1 00:00:06,882 --> 00:00:08,550 - SO SHE SAYS TO ME, "SO WHAT? 2 00:00:08,592 --> 00:00:10,093 "YOU THINK YOU'RE BETTER THAN EVERYONE ELSE?" 3 00:00:10,135 --> 00:00:12,554 AND I GO, "WELL, PRETTY MUCH, YEAH." 4 00:00:12,596 --> 00:00:14,723 WHICH WAS JUST ME BEING... 5 00:00:14,765 --> 00:00:16,433 TORI, COME ON. 6 00:00:22,063 --> 00:00:25,317 - DID YOU NOT SEE ME FALL DOWN IN THE PARKING LOT? 7 00:00:25,359 --> 00:00:26,902 - IT WAS VERY FUNNY. 8 00:00:26,944 --> 00:00:28,821 - I WASN'T TRYING TO BE-- 9 00:00:28,863 --> 00:00:30,614 - [GASPS] THE NEW PLAY ROSTER. 10 00:00:30,656 --> 00:00:32,867 - HOLD MY COFFEE. - I-- [GRUNTS] 11 00:00:32,908 --> 00:00:33,993 MOVE! 12 00:00:34,034 --> 00:00:35,703 - EXCUSE ME. HEY! 13 00:00:35,744 --> 00:00:38,706 - AH, HA, HA. THESE ARE SO GOOD. 14 00:00:38,747 --> 00:00:39,915 DON'T SPILL THAT. 15 00:00:39,957 --> 00:00:41,542 - WHAT'S SO GOOD? 16 00:00:41,583 --> 00:00:43,544 - THE LIST OF PLAYS FOR THE NEW SEMESTER. 17 00:00:43,585 --> 00:00:47,339 OH, MY GOD, I AM PERFECT FOR ALL THESE. 18 00:00:47,381 --> 00:00:48,883 - IS "MOONLIGHT MAGIC" ON THERE? 19 00:00:48,924 --> 00:00:51,010 - UH, YEAH, NUMBER FOUR. WHY? 20 00:00:51,050 --> 00:00:52,219 - ANDRE WROTE THE MUSIC FOR IT. 21 00:00:52,260 --> 00:00:53,387 HE WANTS ME TO TRY OUT FOR THE LEAD. 22 00:00:53,428 --> 00:00:56,056 - YOU? WHY? 23 00:00:57,432 --> 00:00:59,309 - TAKE YOUR COFFEE AND GO. 24 00:00:59,351 --> 00:01:02,479 - OOH, SOMEBODY FELL DOWN ON THE WRONG SIDE OF THE PARKING LOT. 25 00:01:06,608 --> 00:01:08,694 - NEED SOME HELP? - YES. 26 00:01:08,736 --> 00:01:10,738 - INTERESTING. 27 00:01:12,155 --> 00:01:14,115 - AND YOU'RE SAYING THAT MOVIE'S NOT SCARY? 28 00:01:14,157 --> 00:01:17,745 - NO, I'M SAYING IT'S NOT AS SCARY AS TOFU. 29 00:01:17,786 --> 00:01:19,496 - WHY ARE YOU ALWAYS RIPPIN' ON TOFU? 30 00:01:19,538 --> 00:01:21,999 - 'CAUSE IT TASTES LIKE SNOT. 31 00:01:22,041 --> 00:01:24,292 AND SNOT DOES NOT TASTE GOOD. 32 00:01:24,334 --> 00:01:26,045 - HEY, LOOK WHO'S HERE. 33 00:01:26,085 --> 00:01:27,254 - HEY, COULD YOU GUYS HELP ME? 34 00:01:27,295 --> 00:01:28,213 - SURE. 35 00:01:28,255 --> 00:01:30,340 [DUMMY] - OH! 36 00:01:30,382 --> 00:01:31,633 - JUST SET THEM IN THERE. 37 00:01:31,675 --> 00:01:32,718 - YOU SHOULD PROBABLY GET SOME SHELVES 38 00:01:32,760 --> 00:01:34,720 IN THERE OR SOMETHING. 39 00:01:34,762 --> 00:01:35,930 - THERE YOU GO. ALL SET. 40 00:01:35,971 --> 00:01:37,056 - THANKS. 41 00:01:37,096 --> 00:01:39,641 [DUMMY GROANS] 42 00:01:39,683 --> 00:01:42,519 - NEVER PUT ME DOWN LIKE THAT AGAIN. 43 00:01:42,561 --> 00:01:43,854 - OW! 44 00:01:43,896 --> 00:01:44,980 I WAS HELPING TORI! 45 00:01:45,022 --> 00:01:48,400 - GET THE GUM OFF MY FOREHEAD. 46 00:01:48,442 --> 00:01:50,694 - ALL RIGHT, MY LOCKER IS FILLED. 47 00:01:50,736 --> 00:01:51,904 I FEEL COMPLETE. 48 00:01:51,946 --> 00:01:53,363 - WHOA, WHOA, NOT YET. 49 00:01:53,405 --> 00:01:55,490 - WHAT? - YOU GOTTA CUSTOMIZE IT. 50 00:01:55,532 --> 00:01:58,159 - EVERYONE AT HOLLYWOOD ARTS HAS TO CUSTOMIZE THEIR LOCKER. 51 00:01:58,201 --> 00:02:01,371 - OH. WELL, WHAT WOULD YOU DO FOR YOURS? 52 00:02:01,413 --> 00:02:05,250 - I MADE A MOSAIC USING ALL OF THE BABY BOTTLE NIPPLES FROM MY CHILDHOOD. 53 00:02:07,753 --> 00:02:10,589 THEY REMIND ME OF A HAPPIER TIME. 54 00:02:10,631 --> 00:02:11,590 - YOURS? 55 00:02:11,632 --> 00:02:12,674 - CHECK IT OUT. 56 00:02:12,716 --> 00:02:14,342 - FOLLOW THOSE DREADS. 57 00:02:18,680 --> 00:02:21,809 [FUNKY PIANO] 58 00:02:25,938 --> 00:02:28,065 - HEY, ANDRE, ROBBIE. 59 00:02:28,107 --> 00:02:30,067 THAT SQUIRREL'S BACK IN MY OFFICE AGAIN. 60 00:02:30,109 --> 00:02:33,236 - I'LL GET THE NET. - I'LL GET THE NUTS. 61 00:02:38,158 --> 00:02:40,995 - I DON'T KNOW WHAT TO DO WITH MY LOCKER. 62 00:02:41,036 --> 00:02:42,746 - WANT TO SEE MY LOCKER? 63 00:02:44,581 --> 00:02:46,834 - I GUESS. 