1 00:00:01,035 --> 00:00:02,170 PREVIOUSLY ON PRETTY LITTLE LIARS... 2 00:00:02,203 --> 00:00:03,337 I GOT YOU GUYS SOMETHING. 3 00:00:03,371 --> 00:00:05,339 ( giggling ) 4 00:00:05,373 --> 00:00:07,508 WE'LL BE FRIENDS FOREVER. 5 00:00:07,541 --> 00:00:09,210 YOU LOST A DEAR FRIEND. 6 00:00:09,243 --> 00:00:11,679 YOU GUYS NEED TO FIND A WAY TO SAY GOODBYE TOGETHER. 7 00:00:11,712 --> 00:00:14,248 OKAY, SO THE TOWN IS GONNA PUT IN A NEW BENCH, 8 00:00:14,282 --> 00:00:16,384 AND THERE'S GONNA BE A PATHWAY OF ART TILES. 9 00:00:16,417 --> 00:00:18,419 SHE LIVES IN THIS TOWN. I HAVE TO SEE HER... 10 00:00:18,452 --> 00:00:20,654 YOU THINK THEY'RE GONNA WORK THIS OUT? 11 00:00:20,688 --> 00:00:22,690 I REALLY DON'T KNOW. 12 00:00:22,723 --> 00:00:24,425 Ella: ARE YOU MOVING OUT? 13 00:00:24,458 --> 00:00:26,294 I WAS LOOKING FOR MR. FITZ. 14 00:00:26,327 --> 00:00:28,696 HE'S NOT IN. I'M HIS SUB, MISS SHEPARD. 15 00:00:28,729 --> 00:00:31,165 DO YOU KNOW IF MR. FITZ WILL BE BACK TOMORROW? 16 00:00:31,199 --> 00:00:32,200 I DON'T. 17 00:00:33,334 --> 00:00:35,169 SO YOU'VE GOT SOME GENIUS PLAN 18 00:00:35,203 --> 00:00:37,438 OF SLEEPING WITH THE ENEMY. YOU'VE LOST YOUR MIND! 19 00:00:37,471 --> 00:00:38,572 YOU DON'T EVEN KNOW HIM. 20 00:00:38,606 --> 00:00:41,409 WE'VE ALL GOT SECRETS, EMILY. 21 00:00:42,776 --> 00:00:45,246 Aria: TOBY AND JENNA HAD A RELATIONSHIP. 22 00:00:45,279 --> 00:00:47,215 Spencer: WAY BEYOND STEPSIBLINGS. 23 00:00:47,248 --> 00:00:49,117 IT'S ENOUGH TO WANT HER DEAD. AND US. 24 00:00:49,150 --> 00:00:52,486 ( siren wails ) 25 00:00:52,520 --> 00:00:53,754 Hanna: SO, IS TOBY DEAD? 26 00:00:53,787 --> 00:00:56,090 Emily: I COULDN'T BRING MYSELF TO ASK. 27 00:00:56,124 --> 00:00:58,659 Jenna: I'VE KEPT QUIET ABOUT A LOT, EMILY. 28 00:00:58,692 --> 00:01:00,661 THE LEAST YOU CAN DO IS GET ME THAT FILE. 29 00:01:00,694 --> 00:01:02,130 OH! 30 00:01:02,163 --> 00:01:03,431 THERE! IT'S DONE, OKAY? 31 00:01:10,304 --> 00:01:12,806 I WAS AFRAID SHE WOULDN'T GET IT DONE IN TIME FOR THE MEMORIAL. 32 00:01:12,840 --> 00:01:15,509 AND THIS WAS SOMEONE FROM YOUR MOM'S GALLERY? 33 00:01:15,543 --> 00:01:16,577 RIGHT. 34 00:01:16,610 --> 00:01:18,312 WHERE IS YOUR MOM? 35 00:01:18,346 --> 00:01:20,214 THERE'S AN APARTMENT ABOVE THE GALLERY, 36 00:01:20,248 --> 00:01:21,215 SO SHE'S STAYING THERE. 37 00:01:21,249 --> 00:01:22,450 FOR NOW. 38 00:01:22,483 --> 00:01:23,617 THAT'S KIND OF WEIRD, ISN'T IT? 39 00:01:23,651 --> 00:01:24,885 YOUR MOM MOVING OUT. 40 00:01:24,918 --> 00:01:26,654 YEAH, LIKE MY DAD SHOULD HAVE LEFT. 41 00:01:26,687 --> 00:01:28,389 THAT'S WHAT YOU'D EXPECT. 42 00:01:28,422 --> 00:01:29,590 ARIA. 43 00:01:29,623 --> 00:01:31,759 Aria: ( sighs ) HEY, I'M SORRY. 44 00:01:31,792 --> 00:01:33,761 I DIDN'T MEAN IT LIKE THAT. 45 00:01:33,794 --> 00:01:36,164 THE WHOLE THING JUST... SUCKS. 46 00:01:36,197 --> 00:01:37,631 I KNOW. 47 00:01:37,665 --> 00:01:39,633 DID ANYONE CALL SHELLY LEONARD? 48 00:01:39,667 --> 00:01:41,635 DONE. AND I TOLD HER IF SHE PLAYS ANYTHING DEPRESSING, 49 00:01:41,669 --> 00:01:44,505 I WILL KICK IN HER CELLO. 50 00:01:44,538 --> 00:01:47,341 OH, WHAT ABOUT THE PROGRAM? ALMOST DONE, BUT WE SHOULD FINISH IT... 51 00:01:47,375 --> 00:01:50,144 ...BEFORE ALI'S BROTHER GETS HERE. WHEN IS THAT? 52 00:01:50,178 --> 00:01:52,313 TONIGHT. AND HE WANTS TO SEE US IN THE MORNING. 53 00:01:52,346 --> 00:01:55,149 YOU KNOW WHAT? I BARELY REMEMBER JASON. 54 00:01:55,183 --> 00:01:58,419 WE DIDN'T KNOW HIM. HE WAS JUST ALI'S OLDER BROTHER DOWN THE HALL. 55 00:01:58,452 --> 00:02:00,188 BEHIND A CLOSED DOOR. 56 00:02:00,221 --> 00:02:03,324 WITH HIS HARDCORE PUNK MUSIC VIBRATING THE FLOORBOARDS. 57 00:02:03,357 --> 00:02:05,859 HOW DID HE GET INTO AN IVY LEAGUE SCHOOL? 58 00:02:05,893 --> 00:02:07,895 I DON'T KNOW. IT MUST HAVE BEEN AFFIRMATIVE ACTION 59 00:02:07,928 --> 00:02:10,130 FOR GOTHS AND EMOS. 60 00:02:13,234 --> 00:02:15,769 WOW. IT'S BEAUTIFUL. 61 00:02:15,803 --> 00:02:19,307 PEDESTAL'S ALREADY OUT THERE, NEXT TO THE BENCH. 62 00:02:19,340 --> 00:02:21,442 THIS GOES UP FRIDAY MORNING. 63 00:02:21,475 --> 00:02:23,644 DO YOU THINK JASON WILL LIKE IT? 64 00:02:23,677 --> 00:02:26,914 OF COURSE HE'LL LIKE IT. 65 00:02:26,947 --> 00:02:28,649 AND... YEARS FROM NOW, 66 00:02:28,682 --> 00:02:31,519 PEOPLE ARE GONNA SEE THIS MEMORIAL, 67 00:02:31,552 --> 00:02:34,922 AND-- AND THAT'S ALL THEY'LL EVER KNOW ABOUT ALI. 68 00:02:34,955 --> 00:02:38,459 SHE'LL BE THE GIRL THAT THEY DEDICATED THE BENCH TO. 69 00:02:38,492 --> 00:02:40,294 AND WE'LL ALL BE GONE, BUT... 70 00:02:40,328 --> 00:02:42,430 ALI WILL STILL BE REMEMBERED. 71 00:02:42,463 --> 00:02:46,434 THAT'S IMMORTALITY, MY DARLINGS. 72 00:02:46,467 --> 00:02:48,969 ( laughter and chatter ) Girl: THEY'RE DONE. 73 00:02:49,002 --> 00:02:52,873 THEY'RE DONE. CIAO, BABY. 74 00:02:52,906 --> 00:02:54,742 I WISH WE COULD JUST CHOOSE 75 00:02:54,775 --> 00:02:57,778 THE AGE THAT WE WANTED TO BE AND... 76 00:02:57,811 --> 00:02:59,680 JUST STAY THERE. 77 00:02:59,713 --> 00:03:02,483 THE ONLY WAY TO DO THAT IS TO DIE YOUNG, 78 00:03:02,516 --> 00:03:04,485 LEAVE A BEAUTIFUL CORPSE. 79 00:03:04,518 --> 00:03:05,786 DON'T JOKE. 80 00:03:05,819 --> 00:03:07,221 IT'S NOT A JOKE. 81 00:03:07,255 --> 00:03:08,522 OH, COME ON. 82 00:03:08,556 --> 00:03:09,790 HAVEN'T YOU GUYS EVER THOUGHT 83 00:03:09,823 --> 00:03:11,392 ABOUT HOW DELICIOUSLY TRAGIC IT WOULD BE 84 00:03:11,425 --> 00:03:14,395 TO DIE IN SOME INCREDIBLY MYSTERIOUS WAY? 85 00:03:14,428 --> 00:03:16,664 THAT WOULD BE SUPERIOR. 86 00:03:16,697 --> 00:03:18,799 IS THAT REALLY HOW YOU WANT TO GO, ALISON? 87 00:03:18,832 --> 00:03:20,668 NOT JUST YET. 88 00:03:20,701 --> 00:03:21,935 DON'T TALK LIKE THAT. 89 00:03:21,969 --> 00:03:24,305 IT'S GRUESOME. 90 00:03:24,338 --> 00:03:26,707 IT'S NOT GRUESOME. 91 00:03:26,740 --> 00:03:28,609 IT'S IMMORTALITY, MY DARLINGS. 92 00:03:32,045 --> 00:03:34,882 WHERE DID SHE GET THAT FROM? A MOVIE? 93 00:03:34,915 --> 00:03:37,217 ALI W A MOVIE. 94 00:03:40,588 --> 00:03:41,755 The Pierces: * GOT A SECRET 95 00:03:41,789 --> 00:03:43,357 * CAN YOU KEEP IT? 96 00:03:43,391 --> 00:03:45,359 * SWEAR THIS ONE YOU'LL SAVE 97 00:03:45,393 --> 00:03:47,761 * BETTER LOCK IT IN YOUR POCKET * 98 00:03:47,795 --> 00:03:50,498 * TAKING THIS ONE TO THE GRAVE * 99 00:03:50,531 --> 00:03:52,533 * IF I SHOW YOU THEN I KNOW YOU * 100 00:03:52,566 --> 00:03:54,968 * WON'T TELL WHAT I SAID 101 00:03:55,002 --> 00:03:57,738 * 'CAUSE TWO CAN KEEP A SECRET * 102 00:03:57,771 --> 00:04:00,240 * IF ONE OF THEM IS DEAD 103 00:04:03,311 --> 00:04:05,613 SO THEY CAN JUST TAKE MY CREDIT CARD? 104 00:04:05,646 --> 00:04:07,515 THAT'S PRIVATE PROPERTY, ISN'T IT? 105 00:04:07,548 --> 00:04:09,717 IT'S PRIVATE PROPERTY. IT BELONGS TO THE BANK. 106 00:04:09,750 --> 00:04:11,719 WELL, WHAT ABOUT MY OTHER CARDS? 107 00:04:11,752 --> 00:04:14,021 DON'T BE SO QUICK ON THE DRAW, 108 00:04:14,054 --> 00:04:15,756 AT LEAST FOR A WHILE. 