(phone ringing)
MIKE: Dani D, what's up?
ROBBIE: What's up, Dani? DANIELLE: Hey, guys,
what you got going on this morning?
MIKE: We made it to Spokane.
DANIELLE: You made it all the way up to Spokane?
MIKE: This town is so cool,
that the Arby's sign is neon.
DANIELLE: Oh yeah, Spokane's the spot, man.
MIKE: What are we doing, where are we going?
DANIELLE: Mike, this pick, I specifically
pulled out just for you.
MIKE: Cool. DANIELLE: I'm going to send you to meet Dan.
He has a 200,000 square-foot warehouse.
ROBBIE: What! MIKE: 200,000 square feet?
ROBBIE: 200,000 square feet.
You sure you're not putting extra zeroes on that?
DANIELLE: Nope, it's 200,000 square feet.
It used to be Spokane Dry Goods.
ROBBIE: Man, that sounds really cool.
DANIELLE: He's filled this building up with architectural salvage.
ROBBIE: Why is the guy selling?
DANIELLE: He's trying to sell the whole building.
MIKE: Okay. DANIELLE: Maybe move to a new part of the country.
MIKE: Does he have anything besides architectural salvage?
DANIELLE: I mean, honestly, there's so much in there,
you're just going to have to find out for yourself.
ROBBIE: 200,000 square feet, I'd say so.
DANIELLE: Alright, I'll send you the details.
(upbeat music)
ROBBIE: I think it's right here somewhere.
MIKE: That's it right there, this is it.
ROBBIE: This whole thing. MIKE: What'd he say, go to the loading dock?
ROBBIE: Yeah. MIKE: Wow, look at the size of this building.
ROBBIE: Wow!
MIKE: Get the flyer.
(Robbie laughs)
MIKE: Imagine the damage we could do if we had a... space like this, yeah.
ROBBIE: You ain't kidding there.
This thing's freakin' massive.
Dan. Hello! MIKE: Wow, this is cool.
MIKE: Restoring buildings for as long as I have,
I've been in and out of a lot of architectural salvage places.
ROBBIE: How're you doing, is Dan around?
WOMAN 1: I don't know, he's floating around here somewhere.
MIKE: Hey, I'm Mike. WOMAN 1: Oh, hi.
MIKE: All of them are driven by the same thing,
which is passion. Passion for restoration,
passion for preservation.
I mean, understanding that like, all of these little pieces matter.
WOMAN 1: Alright, here you go. MIKE: Hey, the man himself.
DAN: Hi, how're you doing? MIKE: Heard a lot about ya.
DAN: Yeah thanks. ROBBIE: How're you doing? Good to see ya.
MIKE: Hey, this is my brother, Robbie, I'm Mike.
DAN: My name is Dan Oberhauser, and I'm from Spokane,
Washington, born and raised here. I do salvage,
that's what I call it. This is a salvage business.
I do sell windows and doors to the public,
and that's my mainstay, is my own business.
MIKE: How long have you had this place?
DAN: Uh, this building I bought in '91.
ROBBIE: How long did it take you to fill it up?
WOMAN 1: Not long. (laughs)
DAN: Not very, not very. ROBBIE: Really.
DAN: At the end of the day, you have something to show for it,
you have more to show for it than working an 8-hour job.
ROBBIE: Every floor on this building's full.
DAN: Right. WOMAN 1: It's cram-packed, yeah.
DAN: Everything in here I packed in here.
DAN: I had one job once, the neighbor kid across the street
talked me into going to M Scamp's Chicken Hatchery,
it was down here about a mile-and-a-half on Third Street.
DAN: Shoveling duck poop and chicken (bleep) all day long.
And I thought, God, I don't know how you do that.
I stuck it out the day, but I didn't go back
and I didn't get a cheque for it.
(laughs)
MIKE: Look at that light.
DAN: Those come from Helena, Montana,
but they're probably Oscar Bach.
He did the Empire State Building,
all the bronze work on it, and he did a lot of other lighting and--
MIKE: Really. DAN: You know, the castings and stuff
are really good castings. It's spectacular,
and I mean, he did that type of work.
DAN: You know, I love it all.
I mean, quality, you know, it's hard to pass it up.
I mean, they're just, there's not very much
of it out there, but the spectacular stuff is just... beautiful.
I mean, it's beautiful.
MIKE: What's going on with this here? This "Best" piece with the stars.
This display. Where did that come out of?
DAN: That's a buggy whip holder. ROBBIE: I was going to say, it's a buggy whip.
ROBBIE: This was a display that stood in a mercantile basically, back in the day.
And it was for buggy whips.
When you were driving your horses back in the 1800s,
you would buy your buggy whip off of this display.
DAN: I've had it quite a while, but not too many people know what it is.
ROBBIE: Is this Star? DAN: Yeah.
ROBBIE: This is Star. DAN: Yeah.
ROBBIE: This is made in Galva, Illinois. DAN: Yeah.
ROBBIE: Galva's like 45 minutes from our hometown.
DAN: Oh okay. ROBBIE: Yeah. And this,
Star Manufacturing is still in business today.
ROBBIE: Star Manufacturing started in the late 1800s
in Galva, Illinois. They actually made the stars,
like the architectural stars that went on the outside
of buildings that masons would use to pull the brick together.
Then they started doing these display units.
MIKE: I had no idea that my brother was a buggy whip historian.
(laughs) MIKE: What are you thinking on that?
DAN: Probably a couple of grand for that, you know.
MIKE: Really. DAN: Yeah.
MIKE: 1,200 bucks. DAN: 1,200 bucks?
Boy, you're beating me up.
MIKE: Not too bad. ROBBIE: We're taking it home.
DAN: Not too bad? ROBBIE: We're taking it back to its roots.
MIKE: ...to where it was from. I mean, it is what it is.
DAN: How about 1,850? MIKE: Yeah, I can't do that.
I got to have some sort of margin on it.
So it was a 3-tier system,
I mean, it'd be something that you could repurpose, like the--
DAN: Yeah. MIKE: This first level,
you could put stuff on it.
This one you'd have to put
some sort of piece of glass or something.
DAN: Or you could hang stuff on it too.
MIKE: I mean, I'd be a player at 1,200. I think,
to be honest with you, if it was in my area, I think it'd be 18.
DAN: Well, you got to work with me a little more.
MIKE: I mean, I love the base of it.
ROBBIE: It's on wheels. MIKE: Let's get all this stuff off of it.
Oh yeah... look at this thing!
ROBBIE: Now... see this would have gone up, Mike.
