1 00:00:00,801 --> 00:00:02,536 Man: WE'RE NOT DONE HERE! 2 00:00:02,570 --> 00:00:03,804 Previously on Pretty Little Liars: 3 00:00:03,837 --> 00:00:06,207 KEEP PUSHING. 4 00:00:06,240 --> 00:00:07,608 TOLD YOU IT WOULD SINK. 5 00:00:07,641 --> 00:00:09,610 ARE YOU CURRENTLY SEEING EZRA FITZ? 6 00:00:09,643 --> 00:00:10,411 NO, I'M NOT. 7 00:00:10,444 --> 00:00:12,413 THIS MIGHT BE BIGGER THAN MONA, OKAY? 8 00:00:12,446 --> 00:00:14,815 SHE COULD BE WORKING FOR SOMEONE. WHY DIDN'T YOU TELL ME THIS? 9 00:00:14,848 --> 00:00:16,250 'CAUSE I WAS BEING PROTECTIVE. 10 00:00:16,284 --> 00:00:17,585 ARE YOU IMMEDIATE FAMILY? 11 00:00:17,618 --> 00:00:18,719 UMM, NO. 12 00:00:18,752 --> 00:00:20,588 THEN YOU NEED TO WAIT OUTSIDE. 13 00:00:20,621 --> 00:00:23,291 THOSE BITCHES ARE FINALLY GOING TO GET WHAT THEY DESERVE. 14 00:00:28,796 --> 00:00:30,431 YOU LET ME BELIEVE THAT YOU WERE DEAD? 15 00:00:30,464 --> 00:00:32,233 SO I COULD PROTECT YOU. 16 00:00:32,266 --> 00:00:34,235 THERE NEVER WAS A HAPPY ENDING FOR US. 17 00:00:34,268 --> 00:00:35,403 BYE, EZRA. 18 00:00:35,436 --> 00:00:36,804 THOSE BITCHES ARE GOING TO BE AT THE LODGE AT NINE. 19 00:00:36,837 --> 00:00:38,239 DO YOU UNDERSTAND? 20 00:00:38,272 --> 00:00:40,641 YOU HAVE NO IDEA WHAT'S GOING ON HERE. 21 00:00:43,144 --> 00:00:44,278 ELLIE? 22 00:00:46,514 --> 00:00:47,815 COULD ANYONE SEE HER? 23 00:00:47,848 --> 00:00:48,816 SEE WHO? 24 00:00:48,849 --> 00:00:50,284 ALISON. 25 00:00:51,252 --> 00:00:52,553 IS THAT-- SOMEBODY PULLED IT 26 00:00:52,586 --> 00:00:53,554 OUT OF THE LAKE. 27 00:00:53,587 --> 00:00:55,289 GET OUT OF MY WAY! 28 00:00:55,323 --> 00:00:56,724 WE HAVE TO GET THIS OUT OF HERE. 29 00:00:57,725 --> 00:00:58,826 ( phones beeping ) 30 00:00:58,859 --> 00:01:00,294 Emily: YOU'RE MINE NOW. 31 00:01:00,328 --> 00:01:02,130 KISSES... "A." 32 00:01:09,170 --> 00:01:10,304 ( sharp intake of breath ) 33 00:01:11,305 --> 00:01:12,306 ( sighing ) 34 00:01:13,541 --> 00:01:14,642 Aria: WHAT THE... 35 00:01:20,814 --> 00:01:21,815 WHERE'S MONA? 36 00:01:23,284 --> 00:01:24,718 THIS WAS ALL HER. SHE SET US UP. 37 00:01:24,752 --> 00:01:26,420 OKAY, LET'S GO. LET'S GET OUT OF HERE. 38 00:01:26,454 --> 00:01:27,655 COME ON. 39 00:01:33,827 --> 00:01:35,663 Spencer: HANNA! HANNA, LET'S GO! 40 00:01:35,696 --> 00:01:37,331 GOD, MONA, WHAT ARE YOU DOING? 41 00:01:37,365 --> 00:01:38,699 SAVING YOUR MOM. 42 00:01:43,904 --> 00:01:45,473 GUYS. 43 00:01:45,506 --> 00:01:46,674 SOMEONE'S COMING. 44 00:01:46,707 --> 00:01:47,908 HEY, THEY'RE COMING THIS WAY. 45 00:01:47,941 --> 00:01:49,677 HURRY UP! 46 00:01:49,710 --> 00:01:51,745 Hanna: MONA! THEY'RE COMING MONA, COME ON. 47 00:01:51,779 --> 00:01:54,615 HANNAH, WE GOT TO GET OUT OF HERE. SERIOUSLY, COME ON. 48 00:01:54,648 --> 00:01:55,816 COME ON! 49 00:01:59,220 --> 00:02:01,322 MONA, COME ON. WE HAVE TO GO. 50 00:02:04,658 --> 00:02:05,893 MONA! 51 00:02:05,926 --> 00:02:07,828 HURRY UP! 52 00:02:10,798 --> 00:02:12,400 GOT IT. 53 00:02:14,402 --> 00:02:15,803 COME ON! 54 00:02:20,774 --> 00:02:23,577 ( television indistinct ) 55 00:02:23,611 --> 00:02:26,614 THERE'S A REPORT ON THE LODGE, BUT NOTHING ABOUT WILDEN'S CAR. 56 00:02:27,681 --> 00:02:30,218 WELL, I GUESS THE FIRE TRUMPS A DEAD PIG. 57 00:02:30,251 --> 00:02:32,420 YOU CAN STOP STARING OUT THE WINDOW, ARIA. 58 00:02:32,453 --> 00:02:35,189 THE COPS AREN'T COMING TO ARREST US. 59 00:02:35,223 --> 00:02:37,825 I'M SUPPOSED TO FEEL SAFE JUST BECAUSE YOU SAY 60 00:02:37,858 --> 00:02:40,261 IT'S ALL OKAY NOW? AFTER EVERYTHING YOU'VE 61 00:02:40,294 --> 00:02:41,495 PUT US THROUGH. DO YOU THINK WE'D 62 00:02:41,529 --> 00:02:43,231 BE SITTING HERE IF ANYONE SAW US? 63 00:02:43,264 --> 00:02:45,466 WANNA KNOW WHAT I THINK? I THINK YOU'RE LUCKY THAT 64 00:02:45,499 --> 00:02:47,735 WE'RE NOT BEATING THE CRAP OUT OF YOU. 65 00:02:47,768 --> 00:02:50,371 AND I BELIEVE YOU COULD, EMILY. 66 00:02:50,404 --> 00:02:52,306 YOU REALLY WERE THE WEAKEST LINK. 67 00:02:53,641 --> 00:02:56,410 BUT LOOK HOW STRONG I MADE YOU. YOU SHOULD BE THANKING ME. 68 00:02:56,444 --> 00:02:58,579 OKAY, THAT'S IT. 69 00:02:58,612 --> 00:02:59,380 Hanna: EM! 70 00:02:59,413 --> 00:03:00,714 YOU KNOW WE ALL WANT TO TAKE A TURN. 71 00:03:00,748 --> 00:03:03,517 BUT WE WON'T. 72 00:03:04,485 --> 00:03:07,588 YOU LIKE GAMES, RIGHT, MONA? 73 00:03:07,621 --> 00:03:09,757 SO, LET'S PLAY ONE CALLED THE THIRD DEGREE. 74 00:03:10,758 --> 00:03:12,760 HOW DID YOU GET THE CAR OUT OF THE LAKE? 75 00:03:14,762 --> 00:03:16,964 I DIDN'T. 76 00:03:16,997 --> 00:03:18,766 I PUT THE CAR IN HANNA'S GARAGE, 77 00:03:18,799 --> 00:03:20,868 AND THAT WAS THE LAST TIME I SAW IT. 78 00:03:24,705 --> 00:03:27,508 SHANA KNEW JENNA BEFORE SHE CAME TO ROSEWOOD. 79 00:03:27,541 --> 00:03:29,610 I THINK SHE'S IN LOVE WITH HER. 80 00:03:29,643 --> 00:03:31,879 THEY'RE BOTH AFRAID OF MELISSA. 81 00:03:34,815 --> 00:03:37,751 WHEN CECE CAME TO RADLEY, I THOUGHT SHE WAS ALI. 82 00:03:37,785 --> 00:03:40,321 I DON'T REMEMBER WHAT WE TALKED ABOUT. 83 00:03:40,354 --> 00:03:42,556 IT WAS BEFORE THEY CHANGED MY MEDS. 84 00:03:43,557 --> 00:03:46,427 LUCAS GAVE EMILY THAT MASSAGE. 85 00:03:46,460 --> 00:03:48,429 HE SAID YOU WERE TENSE. 86 00:03:48,462 --> 00:03:51,365 I RECRUITED TOBY WHEN HE GOT THAT JOB IN BUCKS COUNTY. 87 00:03:54,302 --> 00:03:56,670 I DIDN'T PUSH IAN OFF THE BELL TOWER. 