1
00:00:12,000 --> 00:00:14,917
IF WE'RE HAVING
A PROBLEM FORNICATIONALLY,

2
00:00:14,917 --> 00:00:16,792
THEN WE SHOULD DISCUSS IT.

3
00:00:16,792 --> 00:00:18,291
WE'VE GOT
TO GET OVER THIS.

4
00:00:18,291 --> 00:00:20,500
YES, WELL, IT'S A LOT EASIER
FOR YOU TO GET OVER IT.

5
00:00:20,500 --> 00:00:21,750
I'VE GOT TO GET...UP

6
00:00:21,750 --> 00:00:23,667
AND OVER IT,
IF YOU KNOW WHAT I MEAN.

7
00:00:23,667 --> 00:00:26,000
I HATE MY DICK.

8
00:00:26,000 --> 00:00:27,333
WHY AREN'T YOU
DOING MY PILOT?

9
00:00:27,333 --> 00:00:29,834
YOU'D BE SO RIGHT FOR IT.

10
00:00:29,834 --> 00:00:31,125
MAYBE JUST GIVE IT A READ.

11
00:00:31,125 --> 00:00:32,000
NO, THAT'S OKAY.

12
00:00:32,000 --> 00:00:33,542
WHAT ARE YOU READING?

13
00:00:33,542 --> 00:00:35,417
THAT ASSHOLE'S SCRIPT.

14
00:00:35,417 --> 00:00:37,083
IT'S FUCKING BRILLIANT.

15
00:00:37,083 --> 00:00:38,792
OH, THE BLOODY NERVE.

16
00:00:38,792 --> 00:00:40,000
TRYING TO POACH YOU
FROM US?

17
00:00:40,000 --> 00:00:42,583
AND THAT YOU WOULD
EVEN CONSIDER...

18
00:00:42,583 --> 00:00:43,917
LITTLE SHIT WEASEL.

19
00:00:43,917 --> 00:00:46,041
HOW ARE THE NEW MEDS
WORKING OUT?

20
00:00:46,041 --> 00:00:47,208
EVERYTHING MAKES ME HARD.

21
00:00:47,208 --> 00:00:49,000
THIS MORNING
WHEN I WAS GETTING GAS,

22
00:00:49,000 --> 00:00:51,083
I GOT A BONER PUTTING THE NOZZLE
INTO THE TANK.

23
00:00:51,083 --> 00:00:53,542
[ Voice breaking ]
I NEVER CRY AT WORK.

24
00:00:53,542 --> 00:00:55,125
WELL, I'D HUG YOU,

25
00:00:55,125 --> 00:00:56,458
BUT OBVIOUSLY,
I'M ALL SWEATY AND --

26
00:00:56,458 --> 00:00:58,083
I DON'T MIND.

27
00:01:07,125 --> 00:01:09,834
[ TYPEWRITER CLICKING,
BELL CHIMES ]

28
00:01:12,709 --> 00:01:15,208
[ WIND WHISTLING ]

29
00:01:20,250 --> 00:01:22,750
[ MID-TEMPO MUSIC PLAYS ]

30
00:01:46,458 --> 00:01:48,208
[ GUNSHOT ]

31
00:01:55,542 --> 00:01:58,083
ARE YOU SURE
THAT'S WHAT IT WAS?

32
00:01:58,083 --> 00:02:00,500
I AM TELLING YOU,
HE'S HUGGING ME,

33
00:02:00,500 --> 00:02:03,917
AND I'M THINKING,
"OOH, HIS ARMS ARE SO HARD."

34
00:02:03,917 --> 00:02:06,917
THEN, ALL OF A SUDDEN,
IT'S LIKE, "FUCK HIS ARMS.

35
00:02:06,917 --> 00:02:08,625
WHAT THE HELL IS THAT?"

36
00:02:08,625 --> 00:02:10,125
UNBELIEVABLE.

37
00:02:10,125 --> 00:02:12,041
I KNOW!
NO.

38
00:02:12,041 --> 00:02:14,500
MY "UNBELIEVABLE" IS NOT
A GOOD "UNBELIEVABLE."

39
00:02:14,500 --> 00:02:15,709
OH, COME ON.

40
00:02:15,709 --> 00:02:19,375
JUST KNOWING HE'S FEELING
WHAT I'M FEELING,

41
00:02:19,375 --> 00:02:22,959
AND BELIEVE ME,
I FELT WHAT HE'S FEELING.

42
00:02:22,959 --> 00:02:25,291
HAS HISTORY
TAUGHT YOU NOTHING?

43
00:02:25,291 --> 00:02:27,625
YOU HAVE BEEN DOWN
THIS ROAD BEFORE.

44
00:02:27,625 --> 00:02:29,041
BUT WITH MERC.

45
00:02:29,041 --> 00:02:32,291
IF I KNEW I COULD ONLY GO DOWN
THE ROAD ONE TIME,

46
00:02:32,291 --> 00:02:35,417
THAT'S NOT WHO I WOULD'VE
GONE DOWN IT WITH!

47
00:02:35,417 --> 00:02:37,250
LOOK,
YOU ASKED MY OPINION --
DID I?

48
00:02:37,250 --> 00:02:39,250
ALL RIGHT,
I OFFERED YOU MY OPINION.

49
00:02:39,250 --> 00:02:40,917
AND I HEAR
WHAT YOU'RE SAYING,

50
00:02:40,917 --> 00:02:44,750
BUT THEN I LOOK AT CASTOR,

51
00:02:44,750 --> 00:02:49,166
AND HE'S SO BRILLIANT
AND SEXY AND POWERFUL!

52
00:02:49,166 --> 00:02:50,500
HE'S YOUR BOSS.

53
00:02:50,500 --> 00:02:52,834
I KNOW!
HE'S THE WHOLE PACKAGE!

54
00:02:52,834 --> 00:02:54,333
[ CHUCKLES ]

55
00:02:54,333 --> 00:02:57,750
SO, THE SIDE EFFECTS
HAVEN'T LESSENED AT ALL?
NO.

56
00:02:57,750 --> 00:03:00,291
YESTERDAY, I HAD TO GIVE
THIS STUPID WOMAN

57
00:03:00,291 --> 00:03:01,834
WHO WORKS FOR ME A HUG,

58
00:03:01,834 --> 00:03:04,375
AND SHE WAS ALMOST IMPALED
ON IT!

59
00:03:04,375 --> 00:03:06,417
ALL RIGHT. WE'LL START
CUTTING BACK ON YOUR DOSAGE.

60
00:03:06,417 --> 00:03:07,667
CUTTING BACK? NO.

61
00:03:07,667 --> 00:03:08,917
CAN'T WE JUST STOP?

62
00:03:08,917 --> 00:03:10,834
NOT WITH THIS MEDICATION.

63
00:03:10,834 --> 00:03:13,250
WE HAVE TO
WEAN YOU OFF SLOWLY.

64
00:03:13,250 --> 00:03:15,959
JUST SO YOU KNOW,
WHEN YOU SAID "WEAN,"

65
00:03:15,959 --> 00:03:17,375
I GOT A LITTLE HARD.

66
00:03:18,542 --> 00:03:21,166
YOU REALIZE WE'RE HALFWAY UP
THIS MOUNTAIN,

67
00:03:21,166 --> 00:03:23,417
ALL WE'VE TALKED ABOUT
IS YOUR BOSS' ERECTION.

68
00:03:23,417 --> 00:03:24,417
OKAY, FINE.

69
00:03:24,417 --> 00:03:26,667
ANY ERECTIONS
YOU WANT TO TALK ABOUT?

70
00:03:26,667 --> 00:03:27,625
NOPE.
REALLY?

71
00:03:27,625 --> 00:03:28,792
NO.

72
00:03:28,792 --> 00:03:32,041
YOU AND SEAN STILL NO --
NO.

73
00:03:32,041 --> 00:03:34,333
HAVE YOU THOUGHT
ABOUT SEEING SOMEONE,

74
00:03:34,333 --> 00:03:36,417
LIKE A COUPLE'S COUNSELOR
OR SOMETHING?

