1 00:00:01,292 --> 00:00:05,088 ♪ I'M A GODDESS, I DON'T HAVE TO LET GO OF MY PRIDE ♪ 2 00:00:05,171 --> 00:00:08,090 ♪ THIS IS IT, I'M SAYING IT'S TIME ♪ 3 00:00:08,173 --> 00:00:09,968 ♪ TO LET OUR INNER GODDESS SHINE ♪ 4 00:00:10,051 --> 00:00:15,473 ♪ YOU'RE A GODDESS, YOU DON'T HAVE TO LET GO OF YOUR PRIDE ♪ 5 00:00:15,557 --> 00:00:18,101 ♪ THIS IS IT, I'M SAYING IT'S TIME ♪ 6 00:00:18,184 --> 00:00:20,603 ♪ TO LET YOUR INNER GODDESS SHINE ♪ 7 00:00:20,687 --> 00:00:22,605 ♪ SHINE, SHINE ♪ 8 00:00:22,689 --> 00:00:25,483 ♪ LET YOUR INNER GODDESS SHINE ♪ 9 00:00:25,567 --> 00:00:28,069 ♪ SHINE, SHINE ♪ 10 00:00:28,153 --> 00:00:30,488 ♪ LET YOUR INNER GODDESS SHINE ♪ 11 00:00:30,572 --> 00:00:32,824 ♪ MY HEART DESIRES SO TRUE ♪ 12 00:00:32,907 --> 00:00:35,410 ♪ LOVE SPEAKS THROUGH ME AND YOU ♪ 13 00:00:35,493 --> 00:00:37,328 ♪ I RAISE MY ARMS TO THE SKY ♪ 14 00:00:37,412 --> 00:00:40,623 ♪ ALLOW THE COSMIC DIVINE INSIDE OF ME ♪ 15 00:00:40,707 --> 00:00:42,751 ♪ OH, NOW LET THE RAIN POUR ♪ 16 00:00:42,834 --> 00:00:45,170 ♪ I'M ALREADY COOL, BUT I CHOOSE MUCH MORE ♪ 17 00:00:45,253 --> 00:00:47,255 ♪ I NEVER LET THE NEGATIVE CLOSE TO ME ♪ 18 00:00:47,338 --> 00:00:49,048 ♪ I HOLD ON TO THE POSITIVE... ♪ 19 00:00:49,132 --> 00:00:52,677 [ GASPING ] 20 00:00:53,595 --> 00:00:55,305 [ INDISTINCT SHOUTING ] 21 00:00:55,388 --> 00:00:57,223 [ DANCERS SCREAMING ] 22 00:00:59,893 --> 00:01:00,894 [ ALL GASP ] 23 00:01:00,977 --> 00:01:01,978 MOM? 24 00:01:02,061 --> 00:01:04,897 MOM! SOMEBODY! HELP HER! 25 00:01:04,980 --> 00:01:06,775 MOM! 26 00:01:10,779 --> 00:01:13,948 ALL RIGHT. FIGHTING STANCE. NICE. 27 00:01:14,032 --> 00:01:16,493 HE'S COMING AT ME. ALL RIGHT? 28 00:01:16,576 --> 00:01:18,077 BOOM! RIGHT IN THE EYES. [ GASPS ] 29 00:01:18,161 --> 00:01:20,830 WELL, THAT CAN DO SERIOUS DAMAGE TO THE CORNEA. 30 00:01:20,914 --> 00:01:22,289 THIS IS MY THOUGHT, YES. 31 00:01:22,373 --> 00:01:23,958 YOU KNOW, I JUST -- I'D FEEL A LITTLE BETTER 32 00:01:24,042 --> 00:01:26,336 WITH A J-- A-A JAB, JAB, HOOK, 33 00:01:26,419 --> 00:01:28,295 LIKE I DO IN MY BOXING CLASS. 34 00:01:28,379 --> 00:01:29,798 YES, UH, YOU KNOW, 35 00:01:29,881 --> 00:01:32,217 BUT BY THE TIME YOU'VE SAID, "JAB," 36 00:01:32,300 --> 00:01:35,094 THE RAPIST HAS YOU IN THE GUESTHOUSE, OKAY? 37 00:01:35,178 --> 00:01:37,138 GIVE IT ONE-TWO, LIKE, QUICK. ALL RIGHT, YOU TRY. 38 00:01:37,222 --> 00:01:41,226 GOOD. GOOD. GOOD. 39 00:01:41,309 --> 00:01:43,019 HAVE YOU TALKED TO YOUR FATHER? 40 00:01:44,771 --> 00:01:47,190 WHY, WHEN WE'RE HITTING A DUMMY, 41 00:01:47,273 --> 00:01:49,901 DO WE TALK ABOUT MY POP? 42 00:01:49,984 --> 00:01:51,945 OH, WELL, YOU KNOW, WE'RE JUST IN THE MIDDLE 43 00:01:52,027 --> 00:01:54,697 OF SELF-DEFENSE TRAINING, SO... 44 00:01:54,781 --> 00:01:56,032 UH, NO. 45 00:01:56,115 --> 00:01:58,535 FRANKIE THINKS HE HAS A GIRLFRIEND. 46 00:01:58,618 --> 00:01:59,869 HE'S STILL IN FLORIDA. 47 00:01:59,953 --> 00:02:01,037 DOES YOUR MOTHER KNOW? 48 00:02:01,120 --> 00:02:03,206 NO. [ TELEPHONE RINGS ] 49 00:02:04,123 --> 00:02:06,876 HERE SHE IS. WHY DON'T WE TELL HER? 50 00:02:06,960 --> 00:02:09,545 HEY, MA. YEAH, NO, I'M JUST HANGING OUT HERE WITH MAURA, 51 00:02:09,628 --> 00:02:11,589 AND SHE THINKS YOU SHOULD KNOW ABOUT DAD'S NEW BIMBO. 52 00:02:11,673 --> 00:02:12,841 No! What are you doing?! 53 00:02:12,924 --> 00:02:14,509 I'M JUST KIDDING. IT'S OPERATIONS. 54 00:02:14,592 --> 00:02:17,887 RIZZOLI. YEAH. 55 00:02:17,971 --> 00:02:19,389 ALL RIGHT. WE'LL BE RIGHT THERE. 56 00:02:19,472 --> 00:02:21,766 [ BEEP ] HARDER. 57 00:02:21,850 --> 00:02:24,018 GOOD. SELF-DEFENSE TRAINING IS OVER, OKAY? 58 00:02:24,102 --> 00:02:25,353 WE GOT A MURDER. 59 00:02:46,749 --> 00:02:48,918 [ HORN BLOWS, SEA GULLS SQUAWKING ] 60 00:02:49,002 --> 00:02:50,879 [ CAMERA SHUTTER CLICKS, INDISTINCT CONVERSATIONS ] 61 00:02:50,962 --> 00:02:52,505 [ CELLPHONE RINGING ] 62 00:02:52,589 --> 00:02:55,091 [ BEEP ] MOTHER OF ONE OF THE DANCERS WAS STABBED TO DEATH. 63 00:02:55,174 --> 00:02:56,926 SHE MADE IT TO THE STAGE, THEN COLLAPSED. 64 00:02:57,010 --> 00:02:58,761 IN FRONT OF ALL THESE KIDS? 65 00:02:58,845 --> 00:03:00,513 [ SIGHS ] NOBODY SAW IT HAPPEN? 66 00:03:00,597 --> 00:03:01,764 NOPE. 67 00:03:01,848 --> 00:03:03,600 [ SIGHS ] HAVE YOU FOUND THE CRIME SCENE? 68 00:03:03,683 --> 00:03:04,642 JUST FOLLOWING THE BLOOD. 69 00:03:04,726 --> 00:03:06,269 I'D LIKE TO SEE THE BODY. 70 00:03:06,352 --> 00:03:07,896 [ CELLPHONE RINGING ] 71 00:03:07,979 --> 00:03:09,272 ARE YOU GONNA GET THAT? 72 00:03:09,355 --> 00:03:10,815 [ BEEP ] IT'S NOT IMPORTANT. 73 00:03:10,899 --> 00:03:12,567 I ALWAYS WANTED TO BE A COMPETITIVE DANCER, 74 00:03:12,650 --> 00:03:14,110 BUT MY MOTHER WAS A PURIST. 75 00:03:14,193 --> 00:03:16,112 SHE ONLY LET ME STUDY RUSSIAN BALLET. 76 00:03:16,195 --> 00:03:19,282 [ GROANS ] IT'S LIKE LITTLE LEAGUE WITH SEQUINS. 77 00:03:19,365 --> 00:03:21,910 AHH. HOW LONG YOU GOT TO WORK OUT 78 00:03:21,993 --> 00:03:23,620 TO GET BICEPS LIKE THAT ON A 10-YEAR-OLD? 79 00:03:23,703 --> 00:03:25,622 30 TO 40. 80 00:03:25,704 --> 00:03:27,165 HOURS?! 81 00:03:27,248 --> 00:03:30,376 AND I THOUGHT I WAS DOING GOOD JOB WORKING OUT TWO DAYS A WEEK. 82 00:03:33,087 --> 00:03:36,090 THAT IS A VERY SHARP PAIR OF SCISSORS. 83 00:03:36,174 --> 00:03:37,759 PENETRATING STAB WOUND 84 00:03:37,841 --> 00:03:40,219 BETWEEN THE THIRD AND FOURTH INTERCOSTAL. 85 00:03:40,303 --> 00:03:42,263 DEFENSIVE WOUNDS ON HER HANDS. 86 00:03:43,555 --> 00:03:45,892 "SAPPHIRE DANCE STUDIO." 87 00:03:45,975 --> 00:03:47,810 EVERYONE IN THE STUDIO HAS TOUCHED THOSE SCISSORS. 88 00:03:47,894 --> 00:03:49,228 SAYS "CRIME OF OPPORTUNITY" TO ME. 89 00:03:49,312 --> 00:03:50,730 LET'S FOLLOW THIS BLOOD TRAIL. 90 00:03:57,278 --> 00:04:00,657 DID WE HAVE A HURRICANE THIS MORNING? 91 00:04:00,740 --> 00:04:02,617 [ SCOFFS ] YOU THINK THIS IS BAD, 92 00:04:02,700 --> 00:04:04,661 TRY SHARING A BATHROOM WITH TWO BROTHERS. 93 00:04:04,744 --> 00:04:07,163 NEEDED A HAZMAT SUIT TO WALK IN THERE. 94 00:04:07,246 --> 00:04:10,124 [ Shakily ] O-KAY. THIS IS EMBARRASSING. 95 00:04:10,208 --> 00:04:12,377 IT'S JUST A BRA, KORSAK. 96 00:04:12,460 --> 00:04:15,004 PROBABLY MORE EMBARRASSING TO THE 12-YEAR-OLD WHO LEFT IT THERE. 97 00:04:15,088 --> 00:04:16,755 OKAY, WE GOT A KILLER 98 00:04:16,839 --> 00:04:18,757 WHO ENTERED AND EXITED A DANCE COMPETITION. 99 00:04:18,841 --> 00:04:21,302 WHAT I WANT TO KNOW IS, W-WHY HERE, WHY NOW? 100 00:04:21,386 --> 00:04:22,971 12 DANCERS AND THEIR MOTHERS USED THIS ROOM. 101 00:04:23,054 --> 00:04:24,555 I GOT ALL THE NAMES. [ CELLPHONE RINGS ] 102 00:04:24,639 --> 00:04:26,265 WHO KEEPS CALLING? MELODY. 103 00:04:26,349 --> 00:04:27,850 SHE WANTS ME TO CO-SIGN A LEASE 104 00:04:27,934 --> 00:04:29,894 TO OPEN HER DREAM YOGA STUDIO. 105 00:04:29,978 --> 00:04:31,104 WHAT, YOU DON'T WANT TO DO THAT? 106 00:04:31,187 --> 00:04:32,522 I DON'T WANT TO BE MELODY'S BANK. 107 00:04:32,605 --> 00:04:34,274 YOU SEEN JOSH YET? 108 00:04:34,357 --> 00:04:36,317 MELODY DID A NUMBER ON HIM. 109 00:04:36,401 --> 00:04:37,694 HE THINKS I DESERTED HIM. 110 00:04:37,777 --> 00:04:40,738 I'M SO SORRY, BUD. 111 00:04:40,822 --> 00:04:44,242 SO YOU WEREN'T HERE WHEN YOUR WIFE WAS, UM... 112 00:04:45,326 --> 00:04:47,495 I, UH, HAD A MEETING IN REVERE. 113 00:04:47,578 --> 00:04:51,207 I'M A GENERAL CONTRACTOR. 114 00:04:51,290 --> 00:04:52,542 THERE YOU GO. 115 00:04:52,625 --> 00:04:54,877 DENISE ALWAYS TEXTS ME 116 00:04:54,961 --> 00:04:56,421 IN TIME TO SEE DAKOTA DANCE. 117 00:04:56,504 --> 00:04:57,755 BUT SHE, UH... 118 00:04:57,839 --> 00:04:59,966 SHE DIDN'T THIS TIME. 119 00:05:00,049 --> 00:05:02,343 CAN I, UH... CAN I TAKE MY DAUGHTER HOME NOW? 120 00:05:02,427 --> 00:05:05,471 YEAH. YEAH. WE'LL NEED TO TALK TO YOU AGAIN. 121 00:05:05,555 --> 00:05:07,098 ALL RIGHT. COME ON, HON. 122 00:05:07,181 --> 00:05:10,393 [ SNIFFLES ] 123 00:05:10,476 --> 00:05:12,478 GIRL'S NAME IS DAKOTA. 124 00:05:12,562 --> 00:05:14,564 SHE SAID HER MOTHER DIDN'T SAY ANYTHING BEFORE SHE DIED. 125 00:05:14,647 --> 00:05:17,567 NO ONE SAW THE HUSBAND BEFORE OR IMMEDIATELY AFTER THE MURDER. 126 00:05:17,650 --> 00:05:20,361 SAID HE HAD A MEETING IN REVERE. 127 00:05:20,445 --> 00:05:21,738 CHECK IT. CHECK THE GPS ON HIS PHONE, TOO. 128 00:05:21,821 --> 00:05:23,239 MAKE SURE HE'S TELLING THE TRUTH. 129 00:05:23,322 --> 00:05:26,284 THIS IS THE HEAD OF THE SAPPHIRE DANCE STUDIO. COACH JJ? 130 00:05:26,367 --> 00:05:27,994 YEAH. DETECTIVE RIZZOLI, SERGEANT DETECTIVE KORSAK. 