88 00:03:58,772 --> 00:04:00,308 I WISH I KNEW WHO DID. 89 00:04:07,348 --> 00:04:09,350 ( birds chirping ) 90 00:04:18,025 --> 00:04:19,393 ( dog barking ) 91 00:04:19,427 --> 00:04:21,295 MONA'S GONE! 92 00:04:27,335 --> 00:04:28,902 I DON'T REMEMBER FALLING ASLEEP. 93 00:04:28,936 --> 00:04:30,504 DID SHE DRUG US? 94 00:04:30,538 --> 00:04:32,039 WOULDN'T BE THE FIRST TIME. 95 00:04:32,072 --> 00:04:33,807 YOU GUYS, SHE STILL HAS THAT CHIP. 96 00:04:44,552 --> 00:04:46,654 OH, EMILY, I BORROWED YOUR CAR. 97 00:04:49,823 --> 00:04:52,292 YEAH, I HAVE MY OWN SET. 98 00:04:55,429 --> 00:04:56,797 WHERE'D YOU GO? 99 00:04:56,830 --> 00:04:58,532 COFFEE RUN. DUH. 100 00:04:58,566 --> 00:05:00,534 WHERE ELSE DID YOU GO? 101 00:05:01,569 --> 00:05:04,872 AMERICANO, ONE PINK. 102 00:05:04,905 --> 00:05:07,941 DRY SOY CAP. 103 00:05:07,975 --> 00:05:11,545 SUPER-SIZED DRIP, WITH THREE SUGARS. 104 00:05:11,579 --> 00:05:14,081 AND A SKINNY VANILLA FOR YOU. 105 00:05:14,114 --> 00:05:15,983 DID I GET IT RIGHT? 106 00:05:17,117 --> 00:05:20,421 I WANT THE CHIP, MONA. AND I WANT IT NOW. 107 00:05:20,454 --> 00:05:22,856 AND I ALSO GOT BREAKFAST. 108 00:05:22,890 --> 00:05:24,958 MULTIGRAIN SCONE. I'M NOT IN THE MOOD 109 00:05:24,992 --> 00:05:25,859 TO PLAY ROOM SERVICE. 110 00:05:25,893 --> 00:05:27,761 I WISH I COULD GIVE IT TO YOU, HANNA. 111 00:05:27,795 --> 00:05:29,630 BUT I CAN'T. WHY NOT? 112 00:05:29,663 --> 00:05:32,700 I NEED TO FIND OUT WHO RED COAT IS AND SO DO YOU. 113 00:05:32,733 --> 00:05:34,535 SHE TRIED TO KILL ALL OF US, SO, LIKE IT OR NOT, 114 00:05:34,568 --> 00:05:36,103 WE ARE IN THIS TOGETHER. 115 00:05:36,136 --> 00:05:37,004 OKAY, PROVE IT. 116 00:05:37,037 --> 00:05:39,407 YEAH, WE WANT EVERYTHING YOU'VE HAVE ON US. 117 00:05:39,440 --> 00:05:40,874 NOW. 118 00:05:45,045 --> 00:05:47,715 MI CASA ES SU CASA. 119 00:05:47,748 --> 00:05:49,450 IN ENGLISH. 120 00:05:50,451 --> 00:05:52,620 SHE'S TAKING US TO HER LAIR. 121 00:05:56,056 --> 00:05:58,392 ( indistinct chatter ) 122 00:06:04,197 --> 00:06:07,768 ALL THIS FOR A MUDDY COP CAR AND A DEAD PIG? 123 00:06:09,537 --> 00:06:12,139 ( horns honking ) 124 00:06:19,947 --> 00:06:21,081 IT'S WILDEN. 125 00:06:30,991 --> 00:06:33,461 * GOT A SECRET, CAN YOU KEEP IT'S * 126 00:06:33,494 --> 00:06:35,796 * WHERE THIS ONE YOU SAVE * 127 00:06:35,829 --> 00:06:37,798 * GOT A LOCKET, IN YOUR POCKET * 128 00:06:37,831 --> 00:06:40,634 * TAKING THIS ONE TO THE GRAVE * 129 00:06:40,668 --> 00:06:43,203 * EVER SHOW YOU THAT I KNOW YOU * 130 00:06:43,236 --> 00:06:45,506 * WON'T TELL WHAT I SAID 131 00:06:45,539 --> 00:06:48,108 * 'CAUSE TWO CAN KEEP A SECRET 132 00:06:48,141 --> 00:06:50,811 * IF ONE OF THEM IS DEAD 133 00:06:53,213 --> 00:06:54,915 ( indistinct chatter ) 134 00:06:58,919 --> 00:07:00,087 ( horn honking ) 135 00:07:00,120 --> 00:07:01,755 OH, MY GOD. 136 00:07:01,789 --> 00:07:03,524 "YOU'RE MINE NOW." 137 00:07:03,557 --> 00:07:05,459 I KNOW WHAT THE TEXT MEANT. 138 00:07:07,160 --> 00:07:09,563 "A" HAS A WAY TO MAKE IT LOOK LIKE WE KILLED HIM. 139 00:07:09,597 --> 00:07:11,632 ( pounding ) 140 00:07:19,039 --> 00:07:21,542 ( morose, heavy rock playing ) 141 00:07:21,575 --> 00:07:28,882 * THE STREETS A LIAR * 142 00:07:28,916 --> 00:07:32,986 * I'M GONNA LURE YOU INTO THE DARK * 143 00:07:33,020 --> 00:07:36,690 * MY COLD DESIRE 144 00:07:36,724 --> 00:07:40,661 * TO GET A BOOM, BOOM, BOOM OF YOUR HEART * 145 00:07:40,694 --> 00:07:44,632 * THE DANGER IS I'M DANGEROUS * 146 00:07:44,665 --> 00:07:47,234 * AND I MIGHT JUST TEAR YOU APART * 147 00:07:47,267 --> 00:07:52,706 * OH 148 00:07:52,740 --> 00:07:54,842 * I'M GONNA CATCH YA 149 00:07:54,875 --> 00:07:57,578 * I'M GONNA GET CHA GET CHA * 150 00:07:57,611 --> 00:07:59,713 * OH 151 00:07:59,747 --> 00:08:04,084 * I WANT TO TASTE THE WAY THAT YOU BLEED * 152 00:08:04,117 --> 00:08:07,788 * OH 153 00:08:07,821 --> 00:08:10,724 IF RED COAT'S "A," WHY DID SHE SAVE US FROM THE FIRE? 154 00:08:10,758 --> 00:08:13,293 SO SHE COULD SET US UP TO TAKE THE FALL FOR WILDEN'S MURDER. 155 00:08:13,326 --> 00:08:15,228 YEAH, A CAT PLAYS WITH A MOUSE FOR HOURS 156 00:08:15,262 --> 00:08:17,598 BEFORE SHE ACTUALLY EATS IT. 157 00:08:17,631 --> 00:08:19,800 ONCE IT'S DEAD, THE FUN'S OVER. 158 00:08:21,168 --> 00:08:23,003 SO WE'RE ALI'S MICE? 159 00:08:23,036 --> 00:08:24,838 WE'RE HER DOLLS. 160 00:08:24,872 --> 00:08:26,940 GUYS, ALISON ISN'T PLAYING WITH US, OKAY? 161 00:08:26,974 --> 00:08:28,642 SHE'S DEAD. 162 00:08:31,178 --> 00:08:35,215 * THIS IS A BAD TOWN FOR A SUCH A PRETTY FACE * 163 00:08:35,248 --> 00:08:37,985 YOU WERE ON THE HALLOWEEN TRAIN. DRESSED LIKE CALEB. 164 00:08:38,018 --> 00:08:40,821 TO THINK WE WERE THIS CLOSE TO OUR FIRST KISS. 165 00:08:40,854 --> 00:08:42,255 AND TO GETTING RID OF ME FOR GOOD. 166 00:08:42,289 --> 00:08:45,025 THAT WASN'T ME. AND I CAN PROVE IT. 167 00:08:47,360 --> 00:08:51,031 WHEN I TOOK THIS, YOU WERE ALREADY IN THE BOX. 168 00:08:51,064 --> 00:08:53,233 AND THESE TWO PUT YOU IN THERE. 169 00:08:57,104 --> 00:08:58,739 ITS NOT GONNA HAPPEN! 170 00:08:58,772 --> 00:09:00,040 THAT'S WILDEN. 171 00:09:00,073 --> 00:09:01,174 LISTEN TO ME. 172 00:09:01,208 --> 00:09:02,776 Emily: HE WAS THE QUEEN OF HEARTS? 173 00:09:02,810 --> 00:09:06,113 JUST LEAVE HER. PLANS HAVE CHANGED. 