1 00:00:02,936 --> 00:00:04,172 PREVIOUSLY ON PRETTY LITTLE LIARS.. 2 00:00:04,205 --> 00:00:05,773 HAVE A GOOD DAY. 3 00:00:05,806 --> 00:00:08,509 HEY, IF YOU NEED A PLACE TO STAY... 4 00:00:08,542 --> 00:00:11,245 THERE'S AN OLD COUCH IN MY BASEMENT. 5 00:00:11,279 --> 00:00:13,047 MY MOM WILL NEVER KNOW. 6 00:00:13,081 --> 00:00:15,483 Paige: WAS THERE A SECOND WATCH? WAS ANYONE ELSE KEEPING TIME? 7 00:00:15,516 --> 00:00:18,586 IT WA A TIE, PAIGE. YOU AND EMILY TIED. 8 00:00:18,619 --> 00:00:21,622 YOU NEED TO BE HOME WHERE YOU'RE SAFE. 9 00:00:21,655 --> 00:00:24,192 YOU COULD CHAIN ME TO THIS PORCH 10 00:00:24,225 --> 00:00:27,528 AND I'D STILL NEVER TOUCH YOU LIKE THAT AGAIN. 11 00:00:27,561 --> 00:00:29,797 I JUST GOT OFF THE PHONE WITH MRS. POTTER'S HOUSEKEEPER. 12 00:00:29,830 --> 00:00:32,600 MRS. POTTER HAD A HEART ATTACK. 13 00:00:32,633 --> 00:00:33,734 PAIGE? 14 00:00:33,767 --> 00:00:35,736 I'M SORRY, EMILY. 15 00:00:35,769 --> 00:00:38,639 I JUST WANTED YOU TO KNOW THAT. 16 00:00:38,672 --> 00:00:41,775 I THINK MAYBE YOU'RE BEING FRAMED. WHAT CHANGED YOUR MIND? 17 00:00:41,809 --> 00:00:45,313 I THINK SOMEBODY MIGHT BE TRYING TO DO THE SAME THING TO ME. 18 00:00:45,346 --> 00:00:49,317 SO, THIS IS WHAT A REAL DATE WITH EZRA FITZ LOOKS LIKE. 19 00:00:49,350 --> 00:00:51,285 LEAD THE WAY. 20 00:00:51,319 --> 00:00:53,587 Hanna: I GAVE YOUR MOM THE MUSEUM TICKET. 21 00:00:53,621 --> 00:00:55,689 WHY WOULD YOU DO THAT? "A" HAS SOMETHING ON ME. 22 00:00:55,723 --> 00:00:59,327 "A" HAS SOMETHING ON AL OF US, HANNA. 23 00:01:00,861 --> 00:01:03,864 Hanna: YOUR SISTER'S PREGNANT. HOW'D THAT HAPPEN? 24 00:01:03,897 --> 00:01:05,833 I FIGURE PRETTY MUCH THE USUAL WAY. 25 00:01:05,866 --> 00:01:07,501 IT'S NOT REALLY A "HOW" QUESTION, 26 00:01:07,535 --> 00:01:10,338 IT'S MORE OF A "WHY" QUESTION. 27 00:01:10,371 --> 00:01:14,208 WELL, I MEAN, I GUESS MELISSA COULD HAVE GONE ALL MATERNAL, 28 00:01:14,242 --> 00:01:15,309 BUT I DOUBT IT. 29 00:01:15,343 --> 00:01:17,145 THIS IS SO CREEPY. 30 00:01:17,178 --> 00:01:18,679 WHERE ARE THEY NOW? 31 00:01:18,712 --> 00:01:21,182 PHILADELPHIA. SHOPPING. 32 00:01:21,215 --> 00:01:22,450 WHAT DO YOU THINK THIS MEANS? 33 00:01:22,483 --> 00:01:26,254 I DON'T KNOW, BUT TOBY WANTED US TO HAVE IT. 34 00:01:26,287 --> 00:01:28,289 THERE. 35 00:01:28,322 --> 00:01:30,691 IT'S IN BRAILLE, SO... 36 00:01:32,426 --> 00:01:35,429 YOU WANT TO SEE THIS, ARIA? NO. 37 00:01:35,463 --> 00:01:37,498 I CAN SEE JUST FINE FROM HERE. 38 00:01:40,534 --> 00:01:42,736 OKAY. 39 00:01:45,473 --> 00:01:47,308 THE FIRST LETTER'S A "B." 40 00:01:53,381 --> 00:01:55,816 "A." IT'S AN "A." 41 00:01:55,849 --> 00:01:58,386 I THINK IT'S GONNA TELL US WHO "A" IS. 42 00:02:02,656 --> 00:02:04,358 "D." 43 00:02:04,392 --> 00:02:07,628 B-A-D. 44 00:02:07,661 --> 00:02:09,463 "BAD." 45 00:02:10,798 --> 00:02:12,533 THAT'S THE WHOLE MESSAGE? "BAD?" 46 00:02:12,566 --> 00:02:14,535 WHAT'S IT SUPPOSED TO MEAN? 47 00:02:14,568 --> 00:02:16,337 Aria: IT MEANS YOU GOT PUNKED. 48 00:02:16,370 --> 00:02:19,740 TOBY DOESN'T TRUST US. I DON'T BLAME HIM. 49 00:02:19,773 --> 00:02:22,410 NO, I DON'T THINK HE'D MESS WITH US LIKE THIS. 50 00:02:22,443 --> 00:02:24,712 YOU'D BE SURPRISED WHAT PEOPLE ARE CAPABLE OF. 51 00:02:24,745 --> 00:02:27,348 YOU GUYS, WE HAVE TO FIGURE THIS OUT. 52 00:02:27,381 --> 00:02:29,517 THIS MIGHT BE A JOKE, BUT IT COULD BE SOMETHING REAL. 53 00:02:29,550 --> 00:02:31,719 LOOK, EITHER WAY, TOBY'S NOT THE ENEMY. 54 00:02:33,754 --> 00:02:36,190 YOU KNOW WHAT, GUYS? I'M GONNA GO. 55 00:02:37,525 --> 00:02:38,859 WHAT WAS THAT ALL ABOUT? 56 00:02:38,892 --> 00:02:41,362 HOW SHOULD I KNOW? 57 00:02:49,837 --> 00:02:52,206 * GOT A SECRET, CAN YOU KEEP IT * 58 00:02:52,240 --> 00:02:54,642 * SWEAR THIS ONE YOU'LL SAVE * 59 00:02:54,675 --> 00:02:57,245 * BETTER LOCK IT IN YOUR POCKET * 60 00:02:57,278 --> 00:02:59,813 * TAKIN' THIS ONE TO THE GRAVE * 61 00:02:59,847 --> 00:03:02,283 * IF I SHOW YOU THAT I KNOW YOU * 62 00:03:02,316 --> 00:03:04,818 * WON'T TELL WHAT I SAID 63 00:03:04,852 --> 00:03:07,321 * 'CAUSE TWO CAN GET THE SECRET * 64 00:03:07,355 --> 00:03:09,790 * IF ONE OF THEM IS DEAD 65 00:03:16,297 --> 00:03:18,232 DOESN'T LOOK LIKE VERY MUCH. 66 00:03:18,266 --> 00:03:19,533 WELL, IT'S ALL WE HAVE. 67 00:03:19,567 --> 00:03:21,502 THE REST IS GONE. 68 00:03:21,535 --> 00:03:23,937 YOU KNOW, MOM, MRS. POTTER DOESN'T NEED THAT MONEY ANYMORE. 69 00:03:23,971 --> 00:03:26,374 NO, BUT WE CAN'T KEEP IT. 70 00:03:26,407 --> 00:03:27,775 NO, NOT KEEP IT, 71 00:03:27,808 --> 00:03:29,743 BUT I DON'T KNOW, MAYBE WE COULD 72 00:03:29,777 --> 00:03:31,412 GIVE IT TO SOMEBODY WHO NEEDS IT. 73 00:03:32,780 --> 00:03:34,682 I LOVE YOU FOR THINKING THAT, 74 00:03:34,715 --> 00:03:36,684 BUT I JUST WANT THIS NIGHTMARE TO BE OVER. 75 00:03:36,717 --> 00:03:39,453 I'M PUTTING THE MONEY BACK IN THE SAFE DEPOSIT BOX, 76 00:03:39,487 --> 00:03:40,988 WHAT IS LEFT OF IT. 77 00:03:41,021 --> 00:03:42,756 I'LL SEE YOU TONIGHT. ALL RIGHT. 78 00:03:42,790 --> 00:03:43,957 BYE, MOM. 79 00:03:52,900 --> 00:03:55,403 I LEFT A WAKEUP CALL FOR NINE. 80 00:03:55,436 --> 00:03:57,605 DO YOU WANT SOMETHING TO EAT? 81 00:03:57,638 --> 00:04:01,375 YOU MEAN THIS IS ONE OF THOSE BASEMENT BREAKFAST PLACES? 82 00:04:01,409 --> 00:04:04,345 I DON'T KNOW HOW LONG WE CAN KEEP DOING THIS. 83 00:04:04,378 --> 00:04:06,280 WELL, IT WON'T BE LONG. 84 00:04:06,314 --> 00:04:09,317 YOU'D GO BACK TO YOUR FOSTER PARENTS? 85 00:04:09,350 --> 00:04:11,352 NOT A CHANCE. 86 00:04:11,385 --> 00:04:13,787 BUT I'VE ALMOST SAVED UP ENOUGH TO GET OUT TO ARIZONA. 87 00:04:13,821 --> 00:04:16,457 I HAVE A FRIEND IN FLAGSTAFF. 88 00:04:16,490 --> 00:04:18,659 YOU GONNA MISS ME? 89 00:04:18,692 --> 00:04:22,062 WELL, IT WAS NICE KNOWING WHEN SOMETHING GOES BUMP IN THE NIGHT, IT'S YOU. 90 00:04:22,095 --> 00:04:25,366 WHAT HAVE YOU GOT TO BE AFRAID OF? 91 00:04:25,399 --> 00:04:27,701 ( door opens ) 92 00:04:27,735 --> 00:04:29,337 ( door closes ) 93 00:04:36,777 --> 00:04:38,479 FORGOT THIS. 94 00:04:38,512 --> 00:04:41,482 HONEY? PUT ON GLOVES IF YOU'RE GONNA DO THE DISHES. 95 00:04:41,515 --> 00:04:43,617 ( exhales ) RIGHT. 96 00:04:53,794 --> 00:04:55,863 ( chatter ) 97 00:05:09,977 --> 00:05:11,479 HEY. 98 00:05:11,512 --> 00:05:12,980 HEY. 99 00:05:13,013 --> 00:05:15,583 I CAN'T DO THIS ANYMORE. 