1 00:00:08,458 --> 00:00:11,000 [ TYPEWRITER KEYS CLACKING ] 2 00:00:11,000 --> 00:00:12,041 [ TYPEWRITER CARRIAGE RETURNS ] 3 00:00:12,041 --> 00:00:13,542 I'M ABOUT TO LEAVE FOR MY DATE. 4 00:00:13,542 --> 00:00:14,458 OKAY. 5 00:00:14,458 --> 00:00:15,834 IF YOU DON'T WANT ME TO GO, 6 00:00:15,834 --> 00:00:16,959 I WON'T GO. 7 00:00:18,125 --> 00:00:19,166 GO. 8 00:00:22,000 --> 00:00:24,750 500 FEET, LABIA. 500 FEET. 9 00:00:24,750 --> 00:00:27,250 IF THAT FUCKING LUNATIC COMES NEAR MY KIDS AGAIN, 10 00:00:27,250 --> 00:00:28,333 I SWEAR TO GOD... 11 00:00:28,333 --> 00:00:30,709 PLEASE TELL ME YOU WEREN'T ENTERTAINING YOUR STALKER 12 00:00:30,709 --> 00:00:32,500 at your house last night. 13 00:00:32,500 --> 00:00:34,709 DID YOU HAVE SEXUAL RELATIONS WITH HER? 14 00:00:34,709 --> 00:00:35,875 DOES ANAL -- 15 00:00:35,875 --> 00:00:37,291 YEAH, IT COUNTS. 16 00:00:37,291 --> 00:00:39,000 YOU THINK I DON'T WANT TO BE WITH YOU ALL THE TIME? 17 00:00:39,000 --> 00:00:40,500 COME ON! WHAT DO YOU WANT ME TO DO? 18 00:00:40,500 --> 00:00:41,500 THE WOMAN'S BLIND. 19 00:00:41,500 --> 00:00:43,208 SHE'S FUCKING MATT LeBLANC. 20 00:00:43,208 --> 00:00:44,417 YOU SON OF A BITCH. 21 00:00:44,417 --> 00:00:45,583 OH! 22 00:00:45,583 --> 00:00:46,750 LET GO OF MY FUCKING -- 23 00:00:46,750 --> 00:00:48,166 AAH! 24 00:00:48,166 --> 00:00:50,166 OH, JESUS. DOES IT HURT? 25 00:00:50,166 --> 00:00:51,208 OH, FUCK. 26 00:00:51,208 --> 00:00:52,458 HOW ABOUT NOW? 27 00:00:52,458 --> 00:00:53,500 AAH! 28 00:00:53,500 --> 00:00:54,959 WE GOT A VERY SHORT LIST. 29 00:00:54,959 --> 00:00:56,041 RIGHT. 30 00:00:56,041 --> 00:00:57,208 AND YOUR NAME'S AT THE TOP OF IT. 31 00:00:57,208 --> 00:01:00,792 THE BOARD DECIDED... 32 00:01:00,792 --> 00:01:01,750 YOU'RE OUT. 33 00:01:01,750 --> 00:01:03,542 HOW DO YOU KNOW THIS? 34 00:01:03,542 --> 00:01:05,000 HE OFFERED ME YOUR JOB. 35 00:01:05,000 --> 00:01:06,625 BUT HE HIT YOU. 36 00:01:06,625 --> 00:01:07,667 I'M FINE NOW. I'M FINE. 37 00:01:07,667 --> 00:01:08,750 IT DIDN'T EVEN -- 38 00:01:08,750 --> 00:01:10,875 [ INHALES SHARPLY ] 39 00:01:10,875 --> 00:01:12,333 I CAN'T LEAVE HER NOW. 40 00:01:12,333 --> 00:01:14,166 WHAT? 41 00:01:14,166 --> 00:01:15,917 I GOT NO FUCKING JOB! 42 00:01:15,917 --> 00:01:17,375 YOU WANT ME TO GIVE HER HALF MY MONEY? 43 00:01:17,375 --> 00:01:19,041 GET OUT! 44 00:01:19,041 --> 00:01:20,458 ARE YOU FUCKING CRAZY?! 45 00:01:20,458 --> 00:01:21,375 [ TIRES SQUEAL ] 46 00:01:21,375 --> 00:01:23,709 I DON'T EVEN KNOW WHERE THE HELL I AM! 47 00:01:23,709 --> 00:01:26,166 [ SIREN WAILS ] THIS IS DOWNTOWN! 48 00:01:26,166 --> 00:01:28,750 FUCK! 49 00:01:28,750 --> 00:01:30,750 [ TYPEWRITER CLICKING, BELL CHIMES ] 50 00:01:33,583 --> 00:01:35,709 [ WIND WHISTLING ] 51 00:01:41,333 --> 00:01:43,875 [ MID-TEMPO MUSIC PLAYS ] 52 00:02:08,625 --> 00:02:10,458 [ GUNSHOT ] 53 00:02:17,750 --> 00:02:20,500 [ TYPEWRITER KEYS CLACKING ] 54 00:02:20,500 --> 00:02:21,834 [ TYPEWRITER BELL DINGS ] 55 00:02:23,000 --> 00:02:26,583 [ THUNDER RUMBLING ] 56 00:02:38,291 --> 00:02:41,333 [ DOORBELL BEEPING ] 57 00:02:52,417 --> 00:02:54,333 HONEY? HMM? 58 00:02:54,333 --> 00:02:56,583 I THINK SOMEONE'S AT YOUR GATE. 59 00:02:56,583 --> 00:02:59,166 [ BEEPING CONTINUES ] 60 00:03:03,291 --> 00:03:04,959 [ SIGHS ] 61 00:03:06,834 --> 00:03:09,625 OH, JESUS. 62 00:03:09,625 --> 00:03:10,917 YEAH? 63 00:03:10,917 --> 00:03:13,250 I WANT TO TALK TO MY WIFE! 64 00:03:13,250 --> 00:03:15,208 OH, GOD. 65 00:03:15,208 --> 00:03:16,917 UH...FUCK YOU. 66 00:03:16,917 --> 00:03:19,625 OPEN UP! I KNOW SHE'S THERE! 67 00:03:19,625 --> 00:03:20,959 YEAH, SHE'S HERE. 68 00:03:20,959 --> 00:03:22,500 AND, AGAIN... 69 00:03:22,500 --> 00:03:23,792 FUCK YOU. 70 00:03:23,792 --> 00:03:26,166 [ BEEPING RESUMES ] 71 00:03:26,166 --> 00:03:27,625 [ SIGHS ] 72 00:03:31,083 --> 00:03:32,625 LOOKS LIKE IT'S STILL RAINING. 73 00:03:32,625 --> 00:03:33,542 HMM. 74 00:03:33,542 --> 00:03:37,166 [ BEEPING CONTINUES ] 75 00:03:37,166 --> 00:03:38,166 AW! 76 00:03:49,000 --> 00:03:51,417 [ GRUNTING ] 77 00:04:00,709 --> 00:04:03,125 AAH! 78 00:04:03,125 --> 00:04:05,667 AAH! OH! 79 00:04:05,667 --> 00:04:06,792 [ SIGHS ] 80 00:04:06,792 --> 00:04:08,792 UGH! 81 00:04:08,792 --> 00:04:10,083 [ BREATHING HEAVILY ] 82 00:04:10,083 --> 00:04:13,125 [ POUNDING ON WINDOW ] 83 00:04:16,250 --> 00:04:17,625 OPEN UP! 84 00:04:21,875 --> 00:04:23,000 LET ME IN! 85 00:04:23,000 --> 00:04:25,709 [ SCOFFS, SIGHS ] 86 00:04:27,041 --> 00:04:28,542 OPEN THE FUCK UP! 87 00:04:28,542 --> 00:04:30,083 GO AWAY, ASSHOLE. 88 00:04:30,083 --> 00:04:31,625 COME ON, LET ME IN! 89 00:04:31,625 --> 00:04:32,917 WHATEVER YOU HAVE TO SAY, 90 00:04:32,917 --> 00:04:34,417 YOU CAN SAY THROUGH THE WINDOW. 91 00:04:34,417 --> 00:04:37,667 JAMIE, SWEETHEART, I KNOW YOU'RE MAD. 92 00:04:37,667 --> 00:04:38,709 I DON'T BLAME YOU. 93 00:04:38,709 --> 00:04:39,709 I'M SORRY. 94 00:04:39,709 --> 00:04:40,667 I-I'M SORRY. 95 00:04:40,667 --> 00:04:41,667 I MADE A MISTAKE. 96 00:04:41,667 --> 00:04:43,000 A MISTAKE?! 