1 00:00:03,670 --> 00:00:06,923 [ MAN WHISTLING "BRAHMS' LULLABY" ] 2 00:00:46,880 --> 00:00:48,465 [ INDISTINCT CONVERSATIONS ] 3 00:00:48,548 --> 00:00:49,924 Johnson: MY CLASS, NO RUNNING. 4 00:00:50,008 --> 00:00:51,801 LET'S FORM ONE STRAIGHT LINE. 5 00:00:51,885 --> 00:00:52,469 I WISH... 6 00:00:52,552 --> 00:00:53,928 [ COIN PINGS ] 7 00:00:54,012 --> 00:00:57,307 OKAY, KIDS, EVERYONE IN LINE ON THE COUNT OF THREE. 8 00:00:57,390 --> 00:01:00,268 ONE, TWO, THREE! 9 00:01:01,644 --> 00:01:03,605 MICHAEL B., 10 00:01:03,688 --> 00:01:06,858 I'M SURPRISED I HAVE TO TELL YOU TWICE. 11 00:01:06,941 --> 00:01:08,276 LET'S GO. 12 00:01:09,736 --> 00:01:13,823 Michael: BUT, MISS JOHNSON, THE STATUE IS BLEEDING. 13 00:01:15,241 --> 00:01:17,327 [ EXHALES SHARPLY ] 14 00:01:17,410 --> 00:01:21,331 MY CLASS, EVERYONE HERE -- NOW! 15 00:01:24,292 --> 00:01:25,794 [ TELEPHONE RINGS IN DISTANCE ] 16 00:01:25,877 --> 00:01:28,004 WELL, I THINK IT WOULD BE CLEANER IF YOU JUST... 17 00:01:28,087 --> 00:01:30,215 I THINK IT WOULD BE CLEANER IF YOU DON'T MAKE ME HURT YOU. 18 00:01:30,298 --> 00:01:33,176 OH, GO BACK TO YOUR AUTOPSY CAVE. 19 00:01:33,259 --> 00:01:35,303 I CAN'T WAIT TO SEE HIS FACE WHEN HE SEES HIS NEW DESK. 20 00:01:35,386 --> 00:01:37,806 NOW, ARE YOU CERTAIN THAT FRANKIE HAS THIS IN THE SACK? 21 00:01:37,889 --> 00:01:39,765 IN THE BAG, MAURA. 22 00:01:40,600 --> 00:01:43,603 CAVANAUGH SAID IT'S BETWEEN HIM AND SOMEONE FROM ANOTHER UNIT, 23 00:01:43,686 --> 00:01:45,021 SO IT'S GOT TO BE FRANKIE. 24 00:01:46,606 --> 00:01:49,025 ARE YOU GIVING HIM THE CHOGOKIN DOLL? 25 00:01:49,108 --> 00:01:51,527 ACTION FIGURE. 26 00:01:51,610 --> 00:01:52,737 YEAH. 27 00:01:52,821 --> 00:01:54,030 MAKE HIM FEEL GOOD ON HIS FIRST DAY. 28 00:01:54,113 --> 00:01:55,657 HE NEEDS A PROPER WELCOME. 29 00:01:55,740 --> 00:01:57,908 WE SUPERGLUED YOUR DESK DRAWERS YOUR FIRST DAY. 30 00:01:57,991 --> 00:01:58,910 [ LAUGHTER ] YEAH. 31 00:01:58,993 --> 00:02:00,078 YEAH, THEY STILL STICK. 32 00:02:01,496 --> 00:02:03,540 OH, THERE'S LIEUTENANT CAVANAUGH. 33 00:02:03,623 --> 00:02:05,291 FRANKIE'S IN A SUIT. 34 00:02:05,375 --> 00:02:06,584 Frost: SOMEBODY'S GETTING PROMOTED. 35 00:02:06,668 --> 00:02:08,877 Please let it be good news. 36 00:02:08,961 --> 00:02:10,713 MORNING. 37 00:02:10,797 --> 00:02:13,007 YOU KNOW, IT'S A BIG DEAL WHEN WE PROMOTE SOMEONE 38 00:02:13,091 --> 00:02:14,676 TO THE HOMICIDE SQUAD. 39 00:02:14,759 --> 00:02:17,262 TODAY, THAT HONOR GOES TO SOMEBODY WHO'S BEEN OUT THERE, 40 00:02:17,345 --> 00:02:20,807 PUTTING THEIR LIFE ON THE LINE FOR A NUMBER OF YEARS. 41 00:02:20,890 --> 00:02:23,768 PLEASE SAY HELLO TO DETECTIVE RILEY COOPER. 42 00:02:26,145 --> 00:02:28,857 [ LIGHT APPLAUSE ] 43 00:02:57,510 --> 00:02:59,387 CONGRATULATIONS. 44 00:03:00,763 --> 00:03:02,640 SERGEANT DETECTIVE VINCE KORSAK. 45 00:03:03,850 --> 00:03:04,893 WELCOME. 46 00:03:04,976 --> 00:03:06,227 Cooper: THANK YOU. 47 00:03:06,311 --> 00:03:09,856 I'M SORRY WE MET UNDER SUCH WEIRD CIRCUMSTANCES. 48 00:03:11,107 --> 00:03:14,027 Jane: YEAH. ME, TOO. 49 00:03:14,110 --> 00:03:15,695 WELCOME ABOARD. 50 00:03:15,778 --> 00:03:17,530 THANK YOU. 51 00:03:21,618 --> 00:03:24,412 HOMICIDE'S BEEN A DREAM OF MINE FOR A LONG TIME. 52 00:03:24,495 --> 00:03:26,414 REALLY? WAS PART OF THAT DREAM PLAYING US BOTH FOR FOOLS? 53 00:03:26,497 --> 00:03:27,624 HEY, I'M SORRY. 54 00:03:27,707 --> 00:03:28,875 Jane: NO, FROST. 55 00:03:28,958 --> 00:03:30,460 YOU NEVER WORKED UNDERCOVER. IT'S NOT EASY. 56 00:03:30,543 --> 00:03:32,170 OH, SO THAT MAKES IT OKAY THAT YOU USED US 57 00:03:32,253 --> 00:03:34,505 TO GET INFORMATION SO YOU COULD GET THE PROMOTION? 58 00:03:35,423 --> 00:03:36,466 FRANKIE, I'M SO SORRY. 59 00:03:36,549 --> 00:03:38,091 NO. C'EST LA VIE. 60 00:03:40,219 --> 00:03:41,554 OH, YOU'RE SMART. 61 00:03:41,638 --> 00:03:43,723 NOW, I'LL GIVE YOU THAT. 62 00:03:43,805 --> 00:03:45,642 [ TELEPHONE RINGS ] 63 00:03:48,394 --> 00:03:51,064 IT'S NOT THE BEST WAY TO INTRODUCE YOURSELF TO US. 64 00:03:51,147 --> 00:03:52,607 YEAH, I KNOW. 65 00:03:52,690 --> 00:03:55,526 SO, YOU KNEW WHO I WAS WHEN YOU MOVED ACROSS THE HALL? 66 00:03:55,610 --> 00:03:57,445 I WAS LIVING IN A U.C. PAD. 67 00:03:57,528 --> 00:03:58,529 STUFF WENT DOWN. 68 00:03:58,613 --> 00:04:00,031 I FEEL SAFER LIVING NEAR ANOTHER COP. 69 00:04:00,114 --> 00:04:02,241 [ CELLPHONE BUZZES ] [ VELCRO RIPS ] 70 00:04:02,325 --> 00:04:04,202 EXCUSE ME. 71 00:04:04,285 --> 00:04:05,411 RIZZOLI. 72 00:04:05,495 --> 00:04:06,788 Korsak: DETECTIVE COOPER? 73 00:04:06,871 --> 00:04:08,039 YEAH. 74 00:04:08,122 --> 00:04:09,707 GET FAMILIAR WITH THESE OPEN CASES. 75 00:04:09,791 --> 00:04:11,292 OKAY. 76 00:04:15,088 --> 00:04:16,297 WELCOME TO HOMICIDE. 77 00:04:17,339 --> 00:04:20,593 WE GOT A POSSIBLE BODY DUMP NEAR GRANT MUSEUM OF FINE ARTS. 78 00:04:20,677 --> 00:04:23,012 JANE, GIVE RILEY YOUR OPEN CASES. 79 00:04:29,477 --> 00:04:31,688 I SPENT A YEAR SETTING UP THAT FINAL BUST. 80 00:04:31,771 --> 00:04:33,856 I COULDN'T AFFORD TO LET ANYONE KNOW WHO I WAS. 81 00:04:33,940 --> 00:04:35,817 I UNDERSTAND. 82 00:04:35,900 --> 00:04:37,527 THE PART I'M HAVING TROUBLE WITH 83 00:04:37,610 --> 00:04:40,571 IS THE PART WHERE YOU LED ON MY PARTNER AND MY BROTHER. 84 00:04:41,823 --> 00:04:44,450 I ACTUALLY LIKE 'EM -- BOTH OF THEM. 85 00:04:45,493 --> 00:04:46,703 GOOD. 86 00:04:46,786 --> 00:04:48,955 THEN YOU'LL FIGURE OUT A WAY TO MAKE IT RIGHT. 87 00:04:56,629 --> 00:04:57,714 [ SIREN CHIRPS ] 88 00:04:57,797 --> 00:04:59,716 FRANKIE HAS A RIGHT TO BE UPSET. 89 00:04:59,799 --> 00:05:01,342 SHE DID EARN IT. 90 00:05:01,426 --> 00:05:04,053 I MEAN, SHE'S BEEN A DETECTIVE IN THE DRUG UNIT FOR FIVE YEARS. 91 00:05:04,137 --> 00:05:07,223 DISAPPOINTMENT IS A DANGEROUS EMOTION IF IT ISN'T PROCESSED. 92 00:05:07,306 --> 00:05:10,435 I'D JUST HATE TO SEE HIM SET HIMSELF UP FOR A LIFE OF MISERY. 93 00:05:10,518 --> 00:05:12,061 NO, THAT'S RIDICULOUS. 94 00:05:12,145 --> 00:05:13,271 WELL, READ THE RESEARCH. 95 00:05:13,354 --> 00:05:14,564 AND I'M WORRIED ABOUT YOUR MOTHER, TOO. 96 00:05:14,647 --> 00:05:15,606 SHE'S KNITTING. 97 00:05:15,690 --> 00:05:16,816 OH, YES. THAT IS WORRISOME. 98 00:05:16,899 --> 00:05:18,192 I THINK IT'S A BABY BLANKET. 99 00:05:18,276 --> 00:05:20,945 THE YARN IS A 50-50 COTTON-ACRYLIC BLEND. 100 00:05:21,029 --> 00:05:23,239 OKAY, YES. NOW WE DO HAVE A PROBLEM. 101 00:05:23,322 --> 00:05:24,824 [ IMITATES WALKIE-TALKIE STATIC ] 102 00:05:24,907 --> 00:05:26,743 ALL UNITS, BE ON THE LOOKOUT FOR A WOMAN 103 00:05:26,826 --> 00:05:28,494 WHO IS SO DESPERATE TO BE A GRANDMOTHER, 104 00:05:28,578 --> 00:05:30,580 SHE'S KNITTING A BLANKET FOR THE BABY OF LYDIA, 105 00:05:30,663 --> 00:05:32,707 THE SLUT WHO SLEPT WITH HER EX-HUSBAND 106 00:05:32,790 --> 00:05:34,250 AND HER YOUNGEST SON. 107 00:05:34,334 --> 00:05:37,754 SHE'S WORRIED ABOUT WHAT KIND OF FUTURE THAT BABY'S GONNA HAVE. 108 00:05:37,837 --> 00:05:39,088 AND I'M NOT? 109 00:05:39,172 --> 00:05:41,132 LYDIA COULD BARELY TIE HER OWN SHOES. 110 00:05:41,215 --> 00:05:42,592 Korsak: EASY, THERE. OH. 111 00:05:42,675 --> 00:05:44,761 LET'S TURN HER. WHAT, DID YOU PULL SOMETHING? 112 00:05:44,844 --> 00:05:46,554 I SMELL SOMETHING -- DECOMPOSITION. 113 00:05:46,637 --> 00:05:48,097 Korsak: LET'S TILT HER SIDEWAYS FIRST. 114 00:05:48,181 --> 00:05:50,975 I CANNOT BELIEVE YOU CAN SMELL DECOMP IN BRONZE. 115 00:05:51,058 --> 00:05:52,643 WELL, IT'S A HEAVY PARTICULATE ODOR 116 00:05:52,727 --> 00:05:54,812 DETECTABLE BY SOME ANIMALS FOR MILES. 117 00:05:54,896 --> 00:05:56,981 LOOKS LIKE THE VENUS DE MILO. 118 00:05:57,982 --> 00:06:00,276 I'VE BEEN TO THE LOUVRE, DR. SNOB. 119 00:06:00,359 --> 00:06:01,486 NO! OH! 120 00:06:01,569 --> 00:06:04,781 [ POLICE RADIO CHATTER ] 121 00:06:04,864 --> 00:06:08,076 IT'S NOT BRONZE. IT'S PLASTER. 122 00:06:08,159 --> 00:06:09,660 SHE'S VERY COOL. 123 00:06:09,744 --> 00:06:13,122 A DEAD WOMAN MASQUERADING AS A STATUE IS COOL? 124 00:06:13,206 --> 00:06:14,665 NO, THE BODY -- IT'S COLD, 125 00:06:14,749 --> 00:06:17,293 AND IT'S EXHIBITING SIGNS OF DELAYED DECOMPOSITION. 126 00:06:17,376 --> 00:06:18,461 SO, SHE WAS FROZEN? 127 00:06:18,544 --> 00:06:20,421 NO, LIKELY KEPT IN COLD STORAGE. 