- PREVIOUSLY ON "VICTORIOUS"--
- HOW WOULD YOU AND YOUR FRIENDS LIKE TO TAKE A TRIP
TO MY HOME COUNTRY, YERBA?
- THEY'LL PAY FOR OUR PLANE FARES,
OUR HOTEL ROOMS, OUR FOOD.
AND ALL WE HAVE TO DO IS ONE PERFORMANCE A NIGHT.
- AND THIS ISLAND, UH-- - YERBA.
- IT'S A COOL PLACE?
[MUSIC PLAYING]
THIS DUMP IS OUR HOTEL?
- GROSS.
- GIVE US OUR PLANE TICKETS HOME RIGHT NOW.
- YOU KIDS PROMISED TO MAKE SINGSONG HERE FOR SEVEN NIGHTS.
- THE CHANCELLOR OF YERBA IS COMING
TO SEE US PERFORM TONIGHT!
- ♪ I MIGHT NOT DANCE LIKE MJ, RIP ♪
♪ BUT I WILL GIVE THE BEST OF ME ♪
♪ ALL I WANT IS EVERYTHING-- ♪♪
- AH!
- [SHOUTING]
- OH, WAIT! WHAT ARE YOU DOING?
[MUSIC PLAYING]
♪♪
- THE TWO OF YOU STAY QUIET, AND DON'T CAUSE TROUBLE, BUDDY.
- WHERE IS TORI?
- I WANT TO SEE MY SISTER. - THEY BRING HER--
- SILENCE!
- DOCTOR, HOW IS HIS EYE?
- EH.
[SPEAKING NATIVE LANGUAGE]
[BELL RINGING]
- LET ME GO!
ALL I WANT IS TO TAKE A SHOWER!
JUST ONE SHOWER!
- TORI VEGA, YOU STAND ACCUSED
OF ASSAULTING OUR ESTEEMED CHANCELLOR OF YERBA.
THIS TRIAL WILL DETERMINE IF YOU ARE INNOCENT OR--
- GUILTY!
UH, WHICH WAY? THIS WAY?
- TO THE RIGHT. - RIGHT THERE?
- THIS WAY. - OKAY.
GUILTY! - WAIT!
- NOW, WAIT A MINUTE.
THIS GIRL IS ENTITLED TO LEGAL COUNSEL.
- VERY WELL.
[SPEAKING NATIVE LANGUAGE]
- THIS IS MY LAWYER?
- YES!
[SPEAKING NATIVE LANGUAGE]
THE CHANCELLOR OF YERBA HAS DEEMED THAT FEMALE GUILTY
OF ASSAULT UPON HIS EYEBALL.
DO YOU THINK THE CHANCELLOR IS WRONG?
- NO.
NO, NO, NO.
SHE IS GUILTY.
GUILTY!
- CAN I HAVE A DIFFERENT LAWYER?
- ADMIT YOU DID THIS TO ME ON PORPOISE!
- NO, IT WAS JUST A SHOE MALFUNCTION.
- ADMIT YOU DID THIS ON PORPOISE
AND YOUR PUNISHMENT WILL BE NOT AS BAD.
- BUT I DIDN'T DO IT ON "PORPOISE"!
- YOUR SHOE ENTERED MY EYE!
- I KNOW, BUT-- - YOU ARE GUILTY!
GUILTY AS CHARGED!
- FOUR YEARS IN YERBANIAN PRISON.
- FOUR YEARS? - COME ON!
- THIS ISN'T FAIR!
- MY LAWYER CRAWLED AWAY!
- REMOVE HER!
- NO! - NOW WAIT A MINUTE!
- NO, NO, NO, WAIT!
- IT WAS JUST A SHOE MALFUNCTION!
