1 00:00:01,035 --> 00:00:03,003 - I'M WAITING FOR THIS WAVE OF LOVE TO WASH OVER ME, 2 00:00:03,106 --> 00:00:04,521 AND IT'S JUST NOT HAPPENING. 3 00:00:04,625 --> 00:00:08,042 - THIS IS THE START OF OUR ACT THREE. 4 00:00:08,146 --> 00:00:09,940 - SO YOU'RE SAYING YOU WANT TO SELL OUR HOUSE? 5 00:00:10,044 --> 00:00:12,150 - I THINK WE SHOULD TALK ABOUT IT. 6 00:00:12,253 --> 00:00:13,841 - I'M GONNA RUN FOR MAYOR OF BERKLEY. 7 00:00:13,944 --> 00:00:17,258 - NOBODY'S EVER EVEN HEARD OF KRISTINA. 8 00:00:17,362 --> 00:00:18,570 SHE'S NEVER RUN FOR OFFICE. 9 00:00:18,673 --> 00:00:19,881 IT'S NOT LIKE SHE'S RUNNING FOR THE PRESIDENCY. 10 00:00:19,985 --> 00:00:20,986 I DON'T KNOW HOW REALISTIC IT IS. 11 00:00:21,090 --> 00:00:22,367 - YOU GOT MY BACK, RIGHT? 12 00:00:22,470 --> 00:00:24,438 - YEAH. 13 00:00:25,853 --> 00:00:30,927 [machine pumping] - WOW. 14 00:00:31,031 --> 00:00:32,653 THAT'S AWESOME. 15 00:00:32,756 --> 00:00:33,757 [baby fusses] 16 00:00:33,861 --> 00:00:34,517 - STOP STARING AT ME LIKE THAT. 17 00:00:34,620 --> 00:00:36,243 - I LITERALLY CANNOT LOOK AWAY. 18 00:00:36,346 --> 00:00:37,692 - TRY. 19 00:00:37,796 --> 00:00:40,523 - THIS IS THE MOST FASCINATING CONTRAPTION I HAVE EVER SEEN. 20 00:00:40,626 --> 00:00:42,283 IT'S PNEUMATIC AND IT'S HYDRAULIC. 21 00:00:42,387 --> 00:00:44,492 THERE'S FLUID AND AIR. IT'S-- 22 00:00:44,596 --> 00:00:46,080 - IT'S REALLY NOT THAT FASCINATING, OKAY? 23 00:00:46,184 --> 00:00:48,013 I FEEL LIKE A BIG OLD COW. 24 00:00:48,117 --> 00:00:51,879 A BIG, LACTATING, UNSEXY, SLEEP-DEPRIVED COW. 25 00:00:51,982 --> 00:00:53,432 YOU KNOW WHAT? I HAVEN'T SLEPT 26 00:00:53,536 --> 00:00:55,676 MORE THAN 20 MINUTES IN A ROW SINCE THAT THING CAME OUT OF ME. 27 00:00:55,779 --> 00:00:57,678 [baby screaming] 28 00:00:57,781 --> 00:01:00,025 SHE'S GOTTA TAKE THIS BOTTLE. I MEAN, SERIOUSLY, 29 00:01:00,129 --> 00:01:01,889 I-I REALLY NEED A BREAK, OR ELSE I'M GONNA DIE. 30 00:01:01,992 --> 00:01:03,304 AND THEN, AT THAT POINT, 31 00:01:03,408 --> 00:01:04,374 MY BREASTS WILL NO LONGER BE AN OPTION 32 00:01:04,478 --> 00:01:05,824 BECAUSE I WILL BE DEAD. 33 00:01:05,927 --> 00:01:09,517 - OKAY, SO YOU WANT ME TO HOOK-- I HOOK HER TO THIS? 34 00:01:09,621 --> 00:01:11,174 - NO. - DOES IT HAVE, LIKE, A REVERSE? 35 00:01:11,278 --> 00:01:12,555 IT'S GOT A REVERSE BUTTON? 36 00:01:12,658 --> 00:01:14,281 - NO. - OH, I'M GOING HERE. OKAY. 37 00:01:14,384 --> 00:01:15,316 - JUST GIVE HER TO ME. - YOU GOT MORE IN THERE? 38 00:01:15,420 --> 00:01:20,977 - IT'S NOT--YEAH. [baby crying] 39 00:01:21,081 --> 00:01:22,289 COME ON, COME ON. 40 00:01:22,392 --> 00:01:23,911 - YOU LOOK SO BEAUTIFUL RIGHT NOW. 41 00:01:24,014 --> 00:01:28,778 [baby crying] YOU LOOK VERY BEAUTIFUL. 42 00:01:28,881 --> 00:01:31,332 - SHH... 43 00:01:31,436 --> 00:01:33,645 - THANKS FOR DOING THIS AT THE LAST MINUTE. 44 00:01:33,748 --> 00:01:34,853 - OH, MY PLEASURE. 45 00:01:34,956 --> 00:01:36,303 - YOU'RE LITERALLY, LIKE, THE ONLY PHOTOGRAPHER AVAILABLE. 46 00:01:36,406 --> 00:01:37,959 I MEAN, SERIOUSLY, I MUST HAVE CALLED, LIKE, 100 PEOPLE 47 00:01:38,063 --> 00:01:40,307 BEFORE I FOUND YOUR WEB SITE. [giggles] 48 00:01:40,410 --> 00:01:41,101 - THAT MANY, HUH? - WHICH I LOVED. 49 00:01:41,204 --> 00:01:43,206 YOUR WEB SITE-- BEAUTIFUL. 50 00:01:43,310 --> 00:01:44,690 THERE'S NO PEOPLE, THOUGH. 51 00:01:44,794 --> 00:01:47,003 - NO, I'M TRYING TO SPECIALIZE IN PHO-DOG-RAPHY,SO... 52 00:01:47,107 --> 00:01:49,799 - YOU'RE REALLY GOOD. - THANK YOU. 53 00:01:49,902 --> 00:01:50,593 - HOW 'BOUT THIS? - OKAY. 54 00:01:50,696 --> 00:01:52,905 - HE HAS A GREAT STOMACH. - CUTE. 55 00:01:53,009 --> 00:01:54,907 UM... - READY? ONE, TWO, THREE... 56 00:01:55,011 --> 00:01:58,359 YEAH, YOU LIKE THAT? - YES. 57 00:01:58,463 --> 00:02:00,775 - JUST MAKE SURE YOU DON'T TRIPLE-CHECK THAT LIST. OKAY. 58 00:02:00,879 --> 00:02:03,537 OKAY, AT 3:00 YOU HAVE A PHONER WITH KAITLIN LONNER. 59 00:02:03,640 --> 00:02:05,055 TAKE A LOOK AT THESE. - KAITLIN LONNER. 60 00:02:05,159 --> 00:02:06,678 - YEAH, SHE'S A LOCAL BLOGGER. 61 00:02:06,781 --> 00:02:08,266 SITE GETS PLENTY OF TRAFFIC, SO IT'S GOOD. 62 00:02:08,369 --> 00:02:10,233 PUT PENS ON THE LIST TOO. WE NEED PENS. 63 00:02:10,337 --> 00:02:12,201 - PENS? I HAVE PENS. - NO, NO, NO, NO. 64 00:02:12,304 --> 00:02:14,651 LIKE CAMPAIGN PENS. YOU KNOW, PEOPLE LOVE FREE PENS. 65 00:02:14,755 --> 00:02:16,032 - SUCH A GOOD IDEA! 66 00:02:16,136 --> 00:02:17,482 WHEN I GO TO THE DOCTOR'S OFFICE, I'M LIKE, 67 00:02:17,585 --> 00:02:18,966 "OH, THERE'S THE PEN." IT'S EASY TO REMEMBER. 68 00:02:19,069 --> 00:02:20,347 - YOU WANT A FREE PEN, RIGHT? - GOOD MORNING, HONEY. 69 00:02:20,450 --> 00:02:21,831 - MORNING, HONEY. HOW ARE YOU? - I'M GOOD. 70 00:02:21,934 --> 00:02:22,625 COFFEE'S OVER THERE. OKAY. 71 00:02:22,728 --> 00:02:23,488 - IT'S MORE CONVENIENT OVER HERE. 72 00:02:23,591 --> 00:02:25,179 [doorbell rings] IS THAT THE DOOR? 73 00:02:25,283 --> 00:02:26,491 OKAY, THAT'S PROBABLY THE SHORT GUY. 74 00:02:26,594 --> 00:02:29,770 I'M GONNA GRAB IT, YOU GUYS DO THE HUBBY-WIFE THING. 75 00:02:29,873 --> 00:02:30,978 HER ASS IS MINE FOR THE REST OF THE DAY, THOUGH. 76 00:02:31,081 --> 00:02:33,118 - OKAY. LET'S GO. - WOW. 77 00:02:33,222 --> 00:02:34,292 SHE IS SO AMAZING. I'M TELLING YOU, 78 00:02:34,395 --> 00:02:35,569 IF BOB KNEW THAT SHE EXISTED, 79 00:02:35,672 --> 00:02:36,742 HE NEVER WOULD HAVE HIRED ME, EVER. 80 00:02:36,846 --> 00:02:38,572 - HONEY, YOU ARE AN AMAZING CAMPAIGN MANAGER. 81 00:02:38,675 --> 00:02:40,677 - OH, IT WAS FINE, BUT SHE IS ON FIRE. 82 00:02:40,781 --> 00:02:42,058 LIKE, SHE'S ACTUALLY MAKING ME THINK 83 00:02:42,162 --> 00:02:43,473 THAT I CAN DO THIS. 84 00:02:43,577 --> 00:02:45,026 LIKE, I FEEL LIKE A MILLION BUCKS WITH HER. 85 00:02:45,130 --> 00:02:46,718 - SERIOUSLY, THERE'S NO COFFEE? 86 00:02:46,821 --> 00:02:48,271 - ALL RIGHT, SO IT WASN'T THE SHIRT GUY, 87 00:02:48,375 --> 00:02:49,652 BUT OUR JUICE IS HERE. 88 00:02:49,755 --> 00:02:52,344 - GOOD, WE HAVE EXTRACT JUICE, BUT NO COFFEE. 89 00:02:52,448 --> 00:02:53,621 - I'LL PUT IT ON THE LIST. 90 00:02:53,725 --> 00:02:55,485 THE INTERN GUY'S GONNA RUN OUT LATER AND GET IT. 91 00:02:55,589 --> 00:02:57,625 - WE HAVE A MEETING WITH THE RENEWABLE ENERGY PEOPLE, 92 00:02:57,729 --> 00:02:59,696 AND THEY LIKE THEIR KALE LIQUEFIED. 93 00:02:59,800 --> 00:03:01,042 CAN I GET YOUR CREDIT CARD, KRISTINA? 94 00:03:01,146 --> 00:03:02,320 - UM...OH. 95 00:03:02,423 --> 00:03:03,700 [whispering] GIVE HER YOUR CREDIT CARD. 96 00:03:03,804 --> 00:03:04,701 - MINE'S MAXED OUT. - THAT'S NOT-- 97 00:03:04,805 --> 00:03:06,738 THE DELIVERY CHARGE. - NO, NO PROBLEM. 98 00:03:06,841 --> 00:03:08,360 - I HAD TO GET OFFICE SUPPLIES. YOU KNOW HOW-- 99 00:03:08,464 --> 00:03:09,396 - HERE YOU GO, HEATHER. 100 00:03:09,499 --> 00:03:10,604 - THANK YOU. - ALL RIGHT. 101 00:03:10,707 --> 00:03:14,435 - AMAZING HOW FAST YOU RUN OUT OF THINGS. 102 00:03:14,539 --> 00:03:16,023 - THERE'S YOUR COPY. THERE'S YOUR CREDIT CARD 103 00:03:16,126 --> 00:03:16,989 AND YOUR RECEIPT. - OKAY. 104 00:03:17,093 --> 00:03:20,338 - THE TIP IS INCLUDED. 105 00:03:20,441 --> 00:03:23,789 - I MIGHT NEED 20 BUCKS LATER TOO FOR GAS, BUT... 106 00:03:23,893 --> 00:03:25,860 - REALLY? $250 FOR JUICE? 107 00:03:25,964 --> 00:03:27,483 SERIOUSLY? - YEAH. 108 00:03:34,731 --> 00:03:36,354 - AMBER, ARE YOU-- 109 00:03:36,457 --> 00:03:38,321 - OOH! HI. HEY. 110 00:03:38,425 --> 00:03:40,012 HI. - I'M VERY SORRY. 111 00:03:40,116 --> 00:03:41,221 - NO, DON'T. IT'S FINE. HANG ON. 112 00:03:41,324 --> 00:03:43,947 HI. COME IN. DON'T. IT'S FINE. 113 00:03:44,051 --> 00:03:45,432 - I'LL LEAVE. - COME IN HERE. 114 00:03:45,535 --> 00:03:46,950 SHH. IT'S FINE. WHAT'S UP? - IT'S JUST MY ROOMMATE-- 115 00:03:47,054 --> 00:03:49,988 I HAVE A CLASS AT 8:00, AND MY ROOMMATE LOCKED ME OUT. 116 00:03:50,091 --> 00:03:52,335 HE PUT THE-- 117 00:03:52,439 --> 00:03:54,026 HE PUT THE LACROSSE STICK ON THE DOOR. 118 00:03:54,130 --> 00:03:55,821 - UH... - I'M SORRY, WHAT? 119 00:03:55,925 --> 00:03:56,960 - I CAN'T GO IN THERE. I DON'T KNOW-- 120 00:03:57,064 --> 00:03:59,204 - OH, LIKE A TIE, OR WHATEVER? 121 00:03:59,308 --> 00:04:01,517 - YEAH, IT'S-- - IT'S LIKE A-- 122 00:04:01,620 --> 00:04:02,621 - YOU DON'T HAVE A PLACE TO SLEEP? 123 00:04:02,725 --> 00:04:04,554 - YEAH. NO. AND THEN I'M-- - DREW. 124 00:04:04,658 --> 00:04:05,797 - I CAN LEAVE. - THAT'S--NO. STAY. 125 00:04:05,900 --> 00:04:07,005 JUST PUT YOUR STUFF DOWN. STAY HERE. IT'S GREAT. 126 00:04:07,108 --> 00:04:08,213 - YEAH, AND I CAN GO-- 127 00:04:08,317 --> 00:04:10,077 - DREW... - DO YOU GUYS NEED SOMETHING? 128 00:04:10,180 --> 00:04:11,354 - DON'T GO BACK OUT THERE. - YEAH. 129 00:04:11,458 --> 00:04:12,769 WE DON'T REALLY HAVE ANYTHING FOR BREAKFAST. 130 00:04:12,873 --> 00:04:14,426 - HONEY-- WE'LL GET BREAKFAST TOMORROW. 131 00:04:14,530 --> 00:04:15,841 IT'S FINE. - YOU CAN TOTALLY STAY, MAN. 132 00:04:15,945 --> 00:04:17,049 - WE HAVE OUR WHOLE LIVES... 133 00:04:17,153 --> 00:04:18,844 - IF YOU NEED SOMETHING FOR BREAKFAST OR WHATEVER... 134 00:04:18,948 --> 00:04:20,052 - WE HAVE STUFF. IT'S FINE. 135 00:04:20,156 --> 00:04:21,399 OKAY? - ALL RIGHT. 