75
00:03:36,417 --> 00:03:38,959
I COULD ASK MY SHRINK
TO RECOMMEND SOMEONE.

76
00:03:38,959 --> 00:03:40,709
WAIT A MINUTE.

77
00:03:40,709 --> 00:03:43,041
YOU HAVE A SHRINK?

78
00:03:43,041 --> 00:03:45,375
UH-HUH.
HE'S REALLY GOOD.

79
00:03:45,375 --> 00:03:47,208
REALLY?

80
00:03:49,333 --> 00:03:50,375
Matt: HELLO?

81
00:03:50,375 --> 00:03:52,750
IN HERE!

82
00:03:52,750 --> 00:03:54,000
[ CHUCKLES ]

83
00:03:54,000 --> 00:03:56,750
THAT IS THE BEST
"HELLO" EVER.

84
00:03:56,750 --> 00:03:57,917
[ CHUCKLES ]

85
00:03:57,917 --> 00:04:00,375
DON'T MOVE.
I'M COMING IN FOR A KISS.

86
00:04:04,083 --> 00:04:05,542
MM.

87
00:04:05,542 --> 00:04:07,792
ALMOST DONE.

88
00:04:07,792 --> 00:04:10,667
NO RUSH.

89
00:04:16,375 --> 00:04:19,417
UH, WHAT HAPPENED
TO ALL THE PAINTINGS?

90
00:04:19,417 --> 00:04:20,917
WHAT DO YOU MEAN?

91
00:04:20,917 --> 00:04:23,083
THE PAINTINGS THAT WERE HANGING
ON THE WALLS?

92
00:04:23,083 --> 00:04:24,834
THEY'RE NOT.
ARE YOU KIDDING?

93
00:04:24,834 --> 00:04:26,000
YOU DIDN'T KNOW?

94
00:04:26,000 --> 00:04:27,917
NO. I DIDN'T KNOW.
WHICH ONES?

95
00:04:27,917 --> 00:04:30,458
UH, THE ONE
OVER THE FIREPLACE.

96
00:04:30,458 --> 00:04:32,250
THE DIEBENKORN'S GONE?

97
00:04:32,250 --> 00:04:34,417
ASSUMING
THAT'S A PAINTING, YEAH.

98
00:04:34,417 --> 00:04:36,166
AND THE ONE BY THE DOOR,

99
00:04:36,166 --> 00:04:37,792
AND THE CREEPY BABY FACE
IS GONE.

100
00:04:37,792 --> 00:04:39,041
OH, MY GOD!

101
00:04:39,041 --> 00:04:41,083
HANG ON.

102
00:04:41,083 --> 00:04:44,333
YEP, EVERYTHING
IN HERE, TOO.

103
00:04:44,333 --> 00:04:47,000
I DON'T BELIEVE THIS.
IS ANYTHING ELSE MISSING?

104
00:04:47,000 --> 00:04:48,959
I DON'T KNOW. UH...

105
00:04:48,959 --> 00:04:50,709
LOOKS LIKE
JUST THE PAINTINGS.

106
00:04:50,709 --> 00:04:53,125
WHO ELSE BESIDES ME
HAS YOUR GATE CODE?

107
00:04:53,125 --> 00:04:56,291
MARIA,
MY ASSISTANT, MISSY.

108
00:04:56,291 --> 00:04:58,709
OHH, JESUS.

109
00:04:58,709 --> 00:04:59,625
WHAT?

110
00:04:59,625 --> 00:05:00,834
OHH.

111
00:05:00,834 --> 00:05:02,625
OH, THAT MOTHERFUCKER.

112
00:05:02,625 --> 00:05:04,333
HE STILL HAS YOUR CODE?

113
00:05:04,333 --> 00:05:05,542
EVEN HE WOULDN'T DO THIS.

114
00:05:05,542 --> 00:05:06,750
MERC?

115
00:05:06,750 --> 00:05:07,875
HE'D TOTALLY DO THIS.

116
00:05:07,875 --> 00:05:09,792
THINK OF ALL THE SHIT
HE DID TO YOU

117
00:05:09,792 --> 00:05:11,000
WHEN YOU WEREN'T
DIVORCING HIM.

118
00:05:11,000 --> 00:05:12,291
I'M CALLING HIM.
NO, DON'T CALL HIM.

119
00:05:12,291 --> 00:05:13,625
OH, I'M CALLING HIM.

120
00:05:13,625 --> 00:05:14,959
PLEASE, JUST LET MY LAWYERS
HANDLE IT.

121
00:05:14,959 --> 00:05:18,208
NO, SOMEONE'S GOT TO TELL HIM
WHAT A GIANT ASSHOLE HE IS.

122
00:05:18,208 --> 00:05:19,709
BELIEVE ME, I'VE TOLD HIM.

123
00:05:19,709 --> 00:05:20,875
PLEASE, STAY OUT OF IT.

124
00:05:20,875 --> 00:05:22,583
FOR ME.

125
00:05:25,125 --> 00:05:26,500
[ GROANS ]

126
00:05:26,500 --> 00:05:28,959
DID YOU PUT
YOUR PHONE AWAY?

127
00:05:28,959 --> 00:05:30,375
YES.

128
00:05:30,375 --> 00:05:31,375
DID YOU?

129
00:05:31,375 --> 00:05:34,000
YES.

130
00:05:34,000 --> 00:05:35,625
THANK YOU.

131
00:05:45,625 --> 00:05:48,166
WHAT'S THE DEAL WITH THIS
NETWORK PRESS THING TONIGHT?

132
00:05:48,166 --> 00:05:49,709
OH, I FORGOT.
THAT'S TONIGHT?

133
00:05:49,709 --> 00:05:52,291
YEAH, IT'S THIS STUPID COCKTAIL
PARTY FOR THE TV CRITICS.

134
00:05:52,291 --> 00:05:53,792
THE NETWORKS DO IT
EVERY YEAR.

135
00:05:53,792 --> 00:05:55,333
SERIOUSLY?

136
00:05:55,333 --> 00:05:57,542
THE PEOPLE WHO WROTE ALL
THE NASTY THINGS ABOUT US,

137
00:05:57,542 --> 00:05:59,375
WE HAVE TO HAVE CANAPéS
WITH THEM?

138
00:05:59,375 --> 00:06:00,917
YEAH, IT'S NOT AS MUCH FUN
AS IT SOUNDS.

139
00:06:00,917 --> 00:06:02,333
AND THERE'S NO
GETTING OUT OF IT?

140
00:06:02,333 --> 00:06:03,834
NOT UNLESS YOU'RE ON
A HIT SHOW.

141
00:06:03,834 --> 00:06:05,750
SO THERE'S NO
GETTING OUT OF IT.

142
00:06:05,750 --> 00:06:08,166
THERE YOU ARE.
READY?

143
00:06:08,166 --> 00:06:09,125
FOR WHAT?

144
00:06:09,125 --> 00:06:11,709
OH, SHIT.
THAT'S NOW?

145
00:06:11,709 --> 00:06:12,834
WHAT'S NOW?

146
00:06:12,834 --> 00:06:17,041
NOTHING.
IT'S A...PRIVATE THING.

147
00:06:17,041 --> 00:06:18,500
WHAT KIND OF PRIVATE THING?

148
00:06:18,500 --> 00:06:21,709
WELL, IT'S A THING,

149
00:06:21,709 --> 00:06:23,625
AND IT'S PRIVATE.

150
00:06:23,625 --> 00:06:25,333
YOU'RE REALLY NOT
GONNA TELL ME?

151
00:06:25,333 --> 00:06:26,083
NO.

152
00:06:27,208 --> 00:06:29,208
NO. SEE YOU TONIGHT.

153
00:06:31,041 --> 00:06:33,625
WHAT DO YOU THINK IT IS?

154
00:06:33,625 --> 00:06:35,500
WHO GIVES A SHIT?

155
00:06:39,125 --> 00:06:41,583
SO, HAVE, UH,
EITHER OF YOU EVER BEEN

156
00:06:41,583 --> 00:06:43,333
TO A SEX THERAPIST BEFORE?

