1 00:00:09,092 --> 00:00:10,928 - HOW'S THAT TUNA? - MM. GOOD. 2 00:00:10,928 --> 00:00:12,179 THE SUSHI HERE IS AMAZING. 3 00:00:12,179 --> 00:00:13,639 - I KNOW, AND THIS IS THE ONLY PLACE 4 00:00:13,639 --> 00:00:16,851 WHERE THEY GIVE ME THE TRAINING CHOPSTICKS. 5 00:00:16,851 --> 00:00:20,312 - HA HA! LOOK AT THE BABY'S CHOPSTICKS! 6 00:00:21,605 --> 00:00:23,482 [GIRLS LAUGHING] - JERKS! 7 00:00:23,482 --> 00:00:26,485 - DUDE, YOU CAN'T CALL LITTLE GIRLS JERKS. 8 00:00:26,485 --> 00:00:28,362 - HEY, GIRL. 9 00:00:28,362 --> 00:00:30,990 THAT'S A STUPID RED JACKET. - HA! 10 00:00:30,990 --> 00:00:33,534 [GIRLS LAUGHING] 11 00:00:33,534 --> 00:00:34,869 - JERKS! 12 00:00:34,869 --> 00:00:37,037 - YOU WANT SOMETHING ELSE? 13 00:00:37,037 --> 00:00:38,330 - TORI? 14 00:00:38,330 --> 00:00:40,457 - UH, NAH. WE BETTER GET BACK TO SCHOOL. 15 00:00:40,457 --> 00:00:42,292 - JUST THE CHECK, PLEASE. 16 00:00:42,292 --> 00:00:43,585 I'M BUYING LUNCH. 17 00:00:43,585 --> 00:00:45,462 - OH, COME ON. LET PAY HALF. 18 00:00:45,462 --> 00:00:47,130 - NO WAY, TO-RAY. THIS IS THE LEAST I CAN DO 19 00:00:47,130 --> 00:00:48,382 AFTER WHAT YOU DID FOR ME. 20 00:00:48,382 --> 00:00:50,759 - WHAT DID SHE DO FOR YOU? 21 00:00:50,759 --> 00:00:55,138 - SHE HELPED ME MASSAGE MY GRANDMOTHER'S FEET. 22 00:00:55,138 --> 00:00:57,016 - WHY? 23 00:00:57,016 --> 00:00:59,685 - WELL, SHE WAS IN A LOT OF PAIN. 24 00:00:59,685 --> 00:01:01,603 - AND THE SKIN ON HER FEET IS SO THICK, 25 00:01:01,603 --> 00:01:04,523 YOU HAVE TO USE BOTH HANDS TO RUB EACH FOOT. 26 00:01:04,523 --> 00:01:06,066 - I RUBBED THE LEFT. 27 00:01:06,066 --> 00:01:10,029 - YEAH, GREAT STORY. NOW I GOTTA GO PUKE. 28 00:01:12,531 --> 00:01:14,157 - YOU KNOW, I REALLY DON'T MIND PAYING HALF. 29 00:01:14,157 --> 00:01:15,492 - NAY NAY. 30 00:01:15,492 --> 00:01:17,244 IT'S THE LEAST I COULD DO FOR A FRIEND 31 00:01:17,244 --> 00:01:19,872 WHO HELPED ME MASSAGE MY MAMA'S FEET. 32 00:01:19,872 --> 00:01:20,915 OH DEAR. 33 00:01:20,915 --> 00:01:22,290 - ROBBIE, I TOLD YOU. 34 00:01:22,290 --> 00:01:24,376 NOBODY OUR AGE SAYS "OH DEAR." 35 00:01:24,376 --> 00:01:25,753 - OH MY. - OR THAT. 36 00:01:25,753 --> 00:01:28,630 - I THINK I LEFT MY WALLET IN MY LOCKER. 37 00:01:28,630 --> 00:01:31,050 - IT'S OKAY. I'LL PAY FOR LUNCH. 38 00:01:31,050 --> 00:01:32,927 - WELL, I'M PAYING YOU BACK AS SOON AS WE GET TO-- 39 00:01:32,927 --> 00:01:34,970 - UH-OH. - WHAT? 40 00:01:34,970 --> 00:01:38,057 - I DIDN'T BRING MY BACKPACK OR A PURSE 41 00:01:38,057 --> 00:01:40,141 'CAUSE YOU SAID THAT YOU WERE PAYING. 42 00:01:40,141 --> 00:01:42,394 - DON'T YOU KEEP EMERGENCY MONEY IN YOUR BRA? 43 00:01:43,604 --> 00:01:46,023 - NO. - I THOUGHT GIRLS DID THAT. 44 00:01:46,023 --> 00:01:48,316 - WELL, WE DON'T. - CAT KEEPS CANDY IN HERS. 45 00:01:50,027 --> 00:01:52,153 - HEY, WHY ARE YOU STILL HERE? 46 00:01:52,153 --> 00:01:57,158 - UH, WE-- WE KIND OF FORGOT TO BRING MONEY, 47 00:01:57,158 --> 00:01:59,244 SO WOULD IT BE OKAY IF-- 48 00:01:59,244 --> 00:02:00,704 OW! 49 00:02:00,704 --> 00:02:04,374 - YOU ATE $22 WORTH OF SUSHI. - I KNOW, BUT-- 50 00:02:04,374 --> 00:02:06,752 - NOW YOU GIVE ME $22 WORTH OF MONEY. 51 00:02:06,752 --> 00:02:08,629 - I JUST TOLD YOU I CAN'T. - JUST... 52 00:02:08,629 --> 00:02:11,715 GIVE US A MINUTE TO FIGURE THIS OUT. 53 00:02:11,715 --> 00:02:14,843 - YEAH, SURE. I'LL GIVE YOU A MINUTE. 54 00:02:16,887 --> 00:02:18,263 - NOW WHAT ARE WE GONNA DO? 55 00:02:18,263 --> 00:02:20,474 - WE COULD TRY TO SNEAK OUT? 56 00:02:23,811 --> 00:02:26,354 - IF YOU TRY TO SNEAK OUT, 57 00:02:26,354 --> 00:02:28,649 YOU WILL HAVE TO GET PAST KWAKOO. 58 00:02:28,649 --> 00:02:32,820 - WHAT-- WHAT'S A KWAKOO? 59 00:02:32,820 --> 00:02:35,363 - KWAKOO! 