- HOW'S THAT TUNA? - MM. GOOD.
THE SUSHI HERE IS AMAZING.
- I KNOW, AND THIS IS THE ONLY PLACE
WHERE THEY GIVE ME THE TRAINING CHOPSTICKS.
- HA HA! LOOK AT THE BABY'S CHOPSTICKS!
[GIRLS LAUGHING] - JERKS!
- DUDE, YOU CAN'T CALL LITTLE GIRLS JERKS.
- HEY, GIRL.
THAT'S A STUPID RED JACKET. - HA!
[GIRLS LAUGHING]
- JERKS!
- YOU WANT SOMETHING ELSE?
- TORI?
- UH, NAH. WE BETTER GET BACK TO SCHOOL.
- JUST THE CHECK, PLEASE.
I'M BUYING LUNCH.
- OH, COME ON. LET PAY HALF.
- NO WAY, TO-RAY. THIS IS THE LEAST I CAN DO
AFTER WHAT YOU DID FOR ME.
- WHAT DID SHE DO FOR YOU?
- SHE HELPED ME MASSAGE MY GRANDMOTHER'S FEET.
- WHY?
- WELL, SHE WAS IN A LOT OF PAIN.
- AND THE SKIN ON HER FEET IS SO THICK,
YOU HAVE TO USE BOTH HANDS TO RUB EACH FOOT.
- I RUBBED THE LEFT.
- YEAH, GREAT STORY. NOW I GOTTA GO PUKE.
- YOU KNOW, I REALLY DON'T MIND PAYING HALF.
- NAY NAY.
IT'S THE LEAST I COULD DO FOR A FRIEND
WHO HELPED ME MASSAGE MY MAMA'S FEET.
OH DEAR.
- ROBBIE, I TOLD YOU.
NOBODY OUR AGE SAYS "OH DEAR."
- OH MY. - OR THAT.
- I THINK I LEFT MY WALLET IN MY LOCKER.
- IT'S OKAY. I'LL PAY FOR LUNCH.
- WELL, I'M PAYING YOU BACK AS SOON AS WE GET TO--
- UH-OH. - WHAT?
- I DIDN'T BRING MY BACKPACK OR A PURSE
'CAUSE YOU SAID THAT YOU WERE PAYING.
- DON'T YOU KEEP EMERGENCY MONEY IN YOUR BRA?
- NO. - I THOUGHT GIRLS DID THAT.
- WELL, WE DON'T. - CAT KEEPS CANDY IN HERS.
- HEY, WHY ARE YOU STILL HERE?
- UH, WE-- WE KIND OF FORGOT TO BRING MONEY,
SO WOULD IT BE OKAY IF--
OW!
- YOU ATE $22 WORTH OF SUSHI. - I KNOW, BUT--
- NOW YOU GIVE ME $22 WORTH OF MONEY.
- I JUST TOLD YOU I CAN'T. - JUST...
GIVE US A MINUTE TO FIGURE THIS OUT.
- YEAH, SURE. I'LL GIVE YOU A MINUTE.
- NOW WHAT ARE WE GONNA DO?
- WE COULD TRY TO SNEAK OUT?
- IF YOU TRY TO SNEAK OUT,
YOU WILL HAVE TO GET PAST KWAKOO.
- WHAT-- WHAT'S A KWAKOO?
- KWAKOO!
- OH DEAR.
- I THOUGHT NOBODY OUR AGE SAYS THAT.
- I'M BRINGING IT BACK.
♪ HERE I AM ONCE AGAIN
♪ FEELING LOST BUT NOW AND THEN ♪
♪ I BREATHE IT IN TO LET IT GO ♪
♪ AND YOU DON'T KNOW WHERE YOU ARE NOW ♪
♪ OR WHAT IT WOULD COME TO ♪
♪ IF ONLY SOMEBODY COULD HEAR ♪
♪ WHEN YOU FIGURE OUT HOW, YOU'RE LOST IN THE MOMENT ♪
♪ YOU DISAPPEAR ♪
♪ YOU DON'T HAVE TO BE AFRAID TO PUT YOUR DREAM IN ACTION ♪
♪ YOU'RE NEVER GONNA FADE YOU'LL BE THE MAIN ATTRACTION ♪
♪ NOT A FANTASY JUST REMEMBER ME ♪
♪ WHEN IT TURNS OUT RIGHT ♪
♪ 'CAUSE YOU KNOW THAT IF YOU'RE LIVING YOUR IMAGINATION ♪
♪ TOMORROW YOU'LL BE EVERYBODY'S FASCINATION ♪
♪ IN MY VICTORY, JUST REMEMBER ME ♪
♪ WHEN I MAKE IT SHINE ♪♪
- YOU GUYS KNOW THERE'S THIS GERM CALLED FECERCILLIUM
THAT YOU CAN GET FROM A SPIDER CRAWLING IN YOUR MOUTH
WHEN YOU'RE SLEEPING?