♪♪
- ♪ HERE I AM, ONCE AGAIN ♪
♪ FEELING LOST BUT NOW AND THEN ♪
♪ I BREATHE IT IN TO LET IT GO ♪
♪ AND YOU DON'T KNOW WHERE YOU ARE NOW ♪
♪ OR WHAT IT WILL COME TO ♪
♪ IF ONLY SOMEBODY COULD HEAR ♪
♪ WHEN YOU FIGURE OUT HOW, YOU'RE LOST IN THE MOMENT ♪
♪ YOU DISAPPEAR ♪
♪ YOU DON'T HAVE TO BE AFRAID TO PUT YOUR DREAM IN ACTION ♪
♪ YOU'RE NEVER GONNA FADE, YOU'LL BE THE MAIN ATTRACTION ♪
♪ NOT A FANTASY ♪
♪ JUST REMEMBER ME ♪
♪ WHEN IT TURNS OUT RIGHT ♪
♪ 'CAUSE YOU KNOW THAT IF YOU LIVE IN YOUR IMAGINATION ♪
♪ TOMORROW YOU'LL BE EVERYBODY'S FASCINATION ♪
♪ IN MY VICTORY, JUST REMEMBER ME ♪
♪ WHEN I MAKE IT SHINE ♪♪
[MUSIC PLAYING]
♪♪
- GO FISH.
OKAY, THAT IS NOT HOW WE PLAY GO FISH IN AMERICA.
- CAREFUL.
SHE'S THE ONE WHO STABBED THE CHANCELLOR'S EYEBALL.
- I-- I, I, I AM SO SORRY. - SORRY.
- YEAH, RUN FASTER.
UH-HUH.
OWIE.
- TORI! - OH, MY GOD.
YOU GUYS!
- HEY, TORI.
- YOU'VE LOOKED BETTER.
- WHERE'S SIKOWITZ?
- HE'S WITH BECK AND ROBBIE.
- THEY'RE ON THE PHONE CALLING MOM AND DAD,
OUR AMERICAN AMBASSADOR, SOME LAWYERS.
- WELL, WHY WOULDN'T THEY CALL-- - MM.
- ANDRE, WHAT ARE YOU EATING?
- SALT.
- WHY WOULD YOU--
- ONE OF THE SIGNS OF GETTING OVER THE MOCK POISON
IS AN EXTREME CRAVING FOR SALT.
- I HATE THE TASTE, BUT I CAN'T STOP.
- SO HAS ANYONE TRIED TO BEAT YOU UP?
- NO.
I'VE GOT SOME STREET CRED IN HERE
'CAUSE THEY THINK I'M THE "PSYCHO GIRL"
WHO STABBED THE CHANCELLOR IN HIS EYE.
- YOU ARE.
[MEN YELLING]
- WAIT, ARE THOSE DUDES OVER THERE?
[MEN YELLING]
- UH-HUH.
- OH, MY GOD.
THIS PRISON IS FOR WOMEN AND MEN?
- YEAH, BUT THERE'S A BIG FENCE SEPARATING
THE GUYS FROM THE GIRLS.
- WAIT, SO YOU'RE TELLING ME THAT FREAK SHOW IS A GIRL?
- WHAT ARE YOU LOOKING AT?
- I'M LOOKING AT A BIG, STUPID LADY IN PRISON.
WHAT ARE YOU LOOKING AT?
- AH!
- OH, ME MAKE BIG MAN LADY MAD.
- AH! - OH, GOOD ONE.
HEY! CALL ME!
WE'LL GO SKIRT SHOPPING!
- MUST YOU AGGRAVATE MY FELLOW PRISONERS?
- YES, I MUST.
- ONE TIME WHEN MY BROTHER WAS IN PRISON,
HE TOLD THE PEOPLE IN CHARGE THAT HE WAS A VEGETARIAN.
SO THEY GAVE THEM SPECIAL MEALS.
OH, WAIT. THAT WAS ON AN AIRPLANE.
- WILL YOU GUYS JUST PLEASE GET ME OUT OF HERE?
- WE'RE TRYING.
- EVERYBODY'S DOING EVERYTHING THEY CAN.
- HEY, VEGA!
- WANT TO PLAY ROCKS?
- YEAH, SURE.
- HOW DO YOU PLAY ROCKS?
- I DON'T KNOW.
[MUSIC PLAYING]
♪♪
- CHANCELLOR, THE AMERICAN ENTERTAINERS
ARE HERE TO SEE ABOUT IT.
- BRING THEM.
[SPEAKING NATIVE LANGUAGE]
- HI.
- CHANCELLOR, WE'RE HERE TO BESEECH YOU
TO LET TORI VEGA OUT OF YOUR FILTHY PRISON.
