1 00:00:02,085 --> 00:00:04,045 ♪♪ 2 00:00:13,596 --> 00:00:15,515 [ ENGINE TURNS OFF ] 3 00:00:21,312 --> 00:00:23,106 [ VEHICLE APPROACHING ] 4 00:00:35,785 --> 00:00:37,912 [ ENGINE TURNS OFF ] 5 00:01:10,737 --> 00:01:13,406 FUNNY THING. YOU HAVE MUD COVERING BOTH OF YOUR -- 6 00:01:13,490 --> 00:01:15,116 [ GUNSHOT ] 7 00:01:18,411 --> 00:01:19,704 OHH! 8 00:01:35,178 --> 00:01:37,222 ♪♪ 9 00:01:42,393 --> 00:01:45,521 GREEN TEA WITH HONEY, AND A REDEYE, THREE EXTRA SHOTS. 10 00:01:45,604 --> 00:01:46,815 THANK YOU. 11 00:01:46,898 --> 00:01:49,526 YOU'RE DRINKING FOUR SHOTS OF ESPRESSO. 12 00:01:49,609 --> 00:01:52,195 YEAH, 'CAUSE THESE STUPID CUPS DON'T HOLD FIVE. 13 00:01:52,277 --> 00:01:55,782 SO I CAN TAKE THAT TO MEAN THAT YOU'RE NOT SLEEPING? 14 00:01:55,865 --> 00:01:59,786 ALMOST EVERY TIME I CLOSE MY EYES, I SEE HER FACE. 15 00:01:59,869 --> 00:02:02,872 I KNOW. SO DO I. 16 00:02:02,956 --> 00:02:05,250 I JUST CAN'T BELIEVE ALICE GOT OUT OF JAIL. 17 00:02:05,333 --> 00:02:08,919 I MEAN, WE WERE SO CLOSE. 18 00:02:09,002 --> 00:02:11,548 HOW DOES THAT MAKE YOU FEEL? 19 00:02:11,631 --> 00:02:13,174 BAD. 20 00:02:13,258 --> 00:02:15,718 AND MAD. 21 00:02:15,802 --> 00:02:17,387 AND SAD. 22 00:02:17,470 --> 00:02:19,347 STRONG FEELINGS. 23 00:02:19,430 --> 00:02:20,807 YOU CARE TO EXPLORE THEM? 24 00:02:20,890 --> 00:02:22,308 THEY'RE PRETTY SIMPLE. 25 00:02:22,392 --> 00:02:24,435 WELL, BUT WHAT'S BEHIND THEM IS NOT. 26 00:02:24,519 --> 00:02:27,397 AND YOU HAVE BEEN THROUGH SO MUCH. 27 00:02:27,480 --> 00:02:29,440 I MEAN, LOOK INSIDE. WHAT DO YOU SEE? 28 00:02:29,524 --> 00:02:34,612 I'M EVEN MADDER AND... SADDER. 29 00:02:34,696 --> 00:02:36,072 NOTHING ELSE? 30 00:02:36,155 --> 00:02:37,406 NO, I -- [ SIGHS ] 31 00:02:37,490 --> 00:02:39,576 I DON'T KNOW WHY THIS WOMAN IS OBSESSED WITH ME. 32 00:02:39,659 --> 00:02:42,704 I TALKED TO HER ONCE AT THE POLICE ACADEMY. 33 00:02:42,787 --> 00:02:45,456 I DON'T KNOW WHAT I'VE DONE OR WHAT SHE THINKS I'VE DONE. 34 00:02:45,540 --> 00:02:47,750 I JUST -- I DON'T WHERE SHE IS, 35 00:02:47,834 --> 00:02:50,837 AND UNTIL I HAVE ANSWERS, I JUST -- 36 00:02:50,920 --> 00:02:53,214 THIS IS IT. 37 00:02:53,298 --> 00:02:55,383 BAD, SAD, MAD. 38 00:02:55,466 --> 00:02:57,051 EXACTLY. 39 00:02:59,262 --> 00:03:01,222 THANKS FOR UNDERSTANDING. 40 00:03:02,390 --> 00:03:03,766 OKAY, I'M GONNA GO. 41 00:03:03,850 --> 00:03:05,268 WELL, WHAT ARE YOU GONNA DO? 42 00:03:05,351 --> 00:03:06,811 I'M GONNA GO FIND HER. 43 00:03:08,313 --> 00:03:09,731 IT WAS NICE HAVING COFFEE WITH YOU. 44 00:03:09,814 --> 00:03:11,399 YEAH, GOOD TALK. 45 00:03:12,817 --> 00:03:15,862 ♪♪ 46 00:03:34,380 --> 00:03:37,425 [ INDISTINCT CONVERSATIONS ] 47 00:03:37,508 --> 00:03:38,801 [ SIGHS ] 48 00:03:38,885 --> 00:03:41,304 FOUR YEARS FOR POSSESSION WITH INTENT TO DISTRIBUTE. 49 00:03:41,387 --> 00:03:43,305 SO ALICE SANDS IS A DRUG DEALER. 50 00:03:43,389 --> 00:03:45,475 THAT EXPLAINS WHERE SHE GOT ALL THE CASH 51 00:03:45,558 --> 00:03:47,393 TO BE ABLE TO SCREW WITH MY LIFE. 52 00:03:47,477 --> 00:03:49,312 I CALLED PAUL O'CONNELL. FROM THE DRUG UNIT. 53 00:03:49,395 --> 00:03:51,856 YEAH, HE'S THE GUY THAT ARRESTED ALICE AND PUT HER IN PRISON. 54 00:03:51,940 --> 00:03:53,316 HE'S EXPECTING YOU. 55 00:03:53,399 --> 00:03:54,692 OKAY. GREAT. 56 00:03:54,776 --> 00:03:56,694 WELL, THE GUARD WHO SUPERVISED ALICE SAND'S RELEASE 57 00:03:56,778 --> 00:03:58,821 SAW HER GET INTO A GOLD PLYMOUTH SATELLITE, 58 00:03:58,905 --> 00:04:00,031 BUT HE DIDN'T GET A PLATE. 59 00:04:00,114 --> 00:04:01,991 THEY STOPPED MAKING THOSE IN 1975. 60 00:04:02,075 --> 00:04:03,409 GREAT. 61 00:04:03,493 --> 00:04:04,911 I'LL PUT OUT A BOLO FOR THE MAKE, MODEL, AND COLOR. 62 00:04:04,994 --> 00:04:06,621 HE GET A LOOK AT THE DRIVER WHO PICKED HER UP? 63 00:04:06,704 --> 00:04:09,040 NO. BUT WE'RE PULLING VIDEO THAT MIGHT HAVE CAUGHT AN IMAGE. 64 00:04:09,123 --> 00:04:10,333 NOW THAT ALICE SANDS IS OUT, 65 00:04:10,416 --> 00:04:11,668 I WANT TO ARRANGE PROTECTION, JANE. 66 00:04:11,751 --> 00:04:13,670 NO. 67 00:04:13,753 --> 00:04:15,004 NO, THE LAST TIME YOU DID THAT, 68 00:04:15,088 --> 00:04:16,505 I ENDED UP IN AN APARTMENT ALL BY MYSELF. 69 00:04:16,589 --> 00:04:17,632 JANE. 70 00:04:17,714 --> 00:04:18,800 WHAT -- YOU'RE GETTING MARRIED TODAY. 71 00:04:18,882 --> 00:04:19,841 CAN'T MISS THAT. 72 00:04:19,926 --> 00:04:21,844 CAN I? 73 00:04:21,928 --> 00:04:23,054 WHA-- I -- 74 00:04:23,137 --> 00:04:25,181 [ STUTTERS MOCKINGLY ] THAT'S WHAT I THOUGHT. 75 00:04:29,102 --> 00:04:31,229 WE ONLY CAUGHT HER BECAUSE WE GOT LUCKY. 76 00:04:31,312 --> 00:04:33,982 SHE WAS PULLED OVER ON A ROUTINE TRAFFIC STOP, 77 00:04:34,065 --> 00:04:36,567 AND THERE WAS A BAG IN THE TRUNK WITH ENOUGH COCAINE IN IT 78 00:04:36,651 --> 00:04:38,611 TO BRING HER UP ON INTENT TO DISTRIBUTE. 79 00:04:38,695 --> 00:04:39,862 BUT BEFORE THAT, 80 00:04:39,946 --> 00:04:42,323 SHE'S NEVER BEEN ON OUR RADAR IN ANY WAY. 81 00:04:42,407 --> 00:04:44,200 OKAY, WELL, WHAT ABOUT THE REST OF HER OPERATION? 82 00:04:44,283 --> 00:04:47,829 WELL, SHE DIDN'T GIVE UP ANY INFORMATION ON IT. 83 00:04:47,912 --> 00:04:50,540 I MEAN, WE DUG AROUND -- LOOKED INTO POSSIBLE ASSOCIATES. 84 00:04:50,623 --> 00:04:51,582 WE CAME UP WITH NOTHING. 85 00:04:51,666 --> 00:04:53,876 SO YOU COULDN'T SHUT IT DOWN? 86 00:04:53,960 --> 00:04:55,211 NO. 87 00:04:55,294 --> 00:04:58,172 IF HER ORGANIZATION EXISTS, IT'S DEEP, DEEP UNDERGROUND. 88 00:04:58,256 --> 00:05:00,425 WELL, THERE'S GOT TO BE SOMETHING. 89 00:05:00,508 --> 00:05:01,676 I MEAN, A PAPER TRAIL 90 00:05:01,759 --> 00:05:03,845 OR SOMETHING FROM ANOTHER INVESTIGATION. 91 00:05:03,928 --> 00:05:07,515 I'M SORRY, DETECTIVE. I GOT TO GO. I'M ON A STAKEOUT. 92 00:05:07,598 --> 00:05:10,643 GOOD LUCK FINDING A DRUG RING THAT THE DRUG UNIT COULDN'T. 93 00:05:11,978 --> 00:05:14,022 ♪♪ 94 00:05:17,150 --> 00:05:20,153 IT'S HARD TO BELIEVE THAT'S ALICE SANDS' DAD. 95 00:05:20,236 --> 00:05:21,112 YEP. 96 00:05:21,195 --> 00:05:22,030 SUPERCOP. 97 00:05:22,113 --> 00:05:23,239 DAMN STRAIGHT. 98 00:05:23,322 --> 00:05:25,575 SOMEONE SHOULD MAKE A MOVIE ABOUT HIM. 99 00:05:25,658 --> 00:05:28,619 NO ONE WOULD BELIEVE IT. THIS GUY WAS AMAZING. 100 00:05:28,703 --> 00:05:30,580 AND HIS BROTHER. HIS DAD, TOO. 101 00:05:30,663 --> 00:05:33,791 THE FANTASTIC THREE. 102 00:05:33,875 --> 00:05:35,376 WHY DID ALICE BREAK THE MOLD? 103 00:05:35,460 --> 00:05:38,337 BECAUSE MARVEL HAD THE RIGHTS TO "FANTASTIC FOUR?" 104 00:05:38,421 --> 00:05:40,715 NERD HUMOR. NICE. 105 00:05:40,798 --> 00:05:42,050 [ BOTH CHUCKLE ] 106 00:05:42,133 --> 00:05:43,426 HEY. 107 00:05:43,509 --> 00:05:45,553 SO I LEFT FOUR MESSAGES FOR DETECTIVE McFADDEN, 108 00:05:45,636 --> 00:05:48,681 AND I FINALLY GOT ONE BACK -- "LEAVE ME ALONE." 109 00:05:48,765 --> 00:05:49,557 I'LL GO. 110 00:05:49,640 --> 00:05:50,600 YOU KNOW HIM? 111 00:05:50,683 --> 00:05:52,018 NO, BUT I KNOW HIS LANGUAGE. 112 00:05:52,101 --> 00:05:52,935 YOU HAVE AN ADDRESS? 113 00:05:53,019 --> 00:05:55,104 I'LL TEXT IT TO YOU. 114 00:05:55,188 --> 00:05:57,565 OKAY. 115 00:05:58,691 --> 00:06:00,276 ♪♪ 116 00:06:00,359 --> 00:06:01,778 [ TELEPHONE RINGS ] 117 00:06:01,861 --> 00:06:02,945 HEY. 118 00:06:03,029 --> 00:06:04,614 WHAT'D YOU FIND OUT FROM O'CONNELL? 119 00:06:04,697 --> 00:06:07,283 THAT ALICE KNEW HOW TO KEEP HER DRUG BUSINESS COMPLETELY BURIED. 