157
00:06:48,959 --> 00:06:50,375
W-WE WERE
UNDER THE IMPRESSION

158
00:06:50,375 --> 00:06:51,875
THAT YOU WERE
A COUPLE'S COUNSELOR.

159
00:06:51,875 --> 00:06:54,250
SPECIALIZING IN SEX THERAPY.

160
00:06:54,250 --> 00:06:55,875
[ Sotto voice ]
BLOODY HELL.

161
00:06:55,875 --> 00:06:57,125
WE WERE NOT AWARE.

162
00:06:57,125 --> 00:06:58,500
THANKS, CAROL.

163
00:06:58,500 --> 00:07:00,333
OH, SO THIS ISN'T
A SEXUAL ISSUE

164
00:07:00,333 --> 00:07:01,709
THAT YOU'RE HERE
TO DEAL WITH?

165
00:07:01,709 --> 00:07:03,750
WELL, IT IS.

166
00:07:03,750 --> 00:07:05,417
IT IS.

167
00:07:05,417 --> 00:07:07,917
ALL RIGHT,
THEN WHY DON'T YOU TELL ME

168
00:07:07,917 --> 00:07:10,250
A LITTLE BIT ABOUT
WHAT'S GOING ON?

169
00:07:15,667 --> 00:07:17,417
OKAY.

170
00:07:17,417 --> 00:07:21,125
WE HAVE RECENTLY
BEEN THROUGH A, UM...

171
00:07:21,125 --> 00:07:23,583
A BIT OF A ROUGH PATCH
IN OUR MARRIAGE,

172
00:07:23,583 --> 00:07:26,834
WHICH WE HAVE BOTH WORKED
VERY HARD TO GET PAST.

173
00:07:26,834 --> 00:07:29,917
UNFORTUNATELY...

174
00:07:29,917 --> 00:07:33,500
IT HAS LEFT US
WITH CERTAIN...

175
00:07:33,500 --> 00:07:35,917
UH, RAMIFICATIONS.

176
00:07:35,917 --> 00:07:37,083
SEXUAL?

177
00:07:37,083 --> 00:07:39,291
SEXUAL. YES.

178
00:07:39,291 --> 00:07:40,875
SEXUAL.

179
00:07:40,875 --> 00:07:42,125
SEXUAL.

180
00:07:42,125 --> 00:07:43,959
SAY IT ANOTHER 10 TIMES.

181
00:07:43,959 --> 00:07:45,792
I'M SORRY,
IT IS SEXUAL.
NINE MORE.

182
00:07:45,792 --> 00:07:47,959
SEAN, LET ME
ASK YOU A QUESTION.

183
00:07:47,959 --> 00:07:50,500
ARE YOU ABLE TO ACHIEVE
AN ERECTION?

184
00:07:52,417 --> 00:07:54,750
I'D REALLY RATHER NOT SAY.

185
00:07:54,750 --> 00:07:56,625
IF YOU WANT ME TO HELP YOU...

186
00:07:56,625 --> 00:07:58,458
THAT IS WHY WE'RE HERE.

187
00:07:58,458 --> 00:08:00,667
[ SIGHS ] FINE.

188
00:08:00,667 --> 00:08:01,917
SO, ARE YOU?

189
00:08:01,917 --> 00:08:03,333
AM I WHAT?

190
00:08:03,333 --> 00:08:06,083
ARE YOU ABLE
TO ACHIEVE AN ERECTION?

191
00:08:06,083 --> 00:08:09,000
MM-HMM.

192
00:08:09,000 --> 00:08:12,625
DO YOU FIND IT DIFFICULT
TO MAINTAIN YOUR ERECTION

193
00:08:12,625 --> 00:08:14,417
TO COMPLETE INTERCOURSE?

194
00:08:17,583 --> 00:08:18,792
I'D RATHER NOT SAY.

195
00:08:18,792 --> 00:08:20,083
YES.

196
00:08:20,083 --> 00:08:22,333
DO YOU MASTURBATE?

197
00:08:22,333 --> 00:08:24,125
HER OR ME?
YOU.

198
00:08:24,125 --> 00:08:25,166
I'D RATHER NOT SAY.

199
00:08:25,166 --> 00:08:29,583
[ TYPEWRITER KEYS CLACKING ]

200
00:08:29,583 --> 00:08:32,458
BEVERLY, I'D LIKE
TO TRY AN EXERCISE.

201
00:08:32,458 --> 00:08:33,667
ALL RIGHT.

202
00:08:33,667 --> 00:08:38,000
IF YOUR VAGINA COULD SPEAK
TO SEAN RIGHT NOW,

203
00:08:38,000 --> 00:08:39,417
WHAT WOULD IT SAY TO HIM?

204
00:08:39,417 --> 00:08:40,959
IF MY VAGINA COULD SPEAK,

205
00:08:40,959 --> 00:08:44,041
WE'D BE HAVING AN ENTIRELY
DIFFERENT SET OF PROBLEMS.

206
00:08:44,041 --> 00:08:45,709
I SENSE YOUR DISCOMFORT.

207
00:08:47,041 --> 00:08:48,458
BUT, PLEASE.

208
00:08:52,625 --> 00:08:54,750
[ SCOFFS ] OKAY.

209
00:08:54,750 --> 00:08:56,667
UH...

210
00:08:56,667 --> 00:08:58,333
[ SIGHS ]

211
00:08:58,333 --> 00:09:00,667
I SUPPOSE,
IF IT COULD SPEAK...

212
00:09:00,667 --> 00:09:03,709
[ SIGHS ]

213
00:09:03,709 --> 00:09:05,458
...IT WOULD WANT HIM
TO KNOW --

214
00:09:05,458 --> 00:09:09,333
NO. NO. NO.
AS YOUR VAGINA TO SEAN.

215
00:09:20,166 --> 00:09:23,750
[ Deep, goofy voice ]
HI, SEAN.

216
00:09:26,125 --> 00:09:29,750
[ TYPEWRITER KEYS CLACKING ]

217
00:09:32,208 --> 00:09:37,333
HAVE YOU TWO THOUGHT ABOUT
ALTERNATIVES TO INTERCOURSE?

218
00:09:37,333 --> 00:09:40,834
PERHAPS YOU COULD
PLEASURE EACH OTHER ORALLY

219
00:09:40,834 --> 00:09:42,667
OR ENGAGE IN ANAL PLAY.

220
00:09:42,667 --> 00:09:45,333
MM, ABSOLUTELY.
MM-HMM.

221
00:09:45,333 --> 00:09:46,542
TAKE ME HOME.
I WANT TO GO HOME.

222
00:09:51,417 --> 00:09:53,583
[ Deep, goofy voice ]
THOUGH OTHERS HAVE BEEN IN ME,

223
00:09:53,583 --> 00:09:56,542
YOU ARE THE ONE I WANT.

224
00:09:58,709 --> 00:10:02,000
[ TYPEWRITER KEYS CLACKING,
BELL DINGS ]

225
00:10:02,000 --> 00:10:05,709
SEAN, AS YOU FIND YOURSELF
LOSING YOUR ERECTION --

226
00:10:05,709 --> 00:10:07,083
OH, GOOD,
WE'RE BACK ON THAT.

227
00:10:07,083 --> 00:10:08,625
...DO YOU THINK
THAT THERE'S ANYTHING

228
00:10:08,625 --> 00:10:10,208
THAT BEVERLY
COULD DO DIFFERENTLY?

229
00:10:10,208 --> 00:10:12,875
NO.

230
00:10:12,875 --> 00:10:14,875
NO? MAYBE SOMETHING
THAT SHE USED TO DO,

231
00:10:14,875 --> 00:10:17,709
OR FOR SOME FANTASY?
NO.

232
00:10:17,709 --> 00:10:20,041
MAYBE SOMETHING
THAT THIS OTHER WOMAN DID.

233
00:10:20,041 --> 00:10:21,417
OH, GOD, NO.