64 00:02:46,875 --> 00:02:50,587 - THESE ARE PIECES OF FOOD THAT I CHEWED, BUT NEVER SWALLOWED. 65 00:02:50,629 --> 00:02:53,841 I SPIT THEM OUT, COATED THEM WITH A POLYURETHANE RESIN 66 00:02:53,882 --> 00:02:57,011 AND STUCK THEM ON HERE WITH AN INDUSTRIAL ADHESIVE. 67 00:03:02,766 --> 00:03:03,892 ♪♪ 68 00:03:03,934 --> 00:03:06,687 ♪ HERE I AM, ONCE AGAIN ♪ 69 00:03:06,728 --> 00:03:10,482 ♪ FEELING LOST BUT NOW AND THEN ♪ 70 00:03:10,524 --> 00:03:15,070 ♪ I BREATHE IT IN TO LET IT GO ♪ 71 00:03:15,112 --> 00:03:18,323 ♪ AND YOU DON'T KNOW WHERE YOU ARE NOW ♪ 72 00:03:18,365 --> 00:03:23,286 ♪ WHAT IT WILL COME TO IF ONLY SOMEBODY COULD HEAR ♪ 73 00:03:23,328 --> 00:03:26,915 ♪ WHEN YOU FIGURE OUT HOW YOU'RE LOST IN THE MOMENT ♪ 74 00:03:26,957 --> 00:03:30,502 ♪ YOU DISAPPEAR ♪ 75 00:03:30,544 --> 00:03:34,339 ♪ YOU DON'T HAVE TO BE AFRAID TO PUT YOUR DREAM IN ACTION ♪ 76 00:03:34,381 --> 00:03:35,632 ♪ YOU'RE NEVER GONNA FADE ♪ 77 00:03:35,674 --> 00:03:38,052 ♪ YOU'LL BE THE MAIN ATTRACTION ♪ 78 00:03:38,093 --> 00:03:39,845 ♪ NOT A FANTASY ♪ 79 00:03:39,887 --> 00:03:41,262 ♪ JUST REMEMBER ME ♪ 80 00:03:41,304 --> 00:03:43,891 ♪ WHEN IT TURNS OUT RIGHT ♪ 81 00:03:43,932 --> 00:03:48,020 ♪ 'CAUSE YOU KNOW THAT IF YOU LIVE IN YOUR IMAGINATION ♪ 82 00:03:48,062 --> 00:03:52,357 ♪ TOMORROW YOU'LL BE EVERYBODY'S FASCINATION ♪ 83 00:03:52,399 --> 00:03:53,901 ♪ IN MY VICTORY ♪ 84 00:03:53,942 --> 00:03:55,652 ♪ JUST REMEMBER ME ♪ 85 00:03:55,694 --> 00:04:01,909 ♪ WHEN I MAKE IT SHINE ♪♪ 86 00:04:06,705 --> 00:04:09,249 - BETSY! BETSY! 87 00:04:09,290 --> 00:04:11,793 THAT ANIMAL'S DELICIOUS FLESH 88 00:04:11,835 --> 00:04:14,796 CAN KEEP US ALL ALIVE FOR ANOTHER WEEK. 89 00:04:14,838 --> 00:04:17,632 - I DON'T WANNA BE ALIVE WITHOUT PONCY. 90 00:04:17,674 --> 00:04:21,011 THIS PIG IS EVERYTHING TO ME THAT MY DADDY NEVER WAS, 91 00:04:21,053 --> 00:04:22,930 AND I'LL BE DING DANGED-- 92 00:04:22,971 --> 00:04:24,472 OH! 93 00:04:24,514 --> 00:04:26,850 - SIKOWITZ? - WHAT? 94 00:04:26,892 --> 00:04:29,310 - YOU HIT ME IN THE FACE WITH A BALL. 95 00:04:29,352 --> 00:04:31,605 - OH, COME ON, A TRULY GREAT ACTOR 96 00:04:31,646 --> 00:04:34,441 CAN STAY IN THE SCENE NO MATTER WHAT'S HAPPENING AROUND HER. 97 00:04:34,482 --> 00:04:36,110 - BUT IT REALLY HURT. 98 00:04:36,151 --> 00:04:37,194 [BELL RINGING] 99 00:04:37,236 --> 00:04:38,820 - OH, LUNCH, YAY! 100 00:04:40,822 --> 00:04:42,241 - LEARN YOUR LINES. 101 00:04:42,282 --> 00:04:44,743 I WANT EVERYONE OFF BOOK TOMORROW. 102 00:04:44,785 --> 00:04:46,286 - HEY, YOU WANNA COME TO LUNCH WITH US? 103 00:04:46,327 --> 00:04:48,247 - SURE, JUST LET ME-- AAH. 104 00:04:50,040 --> 00:04:51,917 WHAT WAS THAT FOR? I'M NOT ACTING RIGHT NOW. 105 00:04:51,959 --> 00:04:53,752 - WE NEED TO CHAT. 106 00:04:53,794 --> 00:04:55,879 - AND "TORI, CAN I SEE YOU?" WOULDN'T HAVE WORKED? 107 00:04:55,921 --> 00:04:59,340 - HAVE FUN. - PROTECT YOUR FACE. 108 00:04:59,382 --> 00:05:01,218 - WHAT'S UP? 109 00:05:01,260 --> 00:05:04,512 - I HEAR YOU SIGNED UP TO AUDITION FOR A PLAY, "MOONLIGHT MAGIC?" 110 00:05:04,554 --> 00:05:06,223 - UH-HUH. ANDRE WROTE THE MUSIC FOR IT, 111 00:05:06,265 --> 00:05:07,224 AND HE WANTS ME TO PLAY THE LEAD. 112 00:05:07,266 --> 00:05:08,349 - YOU SHOULD. - YEAH? 113 00:05:08,391 --> 00:05:10,310 - BUT YOU CAN'T. - HUH? 114 00:05:10,351 --> 00:05:14,022 - NOT UNTIL YOU PASS "THE BIRD SCENE." 115 00:05:14,064 --> 00:05:15,356 - "THE BIRD SCENE?" 116 00:05:15,398 --> 00:05:16,817 - HERE AT HOLLYWOOD ARTS, EVERY STUDENT 117 00:05:16,858 --> 00:05:18,944 MUST SUCCESSFULLY COMPLETE "THE BIRD SCENE" 118 00:05:18,986 --> 00:05:23,782 BEFORE THEY CAN AUDITION FOR ANY AND ALL SCHOOL PRODUCTIONS. 119 00:05:23,824 --> 00:05:26,118 - HEY, SIKOWITZ, I FORGOT TO ASK YOU A QUESTION ABOUT THE HOMEWORK. 120 00:05:26,160 --> 00:05:28,120 - AAH! - WHOA! 121 00:05:29,913 --> 00:05:33,041 - WE'LL NEVER KNOW HER QUESTION. 