120 00:06:07,366 --> 00:06:09,243 -WE ALREADY KNEW THAT. -YEAH. 121 00:06:09,327 --> 00:06:11,329 DID YOU GET A LIST OF HER VISITORS WHILE SHE WAS IN JAIL? 122 00:06:11,412 --> 00:06:13,289 IT'S BIZARRE. SHE DIDN'T HAVE ANY. 123 00:06:13,372 --> 00:06:14,290 WHAT? 124 00:06:14,373 --> 00:06:16,292 SHE WAS THERE FOR FOUR YEARS. 125 00:06:16,375 --> 00:06:17,627 NOT ONE VISITOR. 126 00:06:17,710 --> 00:06:20,755 THIS WOMAN LEAVES NO TRACE OF ANYTHING BEHIND HER. 127 00:06:20,838 --> 00:06:22,298 JANE, WE GOT A HIT ON THE GOLD PLYMOUTH. 128 00:06:22,381 --> 00:06:24,050 IT WAS INVOLVED IN A MURDER IN MAINE THIS MORNING. 129 00:06:26,302 --> 00:06:28,638 Nina: THE CAR BELONGS TO A WOMAN NAMED WENDY ALLEN 130 00:06:28,721 --> 00:06:30,223 WHO WAS AT MCI FRAMINGHAM. 131 00:06:30,306 --> 00:06:31,808 THE SAME TIME AS ALICE? 132 00:06:31,891 --> 00:06:33,267 CELLMATES. 133 00:06:33,351 --> 00:06:34,811 WENDY WAS IN FOR PROSTITUTION AND MINOR DRUG CHARGES. 134 00:06:34,894 --> 00:06:37,688 SERVED 11 MONTHS. RELEASED TWO WEEKS AGO. 135 00:06:37,772 --> 00:06:38,606 HERE SHE IS IN MAINE. 136 00:06:38,689 --> 00:06:39,982 [ COMPUTER BEEPS ] 137 00:06:40,066 --> 00:06:41,818 BOTH THE SHOOTER AND WENDY ARE STILL AT LARGE. 138 00:06:41,901 --> 00:06:43,778 THAT'S WENDY COMING OUT OF THE STORE 139 00:06:43,861 --> 00:06:45,279 AFTER THE TROOPER IS SHOT. 140 00:06:45,363 --> 00:06:47,031 DO WE HAVE FOOTAGE OF THE DRIVER? 141 00:06:47,115 --> 00:06:48,282 NO. 142 00:06:48,366 --> 00:06:50,201 SO WE CAN'T BE SURE THAT'S ALICE SANDS. 143 00:06:50,284 --> 00:06:52,578 SHE SHOT A COP AND LEFT HER CELLMATE BEHIND. 144 00:06:52,662 --> 00:06:53,996 THAT'S HER. 145 00:06:54,080 --> 00:06:55,498 TELL THE LOCALS WE'RE ON OUR WAY. COME ON, FRANKIE. 146 00:06:55,581 --> 00:06:58,292 IT'S HER TURN TO BE CHASED. 147 00:07:01,629 --> 00:07:04,465 [ DRONE BLADES WHIRRING ] 148 00:07:04,549 --> 00:07:07,135 ♪♪ 149 00:07:07,218 --> 00:07:11,806 REQUEST PERMISSION TO EXPAND THE SEARCH AREA. 150 00:07:11,889 --> 00:07:12,932 STAY WITH QUADRANTS A AND B. 151 00:07:13,015 --> 00:07:14,142 SHE'S GOT THE RIVER ON ONE SIDE. 152 00:07:14,225 --> 00:07:15,518 WE COVERED THE ROAD ON THE OTHER. 153 00:07:15,601 --> 00:07:16,811 COPY THAT. 154 00:07:16,894 --> 00:07:18,604 GUN'S STILL HOLSTERED, 155 00:07:18,688 --> 00:07:20,398 SO HE DIDN'T FEEL LIKE HE WAS IN DANGER. 156 00:07:20,481 --> 00:07:22,358 SINGLE GUNSHOT WOUND TO THE CHEST. 157 00:07:22,441 --> 00:07:23,609 DIED INSTANTLY. 158 00:07:23,693 --> 00:07:26,237 THIS WASN'T A MURDER. IT WAS AN EXECUTION. 159 00:07:27,113 --> 00:07:29,282 I'M SORRY. THIS MUST BE VERY DIFFICULT FOR YOU. 160 00:07:30,616 --> 00:07:32,618 WE GOT A GOOD PRINT OFF THE BROKEN WINE BOTTLE. 161 00:07:32,702 --> 00:07:33,911 BELONGS TO WENDY ALLEN. 162 00:07:33,995 --> 00:07:35,872 UH, WE CAN HAVE OUR OFFICER IN OUR BRIC 163 00:07:35,955 --> 00:07:37,373 SEND YOU EVERYTHING WE HAVE. 164 00:07:37,456 --> 00:07:39,041 NO, WE'RE GOOD. 165 00:07:39,125 --> 00:07:41,085 ARE YOU SURE, BECAUSE -- GET RAMIREZ ON IT. 166 00:07:43,296 --> 00:07:44,881 TROOPER, DO YOU HAVE A PROBLEM WITH US BEING HERE? 167 00:07:44,964 --> 00:07:46,757 I NEVER HAVE PROBLEMS ON MY CRIME SCENES. 168 00:07:46,841 --> 00:07:49,218 THERE'S MUD UNDERNEATH HIS NAILS. 169 00:07:49,302 --> 00:07:51,929 WELL, YEAH, THE SECURITY VIDEO CAUGHT HIM 170 00:07:52,013 --> 00:07:53,598 WIPING IT OFF THE LICENSE PLATE. 171 00:07:53,681 --> 00:07:55,057 HE COULDN'T READ THE NUMBERS. 172 00:07:55,141 --> 00:07:56,517 YEAH, BECAUSE SHE COVERED THEM UP. 173 00:07:56,601 --> 00:07:58,519 WELL, I'D LIKE TO GET A SAMPLE OF THIS MUD. 174 00:07:58,603 --> 00:07:59,896 IF WE KNOW ITS ORIGIN, 175 00:07:59,979 --> 00:08:01,230 WE KNOW WHERE ALICE SANDS WAS PRIOR TO COMING HERE. 176 00:08:01,314 --> 00:08:02,565 OUR M.E.'S ON THE WAY FROM LEWISTON. 177 00:08:02,648 --> 00:08:04,150 I'D LIKE HIM TO SECURE THE EVIDENCE. 178 00:08:04,233 --> 00:08:06,068 WHO I'M SURE IS EXCELLENT, BUT DR. ISLES IS THE BEST. 179 00:08:06,152 --> 00:08:07,320 WE'LL HANDLE IT. 180 00:08:07,403 --> 00:08:08,988 FREDERICKSON, MAKE SURE THE SCENE STAYS FRESH. 181 00:08:09,071 --> 00:08:11,866 OKAY, DID YOUR OFFICE TELL YOU OUR CONNECTION THIS CASE? 182 00:08:11,949 --> 00:08:14,994 I BELIEVE THE WOMAN THAT YOU'RE LOOKING FOR IS ALICE SANDS. 183 00:08:15,077 --> 00:08:16,329 SHE'S AN EX-CON 184 00:08:16,412 --> 00:08:19,207 WHO'S BEEN TARGETING ME AND MY FAMILY FOR WEEKS. 185 00:08:19,290 --> 00:08:20,750 AND TROOPER JUSTER IS LIKE FAMILY TO ME, 186 00:08:20,832 --> 00:08:22,084 SO IT'S PERSONAL FOR ALL OF US. 187 00:08:22,168 --> 00:08:24,253 GREAT! THEN LET'S WORK TOGETHER AND -- 188 00:08:24,337 --> 00:08:25,296 OFFICER. 189 00:08:25,379 --> 00:08:27,173 NOT LONG AGO, I WAS ABDUCTED. 190 00:08:27,256 --> 00:08:28,216 CHLOROFORMED. 191 00:08:28,299 --> 00:08:29,258 MY HANDS WERE BOUND. 192 00:08:29,342 --> 00:08:30,718 HE HIT ME. 193 00:08:30,801 --> 00:08:32,510 OH, THAT'S AWFUL. 194 00:08:32,595 --> 00:08:34,889 ALL THAT WAS DONE AT THE BEHEST OF THE WOMAN WE'RE CHASING, 195 00:08:34,972 --> 00:08:36,432 WHO MOST LIKELY KILLED YOUR FRIEND. 196 00:08:36,515 --> 00:08:38,808 [ STATIC CRACKLES ] WILLIAMS: J.D., it's Williams. 197 00:08:38,893 --> 00:08:40,019 GO. 198 00:08:40,102 --> 00:08:42,355 Dogs picked up a scent. Quadrant B, west. 199 00:08:42,438 --> 00:08:43,898 We think it's Wendy Allen. 200 00:08:43,981 --> 00:08:46,067 ON MY WAY. LET'S GO. 201 00:08:46,150 --> 00:08:48,110 THANKS. 202 00:08:48,194 --> 00:08:49,987 FRANKIE. 203 00:08:50,071 --> 00:08:51,656 JANE. 204 00:08:51,739 --> 00:08:53,783 I'M GONNA TAKE THE SAMPLES BACK TO BOSTON FOR ANALYSIS. 205 00:08:53,866 --> 00:08:54,825 OKAY. I'LL SEE YOU THERE. 206 00:08:54,909 --> 00:08:57,411 WE NEED TO TAKE HER ALIVE. 207 00:08:57,495 --> 00:08:59,914 NO GUARANTEES. 208 00:09:01,374 --> 00:09:04,418 ♪♪ 209 00:09:06,170 --> 00:09:07,421 Man: WHO THE HELL IS IT? 210 00:09:08,714 --> 00:09:11,467 OH, COME ON. 211 00:09:11,550 --> 00:09:14,387 OH, NO, NO, NO. I'M THROUGH WITH COPS. 212 00:09:14,470 --> 00:09:16,973 McFADDEN, IT'S VINCE KORSAK. 213 00:09:17,056 --> 00:09:17,974 I BROUGHT A FRIEND. 214 00:09:18,057 --> 00:09:18,975 I GOT SCOTCH. 215 00:09:19,058 --> 00:09:20,643 COME ON. ONE DRINK. 216 00:09:20,726 --> 00:09:22,687 I WON'T BE LONG. I'M ON THE WAY TO A WEDDING. 217 00:09:22,770 --> 00:09:25,856 REALLY? WHO'S GETTING MARRIED? 218 00:09:25,940 --> 00:09:27,483 I AM. 219 00:09:27,567 --> 00:09:28,442 WELL, GOOD LUCK. 220 00:09:28,526 --> 00:09:30,236 FOURTH TIME'S THE CHARM, HUH? 221 00:09:30,319 --> 00:09:32,738 FOURTH? [ CHUCKLES ] 222 00:09:38,411 --> 00:09:40,496 ♪♪ 223 00:09:43,415 --> 00:09:44,333 DEWEY. IT'S J.D. 224 00:09:44,417 --> 00:09:45,793 ANY VISUAL ON THE SUSPECT? 225 00:09:45,876 --> 00:09:47,253 Dewey: No, sir. 226 00:09:47,336 --> 00:09:48,504 WIDEN THE SEARCH AREA. 227 00:09:48,587 --> 00:09:51,465 Copy that. Proceeding to Quadrants C and D. 228 00:09:53,884 --> 00:09:55,928 [ DOG BARKS, GUNSHOT ] 229 00:09:58,055 --> 00:10:00,433 WATCH THE HUNTING BLINDS. 230 00:10:33,883 --> 00:10:36,010 MAYOR'S CITATION FOR BRAVERY. 231 00:10:36,093 --> 00:10:37,219 MEDAL OF VALOR. 232 00:10:37,303 --> 00:10:39,180 POLICE OFFICER OF THE YEAR? 233 00:10:39,263 --> 00:10:42,808 YEAH, YEAH. LOTS OF RIBBONS AND PLAQUES. 234 00:10:42,892 --> 00:10:46,395 NOTHING FOR "FATHER OF THE YEAR". 235 00:10:46,479 --> 00:10:48,564 I MEAN, THAT'S WHAT YOU WANT TO KNOW ABOUT, ISN'T IT? 236 00:10:48,647 --> 00:10:50,941 ALICE COMES FROM A FAMILY OF DECORATED COPS. 237 00:10:51,025 --> 00:10:51,859 MM. 238 00:10:51,942 --> 00:10:53,861 SHE TOOK A DIFFERENT PATH. 239 00:10:53,944 --> 00:10:55,071 IT'S CURIOUS. 