131 00:05:28,077 --> 00:05:31,414 HEY, UM, HOW MUCH LONGER DO YOU THINK THIS IS GONNA TAKE? 132 00:05:31,497 --> 00:05:33,666 I'VE GOT A BUNCH OF REALLY UPSET MOMS AND KIDS. 133 00:05:33,750 --> 00:05:35,251 WELL, HOW WELL DID YOU KNOW DENISE RYAN? 134 00:05:35,334 --> 00:05:37,128 SAW HER ALMOST EVERY DAY FOR THREE YEARS, 135 00:05:37,211 --> 00:05:39,589 BUT ACTUALLY I FELT LIKE I DIDN'T KNOW HER AT ALL. 136 00:05:39,672 --> 00:05:40,882 SHE WAS JUST -- 137 00:05:40,965 --> 00:05:43,092 SHE WASN'T LIKE THE OTHER DANCE MOMS. 138 00:05:43,176 --> 00:05:44,260 IN WHAT WAY? 139 00:05:44,343 --> 00:05:46,596 THESE LADIES DRIVE TWO HOURS 140 00:05:46,679 --> 00:05:48,514 TO GET TO MY STUDIO SEVERAL TIMES A WEEK, 141 00:05:48,598 --> 00:05:51,476 'CAUSE THEY ALL THINK THAT THEIR KID IS GOOD ENOUGH TO WIN NATIONALS. 142 00:05:51,558 --> 00:05:53,061 ONLY DAKOTA IS GOOD ENOUGH TO WIN. 143 00:05:53,144 --> 00:05:54,312 SHE COULD WIN IT ALL. 144 00:05:54,395 --> 00:05:56,689 BUT DENISE WOULD ONLY LET HER COMPETE LOCALLY. 145 00:05:56,773 --> 00:05:58,191 SHE GIVE YOU A REASON? 146 00:05:58,274 --> 00:05:59,442 YEAH, SHE SAID THEY HAD MONEY PROBLEMS. 147 00:05:59,525 --> 00:06:01,152 MAYBE THE DAD DIDN'T WANT HER COMPETING? 148 00:06:01,235 --> 00:06:03,196 NO, SKIP WAS GREAT. 149 00:06:03,279 --> 00:06:06,115 HE'D HAUL OUR PROPS AROUND IN HIS TRUCK. HE WAS REAL FRIENDLY. 150 00:06:06,199 --> 00:06:08,117 SHE WAS THE ONE WHO DIDN'T TALK TO ANYBODY. 151 00:06:08,201 --> 00:06:09,952 IS THERE A VIDEO OF THE DANCE COMPETITION? 152 00:06:10,036 --> 00:06:11,996 YEAH. YEAH. YEAH. UM, "RISE TO THE RHYTHM" 153 00:06:12,080 --> 00:06:14,123 WILL BE HAPPY TO SELL YOU ONE IN THE LOBBY. 154 00:06:14,207 --> 00:06:16,626 [ CELLPHONE VIBRATES, BEEP ] 155 00:06:16,709 --> 00:06:18,628 RIZZOLI. 156 00:06:18,711 --> 00:06:19,962 YES, SIR. 157 00:06:20,046 --> 00:06:22,006 IT'S COMMANDER CAVANAUGH. HE WANTS TO TALK TO YOU. 158 00:06:22,090 --> 00:06:23,299 SEAN? 159 00:06:23,382 --> 00:06:25,218 YOU DON'T ANSWER YOUR DAMN PHONE, VINCE? 160 00:06:25,301 --> 00:06:27,970 KORSAK: I'm sorry. I thought it was Melody. IT WAS. 161 00:06:28,054 --> 00:06:29,263 SHE WAS CALLING TO TELL YOU 162 00:06:29,347 --> 00:06:31,390 THAT WE JUST PICKED UP YOUR STEPSON, JOSH. 163 00:06:31,474 --> 00:06:32,683 WHAT? 164 00:06:36,604 --> 00:06:38,314 OH, MY GOD. 165 00:06:38,397 --> 00:06:39,690 [ BEEP ] WHAT? 166 00:06:39,774 --> 00:06:42,193 THEY JUST ARRESTED JOSH FOR SHOOTING GERRY KINCAID. 167 00:06:42,276 --> 00:06:45,780 HE SHOT A COP? 168 00:06:47,573 --> 00:06:50,493 KORSAK RAISED JOSH FROM THE TIME HE WAS 2 169 00:06:50,576 --> 00:06:53,204 UNTIL MELODY TOOK HIM AWAY WHEN HE WAS 11. 170 00:06:53,287 --> 00:06:54,789 DAMN. WHY DIDN'T HE FIGHT FOR HIM? 171 00:06:54,872 --> 00:06:56,499 HE DID, BUT HE DIDN'T HAVE ANY LEGAL RIGHTS. 172 00:06:56,582 --> 00:06:57,707 AND, THEN, JOSH'S DEADBEAT DAD 173 00:06:57,792 --> 00:06:59,127 WOULDN'T GIVE UP HIS PARENTAL RIGHTS. 174 00:06:59,210 --> 00:07:00,419 HE NEVER MENTIONS HIM. 175 00:07:00,503 --> 00:07:02,380 YEAH, WELL, THERE'S A REASON FOR THAT. 176 00:07:02,463 --> 00:07:04,423 YOU WANT TO SEE A GROWN MAN CRY? 177 00:07:04,507 --> 00:07:06,175 THE KID SHOT GERRY KINCAID, JANE. 178 00:07:06,259 --> 00:07:08,678 THAT GUY'S LIKE SANTA CLAUS. I KNOW. I KNOW. 179 00:07:08,761 --> 00:07:09,846 KINCAID'S IN SURGERY. 180 00:07:09,929 --> 00:07:11,848 HOW'S IT LOOKING? NOT GOOD. 181 00:07:11,931 --> 00:07:13,891 JOSH WAS CAUGHT COMING OUT OF A SPORTING-GOODS STORE. 182 00:07:13,975 --> 00:07:16,352 KINCAID WAS WALKING A FOOT BEAT, CAME UP ON HIM, 183 00:07:16,435 --> 00:07:18,312 AND JOSH SHOT HIM WITH HIS OWN GUN. 184 00:07:18,396 --> 00:07:19,689 OH, MY GOD. 185 00:07:19,772 --> 00:07:21,524 WELL, CAN I -- CAN I SEE HIM? CAN I SEE JOSH? 186 00:07:21,607 --> 00:07:24,193 HE SAYS HE DOESN'T WANT TO TALK TO ANYBODY. I'M HIS FATHER! 187 00:07:24,277 --> 00:07:26,237 LEGALLY, YOU'RE NOT, VINCE. 188 00:07:27,572 --> 00:07:30,199 WELL, I'M GETTING HIM A LAWYER. 189 00:07:30,283 --> 00:07:31,367 RIZZOLI, FROST. SIR. 190 00:07:31,450 --> 00:07:32,618 I'M GONNA NEED YOU TWO TO KEEP FOCUSED 191 00:07:32,702 --> 00:07:34,412 ON THE DEAD DANCE MOM. YOU GOT THAT? 192 00:07:34,495 --> 00:07:37,498 [ ELEVATOR BELL DINGS ] YES, SIR. 193 00:07:40,418 --> 00:07:43,838 SO, VINCE, YOU -- YOU TAKE CARE OF YOUR BUSINESS. 194 00:07:48,092 --> 00:07:50,428 VINCE! 195 00:07:50,511 --> 00:07:52,847 WHY DIDN'T YOU ANSWER THE PHONE? 196 00:07:52,930 --> 00:07:54,182 BECAUSE IT WAS ME CALLING? 197 00:07:54,265 --> 00:07:55,349 I NEEDED YOU. 198 00:07:55,433 --> 00:07:57,894 YOU DIDN'T TAKE MY CALLS FOR FIVE YEARS. 199 00:07:57,977 --> 00:07:59,061 YOU TAKE HIM AWAY FROM ME. 200 00:07:59,145 --> 00:08:01,063 YOU TELL HIM I DON'T CARE ABOUT HIM. 201 00:08:01,147 --> 00:08:02,398 AND NOW YOU NEED ME? 202 00:08:02,481 --> 00:08:04,150 BECAUSE IT'S CONVENIENT FOR YOU? 203 00:08:04,233 --> 00:08:06,027 VINCE, PLEASE. 204 00:08:06,110 --> 00:08:07,361 YOU KNOW, HE SHOT A COP, MELODY. 205 00:08:07,445 --> 00:08:08,654 NO! IT WASN'T JOSH! 206 00:08:08,738 --> 00:08:10,114 THEY CAUGHT HIM RUNNING FROM THE SCENE 207 00:08:10,198 --> 00:08:12,491 WITH BLOOD ON HIS CLOTHES AND THE GUN IN HIS HAND. 208 00:08:12,575 --> 00:08:14,744 THE OFFICER HE SHOT IS FIGHTING FOR HIS LIFE. 209 00:08:14,827 --> 00:08:16,370 I KNOW HIM. HE'S A FRIEND. 210 00:08:16,454 --> 00:08:18,706 I NEED YOU TO GO HOME, PLEASE. 211 00:08:18,789 --> 00:08:20,666 WILL YOU GO SEE HIM? MAKE SURE HE'S OKAY? 212 00:08:20,750 --> 00:08:21,876 I TRIED. 213 00:08:21,959 --> 00:08:23,669 HE WON'T TALK TO ME. 214 00:08:23,753 --> 00:08:25,755 WELL, HE'S JUST SCARED. H-HE'S -- 215 00:08:25,838 --> 00:08:27,256 HE'S A MINOR. HE'S 16! 216 00:08:27,340 --> 00:08:29,592 NOT IF KINCAID DIES HE'S NOT. 217 00:08:29,675 --> 00:08:33,136 THEY WILL CHARGE HIM AS AN ADULT WITH FIRST-DEGREE MURDER. 218 00:08:37,975 --> 00:08:40,227 Frost: YOU KNOW, THERE'S SOME STUFF WITH THE AUDIENCE, 219 00:08:40,311 --> 00:08:41,437 BUT IT'S MOSTLY THE GIRLS DANCING. 220 00:08:41,520 --> 00:08:42,563 I FOUND THE COACH IN THE AUDIENCE 221 00:08:42,647 --> 00:08:43,856 AT THE TIME OF THE MURDER, 222 00:08:43,940 --> 00:08:45,316 AND SOME OF THE MOTHERS, BUT NOT ALL OF THEM. 223 00:08:45,399 --> 00:08:47,026 WHAT ABOUT THE DAD -- SKIP? 224 00:08:47,109 --> 00:08:48,486 NOT HERE. 225 00:08:48,569 --> 00:08:50,905 SKIP IS AN ODD NAME FOR A GROWN MAN, YOU KNOW? 226 00:08:50,988 --> 00:08:54,116 I GOT A FRIEND THAT GOES BY "SWAMPY." WORSE. 227 00:08:54,200 --> 00:08:55,409 [ CHUCKLES ] 228 00:08:55,493 --> 00:08:57,870 SKIP AND DENISE OWNED A GENERAL-CONTRACTING COMPANY. 229 00:08:57,954 --> 00:08:59,413 BUT BUSINESS WASN'T TOO GOOD. 230 00:08:59,497 --> 00:09:02,917 TAX LIENS, SUBCONTRACTORS THAT HAVEN'T BEEN PAID. 231 00:09:03,000 --> 00:09:04,168 WHAT ABOUT HIS PHONE RECORDS? 232 00:09:04,252 --> 00:09:05,461 NOTHING OUT OF THE ORDINARY. 233 00:09:05,544 --> 00:09:08,130 HOLD -- LET ME CHECK THE GPS ON SKIP'S PHONE. 234 00:09:08,214 --> 00:09:11,050 YEAH, DIDN'T HE SAY HE WAS AT A MEETING IN REVERE AT THE TIME OF THE MURDER? 235 00:09:11,133 --> 00:09:12,260 [ KEYS CLACKING ] 236 00:09:12,343 --> 00:09:13,803 BUT THAT'S NOT WHAT HIS PHONE SAYS. 237 00:09:13,886 --> 00:09:14,971 [ BEEPING ] 238 00:09:15,054 --> 00:09:17,056 HE WAS RIGHT NEXT TO THAT AUDITORIUM 239 00:09:17,139 --> 00:09:18,766 WHEN HIS WIFE WAS KILLED. 240 00:09:18,849 --> 00:09:21,435 YOU LIED TO US, SKIP. 241 00:09:21,519 --> 00:09:24,981 YOU WERE IN THE AREA WHEN YOUR WIFE WAS BEING STABBED TO DEATH. 242 00:09:25,064 --> 00:09:26,857 DON'T MAKE ME LOOK AT HER LIKE THAT. 243 00:09:26,941 --> 00:09:28,651 WHY NOT? THAT'S WHAT SHE LOOKED LIKE RIGHT AFTER YOU KILLED HER. 244 00:09:28,734 --> 00:09:31,070 I WOULD NEVER HURT HER. ALL RIGHT? 245 00:09:31,153 --> 00:09:34,198 SHE WAS THE BEST WIFE, THE MOST LOVING MOTHER. 246 00:09:34,282 --> 00:09:35,783 SO, IF YOU DIDN'T KILL HER, WHY DID YOU TELL US 247 00:09:35,866 --> 00:09:37,159 YOU WERE IN REVERE AT A BUSINESS MEETING? 248 00:09:37,243 --> 00:09:40,538 I WAS NEXT DOOR AT THE HOTEL BAR. 249 00:09:40,621 --> 00:09:42,790 DRINKING. BECAUSE YOUR BUSINESS IS IN THE TOILET? 250 00:09:42,873 --> 00:09:44,834 YEAH. RIGHT, SO, YOU GET LIT UP, 251 00:09:44,917 --> 00:09:46,210 YOU GET IN A FIGHT WITH YOUR WIFE... NO. 252 00:09:46,294 --> 00:09:47,336 ...STABBED HER WITH A PAIR OF SCISSORS. 253 00:09:47,420 --> 00:09:48,629 NO, I WAS AT THAT BAR 254 00:09:48,713 --> 00:09:51,465 UNTIL COACH JJ CALLED AND TOLD ME WHAT HAPPENED. 