YOUR UVULA SWELLS UP REALLY BIG SO YOU CAN'T BREATHE,
AND THEY HAVE TO CUT A HOLE RIGHT HERE TO DRAIN
THE PUS FROM YOUR THROAT.
- I'LL JUST EAT THIS PUDDING CUP LATER.
- SO DOES ANYONE WANT SOME CANDY?
- SURE. - SURE.
- GUMDROP FOR YOU.
GUMDROP FOR YOU.
- SKIDDILY DAT. SKIDDILY DO. SKIDDILY DAT. SKIDDILY DO.
SKIDDILY DAT. DA PA DA PA LOO LA LEE LA MIP MOP BOOP.
[CONTINUES SCAT SINGING]
- WOW. SHE IS JUST AWFUL.
- IT'S THE WORST THING I EVER HEARD. - RIGHT.
- HEY, I HAVE A QUESTION. - WHAT?
- EVERY KID HAS TO AUDITION TO GET INTO HOLLYWOOD ARTS, RIGHT?
-YEAH. -MM-HM.
- AND TRINA HAS NO TALENT, RIGHT?
BECK: NONE WHATSOEVER. - NO.
- HORRIBLE.
- THEN HOW DID SHE PASS HER AUDITION
AND GET TO GO TO SCHOOL HERE?
- YOU HAVEN'T HEARD THE STORY?
- NO, BUT I LOVE STORIES.
- I'LL TELL IT.
- OKAY, IT WAS ABOUT FOUR YEARS AGO.
BACK THEN, TRINA DID HAVE TALENT.
- OH, YES. SHE COULD SING LIKE AN ANGEL.
THERE SHE WAS ON THAT STAGE SINGING LIKE AN ANGEL.
[TRINA SINGING WELL]
- WONDERFUL.
- MIRACULOUS. - BRAVO.
- FANTASTIC. BRAVISSIMO.
- TRULY AMAZING, MISS?
- VEGA. TRINA VEGA.
- WELL, TRINA VEGA, AS PRINCIPAL OF HOLLYWOOD ARTS,
I CAN TELL YOU RIGHT NOW YOU'RE IN.
[APPLAUSE]
- OH MY GOSH. THANK YOU.
GOD BLESS YOU ALL.
- WELL, EVERYONE. LET'S TAKE FIVE.
INSPIRING.
- [SINGING]
- HEY, YOU GOT SOME HOT PIPES.
- AW, THANK YOU. WHAT'S YOUR NAME?
- SINJIN. I'VE BEEN GOING TO THIS SCHOOL
FOR A WHOLE YEAR.
- WOW, COOL. - YEAH.
I SET UP ALL THIS AUDIO EQUIPMENT,
AND I RUN THESE CABLES THAT GO TO THE LIGHTS.
- OH!
AH! [COUGHING]
- ARE YOU OKAY?
- YEAH, I THINK SO.
BUT THAT LIGHT JUST HIT ME RIGHT IN THE THROAT.
- OH, NO.
CAN YOU STILL SING LIKE AN ANGEL?
- LET ME SEE.
[SINGING BADLY]
- REALLY? - YEP.
THAT LIGHT HIT TRINA SO HARD
IT KNOCKED ALL THE TALENT RIGHT OUT OF HER.
- OKAY, THAT IS NOT HOW TRINA GOT INTO HOLLYWOOD ARTS.
- THAT'S THE STORY I ALWAYS HEARD.
- WELL, IT'S WRONG. - THEN HOW DID SHE GET IN.
[BELL RINGING] - WE GOTTA GET TO CLASS.
- NO, WAIT. - I'LL TELL YOU LATER.
- BUT I'M CURIOUS NOW.
PLEASE TELL ME. PLEASE TELL ME NOW.
I'LL GIVE YOU A GUMMY BEAR.
A JELLY BEAN!
A PINTO BEAN!
