ton rock.
So when you're talking hundreds
of tons, you're talking
thousands of men.
Childress: What we see is a
culture who have got the
technology to quarry giant
blocks of stone... move them to
the site where they want to
build and then to stack and cut
and articulate these massive
blocks into, in some cases,
almost indestructible structure.
Christopher Dunn: You talk
about granite, you're talking
about a composition of feldspar,
mica and quartz.
So you'd need diamond to
actually abrade it or cut it.
We would use diamond today to
cut granite.
Those are the kind of
discoveries that lead one to
question whether they were
really using the tools in the
ancient toolbox, or whether
there was something else at
work.
Narrator: Shaman Jorge
Delgado has spent most of his
life studying the mysterious
structures of Peru...
Many built prior to the rise of
the lnca empire.
Jorge Delgado Mamani: It's
amazing... all the weight of the
stones.
You know, it's difficult,
definitely, for any human to
move, even in groups.
And the other aspect is how it's
put together.
In some stones, we will see,
still now there is like some
marks that it seems that it
was dissolved.
Hancock: The walls are put
together with blocks of stone
weighing 50 or 100 tons, cut
and shaped like the pieces
of a Jigsaw puzzle, so that they
lock together so tightly that
you can't even get a sheet of
paper between them.
Martell: There are signs in
many of these stones that show
very large amounts of thermal
heat have been applied to mold
the stones in such a way that
they fit perfectly.
And so it really does raise a
lot of questions.
Giorgio Tsoukalos: If you
look at the style the
Sacsayhuamán wall was built,
the blocks look as if they've
been molded like putty.
If you can mold stone into
place, then all of a sudden, as
crazy as this sounds, it makes
more sense because there is no
mortar that has been used.
Narrator: According to local
legend, a bird was responsible
for the seamless construction.
Legends say the winged creature
carried a powerful chemical in
its beak... a substance capable
of melting stone.
Mamani: Sacsayhuamán means
"the head of the falcon,"
falcon's head.
But maybe it was some falcons or
maybe some bird people who could
connect with the place.
Narrator: But is it possible,
as ancient astronaut theorists
suggest, that the mythical bird
might actually have been a
spacecraft piloted by alien
visitors known to the locals as
space brothers?
Mamani: I believe that it's a
combination of the space
brothers' technology with other
kind of possibilities.
Nowadays we know, well,
different kind of tools.
We didn't have before these
kind of tools.
Or maybe we had more
sophisticated.
So the thing is that this place,
Sacsayhuamán, it continues as a
mystery.
Martell: So looking at all
these sites with these perfectly
stacked stones, we're looking at
a type of technology that's not
used anywhere else on earth.
I don't discount human
ingenuity, but that type of
engineering that we still can't
duplicate today must raise a
flag for further consideration.
It's almost extraterrestrial,
in a sense.
Someone had to have taught them
these techniques.
Narrator: But whether the
process of forming the large
megalithic stones involve the
use of thermal energy or a
mysterious chemical, one thing
is certain: The ancient builders
used the technique on
a vast scale.
But why?
What was the intended purpose
of creating such intricately
built stone structures?
Martell: So we can't really
give an answer as to what they
were being used for other than
we know that the
extraterrestrials more than
likely are the source of what
they call "gods."
How did they get here?
More than likely in some type
of craft, and very possibly,
they could have been using these
large megaliths as platforms
to land on.
Narrator: But if Sacsayhuamán
was in fact constructed by alien
visitors, might there be
additional evidence of their
time on earth at other
ancient sites around the world?
Perhaps there is.
And the path to that evidence
is clearly marked in stones.
Narrator: Few sites on earth
are as majestic or as
treacherous as the jagged region
of Brittany located on the
northwest coastline of France.
Here can be found the legendary
Carnac stones... a collection of
over 3,000 massive rocks
arranged in rows and other
shapes and spreading across
more than two Miles of French
countryside.
Schoch: You're talking
thousands of stones that are
aligned in straight rows,
aligned in circles, aligned in
squares and rectangles.
Why are people doing this?
Why are they putting so much
time and energy into something?
And the short answer, I believe,
is that we really don't know.
Narrator: According to local
legend, the megaliths were
originally invading Roman
soldiers turned to stone by
Merlin the magician.
But if it wasn't magic that
created this forest of stones,
who or what did?
Childress: Modern
archaeologists would say that
people who were one step removed
from cavemen were quarrying
these giant stones, some of
them weighing 100, 200 tons...
even up to 350 tons... and then
somehow moving them into place.
When you first look at the
stones here at Carnac, they seem
to be in haphazard shapes, but
on closer examination we can see
that most of the stones have
been cut on one side or another.