255 00:09:51,549 --> 00:09:53,759 THIS IS TOO EASY TO CHECK, SKIP. 256 00:09:53,843 --> 00:09:56,929 IF ALL YOU WERE DOING IS HAVING A FEW BEERS, WHY LIE? 257 00:09:58,097 --> 00:09:59,890 'CAUSE I'M NOT HER REAL DAD. 258 00:09:59,974 --> 00:10:02,226 BUT SHE LOVES ME LIKE I AM, 259 00:10:02,310 --> 00:10:06,022 AND I-I DON'T WANT HER TO KNOW I-I MESSED UP. 260 00:10:06,105 --> 00:10:07,732 IS HER BIOLOGICAL FATHER IN THE PICTURE? 261 00:10:07,815 --> 00:10:09,900 NO, HE DIED WHEN DAKOTA WAS LITTLE. 262 00:10:09,984 --> 00:10:12,445 I-I-I MET DENISE WHEN DAKOTA WAS 3, 263 00:10:12,528 --> 00:10:14,363 FELL IN LOVE WITH THEM BOTH. 264 00:10:14,447 --> 00:10:17,241 BEEN SOBER SINCE. 265 00:10:17,325 --> 00:10:21,620 I DON'T WANT HER TO EVER KNOW ABOUT THE DRINKING. 266 00:10:23,247 --> 00:10:27,918 WELL, LET'S HOPE THAT'S THE WORST THING THERE IS TO KNOW. 267 00:10:30,087 --> 00:10:32,590 HEY. HEY. 268 00:10:32,673 --> 00:10:34,050 HOW'S SERGEANT KORSAK? 269 00:10:34,133 --> 00:10:35,885 [ GROANS ] SPINNING. 270 00:10:35,968 --> 00:10:37,595 72% OF INCARCERATED 271 00:10:37,678 --> 00:10:39,680 JUVENILE DELINQUENTS GREW UP IN BROKEN HOMES. 272 00:10:39,764 --> 00:10:41,015 WHAT A FUN FACT. 273 00:10:41,098 --> 00:10:43,392 YOU SHOULD TELL HIM THAT NEXT TIME YOU SEE HIM. 274 00:10:43,476 --> 00:10:44,518 POOR GUY. 275 00:10:44,602 --> 00:10:46,062 ANY UPDATE ON OFFICER KINCAID? 276 00:10:46,145 --> 00:10:48,105 HE'S OUT OF SURGERY, BUT IT DOESN'T LOOK GOOD. 277 00:10:48,189 --> 00:10:50,566 HE'S A MONTH AWAY FROM RETIREMENT, MAURA. 278 00:10:50,649 --> 00:10:51,942 THE WHOLE DEPARTMENT IS JUST SO SAD 279 00:10:52,026 --> 00:10:53,277 THAT IT HAPPENED TO AN OLD-TIMER. 280 00:10:53,361 --> 00:10:55,196 AND HOW IS SERGEANT KORSAK TAKING IT? 281 00:10:55,279 --> 00:10:56,405 FEELS TOTALLY RESPONSIBLE. 282 00:10:56,489 --> 00:10:57,531 HE SHOULDN'T. 283 00:10:57,615 --> 00:10:58,824 CLINICAL STUDIES INDICATE 284 00:10:58,908 --> 00:11:01,285 THAT GOOD PARENTS CAN RAISE BAD CHILDREN. 285 00:11:01,369 --> 00:11:02,286 HMM. 286 00:11:02,370 --> 00:11:04,914 HMM. SHE WAS A NATURAL BLONDE. 287 00:11:04,997 --> 00:11:06,582 NOT MANY BLONDES GO BRUNETTE. 288 00:11:06,665 --> 00:11:09,418 WELL, EXCEPT FOR KEIRA KNIGHTLEY AND DREW BARRYMORE. 289 00:11:09,502 --> 00:11:11,879 HAVE WE BEEN READING THE SUPERMARKET TABLOIDS AGAIN? 290 00:11:11,962 --> 00:11:13,589 JUST S-SCANNING THE HEADLINES. 291 00:11:14,548 --> 00:11:16,092 OH, PLEASE DON'T REPEAT THAT. 292 00:11:16,175 --> 00:11:19,011 UH, NO. I'M A VAULT. 293 00:11:19,095 --> 00:11:21,680 SERIOUS FOOT DEFORMITIES. LOOK. 294 00:11:23,766 --> 00:11:26,519 OH, MAN! THOSE ARE UGLY-ASS FEET. 295 00:11:26,602 --> 00:11:28,312 WHAT, WAS SHE BINDING THEM?! 296 00:11:28,396 --> 00:11:30,106 WH-- IT'S FROM EN POINTE WORK, WHICH IS A -- 297 00:11:30,189 --> 00:11:32,650 "ON POINT." I KNOW. I KNOW. 298 00:11:32,733 --> 00:11:35,486 FOUR YEARS OF FORCED BALLET CLASS, THANKS TO MY MOTHER. 299 00:11:35,569 --> 00:11:37,196 YOU DID? RUSSIAN? 300 00:11:37,279 --> 00:11:39,615 WELL, IF THE TEACHER IS A MEAN, OLD LADY 301 00:11:39,698 --> 00:11:41,951 WHO SWATS YOU IN THE LEGS WITH A CANE 302 00:11:42,034 --> 00:11:43,327 IF THEY'RE NOT STRAIGHT ENOUGH, YEAH. 303 00:11:43,411 --> 00:11:45,955 WAIT. YOU STUDIED WITH SVETLANA ALEXANDROV? 304 00:11:46,038 --> 00:11:48,790 PRETTY SURE HER NAME WAS MRS. PEABODY. 305 00:11:48,874 --> 00:11:50,793 SO, WHAT, SHE STARTED POINT EARLY? 306 00:11:50,876 --> 00:11:53,796 UH, Y-YES, BEFORE HER BONES OSSIFIED SUFFICIENTLY. 307 00:11:53,879 --> 00:11:55,881 SO THE MOTHER WAS A SERIOUS DANCER, 308 00:11:55,965 --> 00:11:57,716 JUST LIKE HER DAUGHTER, DAKOTA. 309 00:11:57,800 --> 00:11:59,885 WELL, RUSSIAN EN POINTE IS VERY DIFFERENT THAN CONTEMPORARY -- 310 00:11:59,969 --> 00:12:02,638 A COMBINATION OF BALLET, JAZZ, HIP-HOP. 311 00:12:02,721 --> 00:12:04,390 "YES," "NO." 312 00:12:04,473 --> 00:12:07,143 "YES," "NO." 313 00:12:07,226 --> 00:12:10,771 PRACTICE WITH ME. "YES." "NO." 314 00:12:11,397 --> 00:12:13,983 YES. SERIOUS DANCER. 315 00:12:14,066 --> 00:12:16,944 HMM! WELL, SHE'S PRETTY. 316 00:12:17,027 --> 00:12:19,697 WELL, IN AN ARTIFICIAL SORT OF WAY. 317 00:12:19,780 --> 00:12:23,284 THAT'S BECAUSE SHE'S HAD EXTENSIVE PLASTIC SURGERY. 318 00:12:23,367 --> 00:12:25,661 BREAST AUGMENTATION, RHINOPLASTY... 319 00:12:25,744 --> 00:12:27,329 FACIAL IMPLANTS -- CHEEK AND CHIN. 320 00:12:27,413 --> 00:12:29,165 WELL, COME -- THAT'S JUST VAIN. 321 00:12:29,248 --> 00:12:30,374 LET'S NOT JUDGE. 322 00:12:30,458 --> 00:12:32,501 [ CELLPHONE VIBRATES, BEEP ] 323 00:12:32,585 --> 00:12:35,880 IT'S FROST. KINCAID IS BACK IN SURGERY. 324 00:12:35,963 --> 00:12:37,590 OKAY. I GOT TO GO UPSTAIRS. 325 00:12:37,673 --> 00:12:38,924 HE SAYS HE HAS SOMETHING. 326 00:12:39,008 --> 00:12:40,009 YEP. 327 00:12:40,092 --> 00:12:41,927 I'LL CALL YOU LATER. ALL RIGHT. 328 00:12:42,011 --> 00:12:45,181 [ DOOR OPENS ] 329 00:12:45,264 --> 00:12:46,599 CHECKED WITH THE BARTENDER. 330 00:12:46,682 --> 00:12:48,517 SKIP WAS AT THE BAR THE WHOLE TIME. 331 00:12:48,601 --> 00:12:49,852 [ SIGHS ] THAT'S TOO BAD. 332 00:12:49,935 --> 00:12:51,645 HE WAS LOOKING REALLY GOOD AS A SUSPECT. 333 00:12:51,729 --> 00:12:53,856 YEAH. I GOT US TWO NEW SUSPECTS. 334 00:12:53,939 --> 00:12:56,108 BPD RESPONDED TO A DISTURBANCE CALL 335 00:12:56,192 --> 00:12:58,444 TWO WEEKS AGO AT SAPPHIRE DANCE STUDIO. 336 00:12:58,527 --> 00:12:59,570 FOR WHAT? 337 00:12:59,653 --> 00:13:02,198 CRAZY DANCE MOMS YVONNE AND KIM. 338 00:13:02,281 --> 00:13:04,492 [ BEEP ] BOTH OF THEM 339 00:13:04,575 --> 00:13:06,202 HAVE DAUGHTERS WHO COMPETE AGAINST DAKOTA -- 340 00:13:06,285 --> 00:13:07,745 SUMMER AND MACKENZIE. 341 00:13:07,828 --> 00:13:10,664 AND DAKOTA BEATS LITTLE SUMMER AND MACKENZIE, DOESN'T SHE? 342 00:13:10,748 --> 00:13:12,374 EVERY TIME. 343 00:13:12,458 --> 00:13:14,710 HERE'S THE VANDALISM REPORT. 344 00:13:14,793 --> 00:13:16,712 UNIFORMS BROKE UP A FIGHT BETWEEN THE TWO MOTHERS 345 00:13:16,795 --> 00:13:19,215 AFTER ONE OF THEM DAMAGED THE OTHER'S CAR. 346 00:13:19,298 --> 00:13:22,384 YEAH. DENISE'S MINIVAN WAS KEYED. 347 00:13:22,468 --> 00:13:26,263 YEAH, ALL BECAUSE DAKOTA HAS A BETTER, UH -- 348 00:13:26,347 --> 00:13:28,682 WHAT DO YOU CALL THIS ONE? 349 00:13:28,766 --> 00:13:30,392 A PLIé. 350 00:13:30,476 --> 00:13:32,228 [ CHUCKLES ] YEAH. 351 00:13:32,311 --> 00:13:33,562 [ CHUCKLES ] WHAT? 352 00:13:33,646 --> 00:13:36,065 I-I TOOK DANCE CLASSES, TOO. REALLY? 353 00:13:39,985 --> 00:13:41,237 YEAH. 354 00:13:42,488 --> 00:13:43,906 REALLY. 355 00:13:43,989 --> 00:13:45,783 [ Chuckling ] OKAY. 356 00:13:45,866 --> 00:13:47,117 OOH. 357 00:13:47,201 --> 00:13:49,662 I DON'T KNOW. I JUST -- I DON'T GET THIS WORLD. 358 00:13:49,745 --> 00:13:51,914 I MEAN, IT'S JUST A BEAUTY PAGEANT WITH RHYTHM. 359 00:13:51,997 --> 00:13:53,290 NO. NO, IT ISN'T. COME ON. 360 00:13:53,374 --> 00:13:55,668 DANCERS ARE ATHLETES IN COSTUMES, 361 00:13:55,751 --> 00:13:58,170 YOU KNOW, LIKE... LIKE ICE SKATERS. 362 00:13:58,254 --> 00:14:00,089 SKATERS ARE NOT ATHLETES. 363 00:14:00,172 --> 00:14:03,425 REALLY? AND GOLFERS ARE? 364 00:14:03,509 --> 00:14:04,593 MM. YEAH. 365 00:14:04,677 --> 00:14:06,679 BOWLERS? YEAH. 366 00:14:06,762 --> 00:14:08,430 NASCAR DRIVERS? YEAH. 367 00:14:08,514 --> 00:14:10,766 AND A GIRL WITH SIX-PACK ABS 368 00:14:10,849 --> 00:14:12,935 WHO CAN DO A SIDE LEAP HIGHER THAN KOBE CAN JUMP 369 00:14:13,018 --> 00:14:14,395 IS NOT AN ATHLETE? 370 00:14:14,478 --> 00:14:15,437 NO. 371 00:14:15,521 --> 00:14:17,940 OKAY. OKAY. [ KEYS CLACKING ] 372 00:14:18,023 --> 00:14:19,066 OH, MAN. 373 00:14:19,149 --> 00:14:20,401 [ BEEP ] PAY DIRT. 374 00:14:20,484 --> 00:14:21,860 YVONNE AND KIM WERE THE ONLY MOTHERS 375 00:14:21,944 --> 00:14:24,446 FROM SAPPHIRE DANCE WHO WERE NOT IN THE AUDIENCE VIDEO. 376 00:14:24,530 --> 00:14:27,449 LOOK WHAT I JUST FOUND. IT WAS POSTED BY ANOTHER DANCE MOM. 377 00:14:27,533 --> 00:14:29,868 THAT'S OUR VICTIM, DENISE, WITH YVONNE AND KIM. 378 00:14:29,952 --> 00:14:32,121 I SAID I NEED TO TALK TO YOU, YOU [BLEEP] BITCH. 379 00:14:32,204 --> 00:14:34,456 MACKENZIE AND SUMMER COULD BEAT DAKOTA IF THEY CHEATED LIKE YOU DO. 380 00:14:34,540 --> 00:14:36,250 YOU'RE GONNA MAKE MY DAUGHTER CRY. PLEASE STOP. 381 00:14:36,333 --> 00:14:38,877 YOU KNOW HOW MANY TIMES DAKOTA HAS MADE SUMMER CRY? 382 00:14:38,961 --> 00:14:40,629 YEAH, BECAUSE DAKOTA BEATS HER?! 383 00:14:40,713 --> 00:14:42,423 MAYBE YOU SHOULD TEACH HER HOW TO LOSE! 384 00:14:42,506 --> 00:14:45,092 YOU [BLEEP] BITCH! YOU KNOW WHAT, YOU BITCH?! 