1 00:00:04,305 --> 00:00:06,607 I'VE GOTTEN REALLY GOOD AT THIS. 2 00:00:06,640 --> 00:00:09,977 Emily: SHE WAS DRIVING THAT NIGHT, GUYS. I REMEMBERED. 3 00:00:10,010 --> 00:00:12,713 YOU HAVE TO PROMISE NOT TO TELL. THAT YOU CAN SEE? 4 00:00:12,746 --> 00:00:16,250 I AM STILL A TARGET. YOU OWE IT TO ME. ALL OF YOU! 5 00:00:18,486 --> 00:00:22,856 MY MOM WAS IN A CAR ACCIDENT. SHE FELT LIKE SOMEONE WAS TRYING TO RUN HER OFF THE ROAD. 6 00:00:22,890 --> 00:00:24,358 ARE YOU EMILY FIELDS? 7 00:00:24,392 --> 00:00:26,594 YES. I'M MAYA'S COUSIN NATE. 8 00:00:26,627 --> 00:00:28,629 WHAT WAS MY MOTHER DOING HERE? I CAN'T TALK. 9 00:00:28,662 --> 00:00:30,631 MY NEW ATTORNEY MADE ME PROMISE. 10 00:00:30,664 --> 00:00:33,134 IT'S LUCAS. WHAT IS HE DOING OUT SO LATE? SHH! 11 00:00:33,167 --> 00:00:35,636 THERE'S NO MORE "A," SO WHY ARE YOU LYING TO ME NOW? 12 00:00:35,669 --> 00:00:38,772 I FEEL LIKE I ONLY EXIST IN HALF OF YOUR LIFE. I'M DONE, HANNA. 13 00:00:38,806 --> 00:00:41,175 Emily: WHAT DO YOU THINK MONA SAID TO WILDEN? 14 00:00:41,209 --> 00:00:45,646 IF SHE KNOWS THAT WE WERE AT ALI'S GRAVE THAT NIGHT-- WE WOULD BE IN JAIL RIGHT NOW. 15 00:00:50,684 --> 00:00:52,786 Emily: I THOUGHT HANNA WAS JOINING US FOR DINNER. 16 00:00:52,820 --> 00:00:54,855 HANNA HASN'T EATEN SINCE TUESDAY. 17 00:00:54,888 --> 00:00:56,724 SHOULD WE GRAB A PIZZA AND GO OVER THERE? 18 00:00:56,757 --> 00:00:58,792 NO UNLESS THE TOPPING IS CALEB. 19 00:00:58,826 --> 00:01:01,629 IF YOU GUYS WANT TO TO SEE HER, CAN YOU JUST GO WITHOUT ME? 20 00:01:01,662 --> 00:01:04,898 I ALREADY FEEL BAD ENOUGH THAT I CONVINCED HER TO TELL CALEB. 21 00:01:04,932 --> 00:01:07,268 WITH OR WITHOUT YOU SHE WAS BACKED INTO A CORNER. 22 00:01:07,301 --> 00:01:10,371 THIS "A" DOES NOT FEEL LIKE A HIGH SCHOOL GIRL PLAYING GAMES. 23 00:01:10,404 --> 00:01:14,708 WELL, IF YOU FIGURE OUT THOSE RULES, CAN YOU TELL THE REST OF US? 24 00:01:14,742 --> 00:01:17,578 YOU KNOW WHAT? I'M NOT REALLY HUNGRY. ME EITHER. 25 00:01:17,611 --> 00:01:19,313 MY STOMACH'S IN A KNOT. 26 00:01:19,347 --> 00:01:20,814 SO'S MY NECK. 27 00:01:20,848 --> 00:01:22,750 I HAVEN'T BEEN ABLE TO BRUSH THE BACK OF MY HEAD 28 00:01:22,783 --> 00:01:24,385 IN, LIKE, A YEAR AND A HALF. SPENCE, 29 00:01:24,418 --> 00:01:26,320 DON'T LET WILDEN FREAK YOU OUT. 30 00:01:26,354 --> 00:01:29,290 IF THE POLICE REALLY KNEW THAT WE WERE LYING ABOUT THE LAKE HOUSE-- 31 00:01:29,323 --> 00:01:31,992 NOT JUST THE LAKE HOUSE. WHAT ABOUT THE NEGATIVES OF THAT PICTURE, 32 00:01:32,025 --> 00:01:34,495 ALI'S MISSING BODY, ALL THE THINGS WE BURIED WITH HER-- 33 00:01:34,528 --> 00:01:36,197 ANY OF THAT COULD GET US ARRESTED. 34 00:01:36,230 --> 00:01:38,299 IT'S MY NECK AGAIN. 35 00:01:38,332 --> 00:01:41,669 ( sirens wailing ) 36 00:01:50,344 --> 00:01:52,380 ARE THEY GOING TO JENNA'S? GARRETT'S. 37 00:01:52,413 --> 00:01:56,617 WELL, WHO ELSE LIVES IN HIS HOUSE BESIDES HIS PARENTS? 38 00:01:56,650 --> 00:01:58,752 I DON'T THINK THEY'VE BEEN OUTSIDE SINCE HE WAS ARRESTED. 39 00:01:58,786 --> 00:02:02,590 HAVING A SON IN JAIL FOR TWO MURDERS MIGHT KEEP YOU INDOORS. 40 00:02:09,129 --> 00:02:13,066 Emily: THAT'S HIS MOM. THAT'S MRS. REYNOLDS. 41 00:02:19,173 --> 00:02:20,974 YOU GUYS. WHAT? WHAT IS IT? 42 00:02:21,008 --> 00:02:22,843 WHAT? WHAT? OVER THERE. 43 00:02:22,876 --> 00:02:25,613 THERE WAS A HOODIE WATCHING. 44 00:02:25,646 --> 00:02:28,316 WHAT ARE YOU SAYING? YOU THINK "A" WAS OUT HERE WATCHING US? 45 00:02:28,349 --> 00:02:31,185 ARE YOU SURE? WHY WOULD "A" CARE ABOUT GARRETT'S MOTHER? 46 00:02:31,219 --> 00:02:34,355 MAYBE "A" WANTED HER OUT OF THE HOUSE. 47 00:02:37,157 --> 00:02:39,893 * GOT A SECRET CAN YOU KEEP IT * 48 00:02:39,927 --> 00:02:42,263 * SWEAR THIS ONE YOU'LL SAVE 49 00:02:42,296 --> 00:02:44,932 * BETTER LOCK IT IN YOUR POCKET * 50 00:02:44,965 --> 00:02:47,435 * TAKING THIS ONE TO THE GRAVE * 51 00:02:47,468 --> 00:02:52,340 * IF I SHOW YOU THEN I'LL KNOW YOU WON'T TELL WHAT I SAID * 52 00:02:52,373 --> 00:02:55,042 * 'CAUSE TWO CAN KEEP A SECRET * 53 00:02:55,075 --> 00:02:57,611 * IF ONE OF THEM IS DEAD 54 00:03:01,081 --> 00:03:03,551 HERE'S YOUR BRIGHT-EYE. 55 00:03:03,584 --> 00:03:05,953 OH. THANK YOU. 56 00:03:05,986 --> 00:03:08,989 AND THE WORLD'S BIGGEST BEAR CLAW. WHAT'S IN HERE? 57 00:03:09,022 --> 00:03:11,859 THEY HAD THAT TURKEY BAGUETTE ON THE MENU THAT YOU LOVE. 58 00:03:11,892 --> 00:03:13,461 YOU GOT ME TWO OF THEM. 59 00:03:13,494 --> 00:03:16,564 AND...ROASTED VEGGIES AND PICKLES. 60 00:03:16,597 --> 00:03:18,031 PICKLES COME WITH. 61 00:03:18,065 --> 00:03:19,500 AH. WELL, LET ME-- 62 00:03:19,533 --> 00:03:21,201 OH, NO. IT'S MY TREAT. 63 00:03:21,235 --> 00:03:23,704 WHAT? YOU'LL HAVE SOMETHING FOR LATER. 64 00:03:25,172 --> 00:03:28,108 OKAY, YOU HAVE ONE LIME IN YOUR FRIDGE. ONE. 65 00:03:28,141 --> 00:03:30,043 AND IT'S GROWING FUR. 66 00:03:30,077 --> 00:03:31,479 THANK YOU, I APPRECIATE IT, 67 00:03:31,512 --> 00:03:33,481 BUT YOU DON'T HAVE TO FEED ME. 68 00:03:33,514 --> 00:03:36,284 I HAVE MY SAVINGS, MY TUTORING GIGS-- 69 00:03:36,317 --> 00:03:38,752 I'M FINE. REALLY. IT'S JUST A TURKEY-- 70 00:03:38,786 --> 00:03:40,421 IT'S NOT NECESSARY. 71 00:03:40,454 --> 00:03:43,324 I HAVE TO GET GOING. I HAVE AN INTERVIEW AT 8:30. 72 00:03:43,357 --> 00:03:45,593 ( car remote chirps ) 73 00:03:54,034 --> 00:03:55,803 ( banging on window ) 74 00:03:55,836 --> 00:03:57,738 HEY! 75 00:03:57,771 --> 00:03:59,773 Ezra: HELLO? STILL WANT A RIDE? YEAH. 76 00:03:59,807 --> 00:04:02,843 PLEASE, JUST GIVE ME BACK MY STUFF! 77 00:04:17,925 --> 00:04:19,360 PAIGE? 78 00:04:21,429 --> 00:04:23,397 HEY, EMILY. WHAT'S UP? 79 00:04:23,431 --> 00:04:25,198 I'VE BEEN MEANING TO CALL YOU. 80 00:04:25,232 --> 00:04:27,501 YOU HAVE? WHY? 81 00:04:27,535 --> 00:04:29,503 I WAS WONDERING IF YOU WERE FREE TOMORROW NIGHT. 82 00:04:29,537 --> 00:04:32,606 FOR? I GOT TICKETS TO SEE THE KATY PERRY MOVIE. 83 00:04:32,640 --> 00:04:36,377 HANNA'S A BIG FAN, BUT TURNS OUT SHE'S GOT OTHER STUFF GOING ON. 84 00:04:36,410 --> 00:04:38,446 BOY STUFF. OH. 85 00:04:38,479 --> 00:04:40,981 COME ON, A BEHIND-THE-SCENES LOOK AT MISS FIREWORK. 86 00:04:41,014 --> 00:04:42,550 DON'T YOU WANT TO KNOW WHAT MAKES HER SIZZLE? 87 00:04:42,583 --> 00:04:45,052 IT'LL BE FUN. YOU IN? 88 00:04:46,420 --> 00:04:48,155 I GUESS. 