174 00:09:06,146 --> 00:09:07,781 GARRETT'S GOING TO TELL THEM EVERYTHING. 175 00:09:07,815 --> 00:09:09,650 THERE'S TWO OF THEM? 176 00:09:09,683 --> 00:09:11,084 WE CAN'T LET THAT HAPPEN. 177 00:09:11,118 --> 00:09:12,152 WHO'S THAT? 178 00:09:13,754 --> 00:09:15,322 YOUR SISTER. 179 00:09:22,129 --> 00:09:24,164 OH, YEAH, THAT'S CONVENIENT. RIGHT BEFORE YOU COULD PROVE IT. 180 00:09:24,197 --> 00:09:25,198 WAIT, MONA, WHAT'S GOING ON? 181 00:09:25,232 --> 00:09:26,867 SOMEONE'S DELETING ALL MY FILES! 182 00:09:26,900 --> 00:09:27,935 Spencer: MONA, SHUT IT DOWN! 183 00:09:27,968 --> 00:09:29,069 I'M TRYING TO. 184 00:09:34,875 --> 00:09:38,078 Little girl: ALISON? FASTER. 185 00:09:38,111 --> 00:09:42,015 COME OUT, COME OUT, WHEREVER YOU ARE. 186 00:09:42,049 --> 00:09:43,951 ( laughter ) 187 00:09:45,318 --> 00:09:49,022 IT'S NOT FAIR, ARIA. IT WAS EMILY'S IDEA. 188 00:09:52,926 --> 00:09:54,061 ( laughter ) 189 00:10:07,140 --> 00:10:09,710 FASTER, FASTER! 190 00:10:17,751 --> 00:10:18,819 HEY, THERE! 191 00:10:20,420 --> 00:10:21,755 HI. 192 00:10:24,291 --> 00:10:25,859 WHERE DID YOU GET THESE DOLLS? 193 00:10:25,893 --> 00:10:29,096 THEY WERE A PRESENT. MINE'S NAME IS ARIA. 194 00:10:29,129 --> 00:10:33,366 AND THAT'S HANNA, SPENCER, EMILY, AND MONA. 195 00:10:36,469 --> 00:10:38,071 WHO GAVE THEM TO YOU? 196 00:10:38,105 --> 00:10:41,274 YOUR FRIEND, ALISON. SHE STARTED PLAYING WITH US 197 00:10:41,308 --> 00:10:43,110 RIGHT AFTER YOU MOVED IN. 198 00:11:00,093 --> 00:11:02,462 YEAH, WHATEVER YOU NEED. 199 00:11:02,495 --> 00:11:04,097 ALL RIGHT, I'LL BE THERE. 200 00:11:04,131 --> 00:11:05,866 SEE YOU TONIGHT. 201 00:11:07,267 --> 00:11:09,970 WAS THAT CALEB? IS HE BACK? 202 00:11:10,003 --> 00:11:13,673 NO. IT WAS MONA. 203 00:11:15,308 --> 00:11:17,711 WHAT EXACTLY IS IT THAT SHE NEEDS? 204 00:11:17,745 --> 00:11:20,948 SHE JUST WANTS TO MOVE THE RV UNTIL WE CAN ALL GET RID OF IT TOGETHER. 205 00:11:20,981 --> 00:11:22,816 I'M DRIVING HER THERE. 206 00:11:22,850 --> 00:11:26,219 I WAS THINKING ABOUT LAST NIGHT, AND MONA PUT HER GLOVES 207 00:11:26,253 --> 00:11:27,955 ON BEFORE SHE TOUCHED WILDEN'S CAR. 208 00:11:27,988 --> 00:11:29,422 MEANWHILE, OUR PRINTS ARE ALL OVER IT. 209 00:11:29,456 --> 00:11:32,159 SHE'S LIKE HANNIBAL LECTOR SMART. 210 00:11:32,192 --> 00:11:33,894 SHE'S BEEN DOING THIS FOR A LONG TIME. 211 00:11:33,927 --> 00:11:35,863 WHO'S TO SAY THAT SHE'S NOT STILL DOING IT? 212 00:11:35,896 --> 00:11:39,032 EM, YOU'RE RIGHT. BUT IF I'VE LEARNED FROM MY MOM, 213 00:11:39,066 --> 00:11:41,802 IT'S KEEP YOUR FRIENDS CLOSE AND YOUR ENEMIES CLOSER. 214 00:11:41,835 --> 00:11:43,403 SO, YOU'RE GOING TO BE HER NEW BFF? 215 00:11:43,436 --> 00:11:45,472 IF THAT'S WHAT IT TAKES TO GET THAT CHIP. 216 00:11:45,505 --> 00:11:46,907 ( knocking ) 217 00:11:46,940 --> 00:11:49,242 HEY, I THOUGHT YOU WERE AT WORK. 218 00:11:49,276 --> 00:11:51,078 NOBODY'S GETTING ANYTHING DONE TODAY. 219 00:11:51,111 --> 00:11:54,081 ALL ANYONE CAN THINK ABOUT IS POOR WILDEN. 220 00:11:54,114 --> 00:11:55,949 DO THEY KNOW WHO DID IT? 221 00:11:55,983 --> 00:11:59,352 NO, BUT THERE ARE WITNESSES. 222 00:11:59,386 --> 00:12:02,122 I'M NOT SURE EXACTLY WHAT THEY SAW, BUT... 223 00:12:05,058 --> 00:12:08,962 YOU DOING OKAY, HANNA? I'M SORRY I HAD TO LEAVE SO EARLY THIS MORNING. 224 00:12:08,996 --> 00:12:11,331 WE REALLY DIDN'T GET A CHANCE TO TALK. 225 00:12:11,364 --> 00:12:12,833 WHO'S THAT FOR? 226 00:12:12,866 --> 00:12:14,334 JESSICA DILAURENTIS. 227 00:12:14,367 --> 00:12:16,403 SHE STOPPED BY THE POLICE STATION THIS MORNING. 228 00:12:16,436 --> 00:12:18,972 SHE'S MOVING BACK. 229 00:12:19,006 --> 00:12:20,908 WAIT, BACK TO THEIR OLD HOUSE? 230 00:12:20,941 --> 00:12:22,109 YEAH. 231 00:12:22,142 --> 00:12:24,311 JASON MADE IT SEEM LIKE SHE HATED IT HERE. 232 00:12:24,344 --> 00:12:26,379 HE SAID THAT SHE COULDN'T FACE ALL THE MEMORIES OF ALISON. 233 00:12:26,413 --> 00:12:28,115 WELL, SOMETHING MUST HAVE CHANGED. 234 00:12:28,148 --> 00:12:29,950 I MEAN, IN SPITE OF WHAT'S BEEN GOING ON 235 00:12:29,983 --> 00:12:33,320 WITH WILDEN, SHE SEEMS TO BE IN A PRETTY GOOD PLACE. 236 00:12:33,353 --> 00:12:34,387 ( phone ringing ) 237 00:12:34,421 --> 00:12:35,655 THAT'S PROBABLY YOUR DAD. 238 00:12:38,892 --> 00:12:42,029 MAYBE MRS. D ISN'T SO SAD ANYMORE BECAUSE SHE KNOWS WHAT WE KNOW. 239 00:12:42,062 --> 00:12:43,130 WE DON'T KNOW ANYTHING, HANNA. 240 00:12:43,163 --> 00:12:47,300 I SAW WHO PULLED US OUT OF THE FIRE, EM. IT WAS ALISON. 241 00:12:56,844 --> 00:12:59,379 SO... 242 00:12:59,412 --> 00:13:01,248 HE THREW IT ON THIS PILE. 243 00:13:03,416 --> 00:13:04,885 I'M SURE OF IT. 244 00:13:09,256 --> 00:13:10,924 YOU THINK THEY LEFT ANYTHING INSIDE? 245 00:13:11,959 --> 00:13:13,961 HEY, IT'S NOT SAFE TO GO IN THERE. 246 00:13:46,293 --> 00:13:48,128 Toby: SPENCER? 247 00:13:51,098 --> 00:13:52,465 SPENCE? 248 00:13:52,499 --> 00:13:54,067 WHAT? 249 00:13:55,969 --> 00:13:58,371 WE SHOULDN'T BE IN HERE. 250 00:13:58,405 --> 00:14:02,375 WELL, WE ARE. SO, WE MIGHT AS WELL LOOK. 251 00:14:05,913 --> 00:14:07,547 Toby: AND WHAT ARE WE LOOKING FOR? 252 00:14:07,580 --> 00:14:09,149 RED COAT. 253 00:14:09,182 --> 00:14:12,119 ( sighs ) I DON'T THINK SHE'S IN HERE. 254 00:14:16,289 --> 00:14:19,226 WHAT IF IT WAS ALI? 255 00:14:19,259 --> 00:14:21,561 AND WHAT IF SHE BROUGHT US HERE BECAUSE... 