385 00:14:45,175 --> 00:14:47,970 MY DAUGHTER IS GONNA BEAT YOUR DAUGHTER IN NATIONALS! 386 00:14:48,053 --> 00:14:49,805 OUCH! GOD! LET'S GO GET THESE TWO 387 00:14:49,888 --> 00:14:52,433 BEFORE THEY KILL SOMEBODY ELSE. 388 00:14:52,516 --> 00:14:54,476 [ MID-TEMPO PIANO MUSIC PLAYS ] 389 00:14:54,560 --> 00:14:56,353 Coach JJ: NICE. PULL UP. PULL UP. 390 00:14:56,437 --> 00:14:59,815 WHAT'S WITH THE ARM? COME ON. LET'S SEE SOME ARMS. 391 00:14:59,898 --> 00:15:02,151 MACKENZIE, WHAT'S WITH THIS LEG? PULL UP. 392 00:15:02,234 --> 00:15:03,861 PULL UP! 393 00:15:03,944 --> 00:15:05,487 THIS IS NOT SUMMER CAMP. 394 00:15:06,905 --> 00:15:08,324 [ SIGHS ] 395 00:15:08,407 --> 00:15:10,534 HEY! YOU'RE LATE! 396 00:15:10,618 --> 00:15:12,161 AND HOW MANY TIMES HAVE I SAID, "NO BOOTY SHORTS"?! 397 00:15:12,244 --> 00:15:14,913 GET OUT OF MY STUDIO UNTIL YOU'VE CHANGED. GO. 398 00:15:14,997 --> 00:15:17,958 I AM SO SORRY, COACH. IT WON'T HAPPEN AGAIN. I PROMISE. 399 00:15:18,042 --> 00:15:21,170 BOOTY SHORTS ARE THE GATEWAY OUTFIT. 400 00:15:21,253 --> 00:15:22,588 YOU GOT TO BE FIRM WITH THEM, 401 00:15:22,671 --> 00:15:24,340 OR THEY GO ALL BRITNEY SPEARS ON YOU. 402 00:15:24,423 --> 00:15:26,091 UH, WHAT ABOUT THE SECURITY GUARD? 403 00:15:26,175 --> 00:15:28,010 GOT TO BE FIRM WITH THE MOTHERS, TOO. 404 00:15:28,093 --> 00:15:29,386 ANY WORD ON DENISE? 405 00:15:29,470 --> 00:15:31,096 WE HAVE A FEW MORE QUESTIONS FOR YOU. 406 00:15:31,180 --> 00:15:32,264 OH. OKAY. 407 00:15:32,348 --> 00:15:33,891 JUST LET ME GET MY DANCERS WARMED UP. 408 00:15:33,974 --> 00:15:37,936 START STRETCHING THE LEGS, OR I'LL BREAK THEM! 409 00:15:38,020 --> 00:15:39,313 OKAY. SHOOT. 410 00:15:40,481 --> 00:15:42,524 UH, Y-YOU DIDN'T MENTION 411 00:15:42,608 --> 00:15:45,194 THAT SOME OF THE DANCE MOMS HATED DENISE RYAN. 412 00:15:45,277 --> 00:15:48,197 IF YOU WERE GONNA INVESTIGATE EVERY DANCE MOM AT MY STUDIO 413 00:15:48,280 --> 00:15:51,033 THAT GOT INTO A SCREAMING MATCH, YOU'D BE HERE 24/7. 414 00:15:51,116 --> 00:15:52,493 YOU'RE OPEN 24 HOURS? 415 00:15:52,576 --> 00:15:54,870 ALMOST. WE GO SEVEN DAYS A WEEK. 416 00:15:54,953 --> 00:15:57,498 IF YOU WANT TO BE A CHAMPION, YOU PUT IN THE TIME. 417 00:15:57,581 --> 00:16:00,209 TELL US ABOUT YVONNE AND KIM. 418 00:16:00,292 --> 00:16:01,960 YOU SAID IT. THEY HATED DENISE. 419 00:16:02,044 --> 00:16:05,964 WHY? BECAUSE THEY WERE JEALOUS OF DAKOTA WINNING EVERYTHING? 420 00:16:06,048 --> 00:16:07,549 SURE. BUT I TELL YOU WHAT. 421 00:16:07,633 --> 00:16:09,510 IF THEY WERE GONNA KILL ANYBODY TO STOP DAKOTA, 422 00:16:09,593 --> 00:16:10,886 THEY'D HAVE TO KILL ME. 423 00:16:10,969 --> 00:16:12,137 THAT GIRL'S A HARD WORKER, 424 00:16:12,221 --> 00:16:13,722 AND SHE DOESN'T GIVE ME ANY TROUBLE, 425 00:16:13,806 --> 00:16:16,058 NOT LIKE SOME OF THESE OTHER ONES. HEY! 426 00:16:16,141 --> 00:16:17,726 EXCUSE ME. 427 00:16:17,810 --> 00:16:19,728 YOU TWO JUST LOST YOUR DUET HIGH-GOLDS. 428 00:16:19,812 --> 00:16:23,148 I WANT THOSE TROPHIES TOMORROW. NOW, WARM UP! 429 00:16:23,232 --> 00:16:25,025 MOVE! 430 00:16:25,109 --> 00:16:27,403 Girl: OH, DAKOTA'S HERE. 431 00:16:27,486 --> 00:16:29,488 HOW'S SHE HOLDING UP? 432 00:16:29,571 --> 00:16:31,156 SHE WANTED TO DANCE. 433 00:16:31,240 --> 00:16:34,451 WELL, THAT'S GOOD. YOU KNOW, KEEP HER IN HER ROUTINE. 434 00:16:34,535 --> 00:16:36,245 I'M PUTTING WORK ON HOLD. 435 00:16:36,328 --> 00:16:38,080 I'M NOT LETTING HER OUT OF MY SIGHT. 436 00:16:38,163 --> 00:16:39,873 YOU DON'T THINK SOMEONE HERE DID IT, DO YOU? 437 00:16:39,957 --> 00:16:41,625 Frost: WE'RE LOOKING AT EVERYBODY. 438 00:16:41,709 --> 00:16:44,545 I THINK WE SHOULD BRING THOSE TWO IN FOR A LITTLE CHAT. 439 00:16:56,181 --> 00:16:59,351 I'M NOT GONNA LIE. DENISE WAS POISON. 440 00:16:59,435 --> 00:17:01,103 AND HER KID WAS MEAN, TOO. 441 00:17:01,186 --> 00:17:03,147 YOU KNOW, DAKOTA DROPPED SUMMER 442 00:17:03,230 --> 00:17:04,815 IN A LIFT AT THE SPARKLES COMPETITION. 443 00:17:04,897 --> 00:17:07,025 AND YOU THINK IT WAS DELIBERATE? HELL, YES. 444 00:17:07,108 --> 00:17:09,028 WAS IT DELIBERATE WHEN TONYA HARDING TRIED 445 00:17:09,111 --> 00:17:10,404 TO TAKE OUT NANCY KERRIGAN? 446 00:17:10,487 --> 00:17:12,781 I THINK SO. THAT COST SUMMER AN ELITE SPOT. 447 00:17:12,865 --> 00:17:14,950 WHERE WERE YOU YESTERDAY AT 3:00 P.M.? 448 00:17:15,032 --> 00:17:17,411 UH, WELL, I WASN'T IN THE DRESSING ROOM, STABBING DENISE, 449 00:17:17,493 --> 00:17:18,787 IF THAT'S WHAT YOU'RE ASKING. 450 00:17:18,871 --> 00:17:20,079 I WAS IN THE AUDIENCE. 451 00:17:20,164 --> 00:17:22,583 WE CHECKED THE VIDEO. DIDN'T SEE YOU. 452 00:17:22,665 --> 00:17:25,502 I BOUGHT A PASS TO TAPE SUMMER FROM THE VIDEO PLATFORM. 453 00:17:25,586 --> 00:17:27,546 I GET SICK OF SEEING THE OTHER KIDS 454 00:17:27,628 --> 00:17:29,006 IN THE GROUP'S NUMBERS, SO... 455 00:17:29,089 --> 00:17:32,885 THE COMPETITION RUNS A RECORDING FROM THE PLATFORM. 456 00:17:32,968 --> 00:17:34,762 PARENTS PAY THE 30 BUCKS. 457 00:17:37,473 --> 00:17:39,308 [ CHEERS AND APPLAUSE ] 458 00:17:39,391 --> 00:17:41,477 THAT'S YVONNE. RIGHT THERE. 459 00:17:41,560 --> 00:17:43,061 SO SHE WAS TELLING THE TRUTH. 460 00:17:43,145 --> 00:17:44,605 OH, HEY. 461 00:17:50,611 --> 00:17:52,321 OH, COME ON, MAN. 462 00:17:54,281 --> 00:17:55,616 DAMN, THAT'S COLD. 463 00:17:57,159 --> 00:17:58,327 KORSAK, DON'T WORRY ABOUT IT. 464 00:17:58,410 --> 00:18:00,162 I HAVEN'T EVEN SEEN JOSH IN FIVE YEARS. 465 00:18:00,245 --> 00:18:02,080 BUT I DON'T BLAME THEM FOR LOOKING AT ME 466 00:18:02,164 --> 00:18:04,082 LIKE IT'S MY FAULT. 467 00:18:04,166 --> 00:18:06,585 [ TELEPHONE RINGS ] 468 00:18:06,668 --> 00:18:09,338 I WISH THERE WAS SOMETHING WE COULD DO FOR KORSAK. 469 00:18:09,421 --> 00:18:10,839 YEAH, ME TOO. 470 00:18:10,923 --> 00:18:14,009 THERE WAS A TIME WHEN I COULD HAVE GONE EITHER WAY, 471 00:18:14,092 --> 00:18:15,677 WHEN MY DAD WASN'T AROUND. 472 00:18:15,761 --> 00:18:18,013 I JUST THINK THAT JOSH SHOULD KNOW THAT KORSAK WANTED HIM. 473 00:18:18,096 --> 00:18:19,848 I KNOW. 474 00:18:19,932 --> 00:18:21,350 COME ON. 475 00:18:21,433 --> 00:18:23,685 LET'S GO SHAKE UP DANCE MOM KIM. 476 00:18:23,769 --> 00:18:25,896 WHERE WAS SHE WHEN DENISE WAS BLEEDING OUT? 477 00:18:25,979 --> 00:18:28,899 YEAH. I KEYED DENISE'S CAR. 478 00:18:28,982 --> 00:18:30,859 ONLY ON THE PASSENGER DOOR. 479 00:18:30,943 --> 00:18:32,319 LOOK, I'M PRETTY SURE 480 00:18:32,402 --> 00:18:34,154 THAT DAKOTA TOOK ONE OF MACKENZIE'S JAZZ SHOES. 481 00:18:34,238 --> 00:18:37,699 I'M SURPRISED YOU DIDN'T GO AFTER THE DRIVER'S DOOR, TOO. 482 00:18:37,783 --> 00:18:40,786 THAT'S NOT WHY I LOST MY TEMPER. 483 00:18:40,869 --> 00:18:42,454 WE'RE LISTENING. 484 00:18:42,538 --> 00:18:44,623 DENISE LIED ABOUT DAKOTA'S AGE. I'M SURE OF IT. 485 00:18:44,706 --> 00:18:46,166 I'M THE TEAM MOM, SO I'M IN CHARGE 486 00:18:46,250 --> 00:18:48,544 OF THE GIRLS' REGISTRATION MATERIALS. 487 00:18:48,627 --> 00:18:49,878 DENISE NEVER GAVE ME 488 00:18:49,962 --> 00:18:51,922 THE ORIGINAL BIRTH CERTIFICATE FOR DAKOTA. 489 00:18:52,005 --> 00:18:54,508 SO, YOU THINK DENISE DOCTORED THIS 490 00:18:54,591 --> 00:18:57,261 SO DAKOTA COULD COMPETE AGAINST YOUNGER GIRLS? 491 00:18:57,344 --> 00:18:58,762 YEAH. I SURE DO. 492 00:18:58,846 --> 00:19:01,098 LOOK, IF YOU WANT TO WIN AT ALL COSTS, YOU'LL DO ANYTHING. 493 00:19:01,181 --> 00:19:03,141 KEEP THAT. THAT'S WHAT YOU SHOULD BE INVESTIGATING. 494 00:19:03,225 --> 00:19:05,769 WE HAVE VIDEO FOOTAGE OF THE AUDIENCE. YOU'RE NOT IN IT. 495 00:19:05,853 --> 00:19:08,814 OH, I WAS BUYING DANCE VIDEOS FOR THE TEAM. 496 00:19:10,148 --> 00:19:11,942 IT'S TIME-STAMPED. WOW. 497 00:19:12,025 --> 00:19:14,444 YOU -- YOU CAME WITH YOUR OWN CASE FILE. 498 00:19:14,528 --> 00:19:16,822 WELL, I DIDN'T THINK YOU ASKED ME TO COME HERE FOR COFFEE. 499 00:19:18,198 --> 00:19:19,533 DID YOU KILL DENISE RYAN? 500 00:19:19,616 --> 00:19:23,495 NO. I DIDN'T LIKE HER. BUT I DIDN'T KILL HER. 501 00:19:24,913 --> 00:19:27,666 [ TELEPHONE RINGING ] 502 00:19:33,338 --> 00:19:36,008 [ DOOR CLOSES ] 503 00:19:36,091 --> 00:19:37,676 YOU OKAY? 504 00:19:39,303 --> 00:19:41,680 DO I LOOK OKAY? 505 00:19:41,763 --> 00:19:43,807 WHAT, YOU COME IN HERE TO GET YOUR LICKS IN, TOO? 506 00:19:43,891 --> 00:19:45,475 JOSH. 507 00:19:45,559 --> 00:19:47,352 WHY ARE YOU HERE? 508 00:19:47,436 --> 00:19:49,688 I TOLD MY MOM I DIDN'T WANT TO TALK TO YOU. 509 00:19:49,771 --> 00:19:51,064 YOUR MOTHER AND I DIVORCED, 510 00:19:51,148 --> 00:19:53,317 BUT I NEVER STOPPED BEING YOUR FATHER. 