89 00:04:48,188 --> 00:04:49,623 I HAVEN'T HEARD FROM YOU SINCE-- 90 00:04:49,657 --> 00:04:52,025 I KNOW. I'VE HAD A TON OF MAKEUP TESTS TO DO, 91 00:04:52,059 --> 00:04:54,161 AND SENIOR YEAR'S BEEN KICKING MY BUTT. 92 00:04:56,096 --> 00:04:58,065 IF YOU DON'T WANT TO GO-- NO, I DO. 93 00:04:58,098 --> 00:04:59,800 THAT'S NOT IT. 94 00:04:59,833 --> 00:05:01,835 I JUST THOUGHT YOU WERE AVOIDING ME. 95 00:05:01,869 --> 00:05:04,638 I WASN'T AVOIDING YOU. 96 00:05:04,672 --> 00:05:07,941 M-MAYBE I WAS, BUT NOT INTENTIONALLY. 97 00:05:07,975 --> 00:05:10,678 I'VE JUST BEEN GOING THROUGH A LOT 98 00:05:10,711 --> 00:05:12,880 AND NEEDED TO FIGURE SOME STUFF OUT. 99 00:05:15,182 --> 00:05:16,850 OKAY. LET'S DO IT. 100 00:05:16,884 --> 00:05:19,186 FRESH START, RIGHT? YEAH. 101 00:05:19,219 --> 00:05:21,789 YOU SAID TOMORROW NIGHT? 102 00:05:25,759 --> 00:05:27,461 YOU HAVEN'T HEARD? 103 00:05:27,495 --> 00:05:30,464 SHE HAD MORE SURGERY BEFORE SCHOOL. 104 00:05:30,498 --> 00:05:32,700 SHE CAN SEE AGAIN. 105 00:05:32,733 --> 00:05:35,168 I'M HAPPY FOR HER. IT'S PRETTY AMAZING. 106 00:05:35,202 --> 00:05:38,772 MRS. WELCH WAS SLOBBERING ALL OVER HER IN THE PARKING LOT. 107 00:05:38,806 --> 00:05:41,341 TEXT ME DEETS ABOUT KATY PERRY. 108 00:05:41,375 --> 00:05:43,210 SEE YOU TOMORROW. 109 00:05:45,879 --> 00:05:48,982 CONGRATULATIONS. THANKS. 110 00:05:49,016 --> 00:05:51,284 YEAH, WE'RE JUST GONNA... 111 00:05:57,758 --> 00:06:00,060 HEY, WHAT ARE YOU STILL DOING HERE? 112 00:06:00,093 --> 00:06:02,129 WHAT ARE YOU STILL DOING HERE? 113 00:06:02,162 --> 00:06:04,064 I'M THE MOTHER. I GET AN ANSWER FIRST. 114 00:06:04,097 --> 00:06:07,835 I DON'T FEEL WELL. 115 00:06:12,506 --> 00:06:14,408 HAVE YOU HEARD FROM CALEB? 116 00:06:15,976 --> 00:06:17,911 DO WE KNOW HOW HIS MOTHER IS? 117 00:06:17,945 --> 00:06:21,114 I WOULD IF HE'D RESPOND TO MY TEXTS. 118 00:06:21,148 --> 00:06:24,117 LISTEN, I KNOW YOU TWO LEFT THINGS UNRESOLVED. 119 00:06:24,151 --> 00:06:26,987 IT'S RESOLVED. HE LEFT ME. 120 00:06:29,389 --> 00:06:32,392 HANNA, THAT'S JUST FOR RIGHT NOW. 121 00:06:32,426 --> 00:06:36,396 OKAY? YOU DON'T KNOW WHAT THE FUTURE MIGHT HOLD. 122 00:06:36,430 --> 00:06:38,532 BUT THE FUTURE'S NOT GONNA HOLD MUCH OF ANYTHING 123 00:06:38,566 --> 00:06:42,135 IF YOU DON'T GET AN EDUCATION. YOU NEED TO GO TO SCHOOL. 124 00:06:46,406 --> 00:06:48,742 DO YOU HAVE PLANS TOMORROW? 125 00:06:48,776 --> 00:06:50,678 UH...YEAH. 126 00:06:50,711 --> 00:06:54,381 I'M GOING TO LISTEN TO EVERY SAD SONG I'VE EVER DOWNLOADED, ON REPEAT. 127 00:06:54,414 --> 00:06:57,551 MY BOSS VOLUNTEERED THE BANK STAFF TO HELP OUT 128 00:06:57,585 --> 00:06:59,453 AT A RUMMAGE SALE AT THE CHURCH. 129 00:06:59,487 --> 00:07:01,489 WE'RE STILL SHORT A COUPLE OF PEOPLE. 130 00:07:01,522 --> 00:07:03,991 OH, NO, PLEASE DON'T. IT'LL BE FUN. 131 00:07:04,024 --> 00:07:06,960 YOU CAN HELP SORT THE CLOTHES. YOU LOVE CLOTHES. NEW CLOTHES. 132 00:07:06,994 --> 00:07:09,296 REALLY? 133 00:07:12,500 --> 00:07:15,603 FINE. SEND ME TO CHURCH. 134 00:07:17,237 --> 00:07:19,306 HANNA. 135 00:07:19,339 --> 00:07:21,809 GONNA GO TO SCHOOL WEARING THAT? 136 00:07:21,842 --> 00:07:24,545 WHATEVER. 137 00:07:24,578 --> 00:07:25,779 RIGHT. 138 00:07:29,249 --> 00:07:30,884 ( door shuts ) 139 00:07:40,460 --> 00:07:42,730 WHAT HAPPENED TO KEEPING A LOW PROFILE? 140 00:07:42,763 --> 00:07:44,698 STAYING BLIND BECAUSE SHE'S A TARGET? 141 00:07:44,732 --> 00:07:46,466 LOOK AT HER. HOW CAN YOU MISS HER? 142 00:07:46,500 --> 00:07:49,036 SHE'S BEEN GLIDING AROUND SCHOOL ALL DAY LIKE A THANKSGIVING FLOAT. 143 00:07:49,069 --> 00:07:51,404 WE SHOULD SAY SOMETHING TO HER. NO. WAIT. 144 00:07:51,438 --> 00:07:55,643 DID YOU GET ARIA'S TEXT ABOUT LUCAS AND THE PHOTO STUDIO? YEAH. WHAT WAS THAT ABOUT? 145 00:07:55,676 --> 00:07:58,311 ARIA SAYS THAT SHE KNOWS THE PHOTOGRAPHER WHO OWNS THE STUDIO, 146 00:07:58,345 --> 00:08:01,314 AND IT'S ON THE SAME BLOCK WHERE SHE AND HANNA SAW LUCAS ON THAT NIGHT. 147 00:08:01,348 --> 00:08:04,317 SO NOW WE THINK LUCAS TOOK THE PHOTOS IN THE GRAVEYARD? 148 00:08:04,351 --> 00:08:06,887 WELL, MAYBE, BUT THEN WHY WAS HE POUNDING TO GET IN THERE? 149 00:08:06,920 --> 00:08:09,557 I CAN'T THINK ABOUT THIS NOW. I HAVE A CALCULUS TEST. 150 00:08:09,590 --> 00:08:12,192 WAIT, EM. THERE'S SOMETHING ELSE. 151 00:08:12,225 --> 00:08:16,530 MY MOM LEFT HER TABLET OUT ON THE TABLE THIS MORNING. 152 00:08:16,564 --> 00:08:19,633 WHAT IS THIS? THEY'RE LETTING GARRETT OUT. 153 00:08:19,667 --> 00:08:23,370 TO SEE HIS MOTHER. IT'S CALLED COMPASSIONATE FURLOUGH. 154 00:08:23,403 --> 00:08:26,306 WHAT HAS HE DONE TO DESERVE COMPASSION? SHE'S PROBABLY REALLY SICK. 155 00:08:26,339 --> 00:08:28,776 SO BASICALLY THEY'RE GIVING HIM A GET-OUT-OF-JAIL-FREE CARD? 156 00:08:28,809 --> 00:08:33,313 THIS JUST MIGHT BE HIS LAST TIME TO SAY GOODBYE TO HER. AT LEAST HE GETS A CHANCE. 157 00:08:33,346 --> 00:08:36,617 DO YOU WANT TO TALK ABOUT THIS LATER? WHAT'S THERE TO TALK ABOUT? 158 00:08:36,650 --> 00:08:39,252 WE HAVE NO POWER-- WHO CARES WHAT WE THINK? I DO. 159 00:08:39,286 --> 00:08:42,823 WHAT IF "A" PUT GARRETT'S MOM IN THE HOSPITAL TO GET GARRETT OUT OF JAIL? 160 00:08:42,856 --> 00:08:46,493 MAYBE THE PLAN IS TO MEET UP WITH THE PERSON WHO'S REALLY HELPING HIM. 161 00:08:46,526 --> 00:08:50,130 IT WOULD EXPLAIN WHAT ARIA SAW HIDING IN THE SHADOWS LAST NIGHT. 162 00:08:50,163 --> 00:08:54,768 EM, MONA MIGHT NOT BE THE ONLY PERSON IN ROSEWOOD WHO OWNS A BLACK HOODIE. 163 00:08:54,802 --> 00:08:57,137 DON'T LOOK. SHE'S COMING OVER HERE. WHO? 164 00:08:57,170 --> 00:08:59,740 THE FLOAT. SHE'S CARRYING SOMETHING. ENVELOPES. 165 00:08:59,773 --> 00:09:02,843 WHAT'S IN THEM? ANTHRAX. 166 00:09:02,876 --> 00:09:06,614 HI. HERE'S ONE FOR YOU, AND ONE FOR YOU. 167 00:09:06,647 --> 00:09:09,449 I HAVEN'T SEEN ARIA OR HANNA. CAN I TRUST THAT YOU'LL PASS THEM ON? 168 00:09:09,482 --> 00:09:12,519 WHAT IS THIS? OH, THEY'RE INVITATIONS. 169 00:09:12,552 --> 00:09:15,723 IT'S MY BIRTHDAY. AND YOU RECOVERED JUST IN TIME. 170 00:09:15,756 --> 00:09:18,158 THE DOCTORS SAY IT'S A POSITIVE OUTCOME. 171 00:09:18,191 --> 00:09:21,461 NO. WHAT THE HELL IS THIS JENNA? 172 00:09:21,494 --> 00:09:23,831 I THOUGHT YOU NEEDED PROTECTION. WE HAD A DEAL. 173 00:09:23,864 --> 00:09:25,899 WELL, THIS IS THE NEW DEAL: 174 00:09:25,933 --> 00:09:30,570 I FEEL A LOT SAFER WHEN I'M IN CHARGE OF WHAT HAPPENS TO ME. 175 00:09:30,604 --> 00:09:32,305 HOPE TO SEE YOU AT THE PARTY. 176 00:09:43,183 --> 00:09:45,385 CAN YOU TAKE A POT OF DECAF OVER TO THE ALCOVE? 177 00:09:45,418 --> 00:09:47,755 OH, AND PLEASE TELL ME YOU'RE FREE TOMORROW NIGHT. 