109 00:04:15,789 --> 00:04:17,325 I'M SORRY. 110 00:04:17,358 --> 00:04:19,527 I WAS TRYING TO KEEP THIS OFF YOUR RADAR. MOM. 111 00:04:19,560 --> 00:04:21,895 WE HAVE TO MAKE SOME ADJUSTMENTS. 112 00:04:21,929 --> 00:04:23,764 TEMPORARY ADJUSTMENTS. 113 00:04:23,797 --> 00:04:25,766 WE NEED TO BE MORE CAREFUL ABOUT MONEY. 114 00:04:25,799 --> 00:04:28,502 FOR HOW LONG? UNTIL WE DON'T HAVE TO ANYMORE. 115 00:04:28,536 --> 00:04:29,970 AND HOW LONG IS THAT? 116 00:04:30,003 --> 00:04:31,539 I DON'T KNOW. 117 00:04:31,572 --> 00:04:32,840 WELL, WHEN WILL YOU KNOW? 118 00:04:35,443 --> 00:04:38,546 THIS IS A VISUAL REPRESENTATION OF WHAT I'M TALKING ABOUT. 119 00:04:38,579 --> 00:04:42,450 SKIM MILK, ORANGE JUICE, AND SOME YOGURT. 120 00:04:42,483 --> 00:04:45,719 NO FLAVORED WATERS, NO CUNNING CHARDONNAY. 121 00:04:45,753 --> 00:04:48,622 NOTHING FROM THE ARTISAN CHEESE SHOP. 122 00:04:48,656 --> 00:04:50,958 WHAT HAPPENED? 123 00:04:53,026 --> 00:04:54,995 WHAT HAPPENED IS A MORTGAGE, 124 00:04:55,028 --> 00:04:57,998 AND BILLS, AND TAXES, 125 00:04:58,031 --> 00:05:00,334 AND THE FACT THAT THIS IS A ONE-PAYCHECK FAMILY, 126 00:05:00,368 --> 00:05:02,903 AND WE CAN'T LIVE A TWO-PAYCHECK LIFE. 127 00:05:07,408 --> 00:05:09,910 I THOUGHT I COULD COMPENSATE FOR YOUR DAD GOING, 128 00:05:09,943 --> 00:05:11,545 BUT IT'S BEEN HARD. 129 00:05:13,681 --> 00:05:15,849 HARDER THAN I EXPECTED. 130 00:05:15,883 --> 00:05:17,685 HOW HARD? 131 00:05:19,787 --> 00:05:21,989 IT'S NOT THE FIRST CARD TO BE DECLINED. 132 00:05:24,525 --> 00:05:26,093 YOU'VE DONE A GREAT JOB. 133 00:05:26,126 --> 00:05:27,695 REALLY. 134 00:05:27,728 --> 00:05:30,798 MOM AND DAD AND I ARE REAL GRATEFUL. 135 00:05:31,865 --> 00:05:33,601 THERE SHE IS! 136 00:05:35,903 --> 00:05:37,738 JASON! 137 00:05:37,771 --> 00:05:39,006 UH... 138 00:05:39,039 --> 00:05:40,374 HEY. 139 00:05:40,408 --> 00:05:42,643 SORRY I'M LATE. NO PROBLEM. 140 00:05:42,676 --> 00:05:45,078 I WAS JUST SAYING YOU'VE DONE SOME LOVELY WORK ON THE MEMORIAL. 141 00:05:45,112 --> 00:05:47,415 I MIGHT HAVE DONE ONE OR TWO THINGS DIFFERENTLY, 142 00:05:47,448 --> 00:05:48,916 BUT WE CAN ADJUST THAT ALONG THE WAY. 143 00:05:48,949 --> 00:05:53,454 HERE'S A COPY OF THE PROGRAM FOR THE DEDICATION. 144 00:05:53,487 --> 00:05:55,789 I E-MAILED YOU THE PROGRAM THAT WE WORKED UP. 145 00:05:55,823 --> 00:05:58,826 RIGHT. I SAW THE DRAFT. THIS JUST FINE-TUNES IT. 146 00:05:58,859 --> 00:06:00,461 UH, LET'S SEE... 147 00:06:00,494 --> 00:06:02,530 IF SHELLY LEONARD'S GONNA PLAY SOMETHING, 148 00:06:02,563 --> 00:06:04,932 I DON'T THINK WE CAN GIVE HER MORE THAN THREE MINUTES. 149 00:06:04,965 --> 00:06:07,835 I REMEMBER SHE'S SOMEWHAT OF A SHOWBOAT WITH THAT CELLO. 150 00:06:07,868 --> 00:06:10,571 THEN, UH... 151 00:06:10,604 --> 00:06:12,440 OH. 152 00:06:12,473 --> 00:06:13,974 IS THIS... 153 00:06:14,007 --> 00:06:15,776 THE PICTURE FOR THE PROGRAM? 154 00:06:15,809 --> 00:06:18,612 YES. IT'S EVERYBODY'S FAVORITE. 155 00:06:21,181 --> 00:06:23,684 IT'S THE ONE I WOULD HAVE PICKED. 156 00:06:25,185 --> 00:06:27,020 I THOUGHT I WAS GONNA BE ABLE 157 00:06:27,054 --> 00:06:29,523 TO GET MY WHOLE FAMILY OUT HERE, BUT... 158 00:06:29,557 --> 00:06:31,492 YOU KNOW, AT THE LAST MINUTE, 159 00:06:31,525 --> 00:06:33,761 MY MOM, UM... 160 00:06:33,794 --> 00:06:35,496 ( chuckles ) 161 00:06:35,529 --> 00:06:37,831 IT'S CRAZY TALKING ABOUT THIS, ISN'T IT? 162 00:06:39,232 --> 00:06:42,202 WHEN I THINK ABOUT HER, I-I THINK ABOUT YOU-- 163 00:06:42,235 --> 00:06:45,673 THE FIVE OF YOU, IN HER BEDROOM, LAUGHING, 164 00:06:45,706 --> 00:06:47,441 KEEPING SECRETS. 165 00:06:48,976 --> 00:06:50,978 LONG TIME AGO. 166 00:06:53,847 --> 00:06:55,449 I WANT EACH OF YOU TO SPEAK. 167 00:06:55,483 --> 00:06:57,117 I'D RATHER HEAR FROM YOU 168 00:06:57,150 --> 00:06:59,620 THAN MRS. SLOCOMB FROM THE PTA. 169 00:06:59,653 --> 00:07:01,922 THE PTA WAS A LOT OF HELP. 170 00:07:01,955 --> 00:07:04,658 WHAT ABOUT THE RAIN? THE RAIN? 171 00:07:04,692 --> 00:07:06,627 FORTY PERCENT CHANCE BEFORE THE WEEKEND. 172 00:07:06,660 --> 00:07:08,996 OH, UM, THEY SAID THAT WE CAN USE 173 00:07:09,029 --> 00:07:10,598 THE SCHOOL'S MULTIPURPOSE ROOM 174 00:07:10,631 --> 00:07:12,032 IF WE HAVE TO MOVE THE CEREMONY INSIDE. 175 00:07:12,065 --> 00:07:14,502 GREAT. 176 00:07:14,535 --> 00:07:17,471 PEOPLE THINK THIS DEDICATION IS ABOUT CLOSURE. 177 00:07:19,540 --> 00:07:21,809 THERE WON'T BE CLOSURE UNTIL THEY FIND OUT 178 00:07:21,842 --> 00:07:25,178 WHO DID THIS TO ALISON. 179 00:07:25,212 --> 00:07:27,715 THE COPS IN THIS TOWN HAVE BEEN JERKING MY FAMILY AROUND 180 00:07:27,748 --> 00:07:29,817 FOR MORE THAN A YEAR. 181 00:07:29,850 --> 00:07:31,819 NO MORE OF THAT. 182 00:07:31,852 --> 00:07:33,186 I'M HERE TO GET SOME ACTION, 183 00:07:33,220 --> 00:07:35,723 AND THIS MEMORIAL IS GONNA HELP ME GET IT. 184 00:07:35,756 --> 00:07:38,692 OH, AND I'M ADDING... 185 00:07:38,726 --> 00:07:41,461 ONE SPEAKER TO THE PROGRAM. 186 00:07:43,130 --> 00:07:44,865 JENNA MARSHALL? 187 00:07:47,034 --> 00:07:49,269 YOU WANT JENNA TO SPEAK AT THE DEDICATION? 188 00:07:49,302 --> 00:07:50,270 THAT'S RIGHT. 189 00:07:50,303 --> 00:07:51,271 WHY? 190 00:07:51,304 --> 00:07:53,140 SHE ASKED ME IF SHE COULD. 191 00:07:53,173 --> 00:07:54,742 JENNA ASKED TO SPEAK? 192 00:07:54,775 --> 00:07:56,176 IS THERE A PROBLEM? 193 00:07:56,209 --> 00:07:58,045 I-IT JUST DIDN'T OCCUR TO US 194 00:07:58,078 --> 00:08:00,548 THAT ALISON AND JENNA WERE THAT CLOSE. 195 00:08:00,581 --> 00:08:02,516 YEAH, I DIDN'T KNOW EITHER. 196 00:08:02,550 --> 00:08:04,985 JENNA CALLED AND... SAID MY SISTER WAS 197 00:08:05,018 --> 00:08:07,254 A LOT OF HELP TO HER AFTER HER ACCIDENT. 198 00:08:09,222 --> 00:08:13,060 WELL, CONCENTRATE ON WHAT YOU'RE GONNA SAY. 199 00:08:13,093 --> 00:08:14,728 LEAVE THE REST OF IT TO ME. 200 00:08:16,063 --> 00:08:17,765 NOW, I'M... 201 00:08:17,798 --> 00:08:20,167 GOING TO HAVE A TALK WITH DETECTIVE WILDEN 202 00:08:20,200 --> 00:08:22,670 AND FIND OUT WHY THEY HAVEN'T LOCATED TOBY YET. 203 00:08:24,672 --> 00:08:26,674 DID WE JUST GET FIRED? 204 00:08:26,707 --> 00:08:27,775 SHH! KEEP IT DOWN! 205 00:08:27,808 --> 00:08:30,177 WHY IS HE TALKING TO JENNA? 206 00:08:30,210 --> 00:08:31,912 I DON'T KNOW. 207 00:08:31,945 --> 00:08:33,614 WHAT DOES SHE HAVE TO SAY? 208 00:08:33,647 --> 00:08:35,583 THIS IS TURNING INTO A NIGHTMARE. 209 00:08:35,616 --> 00:08:37,618 WHAT ELSE DID HE SAY? 210 00:08:37,651 --> 00:08:40,854 NOTHING. HE JUST KEPT SMILING LIKE HE WAS RUNNING FOR OFFICE. 211 00:08:40,888 --> 00:08:43,824 SPENCE, WHY DOES JENNA WANT TO SPEAK AT THE DEDICATION? 212 00:08:43,857 --> 00:08:45,726 WHY DOES JASON WANT HER THERE? 213 00:08:45,759 --> 00:08:48,128 I MEAN, HE CLEARLY KNOWS THEY WEREN'T FRIENDS. 214 00:08:48,161 --> 00:08:49,763 WE CAN'T LET JENNA SPEAK. 215 00:08:49,797 --> 00:08:50,898 WELL, HOW ARE WE GONNA STOP HER 216 00:08:50,931 --> 00:08:52,633 WITHOUT LOOKING LIKE BITCHES? 