240 00:10:55,154 --> 00:10:57,656 IT'S A LOT MORE THAN CURIOUS. 241 00:10:57,740 --> 00:10:58,908 THIS IS TRAGIC. 242 00:10:58,991 --> 00:11:01,202 THAT'S MY DAUGHTER, DETECTIVE. 243 00:11:01,285 --> 00:11:02,328 AND EVEN SO, 244 00:11:02,411 --> 00:11:03,996 SHE'D BE THE ONE I'D BE LOOKING FOR 245 00:11:04,080 --> 00:11:05,664 IF I WAS STILL ON THE FORCE. 246 00:11:05,748 --> 00:11:07,750 NOBODY'S POINTING A FINGER AT YOU. 247 00:11:07,833 --> 00:11:10,753 WELL, MAYBE THEY SHOULD. 248 00:11:12,338 --> 00:11:17,593 LOOK, I THINK ABOUT THIS ALL THE TIME. 249 00:11:17,676 --> 00:11:18,969 [ SIGHS ] 250 00:11:19,053 --> 00:11:21,555 MY ALICE WAS PERFECT IN HIGH SCHOOL. 251 00:11:21,639 --> 00:11:25,017 SHE WAS VALEDICTORIAN, CAP-- 252 00:11:28,104 --> 00:11:30,940 CAPTAIN OF THE SOFTBALL TEAM. 253 00:11:31,023 --> 00:11:34,318 AND THERE'S EVERY REASON TO BELIEVE 254 00:11:34,402 --> 00:11:35,986 THAT SHE WOULD HAVE GRADUATED 255 00:11:36,070 --> 00:11:37,905 FIRST IN HER CLASS AT THE ACADEMY. 256 00:11:37,988 --> 00:11:40,366 BUT THEN, ALL OF A SUDDEN, EVERYTHING WENT SIDEWAYS. 257 00:11:40,449 --> 00:11:42,118 SOMETHING HAPPEN? 258 00:11:42,201 --> 00:11:46,956 SHE DIDN'T DO AS WELL AS I'D HOPED, AS SHE HAD HOPED. 259 00:11:47,039 --> 00:11:50,793 SHE RESIGNED. I MEAN, SHE QUIT. 260 00:11:50,876 --> 00:11:52,962 SHE SAID SHE DIDN'T HAVE THE HEART FOR IT ANYMORE, 261 00:11:53,045 --> 00:11:54,755 AND THE ONLY REASON WHY SHE WAS THERE 262 00:11:54,839 --> 00:11:57,633 WAS BECAUSE SHE WAS, UH -- 263 00:11:57,716 --> 00:11:59,802 SHE WAS A McFADDEN. 264 00:11:59,885 --> 00:12:01,470 WHAT'D ALICE DO AFTER THAT? 265 00:12:01,554 --> 00:12:05,641 IT WASN'T COP BUSINESS, SO I JUST DIDN'T CARE. 266 00:12:05,724 --> 00:12:08,436 IT'S, UH -- AFTER SHE GOT ARRESTED... 267 00:12:08,519 --> 00:12:11,313 [ CHUCKLES ] I SURE LEARNED A LOT, DIDN'T I? 268 00:12:11,397 --> 00:12:13,065 DID YOU VISIT HER IN PRISON? 269 00:12:13,149 --> 00:12:15,776 HELL, NO. 270 00:12:15,860 --> 00:12:18,320 I HAVEN'T TALKED TO ALICE 271 00:12:18,404 --> 00:12:21,866 SINCE SHE, UH, GOT HER INMATE NUMBER. 272 00:12:21,949 --> 00:12:25,494 AND NOBODY IN MY FAMILY HAS, EITHER. 273 00:12:25,578 --> 00:12:27,288 LOOK, THAT'S IT. THAT'S EVERYTHING, ALL RIGHT? 274 00:12:27,371 --> 00:12:29,331 THAT'S HIGH SCHOOL, THAT'S THE ACADEMY. 275 00:12:29,415 --> 00:12:31,500 YOU MIND IF I TAKE THAT DOWN TO THE STATION? 276 00:12:31,584 --> 00:12:32,626 PLEASE DO. 277 00:12:32,710 --> 00:12:34,003 I'LL MAKE SURE YOU GET EVERYTHING BACK. 278 00:12:34,086 --> 00:12:35,296 NO NEED, DETECTIVE. 279 00:12:35,379 --> 00:12:37,798 NO NEED. 280 00:12:39,550 --> 00:12:42,178 ♪♪ 281 00:12:42,261 --> 00:12:45,014 Angela: IT'S SO ROMANTIC. 282 00:12:45,097 --> 00:12:47,475 I MEAN, THIS IS JUST ALL ABOUT THEM. 283 00:12:47,558 --> 00:12:49,518 I THINK IT'S BEAUTIFUL. 284 00:12:49,602 --> 00:12:51,353 IT STILL MAKES ME -- 285 00:12:51,437 --> 00:12:54,023 NERVOUS? YES. 286 00:12:55,566 --> 00:12:58,694 WHY? DO YOU THINK I'M GOING TO PROPOSE TO YOU? 287 00:12:58,777 --> 00:13:00,029 WHAT? 288 00:13:00,112 --> 00:13:03,741 [ LAUGHS ] 289 00:13:03,824 --> 00:13:04,617 [ SIGHS ] 290 00:13:04,700 --> 00:13:06,827 DON'T WORRY. YOU'RE SAFE. 291 00:13:06,911 --> 00:13:07,828 MM. 292 00:13:07,912 --> 00:13:08,871 FEEL BETTER? 293 00:13:08,954 --> 00:13:09,830 OH, YEAH. 294 00:13:09,914 --> 00:13:11,457 [ BOTH LAUGH ] 295 00:13:11,540 --> 00:13:13,167 I WON'T WEAR IT. 296 00:13:13,250 --> 00:13:15,169 IT'S A TINY NOD TO PROPRIETY. 297 00:13:15,252 --> 00:13:16,420 DO IT FOR ME. 298 00:13:16,504 --> 00:13:18,464 OH, I'M SORRY, MIMI, BUT THIS IS FOR ME AND VINCE. 299 00:13:18,547 --> 00:13:20,466 WE'RE HAVING EXACTLY THE WEDDING WE WANT. 300 00:13:20,549 --> 00:13:22,051 Carter: SPEAKING OF VINCE, KIKI. 301 00:13:22,134 --> 00:13:23,719 I HAVE SOME REAL TIME RESTRAINTS TODAY. 302 00:13:23,802 --> 00:13:25,638 YEAH, YES. I'LL TRY HIM AGAIN. 303 00:13:25,721 --> 00:13:27,348 NO. 304 00:13:27,431 --> 00:13:30,226 HELLO, FUTURE MRS. KORSAK. 305 00:13:30,309 --> 00:13:32,102 OH. I AM SO GLAD YOU'RE HERE. 306 00:13:32,186 --> 00:13:33,312 [ CELLPHONE BEEPS ] [ CHUCKLES ] 307 00:13:33,395 --> 00:13:35,272 OH, WOW. OH. 308 00:13:35,356 --> 00:13:36,732 WOW. YOU LOOK -- 309 00:13:36,815 --> 00:13:38,609 OH, THANK YOU. 310 00:13:38,692 --> 00:13:39,485 AND WOW. 311 00:13:39,568 --> 00:13:40,945 YOU KNOW. OH. 312 00:13:41,028 --> 00:13:42,196 Angela: HEY, WHERE WERE YOU? 313 00:13:42,279 --> 00:13:43,572 RON WAS WORRIED. 314 00:13:43,656 --> 00:13:45,282 NOTHING TO DO WITH YOU. 315 00:13:45,366 --> 00:13:48,244 SO IT DOES HAVE TO DO WITH ME? 316 00:13:48,327 --> 00:13:51,580 I THINK I'M GONNA GET SOMETHING FROM THE BAR. 317 00:13:51,664 --> 00:13:53,207 IT'S NOT OPEN. 318 00:13:53,290 --> 00:13:54,375 SURE, IT IS. 319 00:13:54,458 --> 00:13:56,210 OOH, I CAN HELP MYSELF. 320 00:13:56,293 --> 00:13:57,836 OH. [ CHUCKLES ] 321 00:13:57,920 --> 00:13:59,588 ARE YOU READY? ABSOLUTELY. 322 00:13:59,672 --> 00:14:01,632 GREAT. LET'S DO THIS. 323 00:14:01,715 --> 00:14:03,509 MAURA CALLED. JANE'S GONNA BE A LITTLE LATE. 324 00:14:03,592 --> 00:14:05,469 OH. UH, WHERE'S MAURA? 325 00:14:05,553 --> 00:14:06,971 SHE'S ACROSS AT THE LAB RUNNING SOME TESTS. 326 00:14:07,054 --> 00:14:08,430 SHE'LL COME OVER WHEN I GIVE THE WORD. 327 00:14:08,514 --> 00:14:09,848 OKAY. VINCE. 328 00:14:09,932 --> 00:14:11,433 WE'RE GONNA LOSE JUDGE CARTER. 329 00:14:11,517 --> 00:14:12,768 EVERYTHING WILL BE ALL RIGHT. 330 00:14:12,851 --> 00:14:13,936 I'M GONNA CALL JANE AND GET AN EXACT TIME. 331 00:14:14,019 --> 00:14:17,147 OKAY. [ CELLPHONE BEEPS ] 332 00:14:17,231 --> 00:14:20,442 [ CELLPHONE BUZZES ] 333 00:14:20,526 --> 00:14:22,611 [ CELLPHONE BEEPS ] 334 00:14:25,531 --> 00:14:27,032 [ SIGHS ] 335 00:14:27,116 --> 00:14:29,368 [ CELLPHONE BEEPS ] SHE'S NOT PICKING UP. 336 00:14:29,451 --> 00:14:31,870 PROBABLY DRIVING. I BET SHE'S RIGHT AROUND THE CORNER. 337 00:14:40,754 --> 00:14:41,797 [ CRUNCH ] 338 00:14:41,880 --> 00:14:43,215 [ GUN COCKS ] 339 00:14:43,299 --> 00:14:46,343 YOU'RE TALLER THAN I EXPECTED. 340 00:14:51,557 --> 00:14:53,309 DROP THE GUN. 341 00:15:00,566 --> 00:15:01,817 [ GUN CLATTERS ] 342 00:15:01,900 --> 00:15:05,321 YOU KNOW WHAT ALICE DID TO ME. 343 00:15:05,404 --> 00:15:06,780 CAN YOU IMAGINE WHAT SHE'S GONNA DO TO YOU 344 00:15:06,864 --> 00:15:08,115 WHEN SHE DOESN'T NEED YOU ANYMORE? 345 00:15:08,198 --> 00:15:10,200 KEEP TALKING WHILE YOU CAN. 346 00:15:10,284 --> 00:15:11,827 SHE LEFT YOU AT THE STATION. 347 00:15:11,910 --> 00:15:14,163 SHE LEFT YOU OUT HERE TO FEND FOR YOURSELF. 348 00:15:14,246 --> 00:15:15,372 SHE'S GOT A PLAN. 349 00:15:15,456 --> 00:15:17,124 SHE TELL YOU THAT PLAN? 350 00:15:17,207 --> 00:15:18,292 SHUT UP. 351 00:15:18,375 --> 00:15:20,628 [ SIGHS ] 352 00:15:20,711 --> 00:15:22,421 YOU BETTER START THINKING ABOUT YOURSELF, WENDY. 353 00:15:23,922 --> 00:15:26,133 BECAUSE ALICE ONLY THINKS ABOUT HERSELF. 354 00:15:27,593 --> 00:15:28,844 SHE LOVES ME. 355 00:15:28,927 --> 00:15:30,721 LIKE SHE LOVED JOE HARRIS? SHE HAD SEX WITH HIM. 356 00:15:30,804 --> 00:15:33,307 FOR A MAN, THAT'S AS GOOD AS LOVE. 357 00:15:33,390 --> 00:15:34,850 SO SHE WAS JUST USING HIM? THAT'S RIGHT. 358 00:15:34,933 --> 00:15:36,602 BUT SHE'S NOT USING YOU? 359 00:15:36,685 --> 00:15:39,063 SHUT...UP. 360 00:15:41,023 --> 00:15:42,691 YOU KNOW WHAT? FINE. 361 00:15:42,775 --> 00:15:45,319 LET'S SAY ALICE DOES LOVE YOU. 362 00:15:45,402 --> 00:15:47,196 SHE KILLED A STATE TROOPER. 