WHAT ARE YOU INTO?
- LOOK, YOU KNOW WHO WE ARE.
- YEAH. YOU'RE THE EVIL GIRL
WHO LEFT MY DAUGHTER HANGING FROM THE CEILING.
- THAT WAS A LONG TIME AGO.
- I STILL HOLD A GRUDGE.
- WE HAVE TO GO.
WE WERE SUPPOSED TO BE BACK AT SCHOOL BY NOW.
- YOU ORDER MY FOOD.
YOU CHEW MY FOOD. YOU SWALLOW MY FOOD.
YOU KNOW WHAT COMES NEXT?
- I'M NOT COMFORTABLE WITH POTTY TALK
UNLESS IT'S WITH MY DOCTOR.
- NO, IGMO.
YOU PAY FOR MY FOOD.
- [SCOFFS]
COME ON. LET'S JUST LEAVE.
- NO. KWAKOO WILL HURT US.
- DO YOU SEE HIM AROUND? NO.
- I'M SCARED.
- FINE.
I'LL LEAVE, GO GET THE MONEY, AND BRING IT BACK.
AHH!
[GASPING]
I GOT KWAKOO-ED.
- KIDS. KIDS.
- HI. - FYI, I'M GONNA BE LATE FOR CLASS.
- WHY? - AGAIN? - WHAT'S UP?
- I GOT A CALL FROM MY HOUSEKEEPER.
APPARENTLY THERE'S AN ODD SMELL COMING FROM UNDER MY BED.
- WELL, WHAT DO YOU THINK IT IS?
- OH, I KNOW WHAT IT IS.
- OKAY, LOOKS LIKE WE GOT SOME TIME.
- YAY! SO TELL ME HOW TRINA
REALLY GOT INTO HOLLYWOOD ARTS?
- ALL RIGHT, HERE'S THE REAL STORY.
SO...
SO FOUR YEARS AGO, TRINA DID HER AUDITION,
AND IT WAS LIKE TORTURE, BUT NOT THE GOOD KIND.
- (SINGING BADLY) ♪ IT'S AN ALL NIGHT PARTY ♪
♪ THAT WE'RE GETTING INTO ♪
♪ IF YOU THINK IT'S ALL OVER, THEN THE JOKE IS ON YOU ♪
♪ IT'S A DREAM, IT'S A SCENE, AND IT'S SO BRAND NEW ♪
♪ IF YOU THINK YOU CAN'T STOP IT THEN THE JOKE IS ON YOU ♪
- GREAT NORTHERN BEANS, THAT WAS A HORRIBLE.
- I'M SORRY, UH, BUT YOU DON'T BELONG AT HOLLYWOOD ARTS, NO.
- ALL RIGHT, FELLOW FACULTY MEMBERS,
FOR TRINA VEGA, LET'S ALL CAREFULLY CHECK
THE "NO" BOXES ON OUR FORMS.
[OVERLAPPING AGREEMENT]
[BEEPING]
INTERESTING.
SHE HAS TOSSED SOME SORT OF DEVICE ON THE FLOOR.
[BEEPING INCREASES]
[BANG]
- HEY, HEY. WHAT'S GOING ON?
- I DON'T KNOW.
THERE SEEMS TO BE SOME SORT OF VAPOR COMING OUT OF--
- TRINA VEGA, YES. TRINA VEGA, YES.
- AND WHEN THEY WOKE UP, THEY HAD NO MEMORY
OF WHAT HAPPENED, AND THAT IS HOW TRINA
GOT INTO HOLLYWOOD ARTS.
- WELL, THAT IS A FANTASTIC STORY
THAT NEVER HAPPENED.
- THAT'S HOW I HEARD IT.
- WELL, ANYONE WANT SOME LICORICE?
- I'LL TAKE SOME.
JADE?
- THANK YOU.
- I'M STILL WAITING FOR MY MONEY.
- HOW DO YOU EXPECT US TO GET IT?
- WHY DON'T YOU WHIP OUT ONE OF YOUR FRUIT-SHAPED TELEPHONES
AND CALL SOMEONE TO BRING YOU THE STUPID MONEY?
- BECAUSE WE--
OH, OKAY. THAT'S A GOOD IDEA.
- YEAH.
- CALL ANDRE AND TELL HIM TO BRING US 30 BUCKS.
- WHY DON'T YOU CALL HIM?