60 00:02:40,243 --> 00:02:41,495 - OH DEAR. 61 00:02:41,495 --> 00:02:43,664 - I THOUGHT NOBODY OUR AGE SAYS THAT. 62 00:02:43,664 --> 00:02:45,415 - I'M BRINGING IT BACK. 63 00:02:48,376 --> 00:02:51,672 ♪ HERE I AM ONCE AGAIN 64 00:02:51,672 --> 00:02:55,258 ♪ FEELING LOST BUT NOW AND THEN ♪ 65 00:02:55,258 --> 00:03:00,014 ♪ I BREATHE IT IN TO LET IT GO ♪ 66 00:03:00,014 --> 00:03:03,017 ♪ AND YOU DON'T KNOW WHERE YOU ARE NOW ♪ 67 00:03:03,017 --> 00:03:04,810 ♪ OR WHAT IT WOULD COME TO ♪ 68 00:03:04,810 --> 00:03:07,604 ♪ IF ONLY SOMEBODY COULD HEAR ♪ 69 00:03:07,604 --> 00:03:11,733 ♪ WHEN YOU FIGURE OUT HOW, YOU'RE LOST IN THE MOMENT ♪ 70 00:03:11,733 --> 00:03:14,820 ♪ YOU DISAPPEAR ♪ 71 00:03:14,820 --> 00:03:19,198 ♪ YOU DON'T HAVE TO BE AFRAID TO PUT YOUR DREAM IN ACTION ♪ 72 00:03:19,198 --> 00:03:22,911 ♪ YOU'RE NEVER GONNA FADE YOU'LL BE THE MAIN ATTRACTION ♪ 73 00:03:22,911 --> 00:03:26,123 ♪ NOT A FANTASY JUST REMEMBER ME ♪ 74 00:03:26,123 --> 00:03:28,375 ♪ WHEN IT TURNS OUT RIGHT ♪ 75 00:03:28,375 --> 00:03:32,587 ♪ 'CAUSE YOU KNOW THAT IF YOU'RE LIVING YOUR IMAGINATION ♪ 76 00:03:32,587 --> 00:03:36,967 ♪ TOMORROW YOU'LL BE EVERYBODY'S FASCINATION ♪ 77 00:03:36,967 --> 00:03:40,261 ♪ IN MY VICTORY, JUST REMEMBER ME ♪ 78 00:03:40,261 --> 00:03:46,601 ♪ WHEN I MAKE IT SHINE ♪♪ 79 00:03:49,604 --> 00:03:53,567 - YOU GUYS KNOW THERE'S THIS GERM CALLED FECERCILLIUM 80 00:03:53,567 --> 00:03:54,943 THAT YOU CAN GET FROM A SPIDER CRAWLING IN YOUR MOUTH 81 00:03:54,943 --> 00:03:56,987 WHEN YOU'RE SLEEPING? 82 00:03:56,987 --> 00:03:59,031 YOUR UVULA SWELLS UP REALLY BIG SO YOU CAN'T BREATHE, 83 00:03:59,031 --> 00:04:00,782 AND THEY HAVE TO CUT A HOLE RIGHT HERE TO DRAIN 84 00:04:00,782 --> 00:04:03,535 THE PUS FROM YOUR THROAT. 85 00:04:03,535 --> 00:04:05,662 - I'LL JUST EAT THIS PUDDING CUP LATER. 86 00:04:07,831 --> 00:04:09,875 - SO DOES ANYONE WANT SOME CANDY? 87 00:04:09,875 --> 00:04:12,002 - SURE. - SURE. 88 00:04:12,002 --> 00:04:13,670 - GUMDROP FOR YOU. 89 00:04:14,671 --> 00:04:16,381 GUMDROP FOR YOU. 90 00:04:17,382 --> 00:04:19,176 GUMDROP FOR YOU. 91 00:04:19,176 --> 00:04:21,845 - SKIDDILY DAT. SKIDDILY DO. SKIDDILY DAT. SKIDDILY DO. 92 00:04:21,845 --> 00:04:27,851 SKIDDILY DAT. DA PA DA PA LOO LA LEE LA MIP MOP BOOP. 93 00:04:27,851 --> 00:04:29,811 [CONTINUES SCAT SINGING] 94 00:04:29,811 --> 00:04:33,232 - WOW. SHE IS JUST AWFUL. 95 00:04:33,232 --> 00:04:35,316 - IT'S THE WORST THING I EVER HEARD. - RIGHT. 96 00:04:35,316 --> 00:04:37,111 - HEY, I HAVE A QUESTION. - WHAT? 97 00:04:37,111 --> 00:04:39,905 - EVERY KID HAS TO AUDITION TO GET INTO HOLLYWOOD ARTS, RIGHT? 98 00:04:39,905 --> 00:04:41,156 -YEAH. -MM-HM. 99 00:04:41,156 --> 00:04:43,491 - AND TRINA HAS NO TALENT, RIGHT? 100 00:04:43,491 --> 00:04:44,576 BECK: NONE WHATSOEVER. - NO. 101 00:04:44,576 --> 00:04:45,827 - HORRIBLE. 102 00:04:45,827 --> 00:04:47,204 - THEN HOW DID SHE PASS HER AUDITION 103 00:04:47,204 --> 00:04:48,455 AND GET TO GO TO SCHOOL HERE? 104 00:04:48,455 --> 00:04:50,040 - YOU HAVEN'T HEARD THE STORY? 105 00:04:50,040 --> 00:04:52,793 - NO, BUT I LOVE STORIES. 106 00:04:52,793 --> 00:04:54,544 - I'LL TELL IT. 107 00:04:55,754 --> 00:04:58,423 - OKAY, IT WAS ABOUT FOUR YEARS AGO. 108 00:04:58,423 --> 00:05:01,342 BACK THEN, TRINA DID HAVE TALENT. 109 00:05:01,342 --> 00:05:04,763 - OH, YES. SHE COULD SING LIKE AN ANGEL. 110 00:05:04,763 --> 00:05:08,308 THERE SHE WAS ON THAT STAGE SINGING LIKE AN ANGEL. 111 00:05:08,308 --> 00:05:10,894 [TRINA SINGING WELL] 112 00:05:25,408 --> 00:05:27,410 - WONDERFUL. 113 00:05:27,410 --> 00:05:30,664 - MIRACULOUS. - BRAVO. 114 00:05:30,664 --> 00:05:33,125 - FANTASTIC. BRAVISSIMO. 