A mysterious formation...
carved out of the Earth...
gone unnoticed for thousands of years.
It's really, really striking
when you first see it.
It looks so much like a human face.
Is it an ancient megalithic structure
made to be seen from the sky?
The Badlands Guardian looks artificial.
It doesn't look like a trick of nature.
And could it be
not only a link to mankind's extraterrestrial ancestors...
So you have to ask yourself,
who were they emulating?
...but one that holds the key
to their return?
We learned their codes
and their secret symbolism,
and what we're seeing probably holds...
a key to our legacy.
There is a doorway
in the universe.
Beyond it is the promise of truth.
It demands we question everything
we have ever been taught.
The evidence is all around us.
The future is right before our eyes.
We are not alone.
We have never been alone.
Gravelbourg, Saskatchewan.
2005.
53-year-old grandmother Lynn Hickox
is scanning GPS driving directions
to a local museum on satellite view
when something catches her eye:
a geographical feature that bears a striking resemblance
to a human face.
It looks so much like a man-made structure
that she posts the image on a message board.
Almost overnight, the image goes viral
and becomes known far and wide
as the "Badlands Guardian."
It is quite striking. It is clearly a face.
The brow, the nose, the lips, the chin are well formed.
The headdress a little less so,
but clearly could be seen as feathers.
The Badlands Guardian appears to be a huge geoglyph
near Alberta, Canada.
And to see it from Google Earth or from satellite imagery,
you would think it was created by people many, many years ago.
"Geo" means Earth, and glyphs are symbols,
so "geoglyph" means symbols on the Earth.
They can be geometric designs, they can be...
animals, they can be faces.
Some of them are carved
into the ground, like we find in Nazca.
And in some places they're built up,
mounds built up on the Earth.
The Badlands Guardian
is a bust, or a head and shoulders presentation,
of a male indigenous person.
It is so striking,
because that is the indigenous people of the area.
It doesn't look like a Scotsman wearing a kilt.
It doesn't look like an African warrior.
It looks like an indigenous, uh, native to the area.
Is it possible that the likeness of a human face
naturally formed in the Earth?
Many who have examined the Badlands Guardian
suggest that, based on the amount of detail it displays,
this is highly unlikely.
When the mainstream scientific community
looks at the Badlands Guardian,
their first explanation is that it was created by weathering,
uh, rain and water runoff.
But there's just so much detail
that we're seeing in this formation
that it goes way beyond anything nature could make.
It not only has basic facial features,
it has secondary facial features, such as the eyelid.
The only thing missing from the Badlands Guardian
is an ear feature.
Now, the interesting thing about that is,
the local government in Canada,
they had found a gas deposit there,
right where the ear should be.
There might have been an ear there at one time,
but now, because they put an access road there
and they built this gas feature, that was all erased.
Archaeologists are often mistaken about ancient sites.
And what is actually a pyramid that's now, say,
covered in soil and has a forest on it
can be mistaken for just a natural hill.
This has happened in... in South America, in China,
Archaeologists are continually finding
that things they think are natural
are actually artificial.
Some of the geoglyphs found around the world
were formed simply by removing the top layer of soil
to expose the lighter colored dirt underneath.
But if the Badlands Guardian is also a geoglyph,
creating it would have been an enormous undertaking.
The massive concave formation is almost half a mile long
and it is over 1,100 feet wide.
For comparison,
the Mount Rushmore National Monument in South Dakota,
which was completed in 1941,
is approximately 80 feet tall
and 200 feet wide.
And while it is only a fraction of the size
of the Badlands Guardian,
constructing it required an enormous amount of work,
even with modern technology.
The carving officially started in 1927,
and it was considered complete in 1941.
My grandfather was on the mountain
approximately from 1933 to 1941.
He was chief carver on Mount Rushmore.
It took about 400 workers.
It took 14 years.
And when I think about the amount of time and effort
that it took for people in the '30s
to create Mount Rushmore,
I can't even begin to imagine
what the person or persons had to do,
working on something the size of the Badlands Guardian.
I-I can't even wrap my head around it.