217 00:08:52,666 --> 00:08:54,034 HOW ARE WE GOING TO STOP HER AT ALL? 218 00:08:54,067 --> 00:08:55,669 IN CASE YOU GUYS DIDN'T NOTICE, 219 00:08:55,703 --> 00:08:57,771 WE JUST GOT PATTED ON THE HEAD AND SENT OFF TO PLAY. 220 00:08:57,805 --> 00:09:00,307 YOU KNOW WHAT? YOU NEED TO STAY ON TOP OF HIM. 221 00:09:00,340 --> 00:09:01,775 FIND OUT WHAT'S GOING ON. 222 00:09:01,809 --> 00:09:03,076 WHY ME? 223 00:09:03,110 --> 00:09:04,678 BECAUSE YOU'RE THE BIG ORGANIZER. 224 00:09:04,712 --> 00:09:06,313 YOU'VE GOT THE LAPTOP OF ALL KNOWLEDGE, 225 00:09:06,346 --> 00:09:08,215 AND HE'S GONNA NEED SOME OF THAT. 226 00:09:08,248 --> 00:09:09,983 JENNA COULD GET UP THERE, SHE COULD TELL ABOUT THE FIRE 227 00:09:10,017 --> 00:09:11,251 AND TOBY. 228 00:09:11,284 --> 00:09:14,087 SHE COULD TELL ABOUT EVERYTHING. 229 00:09:16,256 --> 00:09:19,092 ( school bell rings ) 230 00:09:29,269 --> 00:09:30,871 EZRA, WAIT. 231 00:09:33,741 --> 00:09:36,109 JUST LET ME TALK FOR A SECOND. PLEASE. 232 00:09:36,143 --> 00:09:39,012 I DON'T WANT TO ARGUE OR TRY TO CONVINCE YOU OF ANYTHING. 233 00:09:39,046 --> 00:09:42,349 I KNOW IT'S OVER. I KNOW THAT. 234 00:09:45,318 --> 00:09:47,621 BUT I JUST-- I CAN'T STAND THE IDEA 235 00:09:47,655 --> 00:09:50,223 OF YOU WALKING AROUND AND HATING ME. 236 00:09:50,257 --> 00:09:51,959 HATE YOU? 237 00:09:51,992 --> 00:09:54,928 THE ONLY PERSON I HATE RIGHT NOW IS MYSELF, 238 00:09:54,962 --> 00:09:56,697 FOR ASKING TOO MUCH OF YOU. 239 00:10:01,702 --> 00:10:03,370 I COULD NEVER HATE YOU. 240 00:10:10,277 --> 00:10:12,379 BUT THIS IS BAND OF HORSES. 241 00:10:12,412 --> 00:10:14,381 NOEL GOT TICKETS TO BAND OF HORSES? 242 00:10:14,414 --> 00:10:16,183 YEAH. STRICTLY VIP. 243 00:10:16,216 --> 00:10:19,186 AND WE GET TO GO? YEP. YOU AND ME... WITH NOEL. 244 00:10:19,219 --> 00:10:21,722 WELL, WHO'S NOEL BRINGING? THAT'S THE THING-- HE WANTS TO ASK ARIA... 245 00:10:21,755 --> 00:10:24,324 BUT SHE'S GOT THIS, LIKE, ANTI-BOY ZONE AROUND HER. 246 00:10:24,357 --> 00:10:28,896 SO NOEL'S AT THIS PLACE WHERE HE WANTS TO ASK HER, BUT NOT IF SHE'S GONNA SAY NO. 247 00:10:28,929 --> 00:10:32,332 SO ALL I HAVE TO DO IS GET ARIA TO GO, AND WE GET TO GO. 248 00:10:32,365 --> 00:10:33,967 YOU GOT IT. PERFECT. 249 00:10:34,001 --> 00:10:35,936 I CAN MAKE IT HAPPEN. 250 00:10:35,969 --> 00:10:38,171 I HAVE TO GO DO A YEARBOOK NOW, BUT I WILL GRAB HER LATER. 251 00:10:38,205 --> 00:10:40,040 WAIT, YEARBOOK? ARE YOU WORKING WITH META-GEEK? 252 00:10:40,073 --> 00:10:41,975 IF YOU MEAN LUCAS, YES. 253 00:10:42,009 --> 00:10:44,812 WELL, WATCH OUT. COOTIES ARE CONTAGIOUS. 254 00:10:44,845 --> 00:10:46,947 I CANNOT BELIEVE YOU JUST SAID "COOTIES." 255 00:10:46,980 --> 00:10:48,281 YOU'RE SUCH A GOOBER. 256 00:10:51,018 --> 00:10:53,954 ( laughing ) I DARE YOU. 257 00:10:53,987 --> 00:10:56,256 YOU'RE AWFUL. YES, I AM. COME ON. 258 00:11:05,032 --> 00:11:07,000 WHAT'D YOU THINK I WAS GONNA GIVE YOU? 259 00:11:07,034 --> 00:11:09,169 I DON'T KNOW, ONE OF THOSE REALLY SOUR CANDIES. 260 00:11:09,202 --> 00:11:11,739 NOT A CHANCE. 261 00:11:11,772 --> 00:11:13,741 UM, I HAD A THOUGHT-- 262 00:11:13,774 --> 00:11:15,776 WHY DON'T WE DO SOMETHING ONE NIGHT, 263 00:11:15,809 --> 00:11:17,344 INSTEAD OF JUST HANGING OUT? 264 00:11:17,377 --> 00:11:19,446 WHAT KIND OF SOMETHING? 265 00:11:19,479 --> 00:11:23,050 I DON'T KNOW. MAYBE GO FOR A REAL DINNER SOMEPLACE, 266 00:11:23,083 --> 00:11:26,219 THEN GO SOMEWHERE, LIKE... A MOVIE? 267 00:11:27,254 --> 00:11:30,457 DINNER AND A MOVIE. 268 00:11:30,490 --> 00:11:32,960 THINK THERE'S A WORD FOR THAT. 269 00:11:32,993 --> 00:11:35,362 WHAT'S IT CALLED WHEN TWO PEOPLE GO OUT LIKE THAT? 270 00:11:35,395 --> 00:11:38,231 I THINK THEY CALL IT, UM, A DATE. 271 00:11:38,265 --> 00:11:40,233 YEAH, I'VE HEARD OF THAT. 272 00:11:40,267 --> 00:11:43,837 SO YOU'RE, UM... ASKING ME OUT ON A DATE? 273 00:11:43,871 --> 00:11:46,506 TWO FRIENDS HAVING DINNER, GOING TO THE MOVIES-- 274 00:11:46,539 --> 00:11:48,742 NO BIG. 275 00:11:50,443 --> 00:11:53,981 YEAH, I'M ASKING YOU ON A DATE. 276 00:11:55,315 --> 00:11:57,217 HMM. I'LL THINK ABOUT IT. 277 00:11:57,250 --> 00:12:00,187 ( laughing ) HEY! MAYA! 278 00:12:02,790 --> 00:12:04,191 ( cell phone rings ) 279 00:12:06,493 --> 00:12:09,062 MOM? 280 00:12:09,096 --> 00:12:11,331 WAIT, SO PEOPLE JUST LET YOU DO THIS? 281 00:12:11,364 --> 00:12:13,333 I MEAN, YOU GO UP TO THEM AND SAY, 282 00:12:13,366 --> 00:12:15,135 "CAN I TAKE A PICTURE OF YOUR LOCKER," AND THEY SAY YES? 283 00:12:15,168 --> 00:12:16,970 IF YOU TELL THEM YOU HAVE TO HAVE THEIR LOCKER FOR THE BOOK, 284 00:12:17,004 --> 00:12:19,907 THEY THINK IT'S ALL ABOUT THEM, AND THEY OPEN RIGHT UP. 285 00:12:19,940 --> 00:12:21,441 GOTTA LOVE THAT HUMAN EGO. 286 00:12:21,474 --> 00:12:25,112 SO, I WAS THINKING FOUR LOCKERS TO A PAGE 287 00:12:25,145 --> 00:12:27,380 WITH THE NAME UNDERNEATH EACH PICTURE. 288 00:12:27,414 --> 00:12:29,983 NO, YOU KNOW, DON'T PUT THE NAMES. 289 00:12:30,017 --> 00:12:31,251 THEY SHOULD GUESS WHOSE LOCKER IS WHOSE. 290 00:12:31,284 --> 00:12:33,120 YOU CAN PUT NUMBERS AND A LIST 291 00:12:33,153 --> 00:12:35,388 IN THE BACK OF THE BOOK. BE MORE FUN. 292 00:12:35,422 --> 00:12:37,024 YEAH, IT WOULD. 293 00:12:37,057 --> 00:12:40,060 I LIKE THAT. IT'S SMART. 294 00:12:42,462 --> 00:12:44,431 THIS IS IMPRESSIVE. 295 00:12:44,464 --> 00:12:46,333 BECAUSE YOU'RE USED TO TAKING PICTURES 296 00:12:46,366 --> 00:12:48,068 BY POINTING YOUR PHONE AT PEOPLE. 297 00:12:48,101 --> 00:12:50,938 I LIKE A CAMERA THAT ACTUALLY FEELS LIKE A CAMERA. 298 00:12:50,971 --> 00:12:52,940 THESE AREN'T CHEAP, ARE THEY? 299 00:12:52,973 --> 00:12:55,809 NO, BUT I AUCTIONED SOME STUFF ONLINE 300 00:12:55,843 --> 00:12:57,210 AND GOT A GOOD DEAL FOR IT. 301 00:12:57,244 --> 00:12:59,346 WELL, WHAT KIND OF STUFF DID YOU SELL? 302 00:12:59,379 --> 00:13:01,348 STUFF. 303 00:13:01,381 --> 00:13:03,884 ACTION FIGURES? 304 00:13:03,917 --> 00:13:06,219 THEY WERE REALLY IMPORTANT TO ME WHEN I WAS 12. 305 00:13:06,253 --> 00:13:11,191 WHO BUYS ACTION FIGURES FROM 12-YEAR-OLD BOYS WHO ARE TIRED OF THEM? 306 00:13:11,224 --> 00:13:12,926 40-YEAR-OLD MEN. 307 00:13:12,960 --> 00:13:14,928 AND YOU CAN MAKE MONEY THAT WAY? 308 00:13:14,962 --> 00:13:18,031 ENOUGH MONEY TO BUY THE TOYS YOU'RE INTERESTED IN NOW. 309 00:13:19,566 --> 00:13:21,869 SO, ARE YOU... 310 00:13:21,902 --> 00:13:24,371 INTERESTED IN SELLING SOME STUFF ONLINE? 311 00:13:24,404 --> 00:13:28,441 YEAH, I WOULDN'T KNOW HOW. I WOULD. 312 00:13:28,475 --> 00:13:31,444 I'M SAYING, I COULD HELP YOU MAKE A COUPLE OF BUCKS, 313 00:13:31,478 --> 00:13:32,980 IF YOU WANT ME TO. 314 00:13:33,013 --> 00:13:34,447 YEAH. 315 00:13:34,481 --> 00:13:36,984 I MEAN, THAT'D BE GREAT, IF YOU COULD. 