128 00:06:20,505 --> 00:06:24,467 SO, "REFRIGERATED," NOT "FROZEN." GOT THAT? 129 00:06:24,550 --> 00:06:26,636 THE DIFFERENCE BETWEEN 32 AND 33 DEGREES IS ENORMOUS, JANE. 130 00:06:26,719 --> 00:06:29,806 MUSEUM WAS UPDATING THEIR ELECTRICAL SYSTEM. 131 00:06:29,889 --> 00:06:30,973 NO POWER TO THE CAMERAS. 132 00:06:31,057 --> 00:06:32,141 SO, NO SECURITY FOOTAGE? 133 00:06:32,225 --> 00:06:34,102 WHAT ABOUT THE MAINTENANCE CREW? 134 00:06:34,185 --> 00:06:35,937 THE LAST GUY HERE SAYS HE FISHED TRASH OUT OF THE WATER 135 00:06:36,020 --> 00:06:38,022 JUST BEFORE HE LEFT AT 7:00. SHE WASN'T THERE YET. 136 00:06:40,566 --> 00:06:42,276 WHOEVER KILLED HER WENT TO AN AWFUL LOT OF TROUBLE 137 00:06:42,360 --> 00:06:44,570 AND TOOK A HUGE RISK. 138 00:06:47,073 --> 00:06:48,533 OKAY, I THINK IT SUCKS. 139 00:06:48,616 --> 00:06:51,369 MA, YOU'RE LIKE A TRUCK DRIVER SINCE YOU STARTED WORKING HERE. 140 00:06:51,452 --> 00:06:52,328 HEY. 141 00:06:52,411 --> 00:06:53,830 YEAH, WHATEVER. 142 00:06:53,913 --> 00:06:55,498 Maura: I'M SORRY, FRANKIE. 143 00:06:55,581 --> 00:06:57,332 HOWEVER, I THINK IT'S AN EXCELLENT OPPORTUNITY 144 00:06:57,416 --> 00:06:58,543 TO START, YOU KNOW, 145 00:06:58,626 --> 00:07:00,002 PRACTICING RECOVERING FROM DISAPPOINTMENT -- 146 00:07:00,086 --> 00:07:01,420 NOT NOW, MAURA. 147 00:07:01,504 --> 00:07:04,507 NO, IT'S FINE. I DON'T CARE. 148 00:07:04,590 --> 00:07:05,758 I CARE. 149 00:07:05,842 --> 00:07:07,635 WHAT A DECEPTIVE LITTLE BITCH. 150 00:07:07,718 --> 00:07:09,387 MA! 151 00:07:09,470 --> 00:07:11,389 OKAY. RILEY WAS ALREADY A DETECTIVE. 152 00:07:11,472 --> 00:07:13,015 YOU MEAN A PROFESSIONAL LIAR? 153 00:07:13,099 --> 00:07:14,308 SHE WENT OUT WITH ME AND FROST 154 00:07:14,392 --> 00:07:16,060 TO GET INFORMATION ON THE HOMICIDE SQUAD. 155 00:07:16,144 --> 00:07:17,937 I THINK YOU SHOULD PROTEST. 156 00:07:18,020 --> 00:07:20,022 MA, COME ON. WHAT'S HE GONNA DO, WALK AROUND WITH A SIGN? 157 00:07:20,106 --> 00:07:23,151 THAT COULD ACTUALLY INCREASE FEELINGS OF DISAPPOINTMENT. 158 00:07:24,735 --> 00:07:25,903 LOOK... 159 00:07:25,987 --> 00:07:27,321 ALL RIGHT, YOU GOT TO STRAP 'EM ON, 160 00:07:27,405 --> 00:07:29,824 TAKE THIS LIKE A COP, OKAY? 161 00:07:29,907 --> 00:07:31,701 FRANKIE, COME ON. YOU'LL GET YOUR TURN. 162 00:07:31,784 --> 00:07:33,077 NO, I WON'T. 163 00:07:33,161 --> 00:07:36,080 I'M GONNA BE TAKING 911 CALLS FOR THE REST OF MY LIFE. 164 00:07:36,164 --> 00:07:37,331 OHH. 165 00:07:37,415 --> 00:07:39,000 AW, FRANKIE, COME ON. 166 00:07:39,082 --> 00:07:40,209 [ GROANS ] 167 00:07:40,293 --> 00:07:42,795 OH, MY GOD. WHAT IS HE DOING HERE? 168 00:07:42,879 --> 00:07:44,463 GOOD QUESTION. 169 00:07:44,547 --> 00:07:45,882 Angela: OH! 170 00:07:45,965 --> 00:07:49,552 ISN'T HE THE REALLY HANDSOME GUY YOU USED TO GO OUT WITH? 171 00:07:49,635 --> 00:07:51,387 THE ONE THAT NEVER CALLED AGAIN? 172 00:07:52,972 --> 00:07:55,933 MAURA, JUST WHO I WAS LOOKING -- OH, SORRY. 173 00:07:56,017 --> 00:07:57,310 THAT GUY SEEMS A LITTLE DOWN. 174 00:07:57,393 --> 00:07:58,811 MAYBE I SHOULD GIVE HIM A COPY OF MY BOOK. 175 00:07:58,895 --> 00:08:00,021 [ SIGHS ] 176 00:08:00,104 --> 00:08:02,773 "RELEASE YOUR INNER WINNER AND WIN." 177 00:08:02,857 --> 00:08:04,525 YEAH. 178 00:08:04,609 --> 00:08:05,693 NICE PHOTO. 179 00:08:05,776 --> 00:08:06,736 OH, THANK YOU. 180 00:08:06,819 --> 00:08:08,196 IT'S ON THE BEST SELLERS LIST. 181 00:08:08,279 --> 00:08:10,239 CONGRATULATIONS. THANK YOU. 182 00:08:10,323 --> 00:08:12,909 DETECTIVE, WE SHOULD GET STARTED ON THE AUTOPSY. 183 00:08:12,992 --> 00:08:14,410 YES. 184 00:08:14,493 --> 00:08:17,413 UH, OH, CAN I -- CAN I JUST TALK TO YOU FOR A SECOND? 185 00:08:17,496 --> 00:08:18,873 I'VE BEEN TRAVELING, PROMOTING MY BOOK. 186 00:08:18,956 --> 00:08:21,375 I-I SHOULD'VE CALLED OR AT LEAST SENT AN E-MAIL. 187 00:08:21,459 --> 00:08:22,960 YEAH, YOU SHOULD'VE. MA. 188 00:08:23,044 --> 00:08:26,214 I'M HAVING A BOOK SIGNING TODAY. IT'S RIGHT DOWN THE STREET. 189 00:08:26,297 --> 00:08:27,882 IT'D MEAN SO MUCH TO ME IF YOU COULD COME. 190 00:08:27,965 --> 00:08:29,884 I CAN'T. 191 00:08:29,967 --> 00:08:32,970 AND EXCUSE ME. WE DO NEED TO GET BACK TO WORK. 192 00:08:34,388 --> 00:08:37,350 OH, IT IS GOING TO BE A LONG DAY. 193 00:08:37,433 --> 00:08:38,601 I'M FINE. 194 00:08:38,683 --> 00:08:39,894 NO, YOU'RE NOT. 195 00:08:39,977 --> 00:08:41,187 YOU LIKE THAT IDIOT. 196 00:08:41,270 --> 00:08:42,730 OH, SHH! I DO NOT. 197 00:08:42,813 --> 00:08:45,107 OH, PLEASE. YOU SO DO, TOO. 198 00:08:47,235 --> 00:08:48,527 UGH! 199 00:08:53,533 --> 00:08:55,493 HE DISAPPEARS FOR THREE MONTHS, 200 00:08:55,576 --> 00:08:57,620 AND NOW I'M SUPPOSED TO JUST DROP EVERYTHING 201 00:08:57,703 --> 00:08:59,413 TO BE A GROUPIE AT HIS BOOK SIGNING? 202 00:08:59,497 --> 00:09:01,415 I THINK YOU'D MAKE A GOOD GROUPIE. 203 00:09:01,499 --> 00:09:02,541 "OH, DENNIS. 204 00:09:02,625 --> 00:09:05,294 WILL YOU RELEASE MY INNER WINNER?" 205 00:09:05,378 --> 00:09:06,295 THAT'S GOOD. 206 00:09:06,379 --> 00:09:07,713 YOU SHOULD GO. 207 00:09:07,797 --> 00:09:09,966 HOW ABOUT I RELEASE MY INNER BITCH? 208 00:09:10,049 --> 00:09:12,551 ANY GUY WHO SPENDS THAT MUCH TIME GROOMING 209 00:09:12,635 --> 00:09:15,763 IS NOT SOMEONE YOU WANT TO SHARE A BATHROOM WITH. 210 00:09:17,431 --> 00:09:21,185 DID YOU NOTICE THE CRUELLA DE VIL STREAK IN HER HAIR? 211 00:09:21,269 --> 00:09:22,812 HYPOPIGMENTATION. 212 00:09:22,895 --> 00:09:24,605 SHE'S GOT TRACK MARKS ON HER NECK. 213 00:09:24,689 --> 00:09:27,692 IT'S A LONG-TERM JUNKIE IF SHE'S USING THE JUGULAR VEIN. 214 00:09:27,775 --> 00:09:29,026 HOW LONG WAS SHE KEPT IN COLD STORAGE 215 00:09:29,110 --> 00:09:30,486 BEFORE SHE WAS TURNED INTO A STATUE? 216 00:09:30,569 --> 00:09:32,363 I COULD NARROW IT DOWN TO BETWEEN TWO TO SIX MONTHS. 217 00:09:32,446 --> 00:09:34,782 [ Sarcastically ] OH, YES. GEE, THAT IS NARROW. 218 00:09:34,865 --> 00:09:37,827 CAN'T YOU FIND SOME FREEZER FUZZ TO HELP OUT? 219 00:09:37,910 --> 00:09:39,078 YOU COULD STORE A BODY 220 00:09:39,161 --> 00:09:41,372 RIGHT ABOVE FREEZING TEMPERATURES INDEFINITELY. 221 00:09:41,455 --> 00:09:44,417 IT TOOK DENNIS THREE MONTHS TO TAKE ME OUT OF COLD STORAGE. 222 00:09:44,500 --> 00:09:47,211 MAURA, LET THAT JERK GO. 223 00:09:47,295 --> 00:09:48,337 [ SIGHS ] 224 00:09:48,421 --> 00:09:49,672 I AM TRYING. 225 00:09:51,591 --> 00:09:53,342 [ SIGHS ] 226 00:09:53,426 --> 00:09:55,011 SHE APPEARS TO BE IN HER 50s. 227 00:09:55,094 --> 00:09:57,221 CAUSE OF DEATH WAS ASPHYXIATION. 228 00:09:58,431 --> 00:10:00,891 NO DENTAL CARE FOR DECADES. 229 00:10:00,975 --> 00:10:03,102 SO WE CAN'T IDENTIFY HER WITH DENTAL RECORDS. 230 00:10:03,185 --> 00:10:05,354 AND WITHOUT HANDS -- 231 00:10:05,438 --> 00:10:06,605 [ COUGHS ] 232 00:10:06,689 --> 00:10:08,524 UH, YES. THANK YOU, MAURA. 233 00:10:08,607 --> 00:10:11,110 YES, NO FINGERS, NO FINGERPRINTS. 234 00:10:11,193 --> 00:10:13,529 YES. 235 00:10:13,612 --> 00:10:15,156 I, UH -- I CHECKED ViCAP. 236 00:10:15,239 --> 00:10:17,533 I FOUND FOUR UNSOLVED MURDERS OF PROSTITUTES 237 00:10:17,616 --> 00:10:20,828 IN MINNEAPOLIS, ST. PAUL, JACKSONVILLE, AND ST. LOUIS, 238 00:10:20,911 --> 00:10:22,371 ALL STRANGLED. 239 00:10:22,455 --> 00:10:25,374 WERE ANY OF THEM PUT IN COLD STORAGE BEFORE THEY WERE DUMPED? 240 00:10:25,458 --> 00:10:27,001 NO, BUT LOOK AT THIS. 241 00:10:27,084 --> 00:10:29,503 ALL OF THEM HAD THEIR ARMS CUT OFF 242 00:10:29,587 --> 00:10:32,757 AND ALL WERE ENCASED IN PLASTER. 243 00:10:32,840 --> 00:10:34,091 DID ANY OF THEM HAVE 244 00:10:34,175 --> 00:10:35,676 THE DEEP CUTS IN THEIR FACE LIKE THIS ONE? 245 00:10:35,760 --> 00:10:36,844 NO. 246 00:10:38,429 --> 00:10:40,056 SO, THIS ONE WAS MORE PERSONAL. 247 00:10:40,139 --> 00:10:41,640 WE'RE LOOKING FOR A SERIAL KILLER. 248 00:10:41,724 --> 00:10:43,601 FORENSIC PSYCHIATRY RESEARCH INDICATES 249 00:10:43,684 --> 00:10:45,394 THAT MOST SERIAL KILLERS ARE MEN -- 250 00:10:45,478 --> 00:10:47,897 WITH OVERWHELMING HOSTILITY AND RAGE TOWARD WOMEN, 251 00:10:47,980 --> 00:10:49,440 OFTEN THEIR MOTHERS. 252 00:10:49,523 --> 00:10:53,361 AND DISPLAYING HIS "WORK" MEANS HE HAS A MASSIVE EGO. 253 00:10:53,444 --> 00:10:54,820 HE WANTS RECOGNITION. 254 00:10:54,904 --> 00:10:57,406 FROST, WHERE WERE THE OTHER FOUR WOMEN FOUND? 255 00:10:57,490 --> 00:10:59,158 TWO PLAYGROUNDS, A T-BALL FIELD, 256 00:10:59,241 --> 00:11:01,077 AND IN FRONT OF A DAYCARE CENTER. 