How was it possible that the people that carved this
thousands of years ago
were able to see what they were doing
or know what they were doing?
They must have had assistance by extraterrestrial beings.
The Badlands Guardian can only be
fully appreciated from the sky.
So you have to wonder why.
Well, then the answer is:
people on the ground wanted
to signal someone up in the sky.
For ancient astronaut theorists,
the Badlands Guardian could offer
some of the most compelling new evidence
that extraterrestrial intervention occurred on Earth
in the distant past...
that is, if it really is an artificial structure.
Boston, Massachusetts.
February 2019.
Aerospace engineer
and satellite imaging expert Mark Carlotto
has spent countless hours examining
the Badlands Guardian to see if he can determine for certain
whether it is something other than a natural formation.
The image of the Badlands Guardian
is very striking as this Native American figure,
and there are some properties that are unusual.
So I did some analysis,
uh, using some imaging software
and the height map of the feature.
We'll start with an overview
of the Badlands Guardian image here.
We see the figure in the middle of the image here,
and notice the surrounding landform's
very similar in morphology.
So, now what we'll do is we'll zoom up on the figure.
You can see it a little bit more clearly,
the, um, this iconic face, so...
what can we do to bring out, you know, some information?
Well, we ran a program that extracts the height,
or elevation, uh, from the figure.
And the way it's depicted here is... is: dark is low
and bright is high.
So now, after we've taken the image and texture-mapped it
onto the elevation surface, we can view it in 3D.
And, um, now I'm moving around it
and viewing it like we might see it in a drone.
And as you can see, when you're looking straight down
on the Badlands Guardian,
it's, uh, this uncanny resemblance
to a Native American.
But as we look off angle,
and as we look at it from ground level,
simulated ground level, you see the illusion disappears.
So clearly this feature, if it was created,
was meant to be viewed from above.
One important factor for Mark
is how information looks when the lighting changes.
If the Badlands Guardian still appears as a face
under different conditions, it could strengthen the argument
that it's an artificial structure.
And as you can see, what we've simulated here in these views
are noontime views, so the Sun is at noon,
in the summer...
the spring or fall and the winter.
Notice in the winter the shadows are longer.
The Sun is lower in the sky.
And in all three, you definitely get this impression of a face.
It implies it's very interesting,
and if it's not, uh, artificially created,
nature is having a great joke on us.
To me, the Badlands Guardian looks artificial.
It doesn't look like a trick of nature
and that I'm suffering from apophenia.
All humans do have apophenia,
meaning they see patterns where patterns are not.
That's why we see Mickey Mouse in the clouds and so on.
But this looks too specifically like
some type of native person with a headdress on.
Looking at this picture,
you can see the natural patterns of erosion.
So it's clear to me from this picture
that this is an artificial structure.
Did a grandmother in Saskatchewan
accidentally discover physical evidence
of extraterrestrial intervention on Earth?
But if so, how long has it been there?
Who built it?
And what does it mean?
Perhaps further clues can be found
by examining other geoglyphs that have been discovered
all over the world,
and the strange figures they depict.
In 1820,
the prominent German mathematician and physicist
Carl Friedrich Gauss
began to explore the possibility
that there are other intelligent beings in our solar system.
He hypothesized that alien life-forms
might be able to view the surface of our planet
through the use of superior technology,
and proposed that we could attempt
to communicate with them
by creating large-scale shapes
and figures in the Earth...
what are known today as geoglyphs.
Gauss' idea was simple,
that tracks of forests be planted
in the shape of right triangles
so that at great distances,
patterns of triangles would be visible from space.
He tried to come up with an idea of how we could signal
our existence here down on Earth,
and not just signal,
but to tell 'em that we were intelligent.
So what he devised was to create
this huge geoglyph in Siberia
showing the Pythagorean triangle.
This is something that you can only work out
if you have mathematical knowledge.
So he wanted to convey this knowledge
to these intelligences outside of our own planet.
More than a century
after Gauss proposed creating figures in the Earth
to communicate with extraterrestrials,
pilots flying over southern Peru in the 1930s discovered
hundreds of giant geoglyphs etched into the desert soil:
the Nazca Lines.