256 00:14:21,594 --> 00:14:25,232 SHE'S READY TO COME HOME. 257 00:14:25,265 --> 00:14:28,001 SHE PULLS EVERYBODY OUT AND THEN TAKES OFF? 258 00:14:28,035 --> 00:14:30,337 BECAUSE SHE KNOWS IT ISN'T SAFE? 259 00:14:30,370 --> 00:14:31,939 IT'S POSSIBLE. 260 00:14:31,972 --> 00:14:33,506 WELL, YEAH, IF YOU'RE NOT TAKING INTO ACCOUNT THAT 261 00:14:33,540 --> 00:14:37,945 SHE DIED TWO YEARS AGO. SURE, IT'S POSSIBLE. 262 00:14:40,547 --> 00:14:41,915 ( floor creaks ) 263 00:14:41,949 --> 00:14:43,984 TOBY? 264 00:14:44,017 --> 00:14:46,053 I DON'T THINK WE'RE IN HERE ALONE. 265 00:14:53,226 --> 00:14:55,162 ( bird crowing ) 266 00:15:16,583 --> 00:15:19,552 ( toy drumming ) 267 00:15:19,586 --> 00:15:21,488 EMILY? 268 00:15:21,521 --> 00:15:25,258 IT FEELS LIKE HOME WHEN YOU SEE A FRIENDLY FACE. 269 00:15:25,292 --> 00:15:27,194 HI. 270 00:15:28,261 --> 00:15:31,231 UH, THIS IS FOR YOU. IT'S FROM MY MOM. 271 00:15:31,264 --> 00:15:35,068 TELL HER I SAID THANK YOU AND I LOOK FORWARD TO HAVING HER OVER FOR TEA 272 00:15:35,102 --> 00:15:37,971 AS SOON AS I'M SETTLED IN. I WILL. 273 00:15:38,005 --> 00:15:39,306 IS JASON BACK, TOO? 274 00:15:39,339 --> 00:15:42,142 HE'S DOWN SOUTH. RENOVATING GRANDMA D'S PLACE. 275 00:15:42,175 --> 00:15:45,712 IT'S A BEAUTIFUL HOUSE, BUT SHE LET THINGS GO. 276 00:15:45,745 --> 00:15:47,547 AND IT SMELLS LIKE OLD PEOPLE. 277 00:15:47,580 --> 00:15:50,984 ( laughs ) ALI HATED THAT SMELL. 278 00:15:51,018 --> 00:15:54,054 IT'S GOOD TO HEAR SOMEONE SAY HER NAME. 279 00:15:54,087 --> 00:15:57,024 PEOPLE AVOID IT. THEY'RE TRYING TO BE POLITE. 280 00:15:57,057 --> 00:16:00,493 BUT IT'S NOT NICE. IT'S WEAK. 281 00:16:02,062 --> 00:16:04,664 NO, NO, NO. THAT'S FRAGILE. I'LL MOVE THOSE. 282 00:16:06,233 --> 00:16:08,768 EMILY, WOULD YOU MIND HELPING WITH THESE? 283 00:16:08,801 --> 00:16:10,403 SURE. 284 00:16:17,210 --> 00:16:19,312 CAN YOU SET THAT ON THE BED? 285 00:16:28,255 --> 00:16:30,623 YOU KEPT ALL OF HER THINGS? 286 00:16:32,092 --> 00:16:34,427 I THINK THAT'S WHAT SHE WOULD HAVE WANTED. 287 00:16:39,766 --> 00:16:42,102 Emily: SHE'S BUILDING A SHRINE TO ALI. 288 00:16:42,135 --> 00:16:45,372 OR ALI WANTS HER OLD ROOM BACK. 289 00:16:45,405 --> 00:16:48,708 I KNOW HOW REAL IT FEELS WHEN YOU THINK YOU SEE HER. 290 00:16:48,741 --> 00:16:51,178 MAYBE THAT'S JUST BECAUSE NONE OF US 291 00:16:51,211 --> 00:16:52,412 WANT TO LET GO OF HER. 292 00:16:52,445 --> 00:16:54,681 IMAGINE HOW MRS. D. MUST FEEL. 293 00:16:54,714 --> 00:16:57,384 I THINK WE'RE HERE. 294 00:16:57,417 --> 00:16:58,351 WHERE'S HERE? 295 00:16:58,385 --> 00:17:01,654 SOME CREEPY FARM IN THE MIDDLE OF NOWHERE. 296 00:17:01,688 --> 00:17:03,390 OKAY. BE CAREFUL, OKAY? 297 00:17:03,423 --> 00:17:06,626 IF I'M NOT BACK BY MIDNIGHT, SEND A SEARCH PARTY. 298 00:17:20,407 --> 00:17:22,409 THANKS FOR HELPING ME. 299 00:17:25,212 --> 00:17:26,646 WE'RE IN THIS TOGETHER NOW, RIGHT? 300 00:17:26,679 --> 00:17:29,048 KIND OF LIKE OLD TIMES. 301 00:17:33,486 --> 00:17:34,821 THAT SHOULD DO IT. 302 00:17:36,123 --> 00:17:37,824 ARE YOU SURE IT'S SAFE IN HERE? 303 00:17:37,857 --> 00:17:42,229 YEAH. I MEAN, IT'LL BE FINE FOR A FEW DAYS. 304 00:17:46,733 --> 00:17:51,304 YOU KNOW, THERE'S STUFF IN THERE THAT CAN BRING US ALL DOWN. 305 00:17:53,206 --> 00:17:54,507 WHAT? 306 00:17:54,541 --> 00:17:59,512 I JUST HAVEN'T THOUGHT ABOUT YOU AND ME AS AN "US" FOR A LONG TIME. 307 00:18:01,881 --> 00:18:03,816 WELL, ANYWAY... 308 00:18:15,362 --> 00:18:18,431 HI, I'LL GET A CAPPUCCINO, PLEASE. 309 00:18:26,773 --> 00:18:28,608 ARIA? 310 00:18:30,510 --> 00:18:33,613 ( sighs ) 311 00:18:33,646 --> 00:18:35,748 YOU KNOW, I COULD PRETEND LIKE I DIDN'T SEE YOU, 312 00:18:35,782 --> 00:18:38,518 BUT I DON'T WANT TO LIE. 313 00:18:38,551 --> 00:18:40,353 THIS IS NEW TERRITORY FOR US. WHAT--WHAT DO I DO? 314 00:18:40,387 --> 00:18:42,289 DO I SAY "HI" TO YOU? DO I AVOID YOU? 315 00:18:42,322 --> 00:18:44,457 WELL, I'M SAYING "HI." 316 00:18:44,491 --> 00:18:45,758 ( both laughing ) 317 00:18:50,263 --> 00:18:53,566 WE PROBABLY SHOULDN'T HAVE A COFFEE TOGETHER THOUGH, RIGHT? 318 00:18:53,600 --> 00:18:57,304 YEAH, YESTERDAY I MIGHT HAVE SAID THAT THAT WOULD BE OKAY. 319 00:18:57,337 --> 00:18:59,372 WHY NOT TONIGHT? 320 00:18:59,406 --> 00:19:01,708 I GOT OFFERED A PERMANENT JOB. 321 00:19:01,741 --> 00:19:03,243 OH, THAT'S GREAT. 322 00:19:03,276 --> 00:19:05,612 I HAVEN'T SAID YES YET BECAUSE IT'S AT ROSEWOOD. 323 00:19:07,480 --> 00:19:10,883 EZRA, YOU KNOW IT'S A LOT EASIER TO NOT SEE YOU WHEN I'M ACTUALLY NOT SEEING YOU. 324 00:19:12,285 --> 00:19:14,654 I REALLY NEED THIS. 325 00:19:14,687 --> 00:19:16,356 I HAVE A FAMILY NOW. 326 00:19:17,690 --> 00:19:21,160 I KNOW. I UNDERSTAND. 327 00:19:23,830 --> 00:19:26,666 AND IF YOU WANT TO SEE OTHER PEOPLE... 328 00:19:26,699 --> 00:19:30,303 SOMETIMES THAT'S THE BEST WAY TO MOVE ON. 329 00:19:30,337 --> 00:19:32,239 I'M NOT READY FOR THAT. 330 00:19:32,272 --> 00:19:33,440 ( door opening ) 331 00:19:33,473 --> 00:19:35,742 ( indistinct conversation ) 332 00:19:38,311 --> 00:19:39,446 BYE, MR. FITZ. 333 00:19:50,357 --> 00:19:53,360 Spencer: HE WAS SHOT MULTIPLE TIMES. 334 00:19:53,393 --> 00:19:55,428 AND THE PLACE THAT HE WAS KILLED WAS A DIFFERENT LOCATION 335 00:19:55,462 --> 00:19:57,430 THAN WHERE THE BODY WAS FOUND. 