MIKE: How about 1,300 bucks?
DAN: How about 1,450? MIKE: 1,350.
MIKE: You know, a long time ago, an old picker said to me,
"Hey man, you make your money when you're buying it,
not when you're selling it."
Meaning, you got to buy it right.
You know, him and I both know that.
(laughing) So we're just...
we're literally, our hands are this close to each other.
MIKE: 1,350. ROBBIE: 1,350.
DAN: 1,400. It's got to be an even number.
MIKE: I can't... There's not enough--
You-you-- I can't haul this across the country to make 400 bucks.
DAN: Well, you'll make it on something else.
You know, this is a...
MIKE: Okay, you'll make it
on something else. 1,300 bucks.
DAN: No, you were at 1,350. MIKE: Alright, 1,350.
MIKE: We're literally standing there with our hands
inches apart from each other.
We both want to shake,
but we both want to have our way.
DAN: How about 14? (laughs)
MIKE: Make it on something else.
DAN: Come on... make it on something else?
ROBBIE & MIKE: You make it something else.
DAN: I'll double up on something else.
MIKE: Alright, do it, okay. ROBBIE: Hey.
MIKE: The deciding factor was that he was going
to get me on something else.
ROBBIE: Now you just got to find...
I don't know, 150 buggy whips.
(laughs)
MIKE: Maybe he'll forget about that.
MIKE: Alright, what else you got here?
DAN: We haven't even got started.
MIKE: People are literally trying to recreate
so much of this stuff, and you really don't have to
if you take the time to hunt for it.
ROBBIE: This one actually looks like it's actually comfortable.
MIKE: There's so many of these places out there that have
this architectural salvage stuff,
that we really all need to embrace it, you know,
we truly do, because it's great for the environment,
you're not making something new.
ROBBIE: You see this, Mike? MIKE: Yeah, it's great.
ROBBIE: All glass. DAN: It's English and it's cool.
MIKE: You know, you're also buying something old
that has a story to it. There's history there.
ROBBIE: What do you got to have on this thing, Dan?
DAN: 1,150.
MIKE: And a light that's $1,000,
you know, might be $200 more
than a light that you're looking at at a big-box store.
But when you're sitting there in front of the fireplace,
and you're looking up at it, you find yourself
with more of a sense of pride,
more of a connection to these older pieces.
MIKE: Wait, he's got a Goodrich sign there, Robbie.
ROBBIE: Yeah, this is the early Goodrich.
ROBBIE: The logo on this is the early brand for Goodrich.
So this sign probably dates to the 1930s.
ROBBIE: It's not in bad shape, it's actually marked,
self-framed.
ROBBIE: It's self-framed, it's porcelain,
large and in charge.
ROBBIE: A lot of guys are neon-ing these now.
Just punching them in neon
'cause it's got that self-framing on the outside.
DAN: Is that right? Huh. ROBBIE: Is that for sale?
DAN: What are you going to offer me for it?
Offer me too much,
you beat me up on the buggy whip thing, come on.
DAN: Antique business is a tough business, you know.
ROBBIE: 800.
DAN: You're 100 below what I paid for it.
(laughs) DAN: I paid nine.
ROBBIE: Wow. DAN: Yeah. I'm being honest with ya.
But it's a great... ROBBIE: I'll help you out,
I'll just give you 950. DAN: Heck, here we go.
(group laughing)
DAN: I sell stuff to make a living, but I mean, I...
don't have to do it, but I enjoy doing it, you know,
I enjoy working.
DAN: How about 1,000? I make 100,
and you make a couple hundred.
MIKE: His margins are slim, but he's got cool stuff.
DAN: Well, you got to pay for the cool stuff.
It's just the way it is. MIKE: I know. Oh yeah, I know.
DAN: Alright. MIKE: What'd you do, how much did you pay?
ROBBIE: 1,000 bucks. MIKE: 1,000 bucks?
DAN: I made 100 bucks. ROBBIE: Yeah.
DAN: I make a little on it, and let it go down the road,
you know, it's just kind of a revolving door,
but you touch it for a while and then it's gone, you know.
MIKE: What age were you when you first started
buying things that were more, I guess, decorative?
DAN: I mean, well I started collecting when I was about
seven years old. I had a paper route, you know,
on the east side of town.
DAN: I just had an interesting life growing up.
I mean, as a paper boy and stuff,
and it was on the east side of town,
so the bars, there were probably 20 bars.
I was in and out of the bars selling papers,
and I mean, I dealt with a lot of people that,
some were shady and some were good.
I learned to deal with people at an early age.
DAN: And I would go to St. Vincent de Paul
and stuff and pick up stuff and drag it home.
DAN: At seven, I was dragging stuff home,
I didn't know what I was dragging home, you know.
(laughs) It's just...
a seven-year-old, you know.
DAN: It wasn't really good stuff,
but it got me started, that's, you know...
MIKE: Yeah. DAN: ...kind of the way it started.
DAN: It started early.
MIKE: Whoa! What about the alligator?
DAN: Alligator, okay. MIKE: Oh yeah.
There ain't much to him, man, he's been hollowed out.
It's full of newspaper... DAN: Hide all your cash
in that guy, nobody will mess with it.
MIKE: What are you thinking on him?
DAN: Well I mean, I had him for sale for 850,
but I know that's not going to work with you, so...
(laughs)
MIKE: What's going to work with me?
DAN: I'm hoping you're feeling bad for me, 950 would be really nice.
MIKE: Arghh... DAN: You know, but...
MIKE: I think you can still buy these things, can't ya?
DAN: Yeah, I think you can.
MIKE: In Florida today, you can buy alligator back scratchers,
alligator fritters, alligator heads.
I mean, the point I'm trying to make is,
you can buy an alligator like this in Florida still.
MIKE: But... this one just has the look.
It's got a lot of age to it,
and that to me, is what makes it valuable.
ROBBIE: He's just cool 'cause he's old.
DAN: Yeah, he's cool, 'cause he's old.
MIKE: This is going to be like, you know,
in somebody's trophy room on the wall,
or maybe like in a bar
with like a tiki bar type atmosphere.
It's about the esthetic.
MIKE: 500 bucks. DAN: 500 bucks?
ROBBIE: Your arm started twitching there for a second,
I thought you were actually going to shake it.
DAN: I paid 450 for it.
ROBBIE: You made another 50 bucks.
DAN: Alright, 500 on this one, next one's harder.
MIKE: Alright. 500 bucks. I like it.
MIKE: I'm looking for things that are unique and unusual.
This won't be around the shop long.