363 00:15:47,279 --> 00:15:49,990 THESE WOODS ARE FULL OF ANGRY TROOPERS. 364 00:15:50,074 --> 00:15:52,159 YOU GETTING SHOT. WAS THAT PART OF THE PLAN? 365 00:15:54,745 --> 00:15:56,163 I LOVE HER. 366 00:15:57,831 --> 00:15:59,540 OKAY. 367 00:15:59,625 --> 00:16:00,668 BUT YOU'RE NOT A KILLER. 368 00:16:00,751 --> 00:16:03,879 YOU'RE NOT. 369 00:16:06,423 --> 00:16:07,758 GIVE ME THE GUN. 370 00:16:17,726 --> 00:16:19,103 JANE: Korsak, I'm so sorry. 371 00:16:19,186 --> 00:16:20,854 WELL, YOU HAD A GUN TO YOUR HEAD. 372 00:16:20,938 --> 00:16:22,815 It's not like you stopped to catch a movie. 373 00:16:22,898 --> 00:16:24,733 YEAH, I KNOW, BUT I JUST -- I STILL FEEL BAD. 374 00:16:24,817 --> 00:16:26,235 You have that right. 375 00:16:26,318 --> 00:16:29,738 UM, JUST -- I'LL BE THERE AS SOON AS I CAN, OKAY? 376 00:16:29,822 --> 00:16:32,741 EH, WHAT'S A FEW HOURS BETWEEN FRIENDS WITH AN OPEN BAR? 377 00:16:32,825 --> 00:16:35,786 I'M MAKING MARGARITAS. 378 00:16:35,869 --> 00:16:37,746 [ CELLPHONE BUZZES ] 379 00:16:37,830 --> 00:16:40,374 IT'S NINA. JUST APOLOGIZE TO KIKI FOR ME. 380 00:16:40,457 --> 00:16:41,583 WILL DO. 381 00:16:41,667 --> 00:16:42,835 OKAY. 382 00:16:42,918 --> 00:16:44,378 [ CELLPHONE BEEPS ] NINA. 383 00:16:44,461 --> 00:16:47,089 WENDY'S FAMILY OWNS A CABIN AN HOUR FROM THE GAS STATION. 384 00:16:47,172 --> 00:16:50,426 I'M SURE THAT'S WHERE THEY WERE HEADED. 385 00:16:50,509 --> 00:16:51,927 IT'S ABOUT 45 MINUTES FROM THE CANADIAN BORDER. 386 00:16:52,010 --> 00:16:53,679 I'M SENDING YOU THE COORDINATES. 387 00:16:53,762 --> 00:16:55,139 OKAY, THANKS. 388 00:16:55,222 --> 00:16:57,349 [ CELLPHONE BEEPS ] WHERE'S MILLER? 389 00:16:57,433 --> 00:16:58,350 WHAT DO YOU GOT? 390 00:16:58,434 --> 00:16:59,852 GPS COORDINATES 391 00:16:59,935 --> 00:17:01,562 FOR A CABIN OWNED BY WENDY'S FAMILY. 392 00:17:01,645 --> 00:17:02,980 YOU THINK ALICE IS THERE? 393 00:17:03,063 --> 00:17:04,982 YEAH, I THINK THAT WAS HER PLAN. 394 00:17:11,195 --> 00:17:13,323 WHAT SURPRISES ME THE MOST 395 00:17:13,406 --> 00:17:15,617 IS THE MOISTURE RETENTION IN THIS SOIL. 396 00:17:15,701 --> 00:17:19,454 THE pH IS DECIDEDLY DIFFERENT THAN THE CRIME SCENE SAMPLES. 397 00:17:19,538 --> 00:17:21,790 MM-HMM. 398 00:17:21,874 --> 00:17:23,625 ARE YOU READING A COMIC BOOK? 399 00:17:23,709 --> 00:17:24,792 UH, YEAH. 400 00:17:24,877 --> 00:17:26,295 I FOUND THEM IN THE HIGH SCHOOL BOX. 401 00:17:26,377 --> 00:17:28,422 THESE "ARCHIES" ARE BY FAR THE MOST INTERESTING. 402 00:17:28,505 --> 00:17:30,799 REALLY? HOW SO? 403 00:17:30,883 --> 00:17:32,217 WELL, IN EVERY WAY. 404 00:17:32,301 --> 00:17:34,678 I MEAN, THIS GUY'S GOT A HELL OF A LOT GOING ON. 405 00:17:34,762 --> 00:17:35,804 KENT. 406 00:17:35,888 --> 00:17:38,057 OF COURSE. 407 00:17:38,140 --> 00:17:39,391 I DO HAVE A BREAKDOWN 408 00:17:39,475 --> 00:17:40,893 ON THE ORGANIC CARBON CONTENT OF THE SOIL 409 00:17:40,976 --> 00:17:42,603 AS WELL AS PARTICLE SIZE DISTRIBUTION 410 00:17:42,686 --> 00:17:43,645 AND BULK DENSITY. 411 00:17:43,729 --> 00:17:45,481 GREAT. I'D LIKE TO SEE IT. 412 00:17:45,564 --> 00:17:46,815 [ SIGHS ] 413 00:17:46,899 --> 00:17:48,817 YOU KNOW, I THINK PRINCIPAL WEATHERBEE'S 414 00:17:48,901 --> 00:17:50,277 FAR TOO HARD ON ARCHIE, 415 00:17:50,360 --> 00:17:52,196 AND I DON'T BELIEVE FOR ONE SECOND HE'S EX-MILITARY. 416 00:17:52,279 --> 00:17:55,324 IF I SAY I AGREE WITH YOU, CAN WE MOVE ON? 417 00:17:55,407 --> 00:17:57,826 OF COURSE. 418 00:18:00,621 --> 00:18:02,915 A LITTLE SPACE, KENT. 419 00:18:02,998 --> 00:18:05,501 [ KEYBOARD CLACKING ] 420 00:18:05,584 --> 00:18:07,961 [ COMPUTER BEEPS ] 421 00:18:08,045 --> 00:18:12,424 THERE'S NO WAY THE MUD ON THOSE PLATES IS FROM MAINE. 422 00:18:12,508 --> 00:18:15,052 NO, IT'S FROM THE BANKS OF THE CHARLES RIVER. 423 00:18:15,135 --> 00:18:16,929 HMM. 424 00:18:20,599 --> 00:18:22,684 [ POLICE RADIO CHATTER ] 425 00:18:28,315 --> 00:18:30,692 WHEN DID YOU TELL ALICE ABOUT THE FAMILY CABIN? 426 00:18:32,069 --> 00:18:34,488 WAS IT A FEW MONTHS AFTER YOU MET HER? 427 00:18:34,571 --> 00:18:36,240 HMM? 428 00:18:36,323 --> 00:18:37,241 MM. 429 00:18:37,324 --> 00:18:38,700 I'LL BET THAT YOU TOLD HER 430 00:18:38,784 --> 00:18:41,870 AND THEN QUICKLY, YOUR RELATIONSHIP GOT PHYSICAL, 431 00:18:41,954 --> 00:18:43,163 HUH? 432 00:18:43,247 --> 00:18:45,541 YOU WANTED ALICE, SHE WANTED THE CABIN. 433 00:18:45,624 --> 00:18:48,752 SHE USED YOU JUST LIKE SHE USED JOE HARRIS. 434 00:18:48,836 --> 00:18:50,212 STATE TROOPERS ARE AT THE CABIN. 435 00:18:50,295 --> 00:18:51,922 NOBODY'S THERE, BUT IT'S FULLY STOCKED 436 00:18:52,005 --> 00:18:54,383 AS IF TWO PEOPLE WERE GONNA BE THERE FOR A WHILE. 437 00:18:54,466 --> 00:18:55,467 CAR. 438 00:18:55,551 --> 00:18:57,094 NO TRACKS. 439 00:18:57,177 --> 00:18:59,721 MM. 440 00:18:59,805 --> 00:19:02,808 SO NO CAR, NO ALICE. 441 00:19:02,891 --> 00:19:05,185 I LOVE HER. 442 00:19:05,269 --> 00:19:07,145 SHE'S NOT CAPABLE OF LOVE. 443 00:19:07,229 --> 00:19:09,565 SHE IS. NO, SHE ISN'T. 444 00:19:09,648 --> 00:19:11,400 SHE ONLY CARES ABOUT HERSELF. 445 00:19:11,483 --> 00:19:12,651 THAT'S NOT TRUE. 446 00:19:12,734 --> 00:19:14,736 WENDY, YOU GOT TO HELP YOURSELF. 447 00:19:14,820 --> 00:19:15,946 SHE LOVED ME. 448 00:19:16,029 --> 00:19:17,614 -IT DOESN'T MATTER NOW. -IT MATTERS. 449 00:19:17,698 --> 00:19:18,782 -NO. -I MATTER. 450 00:19:18,866 --> 00:19:20,242 -NOT TO HER, YOU DIDN'T! -I MATTERED! 451 00:19:20,325 --> 00:19:22,870 ME AND HER SON -- WE MATTERED. AND NOBODY ELSE. 452 00:19:22,953 --> 00:19:24,997 SHE HAS A SON? 453 00:19:26,248 --> 00:19:27,791 WHAT'S HIS NAME? 454 00:19:27,875 --> 00:19:29,334 WENDY, WHAT IS HIS -- 455 00:19:29,418 --> 00:19:31,003 FRANKIE. WHAT'S UP? 456 00:19:31,086 --> 00:19:33,005 ALICE HAS A SON. CALL NINA. 457 00:19:33,088 --> 00:19:35,424 TELL HER TO LOOK SOMEWHERE NEAR THE CHARLES RIVER. 458 00:19:41,305 --> 00:19:43,765 [ INDISTINCT CONVERSATIONS ] 459 00:19:43,849 --> 00:19:44,892 I'M SORRY, VINCE. 460 00:19:44,975 --> 00:19:46,393 THE LAW MUST BE SERVED. 461 00:19:46,476 --> 00:19:47,603 YOU'RE A GOOD MAN. 462 00:19:47,686 --> 00:19:50,272 WELL, WE CAN DEBATE THAT LATER. THANKS, MAN. 463 00:19:50,355 --> 00:19:52,774 [ CELLPHONE RINGS ] 464 00:19:52,858 --> 00:19:53,650 JANE. 465 00:19:53,734 --> 00:19:54,943 JANE: I'm an hour away. 466 00:19:55,027 --> 00:19:56,445 Just start the ceremony without me. 467 00:19:56,528 --> 00:19:57,613 DON'T BOTHER. 468 00:19:57,696 --> 00:19:58,697 WE HAD TO SEND JUDGE CARTER ON HIS WAY. 469 00:19:58,780 --> 00:19:59,781 Oh, Vince. 470 00:19:59,865 --> 00:20:00,866 NO, IT'S ALL RIGHT. 471 00:20:00,949 --> 00:20:02,284 MY BEST MAN'S WORTH WAITING FOR. 472 00:20:02,367 --> 00:20:05,329 AND DON'T RUSH. WE'VE RESCHEDULED FOR TOMORROW. 473 00:20:05,412 --> 00:20:06,788 WHERE'S ALICE? 474 00:20:06,872 --> 00:20:10,459 Stay with Kiki, okay? We'll discuss the case tomorrow. 475 00:20:10,542 --> 00:20:12,252 [ COMPUTER BEEPS ] 476 00:20:12,336 --> 00:20:15,213 ♪♪ 477 00:20:15,297 --> 00:20:16,757 SORRY. 478 00:20:18,800 --> 00:20:20,886 I'M STILL HERE. 479 00:20:28,018 --> 00:20:29,770 [ ELEVATOR BELL DINGS ] 480 00:20:29,853 --> 00:20:32,439 [ TELEPHONE RINGS ] 481 00:20:32,522 --> 00:20:34,816 HOW'S KIKI? FINE. 482 00:20:34,900 --> 00:20:36,068 REALLY? ABSOLUTELY. 483 00:20:36,151 --> 00:20:37,402 I'M MORE CONCERNED ABOUT YOU. 484 00:20:37,486 --> 00:20:38,403 DON'T BE. 485 00:20:38,487 --> 00:20:40,113 NINA CALLED. SHE'S GOT SOMETHING. 