336 00:19:57,464 --> 00:19:59,366 SAYS THAT TIME OF DEATH-- THANK YOU-- 337 00:19:59,399 --> 00:20:01,834 WAS BETWEEN TEN AND MIDNIGHT. 338 00:20:01,868 --> 00:20:03,303 WHICH IS WHEN WE WERE AT THE LODGE. 339 00:20:03,336 --> 00:20:05,972 SO, WE CAN'T USE THAT AS AN ALIBI. 340 00:20:06,005 --> 00:20:07,240 EAT. 341 00:20:07,274 --> 00:20:09,709 AND "A" KNOWS THAT THEY'RE GOING TO FIGURE OUT FIRE WAS ARSON. 342 00:20:09,742 --> 00:20:12,345 AND WHO WOULD BELIEVE THAT WE WERE THERE AND WE DIDN'T START IT? 343 00:20:12,379 --> 00:20:15,415 YOU SEE THIS? IT'S A FORK. 344 00:20:15,448 --> 00:20:16,583 YOU CAN USE IT TO EAT THE BREAKFAST 345 00:20:16,616 --> 00:20:18,851 YOUR BOYFRIEND JUST COOKED FOR YOU. 346 00:20:18,885 --> 00:20:20,987 I LOVE THE WAY THAT SOUNDS. 347 00:20:21,020 --> 00:20:23,523 YOU CALLING YOURSELF MY BOYFRIEND. 348 00:20:23,556 --> 00:20:26,225 EAT. ( laughing ) I AM. 349 00:20:27,727 --> 00:20:29,929 THIS IS PERFECT. 350 00:20:29,962 --> 00:20:32,799 NOT JUST THE FOOD. YOU BEING HERE. 351 00:20:36,068 --> 00:20:37,970 IS THERE ANY MORE COFFEE? 352 00:20:38,004 --> 00:20:41,374 ( SIGHS ) IT GOES AGAINST MY BETTER JUDGMENT, 353 00:20:41,408 --> 00:20:43,476 BUT THIS IS YOUR LAST CUP, OKAY? PROMISE. 354 00:20:43,510 --> 00:20:45,512 ALL RIGHT. 355 00:20:51,784 --> 00:20:53,720 SO, WHAT DOES "A" HAVE ON US? 356 00:20:53,753 --> 00:20:55,588 ( phone ringing ) 357 00:21:00,360 --> 00:21:03,730 GOING THROUGH WITHDRAWALS OVER HERE. 358 00:21:03,763 --> 00:21:05,498 TOBES? 359 00:21:05,532 --> 00:21:07,300 HEY, IS EVERYTHING OKAY? 360 00:21:07,334 --> 00:21:09,436 YEAH, YEAH, YEAH. IT WAS JUST A LEAD ON A NEW JOB. 361 00:21:12,939 --> 00:21:15,342 THANK YOU FOR BREAKFAST... 362 00:21:15,375 --> 00:21:17,276 BOYFRIEND. 363 00:21:27,354 --> 00:21:29,656 PAIGE DOESN'T KNOW ABOUT WILDEN YET. 364 00:21:29,689 --> 00:21:31,724 NOT SURE HOW MUCH TO TELL HER. 365 00:21:34,861 --> 00:21:35,895 ARIA? 366 00:21:35,928 --> 00:21:39,666 DO YOU BELIEVE IN THAT FOUR SEASONS OF GRIEF THEORY? 367 00:21:39,699 --> 00:21:41,368 THAT YOU HAVE TO LIVE THROUGH A YEAR OF EVERYTHING, 368 00:21:41,401 --> 00:21:43,336 BEFORE YOU CAN REALLY GET OVER SOMEONE. 369 00:21:43,370 --> 00:21:46,506 YOU GUYS HAVE SURVIVED SO MUCH. 370 00:21:46,539 --> 00:21:48,107 CAN'T YOU JUST WAIT IT OUT FOR A FEW MONTHS? 371 00:21:48,140 --> 00:21:50,810 JUST FEELS LIKE WE'RE BACK WHERE WE STARTED. 372 00:21:50,843 --> 00:21:52,044 AND WE CAN'T GO BACK TO WHERE WE WERE. 373 00:21:52,078 --> 00:21:54,947 THERE'S TOO MUCH AT STAKE NOW. 374 00:21:54,981 --> 00:21:57,484 YOU KNOW I TOTALLY SUPPORT YOU AND EZRA TOGETHER, 375 00:21:57,517 --> 00:21:59,386 BUT MAYBE HE'S RIGHT. 376 00:21:59,419 --> 00:22:02,589 YOU KNOW, IT'S SENIOR YEAR. YOU SHOULD BE HAVING SOME FUN. 377 00:22:02,622 --> 00:22:04,857 LOOK AT HIM. 378 00:22:04,891 --> 00:22:07,694 THEY'RE HANGING ON HIS EVERY WORD. 379 00:22:07,727 --> 00:22:10,830 YOU'VE NEVER BEEN ON ONE, BUT THERE'S THIS THING CALLED A DOUBLE DATE. 380 00:22:10,863 --> 00:22:12,699 AND IT'S WHAT YOU DO WITH YOUR FRIENDS 381 00:22:12,732 --> 00:22:14,367 WHEN YOU CAN ACTUALLY BE SEEN IN PUBLIC 382 00:22:14,401 --> 00:22:15,902 WITH THE PERSON YOU'RE GOING OUT WITH. 383 00:22:19,839 --> 00:22:21,708 OH, MY GOD. I AM SO BUSTED. 384 00:22:21,741 --> 00:22:23,610 HACKETT JUST SAW ME STARING AT EZRA. 385 00:22:25,478 --> 00:22:26,513 NOW HE'S WALKING OVER HERE. 386 00:22:26,546 --> 00:22:29,649 I THINK THAT WHAT MR. FITZ MEANT WAS STEINBECK USED 387 00:22:29,682 --> 00:22:31,951 THE FARMER AS A METAPHOR FOR HIS FRUSTRATION. 388 00:22:33,019 --> 00:22:34,020 IS HE GONE? 389 00:22:36,489 --> 00:22:39,826 NO. AND HE'S TOTALLY WATCHING YOU. 390 00:22:44,564 --> 00:22:46,633 Girl: LET'S JUST MEET AT YOUR HOUSE AFTER SCHOOL. 391 00:22:52,905 --> 00:22:53,973 DO YOU HAVE A MINUTE? 392 00:22:54,006 --> 00:22:55,842 YEAH, SURE. 393 00:22:58,478 --> 00:22:59,879 YOU LOOK TIRED. WELL, I ONLY 394 00:22:59,912 --> 00:23:02,148 SLEPT FOR LIKE TWELVE MINUTES LAST NIGHT. 395 00:23:02,181 --> 00:23:05,718 EVERY TIME I CLOSED MY EYES I SAW WILDEN. 396 00:23:05,752 --> 00:23:10,022 AND THEN I SAW A PIG, AND THEN I SAW WILDEN WITH A PIG FACE. 397 00:23:10,056 --> 00:23:12,725 LA BRIDE SURLECOU. 398 00:23:12,759 --> 00:23:15,995 LOOK, I DON'T THINK WE'RE WAITING FOR THIS "A'S" SHOE TO DROP. 399 00:23:16,028 --> 00:23:18,831 I FEEL LIKE WE'RE WAITING FOR IT TO STOMP ON US. 400 00:23:18,865 --> 00:23:20,533 CAREFUL, HANNA. 401 00:23:20,567 --> 00:23:23,470 WHEN YOU USE WORDS LIKE "US" AND "WE," MY MIND GOES TO 402 00:23:23,503 --> 00:23:24,604 THIS PLACE WHERE I THINK WE COULD 403 00:23:24,637 --> 00:23:26,005 ACTUALLY BE FRIENDS AGAIN. 404 00:23:28,541 --> 00:23:30,677 DO YOU REMEMBER WHEN MY DAD LEFT? 405 00:23:30,710 --> 00:23:32,645 I DID NOT WANT TO GET OUT OF BED, 406 00:23:32,679 --> 00:23:36,749 BUT YOU FORCED ME TO GO TO EVERY SALE THAT SUMMER AT THE MALL. 407 00:23:36,783 --> 00:23:38,751 YEAH. 408 00:23:38,785 --> 00:23:41,153 I MISS MY SHOPPORTUNIST FRIEND. 409 00:23:44,791 --> 00:23:47,794 LOOK, I HAVE A FRENCH STUDY GROUP AFTER SCHOOL, 410 00:23:47,827 --> 00:23:51,864 BUT I CAN CANCEL, IF YOU WANT TO HIT MACYS. 411 00:23:51,898 --> 00:23:54,033 I DON'T JUST WANT IT. I NEED IT. 412 00:23:56,035 --> 00:23:58,905 C'EST UN RENDEZ-VOUS. IT'S A DATE. 413 00:23:58,938 --> 00:24:01,207 COCO CHANEL. 