MIKE: What do you got on the moose head?
DAN: 55 on. MIKE: Yeah.
Alright, which way are we going?
How do we get upstairs? ROBBIE: We're going... upstairs.
MIKE: I'm thinking this is the motorcycle elevator.
DAN: This is a cool elevator. MIKE: This is fast!
ROBBIE: Wow. DAN: It's really fast.
MIKE: Holy crap, man.
DAN: Yeah, it goes at 5... MIKE: It's moving.
DAN: 500 feet per minute.
Put in, you know, back in the '80s,
well not '80s, this one was put in the '50s.
MIKE: Alright.
Whoa, my gosh. ROBBIE: Wow.
MIKE: Look it, there's airplanes over there.
ROBBIE: A couple of them right there, Mike.
DAN: There's 150 of them up here.
They come out of the state, out of McMinnville, Oregon.
ROBBIE: You bought them all. DAN: Yeah.
ROBBIE: Look at this plane over here, Mike.
Has this got a motor in it? DAN: Yeah.
They're all motorized, yeah.
DAN: Somebody spent hours, each one of them
is tons of hours,
it's either a dad and a son or somebody building that.
MIKE: One guy had all these planes?
DAN: Yeah. MIKE: I'm digging these...
...prints, man. The prints are cool.
ROBBIE: Are the all of airplanes, Mike?
MIKE: Yeah. DAN: Yeah.
DAN: I bought a bunch of stuff out of their estate,
and there were some spectacular stuff in there.
Prints and stuff of air racing.
MIKE: What do you want for stuff like this?
DAN: Prints? MIKE: Yeah, like these prints.
Robbie just had his hand there.
DAN: 100 bucks apiece.
MIKE: You got one, two, three, four of them.
DAN: Yeah.
MIKE: Some have a little bit of water damage to them,
not much.
MIKE: These are older prints,
they're great subject matter,
they're already framed.
It'd be cool to keep them all together on one wall.
MIKE: 60 bucks apiece.
DAN: That's a little light, I thought I was being nice at 100.
MIKE: Oh, I thought I was being generous at 60.
(laughs)
MIKE: You got four of them. How about 75 apiece?
DAN: How about 90 bucks apiece?
MIKE: 80 bucks. DAN: 85.
MIKE: 80 apiece. DAN: 85.
ROBBIE: 80. MIKE: Oh you already...
DAN: 85. (laughing)
MIKE: Alright, 85 apiece. ROBBIE: 85.
MIKE: I want to check out some of these planes over here,
they look pretty cool. ROBBIE: If you have 200,000 square-foot as a collector,
you're going to fill it up. You're not pigeonholed
by anything that you want to buy. You can buy anything.
MIKE: Robbie, there's a ton of them over here, dude.
ROBBIE: Dude, look at the size of this thing.
MIKE: Oh my gosh! ROBBIE: Holy (bleep)!
ROBBIE: Dan could buy 100 light posts and put them in here,
he could buy 200 cars and put them in here.
MIKE: I like that one. ROBBIE: This one.
MIKE: Yeah. ROBBIE: Yeah.
MIKE: So this is something you just went in
and you're like, hey, I'll just take the collection.
DAN: Right. 35 grand I paid, for 150 planes, so...
MIKE: Okay.
MIKE: $35,000.
Passion buy.
But, that's how he got all this stuff
and that's why he's successful in business,
because he's not afraid to take chances.
MIKE: So what are you thinking on this one?
DAN: I was thinking about 1,250, but you know...
MIKE: I mean...
here's the deal, I don't think you're that crazy,
because whoever's going to buy it, I mean,
they're just buying it for decorative purposes.
DAN: Right. MIKE: Not a lot of people,
or anybody would fly again.
DAN: Right.
MIKE: What year would you say this one was built?
Maybe in the '50s? DAN: It looks like probably '50s
DAN: Mm-hmm. MIKE: So you're at 1,200 bucks on this one.
DAN: Yeah. MIKE: Okay.
Like what about, what about small ones like this?
I mean, it's just a shelf piece, you know what I mean?
DAN: 175? I don't know. MIKE: Yeah...
DAN: Is that too much? MIKE: I think it is.
I mean, yeah, the way to buy them is the way you...
ROBBIE: The way you bought them. DAN: Well, buy them all
and I'll sell them to you, I don't have to make much on it.
MIKE: Well, you're at, what, you've thrown down
35K for all of them? DAN: Yeah.
MIKE: Yeah, I don't want to be that deep into them.
To be honest with you, and I don't have enough
ceiling space for it.
ROBBIE: We can't come back with like, 400 doors,
or you know, 150 airplanes.
It goes back to how much space you have.
ROBBIE: I said, I mean, there's stuff everywhere, it's crazy.
ROBBIE: It's no wonder that he has the ability
to collect collections.
Anybody that's got that kind of room is going to be,
hey, I can buy anything today!
MIKE: Dan! DAN: Yeah.
MIKE: What's up with this bike?
DAN: That was my mom's bike.
MIKE: Your mom had a boy's bike?
DAN: Yeah. She was working at the Naval Yard in California
where my dad and mom met,
and she was a welder on the battleships and stuff
in World War II, and he was in the Air Force.
MIKE: I mean, it's unbelievably clean.
She must have never rode it. DAN: Never rode it.
MIKE: No one's really ever rode this bike.
DAN: She had 11 kids, so...
MIKE: Well, she didn't have any time to ride it.
DAN: She didn't! (group laughing)
DAN: And she was an excellent mom.
MIKE: Every bicycle has a story.
And I love his mom's story.
That she was a welder during World War II,
you know, she helped raise 11 kids with that job.
And this is something that she spent her money on.
MIKE: The seat's in great shape, I mean, you got
some paint loss here on the chain guard,
but I mean, it's a Hiawatha bike,
I mean, Hiawatha made a lot of really deluxe bikes.
They made no-nose, pug-nose, long-nose.
This is a typical Hiawatha fork
with this type of truss on it.
It's the base model, but the beauty of it
is the simplicity.
I mean, there's no holes in the fender,
there was never a light. DAN: No.
MIKE: There was never a rear rack.
There was never a tank. It's just stripped down,
base model, beautiful.
If you look at the rims, they're a painted rim
with the pinstripe,
and there's really not even any wear to those.
The grip was splitting here,
so they duct taped the grip a long time ago.
In the bike world, in the antique bike world,
it's a common bike... DAN: Yeah.
MIKE: But what's not common about it, is its condition.
Um...
$500. DAN: 500's fine.