- NO.
- WELL, WE TRIED.
- UH, SIR.
HI, I'M TORI'S SISTER.
AND I CAN PROMISE YOU SHE IS A GOOD GIRL.
I MEAN, IS SHE A PERFECT SISTER? NO.
IS SHE THE PRETTIEST OR MOST TALENTED GIRL IN THE WORLD?
NOT BY A LONG SHOT. IS SHE--
- HOW IS THIS HELPING ANYTHING?
- LOOK, TORI DIDN'T MEAN TO KICK HER SHOE OFF
AND HAVE IT ENTER YOUR EYE.
- IT WAS AN ACCIDENT.
- HEY, IS THAT A SQUID IN YOUR FISH TANK?
- SQUID? WHAT SQUID?
- HE IS ADMIRING YOUR OCTOPUS.
- AH, THIS IS AN OCTOPUS.
- IT WAS GIVEN TO THE CHANCELLOR BY THE PRINCE OF GUSTAVIA.
- AH... WHEN I WAS 19,
I SPENT A WHOLE MONTH IN GUSTAVIA.
- IT IS BEAUTIFUL COUNTRY. - IS IT?
'CAUSE I DON'T REMEMBER ONE MINUTE OF THAT TRIP.
- HEY, COME ON, NOW. CAN WE ALL GET BACK TO TORI?
- PLEASE LET TORI GO.
- WE PROMISE YOU WE'LL TAKE HER AND LEAVE.
- VERY WELL. I WILL FREE TORI VEGA.
- WHEW! - THANK YOU.
- BUT YOU MUST PROMISE TO NEVER RETURN
TO MY COUNTRY EVER AGAIN.
- NOT A BIG DEAL. - NO ARGUMENTS HERE.
- THAT'S COOL. - I'LL SIGN SOMETHING.
[ELECTRICITY BUZZING] - OOH!
- WAY TO GO, URKEL.
- WHAT? WHAT HAPPENED?
WHAT'S GOING ON! - UH, NOTHING.
- CHANCELLOR, YOUR...
YOUR OCTOPUS--
- TELL ME! WHAT?
- SHE'S DEAD, BUDDY.
[SHRIEKS]
- BRING HER TO ME.
[MUSIC PLAYING]
♪♪
OH.
[CRYING]
- SO SHOULD WE GO GET TORI?
OR IS THERE LIKE A SHUTTLE BUS THAT'LL BRING HER--
[SPEAKING NATIVE LANGUAGE]
[MEN SHOUTING]
[CHANCELLOR CRYING]
- YOU MURDERED THE MAN'S OCTOPUS?
[MUSIC PLAYING]
[MEN SHOUTING]
♪♪
- BECK?
- YEAH.
- I-- I'M KIND OF SCARED.
- UH, WE'LL, UH, BE OKAY.
- YEAH, BUT WHAT IF WE DON'T GET OUT OF HERE?
HOW WE SUPPOSED TO--
WHAT ARE THOSE GUYS ABOUT TO DO?
- I THINK THEY'RE GONNA THROW ROCKS AT US.
- HEY!
WE TOLD Y'ALL WE DIDN'T WANT TO PLAY ROCKS!
OH!
- EXCUSE ME, SIR?
OFFICER? - WHAT DO YOU WANT?
- WHY HAVE I BEEN PUT ON THE GIRL'S SIDE
OF THIS PRISON?
I'M CLEARLY A BOY.
- PROVE IT.
- I'LL STAY ON THE GIRL'S SIDE.
I WILL STAY ON THE GIRL'S SIDE.
- OH, LARGE SCARY LADY COMING.
LARGE SCARY LADY COMING. - GREAT.
IT'S THE ONE YOU CALLED BIG AND STUPID THE OTHER DAY.
- WHATEVER. I'M NOT SCARED OF THIS CHICK.
- SO DO I STILL LOOK BIG AND STUPID?
- ALL RIGHT. LISTEN, HOT STUFF.
YOU BETTER JUST TURN YOURSELF AROUND AND WALK AWAY FROM ME
'CAUSE I'M GONNA--
I LIKE IT ON THE GROUND.
- AH, TORI? TORI?