- I LEFT MY PHONE IN MY BACKPACK,
WHICH I DIDN'T BRING 'CAUSE YOU SAID
THAT YOU WERE BUYING ME LUNCH FOR MASSAGING
YOUR MAMA'S FUNKY FEET.
NOW, CALL ANDRE.
- OKAY, UM, I'LL JUST GIVE HIM A RING-A-DOO
ON MY OLD PEARPHONE HERE.
- HURRY!
- [MAKING BEEPING NOISES]
HELLO, ANDRE?
HEY, WHAT'S UP, MY MAN? IT'S YOUR BOY, ROB.
HOW ARE THINGS?
OH, I'M SUPER! THANKS FOR ASKING.
SO I'M JUST HERE WITH THE TOR-MINATOR--
- OH, GIVE ME THE PHONE.
- NO. NO.
- ANDRE?
IT'S ME, TORI.
WE'RE STUCK AT NOZU. WE NEED $30.
CAN YOU PLEASE BRING IT OVER?
HELLO? ANDRE?
HE'S NOT ON THE PHONE.
DOES THIS PHONE EVEN WORK?
- WELL, IT COULD.
- YOU DON'T HAVE PHONE SERVICE?
- THEY WANT 45 BUCKS A MONTH. I'M NOT PAYING THAT!
- THEN WHY DO YOU CARRY THIS AROUND?
- I DON'T WANT PEOPLE TO THINK I DON'T HAVE A PHONE.
THAT WOULD BE SAD.
- THIS IS SAD.
THIS IS SO, SO SAD!
- SO, WHEN IS MY MONEY GONNA GET HERE?
- WE DON'T HAVE--
- WELL, IF YOU DON'T HAVE MONEY,
THEN I GUESS YOU WILL HAVE TO WORK.
- OKAY, TAKE YOUR SHOES OFF.
WE'LL RUB YOUR FEET.
- EW. - NOBODY'S TOUCHING MY FEET.
YOU WILL DO RESTAURANT WORK.
- WHAT DO WE HAVE TO DO?
WE DON'T KNOW HOW TO CHOP SQUID.
- [SCOFFS] THAT'S THE SQUID.
THAT'S THE CHOPPER.
USE THE CHOPPER TO CHOP THE SQUID.
- CAN YOU GO OVER IT AGAIN? - NO!
KWAKOO, SING THE SQUID-CHOPPING SONG.
- AYE!
♪ CHOP, CHOP, CHOP THE SQUID ♪
♪ DISAPPOINT MY FATHER ♪
- YOU KNOW, SOMETIMES I THINK I DISAPPOINT MY FATHER TOO,
AND EVERY TIME I TRY TO BRING IT UP--
- CHOP AND SING!
ALL: ♪ CHOP CHOP, CHOP THE SQUID ♪
♪ CHOP, CHOP, CHOP THE SQUID ♪
♪ DISAPPOINT MY FATHER ♪
♪ CHOP, CHOP, CHOP THE SQUID ♪
♪ DISAPPOINT MY FATHER ♪
- TRINA DID NOT GET INTO THIS SCHOOL BY USING KNOCKOUT GAS.
- THAT'S THE STORY I'VE ALWAYS HEARD.
- I DON'T THINK IT'S TRUE. - I DON'T KNOW.
TRINA IS KIND OF KOOKY IN THE HEAD.
A LITTLE NUTTY IN THE OLD NOGGIN.
SOME GIRLS ARE LIKE THAT, YOU KNOW.
- SOME GIRLS ARE. ANDRE: WE KNOW.
- YES. - RIGHT?
- OKAY. DO YOU WANT TO KNOW HOW TRINA
REALLY GOT INTO HOLLYWOOD ARTS?
- YEAH. - OH, YES. TELL US, OH GREAT BECK,
WHO KNOWS EVERYTHING, EXCEPT HOW TO KEEP A GIRLFRIEND HAPPY.
- YOU HATE BEING HAPPY.
- JUST TELL THE STORY! - ALL RIGHT!
FOUR YEARS AGO, TRINA CAME HERE TO AUDITION.
- WHAT ARE YOU DOING?
- OH, WHILE BECK TELLS THE STORY, I'M GONNA TRY
AND VISUALIZE IT AS IT HAPPENED.
- OH. ME TOO.
- OKAY, SO TRINA WAS AUDITIONING.
