1 00:00:12,125 --> 00:00:13,959 I'M HERE FOR YOU. 2 00:00:13,959 --> 00:00:15,792 WHATEVER YOU NEED. 3 00:00:15,792 --> 00:00:16,917 REALLY? 4 00:00:16,917 --> 00:00:19,250 [ BOTH PANTING ] 5 00:00:19,250 --> 00:00:20,333 YOU SLEPT WITH HIM. 6 00:00:20,333 --> 00:00:21,375 I SWEAR... 7 00:00:21,375 --> 00:00:23,458 THERE WAS NO SLEEPING. 8 00:00:23,458 --> 00:00:26,792 YOU HAD A SCRIPT THAT WAS GOING AROUND BACK THEN. 9 00:00:26,792 --> 00:00:28,792 IT WAS ALL ANYONE TALKED ABOUT. 10 00:00:28,792 --> 00:00:30,041 I'D LOVE TO READ IT AGAIN. 11 00:00:30,041 --> 00:00:32,333 WE'RE NOT LOOKING TO DO ANOTHER SHOW HERE. 12 00:00:32,333 --> 00:00:35,000 DON'T BE MAD AT ME. ALL RIGHT. 13 00:00:35,000 --> 00:00:37,875 I WAS JUST AT A MEETING WITH KIM SALLY OVER AT FOX. 14 00:00:37,875 --> 00:00:39,709 DO YOU MIND IF I SHOW IT TO HER? 15 00:00:39,709 --> 00:00:40,875 YOU KNEW FROM THE BEGINNING 16 00:00:40,875 --> 00:00:42,583 THERE WERE ONLY TWO THINGS I ASKED -- 17 00:00:42,583 --> 00:00:44,834 BE NICE AND DON'T CHEAT. 18 00:00:44,834 --> 00:00:46,583 I WAS NICE. 19 00:00:47,583 --> 00:00:50,333 [ TYPEWRITER CLICKING, BELL CHIMES ] 20 00:00:53,417 --> 00:00:55,333 [ WIND WHISTLING ] 21 00:01:00,917 --> 00:01:03,417 [ MID-TEMPO MUSIC PLAYS ] 22 00:01:28,125 --> 00:01:30,208 [ GUNSHOT ] 23 00:01:48,417 --> 00:01:49,375 MORNING. 24 00:01:49,375 --> 00:01:51,333 HELLO. HEY. 25 00:01:51,333 --> 00:01:53,875 SO, UH, WE WERE THINKING, 26 00:01:53,875 --> 00:01:56,500 IT MIGHT BE NICE BEFORE WE GO BACK TO LONDON, 27 00:01:56,500 --> 00:01:58,250 WHAT DO YOU SAY YOU AND JAMIE COME OVER FOR DINNER? 28 00:01:58,250 --> 00:01:59,208 MAYBE THIS WEEKEND? 29 00:01:59,208 --> 00:02:02,375 UH, ACTUALLY, JAMIE AND I ARE KIND OF DONE. 30 00:02:02,375 --> 00:02:03,625 WHAT? NO. YOU'RE KIDDING. 31 00:02:03,625 --> 00:02:04,750 YEAH. SO... 32 00:02:04,750 --> 00:02:06,166 I CAN'T BELIEVE IT. 33 00:02:06,166 --> 00:02:07,250 WHEN DID THIS HAPPEN? 34 00:02:07,250 --> 00:02:08,792 UH, FEW DAYS AGO. 35 00:02:08,792 --> 00:02:10,750 AND YOU NEVER SAID ANYTHING. 36 00:02:10,750 --> 00:02:12,625 I WISH YOU'D TOLD US WHAT HAPPENED. 37 00:02:12,625 --> 00:02:13,917 IT DOESN'T MATTER. 38 00:02:13,917 --> 00:02:15,583 I DON'T SUPPOSE IT HAD ANYTHING 39 00:02:15,583 --> 00:02:18,291 TO DO WITH YOUR LITTLE THING WITH MORNING'S DAUGHTER. 40 00:02:18,291 --> 00:02:19,667 MIGHT'VE. 41 00:02:19,667 --> 00:02:21,333 OH, MY GOD. 42 00:02:21,333 --> 00:02:24,333 YOU STUPID, STUPID MAN. 43 00:02:25,125 --> 00:02:25,959 STUPID. 44 00:02:25,959 --> 00:02:27,500 YOU CARED SO MUCH ABOUT HER, 45 00:02:27,500 --> 00:02:29,625 AND TO LOSE HER OVER SOMETHING LIKE THIS... 46 00:02:31,709 --> 00:02:34,417 WHAT ARE YOU GONNA DO? 47 00:02:37,250 --> 00:02:38,750 SO THAT'S IT? 48 00:02:38,750 --> 00:02:40,917 THAT'S THE EXTENT OF YOUR EMOTIONAL PAIN? 49 00:02:40,917 --> 00:02:41,834 WHAT DO YOU WANT ME TO SAY? 50 00:02:41,834 --> 00:02:42,792 SOMETHING! 51 00:02:42,792 --> 00:02:44,000 BE A HUMAN BEING! 52 00:02:44,000 --> 00:02:46,417 IS THERE NO GUILT? NO REGRET? 53 00:02:46,417 --> 00:02:48,166 EH. 54 00:02:49,834 --> 00:02:52,417 OH. SO THIS ISN'T OVER. 55 00:02:52,417 --> 00:02:54,041 YOU'RE JUST GONNA LET HER GO? 56 00:02:54,041 --> 00:02:55,291 AS OPPOSED TO? 57 00:02:55,291 --> 00:02:56,291 FIGHT FOR HER! 58 00:02:56,291 --> 00:02:57,750 BEG HER FORGIVENESS! 59 00:02:57,750 --> 00:02:59,333 LOOK AT WHAT YOU'RE LOSING. 60 00:02:59,333 --> 00:03:00,959 SHE WAS THE BEST THING THAT EVER HAPPENED TO YOU. 61 00:03:00,959 --> 00:03:02,458 SHE MADE YOU A BETTER PERSON. 62 00:03:02,458 --> 00:03:03,834 YEAH, OKAY. I'M GETTING BREAKFAST. 63 00:03:03,834 --> 00:03:04,959 CAN WE WALK AND DO THIS? 64 00:03:04,959 --> 00:03:06,291 [ SIGHS ] 65 00:03:08,208 --> 00:03:10,792 WHAT DO YOU WANT FROM ME? 66 00:03:10,792 --> 00:03:11,709 SHIT HAPPENS. 67 00:03:11,709 --> 00:03:13,000 SHIT DIDN'T HAPPEN. 68 00:03:13,000 --> 00:03:14,291 YOU MADE THE SHIT HAPPEN. 69 00:03:14,291 --> 00:03:15,500 WHATEVER. 70 00:03:15,500 --> 00:03:18,166 YOU CHEATED ON HER WITH A 19-YEAR-OLD. 71 00:03:18,166 --> 00:03:20,375 DID YOU SEE THE 19-YEAR-OLD? 72 00:03:20,375 --> 00:03:21,750 HUH? OH, NO. 73 00:03:21,750 --> 00:03:22,959 YOU'RE NOT TAKING ME DOWN WITH YOU. 74 00:03:24,667 --> 00:03:27,125 WELL, I HOPE IT WAS WORTH IT. 75 00:03:27,125 --> 00:03:29,125 YOU THREW AWAY A WONDERFUL RELATIONSHIP 76 00:03:29,125 --> 00:03:30,208 WITH AN EXTRAORDINARY WOMAN. 77 00:03:30,208 --> 00:03:32,208 HEY, SHE WAS SUPPOSED TO BE GONE ALL WEEK. 78 00:03:32,208 --> 00:03:34,333 IT'S NOT MY FAULT SHE CAME BACK EARLY. 79 00:03:34,333 --> 00:03:37,000 MY GOD. YOU SHOULD BE STUDIED BY DOCTORS. 80 00:03:37,000 --> 00:03:38,041 THEN SHE SHOWS UP, 81 00:03:38,041 --> 00:03:40,250 SNIFFING AROUND LIKE SOME DETECTIVE. 82 00:03:40,250 --> 00:03:42,250 YOU HEARTLESS FUCKER. 83 00:03:42,250 --> 00:03:43,667 ARE YOU DEAD INSIDE? 84 00:03:43,667 --> 00:03:45,041 PROBABLY. 85 00:03:45,041 --> 00:03:47,041 YOU THINK THIS IS TURKEY BACON OR REGULAR BACON? 86 00:03:47,041 --> 00:03:48,166 TURKEY. THERE'S THE REGULAR. 87 00:03:48,166 --> 00:03:50,166 OH. YOU'RE A SOCIOPATH. 88 00:03:50,166 --> 00:03:51,875 SO I GUESS DINNER'S OFF. 89 00:03:51,875 --> 00:03:53,667 EVEN IF YOU WERE STARVING. 90 00:03:56,417 --> 00:03:57,333 HEY. 91 00:04:00,417 --> 00:04:02,959 MM-HMM. 92 00:04:02,959 --> 00:04:05,000 MAYBE THE NEXT ONE'S BETTER. 93 00:04:06,667 --> 00:04:07,917 [ REMOTE CONTROL CLICKS ] 94 00:04:07,917 --> 00:04:09,834 Man: OKAY. WHENEVER YOU'RE READY. 