316 00:13:37,017 --> 00:13:39,119 JUST TELL ME WHAT YOU'VE GOT TWO OF, 317 00:13:39,152 --> 00:13:41,354 AND WE'LL SELL ONE OF 'EM. 318 00:13:41,388 --> 00:13:43,223 JUST NO KIDNEYS, OKAY? 319 00:13:43,256 --> 00:13:45,993 ( chuckles ) 320 00:13:56,937 --> 00:13:58,205 EM? 321 00:14:00,573 --> 00:14:02,542 IT'S MY DAD. 322 00:14:02,575 --> 00:14:04,277 GOD, IS HE OKAY? 323 00:14:04,311 --> 00:14:05,879 HE'S OKAY. 324 00:14:05,913 --> 00:14:08,882 HE'S... BETTER THAN OKAY. 325 00:14:08,916 --> 00:14:12,552 THEY'RE ROTATING HIS UNIT OUT OF AFGHANISTAN. 326 00:14:12,585 --> 00:14:14,321 MY DAD'S COMING HOME. 327 00:14:14,354 --> 00:14:16,890 ( faint chuckle ) 328 00:14:46,186 --> 00:14:48,321 ( laughter and chatter ) 329 00:14:49,456 --> 00:14:51,691 Girl: OKAY, GO FOR THE ANACONDA. 330 00:14:51,724 --> 00:14:54,427 IT'S THE SITUATION. 331 00:14:54,461 --> 00:14:56,296 Girl #2: THERE'S THE SITUATION, RIGHT NOW. 332 00:14:56,329 --> 00:14:58,465 GOD, JENNA THE JERK IS LOOKING AT US. 333 00:14:58,498 --> 00:15:02,235 IT'S A VERY SECOND-STRING CROWD SHE'S WITH. 334 00:15:02,269 --> 00:15:05,505 WHY DOESN'T SHE JUST TAKE HER "D"-LIST GANG AND GO HOME 335 00:15:05,538 --> 00:15:07,407 INSTEAD OF SITTING HERE AND CREEPING ME OUT? 336 00:15:07,440 --> 00:15:09,609 JENNA'S HERE. WHERE'S TOBY? 337 00:15:09,642 --> 00:15:13,080 OUT IN THE WOODS, SACRIFICING SQUIRRELS. 338 00:15:13,113 --> 00:15:18,051 GOD. DON'T YOU EVER GET TIRED OF SHOOTING AT THE LOW-HANGING FRUIT? 339 00:15:18,085 --> 00:15:20,587 DON'T RUIN A PERFECT DAY, SPENCER. 340 00:15:20,620 --> 00:15:22,655 IT IS PERFECT. 341 00:15:22,689 --> 00:15:24,191 FRIENDS FOREVER. 342 00:15:24,224 --> 00:15:29,029 YEAH. EVEN WHEN WE GET REALLY OLD. 343 00:15:30,430 --> 00:15:32,432 ( cell phone rings ) 344 00:15:34,334 --> 00:15:35,602 ( ring ) 345 00:15:49,549 --> 00:15:53,053 OKAY, IT IS TIME FOR YOU TO GET BACK TO THE LAND OF THE LIVING. 346 00:15:53,086 --> 00:15:55,188 YOU JUST WANT ME TO GO SO YOU CAN GO WITH SEAN. 347 00:15:55,222 --> 00:15:56,589 IT'S NOT TRUE! AND... 348 00:15:56,623 --> 00:15:58,591 EVEN IF IT IS A LITTLE BIT TRUE, 349 00:15:58,625 --> 00:16:00,560 MORE REASON FOR YOU TO COME. 350 00:16:02,362 --> 00:16:05,265 I DON'T KNOW. ARIA, WHAT'S NOT TO KNOW? 351 00:16:05,298 --> 00:16:07,634 IT'S NOT LIKE I'M SETTING YOU UP WITH MY DUD COUSIN RAYMOND 352 00:16:07,667 --> 00:16:10,003 WHO MAKES MINIATURE FURNITURE FOR A HOBBY. 353 00:16:10,037 --> 00:16:11,538 THIS IS NOEL KAHN. 354 00:16:11,571 --> 00:16:13,573 HE WAS YOUR BIGGEST CRUSH ALL THROUGH MIDDLE SCHOOL, 355 00:16:13,606 --> 00:16:15,375 AND NOW HE'S ASKING YOU OUT, 356 00:16:15,408 --> 00:16:18,778 SO STOP PINING FOR THE FJORDS AND "CAR HOTTIE." 357 00:16:18,811 --> 00:16:21,781 IT'S NOT ABOUT THE FJORDS. THEN WHAT'S THE PROBLEM? 358 00:16:21,814 --> 00:16:24,717 THE PROBLEM IS... 359 00:16:24,751 --> 00:16:26,719 I JUST CAN'T DO THIS RIGHT NOW. 360 00:16:26,753 --> 00:16:28,488 WELL, NOW IS ALL I'VE GOT. 361 00:16:28,521 --> 00:16:30,423 MAYBE IN A FEW WEEKS. 362 00:16:30,457 --> 00:16:32,692 CAN'T YOU AT LEAST GET OVER THE GUY BY TOMORROW NIGHT? 363 00:16:32,725 --> 00:16:35,728 HANNA, LOOK, MY FAMILY JUST BLEW UP. UNDERSTAND? 364 00:16:35,762 --> 00:16:38,298 WELL, I THOUGHT THIS WOULD TAKE YOUR MIND OFF OF IT. 365 00:16:38,331 --> 00:16:42,669 I'D LOVE TO GET MY MIND OFF OF IT, BUT I CAN'T. 366 00:16:44,271 --> 00:16:45,505 LATER. 367 00:16:45,538 --> 00:16:47,240 LATER. 368 00:16:55,748 --> 00:16:57,684 Ali: WELL, WELL, WELL. 369 00:16:57,717 --> 00:16:59,386 SOMETHING NEW HAS BEEN ADDED. 370 00:16:59,419 --> 00:17:01,721 NOEL KAHN INSPECTING THE TROOPS. 371 00:17:01,754 --> 00:17:03,456 YOU KNOW, YOU REALLY SHOULDN'T GO OUT SO SOON 372 00:17:03,490 --> 00:17:05,425 AFTER A BOOB JOB. 373 00:17:05,458 --> 00:17:07,127 LET THEM DROP DOWN TO WHERE THEY'RE SUPPOSED TO BE 374 00:17:07,160 --> 00:17:08,695 BEFORE YOU TAKE 'EM OUT. 375 00:17:08,728 --> 00:17:11,264 PRUDENCE FINN HAD A BOOB JOB? 376 00:17:11,298 --> 00:17:15,068 SHE HAD TO DO SOMETHING TO COMPENSATE FOR BEING NAMED PRUDENCE. 377 00:17:15,102 --> 00:17:16,736 THINKING ABOUT IT, ARIA? 378 00:17:18,471 --> 00:17:20,607 THINKING ABOUT WHAT? 379 00:17:20,640 --> 00:17:22,842 DOING SOMETHING LIKE THAT TO GET NOEL'S ATTENTION. 380 00:17:22,875 --> 00:17:24,444 NO. 381 00:17:24,477 --> 00:17:27,447 ARIA LIKES THEM BRAINY. 382 00:17:27,480 --> 00:17:29,416 CUTE, RICH, AND BRAINY. 383 00:17:29,449 --> 00:17:32,085 YOU GET THE WHOLE PACKAGE WITH NOEL KAHN. 384 00:17:32,119 --> 00:17:35,788 YOU KNOW, PERSONALLY, I LIKE SOMEONE WITH A LITTLE MORE MATURITY. 385 00:17:35,822 --> 00:17:37,690 NOT THAT NOEL DOESN'T HAVE POTENTIAL. 386 00:17:37,724 --> 00:17:40,093 HE JUST LACKS A LITTLE SEASONING. 387 00:17:40,127 --> 00:17:42,229 HE'S PERFECT FOR YOU, ARIA. 388 00:17:42,262 --> 00:17:44,531 DON'T BE TOO COY. 389 00:18:12,892 --> 00:18:14,361 HELLO, HANNA. 390 00:18:15,895 --> 00:18:18,265 PRINCIPAL'S OFFICE SAID I COULD FIND YOU IN HERE. 391 00:18:18,298 --> 00:18:21,634 WELL, I'M PRETTY SURE THERE'S NOTHING I CAN DO FOR YOU, 392 00:18:21,668 --> 00:18:23,136 BUT DO YOU NEED SOMETHING? 393 00:18:23,170 --> 00:18:24,671 ACTUALLY, YEAH. 394 00:18:24,704 --> 00:18:26,673 I WAS WONDERING IF EMILY HAD HEARD ANYTHING 395 00:18:26,706 --> 00:18:28,708 FROM TOBY CAVANAUGH SINCE HE WENT MISSING. 396 00:18:28,741 --> 00:18:31,644 DO I LOOK LIKE EMILY? ASK HER. 397 00:18:31,678 --> 00:18:35,148 I THOUGHT YOU GIRLS SHARED EVERYTHING. WELL, YOU WERE WRONG. 398 00:18:35,182 --> 00:18:37,417 ALISON'S BROTHER'S IN TOWN. YOU KNEW THAT, DIDN'T YOU? 399 00:18:37,450 --> 00:18:39,352 JASON. AND, YES, I KNOW. 400 00:18:39,386 --> 00:18:41,554 HE'S HERE FOR THE DEDICATION OF ALI'S MEMORIAL. 401 00:18:41,588 --> 00:18:43,423 OH, HE'S HERE FOR MORE THAN THAT, HANNA. 402 00:18:43,456 --> 00:18:45,192 HE CAME INTO MY OFFICE YESTERDAY. 403 00:18:45,225 --> 00:18:47,594 HE CAME IN TO MAKE NOISE ABOUT HOW HE DOESN'T LIKE 404 00:18:47,627 --> 00:18:49,262 THE WAY THINGS HAVE BEEN HANDLED. 405 00:18:49,296 --> 00:18:51,398 I'M PRETTY SURE HE'S ENTITLED TO THAT. 406 00:18:51,431 --> 00:18:53,266 IT'S A SMALL TOWN, HANNA. 407 00:18:53,300 --> 00:18:55,935 SOMETIMES PRIVATE AND PUBLIC LIVES CAN GET A LITTLE MUDDLED. 408 00:18:55,968 --> 00:18:58,338 YEAH. TELL ME ABOUT IT. 409 00:18:58,371 --> 00:19:00,207 LOOK... 410 00:19:00,240 --> 00:19:02,609 I UNDERSTAND YOU MIGHT HAVE SOME ISSUES WITH ME, 411 00:19:02,642 --> 00:19:04,211 BUT I HOPE YOU ALSO UNDERSTAND 412 00:19:04,244 --> 00:19:06,246 THAT WHATEVER YOU TELL JASON DiLAURENTIS 413 00:19:06,279 --> 00:19:08,515 MIGHT END UP BEING VERY EMBARRASSING FOR YOUR MOTHER. 414 00:19:08,548 --> 00:19:10,917 YOU MIGHT END UP HURTING THE WRONG PEOPLE. 415 00:19:10,950 --> 00:19:12,652 YOU KNOW, I'M A LITTLE HAZY 416 00:19:12,685 --> 00:19:14,654 ABOUT THIS WHOLE "RIGHT AND WRONG" THING. 417 00:19:14,687 --> 00:19:16,789 ARE YOU SAYING I SHOULD OR I SHOULDN'T TELL JASON 418 00:19:16,823 --> 00:19:19,459 THAT THE COP WHO'S INVESTIGATING HIS SISTER'S MURDER 419 00:19:19,492 --> 00:19:22,295 USED TO HANG AROUND IN MY HOUSE WEARING A TOWEL? 