178 00:09:47,788 --> 00:09:49,256 WHY? 179 00:09:52,793 --> 00:09:54,527 THE GUEST LIST KEEPS EXPANDING, 180 00:09:54,561 --> 00:09:56,529 SO MIGHT NEED YOU TO WORK THIS BIRTHDAY PARTY. 181 00:09:56,563 --> 00:09:58,598 WELL, I CAN'T, BECAUSE I'M ON THE GUEST LIST. 182 00:09:58,632 --> 00:10:01,635 OH. THAT'S PERFECT. YOU'RE ALREADY GONNA BE HERE ANYWAY. 183 00:10:01,669 --> 00:10:04,371 HOW OFTEN DO YOU GET PAID TO GO TO A PARTY? 184 00:10:04,404 --> 00:10:06,573 BUT I WASN'T GONNA COME BECAUSE I HAVE OTHER PLANS. 185 00:10:06,606 --> 00:10:10,277 WELL, THEY BETTER INCLUDE SHOWING UP HERE AND KEEPING YOUR JOB. 186 00:10:14,648 --> 00:10:18,018 Woman: I THOUGHT I PUT THE QUINCEANERA PHOTOS IN THIS BOOK. 187 00:10:18,051 --> 00:10:20,053 I NEED A SHERPA. 188 00:10:20,087 --> 00:10:22,089 OH. THANKS, EMILY. HAVE YOU MET LAUREL? 189 00:10:22,122 --> 00:10:23,657 SHE'S TAKING THE PICTURES AT MY PARTY. 190 00:10:23,691 --> 00:10:26,159 LAUREL TUCHMAN, THIS IS EMILY FIELDS. 191 00:10:26,193 --> 00:10:28,428 WE ARE... FRIENDS FROM SCHOOL. 192 00:10:28,461 --> 00:10:30,998 COOL. LISTEN, I'M SORRY FOR THE MESS, 193 00:10:31,031 --> 00:10:33,734 I ALWAYS TAKE UP EXTRA SPACE. 194 00:10:33,767 --> 00:10:36,837 OH, NO, NO. ANY MORE CAFFEINE AND MY HAIR WILL STRAIGHTEN ITSELF. 195 00:10:36,870 --> 00:10:39,807 THIS IS DECAF. OH, WELL, THEN POUR AWAY. 196 00:10:39,840 --> 00:10:44,211 EMILY, WOULD YOU MIND JUST CLOSING THE CURTAIN A LITTLE BIT? 197 00:10:44,244 --> 00:10:46,446 THE LIGHT IS STILL TOO MUCH. 198 00:10:46,479 --> 00:10:48,215 SURE. 199 00:10:49,983 --> 00:10:52,485 NORMALLY I WOULD HAVE HAD MY ASSISTANT SEND ALL THIS OVER, 200 00:10:52,519 --> 00:10:54,154 BUT I JUST GOT RID OF HIM. 201 00:10:54,187 --> 00:10:57,024 NOTE TO SELF: DON'T HIRE A THIEF. WHAT HAPPENED? 202 00:10:57,057 --> 00:10:58,959 WELL, IT'S A LONG STORY. 203 00:10:58,992 --> 00:11:01,328 HE WAS STEALING SUPPLIES, DEVELOPING HIS OWN WORK. 204 00:11:01,361 --> 00:11:04,664 THEN HE HAD THE NERVE TO COME BACK AND DEMAND I GIVE HIM HIS NEGATIVES. 205 00:11:04,698 --> 00:11:06,734 I TOLD HIM, "LISTEN, ANYTHING YOU LEFT, 206 00:11:06,767 --> 00:11:09,269 IT BELONGS TO ME UNTIL YOU PAY ME WHAT YOU OWE ME." 207 00:11:09,302 --> 00:11:11,004 YOU KNOW WHAT'S GOING ON, RIGHT? 208 00:11:11,038 --> 00:11:12,639 THEY'RE LETTING GARRETT OUT. 209 00:11:12,672 --> 00:11:15,075 HE'S GONNA BE FREE, WALKING DOWN THE STREET. NOT REALLY. 210 00:11:15,108 --> 00:11:17,210 HE'LL BE HANDCUFFED, NATE. THERE'LL BE A GUARD WITH HIM-- 211 00:11:17,244 --> 00:11:18,779 SINCE THE COURT IS GONNA BE SO GENEROUS, 212 00:11:18,812 --> 00:11:21,982 HOW ABOUT THEY GRANT ME PERMISSION TO-- NATE, STOP. 213 00:11:22,015 --> 00:11:24,417 WHY AREN'T YOU ANGRY? 214 00:11:24,451 --> 00:11:26,619 I WAS. I AM. 215 00:11:26,653 --> 00:11:29,656 LOOK, I KNOW HE TOOK AWAY SOMEONE WE BOTH LOVE, 216 00:11:29,689 --> 00:11:31,992 BUT HE'S ABOUT TO LOSE SOMEONE HE LOVES, TOO. 217 00:11:32,025 --> 00:11:33,493 SO WHAT? 218 00:11:33,526 --> 00:11:36,596 HE DOESN'T DESERVE TO SEE THE SKY OR BREATHE FRESH AIR AGAIN. 219 00:11:36,629 --> 00:11:39,032 I KNOW. I'M WITH YOU ON THIS, OKAY? 220 00:11:39,066 --> 00:11:42,702 BUT YOU HAVE TO LET THINGS PLAY OUT THE WAY THEY'RE MEANT TO BE. 221 00:11:44,171 --> 00:11:46,306 I'M ON THE CLOCK, I HAVE TO GET BACK TO WORK. 222 00:11:46,339 --> 00:11:49,109 CAN YOU JUST HANG OUT HERE FOR A BIT? 223 00:12:01,789 --> 00:12:04,024 Spencer: YOU BOUGHT HIM GROCERIES? 224 00:12:04,057 --> 00:12:05,793 IT WAS NOT GROCERIES. IT WAS TWO SANDWICHES. 225 00:12:05,826 --> 00:12:07,494 AND BELIEVE ME, I'M STILL PAYING FOR IT. 226 00:12:07,527 --> 00:12:09,162 YOU SHOULD HAVE SEEN THE LOOK HE GAVE ME. 227 00:12:09,196 --> 00:12:11,464 WELL, HE'S YOUR BOYFRIEND, ARIA, HE'S NOT A BABY SQUIRREL. 228 00:12:11,498 --> 00:12:14,267 JUST TRYING TO DO THE RIGHT THING. TOTALLY WRONG. 229 00:12:14,301 --> 00:12:16,169 I'VE BEEN THERE, DONE THAT. 230 00:12:16,203 --> 00:12:19,606 EVERY TIME YOU BABY-SQUIRREL EZRA YOU'RE TAKING AWAY HIS NUTS. 231 00:12:19,639 --> 00:12:21,508 YOU DID NOT JUST SAY THAT. 232 00:12:21,541 --> 00:12:25,645 I DID. BUT I DON'T THINK THAT I MEANT TO. 233 00:12:25,678 --> 00:12:28,782 ( cellphone rings ) IS THAT EMILY? 234 00:12:28,816 --> 00:12:32,285 EZRA. DID HE FIND HIS NUTS? 235 00:12:32,319 --> 00:12:34,187 HA. 236 00:12:34,221 --> 00:12:37,557 HE JUST GOT AN INVITATION TO JENNA'S BIRTHDAY PARTY. 237 00:12:37,590 --> 00:12:39,927 WAIT. NOW FITZ IS INVITED? 238 00:12:39,960 --> 00:12:44,898 YEAH. APPARENTLY JENNA WANTS TO SEE HER FAVORITE TEACHER FOR THE FIRST TIME. 239 00:12:44,932 --> 00:12:49,302 WHAT THE HELL IS SHE UP TO? 240 00:12:49,336 --> 00:12:52,272 SPENCER, HOW ARE YOU ABLE TO WRITE A PAPER DURING ALL THIS? 241 00:12:52,305 --> 00:12:55,242 I'M NOT. I'M BREAKING AND ENTERING INTO MY MOM'S EMAIL ACCOUNT. 242 00:12:55,275 --> 00:12:58,345 WHY? BECAUSE I WANT TO SEE WHAT TIME GARRETT'S BEING RELEASED. 243 00:12:58,378 --> 00:13:01,114 YOU WANT TO STAND OUTSIDE THE HOSPITAL AND PROTEST? 244 00:13:01,148 --> 00:13:05,085 NO. I WANT TO BE INSIDE, SO I CAN SEE WHO HE'S REALLY VISITING. 245 00:13:05,118 --> 00:13:07,287 AND MY GUESS IS THAT FACE IS GONNA BE A LOT EASIER TO READ 246 00:13:07,320 --> 00:13:10,290 UNDER HOSPITAL LIGHTS THAN A STREET LAMP. 247 00:13:12,525 --> 00:13:15,395 OKAY, GREAT. THANKS. ( hangs up phone ) 248 00:13:15,428 --> 00:13:18,932 THEY SAID WE COULD USE THE KATY PERRY MOVIE TICKETS NEXT WEEKEND INSTEAD. 249 00:13:18,966 --> 00:13:21,734 I'M SO EMBARRASSED. I INVITE YOU TO DO SOMETHING, AND THEN I CANCEL. 250 00:13:21,768 --> 00:13:24,637 I'M SURE IT WILL BE JUST AS FUN IN SEVEN DAYS. 251 00:13:24,671 --> 00:13:27,740 BESIDES, I GET TO SEE YOU TOMORROW NIGHT ANYWAY. 252 00:13:27,774 --> 00:13:30,210 YEAH. WEARING THIS. 253 00:13:30,243 --> 00:13:32,846 (laughs) YOU BOUGHT A CLIP-ON TIE? 254 00:13:32,880 --> 00:13:36,083 KEVIN SAID THE BIRTHDAY GIRL WAS SET ON A CERTAIN LOOK. 255 00:13:36,116 --> 00:13:38,518 FOURTH GRADE STUDENT COUNCIL? 256 00:13:42,655 --> 00:13:46,159 I'M NOT EVEN SURE HOW THIS WORKS. CAN I HELP? 257 00:13:56,003 --> 00:13:57,804 THIS IS HARDER THAN IT LOOKS. 258 00:14:00,307 --> 00:14:01,909 YOU KNOW WHAT, THIS IS TOO SHORT. 259 00:14:01,942 --> 00:14:04,878 I HAVE A REAL TIE THAT I WORE TO A COSTUME PARTY. 260 00:14:04,912 --> 00:14:07,881 CAN YOU CHECK THAT CABINET AND SEE IF IT'S IN THERE? 261 00:14:07,915 --> 00:14:09,282 SURE. 262 00:14:13,786 --> 00:14:17,157 SO, WERE YOU SURPRISED THAT JENNA INVITED YOU TO THIS? 263 00:14:17,190 --> 00:14:20,493 KIND OF. WE'RE NOT EXACTLY CHUMMY. 