And in fact, these granite
megaliths are magnetized with
the earth, and nearly all of
them come to a point.
Narrator: Stone magnets?
Is it possible that these stones
were really cut in position in
such a way as to create some
sort of geomagnetic field?
But why?
Childress: Carnac as a
place is highly charged with
energy.
As you walk down these stone
corridors, you can feel
this charge.
Many tourists who come here also
like to touch the stones and
feel the energy coming
off of it.
The people who built Carnac must
have been highly knowledgeable
of the earth's energy fields.
Narrator: According to a
concept known as the "world grid
theory," certain places on our
planet contain higher magnetic
forces than others.
Martell: An interesting
coincidence for all the
megalithic structures we have
around the earth is that they're
placed at specific points that
could be harnessing an ancient
world energy grid.
Schoch: There are certain
spots around the world which
have traditionally been
sacred, hallowed, vortexes.
Energy feels different there.
Wilcock: The ancient stone
monuments were built to harness
that force and that potential to
create a funnel-like vortex.
Martell: When we look at
things like the Giza pyramids or
Machu Picchu or Baalbek in
Lebanon, all of these are placed
at specific geo-coded locations
which relate to this world
energy grid.
Narrator: Could Carnac be one
of these locations?
And might the combination of
geomagnetic properties and the
unique shapes of the stones
themselves have allowed ancient
builders to actually
manipulate gravity?
If so, where did this knowledge
come from?
And what ultimate purpose did
it serve?
Childress: It wasn't until we
were able to see these stones
from above, in a helicopter,
that we realized that Carnac was
meant to be seen from the sky
above us.
Tsoukalos: And that is one of
only three things that you can
see from outer space.
That's Nazca, the great wall in
China and Carnac.
Martell: Were they meant to
be seen by people in the sky?
And who could've been flying at
that time other than
extraterrestrials?
Narrator: At one end of the
Carnac alignment, aerial
researchers identified a stone
circle similar to the one
found at Stonehenge.
At the other end, investigators
on the ground discovered a
rectangle of stones, one that
had been buried for centuries.
Both groupings appeared
precisely placed to predict
both the summer and the
winter solstice.
And when even more closely
examined from above, the
solstice points and the
alignment of Carnac's many rows
of stones reveal yet another
geometric phenomenon: The shape
of a Pythagorean, or right
triangle, covering many square
Miles.
But how could the builders of
Carnac have had knowledge of a
sophisticated mathematical
theorem approximately 2,000
years before its
discovery by the Greek
mathematician Pythagoras?
Tsoukalos: These conclusions
about the Pythagorean theorem
doesn't come from me; It
actually comes from quite
looked at these alignments and
made the calculations.
We're talking stone age time,
and they knew about a squared
plus b squared equals c squared?
They knew about it,
yes, but why?
Who told them this?
At the time, extraterrestrials
told our ancestors, "put this
stone here, put this stone
there," with the idea that a
future generation would have to
stumble across this
mathematical riddle, that
somebody would say,
"hold on a second."
This was erected during the
stone age, yet here we have
advanced mathematics.
"How is this possible?"
Von Daniken: Now these
extraterrestrials, they ask
themselves, "how could we give
them a sign?"
And there was a suggestion made
in French Brittany... kilometers
of stone lines in the form
of a triangle.
Gigantic triangle.
So we have the sign.
We have the information.
But nobody looks at it.
It's time to change our attitude
to these things.
Childress: I think that these
stones are transmitting energy
that extraterrestrials or others
in airships could pick up this
energy like a GPS system or
some kind of airport beacon
and use it for navigating
the entire planet.
Narrator: Gigantic triangles
made of stone.
Geomagnetic phenomenon.
The possibility of an
extraterrestrial encounter with
humans thousands of years ago.
But if alien visitors did touch
down at Carnac, where else did
they land?
And where did they come from?
Perhaps a recently discovered
archaeological site in Armenia
will provide the answer.
Narrator: The Syunik
province, Southern Armenia.
Approximately 140 Miles
southeast of the nation's
capital, Yerevan, lies the
city of Sisian.
Nearby sits a high plateau where
hundreds of ancient stones, some
weighing more than 50 tons,
stretch over a third of a mile.
This is Carahunge, also known as
the Armenian Stonehenge.
Estimated to be approximately
7,500 years old, Carahunge
predates the British Stonehenge
by more than 4,500 years.
The site is made of 203 slabs
of basalt.
At the structure's center stands
the stone circle, or henge.
Nicholas Howarth: When most
people hear of stone henges,
they think of the Stonehenge
in England.
But there are hundreds of these,
uh, henges, or stone circles,
scattered all across Europe.
What they were and how they
were used is still a mystery.