100 00:05:15,616 --> 00:05:18,719 LAST NIGHT AFTER I LEFT I FELT AWFUL. 101 00:05:18,752 --> 00:05:23,123 I'M SORRY FOR WHAT I DID AND--AND WHAT ALMOST HAPPENED. 102 00:05:23,156 --> 00:05:24,858 I SHOULD HAVE FIGURED IT OUT. 103 00:05:24,892 --> 00:05:26,994 AT LEAST I SHOULD HAVE LISTENED TO YOU. 104 00:05:27,027 --> 00:05:29,830 YEAH, WELL, IT WAS TERRIBLE, BUT... 105 00:05:29,863 --> 00:05:31,832 ALL I COULD THINK ABOUT WAS MY MOM. 106 00:05:33,166 --> 00:05:36,804 I'M SORRY. I WAS SO MEAN. 107 00:05:36,837 --> 00:05:39,039 WELL, I HAD IT COMING. 108 00:05:39,072 --> 00:05:40,674 NO. 109 00:05:40,708 --> 00:05:42,075 I WAS THINKING-- 110 00:05:42,109 --> 00:05:43,944 "A" COULD HAVE GIVEN THAT TICKET TO MY MOM, 111 00:05:43,977 --> 00:05:46,647 BUT THEY MADE YOU DO IT JUST TO MAKE IT HURT MORE. 112 00:05:46,680 --> 00:05:49,817 I WANT TO SAY THAT IT'S ALL "A's" FAULT, 113 00:05:49,850 --> 00:05:53,954 BUT I'M THE ONE WHO GAVE YOUR MOM THAT TICKET... 114 00:05:53,987 --> 00:05:56,624 AND I DON'T LIKE KNOWING WHAT I'M CAPABLE OF. 115 00:05:56,657 --> 00:06:00,027 YEAH, BUT YOU DIDN'T GO THROUGH WITH IT. OKAY? THAT'S THE DIFFERENCE. 116 00:06:03,497 --> 00:06:08,569 IT WAS A SILENT AUCTION, AND A PRIVATE BOOK SIGNING AND COFFEE WITH THE AUTHOR. 117 00:06:08,602 --> 00:06:10,037 I REALLY LIKED HIS EARLY WORK, 118 00:06:10,070 --> 00:06:11,872 THAT BOOK ABOUT THE TEACHER IN NEWARK. 119 00:06:11,905 --> 00:06:14,742 SO, DO YOU WANT COFFEE WITH LEONARD ADAMS 120 00:06:14,775 --> 00:06:17,144 AND AN AUTOGRAPHED BOOK? COUNT ME IN. 121 00:06:17,177 --> 00:06:20,681 WHAT WAS THE NAME OF THE NEWARK BOOK? LOOSE LEAF. 122 00:06:20,714 --> 00:06:22,049 THAT WAS GOOD, WASN'T IT? 123 00:06:22,082 --> 00:06:24,518 WELL, WHY DON'T YOU COME WITH US, ELLA? 124 00:06:24,552 --> 00:06:26,053 HOW MANY PEOPLE CAN YOU BRING? 125 00:06:26,086 --> 00:06:28,088 AS--AS MANY AS I WANT. 126 00:06:28,121 --> 00:06:29,657 WELL, COME WITH US, ELLA. 127 00:06:29,690 --> 00:06:31,825 ALL RIGHT, I WILL. 128 00:06:33,994 --> 00:06:36,764 YOU KNOW, ARIA MIGHT BE RIGHT ABOUT THIS. 129 00:06:36,797 --> 00:06:39,700 TOBY DOES HAVE EVERY REASON TO GIVE US A HARD TIME. 130 00:06:39,733 --> 00:06:44,438 I SUPPOSE, BUT THAT'S JUST NOT THE FEELING THAT I GOT FROM TALKING TO HIM. 131 00:06:44,472 --> 00:06:46,674 DO YOU KNOW WHAT I MEAN? YEAH, I DO. 132 00:06:46,707 --> 00:06:48,075 HEY. HEY. 133 00:06:48,108 --> 00:06:50,978 WHAT IS WITH YOU AND THE ARTFUL DODGER? 134 00:06:51,011 --> 00:06:52,746 WHO? CALEB. 135 00:06:52,780 --> 00:06:55,148 I THOUGHT THAT THING AT THE SWIM MEET WAS A ONE-OFF. 136 00:06:55,182 --> 00:06:58,051 IT WAS. WE JUST SAW YOU TALKING TO HIM. 137 00:06:58,085 --> 00:07:00,153 AND YOU GAVE HIM SOMETHING THAT LOOKED LIKE A WET OVEN MITT. 138 00:07:00,187 --> 00:07:02,923 IT WAS HIS HAT. WHAT ARE YOU DOING WITH HIS HAT? 139 00:07:02,956 --> 00:07:05,092 WHY SHOULDN'T I HAVE HIS HAT? 140 00:07:05,125 --> 00:07:10,931 HANNA, MAYBE YOU'RE LOOKING FOR SOMETHING A LITTLE EDGIER AFTER SEAN, 141 00:07:10,964 --> 00:07:14,535 BUT THIS GUY IS DARK. SPENCER, HE'S NOT THAT DARK. 142 00:07:14,568 --> 00:07:18,238 HE'S DARK ENOUGH. WELL, HE'S NO ARTHUR DODGER, WHOEVER THAT IS. 143 00:07:18,271 --> 00:07:20,173 YEAH, HE'S JUST... HAD IT TOUGH. 144 00:07:20,207 --> 00:07:23,176 ARE YOU TWO ON SPEAKING TERMS AGAIN? 145 00:07:23,210 --> 00:07:25,846 'COURSE WE ARE. 146 00:07:25,879 --> 00:07:27,881 YOU NEED TO BE REALLY CAREFUL ABOUT THAT GUY. 147 00:07:27,915 --> 00:07:31,619 WELL, IT SEEMS TO ME WE HAD THIS CONVERSATION ONCE ABOUT TOBY. 148 00:07:41,061 --> 00:07:43,864 I'M LOOKING FOR COACH FULTON. 149 00:07:43,897 --> 00:07:45,733 IS THE COACH EXPECTING YOU? 150 00:07:45,766 --> 00:07:48,068 THE COACH IS AVOIDING ME. THAT'S WHAT THE COACH IS DOING. 151 00:07:48,101 --> 00:07:49,803 ARE YOU A PARENT? 152 00:07:49,837 --> 00:07:52,005 YES, I'M A PARENT. NICK McCULLERS. 153 00:07:52,039 --> 00:07:53,607 MY DAUGHTER IS PAIGE McCULLERS. 154 00:07:53,641 --> 00:07:55,275 I HAVE YOUR DAUGHTER IN ENGLISH COMP. 155 00:07:55,308 --> 00:07:56,910 I'M EZRA FITZ. 156 00:07:56,944 --> 00:07:58,646 THE COACH. 157 00:07:58,679 --> 00:08:00,581 WHY DON'T WE WALK DOWN TO THE PRINCIPAL'S OFFICE 158 00:08:00,614 --> 00:08:03,116 AND SEE IF WE CAN'T FIND COACH FULTON? 159 00:08:03,150 --> 00:08:04,852 I'VE SEEN THE PRINCIPAL, AND ALL I GOT 160 00:08:04,885 --> 00:08:07,087 WAS A LOT OF POLITICALLY CORRECT DOUBLE-TALK 161 00:08:07,120 --> 00:08:09,590 ABOUT THE AGENDA IN THIS PLACE THAT'S PENALIZING MY DAUGHTER, 162 00:08:09,623 --> 00:08:11,191 TAKING OPPORTUNITIES AWAY FROM HER 163 00:08:11,224 --> 00:08:13,160 AND GIVING THEM TO SOMEONE WHO DOESN'T DESERVE THEM! 164 00:08:13,193 --> 00:08:15,863 EVERYBODY GETS A FAIR CHANCE HERE, MR. McCULLERS. 165 00:08:15,896 --> 00:08:17,831 WE GO OUT OF OUR WAY TO MAKE SURE THAT THAT'S HOW IT WORKS. 166 00:08:17,865 --> 00:08:20,734 MY GIRL IS THE BEST SWIMMER ON THAT TEAM, 167 00:08:20,768 --> 00:08:22,736 AND YOU CAN'T GIVE IT TO SOMEBODY JUST BECAUSE-- 168 00:08:22,770 --> 00:08:25,038 YOU'RE IN A CAFETERIA, MR. McCULLERS, 169 00:08:25,072 --> 00:08:27,140 FILLED WITH KIDS TRYING TO HAVE LUNCH. 170 00:08:27,174 --> 00:08:30,911 I DON'T THINK THAT'S THE AUDIENCE YOU WANT, IS IT? 171 00:08:56,870 --> 00:08:59,840 HELLO, MRS. MARIN. I'M JAMES LELAND. 172 00:08:59,873 --> 00:09:02,175 HAVE A SEAT, MR. LELAND. 173 00:09:02,209 --> 00:09:05,579 I'M SORRY, MY REGULAR ASSISTANT DIDN'T MAKE YOUR APPOINTMENT-- 174 00:09:05,613 --> 00:09:08,015 ALL I KNOW IS, YOU NEED TO SPEAK TO AN OFFICER. 175 00:09:08,048 --> 00:09:10,618 I'M ESTHER POTTER'S NEPHEW. 176 00:09:10,651 --> 00:09:12,753 SHE DIED RECENTLY. 177 00:09:12,786 --> 00:09:15,956 YES, I'M SORRY. SHE WAS A LOYAL CUSTOMER. 178 00:09:15,989 --> 00:09:19,259 I'D LIKE TO TALK TO YOU ABOUT HER ACCOUNTS, HER SAFETY DEPOSIT BOX. 179 00:09:20,360 --> 00:09:22,295 UM...ACTUALLY, 180 00:09:22,329 --> 00:09:23,997 WE WERE UNDER THE IMPRESSION 181 00:09:24,031 --> 00:09:26,233 MRS. POTTER HAD NO LIVING RELATIVES. 182 00:09:26,266 --> 00:09:29,837 SHE CERTAINLY WAS THE LAST OF THE POTTERS. 183 00:09:29,870 --> 00:09:33,040 BUT HER SISTER MARRIED MY GRANDFATHER 184 00:09:33,073 --> 00:09:35,743 UP IN SYRACUSE, THAT'S WHERE I'M FROM. 185 00:09:35,776 --> 00:09:38,646 I THINK TECHNICALLY THAT MAKES ME A GREAT-NEPHEW. 