1 00:00:00,897 --> 00:00:02,071 - TOOK SOME PHOTOS? - MM-HMM. 2 00:00:02,105 --> 00:00:04,659 - THESE ARE PRETTY GOOD, MAX. YOU OUGHT TO DO PEOPLE. 3 00:00:04,694 --> 00:00:06,799 - I SAY I WANT TO TALK ABOUT POSSIBLY SELLING THE HOUSE 4 00:00:06,834 --> 00:00:10,044 AND YOU PULL A YEAR-LONG PROJECT INTO THE DRIVEWAY? 5 00:00:10,079 --> 00:00:12,115 - PEET MIGHT NOT BE EXACTLY WHO YOU'RE PICTURING. 6 00:00:12,150 --> 00:00:14,807 - HI. YOU MUST BE JULIA. - HEY. 7 00:00:14,842 --> 00:00:17,224 - OPEN YOUR EYES. I DON'T WANT YOU TO MAKE THE MISTAKES I MADE. 8 00:00:17,258 --> 00:00:19,812 - YOUR MOM CALLED, LIKE, TWO OR THREE TIMES. 9 00:00:19,847 --> 00:00:20,951 - SHE'S ANNOYING. 10 00:00:20,986 --> 00:00:21,918 - YOU DON'T KNOW ROCK AND ROLL! - WHOA, WHOA, HEY. 11 00:00:21,952 --> 00:00:23,816 - I GOTTA TELL THE BAND I'M DROPPING 'EM. 12 00:00:23,851 --> 00:00:25,818 - GONNA GET THOSE SONGS BACK. 13 00:00:25,853 --> 00:00:28,338 - YOU WANT ASHES OF ROME TO COME BACK HERE. 14 00:00:28,373 --> 00:00:29,270 - THANK YOU. 15 00:00:30,582 --> 00:00:33,343 - OKAY, DO YOU WANT HEAVY OR LIGHT PEANUT BUTTER? 16 00:00:33,378 --> 00:00:34,689 - YOU ALREADY MADE MY SANDWICH. 17 00:00:34,724 --> 00:00:36,139 - I DIDN'T MAKE-- - YEAH, YOU DID. 18 00:00:36,174 --> 00:00:38,590 - I DIDN'T MAKE YOUR SANDWICH. - RIGHT THERE. 19 00:00:38,624 --> 00:00:39,591 - OH, MY GOD, I DID MAKE YOUR SANDWICH. 20 00:00:39,625 --> 00:00:40,833 WHAT AN IDIOT. OKAY. UM... 21 00:00:40,868 --> 00:00:44,320 - YESTERDAY YOU GAVE ME TWO THERMOSES. I ONLY NEED ONE. 22 00:00:44,354 --> 00:00:45,459 - WELL, THAT WAS INTENTIONAL, THOUGH, 23 00:00:45,493 --> 00:00:47,599 BECAUSE I'M REALLY CONCERNED ABOUT YOUR HYDRATION. 24 00:00:47,633 --> 00:00:49,083 IT'S MY TOP PRIORITY. 25 00:00:49,118 --> 00:00:50,878 - HEY, I CAN'T FIND HIS BACKPACK ANYWHERE. 26 00:00:50,912 --> 00:00:52,190 ARE YOU SURE YOU BROUGHT IT HOME FROM SCHOOL YESTERDAY? 27 00:00:52,224 --> 00:00:54,261 - HONEY, I DIDN'T PICK HIM UP YESTERDAY, YOU PICKED HIM UP. 28 00:00:54,295 --> 00:00:55,124 [knock on door] - NO, I DIDN'T. 29 00:00:55,158 --> 00:00:55,986 - YES, YOU PICKED HIM UP FROM SCHOOL. 30 00:00:56,021 --> 00:00:57,126 - HEY, EVERYBODY. - HEY, UNCLE ADAM. 31 00:00:57,160 --> 00:00:59,818 - SORRY FOR THE INTRUSION. - NO PROBLEM, NO PROBLEM. 32 00:00:59,852 --> 00:01:01,406 - JUST HAVE SOME MORE HAND-ME-DOWNS FROM NORA THERE. 33 00:01:01,440 --> 00:01:03,477 - OH, THANK YOU. - HI, UNCLE ADAM. 34 00:01:03,511 --> 00:01:04,478 - JABBAR, WHAT'S GOING ON, BUDDY? 35 00:01:04,512 --> 00:01:05,686 - NOTHING. - COMING IN HOT. 36 00:01:05,720 --> 00:01:06,549 - WHAT A BEAUTIFUL DAY. - COME ON, LET'S GET YOUR SHOES. 37 00:01:06,583 --> 00:01:08,102 - YEAH, THAT'S A NUMBER TWO, I THINK. 38 00:01:08,137 --> 00:01:10,518 - OH, YEAH? - YEAH, WE GOT A-- 39 00:01:10,553 --> 00:01:12,417 - GOT A LITTLE FRESH LOAD THERE? - WE SURE DO. 40 00:01:12,451 --> 00:01:14,522 - LISTEN TO ME. I HAVE GOT SOME GREAT NEWS. 41 00:01:14,557 --> 00:01:15,765 WE GOT THE RIGHTS. 42 00:01:15,799 --> 00:01:17,525 - CONGRATULATIONS. - TO THE SONGS. 43 00:01:17,560 --> 00:01:18,802 - WHAT SONGS? 44 00:01:18,837 --> 00:01:20,149 - TO THE ASHES OF ROME SONGS. 45 00:01:20,183 --> 00:01:21,736 THE THREE SONGS WE ALREADY RECORDED. 46 00:01:21,771 --> 00:01:23,842 THE LABEL SAID WE COULD HAVE 'EM. 47 00:01:23,876 --> 00:01:24,912 - YOU GOT THEM TO GIVE YOU THOSE SONGS. 48 00:01:24,946 --> 00:01:27,777 - YES, I DID. 49 00:01:27,811 --> 00:01:29,779 - WHAT DEAL DID YOU MAKE? THEY DON'T JUST GIVE SONG--WHOO! 50 00:01:29,813 --> 00:01:31,746 - I MADE A SWEETHEART DEAL. THAT'S ALL YOU NEED TO KNOW. 51 00:01:31,781 --> 00:01:32,678 - YOU MADE A SWEETHEART DEAL. - YES, I DID. 52 00:01:32,713 --> 00:01:34,232 - WHAT IS THE SWEETHEART DEAL? 53 00:01:34,266 --> 00:01:37,821 - I SIMPLY TRADED THE STUDIO TIME FOR THE SONGS. 54 00:01:37,856 --> 00:01:40,617 - THAT WAS 72 BILLABLE HOURS! - ALL RIGHT, I KNOW, I KNOW. 55 00:01:40,652 --> 00:01:41,825 BUT THESE ARE THE FIRST... - THEY WERE MY HOURS. 56 00:01:41,860 --> 00:01:43,344 - THREE SONGS ON THE FIRST ALBUM--WE TALKED ABOUT THIS. 57 00:01:43,379 --> 00:01:44,932 - YEAH. 58 00:01:44,966 --> 00:01:47,797 - I SAID, "I'M GONNA GO GET THE SONGS," YOU SAID, "OKAY." 59 00:01:47,831 --> 00:01:49,488 - BUT I DIDN'T REALLY THINK YOU WOULD 60 00:01:49,523 --> 00:01:51,559 POSSIBLY BE ABLE TO PULL IT OFF. 61 00:01:51,594 --> 00:01:53,147 - WELL, THAT WAS YOUR MISTAKE. 62 00:01:53,182 --> 00:01:54,493 YOU DIDN'T BELIEVE IN ME. BUT LOOK AT ME. I GOT THE SONGS. 63 00:01:54,528 --> 00:01:55,529 - KIND OF. - LISTEN, YOU SAID-- 64 00:01:55,563 --> 00:01:58,325 - BY GIVING AWAY MY LABOR... - LISTEN TO ME. 65 00:01:58,359 --> 00:01:59,360 - YOU PULLED IT OFF. - YOU SAID THEY'RE GOOD. 66 00:01:59,395 --> 00:02:01,362 YOU SAID THAT THEY'RE GOOD SONGS AND HE CAN SING. 67 00:02:01,397 --> 00:02:03,261 - HE'S A GREAT SINGER. YOU'RE RIGHT. 68 00:02:03,295 --> 00:02:04,124 BUT HE IS INSUFFERABLE, AND I'M NOT GONNA WORK WITH HIM. 69 00:02:04,158 --> 00:02:06,298 - THIS IS A GOOD THING, ALL RIGHT? 70 00:02:06,333 --> 00:02:08,921 SO YOU GOTTA MAN UP. I WANT YOU TO BE EXCITED. 71 00:02:08,956 --> 00:02:11,372 THE LUNCHEONETTE LABEL IS ALIVE AND WELL. WE'RE MAKING AN ALBUM. 72 00:02:11,407 --> 00:02:14,617 - I'LL TELL YOU WHAT, I WILL MAN UP IF YOU MAN UP. 73 00:02:14,651 --> 00:02:16,860 ALL RIGHT, DEAL MAKER? DEAL WITH THAT FOR ME. 74 00:02:16,895 --> 00:02:20,933 MAKE A DEAL. MAKE A DEAL WITH THE HAMPER ON THAT, OKAY? 75 00:02:20,968 --> 00:02:21,934 - I'LL SEE YOU AT WORK. ALL RIGHT? 76 00:02:21,969 --> 00:02:23,177 [bell rings] 77 00:02:23,212 --> 00:02:26,905 - ♪ I KNOW YOU GOT MY NUMBER 78 00:02:26,939 --> 00:02:29,528 - MAX BRAVERMAN, CEDAR KNOLL YEARBOOK. 79 00:02:29,563 --> 00:02:30,978 - WAIT, MAX, I DON'T HAVE MY LIP GLOSS ON. 80 00:02:31,012 --> 00:02:31,841 - WE WEREN'T SMILING. - IT DOESN'T MATTER. 81 00:02:31,875 --> 00:02:33,808 PHOTOGRAPHY'S ABOUT REAL MOMENTS. 82 00:02:33,843 --> 00:02:34,775 - FAKE SMILES ARE NOT REAL MOMENTS. 83 00:02:34,809 --> 00:02:36,639 - ♪ I GOT SOMETHING ON YOU 84 00:02:36,673 --> 00:02:38,572 - MAX BRAVERMAN, CEDAR KNOLL YEARBOOK. 85 00:02:38,606 --> 00:02:40,643 [shutter clicks] 86 00:02:40,677 --> 00:02:45,510 - ♪ YOU KNOW ME AND MY WEAKNESS ♪ 87 00:02:45,544 --> 00:02:49,410 ♪ AND YOU KNOW MY BIGGEST SECRET ♪ 88 00:02:49,445 --> 00:02:52,310 ♪ STILL I THINK THAT I GOT SOMETHING ON YOU ♪ 89 00:02:52,344 --> 00:02:55,002 - IS HE TAKING OUR PICTURE? - WHAT ARE YOU DOING? 90 00:02:55,036 --> 00:02:55,934 - WHAT'S YOUR PROBLEM? - MAX BRAVERMAN, 91 00:02:55,968 --> 00:02:57,384 CEDAR KNOLL YEARBOOK. 92 00:02:57,418 --> 00:02:59,386 - STOP IT, GET AWAY FROM ME! - SHE'S CRYING. 93 00:02:59,420 --> 00:03:00,904 - SO? - DON'T BE A JERK. 94 00:03:00,939 --> 00:03:02,354 - I'M CAPTURING MOMENTS FOR THE YEARBOOK--REAL MOMENTS. 95 00:03:02,389 --> 00:03:04,356 - GO AWAY! - WHAT'S WRONG WITH YOU? 96 00:03:04,391 --> 00:03:07,256 - GET AWAY FROM ME! STOP IT! 97 00:03:07,290 --> 00:03:08,981 - JUST LEAVE US ALONE, FREAK. 98 00:03:09,016 --> 00:03:10,535 - JUST GO AWAY. 99 00:03:10,569 --> 00:03:12,778 - ♪ SWEET-EET-EET PERSUASION 100 00:03:12,813 --> 00:03:14,918 ♪ I'VE GOT A HARD 101 00:03:14,953 --> 00:03:19,475 ♪ REPUTATION 102 00:03:19,509 --> 00:03:21,925 [shutter clicking] 103 00:03:21,960 --> 00:03:23,962 - HEY. 104 00:03:23,996 --> 00:03:25,722 HEY, HEY, HEY, M-MILLIE, LOOK. 105 00:03:25,757 --> 00:03:28,277 THERE SHE IS AGAIN. SHE'S TAKING PICTURES. 106 00:03:28,311 --> 00:03:29,968 - HEY! HEY! - ZEEK. ZEEK. 107 00:03:30,002 --> 00:03:31,003 - HEY. [whistles] HELLO! - SHE'S NOT BOTHERING ANYONE. 108 00:03:31,038 --> 00:03:32,281 - WHAT ARE YOU DOING? - HI. HI. I AM SO SORRY. 109 00:03:32,315 --> 00:03:33,385 - SHE'S NOT BOTHERING ANYONE. - WELL, SHE'S BOTHERING ME. 110 00:03:33,420 --> 00:03:36,768 - I SHOULD'VE INTRODUCED MYSELF. I'M KAREN FILLMAN. 111 00:03:36,802 --> 00:03:37,907 CORNING REALTY. - CAMILLE BRAVERMAN. 112 00:03:37,941 --> 00:03:39,874 MY HUSBAND ZEEK. - NICE TO MEET YOU, ZEEK. 113 00:03:39,909 --> 00:03:41,393 YOU GUYS, THIS PLACE IS SO GORGEOUS. 114 00:03:41,428 --> 00:03:44,258 I WAS JUST IN THE NEIGHBORHOOD 115 00:03:44,293 --> 00:03:46,536 DROPPING OFF PAPERS AT THE TAYLORS' PLACE. 116 00:03:46,571 --> 00:03:49,436 - OH, I HEARD THEY SOLD. - THEY DID. 30% OVER ASKING. 117 00:03:49,470 --> 00:03:51,852 FIVE SOLID OFFERS. I'VE NEVER SEEN ANYTHING LIKE IT. 118 00:03:51,886 --> 00:03:53,094 THIS PLACE IS A GOLDMINE. 119 00:03:53,129 --> 00:03:55,338 - DID THE TAYLORS HAVE TO DO A LOT OF WORK TO THEIR HOUSE 120 00:03:55,373 --> 00:03:57,961 BEFORE THEY PUT IT UP ON THE MARKET? 121 00:03:57,996 --> 00:04:00,378 BECAUSE WE HAVEN'T DONE ANYTHING IN SO LONG, 122 00:04:00,412 --> 00:04:02,345 AND TELL YOU THE TRUTH, WE NEED A NEW ROOF. 123 00:04:02,380 --> 00:04:03,484 - SURE, THE TAYLORS' HOUSE WAS MODERNIZED, 124 00:04:03,519 --> 00:04:06,280 BUT IT DOESN'T HAVE THE CHARM THAT THIS PLACE HAS. 125 00:04:06,315 --> 00:04:07,419 THIS ONE WOULD SELL AT TOP OF THE MARKET. 126 00:04:07,454 --> 00:04:10,629 A HANDYMAN SPECIAL LIKE THIS WOULD GO IN A SECOND. 127 00:04:10,664 --> 00:04:11,527 IF YOU WANT I COULD TAKE A LOOK, 128 00:04:11,561 --> 00:04:13,494 I COULD MAYBE GIVE YOU A PRICE RANGE, 129 00:04:13,529 --> 00:04:15,358 GET YOU A BETTER IDEA OF WHAT IT'S WORTH. 130 00:04:15,393 --> 00:04:17,498 - THAT WOULD BE GREAT. - NO, I DON'T THINK SO. 131 00:04:17,533 --> 00:04:20,052 WHAT'D YOU CALL THIS, A HANDYMAN SPECIAL? 132 00:04:20,087 --> 00:04:21,640 - I-I DIDN'T MEAN ANYTHING BY IT, MR. BRAVERMAN. 133 00:04:21,675 --> 00:04:23,401 - YEAH, WELL, IT'S GONNA STAY A HANDYMAN SPECIAL 134 00:04:23,435 --> 00:04:25,748 IF I HAVE ANYTHING TO SAY ABOUT IT. 135 00:04:25,782 --> 00:04:27,094 NICE MEETING YOU. SEE YOU LATER. 136 00:04:27,128 --> 00:04:29,338 - SO YOU PLUNGED IT, EH? - I PLUNGED IT LIKE CRAZY. 