136 00:04:21,502 --> 00:04:22,503 - YOU WANT SOMETHING TO DRINK? - I'M SORRY. 137 00:04:22,607 --> 00:04:23,401 - YOU WANT SOMETHING? - SURE. 138 00:04:23,504 --> 00:04:26,956 - OKAY. THIS IS GONNA BE FUN. 139 00:04:27,059 --> 00:04:28,095 [truck reverse alarm beeping] 140 00:04:28,198 --> 00:04:31,167 - THAT'S IT. BRING HER BACK, MY MAN. 141 00:04:31,271 --> 00:04:33,445 GENTLY. 142 00:04:33,549 --> 00:04:36,103 BRING HER ON BACK. COME ON. 143 00:04:36,206 --> 00:04:39,037 THAT'S IT. YOU GOT PLENTY OF ROOM. 144 00:04:39,140 --> 00:04:42,109 COME ON BACK. 145 00:04:42,212 --> 00:04:45,112 GOOD, BILLY! THAT'S IT. 146 00:04:45,215 --> 00:04:47,252 - WHAT IS THIS? 147 00:04:47,356 --> 00:04:49,081 - HUH? - THIS. 148 00:04:49,185 --> 00:04:51,083 - THIS? - YEAH? 149 00:04:51,187 --> 00:04:53,016 THIS-- COME HERE A MINUTE. 150 00:04:53,120 --> 00:04:59,229 THIS IS A 1965 PONTIAC GTO CONVERTIBLE COUPE. 151 00:04:59,333 --> 00:05:01,611 NOW, YOU GOTTA USE YOUR IMAGINATION, 152 00:05:01,715 --> 00:05:03,303 BUT UNDERNEATH ALL THIS DUST 153 00:05:03,406 --> 00:05:06,029 IS A BEAUTIFUL METALLIC TEAL PAINT JOB. 154 00:05:06,133 --> 00:05:08,100 - WHAT'S IT DOING IN OUR DRIVEWAY? 155 00:05:08,204 --> 00:05:10,655 NOT "IT." NOT "IT." "SHE." 156 00:05:10,758 --> 00:05:11,759 WHAT'S SHEDOING HERE? 157 00:05:11,863 --> 00:05:13,174 OKAY, BILLY, I THINK WE'RE GOOD. 158 00:05:13,278 --> 00:05:14,106 LET HER DOWN. LET'S UNHOOK HER. 159 00:05:14,210 --> 00:05:16,350 COME ON. 160 00:05:16,454 --> 00:05:18,110 ANYWAY, I GOT HER FROM WALTER AT THE VET CENTER. 161 00:05:18,214 --> 00:05:20,216 - YOU BOUGHT IT? WE OWN THIS? 162 00:05:20,320 --> 00:05:23,184 - SHE. WE OWN HER. 163 00:05:23,288 --> 00:05:26,498 I MEAN, IT WAS NO BIG DEAL. DON'T THINK ABOUT THE MONEY. 164 00:05:26,602 --> 00:05:27,672 WALTER PRACTICALLY GAVE HER AWAY. 165 00:05:27,775 --> 00:05:29,570 THE ONLY THING SHE NEEDS IS A BRAND NEW ENGINE, 166 00:05:29,674 --> 00:05:30,399 AND THAT'S GONNA BE THE FUN PART. 167 00:05:30,502 --> 00:05:32,124 - THAT'S A YEAR-LONG PROJECT. 168 00:05:32,228 --> 00:05:34,264 - NO, SIX TO EIGHT MONTHS TOPS. 169 00:05:34,368 --> 00:05:36,577 - THIS IS YOUR ANSWER, RIGHT? 170 00:05:36,681 --> 00:05:39,408 I SAY I WANT TO TALK ABOUT POSSIBLY SELLING THE HOUSE, 171 00:05:39,511 --> 00:05:41,341 AND YOU PULL A YEAR-LONG PROJECT INTO THE DRIVEWAY? 172 00:05:41,444 --> 00:05:44,758 - WOULD YOU QUIT SAYING-- SIX TO EIGHT MONTHS. 173 00:05:44,861 --> 00:05:46,173 COME ON, GIVE ME SOME CREDIT HERE, GIRL. 174 00:05:46,276 --> 00:05:47,485 - HEY, DON'T WALK AWAY FROM ME. 175 00:05:47,588 --> 00:05:49,210 - OKAY, BILLY, LET'S UNHOOK HER! - JAKE. 176 00:05:49,314 --> 00:05:53,249 - COME ON. ISN'T SHE A BEAUTY? 177 00:05:53,353 --> 00:05:56,735 ♪ MAY GOD BLESS AND KEEP YOU ALWAYS ♪ 178 00:05:56,839 --> 00:05:59,359 ♪ AND MAY YOUR WISHES ALL COME TRUE ♪ 179 00:05:59,462 --> 00:06:01,740 ♪ MAY YOU ALWAYS DO FOR OTHERS ♪ 180 00:06:01,844 --> 00:06:04,018 ♪ AND LET OTHERS DO FOR YOU 181 00:06:04,122 --> 00:06:06,745 ♪ MAY YOU BUILD A LADDER TO THE STARS ♪ 182 00:06:06,849 --> 00:06:08,160 ♪ AND CLIMB ON EVERY RUNG 183 00:06:08,264 --> 00:06:11,232 ♪ AND MAY YOU STAY 184 00:06:11,336 --> 00:06:13,856 ♪ FOREVER YOUNG 185 00:06:13,959 --> 00:06:16,479 ♪ MAY YOU GROW UP TO BE RIGHTEOUS ♪ 186 00:06:16,583 --> 00:06:18,723 ♪ MAY YOU GROW UP TO BE TRUE ♪ 187 00:06:18,826 --> 00:06:21,242 ♪ MAY YOU ALWAYS KNOW THE TRUTH ♪ 188 00:06:21,346 --> 00:06:23,452 ♪ AND SEE THE LIGHTS SURROUNDING YOU ♪ 189 00:06:23,555 --> 00:06:26,247 ♪ MAY YOU ALWAYS BE COURAGEOUS ♪ 190 00:06:26,351 --> 00:06:28,353 ♪ STAND UPRIGHT AND BE STRONG ♪ 191 00:06:28,457 --> 00:06:30,320 ♪ AND MAY YOU STAY 192 00:06:30,424 --> 00:06:32,219 ♪ FOREVER YOUNG 193 00:06:32,322 --> 00:06:35,291 ♪ MAY YOU STAY 194 00:06:35,395 --> 00:06:38,777 ♪ FOREVER YOUNG 195 00:06:41,573 --> 00:06:43,610 - VICTOR'S READING SKILLS AREN'T ANYWHERE NEAR 196 00:06:43,713 --> 00:06:45,094 WHERE THEY SHOULD BE. - RIGHT. 197 00:06:45,197 --> 00:06:46,958 I KNOW HE'S A LITTLE BIT BEHIND, 198 00:06:47,061 --> 00:06:49,236 BUT HE HAS, I MEAN, MADE LEAPS AND BOUNDS 199 00:06:49,339 --> 00:06:51,756 SINCE HE'S LIVED WITH US. 200 00:06:51,859 --> 00:06:53,654 - I UNDERSTAND THERE ARE SPECIAL CIRCUMSTANCES, 201 00:06:53,758 --> 00:06:55,863 AND THAT'S WHY I WANTED TO SPEAK WITH YOU BOTH FIRST 202 00:06:55,967 --> 00:06:58,728 BEFORE I MAKE ANY SORT OF A RECOMMENDATION. 203 00:06:58,832 --> 00:07:00,868 - OKAY, WHAT'S HAPPENING HERE? RECOMMENDATION FOR WHAT? 204 00:07:00,972 --> 00:07:02,352 FROM WHAT I'VE SEEN, VICTOR MIGHT BENEFIT 205 00:07:02,456 --> 00:07:05,252 FROM REPEATING THE FOURTH GRADE. 206 00:07:05,355 --> 00:07:09,463 - YOU WANNA-- YOU WANNA HOLD HIM BACK? 207 00:07:09,567 --> 00:07:11,361 - NO, I DON'T WANT TO DO ANYTHING HERE, NOW, 208 00:07:11,465 --> 00:07:13,881 EXCEPT OPEN UP A DIALOGUE. 209 00:07:13,985 --> 00:07:16,643 GENERALLY SPEAKING, WE DON'T LIKE TO MOVE CHILDREN 210 00:07:16,746 --> 00:07:19,231 INTO A DIFFERENT CLASSROOM UNLESS IT'S A LAST RESORT. 211 00:07:19,335 --> 00:07:20,267 - [sighs] 212 00:07:20,370 --> 00:07:23,166 I MEAN, WE READ WITH HIM EVERY NIGHT, 213 00:07:23,270 --> 00:07:25,514 BUT MAYBE WE COULD READ-- DO A LITTLE MORE READING. 214 00:07:25,617 --> 00:07:27,792 I DON'T KNOW. UM... 215 00:07:27,895 --> 00:07:29,449 JULIA'S GOT SOME TIME OFF FROM WORK. 216 00:07:29,552 --> 00:07:31,243 MAYBE YOU COULD. - THAT WOULD BE WONDERFUL. 217 00:07:31,347 --> 00:07:34,454 I MEAN, I WAS GONNA SUGGEST A TUTOR, BUT THAT'S EVEN BETTER. 218 00:07:34,557 --> 00:07:36,525 I CAN GIVE YOU SOME EXTRA READING ASSIGNMENTS 219 00:07:36,628 --> 00:07:38,285 AND EXERCISES. 220 00:07:38,388 --> 00:07:41,944 VICTOR IS REALLY A VERY, VERY SWEET BOY. 221 00:07:42,047 --> 00:07:43,290 - MM-HMM. 222 00:07:43,393 --> 00:07:44,774 - I'D LIKE TO SEE A LITTLE MORE EFFORT, 223 00:07:44,878 --> 00:07:49,054 BUT I THINK THAT'LL COME AS HE GAINS MORE CONFIDENCE AND-- 224 00:07:49,158 --> 00:07:51,332 - SO WHAT IF HE DOESN'T? WHAT IF HE DOESN'T IMPROVE? 225 00:07:51,436 --> 00:07:55,129 - LET'S JUST TAKE A BREATH... 226 00:07:55,233 --> 00:07:56,717 PUT THESE STRATEGIES IN PLACE. 227 00:07:56,821 --> 00:07:58,478 WE'LL SEE IF IT WORKS, AND, UM, 228 00:07:58,581 --> 00:08:01,446 THEN WE'LL WORRY ABOUT MAKING ANY DECISIONS. 229 00:08:01,550 --> 00:08:04,967 - THANK YOU. - MM-HMM. 230 00:08:09,040 --> 00:08:11,145 - ALL RIGHT, GOOD ATTITUDE, ADAM. 231 00:08:11,249 --> 00:08:13,044 CUT THESE COSTS. 232 00:08:13,147 --> 00:08:14,770 - HI. - YEAH. 233 00:08:14,873 --> 00:08:16,875 - CAN I WORK HERE? THE WI-FI'S OUT IN MY BUILDING. 234 00:08:16,979 --> 00:08:18,532 - WOW, YOU GOTTA GET A NEW SUPER. 235 00:08:18,636 --> 00:08:19,602 - I KNEW YOU WERE GONNA SAY THAT. 236 00:08:19,706 --> 00:08:22,260 - YEAH, COME ON IN. 237 00:08:22,363 --> 00:08:23,572 - WHAT ARE YOU DOING? 238 00:08:23,675 --> 00:08:25,505 - I AM WORKING ON KRISTINA'S CAMPAIGN BUDGET. 239 00:08:25,608 --> 00:08:27,437 - DOESN'T SHE HAVE THE WOMAN THAT DOES THAT? 240 00:08:27,541 --> 00:08:29,543 - YEAH, SHE'S GOT A CAMPAIGN MANAGER, HEATHER. 241 00:08:29,647 --> 00:08:31,027 BUT IF I LET HER DO THIS, WE'RE GONNA WIND UP 242 00:08:31,131 --> 00:08:31,959 IN THE HOLE FOR SURE. 243 00:08:32,063 --> 00:08:34,617 $600 FOR PENS! DO WE REALLY NEED PENS? 244 00:08:34,721 --> 00:08:35,825 I DON'T THINK SO. - I LOVE FREE PENS. 245 00:08:35,929 --> 00:08:36,964 - IS THAT GONNA MAKE YOU VOTE FOR SOMEBODY? 246 00:08:37,068 --> 00:08:38,483 - SURE. - WE'RE GONNA WIND UP BANKRUPT. 247 00:08:38,587 --> 00:08:40,727 - LOOK AT THIS. $900 FOR HEAD SHOTS. 248 00:08:40,830 --> 00:08:43,074 GET A PHOTOGRAPHER TO TAKE ONE PICTURE OF KRISTINA 249 00:08:43,177 --> 00:08:44,351 FOR THE LAWN SIGNS AND ALL THE OTHER POSTERS. 250 00:08:44,454 --> 00:08:47,630 - UM... 251 00:08:47,734 --> 00:08:51,185 I'LL DO THE HEAD SHOTS. 252 00:08:51,289 --> 00:08:53,049 - SARAH, I MEAN... - WHAT? 253 00:08:53,153 --> 00:08:54,326 - YOU'VE NEVER WORKED WITH A HUMAN BEING? 254 00:08:54,430 --> 00:08:57,985 - [scoffs] NOT PROFESSIONALLY. 255 00:08:58,089 --> 00:08:59,746 - WELL, I NEED A PROFESSIONAL. THIS IS A CAMPAIGN... 256 00:08:59,849 --> 00:09:00,919 - I AM A PROFESSIONAL. 257 00:09:01,023 --> 00:09:02,507 - I JUST-- I DON'T FEEL GOOD ABOUT WORKING, 258 00:09:02,611 --> 00:09:03,750 YOU KNOW, WITH FAMILY. 259 00:09:03,853 --> 00:09:04,820 I DON'T THINK THAT'S A GOOD IDEA. 260 00:09:04,923 --> 00:09:05,786 - IS THAT WHY YOU WENT INTO BUSINESS 261 00:09:05,890 --> 00:09:07,132 WITH YOUR BROTHER CROSBY, 262 00:09:07,236 --> 00:09:08,582 AND HIRED MY DAUGHTER TO WORK THE FRONT DESK? 263 00:09:08,686 --> 00:09:10,170 - ALL RIGHT, POINT TAKEN. 264 00:09:10,273 --> 00:09:12,862 - MAYBE YOU JUST FEEL GOOD ABOUT WORKING WITH THISFAMILY. 265 00:09:12,966 --> 00:09:14,312 - IF I'M GONNA BE SPENDING CLOSE TO $1,000 266 00:09:14,415 --> 00:09:15,555 ON A PHOTOGRAPH FOR A CAMPAIGN-- - YOU DON'T HAVE TO. 267 00:09:15,658 --> 00:09:16,590 YOU KNOW WHAT? I'LL DO IT FOR FREE. 268 00:09:16,694 --> 00:09:17,522 - FOR FREE? AS IN NO MONEY? - YES. 269 00:09:17,626 --> 00:09:19,006 YES. I WANT THE SHOT. 270 00:09:19,110 --> 00:09:21,215 - SATISFACTION GUARANTEED? - OF COURSE. 