1 00:00:01,871 --> 00:00:04,526 YOU THREE DON'T LOOK LIKE YOU COME FROM CLEVELAND. 2 00:00:04,569 --> 00:00:06,528 UH, ACTUALLY, WE'RE FROM LOS ANGELES. 3 00:00:06,571 --> 00:00:08,008 RIGHT, AND, UH, WE MOVED HERE 4 00:00:08,051 --> 00:00:09,966 BECAUSE WE WERE FEELING INVISIBLE THERE. 5 00:00:10,010 --> 00:00:12,229 YEAH, MEN -- MEN HAD STOPPED LOOKING AT US. 6 00:00:12,273 --> 00:00:15,363 OH, THE MEN IN L.A. DON'T LOOK AT WOMEN IN THEIR 30s? 7 00:00:15,406 --> 00:00:18,540 OH, THAT'S SO SWEET!OH, YOU THINK WE'RE IN OUR 30s?! 8 00:00:19,106 --> 00:00:19,889 SMILE. 9 00:00:20,846 --> 00:00:21,760 [ LAUGHS ] 10 00:00:21,804 --> 00:00:23,023 [ LAUGHTER ] 11 00:00:23,066 --> 00:00:24,111 DIAL UP THE CRAZY. 12 00:00:24,154 --> 00:00:25,025 [ LAUGHS ] 13 00:00:25,068 --> 00:00:27,070 THAT IS A GREAT IDEA. 14 00:00:27,114 --> 00:00:29,681 WE MUST INCREASE OUR BUST. 15 00:00:30,639 --> 00:00:33,076 THIS IS GONNA BE A GOOD SHOW. 16 00:00:33,120 --> 00:00:36,210 ♪ HEY! 17 00:00:36,253 --> 00:00:37,776 Melanie: WELL, GREAT. 18 00:00:37,820 --> 00:00:39,778 WE'RE IN A DIVE BAR IN CLEVELAND. 19 00:00:39,822 --> 00:00:42,259 LOOK, I GOOGLED "CLEVELAND" AND "GET HAMMERED," 20 00:00:42,303 --> 00:00:43,826 AND THIS IS WHAT CAME UP. 21 00:00:43,869 --> 00:00:46,916 IT'S ONE OF THOSE IDEAS THAT YOU HEAR AND YOU IMMEDIATELY GO, 22 00:00:46,959 --> 00:00:48,961 "OH, WHY HASN'T ANYBODY DONE THIS BEFORE? 23 00:00:49,005 --> 00:00:50,876 IT'S SO BRILLIANT AND SO SIMPLE." 24 00:00:50,920 --> 00:00:52,617 AND THEN YOU THROW IN BETTY WHITE, 25 00:00:52,661 --> 00:00:54,532 THEN I THINK YOU'VE GOT A PRETTY GOOD SHOW ON YOUR HANDS. 26 00:00:54,576 --> 00:00:56,795 YEAH, I WAS UP FOR THAT PART. 27 00:00:56,839 --> 00:00:59,189 THE TITLE GOT ME RIGHT AWAY -- "HOT IN CLEVELAND." 28 00:00:59,233 --> 00:01:00,712 I FEEL YOUNG AND HOT. 29 00:01:00,756 --> 00:01:03,106 LIKE THEY'RE UNDRESSING ME WITH THEIR EYES 30 00:01:03,150 --> 00:01:04,542 AND NOT FINDING SPANX. 31 00:01:04,586 --> 00:01:07,154 KIND OF SAYS TO YOU RIGHT THERE WHAT THE SHOW IS. 32 00:01:07,197 --> 00:01:08,546 AND IF IT DOESN'T, 33 00:01:08,590 --> 00:01:11,071 IT MAKES YOU CURIOUS ABOUT WHAT IT COULD BE. 34 00:01:11,114 --> 00:01:12,811 ALL THE MEN LOOK LIKE REAL MEN, 35 00:01:12,855 --> 00:01:15,118 AND THE WOMEN LOOK LIKE REAL WOMEN? 36 00:01:15,162 --> 00:01:18,861 AND EVERYONE'S EATING, AND NO ONE'S ASHAMED. 37 00:01:18,904 --> 00:01:20,993 Hayes: I ACTUALLY THOUGHT IT WAS REALLY SMART OF TV LAND 38 00:01:21,037 --> 00:01:23,431 TO TAKE THE PLUNGE INTO ORIGINAL PROGRAMMING. 39 00:01:23,474 --> 00:01:24,519 TO CLEVELAND! 40 00:01:24,562 --> 00:01:25,868 TO CLEVELAND! 41 00:01:25,911 --> 00:01:27,739 Bertinelli: THEY HAD TRADITIONALLY DONE 42 00:01:27,783 --> 00:01:30,960 ALL OF THESE GREAT RERUNS OF CLASSIC SITCOMS. 43 00:01:31,003 --> 00:01:32,962 Hayes: AND SO IT SEEMED LIKE A PERFECT FIT 44 00:01:33,005 --> 00:01:35,617 TO START A NEW GENERATION OF BRAND-NEW SHOWS 45 00:01:35,660 --> 00:01:37,097 TO PAIR WITH THESE RERUNS. 46 00:01:37,140 --> 00:01:38,968 YOU KNOW, MAYBE WE SHOULD JUST FORGET 47 00:01:39,011 --> 00:01:40,578 FIXING EACH OTHER UP WITH MEN 48 00:01:40,622 --> 00:01:42,537 AND ENJOY EACH OTHER'S COMPANY, RIGHT? 49 00:01:42,580 --> 00:01:44,452 [ GASPS ] OOH! HOT FIREMEN. 50 00:01:44,495 --> 00:01:46,018 IT WAS DEFINITELY TAKING A CHANCE, 51 00:01:46,062 --> 00:01:47,803 BUT I THINK IT WAS A VERY WISE ONE. 52 00:01:47,846 --> 00:01:50,719 YOU JUST GAVE THAT WHOLE SPEECH ABOUT --SHUT UP, JOY. 53 00:01:50,762 --> 00:01:52,851 Milliner: AND IF YOU'RE GONNA TAKE A RISK, WHY NOT TAKE IT WITH FOUR PEOPLE 54 00:01:52,895 --> 00:01:54,723 THAT HAD ALREADY BEEN ON HIT SHOWS? 55 00:01:54,766 --> 00:01:56,681 Leeves: THE SCRIPT WAS SENT TO ME, 56 00:01:56,725 --> 00:01:59,597 AND I IMMEDIATELY RECOGNIZED THE NAME SUZANNE MARTIN, 57 00:01:59,641 --> 00:02:01,469 WHO HAD BEEN A WRITER ON "FRASIER." 58 00:02:01,512 --> 00:02:03,123 SO, I WAS VERY EXCITED. 59 00:02:03,166 --> 00:02:04,863 I READ THE SCRIPT. I ABSOLUTELY LOVED IT. 60 00:02:04,907 --> 00:02:06,343 I'M GONNA GO TALK TO HIM. 61 00:02:06,387 --> 00:02:07,649 REMEMBER -- 62 00:02:07,692 --> 00:02:09,477 ROMANTIC COMEDIES ARE LIKE CELLULITE CURES. 63 00:02:09,520 --> 00:02:11,348 EVERY ONE OF THEM IS A LIE. 64 00:02:11,392 --> 00:02:12,654 OH! 65 00:02:12,697 --> 00:02:14,134 Malick: THE PREMISE WAS INTRIGUING, 66 00:02:14,177 --> 00:02:16,658 BUT I THOUGHT, "I NEED TO KNOW WHO ELSE IS IN IT." 67 00:02:16,701 --> 00:02:19,313 Milliner: WE MET WITH JANE FIRST. THEN WE MET WITH WENDIE. THEN WE MET WITH VALERIE. 