186 00:09:38,679 --> 00:09:40,347 YES. 187 00:09:40,380 --> 00:09:44,117 WELL, THE STATE REVENUE AGENCY WILL NEED TO SEE YOUR I.D. 188 00:09:44,151 --> 00:09:45,819 BEFORE I CAN RELEASE ANY INFORMATION 189 00:09:45,853 --> 00:09:48,121 OR GIVE YOU ACCESS TO THE SAFE DEPOSIT BOX. 190 00:09:48,155 --> 00:09:50,658 I THOUGHT SO. YEAH. 191 00:09:50,691 --> 00:09:52,125 I BROUGHT COPIES. 192 00:09:52,159 --> 00:09:54,695 OH...GOOD. 193 00:09:56,296 --> 00:09:57,798 LELAND & DALEY? 194 00:09:57,831 --> 00:09:59,700 YES, WE'RE ARCHITECTS. 195 00:09:59,733 --> 00:10:02,770 I WILL GET THESE TO THE REVENUE AGENCY. 196 00:10:02,803 --> 00:10:05,806 IT'S A LITTLE LATE IN THE DAY TO EXPECT A RESPONSE. 197 00:10:05,839 --> 00:10:07,808 I HAVE BUSINESS IN THE AREA. 198 00:10:07,841 --> 00:10:10,143 I'M HERE FOR A FEW DAYS. 199 00:10:12,012 --> 00:10:13,781 MY CELL NUMBER'S ON THERE. 200 00:10:13,814 --> 00:10:14,815 OF COURSE. 201 00:10:17,250 --> 00:10:20,654 WERE YOU AND YOUR AUNT... CLOSE? 202 00:10:20,688 --> 00:10:25,058 FOR MOST OF MY LIFE SHE WAS A BIRTHDAY CARD WITH A $5 BILL IN IT. 203 00:10:25,092 --> 00:10:27,394 BUT SHE NEVER MISSED A BIRTHDAY. 204 00:10:28,461 --> 00:10:30,864 I UNDERSTAND. 205 00:10:30,898 --> 00:10:34,267 HOW ABOUT YOU? HOW WELL DID YOU KNOW MY AUNT? 206 00:10:34,301 --> 00:10:35,936 MY GREAT-AUNT. 207 00:10:37,170 --> 00:10:38,438 OH. 208 00:10:38,471 --> 00:10:40,741 SHE CAME IN ONCE A YEAR. 209 00:10:40,774 --> 00:10:42,843 LIKE SANTA CLAUS. HUH. 210 00:10:42,876 --> 00:10:45,278 SHE WAS VERY SWEET. 211 00:10:45,312 --> 00:10:46,947 WHEN I CALLED, THEY TOLD ME 212 00:10:46,980 --> 00:10:49,683 THAT YOU HAD SPOKEN TO HER JUST BEFORE SHE DIED. 213 00:10:49,717 --> 00:10:52,352 I'D LIKE TO KNOW WHAT YOU THOUGHT OF HER. 214 00:10:52,385 --> 00:10:54,421 I DON'T KNOW WHAT I COULD TELL YOU. 215 00:10:54,454 --> 00:10:57,925 WE COULD TALK ABOUT IT OVER DRINKS. 216 00:10:57,958 --> 00:10:59,960 I DON'T KNOW. 217 00:10:59,993 --> 00:11:03,063 CONSIDER IT. YOU'VE GOT THE NUMBER. 218 00:11:03,096 --> 00:11:06,366 I WILL GET THESE TO THE REVENUE OFFICE. 219 00:11:06,399 --> 00:11:07,667 THANK YOU. 220 00:11:22,382 --> 00:11:24,284 LISTEN, I DIDN'T KNOW MY DAD WAS COMING. 221 00:11:24,317 --> 00:11:26,386 HE WANTED TO KNOW HOW SOMEBODY COULD BEAT ME. 222 00:11:26,419 --> 00:11:28,255 HE WANTED TO KNOW IF I SLACKED OFF, BUT I DIDN'T. 223 00:11:28,288 --> 00:11:29,823 YOU KNOW I DIDN'T. 224 00:11:29,857 --> 00:11:31,158 I TOLD HIM WE TIED BUT YOU GOT THE SLOT. 225 00:11:31,191 --> 00:11:33,093 BECAUSE I'M GAY? NO. 226 00:11:33,126 --> 00:11:35,495 I DIDN'T SAY ANYTHING. HE MUST HAVE ASKED AROUND. 227 00:11:35,528 --> 00:11:37,397 BUT I DIDN'T TELL HIM. I SWEAR. 228 00:11:37,430 --> 00:11:39,800 I HAVE TO GO TO CLASS. 229 00:11:41,134 --> 00:11:42,435 SO YOU CAN'T MAKE IT 230 00:11:42,469 --> 00:11:44,304 TO ANY OF THE TEACHER CONFERENCES? 231 00:11:44,337 --> 00:11:46,306 I CAN DO THEM, I JUST NEED TO RESCHEDULE THEM FOR TOMORROW. 232 00:11:46,339 --> 00:11:48,008 YOU DON'T HAVE TO SEE ALL OF THEM. 233 00:11:48,041 --> 00:11:50,510 YOU SHOULD MEET HER FRENCH TEACHER, MR. CARINCI, AND-- 234 00:11:50,543 --> 00:11:53,213 OH, ARE YOU GOING TO MEET EZRA? EZRA? 235 00:11:53,246 --> 00:11:55,082 EZRA FITZ, HER ENGLISH TEACHER. 236 00:11:55,115 --> 00:11:57,450 ARIA'S CRAZY ABOUT HIM, AND I CAN SEE WHY. 237 00:11:57,484 --> 00:12:00,520 HE'S VERY SMART, HE'S ATTRACTIVE, SENSITIVE. 238 00:12:00,553 --> 00:12:02,355 DOES HE ALSO PLAY GUITAR? 239 00:12:02,389 --> 00:12:03,991 UH, NOT THAT I KNOW OF, 240 00:12:04,024 --> 00:12:06,159 BUT HE DOES KNOW HOW TO HANDLE A LOOSE CANNON. 241 00:12:06,193 --> 00:12:08,028 TODAY NICK McCULLERS SHOWED UP. 242 00:12:08,061 --> 00:12:10,130 McCULLERS. FROM THE LIBRARY BOARD? 243 00:12:10,163 --> 00:12:12,432 THE SAME ONE, WITH THE VERY SAME PARANOIA. 244 00:12:12,465 --> 00:12:14,134 HE WAS ABOUT TO LAUNCH INTO THE GAY AGENDA 245 00:12:14,167 --> 00:12:15,435 RIGHT THERE IN THE CAFETERIA. 246 00:12:15,468 --> 00:12:17,504 EZRA TOTALLY CALMED THE WATERS, 247 00:12:17,537 --> 00:12:19,339 COMPLETELY DEFUSED THE SITUATION. 248 00:12:19,372 --> 00:12:20,808 IT WAS SOMETHING TO SEE. 249 00:12:20,841 --> 00:12:22,843 HMM. WELL, I'M SORRY I MISSED THAT. 250 00:12:22,876 --> 00:12:25,378 YOU SHOULD MEET HIM. YOU'LL LIKE HIM. 251 00:12:25,412 --> 00:12:28,181 I'M LATE. LISTEN, ELLA. 252 00:12:28,215 --> 00:12:31,819 I THOUGHT MAYBE WE COULD JUST PICK UP FROM WHERE WE LEFT OFF. 253 00:12:31,852 --> 00:12:33,921 MAYBE NEXT FRIDAY? 254 00:12:33,954 --> 00:12:35,989 SURE. 255 00:12:36,023 --> 00:12:40,460 UH, I CAN'T. I'M ACTUALLY GOING TO A BOOK SIGNING WITH EZRA. LEONARD ADAMS. 256 00:12:40,493 --> 00:12:43,096 A-ADAMS? I THOUGHT YOU HATED ADAMS. 257 00:12:43,130 --> 00:12:46,166 I LIKED HIS EARLY STUFF. RAIN CHECK? 258 00:12:46,199 --> 00:12:47,935 YEAH, RAIN CHECK. 259 00:12:57,310 --> 00:12:59,146 TOBY? 260 00:12:59,179 --> 00:13:01,949 CAN I TALK TO YOU A SECOND? 261 00:13:01,982 --> 00:13:03,550 I CAN'T TALK. 262 00:13:03,583 --> 00:13:06,153 SOMETHING'S UP WITH THE D.A. 263 00:13:06,186 --> 00:13:08,455 THE LAWYER'S DRIVING ME OVER TO MY DAD'S OFFICE. 264 00:13:08,488 --> 00:13:11,058 JUST TELL ME-- WAS THAT SUPPOSED TO BE A JOKE? 265 00:13:11,091 --> 00:13:13,460 WERE YOU JUST TRYING TO GET BACK AT ME? BECAUSE IF YOU WERE-- 266 00:13:13,493 --> 00:13:14,928 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 267 00:13:14,962 --> 00:13:17,364 I'M TALKING ABOUT WHAT I FOUND IN MY BOOK. 268 00:13:17,397 --> 00:13:19,299 THE BRAILLE THAT YOU WANTED ME TO HAVE. 269 00:13:19,332 --> 00:13:21,234 THAT WAS NO JOKE. 270 00:13:21,268 --> 00:13:22,569 "BAD"? 271 00:13:22,602 --> 00:13:24,404 THE WHOLE MESSAGE WAS "BAD." WHAT DOES THAT MEAN? 272 00:13:24,437 --> 00:13:26,506 AM I SUPPOSED TO GO BUY AN OLD MICHAEL JACKSON ALBUM? 273 00:13:26,539 --> 00:13:29,877 YOU'RE READING IT WRONG. 274 00:13:31,444 --> 00:13:35,348 I CAN'T DO THIS NOW. COME BACK SATURDAY IN THE MORNING. 275 00:13:35,382 --> 00:13:38,118 JENNA'S OUT AT HER FLUTE LESSON. 276 00:14:06,246 --> 00:14:09,216 I THINK YOU'RE TAKING A BIG CHANCE WITH THIS GUY. 277 00:14:09,249 --> 00:14:11,084 I AM A VERY GOOD JUDGE OF CHARACTER. 