420 00:19:34,607 --> 00:19:35,775 HELLO? 421 00:19:37,910 --> 00:19:41,214 I-IT'S SPENCER. 422 00:19:41,248 --> 00:19:42,515 HELLO, SPENCER. 423 00:19:44,517 --> 00:19:46,219 CAN I TALK TO YOU? 424 00:19:46,253 --> 00:19:48,255 OF COURSE YOU CAN. 425 00:19:49,656 --> 00:19:51,891 IT'S ABOUT THE DEDICATION. 426 00:19:51,924 --> 00:19:55,928 ALI'S MEMORIAL? YOU'RE IN CHARGE OF THAT, AREN'T YOU? 427 00:19:55,962 --> 00:19:57,664 I WAS. 428 00:19:57,697 --> 00:20:00,300 NOW THAT JASON'S HERE, HE'S TAKEN OVER. 429 00:20:00,333 --> 00:20:02,802 DOES JASON LOOK THE SAME? 430 00:20:02,835 --> 00:20:05,538 I GOT THE IMPRESSION HE WAS DIFFERENT. 431 00:20:05,572 --> 00:20:07,540 HE SOUND DIFFERENT. 432 00:20:07,574 --> 00:20:08,941 YEAH. 433 00:20:08,975 --> 00:20:10,977 YEAH, HE IS DIFFERENT. 434 00:20:11,010 --> 00:20:12,745 HE'S, UH... 435 00:20:14,747 --> 00:20:16,716 POLISHED. 436 00:20:16,749 --> 00:20:18,718 POLISHED. 437 00:20:18,751 --> 00:20:20,720 YOU KNOW, WHEN I WAS TALKING TO HIM, 438 00:20:20,753 --> 00:20:22,589 I GOT THE STRANGEST SENSATION, 439 00:20:22,622 --> 00:20:25,358 LIKE ALI WAS IN THE ROOM WITH US. 440 00:20:28,395 --> 00:20:29,962 WHAT ARE YOU GOING TO SAY AT THE DEDICATION? 441 00:20:29,996 --> 00:20:32,832 I WAS GONNA SPEAK FROM MY HEART. 442 00:20:32,865 --> 00:20:35,034 JENNA, WHAT DO YOU WANT? 443 00:20:35,067 --> 00:20:39,038 WHAT I WANT, YOU CAN'T GIVE ME. 444 00:20:39,071 --> 00:20:41,508 YOU AND YOUR FRIENDS ARE CARELESS. 445 00:20:41,541 --> 00:20:43,410 LIKE I TOLD EMILY, 446 00:20:43,443 --> 00:20:45,412 YOU'RE CARELESS AND YOU BREAK THINGS, 447 00:20:45,445 --> 00:20:47,547 AND YOU THINK YOU'RE NEVER GONNA HAVE TO PAY FOR THEM. 448 00:20:47,580 --> 00:20:49,549 WE AR PAYING FOR IT, JENNA. 449 00:20:49,582 --> 00:20:51,684 WE'RE PAYING FOR IT EVERY DAY. 450 00:20:51,718 --> 00:20:53,553 HOW MUCH? 451 00:20:53,586 --> 00:20:55,988 WHO'S COUNTING? 452 00:20:57,624 --> 00:21:00,327 ( low ) Look, you want some kind of satisfaction. 453 00:21:00,360 --> 00:21:01,861 I understand that. 454 00:21:01,894 --> 00:21:04,597 But what you can't do, what I won't let you do, 455 00:21:04,631 --> 00:21:08,601 is to turn this dedication into some kind of club to beat up on us. 456 00:21:08,635 --> 00:21:13,005 Okay, we did love her, and what happened was terrible. 457 00:21:13,039 --> 00:21:15,675 She deserves this memorial, and so do we, 458 00:21:15,708 --> 00:21:18,445 and you don't have the right to turn it into something else. 459 00:21:20,547 --> 00:21:22,915 ALISON WAS DONE WITH YOU. 460 00:21:22,949 --> 00:21:25,518 DID YOU KNOW THAT? 461 00:21:25,552 --> 00:21:27,787 WE TALKED ABOUT IT IN THE HOSPITAL. 462 00:21:27,820 --> 00:21:29,522 SHE TOLD ME WHY. 463 00:21:29,556 --> 00:21:32,692 SHE SAID SHE WAS AFRAID OF YOU. 464 00:21:32,725 --> 00:21:35,995 IS THAT WHY ONE OF YOU DID WHAT YOU DID? 465 00:21:48,808 --> 00:21:50,977 ALL RIGHT, GOT A GUCCI, 466 00:21:51,010 --> 00:21:52,579 TORY BURCH. 467 00:21:52,612 --> 00:21:54,614 I DON'T KNOW WHY I GOT THIS LAM. 468 00:21:54,647 --> 00:21:56,516 THOUGHT I HAD SHOES TO MATCH. 469 00:21:56,549 --> 00:22:00,853 GOT A CHLOé AND A NOTTING HILL, 470 00:22:00,887 --> 00:22:04,691 WHICH, I SWEAR, WAS NOT THIS COLOR WHEN I BOUGHT IT IN THE STORE. 471 00:22:04,724 --> 00:22:06,759 WHAT? 472 00:22:06,793 --> 00:22:08,428 YOU KNOW THE WAY YOUR HEAD GETS 473 00:22:08,461 --> 00:22:10,763 WHEN I TALK ABOUT COUNT DOOKU AND DARTH SIDIOUS? 474 00:22:10,797 --> 00:22:12,365 WELL... 475 00:22:12,399 --> 00:22:14,434 THAT'S HOW MY HEAD FEELS RIGHT NOW. 476 00:22:14,467 --> 00:22:16,035 DO YOU THINK SOMEONE WILL BUY THESE? 477 00:22:16,068 --> 00:22:17,637 IT'S THE LAW OF THE UNIVERSE. 478 00:22:17,670 --> 00:22:18,971 IF YOU PUT SOMETHING ONLINE, 479 00:22:19,005 --> 00:22:21,408 SOMEBODY SOMEWHERE'S WILLING TO BUY IT. 480 00:22:21,441 --> 00:22:23,810 I REALLY APPRECIATE THIS, LUCAS. 481 00:22:23,843 --> 00:22:26,679 ZIP. 482 00:22:26,713 --> 00:22:28,881 SO... HOW COME ALL OF A SUDDEN 483 00:22:28,915 --> 00:22:31,484 YOU NEED TO MAKE SOME MONEY? 484 00:22:31,518 --> 00:22:33,720 OH, UM, MY MOM CUT ME OFF. 485 00:22:36,489 --> 00:22:38,725 ( camera shutter clicks ) 486 00:22:38,758 --> 00:22:40,960 HAPPY I CAN HELP. 487 00:22:42,929 --> 00:22:45,031 CREEPAZOID ALERT. 488 00:22:45,064 --> 00:22:47,734 HEY, HERMIE, YOU GOT A CAMERA ON THAT THING? 489 00:22:47,767 --> 00:22:49,902 MAKING DAS BOOTY OR SOMETHING? 490 00:22:49,936 --> 00:22:52,539 ( faint laughter ) NO. 491 00:22:52,572 --> 00:22:54,774 MY RUDDER GOT STUCK. 492 00:22:54,807 --> 00:22:56,142 OH. I BET IT DID. 493 00:22:57,610 --> 00:22:58,778 GO FRIGHTEN THE FISH. 494 00:22:58,811 --> 00:23:00,146 HEY! 495 00:23:01,213 --> 00:23:02,949 HEY WHAT? 496 00:23:06,052 --> 00:23:07,620 NOTHING. 497 00:23:07,654 --> 00:23:10,189 NEVER LOOK BACK, HANNA. 498 00:23:10,222 --> 00:23:12,425 SOMETHING MIGHT BE GAINING ON YOU. 499 00:23:14,126 --> 00:23:16,128 ( camera shutter clicks ) 500 00:23:20,166 --> 00:23:21,968 NEXT. 501 00:23:23,636 --> 00:23:26,038 DO YOU WANT SOME COFFEE? IT'S REASONABLY FRESH. 502 00:23:26,072 --> 00:23:27,774 OH, NO. NO THANK YOU. 503 00:23:27,807 --> 00:23:29,175 I JUST WANTED TO MAKE SURE 504 00:23:29,208 --> 00:23:30,977 THAT I DIDN'T FORGET TO GIVE YOU THIS. 505 00:23:31,010 --> 00:23:33,179 I HOPE YOU'RE OKAY WITH CASH. 506 00:23:33,212 --> 00:23:34,514 CASH? 507 00:23:34,547 --> 00:23:36,916 YEAH. UM... HANNA TALKED TO ARIA, 508 00:23:36,949 --> 00:23:40,820 AND SHE SAID THAT I SHOULD GIVE THIS TO YOU. 509 00:23:40,853 --> 00:23:43,756 HANNA TALKED TO ARIA ABOUT MONEY? 510 00:23:43,790 --> 00:23:46,158 YEAH. FOR THE-- FOR THE MEMORIAL. 511 00:23:46,192 --> 00:23:48,160 OH! 512 00:23:48,194 --> 00:23:50,630 THAT MONEY. OF COURSE. THANK YOU. 513 00:23:50,663 --> 00:23:52,098 I WOULD HAVE WRITTEN YOU A CHECK, 514 00:23:52,131 --> 00:23:54,200 BUT I DON'T TRUST MY CHECKBOOK SKILLS RIGHT NOW. 515 00:23:54,233 --> 00:23:57,670 THINGS ARE A LITTLE DISTRACTED AT THE MOMENT. 516 00:23:57,704 --> 00:24:00,673 YEAH, HANNA SAID YOU WERE ON YOUR OWN OVER THERE WITH THE KIDS. 517 00:24:00,707 --> 00:24:02,809 YES, I AM ON MY OWN THERE. 518 00:24:02,842 --> 00:24:04,711 FOR NOW. 519 00:24:06,245 --> 00:24:08,080 HOW ARE YOU DOING? 520 00:24:08,114 --> 00:24:10,683 UH... WELL, I DON'T THINK I HAVE ENOUGH INFORMATION 521 00:24:10,717 --> 00:24:13,119 TO GIVE YOU A SOLID ANSWER ON THAT ONE. 522 00:24:14,153 --> 00:24:16,022 I UNDERSTAND. 523 00:24:19,526 --> 00:24:21,594 WELL, I WOULD PRY, BUT THEN YOU WOULD FEEL OBLIGATED 524 00:24:21,628 --> 00:24:23,129 TO LISTEN TO MY TALES OF DIVORCE, 525 00:24:23,162 --> 00:24:24,997 WHICH I WOULDN'T WANT TO PUT YOU THROUGH. 526 00:24:25,031 --> 00:24:27,600 WE DON'T KNOW IF WE'RE GONNA BE GETTING A DIVORCE. 527 00:24:27,634 --> 00:24:30,637 THAT'S ONE OF THE THINGS THAT WE NEED TO TALK ABOUT, 528 00:24:30,670 --> 00:24:33,172 ONCE WE FIGURE OUT HOW TO TALK AT ALL. 529 00:24:33,205 --> 00:24:35,041 YEAH. 530 00:24:35,074 --> 00:24:38,911 NOT WHERE WE THOUGHT WE'D BE, IS IT? 531 00:24:38,945 --> 00:24:41,080 NO, NOT EVEN CLOSE. 