271 00:09:21,319 --> 00:09:23,528 - WE DON'T LIKE IT, WE CAN GO SOMEWHERE ELSE? DEAL. 272 00:09:23,632 --> 00:09:24,494 - $100. - $50. 273 00:09:24,598 --> 00:09:27,256 - FINE. - OKAY, IT'S A DEAL. 274 00:09:30,570 --> 00:09:35,229 - [relaxed sigh] 275 00:09:35,333 --> 00:09:38,267 [baby crying] 276 00:09:41,166 --> 00:09:42,443 - I'M ON IT. I'M TOTALLY ON IT. 277 00:09:42,547 --> 00:09:43,893 JUST YOU KEEP RELAXING. [baby crying] 278 00:09:43,997 --> 00:09:45,964 - THANK YOU. 279 00:09:46,068 --> 00:09:47,690 - COME ON. 280 00:09:49,416 --> 00:09:52,005 [baby crying] SWEETIE, SWEETIE. 281 00:09:52,108 --> 00:09:54,421 IT'S BREAST MILK. YOU LIKE BREAST MILK. 282 00:09:54,524 --> 00:09:57,458 I'VE SEEN YOU ENJOYING BREAST-- IT'S JUST BREAST MILK. 283 00:09:57,562 --> 00:09:58,563 [baby crying] YOU DON'T WANT IT. 284 00:09:58,667 --> 00:10:00,876 YOU DON'T WANT IT. 285 00:10:00,979 --> 00:10:03,533 COME ON, YOU STUBBORN LITTLE STINKER. 286 00:10:03,637 --> 00:10:07,123 [baby crying relentlessly] 287 00:10:11,369 --> 00:10:13,026 - HEY, HONEY. 288 00:10:13,129 --> 00:10:13,682 - HI. 289 00:10:13,785 --> 00:10:15,856 - YOU LOOK VERY BEAUTIFUL. 290 00:10:15,960 --> 00:10:17,858 - I LOOK LIKE I SHOULD BE OFFERING YOU PEANUTS 291 00:10:17,962 --> 00:10:19,204 AND AN IN-FLIGHT MAGAZINE. 292 00:10:19,308 --> 00:10:20,378 - THAT IS ONE SEXY FLIGHT ATTENDANT RIGHT THERE. 293 00:10:20,481 --> 00:10:23,726 - HONEY, A MAYOR'S NOT SUPPOSED TO LOOK SEXY. 294 00:10:23,830 --> 00:10:25,038 THEY'RE SUPPOSED TO LOOK "MAYORAL," 295 00:10:25,141 --> 00:10:26,315 WITH MAYBE A HINT OF SEXINESS. - WELL-- 296 00:10:26,418 --> 00:10:30,181 - I FEEL LIKE I NEED A WHOLE NEW WARDROBE, YOU KNOW? 297 00:10:30,284 --> 00:10:33,253 - HEY, UH, HOW WOULD YOU FEEL ABOUT HAVING SARAH 298 00:10:33,356 --> 00:10:33,840 DO YOUR CAMPAIGN PHOTO? 299 00:10:33,943 --> 00:10:36,325 - YOUR SISTER? - YEAH. 300 00:10:36,428 --> 00:10:37,498 SHE SAID SHE'D DO IT FOR FREE. 301 00:10:37,602 --> 00:10:39,777 50 BUCKS, SO PRACTICALLY FREE. 302 00:10:39,880 --> 00:10:41,192 - BUT THIS PHOTO HAS TO BE AWESOME. 303 00:10:41,295 --> 00:10:42,469 WE NEED A GOOD PROFESSIONAL IMAGE. 304 00:10:42,572 --> 00:10:44,333 - SARAH WILL DO A GOOD JOB. - HONEY... 305 00:10:44,436 --> 00:10:45,368 CHECK IT OUT. - YEP. 306 00:10:45,472 --> 00:10:46,473 - HOT OFF THE PRESSES, OKAY? - WE CAN DO THAT. 307 00:10:46,576 --> 00:10:48,648 - WE NEED A PROFESSIONAL. 308 00:10:48,751 --> 00:10:50,132 - WE DON'T NEED A PROFESSIONAL PHOTOGRAPHER. 309 00:10:50,235 --> 00:10:51,754 IT'S GONNA COST $1,000. WE'VE ALREADY SPENT $5,000 310 00:10:51,858 --> 00:10:53,549 ON THIS CAMPAIGN, AND IT'S STRESSING ME OUT. 311 00:10:53,653 --> 00:10:55,033 - TECHNICALLY, THIS ISN'T REALLY OUR MONEY. 312 00:10:55,137 --> 00:10:56,069 - OH, IT IS OUR MONEY. - WE'RE GONNA GET REIMBURSED. 313 00:10:56,172 --> 00:10:58,209 - OH, IT'S OUR MONEY. I'M NOT SUGGESTING 314 00:10:58,312 --> 00:11:00,521 THAT WE STOP SPENDING MONEY ON YOUR CAMPAIGN. 315 00:11:00,625 --> 00:11:01,522 I'M JUST SAYING SLOW DOWN UNTIL WE KNOW 316 00:11:01,626 --> 00:11:03,490 THAT THERE ARE SOME DONATIONS COMING IN. 317 00:11:03,593 --> 00:11:04,664 - THERE ARE DONATIONS COMING IN, OKAY? 318 00:11:04,767 --> 00:11:06,838 - TELL YOU WHAT. - WHAT? 319 00:11:06,942 --> 00:11:09,910 - CAN I JUST SIT DOWN WITH YOU JUST FOR A SECOND? 320 00:11:10,014 --> 00:11:12,016 LOOK, I JUST WANT TO SHOW YOU A COUPLE DIFFERENT WAYS 321 00:11:12,119 --> 00:11:14,881 WE CAN TRIM THE BUDGET. - YOU WENT THROUGH MY BUDGET? 322 00:11:14,984 --> 00:11:15,433 WHY DID YOU-- - I DID. 323 00:11:15,536 --> 00:11:17,884 - FOR WHAT? 324 00:11:17,987 --> 00:11:20,300 - WE'RE SPENDING OUR MONEY ON THE CAMPAIGN RIGHT NOW-- 325 00:11:20,403 --> 00:11:21,508 - ADAM, I KNOW THAT WE'RE SPENDING OUR MONEY RIGHT NOW, 326 00:11:21,611 --> 00:11:23,683 BUT WE'RE GONNA PAY OURSELVES BACK. 327 00:11:23,786 --> 00:11:25,512 - I JUST WANT TO PULL BACK A LITTLE BIT 328 00:11:25,615 --> 00:11:27,134 UNTIL WE KNOW THAT WE HAVE THE DONATIONS COMING IN 329 00:11:27,238 --> 00:11:29,654 TO COVER THESE EXPENSES, OKAY? - THE DONATIONS ARE COMING IN, 330 00:11:29,758 --> 00:11:30,966 AND WE'RE GONNA RAISE ENOUGH MONEY 331 00:11:31,069 --> 00:11:32,139 TO COVER ALL OF OUR EXPENSES. 332 00:11:32,243 --> 00:11:32,830 - OKAY, JUST STOP FOR ONE SECOND, ALL RIGHT? 333 00:11:32,933 --> 00:11:34,486 - NO, YOU'RE PISSING ME OFF. 334 00:11:34,590 --> 00:11:35,833 - I'M SORRY I'M MAKING YOU MAD. 335 00:11:35,936 --> 00:11:36,626 THIS IS A REALITY CHECK. - I GUESS SO IT'S... 336 00:11:36,730 --> 00:11:38,870 - YOU'RE A FIRST-TIME CANDIDATE. 337 00:11:38,974 --> 00:11:40,769 - AM I REALLY? - YOU'RE LATE TO THE RACE. 338 00:11:40,872 --> 00:11:41,770 - I DIDN'T KNOW THAT. - AND I WANT TO MAKE SURE 339 00:11:41,873 --> 00:11:42,978 THAT WE'RE GONNA BE ABLE TO COME UP 340 00:11:43,081 --> 00:11:44,496 WITH ENOUGH DONATIONS TO COVER THESE EXPENSES. 341 00:11:44,600 --> 00:11:46,982 - I DON'T THINK THAT I KNOW THAT BOB LITTLE WANTS TO SEE ME, 342 00:11:47,085 --> 00:11:48,500 LIKE, CRASH AND BURN, AND THAT I'M A FIRST-TIME 343 00:11:48,604 --> 00:11:51,262 POLITICAL CANDIDATE, AND THIS IS GONNA BE A TOUGH RUN FOR ME? 344 00:11:51,365 --> 00:11:52,953 YOU DON'T THINK I KNOW THAT, ADAM? 345 00:11:53,057 --> 00:11:54,196 - OKAY. - NO, HOLD ON A SECOND. 346 00:11:54,299 --> 00:11:56,129 WHEN YOU WANTED TO OPEN UP THE LUNCHEONETTE, 347 00:11:56,232 --> 00:11:58,579 I SUPPORTED YOU 100%, AND IT WAS TEN TIMES CRAZIER, 348 00:11:58,683 --> 00:12:00,029 AND TEN TIMES MORE EXPENSIVE THAN THIS. 349 00:12:00,133 --> 00:12:02,135 - IT'S WORKED OUT, OKAY? AND BY THE WAY, AT THE TIME, 350 00:12:02,238 --> 00:12:03,446 YOU CALLED ME NUTS. - I DID CALL YOU NUTS. 351 00:12:03,550 --> 00:12:05,621 BUT I SUPPORTED YOU. - AND I'M SUPPORTING YOU. 352 00:12:05,725 --> 00:12:08,037 I'M JUST TRYING TO HELP OUT. - I'VE ALWAYS SUPPORTED YOU. 353 00:12:08,141 --> 00:12:10,281 - I JUST DON'T WANT TO SEE US GET INTO FINANCIAL TROUBLE HERE. 354 00:12:10,384 --> 00:12:11,558 KRISTINA, THAT'S ALL I'M DOING. - YOU'RE NOT TRUSTING ME 355 00:12:11,661 --> 00:12:13,698 IS WHAT YOU'RE DOING. 356 00:12:13,802 --> 00:12:16,563 THANK YOU, BUDGET BOY. 357 00:12:16,666 --> 00:12:18,599 - "BUDGET BOY." GREAT. 358 00:12:18,703 --> 00:12:20,912 [sighs] 359 00:12:32,061 --> 00:12:34,236 - I HAVEN'T SLEPT. - OH. 360 00:12:34,339 --> 00:12:36,514 - I'VE JUST BEEN THINKING ABOUT THIS VICTOR SITUATION. 361 00:12:36,617 --> 00:12:38,033 - OH... 362 00:12:38,136 --> 00:12:40,138 - YOU KNOW, MISS MIKINDOE IS RIGHT? 363 00:12:40,242 --> 00:12:43,210 HIS READING LEVEL IS NOT UP TO A FIFTH GRADE READING LEVEL. 364 00:12:43,314 --> 00:12:44,764 I MEAN, IT'S NOT EVEN FOURTH GRADE READING LEVEL, 365 00:12:44,867 --> 00:12:45,903 IF WE'RE BEING HONEST WITH OURSELVES. 366 00:12:46,006 --> 00:12:47,352 - WHICH IS WHY SHE WANTED TO HAVE US IN 367 00:12:47,456 --> 00:12:48,768 TO TALK ABOUT READING WITH HIM MORE. 368 00:12:48,871 --> 00:12:51,460 - BUT I'VE BEEN READING WITH HIM CONSTANTLY. 369 00:12:51,563 --> 00:12:53,669 - OKAY, WELL, MAYBE I CAN COME HOME FROM WORK 370 00:12:53,773 --> 00:12:55,153 A LITTLE EARLY A COUPLE NIGHTS A WEEK. 371 00:12:55,257 --> 00:12:56,672 AND IF I CAN'T DO THAT, THEN WE'LL FIND A TUTOR FOR HIM. 372 00:12:56,776 --> 00:12:59,917 - I DON'T KNOW HOW MUCH MORE WE CAN DO... 373 00:13:00,020 --> 00:13:01,332 REALLY, THAT WE HAVEN'T ALREADY DONE. 374 00:13:01,435 --> 00:13:02,954 WE HAVE DONE IT, AND IT HASN'T WORKED. 375 00:13:03,058 --> 00:13:06,716 AND IT'S NOT GONNA WORK IN THE TIME FRAME THAT WE HAVE. 376 00:13:06,820 --> 00:13:08,063 I MEAN... GOD, HE'S GONNA BE 377 00:13:08,166 --> 00:13:09,927 IN THE SAME GRADE AS SYDNEY, AND I DON'T EVEN KNOW 378 00:13:10,030 --> 00:13:11,100 HOW TO BEGIN TO TACKLE THAT. 379 00:13:11,204 --> 00:13:12,619 - JULES, WE'RE NOT EVEN THERE YET. 380 00:13:12,722 --> 00:13:14,966 - WE--HOW CLOSE TO THERE DO WE HAVE TO BE? 381 00:13:15,070 --> 00:13:17,382 SHE SAID SHE WANTS TO HOLD HIM BACK, BASICALLY-- 382 00:13:17,486 --> 00:13:18,694 THAT SHE WAS WAITING BECAUSE OF, YOU KNOW, 383 00:13:18,798 --> 00:13:20,661 HIS SPECIAL CIRCUMSTANCES, WHICH IS-- 384 00:13:20,765 --> 00:13:23,699 EHH, I HATE THAT. - OKAY. 385 00:13:23,803 --> 00:13:26,806 JUST LET'S... DEEP BREATHS HERE. 386 00:13:26,909 --> 00:13:29,291 WERE WE EVEN IN THE SAME CONVERSATION? 387 00:13:29,394 --> 00:13:30,119 YOU KNOW WHAT I HEARD? 388 00:13:30,223 --> 00:13:30,844 I HEARD A TEACHER TELLING US 389 00:13:30,948 --> 00:13:34,089 THAT WE GOT A GOOD KID. 390 00:13:34,192 --> 00:13:35,918 CAN WE TAKE OUR FINGER OFF THE NUCLEAR LAUNCH BUTTON? 391 00:13:36,022 --> 00:13:41,268 - I'M NOT GOING NUCLEAR. I'M... 392 00:13:41,372 --> 00:13:43,995 GOING A LITTLE...NUCLEAR. - GOING A LITTLE NUCLEAR. 393 00:13:44,099 --> 00:13:45,272 - THAT'S OKAY. - BUT-- 394 00:13:45,376 --> 00:13:46,377 - IT'S A TOUGH CONVERSATION TO HAVE, 395 00:13:46,480 --> 00:13:48,172 BUT THAT'S ALL IT WAS-- A CONVERSATION. 396 00:13:48,275 --> 00:13:52,866 - IT WAS A CONVERSATION ABOUT HOLDING OUR KID BACK A YEAR. 397 00:13:54,799 --> 00:13:56,283 - CAN I JUST GET COFFEE? - YEAH. 398 00:13:56,387 --> 00:13:58,078 - ALL RIGHT. 