115 00:05:33,125 --> 00:05:35,210 - TRULY AMAZING, MISS? 116 00:05:35,210 --> 00:05:37,504 - VEGA. TRINA VEGA. 117 00:05:37,504 --> 00:05:40,339 - WELL, TRINA VEGA, AS PRINCIPAL OF HOLLYWOOD ARTS, 118 00:05:40,339 --> 00:05:43,010 I CAN TELL YOU RIGHT NOW YOU'RE IN. 119 00:05:43,010 --> 00:05:44,011 [APPLAUSE] 120 00:05:44,011 --> 00:05:45,887 - OH MY GOSH. THANK YOU. 121 00:05:45,887 --> 00:05:47,722 GOD BLESS YOU ALL. 122 00:05:47,722 --> 00:05:50,100 - WELL, EVERYONE. LET'S TAKE FIVE. 123 00:05:50,100 --> 00:05:51,726 INSPIRING. 124 00:05:51,726 --> 00:05:53,312 - [SINGING] 125 00:05:53,312 --> 00:05:57,524 - HEY, YOU GOT SOME HOT PIPES. 126 00:05:57,524 --> 00:06:01,695 - AW, THANK YOU. WHAT'S YOUR NAME? 127 00:06:01,695 --> 00:06:03,613 - SINJIN. I'VE BEEN GOING TO THIS SCHOOL 128 00:06:03,613 --> 00:06:04,865 FOR A WHOLE YEAR. 129 00:06:04,865 --> 00:06:07,826 - WOW, COOL. - YEAH. 130 00:06:07,826 --> 00:06:10,162 I SET UP ALL THIS AUDIO EQUIPMENT, 131 00:06:10,162 --> 00:06:12,664 AND I RUN THESE CABLES THAT GO TO THE LIGHTS. 132 00:06:13,790 --> 00:06:15,334 - OH! 133 00:06:16,375 --> 00:06:18,419 AH! [COUGHING] 134 00:06:18,419 --> 00:06:19,838 - ARE YOU OKAY? 135 00:06:19,838 --> 00:06:22,799 - YEAH, I THINK SO. 136 00:06:22,799 --> 00:06:26,928 BUT THAT LIGHT JUST HIT ME RIGHT IN THE THROAT. 137 00:06:26,928 --> 00:06:28,347 - OH, NO. 138 00:06:28,347 --> 00:06:30,265 CAN YOU STILL SING LIKE AN ANGEL? 139 00:06:30,265 --> 00:06:33,643 - LET ME SEE. 140 00:06:33,643 --> 00:06:36,188 [SINGING BADLY] 141 00:06:46,323 --> 00:06:48,325 - REALLY? - YEP. 142 00:06:48,325 --> 00:06:49,743 THAT LIGHT HIT TRINA SO HARD 143 00:06:49,743 --> 00:06:52,537 IT KNOCKED ALL THE TALENT RIGHT OUT OF HER. 144 00:06:52,537 --> 00:06:54,539 - OKAY, THAT IS NOT HOW TRINA GOT INTO HOLLYWOOD ARTS. 145 00:06:54,539 --> 00:06:56,041 - THAT'S THE STORY I ALWAYS HEARD. 146 00:06:56,041 --> 00:06:58,919 - WELL, IT'S WRONG. - THEN HOW DID SHE GET IN. 147 00:06:58,919 --> 00:07:00,628 [BELL RINGING] - WE GOTTA GET TO CLASS. 148 00:07:00,628 --> 00:07:02,881 - NO, WAIT. - I'LL TELL YOU LATER. 149 00:07:02,881 --> 00:07:04,216 - BUT I'M CURIOUS NOW. 150 00:07:04,216 --> 00:07:07,094 PLEASE TELL ME. PLEASE TELL ME NOW. 151 00:07:07,094 --> 00:07:11,056 I'LL GIVE YOU A GUMMY BEAR. 152 00:07:11,056 --> 00:07:13,474 A JELLY BEAN! 153 00:07:15,560 --> 00:07:18,272 A PINTO BEAN! 154 00:07:18,272 --> 00:07:20,440 WHAT ARE YOU INTO? 155 00:07:24,694 --> 00:07:27,655 - LOOK, YOU KNOW WHO WE ARE. 156 00:07:27,655 --> 00:07:29,574 - YEAH. YOU'RE THE EVIL GIRL 157 00:07:29,574 --> 00:07:32,035 WHO LEFT MY DAUGHTER HANGING FROM THE CEILING. 158 00:07:33,661 --> 00:07:35,414 - THAT WAS A LONG TIME AGO. 159 00:07:35,414 --> 00:07:36,957 - I STILL HOLD A GRUDGE. 160 00:07:36,957 --> 00:07:38,833 - WE HAVE TO GO. 161 00:07:38,833 --> 00:07:40,919 WE WERE SUPPOSED TO BE BACK AT SCHOOL BY NOW. 162 00:07:40,919 --> 00:07:42,462 - YOU ORDER MY FOOD. 163 00:07:42,462 --> 00:07:45,590 YOU CHEW MY FOOD. YOU SWALLOW MY FOOD. 164 00:07:45,590 --> 00:07:47,884 YOU KNOW WHAT COMES NEXT? 165 00:07:47,884 --> 00:07:50,304 - I'M NOT COMFORTABLE WITH POTTY TALK 166 00:07:50,304 --> 00:07:53,223 UNLESS IT'S WITH MY DOCTOR. 167 00:07:53,223 --> 00:07:54,975 - NO, IGMO. 168 00:07:54,975 --> 00:07:57,352 YOU PAY FOR MY FOOD. 169 00:07:58,937 --> 00:08:00,439 - [SCOFFS] 170 00:08:00,439 --> 00:08:02,774 COME ON. LET'S JUST LEAVE. 171 00:08:02,774 --> 00:08:04,818 - NO. KWAKOO WILL HURT US. 172 00:08:04,818 --> 00:08:09,114 - DO YOU SEE HIM AROUND? NO. 173 00:08:09,114 --> 00:08:10,865 - I'M SCARED. 174 00:08:10,865 --> 00:08:12,326 - FINE. 175 00:08:12,326 --> 00:08:15,495 I'LL LEAVE, GO GET THE MONEY, AND BRING IT BACK. 176 00:08:17,497 --> 00:08:18,873 AHH! 177 00:08:18,873 --> 00:08:20,500 [GASPING] 178 00:08:24,463 --> 00:08:27,382 I GOT KWAKOO-ED. 179 00:08:29,009 --> 00:08:30,385 - KIDS. KIDS. 180 00:08:30,385 --> 00:08:33,180 - HI. - FYI, I'M GONNA BE LATE FOR CLASS. 