532 00:24:41,113 --> 00:24:44,183 I MEAN, I FEEL LIKE I'M LIVING INSIDE OF THIS WIND TUNNEL. 533 00:24:44,216 --> 00:24:46,719 ALL OF THIS STUFF IS JUST FLYING AT ME. 534 00:24:46,753 --> 00:24:51,090 WELL, THE WIND DIES DOWN 535 00:24:51,123 --> 00:24:53,693 TO A NICE, STEADY HOWL AFTER A WHILE. 536 00:24:53,726 --> 00:24:56,963 WELL, DOES IT EVER JUST STOP ALTOGETHER? 537 00:24:56,996 --> 00:24:58,965 I WILL LET YOU KNOW IF IT DOES. 538 00:24:58,998 --> 00:25:00,232 THANKS. 539 00:25:00,266 --> 00:25:02,869 YOU DO THE SAME FOR ME, OKAY, NEIGHBOR? 540 00:25:02,902 --> 00:25:04,871 DEAL. 541 00:25:04,904 --> 00:25:07,039 WELL, THAT WAS PAINLESS. 542 00:25:07,073 --> 00:25:08,741 NOT FOR PRINCIPAL HARTMAN. 543 00:25:08,775 --> 00:25:11,143 HE MEANS WELL, BUT HE NEEDS TO KNOW WHO'S IN CHARGE. 544 00:25:11,177 --> 00:25:13,746 I THINK WE ALL KNOW THAT. 545 00:25:13,780 --> 00:25:16,148 OKAY, IS THERE A PROBLEM? 546 00:25:16,182 --> 00:25:18,017 THERE'S NO PROBLEM. 547 00:25:18,050 --> 00:25:19,652 YOU'RE ALISON'S BROTHER. 548 00:25:19,686 --> 00:25:21,654 YOU SHOULD HAVE THE FINAL SAY. 549 00:25:21,688 --> 00:25:24,323 BUT YOU'RE NOT THE ONLY ONE DEALING WITH THIS. 550 00:25:24,356 --> 00:25:26,959 SEE, THERE'S THAT CLOSED DOOR AGAIN-- 551 00:25:26,993 --> 00:25:30,196 THE SECRETS OF THE GIRLS CUDDLED UP IN ALISON'S BEDROOM. 552 00:25:30,229 --> 00:25:33,232 DO YOU THINK THAT MEANS YOU KNEW HER BETTER THAN I DID? 553 00:25:33,265 --> 00:25:36,836 NO. IT JUST MEANS WE KNEW HER IN A DIFFERENT WAY. 554 00:25:36,869 --> 00:25:38,237 ( footsteps approaching ) 555 00:25:38,270 --> 00:25:39,572 RIGHT HERE. 556 00:25:39,606 --> 00:25:41,974 WHAT ARE THEY DOING? 557 00:25:42,008 --> 00:25:43,976 THAT'S TOBY'S LOCKER. 558 00:25:44,010 --> 00:25:46,245 Wilden: THANK YOU. 559 00:25:46,278 --> 00:25:48,214 DETECTIVE WILDEN. 560 00:25:49,749 --> 00:25:52,018 YOU'LL FIND THIS INTERESTING. 561 00:25:52,051 --> 00:25:54,286 WE'RE HAVING A LOOK IN TOBY CAVANAUGH'S LOCKER. 562 00:25:54,320 --> 00:25:56,623 WHY? DO YOU THINK HE'S HIDING IN THERE? 563 00:25:56,656 --> 00:25:58,024 HE'S A SUSPECT. 564 00:25:58,057 --> 00:26:00,760 WELL, YOUR INVESTIGATION BETTER TURN UP MORE 565 00:26:00,793 --> 00:26:02,662 THAN TOBY CAVANAUGH'S OLD GYM SOCKS. 566 00:26:02,695 --> 00:26:04,931 YOU MADE IT QUITE CLEAR THE OTHER DAY 567 00:26:04,964 --> 00:26:07,199 YOU WEREN'T HAPPY WITH THE PACE OF THE INVESTIGATION. 568 00:26:07,233 --> 00:26:08,801 YOU SAID YOU WANTED ACTION. 569 00:26:08,835 --> 00:26:10,336 I'M TRYING TO GIVE THAT TO YOU. 570 00:26:10,369 --> 00:26:13,706 YEAH, YOU'VE GOT NOTHING. I REALIZED THAT YESTERDAY. 571 00:26:13,740 --> 00:26:16,208 SOMETIMES, JASON, WE WITHHOLD INFORMATION 572 00:26:16,242 --> 00:26:19,946 ON THE PROGRESS OF AN INVESTIGATION TO AVOID ANY INTERRUPTIONS. 573 00:26:19,979 --> 00:26:22,815 THE ONLY REASON YOU'RE TEARING THIS KID'S LOCKER APART 574 00:26:22,849 --> 00:26:25,117 IS BECAUSE HE'S NOT AROUND TO OBJECT. 575 00:26:25,151 --> 00:26:28,387 TOBY CAVANAUGH CALLED YOUR SISTER'S CELL PHONE THE NIGHT SHE DISAPPEARED. 576 00:26:28,420 --> 00:26:31,891 I CHECKED THE PHONE RECORDS. SHE TOOK THE CALL. 577 00:26:33,425 --> 00:26:35,995 TOBY CALLED ALISON THE NIGHT SHE DIED? 578 00:26:36,028 --> 00:26:37,630 HE DID. 579 00:26:37,664 --> 00:26:39,666 OR SOMEBODY ELSE DID USING HIS PHONE. 580 00:27:03,255 --> 00:27:06,225 THERE GO NOEL AND PRUDENCE OFF TO THE KISSING ROCK. 581 00:27:06,258 --> 00:27:09,228 PEOPLE HAVE BEEN SNEAKING OFF TO THE KISSING ROCK FOR HUNDREDS OF YEARS. 582 00:27:09,261 --> 00:27:10,997 YOU'RE MAKING THAT UP. 583 00:27:11,030 --> 00:27:13,733 JUST BECAUSE I MAKE IT UP DOESN'T MEAN IT'S NOT TRUE. 584 00:27:13,766 --> 00:27:17,036 YOU GO THERE WITH SOMEBODY, AND YOU CAN FEEL THE GHOSTS 585 00:27:17,069 --> 00:27:18,871 OF THE OTHER LOVERS SPYING ON YOU, 586 00:27:18,905 --> 00:27:21,007 PUSHING YOU TO DO IT. 587 00:27:21,040 --> 00:27:23,309 YOU KNOW, YOU SHOULD NEVER DISAPPOINT A GHOST. 588 00:27:24,343 --> 00:27:27,046 IT'S JUST A DUSTY OLD ROCK. 589 00:27:27,079 --> 00:27:29,048 WHO DO YOU WANT TO TAKE THERE? 590 00:27:41,828 --> 00:27:44,063 Sean: THIS CONCERT SHOULD BE GREAT. 591 00:27:44,096 --> 00:27:46,232 MOST IMPORTANT THING ABOUT A BAND IS THE NAME. 592 00:27:46,265 --> 00:27:47,967 I SHOULD KNOW, 'CAUSE I HAD ONE. 593 00:27:48,000 --> 00:27:50,369 YOU HAD FIVE GUYS IN GREG SAMSON'S GARAGE. 594 00:27:50,402 --> 00:27:51,971 WHAT WAS THE NAME? 595 00:27:52,004 --> 00:27:54,373 WE HAD THE BEST NAME EVER-- TICK BEAUDINE. 596 00:27:54,406 --> 00:27:57,176 IT WAS SOME GUY I SAW IN A WESTERN WHEN I WAS A KID. 597 00:27:57,209 --> 00:27:59,045 Noel: GUYS, WE SHOULD GET GOING. 598 00:27:59,078 --> 00:28:02,148 THANKS FOR THE PIZZA, NOEL. DON'T PUT IT AWAY. 599 00:28:02,181 --> 00:28:04,751 IT'LL BE PERFECT ROOM TEMPERATURE WHEN WE GET BACK. 600 00:28:04,784 --> 00:28:07,153 ( doorbell rings ) THAT'S THE GUY BACK WITH THE CRAZY BREAD. 601 00:28:07,186 --> 00:28:09,021 NO! NO, IT'S TOO LATE FOR THAT. 602 00:28:09,055 --> 00:28:11,924 I PAID FOR CRAZY BREAD, I WANT MY CRAZY BREAD. 603 00:28:14,493 --> 00:28:18,497 CAN YOU AT LEAST PRETEND TO BE HAVING A GOOD TIME, FOR ME, PLEASE? 604 00:28:18,530 --> 00:28:20,066 I'M HAVING A GREAT TIME. 605 00:28:20,099 --> 00:28:22,068 ARIA, THE LIGHTS IN THIS HOUSE ARE DIMMING 606 00:28:22,101 --> 00:28:23,970 BECAUSE OF ALL THE ENERGY YOU'RE SUCKING OUT OF THE AIR. 607 00:28:24,003 --> 00:28:26,072 OKAY, WELL, I'M DOING THE BEST I CAN. 608 00:28:26,105 --> 00:28:27,339 Noel: LOOK WHO'S HERE. 609 00:28:27,373 --> 00:28:30,209 IT WASN'T THE CRAZY BREAD. 610 00:28:30,242 --> 00:28:31,844 HI. 611 00:28:31,878 --> 00:28:34,246 HEY, LUCAS. 612 00:28:34,280 --> 00:28:36,248 UH, I JUST CAME BY TO TELL YOU 613 00:28:36,282 --> 00:28:38,417 THAT THE THING THAT WE WERE TALKING ABOUT WORKED OUT. 614 00:28:38,450 --> 00:28:39,852 OH. GOOD. 615 00:28:39,886 --> 00:28:42,021 YOU CAN LOOK AT IT IF YOU WANT. 616 00:28:42,054 --> 00:28:43,055 OKAY. 617 00:28:47,326 --> 00:28:49,929 I'LL... SEE YOU LATER. 618 00:28:55,201 --> 00:28:57,770 WHAT'S HE DOING, COMING TO YOUR HOUSE? 619 00:28:57,804 --> 00:29:00,139 UH, NOTHING. YEARBOOK STUFF. 620 00:29:09,982 --> 00:29:12,218 WHAT'S YOUR DAD'S RANK? 621 00:29:12,251 --> 00:29:15,822 LIEUTENANT COLONEL, PENNSYLVANIA NATIONAL GUARD. 622 00:29:15,855 --> 00:29:18,825 AND HE'S BEEN RIGHT IN THE MIDDLE OF IT? 623 00:29:18,858 --> 00:29:20,960 CAMP PHOENIX, IN KABUL. 624 00:29:20,993 --> 00:29:25,264 OH, MY GOD. WHEN'S HE GET BACK? 625 00:29:25,297 --> 00:29:26,999 TEN DAYS. 626 00:29:27,033 --> 00:29:30,402 I CAN'T IMAGINE HOW HAPPY YOU ARE. 627 00:29:30,436 --> 00:29:33,005 WHEN I SEE HIM, I'LL BE HAPPY. 628 00:29:33,039 --> 00:29:34,406 WHEN HE'S REALLY HOME. 629 00:29:34,440 --> 00:29:36,909 THEN I'LL BE ABLE TO START BREATHING AGAIN. 