- HEY, HEY! HEY, HEY, HEY!
[BOTH SPEAKING NATIVE LANGUAGE]
- SHE'S MY FRIEND.
- YEAH, WE'RE-- WE'RE SUPER CLOSE.
- YOU ARE LUCKY, AMERICAN.
- I DIDN'T NEED YOUR HELP.
- SHE WOULD'VE EATEN YOU.
- SHE WOULDN'T HAVE LIKED IT.
- HI.
EW, JADE. YOUR OUTFIT'S ALL DIRTY.
- OH, NO!
NOW I'LL NEVER WIN THE PRISON BEAUTY PAGEANT.
- WAIT, THEY HAVE THAT?
- WHERE HAVE YOU BEEN?
- I JOINED A PRISON GANG!
- WHAT DO YOU MEAN?
- WELL, THIS GROUP OF REALLY MEAN,
TOUGH PRISON LADIES SAID I'M CUTE AND FUNNY.
SO THEY INVITED ME TO JOIN THEIR PRISON GANG.
- AND-- AND YOU SAID YES? - UH-HUH.
I TOLD THE GANG LADIES I'M GONNA MAKE US ALL
SPECIAL T-SHIRTS.
- YOU! YOU PEOPLE!
- WHAT?
- WHO MISSES THEIR FAVORITE TEACHER?
- SIKOWITZ! - SHH!
YOU HAVE TO ACT LIKE I'M A YERBANIAN PRISON GUARD.
- RIGHT. - YEAH.
- WHERE DID YOU GET THAT OUTFIT?
- THEY SELL THESE AT THE HOTEL GIFT SHOP.
HOW STUPID IS THAT?
- WOULD YOU JUST GET US OUT OF THIS PRISON?
- I'M WORKING ON THAT.
- YOU HAVE A PLAN?
- SORT OF.
I'VE GOT A DUCK TRUCK.
I MET A FARMER AND OFFERED HIM
100 SCHVACKLES TO LET ME BORROW IT.
- I JOINED A PRISON GANG!
- OH, CAT.
YOU ARE DELIGHTFULLY FILLED WITH JOY AND STUPIDITY.
- WHY THEY TALKING TO THAT PRISON GUARD?
- I-- I DON'T KNOW. MAYBE THEY--
- HEY!
- WE'RE-- WE'RE GONNA DIE.
- DON'T ACT SCARED. - I'M NOT ACTING.
- YOU!
- ME?
- HOW YOU MAKE YOUR HAIR SO FLUFFY?
- TELL US!
- JUST-- JUST TELL THEM WHAT THEY WANT TO KNOW!
- OKAY.
WELL, IT ALL STARTS
WITH A QUALITY SHAMPOO AND CONDITIONER.
- OH, CONDITIONER. - SHAMPOO!
- SO I'LL HAVE THE TRUCK TOMORROW NIGHT.
NOW, THERE'S AN ACCESS ROAD RIGHT BEHIND THIS BUILDING.
I'LL BE THERE WAITING AFTER DARK IN THE TRUCK.
WHEN YOU KIDS JUMP IN THE BACK, I'LL DRIVE US
ACROSS THE BORDER AND RIGHT OUT
OF THIS POOP SHACK OF A COUNTRY.
- BUT HOW DO WE GET OUT OF THIS PRISON?
- OH, COME ON, I'M SUPPOSED TO THINK OF EVERYTHING?
I GOT THE DUCK TRUCK!
- LOOK!
IT'S MY PRISON GANG FRIENDS!
WAIT UP, GALS!
- I'LL BE WAITING IN THE DUCK TRUCK
BEHIND THERE TOMORROW NIGHT AFTER DARK.
SEE YA!
- NO, NO! - BRING REX!
[ROBBIE GRUNTING]
- HOW ARE WE SUPPOSED TO BREAK OUT OF THIS PRISON?
CAT: WIGGLE YOUR FISTS.
- HEY. HEY, WHAT'S CAT DOING?
- HIPS, HIP, WIGGLE YOUR FISTS.
HIPS, HIPS, WIGGLE YOUR FISTS.
- HIPS, HIPS JIGGLE OUR FISTS.
- I THINK I KNOW WHERE WE CAN BREAK OUT OF THIS PLACE.