181 00:08:33,180 --> 00:08:34,514 - WHY? - AGAIN? - WHAT'S UP? 182 00:08:34,514 --> 00:08:36,266 - I GOT A CALL FROM MY HOUSEKEEPER. 183 00:08:36,266 --> 00:08:39,519 APPARENTLY THERE'S AN ODD SMELL COMING FROM UNDER MY BED. 184 00:08:39,519 --> 00:08:41,896 - WELL, WHAT DO YOU THINK IT IS? 185 00:08:41,896 --> 00:08:44,232 - OH, I KNOW WHAT IT IS. 186 00:08:46,193 --> 00:08:48,195 - OKAY, LOOKS LIKE WE GOT SOME TIME. 187 00:08:48,195 --> 00:08:49,821 - YAY! SO TELL ME HOW TRINA 188 00:08:49,821 --> 00:08:51,448 REALLY GOT INTO HOLLYWOOD ARTS? 189 00:08:51,448 --> 00:08:54,034 - ALL RIGHT, HERE'S THE REAL STORY. 190 00:08:54,034 --> 00:08:56,619 SO... 191 00:08:56,619 --> 00:08:59,414 SO FOUR YEARS AGO, TRINA DID HER AUDITION, 192 00:08:59,414 --> 00:09:02,459 AND IT WAS LIKE TORTURE, BUT NOT THE GOOD KIND. 193 00:09:02,459 --> 00:09:04,544 - (SINGING BADLY) ♪ IT'S AN ALL NIGHT PARTY ♪ 194 00:09:04,544 --> 00:09:06,296 ♪ THAT WE'RE GETTING INTO ♪ 195 00:09:06,296 --> 00:09:10,175 ♪ IF YOU THINK IT'S ALL OVER, THEN THE JOKE IS ON YOU ♪ 196 00:09:10,175 --> 00:09:14,221 ♪ IT'S A DREAM, IT'S A SCENE, AND IT'S SO BRAND NEW ♪ 197 00:09:14,221 --> 00:09:18,641 ♪ IF YOU THINK YOU CAN'T STOP IT THEN THE JOKE IS ON YOU ♪ 198 00:09:21,186 --> 00:09:25,065 - GREAT NORTHERN BEANS, THAT WAS A HORRIBLE. 199 00:09:25,065 --> 00:09:29,403 - I'M SORRY, UH, BUT YOU DON'T BELONG AT HOLLYWOOD ARTS, NO. 200 00:09:31,196 --> 00:09:33,365 - ALL RIGHT, FELLOW FACULTY MEMBERS, 201 00:09:33,365 --> 00:09:35,534 FOR TRINA VEGA, LET'S ALL CAREFULLY CHECK 202 00:09:35,534 --> 00:09:37,994 THE "NO" BOXES ON OUR FORMS. 203 00:09:37,994 --> 00:09:40,163 [OVERLAPPING AGREEMENT] 204 00:09:40,163 --> 00:09:42,040 [BEEPING] 205 00:09:42,040 --> 00:09:43,458 INTERESTING. 206 00:09:43,458 --> 00:09:46,294 SHE HAS TOSSED SOME SORT OF DEVICE ON THE FLOOR. 207 00:09:46,294 --> 00:09:48,171 [BEEPING INCREASES] 208 00:09:48,171 --> 00:09:49,672 [BANG] 209 00:09:51,091 --> 00:09:52,926 - HEY, HEY. WHAT'S GOING ON? 210 00:09:52,926 --> 00:09:54,428 - I DON'T KNOW. 211 00:09:54,428 --> 00:09:58,056 THERE SEEMS TO BE SOME SORT OF VAPOR COMING OUT OF-- 212 00:10:03,978 --> 00:10:09,401 - TRINA VEGA, YES. TRINA VEGA, YES. 213 00:10:09,401 --> 00:10:11,278 TRINA VEGA, YES. 214 00:10:11,278 --> 00:10:13,488 TRINA VEGA, YES. 215 00:10:13,488 --> 00:10:15,656 - AND WHEN THEY WOKE UP, THEY HAD NO MEMORY 216 00:10:15,656 --> 00:10:18,535 OF WHAT HAPPENED, AND THAT IS HOW TRINA 217 00:10:18,535 --> 00:10:19,744 GOT INTO HOLLYWOOD ARTS. 218 00:10:19,744 --> 00:10:22,205 - WELL, THAT IS A FANTASTIC STORY 219 00:10:22,205 --> 00:10:24,165 THAT NEVER HAPPENED. 220 00:10:24,165 --> 00:10:26,667 - THAT'S HOW I HEARD IT. 221 00:10:27,794 --> 00:10:30,171 - WELL, ANYONE WANT SOME LICORICE? 222 00:10:30,171 --> 00:10:31,506 - I'LL TAKE SOME. 223 00:10:35,969 --> 00:10:37,178 JADE? 224 00:10:44,644 --> 00:10:46,104 - THANK YOU. 225 00:11:03,288 --> 00:11:06,082 - I'M STILL WAITING FOR MY MONEY. 226 00:11:06,082 --> 00:11:09,043 - HOW DO YOU EXPECT US TO GET IT? 227 00:11:09,043 --> 00:11:11,712 - WHY DON'T YOU WHIP OUT ONE OF YOUR FRUIT-SHAPED TELEPHONES 228 00:11:11,712 --> 00:11:15,967 AND CALL SOMEONE TO BRING YOU THE STUPID MONEY? 229 00:11:16,926 --> 00:11:18,178 - BECAUSE WE-- 230 00:11:18,178 --> 00:11:20,805 OH, OKAY. THAT'S A GOOD IDEA. 231 00:11:21,848 --> 00:11:23,558 - YEAH. 232 00:11:23,558 --> 00:11:26,227 - CALL ANDRE AND TELL HIM TO BRING US 30 BUCKS. 233 00:11:26,227 --> 00:11:28,271 - WHY DON'T YOU CALL HIM? 234 00:11:28,271 --> 00:11:30,982 - I LEFT MY PHONE IN MY BACKPACK, 235 00:11:30,982 --> 00:11:33,193 WHICH I DIDN'T BRING 'CAUSE YOU SAID 236 00:11:33,193 --> 00:11:35,570 THAT YOU WERE BUYING ME LUNCH FOR MASSAGING 237 00:11:35,570 --> 00:11:38,239 YOUR MAMA'S FUNKY FEET. 238 00:11:38,239 --> 00:11:40,699 NOW, CALL ANDRE. 