257 00:11:01,160 --> 00:11:02,870 ALL LOCATIONS USED BY KIDS. 258 00:11:02,953 --> 00:11:05,498 AND THE FOUR OTHER WOMEN WERE PROSTITUTES. 259 00:11:05,581 --> 00:11:08,584 MAYBE THAT'S WHERE WE START WITH OUR VICTIM. 260 00:11:19,804 --> 00:11:20,638 HI. 261 00:11:20,721 --> 00:11:22,139 YOU EVER WORK BAY VILLAGE? 262 00:11:22,223 --> 00:11:23,682 YEAH. WHAT DO YOU NEED? 263 00:11:23,766 --> 00:11:26,519 CAN YOU TAKE THAT AROUND, SEE IF ANYBODY RECOGNIZES HER? 264 00:11:26,602 --> 00:11:28,396 YEAH. THANKS. 265 00:11:30,689 --> 00:11:32,775 MAKE HER WORK THE OPEN CASES. I'LL GO. 266 00:11:32,858 --> 00:11:34,068 THAT'S A GOOD IDEA, FROST. 267 00:11:34,151 --> 00:11:35,861 DETECTIVE FROST IS GONNA GO WITH YOU. 268 00:11:35,945 --> 00:11:37,405 WHAT? 269 00:11:37,488 --> 00:11:38,906 RILEY'S A HOMICIDE DETECTIVE NOW. 270 00:11:38,989 --> 00:11:39,990 YOU MAKE IT WORK. 271 00:11:40,074 --> 00:11:42,243 FINE. I AM A PROFESSIONAL. 272 00:11:42,326 --> 00:11:44,370 GOOD. TAKE FRANKIE WITH YOU. 273 00:11:44,453 --> 00:11:46,080 REMIND HIM HE'S A PROFESSIONAL, TOO. 274 00:11:47,498 --> 00:11:48,665 YOU GOT ANY PANTS? 275 00:11:48,749 --> 00:11:49,959 IN MY CAR. WHY? 276 00:11:50,042 --> 00:11:51,585 A SKIRT WON'T HELP YOU IN HOMICIDE. 277 00:11:54,463 --> 00:11:56,257 HOW'S IT GOING? 278 00:11:56,340 --> 00:11:57,800 FANTASTIC. SHE'S FITTING RIGHT IN. 279 00:11:57,883 --> 00:12:00,177 YOU KNOW, THE HEAD OF THE DRUG UNIT SHOWED ME HER RECORD. 280 00:12:00,261 --> 00:12:01,345 PRETTY IMPRESSIVE. 281 00:12:01,429 --> 00:12:03,264 SHE GOT LONG-TERM UNDERCOVER, 282 00:12:03,347 --> 00:12:04,807 AND SHE GOT BIG SCORES BECAUSE OF HER WORK. 283 00:12:04,890 --> 00:12:06,267 YEAH. I MEAN, SHE DESERVES THE SPOT. 284 00:12:06,350 --> 00:12:07,977 I DON'T HAVE A PROBLEM WITH HER. 285 00:12:08,060 --> 00:12:09,562 [ CELLPHONE BUZZES ] WELL, I'M GLAD TO HEAR THAT, RIZZOLI. 286 00:12:09,645 --> 00:12:12,606 YOU KNOW, SHE HAS ALMOST AS MUCH POTENTIAL AS YOU DID. 287 00:12:12,690 --> 00:12:15,568 BUT I'M NEVER GONNA SEE ANOTHER JANE RIZZOLI. 288 00:12:15,651 --> 00:12:18,195 THANK YOU, SIR. 289 00:12:23,075 --> 00:12:24,618 YOU THINK CAVANAUGH WAS SAYING 290 00:12:24,702 --> 00:12:27,037 THAT FRANKIE ISN'T GONNA GET HIS GOLD BADGE? 291 00:12:27,121 --> 00:12:28,038 MAURA? 292 00:12:28,122 --> 00:12:30,499 MAURA? 293 00:12:30,583 --> 00:12:32,543 OW! WHAT WAS THAT FOR? 294 00:12:32,626 --> 00:12:34,712 I HATE TO BE IGNORED. 295 00:12:34,795 --> 00:12:36,088 DENNIS IGNORED ME FOR THREE MONTHS. 296 00:12:36,172 --> 00:12:37,756 [ Valley Girl accent ] OH, MY GOD. 297 00:12:37,840 --> 00:12:38,966 LIKE, HE DIDN'T EVEN TEXT? 298 00:12:39,884 --> 00:12:41,260 REALLY? YOU WANT TO KNOW BUSY? 299 00:12:41,343 --> 00:12:43,262 LIKE, I'M SUPPOSED TO BE SOLVING A SERIAL MURDER. 300 00:12:43,345 --> 00:12:45,222 I HAVE NEVER ONCE HAD AN INNER MONOLOGUE LIKE THAT. 301 00:12:45,306 --> 00:12:46,682 [ Normal voice ] OKAY. 302 00:12:46,765 --> 00:12:48,225 [ COMPUTER BEEPS ] 303 00:12:48,309 --> 00:12:49,768 TRACE REPORT IS BACK. 304 00:12:49,852 --> 00:12:52,771 THE PLASTER IS A COMMON TYPE USED IN CONSTRUCTION. 305 00:12:52,855 --> 00:12:56,692 I ALSO FOUND THESE BURNS ON THE SOLES OF OUR VICTIM'S FEET. 306 00:12:56,775 --> 00:12:58,194 EWW. 307 00:12:58,277 --> 00:13:00,696 SO, THE KILLER PUT OUT HIS CIGARETTES. 308 00:13:00,779 --> 00:13:02,364 LIKELY INFLICTED PERIMORTEM. 309 00:13:02,448 --> 00:13:04,783 SO, HE TORTURED HER WHILE HE WAS KILLING HER. 310 00:13:04,867 --> 00:13:06,035 WHAT ELSE? 311 00:13:06,118 --> 00:13:08,537 DELIVERED ONE CHILD VIA CESAREAN SECTION, 312 00:13:08,621 --> 00:13:09,997 THEN HAD A TUBAL-LIGATION PROCEDURE. 313 00:13:10,080 --> 00:13:12,291 HEALED SCAR TISSUE INDICATES IT WAS 30 TO 40 YEARS AGO. 314 00:13:12,374 --> 00:13:14,210 SO, I'M GUESSING SHE DIDN'T WANT A HOUSE FULL OF KIDS. 315 00:13:16,295 --> 00:13:19,507 OKAY, LET'S GO. IT STARTS IN 15 MINUTES. 316 00:13:19,590 --> 00:13:20,549 WHAT STARTS? 317 00:13:20,633 --> 00:13:22,218 THE BOOK SIGNING. 318 00:13:22,301 --> 00:13:23,761 THE ONE YOU'RE NOT GOING TO? 319 00:13:23,844 --> 00:13:25,304 I CHANGED MY MIND. 320 00:13:25,387 --> 00:13:26,639 I DIDN'T. 321 00:13:26,722 --> 00:13:28,557 THE LAB RESULTS ARE GONNA TAKE ABOUT 30 MINUTES, 322 00:13:28,641 --> 00:13:30,392 AND I HAVEN'T HAD A LUNCH BREAK IN THREE YEARS. 323 00:13:30,476 --> 00:13:33,521 I'M NOT SPENDING A LUNCH HOUR THAT I NEVER TAKE 324 00:13:33,604 --> 00:13:37,900 LISTENING TO DENNIS "I LOVE MYSELF" ROCKMOND. 325 00:13:37,983 --> 00:13:40,069 THAT SOUNDS LIKE A CHARACTER FROM "THE FLINTSTONES." 326 00:13:40,152 --> 00:13:42,071 [ Gritting teeth ] HI, I'M DENNIS ROCKMOND. 327 00:13:42,154 --> 00:13:43,531 HMM! 328 00:13:43,614 --> 00:13:45,032 [ Normal voice ] MAURA. 329 00:13:45,115 --> 00:13:46,617 MAURA! 330 00:13:46,700 --> 00:13:47,826 WHAT? 331 00:13:52,414 --> 00:13:54,333 HEY, MAN, DID YOU... 332 00:13:54,415 --> 00:13:56,502 DID I WHAT -- SLEEP WITH HER? 333 00:13:56,585 --> 00:13:57,503 WHY? DID YOU? 334 00:13:57,586 --> 00:13:58,712 NOTHING HERE. 335 00:13:58,796 --> 00:14:01,632 SO, DETECTIVE, WHAT'S YOUR NEXT MOVE? 336 00:14:01,715 --> 00:14:03,759 I'M JUST A LOWLY UNIFORM. 337 00:14:03,842 --> 00:14:05,427 AND I'VE NEVER BEEN UNDERCOVER. 338 00:14:05,511 --> 00:14:06,929 WHAT SHOULD WE DO, DETECTIVE? 339 00:14:07,012 --> 00:14:08,764 YOU COULD START BY GROWING UP. 340 00:14:08,847 --> 00:14:10,099 THIS FROM A WOMAN 341 00:14:10,182 --> 00:14:11,433 WHO PRACTICALLY SHOWED US HER NIPPLES AT "HELLO." 342 00:14:12,768 --> 00:14:14,436 DETECTIVE FROST, HOW OLD IS THE VICTIM? 343 00:14:14,520 --> 00:14:16,480 50s, MAYBE. 344 00:14:16,564 --> 00:14:18,148 COULD BE WHY NO ONE RECOGNIZES HER. 345 00:14:18,232 --> 00:14:21,527 OH, I CAN'T KEEP UP WITH ALL THIS COMPLICATED DETECTIVE TALK. 346 00:14:21,610 --> 00:14:22,653 MM. 347 00:14:22,736 --> 00:14:24,530 HMM. 348 00:14:29,451 --> 00:14:30,911 EXCUSE ME. 349 00:14:30,995 --> 00:14:32,454 DO YOU RECOGNIZE HER? 350 00:14:34,582 --> 00:14:36,792 OH, SURE. THAT'S CRUELLA. 351 00:14:36,875 --> 00:14:38,168 CRUELLA? 352 00:14:38,252 --> 00:14:39,795 YEAH. EVIL-ASS CRUELLA. 353 00:14:39,878 --> 00:14:41,797 I KNOW 'CAUSE SHE HAD THAT LITTLE SKUNK STREAK RIGHT HERE. 354 00:14:41,880 --> 00:14:43,757 LOOKING UP "CRUELLA" IN THE ALIAS FILE. 355 00:14:43,841 --> 00:14:45,801 LISTEN, ROSE, WHEN DID YOU LAST SEE CRUELLA? 356 00:14:45,884 --> 00:14:48,178 OH, BEATS ME. THAT WAS ONE EVIL HEIFER. 357 00:14:48,262 --> 00:14:50,139 BE YELLIN' AT ME FROM ACROSS THE STREET. 358 00:14:50,222 --> 00:14:52,474 "HEY, HO! I GOT YOUR TRICKS! 359 00:14:52,558 --> 00:14:54,560 WHAT YOU GONNA DO ABOUT IT?" 360 00:14:54,643 --> 00:14:55,686 [ LAUGHS ] 361 00:14:55,769 --> 00:14:58,814 DID, UH, CRUELLA HAVE ANY REGULARS? 362 00:14:58,897 --> 00:15:00,524 OH, CHILD, SHE WAS LUCKY TO MAKE ENOUGH 363 00:15:00,608 --> 00:15:01,859 JUST TO FEED THAT FIX OF HERS. 364 00:15:01,942 --> 00:15:04,320 GOT A NAME -- RACHEL DUGAN, 54 YEARS OLD. 365 00:15:04,403 --> 00:15:07,156 YOU SURE YOU CAN'T REMEMBER THE LAST TIME YOU SAW HER? 366 00:15:07,239 --> 00:15:08,657 OH, YEAH. 367 00:15:08,741 --> 00:15:10,576 I SAW HER 'BOUT THREE MONTHS AGO. 368 00:15:10,659 --> 00:15:13,495 I REMEMBER BECAUSE I HAD JUST BOUGHT THIS WIG HERE. 369 00:15:13,579 --> 00:15:16,081 OOH, IT'S KIND OF SHEDDING. 370 00:15:16,165 --> 00:15:18,959 BUT, UH, HOW YOU LIKE IT? 371 00:15:20,544 --> 00:15:22,338 SO, HERE I AM -- 372 00:15:22,421 --> 00:15:24,840 PERFECT CHILDHOOD, LOVING PARENTS, 373 00:15:24,923 --> 00:15:26,342 FAILING OUT OF COLLEGE AND BLAMING THE WORLD. 374 00:15:26,425 --> 00:15:28,010 HE'S A VERY DYNAMIC SPEAKER. 375 00:15:28,093 --> 00:15:29,511 I DON'T LIKE HIM. 376 00:15:29,595 --> 00:15:32,348 WHEN THE PERSON THAT I NEEDED TO LOOK AT WAS MYSELF... 377 00:15:32,431 --> 00:15:34,099 WELL, HOW CAN YOU SAY THAT? 378 00:15:34,183 --> 00:15:36,852 MAURA, HE DIDN'T EVEN BOTHER TO E-MAIL YOU. 379 00:15:36,935 --> 00:15:38,228 BUT HE HAD SPEAKING ENGAGEMENTS. 380 00:15:38,312 --> 00:15:39,980 ...I TOOK RESPONSIBILITY FOR MY LIFE... 381 00:15:40,064 --> 00:15:41,815 BUT WHY DON'T YOU LIKE HIM? 382 00:15:41,899 --> 00:15:43,859 ...AND I FOUND... I DON'T LIKE HIS HAIR. 383 00:15:43,942 --> 00:15:46,862 OR HIS TEETH. SHH! 384 00:15:46,945 --> 00:15:48,489 SO, I WANT TO THANK YOU ALL 385 00:15:48,572 --> 00:15:51,033 FOR YOUR OWN COMMITMENT TO RELEASING YOUR INNER WINNER. 