1 00:00:00,724 --> 00:00:02,968 - MY ART CLASS IS GOING TO ITALY FOR A MONTH. 2 00:00:03,072 --> 00:00:04,314 I'VE DECIDED THAT I WANT TO GO... 3 00:00:04,418 --> 00:00:05,384 BY MYSELF. 4 00:00:05,488 --> 00:00:07,421 - YOU DON'T THINK THAT I SHOULD GET MARRIED. 5 00:00:07,524 --> 00:00:08,905 - I DON'T THINK YOU SHOULD GET MARRIED, 6 00:00:09,009 --> 00:00:10,527 BUT IT DOESN'T MEAN THAT I'M NOT GOING 7 00:00:10,631 --> 00:00:11,390 TO SUPPORT YOU IN THIS. 8 00:00:11,494 --> 00:00:12,391 - THAT REALLY HURT MY FEELINGS... 9 00:00:12,495 --> 00:00:13,944 - I TRUST YOU, AND I BELIEVE IN YOU. 10 00:00:14,048 --> 00:00:16,982 CAN WE PLEASE DO THIS TOGETHER? 11 00:00:17,086 --> 00:00:19,985 - I KNOW I WAS A REALLY GOOD SALESMAN. 12 00:00:20,089 --> 00:00:22,884 I'M JUST NOT SO SURE I'M A GOOD FATHER. 13 00:00:22,988 --> 00:00:24,334 - YEAH. 14 00:00:24,438 --> 00:00:26,336 - YOU'VE BEEN DOING SUCH A GOOD JOB WITH THESE TWO, 15 00:00:26,440 --> 00:00:29,374 AND I COULDN'T BE ABLE TO DO WHAT I'M DOING WITHOUT YOU. 16 00:00:29,477 --> 00:00:31,893 THANK YOU. 17 00:00:31,997 --> 00:00:33,136 - I LIKE YOU. 18 00:00:33,240 --> 00:00:35,035 LIKE, MORE THAN JUST FRIENDS. 19 00:00:35,138 --> 00:00:36,243 - OH. 20 00:00:40,661 --> 00:00:43,595 [knocking] 21 00:00:47,012 --> 00:00:49,911 - HEY. 22 00:00:50,015 --> 00:00:51,120 - HEY, YOU. 23 00:00:51,223 --> 00:00:53,329 - WHAT'S UP? 24 00:00:53,432 --> 00:00:55,607 YOU NEED MY ASTRONOMY NOTES OR SOMETHING? 25 00:00:55,710 --> 00:00:57,436 - NO. 26 00:00:57,540 --> 00:00:58,334 UM... 27 00:00:58,437 --> 00:01:00,198 I MIGHT BE A LITTLE DRUNK. 28 00:01:00,301 --> 00:01:01,889 - YEAH? - LIKE A LITTLE. 29 00:01:01,992 --> 00:01:03,028 - I'M GETTING THAT, ACTUALLY. 30 00:01:03,132 --> 00:01:04,892 YEAH, THAT MAKES SENSE. 31 00:01:04,995 --> 00:01:08,309 DO YOU NEED SOMEWHERE TO CRASH? 32 00:01:08,413 --> 00:01:08,930 - IS YOUR ROOMMATE HERE? 33 00:01:09,034 --> 00:01:12,934 - NO, HE IS NOT. 34 00:01:13,038 --> 00:01:15,178 - YOUR HAIR IS ALL MESSED UP. 35 00:01:15,282 --> 00:01:17,111 - YEAH, I WASN'T EXPECTING YOU TO... 36 00:01:22,703 --> 00:01:24,946 ACTUALLY... 37 00:01:25,050 --> 00:01:27,363 YOU'VE BEEN DRINKING, YOU KNOW. 38 00:01:27,466 --> 00:01:29,813 YOU MIGHT NOT KNOW WHAT YOU'RE DOING. 39 00:01:29,917 --> 00:01:31,091 I DON'T WANT-- 40 00:01:44,518 --> 00:01:45,553 - HEY, HEY. 41 00:01:45,657 --> 00:01:47,693 TURN MY VOCAL UP. 42 00:01:47,797 --> 00:01:52,422 - OH, BOY. 43 00:01:52,526 --> 00:01:53,320 - FORGET IT. 44 00:01:53,423 --> 00:01:54,838 JUST PUT IT BACK WHERE IT WAS. 45 00:01:54,942 --> 00:02:00,258 - OH, BOY. 46 00:02:00,361 --> 00:02:01,569 - STOP. STOP. 47 00:02:01,673 --> 00:02:04,193 STOP. STOP. 48 00:02:04,296 --> 00:02:05,194 NOT FEELING IT. 49 00:02:05,297 --> 00:02:07,334 NOT FEELING IT. 50 00:02:07,437 --> 00:02:09,370 - WHAT EXACTLY AREN'T YOU FEELING? 51 00:02:09,474 --> 00:02:10,578 - WELL, IF I KNEW THAT, 52 00:02:10,682 --> 00:02:13,133 THEN I'D BE FEELING IT, WOULDN'T I? 53 00:02:13,236 --> 00:02:14,513 - I CANNOT ARGUE THAT POINT. 54 00:02:14,617 --> 00:02:15,997 DO YOU WANT TO, MAYBE, TAKE TEN, 55 00:02:16,101 --> 00:02:17,067 AND RECHARGE YOUR BATTERIES, 56 00:02:17,171 --> 00:02:19,311 AND WE'LL COME AND TRY IT AGAIN? 57 00:02:19,415 --> 00:02:21,175 - NO, I DON'T NEED TO RECHARGE MY BATTERIES, BRO. 58 00:02:21,279 --> 00:02:23,212 THIS IS NOT OLIVER ROME'S FAULT RIGHT NOW. 59 00:02:23,315 --> 00:02:25,662 IT SOUNDS DIFFERENT THAN WHEN WE LEFT IT LAST NIGHT. 60 00:02:25,766 --> 00:02:26,836 IT SOUNDS WAY DIFFERENT. 61 00:02:26,939 --> 00:02:28,320 - DO YOU WANT TO COME IN, AND HEAR THE PLAYBACK? 62 00:02:28,424 --> 00:02:29,528 BECAUSE I BET YOU'LL CHANGE YOUR TUNE. 63 00:02:29,632 --> 00:02:30,943 - IT'S NOT GOING TO SOUND ANY DIFFERENT 64 00:02:31,047 --> 00:02:33,636 BECAUSE THIS SOUNDS LIKE YOU SLEPT ON THE BOARD LAST NIGHT, 65 00:02:33,739 --> 00:02:35,016 AND EVERYTHING SOUNDS DIFFERENT. 66 00:02:35,120 --> 00:02:36,397 - OH, I'M THE ONE THAT'S HALF ASLEEP. 67 00:02:36,501 --> 00:02:37,709 - YEAH, YEAH, YEAH. 68 00:02:37,812 --> 00:02:39,469 YOU THINK JUST 'CAUSE YOU'RE PUSHING BUTTONS-- 69 00:02:39,573 --> 00:02:40,643 - I THINK ALL THE TONES SOUNDS LIKE CRAP. 70 00:02:40,746 --> 00:02:41,091 - WHOSE FAULT COULD THIS BE, OTHER THAN YOURS? 71 00:02:41,195 --> 00:02:43,301 - FUN, RIGHT? 72 00:02:43,404 --> 00:02:46,131 - I HOPE YOU WEREN'T PLANNING ON SLEEP TONIGHT. 73 00:02:46,235 --> 00:02:47,477 - ARE YOU FREAKING SERIOUS RIGHT NOW? 74 00:02:47,581 --> 00:02:50,480 - OH, ROME LOST THE PORKPIE. THAT'S NOT A GOOD SIGN. 75 00:02:50,584 --> 00:02:51,964 - YOU KNOW THIS? YOU SEE THIS? THIS IS HAPPENING RIGHT NOW. 76 00:02:52,068 --> 00:02:53,311 - YOU KNOW I'M HAVING A HARD TIME. 77 00:02:53,414 --> 00:02:55,554 - "CROSBY, I'M AFRAID MY SONGS SUCK. 78 00:02:55,658 --> 00:02:57,487 AND MY FRAGILE EGO, IT CAN'T HANDLE THAT." 79 00:02:57,591 --> 00:02:59,006 - "AND I'M UPSET BECAUSE I HAVE A DEMONIC BABY AT HOME, 80 00:02:59,109 --> 00:03:00,939 AND I HAVEN'T SLEPT FOR SEVEN DAYS." 81 00:03:01,042 --> 00:03:04,080 - "I NEED TO GET LAID, MAN. WHAT'S GOING ON WITH MY LIFE?" 82 00:03:04,184 --> 00:03:05,978 - OH, MY GOD. IT'S GETTING SERIOUS. 83 00:03:06,082 --> 00:03:07,256 I SHOULD GET IN THERE. 84 00:03:07,359 --> 00:03:08,843 - YEAH, ALL RIGHT. 85 00:03:08,947 --> 00:03:10,569 WELL, GOOD LUCK. 86 00:03:10,673 --> 00:03:13,365 - WHATEVER, THIS IS MY STUDIO RIGHT NOW! 87 00:03:19,164 --> 00:03:20,269 - AH. 88 00:03:26,620 --> 00:03:28,725 [sighs] 89 00:03:40,116 --> 00:03:43,602 - HEY, IT'S YOUR PARTNER IN CRIME. 90 00:03:43,706 --> 00:03:45,501 SO GUESS WHO JUST BESTED YOU 91 00:03:45,604 --> 00:03:47,227 FOR THE SHORTEST REJECTION EMAIL YET? 92 00:03:47,330 --> 00:03:51,300 "PER YOUR INQUIRY, THE POSITION HAS BEEN FILLED." 93 00:03:51,403 --> 00:03:53,060 YEAH, YOU CAN FEEL THE LOVE THERE, CAN'T YOU? 94 00:03:53,163 --> 00:03:56,477 ANYWAY, IT MADE ME THINK OF YOU 95 00:03:56,581 --> 00:03:59,756 SO JUST THOUGHT I'D CALL. 96 00:03:59,860 --> 00:04:00,999 OKAY? 97 00:04:01,102 --> 00:04:02,414 OKAY. 98 00:04:02,518 --> 00:04:03,450 BYE. 99 00:04:11,492 --> 00:04:14,184 HEY, IT'S YOUR PARTNER IN CRIME. 100 00:04:14,288 --> 00:04:16,083 SO GUESS WHO JUST BESTED YOU 101 00:04:16,186 --> 00:04:18,672 FOR THE SHORTEST REJECTION EMAIL YET? 102 00:04:27,853 --> 00:04:28,785 - HEY. 103 00:04:28,889 --> 00:04:29,786 WHAT ARE YOU DOING HERE? 104 00:04:29,890 --> 00:04:31,167 IS EVERYTHING OKAY? 105 00:04:31,271 --> 00:04:33,618 - YEAH, YEAH. NO, EVERYTHING'S FINE. 106 00:04:33,721 --> 00:04:35,930 I JUST, I DON'T KNOW, I WAS AT HOME, AND YOU WERE HERE, 107 00:04:36,034 --> 00:04:40,314 AND I WAS FEELING LIKE WE WEREN'T CONNECTING. 108 00:04:40,418 --> 00:04:41,281 - YEAH. - YEAH. 109 00:04:41,384 --> 00:04:43,041 - YEAH. 110 00:04:43,144 --> 00:04:46,286 I KNOW WORKING LATE IS NOT IDEAL, BUT, YOU KNOW, 111 00:04:46,389 --> 00:04:50,255 UNTIL I GET OUT FROM UNDER THIS PILE, 112 00:04:50,359 --> 00:04:52,775 I GOT TO KEEP UP WITH IT, SO-- 113 00:04:52,878 --> 00:04:54,086 IT'S SOMETHING WE CAN TALK ABOUT, 114 00:04:54,190 --> 00:04:55,329 BUT THERE'S NO OTHER WAY FOR ME 115 00:04:55,433 --> 00:04:58,228 TO GET OUT FROM UNDER ALL OF THIS MESS. 116 00:04:58,332 --> 00:05:02,992 - I DIDN'T COME HERE TO TALK. 117 00:05:06,306 --> 00:05:09,101 - NO, YOU DIDN'T. 118 00:05:09,205 --> 00:05:12,208 UH, WOW. THIS IS A FIRST. 119 00:05:12,312 --> 00:05:13,830 - I MEAN, IF YOU DON'T HAVE TIME... 120 00:05:13,934 --> 00:05:15,867 - NO, NO, I HAVE THE TIME. - OKAY. 121 00:05:15,970 --> 00:05:19,111 - OKAY, LET ME JUST BE SURE THAT'S-- 122 00:05:31,158 --> 00:05:32,124 - OOH, OW. 123 00:05:32,228 --> 00:05:33,643 - I'M SORRY, I JUST-- 124 00:05:33,747 --> 00:05:35,127 - NO, NO, IT'S FINE, IT'S FINE, IT'S FINE. 125 00:05:35,231 --> 00:05:37,129 - YEAH. - YEAH. 126 00:05:52,006 --> 00:05:54,492 ♪ MAY GOD BLESS AND KEEP YOU ALWAYS ♪ 127 00:05:54,595 --> 00:05:57,149 ♪ AND MAY YOUR WISHES ALL COME TRUE ♪ 128 00:05:57,253 --> 00:05:59,462 ♪ MAY YOU ALWAYS DO FOR OTHERS ♪ 129 00:05:59,566 --> 00:06:01,015 ♪ AND LET OTHERS DO FOR YOU 130 00:06:01,119 --> 00:06:04,571 ♪ MAY YOU BUILD A LADDER TO THE STARS ♪ 131 00:06:04,674 --> 00:06:06,918 ♪ AND CLIMB ON EVERY RUNG 132 00:06:07,021 --> 00:06:08,229 ♪ AND MAY YOU STAY 133 00:06:08,333 --> 00:06:11,612 ♪ FOREVER YOUNG 134 00:06:11,716 --> 00:06:14,235 ♪ MAY YOU GROW UP TO BE RIGHTEOUS ♪ 135 00:06:14,339 --> 00:06:16,514 ♪ MAY YOU GROW UP TO BE TRUE ♪ 136 00:06:16,617 --> 00:06:18,239 ♪ MAY YOU ALWAYS KNOW THE TRUTH ♪ 137 00:06:18,343 --> 00:06:21,242 ♪ AND SEE THE LIGHTS SURROUNDING YOU ♪ 138 00:06:21,346 --> 00:06:23,244 ♪ MAY YOU ALWAYS BE COURAGEOUS ♪ 139 00:06:23,348 --> 00:06:26,178 ♪ STAND UPRIGHT AND BE STRONG ♪ 140 00:06:26,282 --> 00:06:28,111 ♪ AND MAY YOU STAY 141 00:06:28,215 --> 00:06:31,011 ♪ FOREVER YOUNG 142 00:06:31,114 --> 00:06:32,288 ♪ MAY YOU STAY 143 00:06:32,392 --> 00:06:34,463 ♪ FOREVER YOUNG 144 00:06:48,994 --> 00:06:49,892 - GOOD MORNING. 