- HOW?
- BE RIGHT BACK.
HEY, SHEBA. - HELLOSH.
- ALL THESE PRISONERS, THEY'LL LISTEN TO YOU, RIGHT?
- KIND OF.
- YOU WANT TO GET OUT OF HERE?
HEY, HEY? - WHAT, BUDDY?
- I WANT TO SEE THE CHANCELLOR.
I AM READY TO CONFESS THE TRUTH.
- VERY WELL.
WE WILL TAKE YOU TO THE CHANCELLOR.
- CAN YOU TAKE ME NOW? - OH, NOW!
YEAH, SURE! OH, I-- GIVE ME KEY!
GIVE ME KEY!
- SO YOU ADMIT YOU ATTACKED MY EYE ON PORPOISE.
- YES. I DID IT ON PORPOISE.
- I TOLD YOU THIS!
I TOLD YOU ALL SHE DID THIS TO ME ON PORPOISE!
- AND TO APOLOGIZE...
- YES?
YES?
- ...ME AND MY FRIENDS AND THE OTHER PRISONERS,
WE'D LIKE TO PERFORM A SONG TOMORROW NIGHT
FOR YOU, YOUR FAMILY, AND ANY OTHER YERBANIANS
THAT YOU'D LIKE TO INVITE.
- WHY YOU WANT THIS?
- UH, JUST TO APOLOGIZE.
AND-- QUIT IT!
AND TO HONOR YOU.
I MEAN, WOULDN'T YOU LIKE TO SEE A GREAT AMERICAN PERFORMANCE?
- SEE WHAT?
YOU PUNCTURED MY LAST WORKING EYE!
ALL I SEE IS BLACK NOTHING!
- PLEASE, LET US SHOW YOU HOW SORRY WE ARE
FOR BLINDING YOU AND FOR MURDERING YOUR OCTOPUS.
- WELL, OKAY.
- YAY. - NOW TAKE HER AWAY FROM ME!
- YES, CHANCELLOR!
- NOW!
- OH, NOW. OKAY.
SURE.
[MUSIC PLAYING]
♪♪
- HELLO, BUDDIES.
MAKE CLAPTER FOR TORI VEGA
AND THE KIDS FROM HOLLYWOOD ARTS.
[WEAK APPLAUSE]
- PEOPLE OF YERBA, WE DEDICATE THIS PERFORMANCE TO YOU
AND YOUR ESTEEMED CHANCELLOR.
[APPLAUSE]
WHAT A SWELL GUY.
[MUSIC - THE JACKSON 5, "I WANT YOU BACK"]
♪♪
♪ OH, OH, OH, WHOA ♪
♪ LET ME TELL YOU NOW ♪
♪♪
♪ WHEN I HAD YOU TO MYSELF, I DIDN'T WANT YOU AROUND ♪
♪ THOSE PRETTY FACES ALWAYS MADE YOU STAND OUT IN A CROWD ♪
♪ BUT SOMEONE PICKED YOU FROM THE BUNCH ♪
♪ ONE GLANCE WAS ALL IT TOOK ♪
♪ NOW IT'S MUCH TOO LATE FOR ME TO TAKE A SECOND LOOK ♪
♪ OH, BABY, GIVE ME ONE MORE CHANCE ♪
- ♪ TO SHOW YOU THAT I LOVE YOU ♪
- ♪ WON'T YOU PLEASE LET ME ♪
- ♪ BACK IN YOUR HEART ♪
- ♪ OH, DARLING, I WAS BLIND TO LET YOU GO ♪
- ♪ LET YOU GO, BABY ♪
- ♪ BUT NOW SINCE I SEE YOU IN HIS ARMS ♪
- ♪ I WANT YOU BACK ♪ - ♪ YES, I DO NOW ♪
- ♪ I WANT YOU BACK ♪ - ♪ OOH, OOH, BABY ♪
- ♪ I WANT YOU BACK ♪ - ♪ YEAH, YEAH, YEAH, YEAH ♪
- ♪ I WANT YOU BACK ♪ - ♪ NA, NA, NA, NA ♪