137 00:04:29,372 --> 00:04:30,960 - OKAY. - I'M NOT A PLUNGER. 138 00:04:30,994 --> 00:04:35,067 - [chuckles] IS THE CLOG VERY VISIBLE? 139 00:04:35,102 --> 00:04:37,553 - NO, NOTHING, TOTALLY-- WATCH YOUR STEP. TOTALLY CLEAN. 140 00:04:37,587 --> 00:04:40,728 - OH. OH. OH, OKAY. - YEAH. YOU KNOW? 141 00:04:40,763 --> 00:04:42,420 - WE HAD THIS PROBLEM IN 4E LAST WEEK, AND THIS-- 142 00:04:42,454 --> 00:04:44,491 OOPSIE. - WOW. 143 00:04:44,525 --> 00:04:46,009 - THIS BABY FIXED IT RIGHT UP. SO I THINK-- 144 00:04:46,044 --> 00:04:46,872 - DO YOU NEED HELP? 145 00:04:46,907 --> 00:04:48,046 - YOU'VE COME TO THE RIGHT PLACE. 146 00:04:48,080 --> 00:04:49,047 - WHAT IS THAT BABY? 147 00:04:49,081 --> 00:04:52,326 - THIS IS A PLUMBING SNAKE. 148 00:04:52,361 --> 00:04:53,948 - IS THAT FOR TOILETS? - YEAH. 149 00:04:53,983 --> 00:04:55,329 - OKAY. - AND WHAT WE'RE GONNA DO... 150 00:04:55,364 --> 00:04:56,744 - LOOK AT YOU. 151 00:04:56,779 --> 00:04:57,987 - IS REALLY, LIKE, WORK THAT CLOG. 152 00:04:58,021 --> 00:04:58,919 - I'D LIKE TO OFFER HELP, BUT I'M USELESS. 153 00:04:58,953 --> 00:04:59,954 - NO, IT'S OKAY. [grunts] 154 00:04:59,989 --> 00:05:02,371 GIVE IT A REAL GOOD-- [growls] 155 00:05:02,405 --> 00:05:05,028 - IS THAT TOO HARD? - REALLY GET IN THERE. 156 00:05:05,063 --> 00:05:06,996 THINK I FELT SOMETHING MOVE, SO... 157 00:05:07,030 --> 00:05:08,100 - NEED HELP? - NO. 158 00:05:08,135 --> 00:05:10,896 - 'CAUSE I CAN'T OFFER IT. - YOU SHOULD BE ALL SET. 159 00:05:10,931 --> 00:05:12,139 [toilet flushes] HA! 160 00:05:12,173 --> 00:05:14,624 - REALLY? - YEAH. 161 00:05:20,734 --> 00:05:23,978 - JOB WELL DONE. 162 00:05:24,013 --> 00:05:26,602 ♪ MAY GOD BLESS AND KEEP YOU ALWAYS ♪ 163 00:05:26,636 --> 00:05:28,466 ♪ AND MAY YOUR WISHES ALL COME TRUE ♪ 164 00:05:28,500 --> 00:05:31,572 ♪ MAY YOU ALWAYS DO FOR OTHERS ♪ 165 00:05:31,607 --> 00:05:34,023 ♪ AND LET OTHERS DO FOR YOU 166 00:05:34,057 --> 00:05:36,577 ♪ MAY YOU BUILD A LADDER TO THE STARS ♪ 167 00:05:36,612 --> 00:05:38,786 ♪ AND CLIMB ON EVERY RUNG 168 00:05:38,821 --> 00:05:41,099 ♪ AND MAY YOU STAY 169 00:05:41,133 --> 00:05:43,653 ♪ FOREVER YOUNG 170 00:05:43,688 --> 00:05:45,517 ♪ MAY YOU GROW UP TO BE RIGHTEOUS ♪ 171 00:05:45,552 --> 00:05:48,555 ♪ MAY YOU GROW UP TO BE TRUE ♪ 172 00:05:48,589 --> 00:05:51,143 ♪ MAY YOU ALWAYS KNOW THE TRUTH ♪ 173 00:05:51,178 --> 00:05:52,490 ♪ AND SEE THE LIGHTS SURROUNDING YOU ♪ 174 00:05:52,524 --> 00:05:56,114 ♪ MAY YOU ALWAYS BE COURAGEOUS ♪ 175 00:05:56,148 --> 00:05:57,391 ♪ STAND UPRIGHT AND BE STRONG ♪ 176 00:05:57,426 --> 00:05:59,186 ♪ AND MAY YOU STAY 177 00:05:59,220 --> 00:06:02,948 ♪ FOREVER YOUNG 178 00:06:02,983 --> 00:06:04,398 ♪ MAY YOU STAY 179 00:06:04,433 --> 00:06:07,919 ♪ FOREVER YOUNG 180 00:06:11,750 --> 00:06:13,890 - I ORDERED THE SAUSALITOS, BUT I CAN CANCEL THEM. 181 00:06:13,925 --> 00:06:15,789 SO LET ME JUST MAKE SURE I HAVE THIS. 182 00:06:15,823 --> 00:06:17,860 YOU WANT ME TO MOVE THE WINDOWS 183 00:06:17,894 --> 00:06:19,758 SO THEY'RE FACING SOUTH AND WEST. 184 00:06:19,793 --> 00:06:22,899 OKAY. YUP. 185 00:06:22,934 --> 00:06:23,969 I'LL SEE YOU THEN. 186 00:06:24,004 --> 00:06:26,869 [sighs] - PEET WANTS MORE CHANGES? 187 00:06:26,903 --> 00:06:29,906 - YEAH, IT'S PART OF HER CREATIVE PROCESS. 188 00:06:29,941 --> 00:06:32,737 - [chuckles] THAT'S VERY NICE OF YOU TO CALL IT THAT. 189 00:06:32,771 --> 00:06:34,808 - I MEAN, I CAN DO THE WORK, 190 00:06:34,842 --> 00:06:37,189 IT'S JUST HOW MANY TIMES IS SHE GONNA CHANGE HER MIND? 191 00:06:37,224 --> 00:06:39,226 - WELL, UNTIL YOU PUT YOUR FOOT DOWN, BABE. 192 00:06:39,260 --> 00:06:41,090 - OKAY, HONEY, SHE'S AN ARCHITECT. 193 00:06:41,124 --> 00:06:42,816 IT'S NOT LIKE I CAN TELL HER TO STOP HAVING IDEAS. 194 00:06:42,850 --> 00:06:45,508 - OKAY, BUT YOU CAN BILL FOR THE EXTRA HOURS. 195 00:06:45,543 --> 00:06:47,648 - THE BID IS THE BID. 196 00:06:47,683 --> 00:06:49,788 - AM I NOT ALLOWED TO TALK TO YOU ABOUT THIS? 197 00:06:49,823 --> 00:06:50,927 - NO, SORRY, I'M JUST-- I'M PISSED. 198 00:06:50,962 --> 00:06:54,137 - OKAY, WELL, I'M NOT GONNA GET IN THE MIDDLE OF IT, 199 00:06:54,172 --> 00:06:56,692 BUT YOU AGREED TO A JOB AND THAT JOB IS CHANGING, SO... 200 00:06:56,726 --> 00:06:58,452 PEOPLE LIKE HER WILL TAKE ADVANTAGE OF YOU. 201 00:06:58,487 --> 00:06:59,315 I KNOW, I'VE BEEN THERE. 202 00:06:59,349 --> 00:07:01,524 - OKAY, WELL, THE SECOND I REALIZE 203 00:07:01,559 --> 00:07:03,008 SHE'S TAKING ADVANTAGE OF ME, I WILL TELL HER. 204 00:07:03,043 --> 00:07:05,977 - GOOD. - GOOD. 205 00:07:06,011 --> 00:07:07,150 - IT'S REALLY GOOD TO HAVE BOUNDARIES, YOU KNOW? 206 00:07:07,185 --> 00:07:09,601 FROM THE OUTSET. - MM-HMM. 207 00:07:09,636 --> 00:07:11,707 - I MEAN, WE DIDN'T SEND A FAX AT THE FIRM WITHOUT CHARGING. 208 00:07:11,741 --> 00:07:13,605 - YEAH, THIS IS NOT THE FIRM. 209 00:07:13,640 --> 00:07:15,124 THIS IS A TOTALLY DIFFERENT THING. 210 00:07:15,158 --> 00:07:18,714 - ALL I'M SAYING IS YOU DON'T WANT TO END UP IN A SITUATION 211 00:07:18,748 --> 00:07:19,749 WHERE YOU'RE COMPLETELY BEHIND 212 00:07:19,784 --> 00:07:21,993 OR YOU'VE COMPLETELY EATEN INTO YOUR PROFITS 213 00:07:22,027 --> 00:07:23,097 AND YOU HAVE A FAMILY TO THINK OF. 214 00:07:23,132 --> 00:07:24,823 - YOU'RE RIGHT. I'LL TALK TO HER. 215 00:07:24,858 --> 00:07:26,929 - OKAY. 216 00:07:26,963 --> 00:07:28,482 YOU CAN FRAME IT AS A CONVERSATION 217 00:07:28,517 --> 00:07:30,104 ABOUT YOUR CREATIVE PROCESS TOGETHER, 218 00:07:30,139 --> 00:07:32,106 AND SHE'LL NEVER EVEN KNOW YOU'RE TALKING ABOUT BOUNDARIES. 219 00:07:32,141 --> 00:07:33,073 [cell phone rings] - ARE YOU KIDDING ME? 220 00:07:33,107 --> 00:07:35,938 - PEET AGAIN? - YOUR SISTER. 221 00:07:35,972 --> 00:07:39,700 HEY, SARAH. 222 00:07:39,735 --> 00:07:41,253 YEAH, OKAY. 223 00:07:41,288 --> 00:07:44,084 UM, NO, YOU CAN'T SNAKE IT THROUGH THE TOILET BOWL. 224 00:07:44,118 --> 00:07:45,844 YOU HAVE TO USE THE OUTSIDE LINE. 225 00:07:45,879 --> 00:07:46,949 OH, YOU DID. 226 00:07:46,983 --> 00:07:51,643 OKAY. UH, I'LL TAKE CARE OF IT. 227 00:07:51,678 --> 00:07:53,852 YOU GOT IT. - [clears throat] 228 00:07:53,887 --> 00:07:55,302 - HOW DO I SET BOUNDARIES WITH YOUR SISTER? 229 00:07:55,336 --> 00:07:57,062 - HER YOU JUST HELP. 230 00:07:57,097 --> 00:08:00,065 - WE KNOW THAT THIS HAS BEEN A ROUGH WEEK FOR YOU GUYS. 231 00:08:00,100 --> 00:08:03,103 - YEAH. I QUIT MY CUSH GRAPHICS JOB TO RECORD THIS ALBUM. 232 00:08:03,137 --> 00:08:05,036 - LOOK, SCREW THE LABEL, MAN. 233 00:08:05,070 --> 00:08:07,590 THEY TALK A SWEET GAME 234 00:08:07,625 --> 00:08:09,316 STRUTTING OUT THEIR PIMP A&R GUY 235 00:08:09,350 --> 00:08:11,283 WITH SOME ROCK CREDENTIAL CREDIT FROM 1940, ALL LIKE, 236 00:08:11,318 --> 00:08:14,217 "I DISCOVERED THE BASS PLAYER FOR MINOR THREAT, 237 00:08:14,252 --> 00:08:16,047 SO I KNOW WHAT ROCK AND ROLL IS." 238 00:08:16,081 --> 00:08:17,082 - I THINK MINOR THREAT'S 1980, BUT YEAH, THAT'S A VALID POINT. 239 00:08:17,117 --> 00:08:19,153 - ALL RIGHT, LET'S NOT QUIBBLE OVER DETAILS. 240 00:08:19,188 --> 00:08:21,052 - WHATEVER, MAN, 241 00:08:21,086 --> 00:08:23,779 IT'S ALL PART OF THE SAME KATY PERRY SAUSAGE FACTORY. 242 00:08:23,813 --> 00:08:26,264 I JUST DON'T WANT TO BE A CREATIVE HOSTAGE ANYMORE, OKAY? 243 00:08:26,298 --> 00:08:27,817 - I GET THAT, AND WE DON'T WANT YOU 244 00:08:27,852 --> 00:08:29,267 TO BE A CREATIVE HOSTAGE EITHER, 245 00:08:29,301 --> 00:08:31,994 AND THAT'S WHY WE WANT TO PRODUCE YOUR RECORD. 246 00:08:32,028 --> 00:08:35,204 OKAY, AND WE WANT YOUR CREATIVITY TO JUST FLOW FREELY. 247 00:08:35,238 --> 00:08:37,931 JUST FREE FLOW. RIGHT? 248 00:08:37,965 --> 00:08:40,209 - GATES WIDE OPEN. FULL DELUGE OF CREATIVITY. 249 00:08:40,243 --> 00:08:41,900 - WOULD YOU PLEASE? 250 00:08:41,935 --> 00:08:43,592 - VIVA CREATIVITY. 251 00:08:43,626 --> 00:08:45,179 - THAT'S AWESOME YOU FLIPPED A BUNCH OF SWITCHES 252 00:08:45,214 --> 00:08:46,146 BACK IN THE DAY. 253 00:08:46,180 --> 00:08:48,044 - MM. 254 00:08:48,079 --> 00:08:48,907 - BUT THIS IS A RECORD, AND YOU GOTTA PRODUCE IT. 255 00:08:48,942 --> 00:08:51,738 YOU'RE PRODUCING MY RECORD. - RIGHT. 256 00:08:51,772 --> 00:08:54,223 - WHAT ABOUT THE SONGS WE ALREADY RECORDED? 257 00:08:54,257 --> 00:08:55,776 - OH, YOU'RE GONNA LIKE THIS. 258 00:08:55,811 --> 00:08:58,779 TELL 'EM ABOUT THE SWEETHEART DEAL YOU BROKERED. 259 00:08:58,814 --> 00:09:00,816 - I MADE A DEAL WITH YOUR FORMER LABEL. 260 00:09:00,850 --> 00:09:02,162 IN EXCHANGE FOR THE AMOUNT 261 00:09:02,196 --> 00:09:03,681 THAT THEY OWED FOR THE RECORDING TIME... 262 00:09:03,715 --> 00:09:04,785 - I.E. MY LABOR. 263 00:09:04,820 --> 00:09:08,375 - WE HAVE THE SONGS. WE OWN THE SONGS. 264 00:09:08,409 --> 00:09:10,101 AND THAT WAS A BIG PAYDAY FOR US, 265 00:09:10,135 --> 00:09:12,931 AND I THINK THAT SPEAKS TO HOW MUCH WE BELIEVE IN YOU GUYS. 266 00:09:12,966 --> 00:09:14,001 - I DON'T KNOW. SOUNDS GOOD TO ME, MAN. 267 00:09:14,036 --> 00:09:16,556 - DOES IT? - YEAH. 268 00:09:20,939 --> 00:09:25,185 - WHY SHOULD WE TAKE A CHANCE ON YOU GUYS? 269 00:09:25,219 --> 00:09:27,877 - WE'RE TAKING A CHANCE ON YOU. 270 00:09:31,053 --> 00:09:33,331 - ALL RIGHT, WHATEVER. I JUST WANNA MAKE MUSIC. 271 00:09:33,365 --> 00:09:34,781 - GREAT. LET'S MAKE A GREAT ALBUM. WE HAVE A DEAL? 272 00:09:34,815 --> 00:09:36,334 - YUP. WHATEVER. - LET'S DO IT. 273 00:09:36,368 --> 00:09:37,404 - LET'S GO. - ALL RIGHT. 274 00:09:37,438 --> 00:09:39,717 - YOU GOT A NICE, FIRM "WHATEVER." 275 00:09:39,751 --> 00:09:42,133 - CROSBY, WOULD YOU PLEASE? - NO, THIS IS GONNA BE GREAT. 276 00:09:42,167 --> 00:09:43,893 - LET'S GET CRACKIN'. COME ON, LET'S MAKE THIS ALBUM. 277 00:09:43,928 --> 00:09:44,894 - YEAH. THIS FEELS MOMENTOUS. 278 00:09:44,929 --> 00:09:47,345 - OH, GOD, I AM SO, SO SORRY, MR. CARLSON. 