122 00:05:35,169 --> 00:05:37,336 ♪♪ 123 00:05:48,890 --> 00:05:51,601 - HEY, YOU KNOW WHERE I COULD BUY A PAIR OF BALLET SLIPPERS? 124 00:05:52,853 --> 00:05:54,353 - NO, I DON'T. BUT I KNOW WHERE YOU CAN 125 00:05:54,395 --> 00:05:56,315 GET YOURSELF A PRETTY SKIRT AND SOME LIP GLOSS. 126 00:05:56,355 --> 00:05:59,067 - HEH, HEH, HEH. THAT WAS A GOOD ONE, BECK. 127 00:05:59,109 --> 00:06:00,319 LIP GLOSS. 128 00:06:03,989 --> 00:06:05,740 - WHY DO YOU NEED BALLET SLIPPERS? 129 00:06:05,782 --> 00:06:07,284 - 'CAUSE I SIGNED UP FOR BALLET. 130 00:06:07,326 --> 00:06:09,410 - WHOA, WHOA, ISN'T THAT KIND OF... GIRLIE? 131 00:06:09,452 --> 00:06:13,707 - YEP. JUST ONE BIG ROOM FULL OF GIRLS... AND ME. 132 00:06:13,748 --> 00:06:15,458 YOU GUYS PICKING UP WHAT I'M PUTTING DOWN? 133 00:06:15,500 --> 00:06:18,962 - I AM. - YEAH! PRETTY SMOOTH. 134 00:06:19,004 --> 00:06:20,421 - I DON'T UNDERSTAND. 135 00:06:20,463 --> 00:06:23,424 - A LOT OF GIRLS... 136 00:06:23,466 --> 00:06:25,052 WHO DANCE... 137 00:06:25,093 --> 00:06:27,595 ALL IN ONE ROOM... 138 00:06:27,637 --> 00:06:28,889 WITH HIM. 139 00:06:29,848 --> 00:06:32,226 - AH, HA HA! 140 00:06:33,852 --> 00:06:37,147 WOULD YOU MIND IF MAYBE I SIGNED UP, TOO? 141 00:06:37,189 --> 00:06:38,648 - NAH, GO FOR IT. 142 00:06:38,690 --> 00:06:40,399 HOW ABOUT YOU, MAN? - CAN'T. 143 00:06:40,441 --> 00:06:42,527 ME AND JADE ALREADY SIGNED UP FOR SALSA DANCING. 144 00:06:42,569 --> 00:06:43,778 - I CAN'T EAT SALSA. 145 00:06:43,820 --> 00:06:45,239 - WHY? 'CAUSE IT HURTS YOUR STOMACH 146 00:06:45,280 --> 00:06:46,323 AND GIVES YOU NIGHTMARES? 147 00:06:46,365 --> 00:06:47,699 - NO. - YES. 148 00:06:47,741 --> 00:06:49,201 - MAYBE. - HA. 149 00:06:50,869 --> 00:06:52,954 ♪♪ 150 00:07:01,380 --> 00:07:02,297 - READY? 151 00:07:02,339 --> 00:07:03,464 DRIVE-BY ACTING EXERCISE. 152 00:07:03,506 --> 00:07:06,260 YOU'RE ALL ANGRY ENGLISHMEN. GO. 153 00:07:06,301 --> 00:07:09,930 - I INSIST YOU TELL ME WHO SAT ON ME CRUMPET. 154 00:07:09,971 --> 00:07:11,848 - MY GRANDMUMMY WENT TO THE LOO 155 00:07:11,890 --> 00:07:13,850 WHILE I SNOGGED THE PRIME MINISTER. 156 00:07:13,892 --> 00:07:16,686 - THIS FLOCK OF WHIP-POOR-WILLS IS BOTHERING MY TROUSERS. 157 00:07:16,728 --> 00:07:20,232 - GOOD HEAVENS, THERE'S A DEAD COCKROACH IN MY BRASSIERE. 158 00:07:20,274 --> 00:07:21,400 - BLIMEY. 159 00:07:21,441 --> 00:07:22,650 - WELL, I TOLD YOU 160 00:07:22,692 --> 00:07:23,902 NOT TO PUT PLUM SAUCE ON ME BANGER. 161 00:07:23,944 --> 00:07:26,363 [ALL SHOUTING] 162 00:07:26,405 --> 00:07:29,074 - ALL RIGHT, ALL RIGHT! 163 00:07:29,116 --> 00:07:32,411 VERY GOOD! QUIET DOWN! 164 00:07:33,995 --> 00:07:38,250 NOW THAT WE'RE ALL LOOSEY AND/OR GOOSEY, 165 00:07:38,292 --> 00:07:41,711 THE TIME HAS COME FOR OUR NEWEST STUDENT 166 00:07:41,753 --> 00:07:43,088 TO TACKLE... 167 00:07:45,048 --> 00:07:46,800 "THE BIRD SCENE." 168 00:07:46,841 --> 00:07:48,593 HUH? 169 00:07:48,635 --> 00:07:52,889 TORI, THE STAGE IS YOURS, THOUGH YOU CAN'T TAKE IT HOME. 170 00:07:52,931 --> 00:07:55,225 - CAN I ASK YOU A QUICK QUESTION BEFORE I START? 171 00:07:55,267 --> 00:07:56,435 [GROANS LOUDLY] 172 00:07:58,395 --> 00:08:00,688 - SO... - JUST DO YOUR BEST. ACTION! 173 00:08:00,730 --> 00:08:02,149 - OKAY. 174 00:08:03,817 --> 00:08:06,527 [SOUTHERN ACCENT] IT WAS 1934 WHEN MY HUSBAND LEFT ME. 175 00:08:06,569 --> 00:08:08,071 ALONE. 176 00:08:08,113 --> 00:08:09,990 LIVING ON THE PRAIRIE WAS A DREARY EXISTENCE. 177 00:08:10,031 --> 00:08:11,992 NO TELEPHONE, NO RADIO. 178 00:08:12,033 --> 00:08:15,954 ONLY A LARGE, MAJESTIC BIRD WITH WHOM I SHARED MY FEELINGS. 179 00:08:17,914 --> 00:08:19,666 ONE DAY WHEN I WAS FEELING LOW, I SAID TO HIM, 180 00:08:19,707 --> 00:08:22,461 "OH, BIRD, YOU CAN FLY. 181 00:08:22,502 --> 00:08:23,837 "YOU CAN SOAR MILES FROM THIS LONELY PLACE, 182 00:08:23,878 --> 00:08:26,340 YET YOU STAY. WHY?" 183 00:08:26,381 --> 00:08:29,217 AND APPARENTLY, MY QUESTION RANG TRUE, 184 00:08:29,259 --> 00:08:31,886 FOR THAT AFTERNOON, THE BIRD LEFT. 185 00:08:31,928 --> 00:08:35,640 AND SO WENT MY SPIRIT. 