145 00:06:49,995 --> 00:06:52,377 - MM. 146 00:06:52,481 --> 00:06:56,070 - SO, UM, THAT WAS FUN LAST NIGHT. 147 00:06:56,174 --> 00:06:58,038 - GOD, I'M SO HUNG OVER. 148 00:06:58,141 --> 00:06:59,211 - ARE YOU ALL RIGHT? 149 00:06:59,315 --> 00:07:00,109 - ARE YOU WAITING FOR ONE OF THESE? 150 00:07:00,212 --> 00:07:02,180 - NO, YOU CAN GO AHEAD. - GREAT, THANK YOU. 151 00:07:07,288 --> 00:07:09,394 - [sighs] 152 00:07:09,498 --> 00:07:12,224 OKAY, WELL, HAVE A GOOD DAY, I GUESS. 153 00:07:12,328 --> 00:07:16,539 - MM. 154 00:07:16,643 --> 00:07:19,162 - AND I PICKED UP YOUR PRESCRIPTIONS, SO... 155 00:07:19,266 --> 00:07:20,267 - WELL, HOW COME I NEED TWO BOXES? 156 00:07:20,370 --> 00:07:21,544 WHAT, AM I GETTING WORSE? 157 00:07:21,648 --> 00:07:23,028 - NO, I JUST PICKED UP ANOTHER ONE 158 00:07:23,132 --> 00:07:24,582 SO YOU WOULDN'T HAVE TO THINK ABOUT REFILLING THEM. 159 00:07:24,685 --> 00:07:25,824 - OH. THANKS. 160 00:07:25,928 --> 00:07:26,238 - HERE, SIT DOWN FOR A MINUTE. 161 00:07:26,342 --> 00:07:29,310 - OKAY. 162 00:07:29,414 --> 00:07:31,658 - THIS IS AMEX. - YEAH. 163 00:07:31,761 --> 00:07:32,728 - MORTGAGE. - OKAY. 164 00:07:32,831 --> 00:07:34,419 - AND I MADE A CHEAT SHEET FOR YOU. 165 00:07:34,523 --> 00:07:36,110 ALL THE NUMBERS YOU COULD POSSIBLY NEED. 166 00:07:36,214 --> 00:07:39,493 THE HOTEL, OF COURSE, WHERE I'LL BE STAYING. 167 00:07:39,597 --> 00:07:41,564 THE ART SCHOOL. 168 00:07:41,668 --> 00:07:43,117 THE BRUNSKY'S. - WHO? 169 00:07:43,221 --> 00:07:44,325 - THE BRUNSKY'S. 170 00:07:44,429 --> 00:07:46,086 - BRUNSKY'S? - OUR NEIGHBORS. 171 00:07:46,189 --> 00:07:47,087 NEXT DOOR. 172 00:07:47,190 --> 00:07:49,917 - OH, HUH. 173 00:07:50,021 --> 00:07:50,849 THIS IS VERY NICE. 174 00:07:50,953 --> 00:07:51,850 - ALL THE NUMBERS ARE HERE. 175 00:07:51,954 --> 00:07:53,507 EVERYTHING YOU COULD POSSIBLY NEED, 176 00:07:53,611 --> 00:07:54,577 EXCEPT FOR THE ALARM CODE, 177 00:07:54,681 --> 00:07:56,337 WHICH YOU HAVE IN YOUR HEAD, RIGHT? 178 00:07:56,441 --> 00:07:57,477 - GIVE ME A HINT. 179 00:07:57,580 --> 00:08:01,066 - OUR ANNIVERSARY. 180 00:08:01,170 --> 00:08:03,862 - OH. 181 00:08:03,966 --> 00:08:07,245 - SO, YOU'RE ALL SET, YOU KNOW. 182 00:08:07,348 --> 00:08:08,557 - THANKS, HONEY. 183 00:08:08,660 --> 00:08:10,973 I'M ALL SET. 184 00:08:11,076 --> 00:08:13,423 - 'CAUSE YOU'RE GONNA BE HERE ALL BY YOURSELF. 185 00:08:13,527 --> 00:08:14,183 - YEAH, I'LL BE FINE. 186 00:08:14,286 --> 00:08:15,218 OKAY? 187 00:08:20,569 --> 00:08:22,847 - ALL RIGHT. ALL RIGHT, "MAD MAX." 188 00:08:22,950 --> 00:08:23,710 THIS IS GOOD. 189 00:08:23,813 --> 00:08:24,745 LET'S TRY THE 100 MACRO 190 00:08:24,849 --> 00:08:26,091 WITH THE LENS HOOD NOW. 191 00:08:26,195 --> 00:08:27,230 - 100 MACRO WITH LENS HOOD. 192 00:08:42,729 --> 00:08:47,181 WHY IS THERE A PICTURE OF AUNT SARAH IN HERE? 193 00:08:47,285 --> 00:08:49,563 - WHY ARE YOU IN THERE, MAX? 194 00:08:49,667 --> 00:08:51,427 COME ON, HUH. YOU GOTTA STAY OUT OF MY STUFF. 195 00:08:51,531 --> 00:08:52,980 - YOU TOLD ME TO GET A LENS HOOD. 196 00:08:53,084 --> 00:08:54,844 - YEAH, I DID. 197 00:08:54,948 --> 00:08:56,052 LENS HOOD. 198 00:08:56,156 --> 00:08:58,365 COME ON, LET'S GO. WE'RE ALMOST DONE. 199 00:08:58,468 --> 00:08:59,435 - I SAW A MOVIE ABOUT A SERIAL KILLER. 200 00:08:59,539 --> 00:09:01,333 HE KEPT HIDDEN PICTURES TOO. 201 00:09:01,437 --> 00:09:02,369 - THEY'RE NOT HIDDEN. 202 00:09:02,472 --> 00:09:04,026 - ONLY HE HID THEM UNDER HIS BED. 203 00:09:04,129 --> 00:09:05,061 - OKAY, THEY WEREN'T HIDDEN, MAX. THEY'RE IN A DRAWER. 204 00:09:05,165 --> 00:09:08,617 - SERIAL KILLERS ARE 91% MALE, 54 WHITE. 205 00:09:08,720 --> 00:09:10,550 THEIR AVERAGE I.Q. IS 113, 206 00:09:10,653 --> 00:09:13,483 WHICH IS CONSIDERED ABOVE AVERAGE INTELLIGENCE. 207 00:09:13,587 --> 00:09:15,416 YOU'RE WHITE AND MALE AND SMART, 208 00:09:15,520 --> 00:09:16,659 SO YOU COULD BE A SERIAL KILLER. 209 00:09:16,763 --> 00:09:18,592 - I'M NOT A SERIAL KILLER, MAX. 210 00:09:18,696 --> 00:09:20,249 - OKAY. - OKAY. 211 00:09:20,352 --> 00:09:22,389 YOU GOTTA STOP WITH ALL THE STATS AND EVERYTHING. 212 00:09:22,492 --> 00:09:24,391 THAT'S FROM THE INTERNET. 213 00:09:24,494 --> 00:09:25,875 YOU'RE ON THE INTERNET WAY TOO MUCH. 214 00:09:25,979 --> 00:09:28,568 THAT WIKIPEDIA, IT'S-- UNPLUG ONCE IN A WHILE. 215 00:09:28,671 --> 00:09:31,709 YOU SHOULD GO OUTSIDE. YOU'RE PALE, TOO. 216 00:09:31,812 --> 00:09:33,503 GET SOME SUN. 217 00:09:33,607 --> 00:09:34,435 - DO YOU STILL LIKE HER? 218 00:09:34,539 --> 00:09:35,851 - NO. 219 00:09:35,954 --> 00:09:37,646 NO, I LIKE HER AS A FRIEND. 220 00:09:37,749 --> 00:09:38,923 - IF YOU DON'T LIKE HER, 221 00:09:39,026 --> 00:09:40,510 THEN WHY DON'T YOU THROW THE PICTURE AWAY? 222 00:09:40,614 --> 00:09:41,477 - BECAUSE IT'S A GOOD PICTURE 223 00:09:41,581 --> 00:09:43,548 AND MAYBE I JUST WANT TO KEEP IT. 224 00:09:43,652 --> 00:09:45,550 - BECAUSE YOU LIKE HER. - NO, MAX! 225 00:09:45,654 --> 00:09:47,828 - WELL, NOW YOU'RE RAISING YOUR VOICE 226 00:09:47,932 --> 00:09:49,485 WHICH MEANS YOU'RE ANGRY OR FRUSTRATED. 227 00:09:49,589 --> 00:09:54,007 - I'M NOT ANGRY. I'M FRUSTRATED, MAYBE, YEAH. 228 00:09:54,110 --> 00:09:57,493 LOOK, MAX, YOUR AUNT SARAH AND I, 229 00:09:57,597 --> 00:09:59,495 YEAH, WE DID LIKE EACH OTHER ONCE, 230 00:09:59,599 --> 00:10:02,912 AND THEN WE STOPPED, AND THAT'S WHAT HAPPENS. 231 00:10:03,016 --> 00:10:05,397 IT'S ADULT STUFF, AND IT'S MESSY, AND IT'S WEIRD. 232 00:10:05,501 --> 00:10:07,848 WE WERE DIFFERENT PEOPLE. 233 00:10:07,952 --> 00:10:10,092 I'M CRANKY. SHE'S FLAKY. 234 00:10:10,195 --> 00:10:11,438 WE BOTH HAD BAGGAGE. 235 00:10:11,541 --> 00:10:13,302 IT DIDN'T WORK OUT, THAT'S THE POINT. 236 00:10:13,405 --> 00:10:15,960 - BAGGAGE? - YEAH, BAGGAGE. 237 00:10:16,063 --> 00:10:17,168 BAGGAGE. 238 00:10:17,271 --> 00:10:18,376 THAT'S THE STUFF YOU BRING INTO A RELATIONSHIP, 239 00:10:18,479 --> 00:10:21,137 IF YOU WANT TO RUIN IT. 240 00:10:21,241 --> 00:10:23,243 - THAT DOESN'T MAKE ANY SENSE. SUITCASES ARE FOR TRIPS. 241 00:10:23,346 --> 00:10:25,003 - THAT'S RIGHT, EXACTLY RIGHT. IT'S A TRIP. 242 00:10:25,107 --> 00:10:29,076 IT'S A LONG TRIP WITH A BIG SUITCASE 243 00:10:29,180 --> 00:10:30,491 FILLED WITH PAIN. 244 00:10:30,595 --> 00:10:31,872 - THAT SOUNDS LIKE A METAPHOR. 245 00:10:31,976 --> 00:10:33,253 I DON'T LIKE METAPHORS. 246 00:10:33,356 --> 00:10:36,049 - ALL RIGHT, WELL, THEN STAY OUT OF MY DRAWERS. 247 00:10:41,295 --> 00:10:42,642 - DOES AUNT SARAH HAVE PICTURES OF YOU? 248 00:10:42,745 --> 00:10:45,679 - [groans] YOU'RE KILLING ME. 249 00:10:45,783 --> 00:10:46,784 - ALL RIGHT, GUYS, EAT UP. COME GET YOUR TREAT. 250 00:10:46,887 --> 00:10:48,406 - MAN, YOU'RE GOOD. THANKS. 251 00:10:48,509 --> 00:10:50,511 - WE JUST THINK ABOUT LUNCH AND, BOOM, IT APPEARS. 252 00:10:50,615 --> 00:10:52,617 - THAT'S RIGHT, I'M A MAGICIAN OF FOOD. 253 00:10:52,721 --> 00:10:53,791 - NO PINE NUTS IN THIS? 254 00:10:53,894 --> 00:10:54,584 - I WOULD RATHER DIE THAN LET THERE BE 255 00:10:54,688 --> 00:10:56,690 A PINE NUT IN YOUR SALAD. 256 00:10:56,794 --> 00:10:57,933 - I WOULD KILL YOU. 257 00:10:58,036 --> 00:10:58,588 - YOU KNOW, I ALSO HAND PICKED THE STRAWBERRIES 258 00:10:58,692 --> 00:11:00,452 IN HUMBOLDT THIS MORNING. 259 00:11:00,556 --> 00:11:02,178 - YOU LIVE FOR THIS, DON'T YOU? 260 00:11:02,282 --> 00:11:05,009 - YES, YOUR DIGESTIVE HABITS ARE MY LIFE. 261 00:11:05,112 --> 00:11:06,148 - RIGHT? 262 00:11:06,251 --> 00:11:07,805 - THINK ABOUT IT WHEN I GO TO SLEEP AT NIGHT. 263 00:11:07,908 --> 00:11:09,358 - YOU KNOW, EVERY BAND NEEDS AN AMBER, 264 00:11:09,461 --> 00:11:10,531 THAT'S WHAT I THINK. 265 00:11:10,635 --> 00:11:12,775 - YEAH, SIGN ME UP FULL TIME. FULL TIME. 266 00:11:12,879 --> 00:11:13,949 - TWO OF 'EM. - YEAH. ALL THE TIME. 267 00:11:14,052 --> 00:11:14,881 - YEAH. 268 00:11:14,984 --> 00:11:16,399 YEAH. - LOOK AT THIS GUY. 269 00:11:16,503 --> 00:11:18,574 - YEAH, YOU NEED TO, OBVIOUSLY. - YOU HAVE A FUNNY MACHINE? 270 00:11:18,678 --> 00:11:20,162 WE COULD USE A FUNNY MACHINE, ACTUALLY. 271 00:11:20,265 --> 00:11:21,715 - THAT WOULD BE NICE. - THAT'D BE REAL NICE. 272 00:11:21,819 --> 00:11:23,406 - HI, HONEY. 273 00:11:23,510 --> 00:11:24,614 - HEY, RAMBO. 274 00:11:24,718 --> 00:11:25,650 - OLIVER... - COME IN PEACE. 