As there is no record of when
or why the Nazca Lines were formed...
or even who made them...
scholars can only guess as to what purpose they served.
But is it possible that these geoglyphs
were created by ancient people
who were doing exactly what Carl Gauss proposed:
attempting to communicate
with beings looking down on Earth from above?
This is a huge area
where these straight lines stretch for many, many miles.
And then effigies such as spiders
and birds and other animals also carved into the landscape.
It wasn't until the invention of the airplane
that we were able to observe the Nazca Lines
from the vantage point they were designed for.
With the ability to see the Earth from new heights,
more and more geoglyphs were discovered.
And now, with satellite imagery,
it has been revealed that our ancestors
created similar formations all over the world.
They've been finding geoglyphs
in Asia, the Middle East, Africa,
North America, South America, Australia,
all over the world they're finding geoglyphs.
We have earthen geoglyphs
such as Serpent Mound in Ohio.
In England, at Glastonbury, we have the Glastonbury Zodiac,
constellations carved into the landscape.
We also have the Blythe Intaglios
in the western part of America.
So all the geoglyphs all over the world
do suggest that the ancients were using the Earth
as, like, a canvas, but why would they do this?
Were they sending messages up
into the sky for other beings to see?
It might be a test of some sort,
uh, a code, a puzzle.
Something that we would only recognize
when we had developed powered flight and satellites.
Does it lead to a next step?
These massive geoglyphs,
they're not art for art's sake.
They did it for a very specific purpose,
for a purpose of communicating with
and interacting with extraterrestrial beings.
Is it possible that an extraterrestrial civilization
is monitoring us much like Carl Gauss predicted?
One part of Gauss's hypothesis
that now seems very plausible is the idea
that extraterrestrials may have the technology
to view details on the Earth's surface from great distances.
Could it be they are waiting for the day
when we humans demonstrate the ability to do the same?
That day may be closer than we think,
as scientists are learning
how to view the surfaces of faraway planets
through a process called gravitational lensing.
A regular lens happens 'cause you have a change
in index of refraction, which changes the speed of light.
A gravitational lens literally is curving space itself,
and light now travels that curved path.
What it allows us to do in exploring space
is it will allow us to observe
or look at things we wouldn't otherwise be able to see.
In 2019,
the Hubble Space Telescope used
a naturally occurring gravitational lens,
a bend in space-time,
in order to capture the light
of a large galaxy cluster in the Leo constellation
that was previously too far away and dim to see.
While Hubble utilized a gravitational lens
that already existed in space,
it is possible that one day we may be able to create our own.
If there was an extraterrestrial civilization
that had that technology and was far enough along
to make a gravitational lens that magnified,
that might allow them to view things, for instance,
on Earth, that you couldn't with just a standard lens.
Is it possible
that extraterrestrials created markers on Earth
that they were capable of seeing
from the far reaches of space?
And did our ancestors then construct their own geoglyphs
in the hopes that the alien visitors would return?
Perhaps a piece of the puzzle can be revealed
by examining geoglyphs of strange humanoid-type beings.
At Nazca, we see what appears
to be a humanoid figure wearing a space suit.
At the Blythe Intaglio, we see a very strange, tall,
spindly human being.
Then you have the Atacama Giant
who has these lines coming out on the top of his head.
The Badlands Guardian is unique among all
the geoglyphs we've found around the world.
It's the only one that has a face.
Most of the humanoid geoglyphs
are of a full figure who is looking directly at the sky.
But the Badlands Guardian is different.
He's in profile; it's just his head.
It's a Native American face
and Native Americans lived in that area.
And Native American history is filled
with stories of sky people descending from above.
It's maybe a signal, "Hey",
this is us down here. Come and say hello."
Is it possible that the geoglyphs of humanoid figures,
and also the Badlands Guardian,
illustrate actual extraterrestrial visitors?
Perhaps further clues can be found by examining
a nearby site that boasts the greatest concentration
of rock art on the North American Great Plains,
dating back at least 9,000 years.