399 00:14:07,881 --> 00:14:09,503 - HEY, BERTO. 400 00:14:09,607 --> 00:14:11,885 - NICE ROBE, ROOMMATE. 401 00:14:11,989 --> 00:14:15,578 HEY, SO I MIGHT NEED SOME PRIVATE TIME TONIGHT. 402 00:14:15,682 --> 00:14:19,134 IT'S NOT 100% YET, BUT I GOT A STRONG FEELING. 403 00:14:19,237 --> 00:14:22,896 - OKAY, UM, ACTUALLY, I HAVE A CLA-- 404 00:14:23,000 --> 00:14:23,586 HEY, NATALIE. 405 00:14:23,690 --> 00:14:26,900 - OH, UH, HI... 406 00:14:27,004 --> 00:14:28,902 GUY FROM ACROSS THE-- DREW. RIGHT. 407 00:14:29,006 --> 00:14:33,044 - YEAH. HEY. - HEY. 408 00:14:33,148 --> 00:14:36,013 - WE HAVE THE SAME SHOWER CADDY. 409 00:14:36,116 --> 00:14:37,877 - [chuckles] LOOK AT THAT. YEAH. 410 00:14:37,980 --> 00:14:39,602 CRAZY SMALL WORLD. - YEAH. 411 00:14:39,706 --> 00:14:41,466 UM... 412 00:14:43,779 --> 00:14:45,919 THE LINE, IT'S-- 413 00:14:46,023 --> 00:14:49,302 IS A--JUST WAIT UNTIL THE LINE'S KINDA... 414 00:14:49,405 --> 00:14:51,442 - NICE WORK, DUDE. - SEE YA. 415 00:14:51,545 --> 00:14:54,100 - HANK, CAN I BORROW THE FLAG STAND? 416 00:14:54,203 --> 00:14:55,273 - YOU'RE NOT REALLY ASKING 417 00:14:55,377 --> 00:14:57,413 'CAUSE IT'S ALREADY IN THE CART, RIGHT? SO... 418 00:14:57,517 --> 00:14:59,001 - HANK, CAN I BORROW THE FLAG STAND 419 00:14:59,105 --> 00:15:00,071 THAT I ALREADY HAVE IN THE CART? 420 00:15:00,175 --> 00:15:03,040 - YES. BUT IF ONE OF YOUR DOG CLIENTS 421 00:15:03,143 --> 00:15:04,834 DOES SOMETHING ON IT, I'M GONNA WANT A NEW ONE. 422 00:15:04,938 --> 00:15:06,940 - THANK YOU FOR ASKING. 423 00:15:07,044 --> 00:15:09,046 UH, MY CLIENT TOMORROW IS NOT A DOG. 424 00:15:09,149 --> 00:15:11,565 IT IS A REAL LIVE HUMAN BEING. 425 00:15:11,669 --> 00:15:12,704 - REALLY? - MM-HMM. 426 00:15:12,808 --> 00:15:14,327 - IS IT AGAINST THEIR WILL, OR-- 427 00:15:14,430 --> 00:15:16,329 - THAT'S VERY FUNNY. IN FACT, 428 00:15:16,432 --> 00:15:17,744 MY CLIENT IS VERY PRESTIGIOUS. 429 00:15:17,847 --> 00:15:18,779 IT'S A MAYORAL CANDIDATE. 430 00:15:18,883 --> 00:15:20,954 - OH, YEAH, I GOT IT. - YEAH. 431 00:15:21,058 --> 00:15:24,095 - YOUR SISTER-IN-LAW, RIGHT? YEAH, RUNNING FOR MAYOR. 432 00:15:24,199 --> 00:15:26,891 - SO? DON'T SAY IT LIKE THAT, LIKE THAT'S NOT A REAL JOB. 433 00:15:26,995 --> 00:15:28,893 IT'S A REAL JOB. SHE'S STILL RUNNING FOR MAYOR. 434 00:15:28,997 --> 00:15:30,930 I'M EXCITED. YOU COULD BE EXCITED FOR ME. 435 00:15:31,033 --> 00:15:32,138 - I AM. IT'S EXCITING. - THANKS. 436 00:15:32,241 --> 00:15:34,140 - YOU WHAT WOULD BE EXCITING? MAKE SOME MONEY, 437 00:15:34,243 --> 00:15:36,211 AND MAYBE YOU BUY SOME EQUIPMENT. 438 00:15:36,314 --> 00:15:37,315 [phone ringing] - OH, LOOK AT THIS. 439 00:15:37,419 --> 00:15:40,974 THE REPRESENTATIVE OF MY FAMOUS CLIENT. 440 00:15:41,078 --> 00:15:43,321 HI, ADAM. - YOUR SISTER-IN-LAW, YOU MEAN. 441 00:15:43,425 --> 00:15:46,531 - YEAH. 442 00:15:46,635 --> 00:15:50,432 OH. 443 00:15:50,535 --> 00:15:52,330 REALLY? 444 00:15:54,712 --> 00:15:57,197 NO, I DO GET IT. THANK YOU. 445 00:15:57,301 --> 00:15:58,785 I'LL TALK TO YOU ABOUT IT LATER. 446 00:15:58,888 --> 00:16:02,444 NO, THANKS FOR CALLING. OKAY, BYE. 447 00:16:04,446 --> 00:16:07,207 UM, KRISTINA DECIDED SHE WANTS SOMEBODY 448 00:16:07,311 --> 00:16:08,795 WITH MORE EXPERIENCE. 449 00:16:08,898 --> 00:16:11,694 - GET THE NEXT ONE, THEN. ALL RIGHT? 450 00:16:11,798 --> 00:16:14,697 - YEAH. 451 00:16:14,801 --> 00:16:17,873 - YOU KNOW, I'VE BEEN PASSED OVER SO MANY TIMES ON JOBS, 452 00:16:17,977 --> 00:16:19,633 IT'S REALLY NO BIG DEAL. 453 00:16:19,737 --> 00:16:20,841 - YEAH, BUT YOU GET PASSED OVER 454 00:16:20,945 --> 00:16:23,258 BECAUSE YOU HAVE A WEIRD PERSONALITY. 455 00:16:23,361 --> 00:16:24,949 BUT... - THAT'S TOTALLY NOT TRUE. 456 00:16:25,053 --> 00:16:26,916 - ANYWAY, THIS IS MY FAMILY, 457 00:16:27,020 --> 00:16:29,747 AND THEY'RE JUST NOT EVEN TAKING ME SERIOUSLY. 458 00:16:29,850 --> 00:16:32,957 - WHY WOULD THEY? REALLY. 459 00:16:33,061 --> 00:16:34,579 NO, I MEAN--I MEAN-- - NO, NO. 460 00:16:34,683 --> 00:16:36,340 JUST DON'T SUGARCOAT IT. - NO, NO, NO. 461 00:16:36,443 --> 00:16:40,275 LOOK, WHEN I MET YOU, YOU WERE A PLAYWRIGHT...SOMETHING, 462 00:16:40,378 --> 00:16:42,863 AND THEN A...A...GRAPHIC-- 463 00:16:42,967 --> 00:16:44,313 YOU DID STUFF WITH-- - GRAPHIC DESIGNER. 464 00:16:44,417 --> 00:16:46,108 - YEAH, YOU WERE THAT TOO. - I DID THAT A LONG TIME AGO. 465 00:16:46,212 --> 00:16:48,455 - BUT YOU WERE...FLIGHTY. 466 00:16:48,559 --> 00:16:50,837 THEY DON'T TAKE YOU SERIOUSLY BECAUSE THEY KNOW YOU. 467 00:16:50,940 --> 00:16:52,908 - [scoffs] - SO THAT'S NOT AN INSULT. 468 00:16:53,012 --> 00:16:55,911 I'M JUST SAYING STRANGERS DON'T KNOW YOU. 469 00:16:56,015 --> 00:16:57,947 NO, I'M SERIOUS. - I KNOW. 470 00:16:58,051 --> 00:17:01,158 - WORKING WITH FAMILY IS-- IS HELL. 471 00:17:01,261 --> 00:17:02,780 STRANGERS DON'T KNOW WHO YOU ARE. 472 00:17:02,883 --> 00:17:04,954 YOU GOT A CLEAN SLATE. 473 00:17:05,058 --> 00:17:08,234 - WELL, YOU KNOW ME. DO YOU TAKE ME SERIOUSLY? 474 00:17:09,994 --> 00:17:12,272 OH...OKAY. 475 00:17:12,376 --> 00:17:14,274 - OKAY WHAT? LET ME ANSWER. - NO, YOU PAUSED. 476 00:17:14,378 --> 00:17:15,965 THE PAUSE SAYS IT ALL. - I PAUSE ON EVERYTHING. 477 00:17:16,069 --> 00:17:17,243 - NO, NO. NOT THAT KIND. 478 00:17:17,346 --> 00:17:18,830 - I GOT A-- - DON'T TRY TO FIX IT. 479 00:17:18,934 --> 00:17:20,211 I'VE GOTTA GO. 480 00:17:20,315 --> 00:17:21,281 - THAT'S EXACTLY WHAT I'M TALKING ABOUT. 481 00:17:21,385 --> 00:17:22,213 - WHAT? 482 00:17:22,317 --> 00:17:23,318 - YOU GET A LITTLE FLIGHTY WITH-- 483 00:17:23,421 --> 00:17:24,629 - I'M NOT GETTING FLIGHTY. 484 00:17:24,733 --> 00:17:26,286 I'M EXITING. I'M LEAVING. - YOU KNOW, 485 00:17:26,390 --> 00:17:27,874 SOMETIMES YOU PAUSE FOR EFFECT. 486 00:17:27,977 --> 00:17:29,324 - I'LL JUST TALK TO YOU LATER. 487 00:17:29,427 --> 00:17:31,533 - THIS IS FLIGHTY, WHAT YOU'RE DOING RIGHT NOW. 488 00:17:31,636 --> 00:17:33,259 [door opens] 489 00:17:33,362 --> 00:17:34,363 HMM. 490 00:17:34,467 --> 00:17:36,952 - IF I CHOOSE MY STATE PROJECT ON HAWAII, 491 00:17:37,056 --> 00:17:39,748 DOES THAT MEAN WE COULD TAKE A TRIP THERE? 492 00:17:39,851 --> 00:17:41,301 - VICTOR, YOU KNOW WHAT? STATES ARE NOT ASSIGNED 493 00:17:41,405 --> 00:17:42,544 FOR ANOTHER MONTH OR SO, 494 00:17:42,647 --> 00:17:45,029 SO LET'S JUST FOCUS ON THE WORK YOU HAVE NOW. 495 00:17:45,133 --> 00:17:45,892 - LIKE THE READINGS WE WERE DOING. 496 00:17:45,995 --> 00:17:47,997 WE GOT THROUGH TWO CHAPTERS 497 00:17:48,101 --> 00:17:50,138 OF ISLAND OF THE BLUE DOLPHINS LAST NIGHT. 498 00:17:50,241 --> 00:17:51,173 - THAT'S GREAT. - YEAH. 499 00:17:51,277 --> 00:17:52,968 - WERE YOU GUYS TRADING OFF READING, 500 00:17:53,072 --> 00:17:56,385 OR JUST DAD? - DAD READ. 501 00:17:56,489 --> 00:17:58,870 - VICTOR FOLLOWED ALONG, THOUGH. - OKAY. 502 00:17:58,974 --> 00:18:02,115 HOW DO YOU LIKE THE BOOK? 503 00:18:03,875 --> 00:18:05,153 WELL, WHAT WAS IT ABOUT? 504 00:18:05,256 --> 00:18:07,051 - IT'S... [exhales] 505 00:18:07,155 --> 00:18:09,398 - VICTOR, YOU READ TWO CHAPTERS? 506 00:18:09,502 --> 00:18:10,848 YOU OUGHT TO BE ABLE TO TELL ME WHAT IT'S ABOUT. 507 00:18:10,951 --> 00:18:14,507 - IT WAS ABOUT, LIKE, OTTERS, AND DUMB STUFF LIKE THAT. 508 00:18:14,610 --> 00:18:16,060 - OKAY, WHAT ABOUT THE MAIN CHARACTER? 509 00:18:16,164 --> 00:18:18,200 - OKAY, IT'S TIME TO BRUSH TEETH. 510 00:18:18,304 --> 00:18:20,099 YOU GUYS, I'M DRIVING YOU TODAY, SO GET GOING. 511 00:18:20,202 --> 00:18:21,755 - OH. 512 00:18:21,859 --> 00:18:24,310 - COME ON. - HMM. 513 00:18:26,795 --> 00:18:29,798 [knock on door] - HELLO? 514 00:18:29,901 --> 00:18:31,006 - OH, HEY. - HI. 515 00:18:31,110 --> 00:18:32,111 - HOW ARE YOU? - HOW YOU DOING, STRANGER? 516 00:18:32,214 --> 00:18:34,389 - DO YOU HAVE A MINUTE? - OF COURSE I DO. 517 00:18:34,492 --> 00:18:35,390 - I'M SURE YOU'RE REALLY BUSY. - I AM A LITTLE-- 518 00:18:35,493 --> 00:18:36,943 - WOW. - JUST GETTING THINGS UNDERWAY. 519 00:18:37,046 --> 00:18:39,083 IT'S CRAZY, RIGHT? - THAT'S AMAZING. 520 00:18:39,187 --> 00:18:41,154 IT LOOKS INCREDIBLE. - IT'S SO FUN. 521 00:18:41,258 --> 00:18:42,914 - YEAH. - I JUST GOT THE BALLOONS DONE. 522 00:18:43,018 --> 00:18:45,469 - GREAT. - AND THE CAMPAIGN SIGNS. 523 00:18:45,572 --> 00:18:47,264 SO EVERYTHING'S COMING TOGETHER. 524 00:18:47,367 --> 00:18:49,783 - KRISTINA, I BELIEVE IN YOU. 525 00:18:49,887 --> 00:18:51,820 AND WHILE I KNOW THAT YOU HAVEN'T CHOSEN ME 526 00:18:51,923 --> 00:18:53,235 AS YOUR PHOTOGRAPHER YET, 527 00:18:53,339 --> 00:18:55,410 I ALSO KNOW THAT YOU HAVEN'T SEEN 528 00:18:55,513 --> 00:18:57,343 SOME OF MY MOST RECENT WORK, AND I THOUGHT 529 00:18:57,446 --> 00:18:59,483 MAYBE IF YOU SAW IT, YOU'D CHANGE YOUR MIND. 530 00:18:59,586 --> 00:19:00,898 - I WOULD LOVE TO SEE YOUR-- YEAH, OF COURSE. 531 00:19:01,001 --> 00:19:04,073 - NOW, THIS IS WAFFLES, BUT WHAT I WANT YOU TO SEE 532 00:19:04,177 --> 00:19:05,972 IS JUST HIS EYES, AND THE WARMTH... 533 00:19:06,075 --> 00:19:08,457 - YEAH. - AND INTELLIGENCE... 534 00:19:08,561 --> 00:19:09,907 - SEEMS LIKE A NICE DOG. - IN HIS EYES. 535 00:19:10,010 --> 00:19:13,290 THIS CAT WAS CROSS-EYED, SO IT'S NOT THE BEST EXAMPLE. 