386 00:15:51,116 --> 00:15:53,202 THANK YOU GUYS FOR COMING. 387 00:15:53,285 --> 00:15:55,287 [ APPLAUSE ] THANK YOU. 388 00:15:56,205 --> 00:15:59,792 DON'T FORGET -- YOUR INNER BITCH. MM-HMM. 389 00:15:59,875 --> 00:16:03,712 MAURA, I'M SO GLAD YOU CAME. AH, DETECTIVE. 390 00:16:03,796 --> 00:16:05,547 OH, NO. NOT A HUGGER, REMEMBER? 391 00:16:05,631 --> 00:16:06,715 OH, THAT'S RIGHT. 392 00:16:06,799 --> 00:16:08,550 UH, LISTEN, WILL YOU HAVE COFFEE WITH ME? 393 00:16:08,634 --> 00:16:10,636 I'LL JUST SIGN A FEW BOOKS, AND THEN WE'LL BE OUT OF HERE. 394 00:16:10,719 --> 00:16:11,887 PLEASE, PLEASE, PLEASE? 395 00:16:11,970 --> 00:16:13,180 OH, GOSH, MAURA. 396 00:16:13,263 --> 00:16:14,723 I'M JUST DESPERATE TO GET BACK TO OUR CASE. 397 00:16:14,807 --> 00:16:17,559 AREN'T YOU? UM, YES. 398 00:16:17,643 --> 00:16:18,602 THANK YOU. I CAN'T. 399 00:16:18,686 --> 00:16:20,562 OKAY. [ CELLPHONE BEEPS ] 400 00:16:20,646 --> 00:16:22,606 GREAT TALK. GOOD LUCK WITH THE BOOK SALES. MAURA, COME ON. 401 00:16:22,690 --> 00:16:24,942 IT WAS GOOD TO SEE YOU. YOU, TOO. 402 00:16:25,025 --> 00:16:27,069 WHAT IS IT? 403 00:16:27,152 --> 00:16:28,570 WE'VE GOT ANOTHER BODY DUMP. 404 00:16:28,654 --> 00:16:30,197 [ SIGHS ] 405 00:16:33,826 --> 00:16:35,953 [ CARNIVAL MUSIC PLAYING ] 406 00:16:38,831 --> 00:16:40,374 RIDE'S BEEN CLOSED FOR REPAIRS. 407 00:16:40,457 --> 00:16:42,918 911 CALLER SAW THE THING SPINNING AND CALLED IT IN. 408 00:16:43,001 --> 00:16:45,087 OKAY. CAN SOMEBODY TURN OFF THIS MERRY-GO-ROUND? 409 00:16:45,170 --> 00:16:46,213 CAROUSEL. 410 00:16:46,296 --> 00:16:49,133 1926 SPILLMAN ENG/LOOFF ORIGINAL. 411 00:16:49,216 --> 00:16:50,968 EXTREMELY FINE, HAND-CARVED HORSES. 412 00:16:51,051 --> 00:16:52,720 YEAH, WITH AN EXTREMELY UN-FINE, 413 00:16:52,803 --> 00:16:55,055 HAND-CARVED CORPSE RIDING IT. 414 00:16:55,139 --> 00:16:56,223 LISTEN, I GOT UNIFORMS HOLDING 'EM BACK, 415 00:16:56,306 --> 00:16:58,100 BUT THE MEDIA ARE GOING NUTS. 416 00:16:58,183 --> 00:16:59,101 Korsak: CAN YOU BLAME 'EM? 417 00:16:59,184 --> 00:17:00,602 DEAD WOMEN INSIDE STATUES 418 00:17:00,686 --> 00:17:02,604 IS A HELL OF A LOT SEXIER THAN A CITY COUNCIL MEETING. 419 00:17:02,688 --> 00:17:06,108 WELL, WE GOT TO MANAGE THIS. WE'RE WORKING IT AS HARD AS WE CAN, SIR. 420 00:17:06,191 --> 00:17:08,609 A KILLER WHO TAKES THIS KIND OF RISK 421 00:17:08,694 --> 00:17:10,112 IS GONNA BE HARD TO STOP. 422 00:17:10,194 --> 00:17:13,991 Frost: JANE, YOU'VE GOT TO SEE THIS. 423 00:17:14,074 --> 00:17:16,285 WHAT, ANOTHER POWER OUTAGE WITH THE SECURITY CAMERAS? 424 00:17:16,367 --> 00:17:18,619 NO. THIS GUY IS SMART. 425 00:17:18,704 --> 00:17:20,497 THE I.Q. OF MOST SERIAL KILLERS 426 00:17:20,580 --> 00:17:22,540 FALLS BETWEEN 105 AND 120 POINTS. 427 00:17:22,624 --> 00:17:23,959 WELL, THIS GUY IS TED BUNDY. 428 00:17:24,041 --> 00:17:25,294 LOOK WHAT HE DID WITH THE SECURITY CAMERAS. 429 00:17:25,377 --> 00:17:26,795 HE TOOK OUT THE CAMERAS WITH A LASER POINTER. 430 00:17:28,589 --> 00:17:31,467 CRAP. THERE GOES MY FISHING TRIP. 431 00:17:33,385 --> 00:17:35,304 SIX DISMEMBERED BODIES, 432 00:17:35,387 --> 00:17:37,598 ALL DUMPED IN PLACES THAT CATER TO CHILDREN. 433 00:17:37,681 --> 00:17:39,808 THIS IS EGO, JANE. 434 00:17:39,892 --> 00:17:41,852 HE WANTS US TO KNOW THESE STATUES. 435 00:17:41,935 --> 00:17:44,062 THESE DEAD WOMEN ARE HIS CREATIONS. 436 00:17:44,146 --> 00:17:46,648 [ POLICE RADIO CHATTER ] 437 00:17:46,732 --> 00:17:48,776 WHAT IS IT? WHAT'S WRONG? NOTHING. 438 00:17:48,859 --> 00:17:51,028 IT JUST REMINDS ME OF HOYT. 439 00:17:51,111 --> 00:17:52,613 JANE, HE'S DEAD. 440 00:17:52,696 --> 00:17:54,198 BUT HE TRAINED TWO APPRENTICES. 441 00:17:54,281 --> 00:17:56,158 THERE COULD BE ANOTHER ONE OUT THERE. 442 00:17:56,241 --> 00:17:57,326 MY HEAD WENT THERE, TOO, JANE. 443 00:17:57,409 --> 00:17:58,660 OKAY, FROST. 444 00:17:58,744 --> 00:18:00,829 CAN YOU SEE IF THERE WERE ANY PERSONS OF INTEREST 445 00:18:00,913 --> 00:18:02,915 ON THOSE OTHER CASES WITH A TIE TO HOYT? 446 00:18:02,998 --> 00:18:05,542 ON IT. 447 00:18:09,838 --> 00:18:12,341 SAME CAUSE OF DEATH -- ASPHYXIATION. 448 00:18:12,424 --> 00:18:14,343 WAS THIS ONE REFRIGERATED? 449 00:18:14,426 --> 00:18:16,929 NOPE. DEATH OCCURRED IN THE LAST 24 HOURS. 450 00:18:17,012 --> 00:18:18,514 CIGARETTE BURNS. 451 00:18:18,597 --> 00:18:20,724 YES. I'VE NOTED THEM. 452 00:18:20,808 --> 00:18:22,559 SHE RECENTLY STOPPED LACTATING. 453 00:18:22,643 --> 00:18:24,478 [ DOOR OPENS ] SHE JUST HAD A BABY? 454 00:18:24,561 --> 00:18:26,855 SECOND VICTIM'S TOX SCREEN CAME BACK. 455 00:18:26,939 --> 00:18:28,524 THIS ONE'S POSITIVE FOR HEROIN, TOO. 456 00:18:28,607 --> 00:18:30,317 THANKS. 457 00:18:30,400 --> 00:18:32,069 I FOUND EVIDENCE OF SCAR TISSUE 458 00:18:32,152 --> 00:18:34,154 INDICATING EXCESSIVE SEXUAL ACTIVITY. 459 00:18:34,238 --> 00:18:35,781 SO, ANOTHER JUNKIE PROSTITUTE? 460 00:18:35,864 --> 00:18:38,200 MAYBE WE'RE LOOKING FOR A TRUCKER. 461 00:18:38,283 --> 00:18:40,786 COULD THE FIRST BODY HAVE BEEN KEPT IN A REFRIGERATED TRUCK? 462 00:18:40,869 --> 00:18:42,287 IT'S POSSIBLE. 463 00:18:42,371 --> 00:18:44,540 I JUST FIND IT INTERESTING THAT THE MAJORITY OF SERIAL KILLERS 464 00:18:44,623 --> 00:18:47,501 AREN'T RECLUSIVE SOCIAL MISFITS OR MONSTERS. 465 00:18:47,584 --> 00:18:49,336 I FIND IT TERRIFYING. 466 00:18:49,419 --> 00:18:51,380 I THINK THE GUY THAT SHOVELS YOUR DRIVEWAY IS A SERIAL KILLER. 467 00:18:51,463 --> 00:18:52,840 YOU DO? 468 00:18:52,923 --> 00:18:55,384 NO, BUT I DON'T KNOW IF EVEN I COULD TELL THAT HE WAS. 469 00:18:57,386 --> 00:18:59,388 OKAY. I'M GONNA GO SHOW THIS AROUND. 470 00:18:59,471 --> 00:19:01,473 WHAT, NOW? IT'S 9:00 AT NIGHT. 471 00:19:01,557 --> 00:19:02,724 YEAH, WELL, I CAN'T GO HOME 472 00:19:02,808 --> 00:19:04,184 KNOWING THIS ANIMAL IS OUT THERE. 473 00:19:04,268 --> 00:19:06,895 JANE... YEAH? 474 00:19:06,979 --> 00:19:09,565 DID YOU NOTICE THAT I DIDN'T MENTION DENNIS? 475 00:19:09,648 --> 00:19:11,650 YES, YOU DID. 476 00:19:15,153 --> 00:19:16,780 [ INDISTINCT CONVERSATIONS ] 477 00:19:16,864 --> 00:19:18,240 THANK YOU. 478 00:19:19,700 --> 00:19:20,784 [ SIGHS ] 479 00:19:20,868 --> 00:19:22,828 WE'RE STRIKING OUT IN BAY VILLAGE. 480 00:19:22,911 --> 00:19:25,247 I TEXTED RONDO. HE'S ALWAYS IN THE COMBAT ZONE. 481 00:19:25,330 --> 00:19:26,915 MAYBE HE CAN HELP US. 482 00:19:26,999 --> 00:19:28,667 HOW'S IT GOING WITH RILEY? 483 00:19:28,750 --> 00:19:31,461 OH, ME AND FRANKIE ARE HOLDING STEADY WITH THE GRUDGE. 484 00:19:31,545 --> 00:19:32,921 THAT'S PRODUCTIVE. 485 00:19:33,005 --> 00:19:33,922 YEAH. 486 00:19:34,006 --> 00:19:35,924 Rondo: VANILLA! 487 00:19:36,008 --> 00:19:37,342 YOU SEE THAT? 488 00:19:37,426 --> 00:19:39,344 YOU RING, I COME RUNNIN'. 489 00:19:39,428 --> 00:19:41,013 OH, YOU WORKIN' WITH THE BROTHER? 490 00:19:41,096 --> 00:19:43,098 YES, SHE IS. HEY, RONDO. 491 00:19:43,182 --> 00:19:45,100 WE THINK SHE WORKS COMBAT ZONE. YOU EVER SEEN HER? 492 00:19:45,183 --> 00:19:47,311 OH, YEAH, SURE. THAT'S CHRISSY. 493 00:19:47,394 --> 00:19:49,062 CAN YOU GIVE US ANYTHING MORE -- 494 00:19:49,146 --> 00:19:50,105 A NICKNAME, MAYBE? 495 00:19:50,188 --> 00:19:51,481 UH... 496 00:19:51,565 --> 00:19:54,735 I THINK -- I THINK SHE GOES BY... 497 00:19:54,818 --> 00:19:58,614 UH...I THINK SHE GOES BY... 498 00:19:58,697 --> 00:19:59,781 "RAINBOW." 499 00:19:59,865 --> 00:20:01,909 SHE SERVICES THE, UH, HARD-CORE JOHNS. 500 00:20:01,992 --> 00:20:03,869 YOU KNOW THE NAMES OF ANY OF HER JOHNS? 501 00:20:03,952 --> 00:20:05,537 NAH, NAH. THEY AIN'T TOO FRIENDLY. 502 00:20:05,621 --> 00:20:08,498 JANE, I THINK I GOT HER -- CHRISTINE SULLIVAN. 503 00:20:08,582 --> 00:20:11,543 WAIT, WAIT, WAIT, WAIT. THAT'S MY HOMEY. 504 00:20:11,627 --> 00:20:12,753 SHE'LL BE ABLE TO TELL US. 505 00:20:12,836 --> 00:20:13,879 KITTY! 506 00:20:13,962 --> 00:20:15,130 COME ON. 507 00:20:15,213 --> 00:20:16,298 HEY, KITTY, HEY. 508 00:20:16,381 --> 00:20:17,549 THESE ARE MY FRIENDS. 509 00:20:17,633 --> 00:20:19,885 SOMEBODY KILLED ONE OF THE GIRLS IN THE ZONE. 510 00:20:19,968 --> 00:20:22,971 OH, NO! POOR RAINBOW! 511 00:20:23,055 --> 00:20:24,973 UM, DID SHE HAVE REGULARS? 