486 00:20:40,197 --> 00:20:41,240 ALICE IS ON THE RUN. 487 00:20:41,323 --> 00:20:42,532 SHE'S GONNA MAKE A MISTAKE, 488 00:20:42,616 --> 00:20:43,659 AND I'M GONNA GET HER, VINCE. I CAN FEEL IT. 489 00:20:43,742 --> 00:20:44,701 COME ON. 490 00:20:44,785 --> 00:20:46,453 HEY. 491 00:20:46,536 --> 00:20:47,871 I'VE BEEN STARING AT MAPS 492 00:20:47,955 --> 00:20:49,873 AND THINKING ABOUT WHERE ALICE WOULD BE GOING. 493 00:20:49,957 --> 00:20:51,208 THE BORDER? WELL, SHE CAN'T GET ACROSS. 494 00:20:51,291 --> 00:20:53,085 AND WE HAVE A BOLO ON THE PLYMOUTH. 495 00:20:53,168 --> 00:20:55,671 AND AN APB FOR ALICE. AND SHE KNOWS THAT. 496 00:20:55,754 --> 00:20:57,881 [ COMPUTER BEEPS ] 497 00:20:57,965 --> 00:20:59,091 -SHE DYED HER HAIR. -YEAH. 498 00:20:59,174 --> 00:21:00,717 NOW SHE LOOKS LIKE WENDY ALLEN. 499 00:21:00,801 --> 00:21:03,762 BECAUSE NOBODY'S LOOKING FOR WENDY ALLEN. 500 00:21:03,845 --> 00:21:06,223 ALICE, AS WENDY, WALKED INTO CANADA 501 00:21:06,306 --> 00:21:08,350 AT THE ESTCOURT STATION CROSSING TWO HOURS AGO. 502 00:21:08,433 --> 00:21:10,519 [ COMPUTER BEEPS ] 503 00:21:13,772 --> 00:21:14,982 [ COMPUTER BEEPS ] 504 00:21:15,065 --> 00:21:17,025 OKAY, SHE'S NOT DODGING US AGAIN. 505 00:21:17,109 --> 00:21:18,151 WE'LL HAVE THE RCMP BRING HER IN. 506 00:21:18,235 --> 00:21:19,152 THE MOUNTIES WILL GET HER. 507 00:21:19,236 --> 00:21:22,990 YEAH, I WANT HER HERE. NOW. 508 00:21:29,788 --> 00:21:31,873 ♪♪ 509 00:21:33,834 --> 00:21:34,960 IS THIS EVERYTHING, KENT? 510 00:21:35,043 --> 00:21:36,753 UH, YEAH. 511 00:21:36,837 --> 00:21:38,130 MORE "ARCHIE"? 512 00:21:38,213 --> 00:21:39,631 I PROMISE, EVERYTHING OF EVIDENTIARY VALUE 513 00:21:39,715 --> 00:21:41,008 IS ON THAT WALL THERE. 514 00:21:41,091 --> 00:21:44,052 I DO NOT UNDERSTAND YOUR FASCINATION WITH THESE. 515 00:21:44,136 --> 00:21:45,887 IT -- THEY'RE ALL JUST DATING 516 00:21:45,971 --> 00:21:50,350 AND FLIRTING AND CRUSHES AND MAKEOUTS. 517 00:21:50,434 --> 00:21:51,977 LOOK. 518 00:21:52,060 --> 00:21:54,479 I WENT TO AN ALL-BOYS BOARDING SCHOOL ON A BARREN HEATH. 519 00:21:54,563 --> 00:21:57,232 THE ONLY GIRL I EVER SAW WAS ON A POSTER FOR CHEESE. 520 00:21:57,315 --> 00:21:59,776 THESE -- THEY'RE A GREAT PRIMER FOR RELATIONSHIPS, 521 00:21:59,860 --> 00:22:01,528 SOMETHING I KNOW NOTHING ABOUT. 522 00:22:01,611 --> 00:22:03,071 BUT IT'S JUST COMIC BOOKS. 523 00:22:03,155 --> 00:22:04,614 OH. HERE COMES JANE. 524 00:22:04,698 --> 00:22:06,199 THANK GOD. 525 00:22:06,283 --> 00:22:08,452 WELL, I GUESS WE'LL CONTINUE OUR CONVERSATION LATER, BETTY. 526 00:22:08,535 --> 00:22:10,537 AND I'LL SEE YOU LATER, TOO, VERONICA. 527 00:22:10,620 --> 00:22:13,206 -LATER, JUGHEAD. -ALL RIGHT, SO YOU -- 528 00:22:13,290 --> 00:22:16,334 PLEASE TELL ME YOU'VE GOT SOMETHING GOOD. 529 00:22:16,418 --> 00:22:19,546 I'VE CREATED A PSYCHOLOGICAL PROFILE OF ALICE SANDS. 530 00:22:19,629 --> 00:22:21,173 I THOUGHT IF YOU COULD BETTER UNDERSTAND 531 00:22:21,256 --> 00:22:22,549 THE WAY SHE THOUGHT -- 532 00:22:22,632 --> 00:22:24,092 I COULD FIGURE OUT WHAT SHE WAS GONNA DO NEXT. 533 00:22:24,176 --> 00:22:25,093 FANTASTIC. 534 00:22:25,177 --> 00:22:26,887 ALICE SANDS, THE HIGH SCHOOL STUDENT, 535 00:22:26,970 --> 00:22:28,013 WAS POPULAR. 536 00:22:28,096 --> 00:22:29,931 HOMECOMING QUEEN. 537 00:22:30,015 --> 00:22:30,974 SMART. 538 00:22:31,058 --> 00:22:33,393 VALEDICTORIAN. 539 00:22:33,477 --> 00:22:35,437 NATIONAL HONOR SOCIETY. WOW. 540 00:22:35,520 --> 00:22:37,564 AND DRIVEN. 541 00:22:37,647 --> 00:22:39,608 "I WANT TO BE THE FIRST WOMAN PRESIDENT 542 00:22:39,691 --> 00:22:42,944 OR THE PRESIDENT OF THE CORPORATION THAT MAKES THAT HAPPEN." 543 00:22:43,028 --> 00:22:44,321 ALL RIGHT. 544 00:22:44,404 --> 00:22:47,616 SHE CAME FROM A FAMILY OF HIGHLY DECORATED POLICE OFFICERS, 545 00:22:47,699 --> 00:22:49,242 WHICH CREATES A CONFLICT. 546 00:22:49,326 --> 00:22:50,952 WHEN SHE JOINED THE POLICE ACADEMY, 547 00:22:51,036 --> 00:22:52,621 SHE ASSUMED THAT SHE WOULD EXCEL, 548 00:22:52,704 --> 00:22:53,789 BUT SHE DIDN'T. 549 00:22:53,872 --> 00:22:55,415 SHE STRUGGLED BECAUSE YOU WERE THERE. 550 00:22:55,499 --> 00:22:57,834 WH -- ME? I DIDN'T EVEN KNOW HER. 551 00:22:57,918 --> 00:22:59,044 WELL, SHE KNEW YOU, 552 00:22:59,127 --> 00:23:00,796 AND SHE RECORDED YOUR TIME IN THE MILE, 553 00:23:00,879 --> 00:23:02,047 YOUR TEST SCORES, 554 00:23:02,130 --> 00:23:04,549 ALL OF WHICH WERE FASTER AND HIGHER THAN HERS. 555 00:23:04,633 --> 00:23:07,344 YOU CAN GRADUATE NUMBER TWO AND STILL BE A GOOD COP. 556 00:23:07,427 --> 00:23:08,595 WELL, FOR ALICE SANDS, 557 00:23:08,678 --> 00:23:10,138 ANYTHING LESS THAN NUMBER ONE WAS A FAILURE 558 00:23:10,222 --> 00:23:11,556 TO HERSELF AND TO HER FAMILY. 559 00:23:11,640 --> 00:23:13,934 SOME ROUGH LIFE. 560 00:23:14,017 --> 00:23:17,395 BASED ON THIS PROFILE, ALICE'S FIXATION WITH YOU, 561 00:23:17,479 --> 00:23:19,731 THE SEEDS OF WHICH WERE PLANTED IN THE POLICE ACADEMY, 562 00:23:19,815 --> 00:23:21,399 BLOOMED WHEN SHE WAS IN PRISON. 563 00:23:21,483 --> 00:23:22,651 CUT OFF FROM HER FAMILY, 564 00:23:22,734 --> 00:23:24,611 SHE LOST ALL CONNECTION TO WHO SHE WAS. 565 00:23:24,694 --> 00:23:26,404 AND SHE HAD A LOT OF TIME TO THINK. 566 00:23:26,488 --> 00:23:27,948 A NARCISSISTIC HIGH ACHIEVER 567 00:23:28,031 --> 00:23:30,283 NEEDS SOMEBODY TO BLAME WHEN THINGS GO WRONG. 568 00:23:30,367 --> 00:23:32,327 AND ALICE SANDS BELIEVES THAT YOU'RE THE REASON 569 00:23:32,410 --> 00:23:33,995 THAT HER LIFE DIDN'T GO AS PLANNED. 570 00:23:34,079 --> 00:23:35,455 [ SIGHS ] 571 00:23:35,539 --> 00:23:38,250 I JUST DON'T THINK SHE'S GONNA STOP COMING AFTER YOU, JANE. 572 00:23:38,333 --> 00:23:41,920 I THINK YOU'RE RIGHT. 573 00:23:42,003 --> 00:23:43,505 I'M SORRY. 574 00:23:43,588 --> 00:23:45,966 NO, DON'T BE. THIS IS GREAT. 575 00:23:48,635 --> 00:23:50,011 JANE. 576 00:23:50,095 --> 00:23:52,597 [ ELEVATOR BELL DINGS ] WAIT. JANE. 577 00:23:52,681 --> 00:23:55,100 WHAT ARE YOU GOING TO DO? 578 00:23:55,183 --> 00:23:56,393 I DON'T KNOW. 579 00:23:56,476 --> 00:23:58,937 WHAT DOES THE TARGET OF AN OBSESSIVE NARCISSIST DO 580 00:23:59,020 --> 00:24:00,397 TO DRAW THEIR ATTENTION? 581 00:24:00,480 --> 00:24:01,857 THIS IS A BAD ROAD. 582 00:24:01,940 --> 00:24:04,025 WELL, I DIDN'T PICK THIS ROAD. 583 00:24:04,109 --> 00:24:06,486 I'M SURE AS HELL NOT GONNA LET HER DRIVE. 584 00:24:07,737 --> 00:24:09,865 [ ELEVATOR BELL DINGS ] 585 00:24:11,783 --> 00:24:13,535 WEDDING. YES. GOING TO GET READY. 586 00:24:13,618 --> 00:24:15,954 DON'T. I JUST SENT KIKI HOME. 587 00:24:16,037 --> 00:24:18,123 WHY? DID YOU CALL IT OFF? 588 00:24:18,206 --> 00:24:19,332 POSTPONED. 589 00:24:19,416 --> 00:24:22,711 FRANKIE AND NINA FOUND ALICE SAND'S SON. 590 00:24:22,794 --> 00:24:25,255 [ TELEPHONE RINGS ] 591 00:24:25,338 --> 00:24:26,548 ERIC STONE VISITED WENDY 592 00:24:26,631 --> 00:24:28,049 EVERY SINGLE WEEK SHE WAS INCARCERATED. 593 00:24:28,133 --> 00:24:30,093 AND WHEN WENDY WAS RELEASED, HE VISITED JOANNE SCOTT, 594 00:24:30,177 --> 00:24:31,428 THE CELLMATE WHO REPLACED HER. 595 00:24:31,511 --> 00:24:32,929 IN ALICE SANDS' CELL. 596 00:24:33,013 --> 00:24:34,264 BECAUSE HE WASN'T VISITING WENDY. 597 00:24:34,347 --> 00:24:35,473 HE WAS VISITING ALICE. 598 00:24:35,557 --> 00:24:36,391 DO YOU KNOW WHERE WE CAN FIND HIM? 599 00:24:36,474 --> 00:24:37,726 I DO. 600 00:24:37,809 --> 00:24:39,728 [ COMPUTER BEEPS ] 601 00:24:49,196 --> 00:24:51,323 [ INDISTINCT CHATTER ] 602 00:24:52,908 --> 00:24:55,785 "BCU -- A RENOWNED INSTITUTE OF HIGHER LEARNING 603 00:24:55,869 --> 00:24:58,163 LOCATED BY THE BEAUTIFUL CHARLES RIVER. 