You know, I'm going to let you have it.
MIKE: Alright, man, I appreciate it.
DAN: 'Cause it's just cool where it's going. okay?
MIKE: Oh my gosh, it's so cool.
DAN: Okay. This is the fifth floor.
ROBBIE: Okay.
DAN: This is where some-- ROBBIE: Is this the honey hole?
DAN: This is where some of the cool stuff is.
MIKE: Oh man... look at all this stuff right here.
DAN: Yeah.
MIKE: Where'd you get the stoplight at?
DAN: That come out of Eugene, Oregon.
MIKE: I love that.
MIKE: What a life! You know, truly, I mean,
these are all the fruits of his labor.
I was glad I was able to kind of dig around
and pick through a lot of the areas by myself,
because I'm having one of those moments, you know,
you're in an old warehouse, and you're looking out over
the city of Spokane, and then you're surrounded
by all of the things from buildings that
maybe didn't survive.
The old gates, the pillars,
this is the... the artifacts of so many northwest cities,
you know, and he's the keeper of it all,
and that's what Dan is.
I finally get to a part of the building
where there's some smalls.
MIKE: Look at the horse leg here, Robbie.
ROBBIE: Yeah, it's wooden. DAN: Poor horse. I ate him.
ROBBIE: What? DAN: I ate the horse.
ROBBIE: You ate the horse. DAN: Yeah. He was slow, slow.
MIKE: You're picking up the horse leg, look at that.
DAN: Yeah. ROBBIE: Race car,
this is the... the... MIKE: It's a Bluebird.
That's cool, it's got the people in it,
they're always gone.
DAN: How about 650? MIKE: With the leg?
ROBBIE: How much is the leg? DAN: This... wood horse leg,
I'd like to keep, just 'cause I bought property
in Tombstone and, you know...
MIKE: Arizona? DAN: Yeah.
MIKE: Really. DAN: Old Union High School.
Two city blocks.
MIKE: No kidding. ROBBIE: Two city blocks.
DAN: Yeah. MIKE: What are you gonna do with it?
Move all these doors there?
DAN: Uh, put... turn the school and the buildings there
into, you know, vacation rentals,
and then the ballpark, I'm going to turn into a motorhome park.
MIKE: This is the first time that Dan is really sharing
the master plan with us.
And it's a big plan.
MIKE: What year was it built? ROBBIE: Wow.
DAN: The school was built in 1922,
kind of a Spanish-looking building.
MIKE: An old school in Tombstone, Arizona
that's two blocks and he's doing an RV park
and vacation rentals.
I mean, most of us work real hard,
so at some point in time, we don't have to work anymore.
But Dan works real hard,
so he can continue to work real hard.
(laughs) You know, and...
I-I can relate to that.
MIKE: You're going to need that horse leg then.
DAN: Probably. MIKE: I mean, it's...
You're in friggin' cowboy country, man.
(laughs) MIKE: That's a big step, I guess.
ROBBIE: 500.
DAN: Okay. ROBBIE: Alright.
MIKE: See, it's easy for you. ROBBIE: Man.
DAN: Yeah, I was easy for him.
ROBBIE: For me.
MIKE: Oh wow, look at that.
"In token of our regard,
the survivors of the Old Spokane Bunch."
ROBBIE: You know who the Spokane Bunch was?
DAN: I don't. I... didn't look it up.
MIKE: Look at that, that looks really...
This looks European.
DAN: It is, it's Dutch. MIKE: It's Dutch?
DAN: Yeah. MIKE: Alright, so what are you thinking on all
three of these pieces? You got the trophy,
you've got the coffee grinder,
and then the plane looks amazing.
MIKE: Lemme see the plane. ROBBIE: Still has the decal on the bottom of it.
MIKE: I know, I'm looking at it. Still got the decal
on the bottom of the wing. ROBBIE: Yeah.
MIKE: "Made in Chicago." Halsted Street.
ROBBIE: American Flyer. DAN: That toy airplane
had the original decals on it and stuff,
so I mean, it was in really good shape.
I mean, usually that stuff is gone.
Somebody didn't play with that one
and it just sat somewhere.
MIKE: 350.
DAN: 350's a little light.
MIKE: Okay so what-- What do you want for this?
DAN: Uh, probably 200.
MIKE: That's what I was thinking, 200 bucks.
DAN: Yeah. MIKE: Okay, and what about this?
DAN: 250.
MIKE: Okay, so how about 200 on that?
DAN: Alright, those two, four.
MIKE: Okay, so there's 400 bucks. So let's do...
DAN: And 5... 550.
MIKE: What, 550? DAN: Yeah. That's a good deal.
MIKE: Oh 550 on this. DAN: Yeah.
MIKE: Oh, I thought you meant 550 total.
DAN: No. ROBBIE: Yeah.
(laughs) MIKE: 375.
DAN: That's light.
MIKE: What's your bottom on this?
DAN: 450.
ROBBIE: 400 would be a good deal,
'cause he bought these...
MIKE: Yeah, I bought the-- How about 400 buck for this?
ROBBIE: So $800 total. MIKE: I'm making,
what am I making, 200 bucks, maybe?
DAN: You're making 200 bucks.
MIKE: Alright, I'm making 200.
MIKE: What about these? I saw these earlier, and...
ROBBIE: Look at that. MIKE: I went through a few of them.
And so...
DAN: What do you like? MIKE: I like all of them,
I mean, any of the Western stuff's hot.
ROBBIE: Look at the size of this Roy Rogers right there.
MIKE: No, they all go this long, Robbie.
ROBBIE: Oh yeah, I see what you're talking about.
That's how long, every one of these are that long?
MIKE: Here, give me that. DAN: Yeah. They were
for the theaters, they were the posters
they put up in the theaters.
ROBBIE: That's actually cool. MIKE: So what are you thinking on something like this?
DAN: I was thinking 300 bucks.
DAN: And that would come out of a really big collection
out of California, the guy was friends
with Roy Rogers and stuff.
It was probably one of the best collections in the country, of that stuff.
ROBBIE: Are they all different, Mike?
Every one of them? DAN: Yeah, every one of them.
MIKE: So this one's Roy Rogers, King of the Cowboys.
ROBBIE: Let's set this down here.
MIKE: And then, pull this one on. Look at this one.
ROBBIE: 1968. MIKE: This one's pretty rough.
ROBBIE: Yeah. It's worth more 'cause it says "Gay Ranchero."
DAN: Yeah. MIKE: Really.
ROBBIE: Oh yeah. DAN: Yeah.
ROBBIE: These posters are mind-blowing.