Writing-on-Stone Provincial Park, Canada.
Here, less than a hundred miles away
from the Badlands Guardian, is an incredible record
of local Native American traditions.
Thousands of ancient petroglyphs,
images carved into stone,
depict every aspect of life
for the people who lived here centuries ago.
There are ancient calendars,
depictions of animals, humans,
entire battle scenes, and the Blackfoot gods,
who they also refer to as "sky beings."
In various Native American traditions,
we have different spiritual beings located
on these sort of different planes of existence.
And there's a wonderful range
of stories in many, many Native American groups that talk
about some of the adventures and interactions
with these sky people with the humans on Earth.
For the Blackfoot,
the most prominent of these sky beings
is the one they credit with their creation, Napi.
The creator god of the Blackfoot is called Napi,
and in this petroglyph he can be seen,
what appears to be inside of a disc.
And he's very strange-looking 'cause he's got four fingers,
he's got sort of an elongated skull.
The Blackfoot tell
a really interesting creation myth about Napi.
They tell how he came to Earth and created various animals
and-and other creatures.
And then one day he decided to form
a living human being out of clay.
And then he goes and leaves the Blackfoot alone...
...but he promises that he's going to return.
The Blackfoot regard Napi
not as mythological, but as a real being
who descended from the heavens.
So the Star People in Native American traditions
are beings who came from the cosmos
and taught the arts of civilization,
agriculture, medicine, healing,
and they brought maps of the cosmos to Earth.
Throughout especially the western part of America,
we find petroglyph or rock art
that portrays what appear to be star beings.
People can look at this art and say,
"That's a depiction of an extraterrestrial."
And this is one way that the First Nations people
recorded their interactions with the Star People.
Could this petroglyph of Napi
be a depiction of a being
that the ancient Blackfoot encountered
coming down from the sky?
And might this provide further evidence
that the local indigenous populations
were visited by extraterrestrials?
Ancient Astronaut theorists say, yes,
and believe the Badlands Guardian may reveal
how the ancients communicated
with these otherworldly visitors.
Now, the headdress that he wears
is called a medicine hat, uh, which...
it's not a chief's regalia that you would see
with all the feathers going down that a chief would wear.
What a medicine hat entails
is it incorporates the tail feathers of an eagle.
And these are normally worn by, uh, the medicine man.
The medicine man... this is a wisdom figure,
a combination of professor, doctor and priest
all in one person.
The hat is what we tend to call a headdress.
The shamanic, ceremonial leader uses that
to make contact with invisible dimensions,
often thought of as upper worlds,
in which contact is made with spirits, gods,
energy that is beyond our understanding.
The fact that he's wearing a medicine hat
that acts as a antenna tells us that this is a figure who was
in communication with otherworldly beings,
maybe even the Star People.
If extraterrestrials communicated
with the ancient Blackfoot Indians,
is it possible that they imparted the knowledge
and technology to construct the Badlands Guardian?
Ancient astronaut theorists suggest
that not only did extraterrestrials
visit people living in the Alberta Badlands
in the distant past,
but that they continue to visit the region to this very day.
Certain areas of the world are hotbeds of UFO activity.
And, in fact, Alberta, Canada, is one of these hotbeds.
There's constantly UFO sightings in the day and night,
and there's quite a few photos and films that can be seen.
In 2009 alone, there were over 150 reported sightings
of UFOs in Alberta.
One of the most famous UFO sightings in that area
happened in 1967
when a person named Warren Smith and two of his friends
were out walking in this area,
and in broad daylight, they then saw
a silvery, disc-shaped UFO hovering around the trees.
The witnesses took their photos,
and then, finally, the UFO vanished.
Warren Smith's photos
of this craft as it was lifting into the sky
were analyzed by the Photo Interpretation Center.
The experts there determined that the photos were real
and that it matched the description
of what he said he saw,
suggesting that this was a genuine experience
and that these were, in fact, genuine photos of a craft.
The area where Warren Smith took the photos isn't far
from where the Badlands Guardian is located.
Does this suggest that aliens
have a continuing interest in this area?