414 00:24:09,849 --> 00:24:11,217 Man (over loudspeaker ): ARIA MONTGOMERY, 415 00:24:11,250 --> 00:24:13,853 REPORT TO THE VICE PRINCIPAL'S OFFICE. 416 00:24:13,886 --> 00:24:17,223 ARIA MONTGOMERY, PLEASE REPORT TO THE VICE PRINCIPAL'S OFFICE. 417 00:25:00,933 --> 00:25:04,604 I GAVE YOU A CHANCE TO BE HONEST WITH ME. AND YOU CHOSE TO LIE. 418 00:25:05,638 --> 00:25:06,839 I'M NOT SURE WHAT YOU MEAN. 419 00:25:06,873 --> 00:25:09,041 I KNOW YOU'RE SLEEPING WITH YOUR TEACHER. 420 00:25:10,677 --> 00:25:14,113 I WANTED TO BELIEVE YOU. BUT AFTER RECEIVING AN ANONYMOUS CORRESPONDENCE 421 00:25:14,146 --> 00:25:15,481 FROM A CONCERNED STUDENT-- 422 00:25:15,514 --> 00:25:19,786 WELL, I TOLD YOU THAT MR. FITZ AND I HAD SEEN EACH OTHER AFTER 423 00:25:19,819 --> 00:25:20,687 HE LEFT ROSEWOOD HIGH-- ONLY OCCASIONALLY, 424 00:25:20,720 --> 00:25:23,790 BUT BROKE IT OFF BEFORE IT BECAME SERIOUS. 425 00:25:35,802 --> 00:25:38,571 WE'VE CALLED YOUR PARENTS. THEY'RE ON THEIR WAY. 426 00:25:38,605 --> 00:25:39,939 ( phone ringing ) 427 00:25:41,307 --> 00:25:42,742 YES. 428 00:25:44,210 --> 00:25:46,345 I'M RELIEVED TO KNOW HE'S IN CUSTODY. THANK YOU. 429 00:25:46,378 --> 00:25:48,180 YOU'RE ARRESTING HIM? 430 00:25:48,214 --> 00:25:52,785 IN THIS STATE, IT'S A FELONY FOR A TEACHER TO HAVE SEX WITH A MINOR. 431 00:25:52,819 --> 00:25:54,220 EZRA FITZ IS GOING TO PRISON. 432 00:25:59,091 --> 00:26:00,727 MISS MONTGOMERY! 433 00:26:21,113 --> 00:26:23,115 SORRY TO KEEP YOU WAITING. 434 00:26:24,851 --> 00:26:27,887 UH, YOUR MOM SUGGESTED I HAVE YOU BRING THESE HOME FOR HER TO SIGN. 435 00:26:29,255 --> 00:26:31,123 ( sighs ) 436 00:26:31,157 --> 00:26:33,025 SURE, I'LL TAKE CARE OF IT. 437 00:26:33,059 --> 00:26:35,628 AND TELL HER I HOPE SHE'S FEELING BETTER. 438 00:26:41,000 --> 00:26:42,334 ( sighs ) 439 00:27:01,153 --> 00:27:03,723 IT LOOKS INCREDIBLE... 440 00:27:03,756 --> 00:27:07,293 BUT IT'S JUST SO FAR AWAY. 441 00:27:07,326 --> 00:27:10,296 THAT'S WHAT I LOVE ABOUT IT. 442 00:27:10,329 --> 00:27:14,266 IT'S GOT ONE OF THE BEST SWIM PROGRAMS IN THE COUNTRY. 443 00:27:14,300 --> 00:27:15,868 I THOUGHT YOU'D BE EXCITED. 444 00:27:15,902 --> 00:27:19,005 OH, IT'S AN AMAZING OPPORTUNITY. 445 00:27:19,038 --> 00:27:22,942 YOU HAVE TO TAKE IT. YOU HAVE TO SAY YES. 446 00:27:22,975 --> 00:27:25,778 IT'S AN AMAZING OPPORTUNITY FOR US, EMILY. 447 00:27:25,812 --> 00:27:27,413 I WANT YOU TO COME WITH ME. 448 00:27:27,446 --> 00:27:29,281 TO STANFORD? 449 00:27:29,315 --> 00:27:31,183 THEY OFFERED ME A FULL RIDE. 450 00:27:31,217 --> 00:27:34,153 AND YOU'RE AS GOOD AS I AM. IF THEY WANT ME, THEY'LL WANT YOU, TOO. 451 00:27:34,186 --> 00:27:36,956 I JUST THOUGHT I WAS ALWAYS GOING TO GO TO DANBY. 452 00:27:36,989 --> 00:27:39,826 DANBY'S GREAT. 453 00:27:39,859 --> 00:27:43,863 BUT YOU AND ME IN CALIFORNIA. 454 00:27:43,896 --> 00:27:45,364 THINK ABOUT IT. 455 00:27:45,397 --> 00:27:48,067 EXCEPT FOR HAWAII, YOU CAN'T FIND A COLLEGE THAT'S FURTHER AWAY 456 00:27:48,100 --> 00:27:50,770 FROM ROSEWOOD. FURTHER AWAY FROM "A." 457 00:27:52,772 --> 00:27:54,040 WE'LL LIVE TOGETHER, 458 00:27:54,073 --> 00:27:56,342 AND YOU CAN DECORATE THE PLACE HOWEVER YOU WANT. 459 00:27:56,375 --> 00:27:58,277 WE'LL STUDY ON THE BEACH. 460 00:27:58,310 --> 00:28:00,012 SPEND WEEKENDS IN SAN FRANCISCO. 461 00:28:00,046 --> 00:28:02,815 AND HOW MUCH FUN WOULD IT BE TO DRIVE ACROSS COUNTRY? 462 00:28:02,849 --> 00:28:05,051 YOU, ME, DONUTS AND DINERS. 463 00:28:07,987 --> 00:28:09,922 WE CAN START OVER OUT THERE. 464 00:28:12,091 --> 00:28:15,828 DON'T YOU WANT TO LIVE WHERE YOU'RE NOT AFRAID OF THE DARK? 465 00:28:15,862 --> 00:28:18,765 IN A PLACE WHERE I DON'T ALWAYS HAVE TO BE AFRAID FOR YOU? 466 00:28:22,234 --> 00:28:23,302 YES. 467 00:28:25,071 --> 00:28:26,438 YES? 468 00:28:26,472 --> 00:28:28,808 I WANT TO GO. 469 00:28:28,841 --> 00:28:29,809 I WANT TO BE WITH YOU. 470 00:28:29,842 --> 00:28:31,343 OH, YES! 471 00:28:31,377 --> 00:28:33,379 OH! 472 00:28:33,412 --> 00:28:35,815 I REALLY LOVE YOU. 473 00:28:35,848 --> 00:28:37,950 OH, COME HERE. 474 00:28:41,253 --> 00:28:43,022 I LOVE YOU, TOO. 475 00:28:47,093 --> 00:28:49,996 WANT ME TO HELP YOU TAKE EVERYTHING UPSTAIRS? 476 00:28:50,029 --> 00:28:52,865 UM, NO. I'LL JUST PUT IT AWAY LATER. 477 00:28:54,934 --> 00:28:57,904 YOU SURE? I DON'T MIND. 478 00:28:57,937 --> 00:28:59,471 HOW ABOUT A SODA? 479 00:28:59,505 --> 00:29:02,374 SURE. 480 00:29:02,408 --> 00:29:06,378 SO, WHEN CALEB COMES BACK YOU SHOULD SURPRISE HIM WITH THAT LACE CAMISOLE. 481 00:29:06,412 --> 00:29:09,515 MAYBE WITH THAT SHEER DONNA KARAN BARELY BUTTONED. 482 00:29:09,548 --> 00:29:11,250 GOOD IDEA. 483 00:29:13,385 --> 00:29:15,754 HAS HE FOUND HIS DAD? 484 00:29:18,024 --> 00:29:22,528 UM, HE WAS HEADING TO HIS AUNT'S CABIN. 485 00:29:22,561 --> 00:29:26,198 AND THEY REALLY DON'T HAVE GOOD CELL SERVICE THERE, SO... 486 00:29:26,232 --> 00:29:28,935 I HAVEN'T HEARD FROM HIM. 487 00:29:28,968 --> 00:29:31,470 MAYBE HE GOT LUCKY. 488 00:29:31,503 --> 00:29:33,205 YEAH. 489 00:29:35,241 --> 00:29:37,009 SO, HOW 'BOUT YOU? 490 00:29:37,043 --> 00:29:39,345 WHO ARE YOU WEARING THAT BLUE STRAPLESS FOR? 491 00:29:39,378 --> 00:29:41,881 WELL, SINCE NOEL THERE HASN'T BEEN ANYBODY. 