68 00:02:19,356 --> 00:02:21,924 AND WE STARTED TELLING THEM ALL THAT THE OTHER ONE WAS IN. 69 00:02:21,967 --> 00:02:24,492 EXACTLY. EXACTLY.SO WE KIND OF LIED A LITTLE BIT. 70 00:02:24,535 --> 00:02:27,451 THIS HAS GOT TO BE THE CRAZIEST LIE YOU'VE EVER TOLD. 71 00:02:27,495 --> 00:02:31,281 [ Indian accent ] IT GETS A LITTLE BIT CRAZIER. 72 00:02:31,325 --> 00:02:32,587 Bertinelli: WHAT WE CAME TO FIND OUT IS 73 00:02:32,630 --> 00:02:33,936 THEY HAD SAID THE SAME THING 74 00:02:33,979 --> 00:02:35,198 TO EVERYBODY THAT THEY WERE GOING AFTER. 75 00:02:35,242 --> 00:02:37,244 AND THEN IT ALL KIND OF CAME TOGETHER, 76 00:02:37,287 --> 00:02:39,289 AND THEN BETTY WAS THE FINAL PIECE OF THE PUZZLE. 77 00:02:39,333 --> 00:02:41,813 I REMEMBER FOR OUR FIRST TABLE READ, 78 00:02:41,857 --> 00:02:43,293 THE FIRST TIME WE SAT DOWN, 79 00:02:43,337 --> 00:02:45,208 THERE WAS THIS SORT OF THIS MAGICAL FEELING. 80 00:02:45,252 --> 00:02:47,210 [ LAUGHTER ] 81 00:02:47,254 --> 00:02:50,213 AND WE ALL SORT OF GOT THAT LITTLE TINGLE UP OUR SPINES 82 00:02:50,257 --> 00:02:53,303 KNOWING THAT THIS IS SOMETHING THAT REALLY COULD WORK. 83 00:02:53,347 --> 00:02:55,349 White: THERE WAS CHEMISTRY BETWEEN US 84 00:02:55,392 --> 00:02:56,959 THAT JUST FELT SO RIGHT, 85 00:02:57,002 --> 00:03:00,397 AND IT'S NOT SOMETHING YOU CAN EVEN PINPOINT OR EXPLAIN. 86 00:03:00,441 --> 00:03:02,312 Leeves: AND THEN I TOLD HIM TO LOOK AROUND, 87 00:03:02,356 --> 00:03:04,227 AND HE FOUND MELANIE'S BREASTS. 88 00:03:04,271 --> 00:03:06,316 THEY DO LOOK PRETTY GOOD TONIGHT. 89 00:03:06,360 --> 00:03:07,622 I MEAN RUDE! 90 00:03:07,665 --> 00:03:08,971 [ LAUGHTER ] 91 00:03:16,587 --> 00:03:18,937 Man: CAN WE HAVE SILENCE, PLEASE?WE ARE ROLLING. 92 00:03:18,981 --> 00:03:20,591 HERE WE GO. AND ACTION. 93 00:03:20,635 --> 00:03:23,594 TO THINK THAT WE SPENT ALL THAT TIME AND EFFORT AND MONEY 94 00:03:23,638 --> 00:03:26,423 TRYING TO LOOK 10 YEARS YOUNGER AND 10 POUNDS LIGHTER, 95 00:03:26,467 --> 00:03:30,122 AND ALL WE HAD TO DO WAS CRASH-LAND IN CLEVELAND. 96 00:03:30,166 --> 00:03:32,386 ON THE PILOT, I REMEMBER FEELING THE ENERGY 97 00:03:32,429 --> 00:03:34,388 AND THE AUDIENCE CONNECTING RIGHT AWAY. 98 00:03:36,477 --> 00:03:39,393 [ CHEERS AND APPLAUSE ] 99 00:03:39,436 --> 00:03:41,438 Milliner: WE KIND OF HIT BETTY RIGHT AT THE TOP 100 00:03:41,482 --> 00:03:43,440 OF ONE OF HER PEAKS IN HER CAREER, 101 00:03:43,484 --> 00:03:45,268 BUT SHE WAS JUST A GUEST STAR ON THE PILOT. 102 00:03:45,312 --> 00:03:47,270 White: AND I MADE IT VERY CLEAR THAT, 103 00:03:47,314 --> 00:03:48,706 IF THEY DID GET PICKED UP, 104 00:03:48,750 --> 00:03:50,142 I WOULD NOT BE ABLE TO DO MORE. 105 00:03:50,186 --> 00:03:52,188 SO, WHAT ARE YOU, LIKE 100? 106 00:03:53,537 --> 00:03:55,539 I DON'T LIKE YOU. 107 00:03:55,583 --> 00:03:57,846 THEY HAVEN'T BEEN ABLE TO GET RID OF ME SINCE. 108 00:03:57,889 --> 00:04:00,109 AREN'T YOU THAT GIRL FROM THAT SHOW? 109 00:04:00,152 --> 00:04:02,633 YES. YES, I AM. ARE YOU A FAN? 110 00:04:02,677 --> 00:04:04,287 NO. 111 00:04:04,331 --> 00:04:06,594 Hayes: YOU JUST KNOW YOU HAVE SOMETHING 112 00:04:06,637 --> 00:04:09,118 THAT THE AUDIENCE LOVES, THAT THEY LOVE, 113 00:04:09,161 --> 00:04:10,467 THAT EVERYTHING'S JUST LINING UP, 114 00:04:10,511 --> 00:04:12,252 AND THAT LIGHTNING IN A BOTTLE HAPPENS. 115 00:04:12,295 --> 00:04:13,688 SO, WHAT SHOULD WE DO NOW? 116 00:04:13,731 --> 00:04:15,037 I SAY WE GO BACK TO THAT BAR 117 00:04:15,080 --> 00:04:16,647 WHERE THE MEN THINK WE'RE HOT. 118 00:04:16,691 --> 00:04:18,475 I'LL DRIVE. 119 00:04:18,519 --> 00:04:21,696 [ LAUGHS ] 120 00:04:21,739 --> 00:04:23,567 [ CHEERS AND APPLAUSE ] 121 00:04:23,611 --> 00:04:25,352 Milliner: IT CAME TOGETHER ON ONE NIGHT, 122 00:04:25,395 --> 00:04:26,831 AND THEN WHEN WE GOT THE CALL ABOUT THE NUMBERS... 123 00:04:26,875 --> 00:04:27,963 [ CELLPHONE RINGS ] 124 00:04:28,006 --> 00:04:29,356 OH, MY GOD, IT'S MY AGENT. 125 00:04:29,399 --> 00:04:31,575 OKAY, EVERYBODY, JUST SHUT UP. HE THINKS I'M IN PARIS. 126 00:04:31,619 --> 00:04:35,840 I THINK WE WERE ALL INCREDIBLY SURPRISED AT THE RATINGS WE GOT. 127 00:04:35,884 --> 00:04:38,016 I MEAN, VALERIE WAS SAYING, "MAYBE WE'LL EVEN GET 128 00:04:38,060 --> 00:04:39,714 2.5 MILLION OR 3 MILLION OR SOMETHING." 129 00:04:39,757 --> 00:04:40,802 I SAID, "OH, COME ON." 130 00:04:40,845 --> 00:04:42,325 I KNOW, RIGHT?! 