The fact that they're Roy Rogers.
I mean, Roy Rogers was one of those guys
that they sold the little cap guns for,
they sold the Roy Rogers hat,
and Trigger was one of the most famous horses ever.
ROBBIE: "Spoilers of the Plains."
MIKE: Wow. ROBBIE: This is cool.
"Roy Rogers and Trigger."
MIKE: "The smartest horse in the movies."
DAN: Yeah. ROBBIE: 1951.
MIKE: I love this stuff. ROBBIE: Oh, it's awesome.
MIKE: A lot of people that are interested in this are aging out.
MIKE: But to me... DAN: Like me?
MIKE: Yeah, well I mean, but like any of us,
you know, we're all getting older every day.
MIKE: But I mean, to me, a lot of this stuff is timeless
when you look at it as a piece of art.
DAN: Right. MIKE: There was a time not that long ago,
when Westerns ruled the airwaves.
And that's all coming back now. I mean,
look at shows like Yellowstone,
the biggest show in the world right now is a Western.
MIKE: Robbie, you know who was Roy Rogers' biggest fan?
ROBBIE: Trigger.
MIKE: No, Mom.
ROBBIE: Oh. MIKE: We still love these stories.
The pioneers, our forefathers,
the shoot 'em up, the damsel in distress,
all of that stuff is still relevant.
So these posters are beautiful,
they're timeless, they're evergreen.
MIKE: "Jesse James at Bay."
ROBBIE: George Gabby Hayes,
a Republican Picture. New release.
MIKE: A Republic picture. (laughs)
ROBBIE: I ain't got glasses on, man.
(laughs)
ROBBIE: I absolutely love the condition of them.
Maybe the outside edge was a little tattered,
but when I frame stuff up like that,
I always make sure the outside edge is showing,
to make sure it looks like it's real.
MIKE: Cactus Caravan... Outlaw Paradise.
ROBBIE: Here it is, right here.
"The six longest hours a woman ever waited for a man."
MIKE: Look at her, waiting right there.
ROBBIE: Oh she's waiting. I'd be waiting on her.
MIKE: Fighting above your weight.
ROBBIE: Yeah. MIKE: So, on these eight,
what are we thinking? ROBBIE: These eight right here
is what he's talking about. DAN: Okay.
MIKE: Some are in better condition than others.
DAN: Some are 250 and some are 350.
MIKE: Why don't we do eight at 2-and-a-quarter each?
DAN: I was thinking 275, you're thinking...
MIKE: Yeah, but I'm thinking,
I'm thinking what I got to do to them to even sell them.
(laughs) DAN: I know.
Just working you a little. MIKE: 225 for all of these each.
DAN: Each? MIKE: Yeah.
DAN: You gotta come up a little.
MIKE: Alright, 230.
DAN: 250, that's it.
ROBBIE: 240. MIKE: 235.
DAN: 250. ROBBIE: 240.
MIKE: Ah, you shook his hands. DAN: 255.
ROBBIE: 240. DAN: 255.
ROBBIE: 240! MIKE: No, I'm not--
ROBBIE: I said 240. MIKE: We're together,
we're not bidding against each other.
ROBBIE: 240! DAN: 250.
ROBBIE: We're done, we shook.
DAN: No, you grabbed my hand.
(laughs) ROBBIE: Well, that's it!
(group laughing)
DAN: I'll tell you what, I'll throw those small ones in,
you can have the small ones at the 2,400. There you go.
ROBBIE: And that's it, 2,400. MIKE: How much?
ROBBIE: 2,400 for all of them. MIKE: For all of them.
MIKE: 2,400. DAN: 2,400.
MIKE: Dang, dude. (laughs)
MIKE: Alright, cool.
MIKE: I think at one point in time,
my brother and I were bidding against each other
for the stuff. I don't know but...
end of the day, he wanted to sell them
and I think we got them for a good price.
MIKE: Alright man, I'll put some tires
on this thing and ride it.
ROBBIE: Stick that in there, give me that gator, I got it.
DAN: Yeah. ROBBIE: I got the gator.
DAN: It wasn't that hard to let things go.
That's the way life is set up,
there's a time for everything,
that's Ecclesiastes King Solomon, you know,
spoke of that, you know,
and there is a time to let things go.
MIKE: You gotta get that further in there.
ROBBIE: I am, it's in.
DAN: I'm Christian,
and basically I believe
everything in here belongs to God.
MIKE: Woo! ROBBIE: Dan, can I say,
today was more than interesting.
DAN: Yeah. Heh.
ROBBIE: You are a guy that's got more stuff
than most men do in a lifetime.
MIKE: In our business, sometimes you find quality,
and other times you find quantity.
It's very rare that both of those things collide.
That's what happened today.
MIKE: Alright, man. DAN: Alright, thanks.
MIKE: Alright, see you down the road.
DAN: Alright, thank you... (honks horn)
DAN: See you guys later. MIKE: Hey, I'll see you in Tombstone.
DAN: Alright. (group laughing)
MIKE: Dan is a picker,
a preservationist,
and a hell of a negotiator.
ROBBIE: Melanie has been on my butt to get hearing aids.
MIKE: Why? ROBBIE: 'Cause she said I talk too loud.
MIKE: Dude, you've been talking that loud forever.
You've always talked loud, and you've always had a deep voice.
ROBBIE: When I grow up, I'm going to buy old rusty signs
and sell them for profit!
(classroom kids laughing)
(laughs)
(phone ringing) MIKE: Dani D, what's up?
DANIELLE: What's happening, Wolfe boys?
MIKE: What, heh... ROBBIE: What do you got?
MIKE: What do you got? DANIELLE: So I got a pick you guys are going to love.
Suzie and her son, Nick.
MIKE: Okay. ROBBIE: Yeah.
DANIELLE: Now Suzie's late husband, Marty,
was a huge collector of anything petroliana.
He collected for years, and Nick, his son, loves it too.
ROBBIE: Alright. MIKE: Alright, Dani, send us the coordinates,
appreciate it. DANIELLE: Alright.
MIKE: Bye. DANIELLE: Bye-bye. See you later.
ROBBIE: See you, Dani.
ROBBIE: Right here. Yeah, left.
ROBBIE: Watch your bottom here, man, steep hill.
MIKE: Yeah.
MIKE: Alright so... where are we going?
ROBBIE: Keep going up here, just keep going, it says,
follow around here. It's coming up on the right.
MIKE: Alright, here we go. ROBBIE: Yeah, right here.
MIKE: Alright...