604 00:24:58,246 --> 00:25:00,165 WHERE YOU CAN GET A GREAT EDUCATION 605 00:25:00,248 --> 00:25:01,416 IN AN HISTORIC SETTING." 606 00:25:01,500 --> 00:25:03,001 AND MUD FOR YOUR LICENSE PLATE. 607 00:25:03,084 --> 00:25:05,128 ALL RIGHT, LOOK. WE'LL DIVIDE AND CONQUER. 608 00:25:05,212 --> 00:25:08,506 TONIGHT. 7:00 AT THE LIBES? 609 00:25:08,590 --> 00:25:11,635 EXCUSE ME. ERIC STONE? 610 00:25:11,718 --> 00:25:15,096 ALICE SANDS' SON? 611 00:25:17,182 --> 00:25:18,266 THAT'S A YES. 612 00:25:18,350 --> 00:25:19,976 HEY! 613 00:25:20,060 --> 00:25:22,395 HEY! 614 00:25:22,479 --> 00:25:23,605 TAKE IT EASY. 615 00:25:23,688 --> 00:25:25,690 [ HANDCUFFS CLICK ] 616 00:25:28,652 --> 00:25:30,612 [ SIREN WAILS IN DISTANCE ] 617 00:25:30,695 --> 00:25:32,572 ERIC STONE. 618 00:25:32,656 --> 00:25:35,450 [ DOOR CLOSES ] ANTHROPOLOGY MAJOR. 619 00:25:35,533 --> 00:25:39,037 DEAN'S LIST. SERVICE AWARD. 620 00:25:41,164 --> 00:25:42,624 DOESN'T ADD UP. 621 00:25:42,707 --> 00:25:45,502 WHY? BECAUSE OF MY MOTHER? 622 00:25:45,585 --> 00:25:47,128 ALICE SANDS ISN'T ACTUALLY YOUR MOTHER. 623 00:25:47,212 --> 00:25:48,296 BIOLOGICALLY? NO. 624 00:25:48,380 --> 00:25:51,424 LEGALLY, NO. YOU WERE NEVER ADOPTED. 625 00:25:51,508 --> 00:25:55,845 AND YET ON YOUR COLLEGE REGISTRATION FORMS, 626 00:25:55,929 --> 00:26:00,725 IT SAYS, "EMERGENCY CONTACT: ALICE SANDS, MOTHER." 627 00:26:00,809 --> 00:26:04,312 WE DON'T HAVE PAPERS, BUT SHE'S MY MOTHER. 628 00:26:04,396 --> 00:26:06,064 SHE SAVED MY LIFE, TOOK CARE OF ME, 629 00:26:06,147 --> 00:26:07,232 SET ME ON THE RIGHT PATH. 630 00:26:07,315 --> 00:26:09,484 SHE LOVES ME. 631 00:26:09,567 --> 00:26:11,987 WE'RE LISTENING. 632 00:26:14,155 --> 00:26:16,199 I NEVER KNEW MY DAD. 633 00:26:16,283 --> 00:26:18,326 I WAS 5 WHEN MY MOM OD'd. 634 00:26:18,410 --> 00:26:20,245 I BOUNCED AROUND BETWEEN RELATIVES. 635 00:26:20,328 --> 00:26:23,665 WHEN I WAS 14, MY COUSIN FREDDIE HAD ME ON THE STREET 636 00:26:23,748 --> 00:26:25,875 AS A LOOKOUT WHILE HE SOLD DRUGS. 637 00:26:25,959 --> 00:26:28,503 ALICE LIVED IN THE NEIGHBORHOOD. 638 00:26:28,586 --> 00:26:29,921 SHE TOOK ME IN. 639 00:26:30,005 --> 00:26:31,673 AND WERE YOU A PART OF HER DRUG BUSINESS? 640 00:26:31,756 --> 00:26:34,009 SHE'S A LEGITIMATE BUSINESSWOMAN. 641 00:26:34,092 --> 00:26:35,343 THEY WHY'D YOU RUN? 642 00:26:35,427 --> 00:26:37,595 YOU FRAMED HER, YOU CAN FRAME ME. 643 00:26:39,556 --> 00:26:40,890 SHE WASN'T FRAMED. LOOK. 644 00:26:40,974 --> 00:26:43,018 ALICE PUT ME ON THE RIGHT TRACK, 645 00:26:43,101 --> 00:26:45,270 MADE ME STAY IN SCHOOL, PAID MY TUITION. 646 00:26:45,353 --> 00:26:46,730 OKAY, AND THEN SHE TURNED TO CRIME. 647 00:26:46,813 --> 00:26:48,565 NO, SHE WAS FRAMED. 648 00:26:48,648 --> 00:26:50,275 -BY WHO? -COPS. 649 00:26:50,358 --> 00:26:51,568 WHAT COPS? 650 00:26:51,651 --> 00:26:52,819 I DON'T KNOW, BUT THAT'S WHAT SHE TOLD ME. 651 00:26:52,902 --> 00:26:56,948 SHE WAS IN JAIL BECAUSE OF COPS. 652 00:26:57,032 --> 00:26:58,950 SHE'S A GREAT WOMAN, MY MOTHER. 653 00:26:59,034 --> 00:27:01,703 THE BEST. 654 00:27:01,786 --> 00:27:03,371 [ KNOCKS ON DOOR ] 655 00:27:03,455 --> 00:27:07,125 HEY. GOT SOME NEWS. 656 00:27:15,925 --> 00:27:18,511 ALICE SANDS WAS SPOTTED GETTING OFF A BUS IN QUéBEC CITY. 657 00:27:18,595 --> 00:27:20,555 THEY'VE TRACKED HER TO A WAREHOUSE DISTRICT. 658 00:27:20,638 --> 00:27:22,349 THEY'VE CORDONED OFF A TWO-BLOCK RADIUS. 659 00:27:22,432 --> 00:27:24,768 AS SOON AS BACKUP ARRIVES, THEY'LL MOVE IN. 660 00:27:24,851 --> 00:27:26,019 GOT TO LOVE THE MOUNTIES. 661 00:27:26,102 --> 00:27:27,520 YEAH, LET US KNOW AS SOON AS THEY HAVE HER. 662 00:27:27,604 --> 00:27:28,480 WILL DO. 663 00:27:28,563 --> 00:27:30,023 THANKS, FRANKIE. 664 00:27:30,106 --> 00:27:31,566 YEAH. 665 00:27:31,649 --> 00:27:32,901 THAT'S GOOD. [ DOOR CLOSES ] 666 00:27:32,984 --> 00:27:34,819 I'LL MAKE SURE THE EXTRADITION GOES QUICKLY. 667 00:27:34,903 --> 00:27:36,488 GREAT. 668 00:27:36,571 --> 00:27:38,782 I DON'T GET ALICE SANDS AT ALL. 669 00:27:38,865 --> 00:27:41,034 BAD PERSON THAT DID SOMETHING GOOD WITH THIS KID. 670 00:27:41,117 --> 00:27:43,203 DO YOU THINK SHE HAS LEGITIMATE BUSINESSES? 671 00:27:43,286 --> 00:27:44,496 LOOKING TO CHANGE? 672 00:27:44,579 --> 00:27:45,747 TURN BACK INTO THE ALICE SHE WAS SUPPOSED TO BE? 673 00:27:45,830 --> 00:27:47,415 OR THESE LEGITIMATE BUSINESSES 674 00:27:47,499 --> 00:27:49,042 WERE JUST A COVER FOR HER DRUG OPERATION. 675 00:27:49,125 --> 00:27:51,211 I THINK SHE KILLED A COP. THAT'S MY BET. 676 00:27:51,294 --> 00:27:53,004 TO SAY THE LEAST. [ CELLPHONE RINGS ] 677 00:27:53,088 --> 00:27:55,006 [ COMPUTER BEEPS ] 678 00:27:55,090 --> 00:27:58,009 HEY, KIKI. 679 00:27:58,093 --> 00:28:00,261 OKAY. 680 00:28:00,345 --> 00:28:02,931 WELL, LET'S TALK. 681 00:28:03,014 --> 00:28:04,599 ALL RIGHT. 682 00:28:04,682 --> 00:28:05,850 EVERYTHING ALL RIGHT? 683 00:28:05,934 --> 00:28:08,061 I'M NOT SURE. 684 00:28:08,144 --> 00:28:10,688 GUESS WHEN YOU POSTPONE YOUR WEDDING TWICE, 685 00:28:10,772 --> 00:28:12,273 A PERSON COULD HAVE SOME QUESTIONS. 686 00:28:12,357 --> 00:28:13,441 WELL, GO. TALK TO HER. 687 00:28:13,525 --> 00:28:14,943 -ARE YOU GOING BACK IN? -NO. 688 00:28:15,026 --> 00:28:16,528 I'M GONNA LET HIM SIT FOR A WHILE, 689 00:28:16,611 --> 00:28:18,822 HAVE NINA CHECK OUT THESE LEGITIMATE BUSINESSES, 690 00:28:18,905 --> 00:28:20,865 START TO DISMANTLE HER ORGANIZATION. 691 00:28:24,119 --> 00:28:25,703 [ DOOR OPENS ] 692 00:28:30,208 --> 00:28:32,419 ♪♪ 693 00:28:36,756 --> 00:28:38,049 THAT'S NOT WHAT I SAID. 694 00:28:38,133 --> 00:28:41,302 I WOULD NEVER TELL YOU TO DRAW A SOCIOPATH TO YOU. 695 00:28:41,386 --> 00:28:42,762 WELL, THAT'S WHAT I HEARD. 696 00:28:42,846 --> 00:28:44,889 WELL, YOU HEARD WHAT YOU WANTED TO HEAR. 697 00:28:44,973 --> 00:28:46,683 DOESN'T EVERYBODY? 698 00:28:46,766 --> 00:28:47,642 NOT LIKE YOU. 699 00:28:47,725 --> 00:28:49,144 THAT'S NOT TRUE. OKAY. 700 00:28:49,227 --> 00:28:50,520 I JUST WANT YOU TO STAY IN ONE PIECE. 701 00:28:50,603 --> 00:28:52,647 OKAY, WELL, THAT WE CAN AGREE ON. 702 00:28:54,315 --> 00:28:57,569 HI, MA. HI! 703 00:28:57,652 --> 00:29:01,448 CAN YOU, UM, DESCRIBE ME? 704 00:29:01,531 --> 00:29:02,866 WHAT? 705 00:29:02,949 --> 00:29:04,492 JUST, YOU KNOW, LIKE WHAT KIND OF PERSON YOU THINK I AM. 706 00:29:04,576 --> 00:29:07,620 UH, WHAT'S GOING ON? 707 00:29:07,704 --> 00:29:09,289 JANE IS TRYING TO FIGURE OUT 708 00:29:09,372 --> 00:29:12,167 WHY THIS ALICE SANDS IS SO OBSESSED WITH HER. 709 00:29:12,250 --> 00:29:15,420 OH. OKAY. 710 00:29:15,503 --> 00:29:18,756 SOMEONE WITH YOUR CONFIDENCE AND DRIVE 711 00:29:18,840 --> 00:29:21,217 CAN SEEM LIKE A COMPLETE MYSTERY 712 00:29:21,301 --> 00:29:23,511 TO A PERSON WHO LACKS ONE OR THE OTHER. 713 00:29:23,595 --> 00:29:28,349 SO THEREFORE, THEY FEEL INTIMIDATED. 714 00:29:28,433 --> 00:29:31,936 THAT'S THE NON-CLINICAL VERSION, AND SHE'S RIGHT. 715 00:29:32,020 --> 00:29:34,397 I DON'T MEAN TO BE INTIMIDATING. 716 00:29:34,481 --> 00:29:35,857 BUT YOU ARE. 717 00:29:35,940 --> 00:29:37,984 YEAH, YOU DON'T MEAN TO BE A PAIN IN THE ASS, EITHER, 718 00:29:38,067 --> 00:29:39,110 BUT SOMETIMES I -- 719 00:29:39,194 --> 00:29:40,945 YES, I WONDER WHERE I GOT THAT. 720 00:29:41,029 --> 00:29:43,281 IT'S A MYSTERY. 721 00:29:45,617 --> 00:29:48,369 OH, THERE'S SOMETHING GOING ON WITH KORSAK AND KIKI. 722 00:29:48,453 --> 00:29:49,454 [ SIGHS ] 723 00:29:49,537 --> 00:29:50,538 Angela: THIS LOOKS SERIOUS. 