630 00:29:39,378 --> 00:29:41,480 DO I GET TO MEET HIM? 631 00:29:42,949 --> 00:29:44,951 ( movie music begins ) 632 00:30:07,406 --> 00:30:09,241 YOU WERE RIGHT ABOUT THE WEATHER. 633 00:30:09,275 --> 00:30:10,877 RAIN'S STARTING AT MIDNIGHT, 634 00:30:10,910 --> 00:30:12,278 CONTINUING THROUGHOUT THE DAY. 635 00:30:12,311 --> 00:30:15,882 I WISH THIS WAS GONNA BE OUTSIDE, 636 00:30:15,915 --> 00:30:17,316 IN THE SUN. 637 00:30:18,951 --> 00:30:20,586 ARE YOU SATISFIED? 638 00:30:20,619 --> 00:30:23,555 YEAH. HOW 'BOUT YOU? 639 00:30:23,589 --> 00:30:25,925 I'LL JUST BE GLAD WHEN THIS IS OVER. 640 00:30:25,958 --> 00:30:28,928 ARE WE TALKING ABOUT THE DEDICATION OR... 641 00:30:28,961 --> 00:30:30,596 FINDING OUT WHAT HAPPENED TO ALI? 642 00:30:30,629 --> 00:30:32,965 BOTH, I GUESS. 643 00:30:34,366 --> 00:30:37,603 THE DEDICATION WILL BE FINE, THANKS TO YOU. 644 00:30:37,636 --> 00:30:40,973 AND I LIT A FIRE UNDER THE COPS. 645 00:30:43,542 --> 00:30:45,912 DID YOU KNOW THAT TOBY CALLED ALISON? 646 00:30:45,945 --> 00:30:48,514 NO. 647 00:30:48,547 --> 00:30:50,382 WILDEN SHOULDN'T HAVE TOLD ME, 648 00:30:50,416 --> 00:30:53,119 BUT HE WAS EASY TO SHAKE UP. 649 00:30:53,152 --> 00:30:55,087 LIKE MOST BULLIES. 650 00:31:02,461 --> 00:31:04,296 YOU WERE THE ONLY ONE 651 00:31:04,330 --> 00:31:06,899 WHO EVER REALLY CHALLENGED ALISON. 652 00:31:06,933 --> 00:31:09,568 I REMEMBER HEARING THE TWO OF YOU 653 00:31:09,601 --> 00:31:13,172 GETTING IN EACH OTHER'S GRILLS A COUPLE OF TIMES. 654 00:31:13,205 --> 00:31:17,076 KEPT WAITING FOR THE CATFIGHT, BUT... NEVER HAPPENED. 655 00:31:21,647 --> 00:31:23,950 WHO DO YOU THINK KILLED ALISON? 656 00:31:23,983 --> 00:31:26,418 THE POLICE LIKE TOBY CAVANAUGH. 657 00:31:26,452 --> 00:31:31,223 IF THEY CAN'T FIND HIM, THEY'LL START LIKING SOMEONE ELSE. 658 00:31:31,257 --> 00:31:33,692 JUST SOMEONE, OR SOMEONE IN PARTICULAR? 659 00:31:33,725 --> 00:31:36,128 DOES IT REALLY MATTER? 660 00:31:36,162 --> 00:31:38,664 I THOUGHT YOU SAID YOU WANTED CLOSURE. 661 00:31:38,697 --> 00:31:43,002 MY MOM STILL NEEDS PILLS TO GET TO SLEEP. 662 00:31:43,035 --> 00:31:44,403 WHEN THEY DON'T WORK, 663 00:31:44,436 --> 00:31:47,006 YOU CAN HEAR HER WALKING AROUND THE HOUSE 664 00:31:47,039 --> 00:31:48,574 AT THREE IN THE MORNING. 665 00:31:48,607 --> 00:31:51,477 YOU THINK YOU'RE EVER REALLY GONNA HAVE CLOSURE? 666 00:31:53,345 --> 00:31:55,181 I MEAN, AREN'T YOU ALWAYS GOING TO BE 667 00:31:55,214 --> 00:31:58,484 "THE FRIEND OF THAT GIRL WHO WAS MURDERED"? 668 00:31:58,517 --> 00:32:01,087 JUST LIKE YOU'LL ALWAYS BE HER BROTHER? 669 00:32:01,120 --> 00:32:03,489 THAT'S HOW PEOPLE WILL SEE US. 670 00:32:03,522 --> 00:32:05,624 THEY SOLVE IT OR THEY DON'T. 671 00:32:05,657 --> 00:32:07,960 THAT'S NOT GOING TO CHANGE, SO... 672 00:32:07,994 --> 00:32:10,963 I GUESS IT DOESN'T REALLY MATTER. 673 00:32:10,997 --> 00:32:13,365 BUT WHAT ABOUT JUSTICE? 674 00:32:13,399 --> 00:32:17,269 YOU DON'T REALLY WANT TO BRING JUSTICE INTO THIS, DO YOU? 675 00:32:18,537 --> 00:32:19,671 WHY NOT? 676 00:32:22,041 --> 00:32:23,976 ALISON TOLD ME ABOUT THE FIRE. 677 00:32:25,711 --> 00:32:29,548 ABOUT HOW YOU SAID THE FIVE OF YOU SHOULD ALL GO OVER 678 00:32:29,581 --> 00:32:32,551 AND TEACH TOBY A LESSON. 679 00:32:32,584 --> 00:32:35,154 HOW YOU GOT THE STINK BOMB AND... 680 00:32:35,187 --> 00:32:38,124 CONVINCED THE REST OF THE GIRLS TO BACK YOU UP. 681 00:32:38,157 --> 00:32:41,593 HOW YOU EVEN THREATENED TOBY IF HE TOLD THE TRUTH. 682 00:32:41,627 --> 00:32:43,495 ALISON TOLD YOU THAT? 683 00:32:43,529 --> 00:32:46,198 YES, SHE DID. 684 00:32:46,232 --> 00:32:48,367 DID YOU BELIEVE HER? 685 00:32:53,572 --> 00:32:56,008 YOU ARE JUST LIKE ALISON, AREN'T YOU? 686 00:32:57,276 --> 00:32:59,678 IN SOME WAYS, EVEN WORSE. 687 00:33:03,682 --> 00:33:05,684 ( movie projector whirrs ) 688 00:33:28,374 --> 00:33:29,641 YOU OKAY? 689 00:33:30,642 --> 00:33:32,278 SURE. 690 00:33:32,311 --> 00:33:36,082 WE ALL JUST WONDERED WHAT HAPPENED TO YOU. 691 00:33:36,115 --> 00:33:37,649 SORRY. 692 00:33:37,683 --> 00:33:41,253 CAN I TALK TO YOU FOR A MINUTE? 693 00:33:41,287 --> 00:33:42,654 YEAH, I GUESS. 694 00:33:42,688 --> 00:33:45,291 I JUST WANT TO BE CLEAR ON SOMETHING, OKAY? 695 00:33:45,324 --> 00:33:48,160 REMIND ME, DID I RUN OVER YOUR DOG OR SOMETHING? 696 00:33:48,194 --> 00:33:51,397 BECAUSE I DON'T REMEMBER DOING ANYTHING TO GET YOU THIS MAD AT ME. 697 00:33:51,430 --> 00:33:53,132 I'M NOT MAD AT YOU. 698 00:33:53,165 --> 00:33:54,433 COULD HAVE FOOLED ME. 699 00:33:55,734 --> 00:33:57,469 I'M SORRY, NOEL. 700 00:33:57,503 --> 00:33:59,071 I... 701 00:33:59,105 --> 00:34:01,073 I SHOULD HAVE SAID NO TO THIS. 702 00:34:01,107 --> 00:34:03,075 IT WAS A BAD IDEA. 703 00:34:03,109 --> 00:34:04,476 BAD IDEA GOING OUT, 704 00:34:04,510 --> 00:34:07,313 OR A BAD IDEA GOING OUT WITH ME? 705 00:34:07,346 --> 00:34:09,581 NO. IT'S ME. 706 00:34:09,615 --> 00:34:12,351 YOU'RE GREAT. I MEAN... 707 00:34:12,384 --> 00:34:13,752 YOU'RE NOEL. 708 00:34:13,785 --> 00:34:16,655 TERRIFIC. I'M A BRAND NAME. 709 00:34:17,689 --> 00:34:19,291 ( faint chuckle ) 710 00:34:19,325 --> 00:34:22,161 I HEARD ABOUT YOUR FOLKS SPLITTING UP. 711 00:34:22,194 --> 00:34:24,096 THEY'RE NOT SPLIT. THEY'RE SEPARATED. 712 00:34:24,130 --> 00:34:28,434 AND HANNA... TOLD ME ABOUT THE BOY BACK IN ICELAND. 713 00:34:33,305 --> 00:34:35,807 SHE SHOULDN'T HAVE TOLD YOU THAT. 714 00:34:35,841 --> 00:34:38,577 SO I GUESS THIS GUY WAS SERIOUS. 715 00:34:41,580 --> 00:34:44,616 YEAH. HE WAS SPECIAL. 716 00:34:44,650 --> 00:34:47,453 HE IS SPECIAL, BUT... 717 00:34:47,486 --> 00:34:51,223 RIGHT NOW THERE'S JUST ALL THIS DISTANCE BETWEEN US. 718 00:34:51,257 --> 00:34:52,624 DOES HE SPEAK ENGLISH? 719 00:34:54,160 --> 00:34:55,327 BEAUTIFULLY. 720 00:34:55,361 --> 00:34:57,196 TOO BAD. 721 00:34:57,229 --> 00:34:59,165 I WAS HOPING FOR A LANGUAGE BARRIER. 722 00:35:01,800 --> 00:35:04,670 YEAH, I MEAN, I KNOW WHAT I WANT TO HAPPEN WITH HIM... 723 00:35:05,804 --> 00:35:07,306 BUT... 724 00:35:07,339 --> 00:35:10,242 I ALSO KNOW THAT I HAVE TO BE REALISTIC, 725 00:35:10,276 --> 00:35:12,511 AND THERE'S ONLY A COUPLE OF WAYS THAT ALL THIS CAN PLAY OUT, 726 00:35:12,544 --> 00:35:15,814 AND IT RANGES FROM MESSY TO BAD. 727 00:35:15,847 --> 00:35:18,550 AND EVEN IF IT DOES WORK OUT, 728 00:35:18,584 --> 00:35:20,719 I STILL HAVE MY FAMILY TO WORRY ABOUT. 729 00:35:20,752 --> 00:35:25,157 A MINUTE AGO, BACK WHEN I GOT YOU TO SMILE, 730 00:35:25,191 --> 00:35:27,293 I THOUGHT I MIGHT TRY FOR A KISS. 731 00:35:27,326 --> 00:35:30,729 NOW I THINK I'LL WAIT, BUT I'M GONNA KEEP MY OPTIONS OPEN... 732 00:35:30,762 --> 00:35:32,598 IF THAT'S OKAY WITH YOU. 733 00:35:32,631 --> 00:35:34,666 ( cell phone ringing ) 734 00:35:39,771 --> 00:35:41,640 Hanna: WAIT, SO SHE TRIED TO PIN IT ON YOU? 735 00:35:41,673 --> 00:35:43,642 THAT'S WHAT SHE TOLD JASON. 