264 00:14:20,527 --> 00:14:24,297 WE WERE LAB PARTNERS ONCE, BUT SHE SORTA SCARED ME. 265 00:14:28,235 --> 00:14:30,037 IS THIS YOURS? 266 00:14:30,070 --> 00:14:31,771 WHAT? 267 00:14:33,573 --> 00:14:36,509 CAREFUL, EM. THEY'RE ALREADY PRETTY STRONG. 268 00:14:39,579 --> 00:14:42,649 OH, YEAH. I-- I FORGOT THAT WAS IN THERE. 269 00:14:42,682 --> 00:14:45,218 IT'S NICE. IT'S A MISTAKE. 270 00:14:45,252 --> 00:14:48,488 I MEANT TO TOSS IT, BUT I WAS AFRAID MY MOM WOULD FIND IT IN THE GARBAGE. 271 00:14:48,521 --> 00:14:51,458 THERE'S STILL SOMETHING IN IT. PAIGE, 272 00:14:51,491 --> 00:14:53,293 IF YOU WANT IT, IT'S YOURS. 273 00:14:53,326 --> 00:14:55,695 REALLY. I'M DONE WITH THAT. 274 00:15:03,303 --> 00:15:06,339 YOU SURE YOU DON'T NEED A LIFT? IT'S NOT OUT OF THE WAY. 275 00:15:06,373 --> 00:15:09,409 NO, I'M GOOD. I STILL HAVE A FEW THINGS TO TAKE CARE OF HERE. 276 00:15:09,442 --> 00:15:11,544 I WILL SEE YOU TOMORROW. 277 00:15:11,578 --> 00:15:14,147 HMM. MUST BE GREAT TO SAY THAT AND MEAN IT. 278 00:15:14,181 --> 00:15:16,716 TAKE CARE. THANKS. 279 00:15:24,224 --> 00:15:26,593 THAT'S BEAUTIFUL. 280 00:15:26,626 --> 00:15:28,028 THANKS. 281 00:15:30,663 --> 00:15:33,233 ARE YOU AN ARCHITECTURE STUDENT? 282 00:15:34,601 --> 00:15:36,869 WE'LL SEE. MAYBE SOMEDAY. 283 00:15:36,903 --> 00:15:41,374 DO YOU EVER... DRAW PEOPLE? 284 00:15:41,408 --> 00:15:43,243 I HAVE. 285 00:15:43,276 --> 00:15:47,314 BUT, UH, TEND TO LOOK MORE LIKE BUILDINGS. 286 00:15:47,347 --> 00:15:49,416 ( chuckles ) 287 00:15:49,449 --> 00:15:52,319 WELL, I'M IMPRESSED. 288 00:15:56,023 --> 00:15:59,092 WELL, WHERE IS MY INVITATION? I WANT TO AT LEAST SEE IT. 289 00:15:59,126 --> 00:16:01,394 ARE YOU COMING FROM YOGA? NO, HOME. 290 00:16:01,428 --> 00:16:04,131 WHY ARE YOU DRESSED LIKE THAT? BECAUSE, SPENCER, 291 00:16:04,164 --> 00:16:07,834 I'M TOO DEPRESSED TO WORK A ZIPPER, ALL RIGHT? GET OVER IT. 292 00:16:07,867 --> 00:16:09,369 WHO'S SHE TALKING TO? 293 00:16:09,402 --> 00:16:11,904 EMILY, WHO APPARENTLY HAS TO WORK JENNA'S PARTY. 294 00:16:11,938 --> 00:16:13,740 SERIOUSLY? 295 00:16:13,773 --> 00:16:16,309 WELL, I CAN BEAT THAT. 296 00:16:16,343 --> 00:16:21,281 I HAVE TO SPEND MY SATURDAY NIGHT SORTING OUT VELOUR TRACK SUITS AT CHURCH. 297 00:16:21,314 --> 00:16:24,017 WHY? MY MOM FOUND OUT THAT I CUT SCHOOL, 298 00:16:24,051 --> 00:16:26,319 AND NOW SHE SIGNED ME UP FOR A TRIPLE SHIFT. 299 00:16:26,353 --> 00:16:29,889 IF YOU THOUGHT I WAS DEPRESSED BEFORE... 300 00:16:29,922 --> 00:16:31,958 IT GETS WEIRDER. WHAT'S UP? 301 00:16:31,991 --> 00:16:33,426 HEY, HAN, HOW ARE YOU FEELING? 302 00:16:33,460 --> 00:16:36,196 I DON'T THINK I'VE SEEN YOU IN SWEATS-- 303 00:16:36,229 --> 00:16:39,066 SHE CAN'T WORK A ZIPPER. JUST MOVE ON. WHAT DID EMILY SAY? 304 00:16:39,099 --> 00:16:41,601 SO, PAIGE IS INVITED TO THE PARTY TOO, 305 00:16:41,634 --> 00:16:44,437 AND NOW LAUREL TUCHMAN IS SHOOTING IT. LAURA TUCKS-WHAT? 306 00:16:44,471 --> 00:16:45,972 LAUREL. TUCHMAN. 307 00:16:46,005 --> 00:16:47,874 THE PHOTOGRAPHER THAT I TOOK A CLASS FROM LAST SUMMER. 308 00:16:47,907 --> 00:16:50,443 GO ON. WELL, EMILY MAY HAVE OVERHEARD 309 00:16:50,477 --> 00:16:53,146 WHY LUCAS WAS BANGING ON THAT DOOR. 310 00:16:53,180 --> 00:16:57,184 LAUREL FIRED HER ASSISTANT BECAUSE HE WAS USING THE STUDIO TO DEVELOP HIS OWN PRINTS. 311 00:16:57,217 --> 00:16:58,918 AND NOW HE WANTS THE NEGATIVES. 312 00:16:58,951 --> 00:17:00,953 WHERE ARE YOU GOING WITH THIS? 313 00:17:00,987 --> 00:17:03,990 TO AN OPEN GRAVE THAT HE TOOK PICTURES OF. 314 00:17:04,023 --> 00:17:07,194 AND YOU THINK LUCAS DUG IT UP BY HIMSELF? 315 00:17:07,227 --> 00:17:09,162 THE KID CAN BARELY LIFT HIS CHEMISTRY BOOK. 316 00:17:09,196 --> 00:17:11,964 WELL, HE'S TALL ENOUGH TO REACH THE PEDALS ON A BACKHOE. 317 00:17:11,998 --> 00:17:13,600 LET'S JUST STAY WITH JENNA, ALL RIGHT? 318 00:17:13,633 --> 00:17:16,269 THAT'S WHO EMILY REMEMBERS DRIVING THAT CAR THAT NIGHT. 319 00:17:16,303 --> 00:17:18,071 WHY CAN'T SHE BE IT? THEY CAN ALL BE IT. 320 00:17:18,105 --> 00:17:19,772 SPENCER'S RIGHT. 321 00:17:19,806 --> 00:17:22,675 WHY IS GARRETT BEING RELEASED THE SAME NIGHT OF JENNA'S PARTY? 322 00:17:22,709 --> 00:17:25,278 EXACTLY. WHAT IS THE PURPOSE OF THIS PARTY? 323 00:17:25,312 --> 00:17:27,180 IS IT REALLY TO CELEBRATE JENNA'S BIRTHDAY, 324 00:17:27,214 --> 00:17:28,681 OR IS IT JUST TO GET US ALL IN THE SAME ROOM 325 00:17:28,715 --> 00:17:30,550 SO SHE CAN DROP A VAT OF PIG'S BLOOD ON US? 326 00:17:30,583 --> 00:17:32,385 SHE'S NOT DROPPING ANYTHING ON ME. 327 00:17:32,419 --> 00:17:34,087 I WON'T BE THERE. NO ONE WILL. 328 00:17:34,121 --> 00:17:36,623 WHO WANTS TO GO TO THAT STUPID PARTY ANYWAYS? 329 00:17:36,656 --> 00:17:39,192 ME. 330 00:17:48,135 --> 00:17:49,636 OH. AM I DONE? 331 00:17:49,669 --> 00:17:51,003 YOU'VE BEEN HERE BARELY AN HOUR. 332 00:17:51,037 --> 00:17:52,772 THAT CAN'T BE TRUE. 333 00:17:52,805 --> 00:17:55,375 JUST THINK OF IT AS THE SCHOOL DAY YOU MISSED. 334 00:17:55,408 --> 00:17:56,876 HAVE YOU EATEN ANYTHING? NO. 335 00:17:56,909 --> 00:18:00,147 THAT BRA OVER THERE KIND OF PUT ME OFF MY FEED. 336 00:18:00,180 --> 00:18:03,950 THEY JUST PUT SOME FOOD OUT. I'LL SEE WHAT I CAN FIND YOU. 337 00:18:12,192 --> 00:18:13,860 I CAN'T VOUCH FOR THE EGG SALAD, 338 00:18:13,893 --> 00:18:17,330 BUT THE PEANUT BUTTER COOKIE: FOUR STARS. 339 00:18:17,364 --> 00:18:20,032 HMM. THANKS FOR THE TIP. 340 00:18:20,066 --> 00:18:22,502 HERE. THANKS. 341 00:18:22,535 --> 00:18:24,237 YOU ON YOUR WAY OUT? 342 00:18:24,271 --> 00:18:28,107 I FINISHED MY SHIFT EARLIER. I JUST CAME BACK TO CHECK ON MY DAUGHTER. 343 00:18:28,141 --> 00:18:29,509 WHO'S YOUR DAUGHTER? 344 00:18:29,542 --> 00:18:32,645 HANNA MARIN. SHE'S SORTING CLOTHES. 345 00:18:32,679 --> 00:18:35,548 OH, RIGHT. YEAH. SHE'S A TERRIFIC WORKER. YEAH. 346 00:18:37,550 --> 00:18:40,353 UM, MAYBE I'M THINKING OF SOMEBODY ELSE. 347 00:18:40,387 --> 00:18:42,155 YEAH, MAYBE I AM TOO. 348 00:18:42,189 --> 00:18:45,325 YOU'RE WITH THE GROUP FROM THE BANK, RIGHT? I AM. 349 00:18:45,358 --> 00:18:48,595 YEAH, THIS IS AN IMPORTANT CAUSE FOR MY BOSS. 350 00:18:48,628 --> 00:18:50,463 WE VOLUNTEER EVERY YEAR. 351 00:18:50,497 --> 00:18:54,066 WELL, WE'RE GRATEFUL TO HAVE AS MANY HANDS AS POSSIBLE. 352 00:18:54,100 --> 00:18:58,571 I'M STILL NEW HERE, SO JUST TRYING TO GET ACQUAINTED. 353 00:18:58,605 --> 00:19:02,975 WELL, YOU'RE NAME-TAG SAYS "VOLUNTEER COORDINATOR." 