186 00:08:40,020 --> 00:08:41,604 [REGULAR VOICE] HOW WAS THAT? 187 00:08:41,646 --> 00:08:43,440 - WHAT DO YOU MEAN? 188 00:08:45,108 --> 00:08:46,818 - DID I DO THE SCENE RIGHT? 189 00:08:46,860 --> 00:08:48,820 - OH! NO, NOT AT ALL. 190 00:08:50,113 --> 00:08:52,324 - OKAY. THEN WHAT DID I DO WRONG? 191 00:08:52,366 --> 00:08:54,951 - YOU'LL HAVE TO PERFORM THE SCENE AGAIN TOMORROW AND GET IT RIGHT, 192 00:08:54,993 --> 00:08:58,038 OR ELSE YOU CANNOT BE IN ANDRE'S PLAY OR ANY OTHER. 193 00:08:58,079 --> 00:08:59,498 - BUT CAN YOU TELL ME WHAT I DID WRONG? 194 00:08:59,539 --> 00:09:01,875 - NO, I CAN'T. - I DON'T GET ANY FEEDBACK? 195 00:09:01,916 --> 00:09:03,210 - THAT IS CORRECT. - BUT... 196 00:09:03,251 --> 00:09:04,503 - DRIVE-BY ACTING EXERCISE. 197 00:09:04,544 --> 00:09:08,507 YOU'RE ALL TERRIFIED DOLPHINS. GO. 198 00:09:08,548 --> 00:09:11,801 LIVE THE FEAR. 199 00:09:11,843 --> 00:09:14,262 LIVE THE FEAR. 200 00:09:15,096 --> 00:09:17,224 ♪♪ 201 00:09:22,854 --> 00:09:25,606 [ALL CHATTING] 202 00:09:27,608 --> 00:09:29,652 - OH, COME ON. 203 00:09:29,694 --> 00:09:30,987 HOW AM I SUPPOSED TO DO THE SCENE RIGHT 204 00:09:31,029 --> 00:09:32,239 IF NO ONE WILL TELL ME WHAT I DID WRONG? 205 00:09:32,280 --> 00:09:34,324 I THOUGHT YOU GUYS WERE MY FRIENDS. 206 00:09:34,366 --> 00:09:37,869 - I'M NOT YOUR FRIEND. 207 00:09:37,911 --> 00:09:40,038 - I WAS HOPING WE COULD BE MORE THAN FRIENDS. 208 00:09:40,080 --> 00:09:42,040 HMM? HMM? 209 00:09:42,082 --> 00:09:45,502 - UH, IT'S SO GROSS HOW HE'S ALWAYS HITTING ON EVERY GIRL. 210 00:09:45,544 --> 00:09:47,170 - I NEVER HIT ON YOU. 211 00:09:47,212 --> 00:09:48,963 - WHAT'S THAT SUPPOSED TO MEAN? 212 00:09:49,005 --> 00:09:51,341 - YOU GUYS... MY PROBLEM? 213 00:09:51,383 --> 00:09:53,176 - NUMBER ONE RULE OF "THE BIRD SCENE": 214 00:09:53,218 --> 00:09:55,011 NO ONE'S ALLOWED TO HELP YOU. 215 00:09:55,053 --> 00:09:57,222 - NO ONE. 216 00:09:57,264 --> 00:10:00,100 - SO THIS IS WHAT YOU DID WITH YOUR LOCKER? 217 00:10:00,141 --> 00:10:02,602 - YEAH. SEE, IT'S A DRY ERASE BOARD 218 00:10:02,643 --> 00:10:04,563 WITH A BUNCH OF COLORFUL PENS IN A CONVENIENT CUP. 219 00:10:04,604 --> 00:10:06,773 SO WHOEVER WANTS TO, CAN WRITE OR DRAW WHATEVER THEY WANT. 220 00:10:06,814 --> 00:10:08,358 - BUT YOU'RE SUPPOSED TO DECORATE IT YOURSELF. 221 00:10:08,400 --> 00:10:10,151 - IT'S A HOLLYWOOD ARTS TRADITION. 222 00:10:10,193 --> 00:10:11,611 - WELL, WHAT'S WRONG WITH LETTING OTHER PEOPLE 223 00:10:11,652 --> 00:10:12,946 BE EXPRESSIVE ON MY LOCKER? 224 00:10:12,987 --> 00:10:15,532 - WELL, FOR ONE THING, THEY CAN DO THAT. 225 00:10:19,035 --> 00:10:21,829 - YEAH? YEAH, WELL MY LOCKER'S SMARTER THAN YOUR LOCKER. 226 00:10:21,871 --> 00:10:24,249 - HOW CAN A LOCKER BE-- - I DON'T KNOW! 227 00:10:24,291 --> 00:10:26,042 OH, COME ON. 228 00:10:26,084 --> 00:10:28,545 SOMEBODY TELL ME HOW TO DO THE BIRD SCENE OR I'M GONNA CRY. 229 00:10:28,587 --> 00:10:30,004 - CAN'T. 230 00:10:30,046 --> 00:10:31,548 - AND DON'T BE SO WHINY. 231 00:10:31,590 --> 00:10:33,925 - YEAH, MAN UP. 232 00:10:33,967 --> 00:10:36,010 - TIME FOR OUR FIRST BALLET CLASS. 233 00:10:36,052 --> 00:10:37,596 - OOH, BALLET. 234 00:10:43,726 --> 00:10:46,729 ♪♪ 235 00:10:51,318 --> 00:10:55,113 I DIDN'T KNOW I'D FEEL SO AWKWARD WEARING TIGHTS. 236 00:10:55,155 --> 00:10:58,658 - THESE THINGS SQUEEZE ME IN A BAD WAY. 237 00:10:58,699 --> 00:11:00,410 - YEAH, YOU WON'T BE COMPLAINING 238 00:11:00,452 --> 00:11:03,330 WHEN WE'RE SURROUNDED BY LADY BALLERINAS. 239 00:11:09,710 --> 00:11:11,879 - AW, MAN, IT'S A DUDE RANCH. 240 00:11:16,551 --> 00:11:18,677 ♪♪ 241 00:11:28,188 --> 00:11:30,064 - SO, YOU READY? 242 00:11:30,106 --> 00:11:31,650 - OH, I'M WAY PAST READY. 