131 00:04:42,369 --> 00:04:43,979 I WAS TRIPLING THEM, QUADRUPLING THEM, 132 00:04:44,022 --> 00:04:45,502 AND GOING, "WHAT IF WE DID THIS, YOU GUYS?!" 133 00:04:45,546 --> 00:04:48,113 AND THEN WE GOT THE NEWS ABOUT OUR NUMBERS, 134 00:04:48,157 --> 00:04:49,550 WHICH WERE THROUGH THE ROOF. 135 00:04:49,593 --> 00:04:51,987 IT WAS LIKE BEYOND ANYBODY'S WILDEST DREAMS. 136 00:04:52,030 --> 00:04:53,554 EVERYBODY'S PHONE WAS GOING OFF, OFF, OFF, 137 00:04:53,597 --> 00:04:55,904 THAT WE JUST CRUSHED THE NUMBERS. 138 00:04:55,947 --> 00:04:58,254 I THINK THE SHOW JUST SORT OF BURST OUT OF THE GATES 139 00:04:58,298 --> 00:04:59,734 RIGHT FROM THE START. 140 00:04:59,777 --> 00:05:01,170 A WORD TO THE WISE -- 141 00:05:01,213 --> 00:05:04,739 A SMART JOCKEY ALWAYS SITS STRAIGHT UP ON THE HORSE. 142 00:05:06,306 --> 00:05:08,351 SEE, YOU'RE THE JOCKEY, AND HE'S THE -- 143 00:05:08,395 --> 00:05:10,614 YES, YES, WE UNDERSTAND. THANK YOU. 144 00:05:10,658 --> 00:05:13,443 IT'S SO YOUR BOOBS DON'T FLOP TO THE SIDE 145 00:05:13,487 --> 00:05:16,098 AND GET LOST IN YOUR BACK FAT. 146 00:05:17,578 --> 00:05:19,928 Leeves: I HADN'T SEEN FOR A LONG TIME 147 00:05:19,971 --> 00:05:22,409 A GROUP OF WOMEN OF A CERTAIN AGE 148 00:05:22,452 --> 00:05:25,368 BEING PORTRAYED AS STILL VIABLE AND SEXUAL 149 00:05:25,412 --> 00:05:28,110 AND CELEBRATED THE WAY THEY HAVE BEEN ON THIS SHOW. 150 00:05:28,153 --> 00:05:31,200 IT WAS VERY EMPOWERING TO BE A PART OF SOMETHING LIKE THIS. 151 00:05:31,243 --> 00:05:33,420 YOU'RE TOO OLD TO ACT LIKE THIS. 152 00:05:33,463 --> 00:05:35,944 SHE'S NOT OLD. 40 IS THE NEW 30. 153 00:05:35,987 --> 00:05:37,641 AND 50 IS THE NEW 40. 154 00:05:37,685 --> 00:05:38,903 WHAT'S 80? 155 00:05:38,947 --> 00:05:40,992 IT'S STILL 80. 156 00:05:41,036 --> 00:05:44,779 AND I STILL DON'T LIKE YOU. 157 00:05:44,822 --> 00:05:47,303 THE PERCEPTION OF AGE IS SO BLURRED NOW. 158 00:05:47,347 --> 00:05:50,915 TAKE IT EASY, VIC. YOU LOOK INCRED FOR [BLEEP] 159 00:05:50,959 --> 00:05:53,048 [ GASPS ] 160 00:05:53,091 --> 00:05:55,790 WE DID SEE THAT THERE WAS A GAP IN TELEVISION PROGRAMMING, 161 00:05:55,833 --> 00:05:57,095 AND THAT WAS HAVING WOMEN 162 00:05:57,139 --> 00:05:58,880 THAT ARE LIKE WOMEN ALL OVER THE COUNTRY 163 00:05:58,923 --> 00:06:02,405 THAT HAVE LIVES AND GOALS AND LOVE AND DREAMS, 164 00:06:02,449 --> 00:06:03,841 AND I THINK THAT'S WHAT WE LOVED ABOUT IT. 165 00:06:03,885 --> 00:06:04,799 WHAT HAPPENED? 166 00:06:04,842 --> 00:06:07,192 WE GOT ALONG FINE, BUT... 167 00:06:07,236 --> 00:06:09,804 HE WOULDN'T GO DOWNTOWN. 168 00:06:09,847 --> 00:06:12,241 IF YOU KNOW WHAT I MEAN. 169 00:06:15,810 --> 00:06:16,985 WHAT? 170 00:06:17,028 --> 00:06:19,379 I MEAN, THERE'S SO MANY GOOD RESTAURANTS 171 00:06:19,422 --> 00:06:21,032 AND -- AND SHOPS DOWNTOWN. 172 00:06:21,076 --> 00:06:23,600 [ LAUGHTER ] 173 00:06:25,863 --> 00:06:27,517 WE MADE YOUR LIFE BETTER. 174 00:06:27,561 --> 00:06:30,477 AND YOU LOVE US FOR IT, YOU BIG SOFTY. 175 00:06:30,520 --> 00:06:32,000 I'M SO GLAD YOU LIKE US. 176 00:06:32,043 --> 00:06:34,742 YOU THINK WE'RE GREAT. 177 00:06:34,785 --> 00:06:40,443 AND PEOPLE WONDER WHY WRITERS DRINK. 178 00:06:40,487 --> 00:06:41,836 Cadiff: WHAT AN ADVANTAGE, REALLY, 179 00:06:41,879 --> 00:06:44,316 JUST TO WORK WITH NOT ONLY FOUR ICONIC ACTRESSES, 180 00:06:44,360 --> 00:06:47,015 BUT WOMEN THAT WERE SO GOOD AT WHAT THEY DID. 181 00:06:47,058 --> 00:06:48,756 OOH. 182 00:06:48,799 --> 00:06:51,149 MY DATE IS A PLASTIC SURGEON. 183 00:06:51,193 --> 00:06:52,890 TAKE A LOOK AT ME RIGHT NOW. 184 00:06:52,934 --> 00:06:54,979 THIS IS THE WORST I'M EVER GONNA LOOK! 185 00:06:55,023 --> 00:06:56,546 I THINK MELANIE IS SORT OF 186 00:06:56,590 --> 00:07:00,202 THE NAIVE, VULNERABLE, GULLIBLE CENTER OF THE SHOW. 187 00:07:00,245 --> 00:07:02,813 NOBODY TELLS MELANIE MORETTI WHAT TO DO. 188 00:07:02,857 --> 00:07:04,119 I'M OUT OF HERE. 189 00:07:05,120 --> 00:07:06,991 WILL YOU PUT ANOTHER QUARTER IN THE METER? 190 00:07:07,035 --> 00:07:08,819 OH. YEAH, SURE. 191 00:07:08,863 --> 00:07:10,212 DAMN IT! 192 00:07:10,908 --> 00:07:13,345 OH, TUBE TOPS. 193 00:07:13,389 --> 00:07:16,566 YEAH, I HAD A BACK BRACE AND BACNE IN HIGH SCHOOL, 194 00:07:16,610 --> 00:07:17,698 SO, YOU KNOW... 195 00:07:17,741 --> 00:07:19,221 YOU COULDN'T WEAR TUBE TOPS? 196 00:07:19,264 --> 00:07:22,180 NO, NOT COULDN'T. SHOULDN'T HAVE. 197 00:07:23,443 --> 00:07:25,532 FIRST YEARBOOK PHOTO TO BE REJECTED. 198 00:07:25,575 --> 00:07:26,924 "TOO DISTURBING." 