279 00:09:47,379 --> 00:09:50,244 LOOK, SOMETIMES EMOTIONS ARE SO HARD FOR MAX TO READ. 280 00:09:50,279 --> 00:09:52,074 YOU HAVE TO UNDERSTAND THAT, YOU KNOW, 281 00:09:52,108 --> 00:09:53,420 HE'S COME SUCH A LONG WAY. 282 00:09:53,454 --> 00:09:55,836 BUT I WILL SIT DOWN WITH HIM TONIGHT 283 00:09:55,871 --> 00:09:57,355 AND I WILL EXPLAIN TO HIM 284 00:09:57,389 --> 00:09:59,288 WHY IT WAS SO INAPPROPRIATE TO TAKE THAT PHOTO. 285 00:09:59,322 --> 00:10:01,739 I PROMISE YOU THIS WILL NEVER HAPPEN AGAIN. 286 00:10:01,773 --> 00:10:02,912 IT WON'T. IT JUST WON'T. 287 00:10:02,947 --> 00:10:03,844 - THE GIRL WAS CRYING, MRS. BRAVERMAN, 288 00:10:03,879 --> 00:10:06,364 AND SHE ASKED MAX TO STOP TAKING PICTURES, 289 00:10:06,398 --> 00:10:08,366 AND HE WOULDN'T. 290 00:10:08,400 --> 00:10:10,989 SO NOW THE GIRL'S PARENTS ARE FREAKING OUT AT ME, 291 00:10:11,024 --> 00:10:14,717 'CAUSE APPARENTLY THE FAMILY DOG DIED THAT MORNING. 292 00:10:14,752 --> 00:10:16,374 - THEY HAVE A DO-- OH, WE HAVE A DOG. OTIS. 293 00:10:16,408 --> 00:10:18,272 WE RESCUED IT. IF IT DIED IT WOULD BE... 294 00:10:18,307 --> 00:10:22,138 YOU KNOW WHAT, MAYBE WHAT I CAN DO IS CALL THE PARENTS 295 00:10:22,173 --> 00:10:24,865 AND SOMETIMES ALL YOU NEED IS A LITTLE COMMUNICATION 296 00:10:24,900 --> 00:10:26,660 AND JUST IT'LL SMOOTH EVERYTHING OVER, 297 00:10:26,695 --> 00:10:28,213 AND IT'LL BE FINE. YOU'LL SEE. - NOT NECESSARY. 298 00:10:28,248 --> 00:10:29,076 IT'S ALL CLEARED UP. - IT'LL BE FINE. GOOD. 299 00:10:29,111 --> 00:10:32,148 - BUT I WANT TO MOVE MAX TO LAYOUT. 300 00:10:32,183 --> 00:10:34,116 - WELL, LAYOUT'S WHERE YOU MOVE PICTURES AROUND. 301 00:10:34,150 --> 00:10:36,705 ISN'T IT? WHERE YOU JUST SORT OF PUT 'EM ON PAPER. 302 00:10:36,739 --> 00:10:37,429 - DESIGN IS A HUGE PART OF THE YEARBOOK. 303 00:10:37,464 --> 00:10:38,879 - RIGHT. 304 00:10:38,914 --> 00:10:40,881 I GET IT, BUT SEE, MAX IS A PHOTOGRAPHER. 305 00:10:40,916 --> 00:10:43,159 LIKE, HE'S-- HE'S LOVING THIS SO MUCH. 306 00:10:43,194 --> 00:10:44,747 AND IT'S SO GOOD FOR HIM. - MM-HMM. 307 00:10:44,782 --> 00:10:47,785 AND I GET THAT YOU WANT TO DO WHAT'S BEST FOR YOUR KID. 308 00:10:47,819 --> 00:10:50,995 BUT THERE'S 27 OF THEM IN HERE 309 00:10:51,029 --> 00:10:52,341 WHO WANT TO MAKE THIS THE BEST YEARBOOK EVER. 310 00:10:52,375 --> 00:10:56,759 AND YEARBOOK IS ABOUT BEST HAIR AND CUTEST COUPLE. 311 00:10:56,794 --> 00:10:58,243 - MM-HMM. I REMEMBER. I WAS--I GET-- 312 00:10:58,278 --> 00:11:01,764 - YEAH. GREAT. MAX DOESN'T REALLY GET THAT. 313 00:11:01,799 --> 00:11:04,871 OKAY, WE SENT HIM LAST WEEK TO GET PHOTOS 314 00:11:04,905 --> 00:11:07,183 FOR THE GIRL'S VARSITY GAME. - MM-HMM. 315 00:11:07,218 --> 00:11:10,428 - AND HE STEPPED ONTO THE COURT WITH THE CLOCK STILL RUNNING. 316 00:11:10,462 --> 00:11:13,155 - [sighs] I DIDN'T KNOW THIS. 317 00:11:13,189 --> 00:11:14,881 I WISH SOMEBODY WOULD HAVE-- - NO BIG DEAL. 318 00:11:14,915 --> 00:11:16,020 HE CAN ALWAYS TAKE PICTURES. 319 00:11:16,054 --> 00:11:19,782 JUST NOT FOR THE YEARBOOK. 320 00:11:19,817 --> 00:11:21,991 - [sighs] 321 00:11:25,374 --> 00:11:26,927 - MRS. BRAVERMAN. HEY. 322 00:11:26,962 --> 00:11:29,481 - IT'S SARAH. HEY. 323 00:11:29,516 --> 00:11:30,448 COME IN. 324 00:11:30,482 --> 00:11:31,380 - [clears throat] 325 00:11:35,798 --> 00:11:38,421 - CAN I GET YOU ANYTHING TO DRINK? 326 00:11:38,456 --> 00:11:40,976 - NO. LET'S JUST JUMP RIGHT IN. 327 00:11:41,010 --> 00:11:42,046 - OKAY. 328 00:11:42,080 --> 00:11:46,015 UM, WHEN AMBER AND I HAD OUR THING, 329 00:11:46,050 --> 00:11:48,259 I'M CONCERNED ABOUT IT JUST BEING A RUSH. 330 00:11:48,293 --> 00:11:52,194 AND, YOU KNOW, SHE HASN'T SPOKEN TO ME IN A COUPLE OF DAYS. 331 00:11:52,228 --> 00:11:53,920 - WHOA, WHOA, I'M SORRY, STOP. STOP. STOP. 332 00:11:53,954 --> 00:11:55,922 - IT'S NOT PERSONAL TO YOU. - NO, I THINK THAT WE'RE-- 333 00:11:55,956 --> 00:11:57,130 WE'RE TALKING, MAYBE, ABOUT DIFFERENT THINGS. 334 00:11:57,164 --> 00:12:00,961 I WAS TALKING ABOUT THE TOILET. LIKE, ISN'T THERE A... 335 00:12:00,996 --> 00:12:01,962 THERE'S A BUSTED... 336 00:12:01,997 --> 00:12:03,170 TOILET HERE, RIGHT? 337 00:12:03,205 --> 00:12:07,312 - OH. [laughs] RIGHT. 338 00:12:07,347 --> 00:12:09,176 FORGET EVERYTHING I JUST SAID. 339 00:12:09,211 --> 00:12:10,488 - YEAH, NO, I GUESS I NEED TO TALK TO... 340 00:12:10,522 --> 00:12:12,041 - NO, YOU DON'T NEED TO ANYTHING. 341 00:12:12,076 --> 00:12:14,285 - TALK TO AMBER WHEN I-- - NO, NO, NO, NO, PLEASE, I-- 342 00:12:14,319 --> 00:12:15,527 - WHERE'S THE TOILET? - WOULD BE BETTER IF YOU DID-- 343 00:12:15,562 --> 00:12:17,115 UPSTAIRS. - YEAH, YEAH. 344 00:12:26,262 --> 00:12:27,988 - ♪ TEN FINGERS AROUND TO MY HEAD ♪ 345 00:12:28,023 --> 00:12:31,198 ♪ GET DOWN WITH OBLIVION ♪ 346 00:12:31,233 --> 00:12:34,132 ♪ POUR GLITTER ALL OVER MY BED ♪ 347 00:12:34,167 --> 00:12:35,444 ♪ 'CAUSE SOME MAGIC IS NOW... - NO, NO, NO. 348 00:12:35,478 --> 00:12:38,171 STOP IT, STOP IT, STOP IT. - ♪ A LITTLE BIT OF TIME IS-- 349 00:12:38,205 --> 00:12:40,414 - LET'S DO, UM... IT JUST--IT NEEDS MORE LUTE. 350 00:12:40,449 --> 00:12:42,071 I'M REALLY MISSING IT. - MORE LUTE. 351 00:12:42,106 --> 00:12:44,556 - I JUST WANT IT TO ALMOST DROWN OUT THE MARVIN GAYE SAMPLE. 352 00:12:44,591 --> 00:12:46,110 JUST ALMOST. 353 00:12:46,144 --> 00:12:48,457 - YOU WANT TO ALSO PUT IN A MARVIN GAYE SAMPLE. 354 00:12:48,491 --> 00:12:50,977 - YEAH, WE'RE JUST GONNA KEEP ON LAYERING AND LAYERING. 355 00:12:51,011 --> 00:12:53,600 I WANT IT TO BE, LIKE, A SPLISH OF KANYE WEST, 356 00:12:53,634 --> 00:12:55,533 A SPLASH OF DAFT PUNK, 357 00:12:55,567 --> 00:12:59,157 WITH A LITTLE SPRINKLE OF T. REX ON THAT, BUT STILL US. 358 00:12:59,192 --> 00:13:02,954 - WELL, THOSE ARE A LITTLE BIT CONFLICTING INGREDIENTS, 359 00:13:02,989 --> 00:13:04,853 BUT YEAH, I MEAN, I-- MAYBE IT'LL-- 360 00:13:04,887 --> 00:13:06,889 - I JUST WANT THIS TO SOUND LIKE 361 00:13:06,924 --> 00:13:08,822 NOTHING ANYONE'S EVER HEARD BEFORE. 362 00:13:08,857 --> 00:13:11,998 - WE ARE ACCOMPLISHING THAT, I CAN PROMISE YOU THAT. 363 00:13:12,032 --> 00:13:13,827 - HOW'S IT GOING? - THANKS, MAN. 364 00:13:13,862 --> 00:13:14,690 PSSH. [falsetto] MAGIC TIME. 365 00:13:14,724 --> 00:13:15,587 - YEAH? MAKING THE MAGIC? ALL RIGHT. 366 00:13:15,622 --> 00:13:16,934 - YES, SIR. 367 00:13:16,968 --> 00:13:18,142 - GOING ALL RIGHT? 368 00:13:18,176 --> 00:13:21,145 - WE ARE GONNA TAKE ANOTHER STAB AT HEAR ME NOW. 369 00:13:21,179 --> 00:13:22,456 - HEAR ME NOW? 370 00:13:22,491 --> 00:13:23,561 - YEAH, THAT'S WHAT WE'RE FIXING TO DO NOW. 371 00:13:23,595 --> 00:13:25,321 - WE ALREADY RECORDED THAT. 372 00:13:25,356 --> 00:13:27,082 THAT'S ONE OF THE THREE SONGS WE ALREADY HAVE RECORDED. 373 00:13:27,116 --> 00:13:28,566 - THAT'S RIGHT, BUT APPARENTLY, ACCORDING TO THE ARTIST, 374 00:13:28,600 --> 00:13:30,533 IT HAD A STARTLING LACK OF LUTE AND MARVIN GAYE. 375 00:13:30,568 --> 00:13:32,570 THAT'S WHAT WAS BROKE ABOUT IT. - JUST TELL HIM NO. 376 00:13:32,604 --> 00:13:35,400 - I CAN'T TELL HIM NO... - WE GOTTA HUSTLE HERE. 377 00:13:35,435 --> 00:13:37,402 - BECAUSE THE NEW MARCHING ORDERS HERE 378 00:13:37,437 --> 00:13:39,301 ARE THEIR VISION IS OUR VISION. - I SEE. SO THIS IS MY FAULT. 379 00:13:39,335 --> 00:13:41,061 - SO IF THEY WANT A BUNCH OF LUTE AND MARVIN GAYE, 380 00:13:41,096 --> 00:13:42,269 THEN BY GOD, THEIR LABEL'S GONNA GIVE IT TO THEM. 381 00:13:42,304 --> 00:13:44,168 - IT'S THEIR VISION--THEIR VISION WITHIN REASON, OKAY? 382 00:13:44,202 --> 00:13:45,859 TIME IS MONEY. BE A PRODUCER. 383 00:13:45,894 --> 00:13:48,310 - HEY, I AM AWARE OF THE NEW PARADIGM, WHICH YOU CREATED... 384 00:13:48,344 --> 00:13:49,414 - OH, YOU ARE. 385 00:13:49,449 --> 00:13:51,106 - AND ITS FINANCIAL CONSEQUENCES. 386 00:13:51,140 --> 00:13:52,072 SO I'M DOING WHAT I CAN. - LET'S JUST KEEP IT MOVING. 387 00:13:52,107 --> 00:13:54,247 - I'M GONNA KEEP IT MOVING. - ALL RIGHT. 388 00:13:54,281 --> 00:13:56,352 - [tuning lute] 389 00:13:56,387 --> 00:13:58,044 THE LUTE IS READY. 390 00:13:58,078 --> 00:13:59,562 - NICE. 391 00:13:59,597 --> 00:14:02,289 - YEAH, I USED THE 2.8 LENS, WHICH SEEMS TO HAVE REALLY 392 00:14:02,324 --> 00:14:03,946 ENHANCED THE NATURAL LIGHT COMING IN FROM THE WINDOW. 393 00:14:03,981 --> 00:14:04,809 - YEAH, IT REALLY KIND OF 394 00:14:04,844 --> 00:14:07,605 CAPTURES THE AGONY OF HIGH SCHOOL. 395 00:14:07,639 --> 00:14:09,020 I REMEMBER THERE WAS ALWAYS 396 00:14:09,055 --> 00:14:10,021 SOMEBODY CRYING ABOUT SOME STUFF. 397 00:14:10,056 --> 00:14:11,298 - HEY. 398 00:14:11,333 --> 00:14:13,162 HI, GUYS. - OH, HEY, LOOK WHO'S HERE. 399 00:14:13,197 --> 00:14:14,232 - I STILL HAVE 17 MINUTES LEFT. 400 00:14:14,267 --> 00:14:18,098 - YEAH, WELL, TAKE IT UP WITH THE BOSS, ALL RIGHT? 401 00:14:18,133 --> 00:14:19,375 - HEY, BUD. - LOOK AT THIS ONE. 402 00:14:19,410 --> 00:14:20,445 THIS IS MY BEST ONE YET. 403 00:14:20,480 --> 00:14:22,068 - THIS IS BEAUTIFUL, HONEY. 404 00:14:22,102 --> 00:14:24,553 - HANK SAYS IT REALLY CAPTURES THE AGONY OF HIGH SCHOOL. 405 00:14:24,587 --> 00:14:27,521 I THINK IT'S GONNA BE THE COVER OF THE YEARBOOK. 406 00:14:27,556 --> 00:14:29,938 - YOU KNOW, BUDDY, THAT'S WHY I'M HERE A LITTLE BIT EARLY. 407 00:14:29,972 --> 00:14:32,181 I, UM, I JUST SPOKE WITH MR. CARLSON. 408 00:14:32,216 --> 00:14:34,597 AND THIS GIRL AND HER PARENTS ARE REALLY, REALLY UPSET 409 00:14:34,632 --> 00:14:36,530 THAT YOU TOOK THIS PHOTO. - WHY? IT'S A GREAT PICTURE. 410 00:14:36,565 --> 00:14:39,499 - I KNOW, IT'S A BEAUTIFUL PICTURE, 411 00:14:39,533 --> 00:14:41,466 BUT I MEAN, LOOK AT HOW SHE'S FEELING IN THIS PHOTO. 412 00:14:41,501 --> 00:14:45,022 HOW DO YOU THINK SHE FEELS RIGHT NOW HERE? 413 00:14:45,056 --> 00:14:46,333 - SAD. - SAD. RIGHT. 