724 00:29:50,622 --> 00:29:52,499 OH. HE LOOKS ANGRY. 725 00:29:52,582 --> 00:29:54,584 NO, NO, NO. THAT'S JUST HIS FACE. 726 00:29:54,667 --> 00:29:56,044 WE HAVE AN ANNOUNCEMENT. 727 00:29:56,127 --> 00:29:58,880 IT'S KIND OF A BIG ONE, IF WE COULD GET YOUR ATTENTION. 728 00:29:58,963 --> 00:30:03,009 WHAT? IT'S [HICCUPS] BEAUTIFUL. 729 00:30:03,092 --> 00:30:05,053 RON, DO YOU THINK YOU COULD HELP OUT? 730 00:30:05,136 --> 00:30:06,721 [ LAUGHS ] OKAY. 731 00:30:06,804 --> 00:30:08,223 -WHO'S THAT? -OKAY. HERE WE GO. 732 00:30:08,306 --> 00:30:09,390 THE SISTER. 733 00:30:09,474 --> 00:30:12,185 WE BOTH REALIZED THAT GIVEN WHAT I DO, 734 00:30:12,268 --> 00:30:14,562 THERE WILL ALWAYS BE ANOTHER EMERGENCY. 735 00:30:14,646 --> 00:30:15,897 YES. 736 00:30:15,980 --> 00:30:17,982 AND WE'VE TRIED TO KEEP THIS WEDDING AS SIMPLE AS POSSIBLE, 737 00:30:18,066 --> 00:30:19,108 WHICH HASN'T WORKED. 738 00:30:19,192 --> 00:30:21,319 YOU'RE NOT CANCELING THE WEDDING. 739 00:30:21,402 --> 00:30:22,904 WE'RE GETTING MARRIED IN 20 MINUTES. 740 00:30:22,987 --> 00:30:24,030 JUDGE CARTER'S ON THE WAY. 741 00:30:24,113 --> 00:30:25,907 YEAH! 742 00:30:25,990 --> 00:30:28,660 YES, AND I'LL MAKE COFFEE FOR MIMI. 743 00:30:28,743 --> 00:30:31,079 I'LL THROW SOME WATER ON HER. [ CHUCKLES ] 744 00:30:31,162 --> 00:30:32,455 AND I HAVE TO CHANGE. 745 00:30:32,539 --> 00:30:33,873 YES. OH! SO DO I! 746 00:30:33,957 --> 00:30:35,083 OKAY. BYE, MA. BYE. 747 00:30:35,166 --> 00:30:37,085 DO YOU HAVE A DRESS IN A DRAWER? 748 00:30:37,168 --> 00:30:38,670 MAYBE. WHERE'S YOURS? 749 00:30:38,753 --> 00:30:40,380 EVIDENCE LOCKER. 750 00:30:40,463 --> 00:30:42,507 ♪♪ 751 00:30:43,383 --> 00:30:45,426 [ TELEPHONE RINGS ] 752 00:30:45,510 --> 00:30:46,386 HEY. 753 00:30:46,469 --> 00:30:48,221 ANY WORD FROM THE MOUNTIES? 754 00:30:48,304 --> 00:30:51,057 THEY'RE GETTING READY TO MOVE IN. 755 00:30:51,140 --> 00:30:52,559 [ CELLPHONE RINGS ] 756 00:30:52,642 --> 00:30:55,019 WHICH I JUST TOLD MY SISTER TWO MINUTES AGO. 757 00:30:55,103 --> 00:30:56,271 I'LL TELL HER AGAIN. 758 00:30:56,354 --> 00:30:58,481 I TRACKED ERIC STONE'S BCU TUITION CHECK 759 00:30:58,565 --> 00:31:00,692 TO AN "S" CORP CONTROLLED BY ALICE SANDS. 760 00:31:00,775 --> 00:31:02,652 THAT LED ME DOWN THIS TRAIL. 761 00:31:02,735 --> 00:31:04,279 [ COMPUTER BEEPS ] 762 00:31:04,362 --> 00:31:05,989 "QUINCY STREET INVESTMENTS. 763 00:31:06,072 --> 00:31:07,282 WEST END APPLIANCES. 764 00:31:07,365 --> 00:31:09,325 NEW BRUNSWICK WOODWORKS." 765 00:31:09,409 --> 00:31:10,994 THESE ARE LEGITIMATE? 766 00:31:11,077 --> 00:31:12,161 SEEMS LIKE IT, 767 00:31:12,245 --> 00:31:13,496 BUT THEIR ORIGIN, 768 00:31:13,580 --> 00:31:15,832 TAX INFORMATION THAT DETAILS WHAT THEY DO, 769 00:31:15,915 --> 00:31:18,209 IT'S ALL BURIED UNDER LAYERS OF SHELL CORPORATIONS 770 00:31:18,293 --> 00:31:19,460 AND REGISTERING AGENTS. 771 00:31:19,544 --> 00:31:21,004 WHY WOULD YOU DO THAT IF THEY'RE CLEAN? 772 00:31:21,087 --> 00:31:22,672 BECAUSE YOU'RE USING THEM FOR THINGS THAT AREN'T. 773 00:31:22,755 --> 00:31:24,299 [ CELLPHONE RINGS ] 774 00:31:24,382 --> 00:31:25,967 WEDDING'S ON. 775 00:31:26,050 --> 00:31:27,802 [ CELLPHONE CHIMES ] 776 00:31:27,885 --> 00:31:30,930 YES, IT IS. I'M GETTING MY HAT. 777 00:31:31,014 --> 00:31:31,973 OKAY. 778 00:31:32,056 --> 00:31:33,600 WAIT. YOU HAVE A SPECIAL WEDDING HAT? 779 00:31:33,683 --> 00:31:35,685 IT'S JUST A LITTLE HAT. 780 00:31:35,768 --> 00:31:38,021 IT'S ONLY RIGHT FOR WEDDINGS. 781 00:31:38,104 --> 00:31:39,647 [ BOTH CHUCKLE ] 782 00:31:39,731 --> 00:31:41,899 YOU KNOW, THOSE CANADIAN BUSINESSES MIGHT MAKE IT EASIER 783 00:31:41,983 --> 00:31:43,610 TO MOVE THINGS ACROSS THE BORDER. 784 00:31:47,864 --> 00:31:48,698 NICE. 785 00:31:48,781 --> 00:31:50,867 THANK YOU. YEAH. 786 00:31:50,950 --> 00:31:52,493 [ CELLPHONE CHIMES ] 787 00:31:52,577 --> 00:31:54,245 AH. 788 00:31:55,955 --> 00:31:57,498 AREN'T YOU COMING? 789 00:31:57,582 --> 00:31:58,666 OH, YEAH. 790 00:31:58,750 --> 00:32:01,586 I JUST GOT TO CALL NICOLE. SHE'S COMING. 791 00:32:01,669 --> 00:32:03,212 GREAT. 792 00:32:03,296 --> 00:32:05,673 IT IS GREAT, RIGHT? 793 00:32:05,757 --> 00:32:07,967 THAT'S WHAT I SAID. WHY WOULDN'T IT BE? 794 00:32:08,051 --> 00:32:10,845 I DON'T KNOW. I JUST THOUGHT YOU SHOULD KNOW. 795 00:32:10,928 --> 00:32:12,972 NOW I KNOW. 796 00:32:13,056 --> 00:32:14,891 GREAT. 797 00:32:14,974 --> 00:32:16,559 SEE YOU THERE. 798 00:32:16,643 --> 00:32:17,810 YEAH. 799 00:32:22,440 --> 00:32:24,525 ♪♪ 800 00:32:41,125 --> 00:32:42,543 KIKI -- 801 00:32:42,627 --> 00:32:44,253 WAIT. SORRY. 802 00:32:44,337 --> 00:32:47,840 CAN WE ALL JUST MAKE SURE THAT OUR CELLPHONES ARE OFF? 803 00:32:47,924 --> 00:32:49,425 Korsak: THANK YOU, JANE. 804 00:32:49,509 --> 00:32:51,678 [ CELLPHONES BEEP ] 805 00:32:51,761 --> 00:32:54,305 KIKI. 806 00:32:54,389 --> 00:32:56,432 [ CHUCKLES ] 807 00:32:59,602 --> 00:33:02,605 [ Voice breaking ] WHEN I'M NOT WITH YOU, 808 00:33:02,689 --> 00:33:04,399 I WILL BE WAITING FOR YOU. 809 00:33:04,482 --> 00:33:07,485 YOU WILL ALWAYS BE IN MY LIFE. 810 00:33:16,577 --> 00:33:18,371 VINCE. 811 00:33:22,709 --> 00:33:24,544 ♪♪ 812 00:33:30,883 --> 00:33:32,927 HOW DID I GET SO LUCKY? 813 00:33:33,010 --> 00:33:35,179 AWW. AWW. AWW. AWW. 814 00:33:37,724 --> 00:33:38,891 BY THE POWER VESTED IN ME 815 00:33:38,975 --> 00:33:40,893 BY THE COMMONWEALTH OF MASSACHUSETTS, 816 00:33:40,977 --> 00:33:43,146 I NOW PRONOUNCE YOU VINCE AND KIKI KORSAK. 817 00:33:43,229 --> 00:33:45,356 [ CHEERS AND APPLAUSE ] 818 00:33:48,943 --> 00:33:50,653 IT'S OFFICIAL! 819 00:33:50,737 --> 00:33:52,989 OUT OF SIN! 820 00:33:55,283 --> 00:33:58,119 ♪♪ 821 00:33:58,202 --> 00:34:02,749 ♪ FOR YOUR LOVE ♪ 822 00:34:04,125 --> 00:34:09,755 ♪ OH, I WOULD DO ANYTHING ♪ 823 00:34:11,549 --> 00:34:17,054 ♪ I WOULD DO ANYTHING ♪ 824 00:34:18,598 --> 00:34:21,641 ♪ FOR YOUR LOVE ♪ SO WHAT DO YOU THINK? 825 00:34:21,726 --> 00:34:23,686 SLIM PICKINGS. MM-HMM. 826 00:34:25,897 --> 00:34:28,357 JUST GOT SLIMMER. 827 00:34:31,819 --> 00:34:33,154 DID I MISS IT? 828 00:34:33,237 --> 00:34:34,989 GOD. [ LAUGHS ] 829 00:34:35,072 --> 00:34:36,199 YES. 830 00:34:36,282 --> 00:34:39,159 OH, GOD. THE PLEATS TAKE FOREVER TO IRON. 831 00:34:39,243 --> 00:34:42,496 OH, KENT. YOU'RE WEARING A DRESS. 832 00:34:42,580 --> 00:34:44,998 NO, JANE. IT'S A KILT. 833 00:34:45,081 --> 00:34:47,126 AND THIS KILT NEEDS SWINGING. 834 00:34:47,210 --> 00:34:49,212 NO. 835 00:34:49,295 --> 00:34:51,214 FINE. SUIT YOURSELF. 836 00:34:51,297 --> 00:34:52,340 OH. 837 00:34:52,422 --> 00:34:54,300 NOT TOO MUCH SWINGING, ALL RIGHT? 838 00:34:54,382 --> 00:34:56,094 OH, GOD. 839 00:34:58,596 --> 00:35:00,640 YOU KNOW THEY DON'T WEAR ANYTHING UNDER THOSE? YES, I KNOW THAT. 840 00:35:00,723 --> 00:35:01,933 UH, YOU NEED TO GO THAT WAY. 841 00:35:02,016 --> 00:35:03,351 GET UP. GO. 842 00:35:03,434 --> 00:35:06,687 GOODBYE. NOW. HURRY. GO. 843 00:35:09,649 --> 00:35:11,734 ♪♪ 844 00:35:13,528 --> 00:35:15,571 [ COMPUTER BEEPS ] 845 00:35:27,625 --> 00:35:29,252 ♪♪ 846 00:35:32,922 --> 00:35:35,633 ♪ YOU ARE MY SUNSHINE ♪ 847 00:35:35,716 --> 00:35:38,219 ♪ MY ONLY SUNSHINE ♪ 848 00:35:38,302 --> 00:35:43,724 ♪ YOU MAKE MY HAPPY WHEN SKIES ARE GRAY ♪ 849 00:35:43,808 --> 00:35:49,564 ♪ YOU'LL NEVER KNOW, DEAR, HOW MUCH I LOVE YOU ♪ 850 00:35:49,647 --> 00:35:51,649 ♪ PLEASE DON'T TAKE ♪ He's killing me. 851 00:35:51,732 --> 00:35:53,985 ♪ MY SUNSHINE AWAY ♪ I CAN'T HEAR YOU. I'VE GOT THE OCEAN IN MY EYES. 852 00:35:55,486 --> 00:35:57,071 WHAT? [ CHUCKLES ] 853 00:35:57,154 --> 00:35:58,781 Man: UH-OH. LOOK OUT! 854 00:35:58,865 --> 00:36:00,992 [ ALL CHEERING ] 855 00:36:02,159 --> 00:36:05,580 HOME! YEAH! 856 00:36:05,663 --> 00:36:08,249 WHOA! GO, FRANKIE! 