With all of this UFO activity in Alberta,
and it's in the vicinity of the Badlands Guardian,
you have to wonder if this area isn't some portal
or inter-dimensional spot
where UFOs are coming and going.
And you have to wonder if it's something to do
with the Badlands Guardian.
Does the Badlands Guardian
represent a medicine man
who communicated with the Star People?
Or could it be depicting a star being,
one who taught the indigenous people of the region
a means of communicating with extraterrestrials?
Ancient astronaut theorists believe the answer can be found
only by forensically examining the Badlands Guardian
and taking a closer look
at the shape of the figure's head.
Los Angeles, California.
February 2019.
Ancient astronaut theorist Giorgio Tsoukalos is meeting up
with forensic 3-D artist Marcia Moore.
-Marcia. Pleasure to meet you. -Nice to meet you.
-How are you? Okay. -Come on in.
Wow, look at this space.
Since learning about the Badlands Guardian,
Marcia has been working
to reconstruct it digitally
to see what it would look like as a three-dimensional head
and perhaps provide further clues
as to who or what it was modeled after.
-Pull up a chair. -Great.
-And we'll discuss this guardian. -Uh-huh.
So, you've taken this,
and clearly you've seen the face
and decided to recreate the face.
-Absolutely. -Okay.
And what did you come up with?
Well, the first step for me
is to just take a look at the terrain.
I think, honestly, the whole aerial view when you look at it,
there's a whole storyboard of information going on here.
But we're focusing on this face because this is very prominent.
So, you can tell
we've got a neck area that's rather extended.
Some feathers,
and then, also, this elongation
that's forming around this headdress.
Mm-hmm.
-All right, go on. -From there, I created
a 3-D sculpture.
I'm starting with just a normal-sized head.
So, I will overlay the aerial view,
and I'm going to create layers.
And I'm actually just following the terrain.
I'm creating this long neck,
and I'm creating this elongated head.
And here we have it. This is the sculpture.
Everything in 3-D is mirrored on the other side,
-so as we turn this around... -Right.
And this is what he would like if that thing on the ground
-were a person. -Absolutely.
Yeah, that's pretty awesome.
You know, after the buildup of the 3-D sculpture,
I made a digital piece of artwork
that will flesh this entity out.
Mm-hmm.
That looks great.
You know, I think it's really cool
that you've kind of pointed out the elongation of the skull.
This whole phenomenon
of elongated skulls exists worldwide.
Not only do we have these shapes in this geographic area,
but also, for example, in South America,
in Peru, but also in Europe,
in the Hittite region, present-day Turkey,
all with these long skulls.
Around the world,
ancient skulls have been found that are thin,
long and misshapen.
In addition to the skulls,
there are many ancient depictions of historical figures
with extra large, elongated heads.
What's controversial about the elongated skulls
is that their cranial capacity is greater than a normal human.
So these may not be cases of cranial deformation.
These could be examples
of a whole subspecies of humanity.
Worldwide, we have these people
in depictions wearing these long headdresses,
and sometimes you even see pictures,
especially in ancient Egypt,
where you see the same figures without the headdress,
and guess what? They have elongated skulls.
So, you have to ask yourself,
why is there a, uh...
a figure coming out of the terrain that has, to me,
seems like an elongated shaped head.
The idea is
that Earth was visited by extraterrestrials
a long time ago.
And one of my opinions is
that the elongated skull people were the actual visitors,
and the skeletons that are found today are some
of the few remnants
of the people that were here a long time ago,
clearly people that looked like us
except for that they had an elongated skull.
So, that, to me, is fascinating.
Marcia, thank you so much for sharing your work with me.
You've given me a lot to think about, so thank you.
-Thank you. -Appreciate it. All right, take care. Bye-bye.
Does the three-dimensional reconstruction
of the Badlands Guardian point to the possibility
that it was not only built to be seen by visitors from the sky,
but that it may even be a representation
of an extraterrestrial?
Could this be the face of the being
the Blackfoot people identify as their creator god, Napi?
Perhaps the answers can be found
by examining yet another geoglyph
that resembles a human face...
on Mars.