511 00:19:53,400 --> 00:19:57,279 OH, YEAH. "DAD." 512 00:19:57,362 --> 00:19:58,947 IT WAS -- IT WAS A BLAST 513 00:19:59,031 --> 00:20:01,783 HANGING OUT WITH YOU THE LAST COUPLE YEARS -- 514 00:20:01,867 --> 00:20:06,330 ON THE WEEKENDS, THE SUMMER VACATIONS... 515 00:20:06,413 --> 00:20:08,957 FIELD TRIPS, BALLGAMES. 516 00:20:09,041 --> 00:20:11,793 H-HOW DID YOU FIND ALL THAT TIME? 517 00:20:11,877 --> 00:20:16,381 I CALLED. I WROTE. I SENT BIRTHDAY PRESENTS. 518 00:20:16,465 --> 00:20:18,800 YOU'RE A LIAR, VINCE. 519 00:20:18,884 --> 00:20:21,678 CUT THE TOUGH-GUY BULLSHIT. 520 00:20:23,221 --> 00:20:24,973 I KNOW YOU'RE HURT. 521 00:20:25,057 --> 00:20:26,558 AND I KNOW YOU'RE ANGRY. 522 00:20:26,642 --> 00:20:28,310 I WASN'T THERE FOR YOU. 523 00:20:28,393 --> 00:20:31,021 NOT BECAUSE I DIDN'T WANT TO BE. 524 00:20:31,104 --> 00:20:32,856 BUT I'M HERE NOW. 525 00:20:32,940 --> 00:20:35,442 I DON'T NEED YOU NOW. 526 00:20:35,525 --> 00:20:37,361 I'M FINE. THE HELL YOU ARE. 527 00:20:37,444 --> 00:20:41,031 YOU'RE ACCUSED OF SHOOTING A COP. 528 00:20:41,114 --> 00:20:42,824 I WANT TO KNOW, DID YOU? 529 00:20:42,908 --> 00:20:44,952 DID YOU DO THAT, JOSH? 530 00:20:45,035 --> 00:20:47,579 BECAUSE THE BOY I KNEW AND LOVED COULDN'T. 531 00:20:47,663 --> 00:20:49,623 I WANT THIS GUY OUT OF HERE, AND I WANT A LAWYER. 532 00:20:49,706 --> 00:20:51,917 I GOT A GREAT LAWYER, SOMEONE WHO CAN HELP YOU. 533 00:20:52,000 --> 00:20:53,377 NO, I WANT A PUBLIC DEFENDER. 534 00:20:53,460 --> 00:20:56,171 YOU DON'T OWE ME ANYTHING, VINCE. 535 00:20:56,254 --> 00:20:57,673 BYE-BYE. 536 00:21:04,471 --> 00:21:06,890 [ DOOR OPENS ] 537 00:21:06,974 --> 00:21:09,977 Jane: SO, WHO WANTED DENISE RYAN DEAD? 538 00:21:10,060 --> 00:21:13,188 I'M COMING UP EMPTY. I MEAN, SHE HAD NO FRIENDS, NO JOB. 539 00:21:13,271 --> 00:21:16,316 ALL SHE DID WAS TAKE DAKOTA TO SCHOOL AND TO DANCE. 540 00:21:16,400 --> 00:21:19,987 AND HOME WITH SKIPPY, WHO HAS AN ALIBI. 541 00:21:20,070 --> 00:21:22,781 I DUG AROUND IN DENISE'S LIFE TO SEE IF WE MISSED SOMEBODY. 542 00:21:22,864 --> 00:21:25,367 GUESS WHAT. DENISE RYAN DIDN'T HAVE A SINGLE CREDIT CARD. 543 00:21:25,450 --> 00:21:27,244 WELL, THEY WERE HAVING MONEY PROBLEMS. 544 00:21:27,327 --> 00:21:29,204 NO, I MEAN, LIKE, NO CREDIT HISTORY... 545 00:21:29,288 --> 00:21:31,373 AT ALL. THAT IS WEIRD. 546 00:21:31,456 --> 00:21:33,333 WHO MAKES IT TO AGE 35 WITH NO CREDIT? 547 00:21:33,417 --> 00:21:34,793 DID YOU RUN HER SOCIAL? 548 00:21:34,876 --> 00:21:37,713 YEAH. IT'S GOOD. FOUND A PASSPORT, DRIVER'S LICENSE. 549 00:21:37,796 --> 00:21:39,381 WHAT'S KORSAK DOING IN BRIC? 550 00:21:42,175 --> 00:21:44,052 CAVANAUGH SAID HE TALKED TO JOSH. 551 00:21:44,136 --> 00:21:45,721 HOW'D IT GO? 552 00:21:45,804 --> 00:21:47,180 AFRAID TO ASK. 553 00:21:58,317 --> 00:21:59,735 NOBODY BLAMES YOU. 554 00:21:59,818 --> 00:22:01,862 JOSH DOES. 555 00:22:03,113 --> 00:22:05,699 OH, THAT WAS ON CASTLE ISLAND. THE BLUES WERE RUNNING. 556 00:22:05,782 --> 00:22:08,410 OH. HE LOVED THE BOAT. 557 00:22:08,493 --> 00:22:11,747 WHY DID SHE TAKE HIM AWAY, KORSAK? 558 00:22:11,830 --> 00:22:13,999 I WAS WORKING A LOT. 559 00:22:14,082 --> 00:22:17,419 I DIDN'T REALIZE HOW NEEDY SHE WAS UNTIL IT WAS OVER. 560 00:22:17,502 --> 00:22:21,089 I THINK SHE WAS DRINKING. SHE WAS LONELY. 561 00:22:21,173 --> 00:22:23,467 SHE REACHED OUT TO JOSH'S BIO DAD. 562 00:22:23,550 --> 00:22:26,470 HE LED HER ON, ENCOURAGED HER TO MOVE TO FLORIDA. 563 00:22:26,553 --> 00:22:28,263 THAT'S CRAP. 564 00:22:28,346 --> 00:22:31,433 SHE THOUGHT IT WOULD BE GOOD FOR JOSH TO GET TO KNOW HIS REAL FATHER. 565 00:22:31,516 --> 00:22:33,727 WHAT? YOU WERE HIS REAL FATHER. 566 00:22:33,810 --> 00:22:36,730 CAVANAUGH SLIP YOU THIS? 567 00:22:36,813 --> 00:22:39,274 JOSH'S PRINTS ARE ALL OVER THE GUN. 568 00:22:39,357 --> 00:22:41,651 CRIME LAB MATCHED THE BLOOD ON HIS CLOTHES TO GERRY KINCAID. 569 00:22:41,735 --> 00:22:44,446 BETWEEN THE PRINTS AND THE BLOOD, IT'S OPEN-AND-SHUT. 570 00:22:44,529 --> 00:22:45,989 NO, VINCE, IT'S NOT. 571 00:22:46,073 --> 00:22:48,200 THERE'S A SECOND SET OF PRINTS ON THE GUN. 572 00:22:48,283 --> 00:22:49,326 WHAT? 573 00:22:49,409 --> 00:22:51,119 YEAH. [ KEYS CLACKING ] 574 00:22:51,203 --> 00:22:53,288 GAVIN THOMPSON, 17. 575 00:22:53,371 --> 00:22:55,499 JOSH HAD A FRIEND WITH THAT NAME. I NEVER LIKED THAT KID. 576 00:22:55,582 --> 00:22:56,917 WELL, YEAH, LOOK AT HIS RECORD -- 577 00:22:57,000 --> 00:22:58,627 B&E, ROBBERY, ASSAULT. 578 00:22:58,710 --> 00:23:00,295 I WANT TO BRING THIS GAVIN THOMPSON IN. 579 00:23:00,378 --> 00:23:02,005 I ALREADY ASSIGNED A TEAM TO PICK HIM UP, 580 00:23:02,089 --> 00:23:03,423 BUT I'LL KEEP YOU IN THE LOOP. 581 00:23:03,507 --> 00:23:04,883 [ BEEP ] OKAY, LOOK, IF YOU NEED ME, 582 00:23:04,966 --> 00:23:06,343 I'LL BE IN THE BUILDING, ALL RIGHT? 583 00:23:06,426 --> 00:23:07,803 MAURA'S FOUND SOMETHING NEW ON OUR DANCE MOM. 584 00:23:07,886 --> 00:23:10,430 SIR. OKAY. 585 00:23:10,514 --> 00:23:12,307 WHAT DO YOU GOT? 586 00:23:12,390 --> 00:23:14,392 HER PLASTIC SURGERY IS MUCH MORE EXTENSIVE 587 00:23:14,476 --> 00:23:16,019 THAN I INITIALLY REALIZED. 588 00:23:22,859 --> 00:23:24,486 SHE GET A BOOB JOB ON HER WRIST? 589 00:23:24,569 --> 00:23:26,905 I MEAN, I DON'T HAVE AN M.D. OR ANYTHING, 590 00:23:26,988 --> 00:23:28,782 BUT I'M FAIRLY CONFIDENT THOSE ARE FINGERS. 591 00:23:28,865 --> 00:23:30,450 I X-RAYED HER SKELETON TO MAKE SURE 592 00:23:30,534 --> 00:23:31,868 I HADN'T MISSED ANY SURGERIES. 593 00:23:31,952 --> 00:23:34,204 AND I FOUND EVIDENCE OF REPETITIVE SPIRAL FRACTURES 594 00:23:34,287 --> 00:23:36,414 TO BOTH OF HER WRISTS -- AT LEAST THREE. 595 00:23:36,498 --> 00:23:39,167 SO SHE'S A BATTERED SPOUSE. PERHAPS. 596 00:23:39,251 --> 00:23:40,627 BUT SPIRAL FRACTURES 597 00:23:40,710 --> 00:23:42,921 ARE ALSO A COMMON SKIING INJURY IN THE LOWER LEG 598 00:23:43,004 --> 00:23:44,673 DUE TO THE INFLEXIBILITY OF A BOOT IN A FALL. 599 00:23:44,756 --> 00:23:47,843 MAURA, I DON'T THINK SHE'S DOING HANDSTANDS IN HER SKI BOOTS. 600 00:23:47,926 --> 00:23:49,344 PROBABLY NOT. 601 00:23:49,427 --> 00:23:52,139 SO, HOW OLD ARE THESE FRACTURES? 602 00:23:52,222 --> 00:23:54,558 WELL, UH, THEY ARE AT LEAST A DECADE OLD. 603 00:23:55,809 --> 00:23:57,686 WELL, SO THAT MEANS IT WASN'T SKIP. 604 00:23:57,769 --> 00:24:00,147 MAYBE IT WAS DAKOTA'S BIOLOGICAL FATHER. 605 00:24:00,230 --> 00:24:02,357 I'M STARTING TO THINK THAT DENISE RYAN 606 00:24:02,440 --> 00:24:04,651 WASN'T JUST A SUBURBAN DANCE MOM. 607 00:24:11,283 --> 00:24:14,202 [ SIREN WAILS IN DISTANCE ] 608 00:24:14,286 --> 00:24:15,704 NOTHING. 609 00:24:15,787 --> 00:24:18,081 DID A NATIONWIDE SEARCH, ALL 50 STATES. 610 00:24:18,165 --> 00:24:20,876 WELL, DENISE FRACTURED BOTH HER WRISTS THREE TIMES. 611 00:24:20,959 --> 00:24:23,837 AND MAURA'S CERTAIN THAT THE BONES WERE SET EACH TIME BY A DOCTOR. 612 00:24:23,920 --> 00:24:26,798 W-- THERE HAS TO BE MEDICAL RECORDS. 613 00:24:26,882 --> 00:24:29,050 I CHECKED HER FULL NAME -- DENISE BURKE RYAN. 614 00:24:29,134 --> 00:24:31,052 DIDN'T COME UP ON ANY HOSPITAL RECORDS. 615 00:24:31,136 --> 00:24:33,889 WHAT ABOUT WHEN DAKOTA WAS BORN? 616 00:24:33,972 --> 00:24:35,849 BIRTH CERTIFICATE LISTS FLORIDA GENERAL. 617 00:24:35,932 --> 00:24:37,350 [ KEYS CLACKING ] 618 00:24:37,434 --> 00:24:39,144 [ BEEP ] 619 00:24:39,227 --> 00:24:40,478 THIS IS WEIRD. 620 00:24:40,562 --> 00:24:43,064 THERE'S NO RECORD OF A DAKOTA RYAN'S BIRTH. 621 00:24:43,148 --> 00:24:46,234 OKAY. THE FATHER'S DECEASED. 622 00:24:46,318 --> 00:24:48,570 THERE'S A NAME HERE. XAVIER R. WHITE. 623 00:24:48,653 --> 00:24:51,489 CHECK NCIC, ALSO LOOK FOR DOMESTIC-ABUSE REPORTS 624 00:24:51,573 --> 00:24:53,200 OR RESTRAINING ORDERS AGAINST HIM. 625 00:24:53,283 --> 00:24:55,160 [ BEEP ] NO HITS. 626 00:24:55,243 --> 00:24:56,953 NOTHING? 627 00:24:57,037 --> 00:24:59,664 [ KEYS CLACKING ] 628 00:24:59,748 --> 00:25:01,416 THERE'S NO DEATH CERTIFICATE. 629 00:25:01,500 --> 00:25:05,337 WELL, THE LACK OF INFORMATION IS TELLING ME SOMETHING. 630 00:25:05,420 --> 00:25:06,755 LIKE WHAT? WELL, THINK ABOUT IT. 631 00:25:06,838 --> 00:25:08,798 DENISE HAD EXTENSIVE PLASTIC SURGERY. 632 00:25:08,882 --> 00:25:10,300 THIS IS WAY BEYOND VAIN. 633 00:25:10,383 --> 00:25:12,052 SHE DIDN'T WANT ANYONE TO RECOGNIZE HER. 634 00:25:12,135 --> 00:25:13,845 AND WE CAN'T FIND ANYTHING THAT SAYS 635 00:25:13,929 --> 00:25:15,388 SHE EXISTED BEFORE 10 YEARS AGO. 636 00:25:15,472 --> 00:25:18,099 YEAH. THAT SAYS SHE MIGHT BE IN WitSec, RIGHT? 