414 00:14:46,368 --> 00:14:48,577 AND SOMETIMES WHEN PEOPLE FEEL SAD, 415 00:14:48,611 --> 00:14:51,166 YOU KNOW, THEY WANT TO KEEP THOSE EMOTIONS PRIVATE 416 00:14:51,200 --> 00:14:52,339 AND TO THEMSELVES. 417 00:14:52,374 --> 00:14:53,651 - THEN WHY IS SHE DOING IT IN PUBLIC? 418 00:14:53,685 --> 00:14:54,859 - RIGHT. RIGHT. SHE WAS DOING IT IN THE MIDDLE OF THE HALLWAY. 419 00:14:54,894 --> 00:14:57,517 - SOMETIMES WHEN PEOPLE EXPRESS THEIR EMOTIONS IN PUBLIC 420 00:14:57,551 --> 00:15:00,554 DOESN'T MEAN THAT YOU'RE ALLOWED TO TAKE THEIR PHOTOS. 421 00:15:00,589 --> 00:15:01,452 I MEAN, YOU HAVE TO ASK PERMISSION, I THINK. 422 00:15:01,486 --> 00:15:03,592 - WHY? HANK SAYS PHOTOGRAPHY IS ALL ABOUT 423 00:15:03,626 --> 00:15:06,595 TRYING TO CAPTURE REAL MOMENTS. - I STAND BY THAT. 424 00:15:06,629 --> 00:15:07,423 - RIGHT. AND THAT'S A REAL MOMENT. 425 00:15:07,458 --> 00:15:09,563 - CERTAIN PLACES AND CERTAIN TIMES, 426 00:15:09,598 --> 00:15:11,427 THERE ARE, FOR REAL MOMENTS. 427 00:15:11,462 --> 00:15:13,395 BUT THIS WAS NOT ONE OF THEM. - THAT'S ONE OF THOSE TIMES. 428 00:15:13,429 --> 00:15:16,432 THAT RIGHT THERE IN THAT PHOTO, THAT'S-- 429 00:15:16,467 --> 00:15:18,227 THAT'S ONE OF THOSE TIMES. 430 00:15:18,262 --> 00:15:19,953 - THAT'S A GOOD MOMENT. - BUDDY, 431 00:15:19,988 --> 00:15:22,093 CAN YOU WAIT IN THE CAR FOR ME? 432 00:15:22,128 --> 00:15:24,268 - NO, I STILL HAVE 15 MINUTES LEFT. 433 00:15:24,302 --> 00:15:25,579 I HAD 17 MINUTES, BUT THEN YOU WASTED TWO OF THEM. 434 00:15:25,614 --> 00:15:27,167 - YOU KNOW WHAT, MAD MAX, 435 00:15:27,202 --> 00:15:28,479 WE GOTTA FINISH UP THAT PICTURE IN THE DARKROOM. 436 00:15:28,513 --> 00:15:29,480 YOU WANT TO GET THAT? 437 00:15:29,514 --> 00:15:31,102 - OKAY. - IF THAT'S OKAY. 438 00:15:31,137 --> 00:15:32,241 - YEAH, IT'S FINE. 439 00:15:32,276 --> 00:15:34,002 - I'LL BE THERE IN A COUPLE MINUTES. 440 00:15:34,036 --> 00:15:36,383 - I CALL HIM MAD MAX. I THINK HE LIKES IT. 441 00:15:36,418 --> 00:15:37,557 I CAN'T TELL. - LISTEN, HANK, I, UM... 442 00:15:37,591 --> 00:15:41,699 I'M SO THANKFUL FOR YOU, FOR WHAT YOU'RE DOING FOR MAX, 443 00:15:41,733 --> 00:15:45,737 BUT, YOU KNOW, I-- THAT PHOTO, IT'S NOT A JOKE. 444 00:15:45,772 --> 00:15:48,499 LIKE, IT'S GOTTEN HIM--HE'S IN SO MUCH TROUBLE FOR THAT. 445 00:15:48,533 --> 00:15:52,606 AND HE'S BEEN DEMOTED, YOU KNOW, TO LAYOUT. LAYOUT. 446 00:15:52,641 --> 00:15:54,677 - WHAT DO YOU MEAN, NO, LAYOUT? WHAT'S HE GONNA DO IN LAYOUT? 447 00:15:54,712 --> 00:15:55,644 WHAT ARE THEY DOING? - I DON'T KNOW. 448 00:15:55,678 --> 00:15:58,233 I GUESS PHOTOSHOP, RIGHT? 449 00:15:58,267 --> 00:16:00,994 THAT'S A GOOD THING FOR-- - THAT'S A JOKE, PHOTOSHOP. 450 00:16:01,029 --> 00:16:02,340 - YOU DON'T USE-- 451 00:16:02,375 --> 00:16:03,341 - PHOTOSHOP SUCKS, OKAY? 452 00:16:03,376 --> 00:16:05,481 EVERYBODY DOES IT, BUT IT'S NOT PHOTOGRAPHY. 453 00:16:05,516 --> 00:16:09,658 PHOTOGRAPHY IS IN THE DARKROOM, MAKING PHOTOS LIKE THIS ONE. 454 00:16:09,692 --> 00:16:11,556 LOOK AT THIS. THIS IS GOOD. 455 00:16:11,591 --> 00:16:14,042 I MEAN, IT'S REALLY GOOD. 456 00:16:14,076 --> 00:16:17,183 I MEAN, SUBJECT MATTER ASIDE, WHICH IS A KNOCKOUT, 457 00:16:17,217 --> 00:16:18,563 IT'S GOT COMPOSITION, IT'S GOT DEPTH, 458 00:16:18,598 --> 00:16:20,496 GREAT USE OF LIGHT. 459 00:16:20,531 --> 00:16:23,292 THAT KID IS A PHOTOGRAPHER. 460 00:16:23,327 --> 00:16:28,090 HE SHOULD BE TAKING PICTURES. SHOULDN'T BE ON LAYOUT. 461 00:16:33,578 --> 00:16:36,478 - SO CAN WE GET THAT LEVELED 462 00:16:36,512 --> 00:16:38,583 BY NEXT THURSDAY? - UH... 463 00:16:38,618 --> 00:16:41,069 ALL THIS. YEAH. - YEAH. GREAT. 464 00:16:41,103 --> 00:16:42,656 I REALLY WANT TO GET STARTED ON THE FOUNDATION. 465 00:16:42,691 --> 00:16:43,726 WHAT ARE THOSE? 466 00:16:43,761 --> 00:16:46,453 - THAT'S THE WINDOWS. - RIGHT. 467 00:16:46,488 --> 00:16:49,215 HOLD THE BEAT ON THEM. - THE--THE-- 468 00:16:49,249 --> 00:16:50,733 THE WINDOWS YOU CALLED ME ABOUT THIS MORNING. 469 00:16:50,768 --> 00:16:52,735 FACING WEST AND SOUTH. - MM-HMM. NO, I KNOW. 470 00:16:52,770 --> 00:16:54,185 IT'S JUST THERE'S A BETTER WAY 471 00:16:54,220 --> 00:16:55,807 TO INTEGRATE THE LIGHT AND THE PRIVACY HERE. 472 00:16:55,842 --> 00:16:57,844 SO I JUST WANT TO TAKE ONE MORE LOOK 473 00:16:57,878 --> 00:16:59,846 BEFORE WE SET THAT IN STONE. 474 00:16:59,880 --> 00:17:01,537 - OKAY, UM... 475 00:17:01,572 --> 00:17:03,470 YOU KNOW, I'D LOVE TO HAVE A CONVERSATION AT SOME POINT 476 00:17:03,505 --> 00:17:05,783 ABOUT OUR CREATIVE PROCESS TOGETHER. 477 00:17:05,817 --> 00:17:07,405 - SURE. YOU WANT TO TALK ABOUT BOUNDARIES? 478 00:17:07,440 --> 00:17:11,685 - UH... UH, NO. 479 00:17:11,720 --> 00:17:12,686 YEAH. [chuckles] YEAH. 480 00:17:12,721 --> 00:17:14,861 - LET'S HAVE DINNER. 481 00:17:14,895 --> 00:17:16,414 TONIGHT. 482 00:17:16,449 --> 00:17:18,451 NO, NOT TONIGHT. 483 00:17:18,485 --> 00:17:19,866 UM, TOMORROW. 484 00:17:19,900 --> 00:17:21,212 YEAH. 485 00:17:21,247 --> 00:17:23,352 GREAT. WE'LL GET DINNER AND A MARTINI. 486 00:17:23,387 --> 00:17:25,113 I ALWAYS THINK A BOUNDARY CONVERSATION 487 00:17:25,147 --> 00:17:26,562 GOES DOWN MUCH BETTER WITH A MARTINI. 488 00:17:26,597 --> 00:17:27,529 - [laughs] RIGHT. - OR TWO. [chuckles] 489 00:17:30,635 --> 00:17:32,879 - HI. - HEY. 490 00:17:32,913 --> 00:17:34,260 - YOU'RE HOME SO LATE. 491 00:17:34,294 --> 00:17:36,365 - I HAD A REALLY UNCOMFORTABLE 492 00:17:36,400 --> 00:17:37,849 CONVERSATION WITH YOUR MOM TODAY. 493 00:17:37,884 --> 00:17:40,266 - UH, WHEN-- WHEN DID YOU TALK TO HER? 494 00:17:40,300 --> 00:17:41,301 - JOEL SENT ME OVER THERE TO FIX A TOILET SHE-- 495 00:17:41,336 --> 00:17:45,650 IT DOESN'T MATTER. WH--WHAT'S GOING ON THERE? 496 00:17:45,685 --> 00:17:46,720 - WHAT DID SHE SAY TO YOU? 497 00:17:46,755 --> 00:17:49,792 - SHE--SHE SAID THAT 498 00:17:49,827 --> 00:17:52,278 I GUESS SHE SAID SOMETHING ABOUT THE WEDDING OR ME OR... 499 00:17:52,312 --> 00:17:53,624 - [sighs] 500 00:17:53,658 --> 00:17:54,797 - AND NOW YOU GUYS AREN'T TALKING TO EACH OTHER? 501 00:17:54,832 --> 00:17:55,867 I FEEL LIKE YOU SHOULD'VE MENTIONED THAT. 502 00:17:55,902 --> 00:18:00,113 - HONESTLY, IT WAS NOT THAT BIG OF A DEAL, OKAY? 503 00:18:00,148 --> 00:18:01,666 - WELL, IT'S A BIG ENOUGH DEAL THAT SHE APOLOGIZED TO ME 504 00:18:01,701 --> 00:18:03,737 WHILE I STOOD THERE LIKE AN IDIOT 505 00:18:03,772 --> 00:18:05,187 HAVING NO IDEA WHAT SHE'S TALKING ABOUT. 506 00:18:05,222 --> 00:18:06,395 - OKAY, I-- 507 00:18:06,430 --> 00:18:07,362 - I JUST DON'T GET WHY YOU'RE AV-- 508 00:18:07,396 --> 00:18:08,363 WHY DON'T YOU WANT TO TELL ME? 509 00:18:08,397 --> 00:18:09,743 IT'S LIKE YOU DON'T TRUST ME OR SOMETHING. 510 00:18:09,778 --> 00:18:10,882 - WHAT? RYAN, WHAT? 511 00:18:10,917 --> 00:18:13,782 IT HAS NOTHING TO DO WITH TRUST. - THEN JUST TELL ME. 512 00:18:13,816 --> 00:18:16,819 - OKAY, WHAT DO YOU WANT TO KNOW? 513 00:18:16,854 --> 00:18:18,027 - I HAVE NO IDEA. - YOU KNOW HOW SHE IS. 514 00:18:18,062 --> 00:18:21,203 WHAT--SHE SAYS STUFF AND MAKES A BIG DEAL OUT OF THINGS. 515 00:18:21,238 --> 00:18:22,480 - LIKE WHAT? 516 00:18:22,515 --> 00:18:24,689 - SHE WAS PROJECTING ISSUES THAT SHE HAS 517 00:18:24,724 --> 00:18:27,209 AND HER OWN FEARS AND INSECURITIES 518 00:18:27,244 --> 00:18:29,591 ABOUT HER SITUATION. - WHAT SITUATION? 519 00:18:29,625 --> 00:18:30,695 - HER MARRIAGE, YOU KNOW, ONTO MINE. 520 00:18:30,730 --> 00:18:33,422 AND IT WAS REALLY UNFAIR AND STUPID AND-- 521 00:18:33,457 --> 00:18:35,528 - LIKE YOUR DAD STUFF? LIKE STUFF-- 522 00:18:35,562 --> 00:18:37,426 LIKE SHE'S COMPARING ME TO YOUR DAD OR SOMETHING? 523 00:18:37,461 --> 00:18:40,395 - NO, SHE WAS MAKING A BIG DEAL ABOUT-- 524 00:18:40,429 --> 00:18:41,568 ABOUT THE FAMILY THING. 525 00:18:41,603 --> 00:18:42,604 ABOUT THE FACT THAT YOUR FAMILY'S NOT GONNA BE THERE-- 526 00:18:42,638 --> 00:18:45,538 - I DON'T GET WHY SHE'S SO OBSESSED WITH THAT. 527 00:18:45,572 --> 00:18:47,643 - I DON'T EITHER. I DON'T KNOW WHY YOU'RE UPSET WITH ME. 528 00:18:47,678 --> 00:18:49,335 I'M ON YOUR SIDE ABOUT THIS. - OKAY, OKAY, I'M SORRY. 529 00:18:49,369 --> 00:18:50,681 - THIS IS WHY I DIDN'T WANT TO BRING IT UP, 530 00:18:50,715 --> 00:18:51,578 BECAUSE IT DOESN'T MATTER. - I KNOW, I KNOW. 531 00:18:51,613 --> 00:18:52,890 I'M NOT MAD AT YOU. 532 00:18:52,924 --> 00:18:54,478 I'M JUST TRYING TO FIGURE OUT WHAT'S GOING ON. 533 00:18:54,512 --> 00:18:55,686 SORRY, I JUST FEEL LIKE-- - IT'S OKAY, I JUST-- 534 00:18:55,720 --> 00:18:57,412 - IF THERE'S A CASE AGAINST ME, I FEEL LIKE I'M ENTITLED 535 00:18:57,446 --> 00:18:58,585 TO KNOW WHAT IT IS. 536 00:18:58,620 --> 00:19:00,311 - NO, IT'S--SHE JUST-- 537 00:19:00,346 --> 00:19:02,313 THIS IS WHAT SHE DOES. SHE JUST-- 538 00:19:02,348 --> 00:19:04,177 IT'S LIKE SHE, LIKE, HOLDS ON TO THINGS 539 00:19:04,212 --> 00:19:08,561 AND THEN SPEWS THEM BACK AT ME ALL AT ONCE, YOU KNOW. 540 00:19:08,595 --> 00:19:10,908 - WELL, WHAT THINGS? - I DON'T-- 541 00:19:10,942 --> 00:19:12,668 WHAT DO YOU MEAN? I DON'T KNOW-- 542 00:19:12,703 --> 00:19:14,912 - YOU SAID "THINGS." YOU SAID THINGS THAT SHE'S SAYING. 543 00:19:14,946 --> 00:19:16,914 SHE KEEPS BRINGING STUFF UP-- WHAT'S-- 544 00:19:16,948 --> 00:19:18,743 - BRINGING UP THINGS FROM OUR PAST 545 00:19:18,778 --> 00:19:20,883 THAT AREN'T RELEVANT ANYMORE. - LIKE WHAT? 546 00:19:20,918 --> 00:19:23,714 - OUR PROBLEMS LAST YEAR. JUST LIKE THE-- 547 00:19:23,748 --> 00:19:24,646 - WHAT PROBLEMS? - WHAT PROBLEMS? 548 00:19:24,680 --> 00:19:26,337 - [scoffs] WELL, WHAT DID YOU TELL HER? 549 00:19:26,372 --> 00:19:29,651 - YOU KNOW, WITH THE CAR AND ALL THAT STUFF. 550 00:19:29,685 --> 00:19:31,549 WHAT? RYAN, SHE SAW THE CAR. 551 00:19:31,584 --> 00:19:34,276 I WAS GOING TO THEIR HOUSE FOR CHRISTMAS. 552 00:19:34,311 --> 00:19:37,245 - DOES SHE KNOW ABOUT THE FIGHT AT THE FUNERAL? 