243 00:11:31,690 --> 00:11:32,984 SIKOWITZ WANTS "THE BIRD SCENE"? 244 00:11:33,026 --> 00:11:34,819 I'M GONNA GIVE HIM "THE BIRD SCENE." 245 00:11:34,861 --> 00:11:37,030 I GOT PROPS, I GOT A BACKDROP, AND JUST TO KISS UP A LITTLE, 246 00:11:37,071 --> 00:11:40,741 I EVEN GOT SIKOWITZ TWO LARGE COCONUTS. 247 00:11:41,660 --> 00:11:42,869 - THOSE ARE GOOD ONES. 248 00:11:44,954 --> 00:11:46,831 - WHAT'S THE DEAL WITH SIKOWITZ AND COCONUTS? 249 00:11:46,873 --> 00:11:49,376 - HE SAYS THE MILK GIVES HIM VISIONS. 250 00:11:49,417 --> 00:11:52,462 [BELL RINGING] 251 00:11:52,504 --> 00:11:54,713 - ALL RIGHT. REHEAR-- 252 00:11:58,259 --> 00:12:01,179 WE HAVE MUCH TO DO TODAY. 253 00:12:01,221 --> 00:12:03,056 BUT FIRST... 254 00:12:03,097 --> 00:12:05,517 TORI, "THE BIRD SCENE." 255 00:12:05,559 --> 00:12:08,102 - I'M READY. AND BEFORE I BEGIN, 256 00:12:08,144 --> 00:12:10,230 I'D LIKE YOU TO HAVE THESE TWO LARGE COCONUTS. 257 00:12:10,271 --> 00:12:11,856 - WONDERFUL. 258 00:12:11,898 --> 00:12:13,608 YOU KNOW, THEIR MILK GIVES ME VISIONS. 259 00:12:13,650 --> 00:12:15,694 - I'VE HEARD. 260 00:12:15,734 --> 00:12:18,946 - VERY GOOD. EVERYONE, PAY ATTENTION. 261 00:12:18,988 --> 00:12:20,198 TORI? 262 00:12:20,240 --> 00:12:22,075 - ONE SECOND. 263 00:12:25,245 --> 00:12:27,539 - OOH. A BACKDROP. 264 00:12:27,581 --> 00:12:31,292 - AND... I AM READY. 265 00:12:31,334 --> 00:12:32,793 - DELIGHTFUL! ACTION! 266 00:12:32,835 --> 00:12:34,504 [SLURPING] 267 00:12:34,546 --> 00:12:37,465 - [SOUTHERN ACCENT] IT WAS 1934 WHEN MY HUSBAND LEFT ME. 268 00:12:37,507 --> 00:12:38,966 ALONE. 269 00:12:39,008 --> 00:12:41,386 LIVING ON THE PRAIRIE WAS A DREARY EXISTENCE. 270 00:12:41,428 --> 00:12:44,180 NO TELEPHONE, NO RADIO, 271 00:12:44,222 --> 00:12:46,182 ONLY... 272 00:12:48,226 --> 00:12:52,564 A LARGE, MAJESTIC BIRD WITH WHOM I SHARED MY FEELINGS. 273 00:12:54,148 --> 00:12:56,401 ONE DAY WHEN I WAS FEELING LOW, I SAID TO HIM, 274 00:12:56,443 --> 00:12:58,903 "OH, BIRD, YOU CAN FLY. 275 00:12:58,945 --> 00:13:01,030 "YOU CAN SOAR MILES FROM THIS LONELY PLACE, 276 00:13:01,072 --> 00:13:03,782 YET YOU STAY. WHY?" 277 00:13:03,824 --> 00:13:06,745 AND APPARENTLY, MY QUESTION RANG TRUE, 278 00:13:06,785 --> 00:13:09,122 FOR THAT AFTERNOON, THE BIRD LEFT. 279 00:13:13,042 --> 00:13:14,085 [SIGHS] 280 00:13:15,462 --> 00:13:18,465 - AND SO WENT MY SPIRIT. 281 00:13:20,925 --> 00:13:24,304 [REGULAR VOICE] SO? WAS THAT GOOD? 282 00:13:24,345 --> 00:13:26,514 - EXACTLY WHAT ARE YOU ASKING ME? 283 00:13:28,433 --> 00:13:30,560 - YOU KNOW, DID YOU LIKE WHAT I DID WITH THE SCENE? 284 00:13:30,602 --> 00:13:32,771 - SURE. - SO DID I GET IT RIGHT? 285 00:13:32,811 --> 00:13:35,982 - OH, NO. YOU FAILED. AGAIN. 286 00:13:37,108 --> 00:13:38,777 - WHAT? WHY? I DID EVERYTHING-- 287 00:13:38,817 --> 00:13:41,571 - HEY! WATCH WHERE YOU THROW YOUR PROPS! 288 00:13:48,161 --> 00:13:50,497 ♪♪ 289 00:13:55,251 --> 00:13:57,253 - KAT! - HEY! 290 00:13:57,295 --> 00:13:59,547 - YOU HAVE TO TRY SOMETHING. 291 00:13:59,589 --> 00:14:00,839 - HANDCUFFS? 292 00:14:00,881 --> 00:14:02,634 - UH-HUH, PUT 'EM ON ONE WRIST. 293 00:14:02,676 --> 00:14:04,885 - OKAY. 294 00:14:04,927 --> 00:14:08,222 - GOOD, AND NOW WE LOCK THE OTHER PART AROUND HERE. 295 00:14:08,264 --> 00:14:10,475 - FUN. 296 00:14:10,517 --> 00:14:11,434 - OKAY, NOW TRY THESE. 297 00:14:11,476 --> 00:14:13,520 - [GASPS] OOH, CANDY. 298 00:14:15,355 --> 00:14:18,274 MMM, THESE ARE SO... 299 00:14:18,316 --> 00:14:20,360 SO HOT! [SPITS] WHAT ARE THESE? 300 00:14:20,401 --> 00:14:22,529 - CHOO-CHOO PEPPERS. - TOOT! OH! 301 00:14:22,570 --> 00:14:24,155 THEY'RE BURNING MY MOUTH! - I KNOW. 302 00:14:24,197 --> 00:14:25,573 YOU WANT SOME WATER? - YES! 303 00:14:25,615 --> 00:14:26,783 - TELL ME THE SECRET OF "THE BIRD SCENE." 304 00:14:26,825 --> 00:14:29,076 - I CAN'T! AND I NEED WATER! 