95 00:04:09,834 --> 00:04:11,542 Rena: I'M RENA KEEVEY 96 00:04:11,542 --> 00:04:14,709 READING FOR THE UNTITLED SHELLY SIEGLER PILOT. 97 00:04:14,709 --> 00:04:16,125 SHE JUST DID THIS PLAY IN NEW YORK. 98 00:04:16,125 --> 00:04:18,083 SHE'S SUPPOSED TO BE BRILLIANT. 99 00:04:18,083 --> 00:04:20,000 OOH. I LIKE THAT. 100 00:04:20,000 --> 00:04:21,166 I'M NOT SPEAKING TO YOU. 101 00:04:21,166 --> 00:04:23,125 REALLY? SOUNDS LIKE YOU ARE. 102 00:04:23,125 --> 00:04:25,041 [ SCOFFS ] WELL, I SHOULDN'T BE. 103 00:04:25,041 --> 00:04:27,583 I SO DIDN'T WANT TO TAKE AARON TO THAT PARTY. 104 00:04:27,583 --> 00:04:29,208 I KNEW IT WAS A BAD IDEA. 105 00:04:29,208 --> 00:04:31,166 WHAT HAPPENED? WHAT HAPPENED? 106 00:04:31,166 --> 00:04:33,500 WE HAD A GREAT TIME, IS WHAT HAPPENED. 107 00:04:33,500 --> 00:04:35,250 ARE HER EARS FUNNY? 108 00:04:35,250 --> 00:04:36,875 ...AMAZING, AND NOW THEY... 109 00:04:36,875 --> 00:04:38,917 ARE THEY? 110 00:04:38,917 --> 00:04:40,542 MAYBE. INTERESTING. 111 00:04:40,542 --> 00:04:42,375 THEY'RE KIND OF LIKE LITTLE BAT EARS. 112 00:04:42,375 --> 00:04:43,917 IS THAT WHAT IT IS? OH, NO. 113 00:04:43,917 --> 00:04:45,375 MM-MMM. 114 00:04:45,375 --> 00:04:47,625 WELL, IF WE GO TO SERIES, 115 00:04:47,625 --> 00:04:49,417 SHE COULD ALWAYS GET THEM CLIPPED OR SOMETHING. 116 00:04:49,417 --> 00:04:50,834 WOULD SHE DO THAT? 117 00:04:50,834 --> 00:04:53,792 FOR A SERIES? [ CHUCKLES ] 118 00:04:53,792 --> 00:04:55,208 THAT'S NOT FOR ME. WHAT? 119 00:04:55,208 --> 00:04:57,750 I DON'T KNOW. IS SHE A SHOW? 120 00:04:57,750 --> 00:04:59,041 MNH-MNH. 121 00:04:59,041 --> 00:05:02,166 SHE DOESN'T FEEL LIKE A SHOW. 122 00:05:02,166 --> 00:05:04,208 SHE FEELS MORE BEST-FRIENDY. 123 00:05:04,208 --> 00:05:05,583 THIS IS FOR THE BEST FRIEND. 124 00:05:05,583 --> 00:05:07,083 OH! 125 00:05:07,083 --> 00:05:08,542 I DO. 126 00:05:08,542 --> 00:05:10,959 IS SHE TOO PRETTY FOR THE BEST FRIEND? 127 00:05:10,959 --> 00:05:13,333 ONLY IF THE LEAD GIRL'S ANOTHER BAT. 128 00:05:13,333 --> 00:05:14,875 [ BOTH CHUCKLE ] 129 00:05:14,875 --> 00:05:17,417 SHE LOOKS LIKE SOMEONE I WENT TO CAMP WITH. 130 00:05:17,417 --> 00:05:19,583 WAS SHE A SHOW? CAN WE GET HER? 131 00:05:19,583 --> 00:05:20,583 [ BOTH CHUCKLE ] 132 00:05:20,583 --> 00:05:21,959 [ SIGHS ] 133 00:05:21,959 --> 00:05:24,083 WHAT AM I GONNA DO? 134 00:05:24,083 --> 00:05:26,917 I'M NOT GETTING THE "BRILLIANT" THING. 135 00:05:26,917 --> 00:05:28,417 SHE'S GOT BIG HANDS. 136 00:05:28,417 --> 00:05:30,583 SHE'S LIKE A LESS FUNNY WHAT'S-HER-NAME. 137 00:05:30,583 --> 00:05:31,875 MM. MM. 138 00:05:31,875 --> 00:05:33,750 SLEEP WITH HIM? 139 00:05:33,750 --> 00:05:35,625 WHAT DO YOU THINK? 140 00:05:35,625 --> 00:05:38,333 MM. HER VOICE ANNOYS ME. 141 00:05:38,333 --> 00:05:40,834 I DON'T KNOW HOW WE'RE GOING TO CAST THIS. 142 00:05:40,834 --> 00:05:42,166 THERE'S NOBODY GOOD LEFT. 143 00:05:42,166 --> 00:05:44,458 IT'S A BAD THING -- BAD THING. 144 00:05:44,458 --> 00:05:46,208 [ REMOTE CONTROL CLICKS, INTERCOM BEEPS ] 145 00:05:46,208 --> 00:05:48,125 WOMAN: Carol? Castor needs to see you. 146 00:05:48,125 --> 00:05:49,625 OKAY. 147 00:05:49,625 --> 00:05:50,625 Right away. 148 00:05:50,625 --> 00:05:52,458 OH. 149 00:05:52,458 --> 00:05:53,458 ALL RIGHT. 150 00:05:53,458 --> 00:05:56,834 KEEP GOING WITHOUT ME. MM-HMM. 151 00:06:02,625 --> 00:06:04,875 I GUESS SOMETHING CAME UP. 152 00:06:04,875 --> 00:06:06,166 MMMM. 153 00:06:06,166 --> 00:06:07,583 [ CHUCKLES ] 154 00:06:07,583 --> 00:06:10,750 [ CELLPHONE RINGS ] 155 00:06:10,750 --> 00:06:12,417 HELLO? 156 00:06:12,417 --> 00:06:13,625 SEAN, HI. 157 00:06:13,625 --> 00:06:15,875 IT'S EILEEN JAFFEE. [ PANTS ] Oh, hello. 158 00:06:15,875 --> 00:06:17,250 YOU SOUND OUT OF BREATH. 159 00:06:17,250 --> 00:06:18,291 I JUST GOT A NEW DESK. 160 00:06:18,291 --> 00:06:20,875 I THINK I'VE GOT IT SET TOO HIGH. 161 00:06:20,875 --> 00:06:22,250 ALL RIGHT. 162 00:06:22,250 --> 00:06:24,208 SO, KIM READ YOUR SCRIPT. 163 00:06:24,208 --> 00:06:26,041 THAT WAS FAST. I know. 164 00:06:26,041 --> 00:06:28,875 AND, OF COURSE, SHE LOVED, LOVED, LOVED IT. 165 00:06:28,875 --> 00:06:30,917 REALLY? Mm-hmm. 166 00:06:30,917 --> 00:06:34,166 SHE SAID SHE LAUGHED HER ASS OFF. 167 00:06:34,166 --> 00:06:35,250 SHE THOUGHT IT WAS FRESH. 168 00:06:35,250 --> 00:06:36,375 SHE THOUGHT IT WAS DIFFERENT. 169 00:06:36,375 --> 00:06:39,792 SHE SAID YOU GUYS BLEW HER SOCKS OFF. 170 00:06:39,792 --> 00:06:40,959 WOW. 171 00:06:40,959 --> 00:06:43,041 WELL, HOPEFULLY SHE HAS SOMEONE TO BLOW THEM BACK ON. 172 00:06:43,041 --> 00:06:45,709 [ LAUGHS ] I have no idea what that means. 173 00:06:45,709 --> 00:06:47,083 ROBBIE! 174 00:06:48,166 --> 00:06:50,000 GLASSES. 175 00:06:50,000 --> 00:06:52,458 ANYWAY, HERE'S WHERE IT GETS A LITTLE TRICKY. 176 00:06:52,458 --> 00:06:53,792 WHAT DO YOU MEAN, "TRICKY"? 177 00:06:53,792 --> 00:06:55,792 [ SIGHS ] SHE WANTS TO MAKE IT. 178 00:06:55,792 --> 00:06:56,667 AH. 179 00:06:56,667 --> 00:06:59,458 I KNOW WE SAID THAT WAS OFF THE TABLE, 180 00:06:59,458 --> 00:07:03,333 BUT SHE SAID IT'S EXACTLY WHAT SHE'S LOOKING FOR, 181 00:07:03,333 --> 00:07:05,291 AND SHE THINKS, WITH THE RIGHT CASTING, 182 00:07:05,291 --> 00:07:07,125 THIS COULD BE A BIG FUCKING HIT. 183 00:07:07,125 --> 00:07:08,875 OH, MY GOD. 184 00:07:08,875 --> 00:07:10,291 EILEEN: And, by the way, did I tell you? 185 00:07:10,291 --> 00:07:12,375 KIM PASSES ON ALMOST EVERYTHING. 