857 00:36:16,257 --> 00:36:18,259 GIVE ME A KISS, BABY! 858 00:36:18,342 --> 00:36:19,844 [ CHEERS AND APPLAUSE ] OOH. 859 00:36:19,927 --> 00:36:21,429 DID YOU SEE THAT? OH, YEAH. 860 00:36:21,512 --> 00:36:23,598 YEAH, THIS COULD GET GOOD. 861 00:36:23,681 --> 00:36:25,099 AND I'M SEEING IT. 862 00:36:25,182 --> 00:36:27,268 ♪♪ 863 00:36:42,199 --> 00:36:45,453 [ LAUGHTER AND CHEERS ] [ UP-TEMPO MUSIC PLAYS ] 864 00:36:45,536 --> 00:36:46,746 COME ON, LET'S DANCE. 865 00:36:46,829 --> 00:36:48,122 OH, NO. NO, I'M -- 866 00:36:48,205 --> 00:36:49,457 YOU KNOW I'M NO GOOD AT IT. 867 00:36:49,540 --> 00:36:51,292 UH, EXCUSE ME, ANGELA. 868 00:36:51,375 --> 00:36:54,545 UH, IT WOULD BE MY UTMOST HONOR IF I COULD HAVE THIS DANCE. 869 00:36:54,629 --> 00:36:55,796 WHOA, NOT SO FAST, BUDDY. 870 00:36:55,880 --> 00:36:57,131 I HAVEN'T DANCED WITH MY GIRL YET. 871 00:36:57,214 --> 00:36:59,967 ♪ AND I CAN MAKE A POOR MAN SHIVER ♪ 872 00:37:00,051 --> 00:37:01,802 ♪ COLD IN THE HEART OF THE CITY IN THE WINTER ♪ [ CHUCKLES ] 873 00:37:01,886 --> 00:37:03,304 YOU HAVE A BIG HEART. 874 00:37:03,387 --> 00:37:05,306 BIG FEET, TOO. YEAH, I KNOW. 875 00:37:05,389 --> 00:37:07,808 [ LAUGHS ] 876 00:37:07,892 --> 00:37:09,644 ♪ AND THE PARTY DON'T START UNTIL WE IN THERE ♪ 877 00:37:09,727 --> 00:37:11,812 [ DRAMATIC MUSIC PLAYS ] 878 00:37:19,362 --> 00:37:21,489 [ UP-TEMPO MUSIC CONTINUES ] 879 00:37:26,118 --> 00:37:29,497 [ SIGHS ] I'VE BEEN A CRAPPY BEST MAN. 880 00:37:31,290 --> 00:37:33,542 THERE HAVE BEEN THREE BEFORE YOU, 881 00:37:33,626 --> 00:37:37,338 AND YOU, JANE RIZZOLI, ARE BY FAR THE BEST...LOOKING. 882 00:37:37,421 --> 00:37:39,840 [ CHUCKLES ] 883 00:37:39,924 --> 00:37:41,509 ♪ I CAN MAKE LIGHTNING FLASH ♪ THANK YOU. 884 00:37:41,592 --> 00:37:43,761 ♪ IN THE PALM OF MY HAND, YEAH ♪ 885 00:37:43,844 --> 00:37:45,680 ♪ I CAN MAKE THE DEVIL SELL ME HIS SOUL ♪ 886 00:37:45,763 --> 00:37:47,848 ♪ AND THEN CALMLY SING WHOO-WHOO-WHOO ♪ 887 00:37:47,932 --> 00:37:49,225 ♪ AND IF I GET TOO MAD ♪ 888 00:37:49,308 --> 00:37:50,643 ♪ I CAN MAKE THE THUNDER ROLL ♪ NO. 889 00:37:50,726 --> 00:37:52,019 ♪ YEAH ♪ OOH, YEAH. 890 00:37:52,103 --> 00:37:52,979 NO, NO. 891 00:37:53,062 --> 00:37:53,980 YEAH. 892 00:37:54,063 --> 00:37:55,648 COME ON. COME ON. 893 00:37:55,731 --> 00:37:56,899 NO, I -- HELLO, LADIES. 894 00:37:56,983 --> 00:37:59,360 OH. OH, OH, OH. WATCH IT, WATCH IT. 895 00:37:59,443 --> 00:38:00,987 HELLO! 896 00:38:01,070 --> 00:38:02,780 ♪ BUT YOU DON'T WANNA SEE, AND SHE DON'T WANNA LEAVE ♪ 897 00:38:02,863 --> 00:38:05,533 ♪ BABY, I'M TOO HOT, JUST DANCE WITH ME ♪ 898 00:38:05,616 --> 00:38:08,202 WHO IS THAT? 899 00:38:08,286 --> 00:38:09,370 OH! 900 00:38:09,453 --> 00:38:11,372 JANE! COME ON! 901 00:38:11,455 --> 00:38:13,290 ♪ WE JUST CAME TO PARTY ♪ 902 00:38:13,374 --> 00:38:15,334 ♪ WE JUST CAME TO PARTY ♪ 903 00:38:15,418 --> 00:38:17,294 ♪ WE JUST CAME TO PARTY ♪ 904 00:38:17,378 --> 00:38:18,838 ♪ WE JUST CAME TO PARTY ♪ 905 00:38:18,921 --> 00:38:21,048 [ MUSIC CONTINUES INDISTINCTLY ] 906 00:38:32,518 --> 00:38:34,645 [ ENGINE TURNS OFF ] 907 00:38:43,112 --> 00:38:45,072 [ INDISTINCT CONVERSATIONS ] 908 00:38:45,156 --> 00:38:46,657 [ MID-TEMPO MUSIC PLAYS ] 909 00:38:46,741 --> 00:38:50,036 REALLY? ON A POSTER FOR CHEESE? 910 00:38:50,119 --> 00:38:52,705 YOU POOR THING. 911 00:38:52,788 --> 00:38:55,124 AT MY WEDDING, YOU'RE GOING TO WEAR 912 00:38:55,207 --> 00:38:59,211 A MIDNIGHT BLUE STRAPLESS MAID OF HONOR DRESS. 913 00:38:59,295 --> 00:39:00,546 NO, I DON'T THINK SO. 914 00:39:00,629 --> 00:39:02,048 WHY NOT? 915 00:39:02,131 --> 00:39:05,426 WELL, WITH THE AMOUNT OF ALCOHOL THAT I'M GONNA CONSUME, 916 00:39:05,509 --> 00:39:07,386 THAT -- IT'S JUST NOT GONNA WORK FOR ME. 917 00:39:07,470 --> 00:39:08,721 OKAY. 918 00:39:08,804 --> 00:39:10,765 WELL, IT WOULD BE A GREAT COLOR ON YOUR SKIN TONE, 919 00:39:10,848 --> 00:39:12,058 SO THINK ABOUT IT. 920 00:39:14,268 --> 00:39:15,686 YEAH, I'VE THOUGHT ABOUT IT. 921 00:39:15,770 --> 00:39:17,396 NO. I'M GONNA NEED STRAPS. 922 00:39:18,856 --> 00:39:23,110 SO THE BEST MAN NEEDS TO MAKE A TOAST. 923 00:39:23,194 --> 00:39:24,320 JANE? 924 00:39:24,403 --> 00:39:25,946 OH, GOD. THAT'S ME. 925 00:39:26,030 --> 00:39:26,947 OKAY. YES. 926 00:39:27,031 --> 00:39:28,824 TOAST. YEAH. TOAST! COME ON! 927 00:39:28,908 --> 00:39:30,534 TOAST! TOAST! TOAST! TOAST! 928 00:39:30,618 --> 00:39:32,787 SPEECH! SPEECH! SPEECH! SPEECH! 929 00:39:32,870 --> 00:39:35,706 SPEECH! Woman: COME ON! 930 00:39:35,790 --> 00:39:38,167 I'M NO EXPERT ON LOVE. 931 00:39:38,250 --> 00:39:40,377 OR MARRIAGE. 932 00:39:40,461 --> 00:39:42,004 OR TOASTS, ACTUALLY, NOW THAT I THINK ABOUT IT. 933 00:39:42,088 --> 00:39:44,131 [ CHUCKLES ] UM... 934 00:39:44,215 --> 00:39:46,675 BUT I HAVE A PhD IN VINCE KORSAK. 935 00:39:48,427 --> 00:39:52,098 SO I KNOW WHAT A GOOD MAN LOOKS LIKE. 936 00:39:53,516 --> 00:39:55,684 AND WHEN YOU LOOK AT KIKI, 937 00:39:55,768 --> 00:39:58,854 AND KIKI, WHEN YOU LOOK AT HIM, AND YOU SMILE, IT JUST -- 938 00:39:58,938 --> 00:40:01,440 THAT'S WHAT TRUE LOVE IS. 939 00:40:01,524 --> 00:40:03,901 THAT'S WHAT TRUE LOVE LOOKS LIKE. 940 00:40:06,695 --> 00:40:11,992 SO, UH, TO VINCE AND KIKI. MAY YOU ALWAYS LOOK LIKE THAT. 941 00:40:12,076 --> 00:40:13,369 CHEERS! CHEERS! CHEERS! CHEERS! 942 00:40:13,452 --> 00:40:15,746 HEAR, HEAR. HEAR, HEAR. 943 00:40:15,830 --> 00:40:18,791 [ BAGPIPE PLAYS "SCOTLAND THE BRAVE" POORLY ] 944 00:40:18,874 --> 00:40:20,042 OW! 945 00:40:20,126 --> 00:40:22,920 MY GOD, I THOUGHT THE PLUMBING EXPLODED AGAIN. 946 00:40:23,003 --> 00:40:25,172 [ LAUGHTER ] 947 00:40:28,217 --> 00:40:30,427 ♪♪ 948 00:40:37,351 --> 00:40:39,353 [ ALL CHEERING ] 949 00:40:39,436 --> 00:40:41,689 RICE FOR YOU. 950 00:40:41,772 --> 00:40:42,898 -RICE FOR -- -NO! 951 00:40:42,982 --> 00:40:44,483 WE'RE SUPPOSED TO THROW THIS AT KORSAK? 952 00:40:44,567 --> 00:40:45,568 IT'S TRADITIONAL. 953 00:40:45,651 --> 00:40:47,027 I THINK IT'S GONNA PISS HIM OFF. 954 00:40:47,111 --> 00:40:48,529 -NAH, WHAT DO YOU THINK, MAURA? -IS HE ARMED? 955 00:40:50,364 --> 00:40:52,032 BACK HOME, IT'S TRADITION TO CAPTURE THE GROOM, 956 00:40:52,116 --> 00:40:54,034 STRIP HIM TO THE WAIST, AND BLACKEN HIM WITH TREACLE 957 00:40:54,118 --> 00:40:56,036 AND THEN PARADE HIM AROUND THE VILLAGE. [ Laughing ] ALL RIGHT. 958 00:40:56,120 --> 00:40:57,705 I'M CROSSING "SEE A SCOTTISH WEDDING" 959 00:40:57,788 --> 00:40:59,039 OFF MY BUCKET LIST. 960 00:40:59,123 --> 00:41:01,125 -UNLESS IT'S KENT'S. -THANK YOU VERY MUCH. 961 00:41:02,710 --> 00:41:03,711 [ ALL CHEERING ] 962 00:41:03,794 --> 00:41:05,045 Korsak: OH! HEY! 963 00:41:05,129 --> 00:41:07,339 [ APPLAUSE ] 964 00:41:08,299 --> 00:41:09,717 LISTEN. IF YOU NEED ME, I'M REACHABLE. 965 00:41:09,800 --> 00:41:12,052 OH, STOP. A LITTLES LESS REACHABLE. 966 00:41:12,136 --> 00:41:14,221 THANK YOU. ALL RIGHT, TOMORROW. 967 00:41:14,305 --> 00:41:15,556 -COULD YOU NOT? -IT'S THE FOURTH ONE. 968 00:41:15,639 --> 00:41:18,100 I MEAN, LIKE, COME ON. SERIOUSLY. 969 00:41:18,184 --> 00:41:19,393 GUN! 970 00:41:19,476 --> 00:41:21,145 [ CROWD SCREAMING ] 971 00:41:21,228 --> 00:41:22,980 [ GUNSHOT ]