305 00:14:29,118 --> 00:14:30,537 - OH! FINE! 306 00:14:33,164 --> 00:14:35,166 - WAIT! TORI! WATER. 307 00:14:40,630 --> 00:14:42,799 - WHATCHA DOING? 308 00:14:42,841 --> 00:14:45,968 - ANGRILY THROWING BOOKS IN MY LOCKER, CAN'T YOU TELL? 309 00:14:46,010 --> 00:14:48,596 - HAVE YOU FIGURED OUT HOW YOU'RE GONNA DECORATE IT YET? 310 00:14:48,638 --> 00:14:50,682 - YES, LOOK, I PUT A STRIPE ON IT. 311 00:14:50,724 --> 00:14:52,225 DID YOU SEE THE STRIPE? 312 00:14:52,266 --> 00:14:54,101 - I SEE THE STRIPE. 313 00:14:54,143 --> 00:14:55,895 - WELL, I DON'T KNOW WHAT TO DO. 314 00:14:55,936 --> 00:14:59,273 - WHY DON'T YOU DO SOMETHING, YOU KNOW, CREATIVE AND DEEP? 315 00:14:59,315 --> 00:15:00,316 - WHAT'D YOU DO FOR YOURS? 316 00:15:00,358 --> 00:15:02,902 - COME ON. 317 00:15:08,825 --> 00:15:11,160 - CLEAR? - TRANSPARENT. 318 00:15:11,202 --> 00:15:14,247 I'VE GOT NO SECRETS AND NEITHER DOES MY LOCKER. 319 00:15:14,288 --> 00:15:17,083 - BUT... AW, THAT IS CREATIVE AND DEEP. 320 00:15:17,124 --> 00:15:18,251 - YEAH. 321 00:15:19,460 --> 00:15:22,756 - SO, ANYWAY... ABOUT "THE BIRD SCENE." 322 00:15:22,797 --> 00:15:23,798 - LATER. 323 00:15:23,840 --> 00:15:26,384 [BELL RINGING] 324 00:15:27,677 --> 00:15:29,554 - HEY, TRINA, CAN YOU HELP ME? I'M-- 325 00:15:29,596 --> 00:15:32,265 - SORRY, GOTTA GET TO LUNCH BEFORE THEY RUN OUT OF PANINIS. 326 00:15:34,559 --> 00:15:37,395 ♪♪ 327 00:15:39,898 --> 00:15:41,816 - MAN, THIS IS HUMILIATING. 328 00:15:41,858 --> 00:15:43,109 - AGREED. 329 00:15:43,150 --> 00:15:44,611 I CAN'T BELIEVE YOU GOT US INTO THIS. 330 00:15:46,446 --> 00:15:48,281 - LET'S GET OUT OF THIS. 331 00:15:49,657 --> 00:15:51,785 MADAME MAKEE? - OUI? 332 00:15:51,826 --> 00:15:53,620 - WE'RE GONNA HAVE TO DROP THIS CLASS. 333 00:15:53,661 --> 00:15:55,121 - IF YOU DROP THIS CLASS 334 00:15:55,162 --> 00:15:57,582 THEN IT GOES ON YOUR PERMANENT RECORD AS A ZEH-RO. 335 00:15:57,624 --> 00:16:00,877 - OH, COME ON, YOU CAN'T GIVE US A "ZEH-RO." 336 00:16:00,919 --> 00:16:02,670 - WHY DO YOU WANT TO DROP ZIS CLASS? 337 00:16:02,712 --> 00:16:03,922 - LOOK AROUND, WOMAN. 338 00:16:03,963 --> 00:16:06,132 WE'RE SURROUNDED BY DUDES IN TIGHTS. 339 00:16:07,258 --> 00:16:08,927 IT'S JUST GROSS. 340 00:16:10,887 --> 00:16:13,640 - HEY, SORRY I'M LATE. - GIRL! 341 00:16:13,681 --> 00:16:14,682 [ALL CLAMORING] 342 00:16:14,724 --> 00:16:16,016 - AAH! 343 00:16:18,770 --> 00:16:20,814 ♪♪ 344 00:16:27,862 --> 00:16:30,072 - HEY, ROBBIE. HI, REX. 345 00:16:30,114 --> 00:16:31,407 - HEY. - WHAT'S DOIN'? 346 00:16:31,449 --> 00:16:32,700 - DID YOU GUYS QUIT BALLET? 347 00:16:32,742 --> 00:16:36,036 - WE CAN'T, UNLESS WE WANT A "ZEH-RO." 348 00:16:36,078 --> 00:16:37,580 - AW. 349 00:16:37,622 --> 00:16:40,333 WELL, I'M SORRY YOU'RE FEELING STRESSED. 350 00:16:40,374 --> 00:16:42,794 - OH, IT'S OKAY. 351 00:16:42,836 --> 00:16:44,504 I'M SURE WE'LL-- 352 00:16:44,545 --> 00:16:47,256 I'M SURE WE CAN-- WOULD YOU KEEP DOING THAT, PLEASE? 353 00:16:47,298 --> 00:16:49,133 - SURE. 354 00:16:49,175 --> 00:16:50,927 - THIS IS GETTING WEIRD. 355 00:16:50,969 --> 00:16:52,303 - SHH. 356 00:16:52,345 --> 00:16:54,597 HEY, YOU KNOW WHAT'S MAKING ME FEEL STRESSED? 357 00:16:54,639 --> 00:16:55,974 - TELL ME, I'LL KILL IT. 358 00:16:56,015 --> 00:16:57,976 - IT'S THIS WHOLE "BIRD SCENE" THING. 359 00:16:58,017 --> 00:17:00,227 - AH, THERE IT IS: THE ULTERIOR MOTIVE. 360 00:17:00,269 --> 00:17:01,896 - HUSH, PUPPET. 361 00:17:01,938 --> 00:17:03,606 YOU'LL HELP ME WITH "THE BIRD SCENE," WON'T YOU? 362 00:17:03,648 --> 00:17:05,191 - I'M REALLY NOT SUPPOSED TO-- 363 00:17:05,232 --> 00:17:07,026 - OW! HE BIT MY HAND! 364 00:17:07,067 --> 00:17:08,152 - REX! 365 00:17:08,194 --> 00:17:09,278 - TAKE ME TO THE BATHROOM. 366 00:17:09,320 --> 00:17:11,405 I GOTTA PEE, NOW! 367 00:17:12,824 --> 00:17:14,450 - HE'S A PUPPET! HE CAN'T PEE! 368 00:17:14,492 --> 00:17:15,994 - YOU DON'T KNOW WHAT I GOT! 369 00:17:19,372 --> 00:17:21,457 ♪♪ 370 00:17:25,252 --> 00:17:26,713 - ALL RIGHT, CLASS. 