186 00:07:12,375 --> 00:07:15,959 WELL, OBVIOUSLY, IT'S INCREDIBLY FLATTERING, 187 00:07:15,959 --> 00:07:18,333 AND IF IT WERE JUST ME, I'D DO IT IN A HEARTBEAT. Well... 188 00:07:18,333 --> 00:07:20,208 MAYBE WE CAN GET BEV ON BOARD. 189 00:07:20,208 --> 00:07:21,166 [ SIGHS ] 190 00:07:21,166 --> 00:07:22,667 I'D SAY IT'S UNLIKELY. 191 00:07:22,667 --> 00:07:24,542 NEVER HURTS TO ASK. 192 00:07:24,542 --> 00:07:27,583 THAT'S NOT ALWAYS TRUE, BUT I'LL TALK TO HER TONIGHT. 193 00:07:27,583 --> 00:07:29,625 THE SOONER, THE BETTER. No, I know. 194 00:07:29,625 --> 00:07:31,875 BUT I THINK IF I BROACH IT IN THE MIDDLE OF A HELLISH "PUCKS" DAY, 195 00:07:31,875 --> 00:07:33,709 SHE'S LESS LIKELY TO RE-ENLIST. 196 00:07:33,709 --> 00:07:36,458 GOD. THEY'RE STILL MAKING YOU SHOOT THOSE? 197 00:07:36,458 --> 00:07:38,333 IS NO ONE LOOKING OUT FOR YOU GUYS? 198 00:07:38,333 --> 00:07:40,083 WHO'S REPRESENTING YOU HERE? 199 00:07:40,083 --> 00:07:43,166 UH, NO ONE. WE'VE JUST STILL GOT OUR AGENT FROM THE U.K. -- 200 00:07:43,166 --> 00:07:44,375 STANLEY RICHARDSON. 201 00:07:44,375 --> 00:07:47,208 Oh. I know Stanley, from my London days. 202 00:07:47,208 --> 00:07:50,375 HOW OLD MUST HE BE BY NOW? 203 00:07:50,375 --> 00:07:51,625 NO ONE KNOWS. 204 00:07:51,625 --> 00:07:54,333 EVERYONE ELSE HIS AGE IS DEAD. 205 00:07:54,333 --> 00:07:58,166 I REMEMBER. HE MAKES THE BEST CHRISTMAS COOKIES. 206 00:07:58,166 --> 00:07:59,917 OH, ABSOLUTELY. HE'S FAMOUS FOR THEM. 207 00:07:59,917 --> 00:08:01,375 [ CHUCKLES ] WELL, I DON'T KNOW 208 00:08:01,375 --> 00:08:03,417 IF THAT'S WHAT I'D WANT MY AGENT TO BE FAMOUS FOR, 209 00:08:03,417 --> 00:08:05,417 BUT THEY ARE DELICIOUS. 210 00:08:05,417 --> 00:08:07,709 [ TYPEWRITER CLICKING, BELL CHIMES ] 211 00:08:07,709 --> 00:08:12,417 I'M TELLING YOU, IT IS THE HOTTEST SEX I HAVE EVER HAD. 212 00:08:12,417 --> 00:08:14,583 SO IT'S GONNA BE ONE OF THOSE WALKS. 213 00:08:14,583 --> 00:08:16,166 WE'LL BE IN THE OFFICE, AND ALL OF A SUDDEN, 214 00:08:16,166 --> 00:08:19,208 HE JUST, LIKE, WANTS ME AND TAKES ME... 215 00:08:19,208 --> 00:08:20,583 RIGHT THERE! 216 00:08:20,583 --> 00:08:23,583 IT'S LIKE NOTHING I'VE EVER -- 217 00:08:23,583 --> 00:08:25,500 WELL, DIDN'T YOU AND MERC SOMETIMES, 218 00:08:25,500 --> 00:08:26,875 YOU KNOW, IN THE OFFICE? 219 00:08:26,875 --> 00:08:28,250 UH, YEAH. 220 00:08:28,250 --> 00:08:29,959 BUT IT'S TOTALLY DIFFERENT. 221 00:08:29,959 --> 00:08:32,834 THIS IS LIKE "FIFTY SHADES OF GREY" HOT. 222 00:08:32,834 --> 00:08:34,625 THAT WAS JUST... 223 00:08:34,625 --> 00:08:35,959 FIFTY SHADES OF GRAY. 224 00:08:35,959 --> 00:08:38,041 EW! 225 00:08:38,041 --> 00:08:39,125 GET THIS -- 226 00:08:39,125 --> 00:08:43,000 WHEN WE'RE DOING IT, HE WON'T LET ME LOOK AT HIM. 227 00:08:43,000 --> 00:08:45,000 [ LAUGHS ] 228 00:08:45,000 --> 00:08:46,625 YOU'RE NOT ALLOWED TO LOOK AT HIM? 229 00:08:46,625 --> 00:08:47,709 NOPE. 230 00:08:47,709 --> 00:08:51,291 OF COURSE, I DO, BUT ONLY WHEN HE'S NOT LOOKING. 231 00:08:51,291 --> 00:08:52,959 AND YOU LIKE THAT? 232 00:08:52,959 --> 00:08:55,625 WELL, HE LIKES IT, SO... 233 00:08:55,625 --> 00:08:57,333 I WANT TO MAKE HIM HAPPY. 234 00:08:57,333 --> 00:08:59,500 AND DO YOU GET TO TELL HIM WHAT MAKES YOU HAPPY? 235 00:08:59,500 --> 00:09:01,000 OH, HE DOESN'T LIKE IT WHEN I TALK. 236 00:09:01,000 --> 00:09:02,542 EVER? DURING. 237 00:09:02,542 --> 00:09:03,709 THAT'S NICE. 238 00:09:03,709 --> 00:09:05,166 IN FACT... YES? 239 00:09:05,166 --> 00:09:08,792 ...SOMETIMES HE PUTS HIS HAND OVER MY MOUTH. 240 00:09:08,792 --> 00:09:10,667 OH, MY GOD. CAN YOU BREATHE? 241 00:09:10,667 --> 00:09:13,667 [ Laughing ] YEAH. THROUGH MY NOSE. 242 00:09:13,667 --> 00:09:17,333 AND SOMETIMES HE OPENS HIS FINGERS A LITTLE BIT, 243 00:09:17,333 --> 00:09:20,333 OR I PRY THEM APART. 244 00:09:20,333 --> 00:09:21,875 MM! 245 00:09:21,875 --> 00:09:24,500 FUN. 246 00:09:24,500 --> 00:09:26,500 YOU EVER HEARD OF ANYTHING LIKE THAT? 247 00:09:26,500 --> 00:09:28,917 NOT SINCE PATTY HEARST WAS KIDNAPPED. 248 00:09:28,917 --> 00:09:30,250 [ BOTH LAUGH ] 249 00:09:30,250 --> 00:09:33,792 YOU THINK IT'S WEIRD? [ SIGHS ] 250 00:09:33,792 --> 00:09:37,625 FAR BE IT FOR ME TO JUDGE WHAT ANYONE DOES IN THE BEDROOM 251 00:09:37,625 --> 00:09:39,458 OR OVER A DESK. 252 00:09:39,458 --> 00:09:40,750 BUT YOU THINK IT'S FUCKED UP? 253 00:09:40,750 --> 00:09:42,333 LITTLE BIT. YEAH. 254 00:09:42,333 --> 00:09:45,583 BUT...IF YOU'RE OKAY WITH IT, 255 00:09:45,583 --> 00:09:47,208 AND YOU'RE HAVING FUN THE REST OF THE TIME... 256 00:09:47,208 --> 00:09:48,834 WHAT DO YOU MEAN? 257 00:09:48,834 --> 00:09:50,709 THOSE ARE THE TIMES. 258 00:09:50,709 --> 00:09:52,583 I MEAN, LIKE... 259 00:09:52,583 --> 00:09:54,041 WHEN YOU GO OUT TO DINNER. 260 00:09:56,375 --> 00:09:57,542 YOU DON'T GO OUT TO DINNER? 261 00:09:57,542 --> 00:10:00,041 WELL, NOT YET. 262 00:10:00,041 --> 00:10:02,041 ANYTHING? 263 00:10:02,041 --> 00:10:05,041 MOVIES? 264 00:10:05,041 --> 00:10:06,500 HANGING OUT AT HIS HOUSE? 265 00:10:06,500 --> 00:10:09,125 OH, I HAVEN'T BEEN TO HIS HOUSE YET. 266 00:10:09,125 --> 00:10:11,834 WE ONLY HAVE SEX IN THE OFFICE. 267 00:10:11,834 --> 00:10:13,542 WE'RE TAKING IT SLOW. 268 00:10:26,417 --> 00:10:28,333 WHAT ARE YOU MAKING? 269 00:10:28,333 --> 00:10:30,625 OH. IT STARTED OUT AS CHICKEN STIR-FRY. 270 00:10:30,625 --> 00:10:32,250 IT MAY HAVE GOT AWAY FROM ME. [ GASPS ] 271 00:10:32,250 --> 00:10:34,250 ARE THOSE RAISINS? 