(honks horn)
SUZIE: Hi. MIKE: Hey-hey! Are you Suzie?
SUZIE: Yeah. MIKE: I'm Mike, this is Robbie.
SUZIE: Oh, hi. MIKE: You talked to Dani on the phone?
SUZIE: I did. MIKE: Hey, how's it going?
SUZIE: Fine. MIKE: Nice to meet you.
SUZIE & ROBBIE: Nice to meet you.
MIKE: Here, we're going to give you one of these.
MIKE: She probably went over some of this stuff with you, but...
SUZIE: Oh yeah... signs... MIKE: So what do you got going on here?
SUZIE: Um, well, my husband passed away three years ago.
MIKE: Okay. Sorry.
SUZIE: Marty was a loyal
garage saler, he loved most anything old,
he loved gas station memorabilia.
We had a lot of fun together, a lot of fun collecting.
SUZIE: Most of it's here in the garage,
a couple of things in here still.
MIKE: So when you guys were collecting together,
like when did you start, how long ago?
SUZIE: Oh gosh, well Marty's dad...
um, sold Chryslers,
he worked in the Chrysler dealership.
And Marty's always loved cars.
We both loved garage sales, so we just started...
MIKE: Yeah. ROBBIE: Oh yeah.
MIKE: We saw, I mean, when we pulled up,
he's got the car out here. SUZIE: Oh, yeah.
MIKE: And then you did some sort of like,
older gas station here? SUZIE: Yeah.
MIKE: Wow, look at that.
So I don't need to tell you, probably,
this yellow pump is a really rare pump.
SUZIE: Yeah, we've had that for quite a while.
MIKE: Have ya? Yeah, look it. ROBBIE: It's a Wayne,
Wayne Showcase.
ROBBIE: The Showcase pump is something that sat
on the island and showcased the products of that brand.
MIKE: So, is this something that you guys
would consider selling? SUZIE: Yeah, my son and I,
Nick, we'll probably want to talk about that.
MIKE: Yeah, show us around. Oh wow!
ROBBIE: Wow! MIKE: Whoa...
ROBBIE: Whoa. MIKE: We walk into the space,
every inch of the walls
are covered with showcases, signs.
It's kind of like service station, diner in here.
I mean, this place is hitting on all cylinders.
MIKE: Hey-hey! NICK: Hey. How's it going?
MIKE: Hey, I'm Mike. Nice to meet you.
NICK: Nice to meet you. MIKE: This is my brother, Robbie.
ROBBIE: How ya doing? Nice to meet ya.
MIKE: Wow! ROBBIE: Yeah.
MIKE: So you played a part in this too?
NICK: Yeah, a little bit.
MIKE: You got every inch of this place filled.
NICK: Yeah.
NICK: It came from everywhere, right?
I mean, it came from me buying stuff,
my dad buying stuff, buying things at auctions,
estate sales, garage sales,
driving by a farm and seeing a gas pump
laying down in a random field.
NICK: You know, my dad passed away about three years ago,
and me and him, ever since I was about nine or ten,
have been collecting gas station stuff.
MIKE: Okay. So that's cool, so you guys
were like this right away. NICK: Oh yeah.
MIKE: Them all doing this together,
imagine how that would feel.
NICK: When you're nine years old and your dad tells you,
hey, this is cool! You're like, yeah, that's right!
ROBBIE: That is cool. That is cool.
MIKE: You know, that connection that you have with your son,
or with your wife, whether you're out finding something,
or just sitting in the space.
MIKE: I'm looking around here, I mean, there's just about
every brand represented in here.
Was there one brand that, like he really, really loved?
NICK: Yes, Mobil is his go-to.
MIKE: Okay. ROBBIE: Really.
NICK: Yeah. SUZIE: And our friends' dad
owned a Mobil station
and that was his original clothes that's on Dwight.
ROBBIE: Huh. MIKE: Oh, who's this?
NICK: This is Dwight. SUZIE: That's Dwight.
NICK: He's our attendant-slash-security guard.
(group laughing)
MIKE: What's the deal with this?
Do you know the history of this?
SUZIE: No, he just picked that up somewhere at a...
MIKE: It's a guy's wallet. SUZIE & NICK: Mm-hmm.
ROBBIE: Mobil. MIKE: Is that near here?
SUZIE & NICK: Hermiston, Oregon.
NICK: Four or five hours away.
MIKE: I could see why he liked that.
I mean, especially if he was a Mobil guy.
NICK: Yeah. MIKE: 30 bucks.
SUZIE: Sure. NICK: I don't know,
I was thinking like 500. SUZIE: Yeah.
(laughing)
MIKE: 30 bucks. SUZIE: 30 bucks.
It's yours, it's yours.
MIKE: This is advertising, it's personal,
it's handmade.
And it's 30 bucks.
MIKE: Let's see what else we got.
MIKE: He's done a really great job of presenting
so many things in a very small space.
SUZIE: He loved this garage. He'd come in the house, he says, why don't you come out,
we'll have a beer, come out and play pinball.
So we'd come out and play pinball.
MIKE: We all need a space where we feel complete.
That could be a garden, it could be along a river,
it could be in a log cabin.
SUZIE: He'd just, "You know, I forget I had this."
He'd see this, he says, "Oh, I forgot I had this one too."
MIKE: The beauty of a collector though is,
they don't need to travel to the mountains,
they don't need to travel to that cabin,
you know. Any space could really be that space.
ROBBIE: Did you do this? NICK: Did I do it?
ROBBIE: Somebody colored that in with a marker or something.
SUZIE: They did. NICK: Oh, I did not see that.
ROBBIE: I could see you sitting out here, you're 9 years old...
"Give me that can, Dad." (laughs)
NICK: If I painted it, it'd be a lot worse than that.
ROBBIE: Cruiser Oil? I mean, it's got a cruiser
coming straight at ya.
It doesn't get any better than that.
ROBBIE: 150.
SUZIE: That works. ROBBIE: Alright, thanks.
(laughs) ROBBIE: Yeah.
MIKE: So cool.
What about this Delco Battery display?
ROBBIE: Oh wow. MIKE: The condition of this is pretty amazing.
SUZIE: Yeah. MIKE: But if you look really close at it,
you can see that it's all been painted.
You see the brushstrokes in it.
But the column here's original paint.
You know, think of the use this had
with heavy batteries on it... SUZIE: Mm-hmm.
MIKE: ...dragging them on and off, and even some leakage,
all that kind of stuff. I just noticed this.
SUZIE: Battery checker? MIKE: Yeah.