Tsoukalos: Mainstream
archeology still doesn't agree
on who lived there or who the
builders were of that site.
What we do know, though, is that
the entire site is definitely
a part of some type of an
astronomical model.
Narrator: But how could this
simple circular array of stones
have given early man information
about the stars?
Is it possible that Carahunge
might be the world's oldest
observatory?
In September of 2010, England's
Oxford university sent an
expedition to investigate.
Howarth: What makes this
exceptional megalithic monument
unique are the small holes,
which have been bored into the
rock at different angles.
There are 85 stones with holes.
They're like telescopes.
What we see with these holes is
that they are pointed at
different alignments to
positions, uh, on the horizon or
into the night sky.
Uh, what they're pointing at is
still a mystery to us.
But we can say with certainty
from the archaeological
evidence that they were some
sort of way to connect man and
his life on earth to the
heavens above.
That we can say that people were
systematically trying to
understand their place in the
solar system.
Wilcock: This site is also
called the Zorats Karer, which
means "the stones of the
powerful."
And what has been determined is
that the outline of these stones
actually does correspond to the
constellation known as Cygnus,
or the swan...
Which, in certain cultures, is
also referred to as the vulture.
Collins: Cygnus has always
been seen among cultures around
the world for many, many
thousands of years as a point
of entry and exit into the
sky world... this belief in a
power in the stars, the idea
that we come from the stars and
actually return there in death.
Narrator: The early Greeks,
Chinese and others also believed
that Cygnus had a special power
or unique significance.
But why?
Why would so many ancient
cultures around the world have
similar myths about the same
constellation?
Tsoukalos: The only reason
why I would do this, if I were
on a foreign planet, is to give
a message to future generations
to say, "hey. Nudge, nudge.
This is where we came from."
Narrator: Although, today, it
is no longer possible to see
Cygnus through the notches of
Carahunge, many theories exist
as to why the position of the
constellation has changed so
drastically.
Wilcock: This site dates back
to antiquity, where the earth's
axis was in a different
position.
And you had the constellation
visible in the sky at that time
because of the fact that the
earth was on a different tilt of
its axis entirely.
Narrator: Mainstream
scientists have calculated that
the earth's axis slowly changes,
or wobbles, over a 26,000-year
period.
But there are other researchers
who believe these shifts happen
more suddenly and dramatically.
They claim that when these
events occur, they cause major
climate changes...
Flooding of biblical
proportion... and the widespread
destruction of life.
But if these rapid shifts did
occur, might Carahunge have been
designed to provide something
of a warning?
Wilcock: It's possible that
the Armenian Stonehenge was one
of the initial sites where ETs
came to visit.
And if there had been some sort
of shift on the earth's axis
before, if there were periodic
cataclysms, then maybe there is
a time cycle in which those
cataclysms happen.
And maybe these ancients were
very concerned about watching
the astronomical alignments
because they wanted to make
sure that this wasn't going to
happen again.
Narrator: But could alien
visitors from other worlds have
come to this spot even before
Carahunge was built?
Perhaps petroglyphs in the
area... much older than the
standing stones... offer even
more clues.
Howarth: The petroglyphs go
back to a much earlier time,
so I think my first point is
not to confuse the petroglyphs,
which are from 10,000 years
before Christ, with
Carahunge itself.
When the stones went up, it was
probably 3,000 to 2,000 years
before Christ.
There are thousands, if not
hundreds of thousands, of images
of humanoid figures on the site.
Some of them are quite distorted
and difficult to understand
and interpret.
Martell: The Armenian
Stonehenge also has some
interesting carved wall reliefs
that show humanoid-looking
beings.
Now, many people have speculated
that these could be possibly
extraterrestrial.
We look at the very bulbous
shaped heads, slanted eyes.
Very similar to what we see in
a modern-day gray alien.
Tsoukalos: Look at the eyes,
look at the shape of the head.
What's interesting in this
carving right here, those
extraterrestrials are holding
some type of a disc.
You've got this sphere that's
sort of just floating there in
midair.
Is it possible that these here
represent flying discs?
And the answer is yes, because
again, this is a human rendering
of something that they
witnessed a long time ago.
And it had to have been
compelling enough for them to
carve this into stone.
Narrator: Could these
ancient stone carvings actually
be primitive portraits of
visitors from the sky?
Did ancient astronauts really
use Carahunge as some sort of
landing site or early portal?
If so, what secrets did they
leave behind?
And could they still be helping
to create stone monoliths, even
in our own time?
Narrator: Homestead, Florida,
30 Miles South of Miami.
This former agricultural town
is home to one of the most
mysterious structures in north
America, a stone garden made of
sculpted blocks of ancient
coral, some weighing 30 tons.