371 00:17:26,754 --> 00:17:29,716 [BOYS] - ALL RIGHT. 372 00:17:29,757 --> 00:17:32,051 - WHICH DANCERS WOULD LIKE TO SHOW ME 373 00:17:32,092 --> 00:17:33,928 THE ROUTINE WE WERE WORKING ON LAST TIME? 374 00:17:33,970 --> 00:17:36,014 - WE WOULD. - WHAT? 375 00:17:36,055 --> 00:17:39,058 - WE GOT THIS, MAN. - YOU'RE A MANIAC! 376 00:17:39,099 --> 00:17:41,895 - ANDRE, ROBBIE, TO THE FRONT. 377 00:17:46,106 --> 00:17:47,775 - DON'T TALK TO ANYONE TILL I GET BACK. 378 00:17:50,904 --> 00:17:52,405 - POSITION! 379 00:17:54,615 --> 00:17:55,742 BEGIN. 380 00:17:55,783 --> 00:17:57,911 [CLASSICAL MUSIC PLAYING] 381 00:18:10,924 --> 00:18:12,633 - TOO HARD! 382 00:18:19,807 --> 00:18:21,059 - OW! - OH! 383 00:18:24,270 --> 00:18:25,772 [BOTH GROANING] 384 00:18:25,813 --> 00:18:28,942 - LET'S TAKE A FIVE MINUTE BREAK. 385 00:18:28,983 --> 00:18:30,317 - PLEASE MAKE IT TEN. 386 00:18:30,359 --> 00:18:32,612 - 20. 387 00:18:32,653 --> 00:18:34,781 ♪♪ 388 00:18:47,501 --> 00:18:49,087 - OW. 389 00:18:49,128 --> 00:18:50,630 OW. OW. OW. 390 00:18:50,671 --> 00:18:52,840 OW. 391 00:18:52,882 --> 00:18:55,217 - HAPPY BIRTHDAY. 392 00:18:55,259 --> 00:18:56,343 - WHOSE BIRTHDAY IS IT? 393 00:18:56,385 --> 00:18:58,554 - SOMEBODY'S, SOMEWHERE. 394 00:18:58,596 --> 00:19:01,599 - THAT'S SO TRUE. 395 00:19:01,641 --> 00:19:03,851 - WHERE IS TORI? - HERE. 396 00:19:03,893 --> 00:19:05,436 - OH! HA HA! 397 00:19:05,478 --> 00:19:06,813 YOU BROUGHT CURTAINS. 398 00:19:06,854 --> 00:19:08,522 - LET'S DO THIS. - VERY GOOD. 399 00:19:08,564 --> 00:19:09,899 LADIES AND GENTLEMEN, 400 00:19:09,941 --> 00:19:12,902 ONCE AGAIN, "THE BIRD SCENE," STARRING TORI... 401 00:19:12,944 --> 00:19:14,988 - VEGA. - VEGA. 402 00:19:20,159 --> 00:19:23,370 [MUSIC PLAYING] 403 00:19:23,412 --> 00:19:26,206 - [SOUTHERN ACCENT] IT WAS 1934 WHEN MY HUSBAND LEFT ME. 404 00:19:26,248 --> 00:19:28,042 ALONE. 405 00:19:28,084 --> 00:19:30,294 LIVING ON THE PRAIRIE WAS A DREARY EXISTENCE. 406 00:19:30,336 --> 00:19:32,797 NO TELEPHONE, NO RADIO, 407 00:19:32,839 --> 00:19:36,009 ONLY A LARGE, MAJESTIC BIRD WITH WHOM I SHARED MY FEELINGS. 408 00:19:36,050 --> 00:19:37,217 [WHISTLES] 409 00:19:41,555 --> 00:19:43,933 - YOU SEE THE BIRD, TOO, RIGHT? 410 00:19:43,975 --> 00:19:46,853 - YEAH. - FANTASTIC. 411 00:19:46,894 --> 00:19:49,522 - ONE DAY, WHEN I WAS FEELING LOW, I SAID TO HIM, 412 00:19:49,563 --> 00:19:52,399 "OH, BIRD, YOU CAN FLY. 413 00:19:52,441 --> 00:19:54,360 "YOU CAN SOAR MILES FROM THIS LONELY PLACE, 414 00:19:54,401 --> 00:19:56,863 YET YOU STAY. WHY?" 415 00:19:56,904 --> 00:19:58,072 [BIRD SQUAWKS] 416 00:20:00,449 --> 00:20:02,952 AND APPARENTLY MY QUESTION RANG TRUE, 417 00:20:02,994 --> 00:20:07,999 FOR THAT AFTERNOON MY BIRD LEFT, AND SO WENT MY SPIRIT. 418 00:20:10,376 --> 00:20:12,294 - THAT... 419 00:20:12,336 --> 00:20:13,796 WAS IMPRESSIVE. 420 00:20:13,838 --> 00:20:15,006 - SO DID I GET IT RIGHT? 421 00:20:15,048 --> 00:20:18,009 - NOPE. 422 00:20:18,051 --> 00:20:18,926 - BUT... 423 00:20:18,968 --> 00:20:21,303 BUT I JUST-- I-I... 424 00:20:21,345 --> 00:20:22,638 I DID, TOO, GET IT RIGHT! 425 00:20:22,680 --> 00:20:23,973 - TORI, LISTEN-- 426 00:20:24,015 --> 00:20:25,432 - I'M NOT TRYING TO BE DISRESPECTFUL. 427 00:20:25,474 --> 00:20:26,684 BUT DO YOU KNOW HOW HARD I WORKED ON THIS SCENE? 428 00:20:26,726 --> 00:20:28,144 I MADE THIS COSTUME. 429 00:20:28,186 --> 00:20:29,896 I DOWNLOADED SPECIAL PRAIRIE MUSIC. 430 00:20:29,937 --> 00:20:31,689 I EVEN TRAINED THAT CRAZY COCKATOO TO FLY 431 00:20:31,731 --> 00:20:33,774 IN AND OUT OF THE WINDOW ON COMMAND! 432 00:20:33,816 --> 00:20:36,069 [BIRD SQUAWKS] NOT NOW! 433 00:20:36,110 --> 00:20:38,612 LOOK, I KNOW YOU'RE A GREAT ACTING TEACHER AND EVERYTHING, 434 00:20:38,654 --> 00:20:40,156 BUT I DON'T CARE WHAT YOU SAY. 435 00:20:40,198 --> 00:20:42,950 THE SCENE I JUST DID WAS GOOD, AND I'M PROUD OF IT 436 00:20:42,992 --> 00:20:45,119 NO MATTER WHAT ANYBODY THINKS. 