275 00:11:25,754 --> 00:11:26,651 - YOU GOT A SECOND? - FREEDOM. 276 00:11:26,755 --> 00:11:28,480 - YOU GUYS, CAN WE TALK? - YEAH. 277 00:11:28,584 --> 00:11:29,689 - GIVE IT A BREAK. 278 00:11:29,792 --> 00:11:30,690 HI, SORRY. 279 00:11:30,793 --> 00:11:31,760 HE'S THE WORST. 280 00:11:31,863 --> 00:11:34,383 - SO, I JUST TALKED TO FRANKLIN, 281 00:11:34,486 --> 00:11:35,867 AND HE'S GONNA DO IT. 282 00:11:35,971 --> 00:11:37,697 HE SAID HE'D COME UP FROM L.A. ANY TIME WE WANT TO, 283 00:11:37,800 --> 00:11:40,044 AND HE'LL BE OUR WITNESS AT CITY HALL. 284 00:11:40,147 --> 00:11:44,186 - OH, OH. 285 00:11:44,289 --> 00:11:45,566 GOD, THAT'S SO NICE. I'M SO GLAD. 286 00:11:45,670 --> 00:11:47,707 - BUT? 287 00:11:47,810 --> 00:11:49,294 - MY MOM. 288 00:11:49,398 --> 00:11:51,193 AFTER TALKING TO MY MOM, I JUST FEEL LIKE SHE'S GOING 289 00:11:51,296 --> 00:11:52,470 TO WANT TO BE A PART OF IT NOW. 290 00:11:52,573 --> 00:11:54,472 IT WAS A REALLY GOOD CONVERSATION, AND I FEEL LIKE-- 291 00:11:54,575 --> 00:11:56,646 - OH, THAT'S GREAT, I'M GLAD THAT YOUR MOM'S ON BOARD. 292 00:11:56,750 --> 00:11:57,855 THAT'S REALLY IMPORTANT. 293 00:11:57,958 --> 00:11:59,477 - BUT--BUT SO, 294 00:11:59,580 --> 00:12:03,308 I WAS THINKING MAYBE WE COULD HAVE A REAL CEREMONY 295 00:12:03,412 --> 00:12:05,552 NOW THAT THINGS ARE, LIKE, ON BOARD, YOU KNOW? 296 00:12:05,655 --> 00:12:07,002 - YEAH. 297 00:12:07,105 --> 00:12:08,451 - IS THAT OKAY? I MEAN, I DON'T KNOW. 298 00:12:08,555 --> 00:12:10,971 WOULDN'T IT BE SWEET IF WE HAD PICTURES, OR IF WE WANTED... 299 00:12:11,075 --> 00:12:13,353 - I MEAN, I FIGURED ALL THAT STUFF OUT. 300 00:12:13,456 --> 00:12:14,423 - ARE YOU MAD? 301 00:12:14,526 --> 00:12:15,942 I'M SORRY I'M, LIKE, SWITCHING A LOT, BUT-- 302 00:12:16,045 --> 00:12:18,220 - NO, NO, HEY. HEY. WHATEVER YOU WANT TO DO, OKAY? 303 00:12:18,323 --> 00:12:19,635 - [giggles] 304 00:12:19,739 --> 00:12:23,501 - SO WHAT DO YOU WANT TO DO? 305 00:12:23,604 --> 00:12:25,952 - OH, UM... 306 00:12:26,055 --> 00:12:27,712 - I MEAN, LET'S MAKE A PLAN. - YEAH, I DON'T KNOW. 307 00:12:27,816 --> 00:12:28,989 WE SHOULD BOTH SIT DOWN AND-- 308 00:12:29,093 --> 00:12:31,716 - HEY, KITTEN, I NEED A LITTLE SEA SALT ACTION. 309 00:12:31,820 --> 00:12:34,719 - I HAVE TO GO DEAL WITH THIS. I'M SO SORRY. 310 00:12:34,823 --> 00:12:36,134 - YOUR STRAWBERRIES ARE OUT. - OKAY. 311 00:12:36,238 --> 00:12:37,618 WE HAVE THINGS WE NEED TO TALK ABOUT. 312 00:12:37,722 --> 00:12:39,517 - LET'S TALK ABOUT IT WHEN I GET HOME, AND WE'LL GET GOING. 313 00:12:39,620 --> 00:12:40,829 both: OKAY. 314 00:12:40,932 --> 00:12:41,726 - I LOVE YOU TOO. - LOVE YOU, LOVE YOU, BYE. 315 00:12:41,830 --> 00:12:44,902 GOD, LET ME DIG UP SOME SEA SALT. 316 00:12:45,005 --> 00:12:47,387 [groans] - YOU DON'T KISS ME LIKE THAT. 317 00:12:47,490 --> 00:12:47,939 - YEAH, WELL... 318 00:12:48,043 --> 00:12:50,321 [indistinct chatter] 319 00:12:50,424 --> 00:12:52,426 - MOM, THE MASHED POTATOES ARE KILLER. 320 00:12:52,530 --> 00:12:53,427 THEY'RE SO GOOD. - MAX. 321 00:12:53,531 --> 00:12:57,017 MAX, PUT THE CAMERA AWAY. WE'RE EATING HERE. 322 00:12:57,121 --> 00:12:58,743 - JULIA, WHERE'S JOEL? 323 00:12:58,847 --> 00:13:00,745 - JOEL IS-- HE WANTED TO BE HERE 324 00:13:00,849 --> 00:13:02,574 BUT HE'S WORKING LATE AGAIN. 325 00:13:02,678 --> 00:13:03,817 - AGAIN? 326 00:13:03,921 --> 00:13:05,336 - HOW'S "PISTOL PETE" TREATING HIM? 327 00:13:05,439 --> 00:13:09,202 - PETE IS WORKING HIM LATE NIGHTS. 328 00:13:09,305 --> 00:13:13,068 - SHE'S A SLAVE DRIVER. - SHE'S KEEPING HIM ON HIS TOES. 329 00:13:13,171 --> 00:13:15,346 IT'S GOOD. - THAT'S AN AMAZING OPPORTUNITY. 330 00:13:15,449 --> 00:13:16,692 - IT'S AMAZING FOR HIM. 331 00:13:16,796 --> 00:13:20,006 FOR US, YOU KNOW. - OH, YEAH, YEAH. 332 00:13:20,109 --> 00:13:21,386 - OH, MY GOD. I'M CHEWING. 333 00:13:21,490 --> 00:13:23,216 - ALL RIGHT, MAX. NO MORE PICTURES OF AUNT SARAH, MAX. 334 00:13:23,319 --> 00:13:25,011 - HANK HAS A HUGE PICTURE OF AUNT SARAH 335 00:13:25,114 --> 00:13:26,046 THAT HE KEEPS IN HIS DRAWER. 336 00:13:26,150 --> 00:13:27,220 - OKAY. - WHAT? 337 00:13:27,323 --> 00:13:28,738 - WHAT? - WHAT--WHAT'D YOU SAY? 338 00:13:28,842 --> 00:13:30,568 - HOW DRESSED IS SHE IN THIS... 339 00:13:30,671 --> 00:13:31,776 - IT'S BECAUSE HE LIKED YOU, 340 00:13:31,880 --> 00:13:33,191 BUT HE SAYS HE DOESN'T LIKE YOU ANYMORE 341 00:13:33,295 --> 00:13:34,572 BECAUSE YOU'RE FLAKY, AND YOU HAVE BAGGAGE. 342 00:13:34,675 --> 00:13:36,539 - BUDDY, THAT IS NOT APPROPRIATE TALK AT THE DINNER TABLE. 343 00:13:36,643 --> 00:13:39,025 - MAX, THAT'S PERSONAL. - HANK TOLD YOU I HAVE BAGGAGE? 344 00:13:39,128 --> 00:13:41,061 EXCUSE ME. I HAVE BAGGAGE? 345 00:13:41,165 --> 00:13:42,580 WHO HAS BAGGAGE IN THAT SCENARIO? 346 00:13:42,683 --> 00:13:44,409 - AND HE SAYS THAT YOU SHOULDN'T MARRY SOMEONE 347 00:13:44,513 --> 00:13:46,342 WHO HAS BAGGAGE BECAUSE THEY'RE FILLED WITH PAIN. 348 00:13:46,446 --> 00:13:47,550 - I'M SO SORRY. - MAX, THAT'S ALL. 349 00:13:47,654 --> 00:13:48,828 WE'RE DONE. 350 00:13:48,931 --> 00:13:51,244 - FIRST OF ALL, ARE WE HAVING THIS CONVERSATION? 351 00:13:51,347 --> 00:13:52,624 - THIS IS THE GREATEST CONVERSATION 352 00:13:52,728 --> 00:13:54,005 WE'VE HAD IN MONTHS. 353 00:13:54,109 --> 00:13:55,006 I'M SORRY THAT THE BABY'S MISSING IT. 354 00:13:55,110 --> 00:13:56,283 - WHY AM I TALKING? 355 00:13:56,387 --> 00:13:58,354 - ALSO, HANK AND I ARE BEST FRIENDS TOO. 356 00:13:58,458 --> 00:13:59,459 - YOU'RE BEST FRIENDS? 357 00:13:59,562 --> 00:14:01,392 - YEAH, I SPEND MORE TIME WITH HIM AFTER SCHOOL, 358 00:14:01,495 --> 00:14:03,428 THAN ANY ONE PERSON IN SCHOOL, AND I'M HIS ONLY FRIEND, 359 00:14:03,532 --> 00:14:04,395 WHICH MAKES US BEST FRIENDS. 360 00:14:04,498 --> 00:14:05,741 - HONEY, I'M SURE HANK HAS OTHER FRIENDS. 361 00:14:05,845 --> 00:14:07,225 - ACTUALLY, HE DOESN'T. 362 00:14:07,329 --> 00:14:09,607 - HE ALSO CALLS ME A WEIRD NICKNAME CALLED "MAD MAX." 363 00:14:09,710 --> 00:14:11,471 HE EVEN CALLS ME "MAD MAX" WHEN I'M NOT ANGRY, 364 00:14:11,574 --> 00:14:13,473 WHICH IS REALLY WEIRD. - THAT'S NOT A WEIRD NICKNAME. 365 00:14:13,576 --> 00:14:14,715 THAT'S A COOL NICKNAME. - THAT'S A GREAT NICKNAME, MAX. 366 00:14:14,819 --> 00:14:16,717 - WELL, SPEAKING OF BAGGAGE, 367 00:14:16,821 --> 00:14:18,305 I HAVE A LITTLE ANNOUNCEMENT TO MAKE. 368 00:14:18,409 --> 00:14:20,721 - OH? - YES. 369 00:14:20,825 --> 00:14:23,103 MY ART CLASS IS TAKING A TRIP. 370 00:14:23,207 --> 00:14:25,623 - OH, COOL. - WE'RE GOING TO ITALY. 371 00:14:25,726 --> 00:14:27,694 - WHAT? - THAT'S GREAT. 372 00:14:27,797 --> 00:14:29,316 - WOW. - THAT'S GREAT, CAMILLE. 373 00:14:29,420 --> 00:14:31,422 - WELL, IT'S LIKE A RETREAT. A WORKSHOP. 374 00:14:31,525 --> 00:14:33,769 - HOW LONG? - A MONTH. 375 00:14:33,873 --> 00:14:35,426 - DAD, THIS IS LIKE YOUR DREAM VACATION. 376 00:14:35,529 --> 00:14:37,290 IN YOUR SPEEDO, ON THE MEDITERRANEAN, 377 00:14:37,393 --> 00:14:40,155 EATING PASTA WHILE MOM WORKS ALL DAY, 378 00:14:40,258 --> 00:14:41,259 SPILL SOME ON YOUR CHEST-- 379 00:14:41,363 --> 00:14:43,330 - ACTUALLY, DAD'S NOT GOING. - WHAT? 380 00:14:43,434 --> 00:14:46,678 - DAD'S NOT GOING. 381 00:14:46,782 --> 00:14:47,783 - YOU'RE NOT GOING? 382 00:14:47,887 --> 00:14:51,649 - DAD, WHAT'S THE DEAL? 383 00:14:51,752 --> 00:14:53,754 - IT'S JUST YOU? 384 00:14:53,858 --> 00:14:54,755 - JUST ME. 385 00:14:54,859 --> 00:14:59,829 - WHY AREN'T YOU GOING, POP? 386 00:14:59,933 --> 00:15:03,868 - WOULD YOU PASS THE MASHED POTATOES, PLEASE? 387 00:15:03,972 --> 00:15:06,698 - YEP. 388 00:15:06,802 --> 00:15:10,012 - THANK YOU. 389 00:15:10,116 --> 00:15:10,633 - THIS BROCCOLI DISH IS REALLY GOOD. 390 00:15:10,737 --> 00:15:11,669 - YES. 391 00:15:22,680 --> 00:15:23,888 - HI. 392 00:15:23,992 --> 00:15:27,133 - UH-OH. WHAT'S THIS ONE GONNA COST ME? 393 00:15:27,236 --> 00:15:28,099 - WHAT? - WHAT DO YOU NEED NOW? 394 00:15:28,203 --> 00:15:29,929 - I'M NOT HERE TO BORROW ANYTHING. 395 00:15:30,032 --> 00:15:32,862 - I SHOULD START CHARGING YOU FOR THIS. 396 00:15:32,966 --> 00:15:35,589 - NO, I JUST CAME TO VISIT. 397 00:15:35,693 --> 00:15:36,901 - REALLY? - YEAH. 398 00:15:37,005 --> 00:15:39,939 - ALL RIGHT, WELL, HOW ARE YOU? 399 00:15:40,042 --> 00:15:41,699 - I'M GOOD. 400 00:15:41,802 --> 00:15:42,942 HOW ARE YOU? 401 00:15:43,045 --> 00:15:44,909 - [laughs] 402 00:15:45,013 --> 00:15:45,979 AS USUAL, YOU KNOW. 403 00:15:46,083 --> 00:15:46,704 - YEAH. 404 00:15:46,807 --> 00:15:48,878 UM. 405 00:15:48,982 --> 00:15:52,710 LISTEN, I-- 406 00:15:52,813 --> 00:15:56,024 I-- 407 00:15:56,127 --> 00:15:57,887 WHAT AM I TRYING TO SAY? 408 00:15:57,991 --> 00:16:01,822 ITS SAD SOMETIMES THAT IT'S OVER BETWEEN US. 409 00:16:01,926 --> 00:16:04,032 - YEAH. 410 00:16:04,135 --> 00:16:07,863 - BUT IT'S OVER. 411 00:16:07,967 --> 00:16:08,864 - I KNOW THAT. 412 00:16:08,968 --> 00:16:11,625 - I KNOW, I KNOW. 413 00:16:11,729 --> 00:16:13,248 - WE DISCUSSED THAT. - RIGHT. 