492 00:29:41,914 --> 00:29:45,017 SO, I BOUGHT IT FOR ME. 493 00:29:45,051 --> 00:29:48,054 THAT'S A HEALTHY ATTITUDE. YEAH. 494 00:29:50,256 --> 00:29:51,891 THANKS. 495 00:29:59,265 --> 00:30:01,901 I SHOULD ACTUALLY PROBABLY GET GOING. 496 00:30:01,934 --> 00:30:02,969 I HAD FUN TODAY. 497 00:30:03,002 --> 00:30:05,304 NO, YOU DIDN'T. 498 00:30:05,337 --> 00:30:07,974 I KNOW YOU'RE JUST PRETENDING TO BE MY FRIEND AGAIN. 499 00:30:21,420 --> 00:30:26,959 IT'S THE ONLY COPY. IF I WERE YOU, I'D BURN IT. 500 00:30:28,027 --> 00:30:30,629 YOU'RE GIVING IT TO ME? 501 00:30:30,662 --> 00:30:32,531 JUST LIKE THAT? 502 00:30:32,564 --> 00:30:35,134 YEAH. 503 00:30:35,167 --> 00:30:37,937 I REALLY LOVED YOU ONCE. 504 00:30:37,970 --> 00:30:40,239 AND I REALLY WAS YOUR FRIEND. 505 00:30:55,988 --> 00:30:58,257 I HAD A REALLY GREAT NIGHT. ME, TOO. 506 00:30:59,258 --> 00:31:01,393 DRIVE SAFE. THANKS. 507 00:31:07,533 --> 00:31:09,969 Jenna: YOU TWO MAKE A CUTE COUPLE. 508 00:31:11,270 --> 00:31:13,973 DID YOU SLITHER ON DOWN HERE TO COMMENT ON MY LOVE LIFE? 509 00:31:14,006 --> 00:31:14,873 I NEED A FAVOR. 510 00:31:14,907 --> 00:31:16,442 YEAH, WRONG ADDRESS. YOU PROBABLY DIDN'T 511 00:31:16,475 --> 00:31:18,510 KNOW THAT DARREN WAS A FRIEND OF MINE. 512 00:31:20,046 --> 00:31:22,414 WE MET RIGHT AFTER I MOVED TO TOWN. 513 00:31:24,984 --> 00:31:27,019 CAN'T BELIEVE HE'S DEAD. 514 00:31:28,354 --> 00:31:30,689 SORRY FOR YOUR LOSS. 515 00:31:30,722 --> 00:31:35,261 IF ANYTHING HAPPENS TO ME, CAN YOU GIVE TOBY A MESSAGE? 516 00:31:35,294 --> 00:31:36,662 WHAT WOULD HAPPEN TO YOU? 517 00:31:36,695 --> 00:31:38,464 SEEMS TO ME LIKE YOU'RE INDESTRUCTIBLE. 518 00:31:38,497 --> 00:31:40,132 WELL, IT SEEMS TO ME THAT EVERYONE WHO SAW ALI 519 00:31:40,166 --> 00:31:42,969 THE NIGHT SHE WENT MISSING IS WAKING UP DEAD. 520 00:31:43,002 --> 00:31:45,004 WILDEN SAW ALI THAT NIGHT? 521 00:31:45,037 --> 00:31:47,239 THAT'S WHAT GARRETT TOLD ME. 522 00:31:47,273 --> 00:31:49,175 DID YOU BURN YOURSELF? 523 00:31:51,310 --> 00:31:54,680 TOBY ISN'T ANSWERING MY CALLS, AND I KNOW THAT YOU'RE STILL FRIENDS. 524 00:31:54,713 --> 00:31:57,683 TELL HIM I NEVER MEANT TO HURT HIM. 525 00:32:29,748 --> 00:32:31,350 ( tablet beeps ) 526 00:32:37,623 --> 00:32:38,624 ( tablet beeps ) 527 00:32:55,674 --> 00:32:57,776 Newscaster: IT FEELS LIKE THE ENTIRE TOWN OF ROSEWOOD 528 00:32:57,809 --> 00:32:59,711 HAS COME TOGETHER TO MOURN THE LOSS 529 00:32:59,745 --> 00:33:02,614 OF DETECTIVE DARREN WILDEN, ONE OF ROSEWOOD'S 530 00:33:02,648 --> 00:33:05,217 MOST HIGH-PROFILE POLICE OFFICERS. 531 00:33:05,251 --> 00:33:07,553 * DIDN'T KNOW WHAT THIS WOULD BE * 532 00:33:07,586 --> 00:33:10,256 * BU I KNEW I DIDN'T SEE * 533 00:33:10,289 --> 00:33:14,693 * WHAT YOU THOUGHT YOU SAW IN ME * 534 00:33:16,262 --> 00:33:21,133 * I JUMPED THE GUN SO SURE YOU'D SPLIT AND RUN * 535 00:33:21,167 --> 00:33:26,004 * READY FOR THE WORST BEFORE THE DAMAGE WAS DONE * 536 00:33:27,806 --> 00:33:30,542 DO YOU REALLY THINK "A" PUT SOMETHING IN THERE? 537 00:33:30,576 --> 00:33:33,345 WITH HIS ROTTING, STINKING CORPSE. 538 00:33:33,379 --> 00:33:36,382 SINCE THERE'S A VIEWING, YOU CAN ASSUME THAT HE'S BEEN EMBALMED. 539 00:33:36,415 --> 00:33:39,285 AND THAT WOULD SUSPEND DECOMPOSITION AND PREVENT THE MOURNERS FROM HAVING 540 00:33:39,318 --> 00:33:41,520 TO DEAL WITH THE ROTTING AND EVENTUAL PUTRESCENCE OF THE CORPSE. 541 00:33:41,553 --> 00:33:43,755 OKAY, WHAT THE HELL DID SHE JUST SAY? 542 00:33:43,789 --> 00:33:45,791 WHO IS THAT? 543 00:33:54,166 --> 00:33:56,735 GUYS, "CLOSED CASKETS KEEP SECRETS. 544 00:33:56,768 --> 00:33:59,205 HIS IS OPEN AND EXPOSES YOURS." 545 00:33:59,238 --> 00:34:01,740 THERE'S SOMETHING IN THAT COFFIN THAT'S INCRIMINATING TO US. 546 00:34:01,773 --> 00:34:04,743 ARE YOU REALLY SO SURE ABOUT EVERYTHING YOU'RE SO SURE ABOUT? 547 00:34:04,776 --> 00:34:07,779 YES. AND IN ABOUT THIRTY MINUTES THEY'RE GOING TO OPEN 548 00:34:07,813 --> 00:34:10,149 THE CASKET FOR VIEWING, PEOPLE ARE GOING TO WALK PAST TO SAY 549 00:34:10,182 --> 00:34:12,451 GOODBYE TO WILDEN. WHATEVER "A" HAS ON US-- 550 00:34:12,484 --> 00:34:14,486 OKAY, WE DIDN'T KILL WILDEN. SO WHAT COULD IT BE? 551 00:34:14,520 --> 00:34:15,687 BESIDES ANOTHER SET-UP. 552 00:34:15,721 --> 00:34:17,456 YEAH, EM'S RIGHT. WE SHOULDN'T EVEN BE HERE. 553 00:34:17,489 --> 00:34:19,558 IF WE GET BUSTED FOR POKING AROUND THAT CASKET-- 554 00:34:19,591 --> 00:34:21,460 I DON'T THINK WE HAVE A CHOICE. WE HAVE TO LOOK. 555 00:34:23,195 --> 00:34:25,397 I MEAN, AT MY GRANDMA'S FUNERAL, THEY KEPT THE CASKET 556 00:34:25,431 --> 00:34:27,833 IN A PRIVATE ROOM UNTIL THE SERVICE STARTED. 557 00:34:27,866 --> 00:34:29,568 LET'S JUST GO FIND IT. 558 00:34:35,607 --> 00:34:36,742 ARIA WAS RIGHT. 559 00:34:36,775 --> 00:34:38,577 THE CASKET ISN'T HERE YET. 560 00:34:38,610 --> 00:34:42,581 OKAY, SO LET'S SPLIT UP. AND IF YOU FIND IT, SEND OUT AN S.O.S. 561 00:34:49,188 --> 00:34:52,124 ( indistinct conversation ) 562 00:35:44,676 --> 00:35:47,213 ( phone ringing ) 563 00:35:53,285 --> 00:35:55,421 LOOKS LIKE WE GOT THE SAME "A" MESSAGE. 564 00:35:56,855 --> 00:35:59,225 ( phone ringing ) 565 00:36:11,437 --> 00:36:13,572 ( phone ringing louder ) 566 00:36:18,244 --> 00:36:21,380 ( phone continues ringing ) 567 00:36:29,721 --> 00:36:32,458 ( muttering under breath ) ( sighs ) 568 00:36:32,491 --> 00:36:33,892 Spencer: BLOCKED. 