553 00:19:37,279 --> 00:19:41,007 - I DON'T KNOW WHAT YOU WANT ME TO SAY. 554 00:19:41,041 --> 00:19:42,871 AT THE TIME... 555 00:19:42,905 --> 00:19:45,701 BUT THAT DOESN'T MATTER. 556 00:19:45,736 --> 00:19:49,705 - IT MATTERS TO ME. 557 00:19:49,740 --> 00:19:51,604 - ♪ BUT YOU NEVER KNOW 558 00:19:51,638 --> 00:19:54,745 ♪ WELL, NOW, YOU NEVER KNOW 559 00:20:00,509 --> 00:20:02,477 - HEY. OH. 560 00:20:02,511 --> 00:20:04,755 [clattering] 561 00:20:04,789 --> 00:20:06,860 WHAT HAPPENED? 562 00:20:06,895 --> 00:20:08,448 - I HAD TO PULL OUT A SECTION OF THE WALL 563 00:20:08,483 --> 00:20:10,312 TO BE ABLE TO GET TO THE BUSTED PIPE. 564 00:20:10,347 --> 00:20:14,834 - OH, NO. IT LOOKS LIKE A LOT OF WORK. 565 00:20:14,868 --> 00:20:16,905 HOW LONG IS IT GONNA TAKE YOU, DO YOU THINK? 566 00:20:16,939 --> 00:20:18,389 - WELL, I HAVE TO PUT THE DRYWALL BACK UP AND... 567 00:20:18,424 --> 00:20:19,977 - RIGHT. - TOILET BACK IN. 568 00:20:20,011 --> 00:20:21,806 - OKAY. I BROUGHT YOU SOME COFFEE. 569 00:20:21,841 --> 00:20:24,982 - OH, NO, THANK YOU. THANKS. - OH. 570 00:20:25,016 --> 00:20:27,260 SO, UM... - I'M GONNA HAVE TO MOVE THAT. 571 00:20:27,295 --> 00:20:29,745 - OH, I'M--DON'T-- I'LL GET IT. 572 00:20:29,780 --> 00:20:33,508 UH...HAS A LOT OF PRODUCTS, HUH? 573 00:20:33,542 --> 00:20:36,407 UM, WHAT CAUSED IT? COULD YOU TELL? 574 00:20:36,442 --> 00:20:39,514 - PROPHYLACTICS. - WHAT? 575 00:20:39,548 --> 00:20:41,274 WHAT DO YOU MEAN? LIKE, FLUSHING? FLUSHING THEM? 576 00:20:41,309 --> 00:20:42,344 EWW... 577 00:20:42,379 --> 00:20:45,071 - MRS. BRAVERMAN, IT'S-- - YEAH. 578 00:20:45,105 --> 00:20:46,693 - IT'S PRETTY TIGHT IN HERE. JUST TRYING TO-- 579 00:20:46,728 --> 00:20:48,281 - OH, YEAH, YEAH, YEAH, YEAH. 580 00:20:48,316 --> 00:20:51,664 WILL YOU PLEASE CALL ME SARAH? 581 00:20:51,698 --> 00:20:53,390 - RIGHT. - PLEASE? 582 00:20:53,424 --> 00:20:55,737 SORRY TO BOTHER YOU, I WAS JUST TRYING TO FIGURE OUT... 583 00:20:55,771 --> 00:20:57,290 - NO, NO, DON'T BE SORRY. - A TIMELINE TO TELL MY TENANT. 584 00:20:57,325 --> 00:20:59,430 - IT'S GONNA GET A LOT WORSE BEFORE IT GETS BETTER. 585 00:20:59,465 --> 00:21:03,434 - RIGHT. HMM. 586 00:21:06,092 --> 00:21:08,439 - HELLO. - HEY! 587 00:21:08,474 --> 00:21:09,440 HEY, PARTNER! 588 00:21:09,475 --> 00:21:11,062 COME ON OVER! 589 00:21:11,097 --> 00:21:12,719 - YOU DIDN'T START WITHOUT ME, DID YOU, GRANDPA? 590 00:21:12,754 --> 00:21:15,032 - HECK, NO, I'M NOT GONNA DO ANYTHING WITHOUT YOU. 591 00:21:15,066 --> 00:21:16,620 THIS IS OUR PROJECT. 592 00:21:16,654 --> 00:21:18,622 - HE'S BEEN LOOKING FORWARD TO THIS ALL DAY. 593 00:21:18,656 --> 00:21:21,452 - WELL, HE'S NOT THE ONLY ONE. - GOOD. [laughs] 594 00:21:21,487 --> 00:21:23,868 - OKAY, HERE YOU GO. - ALL RIGHT. 595 00:21:23,903 --> 00:21:25,456 - THERE'S THE MANUAL. - OKAY... 596 00:21:25,491 --> 00:21:27,493 - YOU START AND WE'LL SEE WHAT WE CAN COME UP WITH HERE. 597 00:21:27,527 --> 00:21:30,427 - OKAY. "REPLACE..." - GOOD. 598 00:21:30,461 --> 00:21:31,117 - "THE... 599 00:21:31,151 --> 00:21:37,088 CARBOR-A-TEER." 600 00:21:37,123 --> 00:21:38,124 - CARBURETOR. 601 00:21:38,158 --> 00:21:40,575 - REPLACE THE CARBURETOR. 602 00:21:40,609 --> 00:21:42,301 - THAT'S IT. - OKAY. 603 00:21:44,130 --> 00:21:45,373 - OH, GOD, I LOVE THAT CAR. 604 00:21:45,407 --> 00:21:48,721 THAT CAR IS THE BEST THING TO HAPPEN. 605 00:21:48,755 --> 00:21:50,447 - WELL, I DON'T. I HATE THE DAMN THING. 606 00:21:50,481 --> 00:21:53,622 - WHAT? MOM. 607 00:21:53,657 --> 00:21:54,968 MOM. - NOTHING. 608 00:21:55,003 --> 00:21:56,798 NOBODY CARES WHAT I THINK. 609 00:21:56,832 --> 00:21:59,870 - WHAT'S GOING ON? 610 00:21:59,904 --> 00:22:02,873 - HE'S JUST COMPLETELY SHUT ME OUT. 611 00:22:02,907 --> 00:22:04,357 - DAD HAS? 612 00:22:04,392 --> 00:22:05,254 - YEAH, DAD. 613 00:22:05,289 --> 00:22:08,050 - WELL, YOU CAN TALK TO ME ABOUT IT. 614 00:22:08,085 --> 00:22:09,569 - ALL I ASKED HIM TO DO 615 00:22:09,604 --> 00:22:11,122 WAS TO HAVE A LOOK AT A CONDO WITH ME. 616 00:22:11,157 --> 00:22:12,020 JUST LOOK. 617 00:22:12,054 --> 00:22:14,678 SO WE COULD DISCUSS THE POSSIBILITY 618 00:22:14,712 --> 00:22:17,612 OF WHAT OUR ACT THREE MIGHT LOOK LIKE. 619 00:22:17,646 --> 00:22:20,408 AND HE GOES AND HE BUYS THAT PIECE OF JUNK TO SHUT ME UP. 620 00:22:20,442 --> 00:22:24,688 THAT'S NOT OUR ACT THREE. IT'S HIS ACT THREE. 621 00:22:24,722 --> 00:22:27,000 - YOU WANT TO SELL THE HOUSE? 622 00:22:27,035 --> 00:22:29,555 - NO. WELL... 623 00:22:29,589 --> 00:22:31,177 I DON'T KNOW, MAYBE. 624 00:22:31,211 --> 00:22:33,490 YOU KNOW, THE TAYLORS GOT A LOT OF MONEY FOR THEIR HOUSE. 625 00:22:33,524 --> 00:22:35,906 - YEAH. - THEY GOT OVER ASKING PRICE. 626 00:22:35,940 --> 00:22:37,666 THIS IS A BETTER HOUSE. - YEAH. 627 00:22:37,701 --> 00:22:40,531 - IT'S A BIGGER HOUSE. IT'S TOO BIG A HOUSE. 628 00:22:40,566 --> 00:22:41,877 YOU KNOW, IT'S A LOT OF UPKEEP. 629 00:22:41,912 --> 00:22:43,085 IT'S A LOT OF HOUSE FOR TWO PEOPLE. 630 00:22:43,120 --> 00:22:44,466 YOU KIDS ARE ALL GROWN AND GONE. 631 00:22:44,501 --> 00:22:48,781 WE COULD DO A LOT OF THINGS THAT... 632 00:22:48,815 --> 00:22:50,748 THAT I HAVEN'T DONE. 633 00:22:50,783 --> 00:22:51,680 THERE'S LOTS OF THINGS I WANT TO DO 634 00:22:51,715 --> 00:22:53,130 AND I WANT TO DO THEM WHILE I'M STILL 635 00:22:53,164 --> 00:22:55,512 YOUNG ENOUGH TO ENJOY DOING THEM. 636 00:22:55,546 --> 00:22:59,654 DO YOU KNOW I'VE NEVER BEEN OUT OF THE COUNTRY? 637 00:22:59,688 --> 00:23:02,173 - MOM, I HAD NO IDEA YOU WERE THINKING ABOUT ALL THIS STUFF. 638 00:23:02,208 --> 00:23:05,729 - [chuckles] WHY WOULD IT EVEN OCCUR TO YOU? 639 00:23:05,763 --> 00:23:08,145 JOEL. HE NEVER SHUT YOU OUT. 640 00:23:10,699 --> 00:23:12,943 LISTEN, UM, 641 00:23:12,977 --> 00:23:14,462 DON'T MENTION THIS TO THE OTHERS, OKAY? 642 00:23:14,496 --> 00:23:17,188 EVERYONE IS SO EMOTIONAL ABOUT THIS HOUSE. 643 00:23:17,223 --> 00:23:18,742 - NO, I WON'T. 644 00:23:18,776 --> 00:23:19,881 - I DIDN'T EVEN MEAN TO BURDEN YOU WITH IT. 645 00:23:19,915 --> 00:23:22,159 - THAT'S FINE. MOM, I'M REALLY GLAD THAT YOU DID. 646 00:23:22,193 --> 00:23:23,643 I AM. 647 00:23:23,678 --> 00:23:26,163 - IT'S JUST A LOT OF YEARS, JULIA. 648 00:23:26,197 --> 00:23:28,752 IT'S A WHOLE LOT OF YEARS WITH YOUR DAD. 649 00:23:28,786 --> 00:23:30,961 SOMEWHERE ALONG THE WAY, I-- 650 00:23:33,929 --> 00:23:35,448 I LOST MY VOICE IN THE RELATIONSHIP. 651 00:23:35,483 --> 00:23:40,073 I DON'T KNOW HOW TO GET IT BACK. 652 00:23:41,937 --> 00:23:44,837 - INCORPORATING THE OUTDOORS, EDIBLE GARDENS 653 00:23:44,871 --> 00:23:47,080 AND SLIDING GLASS DOORS... - YEAH. 654 00:23:47,115 --> 00:23:48,772 - THIS NATURAL FLOW BETWEEN THE INSIDE AND OUTSIDE. 655 00:23:48,806 --> 00:23:51,602 - RIGHT, RAW MATERIALS, AND THAT WARM COLOR YOU USE. 656 00:23:51,637 --> 00:23:53,259 - YEAH. THANK YOU, YEAH. 657 00:23:53,293 --> 00:23:55,537 - IT'S THE HOUSE THAT YOU WISH YOU GREW UP IN BUT DIDN'T. 658 00:23:55,572 --> 00:23:59,127 - YEAH. YEAH, IT'S THAT HOUSE. - YEAH. 659 00:23:59,161 --> 00:24:02,510 - YOU'RE GONNA MAKE ME RAISE MY GAME, JOEL. 660 00:24:02,544 --> 00:24:04,891 - [chuckles] WELL, I HAVEN'T EVEN BUILT ANYTHING FOR YOU YET. 661 00:24:04,926 --> 00:24:06,686 - NOT YET. 662 00:24:06,721 --> 00:24:07,825 BUT YOU DIDN'T COME HERE TO DISCUSS DESIGN. 663 00:24:07,860 --> 00:24:09,275 YOU WANTED TO TALK ABOUT BOUNDARIES. 664 00:24:09,309 --> 00:24:13,659 - YES. - FIRE AWAY. 665 00:24:13,693 --> 00:24:15,971 - THANK YOU. I JUST THOUGHT I'D-- 666 00:24:16,006 --> 00:24:17,663 IT'D BE GOOD TO GET OUT OF THE WAY 667 00:24:17,697 --> 00:24:19,181 BEFORE WE GET INTO A SITUATION 668 00:24:19,216 --> 00:24:22,219 WHERE, YOU KNOW, WE'RE BEHIND 669 00:24:22,253 --> 00:24:25,705 OR WE'RE EATING INTO THE PROFITS OF MY TEAM. 670 00:24:25,740 --> 00:24:28,708 AND I'VE JUST HEARD HORROR STORIES FROM MY WIFE 671 00:24:28,743 --> 00:24:30,676 WHO WATCHED ALL THESE YOUNG COMPANIES MAKE-- 672 00:24:30,710 --> 00:24:32,885 - SO IS THIS YOUR WIFE TALKING? 673 00:24:32,919 --> 00:24:34,611 - NO. 674 00:24:34,645 --> 00:24:36,233 - SORRY. NO FILTER. 675 00:24:36,267 --> 00:24:37,579 - NO, THAT'S OKAY. [chuckles] 676 00:24:37,614 --> 00:24:41,514 NO, BUT WE'RE A TEAM, MY WIFE AND I. 677 00:24:41,549 --> 00:24:42,688 - MM-HMM. I GET IT. 678 00:24:42,722 --> 00:24:45,207 WELL, LOOK, I'VE NEVER BEEN MARRIED. 679 00:24:45,242 --> 00:24:46,381 NOT IN ANY TRADITIONAL SENSE. 680 00:24:46,415 --> 00:24:48,625 BUT IN THIS MARRIAGE, THE ONE THAT YOU AND I ARE IN, 681 00:24:48,659 --> 00:24:51,697 THIS IS ABOUT THE LONG HAUL. 682 00:24:51,731 --> 00:24:55,183 THIS IS ABOUT, YOU KNOW, PUTTING THE SWEAT EQUITY IN NOW 683 00:24:55,217 --> 00:24:56,978 AND NEVER GOING BACK TO THE CLIENT 684 00:24:57,012 --> 00:24:58,600 AND ASKING FOR MORE MONEY 685 00:24:58,635 --> 00:25:02,328 AND COMING IN UNDER BUDGET AND MAKING BEAUTIFUL HOMES. 686 00:25:02,362 --> 00:25:04,572 THE HOMES THAT YOU WISHED YOU GREW UP IN BUT YOU DIDN'T. 687 00:25:04,606 --> 00:25:06,746 - RIGHT. 688 00:25:06,781 --> 00:25:09,577 - AND THEN DOING IT AGAIN AND AGAIN AND AGAIN. 689 00:25:09,611 --> 00:25:11,544 AND MAKING FRICKIN' LOADS OF MONEY. 690 00:25:11,579 --> 00:25:13,581 [both laugh] 691 00:25:13,615 --> 00:25:17,136 - WELL, YOU SOLD ME. - I DID? THAT WORKS? 692 00:25:17,170 --> 00:25:19,000 - YEAH, THAT SOUNDS-- THAT SOUNDS PRETTY GOOD. 693 00:25:19,034 --> 00:25:20,242 - GOOD. - YEAH. 694 00:25:20,277 --> 00:25:22,624 - WELL, I'M GLAD WE TALKED. - YEAH, ME TOO. 695 00:25:22,659 --> 00:25:23,970 - LET'S GET ANOTHER ROUND OF MARTINIS. 696 00:25:24,005 --> 00:25:25,558 COME ON, LET'S DO IT. - YEAH. 697 00:25:25,593 --> 00:25:26,835 - CHEERS. HERE'S TO THAT. 698 00:25:26,870 --> 00:25:27,836 - HERE'S TO THAT. 699 00:25:27,871 --> 00:25:31,702 [band playing] - [laughs] 700 00:25:31,737 --> 00:25:33,601 ALL RIGHT, OKAY. 701 00:25:33,635 --> 00:25:35,948 I MEAN, THAT--THIS IS IT, RIGHT? THAT'S GOOD. 702 00:25:35,982 --> 00:25:37,708 - IT'S BEEN THE SAME FOR TWO DAYS. 703 00:25:37,743 --> 00:25:38,675 - PFFFT. THAT WAS TERRIBLE. 