234
00:10:21,417 --> 00:10:24,417
LOOK...
IT'S NOT ABOUT SEX.

235
00:10:24,417 --> 00:10:26,250
WELL --
IT'S NOT.

236
00:10:26,250 --> 00:10:27,500
I HATE TO DISAPPOINT YOU.

237
00:10:27,500 --> 00:10:29,417
I REALIZE
THAT'S YOUR THING,

238
00:10:29,417 --> 00:10:32,083
AND I'M SORRY IF THIS
LEAVES YOU OUT OF THE MIX,

239
00:10:32,083 --> 00:10:35,000
BUT WHAT HAPPENED TO US
HAD NOTHING TO DO WITH...

240
00:10:35,000 --> 00:10:37,208
COPULATION.

241
00:10:37,208 --> 00:10:40,709
AND I'M SPEAKING
FOR MY COCK HERE, AS WELL.

242
00:10:40,709 --> 00:10:42,500
WELL, SO THEN,
WHAT IS IT ABOUT?

243
00:10:46,000 --> 00:10:47,834
TRUST.

244
00:10:47,834 --> 00:10:48,750
TRUST?

245
00:10:48,750 --> 00:10:51,250
RIGHT.

246
00:10:51,250 --> 00:10:53,959
IT'S NOT ABOUT SEX.
IT'S NOT EVEN ABOUT LOVE.

247
00:10:53,959 --> 00:10:56,709
LOVE'S THE EASY BIT.

248
00:10:56,709 --> 00:11:02,542
IT TURNS OUT,
FINDING TRUST WITH SOMEONE,

249
00:11:02,542 --> 00:11:05,959
FEELING SAFE,

250
00:11:05,959 --> 00:11:07,750
THAT'S...

251
00:11:11,583 --> 00:11:14,625
AND WHEN I FINALLY FOUND IT,
I THOUGHT,

252
00:11:14,625 --> 00:11:19,417
"WELL, THERE YOU GO.
THAT'S IT."

253
00:11:19,417 --> 00:11:22,500
BUT...

254
00:11:22,500 --> 00:11:26,417
WHEN THE TRUST
GOES AWAY,

255
00:11:26,417 --> 00:11:28,667
WHEN YOU CAN'T
FEEL IT ANYMORE...

256
00:11:31,709 --> 00:11:34,458
...I DON'T KNOW HOW
YOU GET IT BACK.

257
00:11:39,458 --> 00:11:42,959
SOMETIMES I THINK...

258
00:11:42,959 --> 00:11:44,333
WHAT?

259
00:11:44,333 --> 00:11:47,583
SOMETIMES I THINK

260
00:11:47,583 --> 00:11:51,458
MAYBE WE'VE SOMEHOW...

261
00:11:51,458 --> 00:11:54,709
BROKEN SOMETHING
FUNDAMENTAL...

262
00:11:54,709 --> 00:11:56,709
THAT CAN'T BE FIXED.

263
00:12:10,709 --> 00:12:12,417
[ TIRES SCREECH ]

264
00:12:17,834 --> 00:12:19,542
ARE YOU CRAZY?

265
00:12:19,542 --> 00:12:22,875
YOU HAD TO TELL HER
ABOUT THE FUCKING PAINTINGS.

266
00:12:22,875 --> 00:12:25,709
SHE WAS FINE UNTIL
YOU OPENED YOUR BIG MOUTH.

267
00:12:25,709 --> 00:12:28,291
THREE WEEKS, SHE DIDN'T EVEN
KNOW THAT THEY WERE GONE!

268
00:12:28,291 --> 00:12:30,875
NOW ALL OF A SUDDEN,
IT'S, "OH, I NEED MY PAINTINGS.

269
00:12:30,875 --> 00:12:33,917
I CAN'T FEEL THE PRESENCE
OF MY ART."

270
00:12:33,917 --> 00:12:35,166
GOD, YOU'RE A DICK.

271
00:12:35,166 --> 00:12:36,250
THEN SUCK ME.

272
00:12:36,250 --> 00:12:39,083
JUST STAY OUT OF
MY GODDAMN BUSINESS!

273
00:12:39,083 --> 00:12:40,417
OR WHAT?
YOU'LL CANCEL MY SHOW?

274
00:12:40,417 --> 00:12:42,750
OH, WAIT, YOU CAN'T,
BECAUSE THEY CANCELED YOU.

275
00:12:42,750 --> 00:12:45,291
YOU KNOW WHAT?
I'M GLAD I DIDN'T CANCEL YOU.

276
00:12:45,291 --> 00:12:47,709
I LIKE KNOWING YOU'RE STUCK
IN THAT PIECE OF SHIT.

277
00:12:47,709 --> 00:12:48,875
IT FEELS GOOD.

278
00:12:48,875 --> 00:12:50,417
OH, YEAH?
YOU KNOW WHAT REALLY FEELS GOOD?

279
00:12:50,417 --> 00:12:55,000
PUTTING MY PENIS
INSIDE YOUR WIFE'S VAGINA.

280
00:12:55,000 --> 00:12:57,417
OH. LOOK WHO WENT
TO MEDICAL SCHOOL.

281
00:12:57,417 --> 00:12:58,875
YOU KNOW WHAT?
YOU CAN HAVE HER.

282
00:12:58,875 --> 00:13:00,750
I ALREADY GOT HER.
WELL, KEEP HER!

283
00:13:00,750 --> 00:13:02,959
BY THE WAY,
IS THE WHOLE BLIND THING

284
00:13:02,959 --> 00:13:04,750
GETTING
A LITTLE TIRED YET?

285
00:13:04,750 --> 00:13:06,500
WAIT TILL YOU WATCH HER
EAT SOUP.

286
00:13:06,500 --> 00:13:07,917
ALL RIGHT, THAT'S IT.

287
00:13:07,917 --> 00:13:09,375
GET THE HELL
OUT OF MY DRIVEWAY,

288
00:13:09,375 --> 00:13:11,250
AND YOU BETTER PUT THOSE
FUCKING PAINTINGS BACK.

289
00:13:11,250 --> 00:13:12,625
OR WHAT?

290
00:13:12,625 --> 00:13:14,458
[ SCOFFS ]
YOU DON'T SCARE ME.

291
00:13:14,458 --> 00:13:15,792
HUH?
I'M SERIOUS.

292
00:13:15,792 --> 00:13:17,291
YOU DO NOT WANT
TO MESS WITH THIS.

293
00:13:19,291 --> 00:13:21,000
I SWEAR TO GOD!

294
00:13:21,000 --> 00:13:23,583
YOU ARE SO LUCKY
THAT I HAVE DINNER PLANS.

295
00:13:23,583 --> 00:13:26,250
[ ENGINE TURNS OVER, REVS ]

296
00:13:37,000 --> 00:13:39,000
[ UP-TEMPO MUSIC PLAYS ]

297
00:13:44,750 --> 00:13:47,750
WE'RE ALL REALLY EXCITED ABOUT
THE SHOW MOVING TO SATURDAY.

298
00:13:47,750 --> 00:13:49,250
TALK A LITTLE MORE
ABOUT THAT.

299
00:13:49,250 --> 00:13:52,041
WELL, THERE'S SO LITTLE ORIGINAL
PROGRAMING ON SATURDAYS.

300
00:13:52,041 --> 00:13:54,792
IT GIVES US A CHANCE TO REACH
A WHOLE NEW AUDIENCE.

301
00:13:54,792 --> 00:13:56,667
SO, BASICALLY,
YOU'RE HOPING TO DO WELL

302
00:13:56,667 --> 00:13:58,291
ONLY BECAUSE
THERE'S NOTHING ELSE ON.

303
00:13:58,291 --> 00:13:59,834
YEAH.

304
00:13:59,834 --> 00:14:02,166
HMM.

305
00:14:02,166 --> 00:14:06,375
I NEVER SAW IT, BUT WHEN
YOU DID THE SHOW IN ENGLAND,

306
00:14:06,375 --> 00:14:09,000
IT WAS A BIG HIT, RIGHT?
UH-HUH.