354 00:19:03,009 --> 00:19:07,113 THAT'S MORE THAN ACQUAINTED; THAT'S COMMITTED...TED. 355 00:19:07,146 --> 00:19:10,016 JUMPIN' IN WITH BOTH FEET, I GUESS. 356 00:19:10,049 --> 00:19:13,286 GOOD WAY TO MEET PEOPLE... ASHLEY. 357 00:19:13,320 --> 00:19:15,988 SO IS SPLITTING A COOKIE WITH A STRANGER. 358 00:19:16,022 --> 00:19:19,959 WE'RE NOT STRANGERS-- WE SPLIT A COOKIE. 359 00:19:22,262 --> 00:19:25,332 WHAT DOES THAT MAKE US IF WE SPLIT ANOTHER? 360 00:19:25,365 --> 00:19:26,699 MARRIED? 361 00:19:26,733 --> 00:19:28,501 ( both laugh ) 362 00:19:28,535 --> 00:19:30,870 NOT YET, BUT I WILL. 363 00:19:30,903 --> 00:19:33,240 IF I CAN JUST BUMP INTO HER, I WILL GET SOME ANSWERS 364 00:19:33,273 --> 00:19:35,074 ABOUT WHAT LUCAS WAS REALLY DOING IN THAT STUDIO. 365 00:19:35,107 --> 00:19:36,976 (footsteps) SPENCE, I GOTTA GO. 366 00:19:37,009 --> 00:19:38,378 Ezra: WHAT ARE YOU DOING? 367 00:19:38,411 --> 00:19:40,447 YOU LEAVE MY LIME ALONE. 368 00:19:40,480 --> 00:19:43,783 I WAS JUST GOING TO PET IT. YOU COULD DO THAT, 369 00:19:43,816 --> 00:19:47,019 OR WE COULD HEAD OVER TO NEW HOPE AND HANG OUT BEFORE DINNER. 370 00:19:47,053 --> 00:19:49,922 WE'RE GOING TO DINNER IN NEW HOPE? YEAH, IS THAT A PROBLEM? 371 00:19:49,956 --> 00:19:52,058 NO...NO. 372 00:19:52,091 --> 00:19:56,263 I JUST THOUGHT THAT WE WOULD GO SOMEWHERE AROUND HERE SO WE COULD STOP BY JENNA'S PARTY. 373 00:19:56,296 --> 00:19:57,997 I THOUGHT I MENTIONED THAT TO YOU. 374 00:19:58,030 --> 00:20:01,268 YOU DID, BUT I-- I DIDN'T THINK YOU WERE SERIOUS. 375 00:20:01,301 --> 00:20:03,903 I DON'T HAVE TO GO TO THAT PARTY, AND NEITHER DO YOU. 376 00:20:03,936 --> 00:20:06,839 I KNOW I DON'T, BUT I'D LIKE TO. 377 00:20:06,873 --> 00:20:10,277 REALLY? GIVEN YOUR HISTORY WITH HER? 378 00:20:10,310 --> 00:20:12,479 THAT'S EXACTLY WHAT IT IS: HISTORY. 379 00:20:12,512 --> 00:20:15,282 YOU WERE THE FIRST ONE TO SAY THAT, ANYWAY. 380 00:20:15,315 --> 00:20:18,251 LOOK, IT'S INCREDIBLE WHAT SHE'S GONE THROUGH, 381 00:20:18,285 --> 00:20:21,254 AND IF SHE WANTS TO INCLUDE ME--US-- 382 00:20:21,288 --> 00:20:24,591 IT'S THE LEAST WE CAN DO TO BE THERE. 383 00:20:27,527 --> 00:20:29,195 THAT'S IT. I CAN'T WAIT. 384 00:20:29,228 --> 00:20:31,531 WAIT FOR WHAT? 385 00:20:33,132 --> 00:20:35,167 THIS. 386 00:20:36,636 --> 00:20:38,371 OPEN IT. 387 00:20:45,211 --> 00:20:47,447 THEY DON'T MAKE THESE CAMERAS ANYMORE, 388 00:20:47,480 --> 00:20:51,484 AND IT'S KIND OF INDESTRUCTIBLE, SO IT PROBABLY STILL WORKS. 389 00:20:51,518 --> 00:20:54,387 BUT-- BUT NOTHING. 390 00:20:56,789 --> 00:20:58,658 YOU'RE WELCOME. 391 00:21:03,963 --> 00:21:05,432 THANK YOU. 392 00:21:11,738 --> 00:21:15,207 COME ON. LET'S GO TO A PARTY. 393 00:21:25,785 --> 00:21:27,920 Spencer: OKAY, SO HE'S FINALLY 394 00:21:27,954 --> 00:21:31,324 CHOSEN SOME FLOWERS, WHICH ARE HIDEOUS AND TACKY 395 00:21:31,358 --> 00:21:32,925 AND MOSTLY CARNATIONS, 396 00:21:32,959 --> 00:21:34,661 BUT THERE'S NOT REALLY MUCH SELECTION AROUND HERE. 397 00:21:34,694 --> 00:21:36,496 IS HE HANDCUFFED AT LEAST? 398 00:21:36,529 --> 00:21:38,698 YEAH. AND HE HAS TWO GUARDS WITH HIM. 399 00:21:39,866 --> 00:21:42,802 HOLD ON. WHAT'S HAPPENING? 400 00:21:42,835 --> 00:21:46,606 HE'S WRITING A NOTE FOR THE FLOWERS. 401 00:21:53,480 --> 00:21:54,881 WHY WOULD HE BE DOING THAT? 402 00:21:54,914 --> 00:21:57,717 SO SHE'LL KNOW WHO THEY'RE FROM. 403 00:21:57,750 --> 00:22:01,120 HIS MOM IS IN A COMA. SHE'S NOT DOING A LOT OF READING. 404 00:22:01,153 --> 00:22:02,555 I GOTTA GO. 405 00:22:02,589 --> 00:22:04,524 FINE. 406 00:22:05,792 --> 00:22:07,927 UH, I'LL CALL YOU LATER. BYE, DAD. 407 00:22:07,960 --> 00:22:09,662 I GET IT. 408 00:22:09,696 --> 00:22:13,733 HE'S DESPICABLE AND HE'S HURT PEOPLE WHO WERE CLOSE TO YOU. 409 00:22:13,766 --> 00:22:16,035 BUT HIS MOTHER'S DYING. THAT'S HER SON. 410 00:22:16,068 --> 00:22:19,739 SO TWO GUARDS WEREN'T ENOUGH? THEY HAD TO SEND YOU TOO? 411 00:22:19,772 --> 00:22:22,942 I'VE STILL GOT A MISSING BODY TO FIND. IT'S MY JOB, NOT YOURS. 412 00:22:22,975 --> 00:22:25,211 WHAT ARE YOU LOOKING FOR? 413 00:22:25,244 --> 00:22:29,348 I'M JUST HERE TO PICK UP THE...TEST RESULTS 414 00:22:29,382 --> 00:22:31,618 OF MY FIELD HOCKEY PHYSICAL. 415 00:22:31,651 --> 00:22:36,055 YOU KNOW WHAT? YOU USED TO BE A MUCH BETTER LIAR. 416 00:22:50,069 --> 00:22:52,872 ( dance music plays ) 417 00:22:57,043 --> 00:23:00,413 ( no audible dialogue ) 418 00:23:12,859 --> 00:23:14,226 NICE TIE. 419 00:23:14,260 --> 00:23:17,830 (laughs) THANKS. I CAN'T WAIT TO TAKE IT OFF. 420 00:23:17,864 --> 00:23:20,833 WHEN YOU DO, CAN YOU WRAP IT FOR ME? I FORGOT TO BRING A GIFT. 421 00:23:20,867 --> 00:23:22,635 I'M GLAD YOU'RE HERE. 422 00:23:22,669 --> 00:23:26,038 I WANTED TO MAKE SURE THIS NIGHT WASN'T A COMPLETE BUST FOR YOU. 423 00:23:30,743 --> 00:23:32,779 WHO'S THAT? 424 00:23:32,812 --> 00:23:34,547 NATE. 425 00:23:34,581 --> 00:23:36,315 M-MAYA'S COUSIN. 426 00:23:38,885 --> 00:23:40,520 I'LL TAKE THAT. 427 00:23:40,553 --> 00:23:42,589 I'LL BE RIGHT BACK. 428 00:23:58,671 --> 00:24:00,139 ( chatter ) 429 00:24:17,724 --> 00:24:21,093 YOU'VE BEEN HERE A WHILE. YOU WANT TO TAKE A BREAK? 430 00:24:21,127 --> 00:24:22,929 CAN I BE DONE? 431 00:24:22,962 --> 00:24:27,033 YOU COULD, BUT IF YOU'RE TAKING THAT JACKET WITH YOU... 432 00:24:27,066 --> 00:24:29,702 OH. NO, I WAS GONNA BUY THAT. 433 00:24:29,736 --> 00:24:33,005 HERE. DO I PAY YOU? I ONLY HAVE A TWENTY. 434 00:24:33,039 --> 00:24:35,542 I'LL GET YOUR RECEIPT. 435 00:24:35,575 --> 00:24:39,912 WAIT. UM, DO YOU KNOW WHERE THIS LAST BOX OF CLOTHES CAME FROM? 436 00:24:39,946 --> 00:24:41,814 I DON'T. 437 00:24:41,848 --> 00:24:44,050 WHY? DOES IT MATTER? 438 00:24:44,083 --> 00:24:46,753 NO. I WAS JUST CURIOUS. 439 00:24:55,327 --> 00:24:59,398 EM, CALL ME. I'M STILL AT THE CHURCH, AND I JUST FOUND-- 440 00:25:01,033 --> 00:25:04,203 I THOUGHT THAT YOU AND SPENCER GOT RID OF ALL OF YOUR CLOTHES-- 441 00:25:04,236 --> 00:25:06,305 THE GRAY JACKET FROM THAT NIGHT? 442 00:25:06,338 --> 00:25:10,042 IT JUST CAME OUT OF A DONATION BOX. WHY IS IT HERE? 443 00:25:16,683 --> 00:25:19,018 ( dance music plays ) 444 00:25:20,587 --> 00:25:22,655 NATE. WHAT ARE YOU-- 445 00:25:22,689 --> 00:25:24,256 I WAS HOPING YOU WERE GONNA BE WORKING TONIGHT. 446 00:25:24,290 --> 00:25:27,259 WERE YOU INVITED TO THIS? LAST MINUTE INVITATION. 447 00:25:27,293 --> 00:25:30,029 I MET JENNA HERE YESTERDAY AFTERNOON. 