704 00:25:38,709 --> 00:25:39,676 LET'S DO THAT ONE MORE TIME. 705 00:25:39,710 --> 00:25:40,677 - YOU KNOW WHAT? WE GOT IT. 706 00:25:40,711 --> 00:25:43,300 WITH ALL THOSE TAKES, WE GOT IT. WE'RE DONE. 707 00:25:43,334 --> 00:25:45,198 SOLID GOLD. I MEAN, BOOM. 708 00:25:45,233 --> 00:25:46,993 EXCELLENT. 709 00:25:47,028 --> 00:25:47,994 - BOOM. WE'RE DOING IT AGAIN. 710 00:25:48,029 --> 00:25:50,203 HOW 'BOUT THAT? LET'S DO IT ONE MORE TIME. 711 00:25:50,238 --> 00:25:52,378 - IT'S YOUR VISION. ONE MORE TIME. JUST ONE MORE. 712 00:25:52,412 --> 00:25:53,759 ONE MORE TIME. - YOU'RE SO EASY TO WORK WITH. 713 00:25:53,793 --> 00:25:57,107 - OKAY, JUST ONE MORE. JUST--JUST TRY-- 714 00:25:57,141 --> 00:25:59,040 - "OUT OF DIAPERS. WHEN ARE YOU COMING"--OKAY, YOU KNOW WHAT? 715 00:25:59,074 --> 00:26:00,731 NO, WE'RE NOT. HEY, GUYS. 716 00:26:00,766 --> 00:26:01,905 I THINK EVERYONE'S PRETTY EXHAUSTED, 717 00:26:01,939 --> 00:26:04,252 SO LET'S JUST GO HOME FOR THE NIGHT, 718 00:26:04,286 --> 00:26:05,391 COME BACK RESTED IN THE MORNING, GIVE IT ANOTHER SHOT? 719 00:26:05,425 --> 00:26:07,013 - GOTTA FINISH THIS ONE SONG TONIGHT. 720 00:26:07,048 --> 00:26:08,774 - I'M NOT GOING HOME ON A PIECE OF CRAP TAKE LIKE THAT. 721 00:26:08,808 --> 00:26:10,914 - YOU GUYS STAY. I'M OUT. 722 00:26:10,948 --> 00:26:12,605 - YOU CAN'T--YOU CAN'T LEAVE. - I'M DONE. I'M DONE. 723 00:26:12,640 --> 00:26:15,608 I'M DONE. I AM GOING TO GET DIAPERS FOR MY DAUGHTER, OKAY? 724 00:26:15,643 --> 00:26:16,816 - SIT DOWN. YOU CAN'T LEAVE. 725 00:26:16,851 --> 00:26:17,852 - WHAT ARE YOU TALKING ABOUT? - CROSBY. 726 00:26:17,886 --> 00:26:19,716 - WHAT? 727 00:26:19,750 --> 00:26:21,062 - LOOK, WE NEED TO FINISH THIS. 728 00:26:21,096 --> 00:26:22,373 YOU CAN'T LEAVE UNTIL WE FINISH THIS SONG. 729 00:26:22,408 --> 00:26:24,272 - HIS LABEL DROPPED HIM FOR A REASON. 730 00:26:24,306 --> 00:26:26,377 HE HAS SOME CRAZY, PSEUDO-ARTISTIC FANTASY 731 00:26:26,412 --> 00:26:28,138 OF HOW THIS ALBUM'S GONNA TURN OUT. 732 00:26:28,172 --> 00:26:29,726 IT'S GOING TO SUCK. IT'S GONNA BE CRAP! 733 00:26:29,760 --> 00:26:30,865 - OKAY, WELL, WE CAN'T LET IT SUCK, OKAY? 734 00:26:30,899 --> 00:26:32,349 WE GOTTA MAKE IT GOOD! - WHAT DO YOU WANT ME TO DO? 735 00:26:32,383 --> 00:26:33,592 SPRINKLE MY MAGIC FAIRY DUST ON IT. 736 00:26:33,626 --> 00:26:35,076 - WELL, I WISH YOU WOULD, OKAY? - I'M NOT A PSYCHOLOGIST. 737 00:26:35,110 --> 00:26:36,077 - WE'VE GOT A LOT RIDING ON THIS! 738 00:26:36,111 --> 00:26:37,388 - YOU WANTED THIS. - TAKE THE LUNCHEONETTE 739 00:26:37,423 --> 00:26:38,182 TO THE NEXT LEVEL. - I WOULD HAVE NEVER 740 00:26:38,217 --> 00:26:38,907 TRIED TO TAKE IT TO THE NEXT LEVEL 741 00:26:38,942 --> 00:26:41,289 WITH A BRAND-NEW BABY AT HOME! 742 00:26:41,323 --> 00:26:44,395 I'VE GOT A LOT GOING ON. I CAN'T BE HERE WITH THIS IDIOT 743 00:26:44,430 --> 00:26:45,742 FOR THE REST OF MY LIFE, OKAY? - HEY, TAKE A BREATH. 744 00:26:45,776 --> 00:26:47,226 THERE'S NEVER A RIGHT TIME, OKAY? 745 00:26:47,260 --> 00:26:48,399 THINK IT WAS EASY FOR ME? - WHAT? 746 00:26:48,434 --> 00:26:50,436 - YOU THINK IT WAS EASY FOR ME WHEN YOU CAME TO ME WITH 747 00:26:50,470 --> 00:26:51,679 THE IDEA OF THE LUNCHEONETTE WHEN CHRISTINA WAS PREGNANT? 748 00:26:51,713 --> 00:26:53,301 - OH, WHEN I CAME TO YOU 749 00:26:53,335 --> 00:26:54,647 WITH THE GREAT IDEA FOR THE LUNCHEONETTE? 750 00:26:54,682 --> 00:26:55,924 I'M LEAVING. - HERE'S THE DEAL. 751 00:26:55,959 --> 00:26:57,098 YOU CAN'T LEAVE UNTIL WE FINISH THIS SONG. 752 00:26:57,132 --> 00:26:59,652 - I CAN'T LEAVE. - NO, YOU CAN'T. 753 00:26:59,687 --> 00:27:00,998 YOU CAN'T LEAVE, CROSBY. 754 00:27:01,033 --> 00:27:03,035 - WELL, THAT OPENED. WHAT IS THIS? 755 00:27:03,069 --> 00:27:05,658 HUH. I WONDER IF... - CROSBY... 756 00:27:05,693 --> 00:27:07,902 - OH, WOW, I CAN LEAVE. - CROSBY. 757 00:27:07,936 --> 00:27:09,213 - OH, THAT'S RIGHT, 'CAUSE I'M AN ADULT. 758 00:27:09,248 --> 00:27:12,354 - DON'T YOU GO DOWN THOSE STAIRS. DON'T-- 759 00:27:12,389 --> 00:27:14,184 DON'T YOU LEAVE THE STUDIO. CROSBY, I SWEAR TO GOD. 760 00:27:14,218 --> 00:27:16,289 CROSBY, I-- 761 00:27:16,324 --> 00:27:18,326 - [claps] I HOPE THAT WAS A BEER RUN, 762 00:27:18,360 --> 00:27:21,225 'CAUSE WE'RE NOT STOPPING, RIGHT? 763 00:27:22,710 --> 00:27:27,231 - LET'S TAKE FIVE. 764 00:27:27,266 --> 00:27:30,200 JUST TAKING FIVE. 765 00:27:30,234 --> 00:27:32,098 TAKING FIVE. 766 00:27:35,170 --> 00:27:37,690 - OR A PURPLE DRAGON WITH A BLUE CAR. 767 00:27:42,108 --> 00:27:44,904 - PRETTY COOL CAKES. 768 00:27:44,939 --> 00:27:46,181 - WHAT? 769 00:27:46,216 --> 00:27:47,907 [both laugh] 770 00:27:47,942 --> 00:27:49,737 WHAT ARE YOU DOING HERE? - WHAT'RE YOU DOING? 771 00:27:49,771 --> 00:27:52,429 - I'M--WHAT'RE YOU DOING? WITH THE-- 772 00:27:52,463 --> 00:27:53,913 - DIAPERS, MAN. - RIGHT. GOOD CALL. 773 00:27:53,948 --> 00:27:56,709 - YOU BUYING A CAKE? - LOOK AT YOU, DAD. 774 00:27:56,744 --> 00:27:58,124 I AM. I'M-- 775 00:27:58,159 --> 00:27:59,816 WELL, I WAS WALKING BY HERE, YOU KNOW, WALK BY 776 00:27:59,850 --> 00:28:04,234 ALL THE TIME, BUT I NEVER REALLY LOOKED AT THE CAKES. 777 00:28:04,268 --> 00:28:06,339 - HOW DECORATIVE THEY ARE. - [scoffs] 778 00:28:06,374 --> 00:28:09,377 LOOK AT THIS. THAT'S LIKE A WHOLE VOLCANO. 779 00:28:09,411 --> 00:28:10,378 - [chuckles] YEAH. 780 00:28:10,412 --> 00:28:11,379 YOU FEELING GOOD? 781 00:28:11,413 --> 00:28:12,380 - YEAH. - YEAH? NICE? 782 00:28:12,414 --> 00:28:13,381 - WELL, I'M DRUNK. [chuckles] 783 00:28:13,415 --> 00:28:15,348 - OH, YOU ARE! I COULDA NEVER-- 784 00:28:15,383 --> 00:28:16,246 - IT DOESN'T-- 785 00:28:16,280 --> 00:28:17,281 - IT'S IMPERCEPTIBLE. - WELL, GOOD. 786 00:28:17,316 --> 00:28:18,766 - YEAH. WHERE'S JULIA? 787 00:28:18,800 --> 00:28:21,285 - SHE'S--SHE'S AT HOME. I WAS AT DINNER. 788 00:28:21,320 --> 00:28:24,772 AT, UM, THE PLACE ACROSS THE STREET. 789 00:28:24,806 --> 00:28:25,531 - HENDRICK'S? - THAT'S THE ONE. 790 00:28:25,565 --> 00:28:27,360 - THAT WAY. 791 00:28:27,395 --> 00:28:28,361 - WHEREVER. THAT PLACE. - YEAH, YEAH. 792 00:28:28,396 --> 00:28:30,432 - HENDRICK'S. - AND HOW YOU GETTING HOME? 793 00:28:30,467 --> 00:28:34,885 - I WAS GONNA--WELL, THE PLAN WAS TO STOP BEING INBRINI-- 794 00:28:34,920 --> 00:28:37,474 'NEBRIATED. - [chuckles] OH. UH-HUH. 795 00:28:37,508 --> 00:28:39,476 - ONCE I WAS DONE BEING TIPSY I WAS GONNA GET IN THE CAR. 796 00:28:39,510 --> 00:28:41,512 - ALL RIGHT. I'LL DRIVE YOU HOME. 797 00:28:41,547 --> 00:28:43,135 - MY NAME'S JOEL. I'M GONNA EAT YOU. 798 00:28:43,169 --> 00:28:44,999 - DON'T--DON'T MESS UP YOUR SHIRT. 799 00:28:45,033 --> 00:28:46,034 WATCH YOUR COLLAR, THERE. - [groans] 800 00:28:46,069 --> 00:28:46,966 - YOU'RE GONNA BE BUSTED. 801 00:28:47,001 --> 00:28:47,726 - MM. 802 00:28:47,760 --> 00:28:51,902 YOU KNOW, IT'S ABOUT CHOICES. 803 00:28:51,937 --> 00:28:53,939 LIFE IS A SERIES OF CHOICES. 804 00:28:53,973 --> 00:28:56,389 NOW, I CAN CHOOSE TO DO A LITTLE HEAVY LIFTING NOW, 805 00:28:56,424 --> 00:28:59,945 AND I CAN PUT OUR BUSINESS AT THE NEXT LEVEL. 806 00:28:59,979 --> 00:29:03,327 YOU KNOW? AND THAT JUST SEEMS LIKE... 807 00:29:03,362 --> 00:29:05,847 - IS THAT GOOD? - OH, SO GOOD. 808 00:29:05,882 --> 00:29:07,469 - IT IS. CAN I TRY IT? - SURPRISINGLY EXCELLENT. 809 00:29:07,504 --> 00:29:10,783 YEAH, JUST DON'T MESS WITH MY ROAD RIGHT HERE. 810 00:29:10,818 --> 00:29:12,543 THIS IS ALL MINE, THESE RICE KRIS--SEE HOW-- 811 00:29:12,578 --> 00:29:13,821 - OH. - HOW GOOD IS THAT? 812 00:29:13,855 --> 00:29:15,270 - JOEL, IT'S TERRIBLE. THAT'S BAD CAKE. 813 00:29:15,305 --> 00:29:17,997 - IS IT? - YOU'RE DR--HEY, LISTEN TO ME. 814 00:29:18,032 --> 00:29:19,378 YOU'RE DRUNK. THAT'S NOT GOOD CAKE. 815 00:29:19,412 --> 00:29:20,172 - REALLY? - DON'T EAT IT. 816 00:29:20,206 --> 00:29:22,139 - STARTING TO MAKE ME FEEL BAD. 817 00:29:22,174 --> 00:29:24,141 - ALL RIGHT, I GOTTA GO, I GOTTA GET THESE DIAPERS 818 00:29:24,176 --> 00:29:25,902 BACK TO JASMINE OR SHE'S GONNA KILL ME, OKAY? 819 00:29:25,936 --> 00:29:26,903 - YEAH, JULIA'S GONNA KILL ME. 820 00:29:26,937 --> 00:29:28,283 HOW'D WE GET HERE? 821 00:29:28,318 --> 00:29:30,216 - [laughs] 822 00:29:30,251 --> 00:29:32,011 - NO, I MEAN, WITH-- YOU KNOW. 823 00:29:32,046 --> 00:29:35,601 YEAH, NO, WITH, YOU KNOW, HAVING KIDS 824 00:29:35,635 --> 00:29:38,535 AND, YOU KNOW, BUSINESSES ON THE PRECIPICE OF SOMETHING. 825 00:29:38,569 --> 00:29:42,815 - YEAH. 826 00:29:42,850 --> 00:29:45,335 AY-YI-YI, I DON'T KNOW. - YEAH. 827 00:29:45,369 --> 00:29:47,578 - ♪ BRAIN IS FLAMIN' [turns up music] 828 00:29:47,613 --> 00:29:49,995 - OH, MAN, THIS IS ONE OF MY FAVORITES. 829 00:29:50,029 --> 00:29:53,067 - THAT'S A SONG RIGHT THERE. - OH, MAN. 830 00:29:53,101 --> 00:29:55,172 WHAT A SONG. LISTEN TO HOW SIMPLE THAT IS. 831 00:29:55,207 --> 00:29:58,348 IT IS HUGE. - IT JUST--WOW. 832 00:29:58,382 --> 00:30:00,246 - ♪ YOU LIGHT MY MORNING SKY - YEAH, THAT'S ROCK AND ROLL. 833 00:30:00,281 --> 00:30:01,938 RIGHT THERE. - ♪ BURNING LOVE 834 00:30:01,972 --> 00:30:05,527 - MM. both: MM-HMM. 835 00:30:05,562 --> 00:30:09,462 - ♪ OOH, HOO, HOO, I FEEL MY TEMPERATURE RISING ♪ 836 00:30:09,497 --> 00:30:11,533 - IS IT OKAY I USED YOUR LOOFAH? 837 00:30:11,568 --> 00:30:12,845 - NO! 838 00:30:12,880 --> 00:30:15,468 - OKAY. - UH-OH. 839 00:30:15,503 --> 00:30:17,954 - I DON'T NEED TO LOOFAH. I HAVE VERY SOFT SKIN. 840 00:30:17,988 --> 00:30:20,335 - I--YEAH. 841 00:30:20,370 --> 00:30:21,474 - ARE YOU SURE THIS KID KNOWS WHAT HE'S DOING? 842 00:30:21,509 --> 00:30:24,926 - WHO? - THE GUY FIXING THE TOILET? 843 00:30:24,961 --> 00:30:29,275 - RYAN? HE DOES. YES, HE DOES, ABSOLUTELY. 