199 00:07:26,968 --> 00:07:29,013 Malick: I LOVE THAT HER CHARACTER IS SO SWEET, 200 00:07:29,057 --> 00:07:31,102 AND VALERIE, ON THE OTHER HAND, IN REAL LIFE, 201 00:07:31,146 --> 00:07:32,495 GREW UP WITH A BUNCH OF BOYS, 202 00:07:32,539 --> 00:07:34,279 AND YOU CAN TELL BECAUSE SHE SWEARS LIKE A SAILOR. 203 00:07:34,323 --> 00:07:36,847 REMEMBER THAT CUTE DOCTOR I MET WHEN THE BAR GOT HELD UP 204 00:07:36,891 --> 00:07:39,633 AND HE NEEDED MY SPANX SO HE COULD -- 205 00:07:39,676 --> 00:07:40,982 [BLEEP] ME. 206 00:07:41,025 --> 00:07:43,767 [ LAUGHTER ] 207 00:07:43,811 --> 00:07:46,683 VICTORIA, OF COURSE, IS THAT SELF-CENTERED ACTRESS. 208 00:07:46,727 --> 00:07:49,381 ARE ALL ACTRESSES AS BEAUTIFUL IN PERSON AS YOU? 209 00:07:49,425 --> 00:07:51,383 SADLY, NO. 210 00:07:51,427 --> 00:07:52,950 SHE ALWAYS HAS A LIFETIME ORIGINAL MOVIE 211 00:07:52,994 --> 00:07:55,170 THAT SHE CAN RELATE TO SOME SITUATION THAT'S GOING ON. 212 00:07:55,213 --> 00:07:58,565 I KNOW ART BECAUSE I PLAYED A BLOCKED ARTIST 213 00:07:58,608 --> 00:08:03,047 IN THE LIFETIME ORIGINAL MOVIE "THE EMPTY PAINTBRUSH." 214 00:08:03,091 --> 00:08:04,571 WELL, I DID PLAY A HOMELESS WOMAN 215 00:08:04,614 --> 00:08:06,834 IN THE LIFETIME ORIGINAL MOVIE "CONCRETE PILLOW," 216 00:08:06,877 --> 00:08:11,273 BASED ON THE NOVEL "THE SIDEWALK IS MY BED" BY SHAZIQUE. 217 00:08:11,316 --> 00:08:13,362 GOD, I WISH I COULD REMEMBER THE NAMES OF THEM. 218 00:08:13,405 --> 00:08:14,494 THEY WERE SO RIDICULOUS. 219 00:08:14,537 --> 00:08:16,104 WHAT DO WE DO WITH THE BODY? 220 00:08:16,147 --> 00:08:18,889 EXACTLY WHAT WE DID WITH THE GOVERNOR'S BODY 221 00:08:18,933 --> 00:08:20,630 IN MY LIFETIME ORIGINAL MOVIE 222 00:08:20,674 --> 00:08:24,286 "WHAT DO WE DO WITH THE GOVERNOR'S BODY?" 223 00:08:24,329 --> 00:08:28,856 RULE NUMBER ONE, YOU CAN'T FALL IN LOVE WITH ME. 224 00:08:28,899 --> 00:08:32,120 THAT WON'T BE A PROBLEM. 225 00:08:32,163 --> 00:08:34,818 JOY IS FUNNY BECAUSE SHE'S SO BEAUTIFUL AND SO INTERESTING 226 00:08:34,862 --> 00:08:36,777 AND SO COMPELLING AND SO UNLUCKY IN LOVE. 227 00:08:36,820 --> 00:08:38,213 AND THINK ABOUT THE PEOPLE THAT SHE'S BEEN WITH. 228 00:08:38,256 --> 00:08:39,301 OH, GOD. 229 00:08:39,344 --> 00:08:40,476 WHAT AN OLD SLUT. 230 00:08:40,520 --> 00:08:43,348 I SLEPT WITH MY MOTHER'S BOYFRIEND. 231 00:08:44,741 --> 00:08:46,351 ALREADY?! 232 00:08:46,395 --> 00:08:48,702 IRONICALLY, YOU KNOW, THE MOST UNLUCKY PERSON IN LOVE 233 00:08:48,745 --> 00:08:51,313 IS THE PERSON WHO SEEMS TO HAVE FOUND LOVE IN THE END. 234 00:08:51,356 --> 00:08:53,489 I MET A MAN THIS YEAR WHO TOUCHED ME DEEPLY. 235 00:08:53,533 --> 00:08:55,796 THAT COULD BE HALF OF CLEVELAND. 236 00:08:55,839 --> 00:08:58,320 I DON'T KNOW HOW YOU CAN HOLD OUT TILL THE 12th DATE. 237 00:08:58,363 --> 00:08:59,495 I NEVER COULD. 238 00:08:59,539 --> 00:09:02,237 LIKE YOU EVER HAD A 12th DATE. 239 00:09:02,280 --> 00:09:04,631 White: OH, WELL, ELKA, 240 00:09:04,674 --> 00:09:07,416 SHE'S A ROYAL PAIN IN THE... NECK. 241 00:09:07,459 --> 00:09:09,026 SHE'S SORT OF THE COMMENTATOR. 242 00:09:09,070 --> 00:09:11,507 I'M ONLY FAMOUS. 243 00:09:11,551 --> 00:09:14,205 YOU'RE NOT EVEN THAT FAMOUS. 244 00:09:14,249 --> 00:09:16,425 SHE'S REACHED A CERTAIN AGE, 245 00:09:16,468 --> 00:09:18,209 AND SHE'S JUST GONNA SAY AND DO WHAT SHE LIKES. 246 00:09:18,253 --> 00:09:22,170 I CAN'T STAND WHAT A SMUG LOUDMOUTH SHE IS. 247 00:09:22,213 --> 00:09:24,259 THAT'S MYTHING. 248 00:09:24,302 --> 00:09:25,521 WHERE'S THE INSULT? 249 00:09:25,565 --> 00:09:27,784 I'VE GOT NO BOOBS. I'M OLD. I'M SKANKY. 250 00:09:27,828 --> 00:09:30,831 I'M SAVING THOSE FOR YOUR WEDDING TOAST. 251 00:09:30,874 --> 00:09:32,920 Leeves: BETTY AND I ALWAYS SAY, 252 00:09:32,963 --> 00:09:36,271 UNDERNEATH THEY HAVE SORT OF A SNEAKY ADMIRATION FOR EACH OTHER 253 00:09:36,314 --> 00:09:38,447 BECAUSE THEY'RE BOTH REALLY STRONG WOMEN. 254 00:09:38,490 --> 00:09:40,449 I KNOW YOU PRETEND NOT TO LIKE ME, 255 00:09:40,492 --> 00:09:42,233 BUT DEEP DOWN, YOU REALLY DO. 256 00:09:42,277 --> 00:09:44,845 OH. 257 00:09:44,888 --> 00:09:48,370 OH, MY GOD, ELKA! WHAT DID YOU DO TO ME?! 258 00:09:48,413 --> 00:09:51,808 I DIDN'T ASK YOU TO HUG ME, YOU BONY NITWIT! 259 00:09:51,852 --> 00:09:54,071 TO HAVE THAT KIND OF TIMING LIKE SHE DOES AT HER AGE 260 00:09:54,115 --> 00:09:55,507 IS INCREDIBLE. 261 00:09:55,551 --> 00:09:57,771 I DON'T DO FATTIES. 262 00:09:57,814 --> 00:10:01,601 OH, YOU GOT TO FRONT UP AND BUG DOWN, BITCH. 