It's called the coral castle.
Spread over several acres, the
complex formations and
intricate designs of the stone
walls and sculptures marvel
tourists.
But unlike other great
structures around the world,
this site is not ancient.
Childress: Coral castle in
Florida is often said to be,
uh, the only modern megalithic
structure ever built.
Narrator: In 1923, Ed
Leedskalnin, a Latvian
immigrant, began building what
he originally called rock gate
park.
But believe it or not,
Leedskalnin insisted that he
was not using modern machinery
to build the impressive
structure.
He also claimed that he was
working alone.
Rusty McClure: Well, ed was a
hermit, and ed was a loner.
And he was a foreigner.
And he was a recluse.
And a scientist.
George Noory: He was in love
with a woman and he wanted to
build this facility in memory of
her.
And he waited for her to come
from Europe, and he waited and
he waited, and she never did.
But the big question is, is how
did this frail little man move
these thousands of pounds of
block by himself?
Narrator: Barely over five
feet tall and weighing just
100 pounds, Leedskalnin is said
to have carved, moved and
hoisted huge multi-ton stones
McClure: He has a tripod...
three pieces of Florida pine...
and he's got some chains.
And he's now gonna lift 30 tons,
ten tons of rock.
Can't be done.
No one could do that.
Noory: He would work at
night.
He wouldn't let anybody watch
him.
And he said that he knew the
secrets of the pyramids.
Narrator: But what exactly
was Leedskalnin referring to?
Had he rediscovered the same
advanced technology used to
build megalithic structures
like Carnac and Sacsayhuamán?
McClure: Ed over and over
again would tell people that he
knew the secrets that helped
the Egyptians build the
pyramids.
What was he talking about?
Why was he constantly harking
back to the Egyptians?
We don't know.
Narrator: Leedskalnin
continued work on the coral
castle until his death in 1951.
In the journals he left behind,
the builder explained that he
had discovered the ancient
secret of transforming stones
into weightless objects.
McClure: Ed says this in his
"pamphletmagnetic current,"
that real gravity is actually
real magnet.
So if you reverse the magnet
forces with a force of some
perhaps, frequency, you can then
make these rocks not as heavy
as they seem otherwise.
And therefore you can lift them.
Narrator: But if Leedskalnin
had developed a device that
could modify gravity, what was
his secret?
Some suggest the answer lies in
a mysterious black box that can
be seen in various photographs.
A box that has since
disappeared.
McClure: The black box
sitting on top is the element
that no one has ever seen,
except in those pictures, and no
one has today.
We believe that black box has
something to do with how he got
these massive, heavy, brittle
pieces of rock up in the air in
a way that no one can duplicate.
Noory: He had some kind of
magnetic machine down in one of
his other house areas that
has since been dismantled.
But it had a revolving ability.
He may have been having that
thing spin.
The whole place could have been
anti-gravity.
Probably just pushed these
into place.
Sara Seager: Levitation is
the only way that I know of to
hold up very heavy objects.
Very, very high-speed trains
are magnetically levitated.
(Train whistle blows)
These high-speed trains don't
have wheels that touch any
tracks.
They're literally suspended
above the track using magnetic
forces.
Brandenburg: We can
speculate at this time that
there are techniques for using
electromagnetism to nullify
gravity.
This was the great quest of
Einstein.
The motivation for such
technologies, of course, is to
lift a large spaceship out into
space and across space.
(Indistinct radio chatter)
Narrator: Could it be that
ed Leedskalnin utilized
anti-gravity to levitate and
distribute the enormous rocks
used to build coral castle?
If so, where did this incredible
knowledge come from?
Coppens: And he died, taking
this secret to his grave.
The question is: Did he invent
it, or did he himself somehow
inherit it or learn it from a
tradition, or maybe from some
visitor from another realm?
McClure: The only thing that
is explainable is that someone
with a higher form of physics
and understanding of gravity
has created the ability of one
person to lift stones that
modern technology could not do
the way he did it.
It had to come from a different
place in this galaxy.
Tsoukalos: The fact that one
guy created these massive
structures is absolutely
fascinating.
Am I suggesting that he did
this with extraterrestrial
technology?
No, because I don't know.
Am I excluding that possibility?
No.
Narrator: If aliens visited
earth in ancient times, perhaps
the world's unexplained
structures provide clues to
unlocking not only the secrets
of our past...
But a glimpse into our future.
Von Daniken: I think that
extraterrestrials would not
have left our solar system some
thousands of years ago without
any proof.
They wanted that in the far
future we start to reflect...
have we been visited by outer
space?
Narrator: Perhaps additional
clues still lie hidden, etched
on even more massive stones...
And waiting to be discovered
right before our eyes.