97 00:04:43,000 --> 00:04:46,041 YOU'VE BEEN SCREWING CAROL FOR FIVE YEARS! 98 00:04:47,208 --> 00:04:50,291 OKAY, NOBODY SAID THAT I WAS PERFECT. 99 00:04:50,291 --> 00:04:51,667 BUT, COME ON, ONE MORE CHANCE. 100 00:04:51,667 --> 00:04:53,792 IT'S OKAY, SHE CAN HAVE YOU. 101 00:04:53,792 --> 00:04:55,125 FORGET HER! 102 00:04:55,125 --> 00:04:58,625 I DUMPED HER ASS LAST NIGHT 'CAUSE I WANT YOU. 103 00:04:58,625 --> 00:05:00,458 WELL, I DON'T WANT YOU! 104 00:05:00,458 --> 00:05:03,208 I'VE BEEN HAPPIER IN THE LAST THREE MONTHS 105 00:05:03,208 --> 00:05:05,166 THAN ANY DAY OF OUR MARRIAGE. 106 00:05:08,500 --> 00:05:10,750 OKAY, I CAN FEEL THE BREEZE FROM YOUR CHARADE. 107 00:05:10,750 --> 00:05:12,250 SORRY. 108 00:05:12,250 --> 00:05:14,625 LOOK, I'M DONE. 109 00:05:14,625 --> 00:05:16,959 IF YOU HAVE ANYTHING TO SAY, SAY IT TO MY LAWYER. 110 00:05:16,959 --> 00:05:18,291 YOU HAVE A LAWYER ALREADY? 111 00:05:18,291 --> 00:05:20,375 IT'S THE GUY MATT'S EX-WIFE USED. 112 00:05:20,375 --> 00:05:23,083 APPARENTLY, HE'S VERY GOOD. 113 00:05:27,750 --> 00:05:28,792 GOODBYE, MERC. 114 00:05:28,792 --> 00:05:30,417 "GOODBYE"? 115 00:05:30,417 --> 00:05:32,375 WHAT DO YOU MEAN, "GOODBYE"? NOT "GOODBYE." 116 00:05:32,375 --> 00:05:33,792 HONEY, HONEY, PLEASE. [ BLINDS WHIRRING ] 117 00:05:33,792 --> 00:05:35,333 WHERE'S YOUR HUMANITY? 118 00:05:35,333 --> 00:05:37,083 WE'RE HUSBAND AND WIFE! 119 00:05:37,083 --> 00:05:38,125 JAMIE, COME ON! WAIT, WAIT, WAIT, WAIT! 120 00:05:38,125 --> 00:05:40,834 AT LEAST GET ME A TOWEL! 121 00:06:02,000 --> 00:06:05,250 ARE YOU SLEEPING? 122 00:06:05,250 --> 00:06:07,542 What? 123 00:06:07,542 --> 00:06:10,500 Never mind. Go back to sleep. 124 00:06:12,083 --> 00:06:14,917 NO, WHAT DID YOU SAY? 125 00:06:14,917 --> 00:06:16,583 I ASKED IF YOU WERE SLEEPING. 126 00:06:16,583 --> 00:06:18,500 OH. 127 00:06:18,500 --> 00:06:21,208 WHEN YOU ASKED, I WAS. 128 00:06:21,208 --> 00:06:22,792 NOW I'M NOT. 129 00:06:22,792 --> 00:06:23,750 SORRY. 130 00:06:23,750 --> 00:06:25,875 [ CHUCKLES ] 131 00:06:25,875 --> 00:06:28,083 IT'S ALL RIGHT. 132 00:06:28,083 --> 00:06:31,417 I LIKE WHAT I'M WAKING TO. 133 00:06:31,417 --> 00:06:32,542 HOW MUCH HAVE YOU MISSED THIS? 134 00:06:32,542 --> 00:06:34,500 [ SIGHS ] 135 00:06:34,500 --> 00:06:36,500 I KNOW. 136 00:06:44,000 --> 00:06:46,875 THERE WAS A MOMENT... 137 00:06:46,875 --> 00:06:49,583 LAST NIGHT... 138 00:06:49,583 --> 00:06:53,458 WHEN I WAS LOOKING AT YOU... 139 00:06:53,458 --> 00:06:56,041 AND I COULDN'T HELP BUT THINK... 140 00:06:56,041 --> 00:06:57,208 BLOODY HELL, IT'S 8:15! 141 00:06:57,208 --> 00:06:58,667 WAIT, WAIT, WAIT. NO. WHAT? 142 00:06:58,667 --> 00:07:00,166 COULDN'T HELP BUT THINK WHAT? 143 00:07:00,166 --> 00:07:01,750 8:15! WE'RE SERIOUSLY FUCKED! 144 00:07:01,750 --> 00:07:03,333 I HAVE NO CAR HERE. I HAVE TO GET HOME. 145 00:07:03,333 --> 00:07:05,500 WHY? UH... 146 00:07:05,500 --> 00:07:07,417 I'M NOT GOING TO WORK IN AN EVENING GOWN. 147 00:07:07,417 --> 00:07:08,917 NO? 148 00:07:08,917 --> 00:07:10,166 ELEGANT FRIDAY? 149 00:07:10,166 --> 00:07:11,667 [ CHUCKLES ] OH, GOD. 150 00:07:11,667 --> 00:07:13,625 WE HAVE SCRIPT CHANGES WE NEVER GAVE THEM. 151 00:07:13,625 --> 00:07:14,500 SHIT. 152 00:07:14,500 --> 00:07:15,500 UH, I'LL DROP YOU AT HOME. 153 00:07:15,500 --> 00:07:18,667 JUST LET ME JUMP IN THE SHOWER. 154 00:07:18,667 --> 00:07:19,750 FEEL LIKE JUMPING IN WITH ME? 155 00:07:19,750 --> 00:07:20,709 [ CHUCKLES ] 8:15. 156 00:07:20,709 --> 00:07:22,959 RIGHT. 157 00:07:22,959 --> 00:07:23,875 [ LAUGHS ] 158 00:07:40,625 --> 00:07:42,667 [ SIGHS ] 159 00:07:46,250 --> 00:07:49,834 [ ELEVATOR BELL DINGS ] 160 00:07:49,834 --> 00:07:51,750 [ SIGHS, CHUCKLES ] 161 00:07:55,583 --> 00:07:56,750 GET ME ELLIOT SALAD. 162 00:08:03,208 --> 00:08:04,417 HE'S STILL IN THE AIR. 163 00:08:04,417 --> 00:08:05,500 HE'S HEADING BACK TO NEW YORK. 164 00:08:05,500 --> 00:08:07,542 THEN HAVE HIM CALL ME AS SOON AS HE LANDS. 165 00:08:07,542 --> 00:08:09,375 AND MAKE SURE HE KNOWS 166 00:08:09,375 --> 00:08:11,583 IT'S ABOUT WHAT WE DISCUSSED LAST NIGHT. 167 00:08:15,625 --> 00:08:16,875 HEY. 168 00:08:16,875 --> 00:08:18,208 MORNING. 169 00:08:18,208 --> 00:08:20,166 HOW ARE YOU? FINE. 170 00:08:20,166 --> 00:08:23,542 NO, I KNOW, BUT HOW ARE YOU? 171 00:08:23,542 --> 00:08:25,083 I'M GOOD. 172 00:08:25,083 --> 00:08:26,750 HMM. 173 00:08:26,750 --> 00:08:28,083 I AM. 174 00:08:28,083 --> 00:08:32,083 LOOK, THESE THINGS HAPPEN, ESPECIALLY IN OUR BUSINESS. 175 00:08:32,083 --> 00:08:33,250 NOTHING'S FOREVER. 176 00:08:33,250 --> 00:08:35,333 POOR MERC. HOW'S HE DOING? 177 00:08:35,333 --> 00:08:36,667 I WOULDN'T KNOW. REALLY? 178 00:08:36,667 --> 00:08:39,000 REALLY. SO THAT'S... 179 00:08:39,000 --> 00:08:41,250 MM-HMM. OH, THANK GOD. 180 00:08:41,250 --> 00:08:42,500 I NEVER UNDERSTOOD THAT ANYWAY. 181 00:08:42,500 --> 00:08:44,291 [ GROANS ] 182 00:08:44,291 --> 00:08:45,834 DID YOU SEE HIS OFFICE? 183 00:08:45,834 --> 00:08:47,041 IT'S LIKE HE WAS NEVER HERE, 184 00:08:47,041 --> 00:08:48,417 LIKE THAT MOVIE "THE VANISHING." 