637 00:25:18,183 --> 00:25:19,809 WITNESS PROTECTION PROGRAM. YEAH. 638 00:25:19,893 --> 00:25:21,061 YEAH. PIECES ALL FIT. 639 00:25:21,144 --> 00:25:23,230 I'LL CALL THE U.S. MARSHALS OFFICE. 640 00:25:23,313 --> 00:25:26,274 THEY'RE NOT GONNA TELL YOU ANYTHING. I'VE BEEN THROUGH THIS BEFORE. 641 00:25:26,358 --> 00:25:27,901 [ RECEIVER HANGS UP ] 642 00:25:27,984 --> 00:25:29,361 SO, WHAT DO WE DO? 643 00:25:29,444 --> 00:25:31,363 COME ON. 644 00:25:31,446 --> 00:25:34,574 PERFECT BASEBALL STITCH. [ DOOR OPENS ] 645 00:25:34,658 --> 00:25:36,451 UNIFORM LENGTH. 646 00:25:36,534 --> 00:25:38,328 KNOTS ON THE INSIDE. [ DOOR CLOSES ] 647 00:25:38,411 --> 00:25:40,956 SORRY TO INTERRUPT YOUR LITTLE CRAFTS PROJECT, 648 00:25:41,039 --> 00:25:42,707 BUT WE NEED YOUR HELP WITH SOMETHING. 649 00:25:42,791 --> 00:25:44,376 YOU THINK YOU CAN HELP US RE-CREATE 650 00:25:44,459 --> 00:25:46,044 WHAT SHE LOOKED LIKE BEFORE SURGERY? 651 00:25:46,127 --> 00:25:50,632 SURE. SURE. CAN YOU HAND ME THAT SCALPEL? 652 00:25:50,715 --> 00:25:51,967 THANKS. 653 00:25:56,721 --> 00:25:58,056 UH, WHAT ARE YOU DOING? 654 00:25:58,139 --> 00:25:59,849 PEELING OFF HER FACE. 655 00:25:59,933 --> 00:26:01,810 SHE -- SHE DID NOT JUST SAY THAT. 656 00:26:01,893 --> 00:26:04,938 WE WERE HOPING THAT YOU COULD DO IT ON THE COMPUTER. 657 00:26:05,021 --> 00:26:06,398 OH. 658 00:26:06,481 --> 00:26:08,400 WELL, I SUPPOSE WE COULD DO THAT, 659 00:26:08,483 --> 00:26:10,318 BUT IT'S CERTAINLY NOT AS HANDS-ON. 660 00:26:10,402 --> 00:26:13,029 THEY PICKED UP GAVIN THOMPSON. PUNK WAS RIDING A SKATEBOARD 661 00:26:13,113 --> 00:26:14,572 STOLEN FROM THE SPORTING-GOODS STORE. 662 00:26:14,656 --> 00:26:15,949 CAVANAUGH'S GETTING READY 663 00:26:16,032 --> 00:26:17,033 TO INTERROGATE HIM. I'M GONNA WATCH IT. 664 00:26:17,117 --> 00:26:18,493 I'M GONNA GO WITH YOU. WHY? 665 00:26:18,576 --> 00:26:21,204 TO KEEP YOU OUT OF HANDCUFFS. 666 00:26:21,288 --> 00:26:24,291 I'M NOT GOING AWAY FOR KILLING A COP. 667 00:26:24,374 --> 00:26:25,792 I HAD NOTHING TO DO WITH IT. 668 00:26:25,875 --> 00:26:28,169 BULLSHIT, KID. 669 00:26:28,253 --> 00:26:30,088 WE GOT YOUR PRINTS ON THE GUN, 670 00:26:30,171 --> 00:26:32,132 AND WE GOT YOUR BUDDY JOSH IN THERE 671 00:26:32,215 --> 00:26:33,675 TELLING US THE WHOLE STORY. 672 00:26:33,758 --> 00:26:35,343 WHAT DID JOSH SAY? NOTHING. 673 00:26:35,427 --> 00:26:37,345 CAVANAUGH'S GOT TO TRY TO PLAY THEM ONE OFF AGAINST THE OTHER. 674 00:26:37,429 --> 00:26:40,181 HOW DO YOU EXPLAIN HAVING YOUR PRINTS ON A COP'S GUN? 675 00:26:40,265 --> 00:26:41,641 I DID THE BREAK-IN. 676 00:26:41,725 --> 00:26:43,101 AS FOR ALL THAT OTHER MESS THAT WENT DOWN... 677 00:26:43,184 --> 00:26:44,394 WHAT DID JOSH SAY? 678 00:26:44,477 --> 00:26:47,856 LOOK... 679 00:26:47,939 --> 00:26:50,650 YOU KNOW HOW THIS WORKS. FIRST UP, BEST DRESSED. 680 00:26:50,734 --> 00:26:52,277 YOU TALK... 681 00:26:52,360 --> 00:26:54,988 AND I MIGHT BE ABLE TO HELP YOU OUT. GOD, DON'T. 682 00:26:55,071 --> 00:26:57,699 JOSH GOT THE SAME CHANCE AS THIS KID. HE DIDN'T TAKE IT. 683 00:26:58,742 --> 00:27:01,619 I WAS BEHIND JOSH WHEN WE CAME OUT OF THE BACK OF THE STORE. 684 00:27:01,703 --> 00:27:03,288 THAT COP CAME FROM OUT OF NOWHERE. 685 00:27:03,371 --> 00:27:05,582 HE WAS AN OLD GUY, SO JOSH GOT THE GUN AWAY FROM HIM. 686 00:27:05,665 --> 00:27:07,208 THEN HOW'D YOUR PRINTS GET ON IT? 687 00:27:07,292 --> 00:27:10,879 THE COP WAS ON THE GROUND. JOSH POINTED THE GUN AT HIM. 688 00:27:10,962 --> 00:27:13,131 I GRABBED THE GUN, TRIED TO STOP HIM. 689 00:27:13,214 --> 00:27:15,508 BUT HE JUST PULLED THE TRIGGER. 690 00:27:15,592 --> 00:27:17,010 SHOT HIM. 691 00:27:17,093 --> 00:27:19,054 HE HATES COPS. 692 00:27:19,137 --> 00:27:21,473 THIS GUY WHO MARRIED HIS MOM WAS A COP. 693 00:27:23,099 --> 00:27:25,894 Korsak: DAMN IT. 694 00:27:25,977 --> 00:27:27,729 JOSH IS GONNA TELL ME WHAT THE HELL HAPPENED! 695 00:27:27,812 --> 00:27:30,065 NOT NOW, ALL RIGHT? NOT WHILE YOU'RE THIS ANGRY. 696 00:27:30,148 --> 00:27:32,108 ANGER'S THE ONLY THING I GOT ANYMORE. 697 00:27:34,194 --> 00:27:36,446 [ DOOR OPENS ] 698 00:27:38,615 --> 00:27:41,242 I CAN DO THIS ALONE. 699 00:27:41,326 --> 00:27:44,996 I KNOW YOU CAN. I JUST DON'T WANT YOU TO. 700 00:27:47,999 --> 00:27:49,542 [ SIGHS ] 701 00:27:49,626 --> 00:27:52,504 LEAVE HIM CUFFED. 702 00:27:59,719 --> 00:28:01,429 WHAT? 703 00:28:03,556 --> 00:28:04,891 YOU SEE THIS MAN? 704 00:28:04,974 --> 00:28:07,310 HE'S FIGHTING FOR HIS LIFE RIGHT NOW. 705 00:28:07,394 --> 00:28:11,606 AND HIS FOUR KIDS AND HIS WIFE ARE CRYING THEIR EYES OUT. 706 00:28:11,689 --> 00:28:13,608 DON'T LOOK AWAY FROM ME. 707 00:28:14,943 --> 00:28:17,112 YOUR BUDDY GAVIN JUST GAVE YOU UP. 708 00:28:19,531 --> 00:28:21,282 NICE TRY, VINCE. 709 00:28:21,366 --> 00:28:22,617 GAVIN'S BEEN MY FRIEND 710 00:28:22,700 --> 00:28:25,036 LONGER THAN YOU PRETENDED TO BE MY DAD. 711 00:28:26,496 --> 00:28:28,706 YOU MIGHT WANT TO SEE THIS. 712 00:28:29,541 --> 00:28:31,042 [ BEEP ] 713 00:28:31,126 --> 00:28:33,962 THE COP WAS ON THE GROUND. JOSH POINTED THE GUN AT HIM. 714 00:28:34,045 --> 00:28:37,757 I GRABBED THE GUN, TRIED TO STOP HIM. 715 00:28:37,841 --> 00:28:40,593 BUT HE JUST PULLED THE TRIGGER. SHOT HIM. 716 00:28:40,677 --> 00:28:42,595 WHAT DO YOU HAVE TO SAY ABOUT THAT, JOSH? 717 00:28:44,848 --> 00:28:46,266 GO TO HELL. 718 00:28:46,349 --> 00:28:48,977 [ SIGHS ] WHAT THE HELL IS WRONG WITH YOU? 719 00:28:49,060 --> 00:28:52,188 DO YOU UNDERSTAND THAT IF THIS OFFICER DIES, 720 00:28:52,272 --> 00:28:55,233 YOU'RE GOING TO PRISON FOR THE REST OF YOUR LIFE? 721 00:28:56,693 --> 00:28:59,154 SAY SOMETHING. 722 00:29:01,865 --> 00:29:04,534 DAMN IT. SAY SOMETHING. 723 00:29:06,578 --> 00:29:09,330 VINCE! VINCE! NO! VINCE! 724 00:29:09,414 --> 00:29:12,417 STOP IT! STOP IT. 725 00:29:18,923 --> 00:29:20,091 [ HORN HONKS ] 726 00:29:20,175 --> 00:29:22,427 HI. 727 00:29:22,510 --> 00:29:26,723 I FOUND THIS STEVIA IN THE HEALTH-FOOD STORE. 728 00:29:26,806 --> 00:29:27,849 THANK YOU. JUST HOW YOU LIKE IT. 729 00:29:27,932 --> 00:29:31,436 I HAVE A SON WHO'S, UH... 730 00:29:31,519 --> 00:29:33,855 BEEN IN SOME TROUBLE. YOU DO? 731 00:29:33,938 --> 00:29:36,691 I MEAN, HE DIDN'T SHOOT ANYBODY OR ANYTHING. 732 00:29:36,774 --> 00:29:38,026 BUT HE RAN OVER A PRIEST. 733 00:29:38,109 --> 00:29:39,360 OH, MY GOD. 734 00:29:39,444 --> 00:29:42,113 FATHER CROWLEY'S BEEN REALLY GOOD ABOUT IT, 735 00:29:42,197 --> 00:29:43,865 AND TOMMY FEELS TERRIBLE. 736 00:29:43,948 --> 00:29:46,701 HE DID TIME. IT WAS THREE YEARS. 737 00:29:46,784 --> 00:29:48,912 SO I KNOW EXACTLY WHAT YOU'RE FEELING. 738 00:29:48,995 --> 00:29:52,415 I FEEL LIKE LIVING THE LAST FIVE YEARS OF MY LIFE OVER AGAIN. 739 00:29:52,499 --> 00:29:54,709 I TOOK JOSH AWAY FROM THE ONLY MAN 740 00:29:54,792 --> 00:29:57,003 WHO EVER GAVE A DAMN ABOUT HIM. 741 00:29:59,380 --> 00:30:03,968 I BETTER GO. I'M GONNA SOAK SOME POTS. 742 00:30:10,099 --> 00:30:14,521 I COULD SAY "I'M SORRY" EVERY DAY FOR THE REST OF MY LIFE. 743 00:30:14,604 --> 00:30:17,398 BUT IT STILL WOULDN'T BE ENOUGH. 744 00:30:17,482 --> 00:30:19,609 I DON'T KNOW WHO THAT KID IS. 745 00:30:19,692 --> 00:30:22,570 WHEN WE LEFT YOU, HE -- 746 00:30:22,654 --> 00:30:25,782 WHEN I LEFT YOU... 747 00:30:25,865 --> 00:30:29,118 JOSH ASKED ABOUT YOU EVERY DAY. 748 00:30:29,202 --> 00:30:31,246 "WHERE'S DAD?" 749 00:30:31,329 --> 00:30:34,499 "WHY DIDN'T DAD COME WITH US?" 750 00:30:34,582 --> 00:30:36,125 WHAT'D YOU SAY? 751 00:30:36,209 --> 00:30:39,379 THAT YOU WERE IN LOVE WITH YOUR JOB, NOT US. 752 00:30:41,798 --> 00:30:44,634 THAT YOU WEREN'T EVER COMING FOR US. 753 00:30:47,136 --> 00:30:49,806 HE LOVES YOU, VINCE. 754 00:30:49,889 --> 00:30:54,561 NO MATTER WHAT HE TELLS YOU, HE LOVES YOU. 755 00:30:58,273 --> 00:31:00,275 Jane: IS THAT WHAT DENISE WOULD HAVE LOOKED LIKE 756 00:31:00,358 --> 00:31:01,776 WITHOUT ALL THAT PLASTIC SURGERY? 757 00:31:01,859 --> 00:31:05,530 YES. I'M FOCUSING ON FEDERAL CRIMINAL TRIALS IN 2000. 758 00:31:05,613 --> 00:31:08,157 DETECTIVE FROST IS LOOKING AT 2001. 759 00:31:08,241 --> 00:31:10,618 Frost: IT'S A BIG SEARCH. SHE WANTED TO HELP. 760 00:31:10,702 --> 00:31:12,120 WE'RE HOPING TO GET A HIT ON FACIAL RECOGNITION. 761 00:31:12,203 --> 00:31:14,622 ON ANY DATABASE WE MIGHT BE ABLE TO FIND A PHOTOGRAPH 762 00:31:14,706 --> 00:31:16,958 OF A WOMAN WHO TESTIFIED IN A HIGH-PROFILE TRIAL. 763 00:31:17,041 --> 00:31:18,960 LISTEN TO YOU, COLUMBO. 764 00:31:20,587 --> 00:31:23,131 [ KEYS CLACKING ] OH, MY GOODNESS! 