239 00:11:40,699 --> 00:11:45,330 - OKAY, UM, I'LL JUST GIVE HIM A RING-A-DOO 240 00:11:45,330 --> 00:11:47,499 ON MY OLD PEARPHONE HERE. 241 00:11:47,499 --> 00:11:50,168 - HURRY! 242 00:11:50,168 --> 00:11:51,961 - [MAKING BEEPING NOISES] 243 00:11:53,213 --> 00:11:55,756 HELLO, ANDRE? 244 00:11:55,756 --> 00:11:59,177 HEY, WHAT'S UP, MY MAN? IT'S YOUR BOY, ROB. 245 00:11:59,177 --> 00:12:01,262 HOW ARE THINGS? 246 00:12:01,262 --> 00:12:04,098 OH, I'M SUPER! THANKS FOR ASKING. 247 00:12:04,098 --> 00:12:05,808 SO I'M JUST HERE WITH THE TOR-MINATOR-- 248 00:12:05,808 --> 00:12:06,851 - OH, GIVE ME THE PHONE. 249 00:12:06,851 --> 00:12:08,645 - NO. NO. 250 00:12:11,772 --> 00:12:12,731 - ANDRE? 251 00:12:12,731 --> 00:12:13,983 IT'S ME, TORI. 252 00:12:13,983 --> 00:12:15,652 WE'RE STUCK AT NOZU. WE NEED $30. 253 00:12:15,652 --> 00:12:17,362 CAN YOU PLEASE BRING IT OVER? 254 00:12:18,821 --> 00:12:21,366 HELLO? ANDRE? 255 00:12:22,950 --> 00:12:25,203 HE'S NOT ON THE PHONE. 256 00:12:25,203 --> 00:12:26,913 DOES THIS PHONE EVEN WORK? 257 00:12:26,913 --> 00:12:29,123 - WELL, IT COULD. 258 00:12:29,123 --> 00:12:31,334 - YOU DON'T HAVE PHONE SERVICE? 259 00:12:31,334 --> 00:12:35,338 - THEY WANT 45 BUCKS A MONTH. I'M NOT PAYING THAT! 260 00:12:35,338 --> 00:12:37,507 - THEN WHY DO YOU CARRY THIS AROUND? 261 00:12:37,507 --> 00:12:39,884 - I DON'T WANT PEOPLE TO THINK I DON'T HAVE A PHONE. 262 00:12:39,884 --> 00:12:41,052 THAT WOULD BE SAD. 263 00:12:41,052 --> 00:12:42,596 - THIS IS SAD. 264 00:12:42,596 --> 00:12:44,972 THIS IS SO, SO SAD! 265 00:12:46,307 --> 00:12:48,935 - SO, WHEN IS MY MONEY GONNA GET HERE? 266 00:12:48,935 --> 00:12:51,020 - WE DON'T HAVE-- 267 00:12:51,020 --> 00:12:52,564 - WELL, IF YOU DON'T HAVE MONEY, 268 00:12:52,564 --> 00:12:54,857 THEN I GUESS YOU WILL HAVE TO WORK. 269 00:12:56,109 --> 00:12:57,569 - OKAY, TAKE YOUR SHOES OFF. 270 00:12:57,569 --> 00:12:58,777 WE'LL RUB YOUR FEET. 271 00:12:58,777 --> 00:13:01,906 - EW. - NOBODY'S TOUCHING MY FEET. 272 00:13:03,157 --> 00:13:05,326 YOU WILL DO RESTAURANT WORK. 273 00:13:06,286 --> 00:13:08,413 - WHAT DO WE HAVE TO DO? 274 00:13:08,413 --> 00:13:10,998 WE DON'T KNOW HOW TO CHOP SQUID. 275 00:13:10,998 --> 00:13:13,543 - [SCOFFS] THAT'S THE SQUID. 276 00:13:13,543 --> 00:13:15,169 THAT'S THE CHOPPER. 277 00:13:15,169 --> 00:13:18,047 USE THE CHOPPER TO CHOP THE SQUID. 278 00:13:19,173 --> 00:13:21,134 - CAN YOU GO OVER IT AGAIN? - NO! 279 00:13:21,134 --> 00:13:24,971 KWAKOO, SING THE SQUID-CHOPPING SONG. 280 00:13:24,971 --> 00:13:27,766 - AYE! 281 00:13:27,766 --> 00:13:29,559 ♪ CHOP, CHOP, CHOP THE SQUID ♪ 282 00:13:29,559 --> 00:13:31,561 ♪ CHOP, CHOP, CHOP THE SQUID ♪ 283 00:13:31,561 --> 00:13:33,563 ♪ CHOP, CHOP, CHOP THE SQUID ♪ 284 00:13:33,563 --> 00:13:35,982 ♪ DISAPPOINT MY FATHER ♪ 285 00:13:37,816 --> 00:13:41,362 - YOU KNOW, SOMETIMES I THINK I DISAPPOINT MY FATHER TOO, 286 00:13:41,362 --> 00:13:42,947 AND EVERY TIME I TRY TO BRING IT UP-- 287 00:13:42,947 --> 00:13:44,491 - CHOP AND SING! 288 00:13:46,200 --> 00:13:48,202 ALL: ♪ CHOP CHOP, CHOP THE SQUID ♪ 289 00:13:48,202 --> 00:13:50,121 ♪ CHOP, CHOP, CHOP THE SQUID ♪ 290 00:13:50,121 --> 00:13:51,956 ♪ CHOP, CHOP, CHOP THE SQUID ♪ 291 00:13:51,956 --> 00:13:54,334 ♪ DISAPPOINT MY FATHER ♪ 292 00:13:55,460 --> 00:13:57,712 ♪ CHOP, CHOP, CHOP THE SQUID ♪ 293 00:13:57,712 --> 00:13:59,673 ♪ CHOP, CHOP, CHOP THE SQUID ♪ 294 00:13:59,673 --> 00:14:01,424 ♪ CHOP, CHOP, CHOP THE SQUID ♪ 295 00:14:01,424 --> 00:14:03,217 ♪ DISAPPOINT MY FATHER ♪ 296 00:14:06,680 --> 00:14:09,766 - TRINA DID NOT GET INTO THIS SCHOOL BY USING KNOCKOUT GAS. 297 00:14:09,766 --> 00:14:11,810 - THAT'S THE STORY I'VE ALWAYS HEARD. 298 00:14:11,810 --> 00:14:14,895 - I DON'T THINK IT'S TRUE. - I DON'T KNOW. 299 00:14:14,895 --> 00:14:18,899 TRINA IS KIND OF KOOKY IN THE HEAD. 300 00:14:18,899 --> 00:14:22,111 A LITTLE NUTTY IN THE OLD NOGGIN. 