185 00:08:48,417 --> 00:08:49,917 I NEVER SAW IT. SOMEONE VANISHES. 186 00:08:49,917 --> 00:08:50,834 OH. 187 00:08:50,834 --> 00:08:51,917 SO, WHY'D THEY DUMP HIM? 188 00:08:51,917 --> 00:08:53,208 WAS IT 'CAUSE OF LAST NIGHT? 189 00:08:53,208 --> 00:08:54,417 I REALLY CAN'T SAY. 190 00:08:54,417 --> 00:08:56,333 THAT FIGHT WAS INSANE. 191 00:08:56,333 --> 00:08:58,458 HAVE YOU SEEN THE VIDEO? 192 00:08:58,458 --> 00:08:59,792 THERE'S A VIDEO? 193 00:08:59,792 --> 00:09:02,083 IT'S ON YouTube. MM-HMM. 194 00:09:02,083 --> 00:09:04,375 YOU'RE TELLING ME SOME ASSHOLE 195 00:09:04,375 --> 00:09:07,583 ACTUALLY STOOD THERE FILMING THE WHOLE THING 196 00:09:07,583 --> 00:09:09,667 AND THEN POSTED IT? 197 00:09:09,667 --> 00:09:11,750 WHAT KIND OF SICK FUCK WOULD DO THAT? 198 00:09:11,750 --> 00:09:13,750 IF IT HELPS, YOU LOOK GORGEOUS IN IT. 199 00:09:13,750 --> 00:09:16,166 I'M IN IT? 200 00:09:16,166 --> 00:09:18,667 JESUS! ARE WE ALL IN IT? 201 00:09:18,667 --> 00:09:21,709 EVERYONE BUT ANDY. 202 00:09:21,709 --> 00:09:22,667 [ GROANS ] 203 00:09:41,709 --> 00:09:44,750 [ SOFT MUSIC PLAYS ] 204 00:10:23,250 --> 00:10:24,792 [ PLOP! ] [ SOBS ] 205 00:10:32,000 --> 00:10:33,458 COCK SUCKER! 206 00:10:33,458 --> 00:10:35,542 FUCK YOU! YOU ARE SO FUCKING FIRED! 207 00:10:35,542 --> 00:10:37,917 I CAN'T BELIEVE THIS IS ONLINE. 208 00:10:37,917 --> 00:10:39,625 IS THAT REALLY WHAT MY HAIR LOOKS LIKE? 209 00:10:39,625 --> 00:10:41,291 IT'S UP TO ALMOST A MILLION HITS. 210 00:10:41,291 --> 00:10:42,500 HEY, YOU KNOW, 211 00:10:42,500 --> 00:10:43,500 MORE PEOPLE SAW MERC HIT YOU IN THE FACE 212 00:10:43,500 --> 00:10:44,917 THAN ACTUALLY WATCH OUR SHOW. 213 00:10:44,917 --> 00:10:46,667 YOUR POOR FACE. 214 00:10:46,667 --> 00:10:48,750 FUCK HER FACE. WHAT ABOUT OUR POOR SHOW? 215 00:10:50,000 --> 00:10:51,625 I DIDN'T MEAN "FUCK HER FACE." 216 00:10:51,625 --> 00:10:52,959 THANK YOU. Shh. HEY, HEY, LISTEN. 217 00:10:52,959 --> 00:10:54,291 [ INDISTINCT SHOUTING ] YOU CAN ACTUALLY HEAR HIM 218 00:10:54,291 --> 00:10:55,709 PULL YOUR SHOULDER OUT OF THE SOCKET. 219 00:10:55,709 --> 00:10:57,291 [ LAUGHS ] IT'S SO SICK. 220 00:10:57,291 --> 00:10:59,458 IS IT? IS IT SICK? 221 00:10:59,458 --> 00:11:02,750 KIND OF. 222 00:11:02,750 --> 00:11:03,959 WHAT THE FUCK?! 223 00:11:03,959 --> 00:11:05,583 LET GO OF MY FUCKING -- 224 00:11:05,583 --> 00:11:06,542 AAH! 225 00:11:06,542 --> 00:11:07,792 [ ALL GASP ] 226 00:11:07,792 --> 00:11:08,959 OW. 227 00:11:08,959 --> 00:11:10,333 SHIT. 228 00:11:10,333 --> 00:11:11,834 MAYBE I SHOULD LET IT GROW. 229 00:11:11,834 --> 00:11:15,333 JESUS. YEP. SOME MESSED-UP NIGHT. 230 00:11:15,333 --> 00:11:16,750 I DON'T KNOW. 231 00:11:16,750 --> 00:11:18,500 SOME GOOD THINGS CAME OUT OF IT. [ SIGHS ] 232 00:11:18,500 --> 00:11:19,542 AWW! 233 00:11:19,542 --> 00:11:21,291 STOP IT. WE'RE NOT PUPPIES. 234 00:11:21,291 --> 00:11:23,250 WHAT? IT'S NICE. 235 00:11:23,250 --> 00:11:24,500 SO, DOES THIS MEAN 236 00:11:24,500 --> 00:11:26,834 WE'LL BE SENDING YOUR SCRIPTS TO ONE ADDRESS, NOT TWO? 237 00:11:26,834 --> 00:11:28,458 I'D SAY SO. 238 00:11:28,458 --> 00:11:29,667 AND WHICH ONE WOULD THAT BE? 239 00:11:29,667 --> 00:11:32,083 DOESN'T MATTER TO ME, AS LONG AS WE'RE TOGETHER. 240 00:11:32,083 --> 00:11:32,834 AWW. 241 00:11:32,834 --> 00:11:34,291 STOP IT. STOP IT. 242 00:11:34,291 --> 00:11:35,709 EITHER PLACE IS FINE WITH ME, TOO. 243 00:11:35,709 --> 00:11:36,834 OKAY, LET ME KNOW. 244 00:11:36,834 --> 00:11:37,917 WHAT DOES IT TAKE YOU TO GET HERE? 245 00:11:37,917 --> 00:11:40,542 OH, DOOR-TO-DOOR, 20 MINUTES, 246 00:11:40,542 --> 00:11:41,834 ASSUMING THERE'S NO TRAFFIC IN THE CANYON. 247 00:11:41,834 --> 00:11:43,291 HOW OFTEN IS THERE TRAFFIC IN THE CANYON? 248 00:11:43,291 --> 00:11:44,208 ALWAYS. AH. 249 00:11:44,208 --> 00:11:45,375 WHY? HOW LONG DOES IT TAKE YOU? 250 00:11:45,375 --> 00:11:47,417 I COULD WALK HERE. DO YOU? 251 00:11:47,417 --> 00:11:49,250 NO. OH. [ CHUCKLES ] 252 00:11:49,250 --> 00:11:50,750 ALL RIGHT, THEN, UH... [ CLEARS THROAT ] 253 00:11:50,750 --> 00:11:54,208 I GUESS, UH, YOUR PLACE MAKES MORE SENSE. 254 00:11:54,208 --> 00:11:55,917 BUT... 255 00:11:55,917 --> 00:11:57,291 [ SIGHS ] 256 00:11:57,291 --> 00:11:59,125 NO, IT'S SILLY. 257 00:11:59,125 --> 00:11:59,917 WHAT? 258 00:11:59,917 --> 00:12:01,709 [ SIGHS ] 259 00:12:01,709 --> 00:12:04,875 WELL, THERE IS ONE THING. 260 00:12:08,625 --> 00:12:09,625 WHAT? 261 00:12:09,625 --> 00:12:10,709 MATT, WE'RE READY FOR YOU. 262 00:12:10,709 --> 00:12:11,834 YEAH, I JUST WANT TO HEAR THE THING. 263 00:12:11,834 --> 00:12:13,834 GO! 264 00:12:13,834 --> 00:12:14,709 [ SIGHS ] 265 00:12:16,542 --> 00:12:18,000 BUT YOU'LL TELL ME THE THING? 266 00:12:18,000 --> 00:12:19,709 NO! 267 00:12:21,000 --> 00:12:22,375 SO? 268 00:12:22,375 --> 00:12:26,208 IT'S... [ CHUCKLES ] 269 00:12:26,208 --> 00:12:27,542 YOUR BED. 270 00:12:27,542 --> 00:12:28,500 WHAT'S WRONG WITH MY BED? 271 00:12:28,500 --> 00:12:29,834 YOU'VE NEVER EVEN SEEN MY BED. 272 00:12:29,834 --> 00:12:31,000 [ SIGHS ] 273 00:12:31,000 --> 00:12:35,542 MORNING WAS IN IT WITH YOU, DOING...MORNING THINGS. 