512 00:20:25,057 --> 00:20:27,059 SURE -- LOTS OF 'EM. 513 00:20:27,142 --> 00:20:28,977 DID SOMEBODY CHOKE HER? 514 00:20:29,061 --> 00:20:30,437 HOW'D YOU KNOW THAT? 515 00:20:30,520 --> 00:20:31,730 IT WAS "BEAR." HAD TO BE. 516 00:20:31,813 --> 00:20:32,940 WHO'S BEAR? 517 00:20:33,023 --> 00:20:34,733 HE PAYS YOU EXTRA IF YOU LET HIM CHOKE YOU. 518 00:20:34,816 --> 00:20:37,319 RAINBOW NEEDED TO FEED THAT HABIT. SHE'D DO ANYTHING. 519 00:20:37,402 --> 00:20:38,904 CAN YOU GIVE US A DESCRIPTION? 520 00:20:38,987 --> 00:20:41,073 WHITE? BLACK? 521 00:20:41,156 --> 00:20:42,324 A WHITE GUY. DID YOU SEE HIS VEHICLE? 522 00:20:42,407 --> 00:20:44,201 HE DRIVES A BLUE PICKUP. 523 00:20:44,284 --> 00:20:45,744 DID YOU EVER SEE ANYTHING IN THE BACK OF THE TRUCK? 524 00:20:45,827 --> 00:20:48,330 TOOLS AND THINGS. I THINK HE DOES CONSTRUCTION. 525 00:20:48,413 --> 00:20:49,331 CONSTRUCTION. 526 00:20:49,414 --> 00:20:50,540 PLASTER, FROST. 527 00:20:50,624 --> 00:20:52,292 OKAY. THANKS, RONDO. THANK YOU, KITTY. 528 00:20:52,376 --> 00:20:54,419 SO, LET'S PUT A BOLO OUT. 529 00:20:54,503 --> 00:20:56,505 WE'LL CHECK CONSTRUCTION SITES TOMORROW. 530 00:21:02,552 --> 00:21:05,806 [ SIGHS ] I HAVEN'T BEEN TRAINING THIS BONSAI. 531 00:21:05,889 --> 00:21:07,182 IT'S GETTING TOO BIG. 532 00:21:07,265 --> 00:21:09,601 OH, YOU SHOULD TRY KNITTING. IT'S VERY SOOTHING. 533 00:21:09,685 --> 00:21:11,812 UNLESS YOU'RE KNITTING IT FOR A BABY 534 00:21:11,895 --> 00:21:14,272 THAT COULD BE YOUR HUSBAND'S LOVE CHILD 535 00:21:14,356 --> 00:21:16,400 OR YOUR FIRST GRANDCHILD. 536 00:21:16,483 --> 00:21:19,528 OH, ANGELA, I'M SO SORRY. 537 00:21:19,611 --> 00:21:21,613 I WISH I COULD JUST WALK AWAY. 538 00:21:21,697 --> 00:21:23,365 BUT THAT BABY DIDN'T HAVE ANYTHING TO DO WITH 539 00:21:23,448 --> 00:21:25,909 HOW HE OR SHE GOT MADE. 540 00:21:25,993 --> 00:21:27,911 [ DOORBELL RINGS ] 541 00:21:27,995 --> 00:21:29,913 ARE YOU EXPECTING SOMEONE? 542 00:21:29,997 --> 00:21:31,206 IT MIGHT BE AMAZON. 543 00:21:31,289 --> 00:21:33,208 I ORDERED SOME MORE OF THIS SOFT YARN. 544 00:21:33,291 --> 00:21:34,459 THEY DELIVER LATE. 545 00:21:37,295 --> 00:21:39,423 DENNIS. HI. 546 00:21:39,506 --> 00:21:41,508 I KNOW IT'S LATE. I COULDN'T SLEEP. 547 00:21:41,591 --> 00:21:43,552 I NEED TO TELL YOU SOMETHING. 548 00:21:43,635 --> 00:21:45,679 OKAY. COME IN. 549 00:21:47,806 --> 00:21:49,558 OH. HELLO. HEY. 550 00:21:49,641 --> 00:21:50,851 HI. GOOD NIGHT. 551 00:21:50,934 --> 00:21:53,395 UH...IT'S FOR YOU. 552 00:21:53,478 --> 00:21:55,439 THANK YOU. 553 00:21:57,399 --> 00:21:59,401 WELL, YOU KNOW, THE DAY YOU SAVED ME -- 554 00:21:59,484 --> 00:22:01,361 LITERALLY BROUGHT ME BACK TO LIFE 555 00:22:01,445 --> 00:22:04,906 ON THAT AUTOPSY TABLE -- ALL I PLANNED TO DO WAS THANK YOU. 556 00:22:04,990 --> 00:22:06,533 YOU DID THANK ME. 557 00:22:06,616 --> 00:22:09,703 AND I'M A DOCTOR, DENNIS, SO YOU DON'T OWE ME ANYTHING. 558 00:22:09,786 --> 00:22:11,163 I KNOW. IT'S -- IT'S NOT THAT. 559 00:22:11,246 --> 00:22:13,415 IT'S... 560 00:22:13,498 --> 00:22:14,750 LOOK, IT'S -- 561 00:22:14,833 --> 00:22:17,085 MY PARENTS, THEY HAVE THE PERFECT MARRIAGE -- 562 00:22:17,169 --> 00:22:19,379 30 YEARS AND THEY'RE STILL IN LOVE. 563 00:22:19,463 --> 00:22:21,631 THEY'RE SOULMATES. 564 00:22:21,715 --> 00:22:24,593 [ Chuckling ] WHY ARE YOU TELLING ME THIS? 565 00:22:24,676 --> 00:22:29,306 I WAS SO KNOCKED OVER BY YOU THAT -- THAT I GOT AFRAID. 566 00:22:29,389 --> 00:22:31,683 AND I JUMPED ON A PLANE. I BURIED MYSELF IN WORK. 567 00:22:31,767 --> 00:22:34,770 I TRIED EVERYTHING NOT TO THINK ABOUT YOU. 568 00:22:38,315 --> 00:22:39,566 YOU DID? 569 00:22:39,649 --> 00:22:42,444 YEAH. I DID. 570 00:22:42,527 --> 00:22:45,614 I WANT WHAT MY PARENTS HAVE, 571 00:22:45,697 --> 00:22:48,450 AND I NEVER THOUGHT THAT I'D FIND IT. 572 00:22:48,533 --> 00:22:50,827 BUT... 573 00:22:50,911 --> 00:22:53,080 WITH YOU... 574 00:22:54,289 --> 00:22:56,541 ...IT FEELS POSSIBLE. 575 00:23:02,839 --> 00:23:04,132 UH-OH. 576 00:23:04,216 --> 00:23:06,259 WELL, YOU EITHER GOT A LOT OF SLEEP, 577 00:23:06,343 --> 00:23:09,513 OR YOU DID SOME SLEEPING THAT DIDN'T INVOLVE SLEEPING. 578 00:23:09,596 --> 00:23:11,473 DENNIS STOPPED BY. MM-HMM. 579 00:23:11,556 --> 00:23:13,517 BUT I DIDN'T SLEEP WITH HIM. I HAVEN'T SLEPT WITH HIM. 580 00:23:13,600 --> 00:23:17,312 THE LAST TIME, IT WAS BECAUSE, UM, WELL, I HADN'T MADE MY BED. 581 00:23:17,395 --> 00:23:19,564 WHAT STOPPED YOU THIS TIME? WHAT, VISIBLE DUST BUNNIES? 582 00:23:19,648 --> 00:23:20,649 [ CELLPHONE BUZZES ] 583 00:23:20,732 --> 00:23:22,526 GOOD. KEEP PLAYING HARD-TO-GET. 584 00:23:22,609 --> 00:23:25,320 OKAY, THEY PICKED UP OUR SUSPECT AND HIS VEHICLE. 585 00:23:25,403 --> 00:23:27,739 TODD BROWN, NICKNAMED "BEAR." 586 00:23:27,823 --> 00:23:29,866 OH, I ALWAYS WANTED A GOOD NICKNAME. 587 00:23:29,950 --> 00:23:31,451 WHAT'S WRONG WITH "POINDEXTER"? 588 00:23:31,535 --> 00:23:33,829 THE SAME THING THAT'S WRONG WITH "ROLY-POLY" RIZZOLI. 589 00:23:33,912 --> 00:23:35,163 [ GASPS ] [ ELEVATOR DINGS ] 590 00:23:35,247 --> 00:23:36,748 MAURA! 591 00:23:36,832 --> 00:23:38,500 ALL RIGHT, WELL, COME ON. 592 00:23:38,583 --> 00:23:40,001 I NEED YOU TO OBSERVE MR. BEAR. 593 00:23:40,085 --> 00:23:42,671 WHAT? I HAVE WORK TO DO DOWNSTAIRS. 594 00:23:42,754 --> 00:23:44,047 PLEASE? 595 00:23:44,131 --> 00:23:46,383 YOU'RE THE ONE WITH THE DEGREE IN FORENSIC PSYCHIATRY. 596 00:23:46,466 --> 00:23:49,427 NO, I DID ONE CLINICAL ROTATION IN BEHAVIORAL NEUROSCIENCE. 597 00:23:49,511 --> 00:23:51,805 THAT'S ONE MORE THAN ME. 598 00:23:51,888 --> 00:23:53,849 WE NEED TO DETERMINE IF THIS GUY IS OUR SERIAL KILLER. 599 00:23:53,932 --> 00:23:56,226 I SHOULD EXAMINE HIM IN A MEDICAL SETTING. 600 00:23:56,309 --> 00:23:57,519 GET IN! 601 00:23:57,602 --> 00:23:59,104 OW! 602 00:24:03,608 --> 00:24:06,862 YOU CAN'T DO THIS -- ARREST ME AND SEIZE MY TRUCK! 603 00:24:06,945 --> 00:24:09,489 I THINK WE JUST DID. SIT DOWN. 604 00:24:09,573 --> 00:24:11,032 MAKE YOURSELF COMFORTABLE. 605 00:24:11,116 --> 00:24:13,160 WE'VE GOT A LITTLE TIME WHILE OUR TEAM TEARS YOUR TRUCK APART. 606 00:24:13,243 --> 00:24:18,790 I GOT TO TELL YOU, MR. BROWN, WE REALLY ADMIRE YOUR WORK. 607 00:24:18,874 --> 00:24:20,167 DON'T SHOW ME DEAD HOOKERS. 608 00:24:20,250 --> 00:24:22,586 I DIDN'T SAY THEY WERE HOOKERS. 609 00:24:22,669 --> 00:24:26,590 WE HAVE A WITNESS WHO'S SEEN YOU WITH THIS HOOKER, CHRISTINE SULLIVAN. 610 00:24:26,673 --> 00:24:28,341 SO? I'VE BEEN WITH A LOT OF HOOKERS, 611 00:24:28,425 --> 00:24:30,051 AND I'M NOT LOOKING AT THEIR FACES. 612 00:24:30,135 --> 00:24:31,636 BESIDES, I GOT BACK PROBLEMS. 613 00:24:31,720 --> 00:24:33,096 I CAN'T EVEN LIFT MY OWN TOOLBOX RIGHT NOW. 614 00:24:33,180 --> 00:24:34,639 I'M NOT OUT THERE CUTTING UP HOOKERS. 615 00:24:36,683 --> 00:24:39,352 EXCUSE ME WHILE I CONSULT WITH MY COLLEAGUE. 616 00:24:39,436 --> 00:24:41,688 [ DOOR OPENS ] 617 00:24:41,771 --> 00:24:45,025 [ DOOR CLOSES ] 618 00:24:45,108 --> 00:24:46,401 WHAT DO YOU THINK? 619 00:24:46,484 --> 00:24:48,069 WELL, HE SEEMS TO BE RATIONALIZING 620 00:24:48,153 --> 00:24:49,070 MALADAPTIVE BEHAVIOR. 621 00:24:49,154 --> 00:24:50,739 WHAT DOES THAT MEAN? 622 00:24:50,822 --> 00:24:52,157 WELL, PSYCHOPATHS HAVE A SPARSE EMOTIONAL LIFE. 623 00:24:52,240 --> 00:24:54,409 HE DOESN'T APPEAR TO BE A PSYCHOPATH. 624 00:24:54,492 --> 00:24:55,911 HIS EMOTIONS FEEL GENUINE. 625 00:24:56,953 --> 00:25:00,040 HE THREW CONSTRUCTION TOOLS AT THE OFFICERS WHO ARRESTED HIM. 626 00:25:00,123 --> 00:25:02,709 I MEAN, THAT SAYS HE'S EASILY PROVOKED AND VIOLENT. 627 00:25:02,792 --> 00:25:04,252 ASK HIM ABOUT HIS NICKNAME. 628 00:25:04,336 --> 00:25:06,171 OKAY. 629 00:25:08,048 --> 00:25:10,091 [ DOOR OPENS ] WHERE'D YOU GET THE NICKNAME "BEAR?" 630 00:25:10,175 --> 00:25:12,177 WHEN I WAS A KID, I LOOKED REALLY CUDDLY AND CHUBBY. 631 00:25:12,260 --> 00:25:14,221 AND WHEN SOME KID CALLED ME "BEAR," 632 00:25:14,304 --> 00:25:15,805 I BEAT THE LIVING CRAP OUT OF HIM. 633 00:25:15,889 --> 00:25:17,182 NAME STUCK. 634 00:25:17,265 --> 00:25:19,142 OKAY, BEAR. 635 00:25:19,226 --> 00:25:21,686 WE'RE CHARGING YOU WITH ASSAULT WITH A DEADLY WEAPON. 636 00:25:21,770 --> 00:25:23,563 WHAT?! 637 00:25:23,647 --> 00:25:26,566 THE TROWEL THAT YOU THREW AT THE TWO OFFICERS? 