414 00:16:13,351 --> 00:16:14,628 - WE DISCUSSED THAT A WHILE AGO. 415 00:16:14,732 --> 00:16:16,872 - IT'S JUST THAT, YOU KNOW, 416 00:16:16,976 --> 00:16:19,426 MAX BEING HERE HAS BEEN SO GREAT FOR HIM, 417 00:16:19,530 --> 00:16:23,775 AND HE FEELS LIKE YOU'RE HIS BEST FRIEND. 418 00:16:23,879 --> 00:16:26,916 BUT THEN HE SAID A BUNCH OF STUFF 419 00:16:27,020 --> 00:16:29,712 AT THE DINNER TABLE ABOUT US 420 00:16:29,816 --> 00:16:32,646 THAT WAS SO SURPRISINGLY INTIMATE, 421 00:16:32,750 --> 00:16:35,028 FOR YOU TO HAVE TALKED TO HIM, 422 00:16:35,132 --> 00:16:40,620 AND SO I JUST WANTED TO MAKE SURE THAT YOU, 423 00:16:40,723 --> 00:16:43,036 YOU KNOW, THAT YOU CAN'T BE TALKING TO HIM ABOUT ME. 424 00:16:43,140 --> 00:16:44,969 - FIRST OF ALL, HE WAS TALKING TO ME, OKAY? 425 00:16:45,073 --> 00:16:48,352 I'M SORRY THAT YOU CAME UP. 426 00:16:48,455 --> 00:16:49,077 - IT WASN'T THAT I CAME UP. 427 00:16:49,180 --> 00:16:52,045 IT WAS THE CONTENT OF-- 428 00:16:52,149 --> 00:16:53,564 - I DON'T KNOW WHAT YOU WANT ME TO SAY. 429 00:16:53,667 --> 00:16:55,083 IT'S LIKE 20 QUESTIONS WITH THIS KID, THAT'S ALL. 430 00:16:55,186 --> 00:16:56,291 - BUT, YOU'RE THE ADULT. 431 00:16:56,394 --> 00:16:56,946 YOU DON'T HAVE TO GIVE HIM 20 ANSWERS. 432 00:16:57,050 --> 00:16:59,225 THAT'S ALL I'M SAYING. 433 00:16:59,328 --> 00:17:01,123 - IT'S NOT LIKE I'M SITTING WRITING YOU LOVE SONGS, 434 00:17:01,227 --> 00:17:02,297 AND SINGING IT TO HIM, OKAY? 435 00:17:02,400 --> 00:17:04,299 - I KNOW. 436 00:17:04,402 --> 00:17:06,991 I'M NOT SAYING THAT YOU ARE DOING ANYTHING LIKE THAT. 437 00:17:07,095 --> 00:17:08,475 - YOU KNOW, HE CAME TO ME, MAX, 438 00:17:08,579 --> 00:17:10,167 AND I THOUGHT I WAS DOING SOMETHING GOOD FOR THIS KID... 439 00:17:10,270 --> 00:17:13,963 - YOU ARE DOING SOMETHING GOOD. 440 00:17:14,067 --> 00:17:15,310 - I DON'T LIKE THIS, YOU KNOW. 441 00:17:15,413 --> 00:17:18,313 THIS IS--HE--LOOK--HE-- I GOT A BUSINESS TO RUN, 442 00:17:18,416 --> 00:17:20,142 AND MAYBE HE JUST SHOULDN'T BE HERE, 443 00:17:20,246 --> 00:17:21,902 BECAUSE HE IS A LITTLE GRATING. 444 00:17:22,006 --> 00:17:22,869 - NO, DON'T, THAT'S NOT WHAT I'M SAYING. 445 00:17:22,972 --> 00:17:25,078 I'M NOT SAYING HE SHOULDN'T BE HERE. 446 00:17:25,182 --> 00:17:26,459 - WELL, I AM. I AM SAYING THAT, OKAY? 447 00:17:26,562 --> 00:17:27,805 I GOT TO DO THINGS AROUND HERE, 448 00:17:27,908 --> 00:17:28,875 AND I SHOULDN'T HAVE A KID WALKING AROUND HERE, OKAY? 449 00:17:28,978 --> 00:17:30,980 THIS IS A BUSINESS. IT'S A BUSINESS. 450 00:17:31,084 --> 00:17:33,259 - DON'T DO THIS. - I GOT A JOB TO DO RIGHT NOW. 451 00:17:33,362 --> 00:17:36,917 I GOTTA DO A SHOOT RIGHT NOW. 452 00:17:37,021 --> 00:17:38,160 - OKAY. 453 00:17:49,482 --> 00:17:50,897 - [sighs] 454 00:17:51,000 --> 00:17:52,209 - ♪ ONE OF THOSE NIGHTS WHEN YOU WOULD DANCE IN THE LIGHTS ♪ 455 00:17:52,312 --> 00:17:56,282 ♪ WHAT ABOUT THIS ON THE WAY BACK DOWN ♪ 456 00:17:56,385 --> 00:17:59,285 - I MEAN, IT JUST-- IT SOUNDS-- 457 00:17:59,388 --> 00:18:03,047 - THAT SOUNDS LIKE OLIVER ROME IS BORING OLIVER ROME. 458 00:18:03,151 --> 00:18:05,532 - YEAH, WHICH I DID NOT THINK WAS POSSIBLE. 459 00:18:05,636 --> 00:18:07,948 THIS IS EXACTLY WHY LABELS GAVE ARTISTS DRUGS IN THE '70s. 460 00:18:08,052 --> 00:18:10,917 - I HAVE NO IDEA WHAT TO DO FOR HIM. 461 00:18:11,020 --> 00:18:12,781 - HAVE YOU GUYS EVER SEEN THEM LIVE? 462 00:18:12,884 --> 00:18:14,265 - UH, NO. - MM-MM. 463 00:18:14,369 --> 00:18:17,510 - OKAY, I SAW THEM A COUPLE OF TIMES AT THE RED DEVIL, 464 00:18:17,613 --> 00:18:18,442 AND IT WAS ACTUALLY VERY GOOD. 465 00:18:18,545 --> 00:18:20,478 OLIVER HAD, LIKE, A LOT OF ENERGY, 466 00:18:20,582 --> 00:18:22,135 AND HE WAS REALLY CHARISMATIC AND STUFF. 467 00:18:22,239 --> 00:18:23,654 - REALLY? 468 00:18:23,757 --> 00:18:25,414 - WELL, APPARENTLY HE DOESN'T FIND THE LUNCHEONETTE 469 00:18:25,518 --> 00:18:26,484 AS CONDUCIVE TO CREATIVITY AS THE RED DEVIL. 470 00:18:26,588 --> 00:18:29,038 - NO. - I DON'T KNOW HOW TO FIX THAT. 471 00:18:29,142 --> 00:18:31,593 - WELL I WAS THINKING, ACTUALLY, 472 00:18:31,696 --> 00:18:32,490 I MEAN, YOU KNOW HOW HE NEEDS, LIKE, 473 00:18:32,594 --> 00:18:34,630 HIS EGO STROKED ALL THE TIME. 474 00:18:34,734 --> 00:18:35,528 - STROKED, YEAH. 475 00:18:35,631 --> 00:18:36,460 HE NEEDS, LIKE A FOUR HAND MASSAGE 476 00:18:36,563 --> 00:18:37,875 WITH EXOTIC OILS AND ENYA PLAYING. 477 00:18:37,978 --> 00:18:41,499 - RIGHT, SO WHY DON'T WE JUST GIVE HIM THAT, AND YOU KNOW, 478 00:18:41,603 --> 00:18:44,053 GIVE HIM LIKE AN AUDIENCE TO PERFORM TO HERE. 479 00:18:44,157 --> 00:18:44,882 - WHAT DO YOU MEAN, RIGHT HERE IN THE STUDIO? 480 00:18:44,985 --> 00:18:46,125 - YEAH, PRETTY MUCH. 481 00:18:46,228 --> 00:18:48,334 - WELL, HOW MANY PEOPLE ARE WE TALKING ABOUT? 482 00:18:48,437 --> 00:18:49,611 - I DON'T KNOW, AS MANY AS WE COULD SQUEEZE IN. 483 00:18:49,714 --> 00:18:51,475 WE'LL MAKE THEM YOUNG AND HOT, AND YOUNG AND HOT... 484 00:18:51,578 --> 00:18:52,165 - WELL, HOT'S NEVER A BAD THING. 485 00:18:52,269 --> 00:18:54,167 - I DON'T KNOW, AMBER. 486 00:18:54,271 --> 00:18:55,927 IT'S TOUGH ENOUGH TO GET THESE FIVE GUYS TO FOCUS 487 00:18:56,031 --> 00:18:57,239 WHEN IT'S JUST THEM. 488 00:18:57,343 --> 00:18:58,551 I DON'T KNOW ABOUT THROWING THEM A PARTY. 489 00:18:58,654 --> 00:18:59,897 - NO, NO, NOT A PARTY, BUT, LIKE, AN ACTUAL CONCERT. 490 00:19:00,000 --> 00:19:01,795 SERIOUSLY, LIKE, HAVE IT JUST BE A SPECIFIC EVENT 491 00:19:01,899 --> 00:19:04,660 TO RECORD THE SONG, YOU KNOW WHAT I MEAN? 492 00:19:04,764 --> 00:19:05,661 - IT COULD WORK. 493 00:19:05,765 --> 00:19:07,353 I MEAN THAT'S WHAT THE BLACK CROWES DID 494 00:19:07,456 --> 00:19:08,423 ON BEFORE THE FROST, AND THAT'S A DAMN GOOD ALBUM. 495 00:19:08,526 --> 00:19:10,079 - IT'S A GREAT ALBUM. - AND I DON'T KNOW, 496 00:19:10,183 --> 00:19:11,460 I'LL ORGANIZE IT AND STUFF. 497 00:19:11,564 --> 00:19:14,463 I MEAN, I HAVE THEIR WEBSITE FINISHED AND EVERYTHING. 498 00:19:14,567 --> 00:19:15,361 - YOU FINISHED THE WEBSITE? 499 00:19:15,464 --> 00:19:16,983 - HERE. YEAH. - YOU MADE THIS? 500 00:19:17,086 --> 00:19:18,674 - YEAH, I MEAN ZACK HELPED, 501 00:19:18,778 --> 00:19:19,917 BUT, I MEAN, THIS IS WHAT THEY WANTED. 502 00:19:20,020 --> 00:19:21,332 - THAT LOOKS GREAT. 503 00:19:21,436 --> 00:19:22,747 - I MEAN, I'LL ORGANIZE THE WHOLE THING, YOU KNOW. 504 00:19:22,851 --> 00:19:24,577 I'LL DO SOCIAL MEDIA STUFF, AND GET THE WORD OUT THERE, 505 00:19:24,680 --> 00:19:26,372 AND FIND PEOPLE, AND I'LL GET DRINKS AND STUFF, 506 00:19:26,475 --> 00:19:28,063 I MEAN, IF YOU LIKE THE IDEA. 507 00:19:28,167 --> 00:19:30,859 - WHAT DO YOU THINK? 508 00:19:30,962 --> 00:19:32,516 - WHY NOT? I'M UP FOR IT. 509 00:19:32,619 --> 00:19:33,793 - ALL RIGHT, LET'S GO FOR IT. 510 00:19:33,896 --> 00:19:34,794 - YEAH? - LET'S DO IT. 511 00:19:34,897 --> 00:19:36,175 - YEAH? - YEAH. 512 00:19:36,278 --> 00:19:37,797 - GREAT. 513 00:19:37,900 --> 00:19:39,074 - MAYBE WE COULD BRING MOM AND DAD HERE AND SORT THIS OUT. 514 00:19:39,178 --> 00:19:41,387 - I DON'T KNOW, BUT I DON'T UNDERSTAND 515 00:19:41,490 --> 00:19:42,319 WHY THEY'RE TAKING SEPARATE VACATIONS AT ALL. 516 00:19:42,422 --> 00:19:43,251 - HAVE THEY EVER DONE THAT BEFORE? 517 00:19:43,354 --> 00:19:45,632 - NO, SOMETHING MUST HAVE HAPPENED. 518 00:19:45,736 --> 00:19:47,393 - THEY'RE CLEARLY IN A FIGHT. - YOU THINK THEY'RE IN A FIGHT? 519 00:19:47,496 --> 00:19:48,635 - YOU THINK THEY'RE HAVING A FIGHT? 520 00:19:48,739 --> 00:19:49,498 - IT'S PROBABLY JUST BECAUSE IT WASN'T DAD'S IDEA 521 00:19:49,602 --> 00:19:50,085 TO GO TO ITALY. - "I'M MAD AT YOU. 522 00:19:50,189 --> 00:19:52,225 I'M GOING TO ITALY"? 523 00:19:52,329 --> 00:19:53,502 - ITALY'S OUTSIDE OF DAD'S COMFORT ZONE. 524 00:19:53,606 --> 00:19:54,848 - LISTEN, HERE'S EXACTLY WHAT'S HAPPENING. 525 00:19:54,952 --> 00:19:57,196 HE'S POUTING RIGHT NOW BECAUSE HE PROBABLY SUGGESTED, 526 00:19:57,299 --> 00:19:59,508 LIKE, GOING ON SOME BALLPARK TOUR OF AMERICA, 527 00:19:59,612 --> 00:20:01,096 AND SHE SAID "NO," AND NOW HE'S POUTING. 528 00:20:01,200 --> 00:20:02,339 - YEAH, WELL, HE CAN BE PRETTY STUBBORN. 529 00:20:02,442 --> 00:20:03,788 - YEAH, BUT WHO POUTS ABOUT ITALY? 