274 00:12:35,542 --> 00:12:36,750 AH. 275 00:12:36,750 --> 00:12:38,917 I JUST WANT TO START WITH A CLEAN SLATE. 276 00:12:38,917 --> 00:12:40,083 ABSOLUTELY. 277 00:12:40,083 --> 00:12:42,500 I'D FEEL EXACTLY THE SAME WAY. 278 00:12:42,500 --> 00:12:44,083 Man: PICTURE UP. [ TYPEWRITER BELL DINGS ] 279 00:12:44,083 --> 00:12:46,959 [ TYPEWRITER KEYS CLACKING ] 280 00:12:49,166 --> 00:12:51,083 [ PIANO PLAYING ] 281 00:12:51,083 --> 00:12:52,875 YES. 282 00:12:54,750 --> 00:12:59,166 AS SOON AS ELLIOT CALLS, PATCH HIM THROUGH TO ME. 283 00:12:59,166 --> 00:13:01,250 HI. NO, IT'S FINE. INTERRUPT. 284 00:13:01,250 --> 00:13:02,792 IT'S ONLY BEVERLY. 285 00:13:04,125 --> 00:13:06,458 OKAY, PROMISE YOU'LL FIND ME. 286 00:13:06,458 --> 00:13:09,083 I CANNOT MISS THIS CALL. 287 00:13:09,083 --> 00:13:10,750 BYE. 288 00:13:10,750 --> 00:13:13,458 HOW CRAZY WAS LAST NIGHT? 289 00:13:13,458 --> 00:13:14,542 OH, MY GOD. [ CHUCKLES ] 290 00:13:14,542 --> 00:13:17,125 OH, I HAVE SO MUCH TO TELL YOU. 291 00:13:17,125 --> 00:13:18,625 WELL, I'VE GOT A FAIR BIT TO TELL YOU. 292 00:13:18,625 --> 00:13:20,125 OKAY, YOU GO FIRST. 293 00:13:20,125 --> 00:13:21,792 REALLY? 294 00:13:21,792 --> 00:13:23,959 YES. I WANT TO HEAR EVERYTHING. GO. 295 00:13:23,959 --> 00:13:25,625 [ SIGHS ] 296 00:13:25,625 --> 00:13:28,166 SEAN AND I ARE BACK TOGETHER. MERC AND I BROKE UP. 297 00:13:30,625 --> 00:13:32,375 WHY DON'T YOU GO FIRST? 298 00:13:32,375 --> 00:13:33,917 OKAY. [ CHUCKLES ] 299 00:13:35,458 --> 00:13:36,417 [ KNOCK ON DOOR ] 300 00:13:36,417 --> 00:13:37,458 [ DOOR OPENS ] 301 00:13:37,458 --> 00:13:39,000 READY FOR LUNCH? 302 00:13:39,000 --> 00:13:41,166 OH, I CAN'T. I-I'VE GOT TO DO THIS. 303 00:13:41,166 --> 00:13:42,125 WHAT? 304 00:13:42,125 --> 00:13:43,834 I'M TRYING TO WRITE AN E-MAIL TO DIANE. 305 00:13:43,834 --> 00:13:45,208 SHE WON'T ANSWER MY CALLS. 306 00:13:45,208 --> 00:13:46,750 THIS STILL ABOUT THE LABIA THING? 307 00:13:46,750 --> 00:13:48,625 [ SIGHS ] SHE'S ON THE FUCKING WARPATH. 308 00:13:48,625 --> 00:13:50,375 YOU KNOW, SHE'S GONNA ASK THE JUDGE 309 00:13:50,375 --> 00:13:51,959 FOR SUPERVISED VISITATION. 310 00:13:51,959 --> 00:13:53,333 MEANING? 311 00:13:53,333 --> 00:13:55,000 MEANING, ANYTIME I'M WITH THE BOYS, 312 00:13:55,000 --> 00:13:57,291 THERE HAS TO BE A GODDAMN SOCIAL WORKER THERE. 313 00:13:57,291 --> 00:13:58,333 HOW FUCKED-UP IS THAT? 314 00:13:58,333 --> 00:13:59,500 VERY. [ SIGHS ] 315 00:13:59,500 --> 00:14:00,667 THIS WEEKEND COULD BE 316 00:14:00,667 --> 00:14:02,000 MY LAST TIME ALONE WITH THEM. 317 00:14:02,000 --> 00:14:04,625 I'M GONNA TAKE THEM TO DISNEYLAND. OH, I'VE NEVER BEEN. 318 00:14:04,625 --> 00:14:05,667 YOU EVER BEEN TO WALMART? 319 00:14:05,667 --> 00:14:07,500 IT'S LIKE THAT WITH RIDES. 320 00:14:07,500 --> 00:14:09,917 I GOT TO GET HER TO BACK DOWN. 321 00:14:09,917 --> 00:14:11,542 WELL, GOOD LUCK WITH THAT. MM. 322 00:14:11,542 --> 00:14:14,375 YOU'RE A WRITER. 323 00:14:14,375 --> 00:14:16,041 NO, NO, NO! 324 00:14:16,041 --> 00:14:17,667 NO, THIS HAS GOT TO COME FROM YOU. 325 00:14:17,667 --> 00:14:19,792 IT'S GOT TO BE PERSONAL, FROM THE HEART. 326 00:14:19,792 --> 00:14:22,041 EXACTLY. I CAN'T WRITE THAT SHIT. 327 00:14:22,041 --> 00:14:24,166 COME ON, PLEASE. 328 00:14:24,166 --> 00:14:25,500 [ SIGHS ] 329 00:14:25,500 --> 00:14:26,458 WHAT HAVE YOU GOT SO FAR? 330 00:14:27,667 --> 00:14:29,208 UH, "DIANE." 331 00:14:30,667 --> 00:14:32,792 WELL, AT LEAST YOU GOT SOMETHING TO BUILD ON. 332 00:14:32,792 --> 00:14:35,917 UH, YOU COULD START BY EXPLAINING 333 00:14:35,917 --> 00:14:38,333 WHY YOU INVITED YOUR STALKER INTO YOUR HOUSE. 334 00:14:38,333 --> 00:14:39,667 I WAS SHIT-FACED. 335 00:14:39,667 --> 00:14:41,375 YEAH, WELL, NOTHING SAYS 336 00:14:41,375 --> 00:14:43,375 YOU'RE A RESPONSIBLE FATHER LIKE -- 337 00:14:43,375 --> 00:14:44,500 SO, WHAT'S MY EXCUSE? 338 00:14:47,583 --> 00:14:48,709 THERE IS NO EXCUSE. 339 00:14:48,709 --> 00:14:49,792 THANKS. 340 00:14:49,792 --> 00:14:51,291 NO, THAT'S WHAT YOU SAY. 341 00:14:51,291 --> 00:14:53,208 "THERE IS NO EXCUSE FOR WHAT I DID." 342 00:14:55,750 --> 00:14:56,875 NICE. 343 00:14:56,875 --> 00:14:59,583 "IT WAS THOUGHTLESS AND STUPID. 344 00:14:59,583 --> 00:15:02,917 "BRINGING THAT WOMAN INTO MY HOME IS... 345 00:15:02,917 --> 00:15:04,208 INDEFENSIBLE." 346 00:15:04,208 --> 00:15:05,875 OR SOME WORD THAT YOU'D USE. 347 00:15:05,875 --> 00:15:08,041 I'D USE "INDEFENSIBLE." SORRY. 348 00:15:08,041 --> 00:15:11,291 UH, "I TAKE FULL RESPONSIBILITY FOR MY ACTIONS, 349 00:15:11,291 --> 00:15:15,542 AND I WILL DO ANYTHING -- ANYTHING --" 350 00:15:15,542 --> 00:15:17,542 TWO "ANYTHINGS"? YEAH. UNDERLINE THE SECOND ONE. 351 00:15:17,542 --> 00:15:19,166 GOT IT. "ANYTHING --" 352 00:15:19,166 --> 00:15:20,250 THERE'S STILL JUST TWO. THAT WAS THE SECOND ONE AGAIN. 353 00:15:20,250 --> 00:15:21,166 I'M WITH YOU. 354 00:15:21,166 --> 00:15:23,750 "...TO WIN BACK YOUR TRUST. 