278 00:14:11,118 --> 00:14:13,420 IS THAT WHY YOU FIXED ARIA UP WITH AN OLD CON? 279 00:14:13,453 --> 00:14:15,655 AN OLD CON WHO HAD EVERYONE FOOLED. 280 00:14:15,688 --> 00:14:17,490 MAYBE CALEB IS THE SAME. 281 00:14:20,360 --> 00:14:22,329 IT'S...ONLY HANNA. 282 00:14:22,362 --> 00:14:24,497 I WASN'T ASKING YOU WHO YOU WERE ON THE PHONE WITH. 283 00:14:24,531 --> 00:14:26,499 DO YOU WANT THE LAST BIT OF COBBLER? 284 00:14:26,533 --> 00:14:28,902 I CAN BRING IT UP FOR YOU. 285 00:14:28,936 --> 00:14:30,470 NO, THANKS. 286 00:14:32,039 --> 00:14:33,406 OKAY. 287 00:14:37,544 --> 00:14:40,380 WHAT DO YOU MEAN, "ONLY HANNA?" IT'S MY MOM. 288 00:14:40,413 --> 00:14:42,515 THINGS ARE STILL SUB-ZERO AROUND HERE. 289 00:14:42,549 --> 00:14:45,018 DID YOU TELL HER ABOUT PAIGE'S DAD COMING TO SCHOOL? 290 00:14:45,052 --> 00:14:47,554 NO POINT. SHE'LL SAY IT'S MY FAULT 291 00:14:47,587 --> 00:14:49,656 FOR CHOOSING A DISGUSTING LIFESTYLE. 292 00:14:49,689 --> 00:14:51,491 PAIGE IS SUCH A KNOB. 293 00:14:51,524 --> 00:14:53,593 I DON'T THINK IT'S ALL HER FAULT. 294 00:14:53,626 --> 00:14:55,195 WHAT DO YOU MEAN? 295 00:14:58,031 --> 00:15:00,133 WHAT'S GOING ON BETWEEN YOU AND ARIA? 296 00:15:00,167 --> 00:15:02,469 IT'S NOTHING YOU HAVE TO WORRY ABOUT. 297 00:15:02,502 --> 00:15:03,971 YOU WERE SNARKING AT EACH OTHER 298 00:15:04,004 --> 00:15:06,206 LIKE YOU WERE ON A REALITY SHOW. 299 00:15:06,239 --> 00:15:08,075 "THE REAL TEENS OF ROSEWOOD." 300 00:15:08,108 --> 00:15:11,078 OH, TELL ME ABOUT TOBY. 301 00:15:11,111 --> 00:15:15,215 HE SAYS WE HAVE WHAT HE WANTED US TO HAVE. 302 00:15:15,248 --> 00:15:17,017 IT'S THE RIGHT MESSAGE, 303 00:15:17,050 --> 00:15:18,685 I'M JUST READING IT WRONG. 304 00:15:18,718 --> 00:15:22,222 HE WANTS ME TO COME TO HIS HOUSE SATURDAY. 305 00:15:22,255 --> 00:15:24,124 ARE YOU GOING? 306 00:15:24,157 --> 00:15:25,993 IF I DON'T, HOW ARE WE GONNA FIGURE THIS OUT? 307 00:15:26,026 --> 00:15:30,130 I'M SHUT OUT WITH MELISSA AND IAN. 308 00:15:30,163 --> 00:15:33,967 ( sirens blare ) WHERE ARE YOU? 309 00:15:34,001 --> 00:15:36,136 WHAT DO YOU MEAN? I'M RIGHT HERE. ( sirens ) 310 00:15:36,169 --> 00:15:39,406 ANY FIRE TRUCK YOU CAN HEAR AT YOUR HOUSE I CAN HEAR AT MINE. 311 00:15:39,439 --> 00:15:43,210 OH, MY GOD-- ARE YOU IN HIS APARTMENT? 312 00:15:44,611 --> 00:15:46,179 ARE YOU ON THE BED? 313 00:15:47,480 --> 00:15:49,549 NO. I'M NOT ON THE BED. 314 00:15:49,582 --> 00:15:51,218 IS HE THERE? 315 00:15:51,251 --> 00:15:53,420 N-NOT EXACTLY. 316 00:15:53,453 --> 00:15:55,222 IS HE TAKING A SHOWER? 317 00:15:55,255 --> 00:15:57,557 HE'S GETTING TAKE-OUT FOR DINNER. 318 00:15:57,590 --> 00:15:59,592 AND THIS CALL'S BECOMING VERY 1-900. 319 00:15:59,626 --> 00:16:03,163 "TO TALK TO A HOT ENGLISH TEACHER, PRESS 3." 320 00:16:03,196 --> 00:16:05,132 CALL ENDING NOW. 321 00:16:05,165 --> 00:16:07,700 TOMORROW? YEAH, TOMORROW. 322 00:16:12,439 --> 00:16:14,274 HEY. HI THERE. 323 00:16:17,510 --> 00:16:18,678 SORRY IT TOOK SO LONG. 324 00:16:18,711 --> 00:16:20,013 IT'S OKAY. 325 00:16:22,049 --> 00:16:24,384 LOOKS LIKE ROSE OF SHARON HAS BEEN DISCOVERED. 326 00:16:24,417 --> 00:16:27,487 BIG CROWD AT THE TAKE-OUT COUNTER. 327 00:16:29,722 --> 00:16:31,458 I MEET YOUR DAD TOMORROW. 328 00:16:31,491 --> 00:16:33,393 I KNOW. 329 00:16:33,426 --> 00:16:36,596 I WAS THINKING THIS IS GONNA BE A BIT MORE COMPLEX 330 00:16:36,629 --> 00:16:39,366 THAN THE USUAL PARENT-TEACHER DISCUSSION. 331 00:16:39,399 --> 00:16:44,504 I MEAN, I CAN SEE YOUR MOM'S A COLLEAGUE, SHE'S SAFE. 332 00:16:44,537 --> 00:16:48,075 BUT YOUR DAD IS YOUR DAD. WHICH IS COMPLEX. 333 00:16:48,108 --> 00:16:50,443 YOU WILL LIKE HIM, HE'LL LIKE YOU. 334 00:16:50,477 --> 00:16:54,047 JUST BE YOUR NORMAL INCREDIBLE SELF. 335 00:16:56,783 --> 00:16:59,652 WHAT IS HE AFTER? 336 00:16:59,686 --> 00:17:02,255 HE'S PROBABLY JUST WHAT HE SAYS HE IS-- 337 00:17:02,289 --> 00:17:05,158 A NEPHEW CLEANING UP AFTER A DISTANT RELATIVE. 338 00:17:05,192 --> 00:17:06,359 "PROBABLY"? 339 00:17:06,393 --> 00:17:09,062 I'LL KNOW MORE AFTER THE SECOND MARTINI. 340 00:17:09,096 --> 00:17:10,597 ( doorbell rings ) 341 00:17:16,536 --> 00:17:17,737 HELLO. 342 00:17:18,771 --> 00:17:21,141 CALEB. WOW. 343 00:17:21,174 --> 00:17:22,575 HELLO, MRS. MARIN. 344 00:17:22,609 --> 00:17:24,411 HANNA THOUGHT IT WAS ABOUT TIME YOU AND ME MET. 345 00:17:24,444 --> 00:17:26,213 I DID? 346 00:17:26,246 --> 00:17:29,349 I DID. UM... MOM, THIS IS CALEB. 347 00:17:29,382 --> 00:17:31,518 RIVERS. 348 00:17:32,885 --> 00:17:34,354 NICE TO MEET YOU, CALEB. 349 00:17:34,387 --> 00:17:37,290 MRS. MARIN, YOU HAVE A LOVELY HOME... 350 00:17:37,324 --> 00:17:38,525 FROM WHAT I'VE SEEN OF IT. 351 00:17:40,293 --> 00:17:42,162 CALEB IS NEW TO ROSEWOOD THIS YEAR. 352 00:17:42,195 --> 00:17:44,497 THEY BROUGHT ME IN TO CLASS THE PLACE UP. 353 00:17:44,531 --> 00:17:46,833 I SEE. 354 00:17:46,866 --> 00:17:50,403 HANNA, CAN I TALK TO YOU FOR A SECOND? 355 00:17:56,709 --> 00:17:59,279 IS HE SOME SORT OF REBOUND FROM SEAN? 356 00:17:59,312 --> 00:18:00,847 WHAT?! NO. 357 00:18:00,880 --> 00:18:03,316 I DON'T WANT YOU ALONE WITH HIM IN THE HOUSE. 358 00:18:03,350 --> 00:18:06,753 GO OUT. IF YOU'RE GONNA STUDY, GO TO THE LIBRARY. 359 00:18:06,786 --> 00:18:09,222 YOU LET ME STUDY HERE WITH SEAN. 360 00:18:09,256 --> 00:18:11,891 WELL, I KNEW SEAN. SEAN WAS A MINISTER'S SON. 361 00:18:11,924 --> 00:18:13,393 SEAN CALLED YOU "HANNA BANANA." 362 00:18:13,426 --> 00:18:15,895 ( doorbell rings ) 363 00:18:15,928 --> 00:18:18,231 I'LL GET THAT FOR YOU. 364 00:18:18,265 --> 00:18:19,366 HUH. 365 00:18:20,800 --> 00:18:22,569 HI. 366 00:18:22,602 --> 00:18:25,338 HELLO. I'M LOOKING FOR MRS. MARIN. 367 00:18:25,372 --> 00:18:27,240 COME ON IN. 368 00:18:29,309 --> 00:18:32,312 SHE'S IN THE KITCHEN WITH HANNA. 369 00:18:32,345 --> 00:18:34,547 HANNA...? HER DAUGHTER. 370 00:18:34,581 --> 00:18:36,649 ARE YOU HER SON? 371 00:18:36,683 --> 00:18:40,187 NO. I'M JUST THE GUY WHO OPENS THE DOOR. 372 00:18:41,821 --> 00:18:43,323 Ella: MR. LELAND, 373 00:18:43,356 --> 00:18:44,924 THIS IS MY DAUGHTER HANNA. 374 00:18:44,957 --> 00:18:46,826 HELLO. HELLO, HANNA. 