July 19, 1976.
A NASA spacecraft named Viking 1 enters
into orbit above Mars.
Just six days later,
it takes a photograph of the Red Planet
that is so extraordinary
it immediately seizes the public imagination.
In the summer of 1976,
NASA announced that they had found a face on Mars.
Now, NASA was the original group of scientists
to label the face on Mars a head...
it was actually in their file...
and they said that they had found this formation on Mars
that looked like a face.
However, just a few days later,
they had a second press conference,
and they said that they had taken
a second image, days later, and it...
they found that it was just a trick of light and shadow
and there was nothing there.
Could it be that the image
of a giant face on the Martian surface
is actually an artificial structure,
a physical record that someone,
or something, has been there?
Perhaps a clue can be found by comparing the Face on Mars
with the Badlands Guardian.
So, the face is about a mile wide
and about a mile and two-thirds long.
The Face on Mars is larger than the Badlands Guardian,
but the Badlands Guardian is large enough
that you can still see it in satellite imagery.
To determine if the face
was created by natural means,
imaging expert Mark Carlotto conducted a scientific analysis
of the Martian structure.
All right, so, in this overview,
we see the Face on Mars in the middle.
One of the tests that was done
on the Face of Mars was to assess
whether it was an artificial or a natural object.
We applied a technique called fractal, uh, analysis
to model the background terrain locally.
We have a filter that basically computes a little fractal model
as it moves over the image.
And we see, if we go back and forth here
to the original image
and now the output of the fractal model,
fractal filter, the face has a very high response.
And this was a very, uh,
unexpected result, uh, at the time.
And the fractal technique found
that it doesn't just look like a face
but it actually is, statistically,
in terms of the structure,
different from the surrounding landforms.
One criticism of this formation is
that, in more recent images,
the impression of a face is much less evident.
The structure appears much more highly eroded.
But if it is an ancient feature,
you would expect erosion would have taken its toll
over the course of time.
If we flip it back and forth,
there's a very high degree of correspondence
between the left and the right side, making it
a highly bisymmetrical object.
Bisymmetry would imply an artificial, uh, construction,
'cause nature would have to conspire quite a bit
to create something that's not only face-like but bisymmetrical
and possessing all the detail that the Face on Mars possesses.
The other interesting thing about the Face on Mars
is that NASA has taken, over the last 25, 30 years,
over 40 images of the Face on Mars,
a formation that they say they have no interest in.
If the Face on Mars is, in fact,
a fabricated structure, who built it?
Does it have a connection to the giant face
recently discovered in Canada
and perhaps other structures around the globe
that were made to be seen from the sky?
Curiously,
many who have examined the Face on Mars have observed
that the area surrounding it seems to point
to a connection to one specific place on Earth,
Egypt.
Something extraordinary happened
when we started taking pictures of the surface of Mars.
We saw what appeared to be pyramids on the surface of Mars.
It's mind-blowing,
because these match the pyramids of ancient Egypt.
Is there a connection between Mars and Egypt?
Well, indeed, there is.
The city of Cairo
was originally called al-Qahirah, which meant
"City of Mars" or "the Victorious."
The Egyptians referred to the Sphinx
as Ra-Horakhty,
which means "Place of the Horizon,"
which is the very same name that they gave to Mars.
So there seems to be a-a deep-embedded memory
in ancient Egypt of a correspondence or a connection
between Egyptian civilization
and one that might have been on Mars.
If we are dealing with something
extraterrestrial in origin,
then the-the Egyptian connection
is very telling,
because many, many speculations
about the extraterrestrial links with ancient Egypt.
But if there is a connection
between the Cydonia region of Mars and ancient Egypt,
what is the significance?
Ancient astronaut theorists suggest
further clues can be found
by taking a closer look at the Badlands Guardian
and the famous ruler it's thought to depict.
The Badlands Guardian
is very similar
to the statues of Akhenaten,
the renegade Egyptian pharaoh.
He and Nefertiti and their children
all had elongated heads,
as we see all around the world
and is often associated with extraterrestrials.