638 00:25:26,650 --> 00:25:28,193 THAT'S AGAINST THE LAW. 639 00:25:33,281 --> 00:25:34,741 WHEW. 640 00:25:34,824 --> 00:25:36,952 WE FOUND PLASTER OF PARIS IN THE BACK OF HIS TRUCK. 641 00:25:37,035 --> 00:25:38,912 WE HAVE HOOKERS WHO CAN TESTIFY HE CHOKED THEM. 642 00:25:38,995 --> 00:25:41,790 WE NEED TO KNOW IF HE HAS ANY CONNECTION TO CHARLES HOYT. 643 00:25:41,873 --> 00:25:44,167 HOYT LIKED TO HAVE OTHER NUT JOBS KILL FOR HIM. 644 00:25:44,251 --> 00:25:46,044 PLUS, BROWN WAS IN THE MILITARY. 645 00:25:46,127 --> 00:25:47,379 I'M GONNA RUN HIS RECORDS. 646 00:25:47,462 --> 00:25:48,838 I'LL CHECK CREDIT CARDS. 647 00:25:48,922 --> 00:25:52,050 MAYBE WE CAN TIE HIM TO CITIES WHERE WE HAD BODY DUMPS. 648 00:26:00,725 --> 00:26:02,686 JANE, WHAT IS IT? 649 00:26:02,769 --> 00:26:04,521 UH, LOOKS LIKE A LETTER FROM THE KILLER. 650 00:26:09,567 --> 00:26:11,695 "DEAR BOSS, DO YOU LIKE MY WORK? 651 00:26:11,778 --> 00:26:14,364 MAKE SURE YOU DON'T GIVE THE WRONG SCULPTOR CREDIT. 652 00:26:14,447 --> 00:26:16,408 I'M ABOUT TO SCULPT MY FINEST PIECE OF WORK." 653 00:26:16,491 --> 00:26:18,243 WE GOT ANOTHER BODY. 654 00:26:18,326 --> 00:26:19,452 WHAT? WHERE? 655 00:26:19,536 --> 00:26:21,204 THE ZOO. 656 00:26:26,710 --> 00:26:28,712 [ SNIFFS ] 657 00:26:30,422 --> 00:26:32,507 Jane: OH, I CAN SEE THE HEADLINES NOW -- 658 00:26:32,590 --> 00:26:34,718 "MEDICAL EXAMINER SNIFFS OUT CLUES." 659 00:26:34,801 --> 00:26:36,594 HEAVY PARTICULATE ODOR. 660 00:26:36,678 --> 00:26:38,555 THERE IS DEFINITELY A BODY INSIDE. 661 00:26:38,638 --> 00:26:40,307 THAT IS WHY WE'RE HERE. 662 00:26:40,390 --> 00:26:41,683 Frost: YOU'RE NOT GONNA BELIEVE THIS. 663 00:26:41,766 --> 00:26:43,268 HE TOOK OUT THE SECURITY CAMERAS AGAIN. 664 00:26:43,351 --> 00:26:45,353 HOW THE HELL IS HE DOING THIS RIGHT UNDER OUR NOSES? 665 00:26:45,437 --> 00:26:46,980 [ CELLPHONE BUZZES ] 666 00:26:48,940 --> 00:26:50,317 WHAT IS IT, FROST? 667 00:26:50,400 --> 00:26:52,277 I JUST GOT AN E-MAIL FROM A ST. PAUL HOMICIDE DETECTIVE 668 00:26:52,360 --> 00:26:53,945 WORKING THEIR DISMEMBERED PROSTITUTE CASE. 669 00:26:54,029 --> 00:26:56,031 AND? ANY CONNECTION TO HOYT? 670 00:26:56,114 --> 00:26:58,116 HIS NAME IS FREDERICK STONE. 671 00:26:58,199 --> 00:27:00,285 YOU'RE SCARING ME, FROST. CUT TO THE CHASE. 672 00:27:00,368 --> 00:27:03,580 FREDERICK STONE ONCE SHARED A CELL WITH CHARLES HOYT. 673 00:27:08,418 --> 00:27:09,753 I'M NOT SEEING ANY BRUISING 674 00:27:09,836 --> 00:27:11,254 TO INDICATE THAT THIS VICTIM FOUGHT BACK. 675 00:27:11,338 --> 00:27:12,547 SAME AS THE OTHER TWO -- 676 00:27:12,630 --> 00:27:15,550 PROBABLY BECAUSE THEY WERE NODDING OUT ON HEROIN. 677 00:27:15,633 --> 00:27:17,260 MAYBE SHE WAS, TOO. 678 00:27:17,344 --> 00:27:19,429 [ DOOR OPENS ] HERE'S THE TOX SCREEN ON THE THIRD VICTIM. 679 00:27:19,512 --> 00:27:21,639 THANKS. 680 00:27:23,099 --> 00:27:24,434 NOT HEROIN. 681 00:27:24,517 --> 00:27:26,686 BUT SHE TESTED POSITIVE FOR VERY HIGH LEVELS OF COCAINE. 682 00:27:26,770 --> 00:27:28,021 WELL, THAT DOESN'T MAKE ANY SENSE. 683 00:27:28,104 --> 00:27:29,522 COCAINE WOULD MAKE HER AGITATED, 684 00:27:29,606 --> 00:27:32,150 SO WHY WOULDN'T SHE FIGHT BACK? 685 00:27:32,233 --> 00:27:33,318 UNLESS SHE WAS GIVEN A SEDATIVE. 686 00:27:33,401 --> 00:27:35,362 SUSIE, RUN A WIDER PANEL. 687 00:27:35,445 --> 00:27:37,989 CHECK FOR SEDATIVES. 688 00:27:39,699 --> 00:27:42,160 LATENT CHECKED. TRACE CHECKED. DNA LAB CHECKED. 689 00:27:42,243 --> 00:27:44,245 THERE'S NOTHING ON THE LETTER OR THE ENVELOPE. 690 00:27:44,329 --> 00:27:45,538 TOLD YOU HE WAS SMART. 691 00:27:45,622 --> 00:27:47,749 THAT'S WHY WE HAVE SEVEN BODIES. 692 00:27:47,832 --> 00:27:49,751 MAURA, THERE HAS TO BE A WAY TO FIGURE OUT 693 00:27:49,834 --> 00:27:51,461 HOW LONG CRUELLA WAS IN COLD STORAGE. 694 00:27:51,544 --> 00:27:54,047 TWO TO SIX MONTHS IS -- IS A PRETTY BIG WINDOW. 695 00:27:54,130 --> 00:27:55,590 WELL, THERE'S NO TRACES OF MOLD, 696 00:27:55,673 --> 00:27:57,550 WHICH INDICATE THAT SHE WAS KEPT IN A CONTROLLED ENVIRONMENT 697 00:27:57,634 --> 00:27:59,427 AT EXACTLY 33 DEGREES. 698 00:27:59,511 --> 00:28:01,513 SO, THE WINDOW COULD ACTUALLY BE MUCH LARGER -- 699 00:28:01,596 --> 00:28:04,432 SEVERAL WEEKS TO MANY MONTHS. 700 00:28:04,516 --> 00:28:08,019 DID YOU MAKE IT LARGER BECAUSE I SAID I HATED DENNIS' HAIR? 701 00:28:08,103 --> 00:28:09,562 [ SCOFFS ] NO. 702 00:28:10,855 --> 00:28:12,774 POSSIBLY. 703 00:28:12,857 --> 00:28:15,110 HIVES. 704 00:28:15,193 --> 00:28:16,111 [ LAUGHS ] 705 00:28:16,194 --> 00:28:17,487 SERVES YOU RIGHT. 706 00:28:19,114 --> 00:28:22,409 SO, MAYBE FREDERICK KILLED CRUELLA, 707 00:28:22,492 --> 00:28:24,911 STUCK HER IN A REFRIGERATOR, AND THEN WENT ON A KILLING SPREE. 708 00:28:24,994 --> 00:28:27,455 ONE PER CITY TILL HE GOT BACK TO BOSTON? 709 00:28:27,539 --> 00:28:28,706 MM-HMM. 710 00:28:28,790 --> 00:28:32,043 [ CELLPHONE BUZZES ] THIS DOES SEEM LIKE HOME. 711 00:28:32,127 --> 00:28:33,753 WHAT? WHAT IS IT? 712 00:28:33,837 --> 00:28:35,046 CAN YOU GUYS KEEP THIS MOVING? 713 00:28:35,130 --> 00:28:36,381 SOMETHING'S UP WITH MY MOTHER. 714 00:28:37,757 --> 00:28:38,925 [ GROANING ] 715 00:28:39,008 --> 00:28:40,176 OW! 716 00:28:40,260 --> 00:28:41,845 WHOA! RELAX. BREATHE. OH, IT HURTS! 717 00:28:43,346 --> 00:28:46,057 JANE! HELP! I THINK LYDIA IS GOING INTO LABOR. 718 00:28:46,141 --> 00:28:48,643 A MATERNITY WARD'S A GREAT PLACE TO HAVE A BABY. 719 00:28:48,726 --> 00:28:50,645 YOU WANT ME TO CALL YOUR MOM, HAVE HER MEET YOU THERE? 720 00:28:50,728 --> 00:28:53,106 NO, NO, NO. SHE HATES KIDS, ESPECIALLY BABIES. 721 00:28:53,189 --> 00:28:55,733 AND THERE IS NO WAY I AM GOING TO A HOSPITAL. 722 00:28:55,817 --> 00:28:56,901 AAH! 723 00:28:56,985 --> 00:28:59,112 SHE ALREADY SENT AWAY A TEAM OF PARAMEDICS. 724 00:28:59,195 --> 00:29:01,489 I LEFT A MESSAGE FOR TOMMY TO TELL HIM TO GET OVER HERE. 725 00:29:01,573 --> 00:29:02,907 IT'S HIS BABY. HE HAS TO KNOW. 726 00:29:02,991 --> 00:29:04,492 WHAT IF IT'S DAD'S? 727 00:29:04,576 --> 00:29:05,827 OH, HE TORE UP HIS PARENT CARD 728 00:29:05,910 --> 00:29:07,662 WHEN HE SLEPT WITH SOMEONE YOUNGER THAN US. 729 00:29:07,745 --> 00:29:09,164 AAH! 730 00:29:09,247 --> 00:29:11,291 [ BREATHING HEAVILY ] 731 00:29:12,417 --> 00:29:15,128 I WANT MY BABY TO BE BORN WITH HIS FAMILY. 732 00:29:15,211 --> 00:29:17,380 UGH! AAH! OHH! 733 00:29:17,464 --> 00:29:19,674 OKAY, WE NEED TO GET HER TO A HOSPITAL. 734 00:29:19,757 --> 00:29:21,134 OH, NO. I AM AN ADULT. 735 00:29:21,217 --> 00:29:23,303 YOU CANNOT MAKE ME GO THERE IF I DON'T WANT TO. 736 00:29:23,386 --> 00:29:25,472 THIS IS NOT YOUR FAMILY. 737 00:29:25,555 --> 00:29:26,931 WHY DID YOU COME HERE? 738 00:29:27,015 --> 00:29:30,185 IT'S MY BABY'S FAMILY, AND YOU'RE SUCH GOOD PEOPLE. 739 00:29:30,268 --> 00:29:33,563 [ Voice breaking ] MY LITTLE BABY DIDN'T DO ANYTHING WRONG. 740 00:29:33,646 --> 00:29:36,357 FRANKIE, YOU PULLED ME OFF A CAR-WASHING JOB. 741 00:29:36,441 --> 00:29:38,610 WHAT'S THE EMERGENCY? YOU LOSE YOUR HANDCUFFS? 742 00:29:39,611 --> 00:29:41,488 LYDIA? TOMMY? 743 00:29:41,571 --> 00:29:43,865 UH, HEY. UH, GOOD TO SEE YOU. 744 00:29:45,492 --> 00:29:47,744 OH, MY GOSH. 745 00:29:47,827 --> 00:29:50,622 FALSE ALARM. 746 00:29:50,705 --> 00:29:54,626 OH, MRS. RIZZOLI, DO YOU THINK YOU COULD FORGIVE ME? 747 00:29:55,793 --> 00:29:57,795 I'D LOVE A HAMBURGER. OH, ME, TOO. 748 00:29:58,630 --> 00:30:03,885 OKAY. I'M A LITTLE CONFLICTED HERE, OKAY? 749 00:30:03,968 --> 00:30:05,470 YOU HAD INTIMATE RELATIONSHIPS 750 00:30:05,553 --> 00:30:10,225 WITH BOTH TOMMY AND MY CREEP OF AN EX-HUSBAND, 751 00:30:10,308 --> 00:30:14,312 AND YOU NEVER BOTHERED TO TELL ME WHO YOU WERE WHEN WE MET? 752 00:30:14,395 --> 00:30:16,523 OH, I CAN SEE WHY YOU DON'T WANT TO GET HER A BURGER, 753 00:30:16,606 --> 00:30:17,607 BUT WHAT DID I DO? 754 00:30:17,690 --> 00:30:18,900 OW! 755 00:30:18,983 --> 00:30:20,527 THAT! 756 00:30:20,610 --> 00:30:22,612 I DIDN'T DO THAT. 757 00:30:22,695 --> 00:30:24,781 DID I DO THAT? MAYBE. 758 00:30:24,864 --> 00:30:28,618 I'M REALLY SORRY, MRS. RIZZOLI, YOU KNOW? 759 00:30:28,701 --> 00:30:31,579 BUT NOW THAT I'M BRINGING A NEW LIFE INTO THIS WORLD, 760 00:30:31,663 --> 00:30:34,749 I'M GONNA TURN OVER A NEW LEAF. 761 00:30:36,209 --> 00:30:37,585 AND WHAT ABOUT YOU, THOMAS? 