301 00:14:23,488 --> 00:14:25,782 SOME GIRLS ARE LIKE THAT, YOU KNOW. 302 00:14:25,782 --> 00:14:26,949 - SOME GIRLS ARE. ANDRE: WE KNOW. 303 00:14:26,949 --> 00:14:28,993 - YES. - RIGHT? 304 00:14:28,993 --> 00:14:31,245 - OKAY. DO YOU WANT TO KNOW HOW TRINA 305 00:14:31,245 --> 00:14:32,622 REALLY GOT INTO HOLLYWOOD ARTS? 306 00:14:32,622 --> 00:14:34,957 - YEAH. - OH, YES. TELL US, OH GREAT BECK, 307 00:14:34,957 --> 00:14:37,418 WHO KNOWS EVERYTHING, EXCEPT HOW TO KEEP A GIRLFRIEND HAPPY. 308 00:14:37,418 --> 00:14:39,587 - YOU HATE BEING HAPPY. 309 00:14:39,587 --> 00:14:41,506 - JUST TELL THE STORY! - ALL RIGHT! 310 00:14:42,799 --> 00:14:46,135 FOUR YEARS AGO, TRINA CAME HERE TO AUDITION. 311 00:14:47,094 --> 00:14:49,055 - WHAT ARE YOU DOING? 312 00:14:49,055 --> 00:14:50,807 - OH, WHILE BECK TELLS THE STORY, I'M GONNA TRY 313 00:14:50,807 --> 00:14:52,684 AND VISUALIZE IT AS IT HAPPENED. 314 00:14:52,684 --> 00:14:55,311 - OH. ME TOO. 315 00:15:00,400 --> 00:15:02,777 - OKAY, SO TRINA WAS AUDITIONING. 316 00:15:02,777 --> 00:15:05,029 - (SINGING BADLY) ♪ IT'S A DREAM, IT'S A SCENE ♪ 317 00:15:05,029 --> 00:15:06,573 ♪ AND IT'S SO BRAND NEW ♪ 318 00:15:06,573 --> 00:15:08,449 ♪ IF YOU THINK YOU CAN'T STOP IT ♪ 319 00:15:08,449 --> 00:15:11,202 ♪ THEN THE JOKE IS ON YOU ♪♪ 320 00:15:14,664 --> 00:15:18,668 SO, HOW WAS THAT? 321 00:15:18,668 --> 00:15:22,171 - WELL, TRINA, I WOULD NEVER USE THE WORD TERRIBLE, 322 00:15:22,171 --> 00:15:24,507 EXCEPT IN THIS CASE. 323 00:15:25,759 --> 00:15:28,386 - SIKOWITZ, COME ON. SHE'S A KID. 324 00:15:28,386 --> 00:15:30,430 - YOU LIKED IT? 325 00:15:30,430 --> 00:15:31,931 - OH, NO, YOU'RE THE WORST. 326 00:15:34,350 --> 00:15:37,562 - I'M SORRY, BUT WE CAN'T ACCEPT YOU HERE AT HOLLYWOOD ARTS. 327 00:15:37,562 --> 00:15:38,979 - OKAY. 328 00:15:38,979 --> 00:15:42,442 I GUESS I'LL JUST LEAVE THEN. 329 00:15:43,984 --> 00:15:49,073 UNLESS YOU GUYS ARE UP FOR A CHALLENGE. 330 00:15:53,870 --> 00:15:56,539 - WHAT KIND OF CHALLENGE? 331 00:15:56,539 --> 00:15:59,709 - I FIGHT ALL FIVE OF YOU. 332 00:15:59,709 --> 00:16:04,255 IF I WIN, YOU LET ME INTO HOLLYWOOD ARTS. 333 00:16:05,965 --> 00:16:07,091 - HA! 334 00:16:09,928 --> 00:16:12,555 LET'S DANCE. - FOOLISH CHILD. 335 00:16:12,555 --> 00:16:15,433 - BRING IT ON, BOO. 336 00:16:15,433 --> 00:16:16,976 - [SHOUTING] 337 00:16:16,976 --> 00:16:19,270 [GRUNTING] 338 00:16:38,498 --> 00:16:39,916 - AND THAT'S WHAT HAPPENED. 339 00:16:39,916 --> 00:16:41,835 - OH, AND I'M CRAZY 340 00:16:41,835 --> 00:16:44,128 TO THINK THAT THE KNOCKOUT GAS STORY IS TRUE. 341 00:16:44,128 --> 00:16:45,797 - YOU SERIOUSLY THINK TRINA GOT INTO THIS SCHOOL 342 00:16:45,797 --> 00:16:47,799 BY NINJA-WHACKING FIVE TEACHERS? 343 00:16:47,799 --> 00:16:49,634 - IT'S THE STORY I HEARD. 344 00:16:49,634 --> 00:16:52,887 - WAIT. SIKOWITZ HAD HAIR? 345 00:17:08,152 --> 00:17:11,280 - WELL, DID YOU TERRIBLE CHILDREN 346 00:17:11,280 --> 00:17:13,908 FINISH CHOPPING THE SQUID? 347 00:17:13,908 --> 00:17:16,995 - YES, WE CHOPPED ALL 17 POUNDS 348 00:17:16,995 --> 00:17:19,372 OF YOUR NASTY SQUID, ALL RIGHT? 349 00:17:19,372 --> 00:17:22,082 SEE, NOW YOU HAVE ENOUGH CHOPPED SQUID TO FILL THE GRAND CANYON, 350 00:17:22,082 --> 00:17:24,585 AND THREE MORE MEDIUM-SIZED CANYONS. 351 00:17:24,585 --> 00:17:27,714 - THEY HAVE MEDIUM-SIZED CANYONS? 352 00:17:27,714 --> 00:17:30,466 - CAN WE PLEASE LEAVE? 353 00:17:30,466 --> 00:17:31,759 - HM. 354 00:17:31,759 --> 00:17:34,846 YOU FORGOT TO CHOP THIS PIECE OF SQUID. 355 00:17:34,846 --> 00:17:37,849 SEE it? THIS PIECE STILL UNCHOPPED. 356 00:17:40,727 --> 00:17:42,854 - [SHOUTING] 357 00:17:44,647 --> 00:17:47,567 THERE! YOU HAPPY? 