272 00:10:34,250 --> 00:10:35,959 I'M TRYING TO USE UP EVERYTHING IN THE CUPBOARD 273 00:10:35,959 --> 00:10:37,041 BEFORE WE GO HOME. 274 00:10:37,041 --> 00:10:38,583 AH. 275 00:10:38,583 --> 00:10:40,125 THAT'S POTENTIALLY TERRIFYING. 276 00:10:40,125 --> 00:10:41,458 [ CHUCKLES ] 277 00:10:41,458 --> 00:10:42,917 OH. YOU KNOW WHO CALLED? 278 00:10:42,917 --> 00:10:44,583 EILEEN JAFFEE. 279 00:10:44,583 --> 00:10:46,250 WHO'S EILEEN JAFFEE? 280 00:10:46,250 --> 00:10:47,917 THAT AGENT WE MET AT THE RESTAURANT. 281 00:10:47,917 --> 00:10:49,125 OH. RIGHT. 282 00:10:49,125 --> 00:10:50,458 WHAT'D SHE WANT? 283 00:10:50,458 --> 00:10:52,667 SHE LOVED THE SCRIPT WE SENT HER. 284 00:10:52,667 --> 00:10:54,208 AWW. THAT'S NICE. 285 00:10:54,208 --> 00:10:55,250 TASTE. 286 00:10:58,166 --> 00:10:59,500 WHAT'S SWEET? 287 00:10:59,500 --> 00:11:01,625 AMARETTO BISCUITS. WE HAD A FEW LEFT. 288 00:11:01,625 --> 00:11:04,417 RIGHT. YOU KNOW, NOT EVERYTHING HAS TO BE AN INGREDIENT. 289 00:11:04,417 --> 00:11:05,333 [ CHUCKLES ] 290 00:11:06,792 --> 00:11:08,291 UH, ANYWAY... 291 00:11:08,291 --> 00:11:10,041 EILEEN LOVED THE SCRIPT SO MUCH... 292 00:11:12,083 --> 00:11:13,291 MM? 293 00:11:13,291 --> 00:11:16,041 ...SHE SENT IT TO A FRIEND OF HERS 294 00:11:16,041 --> 00:11:17,875 WHO'S A BIG DEAL AT FOX 295 00:11:17,875 --> 00:11:21,375 WHO APPARENTLY ALSO LOVED, LOVED, LOVED IT. 296 00:11:21,375 --> 00:11:23,917 HUH. THREE "LOVES." 297 00:11:23,917 --> 00:11:26,625 THAT'S ALMOST TOO MANY. MM. HM. 298 00:11:26,625 --> 00:11:29,583 ACCORDING TO EILEEN, THIS WOMAN, KIM SOMETHING, 299 00:11:29,583 --> 00:11:31,083 WAS SO KNOCKED OUT... 300 00:11:31,083 --> 00:11:32,208 OH, DEAR GOD. 301 00:11:32,208 --> 00:11:33,458 ...SHE WANTS TO MAKE IT. 302 00:11:36,542 --> 00:11:38,500 [ BREATHES DEEPLY ] 303 00:11:38,500 --> 00:11:40,291 THOUGHT WE SHOULD AT LEAST DISCUSS IT. 304 00:11:40,291 --> 00:11:42,125 RIGHT. [ CHUCKLES ] 305 00:11:42,125 --> 00:11:46,083 WELL, MY SIDE OF THE CONVERSATION WILL BE BRIEF. 306 00:11:46,083 --> 00:11:47,542 YOU'RE THINKING NO. 307 00:11:47,542 --> 00:11:48,959 [ CHUCKLES ] I'M THINKING NO. 308 00:11:48,959 --> 00:11:51,208 I'M PRAYING NO. I'M BEGGING NO. 309 00:11:51,208 --> 00:11:53,667 WHICH IS WHAT I FIGURED YOU'D SAY. 310 00:11:53,667 --> 00:11:55,834 LOOK, I GET IT. 311 00:11:55,834 --> 00:11:56,959 IT'S FLATTERING. 312 00:11:56,959 --> 00:12:00,375 OH, BUT THESE FUCKERS ARE ALWAYS FLATTERING. 313 00:12:00,375 --> 00:12:02,291 THEY'RE PROFESSIONALLY FLATTERING. 314 00:12:02,291 --> 00:12:03,333 HEH, RIGHT. 315 00:12:03,333 --> 00:12:04,291 DARLING, PLEASE. 316 00:12:04,291 --> 00:12:05,834 LET'S STICK TO THE PLAN. 317 00:12:05,834 --> 00:12:07,375 IT'S A GOOD PLAN. 318 00:12:07,375 --> 00:12:08,458 WE'RE GONE IN TWO WEEKS. 319 00:12:08,458 --> 00:12:10,333 WE'RE SO CLOSE. 320 00:12:10,333 --> 00:12:12,834 WE'RE THE VON TRAPPS ESCAPING OVER THE ALPS. 321 00:12:12,834 --> 00:12:14,041 WE CAN MAKE IT. 322 00:12:14,041 --> 00:12:16,542 MARIA, PLEASE, LET'S NOT GO BACK 323 00:12:16,542 --> 00:12:18,875 AND GIVE THE NAZIS ONE MORE SONG. 324 00:12:18,875 --> 00:12:20,083 [ CHUCKLES ] 325 00:12:27,792 --> 00:12:30,709 DID I SEE JAMIE'S CAR IN FRONT OF THE STAGE THIS MORNING? YEAH. WHY? 326 00:12:30,709 --> 00:12:33,542 SO, DOES THIS MEAN YOU TWO ARE? 327 00:12:33,542 --> 00:12:34,750 OH, NO, NO, NO. 328 00:12:34,750 --> 00:12:36,834 SHE LEFT SOME OF HER CRAP AT MY HOUSE, 329 00:12:36,834 --> 00:12:39,542 SO MY ASSISTANT WAS GIVING IT BACK TO HER DRIVER. 330 00:12:39,542 --> 00:12:41,792 AH. YOUR ASSISTANT AND HER DRIVER. 331 00:12:41,792 --> 00:12:44,041 SOUNDS LIKE QUITE THE EMOTIONAL GOODBYE. 332 00:12:44,041 --> 00:12:46,583 UH, HEY, DON'T YOU START GIVING ME SHIT, TOO. 333 00:12:46,583 --> 00:12:50,542 I'M SORRY, BUT I'M KIND OF WITH BEV ON THIS ONE. 334 00:12:50,542 --> 00:12:52,875 WE WORKED SO BLOODY HARD TO SAVE OUR RELATIONSHIP. 335 00:12:52,875 --> 00:12:56,208 AND YOU -- YOU JUST THROW IT AWAY LIKE... 336 00:12:56,208 --> 00:12:57,667 TISSUES. 337 00:12:57,667 --> 00:12:59,291 FUCK YOU. 338 00:12:59,291 --> 00:13:00,250 TISSUES. 339 00:13:00,250 --> 00:13:02,125 I'VE WORKED HARD ON RELATIONSHIPS. 340 00:13:02,125 --> 00:13:03,375 [ SCOFFS ] RIGHT. 341 00:13:03,375 --> 00:13:04,667 [ SCOFFS ] I HAVE. REALLY? 342 00:13:04,667 --> 00:13:07,208 YOU THINK ME AND DIANE DIDN'T TRY? 343 00:13:07,208 --> 00:13:08,417 WE DID EVERYTHING WE COULD. 344 00:13:08,417 --> 00:13:09,458 WE WENT TO COUNSELING. 345 00:13:09,458 --> 00:13:10,500 WE HAD A THREESOME. 346 00:13:10,500 --> 00:13:12,083 A THREESOME? 347 00:13:12,083 --> 00:13:14,500 THAT'S YOUR IDEA OF "WORKING HARD"? 348 00:13:14,500 --> 00:13:16,458 IT IS IF YOU'RE DOING IT RIGHT. HUH? 349 00:13:18,333 --> 00:13:20,792 AW, COME ON. 350 00:13:20,792 --> 00:13:22,458 ALL RIGHT. YOU WANT TO KNOW THE TRUTH? 351 00:13:22,458 --> 00:13:24,500 HUH? 352 00:13:24,500 --> 00:13:27,000 IT WAS A FUCKING DISASTER. 353 00:13:27,000 --> 00:13:27,917 AW. 354 00:13:27,917 --> 00:13:30,125 YOUR THREESOME WAS A DISASTER? 355 00:13:30,125 --> 00:13:30,917 IT WAS. 356 00:13:31,834 --> 00:13:34,917 LOOK, THE WHOLE THING WAS DIANE'S IDEA. 357 00:13:34,917 --> 00:13:36,709 WE WERE ALREADY IN THE SHITTER, 358 00:13:36,709 --> 00:13:38,875 AND SHE THOUGHT BRINGING IN ANOTHER GIRL MIGHT HELP. 359 00:13:38,875 --> 00:13:40,750 AND, OF COURSE, YOU DIDN'T SAY NO. [ CHUCKLES ] 360 00:13:40,750 --> 00:13:43,750 ANYWAY, DIANE GETS THIS FRIEND OF HERS, 361 00:13:43,750 --> 00:13:45,542 SOME GIRL FROM HER YOGA CLASS. 