530 00:20:03,892 --> 00:20:04,893 JUST GO. - DAD. 531 00:20:04,996 --> 00:20:06,515 - I JUST THINK THE TIMING SUCKS 'CAUSE, YOU KNOW, 532 00:20:06,619 --> 00:20:07,654 WHY IS SHE GOING NOW WHEN 533 00:20:07,758 --> 00:20:09,863 THERE'S A GRANDBABY ON THE GROUND? 534 00:20:09,967 --> 00:20:11,175 SHE'S NOT EVEN GOING TO BE HERE? 535 00:20:11,279 --> 00:20:12,556 - THE GOOD NEWS IS DAD CAN BABY-SIT. 536 00:20:12,659 --> 00:20:14,316 - OH, YEAH. THAT'S A GREAT IDEA. 537 00:20:14,420 --> 00:20:15,697 - WITHOUT MOM? - WHAT ABOUT SHOPPING? 538 00:20:15,800 --> 00:20:18,389 DAD DOESN'T EVEN KNOW HOW THE GROCERY STORE WORKS. 539 00:20:18,493 --> 00:20:19,321 - YEAH, WE'RE GOING TO HAVE TO SIT DOWN... 540 00:20:19,425 --> 00:20:21,806 - WE'RE GONNA HAVE TO MAKE A GRID. 541 00:20:21,910 --> 00:20:23,256 I DON'T HAVE TIME FOR DAD'S SCHEDULE. 542 00:20:23,360 --> 00:20:24,706 - I DON'T WANT TO GO CHECKING ON HIM. 543 00:20:24,809 --> 00:20:25,500 NO, HE'S A PAIN IN THE ASS. - NO, I DON'T HAVE TIME. 544 00:20:25,603 --> 00:20:27,156 I'M A FREE-LANCE PHOTOGRAPHER. 545 00:20:27,260 --> 00:20:28,088 YOU NEVER KNOW WHEN THE DOGS ARE GOING TO CALL. 546 00:20:28,192 --> 00:20:29,987 - WHY IS THIS ALL ABOUT DAD? 547 00:20:30,090 --> 00:20:32,645 WHAT ABOUT MOM? 548 00:20:32,748 --> 00:20:34,578 WHAT ABOUT MOM, WHO'S TAKEN CARE 549 00:20:34,681 --> 00:20:38,547 OF EVERYONE ELSE HER WHOLE LIFE? 550 00:20:38,651 --> 00:20:40,204 AND, LET ME TELL YOU, DAD DOESN'T LISTEN TO HER. 551 00:20:40,308 --> 00:20:41,861 WHEN SHE TELLS HIM WHAT SHE NEEDS, 552 00:20:41,964 --> 00:20:42,827 HE DOESN'T LISTEN TO HER. 553 00:20:42,931 --> 00:20:44,553 AND SO SHE'S DOING SOMETHING FOR HERSELF 554 00:20:44,657 --> 00:20:46,624 FOR THE FIRST TIME PROBABLY IN, YOU KNOW, 555 00:20:46,728 --> 00:20:48,039 HOWEVER LONG THEY'VE BEEN TOGETHER. 556 00:20:48,143 --> 00:20:49,386 SO SHE'S GOING TO ITALY. 557 00:20:49,489 --> 00:20:51,077 DAD CAN DAMN WELL DEAL WITH IT, AND SO CAN YOU. 558 00:20:51,180 --> 00:20:53,666 I'M GETTING SUGAR. 559 00:21:21,038 --> 00:21:22,729 - OH. - OH. 560 00:21:22,833 --> 00:21:23,627 - HEY, NATS. - OH, HEY, WHAT'S UP? 561 00:21:23,730 --> 00:21:26,733 - NOTHING, I WAS JUST WALKING, 562 00:21:26,837 --> 00:21:29,391 AND MY SISTER, ACTUALLY, IS DOING THIS THING 563 00:21:29,495 --> 00:21:31,186 AT THE LUNCHEONETTE, THE RECORDING STUDIO... 564 00:21:31,290 --> 00:21:32,221 - YEAH, YEAH. 565 00:21:32,325 --> 00:21:33,499 - WELL, THEY'RE DOING THIS THING 566 00:21:33,602 --> 00:21:34,845 WHERE THEY'RE RECORDING A BAND, 567 00:21:34,948 --> 00:21:36,571 LIKE, A LIVE PERFORMANCE IN FRONT OF PEOPLE. 568 00:21:36,674 --> 00:21:38,089 - THAT SOUNDS COOL. WHAT BAND? 569 00:21:38,193 --> 00:21:40,195 - THEY'RE CALLED ASHES OF ROME. 570 00:21:40,299 --> 00:21:42,301 - YEAH, I DON'T KNOW THEM. 571 00:21:42,404 --> 00:21:43,681 - YOU'D PROBABLY LIKE IT, THOUGH. 572 00:21:43,785 --> 00:21:45,856 I WAS JUST GOING TO SAY WE COULD MEET THERE OR SOMETHING, 573 00:21:45,959 --> 00:21:47,306 IF YOU WANTED TO. - YEAH, THAT SOUNDS COOL. 574 00:21:47,409 --> 00:21:48,479 I'M ACTUALLY GOING TO BE LATE FOR CLASS, 575 00:21:48,583 --> 00:21:49,894 SO JUST, LIKE, TEXT ME THE DEETS. 576 00:21:49,998 --> 00:21:51,206 WE'LL FIGURE IT OUT LATER. - ALL RIGHT, SEE YOU. 577 00:21:51,310 --> 00:21:53,450 - WELL, LATER. 578 00:21:56,660 --> 00:21:58,247 - OH, OH. 579 00:21:58,351 --> 00:22:01,768 VICTOR, COME HERE, PLEASE. 580 00:22:01,872 --> 00:22:03,839 SYDNEY, I TOLD YOU TO PUT YOUR CRAFT STUFF AWAY. 581 00:22:03,943 --> 00:22:05,220 - IN A MINUTE. WE'RE DOING SOMETHING. 582 00:22:05,324 --> 00:22:06,221 - NOW! GET OVER HERE! 583 00:22:06,325 --> 00:22:08,119 I TOLD YOU THREE TIMES TO PUT THIS AWAY! 584 00:22:08,223 --> 00:22:09,224 VICTOR, THIS WAS ON THE STAIRS. 585 00:22:09,328 --> 00:22:10,259 I NEARLY DIED. 586 00:22:10,363 --> 00:22:13,297 THIS IS OUT OF CONTROL. 587 00:22:13,401 --> 00:22:15,506 YOU GUYS NEED TO GET UPSTAIRS, 588 00:22:15,610 --> 00:22:18,095 AND PUT THIS STUFF AWAY WHERE IT BELONGS. 589 00:22:18,198 --> 00:22:20,339 JUST-- 590 00:22:20,442 --> 00:22:21,512 ALL RIGHT? 591 00:22:37,735 --> 00:22:38,564 - HEY. 592 00:22:38,667 --> 00:22:39,668 - JOEL. - HANG ON ONE SECOND. 593 00:22:39,772 --> 00:22:41,187 - DO YOU WANT THE EARLY GUYS OFF, 594 00:22:41,290 --> 00:22:42,326 OR ARE WE LOOKING AT OVERTIME? 595 00:22:42,430 --> 00:22:43,154 - NO, NO THEY'RE DONE. 596 00:22:43,258 --> 00:22:44,224 - NO OVERTIME? 597 00:22:44,328 --> 00:22:45,260 - NO. THANKS. 598 00:22:45,364 --> 00:22:47,193 HEY, IS THIS A BOOTY CALL? 599 00:22:47,296 --> 00:22:49,402 - NO. THIS IS--NO, IT'S NOT. 600 00:22:49,506 --> 00:22:51,024 I'M SORRY. 601 00:22:51,128 --> 00:22:54,338 - WHAT IS IT? 602 00:22:54,442 --> 00:22:57,168 - THE KIDS' MESS, I JUST--I LOST IT. 603 00:22:57,272 --> 00:22:58,342 I LOST IT IN A WHOLE NEW WAY. 604 00:22:58,446 --> 00:23:00,517 - I'M SURE IT WASN'T THAT BAD, HONEY. 605 00:23:00,620 --> 00:23:01,518 - TRUST ME, I'M GIVING THEM AMMUNITION 606 00:23:01,621 --> 00:23:03,968 FOR ANY FUTURE THERAPY THEY MIGHT HAVE. 607 00:23:04,072 --> 00:23:05,004 IT WAS BAD. 608 00:23:05,107 --> 00:23:06,281 - JUST BE FIRM, YOU KNOW. 609 00:23:06,385 --> 00:23:08,663 NO SCREEN TIME UNTIL THEIR ROOM'S IN ORDER, THAT'S IT. 610 00:23:08,766 --> 00:23:11,286 OR TAKE THEM TO YOUR DAD'S IF YOU NEED A BREAK. 611 00:23:11,390 --> 00:23:13,426 HE'S GREAT WITH THEM. 612 00:23:13,530 --> 00:23:16,118 - IT'S NOT JUST THE KIDS, BABE, IT'S ME. 613 00:23:16,222 --> 00:23:19,881 I'M--I'M LOSING IT A LITTLE BIT. 614 00:23:19,984 --> 00:23:21,641 - JOEL, MY GUYS ARE SUPPOSED TO GET OVERTIME. 615 00:23:21,745 --> 00:23:23,091 WHAT ARE YOU DOING? - I KNOW, I KNOW, GABE. 616 00:23:23,194 --> 00:23:24,989 JUST--LET ME JUST, CAN YOU GIVE ME ONE SECOND? 617 00:23:25,093 --> 00:23:27,406 ONE SECOND, BUDDY. SORRY. 618 00:23:27,509 --> 00:23:28,890 HON, I'M SORRY. 619 00:23:28,993 --> 00:23:33,964 I KNOW IT'S STRESSFUL, AND I'VE BEEN THERE. 620 00:23:34,067 --> 00:23:37,139 YOU OKAY? 621 00:23:37,243 --> 00:23:38,175 - YEAH, I'M FINE. 622 00:23:38,278 --> 00:23:39,141 I'LL LET YOU GO. - OKAY. 623 00:23:39,245 --> 00:23:43,422 LOVE YOU. 624 00:23:43,525 --> 00:23:46,597 [cell phone dings] 625 00:23:48,254 --> 00:23:51,188 - [laughs] 626 00:23:55,986 --> 00:23:57,643 - OKAY. 627 00:23:57,746 --> 00:24:00,956 LITTLE NORA'S ALL SITUATED FOR HER DADDY DAY. 628 00:24:01,060 --> 00:24:03,372 THANK YOU FOR HELPING FACILITATE THAT. 629 00:24:03,476 --> 00:24:05,513 I THINK I HAVE A COUPLE OF MINUTES 630 00:24:05,616 --> 00:24:09,068 BEFORE HEATHER GETS A HOLD OF ME. 631 00:24:09,171 --> 00:24:10,552 - SORRY. I'M SO OUT OF IT. 632 00:24:10,656 --> 00:24:12,347 I--DO YOU WANT SOMETHING TO DRINK? 633 00:24:12,451 --> 00:24:13,728 I HAVEN'T EVEN BEEN-- 634 00:24:13,831 --> 00:24:14,798 - OH, NO, I'M GOOD. I'M COFFEE-ED OUT. 635 00:24:14,901 --> 00:24:15,971 I'VE HAD TWO CUPS. - ARE YOU SURE? 636 00:24:16,075 --> 00:24:17,041 - YEAH. HOW ARE YOU? 637 00:24:17,145 --> 00:24:18,077 HOW ARE YOU DOING? 638 00:24:18,180 --> 00:24:19,078 - I'M OKAY. - YEAH? 639 00:24:19,181 --> 00:24:20,942 I'M A LITTLE STRESSED. 640 00:24:21,045 --> 00:24:21,908 - I KNOW. 641 00:24:22,012 --> 00:24:23,151 PLANNING A WEDDING IS A BIG DEAL. 642 00:24:23,254 --> 00:24:23,979 - YEAH. - IT'S A LOT OF WORK. 643 00:24:24,083 --> 00:24:25,153 - AND YOU KNOW, IT'S JUST THAT, 644 00:24:25,256 --> 00:24:26,430 ON TOP OF, LIKE, DEALING WITH THE BAND STUFF, 645 00:24:26,534 --> 00:24:29,191 AND WE DON'T KNOW WHAT WE WANT TO DO, 646 00:24:29,295 --> 00:24:33,851 AND I I DON'T KNOW--IT'S JUST BEEN, IT'S LIKE, STRESSFUL. 647 00:24:33,955 --> 00:24:35,370 - CRAZY. IT'S VERY STRESSFUL. 648 00:24:35,474 --> 00:24:38,615 - WAS IT LIKE THIS FOR YOU? - PLANNING? 649 00:24:38,718 --> 00:24:40,168 - I DON'T EVEN KNOW ANYTHING ABOUT IT. 650 00:24:40,271 --> 00:24:43,758 HOW DID HE EVEN PROPOSE? 651 00:24:43,861 --> 00:24:44,862 - YOU REALLY WANT TO HEAR THAT STORY? 652 00:24:44,966 --> 00:24:46,519 - YEAH. - I MEAN, IT'S A GREAT STORY. 653 00:24:46,623 --> 00:24:48,141 I LOVE TELLING IT. 654 00:24:48,245 --> 00:24:51,351 IT'S--GOSH, I FEEL LIKE IT WAS, LIKE, A LIFETIME AGO. 655 00:24:51,455 --> 00:24:55,217 I WAS SO YOUNG. WE WERE BOTH SO YOUNG. 656 00:24:55,321 --> 00:25:00,119 HE ACTUALLY PROPOSED TO ME THE DAY AFTER VALENTINE'S DAY. 657 00:25:00,222 --> 00:25:01,154 LIKE, WHO DOES THAT? 658 00:25:01,258 --> 00:25:02,155 BUT IT WAS SO SWEET 659 00:25:02,259 --> 00:25:03,329 BECAUSE HE KNEW HOW MUCH I HATED VALENTINE'S DAY. 660 00:25:03,432 --> 00:25:06,953 I THINK IT'S, LIKE-- I DON'T KNOW, SO MANUFACTURED, 661 00:25:07,057 --> 00:25:09,542 AND FAKE, AND JUST, LIKE, FOR EVERYBODY ELSE. 662 00:25:09,646 --> 00:25:14,582 SO HE DECIDED TO ASK ME TO MARRY HIM ON THE 15TH. 663 00:25:14,685 --> 00:25:15,928 GOD, IT WAS SO COOL. 664 00:25:16,031 --> 00:25:19,414 IT WAS LIKE, BOTH IN GRAD SCHOOL. 