358 00:17:48,609 --> 00:17:49,777 - CAN WE GO? 359 00:17:49,777 --> 00:17:51,654 - HM, OKAY. 360 00:17:51,654 --> 00:17:54,365 NOW YOU TWO MAY GET OUT. 361 00:17:54,365 --> 00:17:56,450 - YES! LET'S GET BACK TO SCHOOL. 362 00:17:56,450 --> 00:17:58,452 - YIPPITY DO DA! HEY-- 363 00:17:58,452 --> 00:17:59,829 [CRASH] 364 00:18:01,915 --> 00:18:05,418 - OH, NO! MY BEAUTIFUL PLATES! 365 00:18:06,419 --> 00:18:08,922 - NOW YOU TWO GOT TO WORK HERE 366 00:18:08,922 --> 00:18:13,009 ALL DAY AND NIGHT UNTIL YOU PAY FOR THESE BROKEN DISHES. 367 00:18:13,009 --> 00:18:14,343 - NO! 368 00:18:14,343 --> 00:18:15,636 - YEAH, NO! 369 00:18:15,636 --> 00:18:16,804 - HE'S GOTTA WORK HERE. 370 00:18:16,804 --> 00:18:18,431 - YEAH! WHAT?! 371 00:18:18,431 --> 00:18:22,184 - YOU BROKE THE DISHES. I BROKE NOTHING. 372 00:18:22,184 --> 00:18:23,686 - SO YOU'RE JUST GONNA LEAVE ME HERE? 373 00:18:23,686 --> 00:18:25,271 - YEPPERTY DO DA! 374 00:18:34,363 --> 00:18:38,200 - SO, HERE'S MY BEDROOM AT HOME, AND SEE? 375 00:18:38,200 --> 00:18:40,078 UNDERNEATH THE BED, 376 00:18:40,078 --> 00:18:43,414 THAT'S WHERE I KEEP THE EXTRA SANDWICHES. 377 00:18:43,414 --> 00:18:45,541 SO APPARENTLY THE SMELL WAS COMING 378 00:18:45,541 --> 00:18:46,793 FROM A TUNA MELT THAT I'D MAKE LAST-- 379 00:18:46,793 --> 00:18:49,587 - I'M SORRY. I'M SO SORRY I'M LATE. 380 00:18:49,587 --> 00:18:51,422 - IT'S COOL. - YEAH, WE'RE JUST LISTENING 381 00:18:51,422 --> 00:18:53,382 TO A VERY LONG STORY ABOUT THE SMELL 382 00:18:53,382 --> 00:18:56,260 COMING FROM UNDER SIKOWITZ'S BED. 383 00:18:56,260 --> 00:18:58,471 - WHAT? - NOT AS LONG AS BECK'S LONG STORY 384 00:18:58,471 --> 00:19:00,598 ABOUT HOW TRINA GOT INTO THIS SCHOOL. 385 00:19:00,598 --> 00:19:04,226 - YEAH, UM, HOW DID YOUR SISTER GET INTO THIS SCHOOL? 386 00:19:04,226 --> 00:19:05,853 - WELL, I DON'T KNOW. 387 00:19:05,853 --> 00:19:09,523 I GUESS SHE JUST AUDITIONED AND GOT IN. 388 00:19:09,523 --> 00:19:11,233 - BUT SHE'S UNTALENTED. 389 00:19:11,233 --> 00:19:14,278 - CAT, THAT'S MEAN... AND TRUE. 390 00:19:14,278 --> 00:19:16,072 HOW DID SHE GET IN? 391 00:19:16,072 --> 00:19:19,283 [SPEAKING OVER EACH OTHER] 392 00:19:19,283 --> 00:19:21,786 - CHILDREN, KIDS. 393 00:19:21,786 --> 00:19:23,955 [CLEARING THROAT] 394 00:19:23,955 --> 00:19:27,291 I CAN TELL YOU HOW TRINA GOT INTO HOLLYWOOD ARTS. 395 00:19:27,291 --> 00:19:29,127 - YOU KNOW? - MM-HM. 396 00:19:29,127 --> 00:19:33,255 I WAS AT HER AUDITION FOUR YEARS AGO. 397 00:19:41,305 --> 00:19:43,641 - SO ARE YOU GONNA TELL US? 398 00:19:43,641 --> 00:19:45,518 - OH! YEAH. 399 00:19:45,518 --> 00:19:49,563 SO JUST BEFORE TRINA'S AUDITION WAS ABOUT BEGIN, 400 00:19:49,563 --> 00:19:52,232 PRINCIPAL EICHNER WALKED INTO THE ROOM. 401 00:19:52,232 --> 00:19:55,361 OKAY, WHO'S AUDITIONING NEXT? 402 00:19:55,361 --> 00:19:59,490 - HEY, YOU GUYS, THAT WEIRD KID, UH, GINSENG? 403 00:19:59,490 --> 00:20:01,159 - SINJIN? 404 00:20:01,159 --> 00:20:03,995 - YEAH, HE GOT HIS FACE STUCK IN THE SODA MACHINE AGAIN. 405 00:20:03,995 --> 00:20:05,705 CAN YOU COME HELP ME PULL IT OUT? 406 00:20:05,705 --> 00:20:07,665 OH, NO. NO, SIKOWITZ, YOU STAY HERE 407 00:20:07,665 --> 00:20:08,916 AND CONTINUE WITH THE AUDITIONS. 408 00:20:08,916 --> 00:20:11,293 - RIGHT. [GRUNTS] 409 00:20:11,293 --> 00:20:12,461 - WHAT'S THAT? 410 00:20:12,461 --> 00:20:14,922 - OH! IT'S A SPECIAL COCONUT 411 00:20:14,922 --> 00:20:17,216 MY COUSIN SENT ME FROM SRI LANKA. 412 00:20:17,216 --> 00:20:19,635 I'M GONNA DRINK ITS MILK. 413 00:20:19,635 --> 00:20:21,054 - [SNIFFS] 414 00:20:21,054 --> 00:20:23,139 UH, IT SMELLS KIND OF WEIRD. 415 00:20:23,139 --> 00:20:24,891 - YES, IT WAS DELIVERED TO MY BACK DOOR, 416 00:20:24,891 --> 00:20:26,642 SO I DIDN'T SEE IT FOR THREE WEEKS. 417 00:20:26,642 --> 00:20:28,435 - MAYBE IT'S SPOILED. 