307
00:14:09,000 --> 00:14:11,083
IS THERE SOMETHING
WE'RE NOT GETTING?

308
00:14:11,083 --> 00:14:14,834
YOU'RE NOT GETTING THE SHOW
WE DID IN ENGLAND!

309
00:14:14,834 --> 00:14:16,333
[ CHUCKLES ]
EXCUSE ME.

310
00:14:16,333 --> 00:14:18,375
CAN I JUST STEAL THESE TWO
FOR A SEC?

311
00:14:18,375 --> 00:14:19,500
SURE.

312
00:14:19,500 --> 00:14:21,667
[ Singsong voice ]
YOU'RE WELCOME.

313
00:14:21,667 --> 00:14:23,583
MY GOD, DOES ANYONE
LIKE OUR SHOW?

314
00:14:23,583 --> 00:14:25,291
PROBABLY.

315
00:14:26,542 --> 00:14:28,208
OOH.

316
00:14:28,208 --> 00:14:30,375
THERE HE IS.

317
00:14:30,375 --> 00:14:31,500
THERE WHO IS?

318
00:14:31,500 --> 00:14:35,000
CASTOR.

319
00:14:35,000 --> 00:14:36,333
WHAT DO YOU THINK?

320
00:14:36,333 --> 00:14:39,750
I THINK HE'S THE CLIFF,
AND YOU'RE THELMA AND LOUISE.

321
00:14:39,750 --> 00:14:42,875
YEAH.
I'D DRIVE OFF THAT.

322
00:14:44,417 --> 00:14:47,458
OKAY, SO WHEN YOU'RE FINISHED
TALKING BUSINESS,

323
00:14:47,458 --> 00:14:49,250
I'LL BE OVER AT THE BAR.

324
00:14:49,250 --> 00:14:51,125
LOOK AT HIM.

325
00:14:51,125 --> 00:14:53,041
HE'S UNDER SO MUCH PRESSURE.

326
00:14:53,041 --> 00:14:55,834
THIS IS, LIKE,
HIS FIRST OFFICIAL THING.

327
00:14:55,834 --> 00:14:58,375
IT'S GOT TO BE SO HARD.

328
00:14:58,375 --> 00:15:00,375
ANYWAY...

329
00:15:00,375 --> 00:15:02,458
OH, BY THE WAY --
AT SOME POINT,

330
00:15:02,458 --> 00:15:04,542
WE NEED TO HAVE
A LITTLE CHAT

331
00:15:04,542 --> 00:15:07,291
ABOUT OUR VISIT
TO THE "COUNSELOR" TODAY.

332
00:15:07,291 --> 00:15:09,333
OH, RIGHT.
HOW'D IT GO?

333
00:15:09,333 --> 00:15:10,959
NOT NOW.
NO, TELL ME.

334
00:15:10,959 --> 00:15:16,041
YOU MIGHT HAVE MENTIONED
SHE'S A SEX THERAPIST.

335
00:15:16,041 --> 00:15:17,291
DIDN'T I?
NO.

336
00:15:17,291 --> 00:15:18,667
NO?
NO!

337
00:15:18,667 --> 00:15:20,625
SHE TALKED
ABOUT ANAL PLAY.

338
00:15:20,625 --> 00:15:22,542
MAYBE LET'S DO THIS LATER.

339
00:15:22,542 --> 00:15:23,375
LET'S.

340
00:15:25,458 --> 00:15:27,166
I HAVE MATT LeBLANC
COMING IN.

341
00:15:27,166 --> 00:15:29,583
SO, MORNING AND THE BOYS
ARE HERE ALREADY,

342
00:15:29,583 --> 00:15:32,083
AND STOKE'S NOT COMING.
YOU KNOW THAT, RIGHT?

343
00:15:32,083 --> 00:15:34,000
HOW THE HELL
DID HE GET OUT OF IT?

344
00:15:34,000 --> 00:15:36,083
HE'S SHOOTING
SOME V05 COMMERCIAL.

345
00:15:36,083 --> 00:15:37,417
FUCKING HAIR.

346
00:15:37,417 --> 00:15:39,333
THE IMPORTANT THING
IS THAT YOU'RE HERE.

347
00:15:39,333 --> 00:15:41,250
EVERYBODY'S VERY EXCITED
TO TALK TO YOU.

348
00:15:41,250 --> 00:15:43,291
GREAT.
I'M VERY EXCITED ABOUT VODKA.

349
00:15:43,291 --> 00:15:44,542
CAN YOU GET ME A VODKA?

350
00:15:44,542 --> 00:15:46,792
I CAN.
ANYTHING YOU NEED, I'M HERE.

351
00:15:46,792 --> 00:15:47,959
UH, VODKA.

352
00:15:47,959 --> 00:15:49,208
ABSOLUTELY.

353
00:15:49,208 --> 00:15:51,125
FIRST, LET'S JUST GO THROUGH
A FEW QUICK TALKING POINTS.

354
00:15:51,125 --> 00:15:52,417
YEAH. YEAH.

355
00:15:52,417 --> 00:15:54,792
YOU'RE REALLY PSYCHED ABOUT
"PUCKS'" BIG MOVE TO SATURDAY.

356
00:15:54,792 --> 00:15:57,542
IT'S A GREAT OPPORTUNITY
FOR THE SHOW,

357
00:15:57,542 --> 00:15:59,083
FEELS LIKE A FRESH START,

358
00:15:59,083 --> 00:16:02,417
AND IT'S A CHANCE TO ATTRACT
A WHOLE NEW AUDIENCE.

359
00:16:02,417 --> 00:16:03,625
ANYTHING ELSE?

360
00:16:03,625 --> 00:16:05,000
VODKA?

361
00:16:05,000 --> 00:16:06,291
THERE YOU GO.

362
00:16:13,458 --> 00:16:17,959
I GOT TO ASK, WHAT MADE YOU
COME BACK IN THIS?

363
00:16:17,959 --> 00:16:20,709
UH, A NEW BANK
OPENED DOWN THE STREET,

364
00:16:20,709 --> 00:16:22,542
AND I WANTED TO FILL IT UP.

365
00:16:22,542 --> 00:16:24,291
[ BOTH CHUCKLE ]
NO, SERIOUSLY,

366
00:16:24,291 --> 00:16:27,458
AFTER BEING ON A HIT,
THIS HAS GOT TO BE ROUGH, NO?

367
00:16:27,458 --> 00:16:29,208
NAH.
I'M HAVING A BLAST.

368
00:16:29,208 --> 00:16:32,458
VERY EXCITED ABOUT THE SHOW
MOVING TO SATURDAY.

369
00:16:32,458 --> 00:16:34,291
[ Enunciating ]
SATURDAY.
[ CHUCKLES ]

370
00:16:34,291 --> 00:16:35,834
EVEN THOUGH
YOU'RE BARELY ON IT NOW?

371
00:16:35,834 --> 00:16:38,750
[ Chuckling ]
THAT'S NOT TRUE.

372
00:16:38,750 --> 00:16:40,083
HOW COME ALL OF A SUDDEN,

373
00:16:40,083 --> 00:16:41,625
NO ONE WANTS TO TALK ABOUT
MY HAIR TURNING GRAY?

374
00:16:41,625 --> 00:16:43,208
[ CHUCKLES POLITELY ]

375
00:16:43,208 --> 00:16:46,041
NO OFFENSE, IT'S NOT REALLY
YOUR SHOW ANYMORE.

376
00:16:46,041 --> 00:16:48,375
WHAT, ARE YOU TRYING
TO CAUSE TROUBLE HERE?

377
00:16:48,375 --> 00:16:50,375
IT'S STILL MY SHOW.
[ CHUCKLES ]

378
00:16:50,375 --> 00:16:52,125
IS IT?

379
00:16:56,000 --> 00:16:58,166
[ CHUCKLES UNEASILY ]

380
00:16:58,166 --> 00:17:00,500
I SWEAR,
THEY NEVER SHOWED IT TO US.

381
00:17:00,500 --> 00:17:01,458
LOOK AT THAT!