665 00:25:19,518 --> 00:25:21,347 YOU KNOW, WE'D ONLY BEEN LIVING TOGETHER FOR ABOUT A MONTH. 666 00:25:21,450 --> 00:25:25,316 AND WE WOKE UP EARLY ONE MORNING, 667 00:25:25,420 --> 00:25:27,733 AND IT WAS JUST THIS REALLY GRAY, 668 00:25:27,836 --> 00:25:29,873 AND SORT OF RAINY, ROMANTIC MORNING, 669 00:25:29,976 --> 00:25:31,978 AND WE WERE LYING IN BED, 670 00:25:32,082 --> 00:25:36,673 THE TWO OF US, AND LISTENING TO THE RAIN, 671 00:25:36,776 --> 00:25:39,538 AND HE REACHED OUT, AND GRABBED MY HAND, 672 00:25:39,641 --> 00:25:44,439 AND HE ASKED ME IF I WOULD SPEND THE REST OF MY LIFE WITH HIM. 673 00:25:44,543 --> 00:25:48,719 IT WAS SO SIMPLE, AND JUST SO PURE, AND, SOUNDS CORNY, 674 00:25:48,823 --> 00:25:51,308 BUT IT WAS JUST BEAUTIFUL, 675 00:25:51,411 --> 00:25:54,242 AND IT JUST MADE SENSE. 676 00:25:54,345 --> 00:25:56,589 I MEAN, I'M SURE YOU FEEL THE SAME ABOUT RYAN, 677 00:25:56,693 --> 00:26:00,662 AND IT'S SOMETHING I'LL ALWAYS TREASURE. 678 00:26:00,766 --> 00:26:04,183 IT WAS THE ONE THING IN MY LIFE THAT-- 679 00:26:04,286 --> 00:26:05,356 THAT JUST MADE SENSE. 680 00:26:05,460 --> 00:26:07,358 IT STILL DOES. 681 00:26:07,462 --> 00:26:11,397 [cell phone dings] 682 00:26:11,500 --> 00:26:12,605 SORRY. IT'S HEATHER. 683 00:26:12,709 --> 00:26:14,020 I GOT TO GO. 684 00:26:14,124 --> 00:26:15,401 - GO. YEAH. 685 00:26:15,504 --> 00:26:16,436 - OKAY. 686 00:26:16,540 --> 00:26:17,472 I'LL SEE YOU SOON. 687 00:26:17,576 --> 00:26:18,438 - THANKS. THAT WAS NICE. 688 00:26:18,542 --> 00:26:19,508 - YEAH, SURE. 689 00:26:19,612 --> 00:26:22,546 - SEE YOU SOON. - BYE, BABE. 690 00:26:22,650 --> 00:26:25,135 - OKAY. 691 00:26:25,238 --> 00:26:28,207 - [exhales heavily] 692 00:26:32,349 --> 00:26:34,316 - SO THIS IS TOP OF THE LINE. - WOW. 693 00:26:34,420 --> 00:26:37,906 - GUARANTEED TO FIT INTO 90% OF OUR BED COMPARTMENTS. 694 00:26:38,010 --> 00:26:40,046 - REALLY? WELL, IT LOOKS TOP OF THE LINE. 695 00:26:40,150 --> 00:26:41,634 - OH, MY GOSH, WHEN I WAS TRAVELING SO MUCH 696 00:26:41,738 --> 00:26:43,602 FOR ALL THOSE DEPOSITIONS, IT SAVED MY LIFE. 697 00:26:43,705 --> 00:26:45,293 THIS, THE WRINKLE-FREE COMPARTMENT, 698 00:26:45,396 --> 00:26:46,363 HOLDS SO MANY CLOTHES. 699 00:26:46,466 --> 00:26:47,778 - REALLY? 700 00:26:47,882 --> 00:26:49,642 - I WENT ON THEIR WEBSITE AND WROTE A TESTIMONIAL. 701 00:26:49,746 --> 00:26:51,161 - IT'S THAT GOOD? - YEAH. 702 00:26:51,264 --> 00:26:52,334 - THANK YOU, SWEETIE. 703 00:26:52,438 --> 00:26:56,269 SO THOUGHTFUL OF YOU. YOU'RE MY THOUGHTFUL GIRL. 704 00:26:56,373 --> 00:26:58,617 ARE YOU SURE YOU'RE NOT GOING TO NEED THIS? 705 00:26:58,720 --> 00:26:59,721 - YES, I'M SURE. 706 00:26:59,825 --> 00:27:01,965 IT'S JUST TAKING UP ROOM IN THE CLOSET. 707 00:27:02,068 --> 00:27:06,728 SO THIS IS--THIS IS FOR YOU. THIS IS FOR ITALY. 708 00:27:06,832 --> 00:27:09,317 - YEAH. - I'M PROUD OF YOU. 709 00:27:09,420 --> 00:27:09,731 I'M PROUD OF YOU FOR DOING THIS. 710 00:27:09,835 --> 00:27:11,388 - ME TOO. - YEAH. 711 00:27:11,491 --> 00:27:13,528 - YOU KNOW, DAD AND I HAVE BEEN TOGETHER SO LONG 712 00:27:13,632 --> 00:27:16,082 WE'VE BEEN PRACTICALLY JOINED AT THE HIP. 713 00:27:16,186 --> 00:27:19,948 I FORGET SOMETIMES THAT WE'RE TWO SEPARATE PEOPLE. 714 00:27:20,052 --> 00:27:22,571 YOU KNOW, HE'S SUCH A BIG PERSONALITY, YOU KNOW? 715 00:27:22,675 --> 00:27:25,126 A HUGE PRESENCE IN THE ROOM. 716 00:27:25,229 --> 00:27:27,197 THIS TIME IT'S NOT ABOUT HIM. IT'S ABOUT ME. 717 00:27:27,300 --> 00:27:28,301 ABOUT WHAT I WANT. 718 00:27:28,405 --> 00:27:32,409 WHAT MAKES ME HAPPY, AND GOING TO ITALY, 719 00:27:32,512 --> 00:27:33,962 IT'S ABOUT ME. 720 00:27:34,066 --> 00:27:36,206 IT'S ABOUT THE OTHER PERSON IN THE MARRIAGE. 721 00:27:41,625 --> 00:27:43,592 WHAT? 722 00:27:43,696 --> 00:27:46,285 - OH. 723 00:27:46,388 --> 00:27:47,527 - SWEETIE? 724 00:27:47,631 --> 00:27:49,668 - I'M JUST SO HAPPY FOR YOU. COME HERE. 725 00:27:49,771 --> 00:27:52,153 - OH. 726 00:27:52,256 --> 00:27:55,052 OH. 727 00:27:55,156 --> 00:27:56,364 - ALL RIGHT, COME ON IN, YOU GUYS. 728 00:27:56,467 --> 00:27:57,399 DRINKS OVER THERE, AND JUST FIND A SPOT TO SIT, OKAY? 729 00:27:57,503 --> 00:27:59,505 HERE. 730 00:27:59,608 --> 00:28:00,886 HERE, YOU WANT THESE? 731 00:28:00,989 --> 00:28:01,749 HERE YOU GO, IF YOU WANT THEM. 732 00:28:01,852 --> 00:28:03,992 HERE YOU GO, IF YOU WANT THEM. 733 00:28:04,096 --> 00:28:04,959 - THANKS. 734 00:28:05,062 --> 00:28:06,339 - I NEED THIS. I'M SORRY. 735 00:28:06,443 --> 00:28:06,857 I'LL GET YOU NEW ONES. 736 00:28:06,961 --> 00:28:08,652 HEY, HI. HOW ARE YOU? 737 00:28:08,756 --> 00:28:09,791 THANKS FOR COMING. 738 00:28:09,895 --> 00:28:11,137 - HAVE YOU SEEN OLIVER? - NO, SORRY. 739 00:28:11,241 --> 00:28:12,242 - OKAY. - HI. 740 00:28:12,345 --> 00:28:13,795 HOW'S IT GOING? IT'S GOOD TO SEE YOU. 741 00:28:13,899 --> 00:28:15,555 THANKS FOR COMING. HI, HOW ARE YOU? 742 00:28:15,659 --> 00:28:17,454 THANKS FOR COMING, YOU GUYS. 743 00:28:17,557 --> 00:28:18,524 YEAH, HAVE A GOOD TIME. 744 00:28:18,627 --> 00:28:19,698 SEE YOU GUYS LATER. 745 00:28:26,808 --> 00:28:29,121 - ALL RIGHT, LISTEN, THANKS FOR COMING. 746 00:28:29,224 --> 00:28:31,330 DON'T FORGET TO TELL ALL YOUR FRIENDS TO BUY THE ALBUM. 747 00:28:31,433 --> 00:28:32,849 - HEY, HAVE YOU SEEN OLIVER? - YES, I HAVE. 748 00:28:32,952 --> 00:28:34,333 HE'S HIDING OUT IN THE BATHROOM. 749 00:28:34,436 --> 00:28:35,541 HE SAID HE NEEDS TO BE ALONE SO HE CAN FOCUS HIS ENERGY, 750 00:28:35,644 --> 00:28:36,507 OR SOMETHING LIKE THAT. 751 00:28:36,611 --> 00:28:38,855 - OH, SO HE'S PUKING? 752 00:28:38,958 --> 00:28:40,132 I THINK THAT'S CODE FOR PUKING. 753 00:28:40,235 --> 00:28:41,858 - HEY, DREW. WHAT'S GOING ON? 754 00:28:41,961 --> 00:28:42,962 - YOU LOOKING FOR SOMEBODY? 755 00:28:43,066 --> 00:28:44,550 - YEAH. I'M WAITING FOR NATALIE. 756 00:28:44,653 --> 00:28:46,138 - NATALIE "JONI MITCHELL" NATALIE? 757 00:28:46,241 --> 00:28:48,727 - YEAH, "JONI MITCHELL" NATALIE. - ANY LUCK WITH THAT? 758 00:28:48,830 --> 00:28:50,349 - YEAH, SURE. 759 00:28:50,452 --> 00:28:51,557 - REALLY, LIKE, HAVE GOTTEN LUCKY, OR JUST FEELING LUCKY? 760 00:28:51,660 --> 00:28:54,525 - STOP TRYING TO LIVE VICARIOUSLY THROUGH YOUR NEPHEW. 761 00:28:54,629 --> 00:28:56,735 - I HAVE A THREE-MONTH-OLD AT HOME. THIS IS ALL I GOT. 762 00:28:56,838 --> 00:28:58,978 - WE'RE MEETING HERE, SO THAT'S GOOD. 763 00:28:59,082 --> 00:29:00,117 - SO THIS IS A DATE? - SOUNDS PRETTY GOOD. 764 00:29:00,221 --> 00:29:02,119 - IT'S NOT A DATE, NO. - SOUNDS LIKE A DATE. 765 00:29:02,223 --> 00:29:03,120 - IT'S A DATE. - WE'RE KIND OF... 766 00:29:03,224 --> 00:29:04,777 - YOU MIGHT GO STEADY EVENTUALLY, TOO. 767 00:29:04,881 --> 00:29:05,882 - TOGETHER, BUT ALSO NOT. 768 00:29:05,985 --> 00:29:07,262 - TOGETHER? - KIND OF. 769 00:29:07,366 --> 00:29:08,160 - KIND OF? WOW. 770 00:29:08,263 --> 00:29:09,575 HOW DEEP ARE YOU INTO THIS SITUATION? 771 00:29:09,678 --> 00:29:11,025 - I CAN'T TELL, ACTUALLY. 772 00:29:11,128 --> 00:29:13,027 - IT SEEMS MY WORK ON THIS COLLEGE KID HAS PAID OFF. 773 00:29:13,130 --> 00:29:14,511 - WHICH ONE, THE REDHEAD? WHICH ONE IS IT? 774 00:29:14,614 --> 00:29:15,857 - HEY. - HEY. 775 00:29:15,961 --> 00:29:18,239 - HEY, HOW'S IT GOING? 776 00:29:18,342 --> 00:29:19,930 - GOOD. GOOD. 777 00:29:20,034 --> 00:29:21,207 - ALL RIGHT, YEAH. 778 00:29:21,311 --> 00:29:24,038 - WE'RE SO STOKED TO SEE THESE GUYS PLAY. 779 00:29:26,626 --> 00:29:29,353 - DO YOU GUYS WANT TO GET A SEAT? 780 00:29:29,457 --> 00:29:30,320 EVERYONE? 781 00:29:30,423 --> 00:29:32,978 - YOU GUYS WANT TO HEAD DOWN THIS WAY? 782 00:29:33,081 --> 00:29:34,082 - I WOULD HAVE PROBABLY GONE 783 00:29:34,186 --> 00:29:35,325 WITH THE BLACK GIRL, YOU KNOW ME. 784 00:29:35,428 --> 00:29:37,361 - IT LOOKS LIKE MY WORK REALLY PAID OFF, THOUGH. 785 00:29:37,465 --> 00:29:41,193 KA-BOOM. THEY'RE TOGETHER. 786 00:29:41,296 --> 00:29:43,229 - I DON'T HAVE A GOOD FEELING ABOUT THIS. 787 00:29:43,333 --> 00:29:46,646 - OH, MY GOODNESS. 788 00:29:46,750 --> 00:29:48,787 - WHAT'S GOING ON HERE? - OKAY, OKAY. 789 00:29:48,890 --> 00:29:49,788 - OH, MY GOD. - NOW, HE'S GONNA TUNE. 790 00:29:49,891 --> 00:29:51,030 THIS IS, UM... - WHY IS THIS HAPPENING? 791 00:30:01,938 --> 00:30:03,077 THIS IS HORRIBLE, THIS IS THE WORST DAY OF MY LIFE. 792 00:30:03,180 --> 00:30:04,595 - OH, MY GOD. THIS GUY-- 793 00:30:10,739 --> 00:30:12,569 [playing guitar intro] 794 00:30:12,672 --> 00:30:14,985 [band vocalizing] 795 00:30:15,089 --> 00:30:18,092 [upbeat acoustic pop music] 796 00:30:18,195 --> 00:30:26,203 ♪ 797 00:30:29,103 --> 00:30:31,968 - ♪ SO WHAT ABOUT US? WHAT ABOUT US? ♪ 798 00:30:32,071 --> 00:30:34,349 ♪ WHAT ABOUT WANDERLUST? 