263 00:10:02,732 --> 00:10:03,951 SO YOU HAVE TO SLEEP WITH SOMEONE 264 00:10:03,994 --> 00:10:05,953 BECAUSE THEY BOUGHT YOU A $40 PIECE OF MEAT? 265 00:10:05,996 --> 00:10:08,912 I'M A LADY. 266 00:10:10,305 --> 00:10:11,915 OH, GOD, EPISODES THAT I LOVE. 267 00:10:11,959 --> 00:10:13,917 WE DO NOT NEED ANY GUNS. 268 00:10:13,961 --> 00:10:15,658 [ GUNSHOT ] AAH! 269 00:10:15,702 --> 00:10:16,877 Leeves: THERE WAS ONE WHERE I SHOT MY SON 270 00:10:16,920 --> 00:10:18,530 WHEN I MET HIM FOR THE FIRST TIME. 271 00:10:18,574 --> 00:10:20,445 I'M TERRIFIED TO LET HIM KNOW THAT IT'S ME, 272 00:10:20,489 --> 00:10:21,925 SO I ASK MELANIE TO PRETEND TO BE ME. 273 00:10:21,969 --> 00:10:24,711 [ British accent ] I WISH I'D HAVE KNOWN YOU WERE COMIN'. 274 00:10:24,754 --> 00:10:26,451 I'D HAVE PUT ON A SPOT OF TEA. 275 00:10:26,495 --> 00:10:27,278 [ American accent ] GOSH DARN IT, 276 00:10:27,322 --> 00:10:28,628 WE'RE HAPPY YOU'RE HERE. 277 00:10:28,671 --> 00:10:31,152 [ British accent ] I'M LADY WINCHESTER. 278 00:10:31,195 --> 00:10:34,764 WE DID NOT GET THROUGH THAT WITHOUT JUST CRYING-LAUGHING. 279 00:10:34,808 --> 00:10:36,897 [ Irish accent ] I BROUGHT A WEE BAG OF ICE 280 00:10:36,940 --> 00:10:38,638 FOR THE WEE ONE'S LEG. 281 00:10:40,988 --> 00:10:44,774 [ Normal voice ] WHAT? WE'RE NOT DOING THAT ANYMORE? 282 00:10:44,818 --> 00:10:46,602 SO, WHAT DO YOU GUYS WANT FOR YOUR BIRTHDAY? 283 00:10:46,646 --> 00:10:48,996 WHY DON'T YOU ALL GET EACH OTHER DATES FOR YOUR BIRTHDAY? 284 00:10:49,039 --> 00:10:51,259 I LOVE "BIRTHDATES." THOSE ARE SOME OF MY FAVORITE EPISODES. 285 00:10:51,302 --> 00:10:55,263 SOMEHOW, EVERY YEAR, THEY MANAGE TO MAKE THEM MORE INSANE. 286 00:10:55,306 --> 00:10:56,786 THERE WAS MAN BOOBS. 287 00:10:56,830 --> 00:10:58,396 JESUS. 288 00:10:58,440 --> 00:10:59,702 SANTA? YES. 289 00:10:59,746 --> 00:11:00,964 I KNEW IT! 290 00:11:01,008 --> 00:11:02,226 THE GUY WITH THE NUB. 291 00:11:02,270 --> 00:11:05,577 I HAVE NO NUB. I HAVE A GROWN MAN'S TAIL. 292 00:11:05,621 --> 00:11:07,492 HOW MANY NOSES DOES YOUR DATE HAVE? 293 00:11:07,536 --> 00:11:09,451 BECAUSE MINE HAS TWO. 294 00:11:09,494 --> 00:11:11,975 Bertinelli: YEAH, THAT WAS THE MOST FUN -- DEBRIEFING IN THE BATHROOM. 295 00:11:12,019 --> 00:11:14,325 OF COURSE, VICTORIA WOULD ALWAYS SAY, "OH, REALLY, MELANIE?" 296 00:11:14,369 --> 00:11:15,675 THIS IS THE WORST DATE EVER. 297 00:11:15,718 --> 00:11:17,807 IS IT, MELANIE? 298 00:11:17,851 --> 00:11:20,854 DO WE REALLY WANT TO PLAY WHO HAS THE WORST DATE? 299 00:11:20,897 --> 00:11:22,682 I COULD NEVER BEAT HER WITH THE WORST BIRTHDATE. 300 00:11:22,725 --> 00:11:25,032 I AM ON A DATE WITH CONJOINED TWINS. 301 00:11:25,075 --> 00:11:26,468 HE'S A REALLY NICE GUY. 302 00:11:26,511 --> 00:11:28,905 I AM ON A DATE WITH CONJOINED TWINS. 303 00:11:28,949 --> 00:11:30,559 THIS IS, I THINK, WHAT WE DO BEST. 304 00:11:30,602 --> 00:11:33,127 YOU NEED TO FIND A WAY TO GET INVITED TO THAT FUNERAL. 305 00:11:33,170 --> 00:11:34,694 JUST CRASH IT. 306 00:11:34,737 --> 00:11:36,826 Malick: THESE SHOWS WHERE ALL FOUR OF US 307 00:11:36,870 --> 00:11:39,350 ARE THROWN INTO A COMPLETELY IMPROBABLE SITUATION 308 00:11:39,394 --> 00:11:43,267 AND JUST TRY TO LOGICALLY GET THROUGH IT AS BEST WE CAN. 309 00:11:43,311 --> 00:11:45,748 MY GOD! 310 00:11:45,792 --> 00:11:47,445 WHAT ON EARTH ARE YOU DOING? 311 00:11:47,489 --> 00:11:50,361 THE DEAD LADY HAS ON MY MAGIC DRESS. 312 00:11:50,405 --> 00:11:52,712 SO YOU'RE SWAPPING DRESSES WITH A CORPSE 313 00:11:52,755 --> 00:11:54,278 WITHOUT LOCKING THE DOOR? 314 00:11:54,322 --> 00:11:55,627 OH, ROOKIES. 315 00:11:59,719 --> 00:12:01,590 WE'RE DOING IT THE OLD-FASHIONED WAY. 316 00:12:01,633 --> 00:12:03,548 [ STAMMERS ] 317 00:12:03,592 --> 00:12:07,204 WHERE THE MAN IS ON -- NO. 318 00:12:07,248 --> 00:12:09,206 [ LAUGHTER ] 319 00:12:09,250 --> 00:12:11,905 [ APPLAUSE ] 320 00:12:15,212 --> 00:12:18,302 OH, I'LL BE BREATHTAKING. WATCH THIS. 321 00:12:18,346 --> 00:12:21,131 [ CHEERS AND APPLAUSE ] 322 00:12:22,785 --> 00:12:25,832 [ LAUGHS ] 323 00:12:25,875 --> 00:12:27,311 Malick: PEOPLE SAY 324 00:12:27,355 --> 00:12:28,878 ONE OF THEIR FAVORITE THINGS ABOUT COMING TO A TAPING 325 00:12:28,922 --> 00:12:30,053 IS WHEN WE SCREW UP. 326 00:12:30,097 --> 00:12:33,753 THIS IS JUST LIKE BRETT "FAV-RA." 327 00:12:34,666 --> 00:12:36,843 AND FORTUNATELY, WE SCREW UP QUITE A BIT, 328 00:12:36,886 --> 00:12:39,106 SO WE HAVE A LOT FOR THEM TO APPRECIATE. 329 00:12:39,149 --> 00:12:42,196 YOU KNOW HOW MUCH I VALUE OUR FRIENDSHIP. 