382
00:17:01,458 --> 00:17:03,208
I'M SMALLER
THAN THE FUCKING PUCK!

383
00:17:03,208 --> 00:17:04,458
HEY, CAN I HAVE
A DAIQUIRI, PLEASE?

384
00:17:04,458 --> 00:17:06,959
HEY, MATT.

385
00:17:06,959 --> 00:17:09,542
BRUNO AIKEN,
HOUSTON SENTINEL.

386
00:17:09,542 --> 00:17:10,667
HOW YOU DOING?

387
00:17:10,667 --> 00:17:13,000
HEY.

388
00:17:13,000 --> 00:17:14,166
[ Pointedly ] HEY.

389
00:17:14,166 --> 00:17:17,041
YOU'RE THE GUY
WHO CALLED ME FAT.

390
00:17:17,041 --> 00:17:18,875
[ CHUCKLES ]
UH, I DON'T -- I DON'T --

391
00:17:18,875 --> 00:17:22,083
IN YOUR REVIEW.
YOU CALLED ME FAT.

392
00:17:22,083 --> 00:17:24,709
ARE YOU FUCKING KIDDING ME?
YOU'RE 10 TIMES FATTER THAN ME.

393
00:17:24,709 --> 00:17:26,333
WELL --

394
00:17:26,333 --> 00:17:28,041
YOU KNOW, YOU CAN'T TELL
FROM THAT TINY PICTURE

395
00:17:28,041 --> 00:17:29,000
IN YOUR STUPID COLUMN

396
00:17:29,000 --> 00:17:30,000
AND WITH THE BEARD
AND EVERYTHING,

397
00:17:30,000 --> 00:17:31,583
BUT THAT'S ALL FACE
UNDER THERE.

398
00:17:31,583 --> 00:17:32,667
WOW!

399
00:17:37,000 --> 00:17:40,041
SO, YOU KNOW WE'RE MOVING
TO SATURDAY?

400
00:17:48,291 --> 00:17:50,834
HOW MUCH LONGER DO YOU THINK
WE HAVE TO STAY?

401
00:17:50,834 --> 00:17:52,917
I DON'T KNOW.
[ SIGHS ]

402
00:17:52,917 --> 00:17:54,208
SHIT.

403
00:17:54,208 --> 00:17:55,500
WHAT?
OVER THERE.

404
00:17:57,375 --> 00:18:00,083
OH. PLEASE, GOD,
DON'T LET HIM SEE US.

405
00:18:00,083 --> 00:18:02,458
I SWEAR,
I CANNOT FACE HIM TONIGHT.

406
00:18:02,458 --> 00:18:04,875
IF I HEAR ONE MORE,
"BEV, GUESS WHAT?

407
00:18:04,875 --> 00:18:07,083
I FARTED,
AND AN OSCAR CAME OUT."

408
00:18:07,083 --> 00:18:08,417
ALL RIGHT,
IF HE MOVES TOWARDS US,

409
00:18:08,417 --> 00:18:10,083
LET'S JUST PRETEND --
FUCK, HE SAW US.

410
00:18:10,083 --> 00:18:11,709
OH, GOD,
PLEASE DON'T COME OVER.

411
00:18:11,709 --> 00:18:13,834
PLEASE DON'T COME OVER.
IS HE COMING OVER?

412
00:18:13,834 --> 00:18:16,375
NO.

413
00:18:18,583 --> 00:18:20,083
WELL, THAT'S ODD.

414
00:18:20,083 --> 00:18:21,750
SURE IT'S HIM?
OF COURSE IT'S HIM.

415
00:18:21,750 --> 00:18:22,792
LOOK AT THE PONCY SCARF.

416
00:18:22,792 --> 00:18:23,583
MAYBE HE DIDN'T SEE US.

417
00:18:23,583 --> 00:18:25,500
OH, HE SAW US.

418
00:18:25,500 --> 00:18:26,625
LOOK,
HE JUST SAW US AGAIN.

419
00:18:26,625 --> 00:18:28,041
AND NOTHING!

420
00:18:28,041 --> 00:18:29,083
DIDN'T EVEN WAVE!

421
00:18:29,083 --> 00:18:31,375
HE'S BLOWING US OFF.

422
00:18:31,375 --> 00:18:34,834
THAT LITTLE SHIT!

423
00:18:34,834 --> 00:18:37,458
GIVE ME A VODKA,
AND THEN ANOTHER VODKA.

424
00:18:39,208 --> 00:18:40,917
WHAT ARE YOU GUYS
STARING AT?

425
00:18:40,917 --> 00:18:42,583
THAT DICK WHISTLE
ANDREW LESLEY.

426
00:18:42,583 --> 00:18:43,959
ANDREW LESLEY'S HERE?

427
00:18:46,750 --> 00:18:49,959
ANDREW. HEY!

428
00:18:49,959 --> 00:18:52,083
MONSIEUR LeBLANC!

429
00:18:52,083 --> 00:18:53,834
[ BOTH CHUCKLE ]

430
00:18:53,834 --> 00:18:56,333
WHAT ARE YOU DOING HERE?

431
00:18:56,333 --> 00:18:58,959
OH, I-I JUST SHOT A PILOT
WITH A NETWORK.

432
00:18:58,959 --> 00:19:00,375
PLUS THE ONE FOR NBC?

433
00:19:00,375 --> 00:19:01,583
I KNOW.

434
00:19:01,583 --> 00:19:04,000
I WORRY THERE WON'T BE ENOUGH
OF ME TO GO AROUND.

435
00:19:04,000 --> 00:19:06,709
LISTEN, I DIDN'T GET A CHANCE
TO TELL YOU.

436
00:19:06,709 --> 00:19:08,250
I LOVED YOUR SCRIPT.

437
00:19:08,250 --> 00:19:09,417
YOU DID NOT.

438
00:19:09,417 --> 00:19:10,959
OH, MY GOD,
ARE YOU KIDDING?

439
00:19:10,959 --> 00:19:13,000
WELL, EVERYONE SAYS IT,
BUT STILL.

440
00:19:13,000 --> 00:19:14,625
SO, UH, WHERE ARE YOU
WITH CASTING?

441
00:19:14,625 --> 00:19:15,875
IN HELL, THANKS TO YOU.

442
00:19:15,875 --> 00:19:17,917
Y-YOU POSITIVELY RUINED ME.

443
00:19:17,917 --> 00:19:20,792
NOW I CAN ONLY HEAR YOUR VOICE
IN MY HEAD.

444
00:19:20,792 --> 00:19:22,208
WELL, KEEP HEARING IT,

445
00:19:22,208 --> 00:19:24,458
'CAUSE THEY'RE TRYING "PUCKS"
ON A NEW NIGHT,

446
00:19:24,458 --> 00:19:26,166
AND IF IT DOESN'T WORK...

447
00:19:26,166 --> 00:19:28,458
NOW YOU'RE JUST
BEING A TEASE.
AH.

448
00:19:28,458 --> 00:19:31,375
HEY, STOP TEASING ME.
[ CHUCKLES ]

449
00:19:31,375 --> 00:19:32,750
LOOK AT THEM.

450
00:19:32,750 --> 00:19:34,166
WHAT AN ASSHOLE.

451
00:19:34,166 --> 00:19:35,208
WHICH ONE?

452
00:19:35,208 --> 00:19:36,667
TAKE YOUR PICK.

453
00:19:36,667 --> 00:19:39,083
LOOK, IT'S NO SECRET
WE'RE IN LAST PLACE.

454
00:19:39,083 --> 00:19:41,667
GOOD NEWS IS,
WE HAVE NOWHERE TO GO BUT UP.

455
00:19:41,667 --> 00:19:44,500
AND YES, I'M AWARE
THAT'S NOT VERY GOOD NEWS.

456
00:19:44,500 --> 00:19:46,166
[ LIGHT LAUGHTER ]

457
00:19:46,166 --> 00:19:48,041
IT'S GOT TO FEEL LIKE YOUR
SCHEDULE'S IN FREE FALL, THOUGH.