362 00:13:45,542 --> 00:13:46,667 AND SHE'S TOTALLY UP FOR IT. 363 00:13:46,667 --> 00:13:47,917 SO SHE COMES OVER. 364 00:13:47,917 --> 00:13:50,834 WE HAVE SOME WINE, AND WE ALL GET INTO BED. 365 00:13:50,834 --> 00:13:53,041 AND THE DISASTROUS PART IS? 366 00:13:53,041 --> 00:13:55,875 TURNS OUT I WAS INTO THE FRIEND WAY MORE THAN DIANE. 367 00:13:55,875 --> 00:13:57,542 I MEAN, DIANE'S AWESOME, 368 00:13:57,542 --> 00:14:00,291 BUT SHE'S THE MOTHER OF MY CHILDREN, SO... 369 00:14:00,291 --> 00:14:03,375 SO MORE DIFFICULT TO OBJECTIFY? 370 00:14:03,375 --> 00:14:05,542 NO, NO, NO. 371 00:14:05,542 --> 00:14:07,917 LOOSER PUSSY. WHAT? 372 00:14:07,917 --> 00:14:10,291 YOU KNOW, YOU PUSH TWO KIDS OUT OF THERE. IT'S... 373 00:14:10,291 --> 00:14:11,625 MM. 374 00:14:11,625 --> 00:14:13,375 BUT THIS OTHER GIRL WAS... 375 00:14:13,375 --> 00:14:14,875 [ SQUEAKING ] 376 00:14:14,875 --> 00:14:15,875 [ CELLPHONE RINGS ] [ SIGHS ] 377 00:14:17,417 --> 00:14:18,583 HELLO? 378 00:14:18,583 --> 00:14:20,041 HI, HONEY. IT'S EILEEN. 379 00:14:20,041 --> 00:14:22,125 DID YOU HAVE A CHANCE TO TALK WITH BEV? 380 00:14:22,125 --> 00:14:24,125 OHH. Y-YES. YES, I DID. 381 00:14:24,125 --> 00:14:25,792 SO? 382 00:14:25,792 --> 00:14:27,375 SO PRETTY MUCH AS WE EXPECTED. 383 00:14:27,375 --> 00:14:28,792 SHE SAID NO? 384 00:14:28,792 --> 00:14:29,834 SHE SAID NO. 385 00:14:29,834 --> 00:14:32,083 DON'T SUPPOSE THERE'S ANY WIGGLE ROOM? 386 00:14:32,083 --> 00:14:34,583 UH, NO. WE ARE SNUG. 387 00:14:34,583 --> 00:14:37,375 [ SIGHS ] WELL, WE TRIED. 388 00:14:37,375 --> 00:14:38,166 THAT WE DID. 389 00:14:38,166 --> 00:14:39,417 OH! 390 00:14:39,417 --> 00:14:41,709 MEANWHILE, GUESS WHO I JUST TALKED TO. 391 00:14:41,709 --> 00:14:44,000 STANLEY RICHARDSON. 392 00:14:44,000 --> 00:14:45,083 REALLY? 393 00:14:45,083 --> 00:14:46,834 I had to call him about another piece of business, 394 00:14:46,834 --> 00:14:48,333 BUT WE WERE TALKING ABOUT YOU GUYS 395 00:14:48,333 --> 00:14:52,041 AND HOW EXCITED FOX IS ABOUT YOUR SCRIPT. 396 00:14:52,041 --> 00:14:53,417 WHICH CAN'T HAPPEN. 397 00:14:53,417 --> 00:14:54,625 Which can't happen. 398 00:14:54,625 --> 00:14:57,458 BUT IF SOMETHING DID HAPPEN, 399 00:14:57,458 --> 00:15:00,834 STANLEY SAID HE'D BE FINE WITH US WORKING TOGETHER ON IT. 400 00:15:00,834 --> 00:15:02,625 HOW ARE YOU WITH THAT? 401 00:15:02,625 --> 00:15:05,000 BUT NOTHING'S GONNA HAPPEN. 402 00:15:05,000 --> 00:15:05,959 EXACTLY. 403 00:15:05,959 --> 00:15:08,458 WELL, IF YOU WANT HALF OF NOTHING, 404 00:15:08,458 --> 00:15:09,542 I'M SURE IT'S ALL RIGHT. 405 00:15:09,542 --> 00:15:11,458 [ LAUGHS ] GREAT! 406 00:15:11,458 --> 00:15:14,291 WELL, I'LL CALL KIM AND GIVE HER THE BAD NEWS. 407 00:15:14,291 --> 00:15:15,792 [ SIGHS ] DO YOU BELIEVE THIS? 408 00:15:15,792 --> 00:15:18,250 I'VE GOT THE ONLY CLIENTS WHO DON'T WANT A SHOW PICKED UP! 409 00:15:18,250 --> 00:15:19,166 AAH! 410 00:15:19,166 --> 00:15:20,542 OH. SORRY ABOUT THAT. 411 00:15:20,542 --> 00:15:22,667 Oh, please. Don't give it another thought. 412 00:15:22,667 --> 00:15:24,041 HAVE A GOOD ONE, SWEETIE. 413 00:15:24,041 --> 00:15:25,125 BYE-BYE. 414 00:15:26,709 --> 00:15:29,583 ROBBIE, CAN I HAVE MY COCONUT WATER NOW, 415 00:15:29,583 --> 00:15:31,792 OR SHOULD I JUST GO FUCK MYSELF?! 416 00:15:31,792 --> 00:15:34,375 [ BOTH PANTING ] 417 00:15:47,250 --> 00:15:49,041 UM...OKAY. 418 00:15:59,000 --> 00:16:00,208 [ PANTING ] 419 00:16:00,208 --> 00:16:01,417 WOW! 420 00:16:01,417 --> 00:16:03,542 THAT WAS SO... 421 00:16:03,542 --> 00:16:04,667 IS IT OKAY TO TALK NOW? 422 00:16:04,667 --> 00:16:06,583 YEAH, YEAH. 423 00:16:06,583 --> 00:16:09,417 OH, GOOD. [ CHUCKLES ] 424 00:16:09,417 --> 00:16:11,625 THAT WAS GREAT. 425 00:16:11,625 --> 00:16:13,250 HAVE YOU SEEN MY PHONE? 426 00:16:13,250 --> 00:16:16,041 WHAT? 427 00:16:16,041 --> 00:16:17,417 OH. 428 00:16:17,417 --> 00:16:18,625 OH, THERE IT IS. 429 00:16:22,583 --> 00:16:23,875 UH... 430 00:16:23,875 --> 00:16:25,458 HOO! [ CHUCKLES ] 431 00:16:28,500 --> 00:16:29,583 SO, UH... 432 00:16:31,583 --> 00:16:34,166 ...YOU WANT TO DO SOMETHING? 433 00:16:34,166 --> 00:16:35,917 WHAT DO YOU MEAN? 434 00:16:35,917 --> 00:16:40,917 YOU KNOW, LIKE, MAYBE GO OUT FOR DINNER OR... 435 00:16:40,917 --> 00:16:43,667 NO. OH. OKAY. 436 00:16:43,667 --> 00:16:46,458 MAYBE ANOTHER NIGHT. [ CHUCKLES ] 437 00:16:46,458 --> 00:16:48,500 ANYTHING ELSE YOU WANT TO DO? 438 00:16:50,375 --> 00:16:52,291 WANT TO GET MY CAR WASHED. 439 00:16:52,291 --> 00:16:54,291 OH. 440 00:16:54,291 --> 00:16:55,750 GREAT. 441 00:16:55,750 --> 00:16:57,083 GREAT. 442 00:16:57,083 --> 00:16:58,458 GOOD IDEA 443 00:17:02,458 --> 00:17:04,458 WHO WANTS A CORN DOG? 444 00:17:04,458 --> 00:17:05,417 NAH. 445 00:17:05,417 --> 00:17:06,625 THAT'S OKAY. 446 00:17:06,625 --> 00:17:07,625 LET ME REPHRASE THAT. 447 00:17:07,625 --> 00:17:10,333 I WANT A CORN DOG. 448 00:17:10,333 --> 00:17:12,166 DADDY? YEAH? 449 00:17:12,166 --> 00:17:14,375 THERE'S THAT LADY WHO MOMMY HATES. 450 00:17:14,375 --> 00:17:16,041 WELL, THAT COULD BE A LOT OF PEOPLE. 451 00:17:18,083 --> 00:17:19,750 OH, JESUS. 452 00:17:19,750 --> 00:17:22,792 UH, OKAY. YOU KNOW WHAT? 453 00:17:22,792 --> 00:17:26,583 WHY DON'T YOU GUYS GO PLAY ON THE MASSAGE CHAIR AT BROOKSTONE, 454 00:17:26,583 --> 00:17:28,166 AND I'LL MEET YOU THERE IN A LITTLE WHILE, OKAY? 455 00:17:28,166 --> 00:17:29,166 OKAY! HURRY. 456 00:17:29,166 --> 00:17:32,542 I'LL RACE YOU. 457 00:17:34,333 --> 00:17:36,625 SERIOUSLY? 