375 00:18:48,228 --> 00:18:52,732 OH, I FORGOT TO GET YOUR SIGNATURE ON THIS. 376 00:18:52,765 --> 00:18:55,935 IT'S JUST PART OF AUTHORIZING YOU 377 00:18:55,968 --> 00:18:58,438 TO LOOK AT THE SAFETY DEPOSIT BOX. 378 00:18:58,471 --> 00:18:59,772 SURE. 379 00:19:11,884 --> 00:19:13,286 THANK YOU. 380 00:19:14,687 --> 00:19:16,323 OKAY. 381 00:19:17,490 --> 00:19:18,858 UM... 382 00:19:18,891 --> 00:19:21,794 I WON'T BE LATE. OKAY. 383 00:19:31,271 --> 00:19:33,406 WHAT ARE YOU DOING COMING TO THE FRONT DOOR LIKE THAT? 384 00:19:33,440 --> 00:19:35,475 I THOUGHT IT WAS A BETTER WAY TO MEET YOUR MOM 385 00:19:35,508 --> 00:19:37,377 THAN HER TRIPPING OVER ME BEHIND THE FURNACE. 386 00:19:37,410 --> 00:19:39,279 YEAH, BUT JUST KNOCKING ON THE DOOR? 387 00:19:39,312 --> 00:19:41,848 WHY COULDN'T YOU ASK ME? YOU WOULD HAVE SAID NO? 388 00:19:41,881 --> 00:19:43,716 MY MOM THINKS YOU'RE TROUBLE. 389 00:19:43,750 --> 00:19:46,319 AND YOU DON'T LIKE HER NEW BOYFRIEND. 390 00:19:46,353 --> 00:19:48,788 HE'S NOT HER BOYFRIEND. HE'S A CUSTOMER AT THE BANK. 391 00:19:48,821 --> 00:19:51,524 SOME ARCHITECT FROM SYRACUSE. 392 00:19:53,293 --> 00:19:54,694 REALLY. 393 00:19:54,727 --> 00:19:56,496 WHAT DO YOU MEAN "REALLY"? 394 00:19:56,529 --> 00:19:59,366 HE HAD A CRAPPY PLASTIC PEN. 395 00:19:59,399 --> 00:20:00,967 SO? 396 00:20:01,000 --> 00:20:04,237 SO, ARCHITECTS DRAW FOR A LIVING. 397 00:20:04,271 --> 00:20:08,241 THEY TEND TO BE PEN SNOBS, STRICTLY MONT BLANC AND BEYOND. 398 00:20:08,275 --> 00:20:09,842 WHY DOES HE CREEP YOU OUT? 399 00:20:09,876 --> 00:20:11,844 HE DOESN'T CREEP ME OUT. 400 00:20:11,878 --> 00:20:15,682 YES, HE DOES. YOU GET A BAD VIBE FROM THE GUY. 401 00:20:15,715 --> 00:20:18,785 IT'S COMPLICATED. TELL ME. 402 00:20:18,818 --> 00:20:20,620 I LIKE COMPLICATED. 403 00:20:26,593 --> 00:20:28,861 ARI DOES A GREAT DEAL OF INDEPENDENT READING. 404 00:20:28,895 --> 00:20:31,764 YOU CAN SEE SHE'S EXCITED BY THE IDEA OF FICTION. 405 00:20:31,798 --> 00:20:34,467 IT'S ONE OF THE THINGS THAT MAKES HER SUCH A GOOD STUDENT. 406 00:20:34,501 --> 00:20:37,404 SO YOU'RE TAKING MY WIFE OUT. 407 00:20:37,437 --> 00:20:39,272 UH--SORRY? 408 00:20:39,306 --> 00:20:41,341 WELL, YOU'RE GOING OUT WITH MY WIFE... 409 00:20:41,374 --> 00:20:42,675 TO SOME BOOK EVENT? 410 00:20:42,709 --> 00:20:45,545 RIGHT, RIGHT. THE BOOK SIGNING NEXT WEEK. 411 00:20:45,578 --> 00:20:48,415 IT'S AN EVENT FOR AN AUTHOR WE BOTH LIKE, LEONARD ADAMS. 412 00:20:48,448 --> 00:20:50,550 LEONARD ADAMS. DO YOU-- 413 00:20:50,583 --> 00:20:52,819 DO YOU THINK HE'S GOOD? 414 00:20:52,852 --> 00:20:55,355 I LIKE SOME OF HIS STUFF VERY MUCH. 415 00:20:55,388 --> 00:20:57,056 ELLA'S A FAN, TOO. 416 00:20:57,089 --> 00:20:59,759 WELL, I THINK HE'S A FAKE. VERY OVERRATED. 417 00:20:59,792 --> 00:21:01,728 HE HAS HIS CRITICS. 418 00:21:01,761 --> 00:21:05,798 HE CERTAINLY WOULDN'T FIT IN TO WHAT I'M TRYING TO DO WITH ARIA'S CLASS. 419 00:21:05,832 --> 00:21:08,635 IS HE REALLY YOUR IDEA OF A GOOD WRITER? 420 00:21:10,337 --> 00:21:12,805 WELL--I LIKE A LOT OF WRITERS 421 00:21:12,839 --> 00:21:16,309 FOR A LOT OF DIFFERENT REASONS. 422 00:21:16,343 --> 00:21:17,710 HMM. ( laughs ) 423 00:21:17,744 --> 00:21:20,513 YEAH. ELLA USED TO HATE HIM. 424 00:21:20,547 --> 00:21:24,050 I MEAN, I CAN REMEMBER SHE THREW HIS LATEST NOVEL CLEAR ACROSS OUR BEDROOM. 425 00:21:24,083 --> 00:21:26,353 SHE WAS SO ANGRY. 426 00:21:26,386 --> 00:21:29,055 BUT, UH, LOOK AT YOU. YOU'VE TURNED HER AROUND. 427 00:21:31,023 --> 00:21:33,826 HOW'D YOU MANAGE TO DO THAT? 428 00:21:33,860 --> 00:21:36,329 A...SILENT AUCTION. 429 00:21:37,397 --> 00:21:38,931 FOR CHARITY. 430 00:21:44,136 --> 00:21:45,772 WHEN ARE YOU SUPPOSED TO SEE TOBY? 431 00:21:45,805 --> 00:21:50,743 TOMORROW, WHILE JENNA'S AT HER MUSIC LESSON. 432 00:21:50,777 --> 00:21:52,111 TAKE IT. NO. 433 00:21:52,144 --> 00:21:53,746 NO, YOU TAKE IT. 434 00:21:53,780 --> 00:21:56,516 THE STORM HAS PASSED. 435 00:21:56,549 --> 00:21:58,485 WHAT WAS GOING ON WITH YOU TWO? 436 00:22:00,152 --> 00:22:04,991 OKAY, SO, YOU KNOW HOW I WENT TO THAT MUSEUM WITH EZRA? 437 00:22:05,024 --> 00:22:08,428 WELL, "A" TRIED TO GET HANNA TO RUIN IT. 438 00:22:08,461 --> 00:22:09,829 RUIN IT HOW? 439 00:22:09,862 --> 00:22:12,532 "A" GAVE ME ANOTHER TICKET 440 00:22:12,565 --> 00:22:15,602 AND MADE ME GIVE IT TO ARIA'S MOM. 441 00:22:15,635 --> 00:22:17,870 WHY DIDN'T YOU TELL US WHAT WAS HAPPENING? 442 00:22:17,904 --> 00:22:19,872 WELL, I TRIED TO STOP IT. 443 00:22:19,906 --> 00:22:22,909 I MEAN, HER MOM'S CAR DIDN'T JUST STALL. 444 00:22:22,942 --> 00:22:27,847 CALEB FIXED IT TO KEEP FROM GETTING THERE, AND THAT'S WHY I OWE HIM. 445 00:22:27,880 --> 00:22:31,384 YEAH, AND HE'S THE ONE WHO'S BEEN BREAKING INTO VENDING MACHINES AT SCHOOL. 446 00:22:31,418 --> 00:22:33,720 I MEAN, HE'S PRACTICALLY LIVING THERE. 447 00:22:33,753 --> 00:22:35,555 IN SCHOOL? 448 00:22:35,588 --> 00:22:38,625 Hanna: THEY FOUND HIS STUFF, SO HE'S NOT SLEEPING THERE ANYMORE. 449 00:22:38,658 --> 00:22:41,694 HE'S SLEEPING IN MY BASEMENT. 450 00:22:41,728 --> 00:22:44,564 WAIT. REWIND THAT A LITTLE FOR ME. 451 00:22:44,597 --> 00:22:46,633 DOES YOUR MOM KNOW? NO, BUT-- 452 00:22:46,666 --> 00:22:49,068 IT'S JUST FOR A COUPLE OF NIGHTS. A COUPLE OF NIGHTS? 453 00:22:49,101 --> 00:22:51,671 ARE YOU CRAZY? 454 00:22:51,704 --> 00:22:53,105 GUYS. 455 00:22:53,139 --> 00:22:55,942 Saleswoman: OH, WOW. HOLD ON. TURN AROUND. 456 00:22:58,711 --> 00:23:01,481 IT FITS PERFECTLY. 457 00:23:04,216 --> 00:23:07,420 LET ME JUST PULL THIS OVER IT. 458 00:23:07,454 --> 00:23:11,724 THE LENGTH LOOKS GREAT. 459 00:23:11,758 --> 00:23:14,527 I WANT IT TO BE PERFECT. 460 00:23:14,561 --> 00:23:16,829 HE LIKES LACE. 461 00:23:26,539 --> 00:23:29,542 I'M NOT MISINTERPRETING. I'M TELLING YOU, YOUR DAD CAME IN THERE 462 00:23:29,576 --> 00:23:30,843 LIKE HE WANTED TO CHOP ME OFF AT THE KNEES. 463 00:23:30,877 --> 00:23:33,079 AND I'M TELLING YOU THAT'S NOT MY DAD. 464 00:23:33,112 --> 00:23:35,982 I RECOGNIZED HIM FROM THE PICTURE YOU SHOWED ME OF EVERYBODY ON THE GLACIER. 465 00:23:36,015 --> 00:23:37,917 I'M SERIOUS. SO AM I. 466 00:23:37,950 --> 00:23:40,019 I'M TRYING TO ACT LIKE I'M NOT IN LOVE WITH HIS DAUGHTER, 467 00:23:40,052 --> 00:23:42,922 AND HE'S ACTING LIKE HE WANTS TO CHALLENGE ME TO A DUEL 468 00:23:42,955 --> 00:23:44,156 OVER YOUR MOTHER. 469 00:23:44,190 --> 00:23:46,092 I DON'T UNDERSTAND. I DO. 470 00:23:46,125 --> 00:23:48,495 HE HATES ME. HE DOESN'T HATE YOU. 471 00:23:48,528 --> 00:23:50,663 HE HATES ME-- OR HE'S CRAZY. 