448 00:25:30,062 --> 00:25:33,566 I FIGURE IT WAS EITHER COME TO THIS OR SIT IN MY EMPTY APARTMENT 449 00:25:33,600 --> 00:25:36,268 AND PUNCH HOLES IN THE WALL. 450 00:25:36,302 --> 00:25:38,938 TRUTH IS, I DON'T KNOW HOW LONG I'LL STAY. 451 00:25:38,971 --> 00:25:40,239 I'M NOT IN THE MOOD TO PARTY. 452 00:25:40,272 --> 00:25:44,811 BUT I GOTTA SAY, SHE'S PRETTY INTRIGUING. 453 00:25:44,844 --> 00:25:47,647 WHY? WHAT DID SHE TELL YOU? 454 00:25:47,680 --> 00:25:51,517 ENOUGH TO GET ME TO BUY A NEW SHIRT. 455 00:25:51,550 --> 00:25:53,920 I WANT TO KNOW MORE. NO, YOU DON'T. 456 00:25:53,953 --> 00:25:56,823 WHAT DOES THAT MEAN? NOTHING. 457 00:25:56,856 --> 00:25:59,592 I SHOULD PROBABLY PASS THESE AROUND BEFORE THEY DRY OUT. 458 00:25:59,626 --> 00:26:01,527 WHAT ARE THOSE? 459 00:26:01,560 --> 00:26:03,362 DRIED OUT. 460 00:26:23,650 --> 00:26:26,252 HI! YOU MADE IT. 461 00:26:26,285 --> 00:26:30,356 I WAS...FLATTERED FOR THE INVITATION. 462 00:26:30,389 --> 00:26:32,224 WE BOTH WERE. 463 00:26:33,693 --> 00:26:34,894 HAPPY BIRTHDAY. 464 00:26:36,062 --> 00:26:37,664 I'M SORRY, I DON'T MEAN TO STARE. 465 00:26:37,697 --> 00:26:41,200 I'M JUST STILL ADJUSTING AND TRYING TO MATCH FACES IN REALITY 466 00:26:41,233 --> 00:26:44,671 TO THE ONES THAT I SAW IN MY HEAD. 467 00:26:44,704 --> 00:26:47,073 NO, IT MUST BE OVERWHELMING. 468 00:26:47,106 --> 00:26:48,574 IS THAT LAUREL TUCHMAN? 469 00:26:48,607 --> 00:26:51,410 SHE'S THE PHOTOGRAPHER I TOOK A CLASS FROM LAST SUMMER. 470 00:26:51,443 --> 00:26:53,713 SHE'S AMAZING. I DIDN'T WANT TO LEAVE IT TO AMATEURS. 471 00:26:53,746 --> 00:26:58,017 I WANTED SOMEONE WHO COULD RECORD EVERY SINGLE MOMENT. 472 00:26:59,752 --> 00:27:02,655 I'M GONNA GO SAY HI. I'LL BE RIGHT BACK. 473 00:27:02,689 --> 00:27:04,791 LAUREL? HEY, ARIA. 474 00:27:04,824 --> 00:27:07,559 THIS GIRL'S GOT SOME CLASSY FRIENDS. HOW YA DOIN'? 475 00:27:07,593 --> 00:27:09,796 I'M GOOD. YEAH, I'M STILL TAKING PICTURES. 476 00:27:09,829 --> 00:27:14,667 ACTUALLY, MY BOYFRIEND, HE JUST GAVE ME THIS VINTAGE CAMERA. IT'S A ROLLEIFLEX. 477 00:27:14,701 --> 00:27:17,737 GOD, NICE BOYFRIEND. WHEN I WAS I HIGH SCHOOL. 478 00:27:17,770 --> 00:27:20,039 I COULDN'T AFFORD A PINHOLE AND A LIGHT BULB. 479 00:27:20,072 --> 00:27:22,842 OH, HE'S NOT IN HIGH SCHOOL. 480 00:27:22,875 --> 00:27:24,711 ARE THOSE EXPENSIVE? 481 00:27:24,744 --> 00:27:28,314 HONEY, IF IT WORKS, HE MUST HAVE DROPPED A PRECIOUS PENNY ON IT. 482 00:27:28,347 --> 00:27:31,083 LISTEN, I'D LOVE TO STAY AND CHAT, BUT I GOTTA KEEP SNAPPING. 483 00:27:31,117 --> 00:27:32,618 I'M FLYING SOLO. 484 00:27:32,651 --> 00:27:35,654 ARE YOU HERE ALONE WITHOUT AN ASSISTANT? DON'T ASK. 485 00:27:35,688 --> 00:27:37,890 I'M IN THE MARKET IF YOU KNOW ANYONE WHO'S INTERESTED. 486 00:27:37,924 --> 00:27:39,491 I'M INTERESTED. REALLY? 487 00:27:39,525 --> 00:27:41,928 YEAH. WELL, CALL ME ON MONDAY. HOPEFULLY BY THEN 488 00:27:41,961 --> 00:27:44,496 I'LL HAVE GOTTEN RID OF WHAT'S LEFT OF THE OLD ONE. 489 00:27:44,530 --> 00:27:46,699 IS HE STILL THERE? WELL, JUST HIS CAMERA BAG. 490 00:27:46,733 --> 00:27:50,236 I'M HOLDING IT HOSTAGE TILL HE GETS MOMMY AND DADDY TO WRITE ME A CHECK. 491 00:27:55,174 --> 00:27:57,309 HEY! NEED SOME HELP? 492 00:27:57,343 --> 00:28:01,147 I WISH, BUT YOU CAN'T. MY MANAGER SEES ME HANGING, HE'LL FREAK OUT. 493 00:28:01,180 --> 00:28:05,051 HE WASN'T UPSET YOU WERE HANGING OUT WITH MAYA'S COUSIN? 494 00:28:05,084 --> 00:28:06,252 NATE? 495 00:28:06,285 --> 00:28:08,788 NO, WE WEREN'T HANGING OUT. 496 00:28:08,821 --> 00:28:09,989 WE WERE JUST-- 497 00:28:10,923 --> 00:28:12,391 IT'S COMPLICATED. 498 00:28:12,424 --> 00:28:13,659 ( scoffs ) 499 00:28:13,692 --> 00:28:15,361 Aria: HEY! 500 00:28:15,394 --> 00:28:18,430 HI, PAIGE. HI. 501 00:28:18,464 --> 00:28:21,267 WHAT'S UP? 502 00:28:21,300 --> 00:28:22,701 NOTHING. WE'LL TALK LATER. 503 00:28:22,735 --> 00:28:24,236 YOU KNOW, I'M LEAVING. 504 00:28:24,270 --> 00:28:25,772 I SHOULDN'T REALLY BE BACK HERE ANYWAY. 505 00:28:25,805 --> 00:28:27,706 IT'S A NO-FRIEND ZONE. 506 00:28:29,208 --> 00:28:30,777 ( sighs ) 507 00:28:33,145 --> 00:28:34,646 WHAT ARE YOU LOOKING FOR? 508 00:28:34,680 --> 00:28:36,482 LAUREL'S EQUIPMENT. SHE SAID IT WAS BACK HERE. 509 00:28:36,515 --> 00:28:38,650 YEAH, IT'S RIGHT THERE. 510 00:28:43,155 --> 00:28:45,091 WHAT ARE YOU DOING? 511 00:28:45,124 --> 00:28:46,625 WHAT ARE YOU DOING?! 512 00:28:46,658 --> 00:28:48,961 I'M GETTING INTO HER STUDIO TONIGHT. 513 00:28:57,904 --> 00:29:00,406 TOBY. HEY, WHAT ARE YOU DOING HERE? 514 00:29:00,439 --> 00:29:03,009 YOUR PARENTS WERE ON THEIR WAY OUT. THEY LET ME IN. 515 00:29:08,247 --> 00:29:09,849 WHAT'S WRONG? 516 00:29:09,882 --> 00:29:13,185 I THOUGHT THAT BY GETTING MY OWN PLACE ABOVE THE BREW 517 00:29:13,219 --> 00:29:15,754 THAT I COULD ESCAPE MY SCREWED-UP FAMILY. 518 00:29:15,788 --> 00:29:20,092 RIGHT. AND IT DOES NOT HELP WHEN THEY THROW BIRTHDAY PARTIES RIGHT BELOW YOU. 519 00:29:21,828 --> 00:29:24,196 DO YOUR PARENTS EXPECT YOU TO MAKE AN APPEARANCE 520 00:29:24,230 --> 00:29:27,066 AT THIS COMING-OUT-OF-THE-DARK PARTY? 521 00:29:27,099 --> 00:29:28,700 THEY CAN EXPECT ALL THEY WANT. 522 00:29:28,734 --> 00:29:31,137 I'LL WAIT FOR THE SHE'S-LEAVING-ROSEWOOD PARTY. 523 00:29:31,170 --> 00:29:34,106 I'M GONNA THROW YOU THAT PARTY. 524 00:29:34,140 --> 00:29:36,175 ARE YOU OKAY WITH ME BARGING IN LIKE THIS? 525 00:29:36,208 --> 00:29:39,611 I MEAN, DID YOU HAVE PLANS? 526 00:29:39,645 --> 00:29:42,781 I, UM, I DID, ACTUALLY. 527 00:29:42,815 --> 00:29:45,251 I JUST HAVE THIS REALLY BIG FRENCH TEST COMING UP. 528 00:29:45,284 --> 00:29:48,054 I HAVE TO READ THAT MASSIVE BOOK. 529 00:29:48,087 --> 00:29:51,190 WHICH MEANS THAT YOU SHOULD TOTALLY STAY. 530 00:29:51,223 --> 00:29:54,894 GOOD. THAT'S WHAT I WAS HOPING YOU'D SAY. 531 00:29:57,496 --> 00:30:00,199 TOBY... 532 00:30:00,232 --> 00:30:04,003 HOW IS IT POSSIBLE THAT YOU AND I ARE THE ONLY TWO PEOPLE 533 00:30:04,036 --> 00:30:06,505 THAT KNOW THAT JENNA WAS FAKING FOR SO LONG? 534 00:30:06,538 --> 00:30:09,075 I THINK MOST PEOPLE WANT TO BUY INTO A HAPPY ENDING. 535 00:30:09,108 --> 00:30:12,211 YEAH, BUT YOUR PARENTS-- HOW DID SHE FOOL THEM? 536 00:30:12,244 --> 00:30:14,580 I MEAN, THEY WERE LIVING IN THE SAME HOUSE. 537 00:30:14,613 --> 00:30:17,183 DID THEY JUST NOT NOTICE THAT SHE WAS ABLE TO SEE? 538 00:30:17,216 --> 00:30:18,817 DID SHE SLEEP WITH HER SUNGLASSES ON? 539 00:30:18,851 --> 00:30:20,887 SHE TOLD MY PARENTS A FEW WEEKS AGO 540 00:30:20,920 --> 00:30:24,924 THAT SHE STARTED SEEING SHADOWS OVER THE SUMMER, AND THEN BLURRY FIGURES. 