437 00:20:53,836 --> 00:20:55,088 WHAT? 438 00:20:55,129 --> 00:20:57,673 - YOU JUST PASSED "THE BIRD SCENE." 439 00:20:57,715 --> 00:20:59,759 [CHEERING] 440 00:21:01,468 --> 00:21:02,803 - BUT YOU SAID-- 441 00:21:02,845 --> 00:21:04,889 - TORI, THE WHOLE POINT OF "THE BIRD SCENE" 442 00:21:04,931 --> 00:21:07,433 IS TO TEACH A PERFORMER, LIKE YOURSELF, 443 00:21:07,474 --> 00:21:12,521 TO BELIEVE IN YOUR OWN CHOICES, NO MATTER WHAT OTHERS THINK. 444 00:21:12,563 --> 00:21:14,107 WE ARE ARTISTS, 445 00:21:14,148 --> 00:21:16,943 AND A TRUE ARTIST DOES NOT DEFINE SUCCESS 446 00:21:16,984 --> 00:21:20,113 BASED ON "OH, HEE, HEE" APPROVAL FROM OTHERS. 447 00:21:20,154 --> 00:21:23,241 A TRUE ARTIST NEED ONLY PLEASE HIMSELF... 448 00:21:23,282 --> 00:21:25,367 OR HERSELF... 449 00:21:25,409 --> 00:21:29,205 OR ITSELF. 450 00:21:29,247 --> 00:21:31,290 - YOU DON'T KNOW WHAT I GOT. 451 00:21:34,460 --> 00:21:37,046 - SO, ALL THREE TIMES I DID THE SCENE-- 452 00:21:37,088 --> 00:21:38,756 - WERE DELIGHTFUL. 453 00:21:38,798 --> 00:21:40,299 IT WAS ONLY WRONG 454 00:21:40,340 --> 00:21:44,762 WHEN YOU ASKED IF IT WAS RIGHT, HMM? 455 00:21:44,804 --> 00:21:46,472 DRIVE-BY ACTING EXERCISE. 456 00:21:46,513 --> 00:21:49,225 YOU'RE ALL ELDERLY PEOPLE WALKING BAREFOOT ON BROKEN GLASS. 457 00:21:49,267 --> 00:21:50,601 GO! 458 00:21:50,643 --> 00:21:52,352 [ALL] - OW! OW! 459 00:21:52,394 --> 00:21:53,604 - I CAN'T HEAR YOU! 460 00:21:55,606 --> 00:21:57,441 - OW! 461 00:21:57,483 --> 00:22:00,236 - OH, MY FEET! THEY HURT SO BAD! 462 00:22:00,278 --> 00:22:02,362 - MY BACK! 463 00:22:02,404 --> 00:22:05,074 ♪♪ 464 00:22:12,039 --> 00:22:13,415 - YOU GUYS READY? 465 00:22:13,457 --> 00:22:15,334 - UH-HUH. - WHATEVER. 466 00:22:19,588 --> 00:22:21,715 - MAKE WHAT SHINE? 467 00:22:21,757 --> 00:22:24,302 - IT'S THE TITLE OF THE SONG I SANG IN THE BIG SHOWCASE. 468 00:22:24,343 --> 00:22:25,803 - OH! - RIGHT! 469 00:22:25,845 --> 00:22:26,971 - WHATEVER. 470 00:22:27,013 --> 00:22:28,346 - 'CAUSE, YOU KNOW, 471 00:22:28,388 --> 00:22:29,473 THAT'S WHAT GOT ME HERE IN THE FIRST PLACE. 472 00:22:29,515 --> 00:22:30,724 - I DON'T LIKE IT. 473 00:22:30,766 --> 00:22:32,518 - MAYBE THE WORDS SHOULD BE BIGGER. 474 00:22:32,559 --> 00:22:33,519 - YES. 475 00:22:33,560 --> 00:22:35,521 [ALL TALKING] 476 00:22:35,562 --> 00:22:37,315 - AH-AH. AH-AH-AH-AH. 477 00:22:37,397 --> 00:22:38,858 I BELIEVE IN MY OWN CHOICE, 478 00:22:38,899 --> 00:22:40,818 AND I DON'T NEED APPROVAL FROM OTHERS. 479 00:22:40,860 --> 00:22:44,197 - AH, THE YOUNG FEMALE HAS LEARNED THE WAYS OF "THE BIRD SCENE." 480 00:22:45,114 --> 00:22:46,324 - I STILL THINK IT'S DULL. 481 00:22:46,364 --> 00:22:47,908 - YEAH? 482 00:22:47,950 --> 00:22:50,410 WELL, THEN MAYBE I SHOULD MAKE IT SHINE. 483 00:22:52,913 --> 00:22:55,708 - OH! - VERY NICE! 484 00:22:55,749 --> 00:22:57,710 - OKAY, ARE WE GOING TO EAT OR WHAT? 485 00:22:57,751 --> 00:22:59,670 - OH, YAY, FOOD. 486 00:22:59,712 --> 00:23:01,714 - COMING WITH? - SURE. 487 00:23:07,803 --> 00:23:10,890 [BOTH] - OW! OW! OW! 488 00:23:15,519 --> 00:23:17,604 - THESLAP.COM. - IT'S A FANTASTIC WEBSITE. 489 00:23:17,646 --> 00:23:18,939 - WHERE YOU CAN FIND OUT ABOUT EVERYONE HERE 490 00:23:18,981 --> 00:23:20,316 AT HOLLYWOOD ARTS HIGH SCHOOL. 491 00:23:20,358 --> 00:23:22,400 - IT'S A PLACE FOR TEENAGERS TO CONNECT. 492 00:23:22,442 --> 00:23:25,571 - LIKE, IF YOU WANNA CONNECT WITH ME: THESLAP.COM. 493 00:23:25,612 --> 00:23:27,740 - HAVE YOU GONE TO THESLAP.COM? 494 00:23:27,781 --> 00:23:28,824 - YOU KNOW WHAT TO DO. 495 00:23:28,866 --> 00:23:31,827 - T-H-E-S-L-A-P. 496 00:23:33,120 --> 00:23:35,789 MY MOTHER TELLS PEOPLE I'M DEAD. 497 00:23:36,999 --> 00:23:38,209 - MMM. 498 00:23:39,960 --> 00:23:41,837 - THIS IS GETTIN' WEIRD.