When you put an image of the Egyptian pharaoh, Akhenaten,
beside the image of the Badlands Guardian,
they're virtually identical.
When you do the "A" to "B" comparison,
they both have this long neck, this very elongated face.
And Akhenaten, of course,
is the great mystic pharaoh of ancient Egypt.
Ancient astronaut theorists believe
that he might have extraterrestrial connections.
Akhenaten claimed that he was in contact
with a celestial disk he referred to as the Aten.
In fact, he taught the Egyptians to no longer worship
the whole pantheon of over 360 deities
and to only worship the Aten.
And given the fact that his mummy has disappeared
only adds to the mystery.
Is this, in fact, a human being we're looking at
or could this possibly be a representation
of some other type of a being,
maybe an extraterrestrial, even?
If the Badlands Guardian
is a representation not of a Native American
but of an extraterrestrial known in Egypt as Akhenaten,
could it bring us closer to solving a puzzle
whose pieces are scattered all over the world
and even on other planets?
Ancient astronaut theorists suggest
that a much more recent discovery on Mars
provides yet another piece
that may finally complete the puzzle.
Waterford, Virginia.
2017.
Cydonia Institute researcher George Haas
is combing through satellite images of Mars
when he spies a discernible shape.
It appears to be the image of another face.
Unlike the original so-called Face on Mars
discovered in 1976,
this face appears in profile,
similar to that of the Badlands Guardian.
So, in this area
called Utopia,
in a huge impact crater,
is the profile face
that has a beard, a mustache,
and he's wearing a helmet that has an avian headdress.
When the bearded profile on Mars
is compared to the Badlands Guardian,
we see the same type of profile.
Both incorporate avian iconography.
One has a headdress of feathers.
The other one is wearing a headdress
that incorporates an entire bird.
I think the culture that produced these formations
on Mars had a direct relationship to the human race.
Is an ancient story
being told through geoglyphs that exist both on Earth
and on our closest neighboring planet?
And, if so,
what happened to those responsible for writing it?
Perhaps civilization on Mars was destroyed.
Or, perhaps,
civilization began on Mars
and then moved to Earth.
Earth was, in a sense, seeded by a Martian civilization,
and that is why we have
similar structures on Mars and on planet Earth.
So, with the discovery of the Face on Mars,
is it possible
that it's acting as a clue,
it's telling us
that, somewhere here, is evidence
of a lost civilization
that existed on the Red Planet
perhaps millions of years ago?
That's a very tantalizing possibility,
and it's one that I know
that every scientist going to Mars
wants to answer.
Maybe these geoglyphs
were all part of some global memorial
that was built by some unknown extraterrestrial culture
that, uh, has to do with, uh, human origins
and is telling the story of where we came from
and possibly where we may be going.
You have to ask, is there something in common
between the people that were making these geoglyphs,
and the answer is, is that they all have similar stories
in these earthly civilizations.
They're in contact with star beings,
celestial beings that came to Earth
and are assisting humanity.
They lived with us, they interacted with us.
Then they left.
But is it possible
that not all of the communications we're receiving
from these otherworldly beings are in the form of geoglyphs?
Could crop circles, for instance,
be more recent examples
of a type of extraterrestrial dialogue?
If you bring crop circles into the mix,
there are some very sophisticated crop circles
that also indicate, uh, knowledge of fractal geometry.
There could be a message.
They might be communicating with us,
and we might, perhaps, want to communicate with them.
It's possible that many of these geoglyphs,
much like crop circles that appear every summer,
might give us clues to our past
and to our destiny.
The fact of the matter is
that we have geoglyphs worldwide.
And with the improvement of our technology,
who knows what else we'll discover
in the next five to ten years?
We are entering a new era of discovery,
and I can't wait to see what tomorrow brings.
As we send more spacecrafts to Mars,
will we continue to uncover evidence
of an alien civilization
that could have lived there centuries ago?
Ancient astronaut theorists say yes
and believe that the human race is getting
very close to the day when it will unlock
what they believe to be an alien code
and find a means of direct communication,
a living link between mankind's past
and its extraterrestrial future.