541 00:30:24,957 --> 00:30:28,294 AND THEY JUST BOUGHT THAT SHE DIDN'T MENTION THIS IN HER LETTERS HOME FROM CAMP? 542 00:30:28,327 --> 00:30:30,262 SHE SAID SHE WAS SCARED-- 543 00:30:30,296 --> 00:30:32,831 SCARED THAT IT MIGHT SUDDENLY GO BACK TO DARKNESS 544 00:30:32,865 --> 00:30:36,402 AND SHE'D HAVE TO LIVE WITH EVERYONE PITYING HER EVEN MORE. 545 00:30:36,435 --> 00:30:38,137 WOW. 546 00:30:38,170 --> 00:30:40,839 IT'S SO WEIRD. 547 00:30:40,873 --> 00:30:42,474 WHAT? 548 00:30:42,508 --> 00:30:45,377 THAT THE MOST HONEST PERSON I KNOW HAS TO SHARE PARENTS 549 00:30:45,411 --> 00:30:48,080 WITH THE MOST DECEITFUL PERSON IN THIS TOWN. 550 00:30:49,548 --> 00:30:51,918 HEY... 551 00:30:51,951 --> 00:30:54,386 CAN WE NOT DISCUSS THAT PERSON? 552 00:31:09,268 --> 00:31:11,037 HEY, WHERE HAVE YOU BEEN? 553 00:31:11,070 --> 00:31:13,239 BATHROOM. EVERYTHING OKAY? 554 00:31:13,272 --> 00:31:14,373 YOU KIND OF DITCHED ME BACK THERE. 555 00:31:14,406 --> 00:31:16,842 WITH JENNA. SO CAN WE GO? 556 00:31:16,875 --> 00:31:18,610 NO. I DON'T WANT TO BE RUDE. 557 00:31:18,644 --> 00:31:21,647 JENNA CAN SEE NOW, SHE'LL KNOW WE LEFT BEFORE THE CAKE. 558 00:31:21,680 --> 00:31:24,550 WE ARE NOT STAYING FOR CAKE. WE HAVE A DINNER RESERVATION. 559 00:31:24,583 --> 00:31:28,787 JUST A COUPLE MORE MINUTES. EMILY HAD TO TELL ME SOMETHING. 560 00:31:41,633 --> 00:31:43,970 CAN YOU WAIT ONE SECOND? 561 00:31:46,038 --> 00:31:48,074 WHAT ARE YOU DOING?! 562 00:31:48,107 --> 00:31:49,976 LOOKING FOR A COCONUT. 563 00:31:50,009 --> 00:31:53,379 THESE VANILLA ONES ARE GROSS. WOULD YOU PLEASE STOP? 564 00:31:53,412 --> 00:31:54,880 I'M GONNA STOP TILL I FIND A COCONUT. 565 00:31:54,913 --> 00:31:56,983 PAIGE. CAN I GET YOU SOME COFFEE? IS SHE DRUNK? 566 00:31:57,016 --> 00:31:59,651 NO, I'M NOT DRUNK, I'M HUNGRY. 567 00:31:59,685 --> 00:32:01,820 AND YOUR CUPCAKES TASTE LIKE OLD PENNIES. 568 00:32:01,853 --> 00:32:04,390 PAIGE, YOU AND I-- OH. REALLY? 569 00:32:04,423 --> 00:32:05,791 FINALLY, YOU HAVE TIME FOR ME? 570 00:32:05,824 --> 00:32:07,926 ALL RIGHT, LET'S DANCE. LET'S DANCE. 571 00:32:07,960 --> 00:32:10,062 I CAN'T DANCE RIGHT NOW. I'M WORKING. 572 00:32:10,096 --> 00:32:12,664 FINE. I'LL DANCE BY MYSELF. 573 00:32:16,202 --> 00:32:17,469 ( loud clatter ) 574 00:32:17,503 --> 00:32:18,837 ARE YOU OKAY? 575 00:32:18,870 --> 00:32:21,273 ARE YOU OKAY? OH, MY GOSH. 576 00:32:21,307 --> 00:32:23,642 CAN SOMEBODY GET SOME ICE, PLEASE? EVERYBODY BACK UP. 577 00:32:23,675 --> 00:32:26,312 ARE YOU OKAY? DON'T MOVE. BE CAREFUL. 578 00:32:26,345 --> 00:32:27,646 IS SHE ONE OF YOUR FRIENDS? YES. 579 00:32:27,679 --> 00:32:29,181 WE SHOULD GET HER OUT OF HERE. 580 00:32:29,215 --> 00:32:30,616 OKAY, COME ON. 581 00:32:43,495 --> 00:32:45,564 HANNA. 582 00:32:45,597 --> 00:32:47,133 HEY. WHERE'S PAIGE? 583 00:32:47,166 --> 00:32:51,203 GETTING STITCHES. UM, THIS IS NATE, 584 00:32:51,237 --> 00:32:55,274 MAYA'S COUSIN. HI. HEY. 585 00:32:55,307 --> 00:32:57,609 NATE, WOULD YOU MIND GETTING US SOME COFFEE? 586 00:32:57,643 --> 00:32:59,378 THEY SAID IT WAS GONNA BE A WHILE. 587 00:32:59,411 --> 00:33:01,013 YEAH. THANKS. 588 00:33:02,281 --> 00:33:04,250 I THOUGHT SPENCER WAS HERE. SHE WAS. 589 00:33:04,283 --> 00:33:07,386 SHE BUMPED INTO WILDEN AND HE SCARED HER OFF. 590 00:33:10,856 --> 00:33:12,458 THIS WAS AT THE CHURCH? 591 00:33:12,491 --> 00:33:13,892 IS IT YOURS? 592 00:33:13,925 --> 00:33:18,097 MINE HAD A RIP IN THE POCKET THAT I SEWED WITH A PINK-- 593 00:33:19,231 --> 00:33:20,866 THREAD. 594 00:33:20,899 --> 00:33:22,668 THIS IS MINE. 595 00:33:22,701 --> 00:33:24,903 WELL, IT HASN'T BEEN ANYWHERE NEAR A FIRE. 596 00:33:24,936 --> 00:33:26,738 HOW DID THIS GET TO THE RUMMAGE SALE? 597 00:33:26,772 --> 00:33:28,607 THAT CAN'T BE A COINCIDENCE. 598 00:33:28,640 --> 00:33:30,976 SPENCER WAS RIGHT-- THIS "A" DEFINITELY HAS AN AGENDA. 599 00:33:31,009 --> 00:33:32,644 WHEN DID YOU TAKE IT OFF THAT NIGHT? 600 00:33:32,678 --> 00:33:34,380 BECAUSE YOU DIDN'T HAVE IT ON AT THE GRAVEYARD, EMILY. 601 00:33:34,413 --> 00:33:36,348 WHEN WE FOUND YOU YOU WERE SHIVERING. 602 00:33:36,382 --> 00:33:38,917 I KNOW I WORE IT TO SPENCER'S HOUSE. THAT'S ALL I REMEMBER. 603 00:33:38,950 --> 00:33:40,219 DID YOU HAVE IT IN JENNA'S CAR? 604 00:33:40,252 --> 00:33:42,388 DID YOU LEAVE IT THERE? 605 00:33:42,421 --> 00:33:46,725 BECAUSE IF SHE'S OUR PAL NOW, WHY DIDN'T SHE JUST GIVE IT BACK TO YOU? 606 00:33:46,758 --> 00:33:48,794 I DON'T KNOW. MAYBE... 607 00:33:48,827 --> 00:33:51,497 MAYBE JENNA WASN'T THE ONLY PERSON I SAW THAT NIGHT. 608 00:33:51,530 --> 00:33:53,499 ( cellphone plinks ) 609 00:33:57,869 --> 00:33:59,271 (sighs) IT'S MY MOM. 610 00:33:59,305 --> 00:34:00,939 I'VE GOT TO GET BACK TO THE CHURCH 611 00:34:00,972 --> 00:34:05,010 OR I'LL BE SORTING OLD PANTY HOSE FOR THE REST OF MY LIFE. 612 00:34:09,148 --> 00:34:11,283 HEY. WHERE'S YOUR FRIEND? 613 00:34:11,317 --> 00:34:13,085 UH, SHE HAD TO GO MEET HER MOM. 614 00:34:13,119 --> 00:34:15,221 FORGOT TO ASK HOW YOU TAKE IT. 615 00:34:15,254 --> 00:34:16,622 PUT CREAM IN BOTH OF 'EM. 616 00:34:16,655 --> 00:34:18,157 THANKS. 617 00:34:37,976 --> 00:34:40,679 ( rock and roll playing ) 618 00:34:52,991 --> 00:34:54,726 OH. CAN I HELP YOU? 619 00:34:54,760 --> 00:34:57,329 OH. YEAH, I-I WAS JUST LOOKING FOR EMILY. 620 00:34:57,363 --> 00:34:59,498 SHE TOOK HER FRIEND TO THE HOSPITAL, 621 00:34:59,531 --> 00:35:01,967 AND LEFT ME HOLDING ALL OF THE CUPCAKES. 622 00:35:02,000 --> 00:35:04,803 I'M SURE SHE'S GONNA BE BACK. I'M NOT. 623 00:35:08,807 --> 00:35:10,008 Ezra: EXCUSE ME. 624 00:35:10,041 --> 00:35:11,677 ARIA. WHAT IS GOING ON? 625 00:35:11,710 --> 00:35:15,514 UH...SOMEONE SAID THAT THEY JUST PUT OUT SOME STUFFED MUSHROOMS. 626 00:35:15,547 --> 00:35:17,683 I DON'T WANT A MUSHROOM. I WANT A DINNER. 627 00:35:17,716 --> 00:35:19,818 I KNOW. AND WE WILL LEAVE SOON. 628 00:35:19,851 --> 00:35:22,421 ARE WE HANGING OUT HERE BECAUSE YOU DON'T WANT TO HAVE THIS MEAL? 629 00:35:22,454 --> 00:35:25,324 I CAN AFFORD TO TAKE YOU TO DINNER, ARIA. 630 00:35:25,357 --> 00:35:28,660 IT'S NOT NECESSARY. YOU JUST BOUGHT ME AN EXPENSIVE CAMERA. 631 00:35:28,694 --> 00:35:30,496 WHAT DOES THAT HAVE TO DO WITH IT? 632 00:35:30,529 --> 00:35:33,064 YOU'RE SPENDING MONEY THAT YOU DON'T HAVE. I DO HAVE IT. 633 00:35:33,098 --> 00:35:36,502 I CHOSE THE RESTAURANT IN NEW HOPE BECAUSE I WANTED TO CELEBRATE. 634 00:35:36,535 --> 00:35:39,305 CELEBRATE WHAT? THE JOB I GOT TODAY. 