330 00:12:42,239 --> 00:12:44,720 YOU ARE THE WINGS BENEATH MY WIND. 331 00:12:44,764 --> 00:12:48,463 WE BREAK EACH OTHER UP, AND WE LAUGH A LOT 332 00:12:48,506 --> 00:12:50,334 AND THEN GET RIGHT BACK TO BUSINESS. 333 00:12:50,378 --> 00:12:53,163 HONEY BADGER DON'T GIVE A [BLEEP] 334 00:12:53,207 --> 00:12:55,165 [ CHEERS AND APPLAUSE ] 335 00:12:56,123 --> 00:12:57,820 Bertinelli: WE HAVE A LOT OF FUN. 336 00:12:57,864 --> 00:12:59,300 WE JUST HAVE A GOOD TIME. 337 00:12:59,343 --> 00:13:00,649 IF YOU DON'T WANT TO HAVE A GOOD TIME, DON'T COME IN. 338 00:13:00,692 --> 00:13:04,740 I SENT IN A SLIGHTLY YOUNGER PICTURE OF MYSELF. 339 00:13:04,784 --> 00:13:07,264 A CAVE DRAWING? 340 00:13:09,745 --> 00:13:13,140 I SIGNED UP WHEN MY BENDER WAS OV-- [ LAUGHS ] 341 00:13:13,183 --> 00:13:15,620 [ LAUGHTER ] 342 00:13:15,664 --> 00:13:18,536 I SIGNED UP WHEN MY -- [ LAUGHS ] 343 00:13:18,580 --> 00:13:19,929 [ LAUGHTER ] 344 00:13:21,975 --> 00:13:24,455 I SIGNED UP WHEN MY BENDER WAS OVER. 345 00:13:24,499 --> 00:13:26,762 IN FACT, THAT'S MY SCREEN NAME -- 346 00:13:26,806 --> 00:13:29,025 [Laughing] BenderOver. 347 00:13:29,069 --> 00:13:31,549 [ LAUGHTER ] 348 00:13:33,769 --> 00:13:36,990 HE'S THAT GOOD. HE'S MUFFIN GOOD. 349 00:13:37,033 --> 00:13:38,600 [ LAUGHS ] 350 00:13:38,643 --> 00:13:40,428 Leeves: VALERIE AND I ARE THE WORST. 351 00:13:40,471 --> 00:13:41,559 WE CANNOT LOCK EYES SOMETIMES 352 00:13:41,603 --> 00:13:42,952 BEFORE WE'RE ON THE FLOOR LAUGHING. 353 00:13:42,996 --> 00:13:44,998 WELL, WE'RE JUST GONNA HAVE TO DO FOR EACH OTHER 354 00:13:45,041 --> 00:13:46,477 WHAT WE DID WITH THE MUFFINS. 355 00:13:46,521 --> 00:13:47,739 JUST EAT THE TOP? 356 00:13:47,783 --> 00:13:49,219 [ LAUGHTER ] 357 00:13:49,263 --> 00:13:50,960 Bertinelli: WHEN WE'VE DONE THE LIVE SHOWS, 358 00:13:51,004 --> 00:13:52,788 I'VE REALLY TRIED TO KEEP IT TOGETHER. 359 00:13:52,832 --> 00:13:57,314 LIVE FROM STUDIO CITY, THIS IS "HOT IN CLEVELAND." 360 00:13:57,358 --> 00:14:00,100 HELLO, MOTHER. 361 00:14:01,014 --> 00:14:03,320 IT'S YOUR SON SALLY FROM CINCINNATI. 362 00:14:03,364 --> 00:14:04,887 DOING IT LIVE WAS SUCH A THRILL. 363 00:14:04,931 --> 00:14:07,498 MY GOD, IT'S LIKE LITERALLY BEING SHOT OUT OF A CANNON, 364 00:14:07,542 --> 00:14:09,457 BUT I JUST REMEMBER THINKING, "THIS IS FOR REAL. 365 00:14:09,500 --> 00:14:11,111 YOU DON'T GET A SECOND CHANCE." 366 00:14:11,154 --> 00:14:14,592 WHO THE HELL ARE YOU?!SALLY FROM CINCINNATI. 367 00:14:14,636 --> 00:14:16,899 I'M SALLY FROM CINCINNATI. 368 00:14:16,943 --> 00:14:18,770 I MEAN, WE REHEARSED AND REHEARSED. 369 00:14:18,814 --> 00:14:20,860 SO, HOW MANY MORE BUFFOONS ARE GONNA COME IN HERE 370 00:14:20,903 --> 00:14:22,731 SAYING THEY'RE SALLY FROM CINCINNATI? 371 00:14:22,774 --> 00:14:24,689 SOMEONE SAY MY NAME? 372 00:14:24,733 --> 00:14:27,431 [ CHEERS AND APPLAUSE ] 373 00:14:27,475 --> 00:14:28,868 Leeves: THE FIRST TIME WE DID A LIVE SHOW, 374 00:14:28,911 --> 00:14:30,217 PEOPLE DIDN'T THINK IT WAS LIVE 375 00:14:30,260 --> 00:14:31,609 BECAUSE IT WAS SO SMOOTH. 376 00:14:31,653 --> 00:14:34,656 SO WE PLANTED A COUPLE OF THINGS IN THE SECOND ONE. 377 00:14:34,699 --> 00:14:36,397 JOY AND I ARE MAKING LOVE. 378 00:14:36,440 --> 00:14:39,008 THERE'S NO ONE BETTER TO BREAK THE WOMEN UP THAN DAVE FOLEY. 379 00:14:39,052 --> 00:14:40,836 SEE, SHE LIKES TO DO IT OUTDOORS, 380 00:14:40,880 --> 00:14:42,272 AND I ENJOY DOING IT INDOORS. 381 00:14:42,316 --> 00:14:43,970 Leeves: I'M HANGING OUT THE WINDOW, 382 00:14:44,013 --> 00:14:45,928 AND I'M SHAKING 'CAUSE I'M LAUGHING SO HARD. 383 00:14:45,972 --> 00:14:49,236 THIS WAY, WE'RE BOTH SATISFIED. 384 00:14:49,279 --> 00:14:51,891 AND WE'RE DONE. 385 00:14:51,934 --> 00:14:53,893 AND THEN DAVE TURNS AROUND AND SAYS SOMETHING TO ME, 386 00:14:53,936 --> 00:14:55,677 AND IT WASN'T THE LINE THAT WAS SCRIPTED, 387 00:14:55,720 --> 00:14:56,939 AND I LOST IT. 388 00:14:56,983 --> 00:14:59,724 MELANIE, DID YOU SEE ANYTHING YOU LIKED? 389 00:14:59,768 --> 00:15:01,944 I HAD TO TURN AROUND SO THAT, HOPEFULLY, 390 00:15:01,988 --> 00:15:03,946 THE CAMERA DIDN'T CATCH ME LAUGHING. 391 00:15:03,990 --> 00:15:06,122 THIS SET HAS ALWAYS HAD THE REPUTATION 392 00:15:06,166 --> 00:15:09,038 OF BEING A REALLY FUN AND HAPPY PLACE TO WORK. 393 00:15:09,082 --> 00:15:11,040 EVERY TIME SOMEBODY GUEST STARS ON THE SHOW, 394 00:15:11,084 --> 00:15:13,042 THEY LEAVE SAYING IT WAS THE BEST EXPERIENCE THEY EVER HAD. 395 00:15:13,086 --> 00:15:15,044 WOULD YOU MIND CHANGING THE SHEETS ON MY BED? 396 00:15:15,088 --> 00:15:18,787 I'M SORRY. I DON'T SPEAK YOUR LANGUAGE. 