765 00:31:23,214 --> 00:31:25,800 DETECTIVE FROST, DID I DO IT? 766 00:31:25,883 --> 00:31:28,261 I THINK YOU DID. 767 00:31:28,344 --> 00:31:29,804 [ KEYS CLACKING ] 768 00:31:29,887 --> 00:31:32,640 DENISE'S REAL NAME WAS DEBBIE BROWN. 769 00:31:32,724 --> 00:31:34,392 HER HUSBAND WAS A MIAMI DRUG TRAFFICKER. 770 00:31:34,475 --> 00:31:37,270 ROBERTO GUSANO. MEXICAN NATIONAL. TYPICAL FED TACTIC -- 771 00:31:37,353 --> 00:31:39,480 THEY CHARGED DENISE WITH CONSPIRACY TO VIOLATE DRUG LAWS 772 00:31:39,564 --> 00:31:41,357 TO GET HER TO TESTIFY AGAINST HER HUSBAND. 773 00:31:41,441 --> 00:31:44,652 GUSANO GOT A 10-YEAR SENTENCE, AND HE STILL FOUGHT FOR CUSTODY. 774 00:31:44,736 --> 00:31:46,321 THAT'S WHY DENISE WOULDN'T GIVE UP 775 00:31:46,404 --> 00:31:48,573 DAKOTA'S REAL BIRTH CERTIFICATE TO DANCE MOM KIM. 776 00:31:48,656 --> 00:31:52,327 YEAH, I BET SHE DOCTORED IT -- BIRTH DATE AND FATHER'S NAME -- 777 00:31:52,410 --> 00:31:54,078 SO DAKOTA WOULD BE HARDER TO FIND. 778 00:31:54,162 --> 00:31:56,414 WitSec WON'T FORGE DOCUMENTS, RIGHT? THAT'S RIGHT. 779 00:31:56,497 --> 00:31:59,000 YOU CAN CHANGE YOUR NAME, BUT NOT YOUR BIRTH DATE. 780 00:31:59,083 --> 00:32:00,668 AH. POOR DENISE. 781 00:32:00,752 --> 00:32:03,046 SHE HAD TO LEAVE EVERYTHING BEHIND, HER FRIENDS, HER FAMILY. 782 00:32:03,129 --> 00:32:05,048 HIDE FROM GUSANO FOR THE REST OF HER LIFE. 783 00:32:05,131 --> 00:32:06,591 WHERE'S GUSANO BEING HELD? 784 00:32:07,884 --> 00:32:09,344 SUPER-MAX PENITENTIARY IN COLORADO. 785 00:32:09,427 --> 00:32:11,262 HE LOOKS VERY MEAN. 786 00:32:11,346 --> 00:32:13,640 I'M CALLING THE U.S. MARSHALS. I THOUGHT YOU SAID THEY WOULDN'T HELP. 787 00:32:13,723 --> 00:32:16,476 THEY DON'T HAVE A CHOICE NOW THAT WE HAVE A NAME. 788 00:32:16,559 --> 00:32:19,228 I WAS ASSIGNED TO OVERSEE DENISE RYAN'S RELOCATION 789 00:32:19,312 --> 00:32:21,022 FROM FLORIDA TO BOSTON. 790 00:32:21,105 --> 00:32:22,732 I CHECK IN WITH HER ONCE A MONTH. 791 00:32:22,815 --> 00:32:24,984 WELL, HOW COME WE DIDN'T HEAR FROM YOU WHEN SHE WAS MURDERED? 792 00:32:25,068 --> 00:32:26,319 THERE WAS NOTHING WE COULD DO. 793 00:32:26,402 --> 00:32:28,112 YOUR AGENCY WAS ALREADY INVESTIGATING. 794 00:32:28,196 --> 00:32:31,449 WE THINK ROBERTO GUSANO MAY HAVE CALLED A HIT ON DENISE FROM PRISON. 795 00:32:31,532 --> 00:32:34,160 I AM NOT AT LIBERTY TO TELL YOU HOW I KNOW, 796 00:32:34,243 --> 00:32:37,538 BUT I KNOW THAT DIDN'T HAPPEN. 797 00:32:37,622 --> 00:32:39,165 Jane: THAT'S GUSANO'S DAUGHTER, ISN'T IT? 798 00:32:39,248 --> 00:32:42,001 I'M SORRY. THERE REALLY ISN'T MUCH I CAN TELL YOU. 799 00:32:42,085 --> 00:32:43,252 WHY ARE YOU PROTECTING GUSANO? 800 00:32:43,336 --> 00:32:45,338 AGAIN, I AM NOT AT LIBERTY TO SAY. 801 00:32:45,421 --> 00:32:48,174 PRISON RECORDS SAY GUSANO'S IN SUPER-MAX IN COLORADO. 802 00:32:48,257 --> 00:32:50,385 Jane: BUT YOU GUYS AT THE JUSTICE DEPARTMENT 803 00:32:50,468 --> 00:32:52,387 CONTROL FEDERAL PRISON RECORDS. 804 00:32:52,470 --> 00:32:54,639 GUSANO'S A GOVERNMENT WITNESS, ISN'T HE? 805 00:32:56,057 --> 00:32:58,518 DAMN. YOU THINK HE'S IN WitSec? YEAH, I DO. 806 00:32:58,601 --> 00:32:59,936 THAT'S RIGHT, ISN'T IT? 807 00:33:00,019 --> 00:33:01,729 WHERE'S GUSANO NOW? 808 00:33:01,813 --> 00:33:04,315 I HONESTLY DON'T KNOW, DETECTIVE. 809 00:33:05,983 --> 00:33:07,694 ARE THOSE PHOTOS OF DENISE? 810 00:33:07,777 --> 00:33:10,405 YES. DENISE GREW UP IN FLORIDA. 811 00:33:10,488 --> 00:33:12,782 DANCED WITH SEVERAL PROFESSIONAL COMPANIES. 812 00:33:12,865 --> 00:33:15,743 SHE MET GUSANO WHEN SHE WAS VISITING HER SISTER. 813 00:33:15,827 --> 00:33:17,078 THEY LOOK CLOSE. 814 00:33:17,161 --> 00:33:18,955 Whitmore: INSEPARABLE, ACCORDING TO DENISE. 815 00:33:19,038 --> 00:33:20,123 WHAT'S HER SISTER'S NAME? 816 00:33:20,206 --> 00:33:21,791 HER NAME WAS GABRIELLE RADFORD. 817 00:33:21,874 --> 00:33:25,920 "WAS"? I'M ASSUMING SHE'S NOT DEAD, SO, WH-- 818 00:33:26,003 --> 00:33:27,588 SHE'S IN WitSec, TOO? 819 00:33:31,008 --> 00:33:33,678 YOU WOULDN'T TELL ME WHERE GABRIELLE WAS EVEN IF YOU KNEW. 820 00:33:33,761 --> 00:33:35,763 WELL, THE RULES OF WitSec ARE HARD, 821 00:33:35,847 --> 00:33:38,766 BUT IT'S THE ONLY WAY WE KNOW HOW TO KEEP PEOPLE SAFE. 822 00:33:38,850 --> 00:33:40,101 [ CELLPHONE RINGS, BEEP ] 823 00:33:40,184 --> 00:33:43,020 PLEASE LET ME KNOW WHEN YOU FIND HER KILLER. 824 00:33:44,355 --> 00:33:45,648 WHITMORE. 825 00:33:45,732 --> 00:33:48,359 THE RULES OF WitSec -- 826 00:33:48,443 --> 00:33:51,946 NEVER SPEAK TO FRIENDS OR FAMILY FROM THE PAST EVER. 827 00:33:52,029 --> 00:33:53,156 WHAT ARE YOU THINKING? 828 00:33:53,239 --> 00:33:56,284 WELL, NO ONE CAN DO THAT. 829 00:33:58,411 --> 00:34:01,080 I'M GONNA SAY SOMETHING, 830 00:34:01,164 --> 00:34:03,958 EVEN IF YOU DON'T WANT TO HEAR IT. 831 00:34:04,041 --> 00:34:07,211 YOU'RE MY SON, AND I LOVE YOU. 832 00:34:07,295 --> 00:34:11,716 AND EVEN IF YOU DID THIS, I WON'T ABANDON YOU. 833 00:34:11,799 --> 00:34:14,260 DO YOU HEAR ME? 834 00:34:16,219 --> 00:34:17,638 YEAH. 835 00:34:19,306 --> 00:34:22,310 YOU REALLY TRIED TO CALL? YES. 836 00:34:22,393 --> 00:34:23,811 YOU SENT LETTERS? 837 00:34:23,895 --> 00:34:26,481 ALMOST EVERY DAY, FOR A LONG TIME, JOSH. 838 00:34:26,563 --> 00:34:29,942 DAD... I DIDN'T DO IT. 839 00:34:30,025 --> 00:34:32,904 WHAT? TALK TO ME, JOSH. TELL ME EVERYTHING. 840 00:34:32,987 --> 00:34:34,197 GAVIN'S LYING. 841 00:34:34,280 --> 00:34:35,822 H-HE'S THE ONE WHO SHOT THE COP. 842 00:34:35,907 --> 00:34:37,992 I TRIED TO WRESTLE THE GUN AWAY FROM HIM. 843 00:34:38,076 --> 00:34:39,159 WHY DIDN'T YOU TELL ME? 844 00:34:39,243 --> 00:34:40,995 I THOUGHT HE WAS MY FRIEND. 845 00:34:41,078 --> 00:34:42,496 I-I C-COULDN'T BELIEVE 846 00:34:42,580 --> 00:34:44,165 THAT YOU THOUGHT THAT I WOULD DO THAT. 847 00:34:44,248 --> 00:34:47,335 LAWYER TOLD ME NOT TO TALK TO ANYONE. 848 00:34:47,418 --> 00:34:49,879 HOW DID YOU GET OFFICER KINCAID'S BLOOD ALL OVER YOU? 849 00:34:49,962 --> 00:34:51,339 I TRIED TO HELP HIM. 850 00:34:51,422 --> 00:34:53,007 I TRIED TO GIVE HIM CPR, 851 00:34:53,090 --> 00:34:55,760 JUST LIKE YOU TAUGHT ME WHEN I WAS A KID. 852 00:34:57,261 --> 00:34:59,388 WHEN I HEARD THE SIRENS... 853 00:34:59,472 --> 00:35:04,101 I KNEW I WAS IN BIG TROUBLE... 854 00:35:04,185 --> 00:35:05,728 SO I TOOK OFF. 855 00:35:05,812 --> 00:35:09,982 I'M GONNA GET YOU OUT OF HERE, JOSH. 856 00:35:11,776 --> 00:35:15,446 IT'S GAVIN'S WORD AGAINST JOSH, AND GAVIN TALKED FIRST. 857 00:35:15,530 --> 00:35:16,989 E.M.S. REPORT SAYS KINCAID 858 00:35:17,073 --> 00:35:19,367 WAS BREATHING ON HIS OWN WHEN THEY ARRIVED. 859 00:35:19,450 --> 00:35:23,204 WELL, THEY HAVE TO NOTE IT IF CPR WAS ADMINISTERED. 860 00:35:23,287 --> 00:35:25,998 YOU SEE THAT BOX? THE PARAMEDIC CHECKED "NO." 861 00:35:26,082 --> 00:35:27,625 [ COMPUTER BEEPS ] 862 00:35:27,708 --> 00:35:31,671 THAT SHOULD BE OFFICER KINCAID'S CHEST X-RAYS FROM THE E.R. 863 00:35:31,754 --> 00:35:33,339 YOU SEE THESE LINES, 864 00:35:33,422 --> 00:35:35,925 WHERE THE RIB 1 AND 2 CONNECT TO THE STERNUM? 865 00:35:36,008 --> 00:35:38,094 YES. THEY'RE FRACTURES. 866 00:35:38,177 --> 00:35:40,763 THE FORCE EXERTED TO THE CHEST DURING CPR 867 00:35:40,847 --> 00:35:42,306 SOMETIMES CAN RESULT IN BROKEN RIBS. 868 00:35:42,390 --> 00:35:43,766 IT'S THE ONLY EXPLANATION 869 00:35:43,850 --> 00:35:46,018 FOR GERRY KINCAID'S INJURED RIBS. 870 00:35:46,102 --> 00:35:47,645 IT'S NOT ENOUGH. 871 00:35:47,728 --> 00:35:50,064 THE ONLY ONE WHO CAN CONFIRM THAT JOSH TRIED TO HELP IS KINCAID, 872 00:35:50,147 --> 00:35:51,649 AND HE'S STILL NOT CONSCIOUS. 873 00:35:51,732 --> 00:35:53,526 WELL, I THINK YOU NEED TO BE PREPARED. 874 00:35:53,609 --> 00:35:55,403 HE MAY NEVER REGAIN CONSCIOUSNESS. 875 00:36:07,164 --> 00:36:10,459 BUT THE FORENSIC PROOF MAY BE RIGHT HERE. 876 00:36:10,543 --> 00:36:11,919 ON JOSH'S CLOTHES? 877 00:36:12,003 --> 00:36:16,591 THERE'S A HIGHER CONCENTRATION OF BLOOD AT THE KNEE... 878 00:36:16,674 --> 00:36:18,509 AND HERE ON THE TOES OF JOSH'S SNEAKERS. 879 00:36:18,593 --> 00:36:21,095 SO YOU'RE SAYING THE CLOTHES PROVE THAT JOSH WAS KNEELING OVER KINCAID'S BODY. 880 00:36:21,178 --> 00:36:24,599 GIVING HIM CPR. BUT I'M NOT SAYING ANYTHING. 881 00:36:24,682 --> 00:36:26,559 THE CLOTHES ARE. THE EVIDENCE IS. 882 00:36:26,642 --> 00:36:29,353 MY SON IS TELLING THE TRUTH. 883 00:36:32,148 --> 00:36:34,734 WELL, DENISE AND GABRIELLE WERE BOTH DANCERS. 884 00:36:34,817 --> 00:36:37,236 M-MAYBE THEY TRIED TO TALK TO EACH OTHER IN CHAT ROOMS. 