355 00:15:23,750 --> 00:15:26,583 OUR CHILDREN MEAN THE WORLD TO ME." 356 00:15:26,583 --> 00:15:28,542 UH... [ CLEARS THROAT ] 357 00:15:28,542 --> 00:15:30,041 "THEY ARE... 358 00:15:30,041 --> 00:15:32,458 "THE ONLY TRULY GOOD THING IN MY LIFE. 359 00:15:32,458 --> 00:15:37,625 PLEASE DON'T PUNISH THEM BECAUSE OF MY BAD DECISIONS." 360 00:15:37,625 --> 00:15:39,417 THIS IS SO GOOD. 361 00:15:39,417 --> 00:15:41,333 "I DON'T KNOW WHY I DO WHAT I DO... 362 00:15:41,333 --> 00:15:46,375 BUT I CAN ONLY PROMISE YOU THAT I AM GOING TO GET HELP." 363 00:15:47,625 --> 00:15:50,959 [ SIGHS ] LOVE THAT. 364 00:15:50,959 --> 00:15:52,792 RIGHT. 365 00:15:52,792 --> 00:15:54,333 BUT NOW YOU HAVE TO GET HELP. EH. 366 00:15:54,333 --> 00:15:56,250 NO, YOU DO. OKAY. 367 00:15:56,250 --> 00:16:00,625 NO, I'M SAYING YOU NEED HELP. 368 00:16:00,625 --> 00:16:02,625 YOU'VE GOT TO FIGURE OUT 369 00:16:02,625 --> 00:16:05,792 HOW TO CHANGE THIS SELF-DESTRUCTIVE PATTERN. 370 00:16:05,792 --> 00:16:09,500 YOU BROUGHT HOME THE ONE WOMAN IN THE WHOLE WORLD 371 00:16:09,500 --> 00:16:13,166 YOUR EX-WIFE SPECIFICALLY FORBADE YOU TO SEE! 372 00:16:13,166 --> 00:16:15,875 YOU DO THESE THINGS, AND THEN YOU'RE SURPRISED 373 00:16:15,875 --> 00:16:17,625 WHEN THERE ARE CONSEQUENCES. 374 00:16:17,625 --> 00:16:20,458 IF YOU ARE UNWILLING TO EXAMINE WHY, 375 00:16:20,458 --> 00:16:21,959 THEN YOU ARE DOOMED 376 00:16:21,959 --> 00:16:24,667 TO JUST KEEP REPEATING AND REPEATING 377 00:16:24,667 --> 00:16:27,917 THE SAME SELF-SABOTAGING BEHAVIOR! 378 00:16:34,208 --> 00:16:37,333 SORRY. 379 00:16:37,333 --> 00:16:40,792 NO. [ SIGHS ] YOU'RE RIGHT. 380 00:16:40,792 --> 00:16:43,041 THAT'S WHAT I DO. 381 00:16:45,625 --> 00:16:46,959 AND I KEEP DOING IT. 382 00:16:46,959 --> 00:16:48,959 [ SIGHS ] 383 00:16:52,375 --> 00:16:55,000 OKAY. 384 00:16:55,000 --> 00:16:56,959 I'LL GET HELP. 385 00:16:58,500 --> 00:17:01,333 I THINK THAT'S WISE. 386 00:17:01,333 --> 00:17:03,000 [ SIGHS ] 387 00:17:05,959 --> 00:17:06,834 YOU'RE NOT GONNA GET HELP, ARE YOU? 388 00:17:06,834 --> 00:17:08,375 NAH, BUT THIS IS REALLY GOOD. 389 00:17:10,125 --> 00:17:11,500 [ SIGHS ] 390 00:17:11,500 --> 00:17:13,667 I MEAN, HOW PATHETIC AM I? 391 00:17:13,667 --> 00:17:16,875 I ALMOST DIDN'T TAKE THE JOB. [ CHUCKLES ] 392 00:17:16,875 --> 00:17:19,583 'CAUSE I DIDN'T WANT TO HURT MERC? 393 00:17:19,583 --> 00:17:21,542 FUCKING MERC? 394 00:17:21,542 --> 00:17:22,834 WHY DIDN'T YOU SAY SOMETHING? 395 00:17:22,834 --> 00:17:25,250 I DID, REPEATEDLY. 396 00:17:25,250 --> 00:17:27,166 WAS I LISTENING? DO YOU EVER? 397 00:17:28,542 --> 00:17:30,125 SORRY, I THOUGHT THAT WAS MY PHONE. 398 00:17:30,125 --> 00:17:32,208 WHAT DID YOU SAY? NOTHING. 399 00:17:32,208 --> 00:17:34,208 MM! I'M SO READY FOR THIS. 400 00:17:34,208 --> 00:17:36,583 I CAN TOTALLY RUN THAT NETWORK. 401 00:17:36,583 --> 00:17:38,375 I'VE BEEN RUNNING THAT NETWORK. 402 00:17:38,375 --> 00:17:40,500 ONLY NOW YOU FINALLY GET CREDIT FOR IT. 403 00:17:40,500 --> 00:17:41,542 THANK YOU! 404 00:17:41,542 --> 00:17:42,875 [ LAUGHS ] 405 00:17:42,875 --> 00:17:45,458 OH, SHIT. 406 00:17:45,458 --> 00:17:47,208 HI. [ CHUCKLES ] 407 00:17:47,208 --> 00:17:48,333 [ SIGHS ] 408 00:17:48,333 --> 00:17:50,583 HOW LONG HAS SHE BEEN SITTING THERE? 409 00:17:50,583 --> 00:17:52,417 NO IDEA. WHY DO WE CARE? 410 00:17:52,417 --> 00:17:54,208 SHE WRITES FOR VARIETY. 411 00:17:54,208 --> 00:17:58,667 IF SHE HEARD ME TALKING ABOUT THE JOB, FUCK. 412 00:17:58,667 --> 00:18:00,041 OH, CALM DOWN. 413 00:18:00,041 --> 00:18:01,792 SHE PROBABLY CAN'T EVEN HEAR US FROM THERE. 414 00:18:01,792 --> 00:18:04,417 ALL RIGHT, TELL ME IF SHE TURNS. 415 00:18:04,417 --> 00:18:06,917 MARIANNE? 416 00:18:06,917 --> 00:18:09,375 MARIANNE? ANYTHING? 417 00:18:09,375 --> 00:18:10,625 NOT YET. 418 00:18:10,625 --> 00:18:15,041 MARIANNE, TIME TO LOSE THE HOLIDAY WEIGHT. 419 00:18:15,041 --> 00:18:17,041 Still nothing? 420 00:18:17,041 --> 00:18:19,583 NOPE. BUT I KNOW I'M SKIPPING DESSERT. 421 00:18:20,834 --> 00:18:23,917 OKAY. LET'S JUST TALK ABOUT SOMETHING ELSE -- ANYTHING. 422 00:18:23,917 --> 00:18:25,917 WHAT DO YOU WANT TO TALK ABOUT? 423 00:18:25,917 --> 00:18:28,583 [ GASPS ] YOU AND SEAN. 424 00:18:28,583 --> 00:18:30,750 OH! TELL ME EVERYTHING. 425 00:18:30,750 --> 00:18:32,166 I'M DYING TO HEAR. 426 00:18:32,166 --> 00:18:33,917 CLEARLY. NO, I AM. 427 00:18:33,917 --> 00:18:36,458 COME ON. WH-WH-WH-WHAT HAPPENED? [ CHUCKLES ] 428 00:18:36,458 --> 00:18:39,250 WELL, THERE'S NOT REALLY THAT MUCH TO TELL. 429 00:18:39,250 --> 00:18:41,458 LAST NIGHT, AFTER THE, UM, MELEE... 430 00:18:41,458 --> 00:18:42,417 [ CHUCKLES ] 431 00:18:42,417 --> 00:18:43,875 ...SEAN AND I WERE TALKING 432 00:18:43,875 --> 00:18:45,417 ABOUT MY FACE WOUND, AND, UM... 433 00:18:45,417 --> 00:18:46,667 [ GASPS ] 434 00:18:46,667 --> 00:18:48,458 ...NEXT THING I KNOW, HE'S KISSING ME. 435 00:18:48,458 --> 00:18:49,875 YEAH, HE IS! 436 00:18:49,875 --> 00:18:51,667 [ MUSIC STOPS ] 437 00:18:51,667 --> 00:18:53,792 We'll take a check. 