397 00:15:18,830 --> 00:15:20,354 Malick: WE HAVE BEEN PRIVILEGED 398 00:15:20,397 --> 00:15:23,096 TO WATCH OUR IDOLS WALK THROUGH THAT DOOR 399 00:15:23,139 --> 00:15:24,706 AND THEN SIT DOWN AND PLAY WITH US. 400 00:15:24,749 --> 00:15:28,057 DRINK UNTIL IT MAKES SENSE. 401 00:15:28,101 --> 00:15:29,754 Hayes: THE LIST IS SO LONG. 402 00:15:29,798 --> 00:15:31,234 I MEAN, WHERE DO YOU START? 403 00:15:31,278 --> 00:15:34,020 IT STARTED WITH MARY TYLER MOORE AND HER WHOLE CREW. 404 00:15:34,063 --> 00:15:37,501 LOOK AT US BACK TOGETHER. 405 00:15:38,676 --> 00:15:41,897 WE HAVE HAD SOME EXTRAORDINARY TALENT ON THIS SHOW. 406 00:15:41,941 --> 00:15:43,986 I MEAN, CAROL BURNETT. COME ON. 407 00:15:44,030 --> 00:15:46,815 OH, MY GOD, THAT HAND. 408 00:15:46,858 --> 00:15:50,079 IT'S GIGANTIC. 409 00:15:50,123 --> 00:15:54,301 I WOULDN'T WANT THAT SUCKER INSIDE OF ME. 410 00:15:54,344 --> 00:15:57,130 ANOTHER ONE WHO I LOVED HAVING SO MUCH WAS CARL REINER, 411 00:15:57,173 --> 00:15:59,480 WHO IS ONE OF THE KINDEST, SWEETEST MEN IN THE WORLD. 412 00:15:59,523 --> 00:16:01,786 Bertinelli: HE CAME AND PLAYED WITH BETTY, AND WE WERE ALL LIKE, 413 00:16:01,830 --> 00:16:04,311 "CAN YOU BELIEVE WE'RE WATCHING THESE TWO ACT TOGETHER?" 414 00:16:04,354 --> 00:16:07,836 I DON'T WANT TO LOSE YOU, SO IF YOU'RE STILL UP FOR IT, 415 00:16:07,879 --> 00:16:12,101 I'M WILLING TO TRY GOING DOWNTOWN. 416 00:16:15,191 --> 00:16:17,498 YOU ARE? YES. 417 00:16:17,541 --> 00:16:20,066 JUST HOPE I WON'T GET LOST DOWN THERE. 418 00:16:20,109 --> 00:16:23,330 THAT'S, LIKE, AS GOOD AS IT GETS. 419 00:16:23,373 --> 00:16:26,768 WE GET TO GO OUT AND DO A PLAY WITH OUR PALS FOR THE PEOPLE, 420 00:16:26,811 --> 00:16:29,510 AND IT'S LIKE OPENING NIGHT EVERY FRIDAY NIGHT. 421 00:16:29,553 --> 00:16:30,685 [ CHEERS AND APPLAUSE ] 422 00:16:30,728 --> 00:16:31,991 ♪ HEY! 423 00:16:36,038 --> 00:16:37,692 Woman: HI, BETTY! 424 00:16:41,000 --> 00:16:42,827 GET NEXT TO BETTY.GET NEXT TO BETTY. 425 00:16:42,871 --> 00:16:45,134 [ Voice breaking ] THIS IS SO EXCITING. 426 00:16:45,178 --> 00:16:46,570 I'M IN MY OLD SKANKY ROBE. 427 00:16:46,614 --> 00:16:48,529 I GET REALLY, REALLY AMAZING FAN LETTERS. 428 00:16:48,572 --> 00:16:51,967 THE LETTERS I GET ARE FROM WOMEN WHO REALLY DO FEEL EMPOWERED BY THIS. 429 00:16:52,011 --> 00:16:55,014 AND IT'S NOT JUST WOMEN MY AGE. IT'S YOUNG GIRLS. 430 00:16:55,057 --> 00:16:57,668 YOU KNOW, I THINK IT'S SUCH A POSITIVE THING FOR WOMEN. 431 00:16:57,712 --> 00:17:00,454 IT MAY BE WEIRD THAT WOMEN OUR AGE LIVE TOGETHER, 432 00:17:00,497 --> 00:17:01,846 BUT I REALLY LIKE IT. 433 00:17:01,890 --> 00:17:03,370 ME TOO. ME TOO. 434 00:17:03,413 --> 00:17:04,501 WHEN YOU REALLY LOOKED AT THESE WOMEN IN THE FIRST YEAR, 435 00:17:04,545 --> 00:17:05,850 THEY WERE ALL ABOUT BOTOX 436 00:17:05,894 --> 00:17:07,896 AND MAKING SURE THAT THEY HAD THE HIGHEST HEELS. 437 00:17:07,939 --> 00:17:09,550 Malick: YOU KNOW, WHAT WE'VE ALL COME TO REALIZE IS, 438 00:17:09,593 --> 00:17:12,814 AS IMPORTANT AS ALL OF THIS IS, IT'S HOW YOU FEEL ABOUT YOURSELF 439 00:17:12,857 --> 00:17:14,642 AND HOW MUCH YOU ACCEPT WHO YOU ARE 440 00:17:14,685 --> 00:17:17,993 AND DON'T GET TOO FREAKED OUT ABOUT THE LITTLE IMPERFECTIONS. 441 00:17:18,037 --> 00:17:19,951 THERE'S SOMETHING KIND OF WONDERFUL 442 00:17:19,995 --> 00:17:21,779 ABOUT ACCEPTING THE AGE YOU ARE 443 00:17:21,823 --> 00:17:23,346 AND NOT FIGHTING IT ALL THE TIME. 444 00:17:23,390 --> 00:17:26,001 IT CERTAINLY HELPED ME TO FEEL BETTER ABOUT MYSELF, 445 00:17:26,045 --> 00:17:27,916 AND I HOPE IT'S DONE THAT FOR OTHER WOMEN, TOO. 446 00:17:27,959 --> 00:17:31,006 YOU'RE NOT OLD. 40 IS THE NEW 25. 447 00:17:31,050 --> 00:17:32,834 I THOUGHT 40 WAS THE NEW 30. 448 00:17:32,877 --> 00:17:36,185 WELL, IF WE'RE JUST GONNA MAKE CRAP UP, I'D RATHER BE 25. 449 00:17:36,229 --> 00:17:39,101 ESSENTIALLY, THIS SHOW HAS BEEN ABOUT GIRLFRIENDS. 450 00:17:39,145 --> 00:17:42,235 IT'S THE ANTITHESIS OF WHAT A LOT OF REALITY SHOWS SAY ABOUT GIRLFRIENDS. 451 00:17:42,278 --> 00:17:44,454 THEY SAY THEY'RE GIRLFRIENDS AND STAB EACH OTHER IN THE BACK. 452 00:17:44,498 --> 00:17:46,630 AAH! AAH! 453 00:17:46,674 --> 00:17:49,764 THIS IS WHAT REALGIRLFRIENDS ARE LIKE. 454 00:17:49,807 --> 00:17:51,592 YOU THOUGHT LIBERACE WAS STRAIGHT? 