844 00:30:29,310 --> 00:30:30,621 VERY MUCH SO. 845 00:30:30,656 --> 00:30:31,484 - 'CAUSE, YOU KNOW, I HAVE A PLUMBER BUDDY 846 00:30:31,519 --> 00:30:32,900 WHO WOULD PROBABLY CUT YOU A DEAL. 847 00:30:32,934 --> 00:30:34,384 - THAT'S OKAY. THANK YOU. 848 00:30:34,418 --> 00:30:36,110 - UNLESS--OR YOU JUST LOVE HAVING ME IN YOUR SHOWER. 849 00:30:36,144 --> 00:30:37,318 I CAN STAY. 850 00:30:37,352 --> 00:30:39,630 - I CAN'T WAIT TILL YOU GET YOUR WATER TURNED BACK ON. 851 00:30:39,665 --> 00:30:41,046 - OKAY. 852 00:30:41,080 --> 00:30:42,875 UM... 853 00:30:42,910 --> 00:30:43,669 SO WE COULD JUST CALL HIM, I GUESS. 854 00:30:43,703 --> 00:30:47,535 - WHO? - THE GUY. 855 00:30:47,569 --> 00:30:49,019 - NO, NO, NO, NO. I CAN'T FIRE RYAN. 856 00:30:49,054 --> 00:30:50,193 - WHY? ARE YOU-- 857 00:30:50,227 --> 00:30:51,642 OH, YOU AND RYAN? ARE YOU HITTING THAT? 858 00:30:51,677 --> 00:30:53,265 - WHAT? - NO? 859 00:30:53,299 --> 00:30:54,473 - HE'S MY DAUGHTER'S FIANCE. 860 00:30:54,507 --> 00:30:55,992 - OH. SORRY. OKAY. 861 00:30:56,026 --> 00:30:56,889 - WHAT DO YOU HAVE TO SAY ABOUT THAT? 862 00:30:56,924 --> 00:30:58,063 - ENOUGH SAID. 863 00:30:58,097 --> 00:31:00,617 - LET'S HEAR IT. - NO, NO. I GET IT. 864 00:31:00,651 --> 00:31:02,239 THAT'S TOTALLY UNDERSTANDABLE. 865 00:31:02,274 --> 00:31:04,000 YEAH, RIGHT? FAMILY. DON'T MESS WITH FAMILY. 866 00:31:04,034 --> 00:31:06,071 'CAUSE IT'S FAMILY AND FAMILY COMES FIRST. 867 00:31:06,105 --> 00:31:07,003 AND I APOLOGIZE. I DIDN'T KNOW. 868 00:31:07,037 --> 00:31:09,488 ENOUGH SAID. YEAH. 869 00:31:09,522 --> 00:31:11,007 DONE. 870 00:31:11,041 --> 00:31:12,353 AND GOOD NEWS HERE. 871 00:31:12,387 --> 00:31:13,630 THE LESSON THAT WE'VE GOTTEN IS YOU NOW KNOW 872 00:31:13,664 --> 00:31:15,045 YOU CAN'T SNAKE A TOILET BOWL. 873 00:31:15,080 --> 00:31:18,393 - AND YOU KNOW YOU CAN'T FLUSH YOUR CONDOMS. 874 00:31:18,428 --> 00:31:20,430 - MR. RADFORD, THANK YOU SO MUCH 875 00:31:20,464 --> 00:31:21,603 FOR TAKING THE TIME TO MEET WITH US. 876 00:31:21,638 --> 00:31:24,296 AFTER I LEFT MR. CARLSON I SPOKE WITH A FAMILY FRIEND. 877 00:31:24,330 --> 00:31:28,576 HE'S A PHOTOGRAPHER. GREAT PHOTOGRAPHER. 878 00:31:28,610 --> 00:31:29,439 HANK RIZZOLI. YOU MAY HAVE HEARD OF HIM. 879 00:31:29,473 --> 00:31:30,371 - MM-MM. 880 00:31:30,405 --> 00:31:32,166 - REALLY, REALLY WELL-KNOWN IN BERKELEY. 881 00:31:32,200 --> 00:31:33,926 HE'S LIKE THE ANNIE LIEBOWITZ OF BERKELEY. HE'S AMAZING. 882 00:31:33,961 --> 00:31:36,308 WONDERFUL PERSON, TOO. 883 00:31:36,342 --> 00:31:39,345 HE REALLY BELIEVES THAT MAX HAS TALENT AS A PHOTOGRAPHER. 884 00:31:39,380 --> 00:31:40,691 AND HE SHOULD BE TAKING PICTURES 885 00:31:40,726 --> 00:31:42,624 OF THE YEARBOOK-- FOR THE YEARBOOK. 886 00:31:42,659 --> 00:31:44,109 - OKAY, I THOUGHT I MADE IT CLEAR THAT THIS WASN'T 887 00:31:44,143 --> 00:31:44,972 ABOUT TALENT, MRS. BRAVERMAN. 888 00:31:45,006 --> 00:31:47,077 - YOU MADE IT CLEAR, BUT YOU KNOW, 889 00:31:47,112 --> 00:31:49,286 I SAT DOWN WITH MY HUSBAND, WE TALKED TO MAX, 890 00:31:49,321 --> 00:31:50,701 SO THIS WON'T HAPPEN AGAIN. 891 00:31:50,736 --> 00:31:52,496 - THE DECISION'S BEEN MADE. 892 00:31:52,531 --> 00:31:53,566 - I KNOW THE DECISION'S BEEN MADE. 893 00:31:53,601 --> 00:31:54,464 MR. RADFORD, COULD YOU MAYBE 894 00:31:54,498 --> 00:31:57,191 TALK TO MR. CARLSON ABOUT LAST YEAR 895 00:31:57,225 --> 00:32:00,090 AND HOW GREAT MAX WAS WITH PRESIDENT OF STUDENT COUNCIL, 896 00:32:00,125 --> 00:32:01,091 HOW MUCH HE THRIVED, 897 00:32:01,126 --> 00:32:02,610 AND HOW WELL HE DID. 898 00:32:02,644 --> 00:32:04,750 AND, YOU KNOW, WE HAD SOME SPEED BUMPS HERE AND THERE, 899 00:32:04,784 --> 00:32:07,235 BUT IN THE END, HE DID PHENOMENAL. 900 00:32:07,270 --> 00:32:09,065 - YEAH. - YEAH. 901 00:32:09,099 --> 00:32:11,515 - HE DID DO WELL. AND I'M HAPPY THAT MAX HAD THAT EXPERIENCE. 902 00:32:11,550 --> 00:32:14,208 BUT I GOTTA BE HONEST WITH YOU. 903 00:32:14,242 --> 00:32:15,002 IT WAS REALLY TOUGH ON THE REST OF THE STUDENT COUNCIL. 904 00:32:15,036 --> 00:32:17,280 - WHY DO YOU SAY THAT? I DON'T-- 905 00:32:17,314 --> 00:32:19,420 - I MEAN, I THINK THE REASON THAT IT WORKED OUT AT ALL, 906 00:32:19,454 --> 00:32:21,318 THE ONLY REASON IT WORKED OUT AT ALL, 907 00:32:21,353 --> 00:32:22,319 WAS BECAUSE MAX WAS IN CHARGE. 908 00:32:22,354 --> 00:32:24,770 BUT I STILL HAD TO PUT OUT A LOT OF FIRES. 909 00:32:24,804 --> 00:32:26,496 - LIKE WHAT? NOBODY TOLD ME ANY OF THIS. 910 00:32:26,530 --> 00:32:28,705 - I WAS GLAD TO TRY TO MAKE IT WORK. 911 00:32:28,739 --> 00:32:30,776 BECAUSE I THOUGHT IT WAS GONNA BE GOOD FOR MAX. 912 00:32:30,810 --> 00:32:35,022 BUT THIS TIME I'VE GOT TO AGREE WITH MR. CARLSON. 913 00:32:35,056 --> 00:32:35,919 WE CAN'T HAVE HIM DOING PHOTOGRAPHY FOR THE YEARBOOK. 914 00:32:35,954 --> 00:32:39,992 IT'S JUST NOT FAIR TO THE OTHER KIDS. 915 00:32:42,029 --> 00:32:44,997 - CROSBY JUST HAPPENED TO BE THERE? 916 00:32:45,032 --> 00:32:48,759 - YEAH, HE WAS PICKING UP DIAPERS. 917 00:32:48,794 --> 00:32:50,106 - HOW MUCH HAD YOU HAD TO DRINK? 918 00:32:50,140 --> 00:32:52,729 - NOT TOO MUCH. - YEAH. 919 00:32:52,763 --> 00:32:56,008 - I WAS, YOU KNOW, TRYING TO BE SAFE, SO... 920 00:32:56,043 --> 00:32:58,045 - THAT'S SMART. - MM-HMM. 921 00:32:58,079 --> 00:33:01,117 - OKAY, SO IF YOU HADN'T BEEN DRINKING SO MUCH, 922 00:33:01,151 --> 00:33:05,017 THEN, UM, MAY I ASK THE STORY BEHIND THIS? 923 00:33:05,052 --> 00:33:06,812 - UH, THAT IS A CAKE. 924 00:33:06,846 --> 00:33:10,367 IT'S, UH... 925 00:33:10,402 --> 00:33:12,162 LOOKED SO MUCH BETTER LAST NIGHT. 926 00:33:12,197 --> 00:33:13,336 - MM-HMM. - THAT CAKE. 927 00:33:13,370 --> 00:33:16,511 BUT IT WAS, UH, SOMETHING I WAS BUYING 928 00:33:16,546 --> 00:33:20,170 FOR THE, UH--I WAS, UH... DRUNK. 929 00:33:20,205 --> 00:33:21,792 - YEAH. - I WAS DRUNK. 930 00:33:21,827 --> 00:33:24,519 - YEAH. 931 00:33:24,554 --> 00:33:27,419 - AND I'M GONNA CHOOSE TO NOT BE UPSET 932 00:33:27,453 --> 00:33:31,354 ABOUT THE FACT THAT YOU WERE OUT VERY LATE 933 00:33:31,388 --> 00:33:34,219 DRUNK WITH PEET AND JUST LIED TO ME ABOUT IT 934 00:33:34,253 --> 00:33:37,739 UNLESS YOU TELL ME THAT I SHOULD BE UPSET ABOUT IT. 935 00:33:37,774 --> 00:33:42,434 - YOU SHOULD NOT BE UPSET. 936 00:33:42,468 --> 00:33:43,366 - GOOD. THEN I'M NOT. 937 00:33:43,400 --> 00:33:45,575 - GOOD. 938 00:33:45,609 --> 00:33:46,817 - OKAY. 939 00:33:46,852 --> 00:33:49,130 SO HOW'D IT GO? 940 00:33:49,165 --> 00:33:52,306 - GOOD. GOOD, ACTUALLY. YOU KNOW, UM... 941 00:33:52,340 --> 00:33:53,824 I'M REALLY GLAD YOU TOLD ME TO TALK TO HER ABOUT IT. 942 00:33:53,859 --> 00:33:55,343 - THAT'S AWESOME. 943 00:33:55,378 --> 00:33:56,689 - YEAH. 944 00:33:56,724 --> 00:33:57,552 - SO IMPORTANT TO NIP THESE THINGS IN THE BUD. 945 00:33:57,587 --> 00:33:59,071 - IT IS. YEAH. 946 00:33:59,106 --> 00:34:00,797 - SO YOU'RE GONNA BE BILLING FOR THE EXTRA HOURS? 947 00:34:00,831 --> 00:34:04,456 - UH, WE AGREED TO, YOU KNOW, 948 00:34:04,490 --> 00:34:05,629 PUT THE TIME IN NOW FOR THE LONG HAUL. 949 00:34:05,664 --> 00:34:08,218 - FOR THE LONG HAUL? IS THAT WHAT SHE'S SAYING TO YOU? 950 00:34:08,253 --> 00:34:10,117 - THAT'S WHAT WE AGREED TO. - THAT'S WHAT SHE SAID TO YOU. 951 00:34:10,151 --> 00:34:12,533 - THAT'S WHAT WE TALKED ABOUT. 952 00:34:12,567 --> 00:34:13,361 SHE AND I, MY BUSINESS PARTNER. - BUT SHE SAID THAT BECAUSE 953 00:34:13,396 --> 00:34:15,501 SHE'S NOT THE ONE PAYING YOUR GUYS. 954 00:34:15,536 --> 00:34:16,778 - SHE'S NOT. SHE'S THE ONE EMPLOYING ALL OF US. 955 00:34:16,813 --> 00:34:18,539 - SHE'S NOT THE ONE TAKING THE HIT ON THIS. 956 00:34:18,573 --> 00:34:20,127 SHE IS TAKING ADVANTAGE OF YOU. - SHE'S TAKING ADVANTAGE OF ME. 957 00:34:20,161 --> 00:34:22,474 - YES. 958 00:34:22,508 --> 00:34:23,337 - DO YOU REALIZE HOW BIG AN OPPORTUNITY THIS IS FOR ME? 959 00:34:23,371 --> 00:34:24,890 DO YOU UNDERSTAND? 960 00:34:24,924 --> 00:34:25,925 - YEAH, BUT YOU'RE SETTING A PRECEDENT HERE. 961 00:34:25,960 --> 00:34:27,617 AND I'M SAYING YOU LOST PERSPECTIVE ON IT-- 962 00:34:27,651 --> 00:34:28,618 - I'M SETTING A PRECEDENT SO THAT I CAN CONTINUE 963 00:34:28,652 --> 00:34:30,482 WORKING WITH THIS WOMAN FOR YEARS TO COME. 964 00:34:30,516 --> 00:34:32,622 - AND SHE'S GONNA RESPECT YOU FOR STANDING YOUR GROUND. 965 00:34:32,656 --> 00:34:35,107 - STEP OFF! 966 00:34:39,732 --> 00:34:41,355 I KNOW WHAT I'M DOING. 967 00:34:41,389 --> 00:34:43,529 THIS IS MY BUSINESS. 968 00:34:43,564 --> 00:34:46,774 THIS IS NOT YOU, THIS IS ME. 969 00:35:02,307 --> 00:35:04,136 - HEY. - HEY, CAN WE TALK? 970 00:35:04,171 --> 00:35:05,137 - COME WITH ME. I NEED YOUR HELP. 971 00:35:05,172 --> 00:35:06,207 - ALL RIGHT. 972 00:35:06,242 --> 00:35:08,347 - HEY. - SOMETHING LIKE THAT. 973 00:35:08,382 --> 00:35:10,936 - GUYS, COULD YOU COME OVER HERE FOR A SECOND? 974 00:35:10,970 --> 00:35:13,283 - WHAT ARE WE DOING? - LISTEN TO ME. 975 00:35:13,318 --> 00:35:15,492 RIGHT HERE. MEET THE BEATLES. YOU SEE THIS? 976 00:35:15,527 --> 00:35:20,394 NIRVANA, BLEACH. NEBRASKA,SPRINGSTEEN, ELVIS. 977 00:35:20,428 --> 00:35:23,535 ALL THESE WERE BREAKOUT ALBUMS RECORDED ON A SHOESTRING BUDGET. 978 00:35:24,915 --> 00:35:28,816 THE TITLE TRACK ON THIS ONE. $4. RECORDED FOR $4. 979 00:35:28,850 --> 00:35:32,371 BLEACH-- THE WHOLE ALBUM, 600 BUCKS. 980 00:35:32,406 --> 00:35:33,579 SPRINGSTEEN MADE NEBRASKA ON A FOUR-TRACK IN HIS BEDROOM. 981 00:35:33,614 --> 00:35:36,375 - IS THAT RIGHT? - YEAH. 982 00:35:36,410 --> 00:35:38,205 THESE ALBUMS DIDN'T HAVE ANY MONEY. 983 00:35:38,239 --> 00:35:40,517 THEY WERE ALL STRIPPED-DOWN AND RAW. 984 00:35:40,552 --> 00:35:42,485 THEY WEREN'T HIDING BEHIND ANY FANCY PRODUCTION. 985 00:35:42,519 --> 00:35:43,865 THEY HAD SOMETHING TO SAY, 986 00:35:43,900 --> 00:35:46,558 THEY SAID IT, AND PEOPLE LISTENED. 