635 00:35:39,338 --> 00:35:41,907 YOU GOT THAT EDITING JOB? WHY DIDN'T YOU TELL ME? 636 00:35:41,940 --> 00:35:43,642 I THOUGHT IT'D BE NICER AT A PRIVATE TABLE 637 00:35:43,675 --> 00:35:46,845 WHERE WE'RE NOT SURROUNDED BY PEOPLE WITH SILLY HATS. 638 00:35:49,648 --> 00:35:51,049 OH, CRAP! 639 00:35:51,082 --> 00:35:53,319 EVERYTHING OKAY? IT'S ALL WET! 640 00:35:53,352 --> 00:35:55,454 I DON'T HAVE ONE DRY MEMORY CARD! 641 00:35:55,487 --> 00:35:58,257 WHO'S BEEN USING MY EQUIPMENT AS A COASTER?! 642 00:35:58,290 --> 00:36:00,926 I COULD RUN TO YOUR STUDIO AND GRAB YOU A COUPLE MORE. 643 00:36:00,959 --> 00:36:02,594 I CAN'T ASK YOU TO DO THAT. 644 00:36:02,628 --> 00:36:06,232 YOU'RE NOT ASKING, I'M OFFERING. WHERE ARE YOUR KEYS? 645 00:36:06,265 --> 00:36:07,966 ( keys jangling ) 646 00:36:09,268 --> 00:36:12,571 YOU'RE A DOLL. AND YOU'RE OFFICIALLY HIRED. 647 00:36:12,604 --> 00:36:14,172 TELL HER TO TAKE THE JOB. 648 00:36:16,408 --> 00:36:18,577 OKAY. HER STUDIO'S DOWN THE STREET, AND WE'LL BE RIGHT BACK. 649 00:36:18,610 --> 00:36:21,447 I'LL CALL THE RESTAURANT AND CANCEL THE RESERVATION. NO, DON'T. PLEASE. 650 00:36:21,480 --> 00:36:25,784 JUST CALL THEM UP, ASK THEM TO HOLD IT FOR A LITTLE BIT LONGER. 651 00:36:25,817 --> 00:36:28,019 I WILL BE RIGHT BACK. 652 00:37:30,081 --> 00:37:32,351 ( gasps ) 653 00:37:33,519 --> 00:37:34,820 LUCAS. 654 00:37:34,853 --> 00:37:37,188 I NEED TO GET INSIDE. 655 00:37:37,222 --> 00:37:39,358 UH, STUDIO'S CLOSED. 656 00:37:39,391 --> 00:37:42,193 LEAVE THE DOOR OPEN AND WALK AWAY. 657 00:37:42,227 --> 00:37:44,496 I CAN'T DO THAT. 658 00:37:44,530 --> 00:37:47,333 THEN DROP THE KEYS AND LET ME FIND THEM. 659 00:37:51,169 --> 00:37:53,872 LUCAS, GET OUT OF MY WAY. 660 00:37:53,905 --> 00:37:55,307 ( car approaches ) 661 00:37:59,545 --> 00:38:01,313 ARIA. 662 00:38:01,347 --> 00:38:04,316 LUCAS. WHAT'S GOING ON? 663 00:38:06,352 --> 00:38:08,520 IS EVERYTHING OKAY HERE? 664 00:38:10,622 --> 00:38:12,458 DID YOU GET WHAT YOU NEEDED? 665 00:38:18,497 --> 00:38:20,799 MIND IF I ASK YOU A QUESTION? 666 00:38:22,334 --> 00:38:25,704 IS PAIGE JUST A FRIEND, OR SOMETHING MORE? 667 00:38:27,406 --> 00:38:29,240 WE DATED FOR A WHILE. 668 00:38:29,274 --> 00:38:32,711 WAS THAT BEFORE MAYA, OR AFTER? 669 00:38:34,546 --> 00:38:37,416 IT WAS KIND OF IN BETWEEN. 670 00:38:42,320 --> 00:38:43,922 I'LL BE RIGHT BACK. 671 00:38:43,955 --> 00:38:46,392 YOU GET MY TEXT? 672 00:38:46,425 --> 00:38:49,227 WHY DO YOU THINK I'M HERE? LET'S GO UPSTAIRS. I CAN'T. 673 00:38:49,260 --> 00:38:51,229 NATE'S HERE AND PAIGE IS COMING OUT ANY MOMENT. 674 00:38:51,262 --> 00:38:53,565 BUT IF WILDEN LEFT THAT PROBABLY MEANS GARRETT LEFT TOO 675 00:38:53,599 --> 00:38:57,369 AND WE HAVE TO SEE WHAT'S ON THE CARD HE STUCK IN THOSE FLOWERS. 676 00:38:59,671 --> 00:39:01,206 HEY! GARRETT! 677 00:39:01,239 --> 00:39:02,574 NO! NATE, STOP! 678 00:39:02,608 --> 00:39:05,310 HEY! GET OFF ME! 679 00:39:05,343 --> 00:39:06,812 LET ME GO! 680 00:39:06,845 --> 00:39:08,914 GET OFF! 681 00:39:18,289 --> 00:39:20,459 Paige: HEY. 682 00:39:20,492 --> 00:39:22,160 YOU DIDN'T HAVE TO STAY. 683 00:39:22,193 --> 00:39:24,796 I WANTED TO. YOU WERE IN THERE FOR A LONG TIME. 684 00:39:24,830 --> 00:39:28,900 THEY GAVE ME A FEW STITCHES, AND THEY WANTED TO RUN A TEST. 685 00:39:28,934 --> 00:39:32,904 WHY? I TOLD THE DOCTOR HOW LITTLE I HAD TO DRINK, 686 00:39:32,938 --> 00:39:35,073 AND HE WANTED TO DO A TOX SCREEN. 687 00:39:35,106 --> 00:39:37,709 TURNS OUT I WASN'T MESSED UP FROM THE ALCOHOL. 688 00:39:37,743 --> 00:39:39,177 WHAT DO YOU MEAN? 689 00:39:39,210 --> 00:39:42,814 THERE WERE TRACES OF MILIZOPAM IN MY SYSTEM. 690 00:39:42,848 --> 00:39:44,382 IT'S A SLEEPING PILL. 691 00:39:44,416 --> 00:39:47,853 THE DOCTOR ASKED IF I SET MY CUP DOWN AT ANY POINT 692 00:39:47,886 --> 00:39:49,788 OR DRANK FROM SOMEONE ELSE'S. 693 00:39:49,821 --> 00:39:51,957 HONESTLY, WHO KNOWS? 694 00:39:51,990 --> 00:39:55,994 IT'S SUCH A BLUR. I DON'T REMEMBER ANYTHING. 695 00:39:56,027 --> 00:39:58,797 ( sighs ) I NEED TO CALL MY PARENTS. 696 00:39:58,830 --> 00:40:01,833 MY DAD'S GONNA WANT TO TALK TO THE DOCTOR. 697 00:40:03,669 --> 00:40:05,437 HERE. 698 00:40:05,471 --> 00:40:08,106 I DON'T WANT THAT ON ME WHEN THEY GET HERE. 699 00:40:23,021 --> 00:40:26,057 ( monitor beeping rhythmically ) 700 00:41:31,389 --> 00:41:33,792 Emily: ARE YOU HOME YET? 701 00:41:33,825 --> 00:41:35,827 I'M STILL AT EZRA'S. HE'S IN THE SHOWER. 702 00:41:35,861 --> 00:41:37,295 CALL ME WHEN YOU GET HOME. 703 00:41:37,328 --> 00:41:39,698 THAT MIGHT BE A WHILE. 704 00:41:39,731 --> 00:41:41,533 WHY? WHAT'S GOING ON? 705 00:41:41,567 --> 00:41:44,570 WELL, I BASICALLY DITCHED HIM AT JENNA'S PARTY, 706 00:41:44,603 --> 00:41:46,805 SO I'M TRYING TO SMOOTH THE WATERS. 707 00:41:46,838 --> 00:41:48,840 HAVE YOU LOOKED AT THE NEGATIVES YET? 708 00:41:48,874 --> 00:41:51,977 I'M DOING IT NOW. IT'S MY FIRST CHANCE. 709 00:41:52,010 --> 00:41:54,746 WHAT ARE YOU TYPING? I'M LOOKING UP MILIZOPAM. 710 00:41:54,780 --> 00:41:57,916 IS PAIGE GONNA BE OKAY? SHE'LL BE FINE 711 00:41:57,949 --> 00:42:00,518 UNTIL SHE REALIZES THE DRUGS CAME FROM MY FLASK. 712 00:42:00,552 --> 00:42:01,853 IT LOOKS LIKE 713 00:42:01,887 --> 00:42:03,989 THESE FIRST TWO ROLLS ARE JUST YEARBOOK STUFF. 714 00:42:04,022 --> 00:42:08,960 "MILIZOPAM. A STRONG SEDATIVE PRESCRIBED FOR SLEEP DISORDERS. 715 00:42:08,994 --> 00:42:13,699 ALSO USED TO SUBDUE AGGRESSIVE PATIENTS AND INMATES." 716 00:42:13,732 --> 00:42:15,266 GO ON. 717 00:42:15,300 --> 00:42:18,103 THERE'S A LIST OF SIDE EFFECTS WHEN MIXED WITH ALCOHOL. 718 00:42:18,136 --> 00:42:21,907 TOP OF THE LIST: MEMORY LOSS. 719 00:42:21,940 --> 00:42:25,811 YOU WERE TOTALLY SCREWED WITH. 720 00:42:25,844 --> 00:42:28,146 WAS THAT FLASK EVER OUT OF YOUR SIGHT THAT NIGHT? 721 00:42:28,179 --> 00:42:30,481 IT WAS PROBABLY IN THERE BEFORE I GOT TO SPENCER'S. 722 00:42:30,515 --> 00:42:34,552 YEAH, BUT WHY JUST YOU? WHY WEREN'T WE ALL DRUGGED? 723 00:42:34,586 --> 00:42:36,755 MAYBE THAT WAS THE PLAN, ARIA. 724 00:42:36,788 --> 00:42:38,857 LUCKY I WASN'T IN THE MOOD TO SHARE THAT NIGHT. 725 00:42:41,192 --> 00:42:42,527 EM... 726 00:42:42,560 --> 00:42:45,831 DOES IT SAY ANYTHING ABOUT WHAT THOSE PILLS LOOK LIKE? 727 00:42:47,332 --> 00:42:49,400 "LIGHT BLUE AND OVAL-SHAPED." 728 00:42:49,434 --> 00:42:51,369 WITH THE LETTERS M-Z-M ON THEM? 729 00:42:51,402 --> 00:42:53,839 YEAH. HOW'D YOU KNOW? 730 00:42:56,041 --> 00:42:58,877 I'M HOLDING THREE OF THEM... 731 00:42:58,910 --> 00:43:02,113 AND THEY WERE IN LUCAS'S CAMERA BAG.