- (SINGING BADLY) ♪ IT'S A DREAM, IT'S A SCENE ♪
♪ AND IT'S SO BRAND NEW ♪
♪ IF YOU THINK YOU CAN'T STOP IT ♪
♪ THEN THE JOKE IS ON YOU ♪♪
SO, HOW WAS THAT?
- WELL, TRINA, I WOULD NEVER USE THE WORD TERRIBLE,
EXCEPT IN THIS CASE.
- SIKOWITZ, COME ON. SHE'S A KID.
- YOU LIKED IT?
- OH, NO, YOU'RE THE WORST.
- I'M SORRY, BUT WE CAN'T ACCEPT YOU HERE AT HOLLYWOOD ARTS.
- OKAY.
I GUESS I'LL JUST LEAVE THEN.
UNLESS YOU GUYS ARE UP FOR A CHALLENGE.
- WHAT KIND OF CHALLENGE?
- I FIGHT ALL FIVE OF YOU.
IF I WIN, YOU LET ME INTO HOLLYWOOD ARTS.
- HA!
LET'S DANCE. - FOOLISH CHILD.
- BRING IT ON, BOO.
- [SHOUTING]
[GRUNTING]
- AND THAT'S WHAT HAPPENED.
- OH, AND I'M CRAZY
TO THINK THAT THE KNOCKOUT GAS STORY IS TRUE.
- YOU SERIOUSLY THINK TRINA GOT INTO THIS SCHOOL
BY NINJA-WHACKING FIVE TEACHERS?
- IT'S THE STORY I HEARD.
- WAIT. SIKOWITZ HAD HAIR?
- WELL, DID YOU TERRIBLE CHILDREN
FINISH CHOPPING THE SQUID?
- YES, WE CHOPPED ALL 17 POUNDS
OF YOUR NASTY SQUID, ALL RIGHT?
SEE, NOW YOU HAVE ENOUGH CHOPPED SQUID TO FILL THE GRAND CANYON,
AND THREE MORE MEDIUM-SIZED CANYONS.
- THEY HAVE MEDIUM-SIZED CANYONS?
- CAN WE PLEASE LEAVE?
- HM.
YOU FORGOT TO CHOP THIS PIECE OF SQUID.
SEE it? THIS PIECE STILL UNCHOPPED.
- [SHOUTING]
THERE! YOU HAPPY?
- CAN WE GO?
- HM, OKAY.
NOW YOU TWO MAY GET OUT.
- YES! LET'S GET BACK TO SCHOOL.
- YIPPITY DO DA! HEY--
[CRASH]
- OH, NO! MY BEAUTIFUL PLATES!
- NOW YOU TWO GOT TO WORK HERE
ALL DAY AND NIGHT UNTIL YOU PAY FOR THESE BROKEN DISHES.
- NO!
- YEAH, NO!
- HE'S GOTTA WORK HERE.
- YEAH! WHAT?!
- YOU BROKE THE DISHES. I BROKE NOTHING.
- SO YOU'RE JUST GONNA LEAVE ME HERE?
- YEPPERTY DO DA!
- SO, HERE'S MY BEDROOM AT HOME, AND SEE?
UNDERNEATH THE BED,
THAT'S WHERE I KEEP THE EXTRA SANDWICHES.
SO APPARENTLY THE SMELL WAS COMING
FROM A TUNA MELT THAT I'D MAKE LAST--
- I'M SORRY. I'M SO SORRY I'M LATE.
- IT'S COOL. - YEAH, WE'RE JUST LISTENING
TO A VERY LONG STORY ABOUT THE SMELL
COMING FROM UNDER SIKOWITZ'S BED.
- WHAT? - NOT AS LONG AS BECK'S LONG STORY
ABOUT HOW TRINA GOT INTO THIS SCHOOL.
- YEAH, UM, HOW DID YOUR SISTER GET INTO THIS SCHOOL?
- WELL, I DON'T KNOW.
I GUESS SHE JUST AUDITIONED AND GOT IN.
- BUT SHE'S UNTALENTED.
- CAT, THAT'S MEAN... AND TRUE.
HOW DID SHE GET IN?
[SPEAKING OVER EACH OTHER]
- CHILDREN, KIDS.
[CLEARING THROAT]
I CAN TELL YOU HOW TRINA GOT INTO HOLLYWOOD ARTS.
- YOU KNOW? - MM-HM.
I WAS AT HER AUDITION FOUR YEARS AGO.
- SO ARE YOU GONNA TELL US?
- OH! YEAH.