♪ TRYING TO LIVE WITHOUT YOUR LOVE ♪
♪ IS ONE LONG SLEEPLESS NIGHT ♪
♪ LET ME SHOW YOU, GIRL, THAT I KNOW WRONG FROM RIGHT ♪
♪ EVERY STREET YOU WALK ON ♪
♪ I LEAVE TEAR STAINS ON THE GROUND ♪
♪ FOLLOWING THE GIRL I DIDN'T EVEN WANT AROUND ♪
♪ LET ME TELL YOU NOW ♪
♪ OH, BABY, GIVE ME ONE MORE CHANCE ♪
- ♪ TO SHOW YOU THAT I LOVE YOU ♪
- ♪ WON'T YOU PLEASE LET ME ♪ - ♪ BACK IN YOUR HEART ♪
- ♪ OH, DARLING, I WAS BLIND TO LET YOU GO ♪
- ♪ LET YOU GO, BABY ♪
- ♪ BUT NOW SINCE I SEE YOU ♪
♪ IN HIS ARMS, OH ♪
♪♪
- ♪ ALL I WANT ♪
♪ ALL I NEED ♪
♪ ALL I WANT ♪
♪ ALL I NEED ♪ - ♪ OH ♪
♪ JUST ONE MORE CHANCE TO SHOW YOU THAT I LOVE YOU ♪
♪ BABY, BABY ♪ - ♪ BABY, BABY ♪
- ♪ BABY ♪ - ♪ OOH, I WANT YOU BACK ♪
- ♪ FORGET WHAT HAPPENED THEN ♪ - ♪ I WANT YOU BACK ♪
- ♪ LET ME LIVE AGAIN ♪ - ♪ OH, BABY ♪
♪ I WAS BLIND TO LET YOU GO ♪
♪ BUT NOW SINCE I SEE YOU IN HIS ARMS ♪
- ♪ I WANT YOU BACK ♪ - ♪ SPARE ME OF THIS CAUSE ♪
- ♪ I WANT YOU BACK ♪
- ♪ AND GIVE ME BACK WHAT I LOST ♪
- ♪ OH, BABY, I NEED ONE MORE CHANCE, HA ♪
♪ I TELL YOU THAT I LOVE YOU ♪ - ♪ NOW, BABY ♪
- ♪ OH ♪ - ♪ BABY ♪
- ♪ OH ♪ - ♪ BABY ♪♪
[APPLAUSE]
- HOW ABOUT THAT, BUDDIES?
[APPLAUSE]
ONCE AGAIN, LET'S HEAR MORE CLAPTER
FOR TORI VEGA AND THE KIDS FROM HOLLYWOOD ARTS.
[APPLAUSE]
- TORI!
- TORI VEGA AND THE KIDS FROM HOLLYWOOD ARTS.
[APPLAUSE]
- THEY'RE GONE!
- FIND THEM, BUDDIES!
[ALARMS SOUNDING]
[SHOUTING IN NATIVE LANGUAGE]
- I WANT THEM BACK!
[SHOUTING IN NATIVE LANGUAGE]
- DON'T LET THEM GET AWAY!
FIND THEM, BUDDIES!
[ALARMS SOUNDING]
- OH! HURRY UP! GET IN THE DUCK TRUCK!
LET'S GO, LET'S GO, LET'S GO.
- GO! GO!
- GET ON THE TRUCK!
- GET ON!
- WAIT!
WHO'S THAT GUY?
- HE'S A WOMAN.
- DEAR GANDHI.
- GO, GO, GO, GO! - OKAY, GO, GO, GO!
[ALARMS SOUNDING]
[ENGINE REVS]
- ♪ ALL I WANT IS EVERYTHING ♪
♪ YES, EVERYTHING ♪
♪ TOO MUCH IS NOT ENOUGH ♪
♪ I'M SICK OF SETTLING FOR IN BETWEEN ♪
♪ AND I'M NOT GIVING UP ♪
♪ AS LONG AS IT FEELS RIGHT ♪
♪ AT LEAST WE'LL KNOW THAT WE'RE ALIVE ♪
♪ ALL I WANT IS EVERYTHING ♪
♪ YES, EVERYTHING, YEAH ♪♪
[BELL RINGS] - MMM!
SINJIN: THERE WAS A GRENADE IN MY TOILET.