458
00:19:48,041 --> 00:19:50,667
I THINK ALL NETWORK TV's
IN FREE FALL.

459
00:19:50,667 --> 00:19:54,208
WE'RE JUST THE FIRST ONES
PUSHED OUT OF THE PLANE.

460
00:19:54,208 --> 00:19:57,959
DOES IT WORRY YOU THAT YOU'VE
NEVER RUN A NETWORK BEFORE?

461
00:19:57,959 --> 00:19:59,375
[ Mockingly ] WHAT?

462
00:19:59,375 --> 00:20:00,417
[ LAUGHTER ]

463
00:20:00,417 --> 00:20:02,166
OKAY, LOOK,
WHAT CAN I SAY?

464
00:20:02,166 --> 00:20:05,208
THE LAST GUY WHO HAD THIS JOB
RAN THE NETWORK FOR YEARS.

465
00:20:05,208 --> 00:20:07,959
UNFORTUNATELY, HE RAN
THE NETWORK INTO THE GROUND.

466
00:20:11,041 --> 00:20:14,500
Man: SO, YOU'RE SAYING THIS IS
ALL MERC LAPIDUS' MESS?

467
00:20:16,083 --> 00:20:18,750
I'M SORRY, WHAT?

468
00:20:20,583 --> 00:20:22,208
MERC'S MESS?

469
00:20:22,208 --> 00:20:23,625
UH, NO.

470
00:20:23,625 --> 00:20:26,500
UH, LOOK, I COULD EASILY
PIN IT ALL ON HIM,

471
00:20:26,500 --> 00:20:29,500
BUT IT'S A TOTALLY DIFFERENT
LANDSCAPE TODAY.

472
00:20:31,333 --> 00:20:34,208
WE'RE NOT...JUST COMPETING
AGAINST EACH OTHER.

473
00:20:34,208 --> 00:20:35,333
THERE ARE...

474
00:20:38,250 --> 00:20:39,500
THERE ARE ALL THESE...

475
00:20:40,709 --> 00:20:42,083
...NEW PLATFORMS.

476
00:20:50,041 --> 00:20:51,500
EXCUSE ME.

477
00:20:59,166 --> 00:21:00,750
HEY, THERE.

478
00:21:00,750 --> 00:21:02,375
ARE YOU ALL RIGHT?

479
00:21:02,375 --> 00:21:04,375
I'M FINE.
GO BACK TO THE PARTY.

480
00:21:08,625 --> 00:21:11,083
LOOK, I GET IT.

481
00:21:11,083 --> 00:21:13,291
IT'S HARD.

482
00:21:13,291 --> 00:21:16,000
YOU...

483
00:21:16,000 --> 00:21:17,917
YOU CAN TELL?

484
00:21:17,917 --> 00:21:20,250
OF COURSE I CAN TELL.

485
00:21:20,250 --> 00:21:21,583
OH, JESUS.

486
00:21:21,583 --> 00:21:24,291
YOU THINK...
EVERYONE CAN TELL?

487
00:21:24,291 --> 00:21:26,583
NO!
NO, YOU'RE DOING GREAT.

488
00:21:26,583 --> 00:21:27,917
[ SIGHS ]

489
00:21:27,917 --> 00:21:30,417
BUT I TOTALLY GET
WHAT YOU'RE GOING THROUGH.

490
00:21:30,417 --> 00:21:31,834
YOU DO?

491
00:21:31,834 --> 00:21:33,625
TOTALLY.

492
00:21:33,625 --> 00:21:35,500
NOW, LISTEN TO ME.

493
00:21:35,500 --> 00:21:37,959
YOU ARE NOT ALONE IN THIS,

494
00:21:37,959 --> 00:21:40,291
NO MATTER HOW HARD IT GETS,

495
00:21:40,291 --> 00:21:44,917
AND BELIEVE ME,
IT CAN ALWAYS GET HARDER.

496
00:21:44,917 --> 00:21:47,250
[ GROANS ]
I DON'T THINK THAT'S POSSIBLE.

497
00:21:47,250 --> 00:21:49,625
I'M HERE FOR YOU.

498
00:21:49,625 --> 00:21:51,458
WHATEVER YOU NEED.

499
00:21:51,458 --> 00:21:54,667
REALLY?

500
00:21:54,667 --> 00:21:59,417
[ BOTH PANTING ]

501
00:22:18,875 --> 00:22:22,125
WELL,
DON'T YOU LOOK PRETTY.

502
00:22:22,125 --> 00:22:24,834
I DIDN'T REALIZE
THE DRESS CODE THIS MORNING

503
00:22:24,834 --> 00:22:26,834
WAS COCKTAIL DISHEVELED.

504
00:22:26,834 --> 00:22:28,375
[ LAUGHS ]

505
00:22:28,375 --> 00:22:31,667
I TRIED CALLING, BUT THERE'S
NO RECEPTION UP HERE.

506
00:22:31,667 --> 00:22:33,750
I CAN'T DO THIS TODAY.

507
00:22:33,750 --> 00:22:34,667
IS IT THE HEELS?

508
00:22:34,667 --> 00:22:35,875
[ BOTH CHUCKLE ]

509
00:22:35,875 --> 00:22:40,375
I NEVER GOT HOME
LAST NIGHT.

510
00:22:40,375 --> 00:22:41,667
I COULDN'T HELP BUT NOTICE

511
00:22:41,667 --> 00:22:43,667
THE HIKING OUTFIT
DID LOOK FAMILIAR.

512
00:22:43,667 --> 00:22:45,583
DON'T BE MAD.

513
00:22:45,583 --> 00:22:47,500
CASTOR?

514
00:22:47,500 --> 00:22:50,166
[ Sighing ] OH, MY GOD.

515
00:22:50,166 --> 00:22:51,000
YOU SLEPT WITH HIM.

516
00:22:51,000 --> 00:22:52,000
I SWEAR,

517
00:22:52,000 --> 00:22:53,750
THERE WAS NO SLEEPING.

518
00:22:53,750 --> 00:22:55,834
IT WAS INSANE!

519
00:22:55,834 --> 00:23:00,417
HE WENT LITERALLY --
LITERALLY ALL NIGHT.

520
00:23:00,417 --> 00:23:03,500
I'VE NEVER SEEN
ANYTHING LIKE IT.

521
00:23:03,500 --> 00:23:07,834
MERC ON A GOOD DAY, PLUS VIAGRA,
MAYBE 10 MINUTES.

522
00:23:07,834 --> 00:23:08,875
[ GROANS ]

523
00:23:08,875 --> 00:23:10,917
THIS WAS SUPERHUMAN.

524
00:23:10,917 --> 00:23:13,375
CALENDAR PAGES
WERE FLYING OFF.

525
00:23:13,375 --> 00:23:17,500
FLOWERS WERE COMING UP
AND OPENING, AND DYING.

526
00:23:17,500 --> 00:23:18,875
[ BOTH CHUCKLE ]

527
00:23:18,875 --> 00:23:21,250
I GUESS, HMM, NO OFFENSE,

528
00:23:21,250 --> 00:23:23,041
BUT I DEFINITELY HATE YOU.

529
00:23:23,041 --> 00:23:25,417
WHAT? [ GASPS ]
OH, GOD. SORRY.

530
00:23:25,417 --> 00:23:27,458
NO, NO.
DON'T FEEL BAD.

531
00:23:27,458 --> 00:23:29,959
IT'S NOT AT ALL
LIKE TELLING GANDHI

532
00:23:29,959 --> 00:23:32,166
ABOUT HOW YOU ATE
A WHOLE HAM.

533
00:23:32,166 --> 00:23:33,917
I--

534
00:23:33,917 --> 00:23:37,709
IF IT HELPS,
I'M REALLY SORE!

535
00:23:37,709 --> 00:23:39,709
DOESN'T HELP!

536
00:23:43,000 --> 00:23:45,458
[ PHONE RINGS ]

537
00:23:54,875 --> 00:23:56,625
HELLO, THERE.

538
00:23:56,625 --> 00:23:58,041
HEY.