987 00:35:46,592 --> 00:35:48,387 SO HERE'S WHAT WE'RE GONNA DO. 988 00:35:48,422 --> 00:35:49,664 WE'RE GETTING RID OF THE LUTE, 989 00:35:49,699 --> 00:35:51,563 WE'RE GETTING RID OF THE SAMPLES, 990 00:35:51,597 --> 00:35:53,185 AND ALL THE LAYERS, AND WE'RE GONNA RECORD YOU GUYS 991 00:35:53,220 --> 00:35:55,636 DOWN AND DIRTY BECAUSE YOU HAVE THE GOODS. 992 00:35:55,670 --> 00:35:57,914 YOU'RE ACTUALLY A GREAT BAND. YOU HAVE GREAT SONGS. 993 00:35:57,948 --> 00:36:00,813 OLIVER, AS ANNOYING AS YOU ARE, 994 00:36:00,848 --> 00:36:01,814 YOU CAN SING, MAN. 995 00:36:01,849 --> 00:36:04,576 SO JUST SING. 996 00:36:04,610 --> 00:36:09,236 AND LEAVE THE REST TO US. 997 00:36:09,270 --> 00:36:12,446 - OKAY. COOL. 998 00:36:12,480 --> 00:36:16,691 - OKAY. - OKAY. 999 00:36:16,726 --> 00:36:19,384 - OKAY. 1000 00:36:19,418 --> 00:36:20,661 - OKAY. 1001 00:36:26,839 --> 00:36:27,875 - HEY. - HELLO. 1002 00:36:27,909 --> 00:36:32,017 HOW'D IT GO, MY MAN? - GOOD. 1003 00:36:32,051 --> 00:36:33,777 CAN WE JUST STAY A LITTLE LONGER? 1004 00:36:33,812 --> 00:36:35,365 I'M NOT FINISHED CLEANING THE PARTS. 1005 00:36:35,400 --> 00:36:37,850 - YEAH, WE'RE NOT QUITE FINISHED DOING... 1006 00:36:37,885 --> 00:36:40,577 RIGHT, OKAY. 1007 00:36:40,612 --> 00:36:43,856 UH, TELL YOU WHAT, VICTOR, WHY DON'T YOU GO WASH YOUR HANDS, 1008 00:36:43,891 --> 00:36:47,377 AND WE'LL TACKLE THIS ANOTHER TIME. ALL RIGHT? 1009 00:36:47,412 --> 00:36:48,309 - OKAY. - THANKS. GREAT JOB. 1010 00:36:48,344 --> 00:36:51,278 - THANK YOU. 1011 00:36:51,312 --> 00:36:52,417 - MAN, I AM TELLING YOU, 1012 00:36:52,451 --> 00:36:54,350 THIS WHOLE CAR IDEA-- 1013 00:36:54,384 --> 00:36:55,143 I MEAN, I SHOULD HAVE FIVE OF THESE. 1014 00:36:55,178 --> 00:37:00,287 - IT--[chuckles] YEAH. - YEAH. 1015 00:37:00,321 --> 00:37:01,598 - HOW DOES MOM LIKE IT? 1016 00:37:01,633 --> 00:37:03,738 - YOUR MO-- SHE LOVES IT. WHY? 1017 00:37:03,773 --> 00:37:07,501 - WELL... 1018 00:37:07,535 --> 00:37:09,641 SHE TOLD ME ABOUT THE HOUSE. 1019 00:37:09,675 --> 00:37:12,368 ABOUT THAT CONDO SHE WANTED YOU TO SEE, 1020 00:37:12,402 --> 00:37:13,817 WOULDN'T EVEN TALK TO HER ABOUT IT, SHE SAID. 1021 00:37:17,304 --> 00:37:20,272 - HUH. WELL, UH... 1022 00:37:20,307 --> 00:37:23,275 I GOTTA TELL YA, THAT'S BETWEEN YOUR MOTHER AND I, 1023 00:37:23,310 --> 00:37:24,932 AND I APPRECIATE YOUR ASKING, SWEETHEART, 1024 00:37:24,966 --> 00:37:27,969 BUT REALLY, YOU'RE KIND OF INTRUDING. 1025 00:37:30,006 --> 00:37:31,732 - SHE HAS A RIGHT TO TALK TO YOU 1026 00:37:31,766 --> 00:37:34,493 ABOUT WHATEVER SHE WANTS TO TALK TO YOU ABOUT. 1027 00:37:34,528 --> 00:37:37,807 SHE HAS A VOICE IN THIS, YOU KNOW? 1028 00:37:37,841 --> 00:37:40,085 LOOK, I AM SO GRATEFUL FOR THIS CAR, 1029 00:37:40,119 --> 00:37:42,639 THIS HAS BEEN SO GOOD FOR VICTOR, 1030 00:37:42,674 --> 00:37:46,402 BUT YOU HAVE TO TALK TO MOM. AND YOU HAVE TO LISTEN TO HER. 1031 00:37:46,436 --> 00:37:49,577 BECAUSE SHE'S YOUR WIFE AND BECAUSE 1032 00:37:49,612 --> 00:37:50,751 SHE HAS A RIGHT TO WEIGH IN ON-- 1033 00:37:50,785 --> 00:37:53,374 ON DECISIONS THAT AFFECT BOTH OF YOUR LIVES, YOU KNOW? 1034 00:37:53,409 --> 00:37:55,411 - OKAY. YOU OKAY HERE? 1035 00:37:55,445 --> 00:37:58,345 - IT'S--I'M FINE. 1036 00:37:58,379 --> 00:38:00,001 SORRY. 1037 00:38:00,036 --> 00:38:03,004 I JUST HAD TO SAY SOMETHING. - [chuckles] 1038 00:38:08,631 --> 00:38:10,011 - CAN I TALK TO YOU FOR A SEC? 1039 00:38:10,046 --> 00:38:12,842 - HMM. 1040 00:38:15,948 --> 00:38:19,400 - SO, UM, I TALKED TO YOUR YEARBOOK ADVISOR 1041 00:38:19,435 --> 00:38:21,989 AND YOUR PRINCIPAL, 1042 00:38:22,023 --> 00:38:26,925 AND THEY HAVE DECIDED TO MOVE YOU TO LAYOUT ON THE YEARBOOK. 1043 00:38:26,959 --> 00:38:28,375 - I DON'T KNOW IF I CAN DO BOTH THE LAYOUT 1044 00:38:28,409 --> 00:38:30,411 AND TAKE THE PICTURES AT THE SAME TIME. 1045 00:38:30,446 --> 00:38:32,102 I DON'T KNOW--I DON'T THINK I'LL HAVE TIME TO DO THAT 1046 00:38:32,137 --> 00:38:33,034 'CAUSE I ALREADY HAVE HANK AND I'M DOING MATH WARRIORS 1047 00:38:33,069 --> 00:38:35,002 THREE TIMES A WEEK. - RIGHT. 1048 00:38:35,036 --> 00:38:39,800 WELL, YOU WON'T BE TAKING PICTURES ANYMORE. 1049 00:38:39,834 --> 00:38:40,628 - WHAT DO YOU MEAN? 1050 00:38:40,663 --> 00:38:42,112 - THEY JUST WANT YOU TO DO LAYOUT 1051 00:38:42,147 --> 00:38:44,045 AND LEARN PHOTOSHOP. 1052 00:38:44,080 --> 00:38:45,737 - NO, NO, BUT I'M THE BEST PHOTOGRAPHER. 1053 00:38:45,771 --> 00:38:47,428 - YOU ARE. YOU ARE THE BEST PHOTOGRAPHER. 1054 00:38:47,463 --> 00:38:49,016 BUT THERE ARE OTHER KIDS AT THE SCHOOL AND THEY HAVE TO-- 1055 00:38:49,050 --> 00:38:51,881 - NO, THAT'S TOTALLY UNJUST. 1056 00:38:51,915 --> 00:38:53,607 I MEAN, WHY WOULDN'T THE BEST PHOTOGRAPHER 1057 00:38:53,641 --> 00:38:54,918 BE ALLOWED TO TAKE PICTURES? 1058 00:38:54,953 --> 00:38:56,644 - YOU'LL STILL BE ABLE TO TAKE PICTURES, OKAY? 1059 00:38:56,679 --> 00:38:57,990 YOU'LL STILL BE ABLE TO WORK WITH HANK. 1060 00:38:58,025 --> 00:38:59,785 - HANK DOESN'T HAVE A YEARBOOK. 1061 00:38:59,820 --> 00:39:01,822 - I KNOW HE DOESN'T, BUT THIS IS WHAT THE SCHOOL HAS DECIDED. 1062 00:39:01,856 --> 00:39:02,788 THEY THINK THAT'S BEST. 1063 00:39:02,823 --> 00:39:04,687 - NO, BUT IT'S STUPID AND IT'S NOT FAIR. 1064 00:39:04,721 --> 00:39:08,898 MOM, ANSWER ME. DO YOU THINK THAT IT'S FAIR? 1065 00:39:08,932 --> 00:39:10,693 - NO, I DON'T THINK THAT IT'S FAIR. 1066 00:39:10,727 --> 00:39:12,073 - RIGHT, YOU DON'T THINK THAT-- NO YOU DON'T THINK THAT'S FAIR, 1067 00:39:12,108 --> 00:39:14,731 THEN WHY SHOULD WE LISTEN T-- - LISTEN TO ME, 1068 00:39:14,766 --> 00:39:15,836 THIS IS WHAT THEY'VE DECIDED. 1069 00:39:15,870 --> 00:39:18,183 SOMETIMES IN LIFE... - IT'S NOT FAIR. 1070 00:39:18,217 --> 00:39:19,943 - THINGS AREN'T FAIR, OKAY? 1071 00:39:19,978 --> 00:39:20,979 AND AS YOU GET OLDER YOU HAVE TO DEAL WITH THAT. 1072 00:39:21,013 --> 00:39:24,431 OKAY, I THINK THAT THIS-- THIS SUCKS FOR YOU. 1073 00:39:24,465 --> 00:39:26,571 I THINK IT'S AWFUL, BUT WE CAN'T CHANGE EVERYTHING. 1074 00:39:26,605 --> 00:39:28,020 WE HAVE TO ABIDE BY WHAT THEY'RE SAYING. 1075 00:39:28,055 --> 00:39:32,749 - NO, IT'S STUPID. WHY SHOULD IT BE LIKE THIS? 1076 00:39:32,784 --> 00:39:37,823 I'M REALLY MAD ABOUT THIS. 1077 00:39:37,858 --> 00:39:40,032 - YOU KNOW WHAT? I'M REALLY MAD ABOUT THIS TOO. 1078 00:39:40,067 --> 00:39:43,726 I'M SO MAD ABOUT THIS. 1079 00:39:43,760 --> 00:39:48,662 SO WE'RE JUST GONNA SIT HERE AND WE'RE GONNA BE MAD TOGETHER. 1080 00:39:48,696 --> 00:39:53,045 WE'RE JUST GONNA SIT HERE AND BE MAD TOGETHER. 1081 00:40:01,571 --> 00:40:04,678 [sighs] 1082 00:40:04,712 --> 00:40:08,785 - ♪ CAN'T REMEMBER WHEN WE LAST ♪ 1083 00:40:08,820 --> 00:40:10,235 ♪ 1084 00:40:10,269 --> 00:40:15,136 ♪ TOOK THE TIME TO SEE THE SUNSET ♪ 1085 00:40:15,171 --> 00:40:16,172 - MRS. BRAVERMAN. 1086 00:40:16,206 --> 00:40:19,037 - RYAN. - YEAH. 1087 00:40:19,071 --> 00:40:20,590 - HI. COME ON IN. 1088 00:40:20,625 --> 00:40:23,559 - UH, YOU HAVE JUST A SEC? - OF COURSE. COME ON IN. 1089 00:40:23,593 --> 00:40:24,801 - NO, I'M OKAY. 1090 00:40:24,836 --> 00:40:28,218 UM... 1091 00:40:28,253 --> 00:40:30,048 MY DAD DIED WHEN I WAS 11 1092 00:40:30,082 --> 00:40:32,844 AND MY MOM REMARRIED 1093 00:40:32,878 --> 00:40:37,918 HALF A YEAR LATER TO A GUY FROM WORK 1094 00:40:37,952 --> 00:40:41,611 WHO WAS OKAY TO HER, BUT THOUGHT CORPORAL PUNISHMENT 1095 00:40:41,646 --> 00:40:44,545 WAS THE BEST WAY TO HANDLE A WILD KID 1096 00:40:44,580 --> 00:40:45,581 WHO WAS PISSED AS HELL ABOUT LOSING HIS DAD. 1097 00:40:45,615 --> 00:40:48,722 - OH, RYAN, I'M SO SORRY. 1098 00:40:48,756 --> 00:40:50,896 - NO, NO, NO. I DON'T NEED PITY, I'M JUST-- 1099 00:40:50,931 --> 00:40:54,037 I'M JUST--I'M JUST TELLING YOU THE REASON 1100 00:40:54,072 --> 00:40:55,211 WHY I LEFT HOME AS QUICK AS I DID 1101 00:40:55,245 --> 00:40:56,833 AND NEVER LOOKED BACK, NEVER WILL. 1102 00:40:56,868 --> 00:40:58,214 - RYAN, YOU DON'T HAVE TO GIVE ME AN EXPLANATION. 1103 00:40:58,248 --> 00:41:00,596 - WELL, I WANT TO GIVE YOU THE ANSWERS 1104 00:41:00,630 --> 00:41:03,184 TO THE QUESTIONS YOU KEEP ASKING, SO... 1105 00:41:03,219 --> 00:41:06,118 NOT EVERYBODY HAS A FAMILY LIKE YOURS. 1106 00:41:06,153 --> 00:41:09,501 AND I KNOW THAT I MESSED UP. 1107 00:41:09,536 --> 00:41:10,778 I KNOW THAT I DID SOME THINGS THE LAST TIME I GOT BACK 1108 00:41:10,813 --> 00:41:12,262 THAT SCARED YOU AND THEY SHOULD HAVE. 1109 00:41:12,297 --> 00:41:13,574 IT'S YOUR DAUGHTER. 1110 00:41:13,609 --> 00:41:16,163 BUT I LOVE HER. 1111 00:41:16,197 --> 00:41:19,684 I LOVE HER SO MUCH. 1112 00:41:19,718 --> 00:41:23,688 AND I'M WORKING SO HARD TO GET BETTER. 1113 00:41:23,722 --> 00:41:25,517 AND I WANT TO BE WORTHY OF YOUR FAMILY. 1114 00:41:25,552 --> 00:41:27,692 I WANT TO BE WORTHY OF HER. 1115 00:41:27,726 --> 00:41:29,279 AND I KNOW YOU THINK THAT WE'RE RUSHING, 1116 00:41:29,314 --> 00:41:32,973 WE'RE GOING INTO THIS TOO FAST, 1117 00:41:33,007 --> 00:41:35,044 BUT I CAN TELL YOU GREW UP REAL FAST ON YOUR OWN. 1118 00:41:35,078 --> 00:41:36,286 YOU GREW UP FAST IN THE MILITARY. 1119 00:41:36,321 --> 00:41:39,255 I KNOW WHAT I WANT. 1120 00:41:39,289 --> 00:41:44,087 AND I WANT US TO START OUR LIVES TOGETHER. 1121 00:41:47,125 --> 00:41:50,853 - ♪ NICE SURPRISE READY TO GROW... ♪ 1122 00:41:50,887 --> 00:41:52,924 - OKAY. 1123 00:41:52,958 --> 00:41:54,304 - THANKS. 1124 00:41:54,339 --> 00:41:55,271 - ♪ AFTER ALL IS SAID AND DONE ♪ 1125 00:41:55,305 --> 00:42:00,034 ♪ AFTER ALL IS SAID AND DONE - OKAY. 1126 00:42:00,069 --> 00:42:02,623 OH, AND SARAH... 1127 00:42:02,658 --> 00:42:03,659 IT'S FIXED. 1128 00:42:03,693 --> 00:42:04,867 - THANKS. 1129 00:42:04,901 --> 00:42:07,594 - THE TOILET. 1130 00:42:07,628 --> 00:42:10,251 - ♪ AFTER ALL IS SAID AND DONE - OKAY. 1131 00:42:10,286 --> 00:42:17,293 ♪