472 00:23:50,697 --> 00:23:52,999 NO, HE DOES NOT HATE YOU. HE COULDN'T. 473 00:23:53,032 --> 00:23:54,967 THEN HE'S CRAZY. 474 00:24:19,025 --> 00:24:20,126 PAM. 475 00:24:20,159 --> 00:24:21,794 OH, HEY, ELLA. HOW ARE YOU? 476 00:24:21,828 --> 00:24:23,596 I'M OKAY. I WAS GONNA CALL YOU. 477 00:24:23,630 --> 00:24:24,831 BUT THEN I SAW YOU WERE COMING IN 478 00:24:24,864 --> 00:24:27,033 FOR THE PARENT-TEACHER CONFERENCES. 479 00:24:27,066 --> 00:24:28,701 I JUST WANT YOU TO KNOW THAT THE SCHOOL 480 00:24:28,735 --> 00:24:30,503 IS NOT GONNA BE BULLIED BY NICK McCULLERS. 481 00:24:30,537 --> 00:24:32,939 EVERYBODY HERE LOVES EMILY. 482 00:24:32,972 --> 00:24:35,107 WHAT ABOUT NICK McCULLERS? 483 00:24:35,141 --> 00:24:38,678 UH, WELL, HE CAME IN MAKING A BIG DEAL 484 00:24:38,711 --> 00:24:43,015 ABOUT HOW HE THINKS EMILY'S GETTING SPECIAL TREATMENT BECAUSE SHE'S GAY. 485 00:24:43,049 --> 00:24:45,585 EVERYBODY KNOWS EMILY'S THE BETTER SWIMMER. 486 00:24:45,618 --> 00:24:46,819 EXCEPT McCULLERS. 487 00:24:46,853 --> 00:24:49,756 HE CAME HERE TO SCHOOL AND SAID THAT? 488 00:24:49,789 --> 00:24:52,592 IN FRONT OF EVERYONE. STUDENTS, TEACHERS. 489 00:24:52,625 --> 00:24:55,628 WAS EMILY THERE? SHE WAS. 490 00:25:11,844 --> 00:25:12,979 HELLO? 491 00:25:18,818 --> 00:25:20,720 ( hinges creak ) 492 00:25:30,096 --> 00:25:31,898 HELLO? 493 00:26:00,727 --> 00:26:02,695 ( lullaby plays ) 494 00:26:04,997 --> 00:26:07,066 YOU BETTER PUT THAT BACK. 495 00:26:07,099 --> 00:26:10,937 PUT IT BACK WHERE YOU GOT IT OR SHE'LL KNOW YOU WERE IN HERE. 496 00:26:10,970 --> 00:26:13,740 I'M SORRY. I KNOCKED. THE DOOR WAS OPEN. 497 00:26:13,773 --> 00:26:16,643 I HEARD YOU, BUT I COULDN'T ANSWER THE DOOR. 498 00:26:16,676 --> 00:26:18,110 I WAS ON THE PHONE. 499 00:26:18,144 --> 00:26:20,112 MY LAWYER CALLED. 500 00:26:20,146 --> 00:26:22,749 THE D.A. IS DROPPING THE CHARGES AGAINST ME. 501 00:26:30,890 --> 00:26:33,259 THEY'RE NOT GONNA CHARGE YOU WITH KILLING ALISON? 502 00:26:33,292 --> 00:26:34,994 I DIDN'T GET THE DETAILS, 503 00:26:35,027 --> 00:26:38,030 BUT HE SAID THE BLOOD EVIDENCE WAS CORRUPTED. 504 00:26:38,064 --> 00:26:41,901 THE DISTRICT ATTORNEY CAN'T GO TO TRIAL WITHOUT IT. 505 00:26:41,934 --> 00:26:44,837 THEY'RE FINISHED WITH YOU? NOT FINISHED. 506 00:26:44,871 --> 00:26:48,708 THEY CAN CHARGE ME ANYTIME THEY FIND NEW EVIDENCE. BUT... 507 00:26:48,741 --> 00:26:51,844 FOR RIGHT NOW, I'M FREE, 508 00:26:51,878 --> 00:26:55,882 ONCE I GET THIS BALL AND CHAIN OFF MY LEG. 509 00:26:55,915 --> 00:26:59,686 I'M WAITING FOR MY DAD TO TAKE ME TO THE COURTHOUSE FOR THAT. 510 00:27:01,187 --> 00:27:02,989 I COULD DRIVE YOU. 511 00:27:04,991 --> 00:27:06,625 IF YOU WANT ME TO. 512 00:27:14,000 --> 00:27:18,037 SO, YOUR MOM DIDN'T BELIEVE YOU WHEN YOU SAID LELAND WAS SHADY. 513 00:27:18,070 --> 00:27:20,439 YOU DON'T SOUND VERY SURPRISED. 514 00:27:20,472 --> 00:27:22,208 I'M USED TO THAT, 515 00:27:22,241 --> 00:27:24,944 THAT'S WHY I CALLED SYRACUSE UNIVERSITY. 516 00:27:24,977 --> 00:27:27,947 TALKED TO A NICE LADY AT THE SCHOOL OF ARCHITECTURE 517 00:27:27,980 --> 00:27:29,381 ABOUT HOW I WAS THINKING OF APPLYING 518 00:27:29,415 --> 00:27:31,417 AND DID SHE KNOW A LOCAL GUY NAMED JAMES LELAND. 519 00:27:31,450 --> 00:27:33,285 YOU JUST CALLED UP AND ASKED? 520 00:27:33,319 --> 00:27:36,055 PEOPLE LOVE TO TALK. 521 00:27:36,088 --> 00:27:37,724 AND GUESS WHAT? 522 00:27:37,757 --> 00:27:41,127 JAMES LELAND WENT TO S.U. AND OPENED AN OFFICE IN TOWN. 523 00:27:41,160 --> 00:27:43,696 SEE? HE'S LEGIT. YEAH. 524 00:27:43,730 --> 00:27:45,231 HE WAS A PRETTY GOOD ARCHITECT... 525 00:27:45,264 --> 00:27:48,935 RIGHT UP UNTIL HE DROPPED DEAD TWO YEARS AGO. 526 00:27:50,036 --> 00:27:52,905 INTRODUCING JAMES LELAND. 527 00:27:52,939 --> 00:27:56,108 WAIT--MY MOM SAID HIS I.D. CHECKED OUT. 528 00:27:56,142 --> 00:28:01,981 RIGHT. YOU ASK A COMPUTER "IS JAMES LELAND RELATED TO THIS POTTER LADY?" 529 00:28:02,014 --> 00:28:03,382 THE COMPUTER SAYS YES. 530 00:28:03,415 --> 00:28:06,218 BUT YOU DIDN'T ASK IF JAMES LELAND WAS STILL ALIVE. 531 00:28:06,252 --> 00:28:10,056 KNOWING THE RIGHT QUESTIONS IS BETTER THAN HAVING ALL THE RIGHT ANSWERS. 532 00:28:28,908 --> 00:28:30,743 TOBY? 533 00:28:30,777 --> 00:28:34,013 MR. DUGAN CALLED WITH THE GOOD NEWS. DID YOU HEAR? 534 00:28:34,046 --> 00:28:37,183 HE TOLD ME. WE CAN GET THAT AWFUL THING OFF YOUR LEG RIGHT NOW. 535 00:28:37,216 --> 00:28:39,151 THE CAB'S WAITING. 536 00:28:39,185 --> 00:28:41,954 THAT'S ALL RIGHT... I'VE GOT A RIDE. 537 00:28:44,891 --> 00:28:46,058 EMILY. 538 00:28:46,092 --> 00:28:48,394 NO, IT'S ME. 539 00:28:50,162 --> 00:28:52,231 SPENCER. 540 00:28:52,264 --> 00:28:55,234 IT'S REALLY VERY NICE OF YOU, BUT I'M HERE NOW. 541 00:28:58,104 --> 00:28:59,972 I'M GOING WITH SPENCER. 542 00:29:06,378 --> 00:29:07,980 I SEE. 543 00:29:16,088 --> 00:29:19,225 HANNA, THE MAN'S I.D. CHECKED OUT. 544 00:29:19,258 --> 00:29:21,994 IT CHECKED OUT BECAUSE THERE WAS A JAMES LELAND RELATED TO MRS. POTTER. 545 00:29:22,028 --> 00:29:24,831 BUT THIS ISN'T HIM. THIS IS SOMEBODY ELSE. 546 00:29:24,864 --> 00:29:28,200 IF I TELL THE STATE PEOPLE SOME STORY ABOUT THE MAN BEING AN IMPOSTER, 547 00:29:28,234 --> 00:29:31,070 IT'LL JUST DRAW ATTENTION, WHICH WE DO NOT WANT. 548 00:29:31,103 --> 00:29:33,005 WELL, WE HAVE TO DO SOMETHING. 549 00:29:33,039 --> 00:29:35,507 I'M NOT DOING ANYTHING BASED ON WHAT THIS BOY CALEB SAYS. 550 00:29:35,541 --> 00:29:38,010 LELAND'S COMING TO THE BANK THIS AFTERNOON, 551 00:29:38,044 --> 00:29:40,046 I WILL SHOW HIM THE SAFE DEPOSIT BOX. 552 00:29:40,079 --> 00:29:42,915 AND... WE WILL GO FROM THERE. 553 00:29:42,949 --> 00:29:45,251 ALL RIGHT, WELL, CALL ME WHEN HE LEAVES. 554 00:29:45,284 --> 00:29:47,219 I WILL. 555 00:29:52,859 --> 00:29:56,095 HEY. I THOUGHT YOU WERE GONNA BE GONE ALL DAY. 556 00:29:56,128 --> 00:29:57,496 UH, CHANGE OF PLANS. 557 00:29:57,529 --> 00:30:00,199 GOOD. I'LL TAKE YOU AND MIKE OUT FOR DINNER LATER. 558 00:30:00,232 --> 00:30:01,567 OKAY? 559 00:30:01,600 --> 00:30:02,969 HEY, DAD? 560 00:30:03,002 --> 00:30:04,971 HOW WERE THE PARENT-TEACHER MEETINGS? 561 00:30:05,004 --> 00:30:07,039 OH, THEY WERE FINE. 562 00:30:07,073 --> 00:30:09,876 YOU KNOW, I REALLY LIKE THAT ONE TEACHER, YOUR FRENCH TEACHER. 