458 00:17:36,625 --> 00:17:38,333 OH, MY GOD! HI! 459 00:17:38,333 --> 00:17:39,375 WHAT ARE YOU DOING? 460 00:17:39,375 --> 00:17:41,291 I'M HERE WITH MY KIDS. 461 00:17:41,291 --> 00:17:42,834 IF DIANE FINDS OUT YOU'RE STILL DOING THIS, 462 00:17:42,834 --> 00:17:44,291 I AM TOTALLY FUCKED! 463 00:17:44,291 --> 00:17:46,000 I'M NOT! I SWEAR. RIGHT. 464 00:17:46,000 --> 00:17:47,500 YOU'RE TELLING ME THIS IS A COINCIDENCE? 465 00:17:47,500 --> 00:17:49,333 YEAH. I GUESS SOMETIMES THEY REALLY HAPPEN. 466 00:17:49,333 --> 00:17:50,875 COME ON. I'M NOT STUPID. 467 00:17:50,875 --> 00:17:52,208 WE'VE BEEN HERE TOO MANY TIMES. 468 00:17:52,208 --> 00:17:53,667 I WASN'T, REALLY. 469 00:17:53,667 --> 00:17:54,750 Joe: LABES! 470 00:17:54,750 --> 00:17:56,458 HEY. HEY. 471 00:17:56,458 --> 00:17:57,291 HI. 472 00:17:57,291 --> 00:17:58,750 SORRY. 473 00:17:59,500 --> 00:18:01,166 I HAD TO PARK ON THE STREET. 474 00:18:01,166 --> 00:18:02,917 CAN YOU BELIEVE THESE FUCKERS ARE CHARGING TO PARK HERE NOW? 475 00:18:02,917 --> 00:18:04,333 IT'S OKAY. I JUST GOT HERE, TOO. 476 00:18:04,333 --> 00:18:05,500 HEY. OH. 477 00:18:05,500 --> 00:18:07,208 JOE, THIS IS MATT. MATT, JOE. 478 00:18:07,208 --> 00:18:09,542 YOU'RE...WOW. 479 00:18:09,542 --> 00:18:11,792 OH. HEY. 480 00:18:11,792 --> 00:18:12,875 HOW DO YOU GUYS... 481 00:18:12,875 --> 00:18:15,792 UH, SO, BACK WHEN I WAS SUPPOSED TO DIE, 482 00:18:15,792 --> 00:18:18,500 MATT WAS MY MAKE-A-WISH WISH. 483 00:18:18,500 --> 00:18:19,959 NO SHIT. YEAH. 484 00:18:19,959 --> 00:18:22,041 AND WE'VE STAYED FRIENDS EVER SINCE. 485 00:18:22,041 --> 00:18:24,625 YEAH. THAT'S, UH... 486 00:18:24,625 --> 00:18:25,959 YEAH. 487 00:18:25,959 --> 00:18:27,041 VERY COOL. 488 00:18:27,041 --> 00:18:28,041 I LOVE YOUR SHOW. 489 00:18:28,041 --> 00:18:29,208 SERIOUSLY? 490 00:18:29,208 --> 00:18:30,208 "PUCKS"? 491 00:18:30,208 --> 00:18:31,458 WHAT'S "PUCKS"? 492 00:18:31,458 --> 00:18:32,750 RIGHT. UH... 493 00:18:32,750 --> 00:18:34,000 THANK YOU. 494 00:18:34,000 --> 00:18:35,625 SO, YOU GUYS... 495 00:18:35,625 --> 00:18:36,792 YOU'RE LIKE... 496 00:18:36,792 --> 00:18:38,750 YEAH. WE ARE LIKE. 497 00:18:38,750 --> 00:18:41,291 SO, WHEN DID -- 498 00:18:41,291 --> 00:18:42,542 HOW DID YOU... 499 00:18:42,542 --> 00:18:44,291 REMEMBER THE LAST TIME THAT I SAW YOU? 500 00:18:44,291 --> 00:18:45,875 UH...YEAH. 501 00:18:45,875 --> 00:18:48,750 SO, THE NEXT DAY, I'M, LIKE, IN STARBUCKS. 502 00:18:48,750 --> 00:18:50,208 AND YOU KNOW HOW THEY CALL YOUR NAME? 503 00:18:50,208 --> 00:18:51,792 WELL, THIS GUY LAUGHS... 504 00:18:51,792 --> 00:18:53,208 LIKE IT'S FUNNY. 505 00:18:53,208 --> 00:18:54,959 COME ON! "LABIA"? 506 00:18:54,959 --> 00:18:56,709 I THOUGHT YOU WERE JUST FUCKING WITH THEM. 507 00:18:56,709 --> 00:18:57,750 YEAH. SO I'M LIKE, "LOOK, 508 00:18:57,750 --> 00:18:59,750 SORRY IF IT'S NOT AS INTERESTING AS 'JOE.'" 509 00:18:59,750 --> 00:19:00,542 IT WAS ON MY CUP. 510 00:19:00,542 --> 00:19:01,792 SURE. 511 00:19:01,792 --> 00:19:03,709 SO, ANYWAY, WE GOT TO TALKING, AND THEN -- 512 00:19:03,709 --> 00:19:06,750 I DON'T KNOW -- WE GOT TO DOING OTHER STUFF. 513 00:19:06,750 --> 00:19:08,417 AND WE'RE STILL DOING IT. 514 00:19:08,417 --> 00:19:09,875 [ BOTH LAUGH ] 515 00:19:09,875 --> 00:19:11,792 SO, HOW ARE YOU? ARE YOU WELL? 516 00:19:11,792 --> 00:19:13,750 YEAH. I'M WELL. 517 00:19:13,750 --> 00:19:14,917 ARE YOU...WELL? 518 00:19:14,917 --> 00:19:17,083 YEAH. I AM. I'M GOOD. 519 00:19:17,083 --> 00:19:18,583 IT'S HEALTHY. 520 00:19:18,583 --> 00:19:19,709 OH. 521 00:19:19,709 --> 00:19:21,125 WE'RE "HEALTHY"? 522 00:19:21,125 --> 00:19:22,709 YEAH. WE'RE VERY HEALTHY. 523 00:19:22,709 --> 00:19:24,542 OKAY. MM. 524 00:19:24,542 --> 00:19:26,333 IT'S BETTER WHEN YOU SAY IT LIKE THAT. 525 00:19:26,333 --> 00:19:29,125 WELL, ANYWAY, WE'RE GONNA GO GET TATTOOS, SO... 526 00:19:29,959 --> 00:19:31,125 IT WAS NICE MEETING YOU. YEAH. 527 00:19:31,125 --> 00:19:32,125 TAKE CARE. 528 00:19:32,125 --> 00:19:33,125 YEAH. 529 00:19:33,125 --> 00:19:35,291 UH...SEE YOU AROUND. 530 00:19:35,291 --> 00:19:36,959 OR NOT. 531 00:19:49,750 --> 00:19:51,792 THE KIDS. I -- 532 00:19:53,208 --> 00:19:56,125 SO, I SPOKE TO KIM ABOUT THE SCRIPT. 533 00:19:56,125 --> 00:19:57,959 OF COURSE, SHE'S HEARTBROKEN. 534 00:19:57,959 --> 00:19:59,041 BUT SHE'S A BIG GIRL. 535 00:19:59,041 --> 00:19:59,959 She gets it. 536 00:19:59,959 --> 00:20:01,917 WELL, THANK HER AGAIN FOR US. 537 00:20:01,917 --> 00:20:03,625 If you want, you can thank her yourself. 538 00:20:03,625 --> 00:20:06,125 SHE'D LOVE TO TAKE YOU GUYS TO LUNCH 539 00:20:06,125 --> 00:20:07,458 BEFORE YOU FLY HOME. 540 00:20:07,458 --> 00:20:09,208 REALLY? She just wants to meet you 541 00:20:09,208 --> 00:20:12,000 and tell you what a huge fan she is. 542 00:20:12,000 --> 00:20:13,667 UH... 543 00:20:13,667 --> 00:20:15,667 LET ME TALK TO BEV AND SEE IF SHE'S UP FOR IT. 544 00:20:15,667 --> 00:20:17,417 NO PRESSURE. LET ME KNOW. 545 00:20:18,000 --> 00:20:19,333 SEE IF SHE'S UP FOR WHAT? 546 00:20:19,333 --> 00:20:21,792 THAT WOMAN FROM FOX WANTS TO TAKE US TO LUNCH. 547 00:20:21,792 --> 00:20:22,917 DIDN'T -- BUP-BUP-BUP! 548 00:20:22,917 --> 00:20:24,959 SHE TOTALLY GETS THAT SHE CAN'T HAVE OUR SCRIPT. 549 00:20:24,959 --> 00:20:27,333 THEN WHY -- SHE JUST WANTS TO TELL US WHAT A BIG FAN SHE IS. 550 00:20:27,333 --> 00:20:28,291 WHICH WE ALREADY KNOW. 551 00:20:28,291 --> 00:20:30,166 THANK YOU, WOMAN FROM FOX. 552 00:20:30,166 --> 00:20:31,667 MIGHT BE NICE. 553 00:20:31,667 --> 00:20:33,083 FREE LUNCH. 