455 00:17:51,635 --> 00:17:54,029 I COULD HAVE TURNED HIM. 456 00:17:54,073 --> 00:17:57,380 THE GREATEST LOVES IN EACH OF OUR LIVES 457 00:17:57,424 --> 00:17:59,165 ARE REALLY EACH OTHER 458 00:17:59,208 --> 00:18:01,732 BECAUSE WE ARE ALWAYS THERE FOR EACH OTHER. 459 00:18:01,776 --> 00:18:03,125 IMAGINE WE HADN'T CRASHED HERE 460 00:18:03,169 --> 00:18:05,258 AND OUR FLIGHT HAD TAKEN US STRAIGHT TO PARIS. 461 00:18:05,301 --> 00:18:07,956 WE WOULD HAVE EATEN A LOT OF FATTY FRENCH FOOD, 462 00:18:07,999 --> 00:18:09,610 BOUGHT A LOT OF DISCOUNT CHANEL, 463 00:18:09,653 --> 00:18:12,961 AND THEN FLOWN BACK TO OUR EMPTY LIVES IN L.A. 464 00:18:13,004 --> 00:18:14,136 [ SIGHS ] 465 00:18:14,180 --> 00:18:16,573 All: DISCOUNT CHANEL. 466 00:18:16,617 --> 00:18:18,575 Malick: IT IS TRULY A FAMILY. 467 00:18:18,619 --> 00:18:21,578 WE ALL JUST FEEL SO PRIVILEGED TO HAVE HAD THESE SIX SEASONS. 468 00:18:21,622 --> 00:18:23,972 MOST PEOPLE NEVER GET THIS IN A LIFETIME. 469 00:18:24,015 --> 00:18:25,669 [ LAUGHTER ] 470 00:18:25,713 --> 00:18:27,454 IT'S BEEN AN ABSOLUTE GIFT 471 00:18:27,497 --> 00:18:30,152 TO WORK WITH PEOPLE I CONSIDER MY BEST FRIENDS. 472 00:18:30,196 --> 00:18:33,242 IT HAS BEEN THE NICEST, KINDEST WORKING ENVIRONMENT 473 00:18:33,286 --> 00:18:36,767 FOR EVERYBODY INVOLVED IN THE SHOW. 474 00:18:36,811 --> 00:18:40,206 YOU CAN'T DO A SHOW LIKE THIS WITH THE RAPPORT THAT WE HAVE 475 00:18:40,249 --> 00:18:41,903 THAT IT DOESN'T BECOME FAMILY, 476 00:18:41,946 --> 00:18:46,081 AND IT'S TOUGH WHEN YOU KNOW THAT YOU'RE RUNNING OUT OF TIME. 477 00:18:46,125 --> 00:18:47,648 Milliner: I THINK EVERYBODY'S SAD. 478 00:18:47,691 --> 00:18:49,171 WHEN WE'RE ON THE STAGE, WE'RE NOT ALLOWED TO TALK ABOUT IT, 479 00:18:49,215 --> 00:18:50,433 ESPECIALLY IN FRONT OF VALERIE. 480 00:18:50,477 --> 00:18:51,260 Shh, Shh. 481 00:18:51,304 --> 00:18:52,740 THE SHOW'S NOT ENDING. 482 00:18:52,783 --> 00:18:53,871 SHOW'S NOT ENDING. 483 00:18:53,915 --> 00:18:55,438 I KNOW HOW TO LIVE IN DENIAL. 484 00:18:55,482 --> 00:18:58,833 WE'RE TELLING OURSELVES WE'RE GONNA WRITE A BOOK. 485 00:18:58,876 --> 00:19:00,313 THERE WILL BE NO BOOK, 486 00:19:00,356 --> 00:19:03,664 BUT IT WILL GIVE US A CHANCE TO HAVE LUNCH TOGETHER 487 00:19:03,707 --> 00:19:05,231 TO DISCUSS "THE BOOK." 488 00:19:05,274 --> 00:19:07,189 Hayes: THERE'S JUST A WARM, FUZZY FEELING YOU GET 489 00:19:07,233 --> 00:19:08,408 WHEN YOU DRIVE ON THE LOT 490 00:19:08,451 --> 00:19:10,497 KNOWING YOU'LL RUN INTO ALL OF THESE PEOPLE. 491 00:19:10,540 --> 00:19:13,891 AND I DON'T WANT THEM TO TAKE THAT SIGN DOWN ON THE STAGE. 492 00:19:13,935 --> 00:19:15,545 [ CHEERS AND APPLAUSE ] 493 00:19:15,589 --> 00:19:18,679 THE GREAT CHALLENGE OF LIFE IS, HOW DO YOU SAVOR EVERY DAY? 494 00:19:18,722 --> 00:19:22,204 WE'RE ALL TRYING TO COME IN AND JUST NOT MISS ANY OF IT. 495 00:19:22,248 --> 00:19:23,858 Bertinelli: IT'S BEEN SUCH A HAPPY RIDE. 496 00:19:23,901 --> 00:19:25,164 THEY'RE CAN'T BE ANY SADNESS. 497 00:19:25,207 --> 00:19:27,078 I MEAN, WE'VE HAD THE TIME OF OUR LIVES 498 00:19:27,122 --> 00:19:29,342 FOR FIVE YEARS, SIX SEASONS. 499 00:19:31,257 --> 00:19:33,389 White: I REALLY THINK THIS SHOW WILL GO DOWN 500 00:19:33,433 --> 00:19:35,391 AS ONE OF THE ONES TO REMEMBER. 501 00:19:35,435 --> 00:19:37,567 THE RELATIONSHIP BETWEEN US, 502 00:19:37,611 --> 00:19:39,569 I THINK THAT REACHES OUT TO THE AUDIENCE, 503 00:19:39,613 --> 00:19:41,354 AND THAT'S WHAT THEY'LL REMEMBER. 504 00:19:41,397 --> 00:19:43,878 Leeves: I HOPE PEOPLE CAN TAKE AWAY FROM THIS 505 00:19:43,921 --> 00:19:45,227 THE JOY THAT WE'VE HAD HERE. 506 00:19:45,271 --> 00:19:47,011 THAT'S WHAT THIS SHOW IS ABOUT. 507 00:19:47,055 --> 00:19:49,884 FORGET YOUR TROUBLES FOR HALF AN HOUR, 508 00:19:49,927 --> 00:19:51,538 SIT DOWN, AND LAUGH. 509 00:19:52,626 --> 00:19:54,584 WHO IS THIS MAGICAL HAIRDRESSER? 510 00:19:54,628 --> 00:19:56,586 WE DEMAND TO KNOW WHO'S BLOWING YOU. 511 00:19:59,763 --> 00:20:01,156 HI, LOVER. 512 00:20:01,200 --> 00:20:03,332 I HAVE SO MANY QUESTIONS. 513 00:20:03,376 --> 00:20:05,726 THE SEX IS AMAZING. 514 00:20:08,076 --> 00:20:09,295 SHE'S HALF MY AGE. 515 00:20:09,338 --> 00:20:11,253 WELL, DARLING, THAT REALLY ISN'T THAT YOUNG. 516 00:20:11,297 --> 00:20:12,863 MY FAKEAGE. 517 00:20:12,907 --> 00:20:14,778 OH, MY GOD, SHE'S A CHILD! 518 00:20:18,304 --> 00:20:20,306 YOU TWO LOOK RIDICULOUS. 519 00:20:22,656 --> 00:20:25,267 I TRIED TO KEEP A STRAIGHT FACE. I REALLY DID. 520 00:20:25,311 --> 00:20:28,488 [ CHEERS AND APPLAUSE ]