563 00:30:09,909 --> 00:30:12,144 WELL, HOW DO YOU LIKE MR. FITZ? 564 00:30:12,178 --> 00:30:14,847 HE WAS OKAY. 565 00:30:15,547 --> 00:30:17,183 "OKAY"? 566 00:30:17,216 --> 00:30:19,551 ALL RIGHT, LISTEN, I'M GONNA TELL YOU THE TRUTH. 567 00:30:19,585 --> 00:30:21,553 I THOUGHT HE WAS A LIGHTWEIGHT. 568 00:30:21,587 --> 00:30:23,155 WHAT DO YOU MEAN? 569 00:30:23,189 --> 00:30:26,859 WELL, THERE'S JUST NOT A LOT OF DEPTH THERE. 570 00:30:26,893 --> 00:30:31,597 BOY, THAT'S...THAT'S FUNNY, 'CAUSE I LIKE HIM. HE'S A GOOD TEACHER. 571 00:30:31,630 --> 00:30:34,200 WELL, I CAN SEE WHY HE'S A HIT WITH THE KIDS, 572 00:30:34,233 --> 00:30:36,969 I MEAN, HE'S A NICE-LOOKING GUY, HE'S EASYGOING. 573 00:30:37,003 --> 00:30:39,271 HE DOES THAT BOYISH SMILE THING A LITTLE TOO MUCH, 574 00:30:39,305 --> 00:30:40,973 BUT I FIGURE THAT MUST WORK FOR HIM. 575 00:30:41,007 --> 00:30:43,575 WHAT'S THAT THING ABOUT JUDGING A BOOK BY ITS COVER? 576 00:30:43,609 --> 00:30:47,413 WELL, SOMETIMES YOU CAN GET A PRETTY GOOD IDEA WHAT'S INSIDE BASED ON THE COVER. 577 00:30:49,148 --> 00:30:51,217 WELL, YOU KNOW, HE'S PUBLISHED. 578 00:30:51,250 --> 00:30:53,252 ONLINE JOURNALS AREN'T "PUBLISHED." 579 00:30:53,285 --> 00:30:55,254 "PUBLISHED" IS INK AND PAPER. 580 00:30:55,287 --> 00:30:59,258 WELL, YOU WERE WITH HIM LIKE, WHAT, HALF AN HOUR? 581 00:30:59,291 --> 00:31:02,328 I'M IN HIS CLASS EVERY DAY. WELL, EVERY ENGLISH DEPARTMENT HAS ONE-- 582 00:31:02,361 --> 00:31:05,564 FULL OF CHARM AND PROMISE. IT'S-- 583 00:31:05,597 --> 00:31:09,035 LOOK, I UNDERSTAND THAT YOU-- AND YOUR MOTHER-- SEE MORE OF HIM THAN I DO, 584 00:31:09,068 --> 00:31:11,904 BUT PERHAPS THAT'S WHY I HAVE A CLEARER PERSPECTIVE. 585 00:31:11,938 --> 00:31:14,006 WHAT'S MOM HAVE TO DO WITH THIS? 586 00:31:14,040 --> 00:31:18,044 WELL, SHE'S NOT IMMUNE TO THAT KIND OF CHARM. 587 00:31:18,077 --> 00:31:20,346 THIS BOOK SIGNING THING HE'S TAKING HER TO... 588 00:31:20,379 --> 00:31:23,015 THAT'S NOT JUST MOM. HALF OF THE TEACHERS 589 00:31:23,049 --> 00:31:25,584 IN THE ENGLISH DEPARTMENT ARE GOING. 590 00:31:25,617 --> 00:31:27,419 WELL... 591 00:31:27,453 --> 00:31:31,123 LISTEN, WHEN MIKE COMES HOME, WE'LL PICK A PLACE FOR DINNER. 592 00:31:33,525 --> 00:31:37,263 THREE THOUSAND DOLLARS? 593 00:31:38,564 --> 00:31:41,533 THREE THOUSAND, TWO HUNDRED SEVENTY-FIVE. 594 00:31:43,035 --> 00:31:45,071 IT'S FUNNY... 595 00:31:45,104 --> 00:31:47,173 YOU DON'T HAVE EXPECTATIONS, 596 00:31:47,206 --> 00:31:49,708 AND THEN YOU END UP HAVING EXPECTATIONS. 597 00:31:49,741 --> 00:31:54,480 THE FAMILY MYTH WAS THAT AUNT ESTHER HAD A LOT OF CASH SOCKED AWAY SOMEWHERE. 598 00:31:54,513 --> 00:31:56,415 A LOT MORE THAN THREE THOUSAND. 599 00:31:56,448 --> 00:31:59,318 THE BANK DOESN'T ENCOURAGE PEOPLE TO KEEP CASH 600 00:31:59,351 --> 00:32:02,154 IN SAFE DEPOSIT BOXES. 601 00:32:02,188 --> 00:32:04,090 SO, SHE SPOKE TO YOU ABOUT KEEPING MONEY IN HERE? 602 00:32:04,123 --> 00:32:06,492 NO. WE NEVER TALKED ABOUT IT. 603 00:32:06,525 --> 00:32:09,495 WHO ELSE BESIDES YOU WOULD HAVE ACCESS TO THIS BOX? 604 00:32:09,528 --> 00:32:11,697 ANY OFFICER. 605 00:32:11,730 --> 00:32:14,366 OF COURSE, YOU'D HAVE TO HAVE THE CUSTOMER'S KEY, 606 00:32:14,400 --> 00:32:17,503 OR THE MASTER, LIKE I USED. 607 00:32:17,536 --> 00:32:19,705 WHAT ARE YOU THINKING? 608 00:32:19,738 --> 00:32:22,241 JUST THINKING. 609 00:32:28,747 --> 00:32:30,282 WHERE DO YOU BANK, JAMES? 610 00:32:30,316 --> 00:32:33,052 IN SYRACUSE? 611 00:32:33,085 --> 00:32:34,553 WHERE DO I BANK? 612 00:32:34,586 --> 00:32:38,090 YOUR PERSONAL ACCOUNTS, BUSINESS ACCOUNTS. 613 00:32:38,124 --> 00:32:40,726 WHAT'S THE NAME OF YOUR BANK? 614 00:32:43,095 --> 00:32:45,331 IT DOESN'T MATTER. 615 00:32:45,364 --> 00:32:49,101 THE RULES ON ACCESS ARE THE SAME, INDUSTRY-WIDE. 616 00:32:52,671 --> 00:32:54,373 CALL THEM AND ASK? 617 00:32:56,042 --> 00:32:58,577 THEY HAVE SATURDAY HOURS, DON'T THEY? 618 00:33:01,213 --> 00:33:05,584 LIKE I SAID, IT WAS JUST A FAMILY MYTH. 619 00:33:14,393 --> 00:33:17,496 Boy: GREAT MEET, GUYS. Girl: WAY TO GO, SHARKS! 620 00:33:17,529 --> 00:33:19,098 COME HERE. 621 00:33:22,334 --> 00:33:24,703 I DON'T NEED A RIDE. MY CAR IS IN THE PARKING LOT. 622 00:33:24,736 --> 00:33:27,473 NO, I NEED TO ASK YOU A QUESTION. 623 00:33:27,506 --> 00:33:30,542 I NEED TO KNOW SOMETHING BEFORE I TALK TO THE SCHOOL. 624 00:33:30,576 --> 00:33:33,212 TALK TO THE SCHOOL ABOUT WHAT? 625 00:33:33,245 --> 00:33:35,081 IS IT TRUE WHAT ARIA'S MOM TOLD ME 626 00:33:35,114 --> 00:33:37,083 ABOUT MR. McCULLERS COMING TO THE SCHOOL 627 00:33:37,116 --> 00:33:39,085 AND SAYING YOU GOT SOME KIND OF PREFERENTIAL TREATMENT? 628 00:33:39,118 --> 00:33:41,220 I DON'T WANT TO TALK ABOUT IT. EMILY, IS IT TRUE? 629 00:33:41,253 --> 00:33:42,288 IS THIS TRUE? BECAUSE-- 630 00:33:42,321 --> 00:33:43,322 YEAH, IT'S TRUE. 631 00:33:43,355 --> 00:33:46,125 WHY DIDN'T YOU TELL ME? 632 00:33:46,158 --> 00:33:48,327 YOU REALLY DON'T KNOW WHY I WOULDN'T TELL YOU? 633 00:33:48,360 --> 00:33:50,496 IT'S BECAUSE I KNOW WHAT YOU THINK OF ME. 634 00:33:50,529 --> 00:33:52,298 I KNOW WHAT YOU'D SAY: 635 00:33:52,331 --> 00:33:55,267 IT DOESN'T MATTER WHO I AM, I BETTER GET USED TO PEOPLE 636 00:33:55,301 --> 00:33:57,736 LOOKING AT ME ONLY ONE WAY. 637 00:34:02,141 --> 00:34:03,775 NICK. 638 00:34:03,809 --> 00:34:05,711 HELLO, PAM. 639 00:34:05,744 --> 00:34:07,313 WE NEED TO TALK. 640 00:34:07,346 --> 00:34:09,315 I WAS WONDERING WHEN I'D HEAR FROM YOU. 641 00:34:09,348 --> 00:34:11,450 THIS ISN'T PERSONAL. 642 00:34:11,483 --> 00:34:14,620 YOU DEAL WITH YOUR FAMILY PROBLEMS ANY WAY THAT YOU WANT. 643 00:34:14,653 --> 00:34:17,256 THIS IS ABOUT WHAT THE SCHOOL IS DOING TO MY DAUGHTER. 644 00:34:17,289 --> 00:34:20,326 ( scoffs ) YEAH. IT'S ABOUT YOUR DAUGHTER. 645 00:34:20,359 --> 00:34:23,629 IT'S ABOUT YOU TRYING TO MAKE HER INTO SOME KIND OF PROFESSIONAL VICTIM 646 00:34:23,662 --> 00:34:25,564 AND USING MY DAUGHTER TO DO IT. 647 00:34:25,597 --> 00:34:27,866 I DIDN'T EXPECT YOU TO UNDERSTAND. OH, I UNDERSTAND. 648 00:34:27,899 --> 00:34:30,402 I UNDERSTAND THAT YOU ALWAYS THINKS THERE'S SOMEONE ELSE TO BLAME 649 00:34:30,436 --> 00:34:31,803 WHEN THINGS DON'T GO YOUR WAY. 650 00:34:31,837 --> 00:34:34,340 OKAY, YOU'RE UPSET-- NO, NOT YET. 651 00:34:34,373 --> 00:34:36,608 BUT I'M GETTING THERE. 