554 00:20:33,083 --> 00:20:35,333 DARLING, I'D HAPPILY PAY FOR HER COBB SALAD 555 00:20:35,333 --> 00:20:37,083 IF I DIDN'T HAVE TO BE THERE WHEN SHE EATS IT. 556 00:20:37,083 --> 00:20:38,709 SO THAT'S A NO, THEN? 557 00:20:38,709 --> 00:20:41,917 IT'S A NO, WITH BLUE CHEESE ON THE SIDE. 558 00:20:41,917 --> 00:20:45,000 [ TYPEWRITER CLICKING ] 559 00:20:47,125 --> 00:20:49,834 SO, YOU'RE DOWN TO, WHAT -- 560 00:20:49,834 --> 00:20:51,667 TWICE A WEEK WITH THE SERITAXYL? 561 00:20:51,667 --> 00:20:53,375 RIGHT. 562 00:20:53,375 --> 00:20:57,166 STILL EXPERIENCING ANY UNWANTED, UH... 563 00:20:57,166 --> 00:20:59,208 ERECTILE INCIDENTS? 564 00:20:59,208 --> 00:21:00,834 SOME. NOT AS MANY. 565 00:21:00,834 --> 00:21:02,458 GOOD. IN THAT CASE, 566 00:21:02,458 --> 00:21:05,041 WE CAN PROBABLY STOP WITH THE SERITAXYL ENTIRELY 567 00:21:05,041 --> 00:21:06,792 AND START INCREASING THE LIMATRAN. 568 00:21:06,792 --> 00:21:09,208 THAT ONE DOESN'T MAKE YOU HORNY, DOES IT? 569 00:21:09,208 --> 00:21:11,208 NO. IN FACT, QUITE THE OPPOSITE. 570 00:21:11,208 --> 00:21:13,792 SOMETIMES THERE'S ACTUALLY A LESSENING OF SEXUAL INTEREST. 571 00:21:13,792 --> 00:21:14,834 OH. GOOD. 572 00:21:14,834 --> 00:21:18,542 FROM YOUR LIPS TO MY DICK. 573 00:21:24,417 --> 00:21:27,291 ISN'T THIS WHAT YOU WANTED -- FOR HER TO GET OVER YOU? 574 00:21:27,291 --> 00:21:28,709 YEAH. SURE. 575 00:21:28,709 --> 00:21:31,458 BUT BEING DUMPED BY YOUR STALKER? 576 00:21:31,458 --> 00:21:33,792 COME ON, NOW. 577 00:21:33,792 --> 00:21:34,750 YOU HAD A GOOD RUN. 578 00:21:34,750 --> 00:21:36,291 I GUESS. 579 00:21:36,291 --> 00:21:39,750 IT'S JUST WEIRD KNOWING I'LL PROBABLY NEVER HAVE ANOTHER ONE. 580 00:21:39,750 --> 00:21:41,750 YOU DON'T KNOW THAT. 581 00:21:41,750 --> 00:21:43,500 NAH. THAT WAS IT. 582 00:21:43,500 --> 00:21:46,750 YOU THINK HARRISON FORD'S STILL GETTING STALKERS? 583 00:21:46,750 --> 00:21:48,166 OR WARREN BEATTY? 584 00:21:48,166 --> 00:21:50,208 THERE'S A WINDOW. 585 00:21:50,208 --> 00:21:53,667 WE LEAD VERY DIFFERENT LIVES. 586 00:21:56,083 --> 00:22:00,834 YOU KNOW, I'VE HAD OTHER STALKERS, BUT... 587 00:22:00,834 --> 00:22:02,625 NOTHING LIKE THIS. 588 00:22:02,625 --> 00:22:05,250 THIS WAS 15 YEARS. 589 00:22:05,250 --> 00:22:07,250 I MET HER WHEN SHE WAS A KID. 590 00:22:07,250 --> 00:22:09,917 THEY GROW UP SO FAST. 591 00:22:09,917 --> 00:22:11,667 NO, SERIOUSLY. 592 00:22:11,667 --> 00:22:16,083 IT'S PROBABLY THE LONGEST RELATIONSHIP OF MY LIFE. 593 00:22:16,083 --> 00:22:18,417 THAT'S NOT DISTURBING AT ALL. 594 00:22:18,417 --> 00:22:20,667 ALL THOSE YEARS I PUT UP WITH HER SHIT... 595 00:22:20,667 --> 00:22:22,417 NOW SHE DECIDES IT'S OVER? 596 00:22:22,417 --> 00:22:23,917 OH, COME ON. IT'S FOR THE BEST. 597 00:22:23,917 --> 00:22:26,208 YOU KNOW IT IS. YEAH, YEAH. 598 00:22:26,208 --> 00:22:29,875 BUT SHE'S SEEMED SO...OVER ME. 599 00:22:29,875 --> 00:22:31,875 YOU KNOW? 600 00:22:31,875 --> 00:22:33,875 LIKE I WAS JUST SOME...PERSON. 601 00:22:35,834 --> 00:22:39,458 I USED TO LOOK INTO HER EYES AND SEE THE CRAZY. 602 00:22:39,458 --> 00:22:41,667 TODAY... 603 00:22:41,667 --> 00:22:44,125 NOTHING. 604 00:22:44,125 --> 00:22:45,375 IT WAS LIKE... 605 00:22:47,291 --> 00:22:49,458 LIKE THE LIGHT WENT OUT. 606 00:22:51,709 --> 00:22:54,291 [ TYPEWRITER CLICKING ] 607 00:22:56,667 --> 00:22:59,917 NOW HE DOESN'T EVEN WANT TO HAVE SEX WITH ME. 608 00:22:59,917 --> 00:23:01,500 NEVER? NOPE. 609 00:23:03,125 --> 00:23:04,875 HE WON'T LET ME TOUCH HIM. 610 00:23:04,875 --> 00:23:05,959 [ EXHALES DEEPLY ] 611 00:23:05,959 --> 00:23:06,959 HE'S DISTANT. 612 00:23:06,959 --> 00:23:08,291 HE'S MOODY. 613 00:23:08,291 --> 00:23:10,041 ALTHOUGH FROM THE SOUNDS OF IT, 614 00:23:10,041 --> 00:23:12,750 HE WAS ALWAYS DISTANT AND MOODY. 615 00:23:12,750 --> 00:23:15,583 THE ONLY DIFFERENCE IS, NOW HE'S NOT FUCKING YOU OVER A DESK. 616 00:23:15,583 --> 00:23:17,083 I KNOW. 617 00:23:17,083 --> 00:23:18,667 [ SCOFFS ] [ SIGHS ] 618 00:23:18,667 --> 00:23:20,834 WHAT DID I DO? 619 00:23:20,834 --> 00:23:22,875 MAYBE I PUSHED TOO HARD. 620 00:23:22,875 --> 00:23:24,917 DID I PUSH TOO HARD? 621 00:23:24,917 --> 00:23:27,625 ALL I DID WAS ASK HIM IF HE WANTED TO HAVE DINNER. 622 00:23:27,625 --> 00:23:29,875 OH, YOU DEMANDING BITCH. 623 00:23:29,875 --> 00:23:32,333 WELL, THEN WHY? 624 00:23:32,333 --> 00:23:33,709 DOES IT MATTER? 625 00:23:33,709 --> 00:23:35,792 JUST BE THANKFUL THAT IT'S OVER. 626 00:23:35,792 --> 00:23:38,125 [ GASPS ] YOU REALLY THINK IT'S OVER? 627 00:23:38,125 --> 00:23:40,166 I HOPE SO. 628 00:23:40,166 --> 00:23:41,917 FROM EVERYTHING YOU SAID, 629 00:23:41,917 --> 00:23:44,125 HE'S EMOTIONALLY DETACHED... 630 00:23:44,125 --> 00:23:46,208 POSSIBLY A MISOGYNIST. 631 00:23:46,208 --> 00:23:48,375 HE WOULDN'T LET YOU LOOK AT HIM 632 00:23:48,375 --> 00:23:50,709 OR TALK TO HIM WHEN YOU'RE HAVING SEX. 633 00:23:50,709 --> 00:23:53,542 LISTEN, YOU CAN FIND NEGATIVE THINGS 634 00:23:53,542 --> 00:23:55,458 TO SAY ABOUT ANYBODY. 635 00:23:55,458 --> 00:23:58,917 HE COVERED YOUR MOUTH WITH HIS HAND. 636 00:23:58,917 --> 00:24:00,834 NOT ALWAYS! 637 00:24:00,834 --> 00:24:02,208 [ SCOFFS ] 638 00:24:02,208 --> 00:24:04,208 FINE! 639 00:24:04,208 --> 00:24:06,333 OH, GOD. 640 00:24:06,333 --> 00:24:09,041 WHY DOES THIS KEEP HAPPENING TO ME? 641 00:24:09,041 --> 00:24:12,583 AM I EVER GONNA BE HAPPY? 