So basically, this hung on the side
of the shelf, and it was a tender for the batteries.
So this would have been actually part of the unit itself.
SUZIE: Oh okay. MIKE: No matter what you collect,
whether it's galoshes
or fishing equipment,
point-of-sale is a great way
to display your collection
that's authentic.
MIKE: How about...
the display, with this tender,
500?
SUZIE: Sure. MIKE: Okay.
MIKE: And what service station would be complete
without a battery point-of-sale display?
ROBBIE: Hey, I wanted to ask you about this Lee Tire sign.
This is masonite.
ROBBIE: Masonite is a manufactured wood, basically.
It's sawdust with glue particles.
ROBBIE: These were basically made during the War,
you know, during the metal shortages.
What's that say? I don't have my glasses on.
NICK: G-0144.
ROBBIE: So it would have been 1944.
ROBBIE: In gas and oil, masonite signs are very rare.
A lot of them got thrown in the garbage.
ROBBIE: The condition of it is amazing.
If this had the frame around it,
you're probably talking 16, 1,800 bucks,
if it had the frame on it. $1,000.
NICK: I could probably do 1,250.
ROBBIE: 1,150.
NICK: Alright.
ROBBIE: Alright, appreciate it.
(laughs) NICK: My luck,
I would probably break it...
NICK: ...moving it around and such.
I'm glad it's going to a good place.
MIKE: This is a great sign.
SUZIE: It is. MIKE: Even though the condition's not there,
you know, I mean, it's double-sided,
I mean, it's missing a chunk, but, man,
that's a rare sign.
SUZIE: We want to hang onto that one.
MIKE: Okay, I don't blame ya.
So what about the Kendall sign here?
It's double-sided.
Someone has made that bracket,
that's not the original bracket to hang it.
SUZIE: No, no it's not. MIKE: But it's pretty cool.
Late '60s, early '70s.
The paint on both sides is really nice.
What are you thinking on that one? SUZIE: Make me an offer.
MIKE: What do you think it's worth? SUZIE: You make me an offer.
MIKE: You tell me what you think it's worth
and I'll tell you what I think it's worth. SUZIE: Uh...
Seven? MIKE: I was going to say 750.
SUZIE: Okay, 750.
MIKE: No! That's what we think it's worth.
SUZIE: Oh! (laughs)
MIKE: So you think it's worth 7, I think it's worth 750.
Okay, so what do you think, on the number?
SUZIE: Uh... 650?
(laughs)
SUZIE: 600 then, 600?
MIKE: I'll tell you what, I'd do 500 bucks.
SUZIE: How about 550?
MIKE: How about 5-and-a-quarter?
SUZIE: Okay, we're good. MIKE: Okay.
(laughs)
MIKE: Alright, woo!
SUZIE: I know, I'm... (Mike laughs)
MIKE: Okay, this can right here.
Alright, so Richlube is a West Coast company,
this is Los Angeles, California.
SUZIE: Yeah. MIKE: They were around
from the early 1900s until the mid-1960s,
when they merged with Atlantic Oil.
MIKE: This can is really in amazing condition.
I mean, if you look at the graphics on it, the colors...
I mean, obviously there's some loss here.
The cap is there, the spout is there.
MIKE: But here's the money shot.
This race car. That's what makes this can so desirable.
MIKE: Whether it's a gas pump or a gas globe,
or an oil can,
all of this stuff has gone up in value
so much in the past 10 years.
And everybody's waiting for it to hit its ceiling.
You know, but now you've got gas signs
that are bringing over a million dollars.
Yes, that actually happened.
MIKE: In this condition...
I'd pay $1,500.
SUZIE: This is the cool thing.
MIKE: Isn't that cool? SUZIE: Yeah, it is.
MIKE: I think the can is worth $2,000.
SUZIE: I know he didn't pay much for that can.
But he thought it was worth like $2,500.
SUZIE: I'm thinking 2,500,
that's what he thought it would be worth,
at least to a collector. MIKE: Yeah.
MIKE: Between all the flea markets, the auctions,
the picking trips that she has been on with her husband,
she's been in and out of the art of the deal,
you know, I can tell that.
MIKE: See, I think the value's between 2 and the 25, so...
how about 17?
1,700 for it.
SUZIE: Um...
Can we go somewhere in the middle?
MIKE: What's the middle to you? SUZIE: Say... 1,850?
MIKE: I love it when she's tough on prices.
It shows her appreciation for this stuff,
and her husband's passion.
MIKE: 18?
Okay, let's do 18. SUZIE: Let's do it.
(laughs) SUZIE: Thank you.
MIKE: Pump like this restored
NICK: Two gas pumps here, just kind of displaying them.
ROBBIE: This is an original Shell pump.
NICK: It is. ROBBIE: Yeah, it still has
the original paint underneath there, look at that.
NICK: Sure does. ROBBIE: Look at that.
NICK: So I've said, a couple of the advertisers
are still good, the original glass on the front,
numbers are still decent.
ROBBIE: This Shell pump is called a Wayne Narrow Body.
Basically, it doesn't have its hips at the bottom of it.
ROBBIE: Let's see if I can get that to open...
There it goes.
(sighs)
ROBBIE: All the guts are gone!
NICK: Nah! Well, they're heavy. ROBBIE: That's a good thing.
NICK: They're heavy with the guts!
ROBBIE: That's repop. Needs a big Shell globe on top of it.
I think the cool look would be to try and get
most of this green off of here.
If you could see the yellow crackling through,
to me, that'd be just a great looking pump.
Looks like there's red underneath here too,
there's red and yellow, three colors.
800 bucks. NICK: I can do 900.
NICK: My thought is, I don't want something
sitting outside rotting.
I'd rather it go somewhere
that someone else can use it.
ROBBIE: 850.
You can keep the globe on top.
NICK: Alright. The repro globe?
ROBBIE: The repro globe. Put it up on desk somewhere.
MIKE: All soda stuff's hot right now,
especially the smaller off-brands.
Uh, the cool thing about this sign
is it's all embossed, and it's got great color.
I think in that condition, 800's the retail number on it.
How about 475?
SUZIE: No. MIKE: No?
SUZIE: No. MIKE: What're you thinking?
SUZIE: 7. MIKE: I can do 5.
SUZIE: ...50? MIKE: 5-and-a-quarter.
SUZIE: 5-and-a-quarter. (laughs)
MIKE: Okay. (laughs)
ROBBIE: So, I was in here with your mom,
we got here earlier, and I wanted to ask you
about this Texaco sign. NICK: '50s?
ROBBIE: This is late '50s, early '60s.