438 00:18:53,792 --> 00:18:54,792 [ MUSIC RESUMES ] 439 00:18:54,792 --> 00:18:56,875 OH! [ CHUCKLES ] 440 00:18:56,875 --> 00:18:58,792 SO, WHAT, ARE YOU, JUST, LIKE, CRAZY HAPPY? 441 00:18:58,792 --> 00:19:00,291 OH, BEYOND CRAZY. 442 00:19:00,291 --> 00:19:01,709 YAY. 443 00:19:01,709 --> 00:19:05,542 BUT THERE IS THIS, UM, ONE... 444 00:19:05,542 --> 00:19:06,583 LITTLE THING. 445 00:19:06,583 --> 00:19:08,959 YOU REMEMBER MORNING'S BROTHER ROB. 446 00:19:08,959 --> 00:19:09,834 UH, YEAH. 447 00:19:09,834 --> 00:19:12,166 THAT GUY IS RIDICULOUSLY HOT. 448 00:19:12,166 --> 00:19:13,917 [ CHUCKLES ] 449 00:19:13,917 --> 00:19:17,667 BUT SEAN -- BETTER...OBVIOUSLY. 450 00:19:17,667 --> 00:19:18,917 RIGHT. 451 00:19:18,917 --> 00:19:21,333 WELL, I, UM... 452 00:19:24,500 --> 00:19:25,500 I SORT OF SLEPT WITH HIM. 453 00:19:25,500 --> 00:19:26,667 OH, MY GOD. 454 00:19:26,667 --> 00:19:28,959 WHAT -- UH, WHAT DOES "SORT OF" MEAN? 455 00:19:31,417 --> 00:19:32,583 NOTHING. I SLEPT WITH HIM. 456 00:19:32,583 --> 00:19:34,291 ALL RIGHT! GOOD FOR YOU. 457 00:19:34,291 --> 00:19:35,625 NO, NOT GOOD FOR ME. 458 00:19:35,625 --> 00:19:36,792 NO? NO. 459 00:19:36,792 --> 00:19:37,917 WHAT DO I TELL SEAN? 460 00:19:37,917 --> 00:19:40,583 NOTHING. THAT'S WHAT YOU TELL HIM. 461 00:19:40,583 --> 00:19:41,834 I CAN'T JUST LIE. 462 00:19:41,834 --> 00:19:43,500 FIRST OF ALL, NOT LYING. 463 00:19:43,500 --> 00:19:44,417 IT'S OMITTING. 464 00:19:44,417 --> 00:19:46,166 THERE IS A HUGE DIFFERENCE 465 00:19:46,166 --> 00:19:48,500 BETWEEN OMITTING AND LYING. 466 00:19:48,500 --> 00:19:51,834 THAT SAID, I ALSO BELIEVE IN LYING. 467 00:19:51,834 --> 00:19:53,834 I DON'T WANT TO START OUR NEW LIVES 468 00:19:53,834 --> 00:19:55,333 WITH THIS GIANT SECRET. 469 00:19:55,333 --> 00:19:57,083 SO, IT WAS GIANT? STOP. 470 00:19:57,083 --> 00:20:00,125 FINE. LOOK, JUST LET IT GO. 471 00:20:00,125 --> 00:20:01,875 IT'S ALL IN THE PAST. IT WAS WEDNESDAY. 472 00:20:01,875 --> 00:20:04,375 OH, MY GOD! WEDNESDAY? 473 00:20:04,375 --> 00:20:05,959 DEFINITELY LIE. 474 00:20:05,959 --> 00:20:07,667 LIE THE SHIT OUT OF THIS. 475 00:20:12,709 --> 00:20:14,709 WENDY, DO YOU HAVE TODAY'S PAGES 476 00:20:14,709 --> 00:20:15,834 FROM THE WRITING ROOM? 477 00:20:15,834 --> 00:20:17,875 Wendy: WHERE ARE THEY? 478 00:20:17,875 --> 00:20:19,083 THAT'S WHAT I'M ASKING YOU. 479 00:20:19,083 --> 00:20:22,166 WELL, THAT'S WHAT I'M ASKING YOU. 480 00:20:22,166 --> 00:20:23,583 WE COULD HAVE HIRED A SQUIRREL. 481 00:20:26,542 --> 00:20:27,583 Matt: HELLO. 482 00:20:27,583 --> 00:20:29,041 HEY! 483 00:20:29,041 --> 00:20:30,458 WHAT'S THIS? 484 00:20:30,458 --> 00:20:31,875 WELL, I THOUGHT THE THREE OF US SHOULD CELEBRATE -- 485 00:20:31,875 --> 00:20:33,917 YOU KNOW, YOU GUYS GETTING BACK TOGETHER 486 00:20:33,917 --> 00:20:35,041 AND ALL THAT GOOD STUFF. 487 00:20:35,041 --> 00:20:37,083 I WOULD DRINK TO THAT GOOD STUFF. 488 00:20:37,083 --> 00:20:38,917 THIS IS SO NICE. 489 00:20:38,917 --> 00:20:40,333 [ CHUCKLES ] 490 00:20:40,333 --> 00:20:41,667 NEED A HAND? 491 00:20:41,667 --> 00:20:44,291 NO, NO, I GOT IT. 492 00:20:44,291 --> 00:20:45,333 [ CHUCKLES ] 493 00:20:45,333 --> 00:20:48,125 WHAT? 494 00:20:48,125 --> 00:20:51,375 [ GRUNTING ] 495 00:20:54,750 --> 00:20:57,875 HELP HIM, I BEG YOU. 496 00:20:57,875 --> 00:20:59,417 [ CORK POPS ] OH! 497 00:20:59,417 --> 00:21:00,375 [ LAUGHS ] 498 00:21:00,375 --> 00:21:01,792 SURE, MR. TWO-HANDS. 499 00:21:01,792 --> 00:21:02,875 [ LAUGHTER ] 500 00:21:09,041 --> 00:21:11,291 OH. I HATE CHANGE. 501 00:21:11,291 --> 00:21:13,417 THE THOUGHT OF HAVING TO LOOK FOR A NEW JOB. 502 00:21:13,417 --> 00:21:15,083 WHY WOULD YOU -- OH, COME ON! 503 00:21:15,083 --> 00:21:16,792 YOU DON'T THINK WHOEVER COMES IN 504 00:21:16,792 --> 00:21:18,792 ISN'T GONNA CLEAN HOUSE? 505 00:21:18,792 --> 00:21:20,458 NOT NECESSARILY. 506 00:21:20,458 --> 00:21:23,041 YOU'LL BE FINE. I PROMISE. 507 00:21:23,041 --> 00:21:25,333 HOW CAN YOU SAY THAT? 508 00:21:25,333 --> 00:21:27,417 [ GASPS ] OH! WHAT DO YOU KNOW? 509 00:21:27,417 --> 00:21:28,750 WHO IS IT GONNA BE? 510 00:21:28,750 --> 00:21:30,291 TALK TO ME. 511 00:21:32,583 --> 00:21:35,875 OKAY, YOU ABSOLUTELY CAN'T TELL ANYONE. 512 00:21:35,875 --> 00:21:37,458 I WON'T, I SWEAR. I PROMISE. 513 00:21:37,458 --> 00:21:39,250 WHO IS IT? 514 00:21:39,250 --> 00:21:40,208 [ GASPS ] 515 00:21:40,208 --> 00:21:41,542 SHUT THE FUP! 516 00:21:41,542 --> 00:21:43,041 OH. [ ELEVATOR BELL DINGS ] 517 00:21:43,041 --> 00:21:46,000 SERIOUSLY, NO ONE CAN KNOW. 518 00:21:46,000 --> 00:21:48,458 I HAVEN'T EVEN SAID YES TO ELLIOT YET. 519 00:21:48,458 --> 00:21:49,583 BUT HE OFFERED IT TO YOU? 520 00:21:49,583 --> 00:21:50,625 HE DID. 521 00:21:50,625 --> 00:21:52,000 AND YOU DIDN'T TELL ME. YOU SNEAKY BITCH. 522 00:21:52,000 --> 00:21:52,959 [ LAUGHS ] 523 00:21:52,959 --> 00:21:55,125 WHO'S A SNEAKY BITCH? 