652 00:34:36,642 --> 00:34:40,146 MY DAUGHTER NEVER GOT ANYTHING SHE DIDN'T EARN. 653 00:34:40,179 --> 00:34:42,681 THAT'S HOW WE RAISED HER. THAT IT WHO SHE IS. 654 00:34:42,714 --> 00:34:44,350 SO YOU DROP THIS, NICK. 655 00:34:44,383 --> 00:34:47,719 DROP IT, OR I'LL SHOW YOU WHAT A REAL AGENDA LOOKS LIKE. 656 00:34:53,625 --> 00:34:56,228 MOM. ARE YOU OKAY? 657 00:34:56,262 --> 00:34:58,564 I'M FINE. COME ON, I'LL TAKE YOU HOME. 658 00:34:58,597 --> 00:35:00,766 MY CAR'S IN THE LOT. RIGHT. OKAY. 659 00:35:00,799 --> 00:35:03,335 SO I'LL JUST MEET YOU AT HOME WHEN YOU GET THERE. 660 00:35:03,369 --> 00:35:05,237 MOM... 661 00:35:07,506 --> 00:35:09,175 EMILY-- 662 00:35:10,709 --> 00:35:14,146 I STILL DON'T UNDERSTAND... 663 00:35:14,180 --> 00:35:16,415 BUT I LOVE YOU. 664 00:35:17,749 --> 00:35:21,320 YOU ARE MY CHILD, AND NOBODY HURTS MY CHILD. 665 00:35:23,855 --> 00:35:27,526 I'M SO SORRY IF I... 666 00:35:39,238 --> 00:35:42,541 Spencer: YOU COULD JUST KEEP GOING. 667 00:35:42,574 --> 00:35:44,443 IF THAT'S WHAT YOU WANTED. 668 00:35:44,476 --> 00:35:46,812 THEY COULD PULL ME BACK WHENEVER THEY WANT. 669 00:35:49,215 --> 00:35:53,252 ANYWAY...I DON'T LIKE RUNNING. 670 00:35:53,285 --> 00:35:56,355 I'VE DONE TOO MUCH OF IT. 671 00:36:03,962 --> 00:36:05,964 YOU COULD START TO GET YOUR LIFE BACK. 672 00:36:05,997 --> 00:36:09,368 I'M NOT SO SURE I WANT IT BACK. 673 00:36:09,401 --> 00:36:12,871 NOT THE WAY IT WAS. I HAVE TO MAKE SOME CHANGES. 674 00:36:15,474 --> 00:36:17,576 I FIGURED OUT WHAT THE MESSAGE MEANS. 675 00:36:17,609 --> 00:36:20,479 BRAILLE USES THE SAME SYMBOLS FOR LETTERS AND NUMBERS. 676 00:36:20,512 --> 00:36:24,983 IT WASN'T B-A-D, IT WAS THE NUMBER 2-1-4. 677 00:36:25,016 --> 00:36:26,885 WHAT DOES THAT MEAN? 678 00:36:26,918 --> 00:36:29,921 I DON'T KNOW. TOBY. 679 00:36:33,024 --> 00:36:34,926 I HEARD JENNA IN HER ROOM 680 00:36:34,960 --> 00:36:37,663 ON THE PHONE TALKING TO SOMEBODY. 681 00:36:37,696 --> 00:36:41,433 I DON'T KNOW WHO... BUT THEY WERE TALKING ABOUT YOU. 682 00:36:41,467 --> 00:36:43,935 TALKING ABOUT ME? 683 00:36:43,969 --> 00:36:47,939 JENNY USED THE EMBOSSER ATTACHED TO HER COMPUTER, 684 00:36:47,973 --> 00:36:51,443 AND I SLIPPED IN AND MADE A RUBBING OF WHAT SHE PRINTED OUT. 685 00:36:51,477 --> 00:36:53,845 TWO-ONE-FOUR. 686 00:36:53,879 --> 00:36:56,448 DOES THAT NUMBER MEAN ANYTHING TO YOU? 687 00:36:56,482 --> 00:36:58,984 IT COULD BE ANYTHING. 688 00:36:59,017 --> 00:37:00,852 A HOUSE NUMBER, AN AREA CODE-- 689 00:37:00,886 --> 00:37:04,756 WE HAVE TO FIGURE IT OUT, FOR BOTH OUR SAKES. 690 00:37:06,425 --> 00:37:08,794 ARE YOU AFRAID OF JENNA? 691 00:37:10,396 --> 00:37:11,763 I WAS. 692 00:37:11,797 --> 00:37:14,633 I STILL HAVE TO BE CAREFUL NOT TO CROSS HER. 693 00:37:14,666 --> 00:37:17,369 SHE'S GOT THE POWER IN THAT HOUSE. 694 00:37:18,737 --> 00:37:20,806 BUT... 695 00:37:20,839 --> 00:37:23,775 I'M NOT AFRAID OF HER THE WAY I USED TO BE. 696 00:37:25,811 --> 00:37:27,613 THAT MAKES HER NERVOUS. 697 00:37:27,646 --> 00:37:30,282 YOU MAKE HER NERVOUS. 698 00:37:30,316 --> 00:37:32,851 I DO? 699 00:37:32,884 --> 00:37:35,587 I THINK SHE'S AFRAID OF YOU, 700 00:37:35,621 --> 00:37:38,424 AND THE REST OF ALISON'S FRIENDS-- 701 00:37:38,457 --> 00:37:42,394 ALL OF YOU WHO WERE THERE THE NIGHT OF THE FIRE. 702 00:38:06,618 --> 00:38:09,321 LISTEN, IT'S LIKE YOUR MOM SAID, 703 00:38:09,355 --> 00:38:12,524 MY DAD IS ALWAYS LOOKING FOR SOMEBODY TO BLAME. 704 00:38:12,558 --> 00:38:16,728 I HAVE TO GO HOME. MY MOM'S WAITING FOR ME. 705 00:38:16,762 --> 00:38:19,698 RIGHT. YOUR MOM'S WAITING. 706 00:38:19,731 --> 00:38:22,934 GOD, WHY IS EVERYTHING SO EASY FOR YOU? 707 00:38:22,968 --> 00:38:26,338 EASY? WHAT PLANET DO YOU LIVE ON? 708 00:38:26,372 --> 00:38:29,441 I'VE SPENT MOST OF MY LIFE TRYING NOT TO FEEL THE WAY I FEEL. 709 00:38:29,475 --> 00:38:32,744 I COME OUT, AND THEY SHIP MY FIRST GIRLFRIEND OFF TO GOD-KNOWS-WHERE, 710 00:38:32,778 --> 00:38:34,646 AND NOW MAYBE SHE'S DONE WITH ME. 711 00:38:34,680 --> 00:38:37,649 SO, YEAH, IT'S ALL ABOUT EMILY-- ALL EM, ALL THE TIME. 712 00:38:48,694 --> 00:38:50,762 DON'T TELL. 713 00:38:59,004 --> 00:39:02,441 HEY, NOT ALL OF IT. MY MOM WILL NOTICE. 714 00:39:02,474 --> 00:39:04,876 TELL HER IT'S EVAPORATION. 715 00:39:07,746 --> 00:39:09,114 WALK ME HOME? 716 00:39:12,851 --> 00:39:16,988 UH, SO MAYBE YOUR MOM WILL LET ME HANG AROUND ON THE SURFACE NOW? 717 00:39:17,022 --> 00:39:19,658 AND I THOUGHT YOU WERE IN SUCH A HURRY TO GET TO ARIZONA. 718 00:39:19,691 --> 00:39:22,828 ARIZONA WILL BE THERE WHENEVER I DECIDE TO SHOW UP. 719 00:39:23,929 --> 00:39:25,964 THANK YOU FOR TODAY. 720 00:39:28,534 --> 00:39:30,068 YOU'RE WELCOME. 721 00:39:40,979 --> 00:39:43,415 ( doorbell rings ) 722 00:39:49,721 --> 00:39:52,558 ARE YOU "A"? EXCUSE ME? 723 00:39:52,591 --> 00:39:56,595 SOMEBODY CALLED FOR AN ESTIMATE. SAID YOU HAD SOME KIND OF INFESTATION IN YOUR BASEMENT. 724 00:39:56,628 --> 00:39:59,798 ONLY NAME THEY LEFT WAS "A." IS THAT YOU? 725 00:39:59,831 --> 00:40:03,168 UH, NO. YOU HAVE THE WRONG HOUSE. 726 00:40:10,976 --> 00:40:13,011 ( phone ringing ) 727 00:40:24,222 --> 00:40:26,191 ( voicemail beeps ) 728 00:40:26,224 --> 00:40:29,227 MR. FITZ, THIS IS BYRON MONTGOMERY, ARIA'S DAD. 729 00:40:29,260 --> 00:40:32,163 LOOK, I'M SORRY ABOUT HOW OUR MEETING WENT. 730 00:40:32,197 --> 00:40:33,965 I OWE YOU A MAKE-GOOD ON THAT. 731 00:40:33,999 --> 00:40:35,967 I'VE READ YOUR STORIES AND I'D LIKE TO TALK TO YOU, 732 00:40:36,001 --> 00:40:37,803 SO MAYBE WE COULD HAVE A BEER? 733 00:40:37,836 --> 00:40:40,872 GIVE ME A CALL, OKAY? THANKS. 734 00:40:40,906 --> 00:40:43,875 SO, YOU WANT AN EGG ROLL? SOUNDS GOOD. 735 00:40:46,044 --> 00:40:48,013 * SOLVE ME 736 00:40:48,046 --> 00:40:51,617 * ALL MY PROBLEMS, YOU CALL ME * 737 00:40:51,650 --> 00:40:54,886 * LATE NIGHTS IN HARLEM THE STREETS SPEAK * 738 00:40:54,920 --> 00:40:57,723 * LIKE IT'S A STARLIT GHOST 739 00:41:00,058 --> 00:41:02,127 * ALWAYS 740 00:41:02,160 --> 00:41:05,196 * YOU'RE THROWING GLANCES MY WAY * 741 00:41:05,230 --> 00:41:09,267 * YOU LOOK AT ME LIKE YOU COULD SAVE ME * 742 00:41:09,300 --> 00:41:11,503 * YOU COULD, YOU KNOW