885 00:36:37,320 --> 00:36:39,113 HOW MANY DANCE WEBSITES ARE THERE? 886 00:36:39,196 --> 00:36:40,865 HERE'S DENISE'S E-MAIL ADDRESS. 887 00:36:40,948 --> 00:36:43,618 WHAT'S "A BUNHEAD"? 888 00:36:43,701 --> 00:36:44,952 A BALLERINA. 889 00:36:45,036 --> 00:36:46,078 HMM. 890 00:36:46,162 --> 00:36:47,788 WELL [SIGHS] DENISE WOULDN'T WANT 891 00:36:47,872 --> 00:36:49,665 TO GET KICKED OUT OF WitSec, YOU KNOW? 892 00:36:49,749 --> 00:36:51,292 I MEAN, SHE'D BE ALMOST AS AFRAID 893 00:36:51,375 --> 00:36:53,294 OF THE GOVERNMENT AS SHE'D BE OF GUSANO. 894 00:36:53,377 --> 00:36:55,087 TERRORISTS FIGURED OUT A PRETTY SMART WAY 895 00:36:55,171 --> 00:36:56,631 TO GET AROUND GOVERNMENT MONITORING. 896 00:36:56,714 --> 00:36:59,216 THEY WRITE THE E-MAIL BUT DON'T SEND IT. 897 00:36:59,300 --> 00:37:01,344 I'M NOT FOLLOWING YOU. 898 00:37:01,427 --> 00:37:02,887 [ BEEP ] YEP. HERE IT IS. 899 00:37:02,970 --> 00:37:04,305 DENISE HAS A BUNCH OF UNSENT MAIL. 900 00:37:04,388 --> 00:37:06,140 BASICALLY, YOU GIVE YOUR PASSWORD TO SOMEONE. 901 00:37:06,223 --> 00:37:08,809 THEY ACCESS THE ACCOUNT REMOTELY AND READ THE UNSENT MAIL. 902 00:37:08,893 --> 00:37:10,770 GABRIELLE AND DENISE WERE IN TOUCH. 903 00:37:10,853 --> 00:37:14,440 "GABS, DAKOTA IS ON FIRE. YOU HAVE TO SEE MY BABY DANCE. 904 00:37:14,523 --> 00:37:17,652 "SATURDAY AT THE TOURRAINE HOTEL AND CONVENTION CENTER. 905 00:37:17,735 --> 00:37:20,279 PLEASE? IT HAS TO BE SAFE NOW." [ KEYS CLACKING ] 906 00:37:20,363 --> 00:37:22,823 HERE'S THE I.P. ADDRESS THAT ACCESSED THE ACCOUNT REMOTELY. 907 00:37:22,907 --> 00:37:25,117 BELONGS TO GABRIELLE BRONSON. 908 00:37:25,201 --> 00:37:26,535 WESTBORO, MASS. 909 00:37:26,619 --> 00:37:28,162 SISTERS LIVED 30 MINUTES FROM EACH OTHER. 910 00:37:28,245 --> 00:37:30,706 COME ON. LET'S GO TALK TO GABRIELLE. 911 00:37:37,088 --> 00:37:39,382 [ DOOR HINGES CREAK ] 912 00:37:46,847 --> 00:37:49,517 Jane: SHE'S BEEN TORTURED. 913 00:37:49,600 --> 00:37:52,019 WELL, I THINK WE KNOW HOW GUSANO FOUND DENISE. 914 00:37:52,103 --> 00:37:54,146 U.S. MARSHALS! FREEZE! OH! BOSTON POLICE! 915 00:37:54,230 --> 00:37:57,024 STAND DOWN. MAYBE YOU WANT TO TELL ME AGAIN 916 00:37:57,108 --> 00:37:59,235 HOW YOU THINK GUSANO HAD NOTHING TO DO WITH THIS? 917 00:37:59,318 --> 00:38:00,528 HONEST TO GOD, I DIDN'T THINK HE DID. 918 00:38:00,611 --> 00:38:02,154 WAIT A MINUTE. I-I'M CURIOUS. 919 00:38:02,238 --> 00:38:03,698 WHAT ARE YOU DOING HERE IF YOU DIDN'T KNOW WHERE SHE WAS? 920 00:38:03,781 --> 00:38:05,658 I DIDN'T KNOW SHE LEFT WitSec. 921 00:38:05,741 --> 00:38:07,201 AFTER TALKING TO YOU, I TALKED TO MY SUPERIOR. 922 00:38:07,284 --> 00:38:08,869 I THOUGHT WE SHOULD LOOK IN ON HER. 923 00:38:08,953 --> 00:38:11,288 AND YOU STILL THINK GUSANO HAD NOTHING TO DO WITH THIS? 924 00:38:11,372 --> 00:38:12,581 I WANT TO KNOW WHERE HE IS. 925 00:38:12,665 --> 00:38:14,542 WE PUT HIM IN RAPID CITY. 926 00:38:14,625 --> 00:38:16,210 HIS CASE OFFICER THOUGHT HE WAS THERE, 927 00:38:16,293 --> 00:38:18,045 BUT HE SLIPPED AWAY SOMEHOW. 928 00:38:18,129 --> 00:38:20,214 THEY GAVE HIM EARLY RELEASE AFTER HE AGREED 929 00:38:20,297 --> 00:38:22,133 TO TESTIFY AGAINST THE DIAZ CARTEL. 930 00:38:22,216 --> 00:38:23,801 HE'S NOT GONNA TESTIFY. 931 00:38:23,884 --> 00:38:26,345 HE'S GOING BACK TO MEXICO, AND HE'S TAKING DAKOTA WITH HIM. 932 00:38:28,973 --> 00:38:31,058 [ INDISTINCT CONVERSATIONS ] 933 00:38:33,394 --> 00:38:36,397 WHERE'S DAKOTA? 934 00:38:36,480 --> 00:38:39,025 SHE'S ABOUT TO PERFORM. WHY? WHAT'S WRONG? 935 00:38:39,108 --> 00:38:40,943 [ DANCE MUSIC PLAYS ] 936 00:38:42,361 --> 00:38:46,407 ♪ MY HEART LIFTS OFF THE GROUND ♪ 937 00:38:46,490 --> 00:38:49,076 OKAY, WHERE'S DAKOTA? SHE'S SUPPOSED TO BE IN THIS. 938 00:38:49,160 --> 00:38:51,704 YOU TAKE STAGE RIGHT, I GOT STAGE LEFT. 939 00:38:51,787 --> 00:38:54,206 ♪ NEVER KNOWING WHICH WAY WE'RE GOING ♪ 940 00:38:54,290 --> 00:38:58,044 ♪ BABY, GET ME FROM THE COLD, I'M FROZEN ♪ 941 00:38:58,127 --> 00:39:00,087 WHERE'S DAKOTA? WHERE'S DAKOTA? HAVE YOU SEEN HER? 942 00:39:00,171 --> 00:39:01,714 Woman: I DON'T KNOW. I HAVEN'T SEEN HER. 943 00:39:01,797 --> 00:39:04,091 Dakota: PLEASE! LET ME GO! [ SCREAMS ] 944 00:39:04,175 --> 00:39:06,719 Dancer: WHAT'S GOING ON? [ DANCERS SCREAMING ] 945 00:39:08,763 --> 00:39:10,097 [ GUN COCKS ] [ GASPS ] 946 00:39:10,181 --> 00:39:11,932 Jane: GUSANO, LET HER GO! 947 00:39:12,016 --> 00:39:13,350 Dakota: PLEASE! 948 00:39:13,434 --> 00:39:16,353 IT'S OKAY, HONEY. COME ON. EVERYTHING'S GONNA BE FINE. 949 00:39:16,437 --> 00:39:18,397 IT'S OVER, GUSANO. LET DAKOTA GO. 950 00:39:18,481 --> 00:39:19,982 SHE'S MY DAUGHTER! 951 00:39:20,066 --> 00:39:22,026 BACK OFF, ALL OF YOU... 952 00:39:22,109 --> 00:39:24,862 AND SHE WON'T GET HURT. 953 00:39:24,945 --> 00:39:26,113 I JUST WANT WHAT'S MINE! 954 00:39:26,197 --> 00:39:27,656 SKIP, STAY BACK! 955 00:39:27,740 --> 00:39:29,867 Jane: NO, SKIP! LET GO OF HER! 956 00:39:36,749 --> 00:39:39,085 [ GUN CLATTERS ] 957 00:39:40,544 --> 00:39:42,379 Whitmore: WE NEED AN AMBULANCE. 958 00:39:42,463 --> 00:39:44,423 WE'RE AT THE TOURRAINE, SIR. PUSH IT! 959 00:39:45,883 --> 00:39:47,968 OH, PLEASE DON'T LET HIM DIE, TOO! 960 00:39:48,052 --> 00:39:50,846 [ GROANS ] Jane: OKAY, BABY, LET ME HELP HIM, OKAY? 961 00:39:50,930 --> 00:39:52,640 JUST LET ME HELP HIM. PUT YOUR HAND THERE. 962 00:39:52,723 --> 00:39:53,808 IT'S ALL RIGHT. 963 00:39:53,891 --> 00:39:55,351 IT'S OKAY, SWEETHEART. 964 00:39:55,434 --> 00:39:57,103 JUST PUT YOUR HAND THERE. IT'S OKAY. 965 00:39:57,186 --> 00:39:59,105 [ SIREN WAILING ] YOU'RE GONNA BE ALL RIGHT. 966 00:39:59,188 --> 00:40:02,566 JUST HANG ON, OKAY? IT'S OKAY. 967 00:40:07,113 --> 00:40:09,281 [ SOFT ROCK MUSIC PLAYS ] 968 00:40:09,365 --> 00:40:10,658 MMM. 969 00:40:10,741 --> 00:40:13,119 [ DOOR OPENS ] MM. 970 00:40:14,662 --> 00:40:16,997 YOU REALLY SHOULD LIMIT YOUR RED-MEAT CONSUMPTION. 971 00:40:17,081 --> 00:40:20,835 I'M GONNA EAT WHATEVER I WANT, WHENEVER I WANT FROM NOW ON. 972 00:40:20,918 --> 00:40:22,128 LIFE IS TOO SHORT. 973 00:40:22,211 --> 00:40:24,004 I THOUGHT THE GIRL'S FATHER WAS OKAY. 974 00:40:24,088 --> 00:40:26,340 MM. HE IS. HE GOT LUCKY. 975 00:40:26,423 --> 00:40:28,676 HE'LL BE OUT OF THE HOSPITAL IN A FEW DAYS. 976 00:40:28,759 --> 00:40:30,094 I, HOWEVER, AM STILL RECOVERING. 977 00:40:30,177 --> 00:40:32,888 IT LOOKS DELICIOUS. MAYBE JUST A BITE. 978 00:40:32,972 --> 00:40:34,765 [ UTENSILS CLINK, DOOR OPENS ] 979 00:40:34,849 --> 00:40:36,058 NO, MAURA, COME ON! 980 00:40:36,142 --> 00:40:37,685 THAT'S NOT A BITE. THAT'S HALF MY BURGER! 981 00:40:37,768 --> 00:40:39,520 GOOD NEWS. I'VE JUST COME FROM THE HOSPITAL. 982 00:40:39,603 --> 00:40:41,730 GERRY KINCAID REGAINED CONSCIOUSNESS. HE'S GONNA MAKE IT. 983 00:40:41,814 --> 00:40:43,482 THAT'S NOT GOOD NEWS. THAT'S EXCELLENT NEWS. 984 00:40:43,566 --> 00:40:45,359 AND HOW'S JOSH? 985 00:40:45,442 --> 00:40:47,820 CAVANAUGH'S CHARGING HIM WITH B&E, LIKE HE SHOULD. 986 00:40:47,903 --> 00:40:49,488 OH, I BELIEVE THE PARENTING BOOKS 987 00:40:49,572 --> 00:40:50,990 CALL THAT "TOUGH LOVE," DAD. 988 00:40:51,073 --> 00:40:52,783 YEAH, I DIDN'T TELL HIM THE D.A. IS NOT GONNA PROSECUTE 989 00:40:52,867 --> 00:40:55,578 BECAUSE HE'S TESTIFYING AGAINST HIS SCUMBAG FRIEND GAVIN. 990 00:40:55,661 --> 00:40:58,372 WELL, I HOPE A FORMER FRIEND. 991 00:40:58,455 --> 00:40:59,748 MAURA'S EATING ALL OF MY BURGER. 992 00:40:59,832 --> 00:41:01,542 I'M GONNA ORDER ANOTHER ONE. YOU WANT ONE? 993 00:41:01,625 --> 00:41:03,794 NO, THANKS. I'M, UH... 994 00:41:03,878 --> 00:41:05,296 MEETING MELODY. 995 00:41:06,755 --> 00:41:08,841 OOOOOOH! 996 00:41:08,924 --> 00:41:10,551 [ MAURA LAUGHS ] 997 00:41:10,634 --> 00:41:11,886 [ DOOR OPENS ] 998 00:41:11,969 --> 00:41:13,888 OH, UH, DO YOU THINK THAT MAYBE LATER 999 00:41:13,971 --> 00:41:15,556 YOU CAN HELP ME WORK ON MY JAB? 1000 00:41:15,639 --> 00:41:17,349 YEAH, I PROMISE TO TEACH YOU SELF-DEFENSE 1001 00:41:17,433 --> 00:41:19,018 IF YOU PROMISE NOT TO PUNCH LIKE A GIRL. 1002 00:41:19,101 --> 00:41:22,980 WH-- I DON'T PUNCH LIKE A GIRL. YEAH, YOU DO. MMM! 1003 00:41:23,063 --> 00:41:25,441 I'M GONNA GET SOME FRIES. YOU WANT AN ORDER? NO. 1004 00:41:26,734 --> 00:41:28,068 YES, I -- I'LL JUST HAVE ONE OR TWO. 1005 00:41:28,152 --> 00:41:29,904 YOU'RE GETTING YOUR OWN ORDER. 1006 00:41:29,987 --> 00:41:31,822 ARE YOU GONNA ORDER SOME DESSERT, TOO? 1007 00:41:31,906 --> 00:41:34,033 YOU EAT LIKE A BOTTOMLESS PIT. 1008 00:41:34,116 --> 00:41:36,744 YES, WE'LL GET DESSERT, TOO.