418 00:20:28,435 --> 00:20:30,730 - [SNIFFING, COUGHING] 419 00:20:30,730 --> 00:20:32,606 MAYBE... 420 00:20:32,606 --> 00:20:35,275 BUT I'M STILL GONNA DRINK ITS MILK. 421 00:20:35,275 --> 00:20:37,653 - YEAH, BUT, UH-- OH, I GOTTA-- 422 00:20:37,653 --> 00:20:40,489 [SCREAMING IN DISTANCE] OKAY, SINJIN, I'M COMING. 423 00:20:40,489 --> 00:20:42,700 - [CLEARS THROAT] ALL RIGHT, NEXT. 424 00:20:44,744 --> 00:20:47,621 - HI, I'M TRINA VEGA. 425 00:20:47,621 --> 00:20:49,665 - HELLO, TRINA. 426 00:20:50,917 --> 00:20:54,378 EW, THAT'S A FUNKY TASTE. 427 00:20:54,378 --> 00:20:57,297 ALL RIGHT, TRINA, TAKE IT AWAY. 428 00:20:57,297 --> 00:20:59,508 [MUSIC BEGINS] 429 00:20:59,508 --> 00:21:01,761 ♪♪ 430 00:21:05,389 --> 00:21:06,849 - (SINGING BADLY) ♪ CAN'T STOP ♪ 431 00:21:06,849 --> 00:21:09,435 ♪ YOU KNOW WE'LL NEVER GIVE IT UP ♪ 432 00:21:09,435 --> 00:21:12,939 - OH, I THINK THIS COCONUT MILK IS AFFECTING ME. 433 00:21:14,148 --> 00:21:16,567 - OH, YES. - ♪ ...GONNA LIVE IT UP ♪ 434 00:21:16,567 --> 00:21:19,820 ♪ SO EVERYBODY PUTS YOUR HANDS IN THE AIR ♪ 435 00:21:19,820 --> 00:21:21,655 - OH! - ♪ AN ALL-NIGHT PARTY ♪ 436 00:21:21,655 --> 00:21:23,282 ♪ THAT WE'RE GETTING INTO ♪ 437 00:21:23,282 --> 00:21:25,159 - ROMAN SOLDIERS? 438 00:21:25,159 --> 00:21:27,620 - ♪ THEN THE JOKE IS ON YOU ♪ 439 00:21:27,620 --> 00:21:31,498 - OH, SWEET MITOSIS, LOOK WHAT SHE CAN DO! 440 00:21:31,498 --> 00:21:35,044 OH, LOOK! NOW SHE'S A HOT DOG! 441 00:21:35,044 --> 00:21:38,380 I LOVE HOT DOGS! 442 00:21:38,380 --> 00:21:40,091 OH, SING, HOT DOG! 443 00:21:40,091 --> 00:21:43,343 - ♪ ...STOP IT THEN THE JOKE IS ON YOU ♪♪ 444 00:21:43,343 --> 00:21:44,553 [MUSIC ENDS] 445 00:21:44,553 --> 00:21:47,389 - MM! 446 00:21:47,389 --> 00:21:49,349 AH, TRINA IS IN! 447 00:21:49,349 --> 00:21:53,604 TRINA IS IN! TRINA IS IN! 448 00:21:53,604 --> 00:21:55,773 TRINA IS IN! 449 00:21:55,773 --> 00:21:58,358 AH! 450 00:22:00,987 --> 00:22:04,782 - AND AFTER SEEING... THAT, 451 00:22:04,782 --> 00:22:07,701 I ACCEPTED TRINA INTO HOLLYWOOD ARTS. 452 00:22:07,701 --> 00:22:12,706 - YOU MEAN, JUST CAUSE YOU DRANK SOME BAD COCONUT MILK? 453 00:22:12,706 --> 00:22:14,125 - AND SAW VISIONS? 454 00:22:14,125 --> 00:22:16,169 - I'M NOT PROUD OF IT. 455 00:22:18,171 --> 00:22:20,006 - HEY, DOES ANYONE SMELL SUSHI? 456 00:22:20,006 --> 00:22:23,467 - YEAH, IT SMELLS KIND OF LIKE SALMON. 457 00:22:24,718 --> 00:22:27,221 - NO. NO, I THINK IT'S-- IT'S YELLOW TAIL. 458 00:22:28,181 --> 00:22:29,347 - NO, WAIT. MAYBE IT'S-- 459 00:22:29,347 --> 00:22:30,724 - IT'S SQUID! 460 00:22:30,724 --> 00:22:33,978 ALL RIGHT? IT'S SQUID. 461 00:22:33,978 --> 00:22:35,313 IT'S SQUID. 462 00:22:36,522 --> 00:22:38,316 [INTERPOSING VOICES] COME ON. 463 00:22:38,316 --> 00:22:41,485 - SQUID-- SQUID MAKES SENSE. IT'S TOTALLY SQUID. 464 00:22:41,485 --> 00:22:44,989 - IT'S NOT THAT HARD. - WAIT, WHERE'S ROBBIE? 465 00:22:47,200 --> 00:22:49,660 - HOW LONG DO I HAVE TO KEEP DOING THIS? 466 00:22:49,660 --> 00:22:53,080 - A VERY LONG TIME. 467 00:22:53,080 --> 00:22:55,415 - OKAY. 468 00:22:55,415 --> 00:22:56,792 - USE YOUR THUMBS! 469 00:22:56,792 --> 00:22:58,627 - I KNOW WHAT TO DO! 470 00:23:06,260 --> 00:23:07,803 - SO NOW WHAT? 471 00:23:07,803 --> 00:23:09,555 - HE WANTS ME TO COME UP WITH ANOTHER SONG. 472 00:23:09,555 --> 00:23:11,182 - (SINGING) ♪ HOW ABOUT A SONG ABOUT BROKEN GLASS? ♪ 473 00:23:11,182 --> 00:23:13,226 ♪ I'LL HELP YOU WRITE IT AFTER CLASS ♪ 474 00:23:13,226 --> 00:23:16,270 ♪ THERE IS NO SONG THAT CAN SURPASS THIS SONG WE SING ♪ 475 00:23:16,270 --> 00:23:19,273 ♪ 'BOUT BROKEN GLASS ♪ 476 00:23:19,273 --> 00:23:20,816 HARMONICA SOLO. 477 00:23:20,816 --> 00:23:23,277 [HARMONICA PLAYING] 478 00:23:27,365 --> 00:23:28,406 [DING] 479 00:23:28,406 --> 00:23:30,243 MAN: MM! 480 00:23:30,243 --> 00:23:33,246 CAT: WHAT ARE YOU INTO?