524 00:21:56,625 --> 00:21:57,750 WHAT? 525 00:21:57,750 --> 00:21:59,417 IT'S MYRA. 526 00:21:59,417 --> 00:22:01,542 [ SCOFFS ] FINE. 527 00:22:01,542 --> 00:22:03,083 SHE'S GETTING MERC'S JOB. 528 00:22:03,083 --> 00:22:04,583 HMM. WHO'S GETTING MERC'S JOB? 529 00:22:04,583 --> 00:22:06,041 CAROL. REALLY? 530 00:22:06,041 --> 00:22:07,208 YOU CAN'T TELL ANYONE. 531 00:22:07,208 --> 00:22:08,375 OKAY, I WON'T, BUT YOU SHOULD KNOW THAT I'M -- 532 00:22:08,375 --> 00:22:10,333 OH, shh, shh, shh, shh, shh, shh, shh! 533 00:22:10,333 --> 00:22:11,458 WHAT? 534 00:22:13,125 --> 00:22:15,792 COME ON. IF YOU CAN'T TRUST PETER... 535 00:22:15,792 --> 00:22:17,834 UH... 536 00:22:17,834 --> 00:22:20,667 I'VE BEEN OFFERED MERC'S JOB. SERIOUSLY? 537 00:22:20,667 --> 00:22:22,333 IT'S SO EXCITING, ISN'T IT? WHAT'S SO EXCITING? 538 00:22:22,333 --> 00:22:24,166 CAROL'S GETTING MERC'S JOB. 539 00:22:24,166 --> 00:22:25,000 I'M NOT GOOD WITH SECRETS. 540 00:22:25,000 --> 00:22:26,500 ARE YOU SERIOUS?! 541 00:22:26,500 --> 00:22:28,083 IT'S NOT A DONE DEAL. 542 00:22:28,083 --> 00:22:30,208 PLEASE, YOU CANNOT REPEAT THIS. 543 00:22:30,208 --> 00:22:32,500 WAIT, SO, IT'S NOT CASTOR SOTTO? 544 00:22:32,500 --> 00:22:34,792 HMM? WHAT? 545 00:22:34,792 --> 00:22:37,291 WELL, UH, "DEADLINE HOLLYWOOD" 546 00:22:37,291 --> 00:22:40,333 SAID THAT CASTOR SOTTO WAS REPLACING MERC. 547 00:22:40,333 --> 00:22:41,834 UH... [ CHUCKLES ] 548 00:22:45,792 --> 00:22:47,166 [ TELEPHONE RINGS ] 549 00:22:47,166 --> 00:22:49,917 CAROL RANCE'S OFFICE. 550 00:22:49,917 --> 00:22:52,208 ELLIOT SALAD ON ONE. 551 00:22:54,667 --> 00:22:56,000 AH. [ LAUGHTER ] 552 00:22:56,000 --> 00:22:58,041 THERE YOU GO. [ CHUCKLES ] 553 00:22:58,041 --> 00:22:59,500 HMM. YEAH. 554 00:23:01,834 --> 00:23:04,500 [ SIGHS ] 555 00:23:07,250 --> 00:23:09,709 [ SIGHS ] 556 00:23:09,709 --> 00:23:12,083 ELLIOT? 557 00:23:12,083 --> 00:23:13,875 I JUST HEARD. 558 00:23:13,875 --> 00:23:15,875 CASTOR SOTTO. 559 00:23:15,875 --> 00:23:18,125 GREAT CHOICE. GREAT CHOICE. 560 00:23:18,125 --> 00:23:20,375 NO, I'VE NEVER MET HIM. 561 00:23:20,375 --> 00:23:24,709 BUT, COME ON, CASTOR SOTTO. 562 00:23:24,709 --> 00:23:27,208 WHAT A COUP. 563 00:23:27,208 --> 00:23:30,417 [ TYPEWRITER KEYS CLACKING ] 564 00:23:32,208 --> 00:23:33,959 SO, HAVE YOU GUYS BEEN IN THIS PLACE THE WHOLE TIME? 565 00:23:33,959 --> 00:23:35,125 MM-HMM. 566 00:23:35,125 --> 00:23:36,875 YOU'VE BEEN IN OUR OFFICE BEFORE, NO? 567 00:23:36,875 --> 00:23:37,917 NO, NEVER. 568 00:23:37,917 --> 00:23:39,166 [ TELEPHONE RINGING ] 569 00:23:39,166 --> 00:23:40,917 IT'S REALLY A SHIT HOLE. 570 00:23:40,917 --> 00:23:42,083 OH, THANKS. 571 00:23:42,083 --> 00:23:43,834 HOW COULD ANYONE BE FUNNY IN A PLACE LIKE THIS? 572 00:23:43,834 --> 00:23:44,834 [ CHUCKLES ] NO WONDER. 573 00:23:44,834 --> 00:23:47,709 MATT, THE STAGE JUST CALLED. 574 00:23:47,709 --> 00:23:48,834 YOUR KIDS ARE HERE. 575 00:23:48,834 --> 00:23:49,875 OH, COME SAY HI. 576 00:23:51,667 --> 00:23:53,875 "NO WONDER"? DID HE REALLY JUST SAY "NO WONDER"? 577 00:23:59,041 --> 00:24:01,875 [ CELLPHONE RINGS ] 578 00:24:01,875 --> 00:24:03,041 HELLO? 579 00:24:03,041 --> 00:24:04,417 DIANE: Hey, it's me. 580 00:24:04,417 --> 00:24:05,333 HEY. 581 00:24:05,333 --> 00:24:06,583 I GOT YOUR E-MAIL. 582 00:24:06,583 --> 00:24:08,208 YEAH? 583 00:24:08,208 --> 00:24:09,875 YOU'RE REALLY GONNA GET HELP? 584 00:24:09,875 --> 00:24:11,834 I-I REALLY AM. 585 00:24:11,834 --> 00:24:13,750 AND NOT LIKE WITH THE COUPLES COUNSELOR? 586 00:24:13,750 --> 00:24:14,875 No, no. 587 00:24:14,875 --> 00:24:16,375 THAT ONE WAS VERY UNPROFESSIONAL. 588 00:24:16,375 --> 00:24:18,125 BECAUSE SHE SLEPT WITH YOU? 589 00:24:18,125 --> 00:24:19,792 YEAH, A GOOD ONE WOULD NEVER DO THAT. 590 00:24:19,792 --> 00:24:21,417 MAYBE GO WITH A GUY THIS TIME. 591 00:24:21,417 --> 00:24:23,208 PROBABLY SMART. 592 00:24:23,208 --> 00:24:26,458 BUT YOU'RE GONNA DO WHAT YOU HAVE TO DO, 593 00:24:26,458 --> 00:24:28,417 BUT I MEANT WHAT I SAID ABOUT THE BOYS. 594 00:24:28,417 --> 00:24:29,959 I DON'T WANT ANYTHING TO MESS THAT UP. 595 00:24:29,959 --> 00:24:31,291 THEN DON'T MESS UP. 596 00:24:31,291 --> 00:24:34,125 I WON'T. I PROMISE. 597 00:24:34,125 --> 00:24:36,458 IT'S ALL GONNA BE BETTER. YOU'LL SEE. 598 00:24:36,458 --> 00:24:37,458 I'M GONNA BE BETTER. 599 00:24:37,458 --> 00:24:39,417 [ SIREN WAILING ] 600 00:24:43,333 --> 00:24:46,208 UH, CAN I CALL YOU BACK? 601 00:24:46,208 --> 00:24:47,959 [ TYPEWRITER KEYS CLACKING ] 602 00:24:47,959 --> 00:24:49,208 WANT TO HEAR A SMALL WORLD? 603 00:24:49,208 --> 00:24:50,625 MY SISTER PLAYED THE NURSE 604 00:24:50,625 --> 00:24:52,375 ON THE ONE WHERE RACHEL IS HAVING THE BABY. 605 00:24:52,375 --> 00:24:54,875 NO KIDDING? SHE WAS GREAT! 606 00:24:54,875 --> 00:24:56,291 YEAH? YOU REMEMBER HER? 607 00:24:56,291 --> 00:24:58,000 TOTALLY. 608 00:24:58,000 --> 00:24:59,208 SAY HI FOR ME. 609 00:24:59,208 --> 00:25:01,208 I WILL. [ CHUCKLES ] 610 00:25:01,208 --> 00:25:04,166 LISTEN, ISN'T THERE SOME WAY YOU COULD JUST GIVE ME, 611 00:25:04,166 --> 00:25:05,959 LIKE, A SLAP ON THE WRIST? 