569 00:36:35,727 --> 00:36:37,696 Mona: KISSES? 570 00:36:37,729 --> 00:36:39,765 REDIAL? 571 00:36:39,798 --> 00:36:41,933 I'M NOT LEAVING HERE UNTIL YOU DO. 572 00:36:42,934 --> 00:36:44,670 ( phone redialing ) 573 00:36:44,703 --> 00:36:48,006 ( phone ringing ) 574 00:36:48,039 --> 00:36:49,575 Woman ( over phone ): HELLO? 575 00:36:49,608 --> 00:36:51,209 HANNA? 576 00:36:52,444 --> 00:36:55,247 WHY ARE YOU CALLING ME ON MY MOM'S PHONE? 577 00:37:02,321 --> 00:37:04,323 ( church bells ringing ) 578 00:37:08,327 --> 00:37:09,561 HOW DID "A" GET THIS? 579 00:37:09,595 --> 00:37:10,696 YOU'RE SURE IT'S HER'S? 580 00:37:10,729 --> 00:37:12,631 IF ANYTHING HAPPENS TO MY MOM... 581 00:37:12,664 --> 00:37:14,466 WHEN WAS THE LAST TIME YOU TALKED TO HER? 582 00:37:14,500 --> 00:37:15,734 THIS MORNING. SHE CALLED ME FROM THE HOTEL. 583 00:37:15,767 --> 00:37:17,869 THAT'S GOOD. THAT MEANS SHE'S OKAY. 584 00:37:17,903 --> 00:37:20,839 HANNA, THERE'S NO WAY WE'RE LETTING "A" BRING DOWN MRS. M. 585 00:37:20,872 --> 00:37:22,441 SO, IS THAT WHAT THIS MEANS? 586 00:37:22,474 --> 00:37:23,842 MY MOM'S "A'S" TARGET? 587 00:37:27,045 --> 00:37:29,548 YOU GIRLS ALL LOOK SO PRETTY. 588 00:37:29,581 --> 00:37:31,750 HI, MRS. DILAURENTIS. 589 00:37:31,783 --> 00:37:33,485 ALI WOULD BE SO PROUD OF YOU, HANNA. 590 00:37:33,519 --> 00:37:35,053 YOU'VE REALLY KEPT THE WEIGHT OFF. 591 00:37:35,086 --> 00:37:37,823 THANK YOU. 592 00:37:37,856 --> 00:37:39,991 WHY DON'T YOU GIRLS COME AND SIT NEXT TO ME? 593 00:38:19,865 --> 00:38:21,800 WHO IS THAT? 594 00:38:32,744 --> 00:38:33,979 All in prayer: THE LORD IS MY SHEPARD, 595 00:38:34,012 --> 00:38:35,847 I SHALL NOT WANT. 596 00:38:57,869 --> 00:38:59,805 SO, THESE ARE YOUR TOYS? 597 00:39:01,106 --> 00:39:02,908 YOU DON'T PLAY WITH THEM. 598 00:39:06,945 --> 00:39:08,780 I KNOW YOU WANT TO KISS ME. 599 00:39:14,853 --> 00:39:16,788 YOU'RE HOME ALREADY? 600 00:39:16,822 --> 00:39:19,725 MOM. 601 00:39:19,758 --> 00:39:21,493 IT'S FOUR O'CLOCK. 602 00:39:24,663 --> 00:39:26,097 ARE YOU OKAY? 603 00:39:28,534 --> 00:39:31,002 I--I'M JUST A LITTLE TIRED. 604 00:39:31,036 --> 00:39:33,605 NO, YOU'RE NOT JUST A LITTLE TIRED, MOM. 605 00:39:33,639 --> 00:39:35,474 I THINK SOMETHING'S GOING ON WITH YOU. 606 00:39:35,507 --> 00:39:37,409 Marion: OH... 607 00:39:39,144 --> 00:39:41,480 I'LL MAKE YOU A SNACK. 608 00:39:47,853 --> 00:39:49,721 DID SHE JUST WAKE UP? 609 00:39:53,659 --> 00:39:55,661 I THINK THERE'S SOMETHING WRONG WITH HER. 610 00:39:55,694 --> 00:39:56,895 YEAH. 611 00:39:56,928 --> 00:39:59,397 IT'S CALLED "LAZY MUCH"? 612 00:40:01,767 --> 00:40:03,635 I WANT YOU TO LEAVE. 613 00:40:03,669 --> 00:40:06,505 SERIOUSLY? YES. 614 00:40:08,540 --> 00:40:09,975 LOSER. 615 00:40:12,110 --> 00:40:13,779 ( door slamming ) 616 00:40:17,816 --> 00:40:19,117 ( sighs ) 617 00:40:48,213 --> 00:40:49,848 WHO IS THAT? 618 00:40:49,881 --> 00:40:55,487 * I'LL KEEP QUIET YOU WON'T EVEN KNOW I'M HERE * 619 00:40:55,521 --> 00:40:58,590 EMILY, SPENCER, ARIA, AND HANNA? 620 00:40:59,591 --> 00:41:01,493 YES? 621 00:41:01,527 --> 00:41:04,896 I'M OFFICER HOLBROOK. PENNSYLVANIA STATE POLICE. 622 00:41:04,930 --> 00:41:06,832 MY PARTNER AND I ARE INVESTIGATING THE MURDERS 623 00:41:06,865 --> 00:41:09,234 OF OFFICER REYNOLDS AND DETECTIVE WILDEN. 624 00:41:09,267 --> 00:41:11,703 WE ALREADY SPOKE TO THE POLICE WHEN GARRETT WAS KILLED. 625 00:41:11,737 --> 00:41:13,972 I READ THAT IN THE REPORT. 626 00:41:14,005 --> 00:41:16,775 I'VE ACTUALLY BEEN READING A LOT ABOUT YOU FOUR. 627 00:41:18,143 --> 00:41:20,045 WILDEN HAD A THING FOR YOU. 628 00:41:20,078 --> 00:41:22,881 HE HAD A NASTY HABIT OF HARASSING US. 629 00:41:22,914 --> 00:41:25,517 I'VE READ THROUGH MOST OF HIS NOTES AND I AGREE WITH YOU. 630 00:41:25,551 --> 00:41:28,587 HIS CONDUCT BORDERS ON UNPROFESSIONAL AT BEST. 631 00:41:28,620 --> 00:41:30,055 THANK YOU. 632 00:41:30,088 --> 00:41:32,490 SO WHY DID YOU COME TO HIS FUNERAL? 633 00:41:34,660 --> 00:41:37,262 WE'RE, UH, SUPPORTING OUR LOCAL POLICE DEPARTMENT. 634 00:41:37,295 --> 00:41:39,565 I'M SURE IT'S APPRECIATED. 635 00:41:40,799 --> 00:41:43,168 WE'LL PROBABLY HAVE TO BRING YOU IN FOR QUESTIONING. 636 00:41:43,201 --> 00:41:46,271 BUT REMEMBER, WE'RE THE GOOD GUYS. 637 00:41:46,304 --> 00:41:48,674 JUST HERE TO FIND OUT THE TRUTH. 638 00:41:54,780 --> 00:41:56,782 ( phones beeping ) 639 00:42:01,587 --> 00:42:02,988 "TRUTH WON'T SET YOU FREE, BITCHES." 640 00:42:04,322 --> 00:42:06,257 "I'M GOING TO BURY YOU WITH IT." 641 00:42:06,291 --> 00:42:08,727 "KISSES, A." 642 00:42:08,760 --> 00:42:10,228 OH, MY GOD. 643 00:42:13,331 --> 00:42:15,166 Hanna: "A" WAS THERE THAT NIGHT? 644 00:42:20,305 --> 00:42:22,741 Aria: SHE RECORDED THE WHOLE THING. 645 00:42:24,142 --> 00:42:27,946 * YOU'LL NEVER KNOW WHAT HIT YOU * 646 00:42:30,281 --> 00:42:34,219 * WON'T SEE ME CLOSING IN * 647 00:42:36,722 --> 00:42:40,025 * I'M GOING TO MAKE YOU SUFFER * 648 00:42:40,058 --> 00:42:42,961 * THAT'S HOW YOU PUT ME IN * 649 00:42:42,994 --> 00:42:46,932 * I'M UNDERNEATH YOUR SKIN * 650 00:42:46,965 --> 00:42:52,037 * THE DEVIL WITHIN 651 00:42:52,070 --> 00:42:55,340 * YOU'LL NEVER KNOW WHAT HIT YOU * 652 00:42:56,708 --> 00:42:59,177 * LA, LA, LA 653 00:43:02,681 --> 00:43:07,686 * THE DEVIL WITHIN 654 00:43:07,719 --> 00:43:10,789 * YOU'LL NEVER KNOW WHAT HIT YOU *