536 00:19:13,393 --> 00:19:15,740 AGAIN, IT'S JUST CAPTURING PERSONALITY. 537 00:19:15,844 --> 00:19:18,916 WHAT I KNOW I CAN DO BETTER THAN A STRANGER 538 00:19:19,019 --> 00:19:21,332 IS CAPTURE YOU. 539 00:19:21,436 --> 00:19:24,577 - SARAH, LISTEN... - WHAT'S STRONG AND BEAUTIFUL... 540 00:19:24,680 --> 00:19:26,579 - I LOVE HOW PASSIONATE YOU ARE. - AND SMART ABOUT YOU. 541 00:19:26,682 --> 00:19:28,305 AND I CAN GET THAT. - THANK YOU. 542 00:19:28,408 --> 00:19:30,686 I LOVE HOW PASSIONATE YOU ARE, BUT I-- 543 00:19:30,790 --> 00:19:33,551 I HAVE TO HAVE-- 544 00:19:33,655 --> 00:19:34,966 I JUST NEED A PROFESS-- - I UNDERSTAND. 545 00:19:35,070 --> 00:19:39,592 - I NEED SOMEONE THAT HAS DONE IT SO MANY TIMES BEFORE. 546 00:19:39,695 --> 00:19:41,835 - OR DO YOU NEED SOMEONE WHO KNOWS YOU SO WELL 547 00:19:41,939 --> 00:19:43,941 THAT THEY CAN BRING OUT WHAT'S BEAUTIFUL AND STRONG 548 00:19:44,044 --> 00:19:46,115 AND SMART ABOUT YOU? 549 00:19:46,219 --> 00:19:49,188 I WOULD ARGUE I'M THAT PERSON. 550 00:19:49,291 --> 00:19:51,259 I KNOW I DON'T HAVE A LOT OF EXPERIENCE, BUT-- 551 00:19:51,362 --> 00:19:52,605 - THIS HAS TO BE MY ONE SHOT. 552 00:19:52,708 --> 00:19:54,089 I GET ONE SHOT AT THIS PHOTO. 553 00:19:54,193 --> 00:19:56,160 I HAVE TO BRING IT TO THE PRINTERS BY THE END OF THE WEEK. 554 00:19:56,264 --> 00:19:58,818 - THIS IS AN IMPORTANT SHOT FOR ME TOO. 555 00:19:58,921 --> 00:20:00,268 [exhales] 556 00:20:03,547 --> 00:20:04,582 - TO TELL YOU THE TRUTH, 557 00:20:04,686 --> 00:20:06,550 NOT A LOT OF PEOPLE THINK I'M GONNA WIN. 558 00:20:06,653 --> 00:20:08,897 - WELL, I'M NOT ONE OF THOSE PEOPLE. 559 00:20:10,174 --> 00:20:14,972 - THANK YOU. UM... 560 00:20:15,075 --> 00:20:15,973 OKAY. 561 00:20:16,076 --> 00:20:18,078 - OKAY? - OKAY. 562 00:20:18,182 --> 00:20:20,564 WHY NOT? - THANK YOU SO MUCH. 563 00:20:20,667 --> 00:20:22,186 YOU WON'T REGRET IT. I SWEAR, YOU WON'T REGRET IT. 564 00:20:22,290 --> 00:20:25,465 I WOULDN'T DO THIS IF I DIDN'T THINK I COULD DO IT 100%, OKAY? 565 00:20:25,569 --> 00:20:26,742 - LET'S DO IT. LET'S DO IT. 566 00:20:26,846 --> 00:20:27,916 - THANK YOU SO MUCH. - YOU'RE WELCOME. 567 00:20:28,019 --> 00:20:29,228 - THIS IS GONNA BE GREAT. 568 00:20:35,441 --> 00:20:36,994 - JULIA. 569 00:20:37,097 --> 00:20:39,099 JULIA? 570 00:20:39,203 --> 00:20:41,378 HEY. - HI. 571 00:20:41,481 --> 00:20:43,380 - HOW YOU DOING? TOOK A LITTLE TRIP THERE, HUH? 572 00:20:43,483 --> 00:20:46,417 - YEAH. I'M SORRY, I'M A LITTLE OUT OF IT. 573 00:20:46,521 --> 00:20:48,316 - YEAH. - OH... 574 00:20:48,419 --> 00:20:49,386 - ALL RIGHT, I'M JUST GONNA-- 575 00:20:49,489 --> 00:20:51,457 - UH, NO, NO, NO. 576 00:20:51,560 --> 00:20:53,321 I'M SORRY. I'M FINE. 577 00:20:53,424 --> 00:20:56,531 I MEAN, I'M NOT FINE, BUT YOU DON'T HAVE TO GO. 578 00:20:56,634 --> 00:20:58,912 - WELL, I'M ASSUMING YOU WEREN'T IN BORA BORA 579 00:20:59,016 --> 00:21:01,984 JUST NOW, HUH? 580 00:21:02,088 --> 00:21:05,298 - VICTOR'S TEACHER IS TALKING TO US ABOUT HOLDING HIM BACK. 581 00:21:05,402 --> 00:21:08,025 BUT YOU DON'T KNOW THAT. I DIDN'T SAY THAT. 582 00:21:08,128 --> 00:21:10,338 PLEASE, JUST KEEP THAT TO YOURSELF. 583 00:21:10,441 --> 00:21:12,685 - YEAH. NO, I'M-- I'M SORRY. 584 00:21:12,788 --> 00:21:14,894 I WOULD NOT SAY ANYTHING AT ALL. - MMM. 585 00:21:14,997 --> 00:21:16,792 - THAT'S-- THAT'S ROUGH. 586 00:21:16,896 --> 00:21:17,759 - WELL, THAT'S WHERE I WAS GOING. 587 00:21:17,862 --> 00:21:19,933 I MEAN, PLAYING OUT THE SCENARIOS. 588 00:21:20,037 --> 00:21:22,488 KEEP HIM IN FIFTH GRADE, DO I PUT HIM BACK IN FOURTH GRADE? 589 00:21:22,591 --> 00:21:24,766 DO I HOME SCHOOL HIM? 590 00:21:24,869 --> 00:21:25,905 I MEAN, I DON'T KNOW. 591 00:21:26,008 --> 00:21:27,596 - SO IT'S NOT, LIKE, DEFINITELY HAPPENING? 592 00:21:27,700 --> 00:21:29,391 - NO. SHE JUST WANTED TO OPEN THE CONVERSATION. 593 00:21:29,495 --> 00:21:30,737 - OH. - SO WE'RE STILL WAITING TO SEE. 594 00:21:30,841 --> 00:21:32,014 - GOD, I HATE IT WHEN SCHOOLS SAY CRAP LIKE THAT 595 00:21:32,118 --> 00:21:34,154 BECAUSE IT'S--YOU EITHER DO IT OR DON'T DO IT. 596 00:21:34,258 --> 00:21:36,743 BUT EVERY SECOND THAT YOU KEEP WAITING, 597 00:21:36,847 --> 00:21:38,918 THE POOR KID IS GETTING MORE SETTLED IN THE FIFTH GRADE. 598 00:21:39,021 --> 00:21:41,886 IT'S STUPID. 599 00:21:41,990 --> 00:21:43,094 WOW, THAT IS SO NOT MY PLACE TO SAY. 600 00:21:43,198 --> 00:21:47,064 - NO, NO. YOU'RE ABSOLUTELY RIGHT. 601 00:21:47,167 --> 00:21:48,962 HUH. 602 00:21:49,066 --> 00:21:53,312 - DICK CHENEY FAILED OUT OF YALE...TWICE. 603 00:21:53,415 --> 00:21:54,796 - [chuckles] 604 00:21:54,899 --> 00:21:55,900 NOT REALLY SURE WHERE YOU PUT THAT 605 00:21:56,004 --> 00:21:57,868 ON YOUR PRO/CON LIST, THOUGH. - EXACTLY. 606 00:21:57,971 --> 00:22:00,319 WHAT MAKES YOU THINK I HAVE A PRO/CON LIST? 607 00:22:00,422 --> 00:22:01,837 - OH, COME ON. YOU'RE A FORMER LAWYER. 608 00:22:01,941 --> 00:22:03,356 DENGRAF AND PROSSLER? [clicks tongue] 609 00:22:03,460 --> 00:22:05,634 YOU'VE TOTALLY GOT A PRO/CON LIST. 610 00:22:05,738 --> 00:22:07,326 - I'VE TOTALLY GOT A PRO/CON LIST. 611 00:22:07,429 --> 00:22:08,879 - YES, YOU DO. ALL RIGHT, PRO/CON LIST THING? 612 00:22:08,982 --> 00:22:10,915 - YES. - OKAY, LET'S GO. 613 00:22:11,019 --> 00:22:11,330 CONS. - CONS. 614 00:22:11,433 --> 00:22:14,333 - BERTO, HEY. 615 00:22:14,436 --> 00:22:16,231 - WHAT'S UP, DUDE? - DO YOU HAVE A MINUTE? 616 00:22:16,335 --> 00:22:19,268 - WHAT'S UP, BRO? - UM... 617 00:22:19,372 --> 00:22:23,514 I THOUGHT MAYBE WE SHOULD TALK ABOUT THE, UM-- 618 00:22:23,618 --> 00:22:24,722 ARE THOSE MY SHEETS? 619 00:22:24,826 --> 00:22:26,931 - OH, YEAH. 620 00:22:27,035 --> 00:22:29,106 YEAH, I WAS OUT, AND YOURS WERE THERE. WHY? 621 00:22:29,209 --> 00:22:31,211 ARE YOU NOT COOL WITH THAT? 622 00:22:31,315 --> 00:22:34,111 - NO. NO, I'M NOT. 623 00:22:34,214 --> 00:22:37,528 AND ALSO, YOU KNOW, PUTTING THE STICK ON THE DOOR, 624 00:22:37,632 --> 00:22:40,186 I--I KEEP GETTING LOCKED OUT. I HAVE AN 8:00 A.M. CLASS. 625 00:22:40,289 --> 00:22:41,532 I CAN'T-- - DUDE, THAT'S ROUGH. 626 00:22:41,636 --> 00:22:43,292 CAN I GIVE YOU SOME ADVICE? 627 00:22:43,396 --> 00:22:46,226 NEXT TIME THIS HAPPENS, GO OUT AND KNOCK ON A GIRL'S DOOR. 628 00:22:46,330 --> 00:22:49,609 LIKE THAT GIRL FROM THE BATHROOM 629 00:22:49,713 --> 00:22:50,748 THAT YOU'RE SO HOT FOR. 630 00:22:50,852 --> 00:22:52,923 - WHAT, NATALIE? 631 00:22:53,026 --> 00:22:54,787 - GO UP TO HER DOOR AND BE ALL, LIKE, 632 00:22:54,890 --> 00:22:57,859 "MY JACKASS ROOMMATE JUST SEXISLEDME." 633 00:22:57,962 --> 00:23:00,620 AND THEN SHE'LL BE ALL, LIKE, "AWW, YOU POOR THING. 634 00:23:00,724 --> 00:23:02,760 COME IN HERE SO I CAN COMFORT YOU." 635 00:23:02,864 --> 00:23:05,936 - YEAH, THAT'S NOT-- IT'S NOT A BAD IDEA. 636 00:23:06,039 --> 00:23:08,835 HOPEFULLY, IT WON'T HAPPEN AGAIN, DO YOU KNOW? 637 00:23:08,939 --> 00:23:11,217 - BRO... - WHAT? 638 00:23:11,320 --> 00:23:14,634 - GOOD TALK, DUDE. 639 00:23:16,291 --> 00:23:18,638 - PBBBT. 640 00:23:18,742 --> 00:23:21,607 I DON'T KNOW, TO ME, IT'S JUST REALLY STRANGE. 641 00:23:21,710 --> 00:23:24,644 IT'S--I DON'T LIKE IT. 642 00:23:24,748 --> 00:23:26,128 - WELL, IT'S UNCONVENTIONAL, 643 00:23:26,232 --> 00:23:29,960 BUT THE LACTATION CONSULTANT SAID THE BABIES RESPOND 644 00:23:30,063 --> 00:23:33,342 TO THE NATURAL NIPPLE FEEL, YOU KNOW? 645 00:23:33,446 --> 00:23:36,518 MAYBE NOT EVEN-- - HAVE YOU TRIED ALL THIS STUFF? 646 00:23:36,622 --> 00:23:37,968 - DAD, I'M WILLING TO TRY ANYTHING. 647 00:23:38,071 --> 00:23:39,590 WE ARE SO DESPERATE AT THIS POINT. 648 00:23:39,694 --> 00:23:42,697 THE BABY WILL NOT STOP CRYING UNLESS SHE'S BREASTFEEDING 649 00:23:42,800 --> 00:23:45,424 AND I DON'T KNOW HOW MUCH MORE JASMINE CAN TAKE. 650 00:23:45,527 --> 00:23:48,427 SHE NEEDS A BREAK, AND THE BABY WILL NOT TAKE A BOTTLE FROM ME. 651 00:23:48,530 --> 00:23:50,567 - WELL, SOMETIMES THEY DON'T WANT THE DAD. 652 00:23:50,670 --> 00:23:52,258 YOU KNOW, IT'S THAT SIMPLE. 653 00:23:52,361 --> 00:23:55,986 - THE WHOLE THING IS NOT WHAT I THOUGHT IT WAS GONNA BE. 654 00:23:56,089 --> 00:23:57,194 I MEAN, I KNOW JABBAR WAS FIVE YEARS OLD 655 00:23:57,297 --> 00:23:58,609 WHEN I MET HIM, 656 00:23:58,713 --> 00:24:01,094 AND I CAN'T REALLY COMPARE THE TWO SITUATIONS, 657 00:24:01,198 --> 00:24:02,302 BUT IT JUST FELT A LOT EASIER. 658 00:24:02,406 --> 00:24:06,686 THERE WAS A, YOU KNOW, AN INSTINCT CONNECTION WITH HIM 659 00:24:06,790 --> 00:24:09,171 THE MOMENT I SAW HIM, AND... 660 00:24:09,275 --> 00:24:11,657 [sighs] 661 00:24:11,760 --> 00:24:13,624 - GIRLS ARE COMPLICATED. 662 00:24:13,728 --> 00:24:14,729 YOU KNOW, THEY'RE DIFFERENT. 663 00:24:14,832 --> 00:24:17,214 I MEAN, BOYS ARE-- ARE SIMPLER. 664 00:24:17,317 --> 00:24:20,424 YOU KNOW, A BOY'S GOT A PROBLEM, YOU TAKE HIM TO A BALL GAME, 665 00:24:20,528 --> 00:24:21,425 YOU GET HIM A HOTDOG-- THEY'RE COPASETIC. 666 00:24:21,529 --> 00:24:25,567 THEY'RE--THEY'RE GOOD TO GO, AND, I MEAN... 667 00:24:25,671 --> 00:24:27,189 GIRLS ARE--YOU GOTTA WALK AROUND ON EGGSHELLS WITH 'EM. 668 00:24:27,293 --> 00:24:30,745 I DON'T KNOW, ONE DAY YOU'RE THE KING OF THE CASTLE-- 669 00:24:30,848 --> 00:24:31,366 YOU KNOW, THEY'RE JUST IN LOVE WITH YOU. 670 00:24:31,470 --> 00:24:33,437 YOU'RE THEIR DADDY. 