612 00:25:05,959 --> 00:25:08,000 HEY. JOEY. 613 00:25:08,000 --> 00:25:09,125 HEY. 614 00:25:09,125 --> 00:25:10,625 D.U.I.? YOU GOT ME. 615 00:25:10,625 --> 00:25:12,041 LOOKS LIKE WE DID. 616 00:25:12,041 --> 00:25:14,333 [ LAUGHTER ] 617 00:25:14,333 --> 00:25:15,500 HEY, YOU WERE SAYING MAYBE 618 00:25:15,500 --> 00:25:16,834 YOU COULD JUST GIVE ME A SLAP ON THE WRIST? 619 00:25:16,834 --> 00:25:18,792 NO, YOU WERE SAYING THAT. 620 00:25:18,792 --> 00:25:19,917 I KNEW SOMEONE SAID IT. 621 00:25:19,917 --> 00:25:22,917 [ LAUGHTER ] 622 00:25:22,917 --> 00:25:27,834 UH, YOU WERE GOING OVER 90 WITH A 1.7 ALCOHOL LEVEL, SO... 623 00:25:27,834 --> 00:25:28,709 THAT'S CRAZY. 624 00:25:28,709 --> 00:25:30,667 I HAD A COUPLE GLASSES OF CHAMPAGNE. 625 00:25:30,667 --> 00:25:32,667 I GUESS YOU NEED MORE BODY MASS. 626 00:25:32,667 --> 00:25:34,083 YEAH, THAT'S WHAT I NEED. 627 00:25:34,083 --> 00:25:35,875 [ LAUGHTER ] 628 00:25:35,875 --> 00:25:38,291 OTHER HAND. 629 00:25:38,291 --> 00:25:40,959 SERIOUSLY, THERE'S GOT TO BE A WAY 630 00:25:40,959 --> 00:25:42,500 TO JUST GIVE ME, LIKE, A WARNING. 631 00:25:42,500 --> 00:25:44,041 [ SIGHS ] 632 00:25:44,041 --> 00:25:45,250 NOT WITH KIDS IN THE CAR. 633 00:25:47,208 --> 00:25:49,083 LOOK, I'M KIND OF GOING 634 00:25:49,083 --> 00:25:50,709 THROUGH A CUSTODY THING RIGHT NOW. 635 00:25:50,709 --> 00:25:53,041 UGH. I WENT THROUGH THAT. 636 00:25:53,041 --> 00:25:54,125 SUCH BULLSHIT. 637 00:25:54,125 --> 00:25:55,667 TOTALLY, RIGHT? 638 00:25:55,667 --> 00:25:58,166 AND -- AND THIS IS GONNA MAKE IT SO MUCH WORSE. 639 00:25:58,166 --> 00:26:00,875 MAN, I HEAR YOU. 640 00:26:00,875 --> 00:26:02,250 IT SUCKS. 641 00:26:04,542 --> 00:26:07,375 OKAY, I GOT TO ASK YOU FOR A PHOTOGRAPH. 642 00:26:07,375 --> 00:26:10,125 ABSOLUTELY. HAPPY TO. 643 00:26:10,125 --> 00:26:12,750 ARE YOU GONNA DO ONE OF ALL OF US TOGETHER, OR... 644 00:26:14,583 --> 00:26:16,667 [ CAMERA SHUTTER CLICKS ] 645 00:26:24,542 --> 00:26:26,083 SO, THIS IS YOUR HOUSE? 646 00:26:26,083 --> 00:26:28,583 OUR HOUSE. 647 00:26:28,583 --> 00:26:29,709 OUR HOUSE. 648 00:26:29,709 --> 00:26:30,834 MM-HMM. 649 00:26:30,834 --> 00:26:34,166 [ SIGHS ] WHAT DO YOU THINK? 650 00:26:34,166 --> 00:26:36,375 DEFINITELY NOT A SHIT HOLE. 651 00:26:36,375 --> 00:26:38,458 [ LAUGHS ] HIGH PRAISE. 652 00:26:38,458 --> 00:26:40,250 WOULD YOU LIKE A TOUR? 653 00:26:40,250 --> 00:26:41,875 THAT'S THE KITCHEN. 654 00:26:41,875 --> 00:26:43,250 NICE. 655 00:26:43,250 --> 00:26:45,875 UH, BACK THERE IS THE LAUNDRY ROOM. 656 00:26:45,875 --> 00:26:46,875 GOOD. 657 00:26:46,875 --> 00:26:48,083 [ CHUCKLES ] 658 00:26:48,083 --> 00:26:49,750 THAT'S A BAR. 659 00:26:49,750 --> 00:26:50,750 MM-HMM. 660 00:26:50,750 --> 00:26:52,208 [ CHUCKLES ] 661 00:26:52,208 --> 00:26:54,834 I LIKE YOUR TOUR BETTER. 662 00:26:54,834 --> 00:26:56,750 IS THERE A BEDROOM? [ CHUCKLES ] 663 00:26:56,750 --> 00:26:59,083 THAT WAY. 664 00:26:59,083 --> 00:27:01,458 [ GASPS, LAUGHS ] 665 00:27:01,458 --> 00:27:03,250 SOMEONE'S BEEN GOING TO THE GYM. 666 00:27:03,250 --> 00:27:05,250 I HAVE BEEN GOING TO THE GYM. 667 00:27:05,250 --> 00:27:07,625 [ LAUGHS ] 668 00:27:16,291 --> 00:27:17,458 HOLD THAT THOUGHT. 669 00:27:17,458 --> 00:27:18,834 I'M JUST GONNA CHANGE THE SHEETS. 670 00:27:18,834 --> 00:27:20,458 WHAT? 671 00:27:20,458 --> 00:27:22,166 IT'LL ONLY TAKE A MOMENT. 672 00:27:24,083 --> 00:27:26,208 TO CHANGE THE SHEETS? RIGHT. 673 00:27:26,208 --> 00:27:28,750 UH, WELL, OBVIOUSLY, WHEN IT COMES TO FOREPLAY, 674 00:27:28,750 --> 00:27:31,125 CHANGING THE SHEETS IS MY FAVORITE BIT. 675 00:27:31,125 --> 00:27:32,166 [ LAUGHS ] JUST SCOOT OFF THE BED. 676 00:27:32,166 --> 00:27:33,667 WHAT, YOU'RE SERIOUS? 677 00:27:33,667 --> 00:27:35,291 OH, YOU KNOW WHAT THEY SAY -- 678 00:27:35,291 --> 00:27:36,583 FRESH START, FRESH SHEETS. 679 00:27:36,583 --> 00:27:37,583 NO ONE SAYS THAT. 680 00:27:37,583 --> 00:27:39,333 LAUNDRESSES DON'T SAY THAT. 681 00:27:39,333 --> 00:27:40,625 I'M SORRY. 682 00:27:40,625 --> 00:27:42,458 IF I'D KNOWN WE WERE GONNA END UP HERE TONIGHT... 683 00:27:42,458 --> 00:27:44,542 DO YOU NOT WANT TO DO THIS? 684 00:27:44,542 --> 00:27:47,750 OH, GOD, YOU HAVE NO IDEA HOW MUCH I WANT TO DO IT. 685 00:27:49,542 --> 00:27:51,041 BUT YOU KNOW ME AND CLEAN SHEETS. 686 00:27:51,041 --> 00:27:52,834 NO, ACTUALLY. 687 00:27:52,834 --> 00:27:54,000 I COULD HAVE DONE IT BY NOW. 688 00:27:54,000 --> 00:27:55,125 SO COULD WE. 689 00:27:55,125 --> 00:27:56,875 [ LAUGHS ] 690 00:27:56,875 --> 00:27:58,375 IS THERE SOMETHING I SHOULD KNOW ABOUT THESE SHEETS? 691 00:27:58,375 --> 00:28:01,458 NO. [ SCOFFS ] 692 00:28:11,166 --> 00:28:13,125 I SPENT A NIGHT HERE WITH ROB. 693 00:28:15,083 --> 00:28:16,542 WHAT NIGHT? 694 00:28:20,000 --> 00:28:21,709 WEDNESDAY. 695 00:28:24,583 --> 00:28:25,542 GOD! 696 00:28:25,542 --> 00:28:28,000 [ SHUDDERS ] 697 00:28:33,625 --> 00:28:35,458 [ TYPEWRITER KEYS CLACKING ] 698 00:28:35,458 --> 00:28:37,709 [ MID-TEMPO MUSIC PLAYS ] 699 00:29:04,041 --> 00:29:05,166 [ TYPEWRITER CARRIAGE RETURNS ]