762 00:30:37,669 --> 00:30:40,255 WELL, I'M DEFINITELY WEARING CONDOMS FROM NOW ON. 763 00:30:40,338 --> 00:30:41,714 [ LAUGHS ] 764 00:30:41,798 --> 00:30:44,801 OKAY, AS A SIGN OF GOODWILL, 765 00:30:44,884 --> 00:30:46,928 I'M -- I'M GONNA MAKE YOU BOTH BURGERS. 766 00:30:47,011 --> 00:30:48,096 [ SIGHS ] 767 00:30:48,179 --> 00:30:53,935 BUT NOBODY IS GONNA CALL ME "GRANDMA" 768 00:30:54,018 --> 00:30:57,981 UNTIL I KNOW WHO THE FATHER OF THAT BABY IS. 769 00:31:01,276 --> 00:31:04,112 WHAT? 770 00:31:04,195 --> 00:31:06,406 SO, WHAT'S THE PLAN NOW, DAD? 771 00:31:06,489 --> 00:31:07,699 I DON'T KNOW. HUH? 772 00:31:07,782 --> 00:31:09,826 MAYBE I COULD GET A JOB PAINTING HOUSES. 773 00:31:09,909 --> 00:31:14,289 OH! YEAH! HE'S TOTALLY READY TO BECOME A FATHER. 774 00:31:14,372 --> 00:31:16,207 WAIT, WHOA, WHOA. WHERE ARE YOU GOING? 775 00:31:16,291 --> 00:31:17,333 I'M SORRY, FRANKIE. 776 00:31:17,417 --> 00:31:19,210 I GOT THREE DEAD WOMEN, OKAY? 777 00:31:19,294 --> 00:31:20,712 I'M GOING BACK TO MY CASE. 778 00:31:20,795 --> 00:31:22,964 NO. JANE. JANE! 779 00:31:30,888 --> 00:31:32,557 MAURA? 780 00:31:32,640 --> 00:31:34,392 OH, MY GOD. 781 00:31:34,475 --> 00:31:36,519 YOU SCARED ME. 782 00:31:36,603 --> 00:31:37,520 I AM SO SORRY. 783 00:31:37,604 --> 00:31:38,938 I-I -- IT'S PROBABLY NOT OKAY 784 00:31:39,022 --> 00:31:40,982 THAT I CAME THROUGH THE BACK, IS IT? 785 00:31:41,065 --> 00:31:42,734 UH... 786 00:31:42,817 --> 00:31:45,570 WELL, NOW THAT YOU HAVE, WHY DID YOU? 787 00:31:45,653 --> 00:31:47,780 WELL, IT'S MY BIRTHDAY. 788 00:31:47,864 --> 00:31:49,907 HAPPY BIRTHDAY. 789 00:31:49,991 --> 00:31:51,659 AND I-I NEEDED TO COME HERE TODAY. 790 00:31:51,743 --> 00:31:55,622 I WANTED TO RELIVE THE HIGHEST AND THE LOWEST PARTS OF MY YEAR. 791 00:31:58,124 --> 00:31:59,584 WOW. 792 00:32:02,754 --> 00:32:05,673 THIS IS, UH -- THIS IS WHERE THEY WHEELED ME IN. 793 00:32:07,550 --> 00:32:09,052 YOU'D BEEN DECLARED DEAD. 794 00:32:10,595 --> 00:32:11,929 YEAH. 795 00:32:14,432 --> 00:32:17,810 IF IT WASN'T FOR YOU, I'D BE IN THE GROUND. 796 00:32:20,938 --> 00:32:24,025 I'M -- I'M SURE YOU PROBABLY CAN'T, BUT... 797 00:32:24,108 --> 00:32:25,818 BUT WHAT? 798 00:32:25,902 --> 00:32:29,614 I WOULD GIVE ANYTHING TO CELEBRATE MY BIRTHDAY WITH YOU. 799 00:32:32,116 --> 00:32:37,872 UH, WELL, I'M -- I'M ACTUALLY WAITING ON SOME RESULTS. 800 00:32:37,955 --> 00:32:39,499 BIRTHDAY DINNER? 801 00:32:39,582 --> 00:32:41,250 WOW. YES. THAT -- WOW. 802 00:32:41,334 --> 00:32:43,461 THAT WOULD BE -- THAT WOULD BE INCREDIBLE. 803 00:32:48,299 --> 00:32:49,676 GOT AN I.D. ON THE THIRD VICTIM -- 804 00:32:49,759 --> 00:32:51,636 21-YEAR-OLD DEBBIE ROWLINGS. 805 00:32:51,719 --> 00:32:53,054 PROSTITUTE? 806 00:32:53,137 --> 00:32:54,764 YEAH. SHE WAS ALSO ARRESTED FOR CHILD ENDANGERMENT. 807 00:32:54,847 --> 00:32:57,975 HER NEWBORN WAS TAKEN FROM HER A FEW WEEKS AGO. 808 00:32:58,059 --> 00:32:59,435 ANOTHER NEW MOTHER. 809 00:32:59,519 --> 00:33:02,647 FROST, DID THE OTHER FOUR VICTIMS ALL HAVE CHILDREN? 810 00:33:07,443 --> 00:33:09,278 YEAH. LOOKS LIKE IT. 811 00:33:09,362 --> 00:33:12,573 SO, OUR KILLER DEEPLY RESENTS MOTHERS. 812 00:33:12,657 --> 00:33:14,117 ALL THE DROP LOCATIONS ARE SYMBOLIC TO HIM 813 00:33:14,200 --> 00:33:16,119 AND SEEM LIKE A BIG "'F' YOU" TO MOTHERS AND CHILDREN. 814 00:33:16,202 --> 00:33:18,913 WHY CUT OFF THEIR ARMS AND POSE THEM LIKE STATUES? 815 00:33:18,996 --> 00:33:20,915 WELL, THE VENUS DE MILO IS APHRODITE, 816 00:33:20,998 --> 00:33:23,292 THE GODDESS OF LOVE AND BEAUTY. 817 00:33:23,376 --> 00:33:25,002 IT SAYS HERE THE ARMS BROKE OFF 818 00:33:25,086 --> 00:33:26,838 AND THE DRAPING'S SUPPOSED TO MAKE HER MORE SENSUAL AND EROTIC. 819 00:33:26,921 --> 00:33:28,673 SO, IN OUR KILLER'S MIND, 820 00:33:28,756 --> 00:33:33,177 SHE'S SOME CRAZY MIXED-UP SYMBOL OF LOVE AND EROTICISM. 821 00:33:37,348 --> 00:33:38,558 ALL RIGHT. 822 00:33:38,641 --> 00:33:39,767 COME ON IN. 823 00:33:39,851 --> 00:33:40,977 THANK YOU. 824 00:33:42,270 --> 00:33:44,397 OH, WOW. 825 00:33:44,480 --> 00:33:45,940 WHAT A GORGEOUS SPACE. 826 00:33:46,023 --> 00:33:48,776 THE ONE THING I HATE ABOUT MY JOB 827 00:33:48,860 --> 00:33:50,903 IS HAVING TO BE GONE FROM HERE. 828 00:33:50,987 --> 00:33:54,198 [ Chuckling ] YOU HAVE A PRIVATE ELEVATOR. 829 00:33:54,282 --> 00:33:55,533 YEAH, SORRY WE HAD TO TAKE THE STAIRS. 830 00:33:55,616 --> 00:33:57,952 I HAVE TO GET IT REPAIRED. OH, CAREFUL. 831 00:33:58,035 --> 00:34:01,622 WOULDN'T WANT YOU FALLING THREE STORIES. 832 00:34:01,706 --> 00:34:03,124 [ CHUCKLES ] 833 00:34:06,169 --> 00:34:07,462 SO, HOW OLD ARE YOU TODAY? 834 00:34:07,545 --> 00:34:08,795 36. 835 00:34:08,880 --> 00:34:11,632 YEAH, MY MOM CALLED ME THIS MORNING TO REMIND ME. 836 00:34:11,716 --> 00:34:14,635 SHE ALWAYS CALLS ME FIRST THING AND SINGS ME "HAPPY BIRTHDAY." 837 00:34:14,719 --> 00:34:16,304 THAT'S VERY SWEET. 838 00:34:16,387 --> 00:34:18,056 YEAH. I COULDN'T ASK FOR A BETTER MOTHER. 839 00:34:18,139 --> 00:34:19,389 [ BOTTLE THUDS ] 840 00:34:19,474 --> 00:34:21,350 CHEERS. CHEERS. 841 00:34:24,187 --> 00:34:25,688 THANKS. 842 00:34:25,772 --> 00:34:26,813 JANE, GOOD NEWS. 843 00:34:26,898 --> 00:34:28,065 FREDERICK STONE TURNED UP. 844 00:34:28,149 --> 00:34:29,400 WHERE? 845 00:34:29,484 --> 00:34:30,650 ARRESTED TWO NIGHTS AGO IN DENVER ON A D.U.I. 846 00:34:30,735 --> 00:34:31,819 STILL THERE. COULDN'T POST BAIL. 847 00:34:31,902 --> 00:34:33,446 SO, HE'S NOT OUR KILLER. 848 00:34:33,529 --> 00:34:37,658 NOPE. AND TODD BROWN ISN'T OUR KILLER. 849 00:34:37,742 --> 00:34:38,868 OKAY. 850 00:34:38,951 --> 00:34:41,996 ALL OF OUR VICTIMS HAD REALLY YOUNG CHILDREN 851 00:34:42,079 --> 00:34:44,498 EXCEPT FOR RACHEL DUGAN, A.K.A. CRUELLA, 852 00:34:44,581 --> 00:34:46,000 WHO'S MUCH OLDER THAN EVERYBODY ELSE. 853 00:34:46,083 --> 00:34:47,335 WHAT DO WE KNOW ABOUT HER KID? 854 00:34:47,418 --> 00:34:48,878 THINK IT WAS A SON. 855 00:34:50,213 --> 00:34:51,672 YEAH, RIGHT HERE -- MARK DUGAN. 856 00:34:51,755 --> 00:34:53,716 HE'D BE 36 NOW. 857 00:34:53,800 --> 00:34:54,801 WHAT HAPPENED TO HIM? 858 00:34:54,884 --> 00:34:56,677 SAYS HE WAS TAKEN AWAY FROM HER 859 00:34:56,761 --> 00:34:57,929 AFTER REPEATED EPISODES OF ABUSE. 860 00:34:58,012 --> 00:34:59,263 SHE EVER BURN HIM WITH CIGARETTES? 861 00:34:59,347 --> 00:35:00,973 YEAH. 862 00:35:01,057 --> 00:35:03,726 ON THE SOLES OF HIS FEET. 863 00:35:03,810 --> 00:35:05,520 WE NEED TO FIND HIM. 864 00:35:05,603 --> 00:35:07,522 HE WAS MADE A WARD OF THE STATE WHEN HE WAS 5. 865 00:35:07,605 --> 00:35:08,981 KEEP DIGGING, GUYS. 866 00:35:09,065 --> 00:35:11,651 [ SIGHS ] I'M SORRY. I GOT TO TAKE CARE OF SOMETHING. 867 00:35:13,027 --> 00:35:15,571 DON'T YOU TOUCH ME! DON'T YOU FRIGGIN' TOUCH ME! 868 00:35:15,655 --> 00:35:18,115 OHH! I CALLED MAURA. SHE'S NOT ANSWERING. 869 00:35:18,199 --> 00:35:21,202 OH, GOD. OH, GOD! GET IT OUT! 870 00:35:21,285 --> 00:35:22,870 OKAY, LYDIA, LYDIA, LYDIA, 871 00:35:22,954 --> 00:35:25,832 LET'S LET THE NICE PARAMEDICS TAKE YOU TO THE HOSPITAL. NO!! 872 00:35:25,915 --> 00:35:27,875 GEEZ, THIS GIRL'S GOT SOME PIPES. 873 00:35:27,959 --> 00:35:30,127 OKAY, OKAY. I THINK THE BABY IS COMING. 874 00:35:30,211 --> 00:35:32,213 LISTEN. LYDIA, PUSH. 875 00:35:32,296 --> 00:35:33,381 NO, LYDIA, DON'T PUSH! 876 00:35:33,464 --> 00:35:36,467 IT'S REALLY STUCK! 877 00:35:36,551 --> 00:35:39,053 TOMMY, HELP! OKAY, OKAY. IS THAT IT? 878 00:35:39,136 --> 00:35:41,055 OH, GEEZ! 879 00:35:41,138 --> 00:35:43,099 OKAY, NOW SHE WANTS SOMEONE WITH MEDICAL TRAINING. GET IN THERE. 880 00:35:43,182 --> 00:35:44,517 Angela: WHOA. WHERE ARE YOU GOING? 881 00:35:44,600 --> 00:35:46,060 AWAY FROM THAT! 882 00:35:46,143 --> 00:35:47,395 AW, COME O-- FIND ANYTHING ON MARK DUGAN? 883 00:35:47,478 --> 00:35:48,354 SHOULD WE DO SOMETHING? 884 00:35:48,437 --> 00:35:49,897 BABIES ARE BORN EVERY DAY. 885 00:35:49,981 --> 00:35:51,649 WE GOT A SERIAL KILLER ON THE LOOSE. YOU TURN AROUND. 886 00:35:51,732 --> 00:35:53,734 I DON'T NEED YOU PASSING OUT. WHAT'D YOU FIND ON DUGAN? 887 00:35:53,818 --> 00:35:55,027 YOU WANT TO TALK -- 888 00:35:55,111 --> 00:35:55,903 YOU WANT TO TALK ABOUT THAT RIGHT NOW? 889 00:35:55,987 --> 00:35:57,738 WHAT? 890 00:35:57,822 --> 00:35:59,699 SHE'S BETWEEN CONTRACTIONS. TALK FAST. 891 00:35:59,782 --> 00:36:02,410 WELL, HE BOUNCED AROUND FROM FOSTER HOME TO FOSTER HOME. 892 00:36:02,493 --> 00:36:03,828 LOTS OF ABUSE. HE RAN AWAY AT 8 893 00:36:03,911 --> 00:36:05,788 AND FOUND HIS WORKING-GIRL, DRUG-ADDICTED MOTHER. 