671 00:24:33,541 --> 00:24:34,818 AND THEN THE NEXT THING YOU KNOW, 672 00:24:34,921 --> 00:24:36,026 THEY DON'T KNOW WHO YOU ARE. 673 00:24:36,129 --> 00:24:39,719 IT'S LIKE THEY'RE-- THEY HATE YOU. 674 00:24:39,823 --> 00:24:44,448 - I DIDN'T REALIZE IT WAS GONNA BE THIS HARD. 675 00:24:44,552 --> 00:24:46,381 - YEAH, IT'S DIFFICULT. 676 00:24:46,485 --> 00:24:47,969 - [sighs] 677 00:24:48,072 --> 00:24:49,626 - BUT THAT'S WHAT-- 678 00:24:49,729 --> 00:24:51,317 THAT'S WHAT MAKES IT GOOD AT THE END, YOU KNOW? 679 00:24:51,420 --> 00:24:55,424 I MEAN, IT CHANGES. 680 00:24:55,528 --> 00:24:56,771 I DON'T KNOW. 681 00:24:56,874 --> 00:24:59,118 - WHAT'S MOM THINK OF THIS CAR? 682 00:24:59,221 --> 00:24:59,843 - OH, SHE LOVES IT. 683 00:24:59,946 --> 00:25:02,190 - DOES SHE? - OOH...LOVES IT. 684 00:25:02,293 --> 00:25:04,330 - THERE. AND...OKAY. [camera shutters clicking] 685 00:25:04,433 --> 00:25:06,850 - GOT IT? - YEAH. REALLY GOOD. 686 00:25:06,953 --> 00:25:08,990 - YOU NEED TO TURN THAT DOWN. - NO, NO, IT'S OKAY. 687 00:25:09,093 --> 00:25:10,198 - NO, IT HAS TO BE-- IT HAS TO BE A MORE PRECISE SHOT 688 00:25:10,301 --> 00:25:12,511 WITH THE CAMERA SO FAR AWAY. - MAX, ENOUGH. 689 00:25:12,614 --> 00:25:15,306 YOU SAID YOU WANTED TO HELP. YOU AREN'T HELPING. 690 00:25:15,410 --> 00:25:16,307 [all talking at once] 691 00:25:16,411 --> 00:25:17,619 - SHE'S NOT GONNA BE TOO PALE 692 00:25:17,723 --> 00:25:18,586 WHEN IT HAPPENS. - SHE LOOKS VERY PALE. 693 00:25:18,689 --> 00:25:20,035 - I AM A LITTLE PALE. 694 00:25:20,139 --> 00:25:20,519 - SO LET'S JUST DO A COUPLE OF-- 695 00:25:20,622 --> 00:25:22,382 [indistinct] 696 00:25:22,486 --> 00:25:23,245 - WE'LL JUST DO A COUPLE TEST SHOTS, GUYS. 697 00:25:23,349 --> 00:25:26,076 - LINE UP YOUR NOSE WITH YOUR BELLY BUTTON. 698 00:25:26,179 --> 00:25:28,216 - LET'S SEE YOUR POSTURE. WARM AND HAPPY. 699 00:25:28,319 --> 00:25:28,906 - KEEP HER STRONG. YOU KNOW? 700 00:25:29,010 --> 00:25:32,047 MATERNAL STILL. - HEY, BABY! 701 00:25:32,151 --> 00:25:33,290 - OH, WAIT. NO, NO, NO. - HEY, THERE SHE IS. 702 00:25:33,393 --> 00:25:37,466 WANT TO TAKE A PICTURE? - OKAY, WE'RE WASTING TIME. 703 00:25:37,570 --> 00:25:38,882 - THAT'S TOO MATERNAL. COME ON. 704 00:25:38,985 --> 00:25:40,711 - SHOULD I SIT? I'M SWEATING. 705 00:25:40,815 --> 00:25:42,851 EVERYONE JUST PIPE DOWN. - SHE LOOKS LIKE SHE'S IN PAIN. 706 00:25:42,955 --> 00:25:43,990 - DEFINITELY DELETE THE LAST ONE. 707 00:25:44,094 --> 00:25:45,578 - AUNT SARAH-- YEAH, I THOUGHT SO. 708 00:25:45,682 --> 00:25:47,269 - THIS IS-- WE'RE GONNA GET KILLED-- 709 00:25:47,373 --> 00:25:48,374 - YOU'VE GOT A GOOD EYE. - OKAY. 710 00:25:48,477 --> 00:25:49,375 - NO, YOU'RE NOT DOING THIS... 711 00:25:49,478 --> 00:25:53,137 [all talking at once] 712 00:25:53,241 --> 00:25:56,209 - DAMN IT. 713 00:25:56,313 --> 00:26:00,110 DAMN IT! 714 00:26:00,213 --> 00:26:01,663 [groans] 715 00:26:01,767 --> 00:26:03,631 - IT'S LAVENDER MINT. 716 00:26:03,734 --> 00:26:05,356 - OH, THANK YOU, MILLIE. 717 00:26:05,460 --> 00:26:06,565 [sighs] 718 00:26:06,668 --> 00:26:07,945 - I THOUGHT IT WAS ABOUT TIME 719 00:26:08,049 --> 00:26:08,463 YOU'D WANT TO STOP FOR THE NIGHT. 720 00:26:08,567 --> 00:26:12,156 NO--OH, GOD. 721 00:26:12,260 --> 00:26:15,125 NO, I'M KIND OF ON A ROLL HERE, IF YOU KNOW WHAT I MEAN. 722 00:26:15,228 --> 00:26:17,610 - YEAH, WELL, IT'S GETTING PRETTY LATE. 723 00:26:17,714 --> 00:26:19,336 - YEAH, I KNOW. 724 00:26:19,439 --> 00:26:22,063 WHY DON'T YOU GO AHEAD AND GO UP TO BED WITHOUT ME, 725 00:26:22,166 --> 00:26:23,478 AND I'LL BE THERE IN A FEW MINUTES. 726 00:26:23,582 --> 00:26:25,722 - YOU CAN'T KEEP DOING THIS. 727 00:26:25,825 --> 00:26:28,379 - NO, IT'S JUST A FEW MORE MINUTES. 728 00:26:28,483 --> 00:26:31,520 - YOU CAN'T KEEP AVOIDING THIS. 729 00:26:31,624 --> 00:26:33,626 - WELL, MILLIE, I TELL YOU WHAT. 730 00:26:33,730 --> 00:26:35,490 NOW, IF I STOP NOW, I'M GONNA HAVE PARTS 731 00:26:35,594 --> 00:26:36,871 ALL OVER THE PLACE, 732 00:26:36,974 --> 00:26:39,045 AND IT'S GONNA BE ONE HELL OF A BIG MESS. 733 00:26:39,149 --> 00:26:43,394 - OKAY, FINE. WE'LL TALK WHILE YOU WORK. 734 00:26:43,498 --> 00:26:45,742 - OKAY, CLUE ME IN HERE. 735 00:26:45,845 --> 00:26:47,778 EXACTLY WHAT ARE WE SUPPOSED TO BE TALKING ABOUT? 736 00:26:47,882 --> 00:26:49,884 - YOU KNOW WHAT WE'RE SUPPOSED TO BE TALKING ABOUT. 737 00:26:49,987 --> 00:26:52,196 I TRIED TO HAVE A DISCUSSION WITH YOU 738 00:26:52,300 --> 00:26:54,336 ABOUT THE POSSIBILITY OF SELLING THE HOUSE, 739 00:26:54,440 --> 00:26:55,372 AND YOU WALKED AWAY FROM ME. 740 00:26:55,475 --> 00:26:59,618 - OKAY. ALL RIGHT. SO WHAT IS THERE TO TALK ABOUT? 741 00:26:59,721 --> 00:27:01,447 - WHY DON'T WE START WITH YOUR FEELINGS? 742 00:27:01,550 --> 00:27:05,175 I MEAN, WHAT DO YOU FEEL? YOU KNOW, WHAT ARE YOU THINKING? 743 00:27:05,278 --> 00:27:08,350 - [sighs] I DON'T WANT TO SELL THE HOUSE. 744 00:27:08,454 --> 00:27:09,455 END OF DISCUSSION. 745 00:27:09,558 --> 00:27:12,320 SO WHY BOTHER TO HAVE A CONVERSATION? 746 00:27:12,423 --> 00:27:16,876 - OKAY, YOU MAY OR MAY NOT WANT TO SELL THE HOUSE, 747 00:27:16,980 --> 00:27:19,672 AND IN THE END, MAYBE I WON'T WANT TO SELL THE HOUSE EITHER. 748 00:27:19,776 --> 00:27:22,433 BUT WE'RE GONNA HAVE A DISCUSSION ABOUT IT! 749 00:27:22,537 --> 00:27:26,023 I DESERVE THAT MUCH. 750 00:27:32,374 --> 00:27:33,755 [door opens, shuts] 751 00:27:47,010 --> 00:27:48,667 - HEY. SORRY, CAN I COME IN? 752 00:27:48,770 --> 00:27:49,806 - HEY, WE'RE CLOSED. - I KNOW. 753 00:27:49,909 --> 00:27:52,360 I JUST THOUGHT THAT-- - WHAT'S GOING ON? 754 00:27:52,463 --> 00:27:54,086 - THE SHOOT WAS TERRIBLE, AND, UM, 755 00:27:54,189 --> 00:27:55,777 I WAS VERY NERVOUS, AND KRISTINA WAS NERVOUS, 756 00:27:55,881 --> 00:27:57,054 AND MAX WAS THE ONLY ONE 757 00:27:57,158 --> 00:27:57,883 WHO SEEMED TO KNOW WHAT HE WAS DOING, 758 00:27:57,986 --> 00:27:59,539 WHICH MADE ME EVEN MORE NERVOUS. 759 00:27:59,643 --> 00:28:01,749 AND HER CAMPAIGN MANAGER WANTED HER TO BE 760 00:28:01,852 --> 00:28:02,646 MATERNAL AND POWERFUL. 761 00:28:02,750 --> 00:28:04,510 AND I DON'T KNOW WHAT THAT MEANS. 762 00:28:04,613 --> 00:28:06,857 - WELL, YOU SHOULDN'T. 763 00:28:06,961 --> 00:28:07,824 I DON'T KNOW WHAT THAT MEANS EITHER, IT'S STUPID. 764 00:28:07,927 --> 00:28:12,000 - CAN YOU JUST TELL ME IF I'M ANY GOOD? 765 00:28:12,104 --> 00:28:15,383 - [chuckles] - PLEASE. 766 00:28:19,905 --> 00:28:22,631 - MM-HMM. MM-HMM. 767 00:28:22,735 --> 00:28:24,461 MM-HMM. 768 00:28:27,360 --> 00:28:29,984 MMM... 769 00:28:35,748 --> 00:28:37,129 THAT'S THE SHOT RIGHT THERE. 770 00:28:37,232 --> 00:28:40,788 I MEAN, THE OTHER ONES ARE... DECENT. 771 00:28:40,891 --> 00:28:43,825 SOME OF 'EM ARE OKAY. SOME ARE BETTER THAN OTHERS. 772 00:28:43,929 --> 00:28:47,346 BUT THAT'S YOUR SHOT. - OKAY. 773 00:28:47,449 --> 00:28:48,623 - I MEAN, YOU KNOW, 774 00:28:48,727 --> 00:28:49,589 I DON'T KNOW WHAT I WOULD HAVE DONE... 775 00:28:49,693 --> 00:28:52,420 DIFFERENT, BUT... 776 00:28:52,523 --> 00:28:56,596 EVERYBODY HAS THEIR OWN STYLE. [clears throat] 777 00:28:56,700 --> 00:28:59,910 THAT'S A REALLY GOOD SHOT. 778 00:29:00,014 --> 00:29:03,120 - YEAH? - YEAH. 779 00:29:03,224 --> 00:29:05,778 IT'S GOOD. 780 00:29:07,607 --> 00:29:08,712 - THANKS. 781 00:29:08,816 --> 00:29:11,025 - I TRIED TO TALK TO HIM AGAIN. 782 00:29:11,128 --> 00:29:13,475 HE TOLD ME WE HAD A NICE TALK AND CALLED ME "BRO." 783 00:29:13,579 --> 00:29:16,927 AND NO, THE STICK HAS BEEN ON THE DOOR FOR THREE HOURS. 784 00:29:17,031 --> 00:29:18,101 - AGAIN? - THREE HOURS? 785 00:29:18,204 --> 00:29:20,310 - YES, THREE HOURS. ALSO, HE TOOK MY SHEETS. 786 00:29:20,413 --> 00:29:22,139 - YOUR PERSONAL SHEETS? 787 00:29:22,243 --> 00:29:23,037 - WHICH ONES? NOT THE GRAY ONES? - THE SHEETS YOU GOT ME. YES. 788 00:29:23,140 --> 00:29:24,590 - THE GRAY SHEETS? - I SWEAR. YES. 789 00:29:24,693 --> 00:29:26,557 - OH, MY GOD. THAT'S NO JOKE. - I KNOW. 790 00:29:26,661 --> 00:29:28,939 - THOSE WERE EXPENSIVE. - THAT'S WHAT I'M TRYING TO SAY. 791 00:29:29,043 --> 00:29:31,286 - I'M GONNA CALL HIM. I KNOW YOU'RE EMBARRASSED. 792 00:29:31,390 --> 00:29:33,116 I'M LIKE A MOM, BUT I'M GONNA CALL HIM 793 00:29:33,219 --> 00:29:35,118 - WELL, YOU DON'T HAVE HIS NUMBER, SO HA HA. 794 00:29:35,221 --> 00:29:36,740 - I'M JUST SAYING YOU CAN'T TALK TO PEOPLE LIKE THIS. 795 00:29:36,844 --> 00:29:39,674 YOU HAVE TO GO AND CONFRONT THEM. 796 00:29:39,778 --> 00:29:41,469 - WE'RE DEFINITELY NOT GOING DOWN THERE-- 797 00:29:41,572 --> 00:29:44,265 - LET'S GO DOWN THERE. GOT THIS GUY ON OUR SIDE. 798 00:29:44,368 --> 00:29:45,576 - WE'RE JUST GONNA TALK TO HIM. WE'RE JUST GONNA TALK TO HIM. 799 00:29:45,680 --> 00:29:47,061 - WHAT, LIKE SCARE HIM? - NO. NO. 800 00:29:47,164 --> 00:29:48,027 WE'RE GONNA BE NICE. - YEAH, NICE. 801 00:29:48,131 --> 00:29:49,649 - WE'RE GONNA REASON WITH THE GUY. 802 00:29:49,753 --> 00:29:51,099 - LET'S GO GET HIM. COME ON. - COOL? 803 00:29:52,791 --> 00:29:53,826 - WHAT THE HELL? 804 00:29:53,930 --> 00:29:55,552 - OH, MY GOD, WHAT ARE YOU DOING? 