642 00:24:12,583 --> 00:24:13,917 YES. 643 00:24:13,917 --> 00:24:14,750 REALLY? 644 00:24:14,750 --> 00:24:16,917 I DON'T KNOW. 645 00:24:16,917 --> 00:24:18,875 [ SIGHS ] 646 00:24:18,875 --> 00:24:20,000 I... 647 00:24:22,208 --> 00:24:25,000 I ALWAYS JUST ASSUMED THAT, ONE DAY, 648 00:24:25,000 --> 00:24:28,875 I'D END UP WITH SOME GREAT GUY 649 00:24:28,875 --> 00:24:32,083 WHO'S NOT MARRIED AND NOT FUCKED UP. 650 00:24:32,083 --> 00:24:34,000 BUT WHAT IF THIS IS IT? 651 00:24:34,000 --> 00:24:38,083 WHAT IF THIS ISN'T THE SHIT I HAVE TO GO THROUGH 652 00:24:38,083 --> 00:24:39,583 TO GET TO THE GOOD PART? 653 00:24:39,583 --> 00:24:44,166 WHAT IF THIS IS THE GOOD PART? 654 00:24:44,166 --> 00:24:46,583 [ SIGHS ] 655 00:24:46,583 --> 00:24:48,166 WHAT'S THE MATTER? 656 00:24:48,166 --> 00:24:51,083 I'M SORRY, I'M SORRY. 657 00:24:51,083 --> 00:24:53,417 OH, I'M SURE IT'S JUST THIS, BUT... 658 00:24:55,458 --> 00:24:58,667 [Voice breaking] ...YOU'RE MAKING ME VERY SAD. 659 00:24:58,667 --> 00:25:00,709 [ SOBS ] 660 00:25:00,709 --> 00:25:02,208 OH, MY GOD. 661 00:25:02,208 --> 00:25:06,792 MY LIFE IS MAKING YOU CRY? 662 00:25:06,792 --> 00:25:08,959 [ Crying ] OH, MY GOD! 663 00:25:08,959 --> 00:25:10,250 OH, NO, NO. 664 00:25:10,250 --> 00:25:12,083 NO, DON'T YOU START! 665 00:25:12,083 --> 00:25:13,792 I'M SORRY! 666 00:25:13,792 --> 00:25:15,458 NO. 667 00:25:15,458 --> 00:25:17,834 [ CRYING ] NO, I'M SORRY! 668 00:25:17,834 --> 00:25:22,375 NO! I'M SORRY! 669 00:25:22,375 --> 00:25:25,208 [ BOTH SOBBING ] 670 00:25:31,625 --> 00:25:33,500 IS -- IS THERE ANY MORE 671 00:25:33,500 --> 00:25:36,291 OF THAT CHICKEN-RAISIN-COOKIE SHIT? 672 00:25:36,291 --> 00:25:38,792 OH, THERE'S TONS. 673 00:25:41,291 --> 00:25:42,959 OH. 674 00:25:44,583 --> 00:25:46,542 [ TYPEWRITER CLICKING ] 675 00:25:49,417 --> 00:25:52,000 I'M AFRAID IT'S A NO ON LUNCH. 676 00:25:52,000 --> 00:25:53,500 AW. REALLY? 677 00:25:53,500 --> 00:25:55,625 BEV JUST ISN'T UP FOR IT. 678 00:25:55,625 --> 00:25:57,750 WE'VE GOT A LOT TO DO. 679 00:25:57,750 --> 00:25:59,166 STARTING TO PACK AND WHATNOT. 680 00:25:59,166 --> 00:26:00,375 GOTCHA. 681 00:26:00,375 --> 00:26:02,250 WELL, THAT'S FINE. 682 00:26:02,250 --> 00:26:04,291 UNLESS YOU WANT TO DO IT WITHOUT HER. 683 00:26:04,291 --> 00:26:05,750 OH. 684 00:26:05,750 --> 00:26:06,667 UM... 685 00:26:08,083 --> 00:26:10,125 I DON'T THINK SO. 686 00:26:10,125 --> 00:26:11,667 IT FEELS A LITTLE WEIRD. 687 00:26:11,667 --> 00:26:15,667 SWEETIE, IT'S A SANDWICH, NOT A BLOW JOB. 688 00:26:15,667 --> 00:26:17,625 ALTHOUGH SHE REALLY WANTS THAT SCRIPT. 689 00:26:17,625 --> 00:26:19,083 RIGHT. [ CHUCKLES ] 690 00:26:19,083 --> 00:26:20,291 And you'll love Kim. 691 00:26:20,291 --> 00:26:23,208 SHE USED TO RUN COMEDY CENTRAL, SO YOU KNOW SHE'S FUNNY. 692 00:26:23,208 --> 00:26:24,333 UH-HUH. 693 00:26:24,333 --> 00:26:25,875 Look, it's your call. 694 00:26:25,875 --> 00:26:27,375 JUST THINK ABOUT IT. 695 00:26:34,041 --> 00:26:38,041 OH, THERE SHE IS! 696 00:26:38,041 --> 00:26:40,375 HI, SWEETIE! 697 00:26:40,375 --> 00:26:41,375 HELLO. 698 00:26:41,375 --> 00:26:43,333 MWAH! MWAH! 699 00:26:43,333 --> 00:26:47,667 KIM SALLY, AS PROMISED, THIS IS SEAN LINCOLN. 700 00:26:47,667 --> 00:26:50,333 HELLO. OH. PLEASE. 701 00:26:50,333 --> 00:26:52,041 ACTUALLY, DO IT AGAIN. NO, NO. 702 00:26:52,041 --> 00:26:54,125 OKAY, ALL RIGHT. LET'S TAKE A SEAT. 703 00:26:54,125 --> 00:26:56,750 OH, I'M SO SORRY WE'RE THIS LATE. 704 00:26:56,750 --> 00:27:00,583 THERE WAS CRAZY TRAFFIC, AS PER USUAL IN THIS TOWN. 705 00:27:00,583 --> 00:27:02,125 [ TYPEWRITER CLICKING ] REALLY, THAT'S I GUESS MY PROGRAM 706 00:27:02,125 --> 00:27:04,959 TO BE AS LATE AS WE WERE. 707 00:27:04,959 --> 00:27:06,041 [ BREATHES DEEPLY ] 708 00:27:06,041 --> 00:27:07,709 LET'S RUN IT AGAIN, OKAY? MM-HMM. 709 00:27:07,709 --> 00:27:09,417 I GO TO KICK YOU IN THE HEAD. YEAH. 710 00:27:09,417 --> 00:27:11,083 YOU DUCK UNDER MY LEG... RIGHT. 711 00:27:11,083 --> 00:27:12,458 ...GRAB THE LEG... YEAH. 712 00:27:12,458 --> 00:27:13,542 ...THEN KICK MY OTHER LEG OUT FROM UNDER ME. 713 00:27:13,542 --> 00:27:15,583 OKAY. GOT IT. LET'S DO IT. 714 00:27:15,583 --> 00:27:16,583 YOU DON'T NEED TO MARK IT AGAIN? 715 00:27:16,583 --> 00:27:17,625 NO, NO, NO. I'M GOOD. LET'S GO. 716 00:27:17,625 --> 00:27:18,667 OKAY. ON 3. 717 00:27:18,667 --> 00:27:20,083 1...2... 718 00:27:20,083 --> 00:27:21,542 WAIT. IS IT ON 3 -- 719 00:27:21,542 --> 00:27:22,917 [ THUD ] 720 00:27:24,166 --> 00:27:26,166 YOU'RE SHITTING ME. 721 00:27:26,166 --> 00:27:27,709 YOU'RE SURE? 722 00:27:27,709 --> 00:27:30,458 THIS IS AWESOME! 723 00:27:30,458 --> 00:27:33,125 WELL, LET ME KNOW. GOOD NEWS? 724 00:27:33,125 --> 00:27:36,625 YOU KNOW THAT GUY WHO GOT MY PART IN THE NBC PILOT? 725 00:27:36,625 --> 00:27:39,041 AH. ANTHONY PAWNER SMITH. 726 00:27:39,041 --> 00:27:40,875 JUST HAD A KICKBOXING ACCIDENT. 727 00:27:40,875 --> 00:27:43,041 [ Singsongy voice ] PARALYZED! 728 00:27:43,041 --> 00:27:43,917 OH, MY GOD. 729 00:27:43,917 --> 00:27:45,083 [ Normal voice ] TEMPORARILY, 730 00:27:45,083 --> 00:27:47,166 BUT LONG ENOUGH THAT HE CAN'T DO THE PILOT. 731 00:27:49,959 --> 00:27:53,875 THE MAN IS PARALYZED. 732 00:27:53,875 --> 00:27:56,125 TEMPORARILY! 733 00:27:56,125 --> 00:27:58,250 JESUS! 734 00:27:58,250 --> 00:28:00,667 BE HAPPY FOR ME FOR ONCE! 735 00:28:00,667 --> 00:28:02,542 [ SCOFFS ] 736 00:28:02,542 --> 00:28:04,208 WE ARE BACK, BABY! 737 00:28:06,458 --> 00:28:08,166 [ TYPEWRITER CLICKING ]