894 00:36:05,872 --> 00:36:07,248 SHE ABUSED HIM SOME MORE 895 00:36:07,331 --> 00:36:08,791 BEFORE SHE DRAGGED HIM BACK TO ANOTHER FOSTER HOME. 896 00:36:08,875 --> 00:36:10,042 Lydia: AAH!! 897 00:36:10,126 --> 00:36:12,003 WHOA! EVERYTHING OKAY? 898 00:36:12,086 --> 00:36:13,254 YEAH. FINE. 899 00:36:13,337 --> 00:36:14,714 UH, OKAY. 900 00:36:14,797 --> 00:36:16,299 ONE OF THE SENIOR CRIMINALISTS 901 00:36:16,382 --> 00:36:17,800 WAS LOOKING FOR YOU. 902 00:36:17,884 --> 00:36:19,051 TOX RESULTS ARE BACK ON THE THIRD VICTIM. 903 00:36:19,135 --> 00:36:20,261 DO YOU HAVE THEM? 904 00:36:20,344 --> 00:36:21,596 NOBODY KNOWS ME DOWN THERE. 905 00:36:21,679 --> 00:36:22,597 [ SIGHS ] 906 00:36:22,680 --> 00:36:24,557 I'LL SEE YOU UPSTAIRS. OKAY. 907 00:36:24,640 --> 00:36:26,434 COME ON. I'LL INTRODUCE YOU TO EVERYBODY. 908 00:36:26,517 --> 00:36:28,144 DON'T YOU WANT TO KNOW IF IT'S A BOY OR A GIRL? 909 00:36:28,227 --> 00:36:31,355 WHY DON'T YOU TEXT ME WHEN YOU FIND OUT WHO THE FATHER IS? 910 00:36:31,439 --> 00:36:33,774 COME ON, POP. LET'S GO. 911 00:36:33,858 --> 00:36:35,026 GO WHERE? 912 00:36:36,527 --> 00:36:38,613 SO, I TRY TO MAKE SURE THAT I CAN BE HERE 913 00:36:38,696 --> 00:36:41,574 WHENEVER DR. ISLES DOES AN AUTOPSY. 914 00:36:41,657 --> 00:36:43,784 MAURA? 915 00:36:43,868 --> 00:36:45,119 HELLO, DETECTIVE. 916 00:36:45,202 --> 00:36:46,829 I HAVE THE RESULTS ON THE ADDITIONAL TOX SCREEN. 917 00:36:46,913 --> 00:36:47,830 OH, GREAT. THANKS. 918 00:36:47,914 --> 00:36:49,540 UH, THIS IS DETECTIVE COOPER. 919 00:36:49,624 --> 00:36:51,083 SHE JUST JOINED HOMICIDE. 920 00:36:51,167 --> 00:36:52,627 WHERE'S DR. ISLES? 921 00:36:52,710 --> 00:36:55,421 OH, I-I THINK SHE STEPPED OUT TO HAVE DINNER WITH MR. ROCKMOND. 922 00:36:55,504 --> 00:36:57,632 DENNIS? HMM. 923 00:36:57,715 --> 00:36:59,050 [ SIGHS ] 924 00:36:59,133 --> 00:37:02,553 YOU FOUND INDERAL IN THE THIRD VICTIM'S SYSTEM? 925 00:37:03,679 --> 00:37:04,722 OH, NO. 926 00:37:04,805 --> 00:37:06,140 WHAT IS IT? 927 00:37:06,223 --> 00:37:08,142 INDERAL WAS USED AS A SEDATIVE 928 00:37:08,225 --> 00:37:11,020 SO THE KILLER COULD KILL OUR THIRD VICTIM. 929 00:37:12,605 --> 00:37:16,067 DENNIS ROCKMOND NEARLY DIED OF AN INDERAL OVERDOSE. 930 00:37:16,150 --> 00:37:17,652 I STILL DON'T UNDERSTAND. 931 00:37:18,736 --> 00:37:22,949 AND...HE SCULPTED THIS HAND FOR MAURA. 932 00:37:28,079 --> 00:37:30,998 RILEY, GET ALL UNITS TO DENNIS ROCKMOND'S ADDRESS. 933 00:37:31,082 --> 00:37:35,461 FROST, GET KORSAK! MEET ME OUTSIDE -- NOW! 934 00:37:41,717 --> 00:37:43,761 CLASSIC ART IDEALIZED THE HUMAN FORM, 935 00:37:43,844 --> 00:37:46,013 BUT ARTISTS OFTEN DIDN'T UNDERSTAND KEY ASPECTS, 936 00:37:46,097 --> 00:37:48,182 LIKE THE LAYERING OF INTERCOSTAL MUSCLES. 937 00:37:48,265 --> 00:37:49,392 YOU DO. 938 00:37:49,475 --> 00:37:52,311 I TAKE TREMENDOUS PRIDE IN EVERYTHING I DO. 939 00:37:52,395 --> 00:37:55,356 THAT'S PROBABLY WHY YOU'RE SUCH A WONDERFUL PUBLIC SPEAKER. 940 00:37:55,439 --> 00:37:56,816 [ CHUCKLES ] 941 00:37:57,733 --> 00:37:59,777 COME HERE. LET ME SHOW YOU MY WORK. 942 00:38:03,406 --> 00:38:04,573 [ LIGHT SWITCH CLICKS ] 943 00:38:04,657 --> 00:38:06,534 DUGAN, GET YOUR HANDS OFF OF HER! 944 00:38:07,576 --> 00:38:08,494 MAURA, YOU OKAY? 945 00:38:08,577 --> 00:38:10,037 WHAT ARE YOU DOING? 946 00:38:10,121 --> 00:38:12,081 [ MAURA WHIMPERS ] LOOK BEHIND YOU, MAURA. 947 00:38:13,207 --> 00:38:14,458 YOU SEE THAT PEDESTAL, MAURA? 948 00:38:14,542 --> 00:38:15,751 WE DON'T HAVE A SHOT. 949 00:38:15,835 --> 00:38:18,129 SEE THAT? OH, THAT'S WHERE I DO MY REAL WORK. 950 00:38:18,212 --> 00:38:19,505 YOU WERE GONNA BE MY NEXT CREATION. 951 00:38:19,588 --> 00:38:21,048 I WAS GONNA HONOR YOU. 952 00:38:21,132 --> 00:38:23,175 JUST LIKE MY MOTHER, YOU GAVE ME LIFE. 953 00:38:23,259 --> 00:38:25,011 [ WHIMPERS ] 954 00:38:25,094 --> 00:38:26,762 YOU MUST THINK YOU'RE REAL SMART, HUH, DETECTIVE? 955 00:38:26,846 --> 00:38:28,347 NO, NO, NO. NO. WE'RE JUST LUCKY. 956 00:38:28,431 --> 00:38:29,807 YOU'RE MUCH SMARTER THAN US. 957 00:38:29,890 --> 00:38:31,142 YOU'RE DAMN RIGHT. 958 00:38:31,225 --> 00:38:33,060 NOT EVEN THE GENIUS DR. ISLES COULD KEEP UP WITH ME. 959 00:38:33,144 --> 00:38:35,062 PLEASE, PLEASE! 960 00:38:35,146 --> 00:38:37,189 ARE YOU BEGGING ME, HUH? KEEP BEGGING. 961 00:38:37,273 --> 00:38:38,941 GOD, I LIKE IT WHEN THEY BEG. OH, MY GOD! 962 00:38:39,025 --> 00:38:41,235 NO, NO, WAIT, WAIT, WAIT! LOOK, LOOK, LOOK. 963 00:38:41,318 --> 00:38:42,987 WE'RE ALL IN YOUR HANDS, OKAY? 964 00:38:43,070 --> 00:38:44,739 WE'RE ALL IN YOUR HANDS. 965 00:38:53,080 --> 00:38:54,999 YOU FIND MY MOTHER'S HAND? 966 00:38:55,082 --> 00:38:56,292 YEAH. 967 00:38:56,375 --> 00:38:58,753 YOU UNDERSTAND WHY I HAD TO TAKE BOTH OF THEM, RIGHT? 968 00:38:58,836 --> 00:39:00,880 SO SHE COULDN'T HURT YOU ANYMORE. 969 00:39:03,841 --> 00:39:05,593 I LEFT MY CREATIONS AT ALL THE PLACES 970 00:39:05,676 --> 00:39:07,553 THAT I WANTED TO GO WITH MY MOMMY. 971 00:39:09,805 --> 00:39:11,599 WAIT! W-W-WAIT! 972 00:39:11,682 --> 00:39:13,059 WHY HURT MAURA? COME ON. 973 00:39:13,142 --> 00:39:15,269 BECAUSE HER HEALING HANDS BROUGHT ME BACK TO THIS EARTH! 974 00:39:15,352 --> 00:39:17,146 THAT'S WHY! 975 00:39:17,229 --> 00:39:18,939 OH, MY GOD! [ WHIMPERS ] 976 00:39:19,023 --> 00:39:22,610 AND NOW MOTHERS MAYBE WILL FINALLY LISTEN -- 977 00:39:22,693 --> 00:39:24,487 TREAT YOUR KIDS RIGHT. 978 00:39:24,570 --> 00:39:27,323 BECAUSE YOU NEVER KNOW WHO THEY'LL GROW UP TO BE. 979 00:39:27,406 --> 00:39:28,407 OH, MY GOD! 980 00:39:28,491 --> 00:39:30,242 AAH! NO! 981 00:39:30,326 --> 00:39:31,660 [ BODY SPLATS ] 982 00:39:33,704 --> 00:39:34,955 [ CRIES ] 983 00:39:35,039 --> 00:39:38,334 IT'S OKAY. IT'S OKAY. IT'S OKAY. 984 00:39:38,417 --> 00:39:40,544 OH, GOD. 985 00:39:42,713 --> 00:39:44,090 YOU OKAY? 986 00:39:44,173 --> 00:39:45,299 NO. 987 00:39:45,382 --> 00:39:46,884 HOW COULD I NOT KNOW? NO. COME ON. LISTEN. 988 00:39:46,967 --> 00:39:50,054 HE EVADED FOUR DIFFERENT JURISDICTIONS, OKAY? 989 00:39:50,137 --> 00:39:51,680 INCLUDING US. OKAY? 990 00:39:51,764 --> 00:39:52,973 YOU SAID IT YOURSELF -- 991 00:39:53,057 --> 00:39:55,142 THEY'RE NOT ALL RECLUSIVE MONSTERS, OKAY? 992 00:39:55,226 --> 00:39:57,311 YOU COULDN'T HAVE KNOWN. YOU COULDN'T HAVE KNOWN. 993 00:39:57,394 --> 00:40:00,064 [ Crying ] OH, GOD. I SHOULD'VE KNOWN. 994 00:40:02,316 --> 00:40:04,402 [ CRICKETS CHIRPING ] 995 00:40:09,990 --> 00:40:13,160 YOU HAVEN'T SAID A WORD IN OVER AN HOUR, MAURA. 996 00:40:14,078 --> 00:40:17,331 I'M JUST TRYING TO PROCESS THE WORST DAY OF MY LIFE. 997 00:40:18,833 --> 00:40:21,669 STOP BEATING YOURSELF UP, MAURA. 998 00:40:21,752 --> 00:40:23,087 WE ALL MET HIM. 999 00:40:23,170 --> 00:40:25,131 NONE OF US SPOTTED HIM. 1000 00:40:26,549 --> 00:40:30,219 YOU KNOW, THE BEST BEHAVIORAL PSYCHIATRISTS IN THE WORLD 1001 00:40:30,302 --> 00:40:33,222 WILL TELL YOU THAT SERIAL KILLERS GET AWAY WITH IT 1002 00:40:33,305 --> 00:40:35,015 BECAUSE THEY APPEAR SO NORMAL. 1003 00:40:35,099 --> 00:40:39,436 UGH. WHY COULDN'T YOU TWO DO SOMETHING ELSE FOR A LIVING? 1004 00:40:41,438 --> 00:40:43,190 [ SIGHS ] 1005 00:40:43,274 --> 00:40:44,358 I THOUGHT ABOUT BEING A BALLERINA. 1006 00:40:44,442 --> 00:40:46,235 [ Chuckling ] YES, YOU DID. 1007 00:40:46,318 --> 00:40:49,029 AND YOU WERE SO GOOD AT THE FOUETTéS. 1008 00:40:49,113 --> 00:40:51,615 AND THEN I WANTED TO BE A GOALIE IN THE NHL. 1009 00:40:51,699 --> 00:40:53,659 [ LAUGHS ] 1010 00:40:53,742 --> 00:40:55,786 [ DOORBELL RINGS ] 1011 00:40:55,870 --> 00:40:57,288 OH, THAT MUST BE MY YARN. 1012 00:40:57,371 --> 00:40:58,581 MY GOD, WOMAN. 1013 00:40:58,664 --> 00:41:01,542 HOW MUCH YARN DO YOU NEED FOR A BABY BLANKET? 1014 00:41:10,384 --> 00:41:12,428 IS IT THE YARN? 1015 00:41:12,511 --> 00:41:14,471 [ BABY COOS ] 1016 00:41:14,555 --> 00:41:16,307 [ SLOW MUSIC PLAYS ] 1017 00:41:17,683 --> 00:41:19,393 IT'S LYDIA'S BABY. 1018 00:41:19,476 --> 00:41:21,645 SHE LEFT HIM ON THE DOORSTEP. 1019 00:41:26,317 --> 00:41:28,319 HI, BABY. 1020 00:41:30,112 --> 00:41:31,280 [ SNIFFLES ]