805 00:29:55,655 --> 00:29:57,209 - THERE'S A ROOMMATE ISSUE THAT NEEDS TO BE RESOLVED, 806 00:29:57,312 --> 00:29:58,900 AND IT DOESN'T CONCERN YOU-- I THINK YOU SHOULD LEAVE. 807 00:29:59,004 --> 00:30:01,075 I APOLOGIZE. - NO, NO, NO, NOT WITH THIS. 808 00:30:01,178 --> 00:30:02,801 I'M SO SORRY, I CAN'T-- - SORRY. 809 00:30:02,904 --> 00:30:04,216 - DUDE, WHAT THE HELL DO YOU THINK YOU'RE DOING? 810 00:30:04,319 --> 00:30:05,044 - "DUDE" IS NOT HIS NAME. IT'S DREW. 811 00:30:05,148 --> 00:30:06,632 NOT "DUDE," NOT "BRO." DREW. 812 00:30:06,735 --> 00:30:07,564 SAY IT. LET'S PRACTICE. DREW. 813 00:30:07,667 --> 00:30:08,634 - DREW. - SAY IT! 814 00:30:08,737 --> 00:30:10,532 - DREW. - THAT SOUNDED GOOD. 815 00:30:10,636 --> 00:30:12,120 - DUDE, I DON'T KNOW WHO YOU THINK YOU ARE-- 816 00:30:12,224 --> 00:30:13,812 - NO, NO, NO, DUDE'S NOT MY NAME EITHER. 817 00:30:13,915 --> 00:30:16,262 SERGEANT YORK IS FINE. - HE'S IN THE ARMY. 818 00:30:16,366 --> 00:30:17,574 - AND IF DREW HAS A PROBLEM WITH YOU, YOU HAVE A PROBLEM WITH ME. 819 00:30:17,677 --> 00:30:20,749 YOU GOT IT? - GOT IT. 820 00:30:20,853 --> 00:30:22,199 - GREAT. 821 00:30:22,303 --> 00:30:23,822 - YOU KNOW, QUIT LOCKING ME OUT. 822 00:30:23,925 --> 00:30:25,824 AND WE ALSO TALKED ABOUT THE LINE. 823 00:30:25,927 --> 00:30:27,618 KEEP YOUR STUFF ON THAT SIDE. 824 00:30:27,722 --> 00:30:29,344 - OH, I HAVE SOMETHING. 825 00:30:29,448 --> 00:30:31,139 UM, THE SHEETS THING, IT JUST CAN'T HAPPEN 826 00:30:31,243 --> 00:30:32,692 BECAUSE IT SEEMS LIKE NOT A BIG DEAL, 827 00:30:32,796 --> 00:30:34,384 BUT ACTUALLY, EVEN IF YOU DRY CLEAN IT, THE SMELL IS-- 828 00:30:34,487 --> 00:30:36,075 - YES, AND THE SHEETS-- DON'T TOUCH HIS SHEETS. 829 00:30:36,179 --> 00:30:38,181 DON'T TOUCH ANYTHING OF HIS WITHOUT ASKING 830 00:30:38,284 --> 00:30:39,561 FROM NOW ON, OKAY? - OKAY. 831 00:30:39,665 --> 00:30:41,909 - GREAT. 832 00:30:42,012 --> 00:30:43,945 - SEE YA. NICE TO MEET YOU. 833 00:30:44,049 --> 00:30:47,155 - UM...GOOD TALK, BRO. 834 00:30:47,259 --> 00:30:49,675 - OKAY, THE RUNTS ARE ASLEEP, VICTOR'S HOMEWORK IS DONE, 835 00:30:49,778 --> 00:30:53,230 SO LET'S TALK. - OKAY. 836 00:30:53,334 --> 00:30:54,335 I THINK YOU NAILED IT WHEN YOU SAID 837 00:30:54,438 --> 00:30:56,337 IT'S NOT GONNA FIX ITSELF OVERNIGHT. 838 00:30:56,440 --> 00:30:57,752 - GOOD, SO WE AGREE. 839 00:30:57,856 --> 00:30:59,029 - IT'S NOT GONNA FIX ITSELF 840 00:30:59,133 --> 00:31:00,134 IN THE NEXT TWO OR THREE WEEKS EITHER. 841 00:31:00,237 --> 00:31:02,688 - YEAH. - SO THE LONGER HE STAYS THERE, 842 00:31:02,791 --> 00:31:03,792 THE HARDER IT IS FOR HIM TO START OVER. 843 00:31:03,896 --> 00:31:05,760 AND I THINK WE JUST NEED TO DO IT. 844 00:31:05,864 --> 00:31:06,623 WE NEED TO RIP OFF THE BAND-AID. 845 00:31:06,726 --> 00:31:10,696 - YOU'RE-- 846 00:31:10,799 --> 00:31:12,698 YOU WANT TO HOLD HIM BACK? - YEAH. 847 00:31:12,801 --> 00:31:15,632 - NOW? WITHOUT EVEN TRYING? 848 00:31:15,735 --> 00:31:17,910 - WE'VE BEEN TRYING. 849 00:31:18,014 --> 00:31:20,499 I TUTORED HIM EVERY DAY THIS WHOLE SUMMER 850 00:31:20,602 --> 00:31:21,224 WHILE YOU WERE AT WORK. 851 00:31:21,327 --> 00:31:23,605 - WHAT'S THAT SUPPOSED TO MEAN? 852 00:31:23,709 --> 00:31:24,572 - IT DOESN'T MEAN ANYTHING. 853 00:31:24,675 --> 00:31:25,814 IT MEANS THAT I KNOW WHERE HE'S AT ON THIS. 854 00:31:25,918 --> 00:31:27,575 I KNOW WHAT I'M SEEING. - SO DO I. 855 00:31:27,678 --> 00:31:29,301 - NOT THE WAY THAT I DO. 856 00:31:29,404 --> 00:31:31,234 - DON'T PULL RANK WITH ME. - I'M NOT PULLING-- 857 00:31:31,337 --> 00:31:33,270 - I NEVER DID THAT WITH YOU WHEN YOU WERE WORKING. 858 00:31:33,374 --> 00:31:35,445 IT'S NOT FAIR. - I'M SURE YOU SAW PLENTY 859 00:31:35,548 --> 00:31:37,516 THAT I DIDN'T SEE WHILE I WAS WORKING. 860 00:31:37,619 --> 00:31:39,828 AND YOU MADE DECISIONS WITHOUT EVEN CONSULTING ME. 861 00:31:39,932 --> 00:31:43,073 - YEAH, PB & J OR TUNA FISH? BALLET OR KARATE? 862 00:31:43,177 --> 00:31:44,143 NOTHING LIKE THIS. 863 00:31:44,247 --> 00:31:44,972 NOTHING LIKE THIS EVER CAME UP. 864 00:31:45,075 --> 00:31:46,007 - WELL, THIS HAS COME UP NOW, 865 00:31:46,111 --> 00:31:48,561 AND I THINK WE NEED TO HOLD HIM BACK. 866 00:31:48,665 --> 00:31:49,977 AND I DISAGREE. 867 00:31:50,080 --> 00:31:53,152 I SEE A KID WHO'S TRYING, WHO'S MAKING HUGE STRIDES. 868 00:31:53,256 --> 00:31:55,706 IF WE PULL HIM BACK NOW, HIS-- 869 00:31:55,810 --> 00:31:58,537 I MEAN, IT WILL JUST ABSOLUTELY SHRED HIS SELF-CONFIDENCE. 870 00:31:58,640 --> 00:32:01,195 - NO, WHAT'S GONNA SHRED HIS SELF-CONFIDENCE 871 00:32:01,298 --> 00:32:04,163 IS KEEPING HIM IN A CLASS WHERE HE CAN'T KEEP UP. 872 00:32:04,267 --> 00:32:06,372 THERE ARE STUDIES ON THIS. 873 00:32:06,476 --> 00:32:07,684 ED WAS TELLING ME THAT HE READ A STUDY ABOUT-- 874 00:32:07,787 --> 00:32:10,307 - ED? WHO THE HELL IS ED? 875 00:32:10,411 --> 00:32:14,898 - ED IS A PARENT FROM THE SUSTAINABILITY COMMITTEE. 876 00:32:15,002 --> 00:32:16,520 - ED BROOKS? - YEAH. 877 00:32:16,624 --> 00:32:17,832 - YOU TALKED TO ED BROOKS ABOUT THIS? 878 00:32:17,936 --> 00:32:20,352 FANTASTIC. WELL, WE MIGHT AS WELL GO 879 00:32:20,455 --> 00:32:22,492 AND JUST TALK TO VICTOR NOW AND TELL HIM, 880 00:32:22,595 --> 00:32:23,838 BECAUSE THE WHOLE SCHOOL'S GONNA KNOW ABOUT THIS 881 00:32:23,942 --> 00:32:24,908 IN THE MORNING. 882 00:32:25,012 --> 00:32:25,909 - HE'S NOT GONNA TELL ANYONE. 883 00:32:26,013 --> 00:32:26,945 - OH, ED WON'T, NO. 884 00:32:27,048 --> 00:32:28,360 BUT HIS WIFE PROBABLY WILL. 885 00:32:28,463 --> 00:32:30,879 SHE HAPPENS TO BE THE BIGGEST BLABBERMOUTH ON THE PTA. 886 00:32:30,983 --> 00:32:33,468 - LISTEN, RELAX, SHE'S NOT EVEN AROUND THE SCHOOL ANYMORE. 887 00:32:33,572 --> 00:32:35,850 ED HARDLY SEES HER. SHE'S NOT GONNA-- 888 00:32:35,954 --> 00:32:38,094 - WHAT ELSE ARE YOU AND ED TALKING ABOUT? 889 00:32:38,197 --> 00:32:39,819 - HE JUST CAUGHT ME IN A BAD MOMENT. 890 00:32:39,923 --> 00:32:41,856 I WAS UPSET, AND SO I KIND OF-- - YEAH. 891 00:32:41,960 --> 00:32:42,788 - ANYWAY, LET'S STAY ON TOPIC HERE. 892 00:32:42,891 --> 00:32:45,964 - YEAH, LET'S STAY ON TOPIC. 893 00:32:46,067 --> 00:32:48,276 WHAT ABOUT WHAT HAPPENED AT BREAKFAST THIS MORNING? 894 00:32:48,380 --> 00:32:49,657 - WHAT ABOUT THIS MORNING AT BREAKFAST? 895 00:32:49,760 --> 00:32:53,592 - YOU LAYING INTO OUR SON ABOUT THE STUPID BOOK, JULIA. 896 00:32:53,695 --> 00:32:56,353 YOU NEEDLE HIM LIKE THAT, HE'S GONNA KNOW THAT 897 00:32:56,457 --> 00:32:57,630 SOMETHING IS UP. 898 00:32:57,734 --> 00:33:00,737 - SOMETHING IS UP. 899 00:33:00,840 --> 00:33:06,398 - THIS IS RIDICULOUS. 900 00:33:06,501 --> 00:33:08,055 - ARE YOU ENDING THIS CONVERSATION 901 00:33:08,158 --> 00:33:09,677 THAT WE'VE WAITED ALL DAY TO HAVE? 902 00:33:09,780 --> 00:33:11,230 - WHAT ELSE IS THERE TO SAY? 903 00:33:11,334 --> 00:33:14,475 - THERE-- [sighs] 904 00:33:14,578 --> 00:33:17,271 WE NEED TO SET UP A MEETING WITH HIS TEACHER, 905 00:33:17,374 --> 00:33:19,135 AND WITH THE PRINCIPAL, AND WE NEED TO DISCUSS 906 00:33:19,238 --> 00:33:20,895 GETTING HIM BACK INTO FOURTH GRADE 907 00:33:20,999 --> 00:33:22,759 AS SOON AS POSSIBLE. 908 00:33:22,862 --> 00:33:23,725 THAT'S WHAT THERE IS TO DISCUSS. 909 00:33:23,829 --> 00:33:25,831 - NO. 910 00:33:25,934 --> 00:33:29,800 NO. 911 00:33:29,904 --> 00:33:32,079 WE'RE NOT DOING THAT. 912 00:33:32,182 --> 00:33:35,116 WE MADE A PLAN WITH HIS TEACHER 913 00:33:35,220 --> 00:33:36,600 THAT WE WERE GONNA FIND HIM TUTORING, 914 00:33:36,704 --> 00:33:39,017 WE WERE GONNA TAKE A MONTH, AND THEN WE WOULD REEVALUATE. 915 00:33:39,120 --> 00:33:40,984 AND THAT'S WHAT WE'RE GONNA DO. 916 00:33:41,088 --> 00:33:45,816 YOU DON'T LIKE IT... TALK TO ED. 917 00:33:45,920 --> 00:33:48,543 I'M GOING FOR A WALK. 918 00:34:02,592 --> 00:34:04,525 - GOOD MORNING. 919 00:34:04,628 --> 00:34:06,423 - GOOD MORNING. 920 00:34:06,527 --> 00:34:09,633 - WOW. I MEAN, THAT IS ONE AWESOME CAMPAIGN 921 00:34:09,737 --> 00:34:10,703 PHOTO RIGHT THERE. 922 00:34:10,807 --> 00:34:11,946 - YES. - RIGHT? 923 00:34:12,050 --> 00:34:13,568 - YOUR SISTER REALLY CAME THROUGH. 924 00:34:13,672 --> 00:34:14,811 I THINK IT'S GREAT. 925 00:34:14,914 --> 00:34:16,261 I THINK SHE DID A REALLY GOOD JOB. 926 00:34:16,364 --> 00:34:17,814 - IT'S STRONG, IT'S-- 927 00:34:17,917 --> 00:34:20,575 - THAT IS--THAT IS PROFESSIONAL QUALITY RIGHT THERE. 928 00:34:20,679 --> 00:34:22,129 - MM-HMM. 929 00:34:22,232 --> 00:34:23,958 - SHE'S GONNA EXPECT TO GET PAID NEXT TIME. 930 00:34:24,062 --> 00:34:25,960 MORE THAN 50 BUCKS. 931 00:34:26,064 --> 00:34:27,341 - YOU MADE THE DEAL. 932 00:34:27,444 --> 00:34:29,101 - PRETTY SLICK DEAL I MADE... - YEAH, IT'S GOOD. 933 00:34:29,205 --> 00:34:30,896 - SHE DESERVES EVERY PENNY. 934 00:34:30,999 --> 00:34:33,830 I JUST-- IT'S SO WEIRD, ISN'T IT? 935 00:34:33,933 --> 00:34:36,557 - WHAT? - THE PICTURE. 936 00:34:36,660 --> 00:34:38,973 I MEAN, JUST TO LOOK AT IT, IT'S LIKE I'M... 937 00:34:39,077 --> 00:34:40,906 NOT USED TO SEEING MYSELF WITH HAIR. 938 00:34:41,009 --> 00:34:45,359 - RIGHT. - YOU KNOW? 939 00:34:45,462 --> 00:34:47,982 I CATCH MYSELF, YOU KNOW... 940 00:34:48,086 --> 00:34:49,846 WALKING PAST A MIRROR OR SOMETHING, 941 00:34:49,949 --> 00:34:54,022 AND I STILL HALF-EXPECT ME TO BE BALD, YOU KNOW? 942 00:34:54,126 --> 00:34:55,990 I THINK, "THERE GOES BALD KRISTINA." 