799 00:30:34,453 --> 00:30:38,940 ♪ WHAT ABOUT LOVE IN A FREEFALL NOW? ♪ 800 00:30:39,044 --> 00:30:40,977 ♪ BUT WHAT ABOUT NIGHTS? 801 00:30:41,080 --> 00:30:43,911 - ACTUALLY, HE'S NOT BAD. - MM-HMM. 802 00:30:44,014 --> 00:30:48,570 - ♪ WHAT ABOUT THIS ON THE WAY BACK OUT? ♪ 803 00:30:48,674 --> 00:30:52,540 ♪ I NEED A LITTLE LAUGH NEED A LITTLE LAUGH ♪ 804 00:30:52,643 --> 00:30:56,682 ♪ MIGHT NEED A LITTLE LAUGH NEED A LITTLE LAUGH ♪ 805 00:30:56,785 --> 00:30:57,683 - GREAT SAVE, AMBER. 806 00:30:57,786 --> 00:31:00,513 - THANKS. - GOOD JOB. 807 00:31:02,343 --> 00:31:05,553 - ♪ JUST A LITTLE JUST A LITTLE ♪ 808 00:31:05,656 --> 00:31:08,107 ♪ JUST A LITTLE THAT 809 00:31:08,211 --> 00:31:09,660 ♪ SO WHERE DO WE GO? WHERE DO WE GO? ♪ 810 00:31:09,764 --> 00:31:12,974 ♪ 'CAUSE EVEN I DON'T KNOW 811 00:31:13,078 --> 00:31:14,527 - HEY, THANKS FOR THAT. 812 00:31:14,631 --> 00:31:15,632 THAT WAS, LIKE, SO COOL TO BE RIGHT IN THERE WITH THEM. 813 00:31:15,735 --> 00:31:16,702 - YEAH, IT'S COOL. 814 00:31:16,805 --> 00:31:19,222 - YEAH, I LIKE IT TOO. 815 00:31:19,325 --> 00:31:21,500 - THEY'RE KIND OF POP ROCK-Y, BUT IN THE BEST WAY POSSIBLE. 816 00:31:21,603 --> 00:31:22,604 - YEAH, I CAN SEE IT. 817 00:31:22,708 --> 00:31:24,813 - MY FRIENDS WANT TO HIT THIS PARTY AT PHI KAP. 818 00:31:24,917 --> 00:31:26,850 YOU WANT TO COME WITH US? 819 00:31:26,954 --> 00:31:30,267 - NO, I SHOULD PROBABLY STAY BACK, ACTUALLY. 820 00:31:30,371 --> 00:31:33,305 I HAVE TO HELP MY SISTER TEAR DOWN, SO... 821 00:31:33,408 --> 00:31:35,790 - OH. 822 00:31:35,894 --> 00:31:37,826 THIS ISN'T ABOUT THE OTHER NIGHT, IS IT? 823 00:31:37,930 --> 00:31:39,932 - NO, NO. 824 00:31:40,036 --> 00:31:41,244 - BECAUSE, I MEAN, THAT WAS GREAT. 825 00:31:41,347 --> 00:31:43,039 - YEAH. - AND I LIKE YOU. 826 00:31:43,142 --> 00:31:46,766 I JUST HOPE I DIDN'T GIVE YOU THE WRONG IDEA. 827 00:31:46,870 --> 00:31:47,940 - NO. 828 00:31:48,044 --> 00:31:49,148 - I MEAN, THAT WAS A HOOK UP, RIGHT? 829 00:31:49,252 --> 00:31:50,529 IT WAS JUST A HOOK UP. - YES, WE HOOKED UP. 830 00:31:50,632 --> 00:31:51,564 THAT HAPPENED, YEAH. - WE'RE IN COLLEGE, YOU KNOW. 831 00:31:51,668 --> 00:31:55,016 - YEAH. - I WORKED SO HARD TO GET HERE. 832 00:31:55,120 --> 00:31:57,812 I WAS SO GOOD IN HIGH SCHOOL. 833 00:31:57,916 --> 00:31:59,055 NOW, I KIND OF JUST WANT TO 834 00:31:59,158 --> 00:32:02,679 KICK BACK AND RELAX, HANG OUT, MEET PEOPLE. 835 00:32:02,782 --> 00:32:03,818 - TOTALLY. I FULLY UNDERSTAND THAT. 836 00:32:03,922 --> 00:32:06,372 - YEAH, I MEAN YOU WOULDN'T WANT A RELATIONSHIP, OR... 837 00:32:06,476 --> 00:32:07,615 - NO, NO. 838 00:32:07,718 --> 00:32:09,341 - OKAY, SO, WE'RE GOOD? 839 00:32:09,444 --> 00:32:11,308 - YEAH, WE'RE TOTALLY GOOD. - OKAY. 840 00:32:11,412 --> 00:32:13,310 - WE'RE--YEAH. 841 00:32:13,414 --> 00:32:16,210 YOU KNOW, TOTALLY GOOD. - ALL RIGHT. 842 00:32:16,313 --> 00:32:18,177 - ARE YOU SURE YOU DON'T WANT TO JUST, LIKE, TAG ALONG? 843 00:32:18,281 --> 00:32:20,869 - YEAH, I SHOULD PROBABLY STAY. 844 00:32:20,973 --> 00:32:22,078 - OKAY. 845 00:32:22,181 --> 00:32:23,631 I'LL SEE YOU. - YEAH, BYE. 846 00:32:28,084 --> 00:32:30,120 - YOU GUYS, YOU TOTALLY KILLED IT! 847 00:32:30,224 --> 00:32:31,880 THAT WAS SO AWESOME! 848 00:32:31,984 --> 00:32:32,916 SERIOUSLY. 849 00:32:33,020 --> 00:32:34,642 BEST ROCK BAND EVER. 850 00:32:34,745 --> 00:32:36,575 OH, MY GOD. THAT WAS SO GOOD. 851 00:32:36,678 --> 00:32:38,059 - THAT WAS GREAT. 852 00:32:38,163 --> 00:32:39,612 - I COULDN'T HAVE DONE IT WITHOUT YOU. 853 00:32:39,716 --> 00:32:40,855 both: THANK YOU. 854 00:32:40,959 --> 00:32:42,581 - THAT WAS SO FUN. 855 00:32:42,684 --> 00:32:44,445 HI, BABY. - HEY. 856 00:32:44,548 --> 00:32:46,171 - HOW YOU DOING? 857 00:32:46,274 --> 00:32:47,034 - GOOD JOB. - THANKS. 858 00:32:47,137 --> 00:32:48,794 DO YOU THINK PEOPLE LIKED IT? 859 00:32:48,897 --> 00:32:50,002 - I THINK THEY LOVED YOU. 860 00:32:50,106 --> 00:32:51,417 I THINK IT WAS A GREAT IDEA. 861 00:32:51,521 --> 00:32:52,487 - I AM SO HAPPY. 862 00:32:52,591 --> 00:32:56,836 THANK YOU FOR COMING. 863 00:32:56,940 --> 00:32:58,321 - HEY, DAD. 864 00:32:58,424 --> 00:33:01,117 - HEY. 865 00:33:01,220 --> 00:33:02,601 HEARD IT'S A BIG DAY, HUH? 866 00:33:02,704 --> 00:33:03,843 THE ALTERNATOR'S GOING IN TODAY, YOU KNOW. 867 00:33:03,947 --> 00:33:06,846 - YEP. - YEP. 868 00:33:06,950 --> 00:33:11,161 UH-OH, YOU GOT THAT "ADAM CONCERNED" LOOK ON YOUR FACE. 869 00:33:11,265 --> 00:33:13,370 WHAT'S GOING ON WITH YOU? 870 00:33:13,474 --> 00:33:14,889 - ITALY, DAD. 871 00:33:14,993 --> 00:33:15,994 - ITALY. 872 00:33:16,097 --> 00:33:17,305 OH, YOUR MOM'S BIG TRIP, HUH? 873 00:33:17,409 --> 00:33:19,652 - YEAH, AND, UNDERSTANDABLY, WE'RE ALL WONDERING 874 00:33:19,756 --> 00:33:20,619 WHY YOU'RE NOT GOING. 875 00:33:20,722 --> 00:33:22,586 - OH, YEAH. 876 00:33:22,690 --> 00:33:25,003 ALL OF YOU WONDERING. YOU'RE THE DELEGATE, ARE YOU? 877 00:33:25,106 --> 00:33:27,315 - I AM, AND WE ALL KNOW THERE'S GOT TO BE SOME BIGGER REASON 878 00:33:27,419 --> 00:33:28,730 WHY YOU DECIDED NOT TO GO. 879 00:33:28,834 --> 00:33:33,080 - I'M NOT GOING BECAUSE I DON'T WANT TO GO. 880 00:33:33,183 --> 00:33:36,255 - ALL RIGHT, MAYBE IT'S NOT ABOUT WHAT YOU WANT. 881 00:33:36,359 --> 00:33:37,601 MAYBE YOU NEED TO THINK ABOUT 882 00:33:37,705 --> 00:33:38,671 WHAT MOM WANTS FOR A CHANGE. 883 00:33:38,775 --> 00:33:39,845 CAN YOU DO THAT FOR HER? 884 00:33:39,948 --> 00:33:40,984 - OH, MY GOD, I CAN'T BELIEVE YOU'RE SAYING THAT. 885 00:33:41,088 --> 00:33:42,813 - WHAT? - HOLD IT, HOLD IT, HOLD IT. 886 00:33:42,917 --> 00:33:43,814 GIVE ME A HAND UP, WOULD YOU? 887 00:33:43,918 --> 00:33:46,196 PICK ME UP HERE. - YEP. 888 00:33:46,300 --> 00:33:48,302 - OKAY, ADAM, I'LL TELL YOU WHAT'S GOING ON HERE. 889 00:33:48,405 --> 00:33:49,958 SHE WANTS TO SELL THE HOUSE, YOU KNOW. 890 00:33:50,062 --> 00:33:51,960 YOUR MOTHER WANTS TO SELL OUR HOUSE. 891 00:33:52,064 --> 00:33:52,961 - WHAT? - YEAH. 892 00:33:53,065 --> 00:33:54,618 YEAH, YEAH. OH YEAH. 893 00:33:54,722 --> 00:33:55,723 SHE TALKING LIKE, ALL OF A SUDDEN WE'RE IN THE THIRD ACT 894 00:33:55,826 --> 00:33:58,691 OF OUR LIVES, AND, LIKE, WE'RE DOING SOME KIND 895 00:33:58,795 --> 00:34:01,211 OF A PLAY OR SOMETHING, AND SINCE WE'RE IN THE THIRD ACT 896 00:34:01,315 --> 00:34:03,972 OF OUR LIVES, WE SHOULD BE MOVING INTO SOMETHING SMALLER, 897 00:34:04,076 --> 00:34:06,665 LIKE MAYBE A CONDO, THAT'S SHAPED LIKE A BOX. 898 00:34:06,768 --> 00:34:08,115 - OKAY. 899 00:34:08,218 --> 00:34:10,634 - AND THEN WE CAN GO TO ALL THESE CULTURAL AFFAIRS, 900 00:34:10,738 --> 00:34:12,912 AND WE CAN GO SEE MUSEUMS, AND, BY THE WAY, 901 00:34:13,016 --> 00:34:14,466 WE CAN GET ON THE BART TO GO DO THAT. 902 00:34:14,569 --> 00:34:15,605 - OKAY. 903 00:34:15,708 --> 00:34:16,951 - THAT'S WHAT SHE'S TALKING ABOUT. 904 00:34:17,055 --> 00:34:18,366 WELL, THAT'S NOT MY LIFE. 905 00:34:18,470 --> 00:34:21,611 THIS HAPPENS TO BE MY LIFE, AND THIS IS OUR HOME. 906 00:34:21,714 --> 00:34:25,304 - OKAY, I GET IT, OKAY? 907 00:34:25,408 --> 00:34:27,617 FOR WHAT IT'S WORTH, I DON'T WANT YOU TO SELL THE HOUSE. 908 00:34:27,720 --> 00:34:29,757 OKAY, BUT MAYBE WE CAN ALLOW MOM A LITTLE SPACE TO JUST BE 909 00:34:29,860 --> 00:34:33,692 ABLE TO INTRODUCE THIS FOR CONVERSATION, YOU KNOW? 910 00:34:33,795 --> 00:34:36,350 PLENTY OF COUPLES YOUR AGE THINK ABOUT DOWNSIZING. 911 00:34:36,453 --> 00:34:37,903 - OH, NOW WAIT A MINUTE. DID YOU SAY "OUR AGE"? 912 00:34:38,006 --> 00:34:39,974 - I DID. 913 00:34:40,078 --> 00:34:41,355 - WHAT DOES THAT MEAN, COUPLES "OUR AGE"? 914 00:34:41,458 --> 00:34:42,597 - YOU KNOW WHAT I'M TALKING ABOUT, OKAY. 915 00:34:42,701 --> 00:34:43,633 SHE'S NOT COMING FROM OUTER SPACE, HERE. 916 00:34:43,736 --> 00:34:45,428 IT'S, LIKE, PEOPLE DO THAT, AND, LOOK, 917 00:34:45,531 --> 00:34:46,946 MAYBE YOU CAN JUST TABLE THE HOUSE FOR RIGHT NOW, 918 00:34:47,050 --> 00:34:49,673 AND YOU CAN JUST GO TO ITALY. 919 00:34:49,777 --> 00:34:51,710 HAVE THIS ADVENTURE WITH YOUR WIFE, AND, YOU KNOW, 920 00:34:51,813 --> 00:34:53,436 THIS WILL BE HERE FOR YOU WHEN YOU GET BACK, 921 00:34:53,539 --> 00:34:56,473 AND YOU CAN DEAL WITH IT, BUT, DAD, YOU CAN GO AWAY. 922 00:34:56,577 --> 00:34:57,923 GET A LITTLE TIME, A LITTLE PERSPECTIVE. 923 00:34:58,026 --> 00:34:59,959 - OH, COME ON, I'VE GOT A LIFETIME OF PERSPECTIVE. 