You know, this is cut on this side,
and I think it's been cut over there on that side.
It's got the self-framing on it.
I'd want to be probably at 700 bucks.
NICK: It's yours. MIKE: What about the tire display piece here?
You've got the tire rack,
we've got a tire and a hubcap. 200 bucks.
SUZIE: 250.
MIKE: You know I'm gonna say it. 2-and-a-quarter.
SUZIE: Yeah, why not? (laughs)
MIKE: Okay.
ROBBIE: I wanted to ask you about that Pepsi sign.
I mean, this is a signal dot,
double dot would have been the earlier version of this.
This sign's probably late '50s, early '60s.
NICK: Make me an offer. ROBBIE: 450. There you go.
(laughs) ROBBIE: Thank ya.
MIKE: Alright, so... the Kaiser Frazer sign here.
That's double-sided, obviously.
SUZIE: It is. ROBBIE: Hey, what's going on in here?
MIKE: Hey, what have you been doing?
ROBBIE: I've been buying gas pumps.
(laughs) MIKE: Okay. I was asking her
about the Kaiser Frazer sign.
ROBBIE: That's a clean one.
MIKE: Is this something you guys would sell?
NICK: No, that... that's kind of a centerpiece.
MIKE: Yeah. NICK: It's just, it's a good-looking sign too.
I... wouldn't want to part with it.
NICK: There's certain things that definitely I want to keep here.
There's memories or whatnot.
MIKE: Okay, so when we first got here,
we talked about that Showcase pump outside.
MIKE: Can we pull that out
and look at the back of it? SUZIE: Sure.
NICK: Yeah, we can take a look. SUZIE: Not me.
You got the muscles, I'm just gonna be there.
NICK: Here she is.
(scraping)
MIKE: Got it? Alright, that's why I love bringing my brother.
ROBBIE: Hey, you know where your dad found this?
NICK: I do not remember. SUZIE: No.
NICK: I remember he brought it home, and...
ROBBIE: He wasn't with either one of you guys?
SUZIE & NICK: No. ROBBIE: Huh.
MIKE: This is a Showcase pump. You guys know that.
This bracket in the center here,
this was to support glass or a shelf.
You can see too there's a light in here.
MIKE: The only time I've ever personally seen
a pump like this,
has been in some pretty major collections.
I mean, usually when someone gets
ahold of one of these, they don't turn it loose.
MIKE: This would be like, almost kind of like
an industrial point-of-sale piece.
This is something that the attendant can open up
and showcase product and show you
while you're in your car... SUZIE: Hm.
MIKE: This probably would have sat on an island.
This particular model, they made this
from 1938 to 1941.
And there's actually a more desirable model
than this, it was a Wayne 50.
NICK: I see. MIKE: But all Showcase pumps
are extremely hard to find. NICK: Yeah.
NICK: It's a rare pump. MIKE: Yeah, think about
that time in America, '38 to '41.
MIKE: And then you think about the motorcycles,
the cars that were pulling up next to something like this.
MIKE: I mean, the backdrop for the car was just
as beautiful as the car. SUZIE: Exactly.
MIKE: Transportation... SUZIE: The display.
MIKE: ...back then was beautiful.
ROBBIE: Thought you said you took all the pumps out of these?
NICK: I wasn't involved with this one.
SUZIE: The ones that were in the house. ROBBIE: Oh, okay.
Most guys don't want the pumps anyhow.
SUZIE: Yeah. ROBBIE: You know.
MIKE: So you can see all this is intact.
ROBBIE: The fact that this thing is intact.
ROBBIE: The metal's actually in good shape.
If you went to go to restore this.
ROBBIE: It's got all the trim on it.
Actually, the light sockets are even still in it.
MIKE: Actually I mean, to be honest with you,
it's solid. It's a solid pump. ROBBIE: Oh yeah.
NICK: It's a great pump, there's no holes in it.
MIKE: What I'd like to do to the pump is clean it up the best that we can.
ROBBIE: If you're gonna restore it,
you're going to have to replace those.
MIKE: Replace the glass panels that are broke
that represent the branding.
ROBBIE: You can see where the detail was for the Shell.
SUZIE: Yeah. MIKE: Put the glass back in the doors,
put the shelving back into it.
Maybe get the lights working.
And just enjoy it the way it is for now.
MIKE: 7,500.
NICK: I could do 10 on it.
MIKE: Yeah, I can't do that.
I mean, the most I've ever seen one realize in this shape,
is 8,500 bucks.
NICK: Mm-hmm. MIKE: In this condition,
and those aren't old sales, those are current.
MIKE: This is a tough decision for Nick,
because he understands its rarity.
But he also understands the value of time.
And what it's going to take to get it to the next level.
You know, he's a young man, he's got a family.
Where does this fit in?
You know, so I think he's thinking about that
as we're talking numbers.
MIKE: You're at 10?
NICK: Mm-hmm.
MIKE: I can't do that number.
I mean... 8,500 bucks.
NICK: What do you think?
SUZIE: I don't care, I mean,
if you think you have the time to put into it
and do what needs to be done
when I know there's others in there that you want to work on
and do too, so...
NICK: 85's your top?
MIKE: I mean, it just gets to the point where
I have to make... I want us both
to feel good about it, you know what I mean?
NICK: Oh, absolutely. MIKE: I don't wanna do any deal
that both of us don't feel good about it.
MIKE: It deserves better than to just sit here
and I think Nick knows that.
NICK: 8,700.
I came a lot closer to your number.
Alright. ROBBIE: I was just about
to spend that money, if he was like going to hesitate,
I was like, are you kidding me?
(laughs)
SUZIE: When I look around here,
I see Marty, I mean that's...
it's just him. He loved every minute of it,
I'd find him, I've said, where the heck is he?
And he'd be down here. I'd come down here
and he'd be sitting down here looking around and, you know,
dusting things off.
SUZIE: He loved it.
MIKE: You still walking upright?
ROBBIE: Yeah, I'm walking upright.
What's the matter with you? MIKE: Woo!
MIKE: Marty has taken an ordinary garage,
and made it extraordinary.
ROBBIE: Thank you. SUZIE: Marty, I wish Marty
could have been here, he would have loved this.
MIKE: He was. ROBBIE: He was here.
NICK: He would've really enjoyed this.
MIKE: He was here. SUZIE: Thank you.
MIKE: I promise you that. ROBBIE: Yeah.
MIKE: There will always be an energy and a presence here.
(honks horn) MIKE: See you guys!
SUZIE: Bye!
(honks horn)