943 00:34:56,094 --> 00:34:58,717 CANCER KRISTINA. - UH-HUH. 944 00:34:58,820 --> 00:35:01,099 - I FEEL LIKE I KICKED CANCER IN ITS TEETH. 945 00:35:01,202 --> 00:35:02,928 I FEEL LIKE KIND OF A BADASS, YOU KNOW? 946 00:35:03,031 --> 00:35:04,067 - YOU DID KICK CANCER IN ITS TEETH. 947 00:35:04,171 --> 00:35:05,137 YOU ARE A BADASS. 948 00:35:05,241 --> 00:35:08,830 - WE'RE LUCKY. - WE ARE. 949 00:35:08,934 --> 00:35:11,247 - WE'RE VERY LUCKY. - MM-HMM. 950 00:35:11,350 --> 00:35:14,905 - I DON'T KNOW, I FEEL LIKE LATELY I'VE JUST HAD THIS 951 00:35:15,009 --> 00:35:16,700 "I DEFEATED CANCER" ATTITUDE. 952 00:35:16,804 --> 00:35:18,530 I CAN DO ANYTHING AND CONQUER THE WORLD... 953 00:35:18,633 --> 00:35:21,326 - YOU CAN DO ANYTHING. - AND I FEEL LIKE-- 954 00:35:21,429 --> 00:35:23,259 I FEEL LIKE I GOT AHEAD OF MYSELF 955 00:35:23,362 --> 00:35:25,226 WITH THIS CAMPAIGN, YOU KNOW? 956 00:35:25,330 --> 00:35:27,470 - UH-HUH. - I FEEL LIKE WE NEED TO... 957 00:35:27,573 --> 00:35:29,161 JUST TO PULL BACK A LITTLE, 958 00:35:29,265 --> 00:35:31,301 MAYBE TALK TO HEATHER ABOUT, YOU KNOW, 959 00:35:31,405 --> 00:35:34,270 NOT SPENDING AS MUCH JUST UNTIL I CAN MAKE SOME MONEY. 960 00:35:34,373 --> 00:35:36,306 FUNDRAISING AND... JUST TO SEE WHERE WE STAND. 961 00:35:36,410 --> 00:35:38,722 - KRISTINA, YOU KNOW, AFTER GIVING THAT LITTLE SPEECH, 962 00:35:38,826 --> 00:35:40,621 I DON'T HAVE ANY CHOICE BUT TO REACH IN MY WALLET 963 00:35:40,724 --> 00:35:42,692 AND HAND OVER MY CREDIT CARD. - OKAY, WELL, THAT WAS 964 00:35:42,795 --> 00:35:45,108 NOT MY INTENTION. I'M NOT TRYING TO GET SYMPATHY. 965 00:35:45,212 --> 00:35:47,490 I'M--I'M JUST-- - I KNOW. 966 00:35:47,593 --> 00:35:49,802 AND YOU KNOW I HAVE MIXED FEELINGS ABOUT THE CAMPAIGN. 967 00:35:49,906 --> 00:35:51,183 - I KNOW THAT YOU DO. 968 00:35:51,287 --> 00:35:54,117 SO WHERE DOES THAT LEAVE US? - WELL, IT LEAVES ME 969 00:35:54,221 --> 00:35:55,912 WITH NO CHOICE. 970 00:35:58,086 --> 00:35:59,674 TAKE IT. JUST TAKE IT. 971 00:35:59,778 --> 00:36:00,641 - I CAN'T. - TAKE IT. 972 00:36:00,744 --> 00:36:02,160 - CAN'T DO IT. - JUST TAKE IT. 973 00:36:02,263 --> 00:36:04,196 TAKE THE OTHER ONE. - OH, GOD! 974 00:36:04,300 --> 00:36:06,336 - TAKE IT. JUST... - IT'S BETTER THAN SEX. 975 00:36:06,440 --> 00:36:08,545 - TAKE THE WHOLE THING. 976 00:36:12,135 --> 00:36:13,654 - THANK YOU FOR BELIEVING IN ME. 977 00:36:13,757 --> 00:36:15,552 - I LOVE YOU. 978 00:36:15,656 --> 00:36:17,244 - I LOVE YOU. 979 00:36:17,347 --> 00:36:19,694 - NO MORE GREEN JUICE. - I CAN GET RED JUICE. 980 00:36:19,798 --> 00:36:20,247 - HEY. 981 00:36:24,009 --> 00:36:25,562 [groans] 982 00:36:29,566 --> 00:36:31,499 YOU REMEMBER WHEN ADAM AND CROSBY 983 00:36:31,603 --> 00:36:33,191 HUNG THE WELCOME HOME SIGN FROM THE TREE THERE 984 00:36:33,294 --> 00:36:36,263 WHEN WE BROUGHT JULIA HOME FROM THE HOSPITAL? 985 00:36:39,058 --> 00:36:43,304 AND SARAH... 986 00:36:43,408 --> 00:36:46,204 SHE HAD HER FIRST PLAY IN THE BARN. 987 00:36:46,307 --> 00:36:48,689 [chuckles] 988 00:36:48,792 --> 00:36:52,140 REMEMBER CROSBY'S PUNK ROCK BAND? 989 00:36:52,244 --> 00:36:54,350 WERE THEY BAD OR WHAT? 990 00:36:54,453 --> 00:36:56,938 I MEAN, PRACTICING ALL NIGHT LONG, HUH? 991 00:37:04,670 --> 00:37:06,810 SARAH, WHEN SHE WAS A LITTLE GIRL, 992 00:37:06,914 --> 00:37:11,229 SHE RAN AWAY FROM HOME, SHE HIDES IN THE GUEST HOUSE... 993 00:37:11,332 --> 00:37:14,370 TELLS US SHE NEVER WANTS TO SEE US AGAIN. 994 00:37:14,473 --> 00:37:17,200 - ZEEK... - AND JULIA, I MEAN... 995 00:37:17,304 --> 00:37:19,582 WASN'T IT YESTERDAY SHE STOOD THERE 996 00:37:19,685 --> 00:37:22,412 AND TOLD US SHE GOT INTO STANFORD? 997 00:37:24,207 --> 00:37:25,415 AND CROSBY GOT MARRIED DOWN THERE 998 00:37:25,519 --> 00:37:28,246 WHERE I STRUNG UP ALL THOSE FOURTH OF JULY LIGHTS. 999 00:37:28,349 --> 00:37:32,698 I MEAN, HOW MANY MILLIONS OF YEARS AGO WAS THAT? 1000 00:37:38,911 --> 00:37:42,950 EVERYTHING I WANT IS RIGHT HERE, MILLIE. 1001 00:37:43,053 --> 00:37:45,124 THIS IS IT. THIS IS... 1002 00:37:45,228 --> 00:37:48,024 THIS IS MY THIRD ACT WITH YOU. 1003 00:37:54,237 --> 00:37:57,171 - I WANT MORE. 1004 00:37:57,275 --> 00:38:02,832 I WANT US TO DO WONDERFUL THINGS TOGETHER. 1005 00:38:02,935 --> 00:38:05,386 LIKE I CAN PICTURE US 1006 00:38:05,490 --> 00:38:07,146 BRAGGING ABOUT OUR GRANDCHILDREN 1007 00:38:07,250 --> 00:38:11,392 AS WE'RE BOATING DOWN THE SEINE. 1008 00:38:11,496 --> 00:38:13,912 I DON'T KNOW, YOU KNOW, I-- 1009 00:38:14,015 --> 00:38:17,156 I'VE BEEN PAINTING THIS YARD FOR 20 YEARS NOW. 1010 00:38:17,260 --> 00:38:19,642 KINDA LIKE TO PAINT SOMETHING ELSE. 1011 00:38:19,745 --> 00:38:22,576 THINK HOW MANY THINGS WE COULD DO. 1012 00:38:22,679 --> 00:38:24,957 HOW MANY THINGS WE COULD AFFORD TO DO 1013 00:38:25,061 --> 00:38:28,927 IF WE SOLD THE HOUSE. 1014 00:38:29,030 --> 00:38:31,550 ALL THE PLACES WE COULD SEE. 1015 00:38:31,654 --> 00:38:32,310 - I DON'T KNOW. I'VE SEEN OTHER PLACES 1016 00:38:32,413 --> 00:38:35,865 I DIDN'T REALLY CARE FOR 'EM. 1017 00:38:38,626 --> 00:38:41,457 - WELL, I HAVEN'T. 1018 00:38:41,560 --> 00:38:45,115 I WAS SO YOUNG WHEN WE GOT MARRIED. 1019 00:38:45,219 --> 00:38:47,083 I WAS PRACTICALLY A BABY MYSELF 1020 00:38:47,186 --> 00:38:49,119 WHEN ADAM WAS BORN. 1021 00:38:51,294 --> 00:38:55,022 I'M NOT COMPLAINING. YOU KNOW THAT. 1022 00:38:55,125 --> 00:38:58,681 IT'S BEEN A GOOD LIFE. IT'S BEEN A BEAUTIFUL LIFE. 1023 00:38:58,784 --> 00:39:01,511 I'VE LOVED EVERY MINUTE OF IT. 1024 00:39:05,377 --> 00:39:07,414 BUT I'M READY FOR THE NEXT STEP. 1025 00:39:17,251 --> 00:39:20,841 - HEY. HEY. I NEED THE ROOM, BRO. 1026 00:39:23,119 --> 00:39:24,120 - YOU GOT IT, DREW. 1027 00:39:24,223 --> 00:39:26,433 [background chatter] 1028 00:39:34,717 --> 00:39:37,927 - YEAH. THAT WAS MY ROOMMATE. - YEAH. 1029 00:39:38,030 --> 00:39:39,860 - THIS IS PRETTY MUCH IT. 1030 00:39:41,379 --> 00:39:43,173 - SCRABBLE. - OH, YEAH. 1031 00:39:43,277 --> 00:39:46,073 MY MOM PACKED THAT FOR ME. 1032 00:39:46,176 --> 00:39:47,937 - NO, I LOVE SCRABBLE. - YEAH? 1033 00:39:48,040 --> 00:39:49,870 - YEAH. 1034 00:39:50,457 --> 00:39:52,666 DO YOU KNOW HOW TO PLAY? - YEAH. 1035 00:39:52,769 --> 00:39:54,392 - YEAH? - I LOVE SCRABBLE TOO. 1036 00:39:54,495 --> 00:39:56,186 - WHO DOESN'T? 1037 00:39:58,879 --> 00:40:00,398 - IT'S LIKE SEVEN-- - YEAH, SEVEN. 1038 00:40:00,501 --> 00:40:02,676 - OKAY, COOL. [plastic rustles] 1039 00:40:10,925 --> 00:40:14,895 - "THE...VILL..." 1040 00:40:14,998 --> 00:40:17,069 I DON'T KNOW THIS ONE. 1041 00:40:17,173 --> 00:40:18,899 - SOUND IT OUT. DOING GOOD. 1042 00:40:19,002 --> 00:40:20,452 - "THE... [exhales] 1043 00:40:20,556 --> 00:40:22,696 VILLAGE. VILL--VILLAGE..." 1044 00:40:22,799 --> 00:40:24,283 - GOOD JOB, VICTOR. - GOOD. 1045 00:40:24,387 --> 00:40:25,353 - THAT WAS A HARD ONE. - YEAH. 1046 00:40:25,457 --> 00:40:28,322 - "FOG CREPT..." - HI. 1047 00:40:28,426 --> 00:40:30,428 - HEY, GUYS. 1048 00:40:38,919 --> 00:40:43,579 - "IN AND OUT OF THE EMPTY HUTS. 1049 00:40:43,682 --> 00:40:48,169 IT MADE SHAPES AS IT DRIFTED..." 1050 00:40:48,273 --> 00:40:52,104 DRIFTED? "AND THEY REMINDED ME 1051 00:40:52,208 --> 00:40:54,279 OF ALL THE PEOPLE." 1052 00:40:54,382 --> 00:40:55,970 - HEY, AIDA, LISTEN, LISTEN, LISTEN, 1053 00:40:56,074 --> 00:40:57,972 YOU'RE GONNA HAVE TO TAKE THE BOTTLE, SWEETIE, 1054 00:40:58,076 --> 00:41:00,941 'CAUSE YOUR MOM'S ASLEEP AND SHE'S EXHAUSTED, ALL RIGHT? 1055 00:41:01,044 --> 00:41:03,184 [Aida crying] CAN YOU MEET ME HALFWAY HERE? 1056 00:41:03,288 --> 00:41:07,706 ALL RIGHT, SWEETIE, YOU GOTTA TRY TO TAKE THE BOTTLE, OKAY? 1057 00:41:07,810 --> 00:41:09,846 [crying] HEY, HEY, HEY, CAN YOU TRY? 1058 00:41:09,950 --> 00:41:12,262 YOU--YOU'RE GONNA-- COME ON. 1059 00:41:12,366 --> 00:41:13,988 PLEASE? [crying] 1060 00:41:14,092 --> 00:41:16,232 NO, DON'T MAKE THAT FACE. LISTEN TO ME. 1061 00:41:16,335 --> 00:41:20,892 I KNOW YOUR MOM'S GOT BOOBS, AND THAT'S VERY, VERY AWESOME. 1062 00:41:20,995 --> 00:41:22,928 BUT I'M HERE FOR YOU TOO, ALL RIGHT? 1063 00:41:23,032 --> 00:41:25,724 IT'S IMPORTANT TO ME THAT YOU KNOW THAT. 1064 00:41:25,828 --> 00:41:28,244 I'M ALWAYS GONNA BE HERE FOR YOU, OKAY? 1065 00:41:28,347 --> 00:41:31,558 YOU UNDERSTAND THAT? 1066 00:41:31,661 --> 00:41:33,214 YOU AND ME. 1067 00:41:35,562 --> 00:41:38,944 GONNA TAKE THIS BOTTLE? 1068 00:41:39,048 --> 00:41:42,120 PLEASE, PLEASE, PLEASE, PLEASE, PLEASE. 1069 00:41:44,985 --> 00:41:48,264 YEAH! THAT'S A GOOD GIRL. 1070 00:41:48,367 --> 00:41:51,163 OH, GOOD JOB, HONEY. 1071 00:41:51,267 --> 00:41:52,786 OH, GOOD JOB. 1072 00:41:52,889 --> 00:41:56,997 [whispers] OH, THAT'S IT. 1073 00:42:00,138 --> 00:42:03,037 OH, GOOD JOB, BUDDY. 1074 00:42:03,141 --> 00:42:04,487 GOOD JOB, LITTLE AIDA. 1075 00:42:04,591 --> 00:42:09,250 YEAH, I'M HERE FOR YOU, BUDDY. 1076 00:42:09,354 --> 00:42:13,116 I'M ALWAYS GONNA BE HERE, OKAY? 1077 00:42:13,220 --> 00:42:14,324 YEAH.