924 00:35:00,063 --> 00:35:01,513 I DON'T NEED PERSPECTIVE. - GOD, DAD. 925 00:35:01,616 --> 00:35:02,376 I'M JUST ASKING YOU TO SUCK IT UP AND BE A MAN, 926 00:35:02,479 --> 00:35:03,929 AND GO TO ITALY WITH YOUR WIFE. 927 00:35:04,032 --> 00:35:06,276 - WHAT--YOU TELLING ME TO SUCK IT UP? 928 00:35:06,380 --> 00:35:07,035 YOU'RE TALKING TO YOUR FATHER LIKE THAT? 929 00:35:07,139 --> 00:35:09,141 LET ME TELL YOU SOMETHING. 930 00:35:09,245 --> 00:35:12,075 I WILL TELL YOU THE REAL REASON I'M NOT GOING. 931 00:35:12,179 --> 00:35:13,214 - OKAY, TELL ME. - OKAY, OKAY. 932 00:35:13,318 --> 00:35:14,526 I'LL TELL YOU WHY. 933 00:35:14,629 --> 00:35:17,839 I WAS NOT INVITED. 934 00:35:26,917 --> 00:35:28,195 - [sighs] 935 00:35:37,204 --> 00:35:38,170 - HMM. 936 00:35:49,630 --> 00:35:52,357 [phone rings] 937 00:35:52,460 --> 00:35:53,254 - HELLO. 938 00:35:53,358 --> 00:35:55,360 - HEY, IT'S JULIA. - HEY. 939 00:35:55,463 --> 00:35:57,051 - I'M SORRY I DIDN'T CALL YOU BACK UNTIL NOW. 940 00:35:57,155 --> 00:36:00,088 I ACTUALLY JUST FOUND YOUR MESSAGES NOW. 941 00:36:00,192 --> 00:36:01,883 - THAT'S COOL. HOW ARE YOU? 942 00:36:01,987 --> 00:36:04,058 - OH, FINE. 943 00:36:04,162 --> 00:36:05,818 JOB HUNTING, 944 00:36:05,922 --> 00:36:08,407 DOING A FEW THINGS AROUND THE HOUSE BEFORE I PICK UP THE KIDS. 945 00:36:08,511 --> 00:36:09,753 - UH-HUH. 946 00:36:09,857 --> 00:36:10,858 HOW ARE YOU? 947 00:36:15,173 --> 00:36:18,521 - REALLY NOT GOOD. 948 00:36:18,624 --> 00:36:20,695 AND DON'T TELL ME THAT EVERYTHING'S GONNA BE ALL RIGHT. 949 00:36:20,799 --> 00:36:24,009 - I WOULD NEVER TELL YOU THAT, "'CAUSE IT'S NOT," SAYS MY WIFE. 950 00:36:24,112 --> 00:36:25,735 SORRY. THAT WAS LOW HANGING FRUIT. 951 00:36:25,838 --> 00:36:28,013 SHE'S ACTUALLY THE OPTIMIST AROUND THIS HOUSE. 952 00:36:28,116 --> 00:36:30,360 SO WHAT'S GOING ON? - I DON'T KNOW. 953 00:36:30,464 --> 00:36:31,430 I'M ALL OVER THE PLACE. 954 00:36:31,534 --> 00:36:34,985 I'M EITHER YELLING AT MY KIDS, 955 00:36:35,089 --> 00:36:36,504 NOT COMMUNICATING WITH MY HUSBAND 956 00:36:36,608 --> 00:36:38,782 IN THE TEN MINUTE WINDOWS THAT WE HAVE, 957 00:36:38,886 --> 00:36:41,716 GENERALLY MAKING EVERYONE MISERABLE INCLUDING MYSELF. 958 00:36:41,820 --> 00:36:43,131 THIS IS SOUNDING WAY WORSE THAN I INTENDED, 959 00:36:43,235 --> 00:36:47,757 BUT IT'S BEEN A ROUGH WEEK. 960 00:36:47,860 --> 00:36:51,036 - YEAH, SAME HERE, AND THEN MY PHONE RANG, 961 00:36:51,139 --> 00:36:53,659 AND IT SUDDENLY GOT A LOT BETTER. 962 00:37:04,912 --> 00:37:06,016 - OH. HELLO. 963 00:37:06,120 --> 00:37:07,397 - YEAH, I'M GONNA MAKE THIS QUICK, 964 00:37:07,501 --> 00:37:08,467 AND I'M NOT GONNA COME IN. 965 00:37:08,571 --> 00:37:10,228 - I DIDN'T ASK YOU IN. 966 00:37:10,331 --> 00:37:12,575 - YEAH, UH, I WAS THINKING ABOUT WHAT YOU SAID, 967 00:37:12,678 --> 00:37:15,992 ABOUT MAX, AND THE WHOLE "BEST FRIEND" THING. 968 00:37:16,095 --> 00:37:19,306 LOOK, I DON'T KNOW-- FRIENDS, BEST FRIENDS, I DON'T-- 969 00:37:19,409 --> 00:37:22,447 LABELS, THAT'S NOT ME. 970 00:37:22,550 --> 00:37:24,311 I LIKE HIM. I LIKE MAX. 971 00:37:24,414 --> 00:37:26,623 SMART, TALENTED KID, YOU KNOW, 972 00:37:26,727 --> 00:37:28,901 AND HE'S A CAMERA NERD, LIKE I USED TO BE. 973 00:37:29,005 --> 00:37:30,765 - USED TO BE? 974 00:37:30,869 --> 00:37:31,214 - YOU STILL GOT IT. 975 00:37:31,318 --> 00:37:34,148 LOOK, HE'S EAGER. 976 00:37:34,252 --> 00:37:36,909 GOD, HE'S EAGER, THIS KID. 977 00:37:37,013 --> 00:37:39,222 I'M NOT SAYING HE DOESN'T HAVE HIS MOMENTS, 978 00:37:39,326 --> 00:37:41,466 BUT I'M SHOWING HIM THE ROPES, 979 00:37:41,569 --> 00:37:45,055 AND IT'S GOOD FOR HIM. 980 00:37:45,159 --> 00:37:47,299 AND IT'S GOOD FOR ME. 981 00:37:51,890 --> 00:37:54,202 SO THE KID STAYS. 982 00:37:54,306 --> 00:37:55,169 - THANK YOU. - YEAH. 983 00:37:55,273 --> 00:37:59,829 - GOOD, THANK YOU. 984 00:37:59,932 --> 00:38:01,969 - AND BY THE WAY, THERE WERE, LIKE, SEVEN OR EIGHT 985 00:38:02,072 --> 00:38:03,108 OTHER PICTURES OF YOU I HAD SCATTERED AROUND. 986 00:38:03,211 --> 00:38:05,455 I GOT RID OF THEM SO YOU WON'T COME UP 987 00:38:05,559 --> 00:38:07,319 IN CONVERSATION ANYMORE. 988 00:38:07,423 --> 00:38:09,632 - SHUT UP. 989 00:38:09,735 --> 00:38:11,219 - ALL RIGHT. WHAT DID YOU DO? 990 00:38:11,323 --> 00:38:13,636 YOU DID YOUR HAIR DIFFERENT? 991 00:38:13,739 --> 00:38:14,982 IS YOUR HAIR DIFFERENT? - NO. 992 00:38:15,085 --> 00:38:16,086 - OR YOUR TEETH-- DID YOU DO-- 993 00:38:16,190 --> 00:38:18,226 - DID I DO MY TEETH DIFFERENT? 994 00:38:18,330 --> 00:38:19,952 NO, THEY'RE JUST MY TEETH. 995 00:38:20,056 --> 00:38:22,955 WHAT ARE YOU SAYING? - I'M TRYING TO GET OUT. 996 00:38:23,059 --> 00:38:24,129 - OH, OKAY. 997 00:38:24,232 --> 00:38:26,096 - ALL RIGHT. I'LL SEE YOU LATER. 998 00:38:26,200 --> 00:38:27,995 - YOU JUST SAY GOOD-BYE. 999 00:38:28,098 --> 00:38:29,479 - OKAY. NO PEEKING, ALL RIGHT? 1000 00:38:29,583 --> 00:38:31,723 - RYAN, WHAT IS THIS? 1001 00:38:31,826 --> 00:38:32,586 I'M STRESSED OUT. - DON'T LOOK! 1002 00:38:32,689 --> 00:38:33,138 ARE YOU LOOKING? - OKAY, I'M NOT. 1003 00:38:33,241 --> 00:38:34,346 I DIDN'T. 1004 00:38:40,939 --> 00:38:41,111 - OKAY, OPEN THEM. 1005 00:38:46,427 --> 00:38:48,187 - THE FIRST TIME I ASKED YOU, IT WAS IMPULSIVE, 1006 00:38:48,291 --> 00:38:50,569 AND IT WAS SPUR OF THE MOMENT, 1007 00:38:50,673 --> 00:38:53,434 AND SINCE THEN I'VE HAD NOTHING BUT TIME TO THINK ABOUT IT, 1008 00:38:53,538 --> 00:38:56,368 AND I COULDN'T BE MORE SURE. 1009 00:38:56,472 --> 00:38:59,129 MY LIFE CHANGED THE DAY THAT I MET YOU, 1010 00:38:59,233 --> 00:39:03,133 AND I DON'T WANT TO SPEND ANOTHER DAY OF IT WITHOUT YOU. 1011 00:39:03,237 --> 00:39:04,445 I LOVE YOU. 1012 00:39:04,549 --> 00:39:05,964 I WANT YOU TO BE MY WIFE. 1013 00:39:09,692 --> 00:39:10,658 - RYAN. 1014 00:39:10,762 --> 00:39:13,661 - WHAT? - THAT'S--WE CAN'T AFFORD THIS. 1015 00:39:13,765 --> 00:39:16,457 - YES, OF COURSE WE COULD. I SPENT MY COMBAT PAY ON IT. 1016 00:39:16,561 --> 00:39:19,391 I WANTED TO SPEND IT ON THE RIGHT THING, AND THIS IS IT. 1017 00:39:19,495 --> 00:39:22,083 - THAT'S--THAT'S TOO MUCH. 1018 00:39:22,187 --> 00:39:23,464 - NO, NO, NO. 1019 00:39:23,568 --> 00:39:25,293 I GET EXTRA PAY FOR ACTIVE DUTY, 1020 00:39:25,397 --> 00:39:26,950 AND I WAS SAVING IT UP. 1021 00:39:27,054 --> 00:39:27,986 I WANTED TO-- 1022 00:39:28,089 --> 00:39:29,643 - ARE YOU SURE? 1023 00:39:29,746 --> 00:39:32,162 - I'VE NEVER BEEN SO SURE OF ANYTHING, EVER. 1024 00:39:32,266 --> 00:39:35,303 - HONEY, I-- 1025 00:39:35,407 --> 00:39:37,858 - IT'S OFFICIAL, ALL RIGHT? 1026 00:39:44,692 --> 00:39:46,384 - HEY. 1027 00:39:46,487 --> 00:39:49,283 - HEY, YOU. 1028 00:39:49,387 --> 00:39:52,493 UM, YOU GONNA INVITE ME IN? 1029 00:39:52,597 --> 00:39:54,633 OR SHOULD WE DO ANOTHER ONE OF THESE? 1030 00:39:54,737 --> 00:39:56,048 - OH, ALL RIGHT, YEAH. - POUND THAT? 1031 00:39:56,152 --> 00:40:00,052 - HA, HA, GREAT. 1032 00:40:00,156 --> 00:40:01,433 I'M CONFUSED. 1033 00:40:01,537 --> 00:40:03,608 HONESTLY, I MEAN... 1034 00:40:03,711 --> 00:40:06,818 WE'RE FRIENDS, YOU KNOW. 1035 00:40:06,921 --> 00:40:10,753 WE'RE ALSO MORE THAN FRIENDS, YOU KNOW, 1036 00:40:10,856 --> 00:40:12,271 AND YOU DON'T WANT A BOYFRIEND, 1037 00:40:12,375 --> 00:40:15,999 BUT THEN ALSO, YOU'RE HERE. 1038 00:40:16,103 --> 00:40:18,243 - YES. 1039 00:40:18,346 --> 00:40:20,970 - I GUESS I SHOULD JUST STOP TALKING. 1040 00:40:21,073 --> 00:40:22,005 - MM-HMM. 1041 00:40:39,782 --> 00:40:41,266 - I DON'T KNOW WHY YOU WON'T LET ME TAKE YOU. 1042 00:40:41,369 --> 00:40:42,474 THERE'S STILL TIME, YOU KNOW. 1043 00:40:42,578 --> 00:40:44,096 - BECAUSE THIS IS SO MUCH EASIER, 1044 00:40:44,200 --> 00:40:45,857 AND YOU GET TO GO BACK TO BED. 1045 00:40:45,960 --> 00:40:48,480 - RIGHT. 1046 00:40:48,584 --> 00:40:52,415 WELL, OKAY, WELL, I GUESS IT'S ARRIVEDERCI 1047 00:40:52,519 --> 00:40:53,347 OR CIAOOR WHATEVER. 1048 00:40:53,451 --> 00:40:57,455 - JUST THESE TWO? - YES, THAT'S IT. 1049 00:40:57,558 --> 00:41:01,320 TRAVELING LIGHT. 1050 00:41:01,424 --> 00:41:02,701 OKAY. 1051 00:41:02,805 --> 00:41:04,669 LET ME JUST CHECK I'VE GOT EVERYTHING. 1052 00:41:04,772 --> 00:41:05,290 TICKETS, MY GLASSES. 1053 00:41:05,393 --> 00:41:06,325 I'M GOOD. 1054 00:41:06,429 --> 00:41:11,296 - YEAH. 1055 00:41:11,399 --> 00:41:12,504 - OKAY. 1056 00:41:29,314 --> 00:41:31,592 - OKAY. 1057 00:41:31,696 --> 00:41:33,180 YOU BE CAREFUL, NELLIE. 1058 00:41:58,550 --> 00:42:01,622 [security alarm wails] 1059 00:42:04,522 --> 00:42:06,316 OH, COME ON. 1060 00:42:06,420 --> 00:42:08,318 OH, MY GOD. 1061 00:42:14,359 --> 00:42:16,050 [sighs] 1062 00:44:17,206 --> 00:44:18,172 .