539
00:23:58,041 --> 00:24:00,917
JUST THOUGHT YOU'D BE HAPPY TO
KNOW THE PAINTINGS ARE BACK.

540
00:24:00,917 --> 00:24:02,083
REALLY?

541
00:24:02,083 --> 00:24:03,750
Up on the walls
and everything.

542
00:24:03,750 --> 00:24:05,125
THAT'S GREAT.

543
00:24:05,125 --> 00:24:07,583
THANK YOU FOR, UH,
STAYING OUT OF IT.

544
00:24:07,583 --> 00:24:09,083
I KNOW THAT WASN'T EASY.

545
00:24:09,083 --> 00:24:10,875
Ah...

546
00:24:10,875 --> 00:24:13,041
I'm just happy
it all worked out.

547
00:24:13,041 --> 00:24:15,417
SO, AM I SEEING YOU LATER?

548
00:24:15,417 --> 00:24:18,667
Definitely.
Maybe go to the beach?

549
00:24:18,667 --> 00:24:22,250
OH, SOUNDS GREAT.
I AM DYING FOR A SWIM.

550
00:24:22,250 --> 00:24:25,458
MAYBE AFTER,
WE COULD GO OUT SOMEWHERE.

551
00:24:25,458 --> 00:24:26,917
How about Nobu?

552
00:24:26,917 --> 00:24:29,458
NOBU?
I LOVE NOBU.

553
00:24:36,959 --> 00:24:39,083
WHAT ARE YOU DOING?

554
00:24:39,083 --> 00:24:42,125
I DON'T KNOW.
JUST LOOKING.

555
00:24:42,125 --> 00:24:44,166
WOULD YOU LIKE A CHAIR?

556
00:24:44,166 --> 00:24:45,667
NO.

557
00:24:45,667 --> 00:24:47,709
WANT TO DO SOMETHING?

558
00:24:47,709 --> 00:24:49,750
SURE.

559
00:24:49,750 --> 00:24:51,041
WHAT?

560
00:24:51,041 --> 00:24:52,125
ANYTHING.
I DON'T CARE.

561
00:24:52,125 --> 00:24:53,458
LIKE A MOVIE OR SOMETHING?

562
00:24:53,458 --> 00:24:55,250
MM...
SO, NOT ANYTHING.

563
00:24:55,250 --> 00:24:57,291
NOT REALLY
IN A MOVIE MOOD.

564
00:24:57,291 --> 00:25:01,709
WE COULD JUST STAY AT HOME
AND PLEASURE EACH OTHER ORALLY.

565
00:25:01,709 --> 00:25:03,500
[ Laughing ] OH, MY GOD!

566
00:25:03,500 --> 00:25:04,667
THAT WAS THE WORST HOUR
OF MY LIFE.

567
00:25:04,667 --> 00:25:07,500
SO THEN, UH, NOT UP
FOR A LITTLE, UH, ANAL PLAY?

568
00:25:07,500 --> 00:25:08,667
SAW AN ANAL PLAY ONCE.

569
00:25:08,667 --> 00:25:09,959
[ LAUGHS ]

570
00:25:09,959 --> 00:25:11,667
WAS IT SHITTY?
IT WAS.

571
00:25:11,667 --> 00:25:13,166
THAT'S WHY WE GET
THE BIG BUCKS!

572
00:25:13,166 --> 00:25:14,667
[ CHUCKLES ]

573
00:25:14,667 --> 00:25:16,458
WILL YOU EVER RECOVER
FROM THAT?

574
00:25:16,458 --> 00:25:18,542
NEVER.
PERMANENTLY TRAUMATIZED.

575
00:25:18,542 --> 00:25:21,875
BY THE WAY, WHY DOES
YOUR VAGINA SOUND LIKE YODA?

576
00:25:21,875 --> 00:25:25,000
[ LAUGHS ]
I DIDN'T KNOW WHAT TO DO.

577
00:25:25,000 --> 00:25:26,792
[ As Yoda ]
"PENETRATE ME, YOU COULD.

578
00:25:26,792 --> 00:25:30,000
LUBRICATED, I AM."
SHUT UP.

579
00:25:30,000 --> 00:25:32,208
"SOMETIMES, LIKE POPCORN,
I SMELL."

580
00:25:32,208 --> 00:25:34,667
STOP IT! [ LAUGHS ]

581
00:25:38,000 --> 00:25:40,000
WE'RE NOT BROKEN.

582
00:25:40,000 --> 00:25:42,417
YOU DON'T THINK?
[ CHUCKLES ]

583
00:25:42,417 --> 00:25:45,667
MAYBE A LITTLE CRACKED.

584
00:26:02,458 --> 00:26:04,208
WOW.

585
00:26:04,208 --> 00:26:05,667
DID NOT SEE THAT COMING.

586
00:26:05,667 --> 00:26:07,208
NO!

587
00:26:07,208 --> 00:26:09,166
[ CHUCKLES ]

588
00:26:09,166 --> 00:26:10,834
WHAT WAS DIFFERENT
THIS TIME?

589
00:26:10,834 --> 00:26:11,834
I HAVE NO IDEA.

590
00:26:11,834 --> 00:26:13,834
WE HAVE TO REMEMBER
EVERYTHING WE DID.

591
00:26:13,834 --> 00:26:14,709
OH, I'LL REMEMBER.

592
00:26:14,709 --> 00:26:15,875
[ CHUCKLES ]

593
00:26:15,875 --> 00:26:17,625
SHOULD WE DO IT AGAIN
JUST TO MAKE SURE?

594
00:26:17,625 --> 00:26:18,542
REALLY?

595
00:26:18,542 --> 00:26:20,083
MM-HMM.
[ LAUGHS ]

596
00:26:20,083 --> 00:26:23,166
THAT DOCTOR WAS A GENIUS.

597
00:26:25,083 --> 00:26:26,458
OH, SHIT.
WHAT TIME IS IT?

598
00:26:26,458 --> 00:26:27,917
SERIOUSLY?

599
00:26:27,917 --> 00:26:29,417
WE MISSED OUR SHOW.

600
00:26:29,417 --> 00:26:30,417
WHAT SHOW?

601
00:26:30,417 --> 00:26:31,583
"WHAT SHOW?"

602
00:26:31,583 --> 00:26:32,709
OH!

603
00:26:32,709 --> 00:26:34,417
RIGHT, IT'S SATURDAY!

604
00:26:34,417 --> 00:26:36,625
[ SIGHS AIRILY ]

605
00:26:36,625 --> 00:26:37,750
OH, WELL.

606
00:26:37,750 --> 00:26:38,917
OH, YEAH.

607
00:26:42,375 --> 00:26:43,792
Sean: UNBELIEVABLE.

608
00:26:43,792 --> 00:26:47,333
WE LOST TO SOMETHING CALLED
"STORAGE WARS: TEXAS"?

609
00:26:47,333 --> 00:26:49,083
WHICH WAS A REPEAT,
BY THE WAY.

610
00:26:49,083 --> 00:26:52,792
WE ALSO LOST
TO "WICKED TUNA,"

611
00:26:52,792 --> 00:26:54,625
"JERSEYLICIOUS,"

612
00:26:54,625 --> 00:26:56,500
"SWAMP PEOPLE."

613
00:26:56,500 --> 00:26:59,166
OH, SHIT.
I MISSED "SWAMP PEOPLE."

614
00:26:59,166 --> 00:27:00,333
THIS IS NOT GOOD, YOU GUYS.

615
00:27:00,333 --> 00:27:02,250
ALL RIGHT, BUT THIS IS
JUST THE FIRST WEEK.

616
00:27:02,250 --> 00:27:04,208
THEY'VE GOT TO GIVE THE AUDIENCE
A CHANCE TO FIND US.

617
00:27:05,375 --> 00:27:09,583
I MEAN,
THEY'VE GOT TO, RIGHT?

618
00:27:21,542 --> 00:27:24,125
[ TYPEWRITER KEYS CLACKING ]

619
00:27:51,959 --> 00:27:52,959
[ CARRIAGE RETURNS, BELL DINGS ]