736 00:35:43,675 --> 00:35:45,244 Emily: BUT WHY YOU? 737 00:35:45,277 --> 00:35:46,945 BECAUSE SPENCER COULD STAND UP TO HER, 738 00:35:46,978 --> 00:35:48,480 AND ALISON DIDN'T LIKE THAT. 739 00:35:48,514 --> 00:35:50,749 GOD, THIS IS OFFICIALLY INSANE! 740 00:35:50,782 --> 00:35:52,251 IS THAT WHAT SHE TOLD JENNA 741 00:35:52,284 --> 00:35:53,552 WHEN SHE WAS AT THE HOSPITAL? 742 00:35:53,585 --> 00:35:55,254 I DON'T KNOW. 743 00:35:55,287 --> 00:35:56,955 I MEAN, I DON'T THINK SO, BUT I DON'T KNOW. 744 00:35:56,988 --> 00:36:00,392 OKAY, SO-- SO ONE MINUTE, SHE'S TRYING TO COVER IT UP 745 00:36:00,426 --> 00:36:02,461 AND THE NEXT SHE'S RATTING US OUT TO HER BROTHER? 746 00:36:02,494 --> 00:36:04,596 LIKE SHE WANTED JASON TO KNOW THE FAKE STORY 747 00:36:04,630 --> 00:36:06,332 IN CASE ANYTHING HAPPENED TO HER. 748 00:36:06,365 --> 00:36:07,566 WHY? 749 00:36:07,599 --> 00:36:09,468 SO THEY'D KNOW WHO TO BLAME. 750 00:36:11,337 --> 00:36:13,305 Aria: GOD! 751 00:36:13,339 --> 00:36:15,307 THIS IS STILL ALISON'S MOVIE, 752 00:36:15,341 --> 00:36:17,576 AND WE ARE JUST FILLING UP THE SCREEN. 753 00:36:17,609 --> 00:36:19,878 ( thunder crashes ) 754 00:36:28,320 --> 00:36:30,289 YOU WENT TO THE GROCERY STORE. 755 00:36:30,322 --> 00:36:33,592 UH, YEAH. I SOLD SOME STUFF ONLINE. 756 00:36:37,329 --> 00:36:39,231 YOU SOLD SOME STUFF ONLINE? 757 00:36:39,265 --> 00:36:41,933 JUST A COUPLE OF BAGS I WAS BORED WITH. 758 00:36:43,369 --> 00:36:45,904 DON'T EVER DO THAT AGAIN. 759 00:36:45,937 --> 00:36:47,906 DON'T SELL YOUR THINGS! 760 00:36:47,939 --> 00:36:49,775 NO, IT'S OKAY. 761 00:36:49,808 --> 00:36:52,644 REALLY, IT WAS FUN, IN A NERDY WAY. 762 00:36:52,678 --> 00:36:54,646 YOU SHOULDN'T HAVE TO DO THAT. 763 00:36:54,680 --> 00:36:57,249 I WILL TAKE CARE OF THINGS. I PROMISE. 764 00:36:57,283 --> 00:37:00,886 MOM, DON'T WORRY ABOUT IT. REALLY. 765 00:37:08,560 --> 00:37:09,928 YOU SHOULD GET GOING. 766 00:37:09,961 --> 00:37:11,563 YOU DON'T WANT TO BE LATE. 767 00:37:11,597 --> 00:37:13,432 OKAY. 768 00:37:15,334 --> 00:37:17,636 ( thunder crashes ) 769 00:37:36,922 --> 00:37:38,490 IAN? 770 00:37:38,524 --> 00:37:40,659 WAIT-- MELISSA'S IAN? 771 00:37:42,394 --> 00:37:43,729 Spencer: UM... 772 00:37:49,435 --> 00:37:53,439 I CAN'T REMEMBER NOT KNOWING ALISON... 773 00:37:54,473 --> 00:37:56,542 NOT HAVING HER AS A FRIEND. 774 00:37:56,575 --> 00:37:59,445 SHE WAS THE FIRST PERSON I KNEW LONG ENOUGH 775 00:37:59,478 --> 00:38:02,981 THAT I FELT I COULD BE ANGRY WITH 776 00:38:03,014 --> 00:38:05,551 WITHOUT WORRYING THAT I WAS GONNA LOSE HER. 777 00:38:07,686 --> 00:38:09,988 IT MADE ME FEEL LIKE SOMETHING WAS GONNA LAST, 778 00:38:10,021 --> 00:38:13,859 AND YOU NEED THAT, 779 00:38:13,892 --> 00:38:15,727 ESPECIALLY WHEN YOU'RE A KID. 780 00:38:15,761 --> 00:38:18,364 Hanna: FRIENDS CAN BE HARD ON YOU. 781 00:38:18,397 --> 00:38:21,900 MAYBE THEY EXPECT MORE FROM YOU THAN STRANGERS. 782 00:38:21,933 --> 00:38:23,635 STRANGERS PRETTY MUCH SEE YOU 783 00:38:23,669 --> 00:38:25,504 THE WAY YOU WANT THEM TO SEE YOU, 784 00:38:25,537 --> 00:38:28,807 BUT... YOU CAN'T FOOL FRIENDS. 785 00:38:30,409 --> 00:38:32,744 THAT'S WHAT MAKES THEM FRIENDS. 786 00:38:35,581 --> 00:38:38,950 THAT CORNER OF THE PARK IS GOING TO BE A SAFE PLACE 787 00:38:38,984 --> 00:38:42,087 WHERE YOU CAN GO AND SIT, READ A BOOK, 788 00:38:42,120 --> 00:38:44,423 AND JUST THINK. 789 00:38:44,456 --> 00:38:46,825 YOU SHOULD THINK ABOUT ALISON WHILE YOU'RE THERE. 790 00:38:46,858 --> 00:38:50,496 SHE'D WANT TO MAKE SURE YOU DIDN'T FORGET ABOUT HER. 791 00:38:51,930 --> 00:38:54,366 YOU DO SOMETHING LIKE THIS-- 792 00:38:54,400 --> 00:38:56,768 A MEMORIAL-- 793 00:38:56,802 --> 00:39:01,873 PARTLY BECAUSE YOU DON'T UNDERSTAND WHAT'S HAPPENED. 794 00:39:01,907 --> 00:39:06,077 SO, YOU-- YOU PLANT FLOWERS AND YOU PAINT TILES, AND... 795 00:39:07,613 --> 00:39:10,582 SOMEWHERE IN THE MIDDLE OF ALL THAT WORK, 796 00:39:10,616 --> 00:39:12,684 YOU STOP CRYING. 797 00:39:14,420 --> 00:39:17,088 I GUESS THAT'S THE POINT. 798 00:39:17,122 --> 00:39:20,492 SHE WOULD HAVE LIKED THAT YOU WERE ALL HERE. 799 00:39:20,526 --> 00:39:23,128 SHE WOULD HAVE LIKED THE ATTENTION. 800 00:39:23,161 --> 00:39:27,666 NO, ACTUALLY, SHE WOULD HAVE LOVED THE ATTENTION. 801 00:39:28,900 --> 00:39:31,770 IT WOULD HAVE MADE HER LAUGH. 802 00:39:33,439 --> 00:39:36,542 AND ALISON LAUGHING... 803 00:39:39,210 --> 00:39:41,112 THAT WAS AMAZING. 804 00:40:07,739 --> 00:40:09,741 WE THINK WE KNOW WHO WE ARE, 805 00:40:09,775 --> 00:40:11,777 BUT WE DON'T. 806 00:40:11,810 --> 00:40:13,912 NOT UNTIL SOMETHING BAD HAPPENS TO US, 807 00:40:13,945 --> 00:40:17,649 AND THEN ALL THE USELESS THINGS FALL AWAY, 808 00:40:17,683 --> 00:40:20,619 AND WE'RE LEFT WITH WHO WE REALLY ARE. 809 00:40:20,652 --> 00:40:23,655 I LEARNT THAT FROM ALISON DiLAURENTIS. 810 00:40:25,924 --> 00:40:29,661 MY WHOLE LIFE, I THOUGHT I KNEW WHO SHE WAS, 811 00:40:29,695 --> 00:40:33,932 BUT I FOUND OUT THE TRUTH WHEN SHE CAME AND TALKED TO ME AT THE HOSPITAL. 812 00:40:33,965 --> 00:40:35,667 I FOUND OUT 813 00:40:35,701 --> 00:40:38,937 THAT SHE WAS THE STRONGEST PERSON 814 00:40:38,970 --> 00:40:41,006 THAT I HAD EVER MET. 815 00:40:41,039 --> 00:40:44,976 AND IT'S HER STRENGTH THAT TOUCHED SO MANY PEOPLE. 816 00:40:45,010 --> 00:40:46,244 SHAPED THEM. 817 00:40:46,277 --> 00:40:48,647 THAT'S HER REAL LEGACY. 818 00:40:48,680 --> 00:40:51,583 THAT'S HOW HER MEMORY WILL ENDURE, 819 00:40:51,617 --> 00:40:54,920 IN THE ACTIONS OF THOSE SHE INSPIRED 820 00:40:54,953 --> 00:40:58,857 IN SO MANY DIFFERENT WAYS. 821 00:40:58,890 --> 00:41:01,026 FROM ALL OF US... 822 00:41:01,059 --> 00:41:02,894 THANK YOU, ALISON. 823 00:41:02,928 --> 00:41:04,930 ( thunder crashes ) 824 00:41:09,668 --> 00:41:11,770 ( sighs ) I NEED SUGAR. 825 00:41:11,803 --> 00:41:13,872 ME TOO. I'M BUYING. 826 00:41:16,842 --> 00:41:18,143 THAT WAS MY FOLKS. 827 00:41:18,176 --> 00:41:19,978 THEY SAY THANKS. 828 00:41:20,011 --> 00:41:21,146 SO DO I. 829 00:41:22,180 --> 00:41:23,582 YOU'RE WELCOME. 830 00:41:23,615 --> 00:41:27,085 AND I WANT YOU GIRLS TO HAVE SOMETHING. 831 00:41:27,118 --> 00:41:29,588 THE POLICE RETURNED THIS TO MY FAMILY. 832 00:41:29,621 --> 00:41:31,256 I THINK YOU SHOULD HAVE IT. 833 00:41:33,024 --> 00:41:35,594 THE POLICE GAVE THAT TO YOU? 834 00:41:35,627 --> 00:41:37,863 ALISON WAS WEARING IT. 835 00:41:37,896 --> 00:41:39,865 YOU MEAN WHEN THEY FOUND HER? 836 00:41:39,898 --> 00:41:42,133 AFTER LISTENING TODAY, 837 00:41:42,167 --> 00:41:45,103 I JUST... THOUGHT YOU SHOULD HAVE IT. 838 00:41:48,339 --> 00:41:49,708 I'LL BE IN TOUCH. 839 00:41:54,079 --> 00:41:55,914 IF THAT'S ALISON'S BRACELET, 840 00:41:55,947 --> 00:41:57,983 WHAT ABOUT THE ONE WE FOUND IN THE WOODS? 841 00:41:58,016 --> 00:42:00,819 I-I DON'T KNOW. 842 00:42:00,852 --> 00:42:04,122 SOMEONE MADE A COPY OF ALISON'S BRACELET. 843 00:42:04,155 --> 00:42:06,592 YEAH, AND MADE SURE THAT WE WOULD FIND IT. 844 00:42:12,130 --> 00:42:15,200 ( thunder crashes )