SO JUST BEFORE TRINA'S AUDITION WAS ABOUT BEGIN,
PRINCIPAL EICHNER WALKED INTO THE ROOM.
OKAY, WHO'S AUDITIONING NEXT?
- HEY, YOU GUYS, THAT WEIRD KID, UH, GINSENG?
- SINJIN?
- YEAH, HE GOT HIS FACE STUCK IN THE SODA MACHINE AGAIN.
CAN YOU COME HELP ME PULL IT OUT?
OH, NO. NO, SIKOWITZ, YOU STAY HERE
AND CONTINUE WITH THE AUDITIONS.
- RIGHT. [GRUNTS]
- WHAT'S THAT?
- OH! IT'S A SPECIAL COCONUT
MY COUSIN SENT ME FROM SRI LANKA.
I'M GONNA DRINK ITS MILK.
- [SNIFFS]
UH, IT SMELLS KIND OF WEIRD.
- YES, IT WAS DELIVERED TO MY BACK DOOR,
SO I DIDN'T SEE IT FOR THREE WEEKS.
- MAYBE IT'S SPOILED.
- [SNIFFING, COUGHING]
MAYBE...
BUT I'M STILL GONNA DRINK ITS MILK.
- YEAH, BUT, UH-- OH, I GOTTA--
[SCREAMING IN DISTANCE] OKAY, SINJIN, I'M COMING.
- [CLEARS THROAT] ALL RIGHT, NEXT.
- HI, I'M TRINA VEGA.
- HELLO, TRINA.
EW, THAT'S A FUNKY TASTE.
ALL RIGHT, TRINA, TAKE IT AWAY.
[MUSIC BEGINS]
♪♪
- (SINGING BADLY) ♪ CAN'T STOP ♪
♪ YOU KNOW WE'LL NEVER GIVE IT UP ♪
- OH, I THINK THIS COCONUT MILK IS AFFECTING ME.
- OH, YES. - ♪ ...GONNA LIVE IT UP ♪
♪ SO EVERYBODY PUTS YOUR HANDS IN THE AIR ♪
- OH! - ♪ AN ALL-NIGHT PARTY ♪
♪ THAT WE'RE GETTING INTO ♪
- ROMAN SOLDIERS?
- ♪ THEN THE JOKE IS ON YOU ♪
- OH, SWEET MITOSIS, LOOK WHAT SHE CAN DO!
OH, LOOK! NOW SHE'S A HOT DOG!
I LOVE HOT DOGS!
OH, SING, HOT DOG!
- ♪ ...STOP IT THEN THE JOKE IS ON YOU ♪♪
[MUSIC ENDS]
- MM!
AH, TRINA IS IN!
TRINA IS IN! TRINA IS IN!
AH!
- AND AFTER SEEING... THAT,
I ACCEPTED TRINA INTO HOLLYWOOD ARTS.
- YOU MEAN, JUST CAUSE YOU DRANK SOME BAD COCONUT MILK?
- AND SAW VISIONS?
- I'M NOT PROUD OF IT.
- HEY, DOES ANYONE SMELL SUSHI?
- YEAH, IT SMELLS KIND OF LIKE SALMON.
- NO. NO, I THINK IT'S-- IT'S YELLOW TAIL.
- NO, WAIT. MAYBE IT'S--
- IT'S SQUID!
ALL RIGHT? IT'S SQUID.
IT'S SQUID.
[INTERPOSING VOICES] COME ON.
- SQUID-- SQUID MAKES SENSE. IT'S TOTALLY SQUID.
- IT'S NOT THAT HARD. - WAIT, WHERE'S ROBBIE?
- HOW LONG DO I HAVE TO KEEP DOING THIS?
- A VERY LONG TIME.
- OKAY.
- USE YOUR THUMBS!
- I KNOW WHAT TO DO!
- SO NOW WHAT?
- HE WANTS ME TO COME UP WITH ANOTHER SONG.
- (SINGING) ♪ HOW ABOUT A SONG ABOUT BROKEN GLASS? ♪
♪ I'LL HELP YOU WRITE IT AFTER CLASS ♪
♪ THERE